香港藝術節今年踏入第4 6屆，再度為來自世 界各地的觀眾獻上精彩紛呈的藝術盛宴，讓 香港這個文化大都會更添生色。 今年藝術節預備了各式各樣的表演節目， 古典及當代藝術元素俱全，凸顯本港豐富 多元的文化特色。短短一個月內將有約1 3 0 場音樂、舞蹈、戲劇、歌劇等表演舉行， 讓一眾藝術愛好者目不暇給。 一如以往，本屆藝術節除了請來本地和海 外藝術家演繹引人入勝的代表作品，亦悉 心安排各項外展活動。為培養青少年對藝 術的興趣，「香港藝術節青少年之友」計 劃讓本地學生有機會欣賞藝術節節目和參 與全方位藝術活動。此外，藝術節又透過 工作坊、後台參觀和大師班等「加料節 目」，讓觀眾一睹藝術節重點節目的幕後 創作過程，大開眼界。 政府致力推動本地文化藝術發展，亦樂見贊 助商和捐款者鼎力支持，攜手把香港藝術 節打造成為享譽國際的藝壇盛事。我衷心感 謝藝術節團隊多年來盡心盡力，為我們帶來 這項高質素的文化活動，令本港藝壇百花齊 放，蓬勃發展。 謹祝第4 6屆香港藝術節圓滿成功，各位表演 嘉賓和觀眾朋友共享一段精彩難忘的藝術旅 程。
林鄭月娥 香港特別行政區行政長官
Now in its 46th year, the Hong Kong Arts Festival continues to contribute to the cultural life of Hong Kong, delighting audiences from near and far. This year, the Festival puts on a wide variety of performances that showcase a mix of classic and contemporary genres, spotlighting Hong Kong’s rich and diverse cultural landscape. Featuring some 130 performances in a packed month of music, dance, theatre, opera and more, the Festival has much to offer to arts lovers of all kinds. Alongside dazzling performances by an array of local and international artists, the Festival continues to place great emphasis on its outreach activities. To develop youngsters’ appreciation of the arts, the Young Friends of the Hong Kong Arts Festival offers local students the opportunity to enjoy the Festival’s performances and participate in multi-arts activities. Similarly, the PLUS programme gives audiences an inspirational glimpse into the creative process behind the core Festival performances through a combination of workshops, backstage tours and masterclasses. The Government is committed to promoting the development of arts and culture in the city, and we are blessed to have the support of devoted sponsors and donors who join us in making the Hong Kong Arts Festival an international success. I am also thankful to the Festival team for their years of hard work to deliver a top-class cultural event and their invaluable contribution to the city’s thriving arts scene. I wish the 46th Hong Kong Arts Festival a resounding success and all the participants, performers and audiences alike, an enjoyable and memorable experience.
Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region
歡迎閣下蒞臨欣賞第4 6屆香港藝術節，與 我們一起分享、感受這一場精彩的表演藝 術節目。 我們要感謝香港特別行政區政府透過康樂 及文化事務署的年度恆常撥款，使香港藝 術節能每年成功舉辦。我們同時亦非常感 謝香港賽馬會慈善信託基金多年以來積極 而持續的鼓勵和贊助，以及其他眾多的商 業機構、企業、慈善團體以至社會各界人 仕，他們的慷慨捐助，讓我們能夠呈獻世 界一流藝術家的演出，為本地人才提供一 展才華的機會，委約及製作新作品，培養 年青一代的觀眾。 更重要的，是要感謝到來欣賞節目的各位 觀眾。沒有廣大觀眾的熱情參與，就不會 有香港藝術節。期望您喜歡這場演出。
查懋成 香港藝術節主席
I am very pleased to welcome you to this performance at the 46th Hong Kong Arts Festival. Thank you for being here with us and sharing in our celebration of the performing arts. I would like to thank the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention which is crucial to the Festival’s continuing success. I am also most grateful to The Hong Kong Jockey Club Charities Trust for their continued support and encouragement over many years, enabling us to enrich the cultural calendar of the city. Thanks are also due to the many corporate sponsors, charitable foundations as well as individual donors whose generous support enables us to feature many of the world’s best artists, promote local talent, produce new works, and nurture young audiences in Hong Kong. Most importantly, my warm thanks to you for joining us tonight. Without the passion, participation and engagement of our audiences there would be no Hong Kong Arts Festival. I very much hope you will enjoy the performance.
Victor Cha Chairman, Hong Kong Arts Festival
衷心感謝閣下蒞臨欣賞第4 6屆香港藝術節 的演出。 今屆藝術節的主題是「真．我角度」，我 們從此角度出發，欣賞藝術家透過他們的 技藝、創意和心思所創作和呈現的多重現 實。今年的節目當中，無論是對應某種人 生經驗、藝術動機或敘事手法，都往往帶 着對「真」的各種個人省思。整體而言， 我期望今屆藝術節可以啟發大家思考，甚 至懷疑我們所理解的「真實」。 希望您能開放自我，投入到舞台上呈現的 世界，與藝術家共同經驗各種現實。也誠 邀您參加「加料節目」的各項活動，豐富 您的藝術節體驗。 感謝您參與香港藝術節，支持我們的使 命，為香港打造一個既屬於香港，也代表 香港的世界級藝術節。
何嘉坤 香港藝術節行政總監
It is a pleasure and privilege to welcome you to this performance at the 46th HKAF. This year, we take the notion of "what’s real to me" to celebrate the realities created through the artistry, creativity and thoughtfulness of our participating artists. Many works are informed by highly personal views, whether responding to some aspect of human experience as a matter of artistic motivation, or as a narrative device. Taken as a whole, I hope this Festival will provoke us to think about – and perhaps to question – our own understanding of what’s real. I hope that you will allow yourself to be immersed in the realities presented on stage at this and many other performances at the 46th HKAF, and enjoy the resulting co-created experience. I would also recommend the many PLUS performances and events that have been designed to enrich your Festival experience. Together with the entire team, I would like to thank you for your participation and support which sustains us in the mission to present a world class Arts Festival in, of and for Hong Kong.
Tisa Ho Executive Director, Hong Kong Arts Festival
香港藝術節 扎根香港的國際藝壇盛事 香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的 文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國 際藝術家的演出，以及舉辦多元化的「加料」和教育 活動，致力豐富香港的文化生活。 香港藝術節是一所非牟利機構，2018 年第 46 屆藝術節 的年度預算約港幣一億二千五百萬，當中香港特區政 府的基本撥款約佔總收入的 14%，另外約 32% 需來自 票房收入，約 3 6 % 則需依賴來自各大企業、熱心人士 和慈善基金會的贊助和捐款。預計餘下的大約 18% 則 來自其他收入，包括政府針對捐款和贊助收入而提供 的配對資助。 香港藝術節每年呈獻眾多國際演藝名家精采多元的演 出，例如 *： •歌劇：巴伐利亞國立歌劇院、莫斯科大劇院、聖彼 得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海 張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百 花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、古 斯塔沃．杜達美、菲力普．格拉斯、馬友友、安娜． 涅翠柯、詹安德列亞．諾斯達、甘拿迪．羅傑斯特 汶斯基、克里斯蒂安．泰利曼、倫敦交響樂團、皇 家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、 萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、 艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、 約翰．紐邁亞、美國芭蕾舞劇院、雲門舞集、漢堡 芭蕾舞團、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、 翩娜．包殊烏珀塔爾舞蹈劇場
2018 年藝術節預計收入來源 （約港幣一億二千五百萬） Estimated Income Sources for the 2018 HKAF (Approximately HK$125 Million)
Sponsorship & Donations 贊助及捐款
•戲劇：彼得．布祿克、羅伯特．威爾遜、柏林劇團、 中國國家話劇院、皇家莎士比亞劇團 •大型特別節目：《藝裳奇幻世界》、星躍馬術奇藝坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》 香港藝術節積極與本地演藝人才合作，並致力為新晉 藝術家提供展示才華的平台。藝術節至今委約及製作 逾 200 套本地全新創作，包括戲劇、室內歌劇、音樂 和舞蹈作品，近年開始同步出版新作劇本，不少製作 更已在香港及海外多度重演。近年的藝術節新製作包 括《香港家族》三部曲、《世紀．香港》音樂會、《論 語》、《炫舞場》、《大同》、《金蘭姊妹》、《爆蛹》、 《野豬》、《聖荷西謀殺案》等。 香港藝術節多年來與知名海外藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節、香港歌德學 院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗 人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街 製作公司製作、香港藝術節為聯合委約機構之一的「橫 貫計劃」之《暴風雨》及《李察三世》、由香港藝術 節及上海國際藝術節聯合委約的《青蛇》、三藩市歌 劇院與香港藝術節聯合製作的《紅樓夢》等。 香港藝術節大力投資下一代的藝術教育。「青少年之 友」成立 26 年來，已為逾 730,000 位本地中學生及大 專生提供藝術體驗活動。藝術節近年亦開展多項針對 大、中、小學生的藝術教育活動，包括由國際及本地 藝術家主持的示範講座及工作坊、學生展演、演前講 座、公開彩排、以及欣賞藝術節演出。同時，通過「學 生票捐助計劃」，藝術節每年提供約 10,000 張半價學 生票。 香港藝術節每年主辦一系列多元化並深入社區的「加 料節目」，例如電影放映、示範講座、大師班、工作坊、 座談會、後台參觀、展覽、藝人談、文化導賞團等， 鼓勵觀眾與藝術家互動接觸。
18%
36% Box Office 票房收入
32%
14%
Other Income (Including Possible Matching Grant for Sponsorship and Donation Income) 其他收入 （包括按捐款和贊助收入 可望獲得的配對資助 ) Government Baseline Funding 政府的基本撥款 （Updated August 2017 2017 年 8 月更新）
Hong Kong Arts Festival A Major International Arts Festival In, Of and For Hong Kong
• Theatre: Peter Brook, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company
HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.
