Retrospectives of Lin Hwai-min's Works - 47th Hong Kong Arts Festival by Hong Kong Arts Festival

衷心祝賀香港藝術節今年邁向第4 7屆。今屆藝術節陣容鼎盛，共有超過1700名來自香港和世界各地的藝術家傾力演出，為觀眾帶來近1 7 0 場精彩表演。今年藝術節的節目多姿多彩，當代及古典音樂、舞蹈、戲劇等不同形式的藝術表演共冶一爐。每個節目從幕後製作到台前演出，均盡顯精湛的藝術造詣和超凡的想像力。我很高興知道最近完成活化的中區警署建築群，即現在的大館古蹟及藝術館，會在兩個周末呈獻約5 0場舞蹈表演，供公眾免費入場觀賞。大家更有機會一起參與在大館的檢閱廣場、監獄操場，甚至是監獄囚室進行的表演節目。牛棚藝術村亦會打造為藝術共生創造社，首度成為藝術節發展作品的平台，場內設有不同創意領域的工作坊，觀眾並可以欣賞一些創作中的作品，感受藝術家的多元創意。除了精彩表演，藝術節亦一如以往，悉心籌備各項教育和外展活動，致力培育本地藝術人才。「香港藝術節青少年之友」計劃讓本地學生有機會觀賞世界級的表演和參與各式各樣的藝術活動。此外，藝術節亦透過後台參觀和大師班等「加料節目」，讓觀眾與國際頂尖藝術家互動接觸，了解節目的幕後製作過程。衷心感謝香港藝術節團隊一直致力推動本港的藝術發展，成績斐然。我亦感謝贊助商和捐款者的大力支持，令每年的藝術節圓滿成功，大獲好評。謹祝二零一九年香港藝術節所有觀眾、參加者和表演者可以盡情享受這次藝術之旅，留下愉快難忘的回憶。

林鄭月娥香港特別行政區行政長官

I am pleased to congratulate the Hong Kong Arts Festival, which turns 47 this year in grand fashion, with nearly 170 performances featuring more than 1,700 artists from Hong Kong and all over the world. This year, the Festival showcases a dazzling range of classic and contemporary music, dance, theatre and more, each produced, staged and performed with consummate artistry and imagination. I am also delighted to note that our newly revitalised Central Police Station Compound, now Tai Kwun, Centre for Heritage and Arts, is the venue for some 50 free dance performances over the course of two weekends. I am told that audiences will also have the opportunity to participate in the performances taking place at Tai Kwun’s Parade Ground, Prison Yard and even its prison cell blocks. For the first time, the Arts Festival will turn Cattle Depot Artist Village into a Creative Hub for showcasing workshops and works in progress from a variety of creative disciplines. Beyond its captivating performances, the Festival remains committed to its educational activities, outreach and development of local artists. The Young Friends of the Hong Kong Arts Festival enables local students to enjoy world-class performances and participate in a range of arts activities, while PLUS programmes bring audiences behind the scenes with some of the world’s greatest artists through backstage tours, masterclasses and more. I am grateful to the Hong Kong Arts Festival team for its continuing commitment and manifold contributions to the development of the arts in Hong Kong. I am grateful, too, to the many sponsors and donors who, each year, help make the Festival a resounding success. I wish audiences, participants and performers alike a delightful and memorable 2019 Hong Kong Arts Festival experience.

Mrs Carrie Lam Chief Executive, Hong Kong Special Administrative Region

歡迎閣下蒞臨欣賞第4 7屆香港藝術節的這場演出。感謝您與我們一起歌頌表演藝術在舞台上的不同季節和階段。我們要感謝香港特別行政區政府透過康樂及文化事務署的年度恆常撥款。這項資助對香港藝術節每年得以成功舉辦，至關重要。多謝香港賽馬會慈善信託基金持續的支持，為我們致力豐富城中文化生活，打下根基。另外要感謝眾多企業贊助商、慈善基金會以至個人捐助者。他們的慷慨捐助，讓我們能夠呈獻世界各地的優秀藝術家、發展新作、培育年青觀眾，並在國際舞台上引薦本地人才。最重要的是感謝您前來欣賞今天的表演。香港藝術節的成功，正是有賴觀眾的熱情和參與。謹祝您享受藝術節今天這場演出，渡過難忘的時光。

查懋成香港藝術節主席

I am delighted to welcome you to this performance at the 47th Hong Kong Arts Festival. Thank you for joining in our celebration of the seasons and stages of the performing arts. I would like to extend my gratitude to the HKSAR Government, acting through the Leisure and Cultural Services Department, for its annual subvention, which is vital to the continued success of the Festival. I am also grateful to the Hong Kong Jockey Club Charities Trust, whose ongoing support is a cornerstone in our efforts to enrich the cultural calendar of the city. Thanks are also due to our many corporate sponsors, charitable foundations and individual donors, whose generous support enables us to host some of the world’s leading artists, develop new works, cultivate young audiences, and promote local talent on a world stage. Above all, I offer my warm thanks to you for joining today’s performance. The enthusiasm and engagement of our audiences is the foundation of the Hong Kong Arts Festival’s success. I sincerely hope that you will find your time spent at the Festival today memorable and enjoyable.

Victor Cha Chairman, Hong Kong Arts Festival

衷心感謝閣下蒞臨欣賞第47屆香港藝術節的演出。今屆藝術節以「一步一舞台」為主題。舞台，不僅是我們呈獻新穎及經典表演的地方，更是藝術轉化向前的關鍵。頂尖藝術家及明日之星於舞台相遇，各展姿彩；透過忠實致敬及大膽改編，經典劇目得以重現觀眾眼前；嶄新作品以原創設計、技術及敍事方法，挑戰傳統舞台的極限。無論於哪個舞台表演，我們會繼續想像藝術世界的無限可能，亦期望今屆表演能為閣下帶來啟發和歡愉。另外，誠邀您參加「加料節目」的各項活動，深入了解重點表演，令藝術節體驗更全面。謹代表藝術節團隊，感謝您參與香港藝術節，支持我們的使命，為香港締造一個世界級藝術節。

It is a pleasure and a privilege to welcome you to this performance at the 47th Hong Kong Arts Festival. This year, we celebrate artists and artworks “At Every Stage”. Not only do we spotlight exhilarating programmes at stages old and new across Hong Kong, but also reflect on the stage as a process of transformation. Leading artists at the peak of their careers perform alongside the next generation of rising stars. Classic repertoire is reinvented through brave homages and boldly experimental retellings, and the original designs, technologies and storytelling modes of new works crash through the boundaries of the traditional stage. I hope that this and many other performances at the 47th HKAF will provoke, inspire and delight you, and that in the course of viewing works at every stage, we may continue to envision the myriad possibilities of the arts. As part of your Festival experience, I would also recommend you join the many PLUS performances, workshops and events that have been designed to bring insight into our core programmes. Together with the entire team, I would like to thank you for your support of the Hong Kong Arts Festival, which sustains us in our mission to bring a world-class arts festival to Hong Kong.

何嘉坤香港藝術節行政總監

Tisa Ho Executive Director, Hong Kong Arts Festival

香港藝術節扎根香港的國際藝壇盛事香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國際藝術家的演出，以及舉辦多元化的「加料」和教育活動，致力豐富香港的文化生活。香港藝術節是一所非牟利機構，2019 年第 47 屆藝術節的年度預算約港幣一億三千六百萬，當中香港特區政府的基本撥款佔總收入的近 13%，接近 6% 來自政府新增加的五年限期額外撥款，另外約 28% 需來自票房收入，逾 33% 則需依賴來自各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘下的大約 20% 則來自其他收入，包括政府針對捐款和贊助收入而提供的配對資助。香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，例如 *： •歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯科大劇院、聖彼得堡馬林斯基劇院 •中國戲曲：中國國家京劇院、河北梆子劇院、上海張軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團 •古典音樂：塞西莉亞．芭托莉、列卡杜．沙爾、趙成珍、古斯塔沃．杜達美、菲力普．格拉斯、馬友友、丹尼斯．馬祖耶夫、安娜．涅翠柯、詹安德列亞．諾斯達、小澤征爾、甘拿迪．羅傑斯特汶斯基、克里斯蒂安．泰利曼、倫敦交響樂團、NHK 交響樂團、皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也納愛樂樂團 •爵士樂及世界音樂：波比．麥非年、尤蘇．恩多爾、艾斯佩蘭薩．斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼 •舞蹈：米高．巴里殊尼哥夫、蕭菲．紀蓮、艾甘．漢、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團 – 約翰．紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩娜．包殊烏珀塔爾舞蹈劇場

2019 年藝術節預計收入來源（約港幣一億三千六百萬） Estimated Income Sources for the 2019 HKAF (Approximately HK$136 Million)

贊助和捐款 Sponsorship & Donations

over 逾

•戲劇：彼得．布祿克、蜷川幸雄、羅柏特．威爾遜、柏林劇團、中國國家話劇院、皇家莎士比亞劇團 •大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊 •戶外節目：《聲光園》、《幻光動感池》、《聲光頌》香港藝術節積極與本地演藝人才合作，並致力為新晉藝術家提供展示才華的平台。藝術節至今委約及製作逾 2 0 0 套本地全新創作，包括戲劇、室內歌劇、音樂和舞蹈作品，近年開始同步出版新作劇本，不少製作更已在香港及海外多度重演。近年的藝術節新製作包括粵劇《百花亭贈劍》、《香港家族》三部曲、《世紀．香港》音樂會、《論語》、《炫舞場》、《大同》、《金蘭姊妹》、《爆蛹》、《野豬》、《聖荷西謀殺案》等。香港藝術節多年來與知名海外藝術家及團體聯合製作不少優秀作品，當中包括由香港藝術節、香港歌德學院及翩娜．包殊烏珀塔爾舞蹈劇場聯合製作的《抹窗人》、由倫敦老域劇院、布魯克林音樂學院與尼爾街製作公司製作、香港藝術節為聯合委約機構之一的「橫貫計劃」之《暴風雨》及《李察三世》、由香港藝術節及上海國際藝術節聯合委約的《青蛇》、三藩市歌劇院與香港藝術節聯合製作的《紅樓夢》等。香港藝術節大力投資下一代的藝術教育。「青少年之友」成立 27 年來，已為逾 750,000 位本地中學生及大專生提供藝術體驗活動。藝術節近年亦開展多項針對大、中、小學生的藝術教育活動，包括由國際及本地藝術家主持的示範講座及工作坊、學生展演、演前講座、公開彩排、以及欣賞藝術節演出。同時，通過「學生票捐助計劃」，藝術節每年提供約 1 0 , 0 0 0 張半價學生票。香港藝術節每年主辦一系列多元化並深入社區的「加料節目」，例如電影放映、示範講座、大師班、工作坊、座談會、後台參觀、展覽、藝人談、文化導賞團等，鼓勵觀眾與藝術家互動接觸。

33% around 約

20% nearly 近 6% nearly 近 13%

around 約

28%

票房收入 Box Office （2019 年 1 月更新 Updated January 2019）

其他收入（包括按捐款和贊助收入可望獲得的政府配對資助 ) Other Income (Including Possible Government Matching Grant for Sponsorship and Donation Income) 政府五年限期額外撥款 Government's Time-limited Addition Funding (for 5 years)

政府的基本撥款 Government Baseline Funding

Hong Kong Arts Festival A Major International Arts FestivaI ln, Of and For Hong Kong HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year. HKAF is a non-profit organisation. Secured government baseline funding represents about 13% of the 2019 Festival’s HK$136 million budget, with another nearly 6% specially provided by the Government as time-limited additional funding for five years. Around 28% of the Festival’s income needs to come from the box office, and over 33% from sponsorship and donations made by corporations, individuals, and charitable foundations. It is anticipated that the remaining 20% will come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations. HKAF has presented top international artists and ensembles across multiple genres, such as*: • Western Opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre • Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, SeongJin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Gennady Rozhdestvensky, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra • Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini • Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet–John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch • Theatre: Peter Brook, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company

• Large-scale special events: World of WearableArt, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 200 local productions across genres including theatre, chamber opera, music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include the Cantonese Opera - Pavilion of a Hundred Flowers, A Floating Family–A Trilogy, Hong Kong Odyssey, Chinese Lesson, Danz Up, Datong–The Chinese Utopia, The Amahs, Blast, Wild Boar and Murder in San Jose, to name a few. HKAF frequently partners with renowned international artists and institutions to produce exceptional works, such as Der Fensterputzer (The Window Washer) co-produced by HKAF, Goethe-Institut Hong Kong and Tanztheater Wuppertal Pina Bausch, Richard III and The Tempest produced by The Old Vic, BAM and Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake cocommissioned with Shanghai International Arts Festival, and Dream of the Red Chamber co-produced with San Francisco Opera. HKAF invests heavily in arts education for young people. Over the past 27 years, our “Young Friends” scheme has reached over 750,000 local secondary and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school students have been launched in recent years, featuring activities such as student showcases, pre-performance talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and lecture demonstrations led by international and local artists. Donations to the “Student Ticket Scheme” also make available approximately 10,000 half-price student tickets each year. HKAF organises a diverse range of “Festival PLUS” activities in community locations each year to enhance engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, workshops, symposia, backstage visits, exhibitions, meet-the-artist sessions, and guided cultural tours.

誠邀贊助或捐助第 47 屆香港藝術節；詳情請與藝術節發展部聯絡。 To find out more about sponsorship opportunities and donation details for the 47th Hong Kong Arts Festival, please contact the HKAF Development Department. 電郵 Email: 直綫 Direct Lines: 網頁 Website:

dev@hkaf.org (852) 2828 4910/11/12 www.hk.artsfestival.org/en/support-us

* 有關香港藝術節的過往節目，可參考以下網頁 Details of past HKAF programmes can be found at www.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2018.html

Presents

雲門舞集45週年

林懷民舞作精選 Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme

Retrospectives of Lin Hwai-min’s Works 21-24 2月 FEB

香港文化中心大劇院 Grand Theatre, Hong Kong Cultural Centre 演出長約 2 小時 5 分鐘，包括一節中場休息 Approximately 2 hours and 5 minutes including one interval

香港藝術節感謝香港洲際酒店提供酒店住宿支持 Hong Kong Arts Festival wishes to thank InterContinental Hong Kong for providing accommodation support for this programme 封面及節目照片、舞者個人照 Cover, production photographs and dancer portraits: ©Liu Chen-hsiang 劉振祥 ©Barry Lam 林百里

敬請關掉所有響鬧及發光裝置。 Please switch off all sound-making and light-emitting devices. 網上追蹤香港藝術節 Follow the HKArtsFestival on

請勿擅自攝影、錄音或錄影。 Unauthorised photography or recording of any kind is strictly prohibited.

HKartsfestival

本場刊採用環保紙張印刷。This programme is printed on environmentally friendly paper.

www.hk.artsfestival.org

雲門舞集 45 週年

林懷民舞作精選 Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme

Retrospectives of Lin Hwai-min’s Works 〈永字〉選自《行草》

“Character Yong” from Cursive

《松煙》第五帖

Excerpt from Pine Smoke

〈秋徑〉選自《竹夢》

“Autumn Path” from Bamboo Dream

〈白衣〉選自《家族合唱》

“White Dress” from Portrait of the Families

《水月》選段

Excerpts from Moon Water

〈千字文〉選自《行草》

“Thousand Characters” from Cursive

《白水》選段

Excerpts from White Water — 中場休息 Interval —

《如果沒有你》選段

Excerpts from How Can I Live On Without You

《稻禾》選段

Excerpts from Rice

〈黑天使〉選自《風．影》

“Black Angel” from Wind Shadow

《松煙》終結篇

“Finale” from Pine Smoke

表演舞碼及次序或有更改

Pieces and their order of performance are subject to change

本節目舞蹈由林懷民編作，燈光由李琬玲根據原設計概念重新設計。為求演出流暢部份作品舞台裝置酌予簡化。 The excerpts of dance works in this programme were choreographed by Lin Hwai-min. Lighting was re-designed by Lulu W. L. Lee based on the lighting concepts of the original, full-length works. Some of the stage sets have been simplified to accommodate the flow of the programme. 以下舞作音樂獲授權使用 With permission to use the music in the below performances: 《行草》〈永字〉及〈千字文〉瞿小松︰《呼吸》 | 《松煙》〈第五帖〉及〈終結篇〉凱吉︰為管弦樂團而寫之《六十八》、《五》、《七十四》第二輯，以及《季節》 | 《竹夢》〈秋徑〉帕特︰《空白》第二樂章〈靜默〉 | 《家族合唱》〈白衣〉帕特︰《聖希路安之歌》 | 《水月》〈阿勒曼舞曲〉及〈前奏曲〉巴赫︰ C 小調第五組曲 BWV 1011 及降 E 大調第四組曲 BWV 1010 | 《如果沒有你》曲詞陳慶祥：〈對面的女孩看過來〉、曲周杰倫及詞方文山：〈不能說的秘密〉及曲湯尼及詞莊奴：〈巧合〉 | 《稻禾》〈花粉〉及〈日光〉聖桑：《夜鶯與玫瑰》及貝里尼：《聖潔的女神》 | 《白水》〈第八章〉及〈第七章〉賽貢：《十二首阿克薩克節奏前奏曲》之第八首，作品 45 及《十首阿克薩克節奏掃描曲》之第四首，作品 58 | 《風．影》音樂︰梁春美、沈聖德：〈黑天使〉 Cursive “Yong” and “Thousand Characters” Qu Xiaosong: Breath | Pine Smoke “No 5” and “Finale” John Cage: Sixty-Eight, Five and Seventy Four for orchestra v.II, The Seasons | Bamboo Dream “Autumn Path” Arvo Pärt: Tabula Rasa, mov. II “Silentium” | Portrait of the Families “White Dress” Arvo Pärt: Silouans Song | Moon Water “Suite No 5 – Allemande” and “Suite No 4 – Prelude” J.S Bach: Suite No 5 in C minor BWV 1011 and Suite No 4 in E flat major BWV 1010 | How Can I Live On Without You Chen Ching-hsiang: “Girls, Look Over At Me”, Composer Jay Chou and Lyricist Vincent Fang: “The Unspeakable Secret”, and Composer Tony and Lyricist Chuang Nu: “Coincidence” | Rice “Pollen” and “Sunlight” Camille Saint Seans: Le Rossignol et la Ros and Vincenzo Bellini: Casta Diva | White Water “Chapter 8” and “Chapter 7” Ahmet Adnan Saygun: Prelude No 8 from Aksak Tartilar Uzerine 12 Prelude, Op 45 and Sketch No 4 Vivace from Aksak Tartilar Uzerine 10 Taslak, Op 58 | Wind Shadow Music by Liang Chin-mei and Jim Shum: “Black Angel”

