Danish National Symphony Orchestra by Hong Kong Arts Festival

香港藝術節今年踏入第4 6屆，再度為來自世界各地的觀眾獻上精彩紛呈的藝術盛宴，讓香港這個文化大都會更添生色。今年藝術節預備了各式各樣的表演節目，古典及當代藝術元素俱全，凸顯本港豐富多元的文化特色。短短一個月內將有約1 3 0 場音樂、舞蹈、戲劇、歌劇等表演舉行，讓一眾藝術愛好者目不暇給。一如以往，本屆藝術節除了請來本地和海外藝術家演繹引人入勝的代表作品，亦悉心安排各項外展活動。為培養青少年對藝術的興趣，「香港藝術節青少年之友」計劃讓本地學生有機會欣賞藝術節節目和參與全方位藝術活動。此外，藝術節又透過工作坊、後台參觀和大師班等「加料節目」，讓觀眾一睹藝術節重點節目的幕後創作過程，大開眼界。政府致力推動本地文化藝術發展，亦樂見贊助商和捐款者鼎力支持，攜手把香港藝術節打造成為享譽國際的藝壇盛事。我衷心感謝藝術節團隊多年來盡心盡力，為我們帶來這項高質素的文化活動，令本港藝壇百花齊放，蓬勃發展。謹祝第4 6屆香港藝術節圓滿成功，各位表演嘉賓和觀眾朋友共享一段精彩難忘的藝術旅程。

林鄭月娥香港特別行政區行政長官

Now in its 46th year, the Hong Kong Arts Festival continues to contribute to the cultural life of Hong Kong, delighting audiences from near and far. This year, the Festival puts on a wide variety of performances that showcase a mix of classic and contemporary genres, spotlighting Hong Kong’s rich and diverse cultural landscape. Featuring some 130 performances in a packed month of music, dance, theatre, opera and more, the Festival has much to offer to arts lovers of all kinds. Alongside dazzling performances by an array of local and international artists, the Festival continues to place great emphasis on its outreach activities. To develop youngsters’ appreciation of the arts, the Young Friends of the Hong Kong Arts Festival offers local students the opportunity to enjoy the Festival’s performances and participate in multi-arts activities. Similarly, the PLUS programme gives audiences an inspirational glimpse into the creative process behind the core Festival performances through a combination of workshops, backstage tours and masterclasses. The Government is committed to promoting the development of arts and culture in the city, and we are blessed to have the support of devoted sponsors and donors who join us in making the Hong Kong Arts Festival an international success. I am also thankful to the Festival team for their years of hard work to deliver a top-class cultural event and their invaluable contribution to the city’s thriving arts scene. I wish the 46th Hong Kong Arts Festival a resounding success and all the participants, performers and audiences alike, an enjoyable and memorable experience.

Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region

歡迎閣下蒞臨欣賞第4 6屆香港藝術節，與我們一起分享、感受這一場精彩的表演藝術節目。我們要感謝香港特別行政區政府透過康樂及文化事務署的年度恆常撥款，使香港藝術節能每年成功舉辦。我們同時亦非常感謝香港賽馬會慈善信託基金多年以來積極而持續的鼓勵和贊助，以及其他眾多的商業機構、企業、慈善團體以至社會各界人仕，他們的慷慨捐助，讓我們能夠呈獻世界一流藝術家的演出，為本地人才提供一展才華的機會，委約及製作新作品，培養年青一代的觀眾。更重要的，是要感謝到來欣賞節目的各位觀眾。沒有廣大觀眾的熱情參與，就不會有香港藝術節。期望您喜歡這場演出。

查懋成香港藝術節主席

I am very pleased to welcome you to this performance at the 46th Hong Kong Arts Festival. Thank you for being here with us and sharing in our celebration of the performing arts. I would like to thank the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention which is crucial to the Festival’s continuing success. I am also most grateful to The Hong Kong Jockey Club Charities Trust for their continued support and encouragement over many years, enabling us to enrich the cultural calendar of the city. Thanks are also due to the many corporate sponsors, charitable foundations as well as individual donors whose generous support enables us to feature many of the world’s best artists, promote local talent, produce new works, and nurture young audiences in Hong Kong. Most importantly, my warm thanks to you for joining us tonight. Without the passion, participation and engagement of our audiences there would be no Hong Kong Arts Festival. I very much hope you will enjoy the performance.

Victor Cha Chairman, Hong Kong Arts Festival

衷心感謝閣下蒞臨欣賞第4 6屆香港藝術節的演出。今屆藝術節的主題是「真．我角度」，我們從此角度出發，欣賞藝術家透過他們的技藝、創意和心思所創作和呈現的多重現實。今年的節目當中，無論是對應某種人生經驗、藝術動機或敘事手法，都往往帶着對「真」的各種個人省思。整體而言，我期望今屆藝術節可以啟發大家思考，甚至懷疑我們所理解的「真實」。希望您能開放自我，投入到舞台上呈現的世界，與藝術家共同經驗各種現實。也誠邀您參加「加料節目」的各項活動，豐富您的藝術節體驗。感謝您參與香港藝術節，支持我們的使命，為香港打造一個既屬於香港，也代表香港的世界級藝術節。

何嘉坤香港藝術節行政總監

It is a pleasure and privilege to welcome you to this performance at the 46th HKAF. This year, we take the notion of "what’s real to me" to celebrate the realities created through the artistry, creativity and thoughtfulness of our participating artists. Many works are informed by highly personal views, whether responding to some aspect of human experience as a matter of artistic motivation, or as a narrative device. Taken as a whole, I hope this Festival will provoke us to think about – and perhaps to question – our own understanding of what’s real. I hope that you will allow yourself to be immersed in the realities presented on stage at this and many other performances at the 46th HKAF, and enjoy the resulting co-created experience. I would also recommend the many PLUS performances and events that have been designed to enrich your Festival experience. Together with the entire team, I would like to thank you for your participation and support which sustains us in the mission to present a world class Arts Festival in, of and for Hong Kong.

Tisa Ho Executive Director, Hong Kong Arts Festival

香港藝術節扎根香港的國際藝壇盛事香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國際藝術家的演出，以及舉辦多元化的「加料」和教育活動，致力豐富香港的文化生活。香港藝術節是一所非牟利機構，2018 年第 46 屆藝術節的年度預算約港幣一億二千五百萬，當中香港特區政府的基本撥款約佔總收入的 14%，另外約 32% 需來自票房收入，約 3 6 % 則需依賴來自各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘下的大約 18% 則來自其他收入，包括政府針對捐款和贊助收入而提供的配對資助。香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，例如 *： •歌劇：巴伐利亞國立歌劇院、莫斯科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、安娜．涅翠柯、詹安德列亞．諾斯達、甘拿迪．羅傑斯特汶斯基、克里斯蒂安．泰利曼、倫敦交響樂團、皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、約翰．紐邁亞、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩娜．包殊烏珀塔爾舞蹈劇場

2018 年藝術節預計收入來源（約港幣一億二千五百萬） Estimated Income Sources for the 2018 HKAF (Approximately HK$125 Million)

Sponsorship & Donations 贊助及捐款

•戲劇：彼得．布祿克、羅伯特．威爾遜、柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特別節目：《藝裳奇幻世界》、星躍馬術奇藝坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》香港藝術節積極與本地演藝人才合作，並致力為新晉藝術家提供展示才華的平台。藝術節至今委約及製作逾 200 套本地全新創作，包括戲劇、室內歌劇、音樂和舞蹈作品，近年開始同步出版新作劇本，不少製作更已在香港及海外多度重演。近年的藝術節新製作包括《香港家族》三部曲、《世紀．香港》音樂會、《論語》、《炫舞場》、《大同》、《金蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。香港藝術節多年來與知名海外藝術家及團體聯合製作不少優秀作品，當中包括由香港藝術節、香港歌德學院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街製作公司製作、香港藝術節為聯合委約機構之一的「橫貫計劃」之《暴風雨》及《李察三世》、由香港藝術節及上海國際藝術節聯合委約的《青蛇》、三藩市歌劇院與香港藝術節聯合製作的《紅樓夢》等。香港藝術節大力投資下一代的藝術教育。「青少年之友」成立 26 年來，已為逾 730,000 位本地中學生及大專生提供藝術體驗活動。藝術節近年亦開展多項針對大、中、小學生的藝術教育活動，包括由國際及本地藝術家主持的示範講座及工作坊、學生展演、演前講座、公開彩排、以及欣賞藝術節演出。同時，通過「學生票捐助計劃」，藝術節每年提供約 10,000 張半價學生票。香港藝術節每年主辦一系列多元化並深入社區的「加料節目」，例如電影放映、示範講座、大師班、工作坊、座談會、後台參觀、展覽、藝人談、文化導賞團等，鼓勵觀眾與藝術家互動接觸。

18%

36% Box Office 票房收入

32%

14%

Other Income (Including Possible Matching Grant for Sponsorship and Donation Income) 其他收入（包括按捐款和贊助收入可望獲得的配對資助 ) Government Baseline Funding 政府的基本撥款（Updated August 2017 2017 年 8 月更新）

Hong Kong Arts Festival A Major International Arts Festival In, Of and For Hong Kong

• Theatre: Peter Brook, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.

• Large-scale special events: World of WearableArt, Zingaro

HKAF is a non-profit organisation. Secured government baseline funding for the Festival in 2018 represents roughly 14% of its HK$125 million budget. Around 32% of the Festival’s income needs to come from the box office, and another 36% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 18% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western opera: Bavarian State Opera, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Anna Netrebko, Gianandrea Noseda, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, John Neumeier, American Ballet Theatre, Cloud Gate Dance Theatre, Hamburg Ballet, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch

• Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include A Floating Family, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong – The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 26 years, our “Young Friends” scheme has reached over 730,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2017.html 誠邀贊助或捐助第 46 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details of the 46th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: dev@hkaf.org

直綫 Direct Lines: (852) 2828 4910/11/12

網頁 Website: www.hk.artsfestival.org/en/support-us

Presents

Fabio Luisi and the Danish National Symphony Orchestra 法比奧．雷西與丹麥國家交響樂團 3 月 Mar

香港文化中心音樂廳 Concert Hall, Hong Kong Cultural Centre 演出長約 2 小時 10 分鐘，包括一節中場休息 Running time: approximately 2 hours and 10 minutes including one interval

香港藝術節感謝馬哥孛羅香港酒店提供酒店住宿支持 Hong Kong Arts Festival wishes to thank Marco Polo Hongkong for providing accommodation support for this programme 封面照片 Cover Photograph: © Per Morten Abrahamsen

敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on

請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.