• Large-scale special events: World of WearableArt, Zingaro
HKAF is a non-profit organisation. Secured government baseline funding for the Festival in 2018 represents roughly 14% of its HK$125 million budget. Around 32% of the Festival’s income needs to come from the box office, and another 36% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 18% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western opera: Bavarian State Opera, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Anna Netrebko, Gianandrea Noseda, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, John Neumeier, American Ballet Theatre, Cloud Gate Dance Theatre, Hamburg Ballet, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch
• Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include A Floating Family, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong – The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 26 years, our “Young Friends” scheme has reached over 730,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.
* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2017.html 誠邀贊助或捐助第 46 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details of the 46th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: dev@hkaf.org
直綫 Direct Lines: (852) 2828 4910/11/12
網頁 Website: www.hk.artsfestival.org/en/support-us
Presents
Claude Régy
Dream and Derangement 克勞德．雷吉
《夢與狂妄》 3 月 Mar
9-11
香港文化中心劇場 Studio Theatre, Hong Kong Cultural Centre 演出長約 1 小時，不設中場休息 Running time: approximately 1 hour with no interval 法語演出，附中、英文字幕 Performed in French with Chinese and English surtitles 觀眾將會在昏暗環境中體驗是次演出。由觀眾入場到表演結束，場地燈光將 極為昏暗，敬請留意。 The audience will experience the performance in a dimly lit auditorium. From the entrance of the audience onwards until after the performance is finished, the lighting of the venue will be kept at a low level. 適合 16 歲或以上觀眾欣賞 Recommended for ages 16 and above 遲到或中途離場的觀眾不得進場 Latecomers or audience members who leave the auditorium will not be admitted or readmitted.
封面照片 Cover Photograph: © Pascal Victor © AFP Joel Saget
敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on
請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.
HKartsfestival
本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.
www.hk.artsfestival.org
11
《夢與狂妄》
Dream and Derangement
當代工作坊製作
Produced by Les Ateliers Contemporains
文本 Text 喬治．特拉克爾 Georg Trakl 導演 Director 克勞德．雷吉 Claude Régy 演出 Performer 恩．布度 Yann Boudaud 導演助理 Assistant to the Director 亞歷山大．巴里 Alexandre Barry 佈景設計及技術經理 薩拉丁．卡迪爾
Scenography and Technical Manager
Sallahdyn Khatir
聲效 Sound 菲利普．卡切雅 Philippe Cachia 燈光 Lights 亞歷山大．巴里 Alexandre Barry 皮埃爾．格拉薩 Pierre Grasset 英文字幕及字幕控制 邁克．積森斯
English Surtitles and Surtitles Operator
中文字幕 曾逸林 蘇國雲修訂
Chinese Surtitles
Mike Tijssens Yilin Zeng Edited by So Kwok-wan
French text by Marc Petit and Jean-Claude Schneider in Crépuscule et déclin suivi de Sébastien en rêve - NRF poésie Gallimard 1990 Co-produced with Nanterre-Amandiers Centre Dramatique National and the Festival d'Automne à Paris, Théâtre National de Toulouse and Théâtre Garonne, Comédie de Reims, Comédie de Caen, Kunstenfestivaldesarts - Brussels Les Ateliers Contemporains is a theatre company subsidised by the French Ministry of Culture - DGCA
藝術節加料節目
法國戲劇大師雷吉的心路歷程 The Art and Vision of Claude Régy
11.3（日 Sun）晚上 6:00pm-8:00pm
身兼導演及編劇的亞歷山大．巴里與法國戲劇大 師克勞德．雷吉共事多年。巴里將分享大師的創 作、藝術和心路歷程，並放映其執導的雷吉紀錄 片《禿鷲之宴》。
Learn more about the art and vision of the creative genius Claude Régy in this conversation with Alexandre Barry, a director, screenwriter and long time collaborator of Claude Régy. Barry's documentary on Régy, Du régal pour les vautours (A Delight For the Vultures) will be shown as part of the Artist Salon.
英語主講
In English
香港文化中心平台工作室
Podium Workshop, Hong Kong Cultural Centre
免費入場，需預先登記
Free admission. Registration required.
更多加料節目詳情及網上報名 More Festival PLUS and online registration: www.hk.artsfestivalplus.org
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導演的話 「他應該是怎樣的一個人？」德語詩人里爾克問
克勞德．雷吉
畢加索在看完一個關於非洲面具的展覽後，說他
的這個問題至今仍無人能解答。喬治．特拉克爾
自己的藝術形式─繪畫，其實全是魔法，與美
濫藥、酗酒、亂倫；這位虔誠的基督徒沉溺於自
學無關。
我毀滅，飽受瘋狂折磨。特拉克爾 1 8 8 7 年生於 薩爾斯堡，父親是新教徒，母親是天主教徒。他 1910 年輟學從軍，成為軍隊的藥劑師。 當年他二十三歲。 四年後，歐洲爆發第一次世界大戰。 年輕的醫療兵身處格羅德克戰役前線，僅是傷亡
最早的畫家的出現，是因為人在洞穴中躲避惡劣 天氣，他們手沾顏料，在洞壁上作畫。這些洞穴 亦是人類躲避獵食動物的避難所，主要避開一些 喜食人肉的飛禽。那些禿鷲最喜愛死人的眼睛， 繼而是腦袋。 眼睛和腦袋被啄食殆盡。
數字已教他無法承受，還有那人馬交集的慘叫
禿鷲的嘯聲，無處不在，縈繞特拉克爾的字裏行
聲，和那些腸爛肚穿、肢離臂斷、頭破血流的傷
間。
兵。 這位醫療兵兼詩人將某些藥物留為己用。 他服用過量可卡因而死。
特拉克爾的詩是魔法般排列的文字。 它們直達我們存在的核心和自身的種種矛盾。 年紀輕輕便與妹妹亂倫，令他飽受罪惡污染。他
是自殺抑或意外，無人知曉。
背負那「受詛咒的血脈」創作。
1914 年 11 月，死亡降臨在格羅德克附近的一間
他妹妹比他年輕四年。
軍事醫院。 格羅德克之役：「所有道路通往黑色的腐敗」。 他最後的一首詩《格羅德克》。 終年二十七歲。 二十一歲於期刊發表他的處女作。特拉克爾在六 年的寫作生涯裏，創作了一生的作品。他和法國 詩人蘭波，同是早熟的天才。 特拉克爾的詩包含無法調和的意象，震撼人心。 執着於韻律與聲音，聆聽靜默，特拉克爾將我們 內在的空間打開：我們隨之進入那超越理解的感 知境地。
「兩頭狼的血混在一起 在凜慄擁抱間」 彷彿，亂倫被提高到天使的空間。
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詩中妹妹的形像永存─一張重複出現的面孔─ 像個神話般的人物，有時以「少年」一詞被命 名。一個神秘的形象。然而，妹妹傷口的血一直 在流。 他的妹妹，簡名格麗特，是位優秀的音樂家。 她哥哥很快令她染上藥癮，而特拉克爾死後三 年，妹妹亦自殺。 像法國畫家皮埃爾．蘇拉吉一樣，喬治．特拉克 爾比他更早開始埋首「黑色之外」的創作。 詩人和畫家在作品黑色的背景上，覆蓋粗糙的切 面，折射光源，變得可見。這便是黑暗之光。 父親逝世時，特拉克爾年僅二十三歲。他作品提 到的晚餐中，連餐桌上的麵包也在流血。或者 說，那些麵包在母親碰觸後硬如石頭，無法擘 開。 到底他應該是怎樣的一個人，那寫出如此詩句的 人： 「唯獨在沉默的黑暗中 那未可理解之物觸碰意識邊界後 吞吐的字徒勞抓着」 2016 年 1 月
© Pascal Victor
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Director’s Note
Claude Régy
“Who might he have been?” Rilke asks this question, but to this day no one has been able to come up with an answer. A drug addict and alcoholic, Georg Trakl commits incest, suffers from bouts of insanity, is obsessed with his own destruction and is steeped in Christianity. Born in Salzburg in 1887 to a Protestant father and a Catholic mother, he interrupts his studies to sign up as a military pharmacist in 1910.
Preoccupied with rhythms and sounds, attentive to silence, he opens up inner spaces within us: we enter into a mode of perception beyond that of pure intelligibility.
He is 23 years old.
The first painters coloured their hands and then applied them to the rocky cave walls as they sheltered from bad weather. The caves were a shelter to predatory creatures too, mainly birds who delight in certain parts of the human body. The vultures favoured the corpses’ eyes first, then their brains.
Four years later the First World War breaks out in Europe. The young pharmacist-soldier finds himself on the front line at Grodek, unable to cope with the sheer number of wounded or the severity of their injuries, the combined cries of men and horses, disembowelled, limbs blown off or with head injuries. The poet-pharmacist puts aside certain drugs intended for the wounded for his own use. He dies of a cocaine overdose. Suicide or accidental death, no one knows. Death comes in a military hospital near Grodek in November 1914. Battle of Grodek: “All the roads lead to black decay”. His final poem: Grodek. Dead at the age of 27. His first work is published in journals at 21. In his six years of writing, Trakl creates a lifetime of work. Trakl and Rimbaud have the same precocious genius. Laconic and intense, Trakl brings the seemingly irreconcilable together with devastating effect.
Coming out of an exhibition of African masks, Picasso once said that his art form – painting – had nothing to do with aesthetics, but rather everything to do with magic.
Eye sockets and craniums pecked cleaned. Cries of vultures, here and there, rip through Trakl’s poems. With Trakl it is all about a magical organisation of language. It reaches the essential core of our being and our contradictions. Enjoying incest as a young man with his willing sister, letting himself be contaminated by guilt. "Accursed race", he went on to write. His sister is four years younger than him. “Two wolves have mingled their blood in a stony embrace” Thus raising incest to a level where, so it seems, angels live.
