Shanghai Opera House Cavalleria Rusticana and Pagliacci Semi-staged Operas - 50th HKAF by Hong Kong Arts Festival

行政長官的話

MESSAGE FROM THE CHIEF EXECUTIVE

在過去三十年，藝術節的「青少年之友」計劃共有超過 80 萬名本地中學及大專學生參加。藝術節今年更首度舉辦「藝術 X 科技創作比賽」，鼓勵同學善用科技，進行藝術創作，預計會吸引更多年輕朋友參與。

再次恭賀香港藝術節迎來五十周年的重要里程碑。在未來五十年，我深信藝術節定會一如既往，把各項精采和啟迪人心的藝術節目帶到香港及世界不同角落，令觀眾眼界大開之餘，亦推動香港在發展藝術節於一九七三年首辦，每年二為中外文化藝術交流中心這個國家月及三月舉行。每屆藝術節均吸引「十四五」規劃所展示的新定位上，逾 1,700 名本地及海內外藝術家參繼續砥礪前行。與，節目豐富多彩，既有新穎的當代作品，也有傳統的藝術表演，各 It gives me great pleasure to 式各樣的演出共冶一爐。藝術節多 congratulate the Hong Kong Arts 年來深受歡迎，好評如潮，不僅提 Festival on its landmark 2022 season 升香港在國際藝壇的聲譽地位，亦 – the Festival’s 50th edition. 彰顯香港的文化特色。 Every February and March since 二零二二年香港藝術節隆重揭幕，謹此衷心致賀。藝術節今年踏入第五十屆，昂然邁向新里程，別具意義。

今屆藝術節呈獻多部世界級作品，當中不少節目均可免費觀賞，例如捷克布爾諾國家歌劇院震撼人心的改編劇作馬替奴《希臘受難曲》、巴伐利亞班貝格交響樂團在其著名音樂廳上演的音樂會、巴伐利亞國立歌劇院製作的歌劇，以及巴黎歌劇院芭蕾舞團的佳作。至於收費節目，焦點則有比利時劇團 Ontroerend Goed 創作的互動劇場《 TM 》、都柏林正點劇團的網上直播劇作《機器超人》，以及布里斯托爾老域劇團精心製作、講述成長故事的戲劇《奇蹟男孩》。我特別感謝藝術節一直致力栽培本地藝術人才，並在社區大力推廣藝術文化。過去五十年間，藝術節委託和製作的本地作品逾 250 項，涵蓋粵劇、當代舞蹈、戲劇、音樂、室內歌劇等多個範疇，不少作品更在香港及世界各地多度載譽重演。藝術節每年還舉辦約 250 項「加料節目」。適逢今年舉行北京 2022 冬季奧運會，今屆「加料節目」將安排放映三段各具特色的冰上舞蹈影片，不容錯過。

1973, more than 1,700 local and international artists a year take part in the Festival and its bravura mix of innovative contemporary works and traditional offerings. In doing so, our acclaimed Festival burnishes Hong Kong’s international reputation in the arts, while spotlighting local culture.

This year’s programme features a wealth of world-class productions. Many are free, including the National Theatre Brno’s powerful adaptation of Bohuslav Martinů’s opera The Greek Passion, Bamberg Symphony Orchestra concerts from the Bavarian orchestra’s famed concert hall, operas by Bayerische Staatsoper, and Paris Opera Ballet productions. Paid-forviewing highlights include the Belgian theatre company Ontroerend Goed’s interactive show TM, Dublin’s Dead

香港特別行政區行政長官

林鄭月娥

Centre’s live-streamed play To Be a Machine, and Bristol Old Vic’s production of the outstanding comingof-age play Wonder Boy. I am particularly grateful for the Festival’s continuing dedication to the development of our local artists, and the cultivation of arts and culture in the community. Over the past 50 years, the Festival has commissioned and produced more than 250 local productions, embracing Cantonese opera and contemporary dance, theatre, music, chamber opera and much more. Many of the works enjoyed subsequent runs in Hong Kong and around the world. The Festival also presents some 250 PLUS events annually. This year’s PLUS programme includes three discrete videos on ice dancing, in celebration of the Beijing 2022 Winter Olympic Games. The Festival’s Young Friends Scheme has reached more than 800,000 local secondary and tertiary school students over the past 30 years. I expect even more interest from our youth this year with the debut of the Arts X Tech Creative Competition and its spotlight on technology-inspired art. My congratulations, once again, on the milestone 50th edition of the Hong Kong Arts Festival. Over the next half century, I have no doubt that the Festival will continue to entertain, enlighten and dazzle Hong Kong and the world, while advancing our new and welcomed status as an Eastmeets-West centre for international cultural exchange as laid out in the National 14th Five-Year Plan.

Mrs Carrie Lam Chief Executive Hong Kong Special Administrative Region

主席的話

MESSAGE FROM THE CHAIRMAN

今年是香港藝術節五十周年，感謝你與我們一同見證這重要的里程碑。雖然疫情持續帶來挑戰，但藝術節仍繼續致力為觀眾帶來海外與本地的出色表演。國際交通尚未復蘇，而香港藝術節亦作出相應調整，以線上和線下形式呈獻一系列世界級精采表演。今年以「繫」為主題，帶出香港藝術節如何透過戲劇、舞蹈、歌劇和音樂等節目，跟世界保持聯繫，同時也跟觀眾保持聯繫。我們深信優秀的藝術，不論以何種形式呈現，都能療癒人心。我們衷心希望能為你在這極具意義的一年，帶來許多難忘時光。

我由衷感謝香港特別行政區政府透過康樂及文化事務署提供年度撥款，以及香港賽馬會慈善信託基金長期以來的捐助，也感謝眾多企業贊助商、慈善基金會以至個人捐助者，對我們作出的慷慨支持。我亦要感謝一眾才華橫溢的藝術家，在種種挑戰下仍然傾力演出，於疫情期間繼續為香港觀眾帶來啟發和歡愉。

The Hong Kong Arts Festival marks a significant milestone this year and I would like to thank you for joining us in celebrating its 50th edition. Though the pandemic continues to make productions everywhere challenging, the Festival is poised to bring you some of the best in performing arts from across the world. The prevailing conditions have made travel difficult and the HKAF has once again adapted its programmes in response. The Festival will continue to present an excellent world-class line-up, both online and in-venue. This year’s theme is “Connected”: the HKAF remains connected— to the world and to its audiences— bringing a range of programmes, including theatre, dance, opera and music. We are convinced that great art, in whatever form it might be presented, is a tonic and we sincerely hope to offer you many memorable moments in this landmark year.

香港藝術節主席

查懋成

I would like to take this opportunity to thank all those who have made the Festival possible. These include the HKSAR Government’s Leisure and Cultural Services Department which provides an annual subvention; The Hong Kong Jockey Club Charities Trust, a long-time supporter of the HKAF; as well as corporate sponsors, charitable foundations and individual donors for their generous donations. My sincere thanks also go to all participating artists who endeavour to delight Hong Kong audiences notwithstanding the numerous challenges and obstacles thrown up by the pandemic. I sincerely hope you will enjoy today’s performance, and also any others you might choose to take in at this year’s Festival, and I trust you will continue to stick with us and enjoy many more besides as we enter our next 50 years.

Victor Cha Chairman Hong Kong Arts Festival

行政總監的話

MESSAGE FROM THE EXECUTIVE DIRECTOR

我連同藝術節團隊，歡迎閣下觀賞這場第 50 屆藝術節的演出。

疫情持續，我們排除萬難才能為大家呈獻這齣節目。為團隊帶來動力的是「保持連繫」這份信念：包括我們之間的連繫，以及我們與一眾藝術家的連繫。再者，我們也繼續深信藝術作品能夠帶來想像力，並啟發我們對人生有更深入了解。

希望這齣節目以至今屆的其他藝術節節目都能讓你樂在其中。今屆節目內容中令我特別鼓舞的是一系列藝術科技的作品，期待你與我們一同探索其中的可能性。此外，也敬請留意一連串「加料節目」活動，豐富大家對節目的體驗，亦令觀眾與藝術家的連繫更緊密。

這是充滿紀念性的一年：香港藝術節迎來 50 周年，同時也是「青少年之友」的 30 周年。當然，亦是香港特別行政區成立 25 周年；藝術節的部份重點節目也被選入 25 周年活動，為此我們深感榮幸。

在過去五十年，藝術節一直是香港歷史的一部份，見證了不少改變，並全力促進藝術發展及文化交流。往後我們將繼續擔當這角色，衷心期望你與我們一直攜手步向更長遠的未來。我們將竭盡所能，繼續努力。

Together with the entire Festival team, I would like to warmly welcome you to this performance at the 50th Hong Kong Arts Festival. We have had to surmount significant challenges to bring you this programme in the midst of the continuing pandemic. But we are motivated by the idea of staying connected: to each other, to the artists who enrich our lives, and to the great works that open up the imagination to exhilarating possibilities while reminding us of our shared humanity. I hope that you will enjoy this and many other programmes in this Festival. I am particularly excited about the possibilities that Arts x Tech offer, and hope that you will share this journey of exploration with us. Look out also for ancillary PLUS programmes and events, which are curated to connect us with major events in the city and to enrich the Festival experience.

香港藝術節行政總監

何嘉坤

This is a big anniversary year: a 50th edition of the HKAF, 30 years of Young Friends, and of course the 25th Anniversary of the establishment of the Hong Kong SAR. We are honoured that a number of signature Festival programmes have been selected for inclusion in the 25th Anniversary events. In this and in many other ways, the Festival has been a part of the Hong Kong story over the past 50 years. We will continue in this role in the years to come, and we sincerely hope that you will continue to stay connected with us long into the future. We will endeavour to work hard to be deserving of your company.

Tisa Ho Executive Director Hong Kong Arts Festival

香港藝術節資助來自： The Hong Kong Arts Festival is made possible with the funding support of:

香港藝術節 HONG KONG ARTS FESTIVAL 扎根香港的國際藝壇盛事聯繫中國與世界

An International Arts Festival in Hong Kong Connecting China and the World 香港藝術節於 1973 年正式揭幕，是國際藝壇中重要的文化盛事，於每年 2、3 月期間呈獻眾多優秀本地及國際藝術家的演出，以及舉辦多元化的「加料」和教育活動，致力豐富香港的文化生活。

香港藝術節是一所非牟利機構，2021/22 財政年度預算（包括第 50 屆香港藝術節及 2022 年「無限亮」）約港幣一億二千四百萬，當中香港特區政府的年度撥款佔總收入約 21%，另外約 16% 需來自票房收入，約 45% 則需依賴來自各大企業、熱心人士和慈善基金會的贊助和捐款。預計餘下的約 18% 則來自其他收入，包括政府針對捐款和贊助收入而提供的配對資助。香港藝術節每年呈獻眾多國際演藝名家精采多元的演出，例如 *：

HKAF, launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year. HKAF is a non-profit organisation. The total budget for FY2021/22 (including the 50th Hong Kong Arts Festival and 2022 “No Limits”) is approximately HK$124 million. Current Government annual funding accounts for around 21% of the Festival's total income. Around 16% of the Festival’s income needs to come from the box office, and around 45% from sponsorship and donations made by corporations, individuals and charitable foundations. The remaining 18% is expected to come from other revenue sources including the Government’s matching scheme, which matches income generated through private sector sponsorship and donations.

• 歌劇：巴伐利亞國立歌劇院、萊比錫歌劇院、莫斯科

HKAF has presented top international artists and ensembles across multiple genres, such as*:

• 中國戲曲：中國國家京劇院、河北梆子劇院、上海張

• Western opera: Bavarian State Opera, Oper Leipzig, The Bolshoi Theatre, The Mariinsky Theatre

大劇院、聖彼得堡馬林斯基劇院

軍崑曲藝術中心、江蘇省蘇州崑劇院、浙江小百花越劇團

• 古典音樂：塞西莉亞 ‧ 芭托莉、列卡杜 ‧ 沙爾、趙

成珍、古斯塔沃 ‧ 杜達美、菲力普 ‧ 格拉斯、馬友友、丹尼斯 ‧ 馬祖耶夫、安娜 ‧ 涅翠柯、詹安德列亞 ‧ 諾斯達、小澤征爾、湯瑪士．夸斯托夫、甘拿迪 ‧ 羅傑斯特汶斯基、譚盾、湯沐海、克里斯蒂安 ‧ 泰利曼、倫敦交響樂團、NHK 交響樂團、皇家阿姆斯特丹音樂廳樂團、柏林廣播電台合唱團、萊比錫聖多馬合唱團、維也納愛樂樂團

• Chinese opera: China National Peking Opera Company, Hebei Clapper Opera Troupe, Shanghai Zhang Jun Kunqu Art Center, Suzhou Kunqu Opera Company of Jiangsu, Zhejiang Xiaobaihua Yue Opera Troupe • Classical music: Cecilia Bartoli, Riccardo Chailly, Seong-Jin Cho, Gustavo Dudamel, Philip Glass, Yo-Yo Ma, Denis Matsuev, Anna Netrebko, Gianandrea Noseda, Seiji Ozawa, Thomas Quasthoff, Gennady Rozhdestvensky, Tan Dun, Muhai Tang, Christian Thielemann, London Symphony Orchestra, NHK Symphony Orchestra, Royal Concertgebouw Orchestra, Rundfunkchor Berlin, Thomanerchor Leipzig, Vienna Philharmonic Orchestra

• 爵士樂及世界音樂：波比 ‧ 麥非年、尤蘇 ‧ 恩多爾、

• Jazz and world music: Bobby McFerrin, Youssou N'Dour, Esperanza Spalding, Orquesta Buena Vista Social Club, Pink Martini

• 舞蹈：米高 ‧ 巴里殊尼哥夫、蕭菲 ‧ 紀蓮、艾甘 ‧

• Dance: Mikhail Baryshnikov, Sylvie Guillem, Akram Khan, American Ballet Theatre, Cloud Gate Dance Theatre, The Hamburg Ballet – John Neumeier, New York City Ballet, Paris Opera Ballet, Tanztheater Wuppertal Pina Bausch

艾斯佩蘭薩 ‧ 斯伯丁、Orquesta Buena Vista Social Club、粉紅馬天尼漢、美國芭蕾舞劇院、雲門舞集、漢堡芭蕾舞團—約翰．紐邁亞、紐約市芭蕾舞團、巴黎歌劇院芭蕾舞團、翩娜 ‧ 包殊烏珀塔爾舞蹈劇場

• 戲劇：彼得 ‧ 布祿克、羅伯特．利柏殊、蜷川幸雄、

羅柏特 ‧ 威爾遜、柏林劇團、中國國家話劇院、皇家莎士比亞劇團

• 大型特備節目：《藝裳奇幻世界》、星躍馬術奇藝坊 • 戶外節目：《聲光園》、《幻光動感池》、《聲光頌》

香港藝術節積極與本地演藝人才合作，並致力為新進藝術家提供展示才華的平台。藝術節至今委約及 4

• Theatre: Peter Brook, Robert Lepage, Yukio Ninagawa, Robert Wilson, Berliner Ensemble, National Theatre of China, Royal Shakespeare Company • Large-scale special events: World of WearableArt, Zingaro • Outdoor events: Power Plant, Super Pool, Chorus

HKAF actively collaborates with Hong Kong’s own creative talent and showcases emerging local artists. Over the years, HKAF has commissioned and produced over 250 local productions across genres including Cantonese opera, theatre, chamber opera,

製作逾 250 套本地全新創作，包括粵劇、戲劇、室內歌劇、音樂和舞蹈作品，近年開始同步出版新作劇本，不少製作更已在香港及海外多度重演。近年的藝術節新製作包括《九江》、《陪着你走》、《百花亭贈劍》、《香港家族》三部曲、《世紀 ‧ 香港》、《炫舞場》、《大同》、《金蘭姊妹》、《聖荷西謀殺案》等。

music and contemporary dance, many with successful subsequent runs in Hong Kong and overseas. Recent HKAF productions include Gangsters of Hong Kong, Always by Your Side, Pavilion of a Hundred Flowers, A Floating Family – A Trilogy, Hong Kong Odyssey, Danz Up, Datong – The Chinese Utopia, The Amahs and Murder in San Jose, to name a few.