〈永字〉選自《行草》 “Character Yong” from Cursive

〈永字〉選自《行草》

“Character Yong” from Cursive 「行草三部曲」的起手式。舞蹈隨着王羲之的永字八法，呈現書法的趣味。《紐約時報》譽為「輝煌之美的絕佳見證」，歐陸舞評家票選為「2006 年最佳舞作」。音樂瞿小松舞台 / 影像設計林克華燈光原設計張贊桃服裝設計林璟如舞者周章佞

The first work of Cursive: A Trilogy, this dance revolves around Wang Xizhi’s Eight Principles of Yong, revealing the delights of Chinese calligraphy. It was regarded as “the glory of beauty” by The New York Times, and selected by European dance critics as the “Best Dance of 2006”. Music Qu Xiao-song Set and Image Designer Lin Keh-hua Original Lighting Designer Chang Tsan-tao Costume Designer Lin Ching-ju Dancer Chou Chang-ning

《松煙》第五帖

Excerpt from Pine Smoke 「行草三部曲」第二個章節，取燃松取煙製墨的典故，渲染墨分五色與留白的精神，獲墨爾本藝術節「時代評論獎」及「觀眾票選最佳節目」。音樂約翰．凱吉舞台 / 影像設計王孟超燈光原設計林克華服裝設計林璟如舞者柯宛均、范家瑄、陳慕涵、蘇依屏、王立翔、林心放、侯當立、陳聯瑋

The second chapter of Cursive: A Trilogy was inspired by traditional ink produced with the soot of burning pine logs. It renders the spirit of the five shades of ink strokes against an empty background, and was awarded the Age Critics’ Award and the Patrons’ Choice Award at the Melbourne International Arts Festival. Music John Cage Set and Image Designer Austin M.C. Wang Original Lighting Designer Lin Keh-hua Costume Designer Lin Ching-ju Dancers Chen Mu-han, Fan Chia-hsuan, Ko Wan-chun, Su I-ping, Chen Lien-wei, Hou Tang-li, Lin Hsin-fang, Wong Lap-cheong

〈秋徑〉選自《竹夢》

“Autumn Path” from Bamboo Dream 一對攜手同行的男女擁抱復撕扯，秋天的竹林仍然翠綠，路徑漫漫，卻似走到了盡頭。巴黎《費加洛報》讚為「偉大的藝術」。音樂阿爾沃．帕特舞台原設計王孟超燈光原設計張贊桃服裝設計陳婉麗舞者黃媺雅、黃立捷

A man and woman walking hand-in-hand are once more torn apart in the emerald green of an autumn bamboo forest. There may still be a long way to go, but it seems they have arrived at an impasse. Parisbased newspaper Le Figaro praised it as a “great work of art”. Music Arvo Pärt Set Designer Austin M.C. Wang Original Lighting Designer Chang Tsan-tao Costume Designer Chen Wan-li Dancers Huang Li-chieh, Huang Mei-ya

〈黑天使〉選自《風．影》 "Black Angel" from Wind Shadow

〈白衣〉選自《家族合唱》

“White Dress” from Portrait of the Families 反思二二八與白色恐怖的史詩舞劇。《國際舞蹈雜誌》評說：「影像、聲音與舞蹈出色地組合成為一齣壯麗的藝術作品。」口白二二八受難者家屬音樂阿爾沃．帕特舞台原設計李名覺燈光原設計林克華影像顧問張照堂服裝設計陳婉麗舞者楊儀君呂汶珊、陳珮珮、邵倖紋、許辰、陳廣軒

An epic dance theatre piece reflecting on the February 28 Incident and the 1947–1987 White Terror in Taiwan. Dance International magazine notes that “the images, sound, and dance brilliantly merge into a glorious art”. Voices Family members of victims of the 2.28 massacre Music Arvo Pärt Original Set Designer Lee Ming-cho Original Lighting Designer Lin Keh-hua Image Consultant Chang Chao-tang Costume Designer Chen Wan-li Dancers Yang I-chun Chan Pui-pui, Chen Guang-xuan, Hsu Chen, Lu Wen-shan, Shao Hsing-wen

口白

Voices

一 ) 一九四七年三月十二，爸爸被五個便衣帶走。媽媽已經無法活在這個世間，她的精神都已經隨爸爸去了。

1. March 12, 1947. Father was taken away by five plainclothes policemen. Mother lost her will to live. Her spirit went away with father. We took her to a hospital. Out of religious faith, mother decided to live on, but under one condition: all of father’s belongings had to be burnt. Nothing was to be left. She couldn’t bear looking at them.

我們就帶她去醫院。靠神明，宗教的力量，決心要活下去。但是，媽媽有一個條件：爸爸所有的東西都要燒掉，身邊都不能留爸爸的東西給她看見。

二 ) 哎喲，有啊。我們這一帶打死了十幾個。有一個源仔開腳踏車店，進來後從背後就打下去。一個住樓上的開貴，五十幾歲了，叫他下來，就把腳砍了。想到那些，心裏好痛喔。

2. Oh yes, more than 10 people were killed here. Ah-Yuan, owner of the bicycle shop...they rushed in and shot him from behind. Then KayGuay, more than 50 years old, living upstairs; they called him down and chopped his foot off. Recalling those moments, my heart breaks.

我們住的是平房，他站在門口，我坐在客

He stood at the gate; I sat in the living room. They came and shot him right there. Didn’t even ask a single question. Two shots. Took his gold ring, his watch and money. Two bullets came in here, and left through his back.

房裏面。他們一到，不分青紅皂白就開槍打他。什麼都沒問，兩槍打下去，戒指和錶拔走，口袋裏的幾塊錢也摸走。就這樣子，兩發子彈從這裏過去，從背部出來。

My husband’s younger brother came to visit us because my son was ill. He was shot at our door. They killed as they pleased: Ching-hsiang’s father, Tung-ah, Uncle Hai-long’s boy, his brother, and Kay-Guay, and...

我小叔是來探望我兒子的病，要來看小孩，也是在門口被打死。他那時候來都亂殺嘛，亂殺嘛。青祥他父親、桐仔、還有海龍伯他兒子、還有我家小叔、還有那個開貴、還有…… 三 ) 一九八四年，媽媽稍微寒到。忽然間來到我身邊，叫我的名字，說︰「我要看你爸爸，我很想你爸爸，我很想你爸爸。」差不多講完這樣，媽媽就一頭倒在我的手裡。

3. 1984. Mother caught a flu. Suddenly she came to me, calling my name, and cried: "I want to see your father! Oh, how I miss your father! I miss your father so much!” With this, she fainted in my arms.

《流浪者之歌》Songs of the Wanderers

《水月》選段

Excerpts from Moon Water 流動如水的動作，出入巴赫《無伴奏大提琴組曲》，聚散流轉。倫敦《每日電訊報》評為「畢生所見最賞心悅目，最美妙的經驗」。《紐約時報》選為「2003 年度最佳舞作」。音樂巴赫舞台原設計王孟超燈光原設計張贊桃服裝設計林璟如〈阿勒曼舞曲〉舞者柯宛均、侯當立范家瑄、黃羽伶、陳慕涵、鄭希玲、林心放、周辰燁、陳聯瑋、黃立捷〈前奏曲〉舞者黃珮華

With movements like flowing water, dancers whirl along to Bach’s Cello Suites. Telegraph critic Ismene Brown proclaimed it “one of the most ravishing things I’ve seen in a theatre, an experience of beauty”. It was also selected by The New York Times as the “Best Dance of 2003”. Music J.S. Bach Original Set Designer Austin M.C. Wang Original Lighting Designer Chang Tsan-tao Costume Designer Lin Ching-ju “Suite No.5 – Allemande” Dancers Ko Wan-chun , Hou Tang-li Chen Lien-wei, Chen Mu-han, Cheng Hsi-ling, Chou Chen-yeh Fan Chia-hsuan, Huang Li-chieh, Huang Yu-ling, Lin Hsin-fang “Suite No.4 – Prelude” Dancer Huang Pei-hua

〈千字文〉選自《行草》

“Thousand Characters” from Cursive 音樂瞿小松舞台 / 影像設計林克華燈光原設計張贊桃服裝設計林璟如舞者吳哲緯、許辰、陳廣軒、陳聯瑋、蘇胤勝

Music Qu Xiao-song Set and Image Designer Lin Keh-hua Original Lighting Designer Chang Tsan-tao Costume Designer Lin Ching-ju Dancers Chen Guang-xuan, Chen Lien-wei, Hsu Chen, Su Yin-sheng, Wu Tse-wei

《水月》Moon Water

《白水》選段

Excerpts from White Water 花蓮立霧溪翻湧的溪水流淌為琤琮琴音，ARTtalk 說「舞者出沒如水分子清澈聚合裂解，動作純淨歸零」，讓歐洲與俄羅斯的觀眾跳起來喝采。音樂賽貢攝影張皓然影像設計王奕盛燈光設計李琬玲服裝設計馬可〈第八樂章〉舞者周章佞〈第七樂章〉舞者呂汶珊、邵倖紋、柯宛均、范家瑄、陳珮珮、黃羽伶、黃媺雅、鄭希玲、蘇依屏吳哲緯、周辰燁、侯當立、陳廣軒、許辰、黃立捷、蘇胤勝

White Water is set against a backdrop of piano music and the surging streams of Hualien’s Liwu River. Writes ARTtalk: “Dancers, as water molecules, emerge and submerge among waves of movements with crystal transparency…and finally come back to the beginning zero.” Music Ahmet Adnan Saygun Videography Chang Hao-jan (Howell) Projection Designer Ethan Wang Lighting Designer Lulu W.L. Lee Costume Designer Ma Ke “Chapter 8” Dancer Chou Chang-ning “Chapter 7” Dancers Chan Pui-pui, Chen Guang-xuan, Cheng Hsi-ling, Chou Chen-yeh, Fan Chia-hsuan Hou Tang-li, Hsu Chen, Huang Li-chieh, Huang Mei-ya, Huang Yu-ling Ko Wan-chun, Lu Wen-shan, Shao Hsing-wen, Su I-ping, Su Yin-sheng, Wu Tse-wei

《白水》White Water

《如果沒有你》選段

Excerpts from How Can I Live On Without You 〈對面的女孩看過來〉

作曲作詞陳慶祥演唱任賢齊舞台構想林懷民燈光設計李婉玲服裝設計林秉豪舞者林心放呂汶珊、黃羽伶、邵倖紋、陳珮珮

〈不能說的秘密〉

作詞方文山作曲演唱周杰倫舞台構想林懷民燈光設計李琬玲服裝設計林秉豪舞者王立翔

〈巧合〉

作詞莊奴作曲湯尼演唱鳳飛飛舞台構想林懷民燈光設計李琬玲服裝設計林秉豪舞者陳慕涵周辰燁、侯當立、吳哲緯、陳廣軒、陳聯瑋、許辰、黃立捷

“Girls, Look Over At Me”

Lyricist/Composer Chen Ching-hsiang Singer Richie Jen Set Concept Lin Hwai-min Lighting Designer Lulu W. L. Lee Costume Designer Lin Bing-hao Dancers Lin Hsin-fang

Chan Pui-pui, Huang Yu-ling, Lu Wen-shan, Shao Hsing-wen

“The Unspeakable Secret” Lyricist Vincent Fang Composer & Singer Jay Chou

Set Concept Lin Hwai-min Lighting Designer Lulu W. L. Lee Costume Designer Lin Bing-hao Dancer Wong Lap-cheong

“Coincidence” Lyricist Chuang Nu Composer Tony Singer Fong Fei-fei Set Concept Lin Hwai-min Lighting Designer Lulu W. L. Lee Costume Designer Lin Bing-hao Dancers Chen Mu-han Chen Guang-xuan, Chen Lien-wei, Chou Chen-yeh, Hou Tang-li Hsu Chen, Huang Li-chieh, Wu Tse-wei

《稻禾》Rice

《稻禾》選段

Excerpts from Rice 從台東池上景觀出發，以稻米的生命輪迴隱喻人生。倫敦《衛報》讚為「林懷民的大地之歌」，SEE

DANCE 網站喝采「光看舞者的動作，就足以讓整晚愉悅不已。」舞台原設計林克華攝影張浩然影像設計王奕盛燈光設計李婉玲服裝設計安郁茜、黃莉婷、實踐大學服裝設計系〈花粉雙人舞〉音樂聖桑舞者黃珮華、蔡銘元音樂貝里尼〈日光〉舞者陳慕涵、黃媺雅、蘇依屏、王立翔、侯當立、許辰

Taking the rural township of Chishang, Taitung as starting point, this dance uses the life cycle of rice as a metaphor for human existence. The Guardian praised it as “Lin Hwai-min’s own song of the earth”. SeeDance.com raved, “Simply watching them move is enough to make the evening a totally fulfilling experience.” Original Set Designer Lin Keh-hua Videography Howell Chang Hao-jan Projection Designer Ethan Wang Lighting Designer Lulu W. L. Lee Costume Designer Ann Yu-chien, Huang Li-ting and Department of Fashion Design from Shih Chien University “Pollen” Music Camille Saint-Saëns Dancers Huang Pei-hua, Tsai Ming-yuan “Sunlight” Music Vincenzo Bellini Dancers Chen Mu-han, Hou Tang-li, Hsu Chen, Huang Mei-ya, Su I-ping, Wong Lap-cheong

〈黑天使〉選自《風．影》

“Black Angel” from Wind Shadow 林懷民與蔡國強，兩位《南華早報》形容為處於「巔峰的亞洲頂尖藝術家」，共同讓舞台幻化成超俗、夢般的宇宙，極度壯麗，令人屏息。構想蔡國強音樂梁春美、沈聖德舞台原設計林克華影像蔡國強作品《黑色彩虹》燈光原設計張贊桃服裝設計曾天佑舞者邵倖紋、陳聯瑋

South China Morning Post writes that this collaboration between Lin Hwai-min and Cai Guo-qiang, “two of Asia’s greatest artists at a time when both are at the height of their powers”, brings the stage to evolve into an otherworldly and dreamlike universe. Concept Cai Guo-qiang Music Liang Chin-mei & Jim Shum Original Set Designer Lin Keh-hua Image Black Rainbow by Cai Guo-qiang Original Lighting Designer Chang Tsan-tao Costume Designer Tseng Tien-yu Dancers Chen Lien-wei, Shao Hsing-wen

《松煙》終結篇

“Finale” from Pine Smoke 音樂約翰．凱吉舞台 / 影像設計王孟超燈光原設計林克華服裝設計林璟如舞者陳慕涵、蘇依屏、周辰燁、全體舞者

Music John Cage Set and Image Designer Austin M.C. Wang Original Lighting Designer Lin Keh-hua Costume Designer Lin Ching-ju Dancers Chen Mu-han, Su I-ping, Chou Chen-yeh and Ensemble

《風．影》Wind Shadow

藝術節加料節目

雲門舞集工作坊

19.2 ( 二 Tue) 7:00-9:00pm

Cloud Gate Dance Theatre of Taiwan Workshops

高級程度 Advanced Level（已舉行 Past Event）

23.2 ( 六 Sat) 12:00nn-2:00pm 中級程度 Intermediate Level

Rehearsal Room GR2, Hong Kong Cultural Centre

香港文化中心 GR2 排演室普通話主講

In Putonghua

港幣 $500

HK$500

香港藝術節傑出文化領袖講座系列（六）

22.2（五 Fri）2:30-4:00pm

HKAF Distinguished Cultural Leader Series (VI) The Lounge, The Residence, Mezzanine Floor, Grand Hyatt Hong Kong

香港君悅酒店君寓廳中堂講座由香港藝術節發展總監余潔儀主持，從藝術管理人的角度與雲門文化藝術基金會執行總監葉芠芠探討雲門舞集經歷過的艱難和成功、發展與變遷。

Yeh Wen-wen, Executive Director of Cloud Gate Cultural and Arts Foundation, and Flora Yu, Development Director of the HKAF, explore the challenges, successes and transformations that Cloud Gate has experienced over the years from an arts administration perspective.

