香港藝術節今年踏入第4 6屆，再度為來自世 界各地的觀眾獻上精彩紛呈的藝術盛宴，讓 香港這個文化大都會更添生色。 今年藝術節預備了各式各樣的表演節目， 古典及當代藝術元素俱全，凸顯本港豐富 多元的文化特色。短短一個月內將有約1 3 0 場音樂、舞蹈、戲劇、歌劇等表演舉行， 讓一眾藝術愛好者目不暇給。 一如以往，本屆藝術節除了請來本地和海 外藝術家演繹引人入勝的代表作品，亦悉 心安排各項外展活動。為培養青少年對藝 術的興趣，「香港藝術節青少年之友」計 劃讓本地學生有機會欣賞藝術節節目和參 與全方位藝術活動。此外，藝術節又透過 工作坊、後台參觀和大師班等「加料節 目」，讓觀眾一睹藝術節重點節目的幕後 創作過程，大開眼界。 政府致力推動本地文化藝術發展，亦樂見贊 助商和捐款者鼎力支持，攜手把香港藝術 節打造成為享譽國際的藝壇盛事。我衷心感 謝藝術節團隊多年來盡心盡力，為我們帶來 這項高質素的文化活動，令本港藝壇百花齊 放，蓬勃發展。 謹祝第4 6屆香港藝術節圓滿成功，各位表演 嘉賓和觀眾朋友共享一段精彩難忘的藝術旅 程。
林鄭月娥 香港特別行政區行政長官
Now in its 46th year, the Hong Kong Arts Festival continues to contribute to the cultural life of Hong Kong, delighting audiences from near and far. This year, the Festival puts on a wide variety of performances that showcase a mix of classic and contemporary genres, spotlighting Hong Kong’s rich and diverse cultural landscape. Featuring some 130 performances in a packed month of music, dance, theatre, opera and more, the Festival has much to offer to arts lovers of all kinds. Alongside dazzling performances by an array of local and international artists, the Festival continues to place great emphasis on its outreach activities. To develop youngsters’ appreciation of the arts, the Young Friends of the Hong Kong Arts Festival offers local students the opportunity to enjoy the Festival’s performances and participate in multi-arts activities. Similarly, the PLUS programme gives audiences an inspirational glimpse into the creative process behind the core Festival performances through a combination of workshops, backstage tours and masterclasses. The Government is committed to promoting the development of arts and culture in the city, and we are blessed to have the support of devoted sponsors and donors who join us in making the Hong Kong Arts Festival an international success. I am also thankful to the Festival team for their years of hard work to deliver a top-class cultural event and their invaluable contribution to the city’s thriving arts scene. I wish the 46th Hong Kong Arts Festival a resounding success and all the participants, performers and audiences alike, an enjoyable and memorable experience.
Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region
歡迎閣下蒞臨欣賞第4 6屆香港藝術節，與 我們一起分享、感受這一場精彩的表演藝 術節目。 我們要感謝香港特別行政區政府透過康樂 及文化事務署的年度恆常撥款，使香港藝 術節能每年成功舉辦。我們同時亦非常感 謝香港賽馬會慈善信託基金多年以來積極 而持續的鼓勵和贊助，以及其他眾多的商 業機構、企業、慈善團體以至社會各界人 仕，他們的慷慨捐助，讓我們能夠呈獻世 界一流藝術家的演出，為本地人才提供一 展才華的機會，委約及製作新作品，培養 年青一代的觀眾。 更重要的，是要感謝到來欣賞節目的各位 觀眾。沒有廣大觀眾的熱情參與，就不會 有香港藝術節。期望您喜歡這場演出。
查懋成 香港藝術節主席
I am very pleased to welcome you to this performance at the 46th Hong Kong Arts Festival. Thank you for being here with us and sharing in our celebration of the performing arts. I would like to thank the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention which is crucial to the Festival’s continuing success. I am also most grateful to The Hong Kong Jockey Club Charities Trust for their continued support and encouragement over many years, enabling us to enrich the cultural calendar of the city. Thanks are also due to the many corporate sponsors, charitable foundations as well as individual donors whose generous support enables us to feature many of the world’s best artists, promote local talent, produce new works, and nurture young audiences in Hong Kong. Most importantly, my warm thanks to you for joining us tonight. Without the passion, participation and engagement of our audiences there would be no Hong Kong Arts Festival. I very much hope you will enjoy the performance.
Victor Cha Chairman, Hong Kong Arts Festival
衷心感謝閣下蒞臨欣賞第4 6屆香港藝術節 的演出。 今屆藝術節的主題是「真．我角度」，我 們從此角度出發，欣賞藝術家透過他們的 技藝、創意和心思所創作和呈現的多重現 實。今年的節目當中，無論是對應某種人 生經驗、藝術動機或敘事手法，都往往帶 着對「真」的各種個人省思。整體而言， 我期望今屆藝術節可以啟發大家思考，甚 至懷疑我們所理解的「真實」。 希望您能開放自我，投入到舞台上呈現的 世界，與藝術家共同經驗各種現實。也誠 邀您參加「加料節目」的各項活動，豐富 您的藝術節體驗。 感謝您參與香港藝術節，支持我們的使 命，為香港打造一個既屬於香港，也代表 香港的世界級藝術節。
何嘉坤 香港藝術節行政總監
It is a pleasure and privilege to welcome you to this performance at the 46th HKAF. This year, we take the notion of "what’s real to me" to celebrate the realities created through the artistry, creativity and thoughtfulness of our participating artists. Many works are informed by highly personal views, whether responding to some aspect of human experience as a matter of artistic motivation, or as a narrative device. Taken as a whole, I hope this Festival will provoke us to think about – and perhaps to question – our own understanding of what’s real. I hope that you will allow yourself to be immersed in the realities presented on stage at this and many other performances at the 46th HKAF, and enjoy the resulting co-created experience. I would also recommend the many PLUS performances and events that have been designed to enrich your Festival experience. Together with the entire team, I would like to thank you for your participation and support which sustains us in the mission to present a world class Arts Festival in, of and for Hong Kong.
Tisa Ho Executive Director, Hong Kong Arts Festival
香港藝術節 扎根香港的國際藝壇盛事 香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的 文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國 際藝術家的演出，以及舉辦多元化的「加料」和教育 活動，致力豐富香港的文化生活。 香港藝術節是一所非牟利機構，2018 年第 46 屆藝術節 的年度預算約港幣一億二千五百萬，當中香港特區政 府的基本撥款約佔總收入的 14%，另外約 32% 需來自 票房收入，約 3 6 % 則需依賴來自各大企業、熱心人士 和慈善基金會的贊助和捐款。預計餘下的大約 18% 則 來自其他收入，包括政府針對捐款和贊助收入而提供 的配對資助。 香港藝術節每年呈獻眾多國際演藝名家精采多元的演 出，例如 *： •歌劇：巴伐利亞國立歌劇院、莫斯科大劇院、聖彼 得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海 張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百 花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、古 斯塔沃．杜達美、菲力普．格拉斯、馬友友、安娜． 涅翠柯、詹安德列亞．諾斯達、甘拿迪．羅傑斯特 汶斯基、克里斯蒂安．泰利曼、倫敦交響樂團、皇 家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、 萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、 艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、 約翰．紐邁亞、美國芭蕾舞劇院、雲門舞集、漢堡 芭蕾舞團、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、 翩娜．包殊烏珀塔爾舞蹈劇場
2018 年藝術節預計收入來源 （約港幣一億二千五百萬） Estimated Income Sources for the 2018 HKAF (Approximately HK$125 Million)
Sponsorship & Donations 贊助及捐款
•戲劇：彼得．布祿克、羅伯特．威爾遜、柏林劇團、 中國國家話劇院、皇家莎士比亞劇團 •大型特別節目：《藝裳奇幻世界》、星躍馬術奇藝坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》 香港藝術節積極與本地演藝人才合作，並致力為新晉 藝術家提供展示才華的平台。藝術節至今委約及製作 逾 200 套本地全新創作，包括戲劇、室內歌劇、音樂 和舞蹈作品，近年開始同步出版新作劇本，不少製作 更已在香港及海外多度重演。近年的藝術節新製作包 括《香港家族》三部曲、《世紀．香港》音樂會、《論 語》、《炫舞場》、《大同》、《金蘭姊妹》、《爆蛹》、 《野豬》、《聖荷西謀殺案》等。 香港藝術節多年來與知名海外藝術家及團體聯合製作 不少優秀作品，當中包括由香港藝術節、香港歌德學 院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗 人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街 製作公司製作、香港藝術節為聯合委約機構之一的「橫 貫計劃」之《暴風雨》及《李察三世》、由香港藝術 節及上海國際藝術節聯合委約的《青蛇》、三藩市歌 劇院與香港藝術節聯合製作的《紅樓夢》等。 香港藝術節大力投資下一代的藝術教育。「青少年之 友」成立 26 年來，已為逾 730,000 位本地中學生及大 專生提供藝術體驗活動。藝術節近年亦開展多項針對 大、中、小學生的藝術教育活動，包括由國際及本地 藝術家主持的示範講座及工作坊、學生展演、演前講 座、公開彩排、以及欣賞藝術節演出。同時，通過「學 生票捐助計劃」，藝術節每年提供約 10,000 張半價學 生票。 香港藝術節每年主辦一系列多元化並深入社區的「加 料節目」，例如電影放映、示範講座、大師班、工作坊、 座談會、後台參觀、展覽、藝人談、文化導賞團等， 鼓勵觀眾與藝術家互動接觸。
18%
36% Box Office 票房收入
32%
14%
Other Income (Including Possible Matching Grant for Sponsorship and Donation Income) 其他收入 （包括按捐款和贊助收入 可望獲得的配對資助 ) Government Baseline Funding 政府的基本撥款 （Updated August 2017 2017 年 8 月更新）
Hong Kong Arts Festival A Major International Arts Festival In, Of and For Hong Kong
• Theatre: Peter Brook, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company
HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.
• Large-scale special events: World of WearableArt, Zingaro
HKAF is a non-profit organisation. Secured government baseline funding for the Festival in 2018 represents roughly 14% of its HK$125 million budget. Around 32% of the Festival’s income needs to come from the box office, and another 36% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 18% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western opera: Bavarian State Opera, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Anna Netrebko, Gianandrea Noseda, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, John Neumeier, American Ballet Theatre, Cloud Gate Dance Theatre, Hamburg Ballet, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch
• Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include A Floating Family, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong – The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 26 years, our “Young Friends” scheme has reached over 730,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.
* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2017.html 誠邀贊助或捐助第 46 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details of the 46th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: dev@hkaf.org
直綫 Direct Lines: (852) 2828 4910/11/12
網頁 Website: www.hk.artsfestival.org/en/support-us
Presents
《霸王別姬》 Farewell My Concubine 3 月 Mar
9-11
香港大會堂音樂廳 Concert Hall, Hong Kong City Hall 演出長約 3 小時 30 分鐘，包括一節中場休息 Running time: approximately 3 hours and 30 minutes including one interval 附中文及英文字幕 With Chinese and English surtitles
封面照片 Cover Photograph: © Lawrence N@WorkHouse
敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on
請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.
HKartsfestival
本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.
www.hk.artsfestival.org
11
編劇 Playwright 葉紹德 Yip Siu-tak 藝術總監 Artistic Director 尤聲普 Yau Sing-po 藝術指導 Artistic Advisor 劉 洵 Liu Xun
角色及演員
Cast
項 羽 尤聲普（第五場） 羅家英（第二、四場）
Xiang Yu Yau Sing-po (Scene 5) Law Kar-ying (Scenes 2 and 4)
虞 姬 尹飛燕
Yuji (Concubine Yu) Wan Fei-yin
韓 信 梁兆明
Leung Siu-ming
蕭 何 阮兆輝
Yuen Siu-fai
范 增 新劍郎
Fan Zeng Sun Kim-long
劉 邦 廖國森
Liu Kwok-sum
樊 噲 宋洪波
Song Hung-bo
項 伯 溫玉瑜
Xiang Bo Wan Yuk-yu
Han Xin Xiao He
Liu Bang Fan Hui
漂 母 Laundrywoman 林寶珠 Lam Po-Chu 張 良 吳立熙 項 莊 劍 麟
© Lawrence N@WorkHouse
Zhang Liang
Ng Lap-hei Xiang Zhuang
Kim Lun
13
製作人員
Production Team
擊樂領導 高潤權
Ko Yun-kuen
音樂領導 高潤鴻
Ko Yun-hung
舞台監督 鄭瑞華
Stage Manager Cheng Shui-wah Martin
武術指導 韓燕明
Hon Yin-ming
Percussion Leader Music Leader
Martial Arts Instructor
經理 Manager 黃肇生 Wong Siu-sang 服裝 Costumes 金儀粵劇服裝公司 Kam Yee Costumes Company 佈景道具 廣興舞台佈景製作公司
Kwong Hing Stage Scene Production Company
英文字幕 黎翠珍
Jane Lai
© Lawrence N@WorkHouse
Sets and Props English Surtitles
14
分場 第一場
漂母飯信
第五場
霸王別姬
淮陰人韓信初為百姓時，窮困潦倒，一天他路過
虞姬為項羽之妻，歷年戰爭，均在營中隨侍。項
城下，有位大娘在河邊漂洗，見韓信餓了，就贈
羽逞舉鼎拔山之勇，身經七十二戰，戰無不利，
他一頓飯。韓信大喜，對那位大娘說：「我一定
奈徒恃勇力，卒中韓信之計。韓信命人在楚營四
重重地報答你老人家。」大娘生氣地說：「大丈
周高唱楚歌，擾亂軍心。
夫不能養活自己，我是可憐你這位公子才給你飯 吃，難道是希望你報答嗎？」後來韓信顯貴後， 以千金酬謝那位漂母。 第二場
鴻門會
秦朝末年，反秦將領項羽與劉邦約定，最先攻入 咸陽滅秦者，就能入關稱王。結果，劉邦率先攻 入咸陽滅秦。項羽對此甚為不滿，立刻率領四十 萬大軍，直奔關中的鴻門（今陝西臨潼東北）， 隨時準備向劉邦發動進攻。 劉邦深知項羽勢大，只好親臨鴻門，向項羽謝 罪，得到項羽設宴招待。項羽的謀士范增多次向 項羽示意，要殺死劉邦，但項羽不肯。其後，范 增又派項莊舞劍，伺機刺殺劉邦，劉邦幸得項伯 舞劍保護。在危急關頭，劉邦猛將樊噲闖進，斥 責項羽，劉邦才可乘機脫險。 第三場
月下追賢
蕭何輔佐劉邦建立帝業，適逢名將韓信前來投 靠，但卻未得劉邦重用。韓信心灰意冷，夤夜馳 歸；蕭何知道後，立即策馬追趕韓信，曉以大義， 勸其回心轉意，同建漢朝。 第四場
九里山會戰
漢王劉邦與西楚霸王項羽互爭天下。劉邦拜韓信 為元帥，屯兵於九里山前，調度各路諸侯，設下 十面埋伏之計，誘項羽深入重地，將他圍於垓下。
© Lawrence N@WorkHouse
項羽聽到四面楚歌，以為漢兵盡得楚地，大勢已 去。英雄氣短，兒女情長，項羽置酒與虞姬共 飲，虞姬亦歌以和之。虞姬明知百萬敵軍，斷非 一弱女子所能出險，誑得項羽佩劍，立拼一死以 斷情絲。
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Synopsis Scene 1: The Gift of Rice
Scene 3: The Pursuit
Before becoming the marquis of Huaiyin, Han Xin was an impoverished commoner. Once, when passing by the city walls, he came across a laundrywoman washing clothes by the river. She saw that he was hungry and offered him some food. Han Xin was overjoyed and said to her: “I will definitely repay your kindness in full”. The laundrywoman irately replied, “Seeing that you, as a man, were unable to provide for yourself, I took pity on you. I do not expect any repayment”. But after Han Xin had attained wealth and honor he kept his word and repaid the laundrywoman with a thousand pieces of gold in gratitude.
General Han Xin seeks refuge with Liu Bang, but his talents go unrecognised and he decides to flee in the dead of night. Xiao He, who is assisting Liu Bang in his quest to be ruler, realises Han Xin’s great talent only once he has fled, and immediately chases him down on horseback, in the hope of changing his mind and having him return to help establish a Han dynasty.
Scene 2: The Grand Banquet With the Qin dynasty in its final throes, General Xiang Yu, foe of the Qin, makes an agreement with Liu Bang. The first to break through the gates of the capital city Xianyang, and bring down the Qin dynasty, will be proclaimed king of the Guanzhong region. In the end, Liu Bang is the first to enter and destroy the Qin. Extremely unhappy with this outcome, Xiang Yu gathers around 400,000 troops and heads towards the Hong Gate, the entryway to Guanzhong, in preparation for an attack on Liu Bang. Liu Bang realises Xiang Yu’s tremendous power and decides to go to the Hong Gate in person to apologise for causing offence. Xiang Yu hosts a feast to welcome him, during which Xiang Yu’s strategist Fan Zeng repeatedly urges Xiang Yu to kill Liu Bang, only for Xiang Yu to steadfastly refuse. Fan Zeng then asks Xiang Zhuang to perform a sword dance, using it as a cover for the assassination of Liu Bang. Fortunately for Liu Bang, Xiang Bo intervenes and saves him. At this critical juncture of the feast, Liu Bang’s general Fan Hui bursts in to rebuke Xiang Yu, providing an opportunity for Liu Bang to escape.
Scene 4: The Battle Liu Bang, founder of the Han dynasty, and Xiang Yu, King of Western Chu, are engaged in a battle for their empires. Liu Bang’s supreme commander Han Xin has stationed his troops by Jiuli Hill, and dispatches commanders to man the passes in a plan to ambush Xiang Yu from 10 sides. Xiang Yu is lured into the trap and is surrounded at Gaixia. Scene 5: Farewell My Concubine Over the many years of battle, Xiang Yu’s concubine Yuji has stayed by his side in the army camp. Xiang Yu has exhibited great strength and bravery, victorious in 72 battles. However, valour alone has not been enough to prevent him falling prey to Han Xin’s plan. Han Xin has commanded his men to surround the enemy camp, singing Chu songs in order to remind their foes of their homeland, leaving them homesick and disheartened. Xiang Yu, hearing these Chu songs coming from four sides, believes that the Han armies have captured Chu lands, and that he has suffered defeat. He is a hero in difficult circumstances, yet remains immersed in love. During a feast with Yuji, the two weep and sing songs of regret. At dawn, knowing that she will be unable to escape the encirclement of the enemy troops, Yuji snatches Xiang Yu’s sword and takes her own life, severing her ties to him.