HKAF frequently partners with renowned international artists and institutions to produce exceptional works, 香港藝術節多年來與知名海外藝術家及團體聯合 such as Der Fensterputzer (The Window Washer) coproduced by HKAF, Goethe-Institut Hong Kong and 製作不少優秀作品，當中包括由香港藝術節、香 Tanztheater Wuppertal Pina Bausch, Richard III and 港歌德學院及翩娜．包殊烏珀塔爾舞蹈劇場聯合 The Tempest produced by The Old Vic, BAM and 製作的《抹窗人》、由倫敦老域劇院、布魯克林 Neal Street under “The Bridge Project” with HKAF as a co-commissioning institution, Green Snake co音樂學院與尼爾街製作公司製作、香港藝術節為 commissioned with Shanghai International Arts 聯合委約機構之一的「橫貫計劃」之《暴風雨》 Festival, and Dream of the Red Chamber co-produced 及《李察三世》、由香港藝術節及上海國際藝術 with San Francisco Opera. 節聯合委約的《青蛇》、三藩市歌劇院與香港藝 HKAF invests heavily in arts education for young people. Over the past 30 years, our “Young Friends” 術節聯合製作的《紅樓夢》等。 scheme has reached around 800,000 local secondary 香港藝術節大力投資下一代的藝術教育。「青少 and tertiary school students. A variety of arts education projects serving primary, secondary, and tertiary school 年之友」成立 30 年來，已為約 800,000 位本地中 students have been launched in recent years, featuring 學生及大專生提供藝術體驗活動。藝術節近年亦 activities such as student showcases, pre-performance 開展多項針對大、中、小學生的藝術教育活動， talks, open rehearsals, opportunities to attend Festival performances, as well as in-school workshops and 包括由國際及本地藝術家主持的示範講座及工作 lecture demonstrations led by international and local 坊、學生展演、演前講座、公開彩排、以及欣賞 artists. Donations to the “Student Ticket Scheme” also 藝術節演出。同時，通過「學生票捐助計劃」， make available approximately 10,000 half-price student tickets each year. 藝術節每年提供約 10,000 張半價學生票。 HKAF organises a diverse range of “Festival PLUS” 香港藝術節每年主辦一系列多元化並深入社區 activities in community locations each year to enhance 的「加料節目」，例如電影放映、示範講座、 engagement between artists and audiences. These include films, lecture demonstrations, masterclasses, 大師班、工作坊、座談會、後台參觀、展覽、 workshops, symposia, backstage visits, exhibitions, 藝人談、文化導賞團等，鼓勵觀眾與藝術家互 meet-the-artist sessions, and guided cultural tours. 動接觸。 HKAF actively promotes inclusiveness and understanding via the arts to every corner of the 香港藝術節亦銳意將共融藝術理念拓展到社區每 community. The “No Limits” project, co-presented 一角落。由藝術節與香港賽馬會慈善信託基金聯 with The Hong Kong Jockey Club Charities Trust, was 合呈獻的「無限亮」計劃於 2019 年正式開展，透 launched in 2019. Through a series of performances and diverse arts experiences for students and the 過一系列的演出及多元的教育及社區外展節目，「無限 community, “No Limits” strives to create an inclusive 亮」致力創造共融空間，讓不同能力人士均可以一同欣 space for people with different abilities to share the joy of the arts together. 賞、參與、擁抱藝術。 (2021 年 12 月更新 Updated December 2021)

* 有關香港藝術節的過往節目，可參考以下網頁

Details of past HKAF programmes can be found at https://w2.hk.artsfestival.org/en/about-us/past-programmes/past-programmes-2021.html 誠邀贊助或捐助香港藝術節；詳情請與藝術節發展部聯絡。

電郵 Email: dev@hkaf.org

To find out more about sponsorship opportunities and donation 直綫 Direct Lines: (852) 2828 4910/11/12 details for the Hong Kong Arts Festival, please contact the HKAF 香港藝術節協會2021/22年度預計收入來源（約港幣一億二千四百萬） www.hk.artsfestival.org/en/support-us 網頁 Website: Development Department. Estimated Income Sources for Hong Kong Arts Festival Society in FY2021/22 (Approximately HK$124 Million) 香港藝術節協會 2021/22 年度預計收入來源

（約港幣一億二千四百萬）

Estimated Income Sources for Hong Kong Arts Festival Society in FY2021/22 (Approximately HK$124 Million)

約 around

贊助和捐款

票房收入

政府的年度撥款

45%

Sponsorship & Donations

16% Box Office

21%

Current Government annual funding

約 around

18% 其他收入

（包括按捐款和贊助收入可望獲得的政府配對資助）

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5 (2021年10月更新 Updated October 2021)

工銀亞洲贊助香港藝術節閉幕演出

工銀亞洲一直致力履行企業社會責任，積極組織及參與多元化項目，從推動文化藝術、普惠金融、綠色環保、公益慈善以及體育產業等多範疇的發展，貢獻香港社會。我們更鼓勵及支持員工身體力行參與其中，與銀行攜手服務社區，共建美好香港。

AHA-0558/1911/113

《偽君子》 Tartuffe

上海歌劇院

Shanghai Opera House

《鄉村騎士》與《丑角》

CAVALLERIA RUSTICANA AND PAGLIACCI 26.03-23.04.2022* 網上演出 Online Performance 演出長約 2 小時 40 分鐘

Approximately 2 hours and 40 minutes 意大利語演出，附中、英文字幕

Performed in Italian with Chinese and English subtitles

* 播放期由 3 月 26 日下午 8:00 至 4 月 23 日下午 8:00 26 March 8:00pm to 23 April 8:00pm

劇情大綱 Synopsis

《鄉村騎士》 Cavalleria Rusticana 《丑角》 Pagliacci

12 14

專題文章 Feature Article

關於彼特羅．馬斯卡尼

關於拉格羅．萊昂卡瓦羅

關於許忠

關於馬田．康斯坦丁

演員簡介

上海歌劇院、交響樂團、

走出悲劇

About Pietro Mascagni

About Ruggero Leoncavallo

About Xu Zhong

About Martin Constantine

Cast Profiles 合唱團簡介

Company Profiles

封面照片 Cover Photograph © Cao Jiamiao / Chen Yulin

香港藝術節感謝天開數碼媒體有限公司為《鄉村騎士》與《丑角》節目提供視頻串流技術 HKAF thanks TFI for providing video streaming technology support for the online screening of Cavalleria Rusticana and Pagliacci

請勿在網上演出途中進行錄影、錄音、攝影或轉播 Photography, streaming or recording of any kind is strictly prohibited.

通訊、流量狀況及其他外部因素可能影響影片畫質及音質，敬請見諒 Picture stability and quality are subject to home internet speeds and bandwidth, and other external factors.

所有作品內容均由主辦單位 / 創作團隊獨立製作，並不代表贊助機構之立場或意見。 All the content of works are independently produced by the organiser/creative team, and do not reflect the views or opinions of the Sponsor.

故事大綱

Synopsis

《鄉村騎士》與《丑角》

Cavalleria Rusticana and Pagliacci

指揮 Conductor

許忠

Xu Zhong 導演 Director

馬田．康斯坦丁

Martin Constantine 執行導演 Executive Director

《鄉村騎士》Cavalleria Rusticana 作曲 Composer

彼特羅．馬斯卡尼

Pietro Mascagni 文本 Librettists

張慶新 Zhang Qingxin

喬凡尼．塔爾喬尼 - 托澤蒂 Giovanni Targioni-Tozzetti

洛倫佐．弗拉蒂尼 Lorenzo Fratini

Guido Menasci

合唱指導 Chorusmaster 合唱監督 Chorus Mentor

張誠杰 Zhang Chengjie

歌唱指導 Vocal Coaches

亞歷山大．阿莫雷蒂 Alessandro Amoretti 西羅．巴蒂尼 Siro Battaglin

歌唱監督 Vocal Mentor

沈燁 Shen Ye

語言指導 Linguistic Coach

妮歌．多里高 Nicole Dorigo

交響樂團 Orchestra

上海歌劇院交響樂團

Shanghai Opera House Orchestra 合唱團 Choir

上海歌劇院合唱團

Shanghai Opera House Chorus

季多．梅納希服裝造型顧問 Costume Advisor

呂燕

Lyu Yan 角色及演出 Cast 和慧 He Hui

飾 – 聖陶沙

as Santuzza 薛皓垠 Xue Haoyin

飾 – 圖列度

as Turiddu

竇乾銘 Dou Qianming

飾 – 艾菲奧

as Alfio

王瀟希 Wang Xiaoxi

飾 – 露茜亞

as Lucia

董芳 Dong Fang

《丑角》Pagliacci 作曲及文本 Composer and Librettist

拉格羅．萊昂卡瓦羅

Ruggero Leoncavallo 兒童合唱團 Children's Choir

上海市黃浦區青少年藝術活動中心春天少年合唱團

Shanghai Huangpu Youngster's Art Activity Center Spring Children's Choir 角色及演出 Cast 和慧 He Hui

飾 – 妮達

as Nedda 韓蓬 Han Peng

飾 – 卡尼奧

as Canio 孫礫 Sun Li

飾 – 東尼奧

as Tonio 何超 He Chao

飾 – 西爾維奧

as Silvio 于浩磊 Yu Haolei

飾 – 佩帕

as Beppe

飾 – 露娜

as Lola

《鄉村騎士》 Cavalleria Rusticana 時間：十九世紀復活節早上 Time: 19th Century An Easter morning

某日早上，一隊隊的男男女女唱着歌來到教堂內。聖陶沙來找圖列度的母親露茜亞，詢問圖列度去了哪裏。露茜亞支吾着不願作答，在聖陶沙的一再追問下，才說出圖列度買酒去了。這時候忽然聽到鞭聲鈴響，是駕郵車的艾菲奧來了。艾菲奧是一個樂天知命的人，此外他還有一位美麗的妻子露娜。這天是復活節，艾菲奧尤其高興，因他可暫停工作，早早回家，與他愛妻團聚。艾菲奧離開後，聖陶沙將自己的故事說給露茜亞聽——原來，圖列度本與露娜相愛，後來圖列度從軍去了，及至圖列度回到家鄉，露娜早已嫁給艾菲奧。圖列度心裏委實憂傷憤恨，於是將一股熱烈的愛情都寄託在聖陶沙身上。但漸漸地，圖列度再一次與露娜接近，思欲再獲芳心，露娜也熱誠回應了。對聖陶沙來說是雙重侮辱。

地點：意大利西西里鄉村

Place: A Sicilian village in Italy

In the morning, a group of men and women come to the church singing. Santuzza approaches Lucia, Turiddu’s mother, and asks her where Turiddu has gone. Lucia nervously declines to answer, but after Santuzza’s repeated questions she tell her that Turiddu has gone to buy wine. Suddenly, there is a crack of a whip and it is Alfio, the mail driver, arrives. He is a happy man, with a beautiful wife, Lola. Alfio is especially happy because it is Easter and he can get off early from work and go home to his beloved wife. When Alfio is gone, Santuzza tells her story to Lucia––it appears that Turiddu was previously in love with Lola, but he joined the army and by the time Turiddu returned home, Lola had already married Alfio. Heartbroken and distraught, Turiddu sought solace in passionate love for Santuzza. However, he begins to get closer to Lola again and wants to win her back, which Lola is willing to do. This is a double humiliation for Santuzza. Lucia is shocked and saddened by the

劇情大綱

露茜亞聽了這段實情，驚訝又憂愁，然而還是盡力地安慰聖陶沙。此時圖列度忽然來到，於是倆人起了口角，越說越激烈，聖陶沙戳破圖列度並非去買酒，而是去會舊情人露娜，並說露娜的丈夫也看見了他們在一起。可是圖列度不理睬她的話，反說是嫉妒惹是非。他們正口角時，忽然聽到遠處一女人歌唱走來，那人正是露娜。她一邊唱着，一邊走近，看到聖陶沙與圖列度的神情，心裏早已明白。露娜為了顯示自己的魅力，邀請圖列度同去教堂。聖陶沙要求圖列度拒絕露娜的邀請，可是圖列度不但不顧念聖陶沙的難過，反而發怒地將她摔在地上，去了教堂。正在這時候，艾菲奧也趕到。聖陶沙將露娜與圖列度的私情全說出來。艾菲奧起先不信，對聖陶沙說：「假如你說謊話，我一定要將你的心挖出來！」倆人高聲宣誓，此仇必報。不到一會兒，教堂的人都出來了，露茜亞忙着賣酒，聖陶沙也走開了。圖列度與露娜在人群中飲酒歡笑，艾菲奧忽然闖了進來。圖列度倒上一杯酒請艾菲奧喝，遭到拒絕，於是圖列度將酒倒在地上，展示輕蔑態度。鄉人們知道要出亂子了，便一哄而散。艾菲奧與圖列度僵持了一會，決定到遠郊去決鬥。

truth, but does her best to comfort Santuzza. Turiddu arrives. He and Santuzza get into an argument, which becomes more and more heated. Santuzza reveals that Turiddu has not gone to buy wine, but to meet Lola, and that Lola’s husband has seen them together. But Turiddu ignores her and says that jealousy is eating at Santuzza. While they are arguing, they hear a woman singing in the distance––it is Lola. As she approaches, singing, she sees the looks on the faces of Santuzza and Turiddu and knows what they know. Lola invites Turiddu to church to show him her charms. Santuzza asks Turiddu to refuse Lola’s invitation, but spurning Santuzza’s grief, Turiddu angrily throws her to the ground and goes to church. At that moment, Alfio arrives. Santuzza has told him all about Lola’s affair with Turiddu. Alfio doesn’t believe her at first and tells her that If she is lying, he will rip her heart out. The two swear

Synopsis

aloud that they will have their revenge. In a few moments the massgoers have started leaving the church, Lucia is busy selling wine and Santuzza has fled. Turiddu and Lola are drinking and laughing in the crowd when Alfio suddenly arrives. Turiddu pours a glass of wine and offers it to Alfio, but he refuses, so Turiddu throws the wine on the ground as a sign of contempt. The townspeople know there is going to be trouble and they scatter. Alfio and Turiddu have a standoff for some time and decide to go outside the village for a duel. Turiddu leaves his mother and asks Lucia to take care of Santuzza. Moments later, Santuzza comes running to hold Lucia in her arms and cries out. A moment later, a woman runs in and shouts, "Ah! Turiddu has been killed!" Lucia almost faints, and Santuzza has already fallen to the ground, unconscious.

