Welsh National Opera: Debussy’s Pelléas et Mélisande by Hong Kong Arts Festival

Welsh National Opera

Debussy’s Pelléas et Mélisande 威爾斯國家歌劇院

德布西《佩利亞斯與梅麗桑德》

三月十七日演出贊助 17 Mar performance sponsored by

香港藝術節今年踏入第4 6屆，再度為來自世界各地的觀眾獻上精彩紛呈的藝術盛宴，讓香港這個文化大都會更添生色。今年藝術節預備了各式各樣的表演節目，古典及當代藝術元素俱全，凸顯本港豐富多元的文化特色。短短一個月內將有約1 3 0 場音樂、舞蹈、戲劇、歌劇等表演舉行，讓一眾藝術愛好者目不暇給。一如以往，本屆藝術節除了請來本地和海外藝術家演繹引人入勝的代表作品，亦悉心安排各項外展活動。為培養青少年對藝術的興趣，「香港藝術節青少年之友」計劃讓本地學生有機會欣賞藝術節節目和參與全方位藝術活動。此外，藝術節又透過工作坊、後台參觀和大師班等「加料節目」，讓觀眾一睹藝術節重點節目的幕後創作過程，大開眼界。政府致力推動本地文化藝術發展，亦樂見贊助商和捐款者鼎力支持，攜手把香港藝術節打造成為享譽國際的藝壇盛事。我衷心感謝藝術節團隊多年來盡心盡力，為我們帶來這項高質素的文化活動，令本港藝壇百花齊放，蓬勃發展。謹祝第4 6屆香港藝術節圓滿成功，各位表演嘉賓和觀眾朋友共享一段精彩難忘的藝術旅程。

林鄭月娥香港特別行政區行政長官

Now in its 46th year, the Hong Kong Arts Festival continues to contribute to the cultural life of Hong Kong, delighting audiences from near and far. This year, the Festival puts on a wide variety of performances that showcase a mix of classic and contemporary genres, spotlighting Hong Kong’s rich and diverse cultural landscape. Featuring some 130 performances in a packed month of music, dance, theatre, opera and more, the Festival has much to offer to arts lovers of all kinds. Alongside dazzling performances by an array of local and international artists, the Festival continues to place great emphasis on its outreach activities. To develop youngsters’ appreciation of the arts, the Young Friends of the Hong Kong Arts Festival offers local students the opportunity to enjoy the Festival’s performances and participate in multi-arts activities. Similarly, the PLUS programme gives audiences an inspirational glimpse into the creative process behind the core Festival performances through a combination of workshops, backstage tours and masterclasses. The Government is committed to promoting the development of arts and culture in the city, and we are blessed to have the support of devoted sponsors and donors who join us in making the Hong Kong Arts Festival an international success. I am also thankful to the Festival team for their years of hard work to deliver a top-class cultural event and their invaluable contribution to the city’s thriving arts scene. I wish the 46th Hong Kong Arts Festival a resounding success and all the participants, performers and audiences alike, an enjoyable and memorable experience.

Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region

歡迎閣下蒞臨欣賞第4 6屆香港藝術節，與我們一起分享、感受這一場精彩的表演藝術節目。我們要感謝香港特別行政區政府透過康樂及文化事務署的年度恆常撥款，使香港藝術節能每年成功舉辦。我們同時亦非常感謝香港賽馬會慈善信託基金多年以來積極而持續的鼓勵和贊助，以及其他眾多的商業機構、企業、慈善團體以至社會各界人仕，他們的慷慨捐助，讓我們能夠呈獻世界一流藝術家的演出，為本地人才提供一展才華的機會，委約及製作新作品，培養年青一代的觀眾。更重要的，是要感謝到來欣賞節目的各位觀眾。沒有廣大觀眾的熱情參與，就不會有香港藝術節。期望您喜歡這場演出。

查懋成香港藝術節主席

I am very pleased to welcome you to this performance at the 46th Hong Kong Arts Festival. Thank you for being here with us and sharing in our celebration of the performing arts. I would like to thank the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention which is crucial to the Festival’s continuing success. I am also most grateful to The Hong Kong Jockey Club Charities Trust for their continued support and encouragement over many years, enabling us to enrich the cultural calendar of the city. Thanks are also due to the many corporate sponsors, charitable foundations as well as individual donors whose generous support enables us to feature many of the world’s best artists, promote local talent, produce new works, and nurture young audiences in Hong Kong. Most importantly, my warm thanks to you for joining us tonight. Without the passion, participation and engagement of our audiences there would be no Hong Kong Arts Festival. I very much hope you will enjoy the performance.

Victor Cha Chairman, Hong Kong Arts Festival

衷心感謝閣下蒞臨欣賞第4 6屆香港藝術節的演出。今屆藝術節的主題是「真．我角度」，我們從此角度出發，欣賞藝術家透過他們的技藝、創意和心思所創作和呈現的多重現實。今年的節目當中，無論是對應某種人生經驗、藝術動機或敘事手法，都往往帶着對「真」的各種個人省思。整體而言，我期望今屆藝術節可以啟發大家思考，甚至懷疑我們所理解的「真實」。希望您能開放自我，投入到舞台上呈現的世界，與藝術家共同經驗各種現實。也誠邀您參加「加料節目」的各項活動，豐富您的藝術節體驗。感謝您參與香港藝術節，支持我們的使命，為香港打造一個既屬於香港，也代表香港的世界級藝術節。

何嘉坤香港藝術節行政總監

It is a pleasure and privilege to welcome you to this performance at the 46th HKAF. This year, we take the notion of "what’s real to me" to celebrate the realities created through the artistry, creativity and thoughtfulness of our participating artists. Many works are informed by highly personal views, whether responding to some aspect of human experience as a matter of artistic motivation, or as a narrative device. Taken as a whole, I hope this Festival will provoke us to think about – and perhaps to question – our own understanding of what’s real. I hope that you will allow yourself to be immersed in the realities presented on stage at this and many other performances at the 46th HKAF, and enjoy the resulting co-created experience. I would also recommend the many PLUS performances and events that have been designed to enrich your Festival experience. Together with the entire team, I would like to thank you for your participation and support which sustains us in the mission to present a world class Arts Festival in, of and for Hong Kong.

Tisa Ho Executive Director, Hong Kong Arts Festival

香港藝術節扎根香港的國際藝壇盛事香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國際藝術家的演出，以及舉辦多元化的「加料」和教育活動，致力豐富香港的文化生活。香港藝術節是一所非牟利機構，2018 年第 46 屆藝術節的年度預算約港幣一億二千五百萬，當中香港特區政府的基本撥款約佔總收入的 14%，另外約 32% 需來自票房收入，約 3 6 % 則需依賴來自各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘下的大約 18% 則來自其他收入，包括政府針對捐款和贊助收入而提供的配對資助。香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，例如 *： •歌劇：巴伐利亞國立歌劇院、莫斯科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、安娜．涅翠柯、詹安德列亞．諾斯達、甘拿迪．羅傑斯特汶斯基、克里斯蒂安．泰利曼、倫敦交響樂團、皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、約翰．紐邁亞、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩娜．包殊烏珀塔爾舞蹈劇場

2018 年藝術節預計收入來源（約港幣一億二千五百萬） Estimated Income Sources for the 2018 HKAF (Approximately HK$125 Million)

Sponsorship & Donations 贊助及捐款

•戲劇：彼得．布祿克、羅伯特．威爾遜、柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特別節目：《藝裳奇幻世界》、星躍馬術奇藝坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》香港藝術節積極與本地演藝人才合作，並致力為新晉藝術家提供展示才華的平台。藝術節至今委約及製作逾 200 套本地全新創作，包括戲劇、室內歌劇、音樂和舞蹈作品，近年開始同步出版新作劇本，不少製作更已在香港及海外多度重演。近年的藝術節新製作包括《香港家族》三部曲、《世紀．香港》音樂會、《論語》、《炫舞場》、《大同》、《金蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。香港藝術節多年來與知名海外藝術家及團體聯合製作不少優秀作品，當中包括由香港藝術節、香港歌德學院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街製作公司製作、香港藝術節為聯合委約機構之一的「橫貫計劃」之《暴風雨》及《李察三世》、由香港藝術節及上海國際藝術節聯合委約的《青蛇》、三藩市歌劇院與香港藝術節聯合製作的《紅樓夢》等。香港藝術節大力投資下一代的藝術教育。「青少年之友」成立 26 年來，已為逾 730,000 位本地中學生及大專生提供藝術體驗活動。藝術節近年亦開展多項針對大、中、小學生的藝術教育活動，包括由國際及本地藝術家主持的示範講座及工作坊、學生展演、演前講座、公開彩排、以及欣賞藝術節演出。同時，通過「學生票捐助計劃」，藝術節每年提供約 10,000 張半價學生票。香港藝術節每年主辦一系列多元化並深入社區的「加料節目」，例如電影放映、示範講座、大師班、工作坊、座談會、後台參觀、展覽、藝人談、文化導賞團等，鼓勵觀眾與藝術家互動接觸。

18%

36% Box Office 票房收入

32%

14%

Other Income (Including Possible Matching Grant for Sponsorship and Donation Income) 其他收入（包括按捐款和贊助收入可望獲得的配對資助 ) Government Baseline Funding 政府的基本撥款（Updated August 2017 2017 年 8 月更新）

Hong Kong Arts Festival A Major International Arts Festival In, Of and For Hong Kong

• Theatre: Peter Brook, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.

• Large-scale special events: World of WearableArt, Zingaro

HKAF is a non-profit organisation. Secured government baseline funding for the Festival in 2018 represents roughly 14% of its HK$125 million budget. Around 32% of the Festival’s income needs to come from the box office, and another 36% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 18% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western opera: Bavarian State Opera, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Anna Netrebko, Gianandrea Noseda, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, John Neumeier, American Ballet Theatre, Cloud Gate Dance Theatre, Hamburg Ballet, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch

• Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include A Floating Family, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong – The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 26 years, our “Young Friends” scheme has reached over 730,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2017.html 誠邀贊助或捐助第 46 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details of the 46th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: dev@hkaf.org

直綫 Direct Lines: (852) 2828 4910/11/12

網頁 Website: www.hk.artsfestival.org/en/support-us

Presents

Welsh National Opera

Debussy’s Pelléas et Mélisande 威爾斯國家歌劇院

德布西《佩利亞斯與梅麗桑德》 3 月 Mar

15, 17

香港文化中心大劇院 Grand Theatre, Hong Kong Cultural Centre 演出長約 3 小時 10 分鐘，包括一節中場休息 Running time: approximately 3 hours and 10 minutes including one interval 法語演出，附中文及英文字幕 Performed in French with Chinese and English surtitles

威爾斯國家歌劇院成員乘坐第 46 屆香港藝術節指定航空公司芬蘭航空來回香港 Members of the Welsh National Opera are flying to and from Hong Kong on Finnair, Official Airline of the 46th Hong Kong Arts Festival 封面照片 Cover Photograph: © Clive Barda

敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on

請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.

HKartsfestival

本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.

www.hk.artsfestival.org

Presents

Welsh National Opera

Debussy’s Pelléas et Mélisande 威爾斯國家歌劇院

德布西《佩利亞斯與梅麗桑德》 3 月 Mar

15, 17

敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on

請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.

HKartsfestival

本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.

www.hk.artsfestival.org

交銀國際控股有限公司（「交銀國際」，股份代號： 3329.HK）作為國有股份制商業銀行交通銀行於香港僅有的證券及與證券相關的金融服務綜合平台，成立於1998年，是香港最早具有中資背景的持牌證券公司之一。經歷多次經濟及行業週期與監管改革的考驗，交銀國際已發展成為在香港專門從事證券經紀及保證金融資、企業融資及承銷、投資及貸款與資產管理及顧問業務的最大型證券公司之一，於2017年5月19日作為首家中資銀行系券商在香港聯合交易所主板上市。

交銀國際充分把握互聯互通的跨境業務機遇，發揮銀行系券商的優勢，致力於為全球客戶提供綜合化、一站式的金融服務，打造大型、活躍的國際化綜合金融服務平台，努力為客戶與股東創造價值。

http://www.bocomgroup.com

BOCOM International Holdings Company Ltd (BOCOM International, Stock Code: 3329.HK) is a well-established and the only integrated platform for securities and related financial services of Bank of Communications Co., Ltd. in Hong Kong, one of the State-Owned Joint Stock Commercial Banks. As one of the earliest licensed securities firms with a PRC background in Hong Kong, BOCOM International has weathered many economic and industry cycles as well as regulatory reforms since its establishment in 1998, and has grown to become one of the largest securities firms specialising in securities brokerage and margin financing, corporate finance and underwriting, investment and loans, asset management and advisory businesses in Hong Kong. BOCOM International successfully landed on the HKEx and became the first Chinese-funded bank broker listed in Hong Kong on May 19, 2017. BOCOM International will seize cross-border business opportunities from the stock connect programs and take full advantage of our background as a securities firm within a banking group in order to provide comprehensive one-stop financial services to global investors, build up a major and active integrated international financial services platform and create value for our clients and shareholders.