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粵劇《霸王別姬》的創演與傳承
尤聲普
我演《霸王別姬》，從 1 9 8 0 年代創演到今天，
1 9 9 3 年， 我 被 阮 兆 輝 邀 請 一 同 組 織「 粵 劇 之
算來已是三十多個年頭了！
家」，延續我們七十年代「香港實驗粵劇團」推
近代粵劇演的盡是才子佳人的生旦戲。八十年 代，我長期擔任各大劇團的丑生及武生，但在另 一個劇團—勵群，卻能夠讓我以各樣的行當登 場，大膽地以「大花面」擔綱主演當時創演的《霸 王別姬》，這齣戲由中篇劇發展至全劇，至今兩 度獲香港藝術節邀請演出，實在令我引以為傲。
廣戲曲的宏願，翌年聯同羅家英、尹飛燕等演出 大型粵劇《醉斬二王》。這齣戲引來了香港藝術 節的關注，希望我為 1 9 9 5 年度演出一個有代表 性的戲曲人物，幾番思量，終於決定請葉紹德把 《霸王別姬》由中篇發展成為六幕的全劇，除了 由尹飛燕擔演虞姬，還在之前新添的三幕戲： 〈漂母飯信〉、〈鴻門宴〉和〈月下追賢〉，由
初演的《霸王別姬》只有三幕戲：〈坐帳〉、〈九
羅家英擔演韓信、阮兆輝擔演蕭何、任冰兒擔演
里山〉和〈別姬〉，與我拍檔演虞姬的是花旦李
漂母、廖國森擔演劉邦、新劍郎擔演樊增，演員
寶瑩，同場我和她先演《秋江》，接着是文武生
組合堪稱「鑽石」陣容，在往後多次的重演都是
羅家英和花旦余蕙芬的《平貴別窰》，中休後才
維持不變。
是中篇的《霸王別姬》，配戲的還有李奇峰。可 惜自勵群散班後，這個劇本便束之高閣矣……
1995 年香港藝術節節目及訂票指南內頁 1995 HKAF Programme Brochure Inside Page
1995 年香港藝術節《藝資》 1995 HKAF FestArt
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今次的演出，我們把全劇精簡為五幕戲，刪掉
那麼，我的霸王又該如何演繹呢？先說扮相，我
〈坐帳〉一幕，既能令劇情更加緊湊，也讓演出
勾的是京劇霸王的臉譜，這個臉譜只採用黑白
時間不致過長，而且對於年屆耄耋的我而言，要
兩色油彩，雖帶哭相，卻充滿裝飾美，活現楚項
是一人擔演「霸王」到底著實太吃力，若以我和
羽霸王超凡脫俗的偉力與氣質，又透露出這位末
羅家英的「雙霸王」為亮點，則會是一個十分適
路英雄的無限哀嘆。我搜羅了許多霸王臉譜的資
當的安排，〈鴻門宴〉和〈九里山〉由他先演，
料，經過仔細研究，發現前輩的勾臉是略有不同
好讓我全力以赴演出〈別姬〉。今次特地加入了
的，金少山的白鼻尖是個小圓點，袁世海則是块
兩位後輩的年青文武生：梁兆明和宋洪波，前者
小三角，而我最後選定了「袁派」的。再說到唱，
接棒代替羅家英飾演韓信，後者則飾演樊噲，二
京劇花臉聲若雄鐘的技巧我學不來，所以只能傾
人唱唸做打樣樣精嫻，相信無論在文戲武戲都將
向用武生的發聲。至於做，我則兼收並蓄，把這
會有很大的發揮空間，能達至我對傳承的期許。
兩個行當的表演法都注入，既有花臉的架式，亦
其餘角色則皆沿用原班人馬：尹飛燕擔演虞姬，
有武生的武藝子，在〈九里山〉的開打就是用上
她的〈別姬〉有技有情，「劍舞」更是乾淨俐落、
了這個安排。今次這幕「累功」的武場戲將會交
揮灑自如，自是不二之選；阮兆輝擔演蕭何，甚
給比我稍為年輕、氣力依然十足的羅家英去演，
具京劇大師周信芳（藝名：麒麟童）的老生風範，
相信他定能成功展現項羽「力敵萬軍」的英勇形
在〈月下追賢〉盡顯逾一甲子的深厚唱做功夫；
象。
廖國森擔演劉邦，是當今粵劇武生的表表者，在 〈鴻門宴〉一幕表演穩重大器；唯是任冰兒因健 康問題辭演，改由林寶珠替代飾演漂母，但以她 的舞台經驗，絕對能勝任此角色；樊增一角仍由 新劍郎擔演，而項伯則改由溫玉瑜飾演。
要演《霸王別姬》，重頭戲當然是〈別姬〉，可 是京劇的經典版本，戲份卻是落在虞姬的身上， 尤其以梅蘭芳大師尾段的「劍舞」最是吸睛。其 實在京劇《霸王別姬》的劇本，也曾略有提及劉 邦和項羽皆鍾情於虞姬，但最後獲得虞姬芳心的
回頭，再說一下我是怎樣打造粵劇《霸王別姬》
是霸王。因此，我認為這個粵劇版本要加回霸
的……京劇的經典《霸王別姬》，我從梅蘭芳大
王與虞姬感情戲，故當年撰寫〈別姬〉這幕戲，
師的電影，到內地各大劇團的名家舞台演出，看
要求編劇為二人多寫了幾個唱段，如：虞姬為力
過不少。京劇裏的霸王一角，無論是楊小樓以武
戰敗回的項羽勸酒解疲勞的小曲《花底琴音》、
生或金少山以花臉應工，為了充份凸顯項羽的王
項羽看罷虞姬強顏獻舞解憂的「古老二王」、虞
者氣派，都是「擺」着演而非「耍」着演（註：
姬見形勢危殆而不肯與項羽同行成負累的牌子曲
戲曲行話），沒有太多的身段、技巧，就算是〈九
《俺六國》，所以一幕戲的時間比較長，但若然
里山〉一幕戲的開打，也只是按劇情的需要而略
只作折子戲獨立搬演，也經已是劇力十足。
作交待。至於傳統粵劇的《霸王別姬》，我雖無 緣識荊，但聽前輩說來，都是偏重於「唱」，包 括曾觀看羅家英傳承演出其父羅家權的〈烏江自 刎〉，亦是以「古腔」（舞台官話、中州韻）唱 唸為主。
能夠以一齣花臉當家作主的《霸王別姬》為香港 藝術節展演粵劇表演藝術，是我的榮幸，也要感 謝「華光師父」！ 整理 周嘉儀
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力拔山兮氣蓋世。時不利兮騅不逝。 騅不逝兮可奈何！虞兮虞兮奈若何！ —項羽《垓下歌》
© Lawrence N@WorkHouse
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The Creation and Legacy of the Cantonese Opera Farewell My Concubine I have been performing in different productions of Farewell My Concubine for over 30 years, since it was first created in the 1980s! In recent years, performances of Cantonese opera have tended towards themes of romance between talented scholars and refined beauties, with leads going to the sheng (young male) and dan (young maiden) roles. During the 1980s, I had always played the chousheng (clown) and wusheng (military male) roles for various major opera troupes. However, at that time, one troupe – the Lai Kwan Cantonese Opera Troupe – gave me the opportunity, to take to the stage in a variety of roles, going so far as to let me play the main hualian (painted face) role in Farewell My Concubine. That opera has been developed from a medium length operetta into a full-length opera, and I take great pride in the fact that it has been invited twice for the Hong Kong Arts Festival. When it was first staged, Farewell My Concubine had only three scenes – “In the Tent”, “The Battle” and “Farewell My Concubine”, and my co-star, playing the part of Yuji, was Lee Po-ying, a leading performer of the huadan (female lead) role. On stage, she and I would first perform the excerpt Autumn River, followed by Law Kar-ying and Yu Wai-fun playing the wenwusheng (civil and military male) and huadan (female lead) roles respectively, in the excerpt Farewell at the Kiln. It was only after
Yau Sing-po
the intermission that the operetta Farewell My Concubine would begin, with Li Kei-fung joining us in the production. Sadly, since the disbanding of the Lai Kwan Opera Troupe, this arrangement has fallen by the wayside. In 1993 I was invited by Yuen Siu-fai to form a group called Home of Cantonese Opera, which was an extension of a troupe we had formed in the 1970s - The Hong Kong Experimental Cantonese Opera Troupe – with the aim of promoting Cantonese opera. The following year I performed with Law Kar-ying, Wan Fei-yin and others, in a large-scale Cantonese opera production of Execution of the Duke’s Second Brother. This production attracted the attention of the Hong Kong Arts Festival, and they approached me to discuss bringing an archetypal Cantonese opera character to the stage for their 1995 edition. After some deliberation, I decided to have Yip Siu-tak expand Farewell My Concubine from an operetta to a fully developed six-scene opera. In this new opera Wan Fei-yin continued to play the concubine Yuji, and in the three new scenes – “The Gift of Rice”, “The Grand Banquet” and “The Pursuit” – Law Karying played Han Xin, Yuen Siu-fai played Xiao He, Yam Bing-yi played the Laundrywoman, Liu Kwoksum played Liu Bang and Sun Kim-long played Fan Zeng. Together they were a really star-studded group of performers, and this line up remained unchanged for numerous performances.
1 9 9 5 年 香 港 藝 術 節《 霸 王 別 姬 》 場 刊 封 面 （左）及內頁（右） 1 9 9 5 H K A F Fa re we l l M y Co n c u b i n e H o u s e Programme Cover (Left) and Inside Page (Right)
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For this current production we have edited the opera to five scenes, doing away with the scene “In the Tent”, thus tightening the plot and shortening the performance. At my advanced age, playing the role of Xiang Yu is extremely demanding. The ideal solution in the current production was for Law Karying and I to share the role, making the “double” Xiang Yu a highlight of the performance. Law Kar-ying plays Xiang Yu in the scenes The Grand Banquet and The Battle, allowing me to dedicate my energy to playing Xiang Yu in the final scene Farewell My Concubine. In this performance we also welcome two younger generation wenwusheng role actors Leung Siu-ming and Song Hung-bo. The former takes the baton from Law Kar-ying to play Han Xin, the latter plays Fan Hui. Both actors are adept at singing and martial performances, and have bright futures, be it in literary or martial operas, and are totally fulfilling my hopes of continuing the legacy of Cantonese opera. The other roles in the opera are played by the original cast. Wan Fei-yin plays the role of Yuji with artistry and feeling. Her sword dance is pure, unfettered and polished, making her the obvious choice for the role. Yuen Siu-fai plays the role of Xiao He in the characteristic laoshen (senior male) style of Beijing opera master Zhou Xinfang (stage name Qilin Tong). In the scene “The Pursuit”, his singing skills are excellent. Liu Kwok-sum plays Liu Bang, and is the archetypal wusheng (military male) role actor in today’s Cantonese opera. He provides a talented and steady performance in the scene “The Grand Banquet”. Yam Bing-yi has had to withdraw from the performance due to health reasons, with Lam Po-chu taking her place in the role of the Laundrywoman. Lam’s experience on the stage will surely allow her to rise to the challenge of the role. The role of Fan Zeng is played by Sun Kim-long, and Wan Yuk-yu assumes the role of Xiang Bo. Let me review once more how I forged the Cantonese opera version of Farewell My Concubine from the classic Beijing opera version. I watched numerous performances, from screen productions of Master Mei Lanfang to stage performances by China’s various renowned opera troupes. The character of Xiang Yu in Beijing opera, whether
played as a wusheng (military male) role by Yang Xiaolou or as a hualian (painted face) role by Jin Shaoshan, is still imbued with the majesty of a king. The role is on “display” rather than “played” (according to opera jargon), and posturing and movement are sparse, even in the opening of the scene “The Battle”, any action is based on the needs of the plot. With regards to the traditional Cantonese opera version of Farewell My Concubine, I have not had the honour of experiencing it firsthand, but from what opera seniors have told me about, it was the singing that was paramount. Law Kar-ying has performed the scene “Suicide by Wu River” in a style inherited from his father Law Kar-kuen, which is mainly sung in the “ancient voice” (a stage version of imperial speech based on the speech of the central plains). In that case, then how did my rendition of Xiang Yu come about? First let’s discuss the facial appearance, which is based on the facial mask used in Beijing opera. This is painted with black and white oil-based facial paint, and although it has a melancholy cast, it is beautiful and brings to life Xiang Yu’s extraordinary power and demeanour, as well as revealing the sorrow of a hero at the end of his road. I studied numerous examples of the Xiang Yu mask and after careful research discovered that there were differences in the masks painted by the earlier generation of masters. Jin Shashan’s white nose tip for example, was in the form of a circle, while Yuan Shihai’s was a small triangle. In the end I went with the Yuan style. When it came to singing, I was unable to emulate the hualian (painted face) singing style of Beijing opera, and therefore had to sing in the style of the wusheng (military male) role. With regards to acting, I combined the styles of the hualian (painted face) and wusheng (military male) roles, taking the bearing and stance from the former and the martial artistry of the latter, which is on display in the opening of the scene “The Battle”. In this production, the “weary work” involving martial prowess is undertaken by the much younger and still vigourous Law Kar-ying. I believe he can successfully portray the heroic Xiang Yu who has the strength to defeat 10,000 enemy soldiers.