圖列度辭別年邁母親，臨走前關照露茜亞好生照看聖陶沙。不到一刻，聖陶沙便跑來摟住露茜亞痛哭不止，一會兒忽然聽見一婦人跑着喊道：「鄰居們聽啊，圖列度被殺死了」！露茜亞一聽，幾乎暈過去，而聖陶沙早已倒地，不省人事了。

《丑角》 Pagliacci 時間：1865 至 1870 年間某年聖母升天節 Time: Between 1865 and 1870 The Feast of the Assumption 地點：意大利南部卡拉布里亞一鄉村

Place: A village in Calabria, Southern Italy

序幕 Prologue

演出開始，打扮成丑角的東尼奧探頭與觀眾們打招呼，並提醒觀眾這場演出源於作曲家兒時聽到的真實故事。

At the beginning of the performance, Tonio, dressed as a clown, greets the audience and reminds them that the performance is based on a true story that the composer heard as a child.

第一幕 Act 1 群眾夾道歡迎戲班巡迴來到此地演出，戲班班主卡尼奧感謝大家的熱情，並宣布晚上十一點整，好戲開鑼；群眾邀約卡尼奧先到鎮上小酌幾杯。這時有人特別提醒卡尼奧多加留意劇團中那位飾演小丑的駝背東尼奧。卡尼奧表示，就算他的妻子應劇情需要，在舞台上和別人發生「婚外情」，他都可以諒解，但若是在現實生活中，他就無法忍受婚姻的背叛了。在卡尼奧隨鎮民去飲酒作樂之後，妮達回想起剛才卡 14

尼奧說話的眼神，彷佛要將她的心看穿似的。她對於目前和卡尼奧的婚姻生活早已感到厭倦，她希望有一次真正的愛情。她抬頭見到空中飛翔的小鳥，忍不住羡慕起鳥兒們的自由自在。

妮達一曲既畢 , 東尼奧突然現身。事實上東尼奧早已傾慕妮達多時，但妮達和蒙塔托山間小鎮上的青年西爾維奧相愛已久，況且東尼奧其貌不揚，無法引起妮達的注意。東尼奧向妮達求愛不成，遂擬強行親

劇情大綱

吻，卻被妮達以皮鞭趕走；東尼奧撂下狠話，誓言報復。未久，西爾維奧上場，兩人一番情話綿綿，不知一言一行都被在旁窺視的東尼奧看在眼裏；東尼奧挾怨報復，趕去鎮上將卡尼奧帶回，讓卡尼奧親眼見到其妻的越軌行為。混亂中，西爾維奧趁隙逃走，留下妮達獨自面對憤怒的卡尼奧 ; 卡尼奧威脅妮達，要其說出情夫的名字，妮達則堅決不透露，卡尼奧愈加怒不可遏。但演出即將開始，卡尼奧強忍悲痛，換上戲服，悲歎：「在舞台上 , 當演員的只有為觀眾提供歡笑的義務，沒有個人悲傷的權利。」

The crowd greets the touring troupe and the director, Canio, thanks them for their enthusiasm and announces that the show will begin at 11pm. At

this point Canio is reminded to keep an eye out for the hunchbacked Tonio, who plays the clown in the company. Canio says that he can understand if his wife is having an “affair” with someone on stage for the sake of the play, but in real life he could not stand the betrayal. After Canio has gone out for a drink with the townspeople, Nedda recalls the look in Canio’s eyes as if he were trying to read her heart. She is tired of her marriage to Canio and wants to have a real love affair. She looks up and sees the birds flying in the sky and can’t help but envy their freedom. After Nedda’s song, Tonio suddenly appears. He has been in love with Nedda for a long time, but Nedda

Synopsis

has been in love with Silvio, a young man from Montalto, for a long time. Tonio is too unattractive to Nedda. When Tonio’s advances fail and he tries to force a kiss on Nedda, he is driven away by Nedda’s whip. He vows revenge. Nedda and Silvio have a long conversation, not knowing that Tonio is watching, who informs Canio. Enraged, Canio arrives on the scene and attacks Silvio. In the confusion, Silvio escapes, leaving Nedda alone with an angry Canio. But as the show is about to begin, Canio puts on his costume and, sighing, says: “On stage, actors have only the duty to provide laughter for the audience, not the right to grieve.”

第二幕 Act 2 觀眾早已就坐，等待好戲上場。首先是由妮達所扮演的「柯倫比娜」上場，她坐在台上靜靜等候劇中的情夫「阿雷奇諾」前來幽會，結果卻被傭人「塔迪歐」（東尼奧所飾）冷嘲熱諷，「阿雷奇諾」帶了一包藥，要「柯倫比娜」將藥倒入酒中，讓「帕里亞丘」（卡尼奧所飾）飲下，趁他昏睡之際，兩人遠走高飛。沒多久，「帕里亞丘」回來了，但是此時的「帕里亞丘」不是「帕里亞丘」，而是活生生的卡尼奧，他已分不清現實和戲劇，也顧不得自己正在台上、還穿着戲服。卡尼奧不斷追問妮達，要她供出情夫的名字；妮達原本還想試圖拉回卡尼奧的注意力，提醒他現在正在演戲，但是在卡尼奧的咄咄逼問之下，她依然拒絕說出心上人的名字，這讓卡尼奧更加失去理智；他隨手抓起一把匕首，朝妮達的胸口刺去，妮達不支倒地，西爾維奧衝出觀眾席想救妮達，結果也被卡尼奧補上一刀，倒臥血泊中。在觀眾的驚恐中，卡尼奧只是冷冷地說道：「今晚的喜劇演出，結束了！」」

The audience is already seated and waiting for the show to begin. First up is Nedda’s “Colombina”, who sits on stage quietly waiting for her lover “Arlecchino” to arrive for a tryst, only to be sneered at by her servant “Taddeo” (Tonio), who brings a packet of pills with him and asks “Colombina” to pour them into a bottle of wine for “Pagliaccio” (Canio) to drink, and while he sleeps, the two of them take off. It is not long before “Pagliaccio” returns, but by now ‘he is not “Pagliaccio”, but Canio, alive and well, no longer able to distinguish between reality and drama, and not caring that he is on stage and in costume. Nedda tries to get Canio’s attention and reminds him that she is in a play, but despite Canio’s aggressive questioning, she refuses to give her lover's name, which makes Canio even more irritated. He grabs a dagger and stabs Nedda in the chest, and Nedda falls to the ground. Silvio rushes out of the audience to save Nedda, but he has also been stabbed by Canio and falls in a pool of blood. To the horror of the audience, Canio says coldly, “The comedy show is over for tonight!”

專題文章

Feature Article

走出悲劇 Walking Out of Tragedies 《鄉村騎士》原是意大利「真實主義」作家維爾加的小說，篇幅很短，語言樸實且異常簡練，以對話短句為主，幾乎沒有甚麼刻畫性描寫，更沒有抒情。這種需要讀者自行「腦補」的寫作風格與當時意大利「瘢痕畫派」的繪畫風格很相似（法國印象主義繪畫曾深受其影響）。這部小說後來搬上話劇舞台，其中的情感因素不僅得以揭示，而且變得異常強烈，風格發生了很大變化。馬斯卡尼譜寫的歌劇《鄉村騎士》則不僅保留了話劇的情感強度，還通過不同元素的並置對比和戲劇衝突的強化，把這個故事變得濃烈、刺激、動人心魄。

前奏曲起於一個極其優美的主題，似晨霧中的西西里原野，寧靜清澈，透出檸檬馨香。只是很快，音樂變得激越起來，似有滿腔的哀痛愁緒，幾經壓抑，仍無法承受。在情緒即將到達頂點時，卻傳來一位男生的熱情而輕佻的歌聲，用豎琴伴奏，是西西里舞曲的節奏，分明是在戀人窗下歌唱的小夜曲——在純器樂演奏中插入人聲歌唱在歌劇序曲或前奏曲中是罕見的。這歌聲似乎刺激到樂隊的痛處，停息後，樂隊的情緒反應更加激烈，終於失聲痛哭，再輕聲嗚咽，默默吞下。這個有些奇怪的前奏曲不僅有着很強的情感表達，也奠定了整部作品的基本發展模式：從平靜安詳開始，情感和張力迅速上升，臨近頂點時突然打斷，插入對比強烈的段落，然後再繼續發展。

從整體上看，那首著名的「間奏曲」是對全劇的「打斷」。此前是女主角將情敵偷情告訴了她的馬車夫丈夫，馬車夫立誓要殺人。戲劇和音樂到達爆發的臨界，然後出現這樣一段極其純淨聖潔的音樂，其中的管風琴音色暗示出這是教堂的聖詠，但旋律中那牽拉撕扯糾結不斷的高音反復又明顯表現出情感的高度壓抑和尋求解脫的強烈欲望。這種貌似複雜的情感內涵被作曲家

Cavalleria Rusticana was originally a short story by Giovanni Verga, an Italian realist writer. Comprised mainly of short dialogue in simple concise language, this very brief story is almost devoid of characterization and lyricism. Leaving much to the reader’s imagination, its writing style is similar to the style of the Tuscan Macchiaioli group of painters of the day who in turn had a strong influence on the French Impressionists). When the story was later adapted as a stage play, its emotional elements were accentuated, resulting in a significant change of style. Pietro Mascagni’s opera version of Cavalleria Rusticana retains the play’s emotional intensity and also is additionally moving with the dramatic conflicts in the plot sharpened. The prelude begins with an exquisite theme that conjures up Sicilian grasslands in the morning mist, tranquil and with a lingering fragrance of lemon in the air. But it is not long before the music stirs into life. But the profound sadness and melancholy are still unbearable. As the emotions are about to peak, a male voice is heard, accompanied by a harp, singing to the rhythm of a Sicilian dance in a passionate, yet almost frivolous way. This is evidently a serenade sung by the window of his lover. Singing lines are rarely found in an opera’s overture or prelude, which is typically a performance by the orchestra only. The singing voice seems to have moved the orchestra–– emotions heighten after this brief interruption, so much as to cause 17

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表達得如此清晰可感，讓這首間奏曲成為音樂會中上演率極高的世界名曲。

除此以外，劇中的其他橋段也運用了這種方式。女主角向準婆婆投訴告狀，先後被歡樂的馬車夫之歌和宏大虔敬的「復活節遊行大合唱」打斷。女主角與男主角爭吵二重唱，被女主情敵露娜的歌聲打斷——竟然也是一首西西里舞曲節奏的小夜曲。

全劇最後一次「打斷」是男主角在決鬥前向對手馬車夫的告白以及與媽媽的訣別，由此，這個無恥放蕩的混混在生死之際終於良知復蘇，成為敢作敢當願以死謝罪的男人，一位「鄉村騎士」。

向媽媽告別時，他借着酒力，表達對媽媽的依戀不捨，囑託媽媽照顧好深愛着自己的女友，還特地懇請媽媽為他向上帝祈禱。在 1968 年卡拉揚指揮並監製的歌劇視頻中，媽媽的形象神似聖母，兒子下跪似懺悔。由此，我們理解了男主轉變的內驅力，也理解了劇中多處展現的宗教背景和把故事發生時間設定在「復活節」的意義。歌劇開場是一首農婦與農夫的大合唱，由遠而近，清新淳樸，情景交融。馬車夫之歌表現出他的志得意滿和鄉親對他的恭維，還渲染出歡快熱烈的節日氣氛。下半場男主與眾鄉親共同唱出一首飲酒歌，不僅散發出醉醺醺的酒氣，也是間奏曲到劇終決鬥之間的色彩過渡。這幾個橋段都是西西里農村的風土人情的生動畫面。這個元素與上述的宗教元素一樣，為故事的背景提供了色彩基調，與故事本身的暴力血腥形成強烈的對比，這種對比也為音樂 - 戲劇的發展提供了動力，也是人物最終轉變昇華的內驅力來源。萊昂卡瓦羅的歌劇《丑角》與《鄉村騎士》有許多相似之處，也是意大利南方的故事，也有偷情、嫉妒和情殺，以及與此相對的美好安詳的鄉村生活和宗教背景（聖母升 18

天節，教堂鐘聲）。《丑角》講的是一個走村串寨的戲班裏的事，戲班演的是傳統的意大利「即興喜劇」（也叫「假面喜劇」）。這種戲裏的角色是類型化的，角色的名字身分性格都是固定的，並且通常會戴面具或抹大白臉。演出的劇情會有些常用的套路，一般是根據臨時擬定的劇情套路（寫成幕表）和現場狀況做半即興表演。劇名原文「 Pagliacci 」就是這類戲中的丑角的複數名詞（初用單數，後改）。