普通話主講

In Putonghua

港幣 $100（包括咖啡 / 茶）

HK$100 (includes coffee/tea)

更多加料節目詳情及網上報名 More Festival PLUS and online registration: www.hk.artsfestivalplus.org

舞者們的雲門 45

Cloud Gate at 45

見識過幾回雲門舞者在排練場的上課與工作狀態，於是隨手畫記了一些從林懷民老師口中噴出的單字，其中最常出現的，不外：「安靜」、「下沉」、「扎根」、「纏絲」、「沒有腰」、「呼吸」、「湧泉」、「放鬆」。當時畫記下那些，只覺趣味，像是抓取一位好友口頭禪的不經意，與舞者閒聊談話後，才發現那些個單字像是一片片拼圖，拼構而出的畫面，就是所謂雲門身體，所謂雲門

45的舞台風景。七十年代雲門初創，為了「跳自己的舞」，林懷民延請復興劇校的曹駿麟先生指導舞者國劇基本動作，催生了《奇冤報》、《白蛇傳》、《薪傳》這些跳脫西方現代舞和民族舞蹈巢臼的傑作。九十年代，雲門復出後，希望深掘傳統肢體美學的根源，林懷民邀請熊衛與徐紀兩位先生指導舞者。導引是歷史久遠的健身術，熊衛先生融入太極的元素，發展出太極導引，講究吐納、導氣與纏絲般的螺旋式動作。徐紀先生出自劉雲樵大師門下，是當代武學名師。邀請之時兩位老師都推說他們不懂舞蹈，不知如何指導雲門舞者。林懷民說，他知道功夫需要時間的淬鍊，請老師為舞者啟蒙，為他們打基礎，不必著眼於套路。他希望能夠用受過傳統訓練的身體來進行編舞。於是雲門舞者在芭蕾、現代舞之外，有了太極導引、內家拳的課程。

During a few visits to Cloud Gate’s regular classes and rehearsals, I jotted down some of Lin Hwai-min’s most commonly uttered phrases: tranquil, submerge, take root, entwine, breathe, spring, relax. These notes were intended merely as a pleasant way of passing the time—like registering a good friend’s catchphrase in passing—but chatting with the dancers later, I realized that those phrases were like pieces of a jigsaw puzzle: when placed together, the picture they formed was the “body” of Cloud Gate, a picturesque snapshot of the company at 45 years old. When Cloud Gate was first formed in the 1970s, Lin took it upon himself to “dance his own dance” and invited Tsao Chun-lin from the National Fu Hsing Dramatic Arts Academy [now the National Taiwan College of Performing Arts] to instruct dancers on the fundamentals of Chinese opera. Tsao’s training gave birth to masterpieces like Revenge of a Lonely Ghost, The Tale of White Serpent, and Legacy, which broke free of the conventions of modern and folk dance. When Cloud Gate revived itself in the 1990s, Lin hoped to dig into the roots of traditional body aesthetics. To that end, he invited Hsiung Wei and Adam Chi Hsu to instruct his dancers in the ancient physical arts. Hsiung integrated elements of Tai Chi into a practice called, Tai Chi Dao Yin, which stressed rhythmic breathing, the channeling of qi (energy) and spiraling body movements. Hsu, a disciple of Grandmaster Liu Yun-qiao, was himself a renowned martial arts master. At the time of invitation, both Hsu and Hsiung insisted that they didn’t understand dance and would have no idea how to instruct Cloud Gate dancers. Lin understood that kung fu requires the tempering of time, but still appealed to the instructors to provide rudimentary martial arts instruction to his dancers, because the choreography he had in mind required bodies adapted to traditional training. Thus, in addition to ballet and modern dance training, Cloud Gate dancers received instruction in Tai Chi Dao Yin and internal martial arts.

以年為度量的磨耗成就打底了雲門身體

Forging the body of Cloud Gate

我要舞者們回憶入團初接觸這些東方身體訓

I asked the dancers to recall their impressions upon first entering the company of these Eastern training practices. They recounted half-hour-long zhanzhuang (“standing like a post”) exercises, hour-long meditation sessions, and periods of simply standing still while using the mind to guide the circulation of qi.

練的印象。他們提到至少半小時的站樁、或一個小時的靜坐、或者只是站着用意念去引導氣的流動。「大腿痠到不行，要爆炸了」，「靜坐到腿都麻了」，「呼吸要這麼長，好憋人」，「一開始哪裏知道丹田在哪，只能揣摩，盡量接近那樣子」。他們一邊說着自己，一邊也對別人說着的感受猛點頭，所有舞者在進團前都沒有這類的訓練，做太極導引做到滿頭黑人問號，是共同體驗。雲門舞者在舞台上的表現是很神，但他們實則都有着與我們一般的肉身。「三年吧，我差不多三年」，「兩、三年要，真的要」，這是舞者普遍認為讓身體真正吃進雲門訓練所需要的時間。剛開始很難忍，很難進入狀況，「但是，」入團四年的黃立捷說，「看到資深舞者可以如此天天練功，可以達到那樣的境界，我想我應該也可以。」

“My thighs ached so much that I couldn’t walk, like they were going to explode!” says one. “I meditated until my legs went numb,” adds another. “I had to breathe out for so long, it felt like I was suffocating,” proclaims one dancer. “In the beginning, I didn’t know where my dantian (elixir field) was; I could only guess and try my best to perceive it,” another recalls. As each dancer explains his or her personal experiences, others nod in fierce agreement. Prior to entering the company, none of the dancers had undergone this sort of training; a sense of bewilderment at doing Tai Chi Dao Yin was a common experience. The performances of Cloud Gate dancers onstage may indeed be exceptional, but they, in fact, began with ordinary bodies like the rest of us. “Three years, about three years for me,” says one dancer, while another chimes in, “You need two, three years, really.” By this, they mean the amount of time generally acknowledged as necessary to allow new recruits’ bodies to

《薪傳》Legacy

排練指導周章佞就分享，靜坐是習慣，也是

truly acclimate to Cloud Gate’s training programme. It was tough in the beginning for Huang Li-chieh, who joined the company four years ago. “But seeing more experienced dancers that were able to practise like this every day—who had reached that level,” he says, “I thought that I should be able to do it too.”

養神，不想跟周遭能量互動時，想隔絕開紛

Serenity: The secret of Lin Hwai-min’s success

林懷民的舞蹈江湖一點訣：靜沉穩安靜，專注堅定，是雲門舞者另一項「特長」，排練場、舞台邊上，隨時可見閉目穩當坐着的舞者，那是一方靜好的畫面。

亂時，就坐下，觀照那一天那當下的身體，也重新養起能量，身體會感覺比較不累。很難忘懷周章佞在《行草》中舞出「永字」的身形，那是雲門舞作中最著名的畫面，那也是雲門舞者身體的另一奧義所在。原來，伴隨着傳統肢體訓練，林懷民也邀請黃緯中老師指導舞者寫毛筆字，他體認到書法和氣功、內家拳擁有相似的美學，都要求身心的「鬆」，像書法的筆觸和動作的纏絲相同，都是連環的迴轉；跳舞的精力要綿延不斷，如同寫字要「筆斷意連」；「筆陣圖」要求落筆的點要「高峰墜石，磕磕然實如崩也」，正是陡然下沉動作的寫照。這些舞者於是把書法的心得注入動作裏，外出巡演，筆墨紙硯隨身，獨身書寫靜心，三五成群相約練字也是種特別的娛興。就是跟別人不一樣林懷民借用傳統動作的原則，繼之交融東西方概念去發展成全新的舞蹈動作語彙。黃立捷自信地說：「我們的訓練，當然就有我們的方式跟樣子，林老師這樣的編舞家，夠屌了，能找出這樣動身體的方式。換個角度想，這是東方的身體元素，跟別人完全不一樣。」對雲門舞者來說，每一支舞，都有一種獨特的「狀態」，一種「性格」，身體、意念要拿出去應對的部分都不同，因此在不同舞作的排練與演出切換中，就是舞者一次次對自

Calm silence, focused stability—this tranquil composure is another strength of Cloud Gate dancers. Whether in the rehearsal studio or onstage, dancers are able to close their eyes and recede into meditative silence at will, painting a serene picture. Rehearsal Director Chou Chang-ning shares that mediation is not only a habit, but also a means of nourishing the spirit: when you want to pull away from the exhausting energies that surround you, you need only sit down and turn your attention to your body at that moment, and your energy will be replenished and the body refreshed. Chou’s formation of the shape of the character “永 ” (yong, meaning “eternal”) with her body in Cursive—one of the most well-known and unforgettable images from a Cloud Gate work—presents another enigma of the Cloud Gate dancer’s body. Apparently, as dancers were training in traditional martial arts, Lin also invited Huang Wei-chung to instruct Cloud Gate dancers in Chinese calligraphy. Lin realised that calligraphy had similar aesthetics to qi gong and internal martial arts: each practice required the body to remain “loose”, and the brushstrokes of calligraphy and the spiraling movements of qi gong belonged to the same world of rotations. Just as the energy of dance must stretch unbroken, when putting the brush to the page, each stroke of the character must follow the mind’s intent. Wei Shuo’s Battle Array of the Brush states that the marks of a calligraphy brush must “descend like a rock pit-pattering down the side of a high peak”; this is an apt metaphor for the abrupt sinking motions that Cloud Gate dancers integrate into their movements. While on tour, they often take their calligraphy tools (brush ink, parchment and ink stone) with them, either practicing in solitude to calm the mind or in groups of three to five as a form of entertainment.

《水月》Moon Water

《松煙》Pine Smoke

己身體的調頻校準。

A company apart

跟許多編舞家不同，林懷民喜歡「上了年紀

By borrowing the principles of traditional movement and combining Eastern and Western concepts, Lin Hwai-min created novel dance vocabularies. Huang Lichieh asserts: “Our training surely has its own method and appearance, but only a choreographer as cool as Lin Hwai-min can discover these types of movements. To put it differently, it’s something uniquely Oriental.”

的舞者」，因為他們「懂事」也「耐用」。雲門裏，有不少十年以上資歷的舞者，這十分難得，因為一般舞者天天用身體工作，損耗得兇，年過三十就是下坡路。和周章佞一樣在團內待了二十五年的楊儀君就坦言，有年紀後，身體真的不是年輕時的樣子，有缺陷、有傷了，但雲門的訓練方式要求精神性與專注力，強調內觀內省，對舞者反而是一種保養。有規矩而成方圓跳舞之餘也跳開人生眼界在外巡演的每一站，如果能讓舞團在演出結束後多住一晚，舞者才能輕鬆一天，感受異國的陽光、風與空氣，走訪特色景點。像是今年在意大利，有人就去了法拉利汽車博物館，到了巴塞隆拿，舞者身影也穿梭在高第的聖家堂，巴特略之家等經典建築之間，而

For Cloud Gate dancers, each dance work has its own “state of mind” and “personality”. The aspects that the body and mind must respond to vary widely in each dance, and because of this, each time the dancers switch between rehearsing or performing different works, they must re-calibrate their frequencies. Unlike many choreographers, Lin prefers “older dancers” because they are “worldly” and “durable”. At Cloud Gate, there are many dancers with more than ten years’ dance experience, a trait extremely rare in modern dance companies, due to the heavy wear and tear of daily body work on the average dancer—a dancer over 30 is typically considered on the decline.

其他事都不懂，常常逼他們要看書、關心時

Like Chou Chang-ning, Yang I-chun has been with the company for 25 years. Her aging body, she admits, is not the same as in her youth: there are flaws and injuries. But Cloud Gate’s training demands spirituality and focused introspection, a uniquely curative approach that maintains long-term mental and physical fitness.

事，要去看美術館、看別人的城市。

From rule comes form, from dance comes life

早年的林老師，罵起人火爆直言，晚近，年

At every stop on their tours abroad, an occasional day off after a show allows dancers to relax, visit scenic spots and immerse themselves in the sun, wind and air of unknown cities. While in Italy this year, for instance, some went to the Ferrari Museum; while in Barcelona, some wandered around classical architecture, like Gaudi’s Sagrada Família and Casa Batlló; in later stops, the Louvre and the British Museum were the sites of multiple return visits.

羅浮宮、大英博物館更是一訪再訪的重點。林老師的規矩多、對舞者從舞作到日常，他處處留心，他要舞者注重生活細節，要他們注重儀表俐落整潔。他也怕舞者只會跳舞，

紀大了，也因團內年輕輩舞者多了，他訓人和緩了，形容詞也用得多了，有一種老派的文學趣味。舞者們舉例，像是「泡水的饅頭」、「蛋花湯」，罵的是舞蹈動作的潦草、散漫；「烏來來的」，是忘記收束，太野、太奔放了。不只是舞蹈是每個人的人生修行路對舞者們來說，林懷民所編創的舞作、引入的傳統動作方法，更是讓舞者有了追尋。那份追尋，不只是舞蹈的表現，更是自己與自

Lin’s rules are many—both on and off stage. He requires his dancers to attend to the details of life and the virtues of tidiness. He doesn’t want a dancer who only dances, but a dancer who understands other

matters, who reads books and follows current affairs, visits museums and explores foreign cities.

己對話，與自己溝通、和解的過程。像是不斷重複演出的舞作，因為連年跳着，有舞者就說，「身體跟心理的過程漸漸是呈現一種從繁入簡的狀態，演出不再是為別人演，是自己跟舞作的對話，是自己的享受。」面對登台獨舞，有經驗的舞者們也從恐懼、緊張，開始坦然、享受，「在台上那刻，你會靜下心來，把所有外在感知都關掉，你開始清楚自己身體每個細節，就算沒音樂，就算一片黑，也知道該從哪裏出發，那過程，是在跟自己對話，自己是自己的夥伴。」回頭看，林老師經常掛在嘴上提醒舞者的「安靜」、「下沉」、「扎根」、「纏絲」、「沒有腰」、「呼吸」、「放鬆」，已經不只是訓練的口訣，不只為成就舞作，也不只是為雲門的一場場演出，那已是注在雲門舞者身體裏的、糅進他們肌理裏的

DNA，所謂雲門舞者這條路，到了底，是他們自己的人生修行路。汪宜儒中央通訊社記者本文經修減後定稿。原文係應2018年雲門舞集《林懷民舞作精選》台灣巡演邀請發表，刊載於舞團45週年紀念特刊。

Aging has had its effect on Lin indeed, as the candid and fierce language of his youth recedes into more genial, descriptive language with a certain old-school literary flavor. These days, when dealing with the company’s majority of younger dancers, he uses phrases like “soaked bun” and “egg drop soup” for scolding careless and sloppy dance movements, or “u-laylay” (Taiwanese dialect) for movements that are over-extended, too wild or too unrestrained. A life pursuit Lin Hwai-min’s work and training methods have given dancers more than just a physical practice, but a life’s pursuit. It is a pursuit that is concerned with speaking and communicating with oneself—a process of reconciliation. Having repeated the same movements year after year, one dancer says: “A process occurs, in which the body and the mind gradually simplify themselves. The performance is no longer for other people; it is a conversation between oneself and the movement, for one’s own enjoyment.” Taking the spotlight in solo appearances onstage, veteran dancers have reversed their fear and nervousness into calm and enjoyment: “When you’re onstage, you close off outside sensations and calm the mind, and become aware of every detail of your body. Even if there were no music, even if you were in the dark, you’d still know when and where to release, because you are speaking with yourself; you have become your own partner.” Looking back, the words of reminder most often hanging from Lin’s lips—tranquil, submerge, take root, entwine, breathe, spring, relax—are no longer simply the maxims of training and performance; they have become a part of the dancers’ bodies, encoded into their flesh as if DNA. The path of the Cloud Gate dancer, in the end, is a lifelong journey of personal growth. Wang Yi-ru Reporter, Central News Agency This article is an abridged version from the 2018 anthology, A Collection of Lin Hwai-min’s Works, published to celebrate Cloud Gate Dance Theatre of Taiwan’s 45th anniversary.