HKartsfestival

本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.

www.hk.artsfestival.org

丹麥國家交響樂團

丹麥國家交響樂團成立於 1 9 2 5 年，最初為丹麥

樂團曾與多位首屈一指的獨奏家和獨唱家同台演

廣播公司附屬樂團。時至今日，樂團已發展為歐

出，包括安蘇菲．慕特、卡華高斯、芮妮．芙萊

洲頂尖交響樂團之一，經常與世界聞名的指揮

明、馬友友、奧維．安斯涅斯、郎朗、安娜．涅

和獨奏家合作。樂團鮮明而率直的風格源自與丹

翠柯、奈吉爾．甘迺迪、巴倫博伊姆、列翁絲卡

麥及北歐音樂傳統的密切關係，演繹丹麥巨匠卡

雅、亞殊堅納西、曼奴軒爵士及帕爾曼等。而偉

爾．尼爾森的曲目更是無出其右。

大作曲家普羅科菲夫及史達拉汶斯基亦曾經親自

2 012 年，丹麥國家交響樂團首席指揮由西班

指揮丹麥國家交響樂團演出他們的作品。

牙大師拉斐爾．布爾各斯擔任，惟布爾各斯於

丹麥國家交響樂團曾多次於美國、南美洲、亞洲

2 014 年 6 月辭世，樂團遂另覓接任人。同年 9

及歐洲各國巡演，並在著名場地演出，包括紐約

月，樂團宣佈由意大利指揮家法比奧．雷西接

卡奈基音樂廳、倫敦皇家艾伯特音樂廳、柏林愛

棒，於 2017 年上任。

樂廳、科隆愛樂廳、阿姆斯特丹音樂廳、維也納

丹麥國家交響樂團歷年來與不少殿堂級指揮合作

金色大廳及西班牙阿爾罕布拉宮等地。

演出，當中包括馬捷爾、貝卡．沙羅倫、辛諾普

樂團現時以哥本哈根音樂廳為家，該標誌性建築

利、西利比達治、珊特齡、比徹姆爵士、馬爾科

於 2 0 0 9 年落成，出自著名法國當代建築師努維

及布什。樂團歷任的首席和客席指揮則有布隆斯

勒手筆。音樂廳於 2 0 1 2 年被英國《留聲機》古

泰特及道斯加德（桂冠指揮）、艾伯克、薩格士

典音樂雜誌評為世界十大音樂廳之一。

譚、契達申科及特米爾卡洛夫。

Danish National Symphony Orchestra The Danish National Symphony Orchestra (DNSO) was founded in 1925 as part of the Danish Broadcasting Corporation. Today, it is one of the leading symphony orchestras in Europe, performing with the world’s leading conductors and soloists. The strong and straightforward personality of the DNSO is rooted in its close relationship with Danish and Nordic music, and it is the world’s foremost orchestra in the repertoire of Carl Nielsen.

The orchestra has performed with soloists including Anne-Sophie Mutter, Leonidas Kavakos, Renée Fleming, Yo-Yo Ma, Leif Ove Andsnes, Lang Lang, Anna Netrebko, Nigel Kennedy, Daniel Barenboim, Elisabeth Leonskaja, Vladimir Ashkenazy, Yehudi Menuhin and Itzhak Perlman; the great composers Sergei Prokofiev and Igor Stravinsky also gave performances of their own works as soloists together with the DNSO.

From 2012, the Principal Conductor of the Danish National Symphony Orchestra was Spanish maestro Rafael Frühbeck de Burgos, but his death in June 2014 led to the search for a new leader. In September that year, the DNSO happily announced its new Principal Conductor would be the Italian Fabio Luisi, who took up his position beginning in 2017.

The DNSO has toured extensively in the USA, in South America, in Asia and in most countries in E urope, and performed at some of the most prestigious venues including New York’s Carnegie Hall, London’s Royal Albert Hall, the Berlin Philharmonie, the Cologne Philharmonie, Amsterdam’s Concertgebouw, Vienna’s Musikverein and the Alhambra in Granada.

Over the years, the Danish National Symphony Orchestra has been conducted by artists including Lorin Maazel, Esa-Pekka Salonen, Giuseppe Sinopoli, Sergiu Celibidache, Kurt Sanderling, Sir Thomas Beecham, Nicolai Malko and Fritz Busch. Former Principal Conductors and Principal Guest Conductors include Herbert Blomstedt (conductor laureate), Thomas Dausgaard (conductor laureate), Gerd Albrecht, Leif Segerstam, Dmitrij Kitajenko and Yuri Temirkanov.

The home of the Danish National Symphony Orchestra is DR Koncerthuset in Copenhagen, built in 2009 and designed by the famous French architect Jean Nouvel. In 2012, the respected British music magazine Gramophone rated the DR Koncerthuset concert hall among the 10 best in the world.

藝術節加料節目

演前講座 Pre-Performance Talk

20.3 ( 二 Tue ) 下午 7:15pm

誠邀你參與由丹麥國家交響樂團執行監製哥頓．阿爾辛主持的演前講座，讓你了解更多關於作曲家尼爾森的音樂。

Please join us for a pre-performance talk on the composer Carl Nielsen, hosted by Gordon Alsing, Executive Producer of the Danish National Symphony Orchestra.

英語主講

In English

香港文化中心平台工作室

Podium Workshop, HK Cultural Centre

持票觀眾免費入埸

Free and open to all ticket holders

更多加料節目詳情及網上報名 More Festival PLUS and online registration: www.hk.artsfestivalplus.org

交響大師法比奧．雷西與丹麥國家交響樂團 2 014 年 9 月，指揮家法比奧．雷西因為拒絕接

本港樂迷如果希望在香港藝術節之前，感受一下

替詹姆士．利雲出任紐約大都會歌劇院音樂總

丹麥交響樂團的魅力，可以從該團為 Chandos 唱

監，登上了報章頭條。其實一直以來，觀眾和樂

片公司及其他品牌灌錄的多張專輯入手。要欣賞

評人都已經對雷西相當熟悉。雷西與紐約甚有淵

雷西的演繹，可以從他於 2011 － 2012 年度指揮

源，除了定期在大都會歌劇院指揮，2 0 1 1 年又

的華格納《尼伯龍根的指環》下半部開始。這

與維也納交響樂團在紐約演出，還有與其他樂團

個演出由大都會歌劇院製作，羅伯特．利柏殊執

合作，在紐約演出形形色色的音樂會曲目及歌劇

導，不但是該院的重要製作，更榮獲格林美獎。

選段。雷西顯然志在尋找新挑戰：他曾在許多著名藝團出任過要職，現時為蘇黎世和佛羅倫斯的

文：湯柏恩。文章原載於 2018 年之《閱藝》雜誌

主要歌劇團擔任總監，而且即使在任何地方擔任客席指揮，也無不表現出卓越的才華。再說說 2014 年那些報章頭條吧。令雷西捨大都會歌劇院而去的，正是丹麥國家交響樂團。2017 年，雷西接替偉大指揮家拉斐爾．布爾各斯，成為這個優秀的北歐樂團的掌舵人；但其實雷西早已對丹麥國家交響樂團十分熟悉：因為早在他應聘之前，已經多次在哥本哈根擔任該團的客席指揮。這次委任令樂團團員和雷西本人都大為振奮；2017 年春季在美國巡迴演出時也大獲好評，足見兩者合作無間。雷西加盟丹麥國家交響樂團後，就與丹麥國寶級作曲家卡爾．尼爾森結下不解之緣。他形容尼爾森無論音樂與為人都「妙趣橫生，既獨特又錯綜複雜」。香港藝術節的觀眾將有機會一飽耳福，現場欣賞尼爾森的傑作第五交響曲。第五交響曲是 1 920 年代初的作品，過去鮮有在香港演出，更遑論由最了解尼爾森的樂師演繹。其他曲目包括德國浪漫主義作品，如華格納《漂泊的荷蘭人》序曲和理察．史特勞斯《唐璜》，以及中國作曲家郭文景的《山之祭》：為敲擊樂獨奏與管弦樂團而作的協奏曲，由李飈擔任獨奏。

法比奧．雷西 Fabio Luisi

Symphonic Masters: Fabio Luisi and the Danish National Symphony Orchestra In September 2014 conductor Fabio Luisi made headlines when he turned down the opportunity to succeed James Levine as music director of the Metropolitan Opera in New York. Up to that time, audiences and critics had been getting to know Luisi well; his courtship with New York included not only his regular conducting work at the Met but also visits with the Vienna Symphony Orchestra in 2011, along with other ensembles and a wide range of concert and operatic music. Luisi clearly seeks out new challenges; he has held numerous prestigious positions (they currently include directorships of the main opera companies of Zurich and Florence), and there seem to be few places where he has not demonstrated his formidable talents as a guest conductor. Returning to those 2014 headlines, it was the opportunity to lead the Danish National Symphony Orchestra that saw Luisi move away from the Met. He took the helm of this fine Nordic ensemble in 2017, succeeding its previous music director, the great Rafael Fruhbeck de Burgos, but he already knew the orchestra well, having made a number of guest appearances in Copenhagen before being offered the post. Both he and the orchestra members were thrilled by the appointment, with a highly successful tour of the US in the spring of 2017 celebrating their partnership. Since joining the DNSO, Luisi has bonded with the music of the Danish national composer, Carl Nielsen, whose music and personality he has described as “incredibly interesting, original, and complex.” HKAF audience members will have the opportunity to hear Nielsen’s Symphony No 5, a masterpiece from the early 1920s that is rarely heard in Hong Kong, played by the musicians who know it best. German romanticism is also on the programme in the form of the overture to Wagner’s Der Fliegende Holländer, and Richard Strauss’s Don

Juan. We will also hear the DNSO’s interpretation of Chinese composer Guo Wenjing’s The Rite of Mountains: Concerto for Percussion and Orchestra, performed by soloist Li Biao. Hong Kong music lovers wanting to get a further taste of the DNSO might sample some of their many recordings for Chandos and other labels. For Fabio Luisi, a good place to start is his Grammy Award-winning performances of the second half of Wagner’s Ring cycle between 2011 and 2012, available in Robert Lapage’s landmark production for the Met. By Brian C. Thompson. This article was originally published in HKAF's 2018 FestMag

20.3.2018

Richard Wagner (1813-1883)

華格納《漂泊的荷蘭人》序曲，WWV63

Overture to Der fliegende Holländer, WWV63 Guo Wenjing (1956-)

郭文景《山之祭》：為敲擊樂獨奏與管弦樂團而作的協奏曲，作品 47

The Rite of Mountains: Concerto for Percussion and Orchestra, Op 47

馬林巴琴的觸技曲與悲歌

Toccata – Elegy for marimba

一面鑼的三重奏、四重奏與一組鑼的觸技曲廣板─小快板─廣板

Trio - Quartet for one gong, Toccata for a group of gongs, Largo - Allegretto - Largo

鼓的宣敘調：中板─急板

Recitative for drums: Moderato - Presto

敲擊：李飈

Li Biao percussion — 中場休息 Interval —

理察．史特勞斯《唐璜》，作品 20

Richard Strauss (1864-1949) Don Juan, Op 20

尼爾森

Carl Nielsen (1865-1931)

第五交響曲，作品 50

Symphony No 5, Op 50

適當的速度─慢板

Tempo giusto - Adagio

快板─急板─稍平靜的行板─快板

Allegro - Presto - Andante un poco tranquillo - Allegro

今晚的音樂會由香港電台第四台 (FM97.6-98.9 兆赫及 www.rthk.hk) 錄音，並將於 4 月 14 日 ( 星期六 ) 晚上 8 時播出及 4 月 19 日 ( 星期四 ) 下午 2 時重播。

Tonight's concert is being recorded by RTHK Radio 4 (FM Stereo 97.6-98.9 MHz and www.rthk.hk) and will be broadcast on Sat 14th April at 8pm, with a repeat on Thu 19th April at 2pm. 是晚演出曲目及次序或有更改