這部戲最重要的特徵是有「戲中戲」。不僅是戲的形式，也是戲劇構成的原則——建立多個層次的戲裏 - 戲外、台上 - 台下的聯繫和衝突，以這種張力來作為戲劇發展的動力。最外層的張力來自作者。這部歌劇由作曲家萊昂卡瓦羅自撰腳本，並聲稱是源自其自身經歷中的真實事件——儘管後來被指是受了幾部法國戲劇的影響，但作者也提出了一些自證清白的證據，所以其「原真性」就顯得有些撲朔迷離了。與《鄉村騎士》一樣，這部戲也有個帶人聲歌唱的前奏。開幕前，樂隊奏出歡鬧與悲傷兩個主題，然後扮演劇中丑角東尼奧的男中音演員登場，但他此刻並非劇中角色（一個邪惡的駝背），而是帥帥的「報幕者」。他代表作者向觀眾強調此劇的真實性，又提醒觀眾：身着戲服的戲子，也是有血有肉有靈魂的人。這個「開場」實際上建立了一個獨立於歌劇本體的時空，但還是與歌劇本體共處於同一個劇場的虛擬時空。由於作曲家聲稱本劇是根據其親身經歷寫成，這個「虛擬劇場時空」又與劇場外的真實世界發生了聯繫。這種時空和人物身分的多重混淆以及由此帶來的「賦魅祛魅」（或「致幻 - 間離」）效應奠定了這部戲的基礎。

歌劇正式開始，在村民大聲歡呼中，戲班班主卡尼奧上場，雖然只是為演出做廣告，但言談舉止都是「戲中戲」裏的丑角腔調。由此，歌劇本身又劃分為「歌劇現實」和

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the orchestra to weep, gradually dying down to a soft sob, and then silently swallowed. This somewhat idiosyncratic prelude makes a strong expression and also establishes a basic pattern for the development of the whole opera: beginning from calm and serenity, emotions and tension rapidly rise, only to be interrupted abruptly near their peak by strongly contrasting passages, before the plot is once again allowed to unfold . From an overall perspective, the famous Intermezzo is an “interruption point” in the whole opera, just before which the heroine Santuzza reveals her rival Lola’s affair to Lola’s husband, Alfio the carter, who vows to kill. This emerges just as the drama and music reach a critical point. The sound of the organ suggests a hymn from the church. Yet, the high-pitched repetition lingering insistently in the melody denotes the forceful suppression of emotions, and a strong desire for release––a seemingly complex emotion palpably expressed by the composer. The Intermezzo has since become a perennial concert hall favourite. The same manoeuvre is used elsewhere in the plot. Santuzza’s complaint to her future motherin-law is interrupted by the joyous carter’s song, as well as by a grand reverent chorus of the Easter procession. The confrontation duet between Santuzza and her betrothed Turiddu is also interrupted by the singing of Lola––it too turns out to be a serenade in Sicilian dance rhythm. The last interruption in the

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opera takes place when Turiddu confesses to Alfio and bids his mother farewell before the duel. Through his actions, the dissolute young Turiddu ultimately finds his conscience in the face of life and death, becoming a “rustic knight” who dares to die for selfredemption. As he says goodbye to his mother, flushed from wine, his affections and filial attachment are evident. He entrusts Santuzza, who loves him dearly, to his mother’s care. He also begs his mother to pray for him. In a video conducted and produced by Herbert von Karajan in 1968, the mother resembles the Blessed Virgin Mary, and the son who kneels before her looks like he is repenting. From these observations, the origin of the inner force driving the male protagonist’s transformation, the frequent religious allusions throughout, as well as the fact the

story takes place during Easter, make this explicit. The opera opens with a chorus of simple peasants approaching from afar––a timely addition to the scene. The carter’s song demonstrates the cuckold Alfio’s complacency and the villagers’ flattery, making for a boisterous, festive atmosphere. In the second half, Turiddu sings a drinking song with fellow villagers, serving as a transition in tone between the Intermezzo and the duel towards the end of the opera. These events are all vivid images of the culture and customs of rural Sicily. Like the aforementioned religious element, the rustic colour helps set a vibrant tone for the story’s background, forming a stark contrast to the bloodshed of its climax. This contrast also provides the impetus for the development of the music and the drama, and is a source of the character’s inner strengths.

「戲中戲」兩個時空，並且，兩者之間的衝突隨即呈現。

當村民笑稱東尼奧覬覦班主老婆妮達時，卡尼奧立即從「戲中戲」裏跳脫出來，音樂充滿緊張，表現出他竭力維護兩個時空的獨立和隔絕的強烈意志。卡尼奧在「歌劇現實」時空中的優勢（丈夫、班主）能平衡他在「戲中戲」時空的不堪，所以他才會竭力隔絕這兩個時空。當他得知妻子真如「戲中戲」裏那樣背叛丈夫且要私奔而去時，他的憤怒是無法抑制的。而最大的痛苦還在於，他不得不親自把兩個時空連接起來，「穿上戲裝」，與妻子一起在舞台上表演遭背叛的丈夫。上台前，妻子所說的台詞（即興）正是她在歌劇時空裏與情人私奔的約定——由此將兩個空間徹底打通，這讓他陷入癲狂但仍強壓怒火。最終壓垮他的，是妻子在台上稱他「 pagliaccio 」（丑角），意圖與他一起把戲演下去。而在他聽來，這是對他的嘲諷和耍弄，是真把他當成了小丑，徹底摧毀他的所有尊嚴。這導致他不惜殺人也要重 19

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建起原有的秩序。

而對於妮達而言，這兩個時空都是牢籠。她借用天上的飛鳥來抒發自己對自由和陽光的嚮往以及為此不惜奮力一搏的決心。與情人西爾維奧的愛情，是她逃離這兩個時空的唯一通道。在「戲中戲」裏，面對丈夫的痛哭和責駡，她除了恐懼，也有內疚，所以竭力想用更加誇張的表演來化解。而已經陷入癲狂的丈夫只是逼問情人的名字，完全沒有任何迴旋餘地。事已至此，妮達也就只能以死相拼了。

《丑角》也有間奏曲，但遠不如《鄉村騎士》的有名，幾乎沒有在音樂會上單獨演奏的機會。其實，這個間奏曲的表情更為複雜，那種撕心般的痛，是前場戲劇情緒的延伸而非對比。意大利導演采菲萊利在他的歌劇電影中用鏡頭賦予這首間奏曲以非常豐富的戲劇細節和情感。妮達邊哭泣邊抹白粉化妝，與卡尼奧的〈穿上戲裝〉相對應，同時還展現出劇團其他演員面對如此窘境時的悲傷和堅守。開幕前出來報幕的演員在劇中叫東尼奧，是個醜陋的駝背，在「戲

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中戲」中扮演僕人。他對妮達的慾望體現了與班主卡尼奧相反的意願——要把兩個時空連接起來。因為他只有在「戲中戲」時空才能無所顧忌地與妮達調情，多少滿足一些尊嚴。他在現實中遭到妮達拒絕後，變得非常邪惡。

戲的最後，面對兩個倒在血泊中的人，挑起事端導致悲劇的東尼奧高喊一聲「喜劇結束了」，彷彿是要立即結束這個噩夢，讓舞台上的觀眾趕緊散場回家。也許，他還要把劇場中的觀眾帶出「戲中戲」，帶出「歌劇現實」，回到開場時的劇院時空。他大可以告訴我們作者揮淚寫成的作品的意涵和啟示，抑或告訴我們這只是個瞎編的故事不必當真，但他甚麼都沒做。而我們總要走出這個劇場，總要回到真實的大千世界。亞里士多德希望希臘悲劇的觀眾們在震撼恐懼悲憫之後，能得到淨化。果能如此嗎？

除了宗教，拿甚麼來喚回失落的人性？除了愛情，還有甚麼路可以逃脫久困的藩籬？是甚麼，讓人們陷入絕境只能以死相拼？能走出來嗎？

Programme Notes

Ruggero Leoncavallo’s opera Pagliacci shares a number of similarities with Cavalleria Rusticana in that both stories are set in southern Italy and, present adultery, jealousy and murder against a backdrop of bucolic rural life and village religiosity. The story of Pagliacci centres on a troupe of itinerant actors, travelling from village to village performing traditional Italian commedia dell’arte. This type of drama features stock characters given fixed names, identities and personalities, usually wearing masks or with painted faces. The Commedia often recycles frequently used scenarios. Typically, performers semi-improvise based on a loosely formulated routine (written as a canovaccio, or “plot outline”), and live situations. Pagliacci, the title of the opera, in fact, means “clowns” and the name of the

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stock character of the clown is “Pagliaccio”, in the singular (this was also initially first used as the title but later changed). The most important feature of this opera is the "play-within-a-play". This does not merely concern the drama’s form, but also the principle of constructing it –– which is to establish multiple levels of connections and conflicts both inside and outside the play and on and off stage, and to highlight the resulting tension as the driving force for the opera’s dramatic development. The outermost tension comes from the librettist. Leoncavallo wrote the libretto for his own opera, saying he derived it from real events in his own experience. Despite the alleged influence of several French plays, the composer offered evidence to substantiate his claim. Still, a shadow of doubt hangs over the opera’s “authenticity”. As with Cavalleria Rusticana, the prologue of Pagliacci features singing elements. Before the curtain rises, two themes of hilarity and sadness are played by the orchestra. The clown Tonio (sung by a baritone) emerges, but not at this moment as the character (an evil hunchback) ––but rather a handsome announcer. On behalf of the composer, he stresses to the audience the authenticity of the drama that they are about to see, and reminds them that actors in costumes are also human beings, flesh and soul. A de facto space and time independent of the opera is established by this Prologue – a virtual space which is still sharing the same locale (the theatre) as the opera itself. Given the composer’s

claim that the opera was based on his own experience, this “virtual theatrical space and time” and the real world are connected. The “enchantment/disenchantment” (or “hallucinating/distancing”) effect, resulted from the multiple obfuscations of space, time and identities of the characters, lay the foundation for the opera. Hence the official start of the opera. Canio, the head of a Commedia troupe, appears on stage amid the cheers of the villagers. Although he has only been advertising their performance, he adopts the tone and demeanour of the clown from the Commedia. From here, the opera’s space and time are split into the “reality” and the Commedia (i.e. the play within the play). The conflict between the two dimensions is immediately presented. The moment a villager teases Canio that Tonio has eyes on his wife Nedda, Canio jumps right out of his Commedia persona. The music is full of tension, showing his strong will in maintaining the independence and isolation of reality and drama. As the husband and head of the troupe, Canio’s superiority in reality can offset his unbearable circumstances in the Commedia. Therefore he makes all efforts to isolate them. When he learns that his wife has indeed, as in the Commedia, betrayed him and is about to elope with her lover, his rage is no longer containable. His greatest pain lies in his obligation to put on his costume and play the role of a cuckold on stage, with his own wife. Before they take to the stage,

Programme Notes

the improvised lines delivered by his wife were exactly the promise she has made to her lover in eloping together in the “reality” of the opera. The two worlds are now completely merged, driving him into a maddening but still suppressed wrath. The final straw comes when Nedda forces through the comedy onstage, calling him a “pagliaccio”. This is mockery and derision to his ears, as if she is really treating him like a clown, entirely destroying his dignity. His last resort is to restore the original order by murder. Both the reality and the Commedia are Nedda’s traps. Taking birds in the sky as a metaphor, she expresses her yearning for freedom and light, as well as her determination to fight for them. Her love for Silvio is her only escape from both reality and the Commedia. Confronted in the Commedia by her husband’s bitter wailing and interrogation, she is filled with fear and guilt. She counteracts by performing in a more exaggerated manner. The deranged husband keeps pursuing her to tell him the name of her lover, and he leaves no room for compromise, leaving Nedda with no choice but to fight to the death. Like Cavalleria Rusticana, Pagliacci includes an orchestral Intermezzo, yet it is far less known and seldom performed separately in concerts. In fact, this Intermezzo features a more complicated expression. Its heart-piercing pain is an extension of the dramatic mood rather than a contrast. Italian director Franco Zeffirelli brought rich theatrical detail and emotion to the Intermezzo in his film of

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Programme Notes

the opera. The image of Nedda weeping while putting on her white powder makeup resonates with Canio’s aria “Vesti la giubba”; at the same time, the sadness and perseverance of other actors in the troupe in the face of such a predicament is evident. The announcer at the beginning of the opera is Tonio, the ugly hunchback who plays the servant in the Commedia. His desire for Nedda embodies the opposite of Canio’s: to connect the Commedia with the reality. In the Commedia, he can flirt with Nedda without any scruples, which has somewhat nourished his ego, but after being rejected by Nedda in reality he takes a dark turn. At the end of the opera, tragedy has prevailed thanks to Tonio’s provocations. Beholding the death around him, he shouts:

“The comedy is over!”, as if he could terminate this nightmare immediately, and hasten the departure of the Commedia’s audience. Perhaps he wants to bring the theatre audience out of the Commedia as well, or even the opera’s “reality”, to return to the same space and time when the opera hasn’t even started. He could have told us about all the revelations of the tearful composer’s work, or that the story is just made up and not to be taken seriously. Yet, he has done nothing. And we always have to leave the theatre and return to the reality. Aristotle hoped that by arousing fear and pity, Greek tragedy might lead the audience to catharsis. Is this really possible? What can be used to bring back the lost humanity, other than religion?

Are there any ways to escape the enclosure of prolonged suffering, other than love? What is it that pushes people into a corner, their only way out being to fight to the death? Can they leave it?