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林懷民重要作品

Major Works of Lin Hwai-min 《家族合唱》 Portrait of the Families

《夢土》 Dreamscape

《我的鄉愁，我的歌》 My Nostalgia, My Songs

《寒食》 Han-Shih

《輓歌》 Requiem

《白蛇傳》 The Tale of the White Serpent 《薪傳》 Legacy

1974

1975

1978

1979

《九歌》 Nine Songs

1983

1984

1985

1986

1989

1993

1994

《春之祭禮 ‧ 台北一九八四》 Rite of Spring 《紅樓夢》 The Dream of the Red Chamber 《廖添丁》 Liao Tien Ting 《流浪者之歌》 Songs of the Wanderers

1997

《白》 White 《風 ‧ 影》 Wind Shadow 《關於島嶼》 Formosa

《水月》 Moon Water 《花語》 Whisper of Flowers

《焚松》 Burning the Juniper Branches

《屋漏痕》 Water Stains on the Wall

1998

1999

2001

2003

2005

2006

2008

2010

2011

2013

2014

2018

《狂草》 Wild Cursive

《竹夢》 Bamboo Dream 《行草》 Cursive

《稻禾》 Rice

《松煙》 Pine Smoke 《如果沒有你》 How Can I Live On Without You

《白水》 White Water 《微塵》 Dust

雲門舞集

Cloud Gate Dance Theatre of Taiwan 根據古籍，「雲門」是中國最古老的舞蹈，相

2 0 0 3年，雲門三十週年，台北市政府將雲門辦

傳存在於五千年前的黃帝時代。 1 9 7 3年，林懷

公室所在地的台北市復興北路二三一巷定名為

民以「雲門」為名，創辦「雲門舞集」。這是

「雲門巷」，「肯定並感謝雲門舞集三十年來

台灣第一個職業舞團，也是所有華語社會的第

為台北帶來的感動與榮耀。」 2 0 1 0 年，中央

一個當代舞團。

大學鹿林天文台將新發現的小行星命名為「雲

雲門舞者大多是舞蹈系的畢業生。舞團的基本訓練包含現代舞、芭蕾、太極導引、靜坐、內家拳等。包容東西方技術磨練出來的身體，透

門」，表彰雲門的藝術成就。 2 0 1 4 年，中華航空公司以雲門舞作圖像彩繪客機，向雲門致敬。

過林懷民巧妙的呈現，造就了享譽國際的雲門

2 0 0 8年，雲門位於八里的排練場意外火災。通

動作風格。

過政府與民間合作的「促參法」，雲門取得淡

傳統美學的衍化，文學、歷史的再詮釋，乃至社會現象的反映，令雲門舞碼豐富精良。眾多舞作因受歡迎，一再搬演，成為台灣社會兩三代人的共同記憶。

水滬尾礮臺隔鄰中央廣播電臺舊址四十年的使用權。海內外四千一百五十五筆的民間捐贈助成雲門建造擁有劇場、排練場、辦公室、工作坊的永續基地。「雲門劇場」 2 0 1 5 年開幕營運，開展雲門舞蹈淑世志業的新篇章。

除了正式劇場的公演，雲門每年在台灣不同城市舉行大型戶外演出。每場觀眾數萬，秩序井然，演出結束後，會場沒有留下任何垃圾。二十多年來，雲門戶外公演優質的廣場聚會，已內化為台灣文化的一部分。雲門長年海外巡演，是國際重要藝術節的常客。舞團在歐、美、亞、澳各洲二百多個舞台上演出，以獨特的創意，精湛的舞技，獲得各地觀眾與舞評家的熱烈讚賞：倫敦《泰晤士報》：「亞洲第一當代舞團。」《法蘭克福匯報》：「世界一流現代舞團。」

雲門舞集是次巡演之部份經費由台灣文化部支持

Cloud Gate is the name of the oldest known dance in China. In 1973, choreographer Lin Hwaimin adopted this classical name for the first contemporary dance company in any Chinese speaking community. Its 24 dancers receive trainings of meditation, qi gong, internal martial arts, modern dance, ballet, and calligraphy. Through Lin’s choreographies, the company transforms ancient aesthetics into a thrilling, modern celebration of motion. Cloud Gate has toured extensively with frequent engagements at the Next Wave Festival in New York, the Sadler's Wells Theatre and Barbican Centre in London, the Moscow Chekhov International Theatre Festival, and the Internationales Tanzfest NRW directed by Pina Bausch, winning acclaim from major critics: Asia’s leading contemporary dance theatre. The Times

No company in the world dances like Cloud Gate. It presents a distinct and mature Chinese choreographic language. The importance of this evolution in Asian dance is no less profound than the impact of Forsythe’s Ballett Frankfurt on European classical ballet. Dance Europe When you're talking about Cloud Gate, magic is not too strong a word. Time Out At home, Cloud Gate enjoys high acclaim and popularity. In addition to its regular seasons in theatres, the company stages annual free outdoor performances in various cities in Taiwan, drawing audiences of up to 30,000 per performance. To perform for grass-roots communities, and to foster the development of young choreographers in Taiwan, Cloud Gate 2 was founded in 1999. In 1998, Cloud Gate Dance School was founded to bring the joy of dance to students, aged 4–84. In 2003, in recognition of Cloud Gate’s contribution to the cultural life of Taipei, the Taipei City Government named Fu-Hsing North Road Lane 231, home of Cloud Gate’s office, as “Cloud Gate Lane”. In 2010, a new asteroid, discovered by the Central University, Taiwan, was named after Cloud Gate. In 2014, Cloud Gate’s dance images were featured on the China Airlines' aircraft livery. Most of Cloud Gate's productions have been made into videos. Among them, Songs of the Wanderers, Moon Water, Bamboo Dream, and Cursive II (now known as Pine Smoke) were filmed in Europe and distributed internationally. This tour of Cloud Gate is made possible in part by a grant from the Ministry of Culture, Taiwan

林懷民

與英國表演藝術網站 The Stage 則將這齣以台灣素材入舞的作品選為「年度最佳舞作」。《關

Lin Hwai-min

於島嶼》和雲門舞集雙雙進入英國 2018 國家舞蹈獎「最佳編舞」與「最佳舞團」決選名單，

創辦人及藝術總監

是名單中唯一來自非歐洲地區的舞蹈家。

Founder and Artistic Director

林懷民主張「藝術平權」。在他的帶領下，雲

2 0 1 3 年，林懷民繼瑪莎．葛蘭姆、模斯．康寧

門兩團深入校園社區演出，年年在台灣城鄉舉

漢、翩娜．包殊、威廉．科西之後，獲頒有「現

辦免費大型戶外公演，讓鮮有機會進入大劇院

代舞諾貝爾獎」美譽的「美國舞蹈節終身成就

的年輕人與基層民眾得以分享舞蹈之美。

獎」。他是第一位獲獎的亞洲編舞家。同年，聯合國教科文組織邀請林懷民在巴黎舉辦的「國際舞蹈日」慶祝活動中，代表全球舞蹈人士發

2004 年，他捐出台灣行政院文化獎的獎金，成立「雲門流浪者計畫」，獎勵年輕人出國貧窮旅行，拓展視野。2015 年，林懷民獲頒蔡萬才

表舞蹈日獻詞。

台灣貢獻獎，把一千萬台幣的獎金捐給雲門基

這位備受國際推崇的編舞家原是台灣文壇矚目

金會，啟動「創計畫」，長期獎助年輕表演藝

的作家。二十二歲，大學畢業那年出版的《蟬》

術家發展作品。

長銷至今。留學美國期間，林懷民就讀艾奧瓦大學英文系小說創作班，並於該校舞蹈系與紐約學習現代舞，1 9 7 2 年獲藝術碩士學位，同年返台。

林懷民獲得的其他榮譽包括臺灣大學、中正大學、交通大學、政治大學、臺北藝術大學與香港浸會大學的榮譽博士、香港演藝學院榮譽院士；吳三連文藝獎；台新藝術獎；菲律賓麥格

1973 年，林懷民創辦雲門舞集。1983 年，創辦藝術學院（今臺北藝術大學）舞蹈系。1999 年創立雲門 2。

塞塞獎；美國洛克斐勒三世獎；法國里昂國際

他經常從亞洲文化與美學汲取靈感，編創充滿

「亞洲英雄人物」。他是紐約「下一波藝術家」，

當代意識的舞作。雲門舞集長年全球巡演，獲

也是聚集國際頂尖藝術家名人堂的「勞力士創

得各國熱烈好評。歐洲舞蹈雜誌讚譽：「雲門

藝推薦資助計畫」2012 年的舞蹈類導師。2018

之舞舉世無雙。它呈現獨特，成熟的中國編舞

年獲頒英國樂舞最高學府聖三一拉邦音樂舞蹈

語言。這項亞洲舞蹈進化的重要性，絕不亞於

學院的榮譽院士。

舞蹈節「最佳編導獎」；法國藝術文學騎士勳章；德國舞動國際舞蹈節的終身成就獎；國際表演藝術協會卓越藝術家獎；以及《時代雜誌》的

威廉．科西的法蘭克福芭蕾舞團對歐洲古典芭林懷民結集成書的文字作品包括《高處眼亮》及

蕾的影響。」

《跟雲門去流浪》，亦有多齣舞作錄成 D VD，

2 0 1 7 年，在第九十齣作品《關於島嶼》首演前夕，林懷民宣佈將於 2019 年年底從雲門舞集退休；現任雲門 2 藝術總監鄭宗龍 2020 年起接任

全球發行。以他為主題的紀錄片包括《台灣人

雲門總監。《關於島嶼》歐美巡演獲得高度好

《林懷民―在不同世界的交界》（歐洲文化頻

評。倫敦《衛報》及《芝加哥論壇報》把《關於

道 ARTE ／德國公視 ZDF）。

島嶼》選為「年度十大」。德國舞蹈雜誌《TANZ》

物誌―林懷民》（Discovery 頻道）、《人間行腳―林懷民的故事》（英國 Opus Arte），以及

importance of this evolution in Asian dance is no less profound than the impact of Forsythe’s Ballett Frankfurt on European classical ballet.”

In 2013, Lin Hwai-min was honored with the prestigious Samuel H. Scripps / American Dance Festival Award for Lifetime Achievement. Previous recipients of the award include Martha Graham, Merce Cunningham and Pina Bausch. Lin was the first awardee based in Asia. In his homeland, Taiwan, Lin was first known as a critically acclaimed writer. In 1969, at the age of 22, he was awarded a fellowship from the International Writing Program at the University of Iowa. He obtained a Master of Fine Arts degree from the Writer’s Workshop of the University in 1972. During his stay in the United States, he also studied modern dance in Iowa City and New York. Lin founded Cloud Gate Dance Theatre of Taiwan in 1973, the Dance Department at the Taipei University of the Arts in 1983, and Cloud Gate 2 in 1999. Lin often draws his inspiration from traditional Asian culture and aesthetics to create original works with contemporary resonance, which has led Dance Europe to acclaim: “No company in the world dances like Cloud Gate. It presents a distinct and mature Chinese choreographic language. The

Among the honours Lin has received are honorary doctorates from six universities in Taiwan and Hong Kong, the Taiwan Award for Arts, the Tsai Wan-tsai Taiwan Contribution Award, the Ramon Magsaysay Award, the Lifetime Achievement Award from the Movimentos International Festival, Germany, John D. Rockefeller III Award, the Best Choreographer Award at the Lyon Biennial Dance Festival, the Distinguished Artist Award presented by the International Society for the Performing Arts (ISPA), the Chevalier of the Order of Arts and Letters from the French Ministry of Culture, and an Honorary Fellowship at Trinity Laban, London. He was also celebrated by Time magazine as one of “Asia’s Heroes”. In 2013, he was honored with the First Rank Order of Brilliant Star with Special Grand Cordon, the highest honour from the government of Taiwan. Lin has been the subject of full-length documentaries, including Portraits Taiwan: Lin Hwai-min (Discovery), Floating on the Ground (Opus Arte), and Lin HwaiMin: Interface Between Worlds (ARTE/ZDF). From 2000 to 2014, he served as the artistic director of the Novel Dance Series for the Novel Hall for Performing Arts, Taipei, introducing contemporary dance to audiences in Taiwan. From 2012 to 2013, he was a dance mentor for the Rolex Mentor and Protégé Arts Initiative. In 2017, on the eve of the premiere of his 90th work, Formosa, Lin Hwai-min announced that he would step down from the position of artistic director of the company in 2019. Cheng Tsunglung, the present artistic director of Cloud Gate 2, will take the reins of Cloud Gate Dance Theatre of Taiwan.

李靜君

Lee Ching-chun 助理藝術總監 Associate Artistic Director

1983 年，以十七歲之齡加入雲門成為專職舞者。三十多年來，演出近千場，是雲門最資深的舞者。1994 年起擔任排練指導，2003 年升任助理藝術總監迄今。李靜君自 1 9 9 0 年代以來在雲門擔綱獨舞，創造許多重要角色：其中以《九歌》的女巫一角、《竹夢》的紅衣女子及《家族合唱》中的單手獨舞最感人肺腑。2 0 0 4 年榮獲國家文藝獎，是第一位得到該獎項的舞蹈表演者。兩度赴英國進修，1 9 9 0 年獲得倫敦城市大學拉邦中心 ( 今聖三一拉邦音樂舞蹈學院 ) 榮譽舞蹈學士學位，1 9 9 9 年獲該中心碩士學位。留學期間與英國編舞家莉亞．安德遜工作，赴巴黎演出，並與加拿大籍舞台設計坦妮亞．艾蒂安合作演出獨舞《珍珠之庭》。2004 年代表林懷民赴瑞士，指導蘇黎世芭蕾舞團演出雲門經典舞作《烟》。2 0 0 5 年指導荷蘭茵楚登斯舞團演出雲門舞作《白》。

Lee Ching-chun holds a Master of Arts in Dance Studies from Laban Centre, City University, London (now known as Trinity Laban Conservatoire of Music and Dance). In 2004, she received the National Award for the Arts from the Taiwan National Culture and Arts Foundation, the highest award for artists in Taiwan. A Cloud Gate member since 1983, Lee has taken leading roles in many of Lin Hwai-min’s works. As Associate Artistic Director since 2003, Lee represented Lin to re-stage his works Smoke and White for the Zurich Ballet in Switzerland and Introdans in the Netherlands, respectively, in 2004 and 2005. Her choreographic works include Woman and Man, Man and Woman for Cloud Gate and While White Is Revealing for Spotlight Dance Company. In 1999, collaborating with Canadian stage designer Tania Étienne, she choreographed and performed the solo dance work Courtyard of Pearls. In 2006, she choreographed Blossom and Moonlight for Kaohsiung City Ballet Company.

周章佞排練指導 / 舞者

Chou Chang-ning Rehearsal Director/Dancer 台中人。三歲起習舞。1993 年，自國立藝術學院（今國立臺北藝術大學）舞蹈系畢業，其後即加入雲門。2004 年起兼任舞團排練指導。於雲門二十多年期間，擔綱許多重要獨舞演出，角色有《白水》、《花語》、《狂草》、《松煙》、《焚松》及《水月》；重要角色包括：《松煙》的四人舞、《行草》中〈永字〉、〈磐〉字長巾獨舞、《家族合唱》的牡丹、《白蛇傳》中的白蛇及《紅樓夢》的綠衣女子。其他演出包括：《關於島嶼》、《稻禾》、《風．影》、《白》、《流浪者之歌》、《九歌》、《陳映真．風景》及《竹夢》。 Praised by the News & Observer as “riveting and captivating”, Chou Chang-ning joined Cloud Gate upon her graduation from the Dance Department, National Institute of the Arts, Taiwan in 1993. Chou’s roles in Lin Hwai-min’s works include solos in White Water, Whisper of Flowers, Wild Cursive, Pine Smoke, Cursive, Burning the Juniper Branches, and Moon Water, the quartet in Pine Smoke (formerly known as Cursive II), Peony in Portrait of the Families, the White Serpent in The Tale of the White Serpent, the Maiden in Green in The Dream of the Red Chamber, and roles in Formosa, Rice, Wind Shadow, White, Songs of the Wanderers, Nine Songs, The Road to the Mountain, Smoke, and Bamboo Dream. Other performance credits include roles in Invisible Cities, The Rite of Spring, La Vie en Rose and Solstice by Helen Lai and Absence by Cho Ting-chu.

黃珮華排練助理 / 舞者

Huang Pei-hua Rehearsal Assistant/Dancer 台南人。六歲起習舞。2000 年自國立藝術學院舞蹈系畢業後加入雲門 2，2 0 0 1 年轉入雲門舞集，2017 年起兼任舞團排練助理。重要演出包括：「行草三部曲」中的獨舞和雙人舞、《九歌》的女巫、《水月》的獨舞及《稻禾》的〈花粉雙人舞〉。20 0 8 年，應邀參加德國翩娜．包殊舞蹈節，與芭蕾巨星巴里殊尼哥夫等國際著名舞者同台，演出《水月》獨舞。2 0 1 7 年，於《關於島嶼》裏挑戰高技巧的五分鐘獨舞。 After graduating from the Dance Department of the National Institute of the Arts, Taiwan in 2000, Huang Pei-hua joined Cloud Gate 2 immediately thereafter, and was promoted into Cloud Gate in 2001. Huang’s roles in Lin Hwai-min’s works include the quartet in White, duets In Rice, Wind Shadow, Pine Smoke and Wild Cursive, solos in Formosa, Whisper of Flowers, Nine Songs, Smoke, Moon Water and Cursive, and roles in White Water, Dust, The Road to the Mountain, Bamboo Dream, Songs of the Wanderers, Legacy, The Dream of the Red Chamber, Milky Way and The Tale of the White Serpent.

黃媺雅舞者

Huang Mei-ya Dancer 台南人。五歲起習舞，國小至高中都念舞蹈班，2003 年考入國立臺北藝術大學舞蹈系。 2007 年畢業後加入雲門。重要演出包括：《水月》的獨舞、《白水》的獨舞及《關於島嶼》──與周辰燁在蔣勳朗誦的口白裏，柔情舞出楊牧的「水田地帶」。其他演出包括：《微塵》、《稻禾》、《花語》、《九歌》、《竹夢》及《流浪者之歌》等。 Huang Mei-ya joined Cloud Gate upon her graduation from the Department of Dance, Taipei National University of the Arts in 2007. Huang’s roles in Lin Hwai-min’s works include solos in Moon Water and White Water, a duet in Formosa, and roles in Dust, Rice, Whisper of Flowers, Wind Shadow, White, Cursive: A Trilogy, Nine Songs, Bamboo Dream, Songs of the Wanderers and Legacy. Prior to joining Cloud Gate, she also toured with Focus Dance Company to Singapore Arts Festival in the production Slight by Tanja Liedtke.

