Voices of Hope and Togetherness—A Choral and Orchestral Gathering - 51st Hong Kong Arts Festival

第五十一屆香港藝術節隆重舉行，可 喜可賀。

逾半個世紀以來，藝術節每年均呈獻 多姿多彩的文藝節目，由古典音樂、 歌劇、戲劇，以至舞蹈、多媒體項 目等，包羅萬有，令觀眾大飽眼福。

今屆藝術節以《收音機與茱麗葉》及 《春之祭》芭蕾舞表演揭開序幕，兩 齣經典作品經由著名編舞家愛德華· 克魯格重新編排，加上斯洛文尼亞 國家歌劇院馬里博爾芭蕾舞團傾力演 出，萬眾矚目；約五星期後，歐洲頂 尖交響樂團—德國班貝格交響樂團將 登台獻技，為今年藝術節畫上圓滿句 號。其間上演的焦點節目還有： 國 際星級女高音安娜·涅翠柯與丈夫男 高音尤西夫·伊瓦佐夫聯袂表演的音 樂會；由藝術家威廉·肯特里奇精心 製作、南非木偶劇團和比利時里切卡 爾古樂團奇妙演繹的蒙特威爾第歌劇 《尤利西斯歸鄉記》；由芭蕾天后娜塔 麗亞·奧斯波娃領銜主演的芭蕾巨 星之《「世」不可擋》及傳奇舞姬之 《趾尖》；以及國際鋼琴大賽冠軍劉曉 禹的演奏會。

藝術節向來十分重視本地演藝人才， 致力讓他們一展才華。今屆藝術節亦 會上演多個粵劇節目，包括《竹林愛 傳奇》、「毛俊輝．粵劇情」、《畫皮》 (精新版)，以及「短篇粵劇—戲說 八德」； 並帶來其他本地作品，包括 《飯戲攻心》踏台版、《末戀．無愛合 約》、舞蹈歌劇《兩生花》等等，定 必精彩萬分，不容錯過。

大眾還可通過藝術節，體驗繽紛的藝 術魅力。法國食蟻獸沉浸式藝術工作 室創作的《第一步》，會邀請觀眾互 動共舞；在大館舉行的一系列免費藝 術科技節目，以及「無限亮」計劃， 亦會讓公眾參與其中。「無限亮」計 劃由本地和海外不同能力的藝術家擔 綱演出，鼓勵青少年衝破界限，探索

行政長官的話 MESSAGE FROM THE CHIEF EXECUTIVE

I would like to congratulate the Hong Kong Arts Festival on the organisation of its 51st edition.

For more than half a century now, the Arts Festival has enthralled audiences with a superb annual programme of arts and culture performances embracing classical music and opera, theatre, dance, multimedia and a great deal more.

This year’s Arts Festival programme opens with the Slovene National Theatre Maribor’s ballet performances of Radio and Juliet and Le Sacre du Printemps, two classics re-imagined by celebrated choreographer Edward Clug. It closes, nearly five weeks later, with a concert by Germany’s Bamberg Symphony, one of Europe’s greatest orchestras. Other highlights include Anna Netrebko, one of the world’s great sopranos, performing with her husband, tenor Yusif Eyvazov; artist William Kentridge’s remarkable production of Monteverdi’s opera, Il Ritorno d’Ulisse, brought to life by South Africa’s Handspring Puppet Company and Belgium’s Ricercar Consort periodinstrument ensemble; Ballet Superstars’ Force of Nature and Legendary Ballerina

新知。「香港藝術節青少年之友」計 劃同樣以豐富年輕人的體驗為目標， 籌備了多場學校巡演、演前工作坊和 特備節目。「加料節目」的創意活動 則把全港觀眾與藝術家連繫起來，讓 藝術文化遍及社區。

我感謝香港藝術節盡心竭力推廣藝術 文化，協助推動香港發展為中外文 化藝術交流中心。我亦感謝一眾贊 助商和捐款人慷慨襄助，令藝術節精 彩紛呈。

今年的藝術盛宴每場表演均可貴可 喜，大家定能盡情享受，樂在其中。

in Two Feet featuring supreme ballerina Natalia Osipova; and concerts by the international award-winning piano virtuoso Bruce Liu.

As always, the Festival shines a spotlight on standout artists from Hong Kong. This year’s Cantonese opera offerings include Love in the Bamboo Grove, Cantonese Opera Classics Circa 2023, The Painted Skin (Refined Edition) and Virtues and Morality—Four Cantonese Operas. Local productions including Table For Six on Stage, Loveless Romance and Love Streams are sure to be among this year’s Festival highlights.

Several programmes invite public participation as well, including the First Steps participatory dance performances staged by France’s Tamanoir Immersive Studio, as well as Tai Kwun’s free series of arts tech productions and the Festival’s No Limits programme, led by local and international artists of varying abilities. No Limits’ offerings emphasise youth exploration, as does the Young Friends of the Hong Kong Arts Festival with its school tours, preperformance workshops and special programming. And then there is the Festival PLUS creative activities that bring artists and audiences together in communities throughout Hong Kong.

I am grateful to the Hong Kong Arts Festival for its inspired commitment to the arts and to Hong Kong’s continuing rise as an East-meets-West centre for international cultural exchange. My thanks, as well, to the Festival’s many generous sponsors and donors.

I know you will treasure every performance, every moment, of this year’s Hong Kong Arts Festival.

John KC Lee Chief Executive Hong Kong Special Administrative Region

歡迎閣下蒞臨第 51 屆香港藝術 節。隨着香港走出疫情的陰霾，藝 術節再度匯聚本地及世界各地的頂 尖藝術家，呈獻一連串精采的現場 表演。儘管網絡世界無遠弗屆， 親身觀賞演出的體驗依然是無可取 替。今日，我很高興能夠與大家 聚首一堂，共同體驗現場表演的 震撼力。

藝術節得以順利舉辦，有賴社會各 界的慷慨支持。我在此感謝香港 特別行政區政府透過康樂及文化事 務署的年度恆常撥款，為藝術節的 長遠工作奠下根基。我亦非常感 激香港賽馬會慈善信託基金的持續 支持，以及一眾企業贊助、慈善基 金會和個人捐助者的貢獻。我更要 向參與藝術節的藝術家表達由衷謝 意，尤其是早前因疫情而無奈取消 演出、但於今屆願意再度與我們合 作的藝術家。

另外，過去三年，藝術節團隊在充 滿不確定因素的環境下努力不懈， 克服種種難關，繼續為觀眾送上線 上線下的精采節目。我在此向團隊 的每一位成員致謝。

觀眾的支持及參與對藝術節至關重 要。感謝您前來欣賞今日的演出， 希望藝術節的節目能夠為您帶來喜 悅與希望。

主席的話 MESSAGE FROM THE CHAIRMAN

I am delighted to welcome you to the 51st edition of the Hong Kong Arts Festival. As the city recovers from the disruption of the pandemic, the Festival is returning with an array of live performances featuring top-notch artists from Hong Kong and across the world. Despite the boundless possibilities offered by the internet, attending performances in person remains an irreplaceable experience. It gives me great pleasure to share this collective experience with you today.

The Festival is made possible by the generosity of our supporters.

I wish to thank the HKSAR Government, via the Leisure and Cultural Services Department, for the annual subvention which underpins our long-standing work. I am also grateful for the ongoing contributions from The Hong Kong Jockey Club Charities Trust, as well as corporate sponsors, charitable foundations and individual donors. My sincere thanks go

to the participating artists for their dedication to bringing the best to our audiences, especially those returning after previous cancellations due to the pandemic.

I also want to thank the dedicated staff of the Festival who have worked extremely hard to overcome numerous challenges during the uncertainties of the past three years. Last but not least, the Festival counts on the support and participation of each member of the audience. Thank you for joining us at today’s performance. I hope that our programmes will bring you much joy and hope for the future.

Victor Cha Chairman Hong Kong Arts Festival

香港藝術節主席 查懋成

我謹代表藝術節團隊，歡迎閣下蒞 臨第 51 屆香港藝術節。

經歷了過去幾年疫情的影響，今年 藝術節以「回賞．前行」為題，表 達了我們隆重回歸舞台的決心。憑 着五十年來的努力，香港藝術節成 為了地區首屈一指的文化盛事，確 立了在國際間的重要地位。我們很 榮幸能夠繼往開來，並繼續在多方 面力求進步，與時俱進。在第 51 屆藝術節中，我們全新演繹大師傑 作、建立跨界合作、委約原創作 品，進一步發掘新的創作視野。這 些嘗試都展現了表演藝術的維度和 無限可能性，讓我們在探索的旅途 中向前邁進。

除了出色的表演，藝術節亦舉辦 了一系列「加料節目」，令觀眾對 演出作品有更深入的認識，豐富觀 賞體驗。我們亦繼續大力投資於 藝術教育，希望透過多元的外展活 動，以高質素的表演啟發香港的年 輕一代。

藝術節正式踏入第二個五十年，我 們將抱持樂觀的態度和更大的勇氣 面對未來的各種挑戰。希望您能夠 與我們同行，並喜歡藝術節為您準 備的節目。

行政總監的話

On behalf of the Festival team, I would like to extend to you a heartfelt welcome to the 51st Hong Kong Arts Festival.

Our theme this year, “Coming Back, Moving Forward”, represents our determination to come back in full force after several years of uncertainties caused by the pandemic. After five decades of hard work and dedication, the Festival has established itself as a premier arts event in the region and an important international arts festival. We are honoured to carry this legacy forward, while advancing our multifaceted work to stay relevant in the present. In the 51st edition, we discover creative voices through new renditions of masterpieces, cross-disciplinary collaborations and commissioned productions— all of which showcase the breadth and endless possibilities of the performing arts, taking us one step

forward in this journey of exploration. Beyond exceptional performances, we are also offering a series of auxiliary PLUS programmes to enhance audience engagement and provide deeper insights into our programmes. Our strong commitment to arts education is seen in the extensive outreach activities aimed at inspiring the younger generation of Hong Kong through promoting quality arts.

The Festival steps into the second half of its first centenary with both optimism and renewed courage to bravely face the great challenges ahead. I hope you will stay close with us and be inspired by what the Festival has to offer.

香港藝術節資助來自：

The Hong Kong Arts Festival is made possible with the funding support of:

Flora Yu

Executive Director

Hong Kong Arts Festival

MESSAGE FROM THE EXECUTIVE DIRECTOR

香港藝術節 HONG KONG ARTS FESTIVAL

扎根香港的國際藝壇盛事 聯繫中國與世界

An International Arts Festival in Hong Kong Connecting China and the World

香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化 盛事，於每年 2、 3 月期間呈獻眾多優秀本地及國際藝術家 的演出，以及舉辦多元化的「加料」和教育活動，致力豐 富香港的文化生活。

香港藝術節 是一所非牟利機構，2022/ 23 財政年度預計收

入（包括第 51 屆香港藝術節及 2023 年「無限亮」）約港 幣一億五千萬，當中香港特區政府的年度撥款佔總收入約 18%，另外約 24%需來自票房收入，約 43%則需依賴來自 各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘 下的約 15%則來自其他收入，包括政府針對捐款和贊助收 入而提供的配對資助。

香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，

例如* ：

• 歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯科大 劇院、聖彼得堡馬林斯基劇院

• 中國戲曲：中國國家京劇院、河北梆子劇院、上海張軍 崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團

• 古典音樂：塞西莉亞 • 芭托莉、列卡杜 • 沙爾、趙成 珍、古斯塔沃 • 杜達美、菲力普 • 格拉斯、馬友友、 丹尼斯 • 馬祖耶夫、安娜 • 涅翠柯、詹安德列亞 • 諾 斯達、小澤征爾、湯瑪士．夸斯托夫、甘拿迪 • 羅傑 斯特汶斯基、譚盾、湯沐海、克里斯蒂安 泰利曼、倫 敦交響樂團、NHK交響樂團、皇家阿姆斯特丹音樂廳樂 團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也

• 爵士樂及世界音樂：波比 麥非年、尤蘇 恩多爾、 艾斯佩蘭薩 • 斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼

• 舞蹈：米高 巴里殊尼哥夫、蕭菲 紀蓮、艾甘 漢、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團—約 翰．紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、 翩娜 包殊烏珀塔爾舞蹈劇場

• 戲劇：彼得 • 布祿克、羅伯特．利柏殊、蜷川幸雄、羅 柏特 • 威爾遜、柏林劇團、中國國家話劇院、皇家莎士 比亞劇團

• 大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊

• 戶外節目：《聲光園》、《幻光動感池》、《聲光頌》

香港藝術節積極與本地演藝人才合作，並致力為新進藝術 家提供展示才華的平台。藝術節至今委約及製作逾 250 套 本地全新創作，包括粵劇、戲劇、室內歌劇、音樂和舞蹈 作品，不少製作更已在香港及海外多度重演。近年的藝術 節新製作包括《鼠疫》、《陪着你走》、《百花亭贈劍》、《香 港家族》三部曲、《世紀

The HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.

The HKAF is a non-profit organisation. The total estimated income for FY2022/23 (including the 51st Hong Kong Arts Festival and 2023 “No Limits”) is approximately HK$150 million. Current Government annual funding accounts for around 18% of the Festival's total income. Around 24% of the Festival’s income needs to come from the box office, and around 43% from sponsorship and donations made by corporations, individuals and charitable foundations. The remaining 15% is expected to come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. The HKAF has presented top international artists and ensembles across multiple genres, such as*:

• Western opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre

• Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe

Classical music: Cecilia Bartoli, Riccardo Chailly, Seong-Jin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Thomas Quasthoff, Gennady Rozhdestvensky, Tan Dun, Muhai Tang, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra

• Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini

Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet – John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch

• Theatre: Peter Brook, Robert Lepage, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

• Large-scale special events: World of Wearable Art, Zingaro

• Outdoor events: Power Plant, Super Pool, Chorus

The HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 250 local productions across genres including Cantonese opera, theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include The Plague, Always by Your Side, Pavilion of a Hundred Flowers, A Floating Family – A Trilogy, Hong Kong Odyssey, Danz Up, Datong – The Chinese Utopia, The Amahs and Murder in San Jose, to name a few.

The HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina

香港》、《炫舞場》、《大同》、 《金蘭姊妹》、《聖荷西謀殺案》等。

香港藝術節多年來與知名海外藝術家及團體聯合製作不少 優秀作品，當中包括由香港藝術節、香港歌德學院及翩 娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗人》、由倫 敦老域劇院、布魯克林音樂學院與尼爾街製作公司製作、 香港藝術節為聯合委約機構之一的「橫貫計劃」之《暴風 雨》及《李察三世》、由香港藝術節及上海國際藝術節聯 合委約的《青蛇》、三藩市歌劇院與香港藝術節聯合製作 的《紅樓夢》等。

香港藝術節 大力投資下一代的藝術教育。「青少年之友」

成立 30 年來，已為逾 810, 000 位本地中學生及大專生提供 藝術體驗活動。藝術節近年亦開展多項針對大、中、小學 生的藝術教育活動，包括由國際及本地藝術家主持的示範 講座及工作坊、學生展演、演前講座、公開彩排、以及欣 賞藝術節演出。同時，通過「學生票捐助計劃」，藝術節 每年提供約 10, 000 張半價學生票。

香港藝術節每年主辦一系列多元化並深入社區的「加料節 目」，例如電影放映、示範講座、大師班、工作坊、座談 會、後台參觀、展覽、藝人談、文化導賞團等，鼓勵觀眾 與藝術家互動接觸。

香港藝術節亦銳意將共融藝術理念拓展到社區每一角落。 由藝術節與香港賽馬會慈善信託基金聯合呈獻的「無限

2019 年正式開展，透過一系列的演出及多元的 教育及社區外展節目，「無限亮」致力創造共融空間，讓不 同能力人士均可以一同欣賞、參與、擁抱藝術。

Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake co-commissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera.