作者注：《丑角》劇終「喜劇結束了」這句唱詞，作曲家是寫給東尼奧的，意與開場相呼應。意大利男高音卡魯索演此劇時，要求由他扮演的卡尼奧來演唱這句，此後竟成慣例。上海歌劇院演出版即遵此例。中文版由上海音樂學院教授陶辛撰寫

Author's note:: The line “La commedia è finita!” (The comedy is over!) that ends Pagliacci was originally written for Tonio to echo the beginning of the opera. When the legendary Italian tenor Enrico Caruso performed in Pagliacci, he requested the line be sung by his character Canio, and this practice has since become a convention, which Shanghai Opera House has observed in this performance. Chinese version is written by Professor Tao Xin, Shanghai Conservatory of Music

關於彼特羅．馬斯卡尼

彼特羅．馬斯卡尼

Pietro Mascagni

出生 Born 1863 年 12 月 7 日（里窩那） 7 December 1863 (Livorno) 逝世 Died 1945 年 8 月 2 日（羅馬） 2 August 1945 (Rome)

1863 年 12 月 7 日生於里窩那。 1882 年，馬斯卡尼進入米蘭音樂學院學習，師從阿米爾卡雷．蓬基耶利，但一年後退學，在一個歌劇院團裏擔任指揮，並隨團在意大利巡迴演出。此後馬斯卡尼在一些三流巡迴歌劇團裏擔任指揮。 1889 年，意大利的松佐尼奧出版社舉辦獨幕歌劇比賽，馬斯卡尼只用了數周時間便寫出了約 70 分鐘的獨幕歌劇《鄉村騎士》，並獲得了第一名。1890 年 5 月，《鄉村騎士》在羅馬首演，好評如潮，馬斯卡尼一舉成名，也引領了意大利戲劇音樂的真實主義風潮。

馬斯卡尼寫了十五部歌劇，一部輕歌劇，幾部管弦樂和聲樂作品，還有歌曲和鋼琴曲。他既是作曲家，也是指揮。他的歌劇風格多樣：《鄉村騎士》裏西西里島的激情和溫暖、《伊麗斯》的異國情調、《友人弗里茲》和《小雲雀》的田園風、《伊薩貝歐》的明暗對比以及《巴里斯娜》的後浪漫主義。

About Pietro Mascagni

Born in Livorno on 7 December 1863, Mascagni entered the Milan Conservatory of Music in 1882, where he studied with Amilcare Ponchielli. He left after a year to establish an opera company with which he toured Italy. In 1889, Mascagni won first place in a one-act opera competition organised by the Italian publishing house Sonzonio, where he wrote in just a few weeks Cavalleria Rusticana, a one-act opera about 70 minutes long. Mascagni’s success led to a wave of realism, or verismo, in Italian theatrical music. Mascagni wrote 15 operas, one operetta, several orchestral and vocal works, as well as songs and piano pieces. He was both a composer and a conductor. His operas are diverse: the passion and warmth of Sicily in Cavalleria Rusticana, the exoticism of Iris, the idyllicism of L’amico Fritz and Il piccolo Marat, the contrast between light and dark in Isabeau and the post-romanticism of Parisina.

拉格羅．萊昂卡瓦羅

Ruggero Leoncavallo 出生 Born 1857 年 3 月 8 日（那不勒斯） 8 March 1857 (Naples) 逝世 Died

1919 年 8 月 9 日（蒙特卡蒂尼 ) 9 August 1919 (Montecatini)

關於拉格羅．萊昂卡瓦羅

About Ruggero Leoncavallo

1857 年 3 月 8 日生於那不勒斯，1919 年 8 月 9 日卒於蒙特卡蒂尼。萊昂卡瓦羅自幼愛好音樂和文學，從小學習鋼琴， 1876 年畢業於那不勒斯音樂學院。他的第一部歌劇是根據法國作家維尼的同名作品《夏特東》編寫劇本和譜曲的大型歌劇。

Born in Naples on 8 March 1857, Ruggero Leoncavallo was a lover of music and literature from an early age, having studied piano and graduated from the Naples Conservatory in 1876. His first opera was a large-scale opera with a libretto and score based on the French writer Alfred de Vigny’s play Chatterton.

1882 年，萊昂卡瓦羅來到法國，受到法國浪漫主義影響，開始創作一首以穆塞的詩歌為基礎的交響詩，並於 1887 年 4 月首演，獲得了評論界的好評，並隨即回到米蘭開始他的歌劇創作生涯。回到意大利後，萊昂卡瓦羅以五個月的時間編劇、譜曲，完成了他最著名的作品《丑角》，於 1892 年首演後即大獲成功，成為了他的代表作，流傳至今。

萊昂卡瓦羅的主要作品還有《梅迪奇家族》、《波希米亞生涯》等十幾部歌劇，在戲劇結構和音樂方面都有創新，以《丑角》為例，「戲中戲」的構思十分巧妙，悲劇的情節和嚴肅的思想性使傳統喜劇形式更深刻；各種優美生動的民間歌曲形式的運用，親切明快而富於魅力。

In 1882, Leoncavallo arrived in France and, influenced by French Romanticism, began to write a symphonic poem based on the poetry of Alfred de Musset, which premiered in April 1887 and was very well received by critics. On his return to Italy, Leoncavallo spent five months writing and composing his most famous work, Pagliacci, which opened in 1892 and which remains his masterpiece. Leoncavallo’s other major works include I Medici, La bohème, and a dozen other operas, all of which are innovative in terms of dramatic structure and music. An example would be the ingenious idea of "play-withinthe-play" in Pagliacci. The tragic plot and serious thoughtfulness of this work added depth to the traditional comic form; the use of various graceful and lively folk song forms is intimate, bright and charming. Leoncavallo died in Montecatini, Tuscany on 9 August 1919.

享譽國際樂壇的中國指揮家和鋼琴家，現任上海歌劇院院長、蘇州交響樂團首席指揮、蘇州大學音樂學院院長、意大利維羅納夏季音樂節 / 歌劇院首席指揮、英國皇家威爾士音樂與戲劇學院國際歌劇主席、英國卡迪夫世界歌手大賽外部評論專家、網易雲音樂獨立非執行董事。

曾以第一名的成績考入法國巴黎國立高等音樂學院，師從法國鋼琴大師多米尼克．墨赫萊。指揮領域師從中國指揮泰斗黃曉同教授，歌劇指揮師從意大利歌劇權威皮耶羅．拉塔利諾。

許忠

XU ZHONG

指揮家

Conductor

許忠早年曾在西班牙巴塞羅那第三十四屆瑪利亞．卡那爾斯國際鋼琴比賽、日本濱松第一屆國際鋼琴比賽、西班牙桑坦德國際鋼琴比賽、第五屆東京國際鋼琴比賽、莫斯科柴可夫斯基國際鋼琴比賽等重大國際鋼琴比賽中多次獲得大獎及榮譽，並以鋼琴獨奏家的身份應邀參加於維也納、盧森堡、東京、首爾、北京、尼斯、納坦利、濱松等地舉行的世界著名音樂節。同時，許忠還在意大利布索尼、瑞士克拉拉．哈斯基爾、愛爾蘭都柏林、英國里茲、法國瑪格麗特．隆、俄羅斯里赫特、日本濱松、韓國首爾等各大國際鋼琴比賽擔任評委。

與世界各地眾多知名交響樂團和歌劇院有著廣泛合作。不僅曾執棒英國皇家愛樂樂團、巴黎管弦樂團、意大利米蘭威爾第交響樂團、佛羅倫薩五月歌劇院交響樂團、西班牙塞維利亞皇家交響樂團、澳大利

關於許忠

亞墨爾本交響樂團、中國愛樂樂團、上海交響樂團和廣州交響樂團等，亦與意大利米蘭斯卡拉歌劇院、威尼斯鳳凰歌劇院、佛羅倫薩五月歌劇院、維羅納歌劇院、巴塞羅那利塞烏大劇院、瓦倫西亞索菲亞王后藝術歌劇院、巴黎歌劇院、英國皇家歌劇院、德國萊比錫歌劇院、紐約大都會歌劇院、美國三藩市戰爭紀念歌劇院、悉尼歌劇院等世界著名劇院長期保持緊密合作。

2020 年初，許忠發起「全球音樂接力倡議」，集結各國頂尖交響樂團和歌劇院，以音樂的力量協助中國人民與海外華人對抗疫情。4 月再度攜手上海歌劇院和上海人民廣播電台經典 947 共同發起「用音樂溫暖世界——世界地球日 12 小時特別直播」。 2010 年，許忠榮膺由法國文化部頒發的法國藝術及文學勳章騎士勳位。2018 年，榮升法國藝術及文學勳章軍官勳位。

An internationally renowned Chinese pianist and conductor, Xu Zhong is currently president of Shanghai Opera House and chief conductor of the Suzhou Symphony Orchestra. He is also dean of Soochow University’s School of Music, principal director of Fondazione Arena di Verona, international chair of opera at the Royal Welsh College of Music & Drama, external expert observer for BBC Cardiff Singer of the World and independent non-executive director of NetEase Cloud Music. Xu Zhong received a rigorous piano education in the class of Dominique Merlet at the Conservatoire de Paris. As a conductor, he learned with

Professor Huang Xiaotong and Maestro Piero Rattalino. Xu Zhong has won numerous prestigious international competitions, including Maria Canals, Hamamatsu, Santander Paloma O’Shea, Tokyo and Tchaikovsky. As a soloist, he frequently performs in music festivals in Vienna, Luxembourg, Tokyo, Seoul, Beijing, Nice, Naantali (Finland) and Hamamatsu (Japan). Xu Zhong has been regularly invited to adjudicate at renowned international piano competitions, including Busoni, Clara Haskil, AXA Dublin, Leeds, Marguerite Long-Jacques Thibaud, Sviatoslav Richter, Hamamatsu and Seoul. Over the years, Xu Zhong has worked with prestigious orchestras, including the Royal Philharmonic Orchestra, the Orchestre de Paris, the Orchestra Sinfonica Giuseppe Verdi di Milano, the Orchestra del Maggio Musicale Fiorentino, the Real Orquesta Sinfónica de Sevilla, the Melbourne Symphony Orchestra, the China Philharmonic Orchestra, the Shanghai Symphony Orchestra and the Guangzhou Symphony Orchestra, among others. He has also worked in leading opera houses in Europe and worldwide, including La Scala in Milan, La Fenice in Venice, the Teatro del Maggio Musicale Fiorentino, the Arena di Verona, the Gran Teatre del Liceu in Barcelona, the Palau de les Arts Reina Sofía in Valencia, the Paris Opera, the Royal Opera House in London, Oper Leipzig, New York Metropolitan Opera House, San Francisco Opera House and Sydney Opera House. On February 11 2020, Xu Zhong initiated a global music relay project, bringing together top orchestras and opera houses from all over the world to encourage

About Xu Zhong

Chinese people in the fight against the coronavirus. On April 22 2020, partnering with classical music radio station Classical 94.7 in Shanghai, Xu Zhong launched a special 12-hour broadcast programme, Music One World. In 2010, Xu Zhong was made a Chevalier de L’Ordre des Arts et des Lettres by the French Government, and was promoted to Officier de L’Ordre des Arts et des Lettres in 2018, for his contributions to classical music and cultural exchange.

關於馬田．康斯坦丁

馬田．康斯坦丁

Martin Constantine

導演

Director

馬田．康斯坦丁是威爾士皇家音樂與戲劇學院的國際歌劇導演主席和歌劇導演碩士課程項目負責人，曾為阿爾梅達劇院、皇家歌劇院、布里斯托爾老域劇院、奇切斯特節日劇院、英國國家歌劇院、威爾士國家歌劇院、皇家莎士比亞劇團，以及朗伯勒節日歌劇院等機構執導話劇和歌劇。為威爾士國家歌劇院執導的歌劇《保羅．本仁》獲得皇家攝影學會獎，並獲得南岸天空藝術獎提名。

康斯坦丁是「現場藝術秀」（一間以音樂為基礎創作新作品的公司）的聯合藝術總監，公司的獲獎作品有《為了初學者的未來》，早期作品《萊茵的黃金》和 Time Out 雜誌之選兼年度最佳戲劇《漫畫妹妹》，亦是庭院劇場的「彼得．布魯克空間獎」獲獎作品展演中的重要演出劇目。曾與托比．法羅一起，為英國國家劇院改編了英籍日裔作家石黑一雄的小說《無可慰藉》，亦為英國國家歌劇院設立創新培訓項目，培養青年歌劇演員。他在其著作《歌劇演員的表演工具箱——有關角色創造的基本指南》中，收錄了這套創新培訓方式，以及引用斯坦尼斯拉夫斯基、萊科克、拉班和西西里 - 貝里等業內人士的戲劇理論，解說角色的創造。

About Martin Constantine

Martin Constantine is the international chair of opera directing at the Royal Welsh College of Music & Drama and MA opera directing course leader. Constantine has directed theatre and opera for the Almeida in London, the Royal Opera House, the Bristol Old Vic, Chichester Festival Theatre, English National Opera, Welsh National Opera, the Royal Shakespeare Company and Longborough Festival Opera. His Welsh National Opera production of Paul Bunyan won an RPS Award and was nominated for a South Bank Sky Arts Award. He is co-artistic director of the multi-award-winning Liveartshow– –a company making new work with music. The company won an MTN Award for The Future for Beginners. Previous shows Das Rheingold and Manga Sister (Time Out Critic’s Choice / Best Theatre of the Year) were the centrepiece of The Yard Theatre’s Peter Brook Empty Space Award winning season. Constantine has co-adapted Kazuo Ishiguro’s The Unconsoled with Toby Farrow at the National Theatre Studio. He was director of English National Opera “Opera Works”––an innovative training programme he created for young opera singers. Constantine’s book, The Opera Singer’s Acting Toolkit: An Essential Guide to Creating a Role, draws upon this innovative approach and the work of practitioners such as Stanislavski, Lecoq, Laban and Cicely Berry to create character.