Pieces and their order of performance are subject to change

樂曲介紹 Programme notes 華格納《漂泊的荷蘭人》序曲，WWV63 1842 年，華格納第一齣重要作品《黎恩濟》大獲好評，時年二十九的華格納隨後在德累斯頓定居，在皇家撒克遜宮廷歌劇院擔任指揮，同年在德累斯頓完成了《漂泊的荷蘭人》。《漂泊的荷蘭人》劇本由華格納親自撰寫，將多個膾炙人口的神話故事共冶一爐，當中以海涅 1833 年的《漂泊的荷蘭人寓言》為主。這個故事本身流傳已久，而且在流行文化裏也經常可見其蹤影，包括近年的《加勒比海盜》電影系列。在華格納筆下，《漂泊的荷蘭人》主角是個荷蘭船長。他向大自然屈服，結果遭受咒詛，要永遠在海上漂流，每七年才有機會上岸一次。如果他能在岸上尋得一個愛他的女子，咒詛就得以解除。《漂泊的荷蘭人》1843 年 1 月 2 日首演，〈序曲〉在首演前不久才完成。序曲一般以奏鳴曲式寫成，但華格納這首序曲卻偏離了常規，反而交代劇中情節，同時又將波濤洶湧的大海描繪得活靈活現 ─嘹亮的圓號奏出開首主題時，巨浪席捲甲板的情景彷彿活現眼前。如果說這個主題就是代表荷蘭船長的主導動機，實在合適不過。這個主題基本上是一首號曲，先由圓號奏出，再由長號和低音號接連奏出上行的純四度和純五度音程。〈辛塔敘事曲〉（辛塔是拯救荷蘭船長的女子）由英國號奏出引子，與激烈的〈序曲〉形成鮮明對比。〈辛塔敘事曲〉靜止之後，獨奏圓號在定音鼓的襯托下，靜靜地重申荷蘭船長動機。風暴重臨，弦樂漩渦似的動機這時出現。然後是來自第三幕的〈舵手，別再守望！〉。這段樂曲歡欣喧鬧，與前段形成對比。樂曲同樣被大海攔阻，荷蘭船長動機不斷與來自〈辛塔敘事曲〉和〈舵手，別再守望！〉的素材競相爭鋒。

Richard Wagner Overture to Der fliegende Holländer, WWV63 After the success of his first important work Rienzi in 1842, the 29 year old Richard Wagner settled in Dresden, as conductor at the Royal Saxon Court Opera. There, that same year, he completed The Flying Dutchman. The composer had cobbled together the libretto himself from a variety of popular myths, drawing especially on Heinrich Heine’s 1833 Fable of the Flying Dutchman. Variations on this tale had long been circulating and the story continues to find its way into popular culture – including, in recent years, through the Pirates of the Caribbean franchise. Wagner’s libretto tells the story of the Dutch captain condemned to sail the seas for eternity after challenging the primacy of nature. Only once every seven years can he step ashore to seek redemption through the love of a woman. Wagner composed the overture just ahead of the first performance on 2 January 1843. Departing from the expected sonata form, he uses the overture to describe the events of the story, while vividly depicting the raging sea. One can nearly see the waves crashing across the deck as the horns blast out the opening theme. This theme can best be described as a leitmotif representing the Dutchman himself. It is essentially a fanfare, with rising intervals of a perfect fourth and a perfect fifth presented first by the horns and then by the trombones and tuba. This stormy opening is contrasted by the introduction of music from Senta’s ballad (Senta is the woman who finally gives the Dutchman his salvation), led first by the cor anglais. As it comes to a rest, a solo horn quietly re-introduces the Dutchman’s motif over timpani, and again the storm rages, now with a swirly motive in the strings. This in turn is contrasted by the introduction of the boisterous sailors’ song from Act III. Again it is interrupted by the sea as the Dutchman’s motif jostles with material drawn from Senta’s ballad and the sailors' song.

專訪：李飈談郭文景的敲擊樂協奏曲《山之祭》你在預備這首樂曲和首演之前，與作曲家就演繹方面有多少直接討論？郭文景是中國國內和海外都非常有名的作曲家，這首作品是為我度身訂做的。在他下筆以前，我們就配器和音樂方面有過不少討論。我希望在樂曲裏增添中國的音色（例如第二樂章的鑼）。郭文景在創作上非常用心，原來的音樂長約四十五分鐘。首演後，我們認為需刪減部分樂段。最後版本在 2009 年 4 月，距離我們歐洲巡演四天前才完成。你如何準備《山之祭》的演出？我非常喜歡郭文景的音樂。這首樂曲有別於他過往的作品：演奏家需要更多時間研讀樂譜，也要在腦海中建構出一幅「聲音圖像」。我研究樂譜時下了一番苦功，現在我和樂團演出這首樂曲時，大概比郭文景更了解樂譜了。當一首作品非常有啟發性，我就會更用心反覆思考這首樂曲。聽過你演出這首協奏曲，我認為音樂似乎蘊含一種狂喜的元素，裏面有著令人激動、歡騰的力量。郭文景說他在創作這首作品時，除了哀傷之外，還帶有憤怒的情緒。因為在四川地震當中，那些用劣質建材起的樓房一一傾倒、坍塌，奪去了很多孩童的性命。哀傷、憤怒、祭祀和希望，是作曲家希望傳遞給觀眾的重點。在我印象中，你用鑼演奏快樂段時，似乎沒有注視眼前的樂器。這首樂曲對我來說十分特別，因為它的演奏技巧並不尋常。通常演奏一件敲擊樂器，我要用四支琴槌；但這次我要同時用四支不同的琴槌敲奏十面鑼。郭文景在每面鑼上設定了三個「敲打區域」，那就是說每面鑼我都可以奏出十二種不同的音色。最初練習是困難的。我花了三天來選樂器，兩天試用不同的琴槌，最後只用了三星期練習這個樂章。當然，我也花了大量時間準備其餘兩個樂章，但我特別苦練第二樂章，現在我已經可以不看樂譜演奏。 2009 年陶比斯．費雪與李飈專訪節錄

Interview: Li Biao on Guo Wenjing’s The Rite of Mountains percussion concerto How much were you able to communicate directly with the composer about interpretational matters while preparing yourself to first perform this piece?

When performing I was under the impression that in the high-tempo sections you weren't actually looking at the gongs while playing them.

Guo Wenjing composed this piece for me; he is a very well-known composer in China, even overseas too. We talked a lot about the instrumentation and music before he started composing the piece. I wanted to have some really Chinese sounds in this piece (like the gong in the second movement). He worked very hard on this piece; the original music was more than 45 minutes long. After the first performance, both of us thought that we needed to cut some parts. The final version was eventually finished four days before our European tour started in April 2009.

This piece is very special for me, because the playing technique is not normal. Normally I hold four mallets to play a mallet-instrument of percussion, but this time I had to play four different mallets at the same time, on 10 gongs. Guo wrote three “play areas” for each gong which means that from each gong I can make 12 different tone colours. It was very hard at the beginning of the practice period. I spent three days choosing the instrument, two days testing the different mallets, and finally just three weeks practicing this [the second] movement. Of course, I also spent lots of time on the other two movements – but I practiced this movement the hardest, and now I can play this music from memory.

How do you prepare for a performance of The Rite of Mountains? I like Guo's music very much. This piece is very different to his other pieces. It needs more time to read the score, and one must have a “sound picture” of this concert. I studied it very hard; I now know the score even better than Guo himself when I play it with an orchestra. I think more about music myself when it inspires me very deeply. Having heard you perform the piece, it seemed to me that there was a strong ecstatic element in the music and an electrifying, almost upbeat energy. Guo told me that as well as sorrow, he felt anger when he wrote this movement. That’s because of the shoddy school building, which first leaned and then collapsed during the Sichuan earthquake and caused the deaths of so many children. Sorrow, anger, rites and hope were the central points that he wanted to express to the audience.

Adapted from a 2009 interview by Tobias Fischer

郭文景《山之祭》：為敲擊樂獨奏與管弦樂團而作的協奏曲，作品 47 郭文景 1956 年生於四川重慶，自小學習小提琴，

獨奏者在第二樂章走到鑼旁邊，先後以刷子、琴

但也拉奏過很多傳統音樂作品─這些傳統作品

槌、以及多個槌子演奏（每隻手手持一支琴槌和

的影子日後在他作品的曲調和作曲技法裏不時出

一支鼓棒）。李飈曾解釋道：「通常演奏一件敲

現。文革過後，北京中央音樂學院在 1 9 7 8 年重

擊樂器，我要用四支琴槌；但這次我要同時用四

開，郭文景就是重開後的首屆學生。這一屆學生

支不同的琴槌敲奏十面鑼。郭文景在每面鑼上設

十分著名，不少都到國外發展，可是郭文景與他

定了三個『敲打區域』，那就是說每面鑼我都可

的同學不一樣，一直留在中國，但事業也越來越

以奏出十二種不同的音色……我花了三天來選樂

國際化。

器，兩天試用不同的琴槌，最後只用了三星期練

大約十年前，在 2008 年 5 月 12 日下午，四川省

習這個樂章。」

中部汶川地區發生了一次黎克特制八級大地震，

李飈提過，除了悲傷，最能促使郭文景寫作《山

造成七萬人死亡。家鄉遭受嚴重破壞，鄉親死傷

之祭》的是憤怒，尤其對造成重大傷亡的豆腐渣

慘重，令郭文景悲慟不已。當時他正受委約創作

校舍的憤怒。李飈說：「哀傷、憤怒、祭祀與希

一首新的敲擊樂協奏曲，於是將這首樂曲變成對

望，是作曲家希望傳遞給觀眾的重點。」當獨奏

四川地區、四川人和其音樂的冥思。郭文景在這

者在終樂章對抗一系列鼓的時候，這些潛藏的情

個作曲計畫裏與敲擊樂演奏家李飈合作。李飈是

感流露得尤其清晰。終樂章情感強烈，節奏錯綜

南京人，1982 年入讀北京中央音樂學院，後負

複雜，令人聯想起《春之祭》─其實樂曲的標

笈莫斯科深造，之後再回北京執教。郭文景與李

題已經暗示了兩者的聯繫；史達拉汶斯基在《春

飈合作無間，李飈也經常演出《山之祭》。2010

之祭》引用俄羅斯民歌，郭文景也不遑多讓，在

年，李飈更與北京交響樂團及指揮家譚利華合

《山之祭》加插家鄉四川的傳統音樂。

作，為古典音樂唱片公司 EMI Classics 灌錄《山之祭》的唱片。《山之祭》採用傳統的協奏曲形式，由三個樂章組成；可是由於敲擊樂協奏曲較新、較罕見，因此作法規範也不多。論結構和情感方面，《山之祭》都很引人入勝、很戲劇化；所用的技巧和營造出的音色，都反映出作曲家和獨奏者的背景。曲中每個樂章都有獨特的個性，獨奏者在台上要走到不同位置、以不同的樂器演奏。第一樂章以馬林巴琴為主。樂章標題的「觸技曲」既需要超群的演奏技巧，也將《山之祭》與數百年的西方音樂傳統連結起來。

Guo Wenjing The Rite of Mountains: Concerto for Percussion and Orchestra, Op 47 Guo Wenjing was born in 1956 in Chongqing, Sichuan. He learned to play the violin as a child, but also played a lot of traditional music – music that worked its way into his compositions as both tunes and compositional devices. In 1978, he was among the first class of students admitted to Beijing’s Central Conservatory of Music when it reopened after the Cultural Revolution. Unlike many other members of his famous cohort, he has continued to live in China, while pursuing an increasingly international career. Nearly a decade ago, on the afternoon of 12 May 2008 an earthquake measuring 8.0 on the Richter scale occurred in central Sichuan, claiming nearly 70,000 lives. Guo was devastated by the destruction and loss of life in his home province. Then at work on a newly commissioned percussion concerto, he turned the work into a meditation on the region, its people, and music. His collaborator in the project was percussionist Li Biao, a native of Nanjing who had entered the Central Conservatory of Music in 1982 and then continued his studies in Moscow before taking up a teaching position in Beijing. The two worked closely together and Li has now performed The Rite of Mountains widely; in 2010 he also recorded it for EMI Classics with the Beijing Symphony Orchestra under conductor Tan Lihua. In its three-movement structure the Rite of Mountains follows the conventional concerto form. But the percussion concerto is a recent and relatively rare breed of musical work – there are few rules. Guo’s Rite is dramatic in its structure and intensity, and theatrical. The techniques employed and timbres created reflect the origins of its composer and soloist. Each movement has a unique character, with the soloist moving to different locations, and instruments, on stage. Marimba is

the medium for the first movement. In his use of the term toccata, associated with virtuosity, Guo connects the work to centuries of Western music. For the second movement, the soloist moves to gongs, playing them with brushes then mallets, and then in multiples (with a mallet and drumstick in each hand). As Li has explained it, “Normally I take four mallets to play a mallet-instrument of percussion, but this time I had to play four different mallets at the same time, on ten gongs. Guo wrote three “play areas” for each gong which means that from each gong I can make 12 different tone colours… I spent three days choosing the instrument, two days testing the different mallets, and finally just three weeks practicing this movement.” Li has stated that while composing The Rite of Mountains Guo was motivated by sorrow but especially by anger over the shoddy school construction that resulted in so many deaths. “Sorrow, anger, rite and hope,” he said “were the central points he wanted to express to the audience.” These underlying emotions emerge most clearly in the closing movement, as the soloist confronts an array of drums. In its intensity and rhythmic complicity, the movement calls to mind the Rite of Spring, a connection implied by the title, and where Stravinsky quotes from Russian folksong, Guo inserts the traditional music of his native Sichuan.