The HKAF invests heavily in arts education for young people. Over the past 30 years, our “Young Friends” scheme has reached over 810,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year.

The HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

The HKAF actively promotes inclusiveness and understanding via the arts to every corner of the community. The “No Limits” project, co-presented with The Hong Kong Jockey Club Charities Trust, was launched in 2019. Through a series of performances and diverse arts experiences for students and the community, “No Limits” strives to create an inclusive space for people with different abilities to share the joy of the arts together.

The HKAF officially launched the Hong Kong Arts Festival Foundation in 2022 to provide greater financial security and longterm sustainability for the Festival. Donations to the Foundation will help the Festival to present large-scale projects which its annual budget cannot cater for. (2023

香港藝術節為創造更穩健的財政環境以及確保藝術節的長期 可持續性，於 2022 年成立香港藝術節基金會，旨在讓藝術 節得以在未來進行年度預算以外的大型特別項目。

*有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at https://w2.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2021.html

誠邀贊助或捐助香港藝術節；詳情請與藝術節發展部聯絡。

To find out more about sponsorship opportunities and donation details for the Hong Kong Arts Festival, please contact the HKAF Development Department.

香港藝術節協會 2022 ／ 23 年度預計收入來源（約港幣一億五千萬）

電郵 Email: dev@hkaf.org

直綫 Direct Lines: (852) 2828 4910/11/12

網頁 Website: www.hk.artsfestival.org/en/support-us

Estimated Income Sources for Hong Kong Arts Festival Society in FY 2022/ 23 (Approximately HK$150 Million)

繁聲流動─ 管弦與合唱音樂盛會

VOICES OF HOPE AND TOGETHERNESS —

A CHORAL AND ORCHESTRAL GATHERING

04.03.2023 8pm

香港文化中心音樂廳

Concert Hall, Hong Kong Cultural Centre

演出長約 1 小時 45 分鐘，包括一節中場休息

Approximately 1 hour and 45 minutes including one interval

封面照片 Cover Photograph

Wilson Ng © Jino Park

Unsuk Chin © Priska Ketterer

John Adams © Deborah O’Grady

Esmé Quartet © Sihoo Kim

HKPhil © Ka Lam

Felix Yeung © Yatho Tsang

敬請關掉所有響鬧及發光裝置 Please switch off all sound-making and light-emitting devices 本場刊採用環保紙張印刷

This programme is printed on environmentally friendly paper

所有作品內容均由主辦單位/創作團隊獨立製作，並不代表贊助機構之立場或意見。

請勿擅自攝影、錄音或錄影

any kind

如不欲保留本場刊，請於完場後放入場地的回收箱

If you don't wish to keep this booklet, please return it at the admission point

All the content of works are independently produced by the organiser/creative team, and do not reflect the views or opinions of the Sponsor.

約翰．亞當斯 《尼克遜在中國》:第一幕第一場

序曲 〈天上的戰士頂天立地〉 〈如今的英雄是人民〉

約翰．亞當斯 《絕對的玩笑》

John Adams

Act I Scene 1, Nixon in China

Overture

"Soldiers of Heaven Hold the Sky" "The People are the Heroes Now"

John Adams Absolute Jest

陳銀淑 《星星的孩子》

1. 來自孤獨和浩瀚的黑暗

2. 光之歌

3. 橫越宇宙

4. 你撿起這個星球

5. 光之歌

6. 星球內的星球

7. 我看到一隻孔雀

8. 我看到……

9. 幻象

10. 夜

11. 星球內的星球

12. 早上

Unsuk Chin

Le Chant des Enfants des Étoiles (The Song of the Children of the Stars)

1. From the Darkness Lone and Vast

2. Chant of the Light

3. To Cross the Universe

4. You Picked Up the Planet

5. El Canto de la Luz (The Song of the Light)

6. Sphere within Sphere

7. I Saw a Peacock

8. I See…

9. A Vision

10. Noche (Night)

11. Sphere within Sphere

12. Mattina (Morning)

中場休息 Interval

樂曲介紹 Programme Notes

絲．古德曼㩦手合作，將美國 總統於北京訪華的五日行程史 實，以最合適的藝術方式搬上 舞台，演變成一齣大型歌劇。 如塞拉斯所講，歌劇能帶出不 同角度與世界觀，是一個很好 的媒介。此歌劇分為三幕，不 僅揭露頭條新聞下的真相，亦 帶出每位角色人前人後、理想 和現實的差異。

©Deborah O’Grady

約翰．亞當斯

John Adams (1947-)

約翰．亞當斯

《尼克遜在中國》:第一幕第一場 《尼克遜在中國》在 1987 年於美 國休斯頓大歌劇院首演，年僅 40 歲的美國作曲家約翰．亞當 斯因而一夕成名，時至今日產 量仍非常多，作品經常在世界 各地演出。去年秋天，三藩市 歌劇團演出了他改編自莎士比 亞的最新歌劇《安東尼與克麗 奧佩托拉》，大獲好評。

除了使亞當斯成名外，《尼克 遜在中國》亦振興了美國歌 劇，使它至今也歷久不衰。起 初亞當斯也對歌劇這個媒介半 信半疑，但後來遇到一位有遠 見及即將合作無間的舞台劇導 演彼得．塞拉斯，提出以美國 總統尼克遜於 1972 年 2 月歷史 性訪華為題，極具回響，因為 此次訪問是過去 20 年中美邦交 正常化過程中的重要一步。

塞拉斯、亞當斯及劇作家愛麗

塞拉斯、亞當斯及劇作家愛麗 絲．古德曼㩦手合作，將美國 總統於北京訪華的五日行程史 實，以最合適的藝術方式搬上 舞台，演變成一齣大型歌劇。 如塞拉斯所講，歌劇能帶出不 同角度與世界觀，是一個很好 的媒介。此歌劇分為三幕，不 僅揭露頭條新聞下的真相，亦 帶出每位角色人前人後、理想 和現實的差異。

約翰．亞當斯 《絕對的玩笑》

《絕對的玩笑》是亞當斯較後 期的作品，他自 70 年代起定居 於三藩市灣區柏克萊。樂曲於 2012 年首演，是灣區首屈一指 的三藩巿交響樂團慶祝其 100 周年的委約作品。亞當斯大 膽地以非一般的協奏曲方式創 作，為弦樂四重奏及管弦樂團 而譜曲。其中一個創作靈感來 自史特拉汶斯基 1920 年的新古 典主義作品《浦欽奈拉》，當 時作曲家希望以當代手法，將 既有的古典音樂帶往新世界。

亞當斯年少時居住於美國新 英格蘭，致力推崇貝多芬的 音樂，尤其是後期的作品。

《絕對的玩笑》取材自並引用 了貝多芬多首作品，包括 ： 升 C 小調弦樂四重奏（作品編號 131 ）、F 大調弦樂四重奏（作 品編號 135 ）、降 B 大調弦樂 四重奏大賦格（作品編號 130 ） （本為該四重奏之終曲）、《槌 子鍵琴》第 29 奏鳴曲（作品編 號 106 ）以及各交響曲中的諧 謔曲選段，特別是 D 小調第九 交響曲（作品編號 125 ）。

亞當斯特別欣賞德國天才作曲 家貝多芬能從微不足道的音樂 元素中，發掘出潛在的可能性 及使人著迷的能力。例如第九 交響曲諧謔曲中持續的節奏、 八度音程等，為諧謔曲添加另 一重意義。「 Scherzo 」是意大 利文「玩笑」的意思，這也符 合貝多芬強烈甚至瘋狂的幽默 感性格，但這同時也帶着諷刺 意味，它使一些無關痛癢或曇 花一現的事物，昇華至令人迷 戀的境界——這就是別具深度 及宏偉的音樂。亞當斯同樣地 將貝多芬的基因混入自己的音 樂概念中，並寫下這首大型作 品，當中更仿效古典音樂中主 題與變奏曲的創作過程。此創 造力也算是另一種「玩笑」， 或可稱為「風趣」，於創作層 面來說，比起漫不經心的笑話 更具意義。

對於弦樂四重奏及管弦樂團來 說，其中一個挑戰是如何維持 兩者間的互動，四重奏本身 是一個較緊密的合奏團體，而 管弦樂團則是龐大而極具威力 的。亞當斯巧妙地使用對位法 及與別不同的音色，例如糅合

牛鈴、豎琴及鋼琴，並調較 至非傳統西式的調律，予人一 種古代感。亞當斯最終徹底 修改了原來的版本，重新創作 並把它濃縮至另一件精品。 雖然《絕對的玩笑》引用了許 多貝多芬的樂段，但此樂曲亦 富有亞當斯的個人創作風格及 想像力。

也沿着這個方向，旨在創作一 首原創、令人興奮、具前進性 的聲景作品。最後完成作編制 龐大，可媲美貝多芬第九交響 曲及法國作曲家奧立佛．梅湘 的大型作品。

陳銀淑是南韓著名作曲家，獲 奬無數，現居於柏林。《星星的 孩子》是為了慶祝亞洲數一數 二的演出場地——首爾樂天音樂 廳開幕而創作，2016 年由首爾 愛樂樂團、韓國國立合唱團、 韓國國立男孩合唱團及鄭明勳 指揮合作首演。陳銀淑亦憑此 曲於 2021 年獲得森寧音樂獎。

陳銀淑想透過《星星的孩子》 帶出人類尤如宇宙中的其他事 物一樣，是「星星的孩子」，以 及「萬物同出一源」的概念。 即使我們有着不同的種族、信 仰及文化背景，亦無分你我。 此曲亦帶出陳銀淑對物理學及 天文學的熱愛，她每次作曲後 都會閱讀相關資料。她說：「然 後你會感到世間有點希望」，因 為這提醒她「我們全都來自那 些星星」。

撰文 湯馬士．梅

陳銀淑

Unsuk Chin (1961-)

陳銀淑 《星星的孩子》

陳銀淑於 60 年代在首爾開始學 習古典音樂時，貝多芬也是她 其中一位很鍾情的作曲家。她 的父親是位牧師，而由於家境 清貧，負擔不起唱片及音樂課 堂，她只好自學鋼琴。陳銀淑 解釋她喜歡貝多芬是因為貝多

芬不停地尋找創作新方向及勇 於突破，所以《星星的孩子》

陳銀淑運用了成人混聲合唱團 及男孩合唱團。陳銀淑說她 有一個夢想，希望有一天北韓 及南韓合唱團可以㩦手演唱此 曲。陳銀淑以詩入詞，為詩句 譜上美妙音樂。她選用的詩詞 出自浪漫時期詩人布萊克及雪 萊，現代芬蘭詩人依迪絲．索 德格蘭及婀娃莉莎．蔓納爾、 葡萄牙詩人費爾南多・佩索 亞，以及西班牙諾貝爾得奬者 胡安・拉夢・希梅內斯等詩人 筆下。陳銀淑選錄的詩詞內容 為宇宙的誕生、人的處境及永 恆的映像，除了主題吸引外， 也為作曲家帶來了音樂靈感。

作品中的鐘聲、敲擊樂及管風 琴形成獨特的音色，使其與別 不同，同時亦突顯了陳銀淑對 音色的敏銳度及運用，以及異 於常人的想像力。她說：「我 想創造出一個遼闊的聲音，不 只是大聲，而是要雄渾而壯 麗的」。

John Adams: Nixon in China

Act I Scene 1

The premiere of Nixon in China at the Houston Grand Opera in 1987 catapulted John Adams— only 40 years old at the time— to international fame. He went on to become one of the most frequently performed American composers still at work today and he remains tirelessly productive: just last autumn, the San Francisco Opera presented his latest opera, Antony and Cleopatra, which is based on the Shakespeare play.

In addition to its impact on the composer’s career, Nixon in China helped spark a renaissance of American opera that continues until the present and shows no signs of fading. Curiously, Adams initially approached the opera medium with some scepticism. But the visionary director Peter Sellars, who subsequently collaborated on almost all of Adams’ stage works, suggested

© Priska Ketterer

a topic that proved to be irresistible: the historic visit that American President Nixon made to the People’s Republic of China in February 1972, which was an essential step in normalising relations between the two countries after more than two decades without diplomatic ties.

Sellars, Adams and librettist Alice Goodman worked as a team to transform the raw, historical facts of the five-day stay by the presidential entourage in Beijing into a grand opera—the ideal art form, as Sellars convinced his colleagues, to represent a dialogue between dramatically different perspectives and world views. The opera comprises three acts that dive deep beneath the surface headlines of a media event to explore the tension between public and private lives and ideals.

We hear excerpts from the opening scene, in which a chorus of Chinese military officials await the arrival of the presidential plane. At this stage in his career, Adams had adapted the tools of minimalism into a personal language marked by powerful harmonic momentum and rhythmic energy. Instead of a formal overture, the opening minutes serve as a brief prelude based on a rising scale that evokes a sense of expectation. Adams makes a point not to engage in musical “tourism”, so there was no attempt to write “Chinese-sounding” music. The chorus enters, adding a somber, almost ritualistic layer

to Goodman’s oracle-like poetry. It conveys the message of the mythic heroes of old being replaced by everyday people— while the ordinary daily tasks of the farmer in turn are framed in legendary terms. One of the main themes of Nixon in China revolves around the idea of heroism and our need for heroes.

John Adams: Absolute Jest  Absolute Jest comes from a later stage in Adams’ career. Premiered in 2012, it resulted from a commission to celebrate the 100th anniversary of the San Francisco Symphony— the leading orchestra in the Bay Area, where Adams settled in the 1970s and where he has lived ever since (across the Bay from San Francisco, in Berkeley). For the occasion, Adams made the daring decision to compose for the unusual format of a concerto for orchestra and string quartet. Another impetus was his experience with Igor Stravinsky’s neoclassical Pulcinella Suite from 1920, which reworks musical artefacts from the past into a new context.

Ever since his teenage years in New England, Adams had revered the music of Beethoven, particularly from the “late period”. Absolute Jest draws on material from and allusions to the String Quartets in C-sharp minor (Op. 131), in F major (Op. 135) and the Grosse Fuge (the “Great Fugue”) originally intended as the finale to the Quartet in B-flat major (Op. 130); the Hammerklavier Sonata No.

29 (Op. 106); and snippets of the symphonic scherzos, above all the scherzo from the Ninth Symphony in D minor, Op. 125.  What Adams especially admires in Beethoven is the great German composer’s genius for discovering hidden potential and “ecstatic energy” in the most elemental material, such as the insistent rhythm, separated by an octave, of the Ninth Symphony’s Scherzo movement. The focus on Beethoven’s scherzos adds another layer of meaning here. “Scherzo” is the Italian work for “joke” and is associated with Beethoven’s driving, almost manic humour. But this is also an ironic humour that is capable of transforming something that seems trivial or transitory into a transcendent obsession—music of cosmic scope and profundity. Adams similarly recombines the Beethovenian DNA and his own musical ideas into a large-scale form that recalls the classical process of theme and variations. This act of invention brings to mind another sense of “jest,” which is similar to “wit”—and, in its creative implications, far more than a lighthearted joke.