演員簡介

唱家包括多明戈、布魯松、卡巴伊萬斯卡等。

和慧女高音

He Hui Soprano

飾 – 聖陶沙飾 – 妮達《鄉村騎士》《丑角》

as Santuzza in Cavalleria Rusticana as Nedda in Pagliacci

和慧，國際著名女高音歌唱家，西安音樂學院聲樂教授。1998 年在上海大劇院首演歌劇《阿伊達》同名女主角，2000 年贏得多明戈世界歌劇大賽第二名。2002 年贏得第四十二屆威爾第國際聲樂比賽第一名。

2014 至 2015 年度被西班牙權威歌劇雜誌《 Opera Actual 》評為當今世界最優秀的前十名女歌唱家之一。過去二十四年的國際歌劇舞台生涯裏，她登上米蘭斯卡拉歌劇院、紐約大都會歌劇院、維也納國家歌劇院、芝加哥歌劇院、柏林國家歌劇院、巴黎巴士底歌劇院、巴塞羅那里塞烏歌劇院、中國國家大劇院、東京 NHK 歌劇院、雅典國家歌劇院等等世界著名歌劇院。

由她飾演女主角的劇目包括《阿伊達》、《假面舞會》、《遊吟詩人》、《托斯卡》、《蝴蝶夫人》、《杜蘭朵》、《鄉村騎士》等。和慧曾合作的知名指揮包括羅琳．馬澤爾、蘇賓．梅達、古斯塔沃．杜達美等；合作過的頂級歌

和慧贏得國際歌劇界很多獎項包括首屆國際歌劇奧斯卡金像獎、茱麗葉最佳歌唱家獎、維羅納歌劇協會最佳歌唱家、安傑洛．羅佛萊澤歌劇事業成就獎等等， 2015 年被鳳凰衛視授予「影響世界華人」大獎，2021 年獲得第二十二屆「慧雲李事業成就獎」。和慧也是一名新生的畫家，2021 年參加了杜拜世界藝術中心畫展，共展出十三幅畫作，同年她的畫作《奇妙的和諧》在意大利但丁獎藝術家比賽中獲得「新生獎」。

He Hui is an internationally renowned soprano and professor of vocal music at Xi’an Conservatory of Music. She premiered the eponymous title role of Aida at the Shanghai Grand Theatre in 1998 and won second place at the Domingo World Opera Competition in 2000. In 2014/2015, she was named one of the top 10 female singers in the world by the leading Spanish opera magazine Opera Actual. During her 24 years on the international stage, she has appeared at many famous opera houses include La Scala in Milan, the Metropolitan Opera in New York, the Vienna State Opera, the Chicago Opera, the Staatsoper in Berlin, the Opéra Bastille in Paris, the Teatre Nacional de Catalunya in Barcelona, the National Theatre of China, the NHK Opera in Tokyo and the National Opera in Athens.

Cast Profiles

Madame Butterfly, Turandot, Cavalleria Rusticana and many more. She has worked with top conductors such as Lorin Maazel, Zubin Mehta and Gustavo Dudamel. She has also worked with top singers such as Placido Domingo, Renato Bruson and Raina Kabaivanska. He Hui has won many international awards, including the first International Academy Award for Opera, the Juliet Award for Best Vocalist, the Verona Opera Association’s Best Vocalist, and the Angelo Roverlezza Award for Career Achievement in Opera. In 2015, she was awarded the Phoenix Award in the “You Bring Charm to the World” category and in 2021 she received the 22nd Vivian Leigh Award. He Hui is also an emerging painter, having exhibited 13 paintings at World Art Dubai 2021. The same year, her painting Wonderful Harmony was awarded the “Vita Nova” in the Premio Dante Alighieri in Ravenna.

Operas she has performed as leading roles include Aida, The Masquerade, Il trovatore, Tosca, 35

演員簡介

Cast Profiles

Xue Haoyin is a tenor with the China Broadcasting Performing Arts Group, a contract artist with the Royal Opera House in London and a distinguished professor at the China Conservatory of Music. He was awarded the Gold Medal at the CCTV National Youth Bel Canto Competition and the Grand Prize in the Rimsky-Korsakov International Vocal Competition in Russia.

薛皓垠男高音

Xue Haoyin Tenor

飾 – 圖列度《鄉村騎士》

as Turiddu in Cavalleria Rusticana

中國廣播藝術團男高音歌唱家，英國皇家歌劇院合約藝術家，中國音樂學院特聘教授。

曾獲第十二屆「 CCTV 全國青年歌手電視大獎賽」美聲唱法金獎，俄羅斯「林姆斯基．高沙可夫」國際聲樂大賽大獎。

於 2006 年 9 月加入英國皇家歌劇院青年藝術家培訓計劃，他於《遊吟詩人》中出演雷伊斯一角，成為其於英國皇家歌劇院的首個演出。他之後陸續參演《費黛里奧》、《卡門》、《帕西法爾》、《茶花女》等歌劇，並在多部國家大劇院製作的歌劇《蝙蝠》、《弄臣》、《愛情靈藥》、《山村女教師》、《日出》、《蘭花花》中擔任主角。薛皓垠曾合作的國內外著名樂團包括英國皇家歌劇院交響樂團、倫敦南岸交響樂團、中國國家交響樂團、中國愛樂樂團、香港管弦樂團、澳門交響樂團等。 36

He joined the Jette Parker Young Artists Programme at the Royal Opera House in September 2006 and made his Royal Opera debut as Ruiz in Il trovatore. Operas he has performed include Fidelio, Carmen, Parsifal and La traviata. He has also been the leading roles in Die Fledermaus, Rigoletto, L’elisir d’amore, A Village Teacher, Sunrise and Lan Huahua for the National Centre for the Performing Arts in Beijing. Xue Haoyin has performed with the orchestra of the Royal Opera House, the Southbank Sinfonia in London, the China National Symphony Orchestra, the China Philharmonic Orchestra, the Hong Kong Philharmonic Orchestra, the Macao Orchestra and many more.

竇乾銘男中音

Dou Qianming Baritone

飾 – 艾菲奧《鄉村騎士》

as Alfio in Cavalleria Rusticana

男中音歌唱家，安徽師範大學音樂學院聲樂教師。畢業於柴可夫斯基音樂學院、意大利佛羅倫斯音樂學院。師從上海音樂學院張仁清教授、女高音歌唱家多納泰拉．德波里尼和男中音歌唱家布魯諾．德．西蒙尼。曾榮獲奧地利費魯喬．塔里亞維尼國際聲樂大賽一等獎，意大利安傑羅．洛弗雷塞國際大賽中國賽區一等獎及特別新星獎，意大利托蒂達爾．蒙特國際聲樂比賽費拉拉歌劇院特別大獎。

曾與法比奧．雷西、法比奇奧．卡米納迪、麥克亞當斯等多位國際指揮大師合作。曾在佛羅倫薩五月歌劇院、意大利維羅納愛樂歌劇院等合作演出《意大利女郎《茶花女》、《賈在阿爾及爾》、《嫉妒學院》、尼．斯基基》、《愛情靈藥》及《卡門》，飾演主要角色，又在上海歌劇院版

演員簡介

《唐喬望尼》中飾演主角唐喬望尼。在貝多芬第九交響曲交響音樂會中擔任領唱。

Dou Qianming is a vocal mentor at Anhui Normal University. He graduated from the Moscow P.I. Tchaikovsky Conservatory and the Conservatorio di Musica Luigi Cherubini in Florence and studied under Professor Zhang Renqing of the Shanghai Conservatory of Music, Italian soprano Donatella Debolini and ltalian baritone Bruno de Simone. He has won first prize in the Fruccio Tagliavini lnternational Vocal Competition in Austria, and first prize and the New Star Award in th China Division at the “Angelo loforese” International Vocal Competition. He is also the winner of the Special Prize of Teatro Comunale di Ferrara in Toti Dal Monte International Competition for Opera Singers. Dou Qianming has worked with many maestros including Fabio Luisi, Fabrizio Carminati and Ryan McAdams. He performed in L’italiana in Algeri, La traviata, Gianni Schicchi, La scuola de’ gelosi, L’elisir d’amore and Carmen. He also sang the lead role in Don Giovanni for Shanghai Opera House, and he was the lead singer in Beethoven’s Symphony No 9.

王瀟希女中音

Cast Profiles

Competition in 2012, and fourth prize at the 5th St Petersburg International Opera Contest in 2011. She won third prize under the category of young teachers and postgraduate students at the 4th National Vocal and Opera Pieces Performance for Higher Learning Institutions in 2010. Wang Xiaoxi also won the Finalist Awards at National Vocal Competition in 2010 and at the 7th Chinese Golden Bell Award for music in 2009. She has taken part in operas like Nabucco, Don Pasquale, La traviata, Carmen, and performed as soloist/duet in many large-scale performances.

Wang Xiaoxi Mezzo-soprano

飾 – 露茜亞《鄉村騎士》

as Lucia in Cavalleria Rusticana

上海歌劇院女中音歌唱家。碩士畢業於中國音樂學院聲樂歌劇系，師從於趙雲紅教授。

2012 年獲俄羅斯三個世紀浪漫曲國際聲樂大賽第三名，2011 年獲第五屆聖彼得堡國際歌劇大賽第四名，2010 年獲第四屆全國高等院校聲樂歌劇片段展演青年教師及研究生組第三名，2010 年參加全國聲樂比賽獲入圍獎，2009 年參加第七屆中國音樂金鐘獎比賽獲入圍獎。曾參演歌劇《拿布《帕老爺的婚事》、《茶花果》、女》、《卡門》等，並多次在大型演出中擔任獨唱、二重唱。

Wang Xiaoxi is a mezzosoprano with Shanghai Opera House, who graduated with master’s degree from the vocal department of the China Conservatory of Music, under the direction of Professor Zhao Yunhong. She won third prize at the Russian “Romance of Three Centuries” International Vocal

演員簡介

Cast Profiles

生；譚盾的《敦煌．慈悲頌》中的小佛陀。

Dong Fang was named one of the top ten young mezzosopranos in China by CCTV’s programme “Gloriously Bloom” in China. She is a graduate of the opera department of the Shanghai Conservatory of Music. She studied under Professor Song Bo and is now a professional vocal teacher at the conservatory.

董芳女中音

Dong Fang Mezzo-soprano

飾 – 露娜《鄉村騎士》

as Lola in Cavalleria Rusticana

「 CCTV 光榮綻放」中國十大青年女中音歌唱家董芳，畢業於上海音樂學院聲樂歌劇系，師從宋波教授，獲得碩士學位，現為上海音樂學院聲樂專業教師。董芳嗓音醇美飽滿，演唱鬆弛自如、儀表優雅雍容，被德國《漢諾威時報》評價為「非常有前途的女中音歌唱家」。曾獲「第十七屆法國馬爾芒德國際聲樂比賽」第二名，「第六屆中國金鐘獎聲樂比賽」銀獎，「第十三屆 CCTV 青歌賽」優秀獎，「第四屆中國（寧波）國際聲樂比賽優勝獎」等。

董芳主演的歌劇角色有：《一江春水》中的何文豔及《湯顯祖》中的湯夫人、《這裏的黎明靜悄悄》中的索尼婭、《泰伊斯》中的米爾達爾、《唐喬望尼》中的艾維拉、《風在哪一個方向吹》中的張幼儀，《阿依達》中的愛奈瑞斯，以及《畫皮》中反串王 38

Dong Fang has a full and mellow voice, sings with ease and grace, and was described as a “very promising mezzosoprano” by Germany’s Hannoversche Allgemeine Zeitung. She won second prize in the 17th French Marmande International Vocal Competition, the Silver Award at the 6th China Golden Bell Awards Vocal Competition, the Excellence Award at the 13th CCTV Youth Song Competition and the first prize at the 4th China (Ningbo) International Vocal Competition. Dong Fang’s opera roles include He Wenyan in Yi Jiang Chun Shui, Mrs Tang in Tang Xianzu, Sonya in The Dawn in the Scenery, Myrtale in Thais, Elvira in Don Giovanni, Zhang Youyi in In Which Direction Is the Wind Blowing and Ayres in Aida, a male role in The Painted Skin and the Little Buddhas in Tan Dun’s Buddha Passion.

韓蓬男高音

Han Peng Tenor

飾 – 卡尼奧《丑角》

as Canio in Pagliacci

上海歌劇院男高音歌唱家。畢業於上海音樂學院聲樂系，先後師從陳星教授、周小燕教授、著名男高音歌唱家魏松。2017 年曾入選英國皇家歌劇院青年藝術家培訓計劃。

2009 年 1 月獲意大利維羅納杜蘭朵國際歌劇比賽第一名及聯合國教科文組織特別頒發的「最佳音質獎」，2010 年 5 月獲得意大利理查德．贊道納伊國際青年歌唱家大賽第一名，2013 年獲得第十五屆 CCTV 全國青年歌手電視大獎賽美聲組第二名。

曾在歌劇《阿依達》、《卡門》、《杜蘭朵》、《鄉村騎士》、《楚霸王》、《弄臣》、《心經》、《燕子之歌》、《駱駝祥子》、《父女情深》、《茶花女》、《雷雨》、《拉貝日記》、《田漢》等多部中外歌劇中擔任男主角，多次在貝多芬第九交響曲、馬勒《大地之歌》、白遼士戲劇交響曲《羅密歐與朱

演員簡介

麗葉》中擔任領唱。

才和藝術精品。帶領福建省歌舞劇院與國內外眾多知名院團合作演出，提升了福建藝術生產的品質，力求達到國際水準。

Han Peng is a resident artist at Shanghai Opera House. In 2007 Han Peng graduated from the Vocal Department of the Shanghai Conservatory of Music. He studied under the direction of Professor Chen Xing, Professor Zhou Xiaoyan, and famous tenor Wei Song. He was selected to join the Jette Parker Young Artists Programme at the Royal Opera House in 2017. In 2009, Han Peng won first prize in the Turandot International Opera Competition in Verona, Italy. He was also granted the Special Prize for Best Voice by Unesco. In 2010, he won the First Prize in the Riccardo Zandonai International Competition for Young Opera Singers. In 2013, he was runner-up in the 15th CCTV National Youth Bel Canto Competition. Operas in which he has performed a leading role include Aida, Carmen, Turandot, Cavalleria Rusticana, The King of Chu, Rigoletto, Heart Sutra, Song of Yanzi, Il ragazzo del risciò, Simon Boccanegra, La traviata, Thunderstorm, The Diary of John Rabe, and Tian Han. He was also a regular lead singer in Beethoven’s Symphony No 9 and Berlioz’s Roméo et Juliette.