蔡銘元排練指導 / 舞者

Tsai Ming-yuan Rehearsal Director/Dancer 嘉義人。嘉義女中舞蹈實驗班第一位男學生，畢業後入讀藝術學院舞蹈系。1 9 9 9 年加入雲門 2，2001 年轉入雲門舞集，2015 年起兼任雲門排練指導。參與雲門眾多作品，包括：《紅樓夢》、《九歌》的〈山鬼〉、《關於島嶼》的〈麗字〉及《屋漏痕》及《水月》的獨舞演出。亦經常與黃珮華攜手演出雙人舞，在《水月》及《稻禾》中〈花粉雙人舞〉的演出大受好評。 A graduate from the Dance Department, National Institute of the Arts, Taiwan in 2001, Tsai Ming-yuan joined Cloud Gate 2 in 1999 and was promoted to Cloud Gate in June 2001. Tsai’s roles in Lin Hwai-min’s works include: solos in Formosa, Nine Songs, The Tale of the White Serpent, The Dream of the Red Chamber and The Road to the Mountain; the solo and duet in Moon Water; the duets in Rice, Whisper of Flowers, Wind Shadow, Wild Cursive, and Cursive, the trio in Pine Smoke and Bamboo Dream; and roles in White Water, Dust, Burning the Juniper Branches and Songs of the Wanderers. Prior to his career with Cloud Gate 2 and Cloud Gate, Tsai was invited to the Singapore Institute of Practical Arts to serve as an instructor and choreographer. His choreographic works include Don’t Be Late, No Score and Thoughts on a Quiet Evening.

柯宛均舞者

Ko Wan-chun Dancer 台北人。幼時因多病被送去學舞入讀國立臺北藝術大學舞蹈系。2 0 0 4 年入選「雲門種籽舞者」。2005 年，自舞蹈系畢業後加入雲門。在《如果沒有你》中，以一襲紫色長裙舞動張震嶽〈愛欲浮世繪〉。近年挑戰雲門女舞者的重頭戲，演出《九歌》的女巫，《水月》與《流浪者之歌》的獨舞，在莫斯科、倫敦、美國各城演出。於《關於島嶼》裏，以舞姿引出滿台字林，表現恐懼迷狂的感覺。 Ko Wan-chun was selected as one of Cloud Gate’s “Seed Dancers”, a training program for potential Cloud Gate dancers, in 2004 while at school, and joined Cloud Gate upon her graduation from the Department of Dance, Taipei National University of the Arts in 2005. Ko’s roles in Lin Hwai-min’s works include Formosa, White Water, Dust, Rice, How Can I Live On Without You, Whisper of Flowers, Nine Songs, Wind Shadow, White, Cursive: A Trilogy, Songs of the Wanderers and The Dream of the Red Chamber.

楊儀君排練助理 / 舞者

Yang I-chun Rehearsal Assistant/Dancer 台南人。小學四年級起習舞。19 9 3 年自藝術學院舞蹈系畢業，同年加入雲門。2 0 0 7 年起，兼任雲門排練助理。重要角色包括：《陳映真．風景》的蔡千惠、《家族合唱》裏輓悼父母親的白衣女子、《流浪者之歌》領銜出場的朝聖人、《稻禾》的〈泥土〉中領導女性舞者、引水入田的領銜角色。 Yang I-chun joined Cloud Gate upon her graduation from the Dance Department, National Institute of the Arts, Taiwan in 1993. Yang’s roles in Lin Hwai-min’s works include: solos in Portrait of the Families and Cursive; the quartet in Pine Smoke and Moon Water; the Maiden in Blue in The Dream of the Red Chamber; and roles in Formosa, Dust, Rice, Wind Shadow, White, Wild Cursive, Bamboo Dream, Songs of the Wanderers and Nine Songs. Other performance credits include roles in The Rite of Spring, Invisible Cities, Insomnia and La Vie en Rose by Helen Lai, as well as Nine Person Precision Ball Passing by Charles Moulton.

蘇依屏舞者

Su I-ping Dancer 台中人。六歲起習舞。2000 年自藝術學院舞蹈系畢業，隔年加入雲門 2，2 0 0 2 年轉入雲門舞集。重要演出包括：以慢動作獨舞為《屋漏痕》破題，復以激昂舞姿強化《微塵》的悲愴主題；於《水月》演出慢板與快板兩支雙人舞；於《如果沒有你》張惠妹〈愛或不愛〉的歌聲裏演出臥房內的衝突，內斂而奔放。她也和蔡銘元攜手領導《關於島嶼》中的六對雙人舞。 Su I-ping graduated from the Dance Department, National Institute of the Arts, Taiwan in 2000. She joined Cloud Gate 2 in 2001 and was promoted into Cloud Gate in 2002. Su’s roles in Lin Hwai-min’s works include: solos in Water Stains on the Wall and Dust; a leading duets in Formosa and Moon Water; a duet and a trio in Wild Cursive; quartet in Pine Smoke; and other roles in Rice, How Can I Live On Without You, Whisper of Flowers, Nine Songs, Wind Shadow, White, The Dream of the Red Chamber, Cursive, Songs of the Wanderers, Bamboo Dream and Legacy. Her repertoire also includes roles in: UMA, Lily, Tantalus, ATE, Love Story, Fever and Invisible Touch with Cloud Gate 2; Shih Gee-Tze’s Square and Pure Land with Acme Physical Dance Theatre; and Live, Move, Paint with Ku & Dancers.

侯當立舞者

Hou Tang-li Dancer 生於高雄，台中長大。國小起學習芭蕾。2 0 0 5 年畢業於國立臺北藝術大學舞蹈系， 2007 年加入雲門。重要演出包括：《關於島嶼》中，與范家瑄演出動作如一的雙人舞、《水月》的快板雙人舞、《如果沒有你》裏伴着盧廣仲〈OH YEAH ！〉周旋於兩位女子的嘻笑之作、《白水》的獨舞與男子雙人舞及《九歌》的〈山鬼〉。 After graduating from the Dance Department, National Taipei University of the Arts in 2005, Hou Tang-li joined Cloud Gate in 2007. Hou’s roles in Lin Hwai-min’s works include: duets in Formosa, White Water, Dust and Moon Water; and other roles in Rice, How Can I Live On Without You, Whisper of Flowers, Nine Songs, Wind Shadow, White, Cursive: A Trilogy and Moon Water. Prior to joining Cloud Gate, he has also performed with Taipei Crossover Dance Company in BEVY and Ku & Dancers in @Dream.

陳慕涵舞者

Chen Mu-han Dancer 宜蘭人，南澳長大。有四分之一泰雅族血統，所以也有了娜莎．尤芭的名字。國立臺北藝術大學畢業後，2010 年加入雲門。重要演出包括：於《流浪者之歌》的〈跋涉 II〉中高踞舞伴肩上，形象高貴；在《水月》中快板雙人舞的迅捷舞動。於《關於島嶼》裏，擔綱開場的第一個獨舞，其後演出雙人舞，展露彪悍勢態。 Chen Mu-han is from Yilan, Taiwan. A remote descendant of the Taiwanese Atayal tribe, Chen is also named Nyasal Yuba. She joined Cloud Gate in 2010 after graduating from the Taipei National University of Arts. Her highlighted performances include: the solo in Formosa and roles in Songs of the Wanderers, Moon Water, How Can I Live On Without You, Rice and Pine Smoke.

王立翔舞者

Wong Lap-cheong Dancer 澳門人。自幼熱愛舞蹈。畢業於香港演藝學院舞蹈學院，主修中國舞，曾參與香港舞蹈團出演《慾．望．西．九》及《梁祝．傳說》。2004 年加入雲門。重要演出包括：於《稻禾》的〈日光〉中演出男子雙人舞與六人舞；於《狂草》演出開段及三人舞；於《如果沒有你》中隨着周杰倫〈不能說的秘密〉演出獨舞。於雲門其他演出包括：《關於島嶼》、《白》及《紅樓夢》等。 Wong Lap-cheong is a 2003 graduate from the Hong Kong Academy for Performing Arts, where he received a full scholarship and toured with productions of Rite of Spring and Cycle Song. Wong joined Cloud Gate in 2004; his roles in Lin Hwai-min’s works include: the solo in How Can I Live On Without You; the duets in Nine Songs and The Road to the Mountain; and roles in Formosa, White Water, Dust, Rice, Whisper of Flowers, Wind Shadow, White, Wild Cursive, The Dream of the Red Chamber, Cursive, Pine Smoke, Songs of the Wanderers and Bamboo Dream. Prior to joining Cloud Gate, he also performed with Hong Kong Dance Company in productions such as Journey to the West and Butterfly Lovers.

范家瑄舞者

Fan Chia-hsuan Dancer 台北人。五歲起習舞。臺北體育學院舞蹈系畢業後，於國立臺北藝術大學舞蹈研究所進修。2013 年參加 Juste Debout 街舞比賽獲實驗性舞蹈項目台灣冠軍。同年加入雲門。於《白水》演出輕盈迅捷的獨舞；於《關於島嶼》和侯當立演出動作一致的雙人舞。其他作品包括《微塵》、《如果沒有你》及《流浪者之歌》。 Fan Chia-hsuan is from Taipei. She graduated from the School of Dance at the Taipei Physical Education College, and further trained in the Graduate Institute of Dance at the Taipei National University of the Arts. She was the Taiwan champion of the street dance competition Juste Debout in experimental category in 2013. She joined Cloud Gate in the same year. Her works with Cloud Gate include: White Water, Formosa, Dust, How Can I Live On Without You and Songs of the Wanderers.

鄭希玲舞者

Cheng Hsi-ling Dancer 台北人。三歲隨母親、雲門早期的舞者蘇麗英習舞。2 0 1 3 年，國立臺北藝術大學舞蹈系畢業後，加入雲門。就讀大學期間的演出包括：林懷民的《薪傳》〈拓荒〉中的獨舞、瑪莎．葛蘭姆的《光明行》、柯特．尤斯的《綠桌》。2 0 1 1 年獲台灣教育部獎學金，以交換生身份赴西澳表演藝術學院進修。她曾演出的雲門作品有《白水》、《微塵》、《稻禾》、《如果沒有你》、《水月》、《流浪者之歌》、《松煙》及《關於島嶼》。 At age three, Cheng Hsi-ling began learning dance from her mother, a former Cloud Gate dancer. In 2013, she graduated from the Department of Dance at the Taipei National University of the Arts and joined Cloud Gate. Her performances during her studies include roles in: Cloud Gate’s Legacy, Martha Graham’s Acts of Light and Kurt Jooss’s The Green Table. She was a scholarship recipient from Taiwan’s Ministry of Education in 2011, and went for further training at the Western Australian Academy of Performing Arts. The Cloud Gate productions she took part in include White Water, Dust, Rice, How Can I Live On Without You, Moon Water, Songs of the Wanderers, Pine Smoke, and Formosa.

林心放舞者

Lin Hsin-fang Dancer 高雄人。高二轉入左營高中舞蹈班，看完《水月》後，決心加入雲門。2 0 0 2 年就讀國立臺北藝術大學時，考入雲門，後休學當兵。 2007 年再度加入雲門。重要演出包括：《如果沒有你》中演出任賢齊演唱的〈對面女孩看過來〉獨舞；《流浪者之歌》尾聲演出尋道人，用二十多分鐘的時間，在滿台稻穀粑出完美的同心圓。 After graduating from the Department of Dance, Taipei National University of the Arts, Lin Hsinfang joined Cloud Gate in 2002. Lin has performed in Lin Hwai-min’s Formosa, Dust, Rice, How Can I Live On Without You, Whisper of Flowers, Nine Songs, Wind Shadow, White, Cursive: A Trilogy, Moon Water, Bamboo Dream, Songs of the Wanderers and Legacy. Prior to joining Cloud Gate, Lin performed with Ku & Dancers and in Acme Physical Dance Theatre.

周辰燁舞者

Chou Chen-yeh Dancer 台北人。十六歲進華岡藝校習舞。國立臺北藝術大學舞蹈系畢業後，2015 年加入雲門。就讀大學期間曾演出林懷民作品《星宿》、瑪莎．葛蘭姆的《光明行》、比爾提．瓊斯的《D － MAN in the Waters》。他的創作《章》參加「2012 舞躍大地舞蹈創作比賽」獲優選，受邀至夏威夷的亞太舞蹈節中演出。他在雲門的作品包括《白水》、《微塵》、《稻禾》、《烟》、《水月》、《流浪者之歌》及《關於島嶼》。 Chou Chen-yeh is from Taipei. After graduating from the Department of Dance at the Taipei National University of the Arts, Chou Chen-yeh joined Cloud Gate in 2015. During his studies, he took part in Cloud Gate’s Milky Way, Martha Graham’s Acts of Light and Bill T. Jones’s D – MAN in the Waters. His own work was selected for Taiwan’s National Dance Association 2012 Creative Dance Competition, and was invited to perform in the Asia Pacific Dance Festival in Hawaii. His performances with Cloud Gate include White Water, Dust, Rice, Smoke, Moon Water, Songs of the Wanderers and Formosa.

黃立捷舞者

Huang Li-chieh Dancer 台北人。八歲起在蘭陽舞蹈團習舞，十四歲成為正式團員。2 0 1 4 年國立臺北藝術大學舞蹈系畢業後，加入雲門。就讀大學期間曾演出林懷民的《薪傳》、《星宿》、柯特．尤斯的《綠桌》及布拉瑞揚的《預見》、張曉雄的《春之祭 2012》、黎海寧的《粉墨登場》等。曾學習巴西卡波拉武術，也取得劍道二段資格。在雲門演出包括：《松煙》雙人舞，《白水》的男子雙人舞、《微塵》、《稻禾》、《流浪者之歌》及《關於島嶼》。 Huang Li-chieh is from Taipei. He began his dance training at the age of eight in Lan Yang Dance Company, where he officially became a member at age 14. In 2014, he graduated from the Taipei National University of Arts and joined Cloud Gate. While studying in university, he performed in Cloud Gate’s Legacy and Milky Way, Kurt Jooss’s The Green Table and Bulareyaung Pagarlava's Foreseeing, among others. His performances with Cloud Gate include roles in Pine Smoke, White Water, Dust, Rice, Songs of the Wanderers and Formosa. Huang also studies capoeira and kendo.

邵倖紋舞者

SHAO Hsing-wen Dancer 新北市人。國立臺北藝術大學（北藝大）舞蹈系畢業後，2 0 1 7 年加入雲門。就讀大學期間，曾演出林懷民《薪傳》與《行草》選粹練習版。2 0 1 4 年隨北藝大海外藝耕服務隊至廣西藝術學院參訪交流。2017 年參與北藝大與印第安納大學交流計畫巡演。 Shao Hsing-wen is from New Taipei City. After graduating from the Department of Dance at the Taipei National University of the Arts, she joined Cloud Gate in 2017. While in university, she performed Lin Hwai-min's Legacy and practice excerpts from Cursive. She also joined an overseas service trip to Guangxi Arts University in 2014 and performed in an exchange programme tour with Indiana University in 2017.

黃羽伶舞者

Huang Yu-ling Dancer 彰化人。國立臺北藝術大學舞蹈系畢業，2 0 1 5 年加入雲門。就讀大學期間曾演出林懷民的《薪傳》選粹、古名伸的《夢土之箋》、安娜．索克洛的《房間》、張曉雄的《拉赫曼尼諾夫隨想－墓誌銘》、《西北組曲》、羅曼菲的《梭巡》、黎海寧的《Plaza X 與異變街道》。她在雲門的作品有《白水》、《微塵》、《稻禾》、《水月》、《流浪者之歌》及《關於島嶼》。 Huang Yu-ling is from Changhua, Taiwan. After graduating from the Taipei National University of the Arts, she joined Cloud Gate in 2015. While in university, she performed in excerpts of Cloud Gate’s Legacy, Ku Ming-Shen’s Letter to the Dreamland, Ana Sokolow’s Rooms, Zhang Xiao-Xiong’s Rachmaninov’s Capriccio – Epitaph and Northwest Suite, Lo Man-fei’s Shuttling, and Helen Lai’s Plaza X. Her works in Cloud Gate includes: White Water, Dust, Rice, Moon Water, Songs of the Wanderers and Formosa.

陳聯瑋舞者

Chen Lien-wei Dancer 台中人。國立臺北藝術大學舞蹈系畢業，2 0 1 5 年加入雲門。就讀大學期間曾參與演出瑪莎．葛蘭姆的《光明行》、桑吉加的《火柴人》選粹、張曉雄的《春之祭》、鄭宗龍的《未知》，以及布拉瑞揚．帕格勒法的《預見－選粹》。於雲門的舞作包括：與黃立捷在俄羅斯演出大獲好評的《白水》雙人舞、《微塵》、《稻禾》、《水月》、《流浪者之歌》及《關於島嶼》。 Chen Lien-wei is from Taichung. He graduated from the Department of Dance at the Taipei National University of the Arts and joined Cloud Gate in 2015. During his studies, he participated in the performances of Martha Graham’s Acts of Light, excerpts of Sang Jijia’s Sticks and Zhang Xiao-Xiong’s The Rite of Spring, among others. His other performances in Cloud Gate include: White Water, Dust, Rice, Moon Water, Songs of the Wanderers and Formosa.

許辰舞者

Hsu Chen Dancer 新北市人。國立臺北藝術大學舞蹈系畢業後，2 0 1 6 年加入雲門。就讀大學期間，曾演出林懷民的《薪傳》、瑪莎．葛蘭姆的《光明行》。2013 年獲台灣教育部獎學金，以交換生身分赴紐約州立大學普契斯學院學習。他在雲門演出的作品有《白水》、《微塵》、《稻禾》及《關於島嶼》。 Hsu Chen is from New Taipei City. He graduated from the Department of Dance at the Taipei National University of the Arts and joined Cloud Gate in 2016. During his studies, he took part in the performances of Cloud Gate’s Legacy and Martha Graham’s Acts of Light. He received the scholarship from Taiwan’s Ministry of Education in 2013, and attended the State University of New York at Purchase as an exchange student. His other performances in Cloud Gate include White Water, Dust, Rice and Formosa.