WNO Pelléas and Mélisande - Jacques Imbrailo (Pelléas) and Jurgita Adamonyté (Mélisande). Photo credit - Clive Barda

《佩利亞斯與梅麗桑德》：五幕歌劇 Pelléas et Mélisande : an opera in five acts 文本 Text 莫里斯．梅特林克 Maurice Maeterlinck 音樂 Music 德布西 Claude Debussy 指揮 Conductor 洛德．古尼斯 Lothar Koenigs 導演 Director 大衛．普尼 David Pountney 佈景設計約翰．英格斯

Set Designer

Johan Engels

服裝設計 Costume Designer 瑪麗 - 珍妮．莉卡 Marie-Jeanne Lecca 燈光設計馬克．喬納森

Lighting Designer

巡演燈光保羅．胡德菲爾德

Lighting realised on tour by

合唱指導亞歷山大．馬丁

Chorus Master

Mark Jonathan Paul Woodfield Alexander Martin

助理指揮 Assistant Conductor 堤摩菲．貝克 Timothy Burke 音樂整理詹姆士．修賀

Music Preparation

James Southall

復排導演 Revival Director Caroline Chaney 卡露蓮．查尼

中文字幕改編自歌劇經典《德布西：佩利亞與梅麗桑》（吳祖強主編），由台北世界文物出版社授權使用

English Surtitles

Sophie Rashbrook

角色及演出（按出場序） Cast (in order of appearance) 戈洛 Golaud 基斯杜化．普法斯 Christopher Purves 梅麗桑德 Mélisande 尤基塔．阿當姆伊提 Jurgita Adamonyté 珍妮芙 Geneviève 利亞 - 瑪麗安．鍾斯 Leah-Marian Jones 阿凱爾 Arkel 艾弗德．雷他 Alfred Reiter 佩利亞斯 Pelléas 雅克．連巴路 Jacques Imbrailo 伊尼奧爾德 Yniold 麗貝卡．博當 Rebecca Bottone 醫生 Doctor 史提芬．威斯 Stephen Wells

合唱

Chorus

女高音安妮妲．白蘭賀寶拉．格蘭活克萊爾．漢普敦露茜．希

Soprano

女中音妮達．比札利海倫．贊曼尼

Mezzo-Soprano

男低音馬丁．萊德喬治．牛頓 - 費茲傑羅史提芬．威斯

Bass

Die Konzertisten

威爾斯國家歌劇院樂團

Anitra Blaxhall Claire Hampton Neda Bizzarri Martin Lloyd Stephen Wells

Paula Greenwood Rosie Hay Helen Jarmany George Newton-Fitzgerald

The WNO Orchestra

First performance of this production by Welsh National Opera: 29 May 2015, Wales Millennium Centre, Cardiff Welsh National Opera is grateful to Aedas for its support

藝術節加料節目

香港藝術節傑出文化領袖講座系列：大衛．普尼對談 HKAF Distinguished Cultural Leader Series: David Pountney 香港君悅酒店

3 月 15 日（四）下午 2:00 - 3:30

國際媒體伙伴 International Media Partner

（活動已舉行 past event）

Grand Hyatt Hong Kong 15 Mar (Thu) 2:00- 3:30pm 合作伙伴 In Partnership with

15, 17.3 ( 四、六 Thu & Sat ) 晚上 6:30pm - 7:00pm

演前講座 Pre-Performance Talk 講者

Speakers

3 月 15 日：大衛．普尼（威爾斯國家歌劇院藝術總監） 3 月 17 日：赫德．湯馬士（威爾斯國家歌劇院戲劇指導）

15 Mar: David Pountney, Artistic Director, WNO 17 Mar: Hedd Thomas, Dramaturg at WNO

香港文化中心平台工作室

Podium Workshop, Hong Kong Cultural Centre

持票觀眾免費入場

Free and open to all ticket holders.

威爾斯國家歌劇院 ─ 歌劇探秘同樂日 WNO - Opera Adventure

17.3 ( 六 Sat ) 下午 2:00pm - 6:00pm

詳情請參閱 P.62

For more information please read P.62

更多加料節目詳情及網上報名 More Festival PLUS and online registration: www.hk.artsfestivalplus.org

“WNO Pelléas and Mélisande - Jacques Imbrailo (Pelléas) and WNO Chorus. Photo credit - Clive Barda”

威爾斯國家歌劇院

Welsh National Opera

威爾斯國家歌劇院成立於 1 9 4 3 年，旨在建立紮

Welsh National Opera was founded in 1943 by a group of people who wanted to forge an opera company rooted in Wales’s rich and proud heritage of music and song for all.

根威爾斯豐富且雅俗共賞的音樂傳統的歌劇院。這份堅持承傳至今，威爾斯國家歌劇院以將歌劇的優美、戲劇與情感帶給更多聽眾為使命。歌劇院是威爾斯的國家級歌劇院，享譽國際，是當地音樂製作的核心，也扮演了服務威爾斯和英格蘭社群的重要角色。威爾斯國家歌劇院與合作伙伴攜手發掘和培育人才，協助他們走向國際。歌劇院非常重視巡迴演出，力求舉辦最優質的藝術節目，透過歌劇、音樂會和活動，為觀眾帶來娛樂和啟發，鼓勵參與，足跡遍佈威爾斯、英格蘭及世界多地。歌劇院透過青少年、社區和數碼媒體工作，讓觀眾親歷其境，呈獻美妙的世界級歌劇，帶來多重互動體驗。所有作品均在威爾斯製作，供大眾細意欣賞。威爾斯國家歌劇院致力吸納大眾參與活動，豐富他們生活；務求令歌劇院的出品與使命息息相關、使人獲益，且不斷求變。

This energy still drives WNO today in its mission to bring the beauty, drama and emotion of opera to as wide an audience as possible. As the national opera company of Wales, but with an international status and reputation, WNO sits at the heart of musicmaking in Wales and plays a valuable role in the communities it serves in Wales and England. We work with our partners to discover and nurture talent and provide a springboard for international careers. Touring is our lifeblood and we strive to present the highest quality work across our entire artistic programme: entertaining, engaging and inspiring audiences at our operas, concerts and events in Wales, England and beyond. WNO offers transformative experiences through our youth, community and digital work. WNO produces wonderful world-class opera and a wide range of connected experiences, all made in Wales for everyone to enjoy. WNO aims to enrich and engage everyone, to ensure what we do is relevant, rewarding and constantly evolving.

威爾斯國家歌劇院樂團

WNO Orchestra

威爾斯國家歌劇院樂團成立於 1 9 7 0 年，

The WNO Orchestra was formed in 1970. Since then, it has established itself as one of the finest orchestras in the UK, highly praised for its distinction in wide ranging operatic repertoire, as well as for its extremely varied concert work and portfolio of recordings.

是英國最出色的管弦樂團之一。演奏歌劇曲目廣泛，音樂會和錄音專輯種類豐富，廣獲好評。威爾斯國家歌劇院樂團駐於卡迪夫威爾斯千禧中心，是威爾斯國家歌劇院其中一個主要常駐樂團，另外一個是威爾斯國家歌劇院合唱團。威爾斯國家歌劇院和歌劇院樂團的歷任音樂總監包括古卡洛．里齊（現為威爾斯國家歌劇院樂團桂冠指揮）、洛德．古尼斯，以及已辭世的查爾斯．麥克拉斯爵士。2016 年 8 月，托馬斯．哈努斯出任樂團音樂總監。樂團除了為威爾斯國家歌劇院的歌劇作品揚威樂壇，每年也在卡迪夫的國際音樂會系列呈獻精采演出，進一步奠定樂團的世界級地位。樂團不時亮相頂尖音樂會和音樂節，演出種類廣泛，諸如大型交響樂、管弦樂至流行音樂，以及家庭音樂會和室樂。

Resident at Wales Millennium Centre, Cardiff, WNO Orchestra is one of two permanent, full-time ensembles at the heart of the Company, alongside WNO Chorus. Former Music Directors of Welsh National Opera and its Orchestra include Carlo Rizzi (now WNO Conductor Laureate), Lothar Koenigs and the late Sir Charles Mackerras. Tomáš Hanus joined the Company as Music Director in August 2016. In addition to a substantial operatic remit for WNO, the Orchestra’s stature and reputation as a worldclass ensemble in its own right is demonstrated by its distinguished involvement in the International Concert Series in Cardiff each year. On the concert platform, the Orchestra is regularly active at many high profile concert and festival engagements, covering an extremely wide range of styles from large symphonic works through to lighter orchestral and popular music, together with a regular portfolio of family concerts and chamber music engagements.

德布西

Claude Debussy (1862—1918)

德布西於 1862 年在巴黎郊區出生，父母的家境

Born in 1862 in a suburb of Paris, Claude Debussy’s parents were not from a wealthy background, but their son’s clear gift at the piano meant that he was able to enter the Paris Conservatory at the age of just 11. Debussy’s original approach to harmony and musical structure was hugely influential, utilising scales and tonal structures that firmly rejected the tradition of the 19th century and are considered of seminal importance in the 20th century canon.

並不算富裕，但過人的鋼琴演奏天份意味着德布西在 11 歲時就入讀巴黎音樂學院。德布西使用和聲和音樂結構的手法獨到，對後世影響深遠。他在音階和聲調結構的運用上堅決不跟從十九世紀的傳統尺度，被認為對二十世紀的音樂發展有劃時代意義。《佩利亞斯與梅麗桑德》是德布西唯一完成的歌劇。他的創作原意是要建構有如夢境的氣氛，摒棄大型、華麗的場面和過於隆重的歌唱及管弦樂配器。梅特林克的戲劇文本來到他手中，是改編成歌劇的理想素材。在德布西的《佩利亞斯與梅麗桑德》裏，能認得出作曲家以精巧手法處理的管弦樂音色和他複雜微妙的和弦，這是二十世紀的一部歌劇傑作。

Pelléas et Mélisande is Debussy’s only completed opera, and his intention in composing it was to create a dream-like atmosphere that rejected big, showy scenes and the predominance of overly grand scores for voice and orchestra. In his mission to achieve this his discovery of Maurice Maeterlinck’s play provided the perfect material. Containing the composer’s recognisably delicate approach to orchestral colour alongside the complex and subtle harmonies that he is famous for, Debussy’s Pelléas is considered one of the great 20th century opera masterpieces.

故事第一幕

第三幕

阿凱爾國王之孫、鰥夫戈洛在阿勒芒的古老森林

佩利亞斯來到高塔道別梅麗桑德，卻對她飄逸的

中打獵時迷路，在池塘邊遇上了一位受驚的神秘

長髮為之著迷，並親吻其秀髮。戈洛斥責他們的

少女。水底深處有一個王冠，雖然梅麗桑德坐立

行為猶如小孩，然後把佩利亞斯帶到一個幽暗焗

不安，她卻不容許戈洛嘗試為她打撈王冠。戈洛

促的地下室。他們重見天日時，戈洛警告佩利亞

游說她跟他一同離開森林。

斯：梅麗桑德已有身孕。

數個月後，戈洛之母珍妮芙在王宮裏讀出戈洛來

佩利亞斯和梅麗桑德在城堡裏單獨見面，而戈洛

信。他寫道已經娶梅麗桑德為妻，並發誓若然國

則受嫉妒煎熬。他派了與首任妻子所生的小兒子

王不認許這位身份未明的新娘，他將會揚帆遠走

伊尼奧德去監視兩人。雖然擔驚受怕的男孩報告

不返。國王原諒戈洛，並差遣他的另一個孫子、

兩人行為沒有不妥，但戈洛仍然未釋疑心。

戈洛同母異父的弟弟佩利亞斯送信。佩利亞斯請求與瀕死的摯友告別，可是國王重申他的本份：佩利亞斯必須等候兄長歸來、侍候在病榻上的父親，並迎接兄嫂梅麗桑德。在珍妮芙請求下，佩利亞斯照顧梅麗桑德，兩人一同目送帆船啟航。

第四幕佩利亞斯決定離開城堡，與梅麗桑德相約在丟失戒指的井旁見最後一面。阿凱爾國王試圖安慰梅麗桑德，稱佩利亞斯父親病癒後，城堡將一洗頹風。戈洛指控梅麗桑德不忠後，並命令她跪在地上，阿凱爾國王感到難堪以外，又憐憫痛哭中的

第二幕

梅麗桑德。

佩利亞斯和梅麗桑德在花園深處來到一口井旁；

小伊尼奧德在井旁尋找皮球時，分心看見綿羊被

梅麗桑德把玩婚戒之際，不慎將戒指跌入井中。

領往屠宰後走失了。佩利亞斯與梅麗桑德再次

同一時間，戈洛在森林裏突然萬般失落，其愛駒

在井旁見面，互吐愛意，懵然不知被戈洛暗中監

亦受驚脫韁。梅麗桑德為戈洛療傷，但又開始落

視，怒火中燒的戈洛將佩利亞斯擊倒，又追逐懷

淚，道出自己渴望逃離城堡。戈洛留意到她丟失

有孩子的梅麗桑德。

了婚戒，梅麗桑德為免他起疑，遂撒謊稱在洞穴裏丟失婚戒，戈洛於是派佩利亞斯與梅麗桑德一

第五幕

同往洞穴搜索。洞穴在月光下顯得陰森、裏面全

梅麗桑德的嬰兒早產。戈洛懊悔非常，但不管梅

是沉睡中的乞丐，嚇怕了梅麗桑德，她請求佩利

麗桑德彌留的痛苦，仍然堅持要知道她有否不

亞斯帶她離開。

忠。阿凱爾國王把嬰孩帶到梅麗桑德跟前，梅麗桑德漸告虛弱，堅稱自己無辜⋯⋯

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Synopsis Act One

Act Three

While out hunting in the ancient forests of Allemonde, Golaud, a widower and the grandson of the aged King Arkel, loses his way and stumbles across a frightened and mysterious girl sitting by a pool. Deep in the water there is a crown, but the enigmatic Mélisande refuses to allow Golaud to try and retrieve it for her, despite her distress. He persuades her to come with him, leaving the forest behind.

Pelléas comes to the tower to bid farewell to Mélisande, but he is entranced by her long, flowing hair, and kisses it. Golaud reprimands them for behaving like children and leaves with his halfbrother, taking him to a gloomy and oppressive vault. When they emerge, he warns Pelléas that Mélisande is expecting a child.

Months later in the royal palace, Golaud’s mother Genevieve reads aloud a letter from her son. Golaud writes that he has married Mélisande, and swears he will sail away forever if the king disapproves of his bride, whose identity still remains a mystery. The King forgives Golaud, and charges Pelléas – his other grandson and Golaud’s half-brother – with relating the news of his approval. Pelléas asks to be allowed to bid farewell to a dying friend, but the King reminds him of his duty: Pelléas must await his brother’s return, attend to his ailing father, and greet Golaud’s bride, Mélisande. At Geneviève’s bidding, Pelléas takes Mélisande into his care, and together they watch the departure of a ship. Act Two Deep in the park, Pelléas and Mélisande come across a well; Mélisande is playing with her wedding ring and she accidentally drops it into the water. Simultaneously, deep in the forest, Golaud is struck by a sensation of great loss, and his horse bolts. Mélisande tends to him in his weakness, but she begins to weep, explaining that she longs to escape the castle. Golaud notices that her wedding ring is missing, and he sends Pelléas and Mélisande away to find it in the grotto where she has falsely said she lost it to avoid arousing suspicion. Mélisande is terrified by the sinister, moonlit grotto, which is full of sleeping beggars, and she begs to be taken away.