Cast Profiles

孫礫男中音

Sun Li Baritone

飾 – 東尼奧《丑角》

as Tonio in Pagliacci

曾在中外六十餘部歌劇中擔任主角，作品涉獵古典主義、浪漫主義、現實主義及近代多種風格。在歌劇《塞維利亞的理髮師》中飾費加羅、《卡門》中飾鬥牛士、《茶花女》中飾喬治奧、《弄臣》中飾弄臣、《阿依達》中飾阿莫納斯羅、《丑角》中飾東尼奧、《費德里奧》中飾皮亞羅、《莎樂美》中飾先知約翰、《蝙蝠》中飾艾森斯坦、《波希米亞生涯》中飾馬切洛、《愛情靈藥》中飾貝爾柯雷、《白毛女》中飾楊白勞、《茶》中飾聖響、《趙氏孤兒》中飾程嬰、《運河瑤》中飾張水鷂，以及《白鹿原》中飾鹿三。足跡遍佈世界各地，與國內外許多頂尖藝術家及院團保持長期合作。作為劇院管理者，策劃舉辦了福建大劇院演出季、福建交響樂音樂季、名家大講堂等系列活動。堅持引進最優質的演出產品，同時推出福建本土優秀的藝術人

He has performed the leading roles in more than 60 operas in China and abroad, and his works cover a wide range of genres, including classical, romantic, realist and modern. He has played Figaro in Il Barbiere di Siviglia, Escamillo in Carmen, Giorgio Germont in La traviata, Rigoletto in Rigoletto, Amonasro in Aida, Tonio in Pagliacci, Don Pizarro in Fidelio, Jochanaan (John the Baptist) in Salome, Gabriel von Eisenstein in Die Fledermaus, Marcello in La bohème, Belcore in L’elisir d’amore, Yang in White-Haired Girl, Sheng Xiang in Tea, Cheng Ying in The Orphan of Zhao, Zhang Shuiyao in Canal Yao, and Lu San in White Deer Field. He has travelled all over the world and has maintained longterm cooperation with many top artists and theatres at home and abroad. As a theatre administrator, he has planned and organised a series of activities such as the Fujian Grand Theatre Season, the Fujian Symphony Music Season and the Famous Artists Lecture Hall. He has presented high-quality performance productions, while showcasing outstanding local artistic talents and artistic excellence in Fujian. He has led the Fujian Provincial Opera and Dance Theatre to collaborate with many renowned domestic and international troupes, and has enhanced the quality of artistic production in Fujian.

演員簡介

上海歌劇院男中音歌唱家，師從廖昌永、羅魏、施恆。雷納托．布魯松國際聲樂比賽優秀獎，哈爾濱國際聲樂比賽全球選拔入圍的四十位歌唱家之一，普契尼國際藝術節國際聲樂大賽二等獎，第三屆亞洲國際聲樂節優秀歌唱家等。

何超男中音

He Chao Baritone

飾 – 西爾維奧《丑角》

as Silvio in Pagliacci

曾參演過三十餘部中外經典歌劇：《杜蘭朵》、《阿依達》、《茶花女》、《阿提拉》、《法斯塔夫》、《卡門》、《蝙蝠》、《拿布果》、《美麗的海倫》、《漂泊的荷蘭人》等，並在多部歌劇中擔任主要角色，包括《丑角》中飾演西爾維奧、《晨鐘》中飾演蔡元培、《天地神農》中飾演神農，在民族經典歌劇《江姐》中飾演魏吉伯，在音樂劇《國之當歌》中飾演長庚等。曾在各大音樂會中擔任獨唱、領唱，其中最具代表性的有貝多芬第九交響曲及《黃河大合唱》中的男中音獨唱。

Cast Profiles

He won the third prize in the Belloc International Vocal Competition in Italy, was one of the 40 finalists in the Harbin International Vocal Competition, won second prize in the Puccini International Vocal Competition, and outstanding vocalist in the 3rd edition of the Asian International Vocal Festival. He has performed in more than 30 classical operas: Turandot, Aida, La traviata, Attila, Falstaff, Carmen, Die Fledermaus, Nabucco, La Belle Hélène, The Flying Dutchman, and many more. He has played major roles in many operas. He played Silvio in the classic opera Pagliacci, Cai Yuanpei in Li Dazhao, and Shennong in Shen Nong - A Legendary Ruler, Wei Jibo in the national classic opera Jiang Jie, and Changgeng in the musical National Anthem. He has sung as soloist and leader in major concerts, the most representative ones being the baritone soloist in Beethoven’s Symphony No 9 and The Yellow River Cantata.

演員簡介

上海歌劇院男高音歌唱家。曾獲得第十屆金鐘獎聲樂比賽上海地區美聲組一等獎。

于浩磊男高音

Yu Haolei Tenor

飾 – 佩帕《丑角》

as Beppe in Pagliacci

曾在《漂泊的荷蘭人》中飾演艾力克、《茶花女》中飾演阿菲度、《風流寡婦》中飾演布遼舍、《蝙蝠》飾演艾森斯坦、《晨鐘》中飾演李大釗、《田漢》中飾演田漢、《雷雨》中飾演周萍、《這裏的黎明靜悄悄》中飾演上校，亦還主演過《微笑王國》、《拿布果》、《阿提拉》、《卡門》、《弄臣》、《托斯卡》、《江姐》、《西施》等中外歌劇。多次隨上海歌劇院出訪印度、新加坡、韓國、英國、德國、法國、以色列、愛沙尼亞、阿聯酋等世界各國演出。

Cast Profiles

As a tenor at Shanghai Opera House, Yu Haolei has won the first prize of the bel canto category in the 10th Chinese Golden Bell Award for Music Shanghai. Opera roles he has performed include Eric in The Flying Dutchman, Alfredo in La traviata, Raoul de St Brioche in The Merry Widow and Eisenstein in Die Fledermaus. Additionally, he played the title roles in Li Dazhao and Tian Han, Zhou Ping in the Thunderstorm and a colonel in the Very Quiet Dawn Over Here. He played leading roles in many Chinese and foreign operas include The Land of Smiles, Nabucco, Attila, Carmen, Rigoletto, Tosca, Jiang Jie and Xi Shi. He has performed in India, Singapore, Korea, the United Kingdom, Germany, France, Israel, Estonia, the United Arab Emirates and other countries with Shanghai Opera House.

上海歌劇院

SHANGHAI OPERA HOUSE

上海歌劇院成立於 1956 年，前身是 1935 年成立的新安旅行團。經歷半個多世紀的發展，在歌劇、舞劇、合唱、交響樂、音樂劇等領域留下了輝煌的足跡，造就了任桂珍、施鴻鄂、李仲林、舒巧等聞名遐邇的老藝術家，寫下了中國舞台藝術發展史上閃光的一頁。如今以許忠、魏松為領軍人物的上海歌劇院聚集了張國勇、張誠杰、遲黎明、張峰、韓蓬、徐曉英、宋倩、于浩磊、熊郁菲、宋潔、陳涵、楊晶晶、張樂、陳陽岳彤等知名藝術家，是一家有著國際文化大都市「藝術航母」之稱的綜合性大型文藝院團。曾先後創排了原創歌劇《天門島》、《海峽之花》、《雷雨》、《楚霸王》、《賭命》、《那時花開》、《燕子之歌》、《晨鐘》、《天地神農》、《田漢》，原創音樂劇《國之當歌》，原創舞劇《小刀會》、《鳳鳴岐山》、《周璿》、《奔月》、《早春二月》、《嫦娥之月亮傳說》，民族經典歌劇《江姐》以及交響合唱、現代舞等百餘部大型作品。多年來，與世界著名歌劇院和藝術家強強合作，打造了《阿依達》、《茶花女》、《拿布果》、《杜蘭朵》、《漂泊的荷蘭人》、《法斯塔夫》、《軍團的女兒》、《蝴蝶夫人》、《奧塞羅》、《托斯卡》、《波希米亞生涯》、《阿提拉》、《卡門》、《曼儂．萊斯科》、《鄉村騎士》、《丑角》等

經典歌劇，以及《黃河大合唱》、《長征組歌》、《布蘭詩歌》、貝多芬第九交響曲等中外大型交響合唱、清唱劇作品，演出足跡遍佈五大洲三十多個國家和地區。

作為上海打造「亞洲演藝之都」的中堅力量，上海歌劇院堅持「多元、新銳、精湛」的藝術定位和「堅持民族原創，傳承中外經典，弘揚時代精神」的發展願景。

Shanghai Opera House was established in 1956 while its predecessor, the Xin’an Tour Company dates back to 1935. Over the past six decades, Shanghai Opera House has produced a dazzling array of operas, dance dramas, musicals, choral and symphonic and dance works. It has also provided a platform for leading and emerging artists in China, notably Ren Guizhen, Shi Hong’e, Li Zhonglin and Shu Qiao. Shanghai Opera House today boasts a roster of artists famous at home and abroad, including Xu Zhong, Wei Song, Zhang Guoyong, Zhang Chengjie, Chi Liming, Zhang Feng, Han Peng, Xu Xiaoying, Song Qian, Yu Haolei, Xiong Yufei, Song Jie, Chen Han, Yang Jingjing, Zhang Le, Chen Yangyuetong, among others. All have contributed to the glory of Shanghai Opera House as one of the top performing groups in China, as well as the art symbol of the international cultural metropolitan city. Shanghai Opera House has developed various diverse

Chinese original repertoires, including original operas such as Tian Men Island, Flower of the Channel, Thunderstorm, The King of Chu, The Wager, When It Is in Bloom, Song of Yanzi, Li Dazhao, Shen Nong - A Legendary Ruler, Tian Han, original musicals such as National Anthem, original dance dramas such as Dagger Society, Phoenix in the Qi Mountain, Zhou Xuan, In the Shadow of the Moon, Early Spring, Chang E, Chinese classic operas such as Jiang Jie, and over a hundred master pieces of symphonic, choral works and modern dances. In addition, in collaborating with the world renown opera houses and artists, Shanghai Opera House has also developed an extensive repertoire of western classical operas, such as Aida, La traviata, Nabucco, Turandot, The Flying Dutchman, Falstaff, La fille du régiment, Madama Butterfly, Otello, Tosca, La bohème, Attila, Carmen, Manon Lescaut, Cavalleria Rusticana and Pagliacci, as well as symphonic choral works and cantatas, including Yellow River Cantata, Suite of Songs on the Long March, Carmina Burana, and Beethoven’s Symphony No 9. Shanghai Opera House has toured in over 30 countries and regions on all five continents. As a vital force in turning Shanghai into the performing arts capital of Asia, Shanghai Opera House is committed to staging diverse, cutting-edge work, with a view to creating original works as well as passing on classical works, both Chinese and international. 43

上海歌劇院交響樂團

SHANGHAI OPERA HOUSE ORCHESTRA

上海歌劇院交響樂團成立於 1956 年，是全國著名的音樂表演團體、中國最優秀的交響樂團之一。不僅擅長歌劇和舞劇的伴奏，還經常舉辦交響音樂會，演奏國內外眾多作曲家不同時期、風格迥異的音樂作品。曾參與排演《杜蘭朵》、《奧塞羅》、《法斯塔夫》、《軍團的女兒》、《阿依達》、《波希米亞生涯》、《阿提拉》、《卡門》、《漂泊的荷蘭人》、《拿布果》、《微笑王國》、《唐喬望尼》、《鄉村騎士》、《丑角》、《晨鐘》、《天地神農》、《田漢》、《雷雨》等中西方歌劇，《彌賽亞》、《布蘭詩歌》等清唱劇，以及貝多芬鋼琴協奏曲全集、第三 / 四 / 六 / 七 / 八交響曲、柴可夫斯基第四 / 五 / 六交響曲、莫扎特第四十一交響曲、第三小提琴協奏曲、何占豪和陳鋼《梁祝》等中西方經典交響樂作品，並為芭蕾舞劇《胡桃夾子》、《天鵝湖》、《曼儂》、《唐吉訶德》、原創舞劇《早春二月》、《嫦娥之月亮傳說》擔任伴奏。多年來，樂團與許多世界著名的指揮家和藝術家合作舉辦音樂會，如丹尼爾．奧倫、羅連．馬捷爾、約翰．尼爾森、尼蒙爾．約菲、庫特．馬素爾、法蘭斯． 44

威薩 - 莫斯特、法比奧．雷西．威爾．漢伯格、珊特靈、馬庫斯．史坦茲、佐爾登．高西斯、莫瑞斯．皮勒斯、簡．拉森 - 柯尼格、和慧、王健等。樂團屢次應邀參加國內外藝術節及文化交流活動，曾出訪芬蘭、意大利、英國、德國、香港、澳門等國家和地區，並於 2019 年首次登台亮相美國各大音樂廳，在美國展開巡演。

Founded in 1956, the Shanghai Opera House Orchestra is one of the best-known orchestras in China, and was the first to specialise in providing accompaniment to operas and ballets. It often holds symphonic concerts and plays music from different periods and of different styles at home and abroad. The Shanghai Opera House Orchestra has provided the music for countless performances, such as the Chinese and western operas, including Turandot, Otello, Falstaff, La fille du régiment, Aida, La bohème, Attila and Thunderstorm, the oratorios Messiah and Carmina Burana, classical Chinese and western works such as Beethoven’s complete piano concertos, his

Symphonies Nos 3,4, 6, 7 and 8, Tchaikovsky’s Symphonies Nos 4, 5 and 6, Mozart’s Symphony No 41 and Violin Concerto No 3, and He Zhanhao and Chen Gang’s Butterfly Lovers. The Shanghai Opera House Orchestra has also provided accompaniment for ballets such as The Nutcracker, Swan Lake, Manon and Don Quixote, and for the original dance dramas Early Spring and Chang E. For many years, the Shanghai Opera House Orchestra has jointly host concerts with numerous conductors and artists, such as Daniel Oren, Lorin Maazel, John Nelson, Neeme Järvi, Kurt Masur, Franz Welser-Möst, Fabio Luisi, Will Humburg, Thomas Sanderling, Markus Stenz, Zoltan Kocsis, Moris Pyrrhus, Jan Latham-Koenig, He Hui, Wang Jian, and so on. The orchestra receives frequent invitations from major international music organisations and has visited numerous countries and regions, such as Finland, Italy, England, Germany, Hong Kong and Macau. It made its US debut in 2019.