One of the challenges posed by the combination of string quartet and orchestra is how to engage these two entities in dialogue in a plausible way, since the quartet by itself is such an intimate medium, in contrast to the power and sheer mass of the orchestral ensemble. Adams addressed this through his brilliant use of counterpoint

and unusual colours, such as the combination of cowbells, harp and piano tuned in non-Western mean temperament to suggest an archaic sonority. He ended up radically revising the original version, condensing but also recomposing it into a fascinating variant of the concerto idea. Despite his many allusions to Beethoven, Absolute Jest conveys the power of Adams’ own personality and creative imagination.

Unsuk Chin: Le Chant des Enfants des Étoiles (The Song of the Children of the Stars)

Beethoven was also one of Unsuk Chin’s favourite composers when she started learning classical music as a youngster in Seoul in the 1960s. The daughter of a minister, she taught herself piano. (The family had no money for records or music lessons.) One reason Beethoven appealed to her, Chin has explained, is because “he was constantly looking for new directions” and “for original solutions, even if this meant breaking through existing forms”. Le Chant des Enfants des Étoiles (“The Song of the Children of the Stars”) similarly finds new ways to build an original, thrilling, transportive soundscape The result is an epic score that can claim its place in a lineage of visionary compositions that also includes such works as Beethoven’s Ninth Symphony and the cosmic orchestral canvases of Olivier Messiaen.

Chin composed Le Chant to celebrate the inauguration of one of Asia’s great concert venues, the Lotte Concert Hall in Seoul, where it was premiered in 2016 by the Seoul Philharmonic Orchestra, Korean National Choir and Korean National Boys Choir under the direction of  MyungWhun Chung, to whom Chin dedicated the work. Le Chant in particular was cited when she received the Léonie Sonning Music Prize in 2021—one of the many distinctions garnered by South Korea’s leading composer, who lives in Berlin.

Chin employs a full mixed adult choir and a boys’ choir. One dream that reflects the idealism of Le Chant, she says, is for a combined choir of North and South Koreans to perform the piece one day. Chin’s beautifully textured writing for the voice illuminates the eclectic range of a dozen or so texts she chose, from Romantic poets such as Blake and Shelley to the modern Finnish poets Edith Södergran and Eeva-Liisa Manner, the Portuguese Fernando Pessoa and the Nobel Prize-wining Spanish poet Juan Ramón Rimenez, among others. Chin selected texts that deal with the birth of universe, the human condition or images of eternity— not only for their themes but because they even suggested musical images.

heightened sensitivity to timbral nuance and its implications, which she draws out with extraordinary imagination. “I wanted to create a very big sound: not only loud, but also with lots of power”, she says.

The concept underlying Le Chant, according to Chin, is that human beings, like everything else in the universe, “are all children of stars” and that there is “no boundary or difference” regardless of our apparent differences of ethnicity, religion or cultural background. Le Chant also reflects her passion for physics and astronomy, which Chin enjoys studying after a day spent composing. “Then you feel some hope in this world,” she says, because this perspective reminds her that “we all come from the stars”.

The sounds of bells, percussion and the organ in particular are part of Le Chant’s signature sonority. Chin’s music shows a Text: Thomas May

約翰· 亞當斯 JOHN ADAMS

作曲家 Composer

約翰·亞當斯是作曲家、指揮 家，也是創意迭出的思想家， 在美國音樂界獨樹一幟。他的 作品以深刻的手法、美妙的聲 音和濃厚的人文色彩，在當代 的古典之作中脫穎而出。

亞當斯有幾部作品已列為經常 演奏的當代古典傑作：《和聲 學》、《震教徒的環》、《室內交 響樂》、《絕對的玩笑》、《快機 器中的短旅程》和他的小提琴 協奏曲。他與導演彼得‧塞拉 斯合作的舞台作品有《尼克遜 在中國》、《克林霍弗之死》、 《聖嬰誕生》、《原子博士》、 《一棵開花的樹》和耶穌受難清 唱劇《另一位瑪利亞的福音》。

亞當斯是 2019 年伊拉斯謨獎 的獲得者，「以表彰他對歐洲 文化、社會和社會科學的傑出 貢獻」——這是該獎項 61 年來 唯一獲此殊榮的美國作曲家。 他極力支持同輩作曲家，首演 了 100 多部新作，包括菲利 普·格拉斯、特里·萊利，到 年輕新銳作曲家的作品。

自 2009 年以來，他一直擔任 洛杉磯愛樂樂團的創意總監。 他也是一位大膽敢言的作家， 著有備受讚譽的自傳《哈利路 亞路口》，文章曾刊於《紐約 客》雜誌和《紐約時報書評》。

亞當斯為自己的作品親自執 棒，也指揮衆多類型的曲目， 曾與柏林愛樂樂團、皇家阿姆

斯特丹音樂廳管弦樂團、倫敦 交響樂團、維也納交響樂團、 紐約愛樂樂團、洛杉磯愛樂樂 團，以及西雅圖、克利夫蘭和 鹿特丹等樂團合作演出。

Composer, conductor, and creative thinker John Adams occupies a unique position in the world of American music. His works stand out among contemporary classical compositions for their depth of expression, brilliance of sound, and the profoundly humanist nature of their themes.

Among Adams’s works are several of the most performed contemporary classical pieces today: Harmonielehre, Shaker Loops, Chamber Symphony,  Absolute Jest, Short Ride in a Fast Machine and his Violin Concerto. His stage works, in collaboration with director Peter Sellars, include Nixon in China, The Death of Klinghoffer, El Niño, Doctor Atomic, A Flowering Tree and the Passion oratorio The Gospel According to the Other Mary.

Adams is the 2019 recipient of the Erasmus Prize “for notable contributions to European culture, society and social science”—the only American composer to be so honoured in the prize’s 61-year history. As an advocate of his composer colleagues, Adams has premiered more than 100 new

works ranging from composers such as Philip Glass and Terry Riley to works by young emerging composers.

Since 2009 he has held the position of Creative Chair with the Los Angeles Philharmonic. Also a provocative writer, he is author of the highly acclaimed autobiography Hallelujah Junction and his writings have appeared in both The New Yorker Magazine and The New York Times Book Review.

As a conductor of his own works and wide variety of repertoire, Adams has appeared with the Berliner Philharmoniker, the Royal Concertgebouw Orchestra, the London Symphony Orchestra, the Wiener Symphoniker, the New York Philharmonic and the Los Angeles Philharmonic, and the orchestras of Seattle, Cleveland and Rotterdam.

（英文原稿經 Boosey & Hawkes 出版社 允准轉載）

Text: Reprinted by kind permission of Boosey & Hawkes.

©Deborah O’Grady

陳銀淑 UNSUK CHIN

作曲家 Composer

陳銀淑身兼作曲家和演出策劃 人， 1961 年出生於首爾，自 1985 年起一直居於德國。陳銀 淑在其職業生涯贏取了多個古 典音樂獎項，如丹麥的森寧音 樂獎、芬蘭的西貝流士獎和美 國的格文美爾大獎。她的音樂 吸引了多位國際指揮家關注， 如西蒙·歷圖、阿倫·吉爾伯 特、古斯塔沃·杜達美、長野 健等。陳銀淑經常受世界頂級 表演機構委托創作，由柏林愛 樂樂團、紐約愛樂樂團、芝加 哥交響樂團、阿姆斯特丹皇家 音樂廳樂團等知名樂團演出。

她曾在盧塞恩音樂節、北德廣 播易北愛樂樂團、BBC 的 Total Immersion 音樂節等當駐場作 曲家。 2007 年，她的首部歌劇 《愛麗絲夢遊仙境》在巴伐利亞 國家歌劇院舉行了全球首演， 拉開了慕尼黑歌劇節的序幕。

陳銀淑還積極策劃音樂會。她

曾擔任 2006- 17 年首爾愛樂樂

團「新藝術」系列藝術總監、

2011- 20 年倫敦愛樂樂團「今 日音樂」系列藝術總監、 2022 年統營國際音樂節藝術總監、

2023 年洛杉磯愛樂樂團的「首 爾節」總監。

Composer and curator Unsuk Chin was born in Seoul in 1961 and has lived in Germany since 1985. Chin’s career has been celebrated with a series of classical music awards such as the Leonie Sonning Prize, the Sibelius Prize and the Grawemeyer Award. Her music has attracted the attention of international conductors such as Simon Rattle, Alan Gilbert, Gustavo Dudamel, Kent Nagano and others. Regularly commissioned by leading performing organisations worldwide, Chin's music has been performed by orchestras such as the Berlin Philharmonic, the New York Philharmonic, the Chicago Symphony Orchestra, the Royal Concertgebouw, among others. She has served as the Composer-in-Residence of the Lucerne Festival, the NDR Elbphilharmonie Orchestra, the BBC’s Total Immersion Festival and many more. In 2007, Chin’s first opera, Alice in Wonderland, received its world premiere at the Bavarian State Opera, opening the Munich Opera Festival. Chin has also been active as a concert curator. She was Artistic Director of the Seoul Philharmonic's Ars Nova series from 2006-17, of the London-based Philharmonia Orchestra's Music of Today series from 2011-20, the Artistic Director of the International Tongyeong Music Festival from 2022 and the Director of the Seoul Festival of the Los Angeles Philharmonic in 2023.

吳懷世於二十八歲時獲委任為 韓國首爾愛樂樂團副指揮，是 該樂團史上最年輕的指揮家。

現時為香港馬勒樂團藝術總 監。曾在德國馬勒指揮大賽、 德國蘇提爵士國際指揮大賽和 法國斯維特蘭諾夫國際指揮大 賽等世界知名比賽中獲獎。

吳懷世在與首爾愛樂樂團的首 演中，為蕭斯達高維契交響曲 進行指揮，獲《韓國聯合新聞 社》盛讚為「仿若指揮家為蕭 斯達高維契本人」。他曾帶領 樂團在多個音樂節中演出，包

括 2019 年和 2020 年首爾藝術 中心音樂節及 2022 年樂天古 典革新音樂節，指揮表現廣受 好評。隨後，他獲邀於多個 韓國一流樂團作客席指揮，如 KBS 廣播交響樂團、韓國交響 樂團、富川愛樂樂團等。他亦 曾與多個著名歐洲樂團合作， 其中包括法蘭克福廣播公司交 響樂團、丹麥國家交響樂團和 BBC 蘇格蘭交響樂團等。

吳懷世曾頂替香港管弦樂團 （港樂）音樂總監梵志登，為 大型戶外音樂會「港樂．星 夜．交響曲」中的貝多芬第三 號交響曲《英雄》進行指揮， 獲香港電台讚譽，稱「在他的 指揮下，港樂的演出十分巧妙 精緻」。 2023 年，他再領港樂 於第五十一屆香港藝術節進行 兩場音樂會演出。

吳懷世自十一歲起接受長笛訓 練，曾以客席長笛獨奏身份 與法國里昂歌劇院芭蕾舞團合 作，又於第四十一屆香港藝術 節舉行獨奏會。及後遠赴柏林 藝術大學和蘇格蘭皇家音樂學 院深造指揮，於美國亞斯本音 樂節獲得詹姆斯．康倫指揮家 獎項。他曾得到奧斯莫．范斯 卡、馬庫斯．史坦茲及約翰． 納爾遜的指導，更深受伯納 德．海汀克、大衛．津曼、羅 伯特．斯帕諾與羅傑．諾林頓 等指揮大師的影響。

©Jino Park

Wilson Ng just concluded his tenure as the Associate Conductor of the Seoul Philharmonic Orchestra (SPO) --appointed at the age of 28 as the youngest conductor in the orchestra's history--and is the Artistic Director of the Gustav Mahler Orchestra in Hong Kong. He has received prizes at renowned competitions including the Gustav Mahler Conducting Competition in Bamberg, the Sir Georg Solti International Conductors' Competition in Frankfurt and the Evgeny Svetlanov International Conducting Competition in Paris.

Ng’s debut SPO performance of Shostakovich’s Symphony No. 1 was praised by Yonhap News “as if he had become Shostakovich himself”. He then went on to lead the orchestra at the Seoul Arts Centre Orchestra Festival in 2019 and 2020, and the Lotte Classic Revolution Festival, also in Seoul, in 2022. After achieving widespread success, he was also given the opportunity to conduct other major South Korean orchestras such as the KBS Symphony, the Korean National Symphony and the Daejeon Philharmonic, and has worked with leading European orchestras including the Frankfurt Radio Symphony, the Danish National Symphony and the BBC Scottish Symphony.

Ng has also stood in for Hong

Kong Philharmonic Orchestra

Music Director Jaap van Zweden to lead the megaconcert Symphony Under the Stars, conducting Beethoven’s Eroica. “Under his baton, the HK Phil displayed a sinewy refinement,” praised RTHK. In 2023, he returns to conduct the Orchestra in two concerts at the 51st Hong Kong Arts Festival.

Ng began his musical journey at the age of 11 by learning the flute. He performed as a guest solo flautist with the Lyon Opera Ballet and gave a recital at the 41st HKAF. Advancing his conducting studies at the Universität der Künste Berlin and the Royal Conservatoire of Scotland, he was later awarded the James Conlon Conductor Prize at the Aspen Music Festival. His mentors have included Osmo Vänskä, Markus Stenz and John Nelson, with other important influences including Bernard Haitink, David Zinman, Robert Spano and Roger Norrington.

Quartet

Quartet

第一小提琴

在 2018 年倫敦威格摩爾音樂廳 國際弦樂四重奏大賽中獲得冠 軍等多個獎項後，伊斯美弦樂 四重奏便在弦樂四重奏的舞台 閃亮登場。其後，他們受邀到 各個音樂節及音樂廳演出，例 如瑞士琉森音樂節及奧地利埃 斯特哈希音樂節。

四人的出道唱片由唱片品牌亞 爾法古典錄製，收錄貝多芬、 陳銀淑及法蘭克．布里奇的作 品。2020 年初甫發行，便旋即 獲得一致好評，當中法國音樂 雜誌《音叉》給予五星評價。

The Esmé Quartet made a sensational entrance into the string quartet world by winning multiple prizes, including the first prize, at the 2018 London Wigmore Hall International String Quartet Competition. Subsequently, the quartet appeared at festivals and concert halls such as the Lucerne Festival in Switzerland and the Classic Esterházy in Austria.

第二小提琴

Second Violin

河瑜娜 Yuna Ha

中提琴 Viola

金智元* Jiwon Kim *

大提琴 Cello

許叡恩 Yeeun Heo

*伊斯美弦樂四重奏中提琴家金智元因故 未能參與，由中提琴家劉子正演出是次 音樂會。

* Violist Born Lau will perform in the place of Jiwon Kim, who cannot appear at this performance due to unforeseeable personal circumstances.