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In Farewell My Concubine, the most important scene is, of course, saying farewell to the concubine. In the classical Beijing opera version, the weight of this scene is borne on the shoulders of Yuji. Especially attention-grabbing is the "sword dance" by master Mei Lanfang towards the end of this scene. In earlier Beijing opera versions both Liu Bang and Xiang Yu had feelings for Yuji, but in the end it was Xiang Yu who won Yuji’s affections. As such, I felt that the Cantonese opera version should highlight the feelings between Xiang Yu and Yuji, and I requested that in the writing of the farewell scene, more song verses be added for the two characters to allow them to more fully express their feelings for each other. For example, there is the aria Yuji sings to Xiang Yu as she offers him wine when he returns from battle, the songs sung while Yuji forcefully smiles and dances to help Xiang Yu forget his troubles, and the lines when she refuses to burden him by fleeing with him. Because of these songs, this scene becomes longer, but when it is performed as an excerpt, it can stand alone in its own right. It is my honour to play the lead hualian (painted face) role in this production of Farewell My Concubine for HKAF, and I wish to offer my thanks to the patron deity of opera, Master Wah Kwong! Compiled by Chow Ka-yee Annie
Š Lawrence N@WorkHouse
"Mountains I could tear up, rivers to divert. But time is against me, and so is fate. When fate is against me, what avails? Love. My love, what avails?" - Xiang Yu, The Song of Gaixia
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© Lawrence N@WorkHouse
尤聲普
藝術總監 / 飾項羽
自小在戲班中學藝，受父親的戲劇藝術薰陶。早期 曾當文武生之職；及後在六十年代後期，改演老生 和丑生的角色，並參與各大劇團之演出。曾到國 內、東南亞、美加、澳洲及歐洲等地演出。曾拜名 京劇演員李萬春門下，並隨師兄劉洵學習練功。 曾為香港藝術節擔演《十五貫》、《霸王別姬》、 《曹操、關羽、貂蟬》、改編自京劇的《盜御馬》 及《李太白》。1994 年參與亞洲藝術節《曹操與 楊修》。及後為前區域市政局創演新劇《佘太君掛 帥》、《李太白》及改編自名劇《沙家浜》的《亂 世英豪》。2002 年更嘗試將莎士比亞名劇《李爾 王》改編為粵劇《李廣王》演出，大獲好評。 尤聲普 1992 年獲香港藝術家聯盟頒發「舞台演員 年獎」；2009 年獲香港特別行政區政府頒授「MH 榮譽勳章」；2016 年獲香港演藝學院授予榮譽院 士榮銜；2017 年獲香港藝術發展局頒發 2016 年度 「傑出藝術貢獻獎」及香港特別行政區政府頒授 「BBS 銅紫荊星章」。
Yau Sing-po
Artistic Director/ as Xiang Yu
Yau Sing-po began opera studies with his father as a small child. Early in his career, Yau concentrated on the wenwusheng (civil and military male) roles. In the late 1960s, he widened his repertoire to include both laosheng (senior male) and chousheng (clown) roles. He has toured with many major troupes to mainland China, south-east Asia, the US, Canada, Australia and Europe. He also studied under the veteran Beijing opera performers Li Wanchun and Liu Xun. Yau has played lead roles in HKAF Cantonese opera programmes such as Fifteen Strings of Cash, Farewell My Concubine, Towering Legends of the Three Kingdoms, Stealing the Imperial Horse, an adapted Beijing opera classic, and Li Bai: The Immortal Poet. In 1994 he performed in Cao Cao and Yang Xiu at the Asia Arts Festival. He has also created several new works such as Madam She is Appointed General, Li Bai: The Immortal Poet and Heroes in Troubled Times, which was adapted from Underground Liaison. In 2002 he performed in King Liguang, a Cantonese opera adaptation of King Lear, to wide acclaim. Yau was awarded a Best Stage Performer Award by the Hong Kong Artists' Guild in 1992. In 2009 he received the HKSAR Government’s Medal of Honour. In 2016 he was appointed as an Honorary Fellow of HKAPA. In 2017 he was awarded a Bronze Bauhinia Star and an Award for Outstanding Contribution in Arts by the HKSAR Government and the Hong Kong Arts Development Council respectively.
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羅家英
項羽
從小接受父親羅家權及伯父羅家樹的嚴格培訓，學習基本功架，並曾先後問藝於 粉菊花、呂國銓、劉洵及李萬春等京劇大師。羅家英多年來致力承傳粵劇，曾為 香港藝術節擔演《曹操、關羽、貂蟬》、《李太白》等，又與香港中樂團合作粵 曲演唱，開創粵劇演唱會先河。 2 0 1 2 年 1 月於香港文化中心大劇院演出《 羅家 英精選二零一二年 : 劇藝縱橫五十秋》，關公一角享譽劇壇。2 0 1 2 年 7 月，獲香 港特別行政區政府頒發「榮譽勳章」，表揚他在推廣粵劇藝術工作上的貢獻。
Law Kar-ying © Lawrence N@WorkHouse
Xiang Yu
Law Kar-ying began his training under his father, Law Kar-kuen and his uncle, Law Karshu. He also studied with Fan Kuk-fa, Lui Kwok-chuen, Liu Xun and Li Wanchun. He has performed in Hong Kong Arts Festival's Towering Legends of the Three Kingdoms, Li Bai: The Immortal Poet and more. He has performed yuequ (Cantonese operatic song) with the Hong Kong Chinese Orchestra and was the first to organise a Cantonese opera concert. In January 2012, he won wide acclaim for his remarkable interpretation of the role of Guan Yu, performed at his 50th anniversary showcase held at Hong Kong Cultural Centre. In July of the same year he received the HKSAR Government’s Medal of Honour for his contribution to promoting the art of Cantonese opera.
尹飛燕
虞姬
1960 年代起開始學戲，拜著名音樂家王粵生為師學習唱腔，後得吳惜衣、吳公俠 及譚珊珊等教授功架身段，並獲任大勳及京劇演員馬玉淇悉心指導武打身段，又 隨劉洵學習北派。基本功扎實，嗓音甜美，做功細膩見稱。對於推廣粵劇和粵曲 不遺餘力，曾任八和會館副主席及粵劇演員會理事長。2 0 1 2 年獲香港特區政府頒 發「榮譽勳章」，及香港藝術發展局頒發年度最佳藝術家獎（戲曲）。
Wan Fei-yin © 周嘉儀
Concubine Yu
Famous for playing dan (leading female) roles, Wan Fei-yin studied singing with renowned musician Wong Yuet-san and studied operatic movement with performers Ng Sik-yi, Ng Kung-hap and Tam Shan-shan. She has also trained with Yam Tai-fan and Beijing opera star Ma Yuk-kei, learning stage martial arts from them, as well as studying the art of opera’s Northern School with Liu Xun. Wan’s voice is sweet and her movements elegant. She was the vice chairperson of The Chinese Artists Association of Hong Kong and the president of Hong Kong Cantonese Opera Artists Club. In 2012 she was awarded the HKSAR Government’s Medal of Honour and received the Award for Best Artist (Xiqu) by Hong Kong Arts Development Council.
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梁兆明
韓信
國家一級演員，十三歲入讀湛江小孔雀粵劇培訓班，受到粵劇表演藝術家孔雀屏 的薰陶和培育，又得到粵劇大師林家聲的激賞，1 9 9 7 年更獲粵劇名伶林錦堂收為 入室弟子。2012 年初獲批「優秀人才入境計劃」來港發展。梁氏扮相英俊、身段 瀟灑、聲音甜潤、文武兼備。屢獲獎項包括廣東省戲劇演藝大賽金獎、廣東省第 十一屆藝術節優秀演員獎、「廣東省十佳中青年演員」稱號等。2 0 1 0 年憑折子戲 《風雪山神廟》赴上海參加世界博覽會演出，備受讚賞。
Liang Zhaoming
Han Xin
Liang Zhaoming is a National Class One Performer. He was admitted into the ZhanJiang Little Peacock Cantonese Opera Training Course at the age of 13 and has since studied with Hung Zheuk-ping, Lam Kar-sing and Lam Kam-tong. He began his career in Hong Kong in 2012 under the Quality Migrant Admission Scheme. Liang earned a Gold Award at the Guangdong Province Competition for Performing Artists, an Outstanding Artist Award at the 11th Guangdong Province Arts Festival and was named one of the Ten Best Young Artists in Guangdong Province among other praise. His performance at the 2010 Shanghai China Expo won wide acclaim.