呂汶珊

實習舞者

Lu Wen-shan

Apprentice Dancer

台北人，五歲開始習舞。國立臺北藝術大學舞蹈系畢業後，2016 年加入雲門。就讀大學期間，曾在林懷民《薪傳》中的〈拓荒〉擔任獨舞。她參加演出的雲門作品有《稻禾》、《流浪者之歌》及《關於島嶼》。 Lu Wen-shan is from Taipei. She began her dance training at the age of five. After graduating from the Department of Dance at the Taipei National University of the Arts, she joined Cloud Gate in 2016. While in university, she performed a solo role in the fourth except of Lin Hwai-min's Legacy. Her performances for Cloud Gate include roles in Rice, Song of the Wanderers and Formosa.

陳珮珮

實習舞者

Chan Pui-pui

Apprentice Dancer

澳門人。畢業於澳門演藝學院舞蹈學校與國立臺北藝術大學（北藝大）舞蹈系。2 0 1 7 年加入雲門。就讀澳門演藝學院時，曾隨校赴美國、新加坡、中國等地演出。在北藝大期間，曾演出林懷民的《薪傳》中〈唐山〉的要角，也參加《行草》選粹練習版的演出。 Chan Pui-pui is from Macao. After graduating from the School of Dance at the Macao Conservatory and Taipei National University of the Arts, she joined Cloud Gate in 2017. During her studies at Macao Conservatory, she performed in the United States, Singapore and China, among other places. She performed a major role in Lin Hwai-min’s Legacy and in training excerpts from Cursive.

吳哲緯

實習舞者

Wu Tse-wei

Apprentice Dancer

台北萬華人，四歲開始學舞。國立臺北藝術大學舞蹈系畢業後，2 0 1 8 年加入雲門。在大學期間，曾參與校內展演林懷民《薪傳》及《行草》選粹練習版、張曉雄《拉赫曼尼諾夫－墓誌銘》及《廣陵散》、林文中《椅靠》、島崎徹《裸露的真實》、布拉瑞揚《勇者》及林祐如《有一點裸體》。 Wu Tse-wei is from Wanhua, Taipei. He began his dance training at the age of four. After graduating from the Department of Dance at the Taipei National University of the Arts, he joined Cloud Gate in 2018. His performances while in university include Lin Hwai-min’s Legacy and training excerpts from Cursive (school presentation), Zhang Xiao-xiong’s Rachmaninov – Epitaph and Guang Ling Verse, Toru Shimazaki’s The Naked Truth, Bulareyaung Pagarlava’s Warriors and works by Lin Wen-chung and Lin Yu-ju.

陳廣軒

實習舞者

Chen Guang-xuan

Apprentice Dancer

台北人。國立臺北藝術大學舞蹈系畢業，2017 年加入雲門。就讀大學期間，曾於林懷民《薪傳》中擔任獨舞。他的創作《獨立以前》獲「舞躍大地舞蹈創作比賽」優選，受邀至韓國首爾舞蹈節演出。 Chen Guang-xuan is from Taipei. After graduating from the Department of Dance at the Taipei National University of the Arts, he joined Cloud Gate in 2017. While in university, he performed a solo role in Lin Hwai-min’s Legacy. Chen’s work Before the Independence received an award at the "Dancing Across the Earth" Dance Choreography Competition and was invited to perform at the Seoul International Dance Festival.

蘇胤勝

實習舞者

SU Yin-sheng

Apprentice Dancer

嘉義人。國立臺北藝術大學（北藝大）舞蹈系畢業，2018 年加入雲門。在校期間曾演出桑吉加《火柴人》、布拉瑞揚《勇者》、島崎撤《裸露的真實》、林佑如《有一點裸體》及林懷民《行草》練習版。2 0 1 4 年曾隨北藝大海外藝耕服務隊至廣西藝術學院進行參訪，2016 年獲台灣教育部獎學金，以交換生身份赴西澳表演藝術學院進修。 SU Yin-sheng is from Chiayi, Taiwan. After graduating from the Department of Dance at the Taipei National University of the Arts, he joined Cloud Gate in 2017. While in university, Su performed in Sang Ji-jia’s Sticks, Bulareyaung Pagarlava’s Warriors, Toru Shimazaki’s The Naked Truth, Lin Yu-ju’s work A Little Bit of Nudity and a practice version of Lin Hwai-min’s Cursive. He joined an overseas service trip to Guangxi Arts University in 2014 and was awarded scholarship by the Ministry of Education to further his studies at Western Australian Academy of Performing Arts as an exchange student.

財團法人雲門文化藝術基金會董事會董事長董事

施振榮申學庸林百里林信和林懷民姚仁祿洪敏弘殷允芃許勝雄黃永洪溫慧玟曾繁城蔡宏圖依姓氏序

基金會執行總監基金會執行副總

葉芠芠黃玉蘭

雲門舞集創辦人／藝術總監助理藝術總監音樂指導太極導引教師內家拳教師芭蕾教師現代舞教師排練指導排練助理鋼琴伴奏舞者

實習舞者

林懷民李靜君梁春美熊衛徐紀李淑惠黃旭徽周章佞楊儀君郭宗翰周章佞柯宛均陳慕涵范家瑄邵倖紋

劉佩貞但漢茵

巡演技術人員技術總監／製作經理執行舞台監督舞台技術指導燈光技術指導投影技術執行服裝管理

蔡銘元黃珮華吳佳錦黃珮華楊儀君王立翔鄭希玲黃羽伶

黃媺雅蔡銘元蘇依屏侯當立林心放周辰燁黃立捷陳聯瑋許辰

呂汶珊陳珮珮吳哲緯陳廣軒蘇胤勝

巡演行政人員演出經理演出專員

李國維陳駿巃唐鴻志吳青㖗

李琬玲李聚慧林敬凱林思甄李瑑許紋紋

Cloud Gate Culture and Arts Foundation Board Chairperson Board of Directors

Executive Director Assistant Executive Director

Stan Shin Hong Min-hong Lin Hsin-ho Tsai Hong-tu Wing Hung Wong Yeh Wen-wen Huang Yuh-lan

Hsu Sheng-hsiung Lin Hwai-min Tseng F.C. Eric Yao

Barry Lam Shen Hsueh-yung Kate Huei-wen Wen Diane Ying

Lee Guo-wei Adam Chi Hsu Wu Ching-yin

Tang Hong-zhi

Cloud Gate Dance Theatre OF TAIWAN Founder/Artistic Director Associate Artistic Director Music Director Qi Gong Masters Internal Martial Arts Masters Ballet Teachers Modern Dance Teacher Rehearsal Directors Rehearsal Assistants Accompanists Dancers

Apprentices

Lin Hwai-min Lee Ching-chun Liang Chun-mei Hsiung Wei Chen Jun-long Lee Shu-hui Huang Hsu-hui Chou Chang-ning Huang Pei-hua Kuo Tsung-han Chou Chang-ning Hou Tang-li Chen Mu-han Cheng Hsi-ling Chen Lien-wei Chan Pui-pui Su Yin-sheng

Tsai Ming-yuan Yang I-chun Wu Jia-jin Huang Mei-ya Ko Wan-chun Wong Lap-cheong Chou Chen-yeh Hsu Chen Chen Guang-xuan Wu Tse-wei

Administrative Staff on Tour Project Manager Project Coordinator

Liu Pei-chen Dan Han-yin

Technical Staff on Tour Technical Director and Production Manager Deputy Stage Manager Stage Supervisor Lighting Supervisor Projection Operator Wardrobe Mistress

Lulu W. L. LEE Lee Chu-hui Lin Ching-kai Lin Szu-chen Lee Zhuan Hsu Wen-wen

Huang Pei-hua Su I-ping

Tsai Ming-yuan Yang I-chun

Fan Chia-hsuan Huang Yu-ling Lu Wen-shan

Huang Li-chieh Lin Hsin-fang Shao Hsing-wen

鳴謝 Acknowledgements 香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members 鉑金會員 Platinum Members

嘉里控股有限公司 Kerry Holdings Limited 新鴻基有限公司 Sun Hung Kai & Co. Limited

黃金會員 Gold Member

怡和集團 The Jardine Matheson Group

純銀會員 Silver Members

銅鑼閣有限公司 Causeway Corner Limited 太古集團慈善信託基金 The Swire Group Charitable Trust

青銅會員 Bronze Members

鷹君集團有限公司 Great Eagle Holdings Limited 上海商業銀行 Shanghai Commercial Bank Limited

其他支持機構 Other Supporters •Agency for Cultural Affairs, Government of Japan •ANA Holdings Inc. •British Columbia Arts Council

•British Council •Canada Council for the Arts •HEED

實物支持機構 In-kind Supporters •帝盛酒店集團 Dorsett Hospitality International •嘉頓有限公司 The Garden Company Limited •鷹君集團有限公司 Great Eagle Holdings Limited •In Technical Productions Limited •香港德迅貨運代理有限公司 Kuehne & Nagel Limited

•香港國際機場 Hong Kong International Airport •奧海城 Olympian City •信和集團 Sino Group •崇光 ( 香港 ) 百貨 SOGO Hong Kong •屯門市廣場 TMT Plaza

藝術節捐助計劃 Festival Donation Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •Mrs Miriam Hwa •Lincoln & Yu-San Leong •Nine Queens Investment Limited •Yip Foundation Ltd 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •林護紀念基金有限公司 Lam Woo Foundation Limited •Martin Rogers & Janet Cheng •Mr & Mrs Stephen Suen 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •無名氏 Anonymous •Jeffrey & Helen Chan •Mrs K L Chan •陳求德醫生 Dr Chan Kow Tak •Mrs Mona Leong •Ms Leung Wai Yee Candice •林聖竤 Chris Lin •Ms Sun Tien Chen •Mr & Mrs David S Y Wong 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 (3) Anonymous (3) •Mr & Mrs S Cheng •Mr Edwin Choy •Consigliere Limited •Alex & Hanne Fung •Mr & Mrs Kenneth H C Fung •Richard & Ruth Herbst •Ms Jenny Hodgson •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Mrs A M Peyer

•Mr Stephen Tan •曹延洲醫生 Dr Tsao Yen Chow •Linda Wang •Samuel & Amy Wang •黃逸思先生夫人 Mr & Mrs Y S Wong •Mr Wong Yick Kam 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (3) Anonymous (3) •Dr York YN Chow •Ms Ka Shi Lau •Ms Lee Lai-Kuen Shelley •Mr & Mrs David S L Lin •Dr Michael Mak •Mr & Mrs Gilles Martin •Dr Poon Yee Ling Eligina •Ms Jacqueline Swain •Tsang Wing Fun •Ms Tse Chiu Ming •Ms Enoch Yiu •Ms Isabel Yiu 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (4) Anonymous (4) •AIA AGAPE A&F •Atkinson Lambert Limited •Ms Alice Au •Mrs Anson Chan •Mr Edmund Cheung •Dr David Fang •HUI Silvia •Ms Khoo Li Lian •Legrand Jewellery

•Ms Lim Geck Chin Mavis •Gary & Flavia Ma •So Ching

•Leland & Helen Sun •Ms Christine Tong •Mr Christopher Wong & Dr Ivo Chen •殷和順劉善萍伉儷

學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PlATINuM DONORS HK$140,000 或以上 AND ABOVE •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund •C H Mak •無名氏 (2) Anonymous (2) •麥禮和醫生 Dr Mak Lai Wo •Burger Collection •Vernon & Karen Moore •馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd •Mrs A M Peyer •恒生銀行 Hang Seng Bank •Dr Poon Yee Ling Eligina 鑽石捐款者 DIAMOND DONORS HK$70,000 - HK$139,999 •Mr & Mrs Kenneth Quinn •法國巴黎銀行 BNP Paribas •Tsang Wing Fun •Mrs Purviz R Shroff and the late Mr Rusy M Shroff, BBS, MBE •曹延洲醫生 Dr Tsao Yen Chow •田家炳基金會 Tin Ka Ping Foundation •Martin Rogers & Janet Cheng •芝蘭基金會 Zhilan Foundation •黃乃正教授及陳頴儀醫生 •Mr Wong Yick Kam 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •林聖竤 Chris Lin •Roger & Lina Lui •Mr & Mrs Stephen Suen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •Mr & Mrs Herbert Au-Yeung •Ms Margaret Cheng •招國利先生 Mr Chiu Kwok Lee •Dr Chung See Yuen •馮兆林先生 Mr Fung Shiu Lam •Richard & Ruth Herbst •Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •Yvonne Cheng & Kelvin Koo •Caroline & Stefan Kracht •Mrs Carol Murray •Nathaniel Foundation Limited •Diana d'Arenberg & Jay Parmanand •孫永輝施熙德伉儷 Edith Shih & Stephen Sun •Mr Stephen Tan •Peter & Nancy Thompson •Mr William To •黃逸思先生夫人 Mr & Mrs Y S Wong •Ms Wong Yuen Mee Elsa •Mrs Wu Tseng Helen 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •無名氏 (2) Anonymous (2) •區燊耀先生 Mr Au Son Yiu •Mr Iain Bruce •趙穎雅 Winnie W N Chiu •天智合規顧問有限公司 CompliancePlus Consulting Limited •Mr & Mrs A R Hamilton •Ms Winnie W Ho •羅偉騫先生及夫人 Andy Law & Wendy Chan

•無名氏 (12) Anonymous (12) •Antonhill Company Limited •Biz Office Limited •Carthy Limited •Cynthia Cheng & Aaron Chan •Dr Chan Chun Yin •Dr Cindy Chan •Dr Chan Wan Tung •D Chang •Ms Cheung Kit Fung •張宏毅律師及江淑慧夫人 Mr & Mrs Joseph W N Cheung •Ms Grace Chiang •Mr & Mrs Norman Chui •Community Partner Foundation Limited •Mr & Mrs Kenneth H C Fung •giliproduction •HUI Silvia •Betty Hung •Dr Alfred Lau •Joanna Lau •Dr Nancy Leung •Savita Leung •Ms Janice Ritchie •Susan Lim & Neil Roberts •Mr Siddique Salleh •Mr So Kin Man •William Stork & Jasmine Wong •Dr Tam Oi Wo Joyce •Ms Wong Siu Yee Amy •殷和順劉善萍伉儷 •Ms Yim Chui Chu •Mr Desmond Yu •野豬先生 •皮皮

新作捐助計劃 New Works Scheme 翡翠捐款者 JADE DONORS HK$30,000 - HK$69,999 •Ms Sun Tien Chen 黃金捐款者 GOlD DONORS HK$12,000 - HK$29,999 •無名氏 Anonymous •劉仰澤先生 Mr Lau Yeung Chak •林聖竤 Chris Lin •孫永輝施熙德伉儷 Edith Shih & Stephen Sun 純銀捐款者 SIlVER DONORS HK$6,000 - HK$11,999 •Ms Winnie W Ho

•Mr & Mrs Ko Ying & Ko Woo Shin Ching Patricia •駱余劍清紀念基金 Lok Yu Kim Ching Memorial Fund 青銅捐款者 BRONZE DONORS HK$3,000 - HK$5,999 •無名氏 (3) Anonymous (3) •Star B Chan & MDB •Dr Xina Lo •Mrs A M Peyer •黃逸思先生夫人 Mr & Mrs Y S Wong

支持及協助 Support and Co-operation •Acorn Design •Alfie Leung Design •AMC Pacific Place •艺鵠 Arts and Culture Outreach •香港展能藝術會 Arts with the Disabled Association Hong Kong •教育局藝術教育組 Arts Education Section, Education Bureau •香港愉景灣酒店 Auberge Discovery Bay Hong Kong •樺利廣告有限公司 Avanny Advertising Co Ltd •庇理羅士女子中學 Belilios Public School •BRICK LANE •英國文化協會 British Council •Broadway Cinema •百老匯院線 Broadway Circuit •牛棚藝術村 Cattle Depot Artist Village •CCDC 舞蹈中心 CCDC Dance Centre •中國對外文化集團公司 China Arts and Entertainment Group (CAEG) •中華基督教會公理堂 China Congregational Church •周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd •中信國際電訊 ( 信息技術 ) 有限公司 CITIC Telecom International CPC Limited •城市當代舞蹈團 City Contemporary Dance Company •城巿花園酒店 City Garden Hotel •思聯設計有限公司 CL3 Architects Ltd •阿根廷駐港總領事館 Consulate General of Argentina in Hong Kong •比利時駐港澳總領事館 Consulate General of Belgium in Hong Kong and Macau •巴西駐港總領事館 Consulate General of Brazil in Hong Kong •加拿大駐香港總領事館 Consulate General of Canada in Hong Kong and Macao •法國駐港澳總領事館 Consulate General of France in Hong Kong and Macau •希臘駐港總領事館 Consulate General of Greece in Hong Kong •愛爾蘭駐港澳總領事館 Consulate General of Ireland in Hong Kong and Macau •意大利駐港總領事館 Consulate General of Italy in Hong Kong •日本國駐香港總領事館 Consulate General of Japan in Hong Kong •馬來西亞駐港澳總領事館 Consulate General of Malaysia in Hong Kong and Macau SAR •印尼駐港總領事館 Consulate General of the Republic of Indonesia in Hong Kong •大韓民國駐香港總領事館 Consulate General of the Republic of Korea in Hong Kong •俄羅斯駐香港總領事館 Consulate General of the Russian Federation in Hong Kong SAR, PRC •西班牙駐港澳總領事館 Consulate General of Spain in Hong Kong and Macao •瑞士駐香港總領事館 Consulate General of Switzerland in Hong Kong •英國駐港總領事館 Consulate General of United Kingdom in Hong Kong •澳門特別行政區政府文化局 Cultural Affairs Bureau of the Macao S.A.R. Government •Die Konzertisten •拔萃男書院 Diocesan Boys' School •拔萃女小學 Diocesan Girls' Junior School •拔萃女書院 Diocesan Girls' School •香港荃灣帝盛酒店 Dorsett Tsuen Wan •Edge 'n Pointe Dance Centre •港威酒店 Gateway Hotel •德國駐香港總領事館 German Consulate General Hong Kong •六國酒店 Gloucester Luk Kwok Hong Kong •香港歌德學院 Goethe-Institut Hong Kong •香港君悅酒店 Grand Hyatt Hong Kong •8 度海逸酒店 Harbour Plaza 8 Degrees •嘉湖海逸酒店 Harbour Plaza Resort City •快達票香港有限公司 HK Ticketing •香港聖公會聖保羅堂 HKSKH St. Paul's Church