在 2020 及 2021 年的樂季，四 重奏獲委任為韓國首爾樂天音 樂廳的首個駐廳藝術家。在 2021 年，四人除了在意大利巡 迴演出，亦再次在德國及葡萄 牙演出。在 2022 年，四重奏組 合更首度踏上北美及日本，開 展巡演。

四重奏之名「 Esmé 」在古法語 中意指「受珍愛、被敬重」。四 位識於微時的韓國弦樂家志同 道合，同樣熱愛音樂、藝術及 生命，決意在 2016 年於科隆音 樂學院組成弦樂組合。四重奏 曾獲畢希勒和莊拿芬．布朗等 藝術家指導。

伊斯美弦樂四重奏於今個藝術節亮相於三個節目：

—米歇爾．梵德阿《水之書》(24-25 2 2023)

—炫弦─伊斯美弦樂四重奏 (28 2 2023)

—繁聲流動─管弦與合唱音樂盛會 (4 3 2023)

Esmé Quartet is featured in three programmes in the Festival:

Michel van der Aa: The Book of Water (24-25.2.2023)

Dazzle-Esmé Quartet Recital (28.2.2023)

Voices of Hope and Togetherness—A Choral and Orchestral Gathering (4.3.2023)

The quartet recorded its debut CD with works by Ludwig van Beethoven, Unsuk Chin and Frank Bridge on the Alpha Classics label. The recording was released in early 2020 and has achieved critical acclaim with a five-star review from Diapason.

Esmé Quartet was named the first artists-in-residence at the Lotte Concert Hall, Seoul, Korea, for the season 2020-21. The year 2021 saw an Italian tour and return engagements in Germany and Portugal. In 2022, the quartet performed on tour for the first time in North America and Japan.

The name of the quartet, Esmé, is taken from an old French word meaning “to be loved”. The quartet was formed in 2016 at the Hochschule für Musik in Cologne, Germany by four Korean musicians who were friends as youngsters and shared a passion for music, the arts and life. The quartet has been mentored by artists including Günter Pichler and Jonathan Brown.

©Sihoo Kim Photography

劉子正

Born Lau

中提琴

Viola 香港中提琴家劉子正以獨奏及 室樂演奏家身份活躍於國際樂 壇，其演奏獲《費城詢問報》 形容為「精準優雅」。他分別 在多項國際大賽中獲獎，包括 2014 年的威廉．普林士國際中 提琴比賽及 2012 年的美國星光 藝術家全國面試。其演跡遍及 北美、歐洲及亞洲。

劉子正曾以獨奏者身份與費城 室樂團及特倫赫姆獨奏家樂團 合作。他又曾於德國柏林的基 辛格頒獎禮上亮相，並與東京 四重奏同台演出。劉子正在學 期間為寇蒂斯學院交響樂團的 中提琴首席。此外，他又曾擔 任上海交響樂團首席，以及聖 地亞哥交響樂團及哈利斯科州 愛樂樂團的客席首席中提琴。

劉子正先後畢業於寇蒂斯學院 及柯爾本音樂學院，並師承中 提琴家迪亞茲、克萊蒂及費拉

舒曼。他亦曾經接受著名的艾 默森弦樂四重奏、瓜奈利四重 奏及東京四重奏的室樂指導。

劉子正曾在世界各地舉行大師 班，包括英國皇家音樂學院、 蘇州大學、邁阿密的新世界藝 術學院、華盛頓音樂學院及香 港浸會大學等。他現時為中國 音樂學院的特聘中提琴教授。

Praised for his “immaculately refined” style (The Philadelphia Inquirer), violist Born Lau has appeared internationally as a soloist, chamber musician and principal violist. A prize winner at the Primrose International Viola Competition and the Astral National Auditions, he enjoys a career that spans three continents. Career highlights include performances as a soloist with the Chamber Orchestra of Philadelphia and Trondheim Soloists, performance at the Henry A. Kissinger Prize ceremony in Berlin, and a concert with the Tokyo String Quartet in Los Angeles. Lau served as Principal Violist of the Shanghai Symphony Orchestra, as well as Guest Principal Violist of San Diego Symphony, Curtis Symphony Orchestra, and Jalisco Philharmonic Orchestra.

Lau graduated from the Curtis Institute of Music and the Colburn Conservatory of Music. He has studied with viola teachers including Roberto Diaz, Paul Coletti and Richard Fleischman. He also studied chamber music with members

of the Emerson, Guarneri and Tokyo String Quartets.

As an educator, Lau has given viola master classes throughout the world, including the Royal Academy of Music, Melbourne Conservatorium of Music, Soochow University, the New World School of the Arts, Washington Conservatory of Music, and the Hong Kong Baptist University. He is currently Distinguished Professor of Viola at the China Conservatory of Music in Beijing.

香港藝術節合唱團

The Hong Kong Arts Festival Chorus

香港藝術節合唱團由 Die Konzertisten 成員及特約歌手 組成。Die Konzertisten（ DK ） 為本港其中一隊頂尖室內合唱 團。近期演出包括於梵志登指 揮下與港樂演唱貝多芬《第九

交響曲》，及在高恩指揮下與英 國大天使古樂團合作演出巴赫 《 B 小調彌撒曲》。DK 近年參 演的香港藝術節節目，包括：

《這一站太短》（ 2021 年「無限 亮」節目）、法國世紀樂團：

白遼士 150（ 2019 ）、周龍歌

劇《白蛇傳》（ 2019 ）愛沙尼

亞國家交響樂團及男聲合唱團

（ 2018 ）、德布西歌劇《佩利亞 斯與梅麗桑德》（ 2018 ）、盛宗 亮歌劇《紅樓夢》（ 2017 ）、 及翩娜・包殊烏珀塔爾舞蹈 劇場《死而復生的伊菲格尼》 （ 2014 ）。

The Hong Kong Arts Festival Chorus is made up of members of Die Konzertisten and singers additionally engaged for this production. Die Konzertisten is recognised as one of Hong Kong’s foremost chamber choirs. Its recent highlights include an acclaimed performance of Beethoven’s Ninth Symphony with the Hong Kong Philharmonic Orchestra and maestro Jaap van Zweden, as well as a collaboration with the period-instrument ensemble Arcangelo and its director, Jonathan Cohen, on Bach’s Mass in B minor. Die Konzertisten has appeared in previous Hong Kong Arts Festival programmes including A Journey Too Short (No Limits 2021), Les Siècles: BERLIOZ 150 (2019), Zhou

指揮楊欣諾屢獲殊榮。他現為 香港聖公會教省及聖約翰座堂 的音樂總監； 也是香港的頂尖 室內合唱團的 Die Konzertisten （ DK ）之音樂總監。楊氏為 2015 香港藝術發展局「藝術 新秀獎（音樂）」得主。作為 英國皇家音樂學院的傑出年輕 校友，楊氏獲頒該學院副院士 榮譽（ ARAM ）。他於學院隨

Patrick Russill 及 Paul Brough 學 藝，以優異成績考獲音樂碩士 學位，並以其畢業獨奏演出中 的出色表現，獲頒學院最高榮 譽的 DipRAM 名銜。

Long’s Madame White Snake (2019), the Estonian National Symphony Orchestra and Male Choir (2018), Debussy’s Pelleas et Melisande (2018), Bright Sheng’s Dream of the Red Chamber (2017) and Gluck’s Iphigenia in Tauris with Tanztheater Wuppertal Pina Bausch (2014).

Award-winning conductor Felix Yeung currently combines his office as Director of Music at St John’s Cathedral and Provincial Music Director of Hong Kong Sheng Kung Hui. He is also Music Director Die Konzertisten, one of Hong Kong’s foremost chamber choirs. Felix was given the Award for Young Artist (Music) in 2015 by the Hong Kong Arts Development Council. Felix is an Associate of the Royal Academy of Music, where he obtained an MMus with distinction under the tutelage of conductors Patrick Russill and Paul Brough. He was awarded the Academy’s coveted premier prix, the DipRAM, for outstanding performance in his final recital.

Felix Yeung

香港藝術節合唱團合唱指導 Hong Kong Arts Festival Chorus Chorusmaster

© Yatho Tsang

合唱指導 Chorusmaster

楊欣諾 Felix Yeung

女高音 Soprano

陳基望 Chen Chi Wang

鄭罡宜 Cheng Connie

鄭詠茵 Kannie Cheng

蔣頌賢* Esther Chiang *

程心怡 Ching Sum Yee, Zoe

朱璧虹* Chu Pik Hung *

鍾卓寧 Isabel Chung

鍾穎琛* Chung Wing-sum *

方寧遠 Fiona Fong

何沚箋 Ho Jee Jin Eunice

甘晞晴* Kum Hei Ching, Bertha *

林餘澂 Angel Lam

羅康怡 Connie Law

羅欣珮 Jessica Law

李馨寧* Deirdre Lee *

盧之愷* Lettie Lo *

盧樂文 Lo Lokman Jocasta

吳曉楓 Ng Hiu Fung

譚茗茵 Stella Tam

鄧旭婷* Rosella Tang *

黃曉晴 Wong Hiu Ching

黃君頤 Wong Kwan Yee Amy

黃琰葶* Sarah Wong *

徐天藴*ZeeTinWanTabitha*

排練伴奏 Rehearsal Pianist

林俊澔 Lam Chun Ho

女低音 Alto

陳衍彤 Chan Hin Tung

陳詩頌 * Chan Sze Chung Joyce *

陳祉穎 * Chan Tsz Wing, Cyrus *

陳漪桐 Chan Yee Tung Milly

張嘉叡 * Joanne Cheung *

周愷彤 Chow Hoi Tung

簡希媛 Kan Hei Wun Hilary

林傲珈 Lam Ngo Ka Erica

李卓麟 * Terry Lee *

李海欣 * Hoiyan Lee *

馬慕然 Ma Mo Yin Joyce

沈培娜 * Margaret Sang *

蕭嘉莉 * Siu Ka Lay Grace *

譚茵雪 Tam Yan Suet

謝慧心 * Vivian Tse *

徐希臨 * Heilam Tsui *

王卓研 * Anita Wong *

黃懿澄 Ariel Wong

楊千影 * Young Chin Ying *

*: Die Konzertisten 成員

Members of Die Konzertisten

男高音 Tenor

陳振揚 Chan Chun Yeung

陳承禧 * Harold Chan *

鄭天行 Omarr Cheng

鄭文俊 * Victor Cheng *

方樂知 Roger Fong

韓年偉 * Raymond Han *

甘家耀 Kam Ka Yiu Gary

林浚逸 * Kenny Lam *

劉卓熙 * Sanders Lau *

李雋文 Jermyn Li

男低音 Bass

陳子榮 * Chan Tsz Wing *

鄭晟澤 Cheng Shing Chak Jonathan

張嘉笙 * Cheung Ka Sang, Artus *

高琛 Sam Ko

黎敬樂 * Joshua Lai *

劉奕朗 * Lau Yik Long *

李嘉興 * Lee Ka Hing *

梁立群 Cyrus Leung

李永晞 Li Wing Hei Thomas

吳子能 * Jonathan Ng *

孫禮賢 Larry Shuen

蕭子聰 Victor Siu

鄧梓翺 Geoffrey Tang

黃正樑 Brendan Wong

余良浚 Edward Yu

香港兒童合唱團

The Hong Kong Children’s Choir

香港兒童合唱團（簡稱「香 兒」）成立於 1969 年，為香港 首隊兒童合唱團，並為註冊非 牟利慈善團體。現時「香兒」

已成為世界上人數最多、組織 最龐大的兒童合唱團，擁有超 過 5,000 名團員，更發展為一個 多元兒童藝術團體。

「香兒」每年均獲不同團體邀 請到外地演出，並經常在香港 的歷史性時刻演出，包括 1997 年香港政權交接儀式、1998 年 香港國際機場開幕典禮、2005 年香港迪士尼樂園開幕典禮， 以及多場慶祝香港回歸的周 年活動。

2019 年，「香兒」為慶祝成立 50 周年舉辦「 2019 亞太合唱高峰 會」及首個專為本地年青合唱 指揮而設的「香港合唱指揮比 賽」，積極推動及促進亞太地區 合唱藝術交流，並於 2020 年憑 此獲第十四屆香港藝術發展獎 「藝術推廣獎」。2021 年舉辦的

大型原創粵語音樂劇《歌王之

The Hong Kong Children’s Choir (HKCC) was founded in 1969 as the first children’s choir in Hong Kong. The HKCC is a registered non-profit charitable organisation and it is now the biggest choir in the world with more than 5,000 members and has grown into a diversified arts organisation for children.

The HKCC is invited to perform overseas each year, spreading a message of love and peace in different parts of the world. As the children’s choir that best represents Hong Kong, the HKCC has taken part in many historical moments, including the Hong Kong Handover Ceremony in 1997, the Opening Ceremony of the Hong Kong International Airport in 1998, the Hong Kong Disneyland Grand

Opening in 2005, and various performances to commemorate the anniversary of Hong Kong’s reunification with China.

In 2019, the HKCC presented the Asia Pacific Choral Summit 2019 in Hong Kong and the Hong Kong Choral Conducting Competition to celebrate the 50th Anniversary of the Choir, and won the Award for Arts Promotion at the 14th Hong Kong Arts Development Awards in 2020. The original Cantonese musical King of Singers produced by the HKCC in 2021 was selected as one of the Top 10 Music Headlines 2021 by RTHK as well.