阮兆輝
蕭何
本地資深粵劇表演藝術家，七歲起參演電影，後拜名伶麥炳榮為師學戲，從事演 藝工作六十年。他擅演文武生及小生，演丑生、鬚生甚至花臉戲亦非常出色，素 有「神童」、「萬能泰斗」之美譽。1991 年獲「香港藝術家」年獎、2003 年獲香 港藝術發展局頒發「藝術成就獎」，演藝造詣高超之餘，他亦一直致力推動粵劇 發展，進行大量教育及傳承的工作，2012 年更獲香港教育學院頒發榮譽院士。
Yuen Siu-fai
Xiao He
Yuen Siu-fai is a veteran Cantonese opera performer. He started acting at the age of seven as a child actor in movies. He later studied Cantonese opera with Mak Bing-wing and has since then been in show business for 60 years. He specialises in not only wenwusheng (civil and military male) and xiaosheng (young male) roles, but also chousheng (clown), xusheng (senior male) and even hualian (painted face) roles. He was awarded Artist of the Year by the Hong Kong Arts Development Awards in 1991 and received the Artist Achievement Award from the Hong Kong Arts Development Council in 2003. In 2012 he was appointed as an Honorary Fellow of the Education University of Hong Kong for his contribution in the promotion and education of Cantonese opera in Hong Kong.
31
新劍郎
范增
1960 年代跟隨名宿吳公俠學藝，後從許君漢學習北派，1980 年代走紅於星馬一帶。 他舞台經驗豐富，聲線優美，近年灌錄了多張唱片。 除了演出外，更積極參與粵 劇推廣及幕後製作，作品有《七賢眷》、《血濺紅燈》、《元世祖忽必烈》、《蝴 蝶夫人》、《碧玉簪》、《 妻嬌妾更嬌 》及《十八羅漢伏金鵬》等。2 0 0 1 年參 與致群劇社《袁崇煥之死》及《一人劇場獨腳騷之唱談粵劇》的演出，同年與南 鳳組織新鳳凰劇團，並初次編寫粵劇劇本《荷池影美》。2002 年自組新輝煌劇團； 2003 年製作新編粵劇《蝴蝶夫人》；2004 年再度執筆編寫《碧玉簪》，往後陸續 編寫了多個劇本。最近作品有《大唐風雲會》及《珍珠旗》。現任八和會館副主席、 曾任粵劇發展基金顧問委員會及粵劇發展諮詢委員會委員。2 0 0 9 年榮獲特區政府 民政事務局頒發嘉許獎章。
Sun Kim-long
Fan Zeng
Sun Kim-long studied opera with Ng Kung-hap in the 1960s and later learnt the art of the Northern School under Xu Junhan. He grew popular in Singapore and Malaysia in the 1980s and has recorded various CDs. He is also dedicated in the promotion and stage production of Cantonese opera. His works include Seven Filial Kins, Madame Butterfly, Jade Hairpin, The Wife and The Concubine and more. He has performed in drama productions like An Eternal Promise in 2001 by Amity Drama Club and has written operas including Madame Butterfly (2003), Jade Hairpin (2004) and more. He has also formed the Sun Fung Wong Opera Troupe with Nam Fung in 2001 and his own company Sun Fai Wong Opera Troupe in 2002. His recent works include The Heroes of Tang and The Flag of Pearls. He is the vice chairperson of The Chinese Artists Association of Hong Kong and was a committee member of the Cantonese Opera Advisory Committee and Cantonese Opera Development Fund. In 2009 he was presented with a commendation medal by the Home Affairs Bureau.
宋洪波
樊噲
畢業於香港演藝學院中國戲曲演藝深造文憑（粵劇）課程，師承劉洵、許堅信、 張世杰等。曾擔演《群英會》、《呂布與貂蟬》、《甘露寺》等劇，亦曾參與《乾 坤鏡》、《盜御馬》等大型製作，並多次隨院團外訪，演出備受好評。
Song Hong-bo
Fan Hui
Song Hong-bo graduated from HKAPA with an Advanced Diploma in Performing Arts (Cantonese Opera) and has apprenticed under Liu Xun, Hui Kin-shun, Cheung Sai-kit and others. His major works include Battle of Wits, Lu Bu and Diaochan, Mirror of the Universe, Stealing the Imperial Horse and more. His overseas performances have also been wellreceived.
33
廖國森
劉邦
香港八和粵劇學院第一屆學員，曾隨任大勳學習北派及王粵生學習唱腔。隨後加 入雛鳳鳴劇團，曾演《辭郎州》、《李後主》、《英烈劍中劍》、《蝶影紅梨記》 等劇；又隨該團前往美加及澳洲等地演出。近年經常參與本港各大劇團擔演武生。
Liu Kwok-sum
Liu Bang
Liu Kwok-sum is a graduate of the inaugural class of The Chinese Artists Association of Hong Kong. He was coached by Yam Tai-fan in a school of Cantonese opera influenced by Beijing opera, and he studied singing under the tutelage of Wong Yuet-sang. Liu later joined Chor Fung Ming Cantonese Opera Troupe to perform in Farewell to a Warrior, The Last Emperor of Southern Tang, Butterfly and Red Pear Blossom and other opera productions, touring to the US, Canada, Australia and other countries. He has recently been a leading performer of wusheng (military) roles across different troupes.
溫玉瑜
項伯
隨粵劇名宿陳覺非學藝，及後向羅家英和李寶瑩執弟子禮，深得二師薰陶，於 1980、90 年代親自領班於星、馬、越南等地表演。回港發展後，乃各大班台柱之 一，近年更在藝術上多作突破性嘗試，轉任丑生及武生，甚受觀眾歡迎。
Wan Yuk-yu
© 周嘉儀
Xiang Bo
Wan Yuk-yu apprenticed under veteran Cantonese performers Chan Kok-fei, Law Kar-ying and Lee Po-ying. He led Cantonese opera troupes on tour to places like Singapore, Malaysia and Vietnam in the 1980s and 1990s and became a principal of various troupes on his return to Hong Kong. His recent performances in chousheng (clown) and wusheng (military male) roles have won popular acclaim.
林寶珠
漂母
自小受叔父林錦堂的戲劇藝術薰陶，在戲班中學習，並跟隨任大勳老師學習北派， 王粵生老師學習唱腔，經常得到叔父和各前輩指點教導，工花旦其表演戲路廣闊， 早年參與彩龍鳳劇團、頌新聲劇團演出，之後又加入慶鳳鳴、鳳和鳴、錦添花、 非凡晌、日月星、新群英、龍嘉鳳等劇團，與不同演員合作，亦經常到星馬、美 加等地交流演出，近期亦參與由白雪仙女士領導任白基金主辦《西樓錯夢》、《帝 女花》等演出。
Lam Po-chu Laundrywoman Lam Po-chu studied with her uncle Lam Kam-tong as a child and later studied the art of Northern School under Yam Tai-fan and singing under Wong Yuet-sang. She has performed with various troupes including Choi Lung Fung, Chung San Sing, Hing Fung Ming, Fung Wo Ming, Kam Tim Fa, Yat Yuet Sing, The Dragon and Phoenix and more. She has also frequently performed in countries like Singapore, Malaysia, USA and Canada. Recently she has participated in performances held by the Yam Kim Fai & Pak Suet Sin Charitable Foundation including West Mansion and Princess Changping.
香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:
贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Member
嘉里控股有限公司 Kerry Holdings Limited
黃金會員 Gold Member
怡和集團 The Jardine Matheson Group
純銀會員 Silver Members
鷹君集團有限公司 Great Eagle Holdings Limited 太古集團慈善信託基金 The Swire Group Charitable Trust
青銅會員 Bronze Members
上海商業銀行 Shanghai Commercial Bank Limited Vontobel Wealth Management (Hong Kong) Limited
其他支持機構 other Supporters •Adam Mickiewicz Institute •Australia Arts Council •Canada Arts Council
•Pro Helvetia •Spanish Ministry of Culture
實物支持機構 in-kind Supporters •愉景灣渡輪碼頭 Discovery Bay Ferry Pier •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •香港國際機場 Hong Kong International Airport
•立信專業顧問 Lap Shun Professional Consultant •M．A．C Cosmetics •奧海城 Olympian City •信和集團 Sino Group •屯門市廣場 TMT Plaza
藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE
純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999
•無名氏 Anonymous •林護紀念基金有限公司 Lam Woo Foundation Limited •Lincoln & Yu-San Leong •杜振源先生
•無名氏 (2) Anonymous (2) •Mrs Anson Chan •陳建球伉儷 Mr & Mrs E Chan •SHN Cheng •Mr & Mrs Ko Ying •Ms Ka Shi LAU •Mr & Mrs David S L Lin •Mr & Mrs Gilles Martin •Dr & Mrs Joseph Pang •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Enoch Yiu •Ms Isabel Yiu
鑽石捐款者 DiAMonD Donor HK$60,000 - HK$119,999 •無名氏 Anonymous 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (6) Anonymous (6) •Mr & Mrs Herbert Au-Yeung •Jeffrey & Helen Chan •陳元鉅夫人 Mrs Sabina Chen •Dr York Y N Chow •Consigliere Limited •Alex & Hanne Fung •Richard & Ruth Herbst •李葉耀珍 Jane Li •林聖竤 Chris Lin •Wing Kay Po •Martin Rogers •Jacqueline Shek 石悅玟 •Mr & Mrs Stephen Suen •孫天珍小姐 Ms Sun Tien Chen •Mr Stephen Tan •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •Samuel & Amy Wang •Mr Wong Yick Kam •黃逸思先生夫人 Mr & Mrs YS Wong