理察．史特勞斯《唐璜》，作品 20 《唐璜》開端幾小節，傳奇情聖的形象已彷如活現眼前。昂揚的音樂響起，唐璜手持寶劍踏上征途。無論引子過後如何，理察．史特勞斯已表明這首交響詩重點在於個性與激情。 1888 年，時年二十四的史特勞斯花了約四個月時間完成《唐璜》；他說自己的靈感來自尼可勞斯．雷瑙一齣未完成的話劇，可是《唐璜》肯定還有其他靈感泉源：史特勞斯不久前才指揮過莫扎特《唐．喬望尼》，也讀過拜倫 1824 年的《唐璜》。不過，也許最大的寫作動力來自女高音保蓮．德安娜─史特勞斯和德安娜在寫作《唐璜》不久前開始相戀，德安娜後來更成了史特勞斯太太。《唐璜》1889 年 11 月 1 1 日在魏瑪首演，由時任魏瑪宮廷歌劇團指揮的史特勞斯親自指揮。不論首演還是往後的演出，樂曲都非常成功，而樂迷和樂評均對樂曲讚賞有加。或許除了保守派樂評人漢斯力克，他反對「標題音樂」，在出席《唐璜》的維也納首演後，曾表示「色彩就是一切，樂思甚麼都不是」，不過這種反對聲音其實絕無僅有。《唐璜》很快就令史特勞斯成為當時最重要的德國作曲家。經過開端幾小節，昂揚而熱情的主題隨即響起；充滿魅力的第二主題則出現在樂曲中段。其他主題素材旨在描繪唐璜生命中的一眾女子。樂章中的插段為數眾多，大家可以清楚理解這些千變萬化的段落：有的性感嫵媚、有的哀傷、有的歡欣，但所有插段的情感都很強烈，即使最後刻劃英雄彌留之際也不例外。

Richard Strauss Don Juan, Op 20 With the opening bars of Don Juan, the legendary lover springs to life, fully formed. The music thrusts upward and he charges out, sword in hand. Whatever may follow the introduction, Richard Strauss left no doubt that this is a tone poem about personality and passion. The 24 year old Strauss completed the score of Don Juan over a period of about four months in 1888; Strauss attributed his inspiration to the unfinished play by Nicolaus Lenau. There were no doubt other influences; Strauss had only recently conducted Mozart’s Don Giovanni and had read Lord Byron’s Don Juan of 1824. Still, perhaps the main source of his motivation was the soprano Pauline de Ahna, with whom he had recently fallen in love (and would later marry). Strauss conducted the premiere of Don Juan on 11 November 1889 in Weimar, where he was then conductor of the Court Opera. Here and at subsequent performances the work was a popular and critical success. The conservative critic Eduard Hanslick objected on principle to programmatic music , noting, “colour is everything, musical thought nothing,” after attending Don Juan’s Vienna premiere, but he was one of the few dissenters. Don Juan quickly established Strauss as the most important German composer of his time. The opening bars lead quickly to the soaring, exuberant main theme, before a second and more seductive theme appears around the mid-point of the work. Other thematic material is associated with the women who enter Don Juan’s life. We may interpret the many episodes as literally as we choose: they are variously erotic, sad, and joyous, but always intense; even at the conclusion, as the music depicts the hero taking his final breaths.

尼爾森第五交響曲，作品 50 尼爾森 1922 年完成第五交響曲時已經五十多

廣的樂段─第一段緩慢地開始，氣氛平和；第

歲。他成年後大部分時間都在皇家丹麥樂團擔任

二段則比較活躍。」

第二小提琴手以維持生計，同時也漸漸建立名氣，成為丹麥最重要的作曲家，作品包括交響曲、歌劇、室樂等等。他 1 9 1 5 年起擔任哥本哈根音樂協會音樂會總監，翌年開始任教於丹麥皇家音樂學院。不過在 192 0 年代初期，他在丹麥以外還是寂寂無名。

以「平和」形容第一樂章開端大概真的很適合。中提琴首先響起，交替奏出兩個音符。兩支巴松管奏出第一個主題樂思，然後長笛和圓號交替出現。小提琴與低音大提琴互相應答，新的樂段就此展開。氣氛漸漸變得不祥。小鼓輕柔地奏出一個節奏型，重複時逐漸加強力度。定音鼓和弦樂

第五交響曲 1922 年 1 月 24 日在哥本哈根音樂協

加入這個進行曲樂段。單簧管和長笛競相奏出漩

會首演，往後數年也有數次演出。《紐約時報》

渦似的音型，希望搶佔上風。之後音樂算是重拾

樂評人奧林．唐斯 1927 年在美茵河畔法蘭克福

平靜的氣氛，圓號優美如歌。但這時小鼓再度響

新音樂音樂節初次欣賞《第五》後，竟然形容樂

起。

曲「有點天真，也帶點民謠風格」。往後幾十年間，《第五》的演出機會一直不多，所以也無從更完善地評價這首樂曲了。

第一樂章寂靜地結束；第二樂章〈快板〉的開端卻迸發出宏亮的樂音，先聲奪人。音樂漸漸變得抒情，怎料後來卻被攔阻。對位織體漸漸營造

唱片和丹麥國家交響樂團的海外巡迴演出，令尼

出宏偉的高潮；消散過後卻又捲土重來。音樂雖

爾森的名氣越來越大，但《第五》仍是難得演出

然沒有正式衝破調性系統，但卻經常挑戰調性極

的作品。唐斯 1953 年寫道：「在丹麥，著名的

限。第一樂章步步進逼的氣氛終於消失，變得興

浪漫主義在尼爾森的交響曲裏得到體現。尼爾森

高采烈。

卒於 1931 年，是丹麥一位備受推崇的作曲家。他的作品本質上悅耳動聽、充滿與生俱來的北歐

樂曲介紹：湯柏恩

氛圍，而且整體上以抒情為特色，仿如一位立意崇高的民族詩人一樣，真誠地守護着祖先的精神。」到了 1960 年代，《第五》終於漸為人識，此後樂迷對丹爾森作品的印象才越加深入。尼爾森第一至第四交響曲都採用標準的交響曲形式，其中三首帶有標題，但《第五》卻與前幾首交響曲大相逕庭。樂曲首演前不久，一篇尼爾森的訪問中問及尼爾森為《第五》取了甚麼名字，尼爾森回答：「沒有！」然後解釋：「最終音樂能表達的，就是『靜止力量』與『活躍力量』的對比。」他說，因為要強調對比，所以將樂章數量限制在兩個。他認為，多數四樂章交響曲在第一樂章過後，已經沒甚麼內容了，而且鮮有例外。因此，「我將這首交響曲分為兩個大型而寬尼爾森 Carl Nielsen

Carl Nielsen Symphony No 5, Op 50 Carl Nielsen was in his mid-50s when he completed his Fifth Symphony. It was 1922 and he had made a living through much of his adult life in the second violin section of the Royal Danish Orchestra while gradually establishing a reputation as Denmark’s leading composer – through his symphonies, operas, chamber music, and much more. In 1915 he had assumed direction of Copenhagen’s Musikforeningen (Music Society) concerts and the following year he began teaching at the Royal Academy. Still, in the early 1920s he was little known outside of Denmark. Nielsen conducted the premiere of his Symphony No 5 at Musikforeningen on 24 January 1922 and several more performances were given over the next few years. Hearing the work for the first time at the 1927 new music festival at Frankfurt am Main, the New York Times’ critic Olin Downes curiously described it as “somewhat naïve and in [a] folk vein.” There would be few opportunities to better assess the work for several decades. Nielsen’s reputation grew as a result of recording and with the international tours of the Danish National Symphony Orchestra, but the Symphony No 5 was rarely heard. In 1953 Downes wrote, “In Denmark a quality of legendary romanticism finds a highly esteemed expression in the symphonies of Carl Nielsen, who died in 1931 and whose works, in their melodic essence, their native northern atmosphere and basically lyric character are those of a national bard who most sincerely, with a high order of inspiration, upheld the ancestral spirit.” The Fifth Symphony would complicate this image of Nielsen’s music only after it became better known, in the 1960s.

Having relied on standard forms in his previous symphonies and given three of them titles, Nielsen departed from earlier practice with his Symphony No 5. In an interview published just before the premiere of the symphony, he was asked what he had named it. “Nothing!” he responded, before continuing: “the only thing that music in the end can express: resting forces in contrast to active ones.” The emphasis on contrast, he said, was one of the reasons he had limited the symphony to two movements. Few four-movement symphonies had much to say after the opening movement, he claimed. Thus, “I’ve divided the symphony into two large, broad sections – the first begins slowly and peaceful and the second is more active.” “Peaceful” may be an apt way of describing the opening of the first movement. Violas enter first, alternating between two notes. A pair of bassoons introduces the first thematic idea, followed by alternating flutes and horns. The violins, answered by double basses, then open a new section. The mood grows ominous. Softly, a snare drum beats out a rhythm and then repeats it more forcefully. Timpani and strings join the march. Clarinets and flutes swirl and compete for attention. Then calm is somehow restored and the horns sing. But back comes the snare drum. After the hushed close of the first movement, the second, marked Allegro, opens with an explosion of sound. In time it grows lyrical only to be interrupted. Contrapuntal textures build to huge climaxes, dissipate and rise again. The limits of tonality are frequently challenged if never quite breached. The menacing atmosphere of the first movement ultimately gives way to exultation. Programme notes by Brian C. Thompson