上海歌劇院合唱團

SHANGHAI OPERA HOUSE CHORUS

段集萃音樂會》、《歌劇之魅上海歌劇院合唱團是國內一流的專業合唱團體，也是歷史悠外國歌劇合唱精粹音樂會》、久的聲樂表演團體。多年的藝《伏爾加之聲》、《春的問候》、術實踐，使合唱團在歌劇、清《雪域嚮往》等精品合唱專場音唱劇、交響合唱、無伴奏合樂會。曾先後出訪三十多個國唱、重唱與獨唱等各種聲樂表家和地區，融合東西方的音樂演形式上，積累了豐富的保留傳統，為中國文化的傳播和中劇目和曲目。與世界著名藝術西方音樂的交流做出了貢獻。家曾合作《阿依達》、《茶花 The Shanghai Opera House 女》、《拿布果》、《杜蘭朵》、 Chorus is the oldest and 《漂泊的荷蘭人》、《法斯塔 perhaps most famous chorus 夫》、《軍團的女兒》、《蝴蝶夫 in China. In the last halfcentury, the Shanghai Opera 人》、《奧塞羅》、《托斯卡》、 House Chorus has performed 《卡門》、《波希米亞生涯》、 numerous operas, oratorios, 《阿提拉》、《曼儂．萊斯科》 symphonic choruses, non等西方經典歌劇，《以利亞》、 instrumental choruses, solos and ensembles. The Shanghai 《布蘭詩歌》、《彌賽亞》、《浮 Opera House Chorus has 士德的沉淪》等清唱劇及貝多 collaborated with many world芬《第九交響曲》馬勒《第八 class artists and performed 交響曲》等交響合唱。除歌劇 classic operas, including Aida, La traviata, Nabucco, Turandot, 《江姐》、《原野》及交響合唱 The Flying Dutchman, Falstaff 《黃河大合唱》、《長征組歌》等 La fille du régiment, Madama 中國經典作品的排演傳承外， Butterfly, Otello, Tosca, La 更致力於《晨鐘》、《田漢》、 Boheme, Attila, Carmen, Manon Lescaut, and oratorios such 《天地神農》、《雷雨》、《燕子 as Elijah, Carmina Burana, 之歌》、《國之當歌》、《早春二 Messiah, La Damnation de 月》等中國原創劇目的創排， Faust, and symphonic choruses 亦組織策劃了《瓦格納歌劇選 such as Beethoven’s Symphony

No 9, Mahler’s Symphony No 8. It has also performed Chinese classic opera and symphony chorus, such as Jiang Jie, Savage Land, The Yellow River Cantata and Song Series of Long March. In addition, the Shanghai Opera House Chorus has contributed to Chinese original operas and symphonic chorus such as Li Dazhao, Tian Han, Shen Nong - A Legendary Ruler, Thunderstorm, National Anthem, Song of Yanzi and Early Spring. It also has organised boutique chorus concerts, such as the Wagner Opera Gala Concert, the Charm of Opera Gala Concert, The Sound of Volga, Spring Greetings and Blessings From the Snow.

上海歌劇院

Shanghai Opera House

上海歌劇院交響樂團《鄉村騎士》 Shanghai Opera House Orchestra - Cavalleria Rusticana

First Violins 第一小提琴

張樂 Zhang Le ▲ 張慧 Zhang Hui 陳陽岳彤 Chen Yangyuetong 張劭楠 Zhang Shaonan 金美丹 Jin Meidan 孫炎婕 Sun Yanjie 譚瑩瑩 Tan Yingying 李雅琴 Li Yaqin 何彬 He Bin 王婧 Wang Jing 王彤 Wang Tong

Cellos 大提琴

陳小龍 Chen Xiaolong 李光鑫 Li Guangxin 解柳佳 Xie Liujia 馬可 Ma Ke

劉清渠 Liu Qingqu

Second Violins 第二小提琴

陳新 Chen Xin 孫敏嫻 Sun Minxian 史維 Shi Wei 高雨桐 Gao Yutong 李晨 Li Chen 熊晨曦 Xiong Chenxi 張耀偉 Zhang Yaowei 劉洋 Liu Yang 顧琦琦 Gu Qiqi 那蕊 Na Rui

Double basses 低音提琴

楊冰洋 Yang Bingyang 李明澤 Li Mingze 江方 Jiang Fang 任意 Ren Yi

Violas 中提琴

孫揚 Sun Yang

黃垚榕 Huang Yaorong 姚佳 Yao Jia

劉沫 Liu Mo

楊維婭 Yang Weiya

于晴晴 Yu Qingqing 劉暢 Liu Chang

劉凱碧 Liu Kaibi

Flutes 長笛

張瑗芮 Zhang Yuanrui 費瑄瑄 Fei Xuanxuan 張震藝 Zhang Zhenyi

張盛潔 Zhang Shengjie

李夢璐 Li Menglu Oboes 雙簧管

付力 Fu Li

劉銘 Liu Ming Horns 圓號

王樹一 Wang Shuyi 李漢持 Li Hanchi

孔潔瑩 Kong Jieying

Clarinets 單簧管

趙超 Zhao Chao

熊梓鈞 Xiong Zijun Trumpets 小號

羅寅鵬 Luo Yinpeng 郝欣 Hao Xin

Daniel Kenneth Remme

Tuba 大號

葉一舟 Ye Yizhou

Percussions 敲擊樂器

李燕 Li Yan

張藝妍 Zhang Yiyan 黎光 Li Guang

王自超 Wang Zichao

Harps 豎琴

關玲 Guan Lin

湯雯萱 Tang Wenxuan Organ 管風琴

楊松 Yang Song

Bassoons 巴松管

朱玉 Zhu Yu

王馨 Wang Xin Trombones 長號

Andriy Grebelyuk 謝亦杉 Xie Yishan 胡繼文 Hu Jiwen

Timpani 定音鼓

杜檬 Du Meng

上海歌劇院

Shanghai Opera House

上海歌劇院交響樂團《丑角》 Shanghai Opera House Orchestra - Pagliacci

First Violins 第一小提琴

Cellos 大提琴

解柳佳 Xie Liujia

李光鑫 Li Guangxin

陳小龍 Chen Xiaolong 馬可 Ma Ke

劉清渠 Liu Qingqu

Second Violins 第二小提琴

陳新 Chen Xin 孫敏嫻 Sun Minxian 史維 Shi Wei 高雨桐 Gao Yutong 李晨 Li Chen 熊晨曦 Xiong Chenxi 張耀偉 Zhang Yaowei 劉洋 Liu Yang 顧琦琦 Gu Qiqi 那蕊 Na Rui

Double basses 低音提琴

楊冰洋 Yang Bingyang 李明澤 Li Mingze 江方 Jiang Fang 任意 Ren Yi

Violas 中提琴

孫揚 Sun Yang

黃垚榕 Huang Yaorong 姚佳 Yao Jia

劉沫 Liu Mo

楊維婭 Yang Weiya

于晴晴 Yu Qingqing 劉暢 Liu Chang

劉凱碧 Liu Kaibi

Flutes 長笛

張震藝 Zhang Zhenyi

費瑄瑄 Fei Xuanxuan

張盛潔 Zhang Shengjie

李夢璐 Li Menglu Oboes 雙簧管

付力 Fu Li

劉銘 Liu Ming

楊荻繁 Yang Di Fan Horns 圓號

王樹一 Wang Shuyi 范嘉悅 Fan Jiayue 李漢持 Li Hanchi

孔潔瑩 Kong Jieying

Clarinets 單簧管

趙超 Zhao Chao

熊梓鈞 Xiong Zijun

徐東源 Dongyuan Xu Trumpets 小號

羅寅鵬 Luo Yinpeng 郝欣 Hao Xin

蔡孟芙 Cai Mengfu

Bassoons 巴松管

趙思弘 Zhao Sihong 王馨 Wang Xin 朱玉 Zhu Yu

Trombones 長號

Andriy Grebelyuk 謝亦杉 Xie Yishan 胡繼文 Hu Jiwen

Daniel Kenneth Remme

Tuba 大號

葉一舟 Ye Yizhou

Harps 豎琴

關玲 Guan Lin

湯雯萱 Tang Wenxuan

Timpani 定音鼓

杜檬 Du Meng

Percussions 敲擊樂器

李燕 Li Yan

張藝妍 Zhang Yiyan 黎光 Li Guang

王自超 Wang Zichao

▲

首席 Concertmaster

客席樂師 Guest Musician 47

上海歌劇院

Shanghai Opera House

上海歌劇院合唱團 Shanghai Opera House Chrous

Sopranos 女高音

何曉楠 He Xiaonan

田佳 Tian Jia

嚮往 Xiang Wang

周思敏 Zhou Simin

王柏齡 Wang Bailing 唐衛青 Tang Weiqing

張金宏 Zhang Jinhong 劉業 Liu Ye

巴丹妮 Ba Danni

羅麗娟 Luo Lijuan 季韻翬 Ji Yunhui 周琛 Zhou Chen

杜欣欣 Du Xinxin 張菁 Zhang Jing

柴錦斐 Chai Jinfei 吉喆 Ji Zhe

馬穎 Ma Ying

楊麗瑩 Yang Liying 楊瀲 Yang Lian 張怡 Zhang Yi 殷悅 Yin Yue

司秀麗 Si Xiuli

楊贊熹 Yang Zanxi

王慧漪 Wang Huiyi 李佳蔚 Li Jiawei 馬倩 Ma Qian 孫奕 Sun Yi

Mezzo-sopranos 女中音

蘇繪瓔 Su Huiyin 陳瑞 Chen Rui

王碧華 Wang Bihua 湯琳 Tang Lin 曹琳 Cao Lin

喻佳星 Yu Jiaxing

楊雅卿 Yang Yaqing 付蓉 Fu Rong

李亦驍 Li Yixiao 李娜 Li Na

周荷麗 Zhou Heli

翟鴻藝 Zhai Hongyi

朱曉雲 Zhu Xiaoyun 陳予佳 Chen Yujia 陸麗榮 Lu Lirong

桑夢瑤 Sang Mengyao Tenors 男高音

徐小明 Xu Xiaoming

陳朝賓 Chen Chaobin 遲喜秋 Chi Xiqiu 鄭瑤 Zheng Yao

孔東平 Kong Dongping 李新宇 Li Xinyu 胡笳 Hu Jia

伍洲 Wu Zhou 戴月 Dai Yue

李忻潤 Li Xinrun

張甯 Zhang Ning 李昂 Li Ang

董正研 Dong Zhengyan 沈佳瑜 Shen Jiayu 韓瀟 Han Xiao

田雨欣 Tian Yuxin 張明 Zhang Ming

張陽波 Zhang Yangbo 齊魯 Qi Lu

趙卓 Zhao Zhuo

楊奉霖 Yang Fenglin 陳楊 Chen Yang 48

Basses 男低音

吳軼群 Wu Yiqun 張磊 Zhang Lei

叢培紅 Cong Peihong 余楊 Yu Yang

唐敏傑 Tang Minjie 陶闊 Tao Gao 孫毅 Sun Yi

許逸辰 Xu Yichen

黃彥甯 Huang Yanning 楊晶晶 Yang Jingjing 郭添乙 Guo Tianyi

許慧峰 Xu Huifeng

陳令捷 Chen Lingjie 柴源 Chai Yuan

欒超傑 Luan Chaojie 莊園 Zhuang Yuan

鳴謝 ACKNOWLEDGEMENTS

香港藝術節衷心感謝下列機構及人士的慷慨支持： The Hong Kong Arts Festival would like to thank the following for their generous support:

贊助舍計劃會員 Patron’s Club Members

鉑金會員 Platinum Member 嘉里控股有限公司

Kerry Holdings Limited

黃金會員 Gold Member 怡和集團

The Jardine Matheson Group

純銀會員 Silver Members 太古集團慈善信託基金

The Swire Group Charitable Trust

上海商業銀行有限公司

青銅會員 Bronze Member 鷹君集團 Great Eagle Group

Shanghai Commercial Bank Limited

實物支持機構 In-kind Supporters

618 上海街 618 Shanghai Street 香港港麗酒店 Conrad Hong Kong H6 CONET

藝術節捐助計劃 Festival Donation Scheme

鉑金捐款者 PLATINUM DONORS HK$140,000 或以上 AND ABOVE

Mr Sebastian Man Nathan Road Investment Limited

鑽石捐款者 DIAMOND DONORS HK$70,000 – HK$139,999

Mrs Miriam Hwa Sino Group

翡翠捐款者 JADE DONORS HK$30,000 – HK$69,999

無名氏 Anonymous 陳求德醫生及夫人 Dr & Mrs Chan Kow Tak Ms Eleanor Leung & Ma Pak Leung Company Limited Ms Leung Wai Yee Candice Dr Tong Pak Chuen

黃金捐款者 GOLD DONORS HK$12,000 – HK$29,999

無名氏 (2) Anonymous (2) Mr & Mrs Jeffrey & Helen Chan

Dr Gillian Choa Ho & Fung Charitable Foundation Limited Mr Edmond Huang Ms Lee Lai Kuen Shelley Ms Caroline Y. Pang Mrs A. M. Peyer 曹小玲醫生 Dr Sabrina Tsao 曹延洲醫生夫人 Dr & Mrs Tsao Yen-chow Samuel & Amy Wang Dr Eleanor Wong Mr Jesmer Wong

錢琨黃炤哲

香港海事博物館 Hong Kong Maritime Museum 香港逸蘭銅鑼灣酒店 Lanson Place Causeway Bay, Hong Kong 通利琴行 Tom Lee Music 市區重建局 Urban Renewal Authority

純銀捐款者 SILVER DONORS HK$6,000 – HK$11,999

無名氏 Anonymous AWORKS.DESIGN

Loretto Chan

天智合規顧問有限公司 CompliancePlus Consulting Limited

Mr Lee Kam Sang Franklin Dr Michael Mak Moore family Mrs Schmitt Ling Jane Ms Christine Tong Ms Enoch Yiu Ms Isabel Yiu

青銅捐款者 BRONZE DONORS HK$3,000 – HK$5,999

無名氏 (6) Anonymous (6) Mr R.W. Arblaster

Associated Professional Engineers Ltd Mr David Baile Mrs Anson Chan Dr Fiona Chung Mr Anthony John Hardy Ms Ho Man Fung Edith Ms Zoe Ho Ms Khoo Li Lian Mr & Mrs Ko Ying & Ko Woo Shing Ching Patricia Dr Alfred Lau Ms Ka Shi Lau Dr Lee Wan Fai Walter Mr & Mrs David S L Lin Mr Luk Nai Man Dr Joseph Pang Jose M. Sevilla & Julie Bisaillon Victoria Capital Limited Mr Wong Yick Kam

新作捐助計劃 New Works Scheme 黃金捐款者 GOLD DONORS HK$12,000 – HK$29,999

無名氏 Anonymous 劉仰澤先生 Mr Lau Yeung Chak 純銀捐款者 SILVER DONORS

青銅捐款者 BRONZE DONORS HK$3,000 – HK$5,999

MDB & Star B Chan