王》被獲選為香港電台「 2021 十大樂聞」。

音樂總監兼首席指揮

Music Director / Principal Conductor

霍嘉敏 Kathy Fok

團員名單 Member List

Soprano I

區鎧堯 Au Hoi Yiu Hillary

歐慧恩 Au Wai Yan Joanna

陳芍錡 Chan Cheuk Ki Karie

陳樂芯 Chan Lok Sum

陳穎昕 Chan Wing Yan

陳恩橋 Chan Yan Kiu

鄭晴心 Cheng Ching Sum Sherri

章蕎恩 Cheung Kiu Yan

程蔚堯 Ching Wai Yiu

郭靖琳 Kwok Ching Lam Nicole

Soprano II

歐愷蒽 Au Hoi Yan

陳衍霖 Chan Hin Lam

陳康迪 Chan Hong Tik Brian

陳樂悠 Chan Lok Yau Charis

陳心弦 Chan Sum Yin

陳婕紓 Chan Tsit Shu Ankie

卓以諾 Cheuk Yee Lok

張樂昕 Cheung Lok Yan Michelle

蔡穎華 Choi Wing Wa

周卓穎 Chow Cheuk Wing

Alto

陳珮珈 Chan Pui Ga

陳穎賢 Chan Sophie Wing Yeen

張可悠 Chang Ho Yau

周啟晞 Chau Isaac Samuel

鄒尹晴 Chow Wan Ching Hannah

蔡可嫣 Choy Ho Yin Keira

朱茜庭 Chu Sin Ting Samantha

侯韻晴 Hau Venus

古天欣 Ku Tin Yan

劉蔚嵐 Lau Wai Lam

合唱指導 Chorusmaster

林浩恩 Dominic Lam

導師 Tutor

孫明慧 Vivian Suen

林 菁 Corina Lin

林敏翹 Lam Man Kiu

呂苓僑 Lee Ling Kiu

呂清湖 Lui Qing Hu Joanna

吳康翹 Ng Kelly Hong Kiu

伍珞頤 Ng Lok Yee

孫信 Suen Shun

孫柏驊 Sun Pak Wah Paxton

鄧心如 Tang Sum Yu

曾亦晴 Tsang Yik Ching

黃靜之 Wong Ching Chi Charis

黃樂欣 Wong Lok Yan

黃天瑜 Wong Tin Yu Tiffany

王旖晨 Wong Yee Sen Veronique

邱煦悅 Yau Hui Yuet

方卓爾 Fang Ada

洪朗齊 Hung Long Tsai Samuel

林浚生 Lam Tsun Sang

劉焯朗 Lau Cheuk Long

李逸翹 Lee Yat Kiu

呂樂沂 Lui Lok Yi

吳施穎 Ng Sze Wing Siana

蕭芷昕 Shaw Lauren Tsz Yan

施清然 Sze Ching Yin

譚琛 Tam Savio

鄧沅盈 Tang Ivana Yuen Ying

崔亦彤 Tsui Yik Tung

尹思瑤 Wan Sze Yiu

王晞澄 Wong Haylie

王愜瓴 Wong Heep Ling Harriet

黃簡樂 Wong Kylie Kan Lok

黃溥澄 Wong Po Ching

黃心怡 Wong Sum Yi

葉亦萱 Yip Yik Huen

徐薇淇 Zee Wei Qi Natalie

周璟燁 Zhou King Ip

李愷庭 Lee Hoi Ting

李國筠 Lee Moses

李詠彤 Lee Wing Tung

雷劻霖 Lui Hong Lam

呂珮悠 Lui Pui Yau Perlie

茅心予 Mao Elizabeth

裴紫軒 Pei Tsz Hin

潘棕朗 Poon Chung Long Samuel

黃靖潼 Wong Ching Tung

黃曉慧 Wong Hiu Wai

王善恆 Wong Sin Hang

胡溢安 Woo Yat On

楊式懿 Yeung Sik Yi

余懿珩 Yu Yi Hang

霍嘉敏 Kathy Fok 香港兒童合唱團音樂總監兼首席 指揮

Hong Kong Children’s Choir Music Director / Principal Conductor

霍嘉敏生於香港，曾赴美國休 士頓大學深造。1995 年加入香

港兒童合唱團，並於 1997 年 獲委任為音樂總監。她在音樂 界的成就斐然，享譽國際，曾 被邀到中國、加拿大、澳洲、 新加坡、馬來西亞、印尼等 地舉辦音樂工作坊，亦經常獲 邀作客席指揮，曾合作演出之 團體包括溫哥華室樂團及香港 中樂團。

霍嘉敏亦積極參與慈善音樂活 動，熱心公益，於 2001 年獲 選為香港「十大傑出青年」之 一，並於 2007 年「民政事務 局局長嘉許計劃」中被表揚為 「推動文化藝術發展傑出人士」

及名列英國國際傳記中心的 「一百位傑出音樂家」之一。霍 嘉敏被委任為香港教育大學文 化與創意藝術學系 2016-2024 年 榮譽駐校藝術家。現任亞太合 唱理事會香港代表、音樂事務 處專業顧問、「世界兒童合唱團 聯盟」董事會成員。

Born in Hong Kong, Fok furthered her studies in music at the University of Houston, USA. She joined The Hong Kong Children's Choir in 1995 and was appointed Music Director since 1997. Fok enjoys an international reputation for her dedication to children’s choral music. She has conducted workshops and masterclasses in Mainland, Canada, Australia, Singapore, Malaysia and Indonesia. She has also performed as guest conductor with numerous organizations such as the Vancouver Chamber Orchestra and the Hong Kong Chinese Orchestra.

Fok was one of the awardees for the “2001 Ten Outstanding Young Persons” in Hong Kong. In 2007, she was recognized as the “Persons with Outstanding Contributions to the Development of Arts and Culture” under the Secretary for Home Affairs Commendation Scheme and was also included in the “Top 100 Musicians of the Year” by the International Biographical Centre. Fok was appointed as the 2016-2024 Honorary Artist-in-Residence at The Education University of Hong Kong. She is also appointed as the representative of Hong Kong in the Asia Pacific Choral Council, Expert Adviser of the Music Office under LCSD and a Board member of "The World Alliance of Children's Choir (WACC)".

香港兒童合唱團舊生，林浩恩 畢業於美國西敏合唱學院獲合 唱指揮碩士。他先後以指揮及 伴奏身分隨團前往葡萄牙、愛 沙尼亞、芬蘭、澳洲等地作交 流演出，並曾與國際知名指揮 家水藍合作，帶領「香兒」於 2019 年於香港藝術節演出由普 立茲獎得主周龍作曲之現代歌 劇《白蛇傳》。他亦於 2020 年 帶領「香兒」參與由「更新視 野」主辦的《空氣頌》演出。 林氏為聲蜚合唱節音樂總監， 曾擔任香港浸會大學音樂系客 席講師及指揮香港浸會大學合 唱團，並曾前往瑞士聯同格林 美得主男高音菲尼克斯於「國 際博斯維爾暑期合唱節」任教。

Lam is an alumnus of HKCC and holds a Master of Music degree in Choral Conducting at Westminster Choir College, the USA. As a conductor and pianist of HKCC, he has toured to Portugal, Estonia, Finland and Australia with the group. Lam prepared HKCC for renowned conductor Lan Shui in contemporary opera production Madame White Snake written by Pulitzer Prize winner Zhou Long, as part of the Hong Kong Arts Festival 2019. He also led HKCC to perform in ReNew Vision's production of Aria in 2020. He is concurrently the Music Director of SingFest HK and was a part-time lecturer of the Hong Kong Baptist University, conducted the Hong Kong Baptist University Choir. He also collaborated with Paul Phoenix, the Grammy Awardwinning tenor, in leading the International Boswil Choral Summer Academy in 2018 and 2019.

香港管弦樂團

Hong Kong Philharmonic Orchestra

香港管弦樂團（港樂）獲譽為 亞洲最頂尖的古典管弦樂團之 一。在為期 44 週的樂季中，樂 團共演出超過 150 場音樂會， 把音樂帶給超過 20 萬名觀眾。

2019 年港樂榮獲英國《留聲機》 年度樂團大獎，成為亞洲首個 獲此殊榮的樂團。

梵志登是現今國際古典樂壇炙 手可熱的指揮，自 2012/13 樂 季起正式擔任港樂音樂總監一

職； 2018/19 樂季起，他同時擔 任紐約愛樂的音樂總監。

余隆由 2015/16 樂季開始出任 首席客席指揮。廖國敏於 2020 年 12 獲任為駐團指揮。

在梵志登幹勁十足的領導下， 樂團在藝術水平上屢創新高。

港樂由 2015 至 2018 年間連續四

年逐一呈獻《指環》四部曲歌 劇音樂會。這四年的浩瀚旅程 由拿索斯現場錄音，非凡的演 出贏得了海內外讚譽，樂團更 因此而勇奪《留聲機》2019 年 年度樂團大獎。近期由梵志登 灌錄的專輯包括 2022 年 11 月由 拿索斯發行的馬勒第十交響曲 與蕭斯達高維契第十交響曲。

為慶祝香港特區成立 20 週 年,香港經濟貿易辦事處資助 港樂，於 2017 年前赴首爾、 大阪、新加坡、墨爾本和悉 尼巡演。

近年和港樂合作的指揮家和演 奏家包括： 阿殊堅納西、貝 爾、杜托華、艾遜巴赫、弗萊 明、侯夫、祈辛、拉貝克姊 妹、郎朗、馬友友、寧峰、史 拉健、王羽佳等。

The Hong Kong Philharmonic Orchestra (HK Phil) is recognised as one of the leading orchestras in Asia. Presenting more than 150 concerts over a 44-week season, the HK Phil attracts more than 200,000 music lovers annually. In 2019 the HK Phil received the prestigious Gramophone  Orchestra of the Year Award— the first orchestra in Asia to receive this distinction.

Jaap van Zweden, one of today’s most sought-after conductors, has been the orchestra’s Music Director since the 2012/13 season. He has also been the Music Director of the New York Philharmonic since the 2018/19 season.

Yu Long has been Principal Guest Conductor since the 2015/16 season, while Lio Kuokman was appointed as Resident Conductor in December 2020.

Under the dynamic leadership of van Zweden, the HK Phil has reached new heights of artistic excellence, garnering international critical acclaim. The orchestra successfully completed a four-year journey

through Wagner’s Ring Cycle, performing and recording one opera from the cycle annually from 2015 to 2018. The concert performances and live Naxos recordings were enthusiastically received and garnered the 2019 Gramophone Orchestra of the Year Award. Recent recording projects with van Zweden include Mahler’s Symphony No. 10 and Shostakovich’s Symphony No. 10, which was released in November 2022 (Naxos).

With the support of the Hong Kong Economic and Trade Offices, the HK Phil undertook a major tour in 2017 to Seoul, Osaka, Singapore, Melbourne and Sydney in celebration of the 20th anniversary of the establishment of the Hong Kong Special Administrative Region.  Conductors and soloists who have recently performed with the orchestra include Vladimir Ashkenazy, Joshua Bell, Charles Dutoit, Christoph Eschenbach, Renée Fleming, Stephen Hough, Evgeny Kissin, Katia and Marielle Labèque, Lang Lang, Yo-Yo Ma, Ning Feng, Leonard Slatkin and Yuja Wang.

©Ka Lam

音樂總監 MUSIC DIRECTOR

梵志登 Jaap van Zweden, SBS

第一小提琴 FIRST VIOLINS

樂團首席 Concertmaster

王 敬 Jing Wang

樂團第一副首席

First Associate Concertmaster

梁建楓 Leung Kin-fung

樂團第二副首席

Second Associate Concertmasters

許致雨 Anders Hui

王 亮 Wang Liang

樂團第三副首席

Third Associate Concertmaster

朱 蓓 Bei de Gaulle

艾 瑾 Ai Jin

把文晶 Ba Wenjing

程 立 Cheng Li

桂 麗 Gui Li

李智勝 Li Zhisheng

劉芳希 Liu Fangxi

毛 華 Mao Hua

梅麗芷 Rachael Mellado

張 希 Zhang Xi

首席客席指揮 PRINCIPAL GUEST CONDUCTOR

余 隆 Yu Long

第二小提琴 SECOND VIOLINS

趙瀅娜 Zhao Yingna ●

余思傑 Domas Juškys ■

梁文瑄 Leslie Ryang Moonsun ▲

方 潔 Fang Jie

何珈樑 Gallant Ho Ka-leung

劉博軒 Liu Boxuan

冒異國 Mao Yiguo

華嘉蓮 Katrina Rafferty

韋鈴木美矢香 Miyaka Suzuki Wilson

冒田中知子 Tomoko Tanaka Mao

黃嘉怡 Christine Wong

周騰飛 Zhou Tengfei

賈舒晨 Jia Shuchen # ●

李 祈 Li Chi # ●

● 樂師輪流於第一及第二聲部演出

Players may rotate between the First and Second Violin sections

長 笛 FLUTES

史德琳 Megan Sterling ●

盧韋歐 Olivier Nowak ■

浦翱飛 Josep Portella Orfila

短 笛 PICCOLO

施家蓮 Linda Stuckey

雙簧管 OBOES

韋爾遜 Michael Wilson ● 王譽博 Wang Yu-po ■

金勞思 Marrie Rose Kim

英國管 COR ANGLAIS

關尚峰 Kwan Sheung-fung

單簧管 CLARINETS

史安祖 Andrew Simon ●

史家翰 John Schertle ■

劉 蔚 Lau Wai

駐團指揮 RESIDENT CONDUCTOR

廖國敏 Lio Kuokman, JP

中提琴 VIOLAS

凌顯祐 Andrew Ling ●

李嘉黎 Li Jiali ■

熊谷佳織 Kaori Wilson ▲

蔡書麟 Chris Choi

崔宏偉 Cui Hongwei

付水淼 Fu Shuimiao

洪依凡 Ethan Heath

黎 明 Li Ming

林慕華 Damara Lomdaridze

羅舜詩 Alice Rosen

孫 斌 Sun Bin

張姝影 Zhang Shuying

大提琴 CELLOS

鮑力卓 Richard Bamping ●

方曉牧 Fang Xiaomu ■

林 穎 Dora Lam ▲

陳屹洲 Chan Ngat-chau

陳怡君 Chen Yichun

霍 添 Timothy Frank

關統安 Anna Kwan Ton-an

宋泰美 Tae-mi Song

宋亞林 Song Yalin

低音大提琴 DOUBLE BASSES

林達僑 George Lomdaridze ●

姜馨來 Jiang Xinlai ◆

張沛姮 Chang Pei-heng

馮 榕 Feng Rong

費利亞 Samuel Ferrer

林傑飛 Jeffrey Lehmberg

鮑爾菲 Philip Powell

范戴克 Jonathan Van Dyke

低音單簧管 BASS CLARINET

艾爾高 Lorenzo Iosco

巴松管 BASSOONS

莫班文 Benjamin Moermond ●

陳劭桐 Toby Chan ■

李浩山 Vance Lee ◆

低音巴松管 CONTRA BASSOON

崔祖斯 Adam Treverton Jones

圓 號 HORNS

江 藺 Lin Jiang ●

柏如瑟 Russell Bonifede ■

周智仲 Chow Chi-chung ▲

托多爾 Todor Popstoyanov

李少霖 Homer Lee

麥迪拿 Jorge Medina

小 號 TRUMPETS

巴力勛 Nitiphum Bamrungbanthum ●

莫思卓 Christopher Moyse ■

華達德 Douglas Waterston

施樂百 Robert Smith

長 號 TROMBONES

韋雅樂 Jarod Vermette ●

高基信 Christian Goldsmith

湯奇雲 Kevin Thompson

低音長號 BASS TROMBONE

區雅隆 Aaron Albert

大 號 TUBA

雷科斯 Paul Luxenberg ●

定音鼓 TIMPANI

龐樂思 James Boznos ●

敲擊樂器 PERCUSSION

白亞斯 Aziz D. Barnard Luce ●

梁偉華 Raymond Leung Wai-wa

胡淑徽 Sophia Woo Shuk-fai

豎 琴 HARP

敖 舜 Madeline Olson# ●

鍵盤 KEYBOARD

嚴翠珠 Linda Yim# ●

「管弦樂精英訓練計劃」駐團學員

THE ORCHESTRA ACADEMY HONG KONG (TOA) FELLOWS

小提琴：沈庭嘉

Violin: Vivian Shen Ting-chia

中提琴：姚詠瑜

Viola: Winnie Yiu Wing-yue

大提琴：梁卓恩

Cello: Vincent Leung Cheuk-yan

長笛：許嘉晴

Flute: Alice Hui Ka-ching

雙簧管：區可怡

Oboe: Holly Ao Ho-I

單簧管：溫子俊

Clarinet: Ryan Wan Tsz-chun

葉翹瑋於 2008 年在英國坎特伯里國王公學修讀高中時開始學習 風琴，當時隨師約翰・羅賓遜（時任坎特伯里主教座堂助理風琴 師）。葉氏於 2009 年在肯特郡風琴師協會風琴音樂節的公開賽奪冠。

他現為聖約翰座堂風琴師及香港聖公會大主教行政秘書。

Jonathan started learning the organ in 2008, when he was a sixth form student at The King's School, Canterbury. He was taught by John Robinson, then Assistant Organist at Canterbury Cathedral. Jonathan won in the Open Class of the 2009 Kent County Organists' Association Organ Festival.