法比奧．雷西

指揮

格林美獎及德國古典回聲獎得主法比奧．雷西現

《法斯塔夫》、史卡拉歌劇院的贊道那爾歌劇《弗

時兼任蘇黎世歌劇院音樂總監及丹麥國家交響樂

蘭契斯卡．達．里米尼》的全新製作、指揮蘇黎

團首席指揮。雷西上一樂季剛完成與大都會歌劇

世愛樂樂團聯同大提琴家沃格勒及鋼琴家葛莉茉

院六年的首席指揮合約，並於 2 0 1 8 年初上任為

的合作演出，以及為中國國家大劇院管弦樂團及

佛羅倫斯歌劇院音樂總監。

捷克愛樂樂團擔任客席指揮。

雷西指揮丹麥國家交響樂團演出馬勒第八交響

為表揚雷西作為前首席指揮的貢獻，維也納交響

曲，為該團 2017/18 年度樂季揭幕。樂季的其他

樂團特別授予布魯克納指環和勳章。雷西亦曾經

節目包括尼爾森的第五交響曲、由茱莉亞．費雪

出任維也納藝術家交響樂團首席指揮；德累斯頓

演出漢斯的第二小提琴協奏曲、舒密特的神劇

國家管弦樂團及歌劇院、瑞士羅曼德管弦樂團的

《七道封印之書》，以及貝多芬的第五及第七交

音樂總監；以及萊比錫中德廣播樂團和奧地利格

響曲。雷西同時兼任丹麥國家交響樂團馬爾科青

拉茲交響樂團的藝術總監。

年指揮比賽的評委主席。

雷西憑大都會歌劇院《尼伯龍根的指環》中最後

雷西本身亦是一位具名氣的作曲家。他的《聖文

兩齣歌劇的現場錄影光碟奪得 2 0 1 2 年格林美最

德彌撒曲》在 2017 年 9 月於紐約聖文德大學作

佳歌劇錄音獎。此外，他亦灌錄了不少專輯，包

世界首演。作品隨後由水牛城愛樂團及合唱團於

括威爾第、薩里耶利和貝里尼的歌劇；奧涅格、

「大都會現場藝術」系列中演出。雷西將於蘇黎

雷史碧基和李斯特的交響曲；舒密特和理察．史

世歌劇院領導魏爾歌劇《馬哈貢尼城之興亡》的

特勞斯的作品；以及布魯克納的第九交響曲獲獎

全新製作，並指揮威爾第歌劇《命運之力》。他

專輯。

近期又分別與費城管弦樂團及達拉斯交響樂團，聯同獨奏布朗夫曼及狄拉莎爾演出貝多芬的鋼琴協奏曲。雷西的樂季壓軸演出包括巴黎歌劇院的

雷西生於意大利熱那亞，對當地文化遺產的貢獻讓他獲政府頒授「金鷹獅獎」。雷西閒時熱衷香水製作，獨力經營其品牌，並將收入撥捐以他命名的音樂及視覺藝術學院。

Fabio Luisi Grammy and ECHO Klassik Award-winner Fabio Luisi serves as General Music Director of the Zurich Opera and Principal Conductor of the Danish National Symphony Orchestra (DNSO). After concluding a six-year tenure as Principal Conductor of the Metropolitan Opera last season, he launches a new appointment as Music Director of Florence’s Opera di Firenze this spring. Luisi opened his 2017/18 season conducting the DNSO in Mahler’s Eighth Symphony, followed by performances of Nielsen’s Fifth, Henze’s Second Violin Concerto featuring Julia Fischer, Franz Schmidt’s oratorio Das Buch mit sieben Siegeln, and Beethoven’s Fifth and Seventh Symphonies later in the season. He also acts as Jury Chairman for the DNSO’s Malko Competition for Young Conductors. Luisi is also an accomplished composer whose Saint Bonaventure Mass received its world premiere in September 2017 at New York’s St. Bonaventure University, followed a few days later by its New York City premiere in the MetLiveArts series with the Buffalo Philharmonic and Chorus. At Zürich Opera, Luisi led a new production of Kurt Weill’s Aufstieg und Fall der Stadt Mahagonny and will return again for Verdi’s La forza del destino. In the USA, he has recently conducted two Beethoven piano concertos with soloists Yefim Bronfman and Lise de la Salle, respectively, with the Philadelphia Orchestra and Dallas Symphony. Luisi’s season is rounded out with Falstaff at Opera de Paris, a new production of Zandonai’s Francesca da Rimini at La Scala, guest appearances with Beijing’s China NCPA Orchestra and the Czech Philharmonic, and performances with Philharmonia Zürich featuring cellist Jan Vogler and pianist Hélène Grimaud. As fo rm e r C h i e f Co n duct or of t he Vien n a Symphony, Luisi was honoured with the orchestra’s Golden Bruckner Medal and Ring. Other previous appointments include General Music Director of Dresden’s Staatskapelle and Sächsische Staatsoper, Artistic Director of Leipzig Mitteldeutscher Rundfunk, Music Director of the Orchestre de

Conductor la Suisse Romande, Chief Conductor of the Tonkünstler-Orchester in Vienna, and Artistic Director of the Graz Symphony. Luisi received a Grammy Award for his leadership of the last two operas of Der Ring des Nibelungen when Deutsche Grammophon’s DVD release of the cycle, recorded live at the Met, was named Best Opera Recording of 2012. His extensive discography also features operas by Verdi, Salieri, and Bellini; symphonies by Honegger, Respighi, and Liszt; works by Franz Schmidt and Richard Strauss, and an award-winning account of Bruckner’s Ninth Symphony. A native of Genoa, Luisi was awarded the Grifo d’Oro for his contributions to the city’s cultural legacy. Off the podium, he is a passionate perfume maker; sales from his one-person operation, flparfums.com, benefit the Luisi Academy for Music and Visual Arts.

李飈

敲擊

李飈作為世界音樂舞台上為數不多的全職敲擊樂獨奏家，他對敲擊樂的獨特悟性和演奏風格，為古典音樂帶來新啟發和新角度，更被認為是當代最優秀的敲擊樂獨奏家之一。他曾在世界著名音樂節中獨奏演出，並同世界各地的許多樂團合作，包括巴伐利亞廣播電台交響樂團、倫敦愛樂樂團、香港管弦樂團、新加坡華樂團、中國國家大劇院管弦樂團、中國國家交響樂團、中國愛樂樂團、北京交響樂團、上海交響樂團等等。 2 018 年，李飈將於德國漢堡易北愛樂廳登台，成為第一位在這座著名音樂廳演奏的華人演奏家；同年，李飈將與著名指揮大師法比奧．雷西及丹麥國家交響樂團在哥本哈根（哥本哈根音樂廳）和亞洲巡演。本樂季的亮點還包括 3 月份的台灣台南藝術節音樂會；8 月在日本舉行的敲擊樂大師班；中國國家大劇院國際敲擊樂節開幕音樂會；以及李飈敲擊樂團的德國巡演。 2017 年 5 月，李飈作為敲擊樂獨奏家參加 2017 年「一帶一路」國際合作高峰論壇於中國國家大劇院的《千年之約》文藝演出；同年夏季，李飈與高秉根管弦樂團在里斯本演奏郭文景的敲擊樂協奏曲《山之祭》，贏得全場觀眾站立鼓掌致敬。 2 016 年，李飈成為中國國家大劇院國際敲擊樂節的藝術總監，為觀眾帶來新式音樂節目，並以創意證明敲擊樂蘊含的無限潛力。

Li Biao

Percussion

Li Biao’s unique and in-depth interpretations of percussion music bring significant rediscovery and fresh insight into the well-established repertoire, making him one of the most outstanding percussion soloists in the world. Li Biao performs an extensive range of musical work and has given a great number of solo recitals at various music festivals. He has also cooperated with renowned orchestras and chamber ensembles including Bavarian Radio Symphony Orchestra, London Philharmonic Orchestra, Hong Kong Philharmonic Orchestra, Singapore Chinese orchestra, NCPA Orchestra, China National Sy m phony O rc hestra, China Philharmonic Orchestra, Beijing Symphony Orchestra, Shanghai Symphony Orchestra and many others. In 2018, Li Biao will be performing at the landmark concert hall in Hamburg, the Elbphilharmonie. He will also be touring around Asia with Fabio Luisi and the Danish National Symphony Orchestra, after performing at DR Koncerthuset in Copenhagen. Season highlights also include Tainan Arts Festival in Taiwan, a masterclass series in Japan in August, the opening concert of the International Percussion Festival at China National Center for the Performing Arts, as well as touring with Li Biao Percussion Group in the coming summer. Recent highlights include a performance at the 2017 Belt and Road Forum Evening Gala at the China National Center for the Performing Arts. In summer 2017 he also performed Guo Wenjing’s Rite of the Mountains with the Gulbenkian Orchestra in Lisbon, wining a long-lasting standing ovation. In 2016, Li Biao was appointed Artistic Director of China National Center for the Performing Art’s International Percussion Festival. This marked the establishment of a new summer tradition for local audiences and has once again proven the infinite creativity and possibilities of percussion music.

The Danish National Symphony Orchestra FIRST VIOLINS

VIOLAS

Christina Aastrand Johannes Soee Hansen Elna Carr Anders Fog-Nielsen Helle Hanskov Palm Per Friman Sarah Jillian McClelland Tine Rudloff Sabine Bretschneider-Jochumsen Runi Baek Patricia Mia Andersen Anja Zelianodjevo Johanna Qvamme Harriet Wheeler Rebecka Freij Aleksander Koelbel

Claus Myrup Dmitri Golovanov Gunnar Lychou Ulla Knudsen Carina Andersson Kristian Scharff Fogh Astrid Christensen Lilion Anne Soren Katarzyna Bugala Magda Stevensson Laura Rubio Jevgenija Frolova Benedikte Artved

SECOND VIOLINS Teresa La Cour Gunvor Sihm Bodil Kuhlmann Julie Meile Marianne Bindel Morten Kjaer Dulong Anne Marie Kjaerulff Hedvig Oftedahl Vivanco Christian Ellegaard Karen Johanne Pedersen Benedikte Damgaard Kristoffer Lund Madsen Helene Bordonaro Maria Stabrawa

CELLOS Henrik Dam Thomsen Carsten Tagmose Birgitte Oeland Johan Krarup Peter Morrison Louisa Schwab Marie Louise Lind Richard Krug Nina Dolgintseva Mihai Fagarasan Ulrika Bay Lauridsen DOUBLE BASSES Joel Gonzalez Meherban Gillett Morten Mandel Michal Stadnicki Michael Rossander Dabelsteen Henrik Schou Kristensen Ditlev Damkjaer Gerrit H. Mylius

FLUTES

TRUMPETS

Ulla Miilmann Ingrid Soefteland Neset Mikael Beier Russell Satoshi Itani

Michael Frank Moeller László Molnár Karl Husum Andreas Jul Nielsen

OBOES

TROMBONES

Eva Steinaa Kristine Vestergaard Ulrich Trier Ortmann Sven Buller

Vidar Nordli Ole-Kristian Andersen Brian Bindner TUBA

CLARINETS

Thomas Andre Roeisland

Pedro Franco Lopez Klaus Tönshoff Soeren Elbo

HARP

BASSOONS

TIMPANI

Audun Halvorsen Sebastian Stevensson Dorte Bennike Aksel Kaae Trige

René Felix Mathiesen Nicola Carrara

HORNS Lasse Luckow Mauritzen Ola Nilsson Dominika Maria Piwkowska Einar Óhman Oskar Lejonklo Henning Hansen Jakob Arnholtz Nicolai Sell

Berit Spaelling

PERCUSSION Gert Skoed Soerensen Jakob Weber Egholm STAFF Gordon Alsing, Executive Producer Susanne Gundal, Tour Manager Adam Stadnicki, Orchestra Manager Jakob Helmer Moerck, Orchestra Manager Bo Kleiner, Stage Manager Andreas Wigger Jensen, Stage Assistant

ÂŠ Per Morten Abrahamsen

香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Member

嘉里控股有限公司 Kerry Holdings Limited

黃金會員 Gold Member

怡和集團 The Jardine Matheson Group

純銀會員 Silver Members

鷹君集團有限公司 Great Eagle Holdings Limited 太古集團慈善信託基金 The Swire Group Charitable Trust

青銅會員 Bronze Members

上海商業銀行 Shanghai Commercial Bank Limited Vontobel Wealth Management (Hong Kong) Limited

其他支持機構 other Supporters •Adam Mickiewicz Institute •Australia Arts Council •Canada Arts Council

•Pro Helvetia •Spanish Ministry of Culture

實物支持機構 in-kind Supporters •愉景灣渡輪碼頭 Discovery Bay Ferry Pier •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •香港國際機場 Hong Kong International Airport

•立信專業顧問 Lap Shun Professional Consultant •M．A．C Cosmetics •奧海城 Olympian City •信和集團 Sino Group •屯門市廣場 TMT Plaza

藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE

純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999

•無名氏 Anonymous •林護紀念基金有限公司 Lam Woo Foundation Limited •Lincoln & Yu-San Leong •杜振源先生