Pelléas and Mélisande meet in the castle alone, and Golaud is devoured by jealousy. He orders his young son from his first marriage, Yniold, to observe the couple; although the frightened boy reports nothing improper, Golaud remains suspicious. Act Four Pelléas resolves to leave the castle, and arranges to meet Mélisande one last time at the well where she lost her ring. King Arkel tries to reassure Mélisande that the castle will be happier once Pelléas’ father recovers from his illness. He is mortified when Golaud accuses Mélisande of infidelity, and throws her to the floor. She weeps in sorrow, and Arkel is full of pity for her. By the well, little Yniold is trying to find a ball he has lost; however he is distracted by the sight of sheep being led to the slaughter and wanders off. Pelléas and Mélisande meet there once again, and quietly declare their love, unaware that Golaud is spying on them. The enraged husband strikes Pelléas down, and chases the pregnant Mélisande. Act Five Mélisande has given birth prematurely. Golaud is full of remorse, but despite Mélisande’s suffering he demands to know whether she was unfaithful to him. Arkel brings Mélisande her baby, while she, growing weaker, maintains her innocence….

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導演的話

大衛．普尼切。受阻情節是這類作品最有力量的主題—梅

導演大衛．普尼解釋《佩利亞斯與梅麗桑德》中

麗桑德從未表示過需為自己引起的桃色亂局負上

使用的憂鬱的象徵主義語言，如何讓劇中生活於

責任，儘管她在城堡中同時跟兩個男人偷雞摸

規條之外的人物，在生活於平庸的我們當中，製

狗。

造毀滅和混亂。

梅麗桑德夢幻而看似天真的女孩形象，有其對照的原型，先是喬治．杜穆里埃筆下的《崔爾

梅麗桑德是無親無故，「橫空降世」的，是迷路

比》同名女主角（有一款軟帽子也是以其名字命

的戈洛在湖邊找到她—所以故事一開始，就讓

名），被斯文加利催眠而唱歌表演，過後卻全無

人不禁去問，到底是誰找到誰。水中有一頂王

記憶。當然，所有人也愛上她。然後就是馬天奈

冠：「王冠是他給我的」，暗示這頂王冠的「主

歌劇中，喜怒無常的茱莉塔，就像《愛麗絲夢遊

人」（情人？丈夫？）曾對她施暴，並明顯急忙

仙境》中笑臉貓的角色—你永遠無法確定她到

把她拋棄。因此我們傾向一開始就同情她，可是

底在不在。像蘿麗塔，這些角色都在提問，到底

她對戈洛長期爭鬥的結果（還是該說成是他對梅

誰是無罪的？誰要為最終的下場負責？梅特林克

麗桑德的長期爭鬥？）還是暴力，德布西的戈洛

巧妙鋪設的曖昧，在德布西改編而成的歌劇中，

跟梅麗桑德就如對照的鏡子。她的方法—要是

依然極具力量，我們正正被無法知曉的感覺緊緊

能稱之為方法—就是被動，因此賦予了她一種

攫住，難以避免看到童話背後，潛伏的黑暗心理

無辜的假象。她讓結婚戒指從她的手中輕輕掉進

暗示。

井裡，就像戒指擁有個人意志一般，可是同一瞬間，戈洛就從馬背上墮下，嚴重受傷。梅麗桑德真的擁有這種力量嗎？她無疑具有某種無助的奸詐。丟失戒指後，她讓戈洛命令她隨佩利亞斯前往尋找，隱瞞她丟失戒指的真正地點。經過這場戲，從她口中吐出的幾個謊言，我們也許沒法相信她驚叫：「跟佩利亞斯一起去？」是出自真心的。歌劇劇終，阿勒芒這座令人憂鬱的城堡裏的所有男人，包括年老的瞎子阿凱爾王，都表示過對梅麗桑德的愛慕。梅麗桑德居於一個失落而遺世獨立的地方，在森林深處的陰森國度充斥病態、抑壓得幾近變態的慾望。這類「無辜」的人，其中一種最危險的誘惑技巧，就是提出或存活於一種另類現實。在那裏，我們可以逃離真實世界令人膽怯的那種迫

WNO Pelléas and Mélisande - Jurgita Adamonyté (Mélisande). Photo credit - Clive Barda

Director’s Note Director David Pountney explains how the melancholy Symbolist language of Pe l l é a s e t Mélisande teases out the ability of characters who live “beyond the rules” to cause destruction and mayhem among those of us whose lives are governed by more prosaic realities. Mélisande appears in the world without progenitors – she is “found” by the side of a pond by Golaud, who is himself lost – so it is open to question right from the start with regards to who found who. There is a crown lying in the water: “C’est la couronne qu’il m’a donnée”, and the implication is that its previous “owner” (Lover? Husband?) has done violence to her, and apparently got rid of her in a hurry. We are from the start therefore predisposed to feel sympathy for her, but the outcome of her long battle with Golaud (or is it his long battle with her?) is, again, violence. Her method, if it is a method, is passive, which gives her the illusion of innocence. She allows her wedding ring merely to slip from her grasp into the well, as if it had a will of its own, but in the very same moment Golaud is thrown from his horse and badly injured. Does Mélisande really possess such power? She certainly possesses a sort of helpless guile. Having lost the ring, she allows Golaud to order her to go with Pelléas to look for it, having deceived him about the place where it was lost. After the several lies she has uttered in this scene, we may not be prepared to take her exclamation of shock: “Avec Pelléas?” quite at its face value. And by the end of the opera, all the men in the melancholy castle of Allemonde have declared their love for her in one way or another, including the blind and aged King Arkel.

David Pountney Mélisande inhabits a lost and remote world, deep in the forest, a haunting realm of morbid, repressed desire bordering on the perverted. One of the most dangerous seductive techniques of these “innocents” is to propose or inhabit alternative realities where we can escape the dread imperatives of the real world. Arrested development is a powerful theme in these pieces – Mélisande never shows any sign of taking responsibility for the erotic havoc she has brought about, despite being sexually active with two men in the castle. For Mélisande, there are equally parallels and prototypes for the dreamy, seemingly innocent girl, starting with Trilby, the eponymous heroine of George du Maurier’s novel (and after whom the hat is named), who is hypnotised into performing as a singer by Svengali but never remembers anything about it afterwards. Everyone falls in love with her of course. Then there is the maddeningly enigmatic Julietta in Martin ’s opera of the same name, a sort of Cheshire cat of a character – you are never sure if she is really there. Like Lolita, all these characters pose the question of who is innocent, and who is ultimately responsible for what happens. The power of Maeterlinck’s beautifully poised ambiguity in the play on which Debussy based his opera is that we are gripped by the impossibility of knowing. We can hardly avoid recognising the darker psychological implication beneath the fairy tale setting.

稍縱即逝的暗光

卡露蓮．萊不管是黑夜或白晝，要紀錄當中稍縱即逝的光影

芸芸法語中最具詩意的一個詞語：crépuscule —

變化也異常困難，而這也是它引人入勝的地方，

一般中譯為暮色（或英譯為 twilight） —包含了

莫奈、畢沙羅、梵高也作過夜景畫，一如他們的

象徵主義派的審美氛圍，19 世紀末的巴黎正被

英國祖輩印象派先鋒泰納，他在德布西口中形容

此氣氛籠罩，而德布西也在其時（1893）開始把

為「藝術界偉大的神秘創造者」。《佩利亞斯與

比利時劇作家梅特林克的話劇《佩利亞斯與梅麗

梅麗桑德》的場景，令人聯想起莫奈的夜間海景

桑德》，改編成歌劇。

畫《海邊夜景》（1866）和《阿弗爾港口夜景》（1871）描繪神秘海景時，畫中點點閃光的效果，

暮色描述日到夜之間、越漸朦朧的怪異暗光，

歌劇則以此對照阿勒曼德令人窒息的幽暗。

比黃昏更暗、更具不祥之兆，同時喚起神秘夢境

撰寫歌劇之時，德布西特別鍾情於美籍藝術家

和幻想的憂鬱國度，深受象徵主義者的愛戴，也

詹姆斯·惠斯勒的「夜曲」系列畫作，更借用

啟發了德布西。壓抑、暗示和神祕，德布西筆下

其名字來命名他的管弦樂三部曲（ 1 8 9 9），作

《佩利亞斯與梅麗桑德》的管弦樂音色，在稍縱即逝的暗光和看似無止盡的撩人黑夜中迴盪，微光偶爾於遠處閃動，轉瞬即逝。白天如曇花一現：在第二幕第一場，梅麗桑德輕佻地丟失婚戒；在第三幕第三場，佩利亞斯從城堡地窖走上來之時，是為了強調梅特林克筆下的角色，除此

品原名為《暮之景》。惠斯勒跟德布西，同樣活躍於巴黎 1 8 9 0 年代的象徵主義派圈子，曾參與 1 8 9 3 年梅特林克《佩利亞斯與梅麗桑德》的製作。就如惠斯勒的海景畫《夜曲》（1 8 7 0 – 1877），和他近如抽象的《黑金色的夜曲—煙花下墜》 (1875)，也在暗灰色調的限制下，綴以分

以外，終日也囚困於令人窒息的黑暗中；迷宮森

散的亮光，以探索色彩的微妙和諧，德布西《佩

林令人毛骨悚然的黑影，總是潛伏於不遠處。梅

利亞斯》和《夜曲》的聲樂世界也有相近的克制，

麗桑德對光明和愛有一種本能的渴望，盼望因此

但同時又相當激烈。如此強烈的一瞬發生於第三

而得到解放，同時又感到懼怕，她依然囚禁於暗

幕第二場，妒火中燒的戈洛引佩利亞斯深入城堡

光之中，日落西沉的餘光從窗外照進內，伊人氣

地窖，也就是整齣歌劇最陰暗不祥的一段。場口

息也隨漸滅的光線消逝。梅麗桑德性感髮鬢的形

雖清靜而輕描淡寫，但極柔的低弦襯以低迴的定

象，被瀰漫於神秘王國阿勒芒的黑暗無聲吞噬，

音鼓、圓號和巴松管，強調死亡的臭氣從地窖下

而德布西的音樂正喚起此情此景的最後記憶。

的一池死水中散發，製造出一種陰森嚇人的緊張

德布西對這種不祥暗光的音樂探索，好比油畫和

氣氛；雙簧管以最低沉的音調吹起，間歇而短暫

文學。他豐富的管弦樂音色、令人愉悅的和弦、

的旋律則用上全音階，令音調變得陰森黑暗，以

對展現新紋理關係的音色著迷，就如某些畫家尋

強調戈洛的陰險意圖。當佩利亞斯於接下來的場

求描繪光影和調和顏色的新方法。縱然德布西憎

口，逃到日光之中，音樂再一次活起來，快速攀

惡印象派這個字，他認為那只是一個濫用詞—

登至管弦樂的高音部分，長笛和豎琴奏出美妙的

可是他的清唱劇《春天》（1887）卻被抨擊為「模

琶音，弦樂的顫音奏出爆炸性的漸強，再到更為

糊印象派」—他也欣賞印象派畫家的作品，那

少見的「更強」，說如主角呼喊「我終於能呼一

些跟他一樣，關注以精確而徹底不同的方法，發

口氣！」惠斯勒跟德布西，利用片刻的光線，提

展創新技巧的人。

升了黑暗的神秘感，跟象徵主義派的要旨相連結，是要喚起和暗示而非單單描述。

WNO Pelléas and Mélisande – Christopher Purves (Golaud), Jacques Imbrailo (Pelléas) and Jurgita Adamonyté (Mélisande). Photo credit - Clive Barda

德布西的象徵主義時期，以《佩利亞斯與梅麗桑德》為頂峰，而另一部對他影響深遠的藝術作品，則是他於 1 8 8 0 年代發現的英國前拉斐爾派畫作。作品中的感官享受、對神話事物的喜愛和仿冒中世紀影像，跟德布西對華格納欣賞同出一轍，華格納的音樂體現了象徵主義派對異國「他者」的追求。但丁．加百列．羅塞蒂的詩作，如《天女》（1 8 7 5 – 1 8 7 8），啟發德布西寫下極具華格納風格的清唱劇歌詞《受主恩寵的少女》（1889），描繪出一種超凡卻帶憂鬱的全新女性美，流露出一種悲劇性的天真，人物塑造跟梅麗桑德千絲萬縷，兩人相似的髮鬢，同樣吞沒和迷倒受眾。羅塞蒂筆下，既撩人卻又貞潔的前拉斐爾派女性形象，令人一見難忘，而當中經常帶有一種暗示，即渴望能在死亡中找到完滿的愛情。愛情與死亡容易令人想起華格納的《崔斯坦與伊索德》，但兩者同時呼應《佩利亞斯與梅麗桑德》逐漸揭開的悲劇，德布西在開幕第三場露台勾引的一幕，以及終幕第四場兩人愛的宣言，參考了崔斯坦式的和聲，強調這個連結。若德布西自稱創作《佩利亞斯與梅麗桑德》的目的，是為了寫出一首樂章，用以探索大自然與想像之間的神祕密切關係，那麼開幕前奏單以二十三個小節，就已呈現了歌劇的精髓，同時確立管弦樂音色的調色板，是音樂暗光的大師級描述。像是永無止盡的森林主題，以極柔的低弦和巴松管，重複奏出同一旋律，畫下純五度的輪廓，象徵故事情節的循環，還有逃不掉的幽暗。木管樂器以更堅定的節奏入侵，只不斷敲出兩個單音，表示戈洛的咆哮和漠然，他一心行動，卻依然一事無成。普遍的森林主題和戈洛另一個樂曲動機出現後，和聲短暫地清透起來，換成一段精緻玩味的五聲音階旋律：雙簧管獨奏，襯以弦樂分奏，象徵梅麗桑德的脆弱和困惑。碎片般的前奏，配上不斷轉換的和聲，同時缺乏抑揚頓挫，不僅提示了戈洛和梅麗桑德失衡的關係，同時預告了勢將出現的滅亡，一步一步在阿勒芒森林的黑暗心理迷宮裏展開。

Elusive half-lights A m o n g t h e m os t p o e t i c wo rd s o f t h e Fre n ch language, crépuscule – usually rendered in English as twilight – encapsulates the mood of the Symbolist aesthetic with which Debussy was connected in finde-siècle Paris when he began work on his operatic adaptation of Maeterlinck’s play Pelléas et Mélisande in 1893. Describing the eerie half-lights between sunset and the deeper obscurity of night, crépuscule is darker and more ominous than dusk, and evokes the melancholic world of mystical dreams and imaginings beloved by the Symbolists that also inspired Debussy. Subdued, intimate and mysterious, the orchestral sound-colours of Debussy’s Pelléas et Mélisande oscillate between elusive half-lights and the sultry intoxication of a seemingly unending night where glimpses of light are fleeting and distant. The brief appearances of day when Mélisande flirtatiously loses her wedding ring in Act Two, Scene One, and when Pelléas emerges from the depths of the castle vaults in Act Three, Scene Three, serve to emphasise the oppressive gloom in which Maeterlinck’s characters are otherwise entrapped; the creeping shadows of the labyrinthine forest are never far away. While Mélisande both craves yet fears liberation through her instinctive yearning for light and love, she remains imprisoned in the half-light, breathing her last as the fading rays of a setting sun glint through an open window. Debussy’s music sounds one last memory of the seductive motif associated with her cascading hair before evaporating into silence as the pervading darkness of the mysterious Allemonde subsumes existence. Debussy’s musical explorations of these ominous half-lights have parallels in painting as well as in literature. His rich orchestral colourism, harmonic sensuality and fascination for sound as timbre reveal new textural relationships that equate with the ways certain painters sought new means of depicting light – or darkness – and blending colour.