He now serves as the Cathedral Organist of St John’s Cathedral, and as the Archbishop's Administrative Secretary.

葉翹瑋

Jonathan Ip

管風琴家 Organist

Nixon in China

“Soldiers of Heaven Hold the Sky” Soldiers of heaven hold the sky, the morning breaks and shadows fly. Follow the orders of the poor, your master is the labourer who rules the world with truth and grace. Deal with him justly, face to face, pay a fair price for all you buy, pay to replace what you destroy. Divide the landlord’s property, take nothing from the tenantry, do not mistreat the captive foe. Respect women, it is their due replace doors when you leave a house. Roll up straw matting after use.

《尼克遜在中國》 〈天上的戰士頂天立地〉

天上的戰士頂天立地 破曉影消霧散 聽從窮苦人的指揮 你們的領袖是勞動者

以理服人，以德治世 要公平交易，和氣待人 買賣價格要公道

損壞東西要賠償

打土豪分田地要歸公

不拿無產階級一分毫 不虐待俘虜

要尊重婦女

開拔時要還門板 離開前需捆鋪草

“The People Are the Heroes Now”

The people are the heroes now. Behemoth pulls the peasant’s plow. When we look up, the fields are white (The fields are white) with harvest in the morning light and mountain ranges one by one rise red beneath the harvest moon. When we look up, mountain ranges rise Beneath the moon and fields are white

低頭良田皓万頃 朝陽遍灑預盛景 抬眼峻峰赤千里 秋月一輪照榮興 舉頭峻峰拔千里 明月良田皓萬頃

〈如今的英雄是人民〉 如今的英雄是人民 農民翻身做主人

The Song of the Children of the Stars MOVEMENT I

From The Darkness lone and vast Indefinite space, which, by co-substance night, In one black mystery two void mysteries blends; The stray stars, whose innumerable light Repeats one mystery till conjecture ends; The stream of time, known by birth-bursting bubbles; The gulf of silence, empty even of nought; Thought's high-walled maze, which the outed owner troubles

Because the string's lost and the plan forgot: When I think on this and that here I stand, The thinker of these thoughts, emptily wise, Holding up to my thinking my thing-hand And looking at it with thought-alien eyes, The prayer of my wonder looketh past

The universal darkness lone and vast.

Fernando Pessoa (Sonnet XVIII, from: 35 Sonnets, 1918)

- sung in the original English -

MOVEMENT II

Chant of the Light

We’re born at sunset and we die ere morn, And the whole darkness of the world we know, How can we guess its truth, to darkness born, The obscure consequence of absent glow? Only the stars do teach us light. We grasp

Their scattered smallness with thoughts that stray, Though their eyes look through night’s complete mask, Yet they speak not the features of the day.

Why should these small denials of the whole

More than the black whole the pleased eyes attract?

Why what it calls «worth» does the captive soul

Add to the small and from the large detract?

So, out of light’s love wishing it night’s stretch, A nightly thought of day we darkly reach.

Fernando Pessoa (Sonnet XIV, from: 35 Sonnets, 1918)

- sung in the original English -

《星星的孩子》

第 1 樂章

來自孤獨和浩瀚的黑暗

未定的空間，藉著同質的夜 把兩個空空的謎團交融成一個黑色的謎團； 無數流浪的星光

重複某個謎團直至猜測結束；

時間的奔流以隨生隨滅的泡泡為人所知； 寂靜的深淵空無一物；

高牆圍著的思想迷宮，被逐出的主人困擾 因為弦丟失了，計劃也遺忘了；

我站在這裡想這想那，

我是這些思想的思想家，智慧空洞， 我的手物在我的思考前站得住腳， 我用陌生的目光看著它， 我驚嘆的禱告忽略 孤獨和浩瀚的普遍黑暗。 費爾南多‧佩索阿 （十四行詩 18, 選自《 35 首十四行詩》, 1918 ） 以英文原文演唱

第 2 樂章 光之歌 我們在日落出生，在黎明前消亡， 世界的全部黑暗我們了然於胸， 生於黑暗，缺乏亮光的模糊後果， 我們如何能猜到它是真的？ 只有星星教曉我們光。我們用流浪的思緒抓緊 它們零落的渺小，

儘管它們的眼睛穿透黑夜的整張面具， 它們說的不是白天的特色。

為什麼這些對整體的微小否定

要多於喜悅的眼睛所吸引的黑色整體？ 為什麼被俘的靈魂

往小的增加卻從大的減損它稱為「值得」的東西？ 因此，出於光的愛而祝願它能在晚上舒展， 每晚我們悲觀地想起白天。

費爾南多‧佩索阿

（十四行詩 14, 選自《 35 首十四行詩》, 1918 ）

以英文原文演唱

MOVEMENT III

To Cross the Universe

On foot I had to walk through the universe before finding the thread of my red dress. Of my own self I see a faint glimmer. Somewhere suspended in space is my heart, sparks stream from it, shaking the air in search of others boundless hearts.

Edith Södergran (1919)

- written in Swedish, sung in English(lines 1-2&5 translated by Maris Gothoni, lines 3-4&6 translated by Gounil Brown)

第 3 樂章

橫越宇宙

在找到我紅裙子的線以前 我要用腳走過宇宙。

我看見自己的微光。

我的心懸在太空某處，

火花從那裡湧出，空氣為之震動， 它尋找別人浩瀚的心。

伊迪絲‧索德格蘭（ 1919 ） 用瑞典語寫成，用英語演唱

MOVEMENT IV

You Picked up the Planet

You picked up the planet like an egg and set it spinning in slow motion on the floor of the world. The stars arranged themselves upon request around the red magnet and shaped singing mosaics, like swallows or notes of music.

(…..)

Oh, woe to us - here in this lonely place on the moon’s sidehair and eyes in the wind, in our hands ignorance and the boomerangs of echoes.

(…..)

I kneel to pick up the letters’ mutilated feet, their stolen eyes, in them is the wounded shimmering secret where I lost my wings before the choosing fingers were formed.

Eeva-Liisa Manner (1956)

- written in Finnish, sung in English(translated by Maris Gothoni)

第 4 樂章 你撿起這個星球 你像撿雞蛋一樣撿起這個星球 讓它在世界的地上 緩緩旋轉。

眾星按要求自行排列， 它們圍繞紅色的磁鐵

以及不同形狀的唱著歌的馬賽克，好像燕子或是音符。

噢，我們有禍了——在月亮這邊這個孤獨的地方 風刮著頭髮和眼睛，我們的手

掌握著無知和迴聲的回飛鏢。

我跪下 撿起字母殘缺的腳、它們偷來的眼睛， 它們裡面有受傷的閃耀的秘密， 我在那兒喪失翅膀， 我選擇的手指還來不及成形。

以芬蘭語寫成，英語演唱

MOVEMENT V

The Song of the Light

Light is laying waste the heavens

Droves of dominions in stampede

The eye retreats surrounded by mirrors

Landscapes as enormous as insomnia

Stony ground of bone

Limitless autumn

Thirst lifts its invisible fountains

One last peppertree preaches in the desert

Close your eyes and hear the song of the light: Noon takes shelter in your inner ear

Close your eyes and open them: There is nobody not even yourself

Whatever is not stone is light

Octavio Paz, Piedra nativa (1954)

- sung in original Spanish –(translated by Muriel Rukeyser)

MOVEMENT VI

Sphere within Sphere

(A sphere)

(Thousand spheres)

(Sphere within sphere)

Which is as many thousand spheres; Solid as crystal, yet through all its mass Flow, as through empty space, music and light: Ten thousand orbs involving and involved, Purple and azure, white, green, and golden, Sphere within sphere; and every space between Peopled with unimaginable shapes, Such as ghosts dream dwell in the lampless deep, Yet each inter-transpicuous, and they whirl

Over each other with a thousand motions, Upon a thousand sightless axles spinning, And with the force of self-destroying swiftness, Intensely, slowly, solemnly, roll on, Kindling with mingled sounds, and many tones, Intelligible words and music wild.

With mighty whirl the multitudinous orb

Grinds the bright brook into an azure mist

第 5

樂章 光之歌 光在天空荒廢著 成群結隊的領地蜂擁而至 後退的眼睛被鏡子包圍 景色龐然如失眠 骨的石地 無限的秋天 口渴升起無形的噴泉 最後的胡椒樹在沙漠中佈道 閉上你的眼，傾聽光的歌： 正午躲在你的內耳 閉上並張開你的眼：

沒有一個人甚至你自己

不是石的都是光 奧克塔維奧帕茲 以西班牙原文演唱

第 6 樂章 星球內的星球 （一個星球） （千個星球） （星球內的星球）

如何數千個星球；

堅硬如水晶，卻流過它的所有質量， 如同通過空蕩蕩的空間、音樂和光：

萬個球體參與和捲入，

紫色和蔚藍色，白色，綠色和金色， 星球內的星球，當中每一寸空間

都住著難以想像的形狀，

例如鬼魂夢見居住在無燈的深淵，

每一個卻相互透明，它們在彼此之上旋轉， 動態萬千，

在一個失明的軸上高速旋轉， 以自我毀滅的迅捷之力，

強烈地、緩慢地、莊嚴地滾動， 燃起混合的聲音和眾多音調， 淺白的詞彙和狂野的音樂。

那璀璨的球體以強大的旋轉 把明亮的溪輾磨成蔚藍的、

Of elemental subtlety, like light; And the wild odor of the forest flowers, The music of the living grass and air

Percy Bysshe Shelley (excerpt from 'Prometheus Unbound', 1820)

- sung in original English (only fragments of the text have been set into music) -

MOVEMENT VII

I Saw a Peacock

I saw a Peacock, with a fiery tail, I saw a Blazing Comet, drop down hail, I saw a Cloud, wrapp’d with Ivy round, I saw an Oak, creep on along the ground, I saw a Pismire swallow up a Whale, I saw the sea brim full of ale,

I saw a Venice Glass, Sixteen foot deep, I saw a well, full of men’s tears that weep, I saw red eyes, of a flaming fire,

I saw a house, bigger than the moon, (and higher,)

I saw the sunset at twelv’ o’clock at night,

I saw the man that saw this wonderous sight.

Anonymous (17th Century)

MOVEMENT VIII

I see…

I see the weightless clouds

I see the weightless sun

I see how easily they trace

An endless course

As if they trust in me

Here on the earth

As if they know that I

Am their words

Inger Christensen (excerpt from ‚Det‘, 1969)

- written in Danish, sung in Englishtranslated by Susanna Nied

具大自然精秒的霧氣，像光； 以及森林花兒野性的氣味，

活草和空氣的音樂

珀西‧比希‧雪萊（節錄自《解放了的普羅米修斯》， 1820 ） 以英文原文演唱（只有文本的片段被譜上音樂）

第 7 樂章 我看到一隻孔雀

我看到一隻孔雀，牠的尾巴熾熱， 我看到一顆燃燒著的彗星，它掉下冰雹， 我看到一朵雲，它被常春藤團團包裹， 我看到一棵橡樹，它沿著地面爬行，

我看到一隻螞蟻吞下一條鯨魚， 我看到大海滿溢啤酒，

我看到威尼斯的玻璃，它足有十六尺深， 我看到一口井，它充滿男人們哭泣的淚水， 我看到紅色的眼睛，熊熊烈火的眼睛， 我看到一所房子，它比月亮還要大（也更高）， 我看到午夜的夕陽，

我看到那個看到此奇景的男子。

佚名（ 17 世紀）

第 8 樂章 我看見……

我看見輕盈的雲朵 我看見輕盈的太陽

我看見它們是何等輕鬆地順著

無止境的航道走

彷彿它們信任 身處地球這兒的我

彷彿它們知道我

就是它們的字句

MOVEMENT IX

A Vision

I saw Eternity the other night, Like a great ring of pure and endless light, All calm, as it was bright; And round beneath it, Time in hours, days, years, Driven by the spheres Like a vast shadow moved; in which the World And all her train were hurl’d.

Henry Vaughan (excerpt from ‚The World‘, 1650) Short song, short song; many, many; like stars in the sky, like sand on the beach, like grass in the meadow, like waves in the river...

Short song; short, many; hours, hours, hours, - stars, sand, grass, waves, hours, lights; hours, shadows; hours of the lives, of the deaths of my life...

Juan Ramón Jiménez (1919)

translated by Henry Chu

To see a World in a Grain of Sand And a Heaven in a Wild Flower  Hold Infinity in the palm of your hand  And Eternity in an hour

William Blake (from ‚Auguries of Innocence‘, 1803)

第 9 樂章 幻象

那個晚上我看到永恒， 它就像純淨和無盡的光環， 因它明亮盡皆平靜； 而時間在它之下，以時、日、年為單位， 像龐大的陰影

被星球驅動繞著圏走；世界 和她整個隊列都被投進去。

亨利‧沃恩（節錄自《世界》，1650 ）

短歌，短歌； 許多，許多； 像天上的星星， 像沙灘上的沙， 像草地上的草， 像河流裡的浪花……

短歌；短的，許多； 小時，小時，小時， --星星、沙、草、浪花；

小時、燈火；小時，陰影； 那些生命中的幾個小時， 我生命中死亡的幾個小時…… 胡安‧拉蒙‧希門尼斯（ 1919 ）

從一粒沙看世界 從一朵野花見天堂 掌握無限於掌心 承載永恒於剎那

威廉‧布雷克（錄自《純真的預言》，1803 ）

MOVEMENT X

Night

What heart, turned into a sling — sad slinger! — Has screamed out to you? From where, I scream, where,

with what wings will you reach your end?

Each wave catches you, and you, the same as a dolphin turned into a sword, only strength, you scream: more,

more, more, more, more …, I scream in the sea...!

or, your wing turned into a sail, the same as a swallow, you go further, you go further, you go further...

I scream in the sea!

Do the stars help you with their echoes?

I scream in the sea!

Juan Ramón Jiménez (1919)

translated by Henry Chu

MOVEMENT XI

Sphere within Sphere

(see movement VI)

MOVEMENT

Mornin

I’m illumined

XII

With immensity.