•無名氏 (2) Anonymous (2) •Mrs Anson Chan •陳建球伉儷 Mr & Mrs E Chan •SHN Cheng •Mr & Mrs Ko Ying •Ms Ka Shi LAU •Mr & Mrs David S L Lin •Mr & Mrs Gilles Martin •Dr & Mrs Joseph Pang •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Enoch Yiu •Ms Isabel Yiu

鑽石捐款者 DiAMonD Donor HK$60,000 - HK$119,999 •無名氏 Anonymous 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (6) Anonymous (6) •Mr & Mrs Herbert Au-Yeung •Jeffrey & Helen Chan •陳元鉅夫人 Mrs Sabina Chen •Dr York Y N Chow •Consigliere Limited •Alex & Hanne Fung •Richard & Ruth Herbst •李葉耀珍 Jane Li •林聖竤 Chris Lin •Wing Kay Po •Martin Rogers •Jacqueline Shek 石悅玟 •Mr & Mrs Stephen Suen •孫天珍小姐 Ms Sun Tien Chen •Mr Stephen Tan •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •Samuel & Amy Wang •Mr Wong Yick Kam •黃逸思先生夫人 Mr & Mrs YS Wong

青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •無名氏 (2) Anonymous (2) •Atkinson Lambert Limited •Mr Cheung Shu Tong Edmund •Bethan and Tim Clark •Dr David Fang •銀河娛樂集團 Galaxy Entertainment Group •Mr & Mrs Jaeger •Ms Khoo Li Lian •Heidi Lee •Miss Ruby Lee •Ms Lim Geck Chin Mavis •Stephen Long •Mr Gary Ma •Mr Christopher Wong & Dr Ivo Chen

學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE •無名氏 Anonymous •Burger Collection •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •恒生銀行 Hang Seng Bank •芝蘭基金會 Zhilan Foundation 鑽石捐款者 DiAMonD DonorS HK$60,000 - HK$119,999 •Vina Cheng •梁家傑先生夫人 Mr & Mrs Leong Kah-Kit Alan •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •Mr & Mrs Stephen Suen •田家炳基金會 Tin Ka Ping Foundation 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (4) Anonymous (4) •St. Paul's College Alumni Choir •陳求德醫生 Dr Chan Kow Tak •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •Consigliere Limited •Mr & Mrs Kenneth H C Fung •馮兆林先生 JP 及夫人 Mr & Mrs Fung Shiu Lam JP •Richard & Ruth Herbst •胡興正醫生慈善基金有限公司 Dr Wayne Hu Charitable Foundation Ltd •Mr & Mrs Stefan & Caroline Kracht •林聖竤 Chris Lin •Mr & Mrs Roger Lui •MAXSMART INV. LTD •Mrs Carol Murray •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •Ms Wong Yuen Mee Elsa •黃逸思先生夫人 Mr & Mrs YS Wong 純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999 •無名氏 (5) Anonymous (5) •Mr Iain Bruce •Winnie Chiu Wing Ngar •Chou's Foundation •Mr & Mrs Norman Chui •Mr & Mrs A R Hamilton •Ms Winnie W Y Ho •King Yuen-Fung Diana •Mr & Mrs Ko Ying •Yvonne Cheng & Kelvin Koo

•羅偉騫先生夫人 Mr Andy Law & Ms Wendy Chan •Lee Lai-Kuen Shelley •Craig Lindsay Family •Lok Yu Kim Ching Memorial Fund •C H Mak •Dr Mak Lai Wo •Karen & Vernon Moore •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Alan and Penny Smith •Anna Stephenson & Alan Leigh •John and Anthea Strickland •Leland & Helen Sun •Dr Henry N C Wong •Mr Wong Yick Kam •Dr Adrian Wu •Mrs Wu Tseng Helen 青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •無名氏 (9) Anonymous (9) •Ms Michaela Au •Ms Rebecca Austin •區燊耀先生 Mr Au Son Yiu •Biz Office Limited •Carthy Limited •Diana Tong Chan •Dr Chan Wan Tung •Cynthia Cheng & Aaron Chan •Cheung Kit Fung •Dr Chow Sze Fu Joseph •Cindy Chan Psychological Services •Community Partner Foundation Limited •Easy Living Limited •giliproduction •Susan Hayden •Betty Hung •Isla School of Dance •Dr Alfred Lau •Susan Lim & Neil Roberts •Ms Jackaline McPhie •Mr & Mrs Kenneth Quinn •陶國豪 Frederico Rato •Ms Janice Ritchie •Mr Siddique Salleh •So Ching •So Kin Man •Ms Yim Chui Chu •余德銘先生 Mr Desmond Yu •皮皮

新作捐助計劃 new Works Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE •Mrs Mona Leong •Permanent Success Limited 鑽石捐款者 DiAMonD Donor HK$60,000 - HK$119,999 •Winfull Group Holdings Limited 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (2) Anonymous (2) •Mrs K L Chan •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •Mrs Diana & Mr Jay Parmanand •孫天珍小姐 Ms Sun Tien Chen

純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999 •無名氏 (2) Anonymous (2) •Lexandra Chan •Ms Winnie W Y Ho •Lok Yu Kim Ching Memorial Fund •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •Ms Michaela Au •Ms Chiu Shui Man Tabitha •Contempo Charity Foundation Limited •黃逸思先生夫人 Mr & Mrs YS Wong

支持及協助 Support and Co-operation •Academy of Jazz •Acorn Design •Adsmart Hong Kong Limited •Alfie Leung Design •Alliance Française •AMC Pacific Place •巴塞爾藝術展 Art Basel •樺利廣告有限公司 Avanny Advertising Co Ltd •龍堡國際 B P International •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •Broadway The One •明愛白英奇賓館 Caritas Bianchi Lodge •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •周俊輝先生 Mr Chow Chun Fai •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •毛妹芭蕾舞學校 Christine Liao School of Ballet •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •購票通 ( 香港 ) 有限公司 Cityline (Hong Kong) Limited •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •澳洲駐港總領事館 Australian Consulate-General Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •愛沙尼亞共和國駐香港名譽領事館 Honorary Consulate of the Republic of Estonia in Hong Kong •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •以色列駐港澳總領事館 Consulate General of Israel in Hong Kong & Macau •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •葡萄牙駐香港領事館 Consulate of Portugal in Hong Kong •波蘭駐香港總領事館 Consulate General of the Republic of Poland in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •南非駐港澳總領事館 Consulte General of the Republic of South Africa, Hong Kong SAR and Macao SAR •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •德勤企業管理咨詢（香港）有限公司 Deloitte Consulting (Hong Kong) Limited •dreamoffish Limited •風采中學 Elegantia College •埃克森美孚香港有限公司 ExxonMobil Hong Kong Limited •粉嶺禮賢會中學 Fanling Rhenish Church Secondary School •藝穗會 Fringe Club •鳳溪廖萬石堂中學 Fung Kai Liu Man Shek Tong Secondary School

•港威酒店 Gateway Hotel •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •青苗琴行 Greenery Music •港島海逸君綽酒店 Harbour Grand Hong Kong •快達票香港有限公司 HK Ticketing •香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港知專設計學院 Hong Kong Design Institute •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港唱片 Hong Kong Records •香港旅遊發展局 Hong Kong Tourism Board •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •Intox Design & Communication Co. Ltd. •The Italian Cultural Institute in Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •鍾詠賢芭蕾舞學校 Ivy Chung School of Ballet •王仁曼芭蕾舞學校 Jean M. Wong School of Ballet •JellyBin Limited •Ms Anastassia Katafygiotis •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Centre •Lanson Place Hotel, Hong Kong •梁震宇先生 Mr Mark Leung •李鏡輝先生 Mr Alpha Li •李慧中博士 Dr Li Wai Chung •立方國際青年公寓 M3 International Youth Apartment •MANA! •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •Wavemaker Hong Kong Limited •酩悅軒尼詩帝亞吉歐洋酒香港有限公司 Moët-Hennessy Diageo Hong Kong Limited •MOViEMOViE •北區大會堂 North District Town Hall •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •Pixellent •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •Red Square Gallery •麗豪酒店 Regal Riverside Hotel •RFI Asia Limited •帝都酒店 Royal Park Hotel

•香港帝景酒店 Royal View Hotel •Russian Club in Hong Kong •沙田大會堂 Sha Tin Town Hall •信興廚藝中心 Shun Hing Cooking Centre •上環文娛中心 Sheung Wan Civic Centre •岑智頤先生 Mr Henry Shum •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •事必達推廣有限公司 Speedy Promotion Limited •Steam Studio •辰衝圖書有限公司 Swindon Book Co. Ltd. •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港中文大學 The Chinese University of Hong Kong 音樂系 Department of Music 和聲書院 Lee Woo Sing College •香港城市大學 The City University of Hong Kong 英文系 Department of English •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港理工大學 The Hong Kong Polytechnic University •香港科技大學 The Hong Kong University of Science and Technology 人文學部 Division of Humanities 藝術中心 Center for the Arts 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong 音樂系 Department of Music 通識教育部 General Education Unit 香港大學美術博物館 University Museum and Art Gallery Cultural Management Office 圖書館 Library 香港大學博物館學會 The University of Hong Kong Museum Society 國際事務處 International Affairs Office •譚縉謙先生 Mr Tam Chun-him •通利琴行 Tom Lee Music Company Ltd •中環荷李活道彩鴻酒店 Travelodge Central, Hollywood Road •Trickstation •三角關係 Trinity Theatre •荃灣大會堂 Tsuen Wan Town Hall •UA CINEHUB •城市售票網 URBTIX •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •進富印刷公司 Wealthy Step Printing Co. •wine etc •香港基督教青年會（港青） YMCA of Hong Kong •青年廣場 Youth Square •赤豚事務所 Zhu Graphizs

贊助人

林鄭月娥女士

PATRON

永遠名譽會長執行委員會主席副主席義務司庫委員

邵逸夫爵士

HONORARY LIFE PRESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members

節目委員會主席委員

財務委員會主席委員發展委員會主席副主席委員

顧問

名譽法律顧問核數師

查懋成先生盧景文教授李錦榮先生鄭維新先生鄭惠貞女士劉鎮漢先生梁靳羽珊女士梁卓偉教授姚潔莉女士楊光先生盧景文教授白諾信先生紀大衛教授羅志力先生毛俊輝先生李義法官約瑟．施力先生 + 譚榮邦先生姚珏女士李錦榮先生鄭惠貞女士梁國輝先生梁靳羽珊女士雍景欣女士鄭阮培恩女士邱詠筠女士龐建貽先生孫林宣雅女士姚祖輝先生楊海燕女士夏佳理先生鮑磊先生李業廣先生梁紹榮夫人李國寶博士孖士打律師行羅兵咸永道會計師事務所

香港藝術節基金會主席霍璽先生管理人陳達文先生梁紹榮夫人陳祖澤博士

地址 : 香港灣仔港灣道 2 號 12 樓 1205 室電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430 出版：香港藝術節協會有限公司承印：香港嘉昱有限公司本刊內容，未經許可，不得轉載。

PROGRAMME COMMITTEE Chairman Members

FINANCE COMMITTEE Chairman Members

HONORARY SOLICITOR AUDITOR

Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong

DEVELOPMENT COMMITTEE Chairman Vice Chairman Members

ADVISORS

The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)

Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao Ms Hoi-yin Yeung The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown JSM PricewaterhouseCoopers

HONG KONG ARTS FESTIVAL TRUST Chairman Mr Angus H Forsyth Trustees Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP Dr John C C Chan, GBS JP

電子郵箱 : afgen@hkaf.org

Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430 Published by: Hong Kong Arts Festival Society Limited Printed by Cheer Shine Enterprise Co., Ltd Reproduction in whole or in part without written permission is strictly prohibited.