•香港藝術行政人員協會 Hong Kong Arts Administrators Association •香港藝術中心 Hong Kong Arts Centre •香港藝術發展局 Hong Kong Arts Development Council •香港浸會大學 Hong Kong Baptist University 電影學院 Academy of Film 音樂系 Department of Music 拉闊文化 Cultural Literacy Programme 政治及國際關係學系 Department of Government and International Studies •美國管風琴家協會香港分會 Hong Kong Chapter of the American Guild of Organists •香港大會堂 Hong Kong City Hall •香港文化中心 Hong Kong Cultural Centre •香港經濟貿易辦事處 Hong Kong Economic and Trade Office •香港黃金海岸酒店 Hong Kong Gold Coast Hotel •香港文化博物館 Hong Kong Heritage Museum •香港管弦樂團 Hong Kong Philharmonic Orchestra •香港公共圖書館 Hong Kong Public Libraries •香港唱片 Hong Kong Records •香港樹仁大學 Hong Kong Shue Yan University 圖書館 Library •香港旅遊發展局 Hong Kong Tourism Board •香港童聲合唱團 Hong Kong Treble Choir •宜必思香港中上環 ibis Hong Kong Central and Sheung Wan •工銀亞洲 ICBC (Asia) •富薈馬頭圍酒店 iclub Ma Tau Wai Hotel •海景嘉福洲際酒店 InterContinental Grand Stanford Hong Kong •香港洲際酒店 InterContinental Hong Kong •益普索香港 Ipsos Hong Kong •港島太平洋酒店 Island Pacific Hotel Hong Kong •賽馬會創意藝術中心 Jockey Club Creative Arts Centre •賽馬會官立中學 Jockey Club Government Secondary School •高山劇場 Ko Shan Theatre •九龍木球會 Kowloon Cricket Club •Kubrick •葵青劇院 Kwai Tsing Theatre •光華新聞文化中心 Kwang Hwa Information & Culture Center •中央人民政府駐香港特別行政區聯絡辦公室 Liaison office of the Central People's Government in the HKSAR •嶺南大學 Lingnan University 文學院 Faculty of Arts 黃炳禮音樂及演藝部 Wong Bing Lai Music and Performing Arts Unit 學生服務中心 Student Service Centre •香港逸蘭精品酒店 Lanson Place Hotel, Hong Kong •La Rotisserie •馬哥孛羅香港酒店 Marco Polo Hongkong Hotel •Maxibit HK/China •中華人民共和國文化和旅遊部 Ministry of Culture and Tourism, PRC •Mission Production Company Ltd •音樂事務處 Music Office •One Minden Tapas Kitchen •PALACE ifc •柏斯琴行 Parsons Music Limited •卓滙達有限公司 Patsville Company Ltd •Pause Rewind n FastForward •電訊盈科 PCCW •犇華企業服務有限公司 Primasia Corporate Services Limited •香港太子酒店 Prince Hotel, Hong Kong •香港帝景酒店 Royal View Hotel •沙田大會堂 Sha Tin Town Hall •聖公會鄧肇堅中學 Sheng Kung Hui Tang Shiu Kin Secondary School •信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd. •先鋒廣告製作有限公司 Sin Fung Advertising Production Co., Ltd. •Southgate Design •香港西班牙商會 Spanish Chamber of Commerce in Hong Kong

•事必達推廣有限公司 Speedy Promotion Limited •聖雅各福群會 St. James' Settlement •辰衝圖書有限公司 Swindon Book Co. Ltd. •大館 Tai Kwun •台灣蘇富比國際房地產 Taiwan Sotheby's International Realty •藝林文具印刷有限公司 The Artland Co Ltd •香港八和會館 The Chinese Artists Association of Hong Kong •香港中文大學 The Chinese University of Hong Kong 戲曲資料中心 Chinese Opera Information Centre 音樂系 Department of Music 文學院 Faculty of Arts 和聲書院 Lee Woo Sing College 聯合書院 United College •香港城市大學 The City University of Hong Kong 中文系 Department of Chinese and History 英文系 Department of English 城大創意媒體學院 School of Creative Media •城景國際 The Cityview •香港教育大學 The Education University of Hong Kong 文化與創意藝術學系 Department of Cultural and Creative Arts 圖書館 Library •梅夫人婦女會 The Helena May •香港演藝學院 The Hong Kong Academy for Performing Arts 中國戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music •香港兒童合唱團 The Hong Kong Children’s Choir •香港理工大學 The Hong Kong Polytechnic University 圖書館 Library •香港科技大學 The Hong Kong University of Science and Technology 藝術中心 Center for the Arts 人文學部 Division of Humanities 學生住宿及舍堂生活事務處 Student Housing and Residential Life Office HKUST Music Alive! •中環石板街酒店 The Pottinger Hong Kong •皇家太平洋酒店 The Royal Pacific Hotel and Towers •香港大學 The University of Hong Kong Cultural Management Office 音樂系 Department of Music 通識教育部 General Education Unit 國際事務處 International Affairs Office 圖書館 Library 現代語言及文化學院 School of Modern Languages and Cultures 香港大學博物館學會 The University of Hong Kong Museum Society 香港大學美術博物館 University Museum and Art Gallery •香港華美粵海酒店 The Wharney Guang Dong Hotel Hong Kong •通利琴行 Tom Lee Music Company Ltd •三角關係 Trinity Theatre •屯門大會堂 Tuen Mun Town Hall •UA CINEHUB •城市售票網 URBTIX •美國駐港澳總領事館 U.S. Consulate General in Hong Kong & Macau •進富印刷公司 Wealthy Step Printing Co. •wine etc •油麻地戲院 Yau Ma Tei Theatre •葉氏兒童合唱團 Yip's Children's Choir •香港基督教青年會（港青） YMCA of Hong Kong •青年學院 Youth College •青年廣場 Youth Square •元朗劇院 Yuen Long Theatre •赤豚事務所 Zhu Graphizs

節目時間表 Programme Calendar 歌劇戲音樂 /曲 OPERA / CHINESE OPERA MUSIC

萊比錫歌劇院華格納《唐懷瑟》

CCGT

1/3 2/3

7pm 6pm

Madame White Snake by Zhou Long and Cerise Lim Jacobs

APAL

8-9/3

7:30pm

粵劇《百花亭贈劍》毛俊輝導演作品（更新版）

Cantonese Opera - Pavilion of a Hundred Flowers Directed by Fredric Mao (Reboot)

STTHAUD

1-2/3

8pm

粵劇越洋半世紀 -《紅了櫻桃碎了心》 - 白玉堂折子戲 -《胡不歸》 - 名伶花旦展演話當年

Cantonese Opera - Global Traces, Local Stages YMTT - Red Cherries and a Broken Heart - Vignettes of Pak Yuk-tong’s “Three Big Trials” - Why Don’t You Return? - A Long Passion – Talk, Demonstration and Performance

9/3 10/3 11/3 15-17/3

7:30pm 2:30pm 7:30pm 7:30pm

香港小交響樂團小號巨星納卡里亞科夫

Hong Kong Sinfonietta Sergei Nakariakov • The Art of the Trumpet

CHCH

16/2

8pm

瑪琳．艾爾梭與聖保羅交響樂團

Marin Alsop with the São Paulo Symphony Orchestra

CCCH

21-22/2

8pm

Hong Kong Chinese Orchestra Meeting Across Nine Millennia of Time

CHCH

22/2

8pm

鮮于睿權鋼琴獨奏會

Yekwon Sunwoo Piano Recital

CHCH

23/2

8pm

帕佛．約菲與 NHK 交響樂團

Paavo Järvi with the NHK Symphony Orchestra, Tokyo

CCCH

28/2

8pm

法國世紀樂團：白遼士 150 指揮：麥森．帕斯高

Les Siècles: BERLIOZ 150 Conductor: Maxime Pascal

CCCH

2/3 3/3

8pm 4:30pm

萊比錫歌劇院合唱團《歌劇合唱盛會》

Chor der Oper Leipzig Opera Chorus Concert

CCCH

3/3

8:15pm

馬祖耶夫鋼琴獨奏會

Denis Matsuev Piano Recital

CHCH

7/3

8pm

馬祖耶夫與得獎新晉鋼琴家匯演

Matsuev and Young Laureates Piano Gala

CHCH

8/3

8pm

Quondam Spanish Renaissance Choral Masterpieces

CHCH

9/3 10/3

8pm 4pm

Li Biao Percussion Group - From Baroque to Tango

CCCH

15/3

8pm

P is for PERCUSSION! Family Concert by Li Biao Percussion Group

CCCH

16/3

8pm

洪儷僖管風琴獨奏會

Riyehee Hong Organ Recital

CCCH

18/3

8pm

克雷莫納弦樂四重奏

Quartetto di Cremona

CHCH

21-22/3

8pm

爵士新潮 - 馬可．梅斯基達三重奏《拉威爾的夢》

Nouveau Jazz Weekend - Marco Mezquida Trio - Ravel's Dreams

APAD 22/2 23/2 23/2 23/2

8pm 7:30pm 4pm 9:30pm

2-3/3 2/3 3/3

4:30pm 8pm 8pm

《白蛇傳》作曲：周龍 | 編劇：林曉英

香港中樂團《九千年的邂逅》

時光之音《西班牙文藝復興合唱代表作》李飈打擊樂團《巴羅克．探戈》《好！擊！動！》親子音樂會李飈打擊樂團

爵士樂世 / 界音樂 JAzz / WOrLD MUSIC

- 馬可．梅斯基達鋼琴獨奏會 - 佐治．達洛查低音大提琴獨奏獨唱會

Oper Leipzig Wagner’s Tannhäuser

- Marco Mezquida Piano Solo - Jorge da Rocha Solo

世界音樂週末營 - Criatures 二人組及 Belda & Sanjosex - 易莎．拉娜三重奏《路》 - 佐治．達洛查三重奏《放下．放開》

World Music Weekend - Criatures and Belda & Sanjosex - Yexza Lara - Camino - Jorge da Rocha - To Drop and Let Go

HKAC-ST

馬祖耶夫爵士樂隊

DANCE

舞蹈

Matsuev and Friends Play Jazz

CCCH

9/3

8pm

湯瑪士．夸斯托夫四重奏《Nice 'N' Easy》

Thomas Quasthoff Quartet Nice 'N' Easy

CCCH

14/3

8pm

希薇雅．佩瑞茲．克露絲《夜妝》

Sílvia Pérez Cruz Dressed by the Night (Vestida de Nit)

CCCH

22/3

8pm

香港藝術節 @ 大館

HKartsFestival@TaiKwun

2-3/3 9-10/3

雲門舞集 45 週年林懷民舞作精選

Cloud Gate Dance Theatre of Taiwan The 45th Anniversary Gala Programme Retrospectives of Lin Hwai-min's Works

CCGT

21-23/2 24/2

8:15pm 2pm

Euripides Laskaridis / Osmosis TITANS

APAD

26-27/2

8:15pm

歐里庇德斯．拉斯卡里迪斯及遊離表演工作坊《泰坦 – 諸神之舞》

CCGT CCCH CCST CHCH

香港文化中心大劇院 Grand Theatre, HK Cultural Centre 香港文化中心音樂廳 Concert Hall, HK Cultural Centre 香港文化中心劇場 Studio Theatre, HK Cultural Centre 香港大會堂音樂廳 Concert Hall, HK City Hall

CHT APAL APADT HKAC-ST

香港大會堂劇院 Theatre, HK City Hall 香港演藝學院歌劇院 Lyric Theatre, HKAPA 香港演藝學院戲劇院 Drama Theatre, HKAPA 香港藝術中心壽臣劇院 Shouson Theatre, Hong Kong Arts Centre

DANCE

舞蹈

香港賽馬會當代舞蹈平台 -《舞鬥》 -《雙篇雙人舞》 -「兩地書」-《沒有大象》亞太舞蹈平台 -《由削木開始》 -《黃翊與庫卡》

The Hong Kong Jockey Club Contemporary Dance Series - Dance Off

CCST

- Double Bubble

CCST

- Dance Exchange - Elephant in the Room Asia Pacific Dance Platform - From starting to cut the wood - HUANG YI & KUKA

CCST

28/2, 1/3 2/3 15/3 16/3 20-21/3

8:15pm 3pm 8:15pm 2:45pm 8:15pm

KTT-BBT APA-DT

12-13/3 1-2/3

8pm 8:15pm

THEATrE

戲劇

漢堡芭蕾舞團 – 約翰．紐邁亞《胡桃夾子》

The Hamburg Ballet - John Neumeier The Nutcracker

CCGT

13-15/3

7:30pm

漢堡芭蕾舞團 – 約翰．紐邁亞《貝多芬計劃》

The Hamburg Ballet - John Neumeier Beethoven Project

CCGT

19-20/3

7:30pm

漢堡芭蕾舞團 – 約翰．紐邁亞《約翰．紐邁亞的世界》

The Hamburg Ballet - John Neumeier The World of John Neumeier

CCGT

23/3 24/3

7:30pm 2:30pm

重新劇團《追憶消逝的人生》

Theatre Re The Nature of Forgetting

CCST

21-24/2 23-24/2

8:30pm 4:30pm

瑞士默劇團《百變樂園》

Mummenschanz Reloaded

APAL YLT-AUD

21-22/2 24/2 24/2

7:30pm 1pm 5pm

倫敦燃料劇團、布里斯托爾老域劇團、愛丁堡皇家蘭心劇院與北安普敦皇家及德蓋特劇院聯合製作《攀越冰峰》

A Fuel, Bristol Old Vic, Royal Lyceum Theatre Edinburgh, and Royal & Derngate Northampton co-production Touching the Void

CHT

21-24, 8pm 26-28/2, 1-2/3 23-24/2, 2/3 3pm

機器神製作羅伯特．利柏殊創作及演出《887》

Ex Machina Created and performed by Robert Lepage 887

APAL

27-28/2, 1-2/3 8pm 2/3 3pm

賽馬會本地菁英創作系列《陪着你走》

Jockey Club Local Creative Talents Series Always by Your Side

KTT-AUD

2,6-9/3 3,9-10/3

8pm 3pm

正點劇團《哈姆尼特─莎士比亞之子》

Dead Centre Hamnet

CCST

4-5/3

8:15pm

正點劇團《契訶夫處女作》

Dead Centre Chekhov's First Play

CCST

8-9/3 9-10/3

8:15pm 3pm

北京李六乙戲劇工作室《哈姆雷特》

Beijing LiLiuyi Theatre Studio The Tragedy of Hamlet, Prince of Denmark

CCGT

7-8/3 9/3

7:30pm 2:30pm

《九江》

Gangsters of Hong Kong

CHTH

8-9,13-16, 20-23/3 10, 17, 24/3

8pm

Ontroerend Goed 《金錢世界》( 英語版 )

Ontroerend Goed - £¥€$ (LIES) (English Version)

TK-F Hall

《金錢世界》( 粵語版 )

- £¥€$ (LIES) (Cantonese Version)

12-17/3 12-15/3 16-17/3 20-24/3 20-22/3 23-24/3

6pm 9pm 3pm 6pm 9pm 3pm

離奇作業劇團《蛙人》

curious directive Frogman

CDAV

12-15/3 12-15/3 16-17/3 16-17/3

7pm 9pm 3pm 5pm

傑夫．索貝爾《家》

Geoff Sobelle Home

APAL

14-16/3 16/3

8pm 3pm

皮普．德爾邦諾劇團《快樂大本營》

Compagnia Pippo Delbono La Gioia (Joy)

APAL

22-23/3

8pm

馬里安諾．潘恩索廸及瑪利亞劇團《三個女人搞革命》

Mariano Pensotti / Grupo Marea Burning Bright in the Forest of the Night

CCST

23/3 24/3

8:15pm 5pm

3pm

資料截至 Information as of: Jan 2019

KTT-BBT KTT-AUD YLT-AUD STTH-AUD

葵青劇院黑盒劇場 Black Box Theatre, Kwai Tsing Theatre 葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre 元朗劇院演藝廳 Auditorium, Yuen Long Theatre 沙田大會堂演奏廳 Auditorium, Sha Tin Town Hall

YMTT TK CDAV

油麻地戲院 Yau Ma Tei Theatre 大館 Tai Kwun 牛棚藝術村 Cattle Depot Artist Village

藝術絕不止於劇場或舞台，而是能延伸至生活的每個小節。無論您是藝術節的忠實擁躉、藝術愛好者或年輕藝術家，PLUS誠邀您透過一系列老少咸宜的節目與特備活動，一起探索與體驗香港藝術節「演出之外，更多精采！」 PLUS extends your festival experience to more than what you see on stage. Experienced festivalgoers, newcomers, budding artists, and the young and old alike will be delighted that there are "More than Great Performances" at the Hong Kong Arts Festival!