Caroline Rae While Debussy abhorred the word Impressionism, which he considered merely a term of abuse (his cantata Printemps (1887) was attacked for its “vague impressionism”) he admired the work of the Impressionist painters who, like himself, were concerned with developing innovative techniques in a precise if radically different way. Intrigued as much by the difficulties of documenting the transient effects of light at night, as well as during the hours of day, Monet, Pissarro and Van Gogh all completed night paintings, as did their English predecessor and Impressionist forebear Turner whom Debussy described as the “greatest creator of mystery in art”. Monet’s nocturnal paintings of the sea Marine, effet de nuit (1866) and Port du Havre, effet de nuit (1871) suggest the mysterious seascapes with tiny pinpoints of shimmering light that were later evoked in Pelléas et Mélisande as the antithesis of Allemonde’s stifling gloom. At the time of composing his opera, Debussy was particularly attracted to the “Nocturne” paintings of the American-born artist James McNeill Whistler from whom he borrowed the title for his orchestral triptych Nocturnes (1899), a work originally named Scènes au crépuscule. Like Debussy, Whistler frequented the Symbolist circles of 1890s Paris and also attended the 1893 production of Maeterlinck’s Pelléas et Mélisande. Just as Whistler’s seascape Nocturne (1870-1877) and his near abstract Nocturne in Black and Gold – The Falling Rocket (1875) explore subtle harmonies of colour in restricted palettes of darks and greys delicately accentuated with fragments of glittering highlights, Debussy’s sound-world in Pelléas and in the Nocturnes is similarly subdued yet paradoxically intense. Such a moment of powerful intensity occurs in Act Three, Scene Two when the jealous Golaud leads Pelléas to the depths of the castle dungeons in one of the darkest and most ominous sections of the opera. While quiet and understated, an atmosphere of terrifying brooding tension is

evoked through pianissimo low strings coloured with murmuring timpani, horns and bassoons to underline the stench of death emanating from the stagnant pool at the bottom of the dungeon; the use of the whole-tone scale in fleeting melodic fragments on oboes at their lowest register obscures the tonality to emphasise Golaud’s sinister objectives. When Pelléas escapes into the daylight in the following scene, the music is at once more animated and rapidly ascends to the orchestra’s upper registers with brilliant arpeggio flourishes on flute and harp, shimmering tremolando strings creating an explosive crescendo to a rare più forte as he exclaims, “At last I can breathe again”. Both Whistler and Debussy enhance the mystery of darkness through momentary glimpses of light, and in so doing connect with the Symbolist aim to evoke and suggest rather than merely describe.

WNO Pelléas and Mélisande. Photo credit - Clive Barda

Another important artistic influence on Debussy during his Symbolist years that climaxed with Pelléas et Mélisande was the work of the English Pre-Raphaelites which he first discovered in the 1880s. Their sensuality, fondness for mythological subjects and pseudo-medieval imagery chimed with Debussy’s attraction to Wagner whose music epitomised the Symbolists’ quest for the exotic “other”. The paintings of Dante Gabriel Rossetti such as The Blessèd Damozel (1875-1878), which illustrates the poem that inspired Debussy’s deeply Wagnerian lyric cantata La damoiselle élue (1889), portray a new kind of ethereal yet melancholic feminine beauty that exudes a sense of tragic innocence closely related to Debussy’s characterisation of Mélisande, whose similarly cascading hair engulfs and intoxicates the observer.

Rossetti’s haunting images of the seductive yet chaste Pre-Raphaelite woman often suggest a yearning for fulfilment of love in death. While ideas of the love-death are supremely redolent of Wagner’s Tristan und Isolde, they are also echoed in the unfolding tragedy of Pelléas et Mélisande, a connection underlined by Debussy’s Tristanesque harmonic references in the seductive balcony scene opening Act Three, as well as in their love declarations of the last scene of Act Four. If Debussy’s self-declared objective in Pelléas et Mélisande was to write music that could explore the mysterious affinity between nature and the imagination, the opening Prelude presents the essence of what the opera is about in a mere 23 bars while establishing a palette of orchestral sound-colour that is a masterful representation of fleeting musical half-lights. The potentially unending forest theme whispers its brooding

presence on pianissimo low strings and bassoons with a repetitive melodic line outlining bare fifths that symbolises both the circularity of the plot as well as inescapable oppressive gloom. The woodwind interrupt with a more rhythmically assertive idea, oscillating around two notes, that is associated with the blustering and insensitive Golaud who strives for action yet achieves nothing. After more of the all-pervasive forest theme and another appearance of Golaud’s motif, the harmony momentarily clears for a delicately playful pentatonic melody on solo oboe over shimmering divisi strings that symbolises the vulnerable and confused Mélisande. The fragmentary nature of the Prelude with its constantly shifting harmonies and lack of cadences not only signals the dysfunctional relationship between Golaud and Mélisande but also the impending doom that is about to unfold within the dark psychological labyrinth that is the Forest of Allemonde.

WNO Pelléas and Mélisande - Jacques Imbrailo (Pelléas) and Jurgita Adamonyté (Mélisande). Photo credit - Clive Barda

大衛．普尼

藝術總監及導演

大衛．普尼出生於牛津，就讀劍橋聖約翰學院。在四十五年的職業生涯裏，他曾任蘇格蘭歌劇團製作總監、英國國家歌劇團製作總監及布雷根茨音樂節管理總監，並於 2011 年起擔任威爾斯國家歌劇院藝術總監。普尼的作品具前瞻性，曾榮獲楊納傑克勳章、馬天奴勳章及奧利花獎，他的原創歌劇劇本獲彼得．麥斯威爾．戴維斯爵士及艾琳娜．蘭格譜曲。普尼亦曾經把歌劇劇本由俄語、捷克語、德語和意大利語翻譯為英語。普尼獲頒授大英帝國司令勳章，以及奧地利、波蘭和法國的公民榮譽。大衛．普尼最近的導演作品包括威爾斯國家歌劇院的《命運之力》和《在括號中》，以及芝加哥歌劇院的《萊茵的黃金》和《女武神》。普尼亦將會執導多部作品，包括米蘭史卡拉歌劇院的《黎米尼的法蘭契斯卡》、萊茵國家歌劇院的《七宗罪》、《月光小丑》，以及《馬城小傳》。

David Pountney

Artistic Director and Director

David Pountney was born in Oxford and studied at St John’s College, Cambridge. In a career spanning over 45 years he has been Director of Productions at Scottish Opera and English National Opera, Intendant of the Bregenzer Festspiele and, since 2011, Artistic Director of WNO. Pountney's pioneering productions have won him Janá ek and Martin medals and Olivier Awards, while his original librettos have been set to music by Sir Peter Maxwell Davies and Elena Langer. He has also translated librettos into English from Russian, Czech, German and Italian. David Pountney is a CBE and has been decorated with civilian honours by Austria, Poland and France. Pountney’s recent directorial engagements include La forza del destino (WNO); Das Rheingold, Die Walküre (Lyric Opera of Chicago); and In Parenthesis (WNO). He will be directing Francesca da Rimini (Teatro alla Scala); Die sieben Todsünden, Pierrot Lunaire (Opéra National du Rhin) and Mahagonny Songspiel (Opéra National du Rhin).

WNO Pelléas and Mélisande - Scott Wilde (Arkel) and Leah-Marian Jones (Geneviève). Photo credit - Clive Barda

洛德．古尼斯

指揮

洛德．古尼斯出生於亞琛，於科隆學習鋼琴和指揮。1 9 9 9 至 2 0 0 3 年，他在奧斯納布魯克市立劇院擔任音樂總監，並於 2 0 0 9 至 2 0 1 6 年擔任威爾斯國家歌劇院音樂總監。自 2003 年起，古尼斯為多個劇院作客席演出，例如：維也納國家歌劇院、紐約大都會歌劇院及米蘭史卡拉歌劇院，劇目豐富，包括莫扎特以至伯格的作品，以及華格納、史特勞斯和楊納傑克的歌劇。最近指揮的作品有里昂歌劇院的《灰闌記》、挪威歌劇院的《伍采克》，以及波蘭國家歌劇院的《死城》。古尼斯亦將會指揮巴伐利亞國立歌劇院的《納克索斯島上的阿麗雅德妮》。

Lothar Koenigs Conductor Lothar Koenigs was born in Aachen and studied piano and conducting in Cologne. From 1999 to 2003 he was Music Director in Osnabrück and from 2009 to 2016 he was Music Director of Welsh National Opera. Since 2003 Koenigs’ guest engagements have included the Wiener Staatsoper, the Metropolitan Opera, New York and the Teatro alla Scalla in a wide repertoire from Mozart to Berg with a particular emphasis on the operas of Wagner, Strauss and Janá ek. Koenigs recently conducted Der Kreidekreis (Opéra de Lyon); Wozzeck (Den Norske Opera); and Die tote Stadt (Polish National Opera). He will be conducting Ariadne auf Naxos (Bayerische Staatsoper).

約翰．英格斯

佈景設計

約翰．英格斯出生於南非斯科特堡，於比勒陀利亞大學修讀美術設計，1 9 8 0 年移居英國，參與世界各地的劇院和歌劇製作。英格斯曾為威爾斯國家歌劇院設計四部作品，分別是《唐卡羅》、《露露》、《合唱！》和《佩利亞斯與梅麗桑德》。他與大衛．普尼攜手合作逾 20 部歌劇，包括現正於芝加哥歌劇院上演的《尼伯龍根的指環》。英格斯於 2014 年逝世。

Johan Engels

Set Designer

Johan Engels was born in Scottburgh, South Africa, and studied Fine Arts and Design at the University of Pretoria. He moved to the UK in 1980 and worked in theatre and opera around the world. Engels designed four productions for WNO, namely Don Carlos, Lulu, Chorus! and Pelléas et Mélisande. He worked with David Pountney on over 20 operas, including the current Ring Cycle at the Lyric Opera of Chicago. Johan Engels died in 2014.

瑪麗-珍妮．莉卡

服裝設計

瑪麗 - 珍妮．莉卡出生於布加勒斯特，曾就讀當地的尼古拉•格里高雷斯庫藝術學院。莉卡是木偶設計師及榮獲英國電影電視藝術協會獎提名的服裝設計師， 2000 年憑《茱麗葉》和《希臘受難曲》獲頒馬天奴勳章。莉卡經常與大衛．普尼合作，作品包括現正於芝加哥歌劇院上演的《尼伯龍根的指環》。最近的服裝設計作品包括威爾斯國家歌劇院的《命運之力》、芝加哥歌劇院的《萊茵的黃金》和《女武神》，以及華沙大劇院的《鬧鬼莊園》。莉卡將會為史卡拉歌劇院的《黎米尼的法蘭契斯卡》設計服裝，並擔任多部作品的整體設計，包括萊茵國家歌劇院的《七宗罪》、《月光小丑》和《馬城小傳》。

Marie-Jeanne Lecca

Costume Designer

Marie-Jeanne Lecca was born in Bucharest and studied at the city’s Nicolae Grigorescu Institute of Fine Arts. A puppet designer and BAFTA-nominated costume designer, she was awarded a Martin Medal in 2000 for her designs for Julietta and The Greek Passion. She has worked frequently with David Pountney, including on the current Ring Cycle at the Lyric Opera of Chicago. Recent costume design credits include La forza del destino (WNO); Das Rheingold, Die Walküre (Lyric Opera of Chicago) and The Haunted Manor (Opera Narodowa). Forthcoming engagements include costume design for Francesca da Rimini (Teatro alla Scala); and overall design for Die sieben Todsünden, Pierrot Lunaire and Mahagonny Songspiel (Opéra National du Rhin).

馬克．喬納森

燈光設計

馬克．喬納森專為劇院及舞台設計燈光，於格蘭特堡歌劇團擔任燈光設計十四年，並在 1993 至 2003 年任職英國國家劇院燈光總監。2013 年，喬納森憑威爾斯國家歌劇院的《露露》廣獲好評，時常獲邀與多間歌劇院合作，諸如英國荷蘭公園歌劇院、蘇格蘭歌劇院、丹麥國家歌劇院，以及洛杉磯歌劇院。最近的燈光設計作品包括英國荷蘭公園歌劇院的《莎莎》、嘉盛頓歌劇院的《塞墨勒》，以及瑞典皇家歌劇院的《耶奴法》。喬納森將會為多部作品設計燈光，例如：格蘭特堡的《蝴蝶夫人》和《凡妮莎》，以及嘉盛頓歌劇院的《魔笛》。

Mark Jonathan

Lighting Designer

Mark Jonathan is a lighting designer for theatre and arena productions. He worked on production lighting at Glyndebourne Opera for 14 years and was Head of Lighting at the Royal National Theatre from 1993 to 2003. Jonathan received critical acclaim for his work on Lulu for Welsh National Opera in 2013 and he is in frequent demand by Opera Holland Park, Scottish Opera, Den Jyske Opera and Los Angeles Opera. Recent lighting design credits include Zazà (Opera Holland Park); Semele (Garsington Opera); Jen fa (Kungliga Operan); forthcoming lighting design engagements include Madama Butterfly (Glyndebourne Festival Opera); Die Zauberflöte (Garsington Opera) and Vanessa (Glyndebourne Festival Opera).