職員行政總監節目節目總監副節目總監節目經理

榮譽節目顧問 Honorary Programme Advisor * 合約職員 Contract Staff

STAFF 何嘉坤

Executive Director

節目經理（行政）助理節目經理節目統籌節目行政主任物流及接待經理

梁掌瑋蘇國雲葉健鈴陳韻妍蘇雪凌林淦鈞 * 黃傲軒 * 曹愷怡 * 金學忠 *

•技術製作經理視聽統籌

Programme Programme Director Associate Programme Director Programme Managers

Tisa Ho

Programme Manager (Administration) Assistant Programme Managers Programme Coordinators Programme Administration Officer Logistics Manager

Grace Lang So Kwok-wan Linda Yip Susanna Yu* Vanessa Chan Shirley So Lam Kam-kwan* Jacqueline Li* Joseph Wong* Patricia Lee* Sabrina Cho* Elvis King*

徐子宜 * 許肇麟 *

• Technical Production Manager Audiovisual Coordinator

Tsui Tsz-yee* Boolu Hui*

•出版高級編輯編輯助理編輯

黃迪明 * 林尚諾 * 鍾佩妝 *

• Publications Senior Editor Editor Assistant Editors

Timothy Wong* Sherlock Lam* Eunice Chung*

•外展高級外展經理助理外展經理外展統籌外展主任藝術行政見習員外展助理

李冠輝張鼎丞 * 林嘉敏 * 譚曉峯 * 李萬祺 * 李玨熙 *

• Outreach Senior Outreach Manager Assistant Outreach Managers Outreach Coordinator Outreach Officer Arts Administrator Trainee Outreach Assistant

Kenneth Lee Bell Cheung* Carman Lam* Mitch Tam* Kelvin Li* Michael Lee*

市場推廣市場總監副市場總監市場經理副市場經理助理市場經理數碼營銷專員市場主任市場經理（票務）票務主任客戶服務主任

鄭尚榮胡銘堯周怡楊璞* 吳嘉沛 * 陳閏霖 * 莫文軒 * 梁彩雲李彤* 鄭佩欣 *

MARKETING Marketing Director Associate Marketing Director Marketing Managers Deputy Marketing Manager Assistant Marketing Manager Digital Marketing Specialist Marketing Officer Marketing Manager (Ticketing) Ticketing Officer Customer Service Officers

Katy Cheng Dennis Wu Alexia Chow Michelle Yeung* Tiffany Ng* Ben Chan* Tony Mok* Eppie Leung Lee Tung* Bonnie Cheng*

DEVELOPMENT Development Director Development Manager Deputy Development Manager Assistant Development Managers Arts Administrator Trainee Development Officer

Flora Yu Chingmi Chow* Anna Cheung* Lorna Tam Esther Mok* Mandie Choy*

余瑞婷 * 李詠芝 * 李芷銦 *

林惠賢 *

鄧冠恒 *

張嘉麟 *

李俊偉 *

發展發展總監發展經理副發展經理助理發展經理藝術行政見習員發展主任

余潔儀周美清 * 張慧芝 * 譚樂瑤莫穎哲 * 蔡杏村 *

會計會計部主管助理會計經理會計主任

鄺敬婷林英光 * 蘇永恆 *

ACCOUNTS Head of Accounts Department Assistant Accounting Manager Accounting Officer

Teresa Kwong Sunny Lam* Peter So*

人力資源及行政人力資源及行政經理人力資源及行政主任行政秘書接待員／初級秘書助理

馮紹昌簡凱彤 * 謝凱婷李美娟黃國愛

HR & ADMINISTRATION HR & Administration Manager HR & Administration Officer Executive Secretary Receptionist/Junior Secretary General Assistant

Calvin Fung Vivian Kan* Heidi Tse Virginia Li Bonia Wong

蘇寶蓮 *

Grace Lam*

Joe Tang*

Louis Cheung*

Michael Lie Ken Jie*

Conny Souw*

技術統籌 * Technical Coordinators* 歐慧瑜 Rachel Au、陳焯華 Billy Chan、陳寶愉 Bobo Chan、陳佩儀 Claudia Chan、陳詠杰 Chan Wing-kit、陳家彤 Doris Chen、鄺嘉欣 Karen Kwong、黎智勇 Martin Lai、林環 Nancy Lam、羅瑞麟 Lo Shui-lun、曾家慧 Joanne Tsang、黃靜文 Ivy Wong 藝術家統籌 * Artist Coordinators*

鄭瑋菁 Virginia Cheng、馮顯峰 Fung Hin-fung、張素真 Susan Hayden、何嘉露 Carrol Ho、彭慧雯 Jan Pang、黃婉媚 Becky Wong、游慧姿 Janet Yau

節目時間表 Programme Calendar 歌劇戲 /曲 OPERA / CHINESE OPERA

中國國家京劇院主演：于魁智、李勝素 -《鳳還巢》 -《牛皋下書 ‧ 挑滑車》、《打漁殺家》 -《帝女花》 -《紅鬃烈馬》

China National Peking Opera Company Featuring: Yu Kuizhi, Li Shengsu - The Phoenix Returns to Its Nest - Breaking the Siege/Lifting the Chariots and The Fisherman's Revenge - Princess Changping - Rekindling a Life-Long Romance

賽馬會本地菁英創作系列：粵劇《百花亭贈劍》毛俊輝導演作品改編及導演：毛俊輝

Jockey Club Local Creative Talents Series: Cantonese Opera - Pavilion of a Hundred Flowers Adaptation and Director: Fredric Mao

粵劇《霸王別姬》藝術總監：尤聲普

Cantonese Opera - Farewell My Concubine Artistic Director: Yau Sing-po

CHCH

27/2 28/2

7:30pm 7:30pm

CCGT

2/3 3/3

7:30pm 7:30pm

APAL

2-4/3

8pm

CHCH

9-11/3

7:30pm

CCGT

15, 17/3

7:30pm

Maxim Rysanov and Hong Kong Sinfonietta Music Director and Conductor: Yip Wing-sie

CHCH

25/2

8pm

巴．羅克樂團《聲音之旅》藝術領導及小提琴獨奏：德米特里．辛柯夫斯基

B’Rock Orchestra - Sounding Stories Artistic leader and Solo Violin: Dmitry Sinkovsky

CHCH

1/3

8pm

潘尼迪爾鋼琴獨奏會

Jean-Claude Pennetier Piano Recital

CHCH

2/3

8pm

香港中樂團《劉邦．項羽．兵馬俑》指揮：閻惠昌

Hong Kong Chinese Orchestra Liu Bang, Xiang Yu and the Terra Cotta Warriors Conductor: Yan Huichang

CCCH

3/3

8pm

愛沙尼亞之聲指揮：約翰 - 艾克．杜爾夫

Vox Clamantis Conductor: Jaan-Eik Tulve

CHCH

3/3

8pm

愛沙尼亞之聲與潘尼迪爾

Vox Clamantis and Jean-Claude Pennetier

CHCH

4/3

4pm

鋼琴三重奏 - 潘尼迪爾．巴斯基耶．皮杜鋼琴：潘尼迪爾小提琴：巴斯基耶大提琴：皮杜

Trio Pennetier Pasquier Pidoux Piano: Jean-Claude Pennetier Violin: Regis Pasquier Cello: Roland Pidoux

CHCH

5/3

8pm

俄羅斯史維特蘭諾夫國家交響樂團指揮：克利斯蒂安．約菲

State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" Conductor: Kristjan Järvi

CCCH

8-10/3

8pm

威爾斯國家歌劇院．親子音樂會

O is for OPERA! Family Concert by Welsh National Opera

CCCH

16/3

8pm

CHCH

16/3

8pm

Beyond Impressionism - Piano Concert and Film Screening 《跨越意象》鋼琴音樂會及電影放映 CHCH 鋼琴：張郁苓、黃蔚然、黃蔚園、娉婷鋼琴二重奏 Piano: Evelyn Chang, Wong Wai-yin, Wong Wai-yuen, Duo Ping & Ting

17/3

6pm

威爾斯國家歌劇院 - 德布西《佩利亞斯與梅麗桑德》 Welsh National Opera - Debussy’s Pelléas et Mélisande Conductor: Lothar Koenigs 指揮：洛德．古尼斯

音樂

MUSIC

《最愛中提琴》：賴沙諾夫與香港小交響樂團音樂總監及指揮：葉詠詩

西班牙之風古樂團《重拾失落在美洲的西班牙瑰寶》指揮及古鍵琴：愛德華度．盧比斯．班素

Al Ayre Español - Spanish Treasures in the Americas Conductor and Harpsichord: Eduardo López Banzo

爵士樂世 / 界音樂 Jazz / WorlD MUSIC

丹麥國家交響樂團指揮：法比奧．雷西

Danish National Symphony Orchestra Conductor: Fabio Luisi

CCCH

20/3

8pm

瑞士韋爾比亞音樂節室樂團指揮：加博爾．塔卡奇 - 納吉鋼琴：張緯晴大提琴：戈蒂埃．卡普森

Verbier Festival Chamber Orchestra Conductor: Gábor Takács-Nagy Piano: Rachel Cheung Cello: Gautier Capuçon

CHCH

23/3

8pm

愛沙尼亞國家交響樂團及愛沙尼亞國家男聲合唱團指揮：萊夫．薩格士譚

Estonian National Symphony Orchestra and Estonian National Male Choir Conductor: Leif Segerstam

CCCH CHCH

24/3 25/3

8pm 5pm

傑思．博迪

Chris Botti

CCCH

23-24/2

8pm

爵士新潮 - 霍圖納與辛波絲卡《詩樂對話》 - Vila Navio 三重奏 - 霍圖納爵士四重奏

Nouveau Jazz Weekend - Fortuna Plays Szymborska - Vila Navio - Maciej Fortuna Special Quartet

HKAC-ST 3-4/3 3/3 4/3

3pm 9pm 8pm

世界音樂週末營 - 安娜．瑪麗亞．悠珮克及 Kroke 三重奏 - Songhee 韓國清唱研究所 - 白雲

World Music Weekend - Anna Maria Jopek and Kroke - Songhee Pansori LAB - Namgar

APAA

17-18/3 18/3 18/3

8pm 3pm 5pm

瑟西兒．麥克羅恩．莎芳與艾倫．迪爾三重奏

Cécile McLorin Salvant and the Aaron Diehl Trio

CCCH

21-22/3

8pm

CCGT CCCH CCST

香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre

CHCH CHTH APAL

香港大會堂音樂廳 Concert Hall, HK City Hall 香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA

Ballett Zürich - Anna Karenina Choreographer: Christian Spuck

CCGT

23-24/2 24-25/2

7:30pm 2:30pm

亞太舞蹈平台（第十屆）

Asia Pacific Dance Platform X

- 松根充和《舞得入境》

- Michikazu Matsune: Dance, if you want to enter my country! FC-FU

- 馬丁．赫辛《身身相印》 - 奧菲爾．約迪拉維治《萬有引力》及尼克．鮑華《蚊型城市間》

- Martin Hansen: if it’s all in my veins - Ofir Yudilevitch: Gravitas and Nick Power: Between Tiny Cities

23/2 24/2 13-14/3 16/3 17/3

8pm 3pm 8pm 8pm 3pm

香港賽馬會當代舞蹈平台

The Hong Kong Jockey Club Contemporary Dance Series

-《舞．聲》編舞：陳穎業、梁儉豐、盤彥燊聲音藝術家：彼得．萊納

- The Battle Zone | Vortex Choreographers: Yip Chan, Kenny Leung, Wayson Poon Sound Artist: Peter Lenaerts