青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •無名氏 (2) Anonymous (2) •Atkinson Lambert Limited •Mr Cheung Shu Tong Edmund •Bethan and Tim Clark •Dr David Fang •銀河娛樂集團 Galaxy Entertainment Group •Mr & Mrs Jaeger •Ms Khoo Li Lian •Heidi Lee •Miss Ruby Lee •Ms Lim Geck Chin Mavis •Stephen Long •Mr Gary Ma •Mr Christopher Wong & Dr Ivo Chen
學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE •無名氏 Anonymous •Burger Collection •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •恒生銀行 Hang Seng Bank •芝蘭基金會 Zhilan Foundation 鑽石捐款者 DiAMonD DonorS HK$60,000 - HK$119,999 •Vina Cheng •梁家傑先生夫人 Mr & Mrs Leong Kah-Kit Alan •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •Mr & Mrs Stephen Suen •田家炳基金會 Tin Ka Ping Foundation 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (4) Anonymous (4) •St. Paul's College Alumni Choir •陳求德醫生 Dr Chan Kow Tak •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •Consigliere Limited •Mr & Mrs Kenneth H C Fung •馮兆林先生 JP 及夫人 Mr & Mrs Fung Shiu Lam JP •Richard & Ruth Herbst •胡興正醫生慈善基金有限公司 Dr Wayne Hu Charitable Foundation Ltd •Mr & Mrs Stefan & Caroline Kracht •林聖竤 Chris Lin •Mr & Mrs Roger Lui •MAXSMART INV. LTD •Mrs Carol Murray •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •Tsang Wing Fun •曹延洲醫生 Dr Tsao Yen Chow •Ms Wong Yuen Mee Elsa •黃逸思先生夫人 Mr & Mrs YS Wong 純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999 •無名氏 (5) Anonymous (5) •Mr Iain Bruce •Winnie Chiu Wing Ngar •Chou's Foundation •Mr & Mrs Norman Chui •Mr & Mrs A R Hamilton •Ms Winnie W Y Ho •King Yuen-Fung Diana •Mr & Mrs Ko Ying •Yvonne Cheng & Kelvin Koo
•羅偉騫先生夫人 Mr Andy Law & Ms Wendy Chan •Lee Lai-Kuen Shelley •Craig Lindsay Family •Lok Yu Kim Ching Memorial Fund •C H Mak •Dr Mak Lai Wo •Karen & Vernon Moore •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Alan and Penny Smith •Anna Stephenson & Alan Leigh •John and Anthea Strickland •Leland & Helen Sun •Dr Henry N C Wong •Mr Wong Yick Kam •Dr Adrian Wu •Mrs Wu Tseng Helen 青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •無名氏 (9) Anonymous (9) •Ms Michaela Au •Ms Rebecca Austin •區燊耀先生 Mr Au Son Yiu •Biz Office Limited •Carthy Limited •Diana Tong Chan •Dr Chan Wan Tung •Cynthia Cheng & Aaron Chan •Cheung Kit Fung •Dr Chow Sze Fu Joseph •Cindy Chan Psychological Services •Community Partner Foundation Limited •Easy Living Limited •giliproduction •Susan Hayden •Betty Hung •Isla School of Dance •Dr Alfred Lau •Susan Lim & Neil Roberts •Ms Jackaline McPhie •Mr & Mrs Kenneth Quinn •陶國豪 Frederico Rato •Ms Janice Ritchie •Mr Siddique Salleh •So Ching •So Kin Man •Ms Yim Chui Chu •余德銘先生 Mr Desmond Yu •皮皮
新作捐助計劃 new Works Scheme 鉑金捐款者 PlATinuM DonorS HK$120,000 或以上 AnD ABoVE •Mrs Mona Leong •Permanent Success Limited 鑽石捐款者 DiAMonD Donor HK$60,000 - HK$119,999 •Winfull Group Holdings Limited 黃金捐款者 GolD DonorS HK$10,000 - HK$59,999 •無名氏 (2) Anonymous (2) •Mrs K L Chan •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •Mrs Diana & Mr Jay Parmanand •孫天珍小姐 Ms Sun Tien Chen
純銀捐款者 SilVEr DonorS HK$5,000 - HK$9,999 •無名氏 (2) Anonymous (2) •Lexandra Chan •Ms Winnie W Y Ho •Lok Yu Kim Ching Memorial Fund •Ms Poon Yee Ling Eligina •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 青銅捐款者 BronzE DonorS HK$2,500 - HK$4,999 •Ms Michaela Au •Ms Chiu Shui Man Tabitha •Contempo Charity Foundation Limited •黃逸思先生夫人 Mr & Mrs YS Wong
支持及協助 Support and Co-operation •Academy of Jazz •Acorn Design •Adsmart Hong Kong Limited •Alfie Leung Design •Alliance Française •AMC Pacific Place •巴塞爾藝術展 Art Basel •樺利廣告有限公司 Avanny Advertising Co Ltd •龍堡國際 B P International •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •Broadway The One •明愛白英奇賓館 Caritas Bianchi Lodge •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •周俊輝先生 Mr Chow Chun Fai •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •毛妹芭蕾舞學校 Christine Liao School of Ballet •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •購票通 ( 香港 ) 有限公司 Cityline (Hong Kong) Limited •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •澳洲駐港總領事館 Australian Consulate-General Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •愛沙尼亞共和國駐香港名譽領事館 Honorary Consulate of the Republic of Estonia in Hong Kong •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •以色列駐港澳總領事館 Consulate General of Israel in Hong Kong & Macau •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •葡萄牙駐香港領事館 Consulate of Portugal in Hong Kong •波蘭駐香港總領事館 Consulate General of the Republic of Poland in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •南非駐港澳總領事館 Consulte General of the Republic of South Africa, Hong Kong SAR and Macao SAR •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •德勤企業管理咨詢（香港）有限公司 Deloitte Consulting (Hong Kong) Limited •dreamoffish Limited •風采中學 Elegantia College •埃克森美孚香港有限公司 ExxonMobil Hong Kong Limited •粉嶺禮賢會中學 Fanling Rhenish Church Secondary School •藝穗會 Fringe Club •鳳溪廖萬石堂中學 Fung Kai Liu Man Shek Tong Secondary School
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贊助人
林鄭月娥女士
PATRON
永遠名譽會長 執行委員會 主席 副主席 義務司庫 委員
邵逸夫爵士
HONORARY LIFE PRESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members
節目委員會 主席 委員
財務委員會 主席 委員 發展委員會 主席 副主席 委員
顧問
名譽法律顧問 核數師
查懋成先生 盧景文教授 李錦榮先生 鄭維新先生 鄭惠貞女士 劉鎮漢先生 梁靳羽珊女士 梁卓偉教授 姚潔莉女士 楊 光先生 盧景文教授 白諾信先生 紀大衛教授 羅志力先生 毛俊輝先生 李 義法官 約瑟．施力先生 + 譚榮邦先生 姚 珏女士 李錦榮先生 鄭惠貞女士 梁國輝先生 梁靳羽珊女士 雍景欣女士 鄭阮培恩女士 邱詠筠女士 龐建貽先生 孫林宣雅女士 姚祖輝先生 楊海燕女士 夏佳理先生 鮑 磊先生 李業廣先生 梁紹榮夫人 李國寶博士 孖士打律師行 羅兵咸永道 會計師事務所
香港藝術節基金會 主席 霍 璽先生 管理人 陳達文先生 梁紹榮夫人 陳祖澤博士
地址 : 香港灣仔港灣道 2 號 12 樓 1205 室 電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430 出版：香港藝術節協會有限公司 承印：香港嘉昱有限公司 本刊內容，未經許可，不得轉載。
PROGRAMME COMMITTEE Chairman Members
FINANCE COMMITTEE Chairman Members
HONORARY SOLICITOR AUDITOR
Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong
DEVELOPMENT COMMITTEE Chairman Vice Chairman Members
ADVISORS
The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)
Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao Ms Hoi-yin Yeung The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown JSM PricewaterhouseCoopers
HONG KONG ARTS FESTIVAL TRUST Chairman Mr Angus H Forsyth Trustees Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP Dr John C C Chan, GBS JP
電子郵箱 : afgen@hkaf.org
Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430 Published by: Hong Kong Arts Festival Society Limited Printed by Cheer Shine Enterprise Co., Ltd Reproduction in whole or in part without written permission is strictly prohibited.