亞歷山大．馬丁

合唱指導

亞歷山大．馬丁於劍橋聖約翰學院修讀音樂，並於英國倫敦皇家音樂學院修讀鋼琴，畢業後擔任多間歌劇院的聲樂指導，包括法國國立里昂歌劇院、漢堡國家歌劇院及威斯巴登黑森州立劇院，其後展開自由身職業生涯，擔任指揮、助理和教練。馬丁曾出任伯恩市立劇院及波爾多大劇院合唱指導，於 2014 年加入威爾斯國家歌劇院。

Alexander Martin

Chorus Master

Alexander Martin studied Music at St John’s College, Cambridge, and the piano at Royal College of Music. He then worked as répétiteur at Opéra National de Lyon, Hamburgische Staatsoper and Hessisches Staatstheater Wiesbaden before embarking on a freelance career working as conductor, assistant and coach. Martin was Chorus Master at Stadttheater Bern and Opéra National de Bordeaux before joining Welsh National Opera in 2014.

堤摩菲．貝克

助理指揮

堤摩菲．貝克出生於京士頓，曾是漢普敦宮女王皇家禮拜堂合唱學員。他在牛津埃克塞特學院攻讀音樂，其後在市政廳音樂及戲劇學院受訓成為聲樂指導。貝克曾為哥連．戴維斯爵士及查爾斯．麥克拉斯爵士擔任聲樂指導；2 0 0 8 年加入北部歌劇團，出任合唱指導；2013 年成為面對面歌劇節音樂總監。最近作品包括威爾斯國家歌劇院的《托斯卡》、英國巡迴歌劇團的《耐心》及蘇格蘭歌劇團的《費加羅的婚禮》。

Timothy Burke

Assistant Conductor

Timothy Burke was born in Kingston and was a Choral Scholar at HM Chapel Royal, Hampton Court Palace. He read Music at Exeter College, Oxford, before training as a répétiteur at Guildhall School of Music and Drama. Burke worked as a répétiteur for Sir Colin Davis and Sir Charles Mackerras and joined Opera North as Chorus Master in 2008 before becoming Music Director of Tête à Tête in 2013. Recent production credits include conducting Tosca (WNO); Patience (English Touring Opera); and Le nozze di Figaro (Scottish Opera).

詹姆士．修賀

音樂整理

詹姆士．修賀 2008 年起出任威爾斯國家歌劇院聲樂指導，曾在劍橋大學皇后學院擔任管風琴學人，其後於皇家音樂學院修畢音樂碩士。鋼琴方面，修賀曾榮獲卡瑟琳．費利亞獎最佳伴奏，並於白金漢宮皇家節日音樂會與布萊恩．特菲爾攜手合作。最近作品包括威爾斯國家歌劇院的《唐．喬望尼》和《藥酒》，以及波爾察諾市立歌劇院的《聖誕頌歌》。

James Southall

Music Preparation

James Southall has been a répétiteur with WNO since 2008. He was an Organ Scholar at Queens’ College, Cambridge, before completing his Master of Music at the Royal College of Music. As a pianist he has won the Accompanist’s Prize in The Kathleen Ferrier Awards and collaborated with Bryn Terfel for a Royal Gala Concert at Buckingham Palace. Recent production credits include conducting Don Giovanni, Le Vin herbé (WNO); and A Christmas Carol (Teatro Comunale Bolzano).

卡露蓮．查尼

復排導演

卡露蓮．查尼出生於曼徹斯特，曾接受芭蕾舞訓練。修畢教育學士課程後，她擔任演員和木偶師，其後出任英國廣播公司拍攝製作部門、劇院舞台管理（威爾斯國家歌劇院、皇家歌劇院和北部歌劇院）及劇院管理（威爾斯國家歌劇院和格蘭特堡歌劇院）。此後，她成為威爾斯國家歌劇院全職常任導演。最近的復排導演作品包括威爾斯國家歌劇院的《唐．喬望尼》、《尤金．奧尼金》及《蝴蝶夫人》。

Caroline Chaney

Revival Director

Caroline Chaney was born in Manchester and trained in ballet. After a degree course in education she worked as an actor and puppeteer. She then worked in floor management for the BBC, stage management for Welsh National Opera, The Royal Opera and Opera North, and company management for WNO and Glyndebourne before joining WNO full time as Staff Director. Recent revival directing credits at WNO include Don Giovanni, Eugene Onegin and Madam Butterfly.

尤基塔．阿當姆伊提

梅麗桑德

尤基塔．阿當姆伊提出生於立陶宛，於立陶宛音樂學院修畢音樂碩士文憑，並於多間學府繼續求學，包括比利時布魯塞爾皇家音樂學院、英國皇家音樂學院及卡迪夫國際聲樂學院。阿當姆伊在立陶宛國家歌劇院的《唐．喬望尼》中飾演莎蓮娜出道，亮相於皇家歌劇院及薩爾斯堡藝術節。最近的舞台演出包括威爾第音樂節《法斯塔夫》的梅格．派芝、嘉盛頓歌劇院《塞墨勒》的以洛，以及維爾紐斯市立歌劇院《佩利亞斯與梅麗桑德》的梅麗桑德。阿當姆伊將會演出北京國家大劇院《羅密歐與茱麗葉》的斯提凡諾。

Jurgita Adamonyt

Mélisande

Jurgita Adamonyt was born in Lithuania and graduated with a Master of Music diploma from the Lithuanian Academy of Music. She continued her studies at the Koninklijk Conservatorium, the Royal Academy of Music and the Cardiff International Academy of Voice. Adamonyt made her debut as Zerlina in Don Giovanni with the Lithuanian National Opera, and has since appeared at the Royal Opera House and at the Salzburger Festspiele. Recent stage credits include Meg Page in Falstaff (Festival Verdi), Ino in Semele (Garsington Opera) and Mélisande in Pelléas et Mélisande (Vilnius City Opera); forthcoming engagements include Stéphano in Roméo et Juliette (National Centre for the Performing Arts, Beijing).

雅克．嚴巴路

佩利亞斯

雅克．嚴巴路來自南非，曾就讀英國皇家音樂學院，並曾參加英國皇家歌劇院杰特．帕克青年藝術家計劃，贏得 2007 年英國廣播公司卡迪夫全球歌唱家大賽觀眾獎。連巴路曾於馬德里皇家劇院主演戴博拉．華納重新製作的《比利．畢特》，並於世界各地（包括瑞士、比利時、瑞典、英格蘭和威爾斯）飾演佩利亞斯一角。最近的舞台演出包括法蘭德斯劇院《佩利亞斯與梅麗桑德》的佩利亞斯、明尼蘇達州立歌劇院《費加羅的婚禮》的阿瑪維瓦伯爵，以及丹麥國家歌劇院《兄弟》的米高。嚴巴路將會演出羅馬歌劇院《比利．畢特》的比利．畢特，以及盧森堡市立劇院《佩利亞斯與梅麗桑德》的佩利亞斯。

Jacques Imbrailo

Pelléas

Jacques Imbrailo is from South Africa and studied at the Royal College of Music. He was a member of the Jette Parker Young Artists Programme at the Royal Opera House and won the Audience Prize at the 2007 BBC Cardiff Singer of the World competition. Imbrailo performed the title role of Billy Budd at the Teatro Real in a new production by Deborah Warner and has performed the role of Pelléas in Switzerland, Belgium, Sweden, England and Wales. Recent stage credits include Pelléas in Pelléas et Mélisande (Opera Vlaanderen); Conte d’Almaviva in Le nozze di Figaro (Minnesota Opera) and Michael in Brødre (Den Jyske Opera); forthcoming engagements include Billy Budd in Billy Budd (Teatro dell’Opera di Roma) and Pelléas in Pelléas et Mélisande (Théâtres de la Ville de Luxembourg).

基斯杜化．普法斯

戈洛

基斯杜化．普法斯出生於劍橋，是劍橋大學國王學院合唱學員，其後加入實驗搖滾樂隊「哈維與撞牆人」。普法斯曾創作的角色包括於艾克斯普羅旺斯藝術節上演、喬治．班傑明《畫皮》的保護者，以及於馬德里皇家劇院上演、菲力普．格拉斯《完美的美國人》的華特．迪士尼。普法斯亦主演過《彼德．格蘭姆斯》，亮相於愛丁堡國際藝術節及米蘭史卡拉歌劇院。最近的舞台演出包括蘇黎世歌劇院《馬哈哥尼城的興衰》的摩西、塔內斯庫音樂節《伊底帕斯王》的克瑞翁，以及愛丁堡國際藝術節《彼德．格蘭姆斯》的巴爾斯特羅德船長。

Christopher Purves

Golaud

Christopher Purves was born in Cambridge and studied at the city’s university as a choral scholar at King’s College. He went on to become a member of the experimental rock group Harvey and the Wallbangers. Purves created the role of The Protector in George Benjamin’s Written on Skin at the Festival d’Aix-en-Provence and that of Walt Disney in Phillip Glass’s The Perfect American at the Teatro Real. He has also sung the title role of Peter Grimes at the Edinburgh Festival and at the Teatro alla Scala. Recent stage credits include Dreieinigkeitsmoses in Aufstieg und Fall der Stadt Mahagonny (Opernhaus Zürich), Créon in Oedipe (Festival Enescu) and Captain Balstrode in Peter Grimes (Edinburgh International Festival).

利亞-瑪麗安．瓊斯

珍妮芙

利亞 - 瑪麗安．瓊斯出生於威爾斯，曾入讀英國皇家北方音樂學院及國家歌劇團工作室，並於皇家歌劇院擔任劇院負責人長達八年。期間演出逾 3 0 個角色，曾主演英國國家歌劇團的《卡門》。瓊斯曾巡迴英國及法國飾演華格納歌劇《尼伯龍根的指環》的芙洛蕭德和羅絲薇瑟；並於威爾斯第四台主持電視節目。最近的舞台演出包括南希洛林國家歌劇院《卡塔．卡芭諾娃》的馬爾法．依蘭傑凡娜．卡芭諾娃、馬西莫劇院《仲夏夜之夢》的希波利塔，以及哈雷樂團《萊茵的黃金》的芙洛蕭德。

Leah-Marian Jones

Geneviève

Leah-Marian Jones was born in Wales and studied at the Royal Northern College of Music and the National Opera Studio. She was a Company Principal at the Royal Opera House for eight years, during which she sang over 30 roles, and has sung the title role of Carmen for English National Opera. Jones has sung the roles of Flosshilde and Rossweisse from Wagner’s Ring in performances around the United Kingdom and France and has hosted her own television series on S4C. Recent stage credits include Marfa Ignat vna Kabanová in Kát'a Kabanova (Opéra national de Lorraine), Hyppolyta in A Midsummer Night’s Dream (Teatro Massimo di Palermo) and Flosshilde in Das Rheingold (Hallé Orchestra).

麗貝卡．博當

伊尼奧爾

麗貝卡．博當出生於貝德福德，畢業於皇家音樂學院，曾創作眾多新歌劇角色，包括於皇家歌劇院上演、哈里森．伯特維斯特爾《牛頭人》的第一個無辜者，以及於英國曼徹斯特國際藝術節上演、魯弗斯．溫萊特《首席女聲》的瑪麗。博當也亮相於英國廣播公司 2015 年逍遙音樂會，以及大衛．史塔奇的電視節目《音樂與帝國》。最近的舞台演出包括巴克斯頓國際音樂節《露契奧．西拉》的幾內亞、蘇格蘭歌劇團《日本天皇》的蓉蓉，以及英國國家歌劇團《亞肯阿騰》的泰伊王后。

Rebecca Bottone Yniold Rebecca Bottone was born in Bedfordshire and graduated from the Royal Academy of Music. She has created a number of roles in new operas, including First Innocent in Harrison Birtwistle’s Minotaur at the Royal Opera House and Marie in Rufus Wainwright’s Prima Donna at the Manchester International Festival. Bottone performed at the 2015 BBC Proms and featured on David Starkey’s television series Music and Monarchy. Recent stage credits include Giunia in Lucio Silla (Buxton International Festival), Yum-Yum in The Mikado (Scottish Opera) and Queen Tye in Akhnaten (English National Opera).

艾弗德．雷他

阿凱爾

艾弗德．雷他出生於奧格斯堡，就讀慕尼黑音樂暨表演藝術大學，曾連續三年於拜魯特音樂節演出《帕西法爾》的瑞爾，並以這個角色在西蒙．歷圖爵士的指揮下，於皇家歌劇院首次亮相。雷他曾於艾克斯普羅旺斯藝術節和薩爾斯堡藝術節在歷圖的指揮下演出；並於維也納國家歌劇院在馬卻的指揮下，飾演《萊茵的黃金》的法夫納。最近的舞台演出包括法蘭克福歌劇院《隨想曲》的拉洛奇、《租客》的曾先生、基森國立劇院《唐．喬望尼》的司令官。雷他將演出法蘭克福歌劇院《萊茵的黃金》的法索德，以及《比利．畢特》的丹斯克。

Alfred Reiter Arkel Alfred Reiter was born in Augsburg and studied at the Hochschule für Musik in Munich. He sang the role of Titurel in Parsifal for three consecutive years at the Bayreuther Festspiele and made his debut at the Royal Opera House in the same role under Sir Simon Rattle. Reiter has also performed under Rattle’s baton at the Festival d’Aix-en-Provence and the Salzburger Festspiele, and under Jun Märkl as Fafner in Das Rheingold at the Wiener Staatsoper. His recent stage credits include La Roche in Capriccio (Oper Frankfurt); Herr Zenk in Der Mieter (Oper Frankfurt) and Il Commendatore in Don Giovanni (Stadttheater Giessen) Forthcoming engagements include Fasolt in Das Rheingold (Oper Frankfurt) and Dansker in Billy Budd (Oper Frankfurt).