24/2 25/2

8:15pm 3pm

-《兩地書》編舞：李超、白濰銘、潘振濠、謝欣、楊暢、楊浩、姚潔琪、張翼翔

CCST - Dance Exchange Choreographers: Li Chao, Ming Pak, Poon Chun-ho, Xie Xin, Yang Chang, Yang Hao, Judy Yiu, Zhang Yixiang

3/3 4/3

8:15pm 3pm

-《舞鬥》編舞：程偉彬、柯志輝、廖月敏、呂沅蔚、馬師雅、黃翠絲、張喜龍

- Dance Off Choreographers: Rex Cheng, Felix Ke, Sudhee Liao, Evains Lui, Alice Ma, Tracy Wong, Solong Zhang

KTT-BBT

22-25/3 24-25/3

8pm 3pm

薩卡洛娃及列賓《足尖情弦》舞者：斯文蘭娜．薩卡洛娃小提琴 : 瓦汀．列賓

Svetlana Zakharova and Vadim Repin Pas de deux for Toes and Fingers Dancer: Svetlana Zakharova Violin: Vadim Repin

CCGT

27-28/2

7:30pm

PPS 舞團《反斗校園》藝術總監及編舞：皮埃 - 保羅．薩瓦

PPS Danse - Playing Hooky Artistic Director and Choreographer: Pierre-Paul Savoie

SWCC-TH 3-4/3 4/3

KTT-BBT KTT-BBT

CCST

8pm 3pm

TheaTre

戲劇

佛蘭明高大師加凡

Israel Galván - FLA.CO.MEN

CCGT

5-6/3

7:30pm

勅使川原三郎 | 渡烏舞團《崔斯坦與伊索德》

Saburo Teshigawara | KARAS - Tristan and Isolde

CHTH

8-11/3

8pm

美國芭蕾舞劇院《芭蕾小忌廉》編舞：阿列克塞．羅曼斯基藝術總監：凱文．麥肯齊

American Ballet Theatre - Whipped Cream Choreographer: Alexei Ratmansky Artistic Director: Kevin McKenzie

CCGT

22-25/3 25/3

7:30pm 2:30pm

南非開普敦港口劇團《非洲少年流浪記》改編自莊尼．斯坦貝格小說導演：馬克．當福 - 梅

Isango Ensemble - A Man of Good Hope Based on the book by Jonny Steinberg Director: Mark Dornford-May

APAL

23-24/2 24-25/2

7:30pm 2:30pm

APA-DT

24/2 25/2

7pm 2:30pm

The Great Learning Playwright and Director: Tang Chi-kin

CHTH

24-25, 28/2, 8pm 1-3/3 3pm 25/2, 4/3

National Theatre of Great Britain The Curious Incident of the Dog in the Night-Time Original: Mark Haddon Adaptation: Simon Stephens Director: Marianne Elliott

APAL

8-11, 13-18/3 10-11, 17-18/3

7:30pm

Les 7 Doigts de la Main and Theatre Republique Bosch Dreams Idea and Concept: Samuel Tétreault, Martin Tulinius, Ange Potier

CCGT

9-10/3 11/3

7:30pm 2:30pm

Claude Régy - Dream and Derangement Director: Claude Régy

CCST

9-10/3 10-11/3

8:15pm 4:30pm

奧克拉荷馬自然劇團及 EnKnap 舞團《美國獨立宣言之幸福大作戰》編劇及導演：柏維爾．利斯卡、嘉莉．古柏

Nature Theater of Oklahoma & EnKnapGroup Pursuit of Happiness Playwright and Director: Pavol Liska, Kelly Copper

CHTH

14-16/3

8pm

《中庸之幸福學堂》編劇及導演：鄧智堅

Doctrine of Happiness Playwright and Director: Tang Chi-kin

CCST

16-17, 22-24/3 18, 24-25/3

8:15pm

倫敦巡迴劇團及愛丁堡皇家蘭心劇院《祈願女之歌》編劇：埃斯庫羅斯新版本：大衛．葛利格導演：拉文．格雷

Actors Touring Company and Royal Lyceum Theatre Edinburgh - The Suppliant Women Original: Aeschylus Adaptation: David Greig Director: Ramin Gray

CHTH

22-24/3 24-25/3

8pm 3pm

俄羅斯國家劇院《俄羅斯平民風景》（舒克辛小品） Theatre of Nations (Russia) - Shukshin's Stories Director: Alvis Hermanis 導演：艾維斯．赫曼尼斯《大學之烈火青春》編劇及導演：鄧智堅英國國家劇院《深夜小狗神秘習題》原著：馬克．海登改編：西門．史提芬斯導演：瑪麗安．艾莉特七指雜技團及哥本哈根共和國劇團《博希的奇幻旅程》概念：薩穆爾．特塞雷、馬丁．迪尼路斯、安殊．博田克勞德．雷吉《夢與狂妄》導演：克勞德．雷吉

APAA APADT HKAC

香港演藝學院香港賽馬會演藝劇院 The Hong Kong Jockey Club Amphitheatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre

2:30pm

3pm

FC-FU 藝穗會樓上劇場 Fringe Upstairs, Fringe Club SWCC-T 上環文娛中心劇院 Theatre, Sheung Wan Civic Centre KTT-BBT 葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre

資料截至 Information as of: Oct 2017

DaNCe

舞蹈

蘇黎世芭蕾舞團《安娜．卡列妮娜》編舞：克里斯蒂安．施普克

MORE THAN GREAT PERFORMANCES!

演出以外，更多精采！

FAMILY FUN DAY 家庭同樂日

EDUCATION PROJECT 教育項目

BACKSTAGE TOUR 後台參觀

PRE-PERFORMANCE TALK 演前講座 WORKSHOP 工作坊

ARTIST SALON 藝術家沙龍

POST-PERFORMANCE MEET-THE-ARTIST 演後藝人談 MASTERCLASS 大師班

And many more...

及更多精采活動……

hk.artsfestivalplus.org

藝術節加料節目 Festival 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 特備節目 SpecialS 舞蹈 DaNce 音樂

17/3/2018 23/2-25/3/18 24-25/3/2018

聲．色愛沙尼亞 Sound and Colour from Estonia 香港藝術節傑出文化領袖講座系列（五）威爾斯國家歌劇院藝術總監大衛·普尼 HKAF Distinguished Cultural Leader Series (V) In Conversation with David Pountney, Artistic Director of Welsh National Opera 歌劇探秘同樂日 Opera Adventure Day 《十二面體 - 精粹 132》- 馬克 ‧ 雷登作品 Dodecahedron - Quintessence 132 by Mark Ryden 美國芭蕾舞劇院全接觸 ABT Recipe

24, 25/2/2018 24/2/2018 5/3/2018 5/3/2018 24, 25/3/2018 24, 25/3/2018 24/3/2018 24/3/2018 25/3/2018 24,25/3/2018 25/3/2018

後台參觀 - 走進托爾斯泰的芭蕾世界 Backstage Tour: Tolstoy’s Ballet World 《安娜．卡列尼娜》演前講座 Pre-Performance Talk: Anna Karenina PPS 舞團《反斗校園》駐節藝術家計劃展演 Artist-in-Residence Project: PPS Danse Showcase 佛蘭明高魅力俱樂部 Flamenco Club Off-stage 美國芭蕾舞劇院彩排參觀 Observing ABT Company Class 《芭蕾小忌廉》兒童工作坊 ABT Kids - Whipped Cream Children Workshop 美國芭蕾舞劇院大師班（中級程度）ABT Masterclass (Intermediate level) 樂韻芭蕾藝術教育音樂會 From Music to Ballet Education Concert 美國芭蕾舞劇院大師班（高級程度）ABT Masterclass (Advance level) 後台參觀：雷登的超現實甜美國度 Backstage Tour: A Pop Surrealist's Delirium 《芭蕾小忌廉》演前講座 Pre-Performance Talk: Whipped Cream

2,5/3/2018 15/3/2018

MUSic

2/2/2018 2, 5/3/2018 3/3/2018 5/3/2018 7/3/2018 8/3/2018 9/3/2018 10/3/2018 18/3/2018 19/3/2018 19/3/2018 20/3/2018 21/3/2018 24/3/2018

歌劇／戲曲 OpeRa 戲劇 THeaTRe 電影

4/2/2018 26/2/2018 15-17/3/2018 15, 17/3/2018 16, 17/3/2018 16, 17/3/2018 17/3/2018 17/3/2018 17/3/2018 25/2/2018 10, 11/3/2018 10/3/2018 11/3/2018

FilM

24/1, 10/3/2018 27/1, 3/2/2018 8/2/2018 10/3/2018 22-25/3/2018

加料講座及演出：拉赫曼尼諾夫的樂與畫 PLUS Artist Talk & Performance: Rachmaninov: Music and Art 李希特及帕特：愛沙尼亞之聲展覽音樂會 Richter Meets Pärt: Vox Clamantis - Concert at an Exhibition 潘尼迪爾雙鋼琴大師班 Jean-Claude Pennetier Piano Duo Masterclass 葛利果聖歌合唱工作坊 Gregorian Chant Workshop 香港演藝學院音樂學院座談會系列：國際指揮家之路 HKAPA School of Music Assembly Series: A Conductor's Journey 演前講座：與俄羅斯樂團巡演經驗談 Pre-Performance Talk: Touring with Russian Orchestras 演前講座：俄羅斯史維特蘭諾夫國家交響樂團 Pre-Performance Talk : State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" 演前講座：拉赫曼尼諾夫之鋼琴音樂 Pre-Performance Talk: Rachmaninov's Piano Music 演前講座：韓國清唱與蒙古民謠 Pre-Performance Talk: Pansori & Mongolian Songs 李飈敲擊樂大師班 Percussion Masterclass with Li Biao 聲樂大師班及藝術家沙龍：法比奧．雷西 Vocal Masterclass and Artist Salon: Fabio Luisi 演前講座：作曲家尼爾森與丹麥 Pre-Performance Talk: Carl Nielsen and the Danes (DNSO) 演前講座：爵士女伶 Pre-Performance Talk: Matriarchs of Jazz 演前講座：與米克．烏列奧同唱 Pre-Performance Talk: Let's sing along with Mikk Üleoja 賽馬會本地菁英創作系列：《百花亭贈劍》公開彩排 Jockey Club Local Creative Talent Series: Pavilion of a Hundred Flowers Open Rehearsal 藝術家沙龍 : 京劇與梅派 Artist Salon: Peking Opera and the School of Mui 魔法蝴蝶虛擬實境 Magic Butterfly VR Experience 《佩利亞斯與梅麗桑德》演前講座 Pre-Performance Talk: Pelléas et Mélisande 《卡門》歌劇兒童入門工作坊 Whistle Stop Tour of Carmen Opera Workshop 兒童敲擊樂 Percussion Workshops for Kids 道具及戲服展覽 Props and Costumes Display 歌劇探秘加料演出 LIVE@Opera Adventure 後台參觀：德布西的迷霧秘境 Backstage Tour: Enter the World of Allemonde 舞蹈工作坊：玩轉南非舞蹈大熱身 Dance Workshop: Dance in the Isizhosa Tradition 後台參觀：《博希的奇幻旅程》Backstage Tour: The Fantastic World of Hieronymus Bosch 雜技樂園 Circus Funtasia 藝術家沙龍及紀錄片放映 : 法國戲劇大師雷吉的心路歷程 Artist Salon and Documentary Screening: The Art & Vision of Claude Régy 《葛哈．李希特 – 作畫》Gerhard Richter – Painting 《Bosch：地獄圖繪》Hieronymus Bosch: Touched by the Devil 《卡雅利沙的卡門》Isango Ensemble U-Carmen eKhayelitsha 《博希的奇幻世界》The Curious World of Hieronymus Bosch 《美國芭蕾舞劇院歷史回顧》電影放映 Documentary screening: American Ballet Theatre: A History