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職員 行政總監 節目 節目總監 副節目總監 節目經理
榮譽節目顧問 Honorary Programme Advisor * 合約職員 Contract Staff
STAFF 何嘉坤
Executive Director
節目經理（行政） 助理節目經理 節目統籌 節目行政主任 物流及接待經理
梁掌瑋 蘇國雲 葉健鈴 陳韻妍 蘇雪凌 林淦鈞 * 黃傲軒 * 曹愷怡 * 金學忠 *
•技術 製作經理 視聽統籌
Programme Programme Director Associate Programme Director Programme Managers
Tisa Ho
Programme Manager (Administration) Assistant Programme Managers Programme Coordinators Programme Administration Officer Logistics Manager
Grace Lang So Kwok-wan Linda Yip Susanna Yu* Vanessa Chan Shirley So Lam Kam-kwan* Jacqueline Li* Joseph Wong* Patricia Lee* Sabrina Cho* Elvis King*
徐子宜 * 許肇麟 *
• Technical Production Manager Audiovisual Coordinator
Tsui Tsz-yee* Boolu Hui*
•出版 高級編輯 編輯 助理編輯
黃迪明 * 林尚諾 * 鍾佩妝 *
• Publications Senior Editor Editor Assistant Editors
Timothy Wong* Sherlock Lam* Eunice Chung*
•外展 高級外展經理 助理外展經理 外展統籌 外展主任 藝術行政見習員 外展助理
李冠輝 張鼎丞 * 林嘉敏 * 譚曉峯 * 李萬祺 * 李玨熙 *
• Outreach Senior Outreach Manager Assistant Outreach Managers Outreach Coordinator Outreach Officer Arts Administrator Trainee Outreach Assistant
Kenneth Lee Bell Cheung* Carman Lam* Mitch Tam* Kelvin Li* Michael Lee*
市場推廣 市場總監 副市場總監 市場經理 副市場經理 助理市場經理 數碼營銷專員 市場主任 市場經理（票務） 票務主任 客戶服務主任
鄭尚榮 胡銘堯 周 怡 楊 璞* 吳嘉沛 * 陳閏霖 * 莫文軒 * 梁彩雲 李 彤* 鄭佩欣 *
MARKETING Marketing Director Associate Marketing Director Marketing Managers Deputy Marketing Manager Assistant Marketing Manager Digital Marketing Specialist Marketing Officer Marketing Manager (Ticketing) Ticketing Officer Customer Service Officers
Katy Cheng Dennis Wu Alexia Chow Michelle Yeung* Tiffany Ng* Ben Chan* Tony Mok* Eppie Leung Lee Tung* Bonnie Cheng*
DEVELOPMENT Development Director Development Manager Deputy Development Manager Assistant Development Managers Arts Administrator Trainee Development Officer
Flora Yu Chingmi Chow* Anna Cheung* Lorna Tam Esther Mok* Mandie Choy*
余瑞婷 * 李詠芝 * 李芷銦 *
林惠賢 *
鄧冠恒 *
張嘉麟 *
李俊偉 *
發展 發展總監 發展經理 副發展經理 助理發展經理 藝術行政見習員 發展主任
余潔儀 周美清 * 張慧芝 * 譚樂瑤 莫穎哲 * 蔡杏村 *
會計 會計部主管 助理會計經理 會計主任
鄺敬婷 林英光 * 蘇永恆 *
ACCOUNTS Head of Accounts Department Assistant Accounting Manager Accounting Officer
Teresa Kwong Sunny Lam* Peter So*
人力資源及行政 人力資源及行政經理 人力資源及行政主任 行政秘書 接待員／初級秘書 助理
馮紹昌 簡凱彤 * 謝凱婷 李美娟 黃國愛
HR & ADMINISTRATION HR & Administration Manager HR & Administration Officer Executive Secretary Receptionist/Junior Secretary General Assistant
Calvin Fung Vivian Kan* Heidi Tse Virginia Li Bonia Wong
蘇寶蓮 *
Grace Lam*
Joe Tang*
Louis Cheung*
Michael Lie Ken Jie*
Conny Souw*
技術統籌 * Technical Coordinators* 歐慧瑜 Rachel Au、陳焯華 Billy Chan、陳寶愉 Bobo Chan、陳佩儀 Claudia Chan、陳詠杰 Chan Wing-kit、 陳家彤 Doris Chen、鄺嘉欣 Karen Kwong、黎智勇 Martin Lai、林環 Nancy Lam、 羅瑞麟 Lo Shui-lun、 曾家慧 Joanne Tsang、黃靜文 Ivy Wong 藝術家統籌 * Artist Coordinators*
鄭瑋菁 Virginia Cheng、馮顯峰 Fung Hin-fung、張素真 Susan Hayden、何嘉露 Carrol Ho、彭慧雯 Jan Pang、 黃婉媚 Becky Wong、游慧姿 Janet Yau
節目時間表 Programme Calendar 歌劇 戲 /曲 OPERA / CHINESE OPERA
中國國家京劇院 主演：于魁智、李勝素 -《鳳還巢》 -《牛皋下書 ‧ 挑滑車》、《打漁殺家》 -《帝女花》 -《紅鬃烈馬》
China National Peking Opera Company Featuring: Yu Kuizhi, Li Shengsu - The Phoenix Returns to Its Nest - Breaking the Siege/Lifting the Chariots and The Fisherman's Revenge - Princess Changping - Rekindling a Life-Long Romance
賽馬會本地菁英創作系列： 粵劇《百花亭贈劍》毛俊輝導演作品 改編及導演：毛俊輝
Jockey Club Local Creative Talents Series: Cantonese Opera - Pavilion of a Hundred Flowers Adaptation and Director: Fredric Mao
粵劇《霸王別姬》 藝術總監：尤聲普
Cantonese Opera - Farewell My Concubine Artistic Director: Yau Sing-po
CHCH
27/2 28/2
7:30pm 7:30pm
CCGT
2/3 3/3
7:30pm 7:30pm
APAL
2-4/3
8pm
CHCH
9-11/3
7:30pm
CCGT
15, 17/3
7:30pm
Maxim Rysanov and Hong Kong Sinfonietta Music Director and Conductor: Yip Wing-sie
CHCH
25/2
8pm
巴．羅克樂團《聲音之旅》 藝術領導及小提琴獨奏：德米特里．辛柯夫斯基
B’Rock Orchestra - Sounding Stories Artistic leader and Solo Violin: Dmitry Sinkovsky
CHCH
1/3
8pm
潘尼迪爾鋼琴獨奏會
Jean-Claude Pennetier Piano Recital
CHCH
2/3
8pm
香港中樂團《劉邦．項羽．兵馬俑》 指揮：閻惠昌
Hong Kong Chinese Orchestra Liu Bang, Xiang Yu and the Terra Cotta Warriors Conductor: Yan Huichang
CCCH
3/3
8pm
愛沙尼亞之聲 指揮：約翰 - 艾克．杜爾夫
Vox Clamantis Conductor: Jaan-Eik Tulve
CHCH
3/3
8pm
愛沙尼亞之聲與潘尼迪爾
Vox Clamantis and Jean-Claude Pennetier
CHCH
4/3
4pm
鋼琴三重奏 - 潘尼迪爾．巴斯基耶．皮杜 鋼琴：潘尼迪爾 小提琴：巴斯基耶 大提琴：皮杜
Trio Pennetier Pasquier Pidoux Piano: Jean-Claude Pennetier Violin: Regis Pasquier Cello: Roland Pidoux
CHCH
5/3
8pm
俄羅斯史維特蘭諾夫國家交響樂團 指揮：克利斯蒂安．約菲
State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" Conductor: Kristjan Järvi
CCCH
8-10/3
8pm
威爾斯國家歌劇院．親子音樂會
O is for OPERA! Family Concert by Welsh National Opera
CCCH
16/3
8pm
CHCH
16/3
8pm
Beyond Impressionism - Piano Concert and Film Screening 《跨越意象》鋼琴音樂會及電影放映 CHCH 鋼琴：張郁苓、黃蔚然、黃蔚園、娉婷鋼琴二重奏 Piano: Evelyn Chang, Wong Wai-yin, Wong Wai-yuen, Duo Ping & Ting
17/3
6pm
威爾斯國家歌劇院 - 德布西《佩利亞斯與梅麗桑德》 Welsh National Opera - Debussy’s Pelléas et Mélisande Conductor: Lothar Koenigs 指揮：洛德．古尼斯
音樂
MUSIC
《最愛中提琴》：賴沙諾夫與香港小交響樂團 音樂總監及指揮：葉詠詩
西班牙之風古樂團 《重拾失落在美洲的西班牙瑰寶》 指揮及古鍵琴：愛德華度．盧比斯．班素
Al Ayre Español - Spanish Treasures in the Americas Conductor and Harpsichord: Eduardo López Banzo
爵士樂 世 / 界音樂 Jazz / WorlD MUSIC
丹麥國家交響樂團 指揮：法比奧．雷西
Danish National Symphony Orchestra Conductor: Fabio Luisi
CCCH
20/3
8pm
瑞士韋爾比亞音樂節室樂團 指揮：加博爾．塔卡奇 - 納吉 鋼琴：張緯晴 大提琴：戈蒂埃．卡普森
Verbier Festival Chamber Orchestra Conductor: Gábor Takács-Nagy Piano: Rachel Cheung Cello: Gautier Capuçon
CHCH
23/3
8pm
愛沙尼亞國家交響樂團及 愛沙尼亞國家男聲合唱團 指揮：萊夫．薩格士譚
Estonian National Symphony Orchestra and Estonian National Male Choir Conductor: Leif Segerstam
CCCH CHCH
24/3 25/3
8pm 5pm
傑思．博迪
Chris Botti
CCCH
23-24/2
8pm
爵士新潮 - 霍圖納與辛波絲卡《詩樂對話》 - Vila Navio 三重奏 - 霍圖納爵士四重奏
Nouveau Jazz Weekend - Fortuna Plays Szymborska - Vila Navio - Maciej Fortuna Special Quartet
HKAC-ST 3-4/3 3/3 4/3
3pm 9pm 8pm
世界音樂週末營 - 安娜．瑪麗亞．悠珮克及 Kroke 三重奏 - Songhee 韓國清唱研究所 - 白雲
World Music Weekend - Anna Maria Jopek and Kroke - Songhee Pansori LAB - Namgar
APAA
17-18/3 18/3 18/3
8pm 3pm 5pm
瑟西兒．麥克羅恩．莎芳與艾倫．迪爾三重奏
Cécile McLorin Salvant and the Aaron Diehl Trio
CCCH
21-22/3
8pm
CCGT CCCH CCST
香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre
CHCH CHTH APAL
香港大會堂音樂廳 Concert Hall, HK City Hall 香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA
Ballett Zürich - Anna Karenina Choreographer: Christian Spuck
CCGT
23-24/2 24-25/2
7:30pm 2:30pm
亞太舞蹈平台（第十屆）
Asia Pacific Dance Platform X
- 松根充和《舞得入境》
- Michikazu Matsune: Dance, if you want to enter my country! FC-FU
- 馬丁．赫辛《身身相印》 - 奧菲爾．約迪拉維治《萬有引力》及 尼克．鮑華《蚊型城市間》
- Martin Hansen: if it’s all in my veins - Ofir Yudilevitch: Gravitas and Nick Power: Between Tiny Cities
23/2 24/2 13-14/3 16/3 17/3
8pm 3pm 8pm 8pm 3pm
香港賽馬會當代舞蹈平台
The Hong Kong Jockey Club Contemporary Dance Series
-《舞．聲》 編舞：陳穎業、梁儉豐、盤彥燊 聲音藝術家：彼得．萊納