漢堡芭蕾舞團的世界

The World of Hamburg Ballet

漢堡芭蕾舞團 — 舞蹈電影系列 Hamburg Ballet at the Cinema ��Nĳinsky 2/3 六 Sat ��J.S. Bach: Christmas Oratorio 24/3 日 Sun ��Tatiana 30/3 六 Sat 購票詳情 Ticketing details: uacinemas.com.hk

�� Artist Salon: John Neumeier 21/3 四 Thu 7:30 - 8:30pm 香港逸蘭精品酒店 Lanson Place Hotel, HK

漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass

h ,JSBO 8FTU

16/3 六 Sat 10:00 -11:30am (中級 Intermediate) 24/3 日 Sun 10:00 -11:30am (高級 Advanced) 香港文化中心 GR2 排演室 Rehearsal Room GR2, HK Cultural Centre

漢堡芭蕾舞團�� Hamburg Ballet The Nutcracker Introductory Class for Kids 17/3 日 Sun 11:30am - 12:45pm | 2:15 - 3:30pm 香港文化中心 GR2 排演室 Rehearsal Room GR2, HK Cultural Centre h ,JSBO 8FTU

報名及更多加料節目詳情請瀏覽 To learn more about PLUS events, please visit: www.hkartsfestivalplus.org

藝術節加料節目節目詳情及網上報名 For more details and online registration: www.hk.artsfestivalplus.org 音樂 MUSic

特備節目 SpecialS 25/1/2019

26/1/2019

樂與畫音樂會：《哥雅之畫》- 葛拉納多斯的音樂意境 Music and Art Concert: Goya’s World through Granados’s Goyescas 《風琴遊蹤》導賞遊與風琴獨奏會 Pipe Organ Walk & Organ Recital

20/2/2019

聖保羅交響樂團四重奏 SPSO String Quartet

22/2/2019

香港藝術節傑出文化領袖講座系列講者︰葉芠芠（雲門文化藝術基金會執行總監） HKAF Distinguished Cultural Leader Series (VI) Speaker: Yeh Wen-wen (Executive Director of Cloud Gate Cultural and Arts Foundation)

20/2/2019

公開彩排︰瑪琳．艾爾梭、聖保羅交響樂團與本地學生樂團 Open Rehearsal: Marin Alsop, São Paulo Symphony Orchestra and Local Student Orchestras

22/2/2019

聖保羅交響樂團演前導賞講座 : 瑪琳．艾爾梭細說伯恩斯坦與她的指揮生涯 Sao Paulo Symphony Orchestra Pre-performance Talk: Marin Alsop on Bernstein and Her Conducting Career

22/2/2019

馬可．梅斯基達爵士樂工作坊 Marco Mezquida Jazz Improvisation Workshop

28/2/2019

NHK 交響樂團演前導賞講座︰細聽二十世紀改革之風 NHK Symphony Orchestra Pre-performance Talk: Listen to the Winds of Changes PLUS 兒童合唱團大堂音樂會 Festival PLUS Children's Choir Foyer Performance

22/2/2019 24/2/2019

《舞城遊蹤》 Choreography Walk

26/2/2019 3/3/2019

《家常便飯》 Family Dinner

2/3/2019

《歌劇探秘同樂日》Opera Adventure Day

2/3/2019

28/2 - 3/3/ 2019

「萊比錫樂韻之路」展覽 Leipzig Music Trail (Leipziger Notenspur) Exhibition

《萊比錫樂韻之路》室樂音樂會 Leipzig Music Trail Chamber Concert

2/3/2019

《一齊玩》戲劇工作坊 We PLAY Theatre Workshop

16/3/2019

《好！擊！動！》同樂日 P is for Percussion! Family Day

2/3/2019

法國世紀樂團演前導賞講座︰幻想交響曲 Les Siècles Pre-performance Talk: Symphonie Fantastique

3/3/2019

萊比錫布業大廳樂團雙簧管、圓號、長號大師班 Oboe, Horn & Trombone Masterclass by Gewandhausorchester Leipzig

3/3/2019

法國世紀樂團演前導賞講座︰白遼士的一生 Les Siècles Pre-performance Talk: The Life of Berlioz

3/3/2019

萊比錫歌劇院演前導賞講座︰《歌劇合唱盛會》 Oper Leipzig Pre-performance Talk: Opera Chorus Concert

21/3/2019

藝術家沙龍︰約翰．紐邁亞 Artist Salon: John Neumeier

舞蹈 DaNce 19, 23/2/2019

雲門舞集工作坊 Cloud Gate Dance Theatre of Taiwan Workshop

1/3/2019

公開彩排︰香港賽馬會當代舞蹈平台《雙篇雙人舞》 Open Rehearsal: The Hong Kong Jockey Club Contemporary Dance Series Double Bubble

11/3/2019

藝術家對談︰從工藝到舞蹈 Arts Chat: From Crafting to Dancing

13/3/2019

漢堡芭蕾舞團演前導賞講座 : 交流網絡的藝術 The Hamburg Ballet Pre-Performance Talk: The Art of Networking

15/3/2019

漢堡芭蕾舞團早課參觀 Observing Company Class

15/3/2019

《胡桃夾子》後台參觀 Backstage at The Nutcracker

4/3/2019

《白蛇傳》歌劇創作講座 Madame White Snake Reimagined

9, 11/3/2019

時光之音合唱指揮工作坊 Choral Conducting and Choral Singing Workshop with Rupert Damerell

9/3/2019

馬祖耶夫爵士樂隊演前導賞講座︰古典音樂與爵士音樂的交匯 Matsuev and Friends Play Jazz Pre-performance Talk: Harmony between Classical and Jazz

16, 24/3/2019

漢堡芭蕾舞團大師班 Hamburg Ballet Masterclass

17/3/2019

漢堡芭蕾舞團《胡桃夾子》兒童工作坊 Hamburg Ballet The Nutcracker Ballet Introductory Class for Kids

13/3/2019

湯瑪士．夸斯托夫聲樂大師班 Thomas Quasthoff Vocal Masterclass

19/3/2019

漢堡芭蕾舞團《貝多芬計劃》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: Beethoven Project

14/3/2019

23/3/2019

漢堡芭蕾舞團《約翰．紐邁亞的世界》演前導賞講座 The Hamburg Ballet Pre-Performance Talk: The World of John Neumeier

湯瑪士．夸斯托夫四重奏演前導賞講座 : 古典音樂與爵士音樂的交匯（二） Thomas Quasthoff Quartet Pre-Performance Talk: Harmony between Classical and Jazz II

13, 14/3/2019

李飈打擊樂團敲擊樂大師班 Percussion Ensemble Masterclass by Li Biao Percussion Group

15/3/2019

李飈打擊樂團演前導賞講座︰《巴羅克．探戈》 Li Biao Percussion Group Pre-Performance Talk : From Baroque to Tango

16, 17/3/2019

洪儷僖管風琴大師班 Riyeehee Hong Organ Masterclass

歌劇／戲曲 OpeRa 1, 2/3/2019

萊比錫歌劇院演前導賞講座︰《唐懷瑟》 Oper Leipzig Pre-performance Talk: Tannhäuser

2/3/2019

萊比錫歌劇院《唐懷瑟》後台參觀 Oper Leipzig's Tannhäuser Backstage Tour

12/3/2019

蔡艷香粵劇南派工作坊 Southern School of Cantonese Opera Workshop with Choy Him-heong

戲劇 THeaTRe

16/3/2019

《好！擊！動！》互動敲擊展覽 P is for Percussion Interactive Percussion Exhibition

16/3/2019

拇指琴及「升」樂樽工作坊 Thumbiano and Musical Bottle Workshop 《律！動！啦！》大堂音樂會 Feel the Pulse NOW!!! Foyer Performance

28/2/2019

藝術家對談︰與劇場大師羅伯特．利柏殊對話 Arts Chat: In Conversation with Robert Lepage

16/3/2019

9/3/2019

藝術家對談︰導演李六乙的莎士比亞 Arts Chat: Director Li Liuyi's Interpretation of Shakespeare

20/3/2019

克雷莫納弦樂四重奏示範講座 Quartetto di Cremona Lecture Demonstration

22/3/2019

希薇雅．佩瑞茲．克露絲演前導賞講座︰皆有可能 Sílvia Pérez Cruz Pre-Performance Talk: Everything Possible

電影 FilM 27/2/2019 2, 24, 30/3/ 2019

《攀越冰峰》電影放映與影後分享會 Touching the Void: Screening and Post-screening Talk 漢堡芭蕾舞團 - 舞蹈電影系列 Hamburg Ballet at the Cinema

贊助人

林鄭月娥女士

PATrON

永遠名譽會長執行委員會主席副主席義務司庫委員

邵逸夫爵士

HONOrArY LIFE PrESIDENT EXECUTIVE COMMITTEE Chairman Vice Chairman Honorary Treasurer Members

節目委員會主席委員

財務委員會主席委員發展委員會主席副主席委員

顧問

名譽法律顧問核數師

查懋成先生盧景文教授李錦榮先生鄭維新先生鄭惠貞女士劉鎮漢先生梁靳羽珊女士梁卓偉教授姚潔莉女士楊光先生盧景文教授白諾信先生紀大衛教授羅志力先生毛俊輝先生李義法官約瑟．施力先生 + 譚榮邦先生姚珏女士李錦榮先生鄭惠貞女士梁國輝先生梁靳羽珊女士雍景欣女士鄭阮培恩女士邱詠筠女士龐建貽先生孫林宣雅女士姚祖輝先生夏佳理先生鮑磊先生李業廣先生梁紹榮夫人李國寶博士孖士打律師行羅兵咸永道會計師事務所

香港藝術節基金會主席霍璽先生管理人陳祖澤博士陳達文先生梁紹榮夫人 +

PrOGrAMME COMMITTEE Chairman Members

FINANCE COMMITTEE Chairman Members

HONOrArY SOLICITOr AUDITOr

Mr Victor Cha Prof. Lo King-man, MBE, JP, SBS Mr William Li Mr Edward Cheng, SBS JP Ms Margaret Cheng Mr Anthony Lau Mrs Yu-san Leong Prof. Gabriel Leung, GBS JP Ms Miriam Yao Mr Sunny Yeung Prof. Lo King-man, MBE, JP, SBS Mr Giorgio Biancorosso Prof. David Gwilt, MBE Mr Peter C L Lo Mr Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP Mr William Li Ms Margaret Cheng Mr Nelson Leong

DEVELOPMENT COMMITTEE Chairman Vice Chairman Members

ADVISOrS

The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS Sir Run Run Shaw, CBE (1907-2014)

Mrs Yu-san Leong Ms Jane Yong Mrs Betty Yuen Cheng Ms Winnie Chiu Mr Paulo Kin-yee Pong Mrs Helen Lin Sun Mr Andrew Yao The Hon Ronald Arculli, GBM CVO GBS OBE JP Mr Martin Barrow, GBS CBE JP Mr Charles Y K Lee, GBM GBS JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon David K P Li, GBM GBS JP Mayer Brown PricewaterhouseCoopers

HONG KONG ArTS FESTIVAL TrUST Chairman Mr Angus H Forsyth Trustees Dr John C C Chan, GBS JP Mr Darwin Chen, SBS ISO Mrs Mona Leong, SBS BBS MBE JP

榮譽節目顧問 Honorary Programme Advisor

地址 : 香港灣仔港灣道 2 號 12 樓 1205 室電話 : 2824 3555 傳真 : 2824 3798, 2824 3722 節目查詢熱線 : 2824 2430

電子郵箱 : afgen@hkaf.org

Address: Room 1205, 12th Floor, 2 Harbour Road,Wanchai, Hong Kong Tel: 2824 3555 Fax: 2824 3798, 2824 3722 Email: afgen@hkaf.org Programme Enquiry Hotline: 2824 2430

職員行政總監行政總監助理節目節目總監副節目總監節目經理節目經理（行政）助理節目經理節目統籌節目行政主任物流及接待經理 •技術製作經理助理製作經理 •出版英文編輯中文編輯助理編輯 •外展高級外展經理助理外展經理外展統籌外展助理藝術行政見習員市場推廣市場總監副市場總監市場經理副市場經理助理市場經理數碼營銷專員市場主任藝術行政見習員市場經理（票務）客戶服務主任發展發展總監發展經理副發展經理助理發展經理發展統籌發展助理會計會計主管助理會計經理會計主任人力資源及行政人力資源及行政經理人力資源及行政主任接待員 / 初級秘書助理無限亮高級項目經理助理節目及製作經理助理外展經理助理技術經理市場統籌高級會計主任項目主任香港藝術節 @ 大館製作人技術統籌

STAFF Executive Director Assistant to Executive Director Programme Programme Director Associate Programme Director Programme Managers

何嘉坤何丹蓉梁掌瑋蘇國雲葉健鈴余瑞婷 * 蘇雪凌黃傲軒 * 譚小敏 * 張翠騫 * 金學忠 *

陳韻妍林淦鈞 * 胡鎮華 *

梁雅芝 * 莫賦斌 * 林秋美 * 廖健邦 * 林惠賢 * 李冠輝張鼎丞 * 譚曉峯 * 李玨熙 * 李萬祺 * 鄭尚榮胡銘堯周怡楊璞* 許慧儀 * 陳閏霖 * 鄭佩欣 * 鄭鈞澤 * 梁彩雲黃煒城 * 余潔儀張慧芝 * 譚樂瑤蘇寶蓮 * 莫穎哲 * 袁愷晴 *

黎家欣 *

林嘉敏 *

鍾玉如 *

張嘉麟 *

楊恆怡 *

麥紫琴 *

鄺敬婷杜詩麗 * 蘇永恆 * 馮紹昌簡凱彤 * 李美娟黃國愛楊文秀 * 陳慧晶 * 鄧冠恒 * 鄺嘉欣 * 蔡珮珊 * 彭健欣 * 雲希朗 * 羅雪芬 * 梁嘉倩 * 李菁菁 * 周怡 *

陳穎業 *

Tisa Ho Connie Ho

Grace Lang So Kwok-wan Linda Yip Vanessa Chan Susanna Yu* Lam Kam-kwan* Programme Manager (Administration) Shirley So Assistant Programme Manager Joseph Wong* Programme Coordinators Tracy Tam* Angus Wu* Programme Administration Officer Tracy Cheung* Logistic Manager Elvis King* • Technical Production Manager Shirley Leung* Assistant Production Manager Benny Mok* • Publications English Editor Gloria Furness* Chinese Editor James Liu* Assistant Editors Grace Lam* Melody Lai* • Outreach Senior Outreach Manager Kenneth Lee Assistant Outreach Manager Bell Cheung* Outreach Coordinators Mitch Tam* Carmen Lam* Joey Chung* Outreach Assistant Michael Lee* Arts Administrator Trainee Kelvin Li* MArKETING Marketing Director Katy Cheng Associate Marketing Director Dennis Wu Marketing Managers Alexia Chow Louis Cheung* Deputy Marketing Manager Michelle Yeung* Assistant Marketing Manager Surina Hui* Digital Marketing Specialist Ben Chan* Marketing Officer Bonnie Cheng* Arts Administrator Trainee Jeff Cheng* Marketing Manager (Ticketing) Eppie Leung Customer Service Officers Benny Wong* Hayley Yeung* DEVELOPMENT Development Director Flora Yu Development Managers Anna Cheung* Mak Tsz-kam* Deputy Development Manager Lorna Tam Assistant Development Manager Conny Souw* Development Coordinator Esther Mok* Development Assistant Antonia Yuen* ACCOUNTS Head of Accounts Department Teresa Kwong Assistant Accounting Manager Connie To* Accounting Officer Peter So* Hr & ADMINISTrATION HR & Administration Manager Calvin Fung HR & Administration Officer Vivian Kan* Receptionist/Junior Secretary Virginia Li General Assistant Bonia Wong NO LIMITS Senior Project Manager Camelia Yeung* Assistant Programme Ainslee Chan* and Production Manager Assistant Outreach Manager Joe Tang* Assistant Technical Manager Karen Kwong* Marketing Coordinator Silvia Choy* Senior Accounting Officer Janice Pang* Project Officer Alana Wan* HKAF@TAIKWUN Producers Georgina Lo* Leung Ka Sin* Chan Wing Yip* Cheryl Li* Eva Chau* Technicial Coordinators

技術統籌 * Technical Coordinators*

歐慧瑜 Rachel Au、陳佩儀 Claudia Chan、陳詠杰 Chan Wing Kit、陳家彤 Doris Chen、范文恩 Fan Man Yan、許肇麟 Boolu Hui 、黎智勇 Martin Lai、李浩賢 Lawrence Lee、羅瑞麟 Wheel Lo、蕭健邦 Leo Siu

藝術家統籌 * Artist Coordinators*

鄭瑋菁 Virginia Cheng 、竺諺民 Edwin Chuk、張素真 Susan Hayden、向怡君 Cassandra Heung 、何嘉露 Carrol Ho、洪飛鳴 Fei Hung、李仲文 Conan Lee、李海盈 Jane Li、彭慧雯 Jan Pang、樊明媚 Tess Pham、潘頴詩 Renee Poon、譚善渝 Sally Tam * 合約職員 Contract Staff