Giuseppe Ungaretti (1919)

translated by Henry Chu

第 10 樂章 夜

哪顆變成投石器的心──憂傷的投石者── 曾向你高呼？從哪裡，我尖叫，哪裡，

你會以怎樣的翅膀飛抵你的終點？

每一個海浪都打中你，而你卻如同 鑄成利劍的海豚，只有力量，你高呼：多些， 多些，多些，多些，多些……

我在大海尖叫……！

或者，讓你的翅膀揚帆，如同燕子， 你走得更遠，更遠，更遠……

我在大海尖叫！ 星星有沒有用回聲幫助你？

我在大海尖叫！

第 11 樂章 星球中的星球

(參看第 6 樂章)

第 12 樂章 早上 我被無垠 照亮

中譯：Florence Ng

鳴謝

ACKNOWLEDGEMENTS

香港藝術節衷心感謝下列機構及人士的慷慨支持：

The Hong Kong Arts Festival would like to thank the following for their generous support:

香港藝術節基金會贊助人

Hong Kong Arts Festival Foundation Patrons

首席創始贊助人 Lead Founding Patrons

陳俊豪先生 Mr Thomas Chan

黃廷方慈善基金 Ng Teng Fong Charitable Foundation

電訊盈科 PCCW

九龍倉集團 The Wharf Group

主要創始贊助人 Major Founding Patrons

萬通保險國際有限公司 YF Life Insurance International Ltd

眾安銀行 ZA BANK

創始贊助人 Founding Patrons

陳煒文博士, JP Dr Raymond Chan, JP

丹斯里拿督邱達昌 Tan Sri Dato’ David Chiu

曹其鋒先生 Mr Silas Chou

霍建寧先生及霍何綺華女士 Mr and Mrs Canning and Eliza Fok

馮氏基金有限公司 E.M. Fung Foundation Limited

何超瓊女士, SBS , JP Ms Pansy Ho, SBS, JP

科勁國際（控股）有限公司 King’s Flair International (Holdings) Limited

梁婉玲博士 Dr Elina Leung

孫漢明博士 Dr Stephen Suen

包陪麗女士, BBS 及渡伸一郎先生 Ms Cissy Pao, BBS and Mr Shinichiro Watari

其他贊助人 Other Patrons

羅嘉瑞基金 KS & Feili Lo Foundation

孫大倫博士, BBS , JP Dr Dennis T L Sun, BBS, JP

慶祝香港藝術節五十周年晚宴之贊助人

Sponsors of the Hong Kong Arts Festival 50th Anniversary Gala Dinner

鑽石席 – 宴桌 Diamond Table Sponsors 香港上海匯豐銀行有限公司 上海商業銀行

洪祖杭博士, GBM , GBS , JP

鄭慕智博士, GBM , GBS , JP James Houghton 先生, 黃穎灝先生及梅慶堯先生 雍景欣女士

The Hongkong and Shanghai Banking Corporation Limited

Shanghai Commercial Bank

Dr the Hon Albert Hung Chao-hong, GBM, GBS, JP

Dr the Hon Moses Mo-chi Cheng, GBM, GBS, JP

Mr James Houghton, Mr Isaac Wong & Mr Arthur Mui

Ms Jingxin Yong

鑽石席 – 宴位 Diamond Seat Sponsors 呂元祥博士及夫人

譚允芝女士, SBS , SC , JP 龐維新先生及夫人 崇光(香港)百貨有限公司

黃金席 – 宴桌 Gold Table Sponsors 鄭阮培恩女士, 吳來盛先生及夫人 中美國際集團有限公司

華國強先生夫人 太古地產有限公司 卡地亞

黃金席 – 宴位 Gold Seat Sponsors 何苗春暉女士

林梅若梅女士

鄭馮亮琪女士

Janana Suleymanli Pasha 女士 鄭惠貞女士

張利平先生

Dr and Mrs Ronald Lu

Ms Winnie Tam Wan-chi, SBS, SC, JP

Mr and Mrs Wilson Pong

Sogo Hong Kong Company Limited

Mrs Betty Cheng, Mr and Mrs Emil Ng

Chung Mei International Holdings Limited

Mr Granger and Mrs Miriam Hwa

Swire Properties Limited

Cartier

Ms Joanna Hotung

Mrs Lavina Lim

Mrs Fina Cheng

Ms Janana Suleymanli Pasha

Ms Margaret Cheng

Mr Zhang Liping

鳴謝 ACKNOWLEDGEMENTS (續 con' t)

香港藝術節衷心感謝下列機構及人士的慷慨支持：

The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members

鉑金會員 Platinum Member

嘉里控股有限公司

Kerry Holdings Limited

黃金會員 Gold Member 怡和集團

The Jardine Matheson Group

其他支持機構 Other Supporters

加拿大駐香港及澳門總領事館

Consulate General of Canada in Hong Kong and Macao

實物支持機構 In - kind Supporters

大亞國際集團 Altaya Group

香港愉景灣酒店 Auberge Discovery Bay Hong Kong

香港君悦酒店 Grand Hyatt Hong Kong

虎豹樂圃 Haw Par Music

藝術節捐助計劃 Festival Donation Scheme

鉑金捐款者 PLATINUM DONOR

HK$140,000 或以上 OR ABOVE

孫大倫博士, BBS , JP Dr Dennis T L Sun , BBS , JP

鑽石捐款者 DIAMOND DONORS

HK$70,000 – HK$139,999

瑞安集團 Shui On Group

Dr Patrick Tong

文藝女士 Ms Wen Yi

翡翠捐款者 JADE DONORS

HK$30,000 – HK$69,999

無名氏 Anonymous

陳求德醫生及夫人 Dr & Mrs KT Chan

Ms Leung Wai Yee Candice

馬美域女士 Ms Yvette Therese Ma

Dr Stephen Suen

楊傳亮先生, BBS , JP Mr Charles Yang , BBS , JP

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

無名氏 ( 2 ) Anonymous ( 2 )

Mr & Mrs Jeffrey & Helen Chan

Mr Edmond Huang

Dr Peter and Nancy Thompson

Dr Sabrina Tsao

曹延洲醫生夫人 Dr & Mrs Tsao Yen - Chow

Mrs Linda Wang

Mr & Mrs YS Wong

純銀會員 Silver Members 太古集團慈善信託基金

The Swire Group Charitable Trust

上海商業銀行有限公司

Shanghai Commercial Bank Limited

荷蘭駐港總領事館

Consulate of the Kingdom of the Netherlands in Hong Kong and Macau

香港故宮文化博物館 Hong Kong Palace Museum

文陳妙蘭女士 Mrs Christina Man

信興集團 Shun Hing Group

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

無名氏( 3 ) Anonymous ( 3 )

Dr Gillian Choa

Ms Ho Man Fung Edith

Mrs Schmitt Ling Jane

文娛慈善基金 The Elementary Charitable Foundation

Ms Isabel Yiu

Mr Vernon Zhang

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏( 2 ) Anonymous ( 2 )

AWORKS DESIGN

Jose Manuel Sevilla and Julie Bisaillon

Mrs Anson Chan

鍾雅妍博士 Dr Fiona Chung

Ms Zoe Ho

Ms Li Lian Khoo

Dr Alfred Lau

Apple Lee

李芸輝博士 Dr Lee Wan Fai Walter

Savita Leung

Mr Gary Ma

Mrs Lily Ma

Dr Michael Mak

Dr & Mrs Joseph Pang

San Miguel Brewery Hong Kong Ltd .

Mr A . Smith

The Brandon Centre Limited

Mr Wong Yick Kam

姚曼儀女士 Ms Enoch Yiu

朱玉迎女士 Ms Zhu Yuying

學生票捐助計劃 Student Ticket Scheme

鉑金捐款者 PLATINUM DONORS

HK$140,000 或以上 OR ABOVE

無名氏( 2 ) Anonymous ( 2 )

馬振玉慈善基金會有限公司

CYMA Charity Fund Ltd

鑽石捐款者 DIAMOND DONORS

HK$70,000 – HK$139,999

Mrs Purviz R Shroff , MH and

Late Mr Rusy M Shroff , BBS , MBE

田家炳基金會 Tin Ka Ping Foundation

芝蘭基金會 Zhilan Foundation

翡翠捐款者 JADE DONORS

HK$30,000 – HK$69,999

Mr Roger and Mrs Lina Lui

Dr Stephen Suen

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

Ms Cheng Wai Ching Margaret

Dr Chung See Yuen

天智合規顧問 CompliancePlus Consulting

Mr & Mrs Kenneth & Nelly Fung

C H Mak

Mr & Mrs Kenneth Quinn

曹延洲醫生夫人 Dr & Mrs Tsao Yen - Chow

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

新作捐助計劃 New Works Scheme

黃金捐款者 GOLD DONORS

HK$12,000 – HK$29,999

無名氏 Anonymous

劉仰澤先生 Mr Lau Yeung Chak

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

凌霄志醫生 Dr Tony Ling

無名氏 ( 2 ) Anonymous ( 2 )

區燊耀先生 Mr Au Son Yiu

Mr & Mrs Jeffrey & Helen Chan

Dr Chan Wan Tung

Mr & Mrs Norman Chui

Mrs Margaret Hamilton

Miss Jenny Hodgson

Mr Iain Bruce

麥禮和醫生 Dr Mak Lai Wo

Mr Vernon Zhang

陳穎儀與黃乃正

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 ( 3 ) Anonymous ( 3 )

Mr & Mrs Herbert Au - Yeung

Cynthia Cheng & Aaron Chan

Ms Kit Fung Cheung

Dr Alan Chiang

馮兆林先生太太 Mr & Mrs Fung Shiu Lam

Ms Maureen Leung

Ms Regina Lo

Ms Janice Ritchie

Mrs Anna Chan Sheh

Mr So Kin Man

文娛慈善基金 The Elementary Charitable Foundation

余德銘先生 Mr Desmond Yu

殷和順先生劉善萍夫人

Mr Vernon Zhang

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 Anonymous

Ms Judith Ling

Ms So Wing Yin

網上藝術教育捐助計劃 Digital Arts Education Scheme

青銅捐款者 BRONZE DONORS

HK$3,000 – HK$5,999

無名氏 Anonymous

HK CT Alumni Association

支持及協助 SUPPORT AND COOPERATION

教育局藝術教育組

Arts Education Section, Education Bureau

香港展能藝術會

Arts with the Disabled Association Hong Kong

香港愉景灣酒店

Auberge Discovery Bay Hong Kong

澳洲駐香港及澳門總領事館 Australian Consulate-General Hong Kong and Macau

奧地利駐香港總領事館 Austrian Consulate General

Hong Kong

樺利廣告有限公司 Avanny Advertising Co Ltd

宏基國際賓館 Bishop Lei International House

BRICK LANE

英國文化協會 British Council

英國駐香港總領事館 British Consulate General Hong Kong

百老匯院線 Broadway Circuit burgundy etc

CAMPSITE

粵劇發展基金 Cantonese Opera Development Fund

牛棚藝術村 Cattle Depot Artist Village

周生生集團國際有限公司

Chow Sang Sang Jewellery Co. Ltd

中信國際電訊(信息技術)有限公司

CITIC Telecom International CPC Limited

城市當代舞蹈團 City Contemporary Dance Company

城巿花園酒店 City Garden Hotel

思聯設計有限公司 CL3 Architects Ltd

比利時駐港澳總領事館

Consulate General of Belgium in Hong Kong and Macau 加拿大駐香港及澳門總領事館

Consulate General of Canada in Hong Kong and Macao

法國駐港澳總領事館

Consulate General of France in Hong Kong and Macau

西班牙駐香港總領事館

Consulate General of Spain in Hong Kong 瑞士駐香港總領事館

Consulate General of Switzerland in Hong Kong

荷蘭駐港總領事館

Consulate General of the Kingdom of Netherlands in Hong Kong and Macau

大韓民國駐香港總領事館

Consulate General of the Republic of Korea in Hong Kong

俄羅斯駐香港總領事館

Consulate General of the Russian Federation in the Hong Kong SAR, PRC

Die Konzertisten

拔萃女書院 Diocesan Girls' School

愛普生香港有限公司 Epson Hong Kong Limited

香港港威酒店 Gateway Hotel, Hong Kong

德國駐香港總領事館

German Consulate General Hong Kong

六國酒店 Gloucester Luk Kwok Hong Kong

香港歌德學院 Goethe-Institut Hong Kong

香港君悅酒店 Grand Hyatt Hong Kong

青苗琴行 Greenery Music

香港恒生大學

Hang Seng University of Hong Kong

學生事務處 Student Affairs Office

8 度海逸酒店 Harbour Plaza 8 Degrees

快達票香港有限公司 HK Ticketing

香港文聯 HKL&A

香港藝術行政人員協會 Hong Kong Arts Administrators Association

香港藝術中心 Hong Kong Arts Centre

香港浸會大學 Hong Kong Baptist University

音樂學院 Academy of Music

拉闊文化 Cultural Literacy Programme

英國語言文學系 Department of English Language and Literature

香港大會堂 Hong Kong City Hall

香港文化中心 Hong Kong Cultural Centre

香港電影資料館 Hong Kong Film Archive

香港黃金海岸酒店 Hong Kong Gold Coast Hotel

香港管弦樂團 Hong Kong Philharmonic Orchestra

香港公共圖書館 Hong Kong Public Libraries

香港旅遊發展局 Hong Kong Tourism Board

斯洛文尼亞駐港總領事館 Honorary Consulate of Slovenia in Hong Kong

香港都會大學

Hong Kong Metropolitan University

學生事務處 Student Affairs Office

登臺 Hotel Stage

宜必思香港中上環

ibis Hong Kong Central and Sheung Wan

工銀亞洲 ICBC (Asia)

入境事務處 Immigration Department

香港以外地區經濟事務辦事處新聞及公共關係組

Information and Public Relations Units in Offices

Outside Hong Kong

海景嘉福洲際酒店

InterContinental Grand Stanford Hong Kong

高山劇場 Ko Shan Theatre

九龍木球會 Kowloon Cricket Club

Kubrick

葵青劇院 Kwai Tsing Theatre

駐香港韓國文化院

Korean Cultural Center in Hong Kong

康樂及文化事務署

Leisure and Cultural Services Department

牧羊少年與他的浮萍 Lemna of the alchemist

中央人民政府駐香港特別行政區聯絡辦公室 Liaison Office of the Central People's Government in the HKSAR

嶺南大學 Lingnan University

黃炳禮音樂及演藝部

Wong Bing Lai Music and Performing Arts Unit

馬哥孛羅香港酒店 Marco Polo Hongkong Hotel

Maxibit HK/China

MCL K11 Art House

中華人民共和國文化和旅遊部

Ministry of Culture and Tourism, PRC 循道衛理聯合教會國際禮拜堂

Methodist International Church Hong Kong Mission Production Company Ltd

李鏡輝先生 Mr Alpha Li

黃月妙小姐 Ms Kitty Wong

黃宇軒先生 Mr Sampson Wong

音樂事務處 Music Office

北區大會堂 North District Town Hall

One Minden Tapas Kitchen

橙天嘉禾娛樂集團 Orange Sky Golden Harvest

Entertainment Group

柏斯琴行 Parsons Music Limited

奧華酒店 中環 Ovolo Central

卓滙達有限公司 Patsville Company Ltd

Performing Arts Fund NL

電訊盈科 PCCW Pixellent

犇華企業服務有限公司 Primasia Corporate Services Limited

鄭新文教授 Prof Tseng Sun-man

富豪酒店國際 Regal Hotels International

香港瑰麗酒店 Rosewood Hong Kong

皇家太平洋酒店 Royal Pacific Hotel

Russian Club in Hong Kong

沙田大會堂 Sha Tin Town Hall

上環文娛中心 Sheung Wan Civic Centre

聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin

Secondary School

南非駐香港總領事館

South African Consulate General Hong Kong SAR & Macao SAR, PRC

Southgate Design

香港西班牙商會

Spanish Chamber of Commerce in Hong Kong

事必達推廣有限公司 Speedy Promotion Limited

春天舞台劇製作有限公司 Spring-Time Stage Productions Limited

辰衝圖書有限公司 Swindon Book Co. Ltd.