- The Battle Zone | Vortex Choreographers: Yip Chan, Kenny Leung, Wayson Poon Sound Artist: Peter Lenaerts
24/2 25/2
8:15pm 3pm
-《兩地書》 編舞：李超、白濰銘、潘振濠、謝欣、 楊暢、楊浩、姚潔琪、張翼翔
CCST - Dance Exchange Choreographers: Li Chao, Ming Pak, Poon Chun-ho, Xie Xin, Yang Chang, Yang Hao, Judy Yiu, Zhang Yixiang
3/3 4/3
8:15pm 3pm
-《舞鬥》 編舞：程偉彬、柯志輝、廖月敏、呂沅蔚、 馬師雅、黃翠絲、張喜龍
- Dance Off Choreographers: Rex Cheng, Felix Ke, Sudhee Liao, Evains Lui, Alice Ma, Tracy Wong, Solong Zhang
KTT-BBT
22-25/3 24-25/3
8pm 3pm
薩卡洛娃及列賓《足尖情弦》 舞者：斯文蘭娜．薩卡洛娃 小提琴 : 瓦汀．列賓
Svetlana Zakharova and Vadim Repin Pas de deux for Toes and Fingers Dancer: Svetlana Zakharova Violin: Vadim Repin
CCGT
27-28/2
7:30pm
PPS 舞團《反斗校園》 藝術總監及編舞：皮埃 - 保羅．薩瓦
PPS Danse - Playing Hooky Artistic Director and Choreographer: Pierre-Paul Savoie
SWCC-TH 3-4/3 4/3
KTT-BBT KTT-BBT
CCST
8pm 3pm
TheaTre
戲劇
佛蘭明高大師加凡
Israel Galván - FLA.CO.MEN
CCGT
5-6/3
7:30pm
勅使川原三郎 | 渡烏舞團《崔斯坦與伊索德》
Saburo Teshigawara | KARAS - Tristan and Isolde
CHTH
8-11/3
8pm
美國芭蕾舞劇院《芭蕾小忌廉》 編舞：阿列克塞．羅曼斯基 藝術總監：凱文．麥肯齊
American Ballet Theatre - Whipped Cream Choreographer: Alexei Ratmansky Artistic Director: Kevin McKenzie
CCGT
22-25/3 25/3
7:30pm 2:30pm
南非開普敦港口劇團《非洲少年流浪記》 改編自莊尼．斯坦貝格小說 導演：馬克．當福 - 梅
Isango Ensemble - A Man of Good Hope Based on the book by Jonny Steinberg Director: Mark Dornford-May
APAL
23-24/2 24-25/2
7:30pm 2:30pm
APA-DT
24/2 25/2
7pm 2:30pm
The Great Learning Playwright and Director: Tang Chi-kin
CHTH
24-25, 28/2, 8pm 1-3/3 3pm 25/2, 4/3
National Theatre of Great Britain The Curious Incident of the Dog in the Night-Time Original: Mark Haddon Adaptation: Simon Stephens Director: Marianne Elliott
APAL
8-11, 13-18/3 10-11, 17-18/3
7:30pm
Les 7 Doigts de la Main and Theatre Republique Bosch Dreams Idea and Concept: Samuel Tétreault, Martin Tulinius, Ange Potier
CCGT
9-10/3 11/3
7:30pm 2:30pm
Claude Régy - Dream and Derangement Director: Claude Régy
CCST
9-10/3 10-11/3
8:15pm 4:30pm
奧克拉荷馬自然劇團及 EnKnap 舞團 《美國獨立宣言之幸福大作戰》 編劇及導演：柏維爾．利斯卡、嘉莉．古柏
Nature Theater of Oklahoma & EnKnapGroup Pursuit of Happiness Playwright and Director: Pavol Liska, Kelly Copper
CHTH
14-16/3
8pm
《中庸之幸福學堂》 編劇及導演：鄧智堅
Doctrine of Happiness Playwright and Director: Tang Chi-kin
CCST
16-17, 22-24/3 18, 24-25/3
8:15pm
倫敦巡迴劇團及愛丁堡皇家蘭心劇院 《祈願女之歌》 編劇：埃斯庫羅斯 新版本：大衛．葛利格 導演：拉文．格雷
Actors Touring Company and Royal Lyceum Theatre Edinburgh - The Suppliant Women Original: Aeschylus Adaptation: David Greig Director: Ramin Gray
CHTH
22-24/3 24-25/3
8pm 3pm
俄羅斯國家劇院《俄羅斯平民風景》 （舒克辛小品） Theatre of Nations (Russia) - Shukshin's Stories Director: Alvis Hermanis 導演：艾維斯．赫曼尼斯 《大學之烈火青春》 編劇及導演：鄧智堅 英國國家劇院《深夜小狗神秘習題》 原著：馬克．海登 改編：西門．史提芬斯 導演：瑪麗安．艾莉特 七指雜技團及哥本哈根共和國劇團 《博希的奇幻旅程》 概念：薩穆爾．特塞雷、馬 丁．迪尼路斯、安殊．博田 克勞德．雷吉《夢與狂妄》 導演：克勞德．雷吉
APAA APADT HKAC
香港演藝學院香港賽馬會演藝劇院 The Hong Kong Jockey Club Amphitheatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre
2:30pm
3pm
FC-FU 藝穗會樓上劇場 Fringe Upstairs, Fringe Club SWCC-T 上環文娛中心劇院 Theatre, Sheung Wan Civic Centre KTT-BBT 葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre
資料截至 Information as of: Oct 2017
DaNCe
舞蹈
蘇黎世芭蕾舞團《安娜．卡列妮娜》 編舞：克里斯蒂安．施普克
藝術節加料節目 Festival 節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 特 備 節 目 SpecialS 舞 蹈 DaNce 音 樂
17/3/2018 23/2-25/3/18 24-25/3/2018
聲．色愛沙尼亞 Sound and Colour from Estonia 香港藝術節傑出文化領袖講座系列（五）威爾斯國家歌劇院藝術總監大衛·普尼 HKAF Distinguished Cultural Leader Series (V) In Conversation with David Pountney, Artistic Director of Welsh National Opera 歌劇探秘同樂日 Opera Adventure Day 《十二面體 - 精粹 132》- 馬克 ‧ 雷登作品 Dodecahedron - Quintessence 132 by Mark Ryden 美國芭蕾舞劇院全接觸 ABT Recipe
24, 25/2/2018 24/2/2018 5/3/2018 5/3/2018 24, 25/3/2018 24, 25/3/2018 24/3/2018 24/3/2018 25/3/2018 24,25/3/2018 25/3/2018
後台參觀 - 走進托爾斯泰的芭蕾世界 Backstage Tour: Tolstoy’s Ballet World 《安娜．卡列尼娜》演前講座 Pre-Performance Talk: Anna Karenina PPS 舞團《反斗校園》駐節藝術家計劃展演 Artist-in-Residence Project: PPS Danse Showcase 佛蘭明高魅力俱樂部 Flamenco Club Off-stage 美國芭蕾舞劇院彩排參觀 Observing ABT Company Class 《芭蕾小忌廉》兒童工作坊 ABT Kids - Whipped Cream Children Workshop 美國芭蕾舞劇院大師班（中級程度）ABT Masterclass (Intermediate level) 樂韻芭蕾藝術教育音樂會 From Music to Ballet Education Concert 美國芭蕾舞劇院大師班（高級程度）ABT Masterclass (Advance level) 後台參觀：雷登的超現實甜美國度 Backstage Tour: A Pop Surrealist's Delirium 《芭蕾小忌廉》演前講座 Pre-Performance Talk: Whipped Cream
2,5/3/2018 15/3/2018
MUSic
2/2/2018 2, 5/3/2018 3/3/2018 5/3/2018 7/3/2018 8/3/2018 9/3/2018 10/3/2018 18/3/2018 19/3/2018 19/3/2018 20/3/2018 21/3/2018 24/3/2018
歌 劇 ／ 戲 曲 OpeRa 戲 劇 THeaTRe 電 影
4/2/2018 26/2/2018 15-17/3/2018 15, 17/3/2018 16, 17/3/2018 16, 17/3/2018 17/3/2018 17/3/2018 17/3/2018 25/2/2018 10, 11/3/2018 10/3/2018 11/3/2018
FilM
24/1, 10/3/2018 27/1, 3/2/2018 8/2/2018 10/3/2018 22-25/3/2018
加料講座及演出：拉赫曼尼諾夫的樂與畫 PLUS Artist Talk & Performance: Rachmaninov: Music and Art 李希特及帕特：愛沙尼亞之聲展覽音樂會 Richter Meets Pärt: Vox Clamantis - Concert at an Exhibition 潘尼迪爾雙鋼琴大師班 Jean-Claude Pennetier Piano Duo Masterclass 葛利果聖歌合唱工作坊 Gregorian Chant Workshop 香港演藝學院音樂學院座談會系列：國際指揮家之路 HKAPA School of Music Assembly Series: A Conductor's Journey 演前講座：與俄羅斯樂團巡演經驗談 Pre-Performance Talk: Touring with Russian Orchestras 演前講座：俄羅斯史維特蘭諾夫國家交響樂團 Pre-Performance Talk : State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" 演前講座：拉赫曼尼諾夫之鋼琴音樂 Pre-Performance Talk: Rachmaninov's Piano Music 演前講座：韓國清唱與蒙古民謠 Pre-Performance Talk: Pansori & Mongolian Songs 李飈敲擊樂大師班 Percussion Masterclass with Li Biao 聲樂大師班及藝術家沙龍：法比奧．雷西 Vocal Masterclass and Artist Salon: Fabio Luisi 演前講座：作曲家尼爾森與丹麥 Pre-Performance Talk: Carl Nielsen and the Danes (DNSO) 演前講座：爵士女伶 Pre-Performance Talk: Matriarchs of Jazz 演前講座：與米克．烏列奧同唱 Pre-Performance Talk: Let's sing along with Mikk Üleoja 賽馬會本地菁英創作系列：《百花亭贈劍》公開彩排 Jockey Club Local Creative Talent Series: Pavilion of a Hundred Flowers Open Rehearsal 藝術家沙龍 : 京劇與梅派 Artist Salon: Peking Opera and the School of Mui 魔法蝴蝶虛擬實境 Magic Butterfly VR Experience 《佩利亞斯與梅麗桑德》演前講座 Pre-Performance Talk: Pelléas et Mélisande 《卡門》歌劇兒童入門工作坊 Whistle Stop Tour of Carmen Opera Workshop 兒童敲擊樂 Percussion Workshops for Kids 道具及戲服展覽 Props and Costumes Display 歌劇探秘加料演出 LIVE@Opera Adventure 後台參觀：德布西的迷霧秘境 Backstage Tour: Enter the World of Allemonde 舞蹈工作坊：玩轉南非舞蹈大熱身 Dance Workshop: Dance in the Isizhosa Tradition 後台參觀：《博希的奇幻旅程》Backstage Tour: The Fantastic World of Hieronymus Bosch 雜技樂園 Circus Funtasia 藝術家沙龍及紀錄片放映 : 法國戲劇大師雷吉的心路歷程 Artist Salon and Documentary Screening: The Art & Vision of Claude Régy 《葛哈．李希特 – 作畫》Gerhard Richter – Painting 《Bosch：地獄圖繪》Hieronymus Bosch: Touched by the Devil 《卡雅利沙的卡門》Isango Ensemble U-Carmen eKhayelitsha 《博希的奇幻世界》The Curious World of Hieronymus Bosch 《美國芭蕾舞劇院歷史回顧》電影放映 Documentary screening: American Ballet Theatre: A History