史提芬．威斯

醫生

史提芬．威斯於紐西蘭求學，曾就讀皇家北方音樂學院，贏得布莉姬特．法絲賓德藝術歌曲獎。威斯曾師隨尼爾．豪利特、柏德烈．麥格根及伊尼德．哈特， 2009 年加入威爾斯國家歌劇院合唱團。

Stephen Wells Doctor Stephen Wells studied in New Zealand and at the Royal Northern College of Music, where he won the Brigitte Fassbaender Lieder Prize. His teachers included Neil Howlett, Patrick McGuigan and Enid Hartle. Wells joined the WNO Chorus in 2009. Recent stage credits at the WNO include Footman in Der Rosenkavalier, Dug Hoël in Le Vin herbé and Un servo in Roberto Devereux.

Orchestra List Cello

Strings

Clarinet †

Leader David Adams First Violin David Adams Lowri Porter Gwenllian Haf Richards Martin Kegelmann Robert Tonkin Susan Plessner Peter Lilley Maia Broido Lydia Marshall Anya Birchall Christiana Mavron Second Violin ‡

Beatrice Philips Julia Loucks Ann Jones Donald McNaught Marilyn Shewring Steven Crichlow Rebecca Totterdell Tamaki Mott Iain Gibbs Jane West Viola Philip Heyman† Miguel Rodriguez Barry Friend Stephen Lloyd Louise Rabaiotti David BaMaung Carl Hill

Rosie Biss Christopher Hodges Simon Davison Alexandra Robinson Alison Gillies Katy Cox Double Bass Tyler Shepherd† Mikeal Price Mary Condliffe Lowri Morgan Jamie Kenny

Leslie Craven† Daniel Rye Bassoon Stephen Marsden† Christopher Vale Kim Murphy Brass

Harp

Horn Angus West† James Mildred Edward Griffiths Finlay Bain

Elen Hydref Ceri Wynne Jones

Trumpet

Woodwind

Dean Wright† Martin McHale Robert Johnston

Flute Jonathan Burgess† Sarah Bennington Barbara Brown

Trombone

Piccolo

Bass Trombone

Barbara Brown

Alan Swain

Oboe

Tuba #

Lucie Sprague Rachel Harwood-White Matthew Jones Cor Anglais Matthew Jones

Roger Cutts† Christopher Augustine

Jonathan Riches

Percussion

WNO Chorus

Timpani

Soprano †

Patrick King Percussion

Jonathan Helm Orchestra Management Chorus & Orchestra Director Peter Harrap Assistant Orchestra & Concerts Manager Daniel Aguirre Evans Orchestra Operations Manager Hywel Evans Operations Assistant Ben Jones

† Section Principal ‡ Guest Section Principal # Acting Section Principal for this Concert

Anitra Blaxhall Paula Greenwood Claire Hampton Rosie Hay Mezzo-Soprano Neda Bizzarri Helen Jarmany Bass Martin Lloyd George Newton-Fitzgerald Stephen Wells

Die Konzertisten 音樂總監楊欣諾

Music Director Felix Yeung

Die Konzertisten 是香港最享負盛名的室內合唱團

Recognised as one of Hong Kong’s foremost chamber choirs and with regular invitations to collaborate from eminent artists and organisations locally and abroad, Die Konzertisten (DK) have appeared in recent HKAF programmes such as the 2017 Festival Finale opera, Bright Sheng’s Dream of the Red Chamber and Gluck’s dance-opera Iphigenia in Tauris with Tanztheater Wuppertal Pina Bausch in 2014. DK showcases some of the finest choral talent in Hong Kong while also representing the region’s musical community.

之一，不時受邀與本地及海外知名藝術家合作。近期參與的香港藝術節節目包括 2 0 1 7 年閉幕歌劇、盛宗亮的《紅樓夢》和 2 0 1 4 年翩娜．包殊與烏珀塔爾舞蹈劇場的舞蹈歌劇《死而復生的伊菲格尼》。Die Konzertisten 展示了本地優秀合唱人才，同時是本地樂壇的代表。

女高音

男高音

Soprano

Tenor

劉愛明

蔡佑杰

Amanda Liu

Donald Choi

陳珮姍 *

劉耀文

Chin Pui Shan*

Hillman Lau

蔣頌賢

洪思行 *

Esther Chiang

Hung Sze Hang*

河北塔

廖梓丞 *

Petra Bach

Jason Liu*

黃琰葶

林浚逸

Sarah Wong

Kenny Lam

丁心博

余天佑

Shawnea Ting

Tony Yu

劉穎章

Stephanie Lau

女低音

男低音

Alto

Bass

楊欣諾

黎永堃 *

Felix Yeung

Brian Lai*

沈培娜

曾廣釗 *

Margaret Sang

Charles Tsang*

劉卓熙

張嘉笙

Sanders Lau

Artus Cheung Ka Sang

謝穎心

譚志豪

Tse Wing Sum

Herbert Tam

* 客席成員 Guest members

梁晉豪

John Leung

劉奕朗

Lau Yik Long

黃俊謙 *

Samuel Wong*

李子夏

Thomas Li

香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Member

嘉里控股有限公司 Kerry Holdings Limited

黃金會員 Gold Member

怡和集團 The Jardine Matheson Group

純銀會員 Silver Members

鷹君集團有限公司 Great Eagle Holdings Limited 太古集團慈善信託基金 The Swire Group Charitable Trust

青銅會員 Bronze Members

上海商業銀行 Shanghai Commercial Bank Limited Vontobel Wealth Management (Hong Kong) Limited

其他支持機構 other Supporters •Adam Mickiewicz Institute •Australia Arts Council •Canada Arts Council

•Pro Helvetia •Spanish Ministry of Culture

實物支持機構 in-kind Supporters •愉景灣渡輪碼頭 Discovery Bay Ferry Pier •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •香港國際機場 Hong Kong International Airport

•立信專業顧問 Lap Shun Professional Consultant •M．A．C Cosmetics •奧海城 Olympian City •信和集團 Sino Group •屯門市廣場 TMT Plaza

藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE

純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999

•無名氏 Anonymous •林護紀念基金有限公司 Lam Woo Foundation Limited •Lincoln & Yu-San Leong •杜振源先生

•無名氏 (2) Anonymous (2) •Mrs Anson Chan •陳建球伉儷 Mr & Mrs E Chan •SHN Cheng •Mr & Mrs Ko Ying •Ms Ka Shi LAU •Mr & Mrs David S L Lin •Mr & Mrs Gilles Martin •Dr & Mrs Joseph Pang •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Enoch Yiu •Ms Isabel Yiu

鑽石捐款者 DiAMonD Donor HK$60,000 - HK$119,999 •無名氏 Anonymous 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (6) Anonymous (6) •Mr & Mrs Herbert Au-Yeung •Jeffrey & Helen Chan •陳元鉅夫人 Mrs Sabina Chen •Dr York Y N Chow •Consigliere Limited •Alex & Hanne Fung •Richard & Ruth Herbst •李葉耀珍 Jane Li •林聖竤 Chris Lin •Wing Kay Po •Martin Rogers •Jacqueline Shek 石悅玟 •Mr & Mrs Stephen Suen •孫天珍小姐 Ms Sun Tien Chen •Mr Stephen Tan •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •Samuel & Amy Wang •Mr Wong Yick Kam •黃逸思先生夫人 Mr & Mrs YS Wong

青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •無名氏 (2) Anonymous (2) •Atkinson Lambert Limited •Mr Cheung Shu Tong Edmund •Bethan and Tim Clark •Dr David Fang •銀河娛樂集團 Galaxy Entertainment Group •Mr & Mrs Jaeger •Ms Khoo Li Lian •Heidi Lee •Miss Ruby Lee •Ms Lim Geck Chin Mavis •Stephen Long •Mr Gary Ma •Mr Christopher Wong & Dr Ivo Chen

學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE •無名氏 Anonymous •Burger Collection •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •恒生銀行 Hang Seng Bank •芝蘭基金會 Zhilan Foundation 鑽石捐款者 DiAMonD DonorS HK$60,000 - HK$119,999 •Vina Cheng •梁家傑先生夫人 Mr & Mrs Leong Kah-Kit Alan •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •Mr & Mrs Stephen Suen •田家炳基金會 Tin Ka Ping Foundation 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (4) Anonymous (4) •St. Paul's College Alumni Choir •陳求德醫生 Dr Chan Kow Tak •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •Consigliere Limited •Mr & Mrs Kenneth H C Fung •馮兆林先生 JP 及夫人 Mr & Mrs Fung Shiu Lam JP •Richard & Ruth Herbst •胡興正醫生慈善基金有限公司 Dr Wayne Hu Charitable Foundation Ltd •Mr & Mrs Stefan & Caroline Kracht •林聖竤 Chris Lin •Mr & Mrs Roger Lui •MAXSMART INV. LTD •Mrs Carol Murray •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •Ms Wong Yuen Mee Elsa •黃逸思先生夫人 Mr & Mrs YS Wong 純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999 •無名氏 (5) Anonymous (5) •Mr Iain Bruce •Winnie Chiu Wing Ngar •Chou's Foundation •Mr & Mrs Norman Chui •Mr & Mrs A R Hamilton •Ms Winnie W Y Ho •King Yuen-Fung Diana •Mr & Mrs Ko Ying •Yvonne Cheng & Kelvin Koo

•羅偉騫先生夫人 Mr Andy Law & Ms Wendy Chan •Lee Lai-Kuen Shelley •Craig Lindsay Family •Lok Yu Kim Ching Memorial Fund •C H Mak •Dr Mak Lai Wo •Karen & Vernon Moore •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Alan and Penny Smith •Anna Stephenson & Alan Leigh •John and Anthea Strickland •Leland & Helen Sun •Dr Henry N C Wong •Mr Wong Yick Kam •Dr Adrian Wu •Mrs Wu Tseng Helen 青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •無名氏 (9) Anonymous (9) •Ms Michaela Au •Ms Rebecca Austin •區燊耀先生 Mr Au Son Yiu •Biz Office Limited •Carthy Limited •Diana Tong Chan •Dr Chan Wan Tung •Cynthia Cheng & Aaron Chan •Cheung Kit Fung •Dr Chow Sze Fu Joseph •Cindy Chan Psychological Services •Community Partner Foundation Limited •Easy Living Limited •giliproduction •Susan Hayden •Betty Hung •Isla School of Dance •Dr Alfred Lau •Susan Lim & Neil Roberts •Ms Jackaline McPhie •Mr & Mrs Kenneth Quinn •陶國豪 Frederico Rato •Ms Janice Ritchie •Mr Siddique Salleh •So Ching •So Kin Man •Ms Yim Chui Chu •余德銘先生 Mr Desmond Yu •皮皮

新作捐助計劃 new Works Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE •Mrs Mona Leong •Permanent Success Limited 鑽石捐款者 DiAMonD Donor HK$60,000 - HK$119,999 •Winfull Group Holdings Limited 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (2) Anonymous (2) •Mrs K L Chan •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •Mrs Diana & Mr Jay Parmanand •孫天珍小姐 Ms Sun Tien Chen

純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999 •無名氏 (2) Anonymous (2) •Lexandra Chan •Ms Winnie W Y Ho •Lok Yu Kim Ching Memorial Fund •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •Ms Michaela Au •Ms Chiu Shui Man Tabitha •Contempo Charity Foundation Limited •黃逸思先生夫人 Mr & Mrs YS Wong

支持及協助 Support and Co-operation •Academy of Jazz •Acorn Design •Adsmart Hong Kong Limited •Alfie Leung Design •Alliance Française •AMC Pacific Place •巴塞爾藝術展 Art Basel •樺利廣告有限公司 Avanny Advertising Co Ltd •龍堡國際 B P International •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •Broadway The One •明愛白英奇賓館 Caritas Bianchi Lodge •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •周俊輝先生 Mr Chow Chun Fai •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •毛妹芭蕾舞學校 Christine Liao School of Ballet •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •購票通 ( 香港 ) 有限公司 Cityline (Hong Kong) Limited •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •澳洲駐港總領事館 Australian Consulate-General Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •愛沙尼亞共和國駐香港名譽領事館 Honorary Consulate of the Republic of Estonia in Hong Kong •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •以色列駐港澳總領事館 Consulate General of Israel in Hong Kong & Macau •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •葡萄牙駐香港領事館 Consulate of Portugal in Hong Kong •波蘭駐香港總領事館 Consulate General of the Republic of Poland in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •南非駐港澳總領事館 Consulte General of the Republic of South Africa, Hong Kong SAR and Macao SAR •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •德勤企業管理咨詢（香港）有限公司 Deloitte Consulting (Hong Kong) Limited •dreamoffish Limited •風采中學 Elegantia College •埃克森美孚香港有限公司 ExxonMobil Hong Kong Limited •粉嶺禮賢會中學 Fanling Rhenish Church Secondary School •藝穗會 Fringe Club •鳳溪廖萬石堂中學 Fung Kai Liu Man Shek Tong Secondary School

•港威酒店 Gateway Hotel •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •青苗琴行 Greenery Music •港島海逸君綽酒店 Harbour Grand Hong Kong •快達票香港有限公司 HK Ticketing •香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港知專設計學院 Hong Kong Design Institute •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港唱片 Hong Kong Records •香港旅遊發展局 Hong Kong Tourism Board •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •Intox Design & Communication Co. Ltd. •The Italian Cultural Institute in Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •鍾詠賢芭蕾舞學校 Ivy Chung School of Ballet •王仁曼芭蕾舞學校 Jean M. Wong School of Ballet •JellyBin Limited •Ms Anastassia Katafygiotis •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Centre •Lanson Place Hotel, Hong Kong •梁震宇先生 Mr Mark Leung •李鏡輝先生 Mr Alpha Li •李慧中博士 Dr Li Wai Chung •立方國際青年公寓 M3 International Youth Apartment •MANA! •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •Wavemaker Hong Kong Limited •酩悅軒尼詩帝亞吉歐洋酒香港有限公司 Moët-Hennessy Diageo Hong Kong Limited •MOViEMOViE •北區大會堂 North District Town Hall •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •Pixellent •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •Red Square Gallery •麗豪酒店 Regal Riverside Hotel •RFI Asia Limited •帝都酒店 Royal Park Hotel

•香港帝景酒店 Royal View Hotel •Russian Club in Hong Kong •沙田大會堂 Sha Tin Town Hall •信興廚藝中心 Shun Hing Cooking Centre •上環文娛中心 Sheung Wan Civic Centre •岑智頤先生 Mr Henry Shum •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •事必達推廣有限公司 Speedy Promotion Limited •Steam Studio •辰衝圖書有限公司 Swindon Book Co. Ltd. •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港中文大學 The Chinese University of Hong Kong 音樂系 Department of Music 和聲書院 Lee Woo Sing College •香港城市大學 The City University of Hong Kong 英文系 Department of English •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港理工大學 The Hong Kong Polytechnic University •香港科技大學 The Hong Kong University of Science and Technology 人文學部 Division of Humanities 藝術中心 Center for the Arts 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong 音樂系 Department of Music 通識教育部 General Education Unit 香港大學美術博物館 University Museum and Art Gallery Cultural Management Office 圖書館 Library 香港大學博物館學會 The University of Hong Kong Museum Society 國際事務處 International Affairs Office •譚縉謙先生 Mr Tam Chun-him •通利琴行 Tom Lee Music Company Ltd •中環荷李活道彩鴻酒店 Travelodge Central, Hollywood Road •Trickstation •三角關係 Trinity Theatre •荃灣大會堂 Tsuen Wan Town Hall •UA CINEHUB •城市售票網 URBTIX •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •進富印刷公司 Wealthy Step Printing Co. •wine etc •香港基督教青年會（港青） YMCA of Hong Kong •青年廣場 Youth Square •赤豚事務所 Zhu Graphizs

贊助人

林鄭月娥女士

PATRON

永遠名譽會長執行委員會主席副主席義務司庫委員

邵逸夫爵士

HONORARY LIFE PRESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members

節目委員會主席委員

財務委員會主席委員發展委員會主席副主席委員

顧問

名譽法律顧問核數師

查懋成先生盧景文教授李錦榮先生鄭維新先生鄭惠貞女士劉鎮漢先生梁靳羽珊女士梁卓偉教授姚潔莉女士楊光先生盧景文教授白諾信先生紀大衛教授羅志力先生毛俊輝先生李義法官約瑟．施力先生 + 譚榮邦先生姚珏女士李錦榮先生鄭惠貞女士梁國輝先生梁靳羽珊女士雍景欣女士鄭阮培恩女士邱詠筠女士龐建貽先生孫林宣雅女士姚祖輝先生楊海燕女士夏佳理先生鮑磊先生李業廣先生梁紹榮夫人李國寶博士孖士打律師行羅兵咸永道會計師事務所

香港藝術節基金會主席霍璽先生管理人陳達文先生梁紹榮夫人陳祖澤博士

地址 : 香港灣仔港灣道 2 號 12 樓 1205 室電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430 出版：香港藝術節協會有限公司承印：香港嘉昱有限公司本刊內容，未經許可，不得轉載。

PROGRAMME COMMITTEE Chairman Members

FINANCE COMMITTEE Chairman Members

HONORARY SOLICITOR AUDITOR

Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong

DEVELOPMENT COMMITTEE Chairman Vice Chairman Members

ADVISORS

The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)

Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao Ms Hoi-yin Yeung The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown JSM PricewaterhouseCoopers

HONG KONG ARTS FESTIVAL TRUST Chairman Mr Angus H Forsyth Trustees Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP Dr John C C Chan, GBS JP

電子郵箱 : afgen@hkaf.org

Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430 Published by: Hong Kong Arts Festival Society Limited Printed by Cheer Shine Enterprise Co., Ltd Reproduction in whole or in part without written permission is strictly prohibited.

職員行政總監節目節目總監副節目總監節目經理

榮譽節目顧問 Honorary Programme Advisor * 合約職員 Contract Staff

STAFF 何嘉坤

Executive Director

節目經理（行政）助理節目經理節目統籌節目行政主任物流及接待經理

梁掌瑋蘇國雲葉健鈴陳韻妍蘇雪凌林淦鈞 * 黃傲軒 * 曹愷怡 * 金學忠 *

•技術製作經理視聽統籌

Programme Programme Director Associate Programme Director Programme Managers

Tisa Ho

Programme Manager (Administration) Assistant Programme Managers Programme Coordinators Programme Administration Officer Logistics Manager

Grace Lang So Kwok-wan Linda Yip Susanna Yu* Vanessa Chan Shirley So Lam Kam-kwan* Jacqueline Li* Joseph Wong* Patricia Lee* Sabrina Cho* Elvis King*

徐子宜 * 許肇麟 *

• Technical Production Manager Audiovisual Coordinator

Tsui Tsz-yee* Boolu Hui*

•出版高級編輯編輯助理編輯

黃迪明 * 林尚諾 * 鍾佩妝 *

• Publications Senior Editor Editor Assistant Editors

Timothy Wong* Sherlock Lam* Eunice Chung*

•外展高級外展經理助理外展經理外展統籌外展主任藝術行政見習員外展助理

李冠輝張鼎丞 * 林嘉敏 * 譚曉峯 * 李萬祺 * 李玨熙 *

• Outreach Senior Outreach Manager Assistant Outreach Managers Outreach Coordinator Outreach Officer Arts Administrator Trainee Outreach Assistant

Kenneth Lee Bell Cheung* Carman Lam* Mitch Tam* Kelvin Li* Michael Lee*

市場推廣市場總監副市場總監市場經理副市場經理助理市場經理數碼營銷專員市場主任市場經理（票務）票務主任客戶服務主任

鄭尚榮胡銘堯周怡楊璞* 吳嘉沛 * 陳閏霖 * 莫文軒 * 梁彩雲李彤* 鄭佩欣 *

MARKETING Marketing Director Associate Marketing Director Marketing Managers Deputy Marketing Manager Assistant Marketing Manager Digital Marketing Specialist Marketing Officer Marketing Manager (Ticketing) Ticketing Officer Customer Service Officers

Katy Cheng Dennis Wu Alexia Chow Michelle Yeung* Tiffany Ng* Ben Chan* Tony Mok* Eppie Leung Lee Tung* Bonnie Cheng*

DEVELOPMENT Development Director Development Manager Deputy Development Manager Assistant Development Managers Arts Administrator Trainee Development Officer

Flora Yu Chingmi Chow* Anna Cheung* Lorna Tam Esther Mok* Mandie Choy*

余瑞婷 * 李詠芝 * 李芷銦 *

林惠賢 *

鄧冠恒 *

張嘉麟 *

李俊偉 *

發展發展總監發展經理副發展經理助理發展經理藝術行政見習員發展主任

余潔儀周美清 * 張慧芝 * 譚樂瑤莫穎哲 * 蔡杏村 *

會計會計部主管助理會計經理會計主任

鄺敬婷林英光 * 蘇永恆 *

ACCOUNTS Head of Accounts Department Assistant Accounting Manager Accounting Officer

Teresa Kwong Sunny Lam* Peter So*

人力資源及行政人力資源及行政經理人力資源及行政主任行政秘書接待員／初級秘書助理

馮紹昌簡凱彤 * 謝凱婷李美娟黃國愛

HR & ADMINISTRATION HR & Administration Manager HR & Administration Officer Executive Secretary Receptionist/Junior Secretary General Assistant

Calvin Fung Vivian Kan* Heidi Tse Virginia Li Bonia Wong

蘇寶蓮 *

Grace Lam*

Joe Tang*

Louis Cheung*

Michael Lie Ken Jie*

Conny Souw*

技術統籌 * Technical Coordinators* 歐慧瑜 Rachel Au、陳焯華 Billy Chan、陳寶愉 Bobo Chan、陳佩儀 Claudia Chan、陳詠杰 Chan Wing-kit、陳家彤 Doris Chen、鄺嘉欣 Karen Kwong、黎智勇 Martin Lai、林環 Nancy Lam、羅瑞麟 Lo Shui-lun、曾家慧 Joanne Tsang、黃靜文 Ivy Wong 藝術家統籌 * Artist Coordinators*

鄭瑋菁 Virginia Cheng、馮顯峰 Fung Hin-fung、張素真 Susan Hayden、何嘉露 Carrol Ho、彭慧雯 Jan Pang、黃婉媚 Becky Wong、游慧姿 Janet Yau

節目時間表 Programme Calendar 歌劇戲 /曲 OPERA / CHINESE OPERA

中國國家京劇院主演：于魁智、李勝素 -《鳳還巢》 -《牛皋下書 ‧ 挑滑車》、《打漁殺家》 -《帝女花》 -《紅鬃烈馬》

China National Peking Opera Company Featuring: Yu Kuizhi, Li Shengsu - The Phoenix Returns to Its Nest - Breaking the Siege/Lifting the Chariots and The Fisherman's Revenge - Princess Changping - Rekindling a Life-Long Romance

賽馬會本地菁英創作系列：粵劇《百花亭贈劍》毛俊輝導演作品改編及導演：毛俊輝

Jockey Club Local Creative Talents Series: Cantonese Opera - Pavilion of a Hundred Flowers Adaptation and Director: Fredric Mao

粵劇《霸王別姬》藝術總監：尤聲普

Cantonese Opera - Farewell My Concubine Artistic Director: Yau Sing-po

CHCH

27/2 28/2

7:30pm 7:30pm

CCGT

2/3 3/3

7:30pm 7:30pm

APAL

2-4/3

8pm

CHCH

9-11/3

7:30pm

CCGT

15, 17/3

7:30pm

Maxim Rysanov and Hong Kong Sinfonietta Music Director and Conductor: Yip Wing-sie

CHCH

25/2

8pm

巴．羅克樂團《聲音之旅》藝術領導及小提琴獨奏：德米特里．辛柯夫斯基

B’Rock Orchestra - Sounding Stories Artistic leader and Solo Violin: Dmitry Sinkovsky

CHCH

1/3

8pm

潘尼迪爾鋼琴獨奏會

Jean-Claude Pennetier Piano Recital

CHCH

2/3

8pm

香港中樂團《劉邦．項羽．兵馬俑》指揮：閻惠昌

Hong Kong Chinese Orchestra Liu Bang, Xiang Yu and the Terra Cotta Warriors Conductor: Yan Huichang

CCCH

3/3

8pm

愛沙尼亞之聲指揮：約翰 - 艾克．杜爾夫

Vox Clamantis Conductor: Jaan-Eik Tulve

CHCH

3/3

8pm

愛沙尼亞之聲與潘尼迪爾

Vox Clamantis and Jean-Claude Pennetier

CHCH

4/3

4pm

鋼琴三重奏 - 潘尼迪爾．巴斯基耶．皮杜鋼琴：潘尼迪爾小提琴：巴斯基耶大提琴：皮杜

Trio Pennetier Pasquier Pidoux Piano: Jean-Claude Pennetier Violin: Regis Pasquier Cello: Roland Pidoux

CHCH

5/3

8pm

俄羅斯史維特蘭諾夫國家交響樂團指揮：克利斯蒂安．約菲

State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" Conductor: Kristjan Järvi

CCCH

8-10/3

8pm

威爾斯國家歌劇院．親子音樂會

O is for OPERA! Family Concert by Welsh National Opera

CCCH

16/3

8pm

CHCH

16/3

8pm

Beyond Impressionism - Piano Concert and Film Screening 《跨越意象》鋼琴音樂會及電影放映 CHCH 鋼琴：張郁苓、黃蔚然、黃蔚園、娉婷鋼琴二重奏 Piano: Evelyn Chang, Wong Wai-yin, Wong Wai-yuen, Duo Ping & Ting

17/3

6pm

威爾斯國家歌劇院 - 德布西《佩利亞斯與梅麗桑德》 Welsh National Opera - Debussy’s Pelléas et Mélisande Conductor: Lothar Koenigs 指揮：洛德．古尼斯

音樂

MUSIC

《最愛中提琴》：賴沙諾夫與香港小交響樂團音樂總監及指揮：葉詠詩

西班牙之風古樂團《重拾失落在美洲的西班牙瑰寶》指揮及古鍵琴：愛德華度．盧比斯．班素

Al Ayre Español - Spanish Treasures in the Americas Conductor and Harpsichord: Eduardo López Banzo

爵士樂世 / 界音樂 Jazz / WorlD MUSIC

丹麥國家交響樂團指揮：法比奧．雷西

Danish National Symphony Orchestra Conductor: Fabio Luisi

CCCH

20/3

8pm

瑞士韋爾比亞音樂節室樂團指揮：加博爾．塔卡奇 - 納吉鋼琴：張緯晴大提琴：戈蒂埃．卡普森

Verbier Festival Chamber Orchestra Conductor: Gábor Takács-Nagy Piano: Rachel Cheung Cello: Gautier Capuçon

CHCH

23/3

8pm

愛沙尼亞國家交響樂團及愛沙尼亞國家男聲合唱團指揮：萊夫．薩格士譚

Estonian National Symphony Orchestra and Estonian National Male Choir Conductor: Leif Segerstam

CCCH CHCH

24/3 25/3

8pm 5pm

傑思．博迪

Chris Botti

CCCH

23-24/2

8pm

爵士新潮 - 霍圖納與辛波絲卡《詩樂對話》 - Vila Navio 三重奏 - 霍圖納爵士四重奏

Nouveau Jazz Weekend - Fortuna Plays Szymborska - Vila Navio - Maciej Fortuna Special Quartet

HKAC-ST 3-4/3 3/3 4/3

3pm 9pm 8pm

世界音樂週末營 - 安娜．瑪麗亞．悠珮克及 Kroke 三重奏 - Songhee 韓國清唱研究所 - 白雲

World Music Weekend - Anna Maria Jopek and Kroke - Songhee Pansori LAB - Namgar

APAA

17-18/3 18/3 18/3

8pm 3pm 5pm

瑟西兒．麥克羅恩．莎芳與艾倫．迪爾三重奏

Cécile McLorin Salvant and the Aaron Diehl Trio

CCCH

21-22/3

8pm

CCGT CCCH CCST

香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre

CHCH CHTH APAL

香港大會堂音樂廳 Concert Hall, HK City Hall 香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA

Ballett Zürich - Anna Karenina Choreographer: Christian Spuck

CCGT

23-24/2 24-25/2

7:30pm 2:30pm

亞太舞蹈平台（第十屆）

Asia Pacific Dance Platform X

- 松根充和《舞得入境》

- Michikazu Matsune: Dance, if you want to enter my country! FC-FU

- 馬丁．赫辛《身身相印》 - 奧菲爾．約迪拉維治《萬有引力》及尼克．鮑華《蚊型城市間》

- Martin Hansen: if it’s all in my veins - Ofir Yudilevitch: Gravitas and Nick Power: Between Tiny Cities

23/2 24/2 13-14/3 16/3 17/3

8pm 3pm 8pm 8pm 3pm

香港賽馬會當代舞蹈平台

The Hong Kong Jockey Club Contemporary Dance Series

-《舞．聲》編舞：陳穎業、梁儉豐、盤彥燊聲音藝術家：彼得．萊納

- The Battle Zone | Vortex Choreographers: Yip Chan, Kenny Leung, Wayson Poon Sound Artist: Peter Lenaerts

24/2 25/2

8:15pm 3pm

-《兩地書》編舞：李超、白濰銘、潘振濠、謝欣、楊暢、楊浩、姚潔琪、張翼翔

CCST - Dance Exchange Choreographers: Li Chao, Ming Pak, Poon Chun-ho, Xie Xin, Yang Chang, Yang Hao, Judy Yiu, Zhang Yixiang

3/3 4/3

8:15pm 3pm

-《舞鬥》編舞：程偉彬、柯志輝、廖月敏、呂沅蔚、馬師雅、黃翠絲、張喜龍

- Dance Off Choreographers: Rex Cheng, Felix Ke, Sudhee Liao, Evains Lui, Alice Ma, Tracy Wong, Solong Zhang

KTT-BBT

22-25/3 24-25/3

8pm 3pm

薩卡洛娃及列賓《足尖情弦》舞者：斯文蘭娜．薩卡洛娃小提琴 : 瓦汀．列賓

Svetlana Zakharova and Vadim Repin Pas de deux for Toes and Fingers Dancer: Svetlana Zakharova Violin: Vadim Repin

CCGT

27-28/2

7:30pm

PPS 舞團《反斗校園》藝術總監及編舞：皮埃 - 保羅．薩瓦

PPS Danse - Playing Hooky Artistic Director and Choreographer: Pierre-Paul Savoie

SWCC-TH 3-4/3 4/3

KTT-BBT KTT-BBT

CCST

8pm 3pm

TheaTre

戲劇

佛蘭明高大師加凡

Israel Galván - FLA.CO.MEN

CCGT

5-6/3

7:30pm

勅使川原三郎 | 渡烏舞團《崔斯坦與伊索德》

Saburo Teshigawara | KARAS - Tristan and Isolde

CHTH

8-11/3

8pm

美國芭蕾舞劇院《芭蕾小忌廉》編舞：阿列克塞．羅曼斯基藝術總監：凱文．麥肯齊

American Ballet Theatre - Whipped Cream Choreographer: Alexei Ratmansky Artistic Director: Kevin McKenzie

CCGT

22-25/3 25/3

7:30pm 2:30pm

南非開普敦港口劇團《非洲少年流浪記》改編自莊尼．斯坦貝格小說導演：馬克．當福 - 梅

Isango Ensemble - A Man of Good Hope Based on the book by Jonny Steinberg Director: Mark Dornford-May

APAL

23-24/2 24-25/2

7:30pm 2:30pm

APA-DT

24/2 25/2

7pm 2:30pm

The Great Learning Playwright and Director: Tang Chi-kin

CHTH

24-25, 28/2, 8pm 1-3/3 3pm 25/2, 4/3

National Theatre of Great Britain The Curious Incident of the Dog in the Night-Time Original: Mark Haddon Adaptation: Simon Stephens Director: Marianne Elliott

APAL

8-11, 13-18/3 10-11, 17-18/3

7:30pm

Les 7 Doigts de la Main and Theatre Republique Bosch Dreams Idea and Concept: Samuel Tétreault, Martin Tulinius, Ange Potier

CCGT

9-10/3 11/3

7:30pm 2:30pm

Claude Régy - Dream and Derangement Director: Claude Régy

CCST

9-10/3 10-11/3

8:15pm 4:30pm

奧克拉荷馬自然劇團及 EnKnap 舞團《美國獨立宣言之幸福大作戰》編劇及導演：柏維爾．利斯卡、嘉莉．古柏

Nature Theater of Oklahoma & EnKnapGroup Pursuit of Happiness Playwright and Director: Pavol Liska, Kelly Copper

CHTH

14-16/3

8pm

《中庸之幸福學堂》編劇及導演：鄧智堅

Doctrine of Happiness Playwright and Director: Tang Chi-kin

CCST

16-17, 22-24/3 18, 24-25/3

8:15pm

倫敦巡迴劇團及愛丁堡皇家蘭心劇院《祈願女之歌》編劇：埃斯庫羅斯新版本：大衛．葛利格導演：拉文．格雷

Actors Touring Company and Royal Lyceum Theatre Edinburgh - The Suppliant Women Original: Aeschylus Adaptation: David Greig Director: Ramin Gray

CHTH

22-24/3 24-25/3

8pm 3pm

俄羅斯國家劇院《俄羅斯平民風景》（舒克辛小品） Theatre of Nations (Russia) - Shukshin's Stories Director: Alvis Hermanis 導演：艾維斯．赫曼尼斯《大學之烈火青春》編劇及導演：鄧智堅英國國家劇院《深夜小狗神秘習題》原著：馬克．海登改編：西門．史提芬斯導演：瑪麗安．艾莉特七指雜技團及哥本哈根共和國劇團《博希的奇幻旅程》概念：薩穆爾．特塞雷、馬丁．迪尼路斯、安殊．博田克勞德．雷吉《夢與狂妄》導演：克勞德．雷吉

APAA APADT HKAC

香港演藝學院香港賽馬會演藝劇院 The Hong Kong Jockey Club Amphitheatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre

2:30pm

3pm

FC-FU 藝穗會樓上劇場 Fringe Upstairs, Fringe Club SWCC-T 上環文娛中心劇院 Theatre, Sheung Wan Civic Centre KTT-BBT 葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre

資料截至 Information as of: Oct 2017

DaNCe

舞蹈

蘇黎世芭蕾舞團《安娜．卡列妮娜》編舞：克里斯蒂安．施普克

節目表 Schedule

17 / 3 六 Saturday

香港文化中心一樓大堂 HK Cultural Centre Level 1 Foyer 10:00am - 9:00pm

道具及戲服展覽 Props and Costumes Display

2:00 - 7:00pm

魔法蝴蝶虛擬實境 Magic Butterfly VR Experience

歌劇探秘現場唱 LIVE@Opera Adventure 4:00 - 4:30pm

1 豎琴演奏 Harp Performance

4:45 - 5:15pm

2 銅管五重奏 Brass Quintet

5:30 - 6:00pm

3 鋼琴伴威爾斯國家歌劇院合唱團成員獻唱 WNO Chorus members Recital with Piano

場地贊助 Venue Sponsor: 康樂及文化事務署 The Leisure and Cultural Services Department

香港文化中心二樓大堂 HK Cultural Centre Level 2 Foyer 2:00–3:30pm

歌劇假髮試戴 Opera wigs for Children

2:00 - 5:00pm

歌劇舞台化妝 Opera Make Up for Children

香港文化中心平台工作室 HK Cultural Centre Podium Workshop 2:00–3:00pm

卡門歌劇兒童入門工作坊 * A Whistle-stop Tour of Carmen Workshop *

3:00 - 3:30pm

舞台化妝示範 Make up Demo

3:30–4:30pm

卡門歌劇兒童入門工作坊 * A Whistle-stop Tour of Carmen Workshop *

5:00 - 6:00pm

兒童敲擊樂 * Percussion Workshop for Kids *

6:30 - 7:00pm

演前講座：德布西《佩利亞斯與梅麗桑德》演前講座 Pre performance talk: Debussy’s Pelléas et Mélisande

* 收費活動，需預先登記 Paid Event, Pre-registration Required

大堂 Foyer

WNO Pelléas and Mélisande - Jurgita Adamonyté (Mélisande), Jacques Imbrailo (Pelléas) and WNO Chorus. Photo credit - Clive Barda

藝術節加料節目 Festival 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 特備節目 SpecialS 舞蹈 DaNce 音樂

17/3/2018 23/2-25/3/18 24-25/3/2018

聲．色愛沙尼亞 Sound and Colour from Estonia 香港藝術節傑出文化領袖講座系列（五）威爾斯國家歌劇院藝術總監大衛·普尼 HKAF Distinguished Cultural Leader Series (V) In Conversation with David Pountney, Artistic Director of Welsh National Opera 歌劇探秘同樂日 Opera Adventure Day 《十二面體 - 精粹 132》- 馬克 ‧ 雷登作品 Dodecahedron - Quintessence 132 by Mark Ryden 美國芭蕾舞劇院全接觸 ABT Recipe

24, 25/2/2018 24/2/2018 5/3/2018 5/3/2018 24, 25/3/2018 24, 25/3/2018 24/3/2018 24/3/2018 25/3/2018 24,25/3/2018 25/3/2018

後台參觀 - 走進托爾斯泰的芭蕾世界 Backstage Tour: Tolstoy’s Ballet World 《安娜．卡列尼娜》演前講座 Pre-Performance Talk: Anna Karenina PPS 舞團《反斗校園》駐節藝術家計劃展演 Artist-in-Residence Project: PPS Danse Showcase 佛蘭明高魅力俱樂部 Flamenco Club Off-stage 美國芭蕾舞劇院彩排參觀 Observing ABT Company Class 《芭蕾小忌廉》兒童工作坊 ABT Kids - Whipped Cream Children Workshop 美國芭蕾舞劇院大師班（中級程度）ABT Masterclass (Intermediate level) 樂韻芭蕾藝術教育音樂會 From Music to Ballet Education Concert 美國芭蕾舞劇院大師班（高級程度）ABT Masterclass (Advance level) 後台參觀：雷登的超現實甜美國度 Backstage Tour: A Pop Surrealist's Delirium 《芭蕾小忌廉》演前講座 Pre-Performance Talk: Whipped Cream

2,5/3/2018 15/3/2018

MUSic

2/2/2018 2, 5/3/2018 3/3/2018 5/3/2018 7/3/2018 8/3/2018 9/3/2018 10/3/2018 18/3/2018 19/3/2018 19/3/2018 20/3/2018 21/3/2018 24/3/2018

歌劇／戲曲 OpeRa 戲劇 THeaTRe 電影

4/2/2018 26/2/2018 15-17/3/2018 15, 17/3/2018 16, 17/3/2018 16, 17/3/2018 17/3/2018 17/3/2018 17/3/2018 25/2/2018 10, 11/3/2018 10/3/2018 11/3/2018

FilM

24/1, 10/3/2018 27/1, 3/2/2018 8/2/2018 10/3/2018 22-25/3/2018

加料講座及演出：拉赫曼尼諾夫的樂與畫 PLUS Artist Talk & Performance: Rachmaninov: Music and Art 李希特及帕特：愛沙尼亞之聲展覽音樂會 Richter Meets Pärt: Vox Clamantis - Concert at an Exhibition 潘尼迪爾雙鋼琴大師班 Jean-Claude Pennetier Piano Duo Masterclass 葛利果聖歌合唱工作坊 Gregorian Chant Workshop 香港演藝學院音樂學院座談會系列：國際指揮家之路 HKAPA School of Music Assembly Series: A Conductor's Journey 演前講座：與俄羅斯樂團巡演經驗談 Pre-Performance Talk: Touring with Russian Orchestras 演前講座：俄羅斯史維特蘭諾夫國家交響樂團 Pre-Performance Talk : State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" 演前講座：拉赫曼尼諾夫之鋼琴音樂 Pre-Performance Talk: Rachmaninov's Piano Music 演前講座：韓國清唱與蒙古民謠 Pre-Performance Talk: Pansori & Mongolian Songs 李飈敲擊樂大師班 Percussion Masterclass with Li Biao 聲樂大師班及藝術家沙龍：法比奧．雷西 Vocal Masterclass and Artist Salon: Fabio Luisi 演前講座：作曲家尼爾森與丹麥 Pre-Performance Talk: Carl Nielsen and the Danes (DNSO) 演前講座：爵士女伶 Pre-Performance Talk: Matriarchs of Jazz 演前講座：與米克．烏列奧同唱 Pre-Performance Talk: Let's sing along with Mikk Üleoja 賽馬會本地菁英創作系列：《百花亭贈劍》公開彩排 Jockey Club Local Creative Talent Series: Pavilion of a Hundred Flowers Open Rehearsal 藝術家沙龍 : 京劇與梅派 Artist Salon: Peking Opera and the School of Mui 魔法蝴蝶虛擬實境 Magic Butterfly VR Experience 《佩利亞斯與梅麗桑德》演前講座 Pre-Performance Talk: Pelléas et Mélisande 《卡門》歌劇兒童入門工作坊 Whistle Stop Tour of Carmen Opera Workshop 兒童敲擊樂 Percussion Workshops for Kids 道具及戲服展覽 Props and Costumes Display 歌劇探秘加料演出 LIVE@Opera Adventure 後台參觀：德布西的迷霧秘境 Backstage Tour: Enter the World of Allemonde 舞蹈工作坊：玩轉南非舞蹈大熱身 Dance Workshop: Dance in the Isizhosa Tradition 後台參觀：《博希的奇幻旅程》Backstage Tour: The Fantastic World of Hieronymus Bosch 雜技樂園 Circus Funtasia 藝術家沙龍及紀錄片放映 : 法國戲劇大師雷吉的心路歷程 Artist Salon and Documentary Screening: The Art & Vision of Claude Régy 《葛哈．李希特 – 作畫》Gerhard Richter – Painting 《Bosch：地獄圖繪》Hieronymus Bosch: Touched by the Devil 《卡雅利沙的卡門》Isango Ensemble U-Carmen eKhayelitsha 《博希的奇幻世界》The Curious World of Hieronymus Bosch 《美國芭蕾舞劇院歷史回顧》電影放映 Documentary screening: American Ballet Theatre: A History