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The image of the sister is always there – an endlessly repeated appearance – but always there like a mythical figure, sometimes designated by the term “adolescent”. A mythical figure. And yet, wounded, the sister bleeds. This sister, Grete – this is her shortened first name – was an excellent musician. Very soon her brother had turned her into a drug addict – in his wake – and three years after her brother’s death, she took her own life. Like Pierre Soulages, well before him Georg Trakl works in what has been called “beyond black”. Against a black background, both create harsh qualities and light, diffracted, becomes visible. The light of darkness can be seen. When his father died, Georg was 23. At mealtimes – only recalled – the bread bleeds. Or rather, hard as stone at his mother’s touch, it cannot be broken. Who might he have been, the one who wrote : “The sluggish word grasps in vain After the incomprehensible that touches our mind’s Last borders only in dark silence” January 2016
© Pascal Victor
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導演克勞德．雷吉訪談 法國傳奇導演克勞德．雷吉，以其創新的戲劇意
derangement（精神錯亂），但原文其實包含「非
念，在他的每部戲劇作品裏挑戰觀眾對文本現實
常黑暗」的意思，這也是法語的「瘋狂」（folie）
的感知。在以下的訪問中，雷吉詳述他改編奧地
無法表達的。
利詩人特拉克爾的黑暗詩歌的戲劇作品《夢與狂 妄》。
問： 對， 作 品 的 德 語 標 題 是《Traum und Umnachtung》，當中包含了 nacht（夜晚）這個
問：你這套劇作的重心在於特拉克爾，在於其詩
詞。直覺告訴我，德語在形容像是蒙上陰影，被
作，但同時也在詩人本身。他與阿瑟．蘭波（法
黑夜入侵的這件事實。
國天才詩人）有點相像，作品簡潔而糾結。你也 曾引用德語詩人萊納．瑪利亞．里爾克的提問： 「他應該是怎樣的一個人？」 答：要回答這個問題不容易，因為特拉克爾很大 程度受放縱影響，但這正是他吸引我的地方： 放縱。他確實打破了所有規條和禁忌。他染上毒 癮、酗酒、亂倫、受瘋狂折磨、沉淪自毀，但同 時深受基督教影響；因為他母親是天主教徒，而
答：精神錯亂當中必然有甚麼東西把我們拉進黑 暗和夜晚，因此才與夢的國度如此接近。法語的 「瘋狂」（fo l i e）自然也不是令人愉悅的事，卻 沒有黑暗和恐懼的含意。 問：「看我們孤獨的小船，被星空 / 沉默的黑夜 淹沒。」特拉克爾的詩句融合了不同主題，當中 包括船的意象。
父親是新教徒，實為雙軌的基督宗教。從他的文
答：對，沉默、黑夜、恐懼：這些都是他作品的
本中，我們能感受到變態和扭曲的主題，但同時
永恆主題……另一方面，特拉克爾的小船象徵亂
卻是非常基督教式的。
倫。戀人經常在黑船上，航行於黑暗之中。亂倫
特拉克爾生命中的暴力越過了一切禁忌的界線。 讓我特別感興趣的，是他越過了那條清晰的理 性的界線。這種典型的法國思維方式把理性置於 一端，認為「構想到的都能表達清楚」，其餘的 都被拒絕為瘋狂或非理性。對我來說，跟隨特拉 克爾這條思路，並非為了製造或是加添人性的黑 暗，而是為了揭露那些在我們理解之外的東西。 特拉克爾的經歷，超越了人類所能承受的痛苦。
這種揮之不去的存在，在他其餘作品中亦有跡可 尋，還有他妹妹的形象―他偶爾會形容她為少 年。特拉克爾對他妹妹的影響肯定很深。是他帶 她接觸毒品。在特拉克爾死後三年，她就在一個 奇怪的情況下自殺。這對兄妹之間的關係是絕對 的暴力，是一段極為親密且具毀滅性的關係。從 兩人的童年照片能看出他們的相似之處―他們 的臉上也表露出一種暴力……
那境界總是吸引着我，我透過把那些作家帶到舞
問：你會選用獨白的方式，讓人聽到聲音，去呈
台上，盡可能接近這種境界。
現文字嗎？
問：以特拉克爾為例，他的作品和人生是不能分
答：會，我只跟一位演員―恩．布度―合作。
割的。你選用他哪部作品，來處理這兩個密不可
閱讀特拉克爾時，有一種難以言喻的東西在裏
分的層面？
面，它向我們傳達一些東西，與我們溝通，穿透
答：我認為特拉克爾的人生，可以完整的在他 的文本裏找到，特別是他形容為散文詩的《夢 與狂妄》。他作品最讓我著迷的，就是它的暴 力。這些文字試圖處理非常艱深的領域，並把 我們帶到那裏。英語把德語的 umnachtung 譯為
我們。其實我們並非不能接近無法理解的東西。 如果你依附它、面對它，你就像是被那條界線的 意識侵襲，那是個開端，而下一秒就是那跨越界 線的慾望。 文：吉勒斯．阿瑪菲
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An interview with director Claude Régy
© Julien Bourgeois
The legendary French director Claude Régy is famed for his innovative approach to stagecraft, challenging how audiences perceive the reality of the text in each of his plays. In this interview excerpt Régy discusses Dream and Derangement, his play based on the dark poetry of Austrian poet Georg Trakl. In this work, you’ve focused on Georg Trakl: on his poetry, but also on the figure of the poet, the man who, a little like Arthur Rimbaud, wrote a body of work that was as brief as it was tortured. You also quoted Rainer Maria Rilke who asked: “Who might he have been?”
It’s hard to answer this question because Trakl’s life was shaped by excess to such a great extent. That’s what drew me to him: excess. He really broke every rule and taboo. He was a drug addict and alcoholic, he committed incest, suffered bouts of insanity, was obsessed with self-destruction, and yet was imbued with Christianity; a double-track Christianity since his mother was Catholic and his father Protestant. We sense perverted and twisted themes in his texts, but very present Christian ones. The violence in Trakl’s life came in crossing all the forbidden lines. What interested me in particular was the crossing of the line of clear comprehension,
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this very French divide that puts reason to one side, “whatever is well conceived is clearly said”, and dismisses the rest as madness and nonsense. For me, following this line is not about crafting darkness or adding to it, but revealing what is expressed beyond the intelligible. Trakl went beyond the limits of what a human being can bear. It’s a territory that always attracted me and that I’ve tried getting as close to as I could through the writers I’ve brought to the stage. In the case of Trakl, work and life cannot be separated. What works of his are you going to use to tackle these two inextricable dimensions? I think Trakl’s life can be found entirely in his texts, particularly Rêve et folie (Dream and Derangement) which he described as a prose poem. One of the aspects in his writing that fascinates me is its violence. Extremely tricky areas are tackled and these words take us there. In German, the word that he uses and which is translated as “derangement” contains something very dark in it that the French word “folie” doesn’t convey. Yes, the German title is Traum und Umnachtung. You can hear the word Nacht in it, for night. Intuitively I’d say that the German word describes like the casting of a shadow, the fact of being “invaded by night”. There’s definitely something in this derangement that draws us towards darkness and night – hence this closeness with the realm of dreams. Certainly, the word “folie” in French is not cheerful, but it doesn’t have the same nuance of darkness and fear. “See our lonely skiff sunk down by starry skies / the silent face of night”. These lines by Trakl combine these different themes and you also find the image of a boat in it. Yes, silence, night, fear: all these themes are very present in his work… In other respects, with Trakl the boat is an image that conveys incest. The lovers
are often in a black boat, making a dark crossing. This obsessive presence of incest returns in all his work, and with it the image of the sister – whom he sometimes describes as an adolescent. He definitely had a huge influence on her. He introduced her to drugs, and three years after his death she committed suicide in strange circumstances. The relationship between this brother and sister is one of absolute violence; it is an intensely close and destructive relationship. In their childhood photos you can see a resemblance between them – in the violence expressed in their faces… Are you going to pursue a monologue form – where a voice can be heard, revealing the text? Yes, I’m working with just one actor, Yann Boudaud. Reading Trakl, something is conveyed, something reaches us, something penetrates us from the unspeakable. It’s not true that you can’t approach the incomprehensible. If you’re attached to it, if you’re confronted by it, you can be invaded by an awareness of this line - this threshold, and just as soon by the desire to cross it. By Gilles Amalvi
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當代工作坊
Les Ateliers Contemporains
1 980 年， 克 勞 德． 雷 吉 作 為 獨 立 劇 場 導 演 近
In 1980, after almost 30 years as an independent theatre director, Claude Régy felt the urge to found his own company: Les Ateliers Contemporains (The Contemporary Workshops).
三十年，有感要設立他自己的機構：當代工作坊。 工作坊作為製作單位，讓雷吉能夠更好掌握個人 創作的財政及製作狀況，並給予他時間去發掘、 研讀新文本，繼而籌備、彩排劇作，把作品帶到 舞台。三十年來，工作坊致力研究、實驗、探索 及引介法國新進劇作家，為廣大觀眾帶來非寫 實、有別於電視式的戲劇風格。 工作坊製作了約三十部主要劇場作品，在法國和 世界各地演出。作品包括薩洛特《她就在那兒》、 漢克《鄉村故事》、契訶夫《伊凡諾夫》、沙特 《密室》（法國喜劇院）、梅特林克《室內》、 華萊士．史蒂芬斯《三旅客看日出》、莫頓《倒 台》和《撒旦之聲》、瑞茲尼可夫《大屠殺》、 福斯《有人將至》、《憂鬱症》和《死亡變奏》、 莎拉．肯恩《4. 48 精神崩潰》、佩索雅《海洋 頌》、維索斯《神之迷霧》（改編自小說《鳥》） 及《傍晚之舟》，還有多齣歌劇、抒情作品、著 作及電影。 雷吉在現代法國劇場界舉足輕重，當代工作坊成 立之初已與法國文化部簽下合約。工作坊是法國 國家重要的文化機構，雖然從未經營過國家的劇 院，但仍然非常活躍。
As a production unit, the company would allow him to better master the financial and working conditions of his creations, in particular to give him time to first discover and study new writings, then to prepare and rehearse before bringing them on the stage. This has led to more than 30 years of research, experimentation, discovery and the introduction in France of new playwrights, and the opening to vast audiences of a new stage expression far away from a realistic, TV-like playstyle. Around 30 major theatre works have been produced and performed in France and all over the world, including Sarraute's Elle est là, Handke's Par les villages, Chekhov's Ivanov and Sartre's Huis-clos at the Comédie Française, Maeterlinck's Intérieur, W. Stevens' Three Travelers Watch a Sunrise, Motton's Downfall and The Terrible Voice of Satan, Reznikoff's Holocaust, Fosse's Someone Is Going to Come, Melancholia and Death Variations, S. Kane's 4.48 Psychosis, Pessoa's Maritime Ode, Vesaas' Brume de dieu (from the novel The Birds) and La Barque le soir, plus several operas, lyric pieces, books and films. Due to the major part played by Claude Régy on the contemporary French stage, Les Ateliers Contemporains entered into a contract with the French Ministry of Culture straight after its foundation and is now an established institution of national importance, still active without ever having run a public theatre.
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喬治．特拉克爾 Georg Trakl 喬治．特拉克爾 1887 年生於奧地利薩爾斯堡一 個富商家庭。父親是在匈牙利出生的新教徒，經 營五金生意。母親是天主教徒，對於收集古董情 有獨鍾，或多或少忽視了家庭。特拉克爾在七名 孩子中排行第五，他們均以法語跟家庭女教師交 談。 特拉克爾於青少年時期與小他四歲的妹妹瑪格麗 特有過一段激烈的不倫關係。家人後來將他們的 書信來往銷毀，可是瑪格麗特的形象、這段肉欲 關係所帶來的痛苦和愧疚卻一直纏繞他的作品。 1 904 年，特拉克爾參與年輕詩人的圈子，敬仰 波特萊爾、蘭波、魏崙和尼采。他後來離開學校， 1905 年任職藥房時接觸毒品。 1 908 年，特拉克爾到維也納研讀藥劑學。他融 入當地藝術家圈子，並創作首本詩集（1 9 3 9 年 始能發表）。 特拉克爾於 1912 年任駐軍藥劑師期間，結識文 學評論月刊《布倫納》的老闆，他成為特拉克爾 詩作的最忠實支持者。此時，特拉克爾開始定期
文本 Text Georg Trakl was born in 1887 in Salzburg into a family of wealthy merchants. His father, a Hungarian-born Protestant, ran a hardware business while his Catholic mother had developed a passion for her collection of antiques and somewhat neglected her family; he was the fifth of seven children, all of whom spoke French with their gouvernante. As a teenager, Trakl engaged in an intense incestuous relationship with his sister Margarethe, four years younger. The family would later destroy their correspondence, but the image of his sister, the anguish and guilt caused by this carnal relationship, were to haunt his work. In 1904, Trakl joined a circle of young poets and was full of admiration for Baudelaire, Rimbaud, Verlaine and Nietzsche. He eventually dropped out of school and discovered narcotics while working in a pharmacy in 1905. In 1908, he left for Vienna to start pharmacy studies. There Trakl mingled in local artist circles and wrote his first collection of poems (only to be published in 1939).
於維也納和柏林的前衛評論雜誌和刊物上發表作 品。 第一次世界大戰爆發，特拉克爾被徵召入伍。他 隨醫療小隊行軍至東線戰場（波蘭及烏克蘭）。 格羅德克戰役中，他在極為惡劣的環境下連續兩 天獨力照顧死傷者。這些可怕的經歷讓特拉克爾 試圖自殺，受傷加上抑鬱傾向，他最後被送往克 拉科夫軍事醫院，1914 年 11 月 2 日因服用過量 可卡因而死。
In 1912, as an army pharmacist, he met the owner of the literary review Der Brenner, who was to become the most ardent supporter of his poetry work. From then on, Trakl would be regularly published in Vienna and Berlin, in avant-garde reviews or publications. As the First World War broke out, Trakl was conscripted into the medical corps and sent to the eastern front (Poland/Ukraine) where, at the battle of Grodek, he ended up single-handedly treating the wounded and the dying for two days in the most abominable conditions. After this traumatic experience, Trakl attempted suicide and then, wounded and prone to depression, he was eventually repatriated to the Krakow military hospital where he died of a cocaine overdose on 2 November 1914.
Š Mario Del Curto
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克勞德．雷吉 Claude Régy 克勞德．雷吉生於 1923 年。年輕的雷吉認為， 閱 讀 杜 斯 妥 也 夫 斯 基 就 像「 斧 頭 劃 破 冰 封 之 海」。雷吉修讀政治學後，轉投演戲，先後師從 查理斯．杜靈和坦妮雅．巴拉卓娃。他於 1 9 5 2 年開始舞台製作，把費德里科．加西亞．羅卡的 《待字閨中的羅西塔小姐》帶到法國。他背離心 理現實主義、自然主義和過份簡化的政治劇場。 他冒險探索的方向與娛樂南轅北轍，他探索的是 處於真實世界的另類表演空間：失落空間。 雷吉向觀眾介紹不少當代劇作家，並跟隨這些劇 作家摸索劇場的邊界，在那裏現實本質的確然性 分崩離析。 雷吉向法國大眾介紹了哈洛．品特（1 9 6 5）、 瑪格麗特．杜拉斯（196 2）、娜塔麗．薩洛特 （1972）、愛德華．邦德（1971）、彼得．漢克 （1974）、博托．史特勞斯（1980）、莫里斯． 梅特林克（1984）、格雷格里．莫頓（1992）、 大衛．夏洛瓦（2000）、約恩．福斯（1999）、 莎拉．肯恩（2002）及泰爾耶．維索斯（2010） 的作品。 在雷吉導演下演出的演員包括菲利普．諾雷、米 歇爾．皮寇利、黛芬．賽麗格、米歇爾．布凱、 瑪德琳．雷諾、皮埃爾．杜斯、瑪麗亞．卡莎雷 絲、阿蘭．古尼、皮埃爾．巴塞爾、米高．朗斯 代爾、珍妮．摩露、傑拉爾．德帕爾迪約、艾曼 妮．希娃、華蕾莉．德蕾薇兒及伊莎貝．雨蓓。 雷吉數度參與法國喜劇院的製作，包括契訶夫的 《伊凡諾夫》（1985）和沙特的《密室》（1990）。 巴 黎 公 演 的 歌 劇 作 品 包 括 貝 里 奧 的《 過 渡 》 （1985）、於夏特律歌劇院演出的華格納作品《紐 倫堡的名歌手》（1990）、於巴黎巴士底歌劇院 演出的奧涅格作品《聖女貞德》（1991）等。
導演 Director Claude Régy was born in 1923. As a teenager, reading Dostoyevsky was "like an axe slashing through a frozen sea”. After studying political science, Régy turned to acting, training first with Charles Dullin and then Tania Balachova. In 1952 he started staging productions, introducing Federico Garcia Lorca's Doña Rosita the Spinster to France. He soon turned his back on psychological realism and naturalism as well as the over-simplification of so-called "political" theatre. Poles apart from entertainment he chose to risk exploring other spaces for performing, other real-life spaces: lost spaces. Contemporary playwrights – many of whom have been introduced to audiences by Régy – have led him to experiment on the boundaries of theatre, where all certainties about the nature of reality collapse. Régy has introduced the French public to plays by Harold Pinter (1965), Marguerite Duras (1962), Nathalie Sarraute (1972), Edward Bond (1971), Peter Handke (1974), Botho Strauss (1980), Maurice Maeterlinck (1984), Gregory Motton (1992), David Harrower (2000), Jon Fosse (1999), Sarah Kane (2002) and Tarjei Vesaas (2010). Régy has directed actors including Philippe Noiret, Michel Piccoli, Delphine Seyrig, Michel Bouquet, Madeleine Renaud, Pierre Dux, Maria Casarès, Alain Cuny, Pierre Brasseur, Michael Lonsdale, Jeanne Moreau, Gérard Depardieu, Emmanuelle Riva, Valérie Dréville and Isabelle Huppert. Régy has worked for the Comédie Française on productions including Anton Chekhov’s Ivanov (1985) and Jean-Paul Sartre’s Huis-Clos (1990); he has also staged several operas in Paris such as Luciano Berio’s Passaggio (1985) and Richard Wagner’s Die Meistersinger von Nürnberg (1990) at Théâtre du Châtelet, as well as Arthur Honegger’s Jeanne d'Arc au bûcher (1991) at Opéra Bastille.
29
恩．布度
演出
恩．布度在法國雷恩國家藝術學院和巴黎通道戲劇學院修讀表演。1 9 9 6 年，他在瑞士洛桑劇場參與雷吉主持的 佩索雅詩作劇場工作坊。自此，他參與了雷吉到 2002 年為止的所有製作，這些製作和角色包括梅特林克《丹泰 吉爾之死》的主角、獨角戲《大屠殺》（改編美國作家查理斯．瑞茲尼可夫的詩作）的主演、約恩．福斯《有人 將至》、大衛．夏洛瓦《雉中刀》、改編自福斯小說《憂鬱症》的同名劇作，及楊納傑克作曲的《失蹤者日記》。 2 0 0 2 年，布度與雷吉分開發展，十年後決定再次在《傍晚之舟》合作，作品改編自挪威作家泰爾耶．維索斯的 小說。兩人 2016 年再度在改編特拉克爾詩作的《夢與狂妄》中合作。布度亦與其他法國劇場導演合作，包括馬克． 法蘭索瓦、赫伯特．哥拉斯、諾爾．卡薩萊及米歇爾．塞爾達。
Yann Boudaud Performer Yann Boudaud studied acting at the National Conservatory in Rennes and the École du Passage in Paris. In 1996 he participated in a workshop on several of Pessoa's poems directed by Claude Régy at the Théâtre Vidy-Lausanne. From then on he took part in all of Régy's productions until 2002, including the title role in La Mort de Tintagiles by Maurice Maeterlinck, sole actor in Holocaust (a poem by US writer Charles Reznikoff), one in a cast of three in Someone Is Going to Come by Jon Fosse and Knives In Hens by David Harrower. Other appearances came in Melancholia Theatre from Jon Fosse's novel Melancholia I, and in The Diary of One Who Disappeared by Leoš Janá ek. After a break of 10 years Boudaud and Régy decided to collaborate again in 2012 on La Barque le soir (The Boat In The Evening) from a novel by Norwegian writer Tarjei Vesaas, followed in 2016 by Rêve et Folie (Dream and Derangement), based on Georg Trakl's poem. Bodaud has also worked with other theatre directors including Marc François, Hubert Colas, Noel Casale and Michel Cerda.
© Pascal Victor
「靜默是我喜歡的，它對文字至關重要…… 於我，這就是關於處理語言之外的靜默。」 — 克勞德．雷吉
“Silence - which I like - is essential to words… For me it's about working on silent matter that is beyond language itself.” – Claude Régy
© Pascal Victor
31
亞歷山大．巴里
導演助理、燈光
亞歷山大．巴里修讀戲劇藝術。他於 1995 年認識克勞德．雷吉，自此成為他的助理及藝術協作者。他們的合作 關係日漸加深，巴里更為雷吉的作品《夢與狂妄》設計燈光。 巴里的舞台作品包括斯特林堡劇作《通往大馬士革之路》。他同時是電影製作人，導演人物紀錄片和電視紀錄片。 2012 年，他導演了《神之迷霧》（改編自泰爾耶．維索斯的小說《鳥》），是唯一把雷吉作品搬上大銀幕的電影。 巴里的電影作品曾在歐洲的不同電視台播映，並曾多次入選重要的國際電影節。
Alexandre Barry
Assistant to the Director / Lights
Alexandre Barry studied dramatic art. He met Claude Régy in 1995 and has been his assistant and artistic collaborator ever since. This constant and deepening partnership finally extended to him designing the lighting for Régy's production Rêve et Folie. Besides his work for the stage, including his own production of Road to Damascus by August Strindberg, Barry is also a movie maker. Since 1995 he has directed portraits and TV documentaries. In 2012, he directed Mist of God (based on the Tarjei Vesaas novel The Birds), the only one of Claude Régy's stage productions to have been made into a film. These movies have all been broadcasted by several European TV channels and have been selected to participate in important international film festivals.
薩拉丁．卡迪爾
佈景設計、技術經理
薩拉丁．卡迪爾是一位佈景設計師，為裝置藝術、表演及劇場創造獨特空間和道具。這些佈景可以是抽象的，用 以引發觀眾的潛意識，也可以是有形的、真實的，甚至是肉體的。原材料經轉化後能夠表達人的精神空間。 卡迪爾的佈景以動態、逃逸的線條、空置空間及衝突為主，更常用視覺暫留的方式，打破人們對空間和時間的既 有印象。 他在 1994 年開始與雷吉合作，成為雷吉的技術經理。他自 2003 年起，為雷吉的所有製作擔任佈景設計。 卡迪爾作為佈景設計師，曾與多位法國編舞及劇場導演合作，包括朱利亞．西瑪、瑪莉爾．潘薩、法比恩．貝爾 格及托馬斯．費朗等，並數度為電影設計佈景。
Sallahdyn Khatir
Scenography / Technical Manager
As a set designer Sallahdyn Khatir creates unique spaces and special objects for installations, performances and live theatre. These may be abstract, evoking the unconscious, or, on the contrary, very concrete, real, even carnal forms, with raw material transfigured so as to refer to mental spaces. His objects focus on dynamics, escape lines, empty spaces, tension, and often play with retinal persistence. They disturb the common notions of space and time. Khatir began working with Claude Régy in 1994 as a technical director; as of 2003 he has designed the scenography for all of Régy’s productions. As a set designer, Khatir has also worked with French choreographers and theatre directors including Julia Cima, Marielle Pinsard, Fabienne Berger and Thomas Ferrand among others, as well as in the field of cinema.
香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:
贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Member
嘉里控股有限公司 Kerry Holdings Limited
黃金會員 Gold Member
怡和集團 The Jardine Matheson Group
純銀會員 Silver Members
鷹君集團有限公司 Great Eagle Holdings Limited 太古集團慈善信託基金 The Swire Group Charitable Trust
青銅會員 Bronze Members
上海商業銀行 Shanghai Commercial Bank Limited Vontobel Wealth Management (Hong Kong) Limited
其他支持機構 other Supporters •Adam Mickiewicz Institute •Australia Arts Council •Canada Arts Council
•Pro Helvetia •Spanish Ministry of Culture
實物支持機構 in-kind Supporters •愉景灣渡輪碼頭 Discovery Bay Ferry Pier •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •香港國際機場 Hong Kong International Airport
•立信專業顧問 Lap Shun Professional Consultant •M．A．C Cosmetics •奧海城 Olympian City •信和集團 Sino Group •屯門市廣場 TMT Plaza
藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE
純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999
•無名氏 Anonymous •林護紀念基金有限公司 Lam Woo Foundation Limited •Lincoln & Yu-San Leong •杜振源先生
•無名氏 (2) Anonymous (2) •Mrs Anson Chan •陳建球伉儷 Mr & Mrs E Chan •SHN Cheng •Mr & Mrs Ko Ying •Ms Ka Shi LAU •Mr & Mrs David S L Lin •Mr & Mrs Gilles Martin •Dr & Mrs Joseph Pang •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Enoch Yiu •Ms Isabel Yiu
鑽石捐款者 DiAMonD Donor HK$60,000 - HK$119,999 •無名氏 Anonymous 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (6) Anonymous (6) •Mr & Mrs Herbert Au-Yeung •Jeffrey & Helen Chan •陳元鉅夫人 Mrs Sabina Chen •Dr York Y N Chow •Consigliere Limited •Alex & Hanne Fung •Richard & Ruth Herbst •李葉耀珍 Jane Li •林聖竤 Chris Lin •Wing Kay Po •Martin Rogers •Jacqueline Shek 石悅玟 •Mr & Mrs Stephen Suen •孫天珍小姐 Ms Sun Tien Chen •Mr Stephen Tan •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •Samuel & Amy Wang •Mr Wong Yick Kam •黃逸思先生夫人 Mr & Mrs YS Wong
青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •無名氏 (2) Anonymous (2) •Atkinson Lambert Limited •Mr Cheung Shu Tong Edmund •Bethan and Tim Clark •Dr David Fang •銀河娛樂集團 Galaxy Entertainment Group •Mr & Mrs Jaeger •Ms Khoo Li Lian •Heidi Lee •Miss Ruby Lee •Ms Lim Geck Chin Mavis •Stephen Long •Mr Gary Ma •Mr Christopher Wong & Dr Ivo Chen
學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE •無名氏 Anonymous •Burger Collection •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •恒生銀行 Hang Seng Bank •芝蘭基金會 Zhilan Foundation 鑽石捐款者 DiAMonD DonorS HK$60,000 - HK$119,999 •Vina Cheng •梁家傑先生夫人 Mr & Mrs Leong Kah-Kit Alan •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •Mr & Mrs Stephen Suen •田家炳基金會 Tin Ka Ping Foundation 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (4) Anonymous (4) •St. Paul's College Alumni Choir •陳求德醫生 Dr Chan Kow Tak •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •Consigliere Limited •Mr & Mrs Kenneth H C Fung •馮兆林先生 JP 及夫人 Mr & Mrs Fung Shiu Lam JP •Richard & Ruth Herbst •胡興正醫生慈善基金有限公司 Dr Wayne Hu Charitable Foundation Ltd •Mr & Mrs Stefan & Caroline Kracht •林聖竤 Chris Lin •Mr & Mrs Roger Lui •MAXSMART INV. LTD •Mrs Carol Murray •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •Ms Wong Yuen Mee Elsa •黃逸思先生夫人 Mr & Mrs YS Wong 純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999 •無名氏 (5) Anonymous (5) •Mr Iain Bruce •Winnie Chiu Wing Ngar •Chou's Foundation •Mr & Mrs Norman Chui •Mr & Mrs A R Hamilton •Ms Winnie W Y Ho •King Yuen-Fung Diana •Mr & Mrs Ko Ying •Yvonne Cheng & Kelvin Koo
•羅偉騫先生夫人 Mr Andy Law & Ms Wendy Chan •Lee Lai-Kuen Shelley •Craig Lindsay Family •Lok Yu Kim Ching Memorial Fund •C H Mak •Dr Mak Lai Wo •Karen & Vernon Moore •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Alan and Penny Smith •Anna Stephenson & Alan Leigh •John and Anthea Strickland •Leland & Helen Sun •Dr Henry N C Wong •Mr Wong Yick Kam •Dr Adrian Wu •Mrs Wu Tseng Helen 青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •無名氏 (9) Anonymous (9) •Ms Michaela Au •Ms Rebecca Austin •區燊耀先生 Mr Au Son Yiu •Biz Office Limited •Carthy Limited •Diana Tong Chan •Dr Chan Wan Tung •Cynthia Cheng & Aaron Chan •Cheung Kit Fung •Dr Chow Sze Fu Joseph •Cindy Chan Psychological Services •Community Partner Foundation Limited •Easy Living Limited •giliproduction •Susan Hayden •Betty Hung •Isla School of Dance •Dr Alfred Lau •Susan Lim & Neil Roberts •Ms Jackaline McPhie •Mr & Mrs Kenneth Quinn •陶國豪 Frederico Rato •Ms Janice Ritchie •Mr Siddique Salleh •So Ching •So Kin Man •Ms Yim Chui Chu •余德銘先生 Mr Desmond Yu •皮皮
新作捐助計劃 new Works Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE •Mrs Mona Leong •Permanent Success Limited 鑽石捐款者 DiAMonD Donor HK$60,000 - HK$119,999 •Winfull Group Holdings Limited 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (2) Anonymous (2) •Mrs K L Chan •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •Mrs Diana & Mr Jay Parmanand •孫天珍小姐 Ms Sun Tien Chen
純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999 •無名氏 (2) Anonymous (2) •Lexandra Chan •Ms Winnie W Y Ho •Lok Yu Kim Ching Memorial Fund •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •Ms Michaela Au •Ms Chiu Shui Man Tabitha •Contempo Charity Foundation Limited •黃逸思先生夫人 Mr & Mrs YS Wong
支持及協助 Support and Co-operation •Academy of Jazz •Acorn Design •Adsmart Hong Kong Limited •Alfie Leung Design •Alliance Française •AMC Pacific Place •巴塞爾藝術展 Art Basel •樺利廣告有限公司 Avanny Advertising Co Ltd •龍堡國際 B P International •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •Broadway The One •明愛白英奇賓館 Caritas Bianchi Lodge •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •周俊輝先生 Mr Chow Chun Fai •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •毛妹芭蕾舞學校 Christine Liao School of Ballet •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •購票通 ( 香港 ) 有限公司 Cityline (Hong Kong) Limited •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •澳洲駐港總領事館 Australian Consulate-General Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •愛沙尼亞共和國駐香港名譽領事館 Honorary Consulate of the Republic of Estonia in Hong Kong •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •以色列駐港澳總領事館 Consulate General of Israel in Hong Kong & Macau •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •葡萄牙駐香港領事館 Consulate of Portugal in Hong Kong •波蘭駐香港總領事館 Consulate General of the Republic of Poland in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •南非駐港澳總領事館 Consulte General of the Republic of South Africa, Hong Kong SAR and Macao SAR •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •德勤企業管理咨詢（香港）有限公司 Deloitte Consulting (Hong Kong) Limited •dreamoffish Limited •風采中學 Elegantia College •埃克森美孚香港有限公司 ExxonMobil Hong Kong Limited •粉嶺禮賢會中學 Fanling Rhenish Church Secondary School •藝穗會 Fringe Club •鳳溪廖萬石堂中學 Fung Kai Liu Man Shek Tong Secondary School
•港威酒店 Gateway Hotel •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •青苗琴行 Greenery Music •港島海逸君綽酒店 Harbour Grand Hong Kong •快達票香港有限公司 HK Ticketing •香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港知專設計學院 Hong Kong Design Institute •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港唱片 Hong Kong Records •香港旅遊發展局 Hong Kong Tourism Board •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •Intox Design & Communication Co. Ltd. •The Italian Cultural Institute in Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •鍾詠賢芭蕾舞學校 Ivy Chung School of Ballet •王仁曼芭蕾舞學校 Jean M. Wong School of Ballet •JellyBin Limited •Ms Anastassia Katafygiotis •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Centre •Lanson Place Hotel, Hong Kong •梁震宇先生 Mr Mark Leung •李鏡輝先生 Mr Alpha Li •李慧中博士 Dr Li Wai Chung •立方國際青年公寓 M3 International Youth Apartment •MANA! •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •Wavemaker Hong Kong Limited •酩悅軒尼詩帝亞吉歐洋酒香港有限公司 Moët-Hennessy Diageo Hong Kong Limited •MOViEMOViE •北區大會堂 North District Town Hall •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •Pixellent •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •Red Square Gallery •麗豪酒店 Regal Riverside Hotel •RFI Asia Limited •帝都酒店 Royal Park Hotel
•香港帝景酒店 Royal View Hotel •Russian Club in Hong Kong •沙田大會堂 Sha Tin Town Hall •信興廚藝中心 Shun Hing Cooking Centre •上環文娛中心 Sheung Wan Civic Centre •岑智頤先生 Mr Henry Shum •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •事必達推廣有限公司 Speedy Promotion Limited •Steam Studio •辰衝圖書有限公司 Swindon Book Co. Ltd. •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港中文大學 The Chinese University of Hong Kong 音樂系 Department of Music 和聲書院 Lee Woo Sing College •香港城市大學 The City University of Hong Kong 英文系 Department of English •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港理工大學 The Hong Kong Polytechnic University •香港科技大學 The Hong Kong University of Science and Technology 人文學部 Division of Humanities 藝術中心 Center for the Arts 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong 音樂系 Department of Music 通識教育部 General Education Unit 香港大學美術博物館 University Museum and Art Gallery Cultural Management Office 圖書館 Library 香港大學博物館學會 The University of Hong Kong Museum Society 國際事務處 International Affairs Office •譚縉謙先生 Mr Tam Chun-him •通利琴行 Tom Lee Music Company Ltd •中環荷李活道彩鴻酒店 Travelodge Central, Hollywood Road •Trickstation •三角關係 Trinity Theatre •荃灣大會堂 Tsuen Wan Town Hall •UA CINEHUB •城市售票網 URBTIX •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •進富印刷公司 Wealthy Step Printing Co. •wine etc •香港基督教青年會（港青） YMCA of Hong Kong •青年廣場 Youth Square •赤豚事務所 Zhu Graphizs
贊助人
林鄭月娥女士
PATRON
永遠名譽會長 執行委員會 主席 副主席 義務司庫 委員
邵逸夫爵士
HONORARY LIFE PRESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members
節目委員會 主席 委員
財務委員會 主席 委員 發展委員會 主席 副主席 委員
顧問
名譽法律顧問 核數師
查懋成先生 盧景文教授 李錦榮先生 鄭維新先生 鄭惠貞女士 劉鎮漢先生 梁靳羽珊女士 梁卓偉教授 姚潔莉女士 楊 光先生 盧景文教授 白諾信先生 紀大衛教授 羅志力先生 毛俊輝先生 李 義法官 約瑟．施力先生 + 譚榮邦先生 姚 珏女士 李錦榮先生 鄭惠貞女士 梁國輝先生 梁靳羽珊女士 雍景欣女士 鄭阮培恩女士 邱詠筠女士 龐建貽先生 孫林宣雅女士 姚祖輝先生 楊海燕女士 夏佳理先生 鮑 磊先生 李業廣先生 梁紹榮夫人 李國寶博士 孖士打律師行 羅兵咸永道 會計師事務所
香港藝術節基金會 主席 霍 璽先生 管理人 陳達文先生 梁紹榮夫人 陳祖澤博士
地址 : 香港灣仔港灣道 2 號 12 樓 1205 室 電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430 出版：香港藝術節協會有限公司 承印：香港嘉昱有限公司 本刊內容，未經許可，不得轉載。
PROGRAMME COMMITTEE Chairman Members
FINANCE COMMITTEE Chairman Members
HONORARY SOLICITOR AUDITOR
Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong
DEVELOPMENT COMMITTEE Chairman Vice Chairman Members
ADVISORS
The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)
Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao Ms Hoi-yin Yeung The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown JSM PricewaterhouseCoopers
HONG KONG ARTS FESTIVAL TRUST Chairman Mr Angus H Forsyth Trustees Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP Dr John C C Chan, GBS JP
電子郵箱 : afgen@hkaf.org
Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430 Published by: Hong Kong Arts Festival Society Limited Printed by Cheer Shine Enterprise Co., Ltd Reproduction in whole or in part without written permission is strictly prohibited.
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職員 行政總監 節目 節目總監 副節目總監 節目經理
榮譽節目顧問 Honorary Programme Advisor * 合約職員 Contract Staff
STAFF 何嘉坤
Executive Director
節目經理（行政） 助理節目經理 節目統籌 節目行政主任 物流及接待經理
梁掌瑋 蘇國雲 葉健鈴 陳韻妍 蘇雪凌 林淦鈞 * 黃傲軒 * 曹愷怡 * 金學忠 *
•技術 製作經理 視聽統籌
Programme Programme Director Associate Programme Director Programme Managers
Tisa Ho
Programme Manager (Administration) Assistant Programme Managers Programme Coordinators Programme Administration Officer Logistics Manager
Grace Lang So Kwok-wan Linda Yip Susanna Yu* Vanessa Chan Shirley So Lam Kam-kwan* Jacqueline Li* Joseph Wong* Patricia Lee* Sabrina Cho* Elvis King*
徐子宜 * 許肇麟 *
• Technical Production Manager Audiovisual Coordinator
Tsui Tsz-yee* Boolu Hui*
•出版 高級編輯 編輯 助理編輯
黃迪明 * 林尚諾 * 鍾佩妝 *
• Publications Senior Editor Editor Assistant Editors
Timothy Wong* Sherlock Lam* Eunice Chung*
•外展 高級外展經理 助理外展經理 外展統籌 外展主任 藝術行政見習員 外展助理
李冠輝 張鼎丞 * 林嘉敏 * 譚曉峯 * 李萬祺 * 李玨熙 *
• Outreach Senior Outreach Manager Assistant Outreach Managers Outreach Coordinator Outreach Officer Arts Administrator Trainee Outreach Assistant
Kenneth Lee Bell Cheung* Carman Lam* Mitch Tam* Kelvin Li* Michael Lee*
市場推廣 市場總監 副市場總監 市場經理 副市場經理 助理市場經理 數碼營銷專員 市場主任 市場經理（票務） 票務主任 客戶服務主任
鄭尚榮 胡銘堯 周 怡 楊 璞* 吳嘉沛 * 陳閏霖 * 莫文軒 * 梁彩雲 李 彤* 鄭佩欣 *
MARKETING Marketing Director Associate Marketing Director Marketing Managers Deputy Marketing Manager Assistant Marketing Manager Digital Marketing Specialist Marketing Officer Marketing Manager (Ticketing) Ticketing Officer Customer Service Officers
Katy Cheng Dennis Wu Alexia Chow Michelle Yeung* Tiffany Ng* Ben Chan* Tony Mok* Eppie Leung Lee Tung* Bonnie Cheng*
DEVELOPMENT Development Director Development Manager Deputy Development Manager Assistant Development Managers Arts Administrator Trainee Development Officer
Flora Yu Chingmi Chow* Anna Cheung* Lorna Tam Esther Mok* Mandie Choy*
余瑞婷 * 李詠芝 * 李芷銦 *
林惠賢 *
鄧冠恒 *
張嘉麟 *
李俊偉 *
發展 發展總監 發展經理 副發展經理 助理發展經理 藝術行政見習員 發展主任
余潔儀 周美清 * 張慧芝 * 譚樂瑤 莫穎哲 * 蔡杏村 *
會計 會計部主管 助理會計經理 會計主任
鄺敬婷 林英光 * 蘇永恆 *
ACCOUNTS Head of Accounts Department Assistant Accounting Manager Accounting Officer
Teresa Kwong Sunny Lam* Peter So*
人力資源及行政 人力資源及行政經理 人力資源及行政主任 行政秘書 接待員／初級秘書 助理
馮紹昌 簡凱彤 * 謝凱婷 李美娟 黃國愛
HR & ADMINISTRATION HR & Administration Manager HR & Administration Officer Executive Secretary Receptionist/Junior Secretary General Assistant
Calvin Fung Vivian Kan* Heidi Tse Virginia Li Bonia Wong
蘇寶蓮 *
Grace Lam*
Joe Tang*
Louis Cheung*
Michael Lie Ken Jie*
Conny Souw*
技術統籌 * Technical Coordinators* 歐慧瑜 Rachel Au、陳焯華 Billy Chan、陳寶愉 Bobo Chan、陳佩儀 Claudia Chan、陳詠杰 Chan Wing-kit、 陳家彤 Doris Chen、鄺嘉欣 Karen Kwong、黎智勇 Martin Lai、林環 Nancy Lam、 羅瑞麟 Lo Shui-lun、 曾家慧 Joanne Tsang、黃靜文 Ivy Wong 藝術家統籌 * Artist Coordinators*
鄭瑋菁 Virginia Cheng、馮顯峰 Fung Hin-fung、張素真 Susan Hayden、何嘉露 Carrol Ho、彭慧雯 Jan Pang、 黃婉媚 Becky Wong、游慧姿 Janet Yau
節目時間表 Programme Calendar 歌劇 戲 /曲 OPERA / CHINESE OPERA
中國國家京劇院 主演：于魁智、李勝素 -《鳳還巢》 -《牛皋下書 ‧ 挑滑車》、《打漁殺家》 -《帝女花》 -《紅鬃烈馬》
China National Peking Opera Company Featuring: Yu Kuizhi, Li Shengsu - The Phoenix Returns to Its Nest - Breaking the Siege/Lifting the Chariots and The Fisherman's Revenge - Princess Changping - Rekindling a Life-Long Romance
賽馬會本地菁英創作系列： 粵劇《百花亭贈劍》毛俊輝導演作品 改編及導演：毛俊輝
Jockey Club Local Creative Talents Series: Cantonese Opera - Pavilion of a Hundred Flowers Adaptation and Director: Fredric Mao
粵劇《霸王別姬》 藝術總監：尤聲普
Cantonese Opera - Farewell My Concubine Artistic Director: Yau Sing-po
CHCH
27/2 28/2
7:30pm 7:30pm
CCGT
2/3 3/3
7:30pm 7:30pm
APAL
2-4/3
8pm
CHCH
9-11/3
7:30pm
CCGT
15, 17/3
7:30pm
Maxim Rysanov and Hong Kong Sinfonietta Music Director and Conductor: Yip Wing-sie
CHCH
25/2
8pm
巴．羅克樂團《聲音之旅》 藝術領導及小提琴獨奏：德米特里．辛柯夫斯基
B’Rock Orchestra - Sounding Stories Artistic leader and Solo Violin: Dmitry Sinkovsky
CHCH
1/3
8pm
潘尼迪爾鋼琴獨奏會
Jean-Claude Pennetier Piano Recital
CHCH
2/3
8pm
香港中樂團《劉邦．項羽．兵馬俑》 指揮：閻惠昌
Hong Kong Chinese Orchestra Liu Bang, Xiang Yu and the Terra Cotta Warriors Conductor: Yan Huichang
CCCH
3/3
8pm
愛沙尼亞之聲 指揮：約翰 - 艾克．杜爾夫
Vox Clamantis Conductor: Jaan-Eik Tulve
CHCH
3/3
8pm
愛沙尼亞之聲與潘尼迪爾
Vox Clamantis and Jean-Claude Pennetier
CHCH
4/3
4pm
鋼琴三重奏 - 潘尼迪爾．巴斯基耶．皮杜 鋼琴：潘尼迪爾 小提琴：巴斯基耶 大提琴：皮杜
Trio Pennetier Pasquier Pidoux Piano: Jean-Claude Pennetier Violin: Regis Pasquier Cello: Roland Pidoux
CHCH
5/3
8pm
俄羅斯史維特蘭諾夫國家交響樂團 指揮：克利斯蒂安．約菲
State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" Conductor: Kristjan Järvi
CCCH
8-10/3
8pm
威爾斯國家歌劇院．親子音樂會
O is for OPERA! Family Concert by Welsh National Opera
CCCH
16/3
8pm
CHCH
16/3
8pm
Beyond Impressionism - Piano Concert and Film Screening 《跨越意象》鋼琴音樂會及電影放映 CHCH 鋼琴：張郁苓、黃蔚然、黃蔚園、娉婷鋼琴二重奏 Piano: Evelyn Chang, Wong Wai-yin, Wong Wai-yuen, Duo Ping & Ting
17/3
6pm
威爾斯國家歌劇院 - 德布西《佩利亞斯與梅麗桑德》 Welsh National Opera - Debussy’s Pelléas et Mélisande Conductor: Lothar Koenigs 指揮：洛德．古尼斯
音樂
MUSIC
《最愛中提琴》：賴沙諾夫與香港小交響樂團 音樂總監及指揮：葉詠詩
西班牙之風古樂團 《重拾失落在美洲的西班牙瑰寶》 指揮及古鍵琴：愛德華度．盧比斯．班素
Al Ayre Español - Spanish Treasures in the Americas Conductor and Harpsichord: Eduardo López Banzo
爵士樂 世 / 界音樂 Jazz / WorlD MUSIC
丹麥國家交響樂團 指揮：法比奧．雷西
Danish National Symphony Orchestra Conductor: Fabio Luisi
CCCH
20/3
8pm
瑞士韋爾比亞音樂節室樂團 指揮：加博爾．塔卡奇 - 納吉 鋼琴：張緯晴 大提琴：戈蒂埃．卡普森
Verbier Festival Chamber Orchestra Conductor: Gábor Takács-Nagy Piano: Rachel Cheung Cello: Gautier Capuçon
CHCH
23/3
8pm
愛沙尼亞國家交響樂團及 愛沙尼亞國家男聲合唱團 指揮：萊夫．薩格士譚
Estonian National Symphony Orchestra and Estonian National Male Choir Conductor: Leif Segerstam
CCCH CHCH
24/3 25/3
8pm 5pm
傑思．博迪
Chris Botti
CCCH
23-24/2
8pm
爵士新潮 - 霍圖納與辛波絲卡《詩樂對話》 - Vila Navio 三重奏 - 霍圖納爵士四重奏
Nouveau Jazz Weekend - Fortuna Plays Szymborska - Vila Navio - Maciej Fortuna Special Quartet
HKAC-ST 3-4/3 3/3 4/3
3pm 9pm 8pm
世界音樂週末營 - 安娜．瑪麗亞．悠珮克及 Kroke 三重奏 - Songhee 韓國清唱研究所 - 白雲
World Music Weekend - Anna Maria Jopek and Kroke - Songhee Pansori LAB - Namgar
APAA
17-18/3 18/3 18/3
8pm 3pm 5pm
瑟西兒．麥克羅恩．莎芳與艾倫．迪爾三重奏
Cécile McLorin Salvant and the Aaron Diehl Trio
CCCH
21-22/3
8pm
CCGT CCCH CCST
香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre
CHCH CHTH APAL
香港大會堂音樂廳 Concert Hall, HK City Hall 香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA
Ballett Zürich - Anna Karenina Choreographer: Christian Spuck
CCGT
23-24/2 24-25/2
7:30pm 2:30pm
亞太舞蹈平台（第十屆）
Asia Pacific Dance Platform X
- 松根充和《舞得入境》
- Michikazu Matsune: Dance, if you want to enter my country! FC-FU
- 馬丁．赫辛《身身相印》 - 奧菲爾．約迪拉維治《萬有引力》及 尼克．鮑華《蚊型城市間》
- Martin Hansen: if it’s all in my veins - Ofir Yudilevitch: Gravitas and Nick Power: Between Tiny Cities
23/2 24/2 13-14/3 16/3 17/3
8pm 3pm 8pm 8pm 3pm
香港賽馬會當代舞蹈平台
The Hong Kong Jockey Club Contemporary Dance Series
-《舞．聲》 編舞：陳穎業、梁儉豐、盤彥燊 聲音藝術家：彼得．萊納
- The Battle Zone | Vortex Choreographers: Yip Chan, Kenny Leung, Wayson Poon Sound Artist: Peter Lenaerts
24/2 25/2
8:15pm 3pm
-《兩地書》 編舞：李超、白濰銘、潘振濠、謝欣、 楊暢、楊浩、姚潔琪、張翼翔
CCST - Dance Exchange Choreographers: Li Chao, Ming Pak, Poon Chun-ho, Xie Xin, Yang Chang, Yang Hao, Judy Yiu, Zhang Yixiang
3/3 4/3
8:15pm 3pm
-《舞鬥》 編舞：程偉彬、柯志輝、廖月敏、呂沅蔚、 馬師雅、黃翠絲、張喜龍
- Dance Off Choreographers: Rex Cheng, Felix Ke, Sudhee Liao, Evains Lui, Alice Ma, Tracy Wong, Solong Zhang
KTT-BBT
22-25/3 24-25/3
8pm 3pm
薩卡洛娃及列賓《足尖情弦》 舞者：斯文蘭娜．薩卡洛娃 小提琴 : 瓦汀．列賓
Svetlana Zakharova and Vadim Repin Pas de deux for Toes and Fingers Dancer: Svetlana Zakharova Violin: Vadim Repin
CCGT
27-28/2
7:30pm
PPS 舞團《反斗校園》 藝術總監及編舞：皮埃 - 保羅．薩瓦
PPS Danse - Playing Hooky Artistic Director and Choreographer: Pierre-Paul Savoie
SWCC-TH 3-4/3 4/3
KTT-BBT KTT-BBT
CCST
8pm 3pm
TheaTre
戲劇
佛蘭明高大師加凡
Israel Galván - FLA.CO.MEN
CCGT
5-6/3
7:30pm
勅使川原三郎 | 渡烏舞團《崔斯坦與伊索德》
Saburo Teshigawara | KARAS - Tristan and Isolde
CHTH
8-11/3
8pm
美國芭蕾舞劇院《芭蕾小忌廉》 編舞：阿列克塞．羅曼斯基 藝術總監：凱文．麥肯齊
American Ballet Theatre - Whipped Cream Choreographer: Alexei Ratmansky Artistic Director: Kevin McKenzie
CCGT
22-25/3 25/3
7:30pm 2:30pm
南非開普敦港口劇團《非洲少年流浪記》 改編自莊尼．斯坦貝格小說 導演：馬克．當福 - 梅
Isango Ensemble - A Man of Good Hope Based on the book by Jonny Steinberg Director: Mark Dornford-May
APAL
23-24/2 24-25/2
7:30pm 2:30pm
APA-DT
24/2 25/2
7pm 2:30pm
The Great Learning Playwright and Director: Tang Chi-kin
CHTH
24-25, 28/2, 8pm 1-3/3 3pm 25/2, 4/3
National Theatre of Great Britain The Curious Incident of the Dog in the Night-Time Original: Mark Haddon Adaptation: Simon Stephens Director: Marianne Elliott
APAL
8-11, 13-18/3 10-11, 17-18/3
7:30pm
Les 7 Doigts de la Main and Theatre Republique Bosch Dreams Idea and Concept: Samuel Tétreault, Martin Tulinius, Ange Potier
CCGT
9-10/3 11/3
7:30pm 2:30pm
Claude Régy - Dream and Derangement Director: Claude Régy
CCST
9-10/3 10-11/3
8:15pm 4:30pm
奧克拉荷馬自然劇團及 EnKnap 舞團 《美國獨立宣言之幸福大作戰》 編劇及導演：柏維爾．利斯卡、嘉莉．古柏
Nature Theater of Oklahoma & EnKnapGroup Pursuit of Happiness Playwright and Director: Pavol Liska, Kelly Copper
CHTH
14-16/3
8pm
《中庸之幸福學堂》 編劇及導演：鄧智堅
Doctrine of Happiness Playwright and Director: Tang Chi-kin
CCST
16-17, 22-24/3 18, 24-25/3
8:15pm
倫敦巡迴劇團及愛丁堡皇家蘭心劇院 《祈願女之歌》 編劇：埃斯庫羅斯 新版本：大衛．葛利格 導演：拉文．格雷
Actors Touring Company and Royal Lyceum Theatre Edinburgh - The Suppliant Women Original: Aeschylus Adaptation: David Greig Director: Ramin Gray
CHTH
22-24/3 24-25/3
8pm 3pm
俄羅斯國家劇院《俄羅斯平民風景》 （舒克辛小品） Theatre of Nations (Russia) - Shukshin's Stories Director: Alvis Hermanis 導演：艾維斯．赫曼尼斯 《大學之烈火青春》 編劇及導演：鄧智堅 英國國家劇院《深夜小狗神秘習題》 原著：馬克．海登 改編：西門．史提芬斯 導演：瑪麗安．艾莉特 七指雜技團及哥本哈根共和國劇團 《博希的奇幻旅程》 概念：薩穆爾．特塞雷、馬 丁．迪尼路斯、安殊．博田 克勞德．雷吉《夢與狂妄》 導演：克勞德．雷吉
APAA APADT HKAC
香港演藝學院香港賽馬會演藝劇院 The Hong Kong Jockey Club Amphitheatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre
2:30pm
3pm
FC-FU 藝穗會樓上劇場 Fringe Upstairs, Fringe Club SWCC-T 上環文娛中心劇院 Theatre, Sheung Wan Civic Centre KTT-BBT 葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre
資料截至 Information as of: Oct 2017
DaNCe
舞蹈
蘇黎世芭蕾舞團《安娜．卡列妮娜》 編舞：克里斯蒂安．施普克
藝術節加料節目 Festival 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 特 備 節 目 SpecialS 舞 蹈 DaNce 音 樂
17/3/2018 23/2-25/3/18 24-25/3/2018
聲．色愛沙尼亞 Sound and Colour from Estonia 香港藝術節傑出文化領袖講座系列（五）威爾斯國家歌劇院藝術總監大衛·普尼 HKAF Distinguished Cultural Leader Series (V) In Conversation with David Pountney, Artistic Director of Welsh National Opera 歌劇探秘同樂日 Opera Adventure Day 《十二面體 - 精粹 132》- 馬克 ‧ 雷登作品 Dodecahedron - Quintessence 132 by Mark Ryden 美國芭蕾舞劇院全接觸 ABT Recipe
24, 25/2/2018 24/2/2018 5/3/2018 5/3/2018 24, 25/3/2018 24, 25/3/2018 24/3/2018 24/3/2018 25/3/2018 24,25/3/2018 25/3/2018
後台參觀 - 走進托爾斯泰的芭蕾世界 Backstage Tour: Tolstoy’s Ballet World 《安娜．卡列尼娜》演前講座 Pre-Performance Talk: Anna Karenina PPS 舞團《反斗校園》駐節藝術家計劃展演 Artist-in-Residence Project: PPS Danse Showcase 佛蘭明高魅力俱樂部 Flamenco Club Off-stage 美國芭蕾舞劇院彩排參觀 Observing ABT Company Class 《芭蕾小忌廉》兒童工作坊 ABT Kids - Whipped Cream Children Workshop 美國芭蕾舞劇院大師班（中級程度）ABT Masterclass (Intermediate level) 樂韻芭蕾藝術教育音樂會 From Music to Ballet Education Concert 美國芭蕾舞劇院大師班（高級程度）ABT Masterclass (Advance level) 後台參觀：雷登的超現實甜美國度 Backstage Tour: A Pop Surrealist's Delirium 《芭蕾小忌廉》演前講座 Pre-Performance Talk: Whipped Cream
2,5/3/2018 15/3/2018
MUSic
2/2/2018 2, 5/3/2018 3/3/2018 5/3/2018 7/3/2018 8/3/2018 9/3/2018 10/3/2018 18/3/2018 19/3/2018 19/3/2018 20/3/2018 21/3/2018 24/3/2018
歌 劇 ／ 戲 曲 OpeRa 戲 劇 THeaTRe 電 影
4/2/2018 26/2/2018 15-17/3/2018 15, 17/3/2018 16, 17/3/2018 16, 17/3/2018 17/3/2018 17/3/2018 17/3/2018 25/2/2018 10, 11/3/2018 10/3/2018 11/3/2018
FilM
24/1, 10/3/2018 27/1, 3/2/2018 8/2/2018 10/3/2018 22-25/3/2018
加料講座及演出：拉赫曼尼諾夫的樂與畫 PLUS Artist Talk & Performance: Rachmaninov: Music and Art 李希特及帕特：愛沙尼亞之聲展覽音樂會 Richter Meets Pärt: Vox Clamantis - Concert at an Exhibition 潘尼迪爾雙鋼琴大師班 Jean-Claude Pennetier Piano Duo Masterclass 葛利果聖歌合唱工作坊 Gregorian Chant Workshop 香港演藝學院音樂學院座談會系列：國際指揮家之路 HKAPA School of Music Assembly Series: A Conductor's Journey 演前講座：與俄羅斯樂團巡演經驗談 Pre-Performance Talk: Touring with Russian Orchestras 演前講座：俄羅斯史維特蘭諾夫國家交響樂團 Pre-Performance Talk : State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" 演前講座：拉赫曼尼諾夫之鋼琴音樂 Pre-Performance Talk: Rachmaninov's Piano Music 演前講座：韓國清唱與蒙古民謠 Pre-Performance Talk: Pansori & Mongolian Songs 李飈敲擊樂大師班 Percussion Masterclass with Li Biao 聲樂大師班及藝術家沙龍：法比奧．雷西 Vocal Masterclass and Artist Salon: Fabio Luisi 演前講座：作曲家尼爾森與丹麥 Pre-Performance Talk: Carl Nielsen and the Danes (DNSO) 演前講座：爵士女伶 Pre-Performance Talk: Matriarchs of Jazz 演前講座：與米克．烏列奧同唱 Pre-Performance Talk: Let's sing along with Mikk Üleoja 賽馬會本地菁英創作系列：《百花亭贈劍》公開彩排 Jockey Club Local Creative Talent Series: Pavilion of a Hundred Flowers Open Rehearsal 藝術家沙龍 : 京劇與梅派 Artist Salon: Peking Opera and the School of Mui 魔法蝴蝶虛擬實境 Magic Butterfly VR Experience 《佩利亞斯與梅麗桑德》演前講座 Pre-Performance Talk: Pelléas et Mélisande 《卡門》歌劇兒童入門工作坊 Whistle Stop Tour of Carmen Opera Workshop 兒童敲擊樂 Percussion Workshops for Kids 道具及戲服展覽 Props and Costumes Display 歌劇探秘加料演出 LIVE@Opera Adventure 後台參觀：德布西的迷霧秘境 Backstage Tour: Enter the World of Allemonde 舞蹈工作坊：玩轉南非舞蹈大熱身 Dance Workshop: Dance in the Isizhosa Tradition 後台參觀：《博希的奇幻旅程》Backstage Tour: The Fantastic World of Hieronymus Bosch 雜技樂園 Circus Funtasia 藝術家沙龍及紀錄片放映 : 法國戲劇大師雷吉的心路歷程 Artist Salon and Documentary Screening: The Art & Vision of Claude Régy 《葛哈．李希特 – 作畫》Gerhard Richter – Painting 《Bosch：地獄圖繪》Hieronymus Bosch: Touched by the Devil 《卡雅利沙的卡門》Isango Ensemble U-Carmen eKhayelitsha 《博希的奇幻世界》The Curious World of Hieronymus Bosch 《美國芭蕾舞劇院歷史回顧》電影放映 Documentary screening: American Ballet Theatre: A History