香港瑞士商會有限公司 Swiss Chamber of Commerce in Hong Kong Limited

大館 Tai Kwun

台灣蘇富比國際房地產

Taiwan Sotheby's International Realty

藝林文具印刷有限公司 The Artland Co Ltd

香港八和會館 The Chinese Artists Association of Hong Kong

香港中文大學 The Chinese University of Hong Kong

聯合書院 United College

藝術行政主任辦公室 The Office of the Arts Administrator

文化及宗教研究系 Department of Cultural and Religious Studies

香港城市大學 The City University of Hong Kong

文化薈 Cultural Exchange Oasis

商務印書館（香港）有限公司 The Commercial Press (Hong Kong) Limited

香港教育大學 The Education University of Hong Kong

文化與創意藝術學系 Department of Cultural and Creative Arts

灣景國際 The Harbourview

梅夫人婦女會 The Helena May

香港演藝學院 The Hong Kong Academy for Performing Arts

戲曲學院 School of Chinese Opera 戲劇學院 School of Drama

音樂學院 School of Music

舞蹈學院 School of Dance

電影電視學院 School of Film and Television

學生事務處 Student Affairs Office

表演場地管理部 Venue Performance Unit

場地技術部 Venue Technical Unit

香港兒童合唱團 The Hong Kong Children’s Choir

香港理工大學 The Hong Kong Polytechnic Universit

文化及設施推廣處 Culture Promotion and Events Office

香港科技大學 The Hong Kong University of Science and Technology

藝術中心 Center for the Arts

The Swiss Chamber of Commerce in Hong Kong Limited

香港大學 The University of Hong Kong

音樂系 Department of Music

香港大學美術博物館 University Museum and Art Gallery Cultural Management Office

學生發展及資源中心 Centre of Development and Resources for Students

港青 - 香港基督教青年會

The Salisbury – YMCA of Hong Kong

通利琴行 Tom Lee Music Company Ltd

三角關係 Trinity Theatre

荃灣大會堂 Tsuen Wan Town Hall

屯門大會堂 Tuen Mun Town Hall

城市售票網 URBTIX

市區重建局 Urban Renewal Authority

同流黑盒劇場 WeDraman Black Box Theatre

進富印刷公司 Wealthy Step Printing Co.

西九文化區管理局

West Kowloon Cultural District Authority

粵海華美灣際酒店 Wharney Hotel

艾希妮網絡公關有限公司 X Social Group Limited

油麻地戲院 Yau Ma Tei Theatre

元朗劇院 Yuen Long Theatre

赤豚事務所 Zhu Graphizs

More than Great Performances!

2023 FESTIVAL PLUS PROGRAMME 藝術節加料節目

3/2

五 Fri

5/2

日 Sun

12/2

日 Sun

13/2 Mon

18/2 六 Sat

19/2 日 Sun

跨越界限——陳詠燊談劇本創作

Sunny Chan on Screenwriting and Playwriting

說說管風琴•說說巴赫

Tracing the Organ Music of Bach

廣陵情長——粵劇編寫竹林七賢傳奇

Writing Cantonese Opera for the Legendary Seven Sages of the Bamboo Grove

「禹•見」鋼琴大師

Masterclasses and Meet Bruce Liu

「短篇粵劇──戲說八德」演後藝人談

Virtues and Morality—Four Cantonese Operas

Post-Performance Meet-the-Artist

杜國威經典作品選映——《虎度門》

Hu Du Men

Collection of Raymond To’s Classics

杜國威經典作品選映——《劍雪浮生》

A Sentimental Journey Collection of Raymond To’s Classics

22/2 三 Wed 杜國威經典作品選映——《南海十三郎》

24/2 五 Fri

27/2 Mon

The Mad Phoenix Collection of Raymond To’s Classics

米歇爾．梵德阿《水之書》演後藝人談

The Book of Water Post-Performance Meet-the-Artist

香港藝術節加料節目 X 大館對談：

古董鋼琴與現代鋼琴

HKAF PLUS x Tai Kwun Conversations: Early Piano Vs. Modern Piano 盛原——古董鋼琴獨奏會

Antique Piano Recital by Yuan Sheng 韓德兩地的音樂旅途

A Music Journey between Two Cultures –Esme Quartet in Korea and in Germany

28/2

二 Tue

1 - 19/3

三 - 日 Wed - Sun

3/3

五 Fri

5/3

日 Sun

《名畫詐騙師》演後藝人談

True Copy Post-Performance Meet-the-Artist

歌劇《尤利西斯歸鄉記》製作解碼展覽

The Making before The Return Exhibition

《超真實》裝置音樂會演後藝人談 Hyperreality—an installation concert

Post-Performance Meet-the-Artist

《名畫詐騙師》演後藝人談

True Copy Post-Performance Meet-the-Artist

「笙世界 音樂會」演後藝人談

Sheng World Music— Kevin Cheng & Friends

Post-Performance Meet-the-Artist

長笛的進化史──從巴羅克到現代時期 Evolution of Flute from the Baroque to Modern Periods

8/3 三 Wed 古鋼琴大師班

Fortepiano Masterclass 10/3 五 Fri

沉浸式歌劇《小狐狸》舞台參觀及公開彩排 Into the World of Silent Opera - Vixen Stage Tour & Open Rehearsal 「毛俊輝•粵劇情」演後藝人談

Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

「長笛三次方——曾逸豪在繆思的庭院」 演後藝人談 Triptych for Flute—Tsang Yat-ho in Le jardin des muses

Post-Performance Meet-the-Artist

演唱蒙特威爾第 About Singing Monteverdi 「毛俊輝•粵劇情」演後藝人談 Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

呼吸，讓木偶栩栩如生 Breathing brings Puppet to Life 「毛俊輝•粵劇情」演後藝人談 Cantonese Opera Classics Circa 2023

Post-Performance Meet-the-Artist

巴赫與我 All I Need is Bach

《末戀•無愛合約》演後藝人談 Loveless Romance Post-Performance Meet-the-Artist

以樂器之王為經典默片配樂 Writing Music for Silent Film – Tips from the Organist

傑出文化領袖講座系列（10） 與班貝格交響樂團行政總裁暨 藝術總監馬庫斯•魯道夫•阿克斯對談 Distinguished Cultural Leadership Series (10)

In Conversation with Marcus Rudolf Axt Chief Executive and Artistic Director, Bamberg Symphony 《狂人派對》演後藝人談 Dance Me to the End of Night Post-Performance Meet-the-Artist

傑出文化領袖講座系列（10） 與金像獎最佳編劇杜國威對談—戲畫人生 Distinguished Cultural Leadership Series (10)

From Stage to Ink: In Conversation with Award-winning Playwright and Screenwriter Raymond To Kwok-wai

贊助人 李家超先生, GBM SBS PDSM PMSM

永遠名譽會長 邵逸夫爵士 (1907-2014)

執行委員會

主席 查懋成先生

副主席 盧景文教授

義務司庫 范高廉先生

委員 鄭阮培恩女士 鄭惠貞女士 馮愉敏先生 何苗春暉女士 文肇偉先生 孫大倫博士 姚潔莉女士 楊　光先生

節目委員會

主席 盧景文教授

委員 白諾信教授 紀大衛教授 羅志力先生 毛俊輝教授 約瑟．施力先生+ 譚榮邦先生 姚　珏女士

財務委員會

主席 范高廉先生 委員 鄭惠貞女士 梁國輝先生 發展委員會

主席 鄭阮培恩女士

副主席 雍景欣女士 委員 馮愉敏先生 龐心怡女士 孫林宣雅女士 文藝女士 姚祖輝先生

顧問 夏佳理先生 鮑　磊先生 陳祖澤博士 陳達文博士 霍　璽先生 李業廣先生 梁紹榮夫人 李國寶博士 名譽法律顧問 甘乃迪女士（孖士打）

核數師 羅兵咸永道 會計師事務所

PATRON

HONORARY LIFE PRESIDENT

EXECUTIVE COMMITTEE

Chairman

Vice-Chairman

Honorary Treasurer

Members

電話 TEL 2824 3555

傳真 FAX 2824 3798 / 2824 3722

電子郵箱 Email afgen@hkaf.org

節目查詢熱線 2824 2430

Programme

Enquiry Hotline

地址 ADDRESS 香港灣仔港灣道 2 號 12 樓 1205 室 Room 1205, 12th Floor, 2 Harbour Road, Wanchai, Hong Kong

The Hon. John KC Lee, GBM SBS PDSM PMSM

The Hon. Sir Run Run Shaw, GBM CBE (1907-2014)

Mr Victor Cha

Prof. Lo King-man, SBS MBE JP

Mr Colin Farrell

Mrs Betty Yuen Cheng

Ms Margaret Cheng

Mr Michael Fung

Ms Joanna Hotung

Mr Sebastian Shiu-wai Man

Dr Dennis T L Sun, BBS JP

Ms Miriam Yao

Mr Sunny Yeung

PROGRAMME COMMITTEE

Chairman

Members

Prof. Lo King-man, SBS MBE JP

Prof. Giorgio Biancorosso

Prof. David Gwilt, MBE

Mr Peter C L Lo

Prof. Fredric Mao, BBS

Mr Joseph Seelig +

Mr Wing-pong Tam, SBS JP

Ms Jue Yao, JP

FINANCE COMMITTEE

Chairman

Members

DEVELOPMENT COMMITTEE

Chairperson

Vice-Chairperson

Members

Mr Colin Farrell

Ms Margaret Cheng

Mr Nelson Leong

Mrs Betty Yuen Cheng

Ms Jane Yong

Mr Michael Fung

Ms Samanta Sum-yee Pong

Mrs Helen Lin Sun

Ms Yi Wen

Mr Andrew Yao

ADVISORS

The Hon. Ronald Arculli, GBM GBS

Mr Martin Barrow, GBS CBE JP

Dr John C C Chan, GBS CBE LVO JP

Dr Darwin Chen, SBS ISO

Mr Angus H Forsyth

The Hon. Charles YK Lee, GBM GBS OBE JP

Mrs Mona Leong, SBS BBS MBE JP

Dr The Hon Sir David KP Li, GBM GBS OBE JP

HONORARY SOLICITOR

AUDITOR

Ms Gabriela Kennedy, Mayer Brown

PricewaterhouseCoopers

職員

行政總監 余潔儀

行政總監助理 何丹蓉

節目

節目總監 梁掌瑋 蘇國雲

高級節目經理 梁偉然

節目經理 陳曉彤 * 鄭佩群 * 廖國穎 * 馬筠婷 * 司徒頌欣 * 短期節目經理 游慧姿 *

副節目經理 杜以樂 *

節目統籌 林穎茵 *

藝術行政見習員 容諾行 *

行政

節目經理 (行政) 蘇雪凌

節目主任 (行政) 林穎妍 *

物流

物流及接待經理 金學忠 *

技術

製作經理 梁雅芝 *

助理製作經理 陳梓衡 *

出版

編輯 陳詠恩 * Adam Wright*

助理編輯 陳劭儀 * 李芷晴 *

外展

外展經理 林嘉敏 *

助理外展經理 李萬祺 * 潘穎詩 *

外展主任 張凱柔 *

外展助理 馬曉瑩 *

藝術行政見習員 馮樂程 *

市場推廣

市場總監 鄭尚榮

副市場總監 盧伯全

副市場經理 陳靄婷 * 張予心 * 黃頴儀 *

助理項目經理 李穎軒 * 譚懿諾 *

助理市場經理 許樂欣 * 曾諾怡 *

市場主任 林培生 *

票務

市場經理(票務) 梁彩雲

票務主任 殷嘉駿 *

發展

發展總監 黃美儀

特別發展協理 蘇啟泰 *

發展經理 林思穎 * 吳綺菁 * 譚樂瑤

發展主任 鄒穎妮 * 譚尹晴 *

藝術行政見習員 梁詠熙 *

短期發展助理 潘藹怡 *

行政事務

財務總監 鄺敬婷

會計

會計經理 杜詩麗 *

會計主任 顏悅恩 *

人力資源及行政

人力資源及行政經理 楊美君 *

接待員/初級秘書 李美娟

助理 黃國愛

資訊科技

資訊科技經理 陳啟明 *

無限亮

項目總監 錢 佑 *

節目及外展經理 鍾美琼 * 何敏凝 * 節目及外展統籌 何敬堯 * 潘詠汶 *

市場經理 黃嘉欣 *

副市場經理 廖愷瀅 *

助理製作經理 張詠宜 *

高級會計主任 鍾巧明 * 香港藝術節@大館

項目經理 鄺為立 * 公關及宣傳統籌 楊佩雯 *

STAFF

Executive Director

Assistant to Executive Director

PROGRAMME

Programme Directors

Senior Programme Manager

Programme Managers

Temporary Programme Manager

Deputy Programme Manager

Programme Coordinator

Arts Administrator Trainee

ADMINISTRATION

Programme Manager (Admin)

Flora Yu

Connie Ho

Grace Lang So Kwok-wan

Ian Leung

Kristen Chan* Cathy Cheng*

Sophie Liao* Katie Ma*

Samantha Szeto*

Janet Yau*

Tobe To*

Lilian Lam*

Ryan Yung*

Shirley So

Programme Officer (Admin) Michelle Lam*

LOGISTICS

Logistics Manager

TECHNICAL

Production Manager

Elvis King*

Shirley Leung*

Assistant Production Manager Jacob Chan*

PUBLICATIONS

Editors

Assistant Editors

OUTREACH

Outreach Manager

Assistant Outreach Managers

Outreach Officer

Outreach Assistant

Arts Administrator Trainee

MARKETING

Marketing Director

Associate Marketing Director

Deputy Marketing Managers

Assistant Project Managers

Assistant Marketing Managers

Marketing Officer

TICKETING

Marketing Manager (Ticketing)

Ticketing Officer

DEVELOPMENT

Development Director

Special Development Associate

Development Managers

Development Officers

Arts Administrator Trainee

Temporary Development Assistant

CORPORATE SERVICES

Finance Director

ACCOUNTS

Account Manager

Accounting Officer

HR & ADMINISTRATION

HR and Admin Manager

Receptionist/Junior Secretary

General Assistant

INFORMATION TECHNOLOGY

Information Technology Manager

NO LIMITS

Project Director

Programme and Outreach Manager

Programme and Outreach Coordinators

Marketing Manager

Deputy Marketing Manager

Assistant Production Manager

Senior Accounting Officer

HKARTSFESTIVAL@TAIKWUN

Project Manager

Eugene Chan* Adam Wright*

Shao yi Chan* Rebecca Lee*

Carman Lam*

Kelvin Li* Renee Poon*

Hazel Cheung*

Queena Ma*

Crystal Fung*

Katy Cheng

Eugene Lo

Tobie Chan* Stephanie Cheung*

Joey Wong*

Hill Li* Hades Tam*

Sally Hui* Margaret Tsang*

Billy Lin*

Eppie Leung

Cyrus Yan*

Angela Wong

Alex So*

Sharon Lam* Joey Ng*

Lorna Tam

Chau Wing-ni* Linda Tam*

Kirstie Leung*

Carol Pun*

Teresa Kwong

Connie To*

Stephany Ngan*

Janet Yeung*

Virginia Li

Bonia Wong

Derek Chan*

Eddy Zee*

Becky Chung* Christy Ho*

Kelvin Ho* Jasmine Poon*

Carly Wong*

Kaitlyn Liu*

Jess Cheung*

Catherine Chung*

Kwong Wai Lap*

PR and Marketing Coordinator Wind Yeung*

Coordinators

Production Officer Pang Ka Tat*

Technical Coordinators Rachel Au*, Tony Choi*, Cherry Fung*, Mandy Lai*, Martin Lai*, Lawrence Lee*, Joyi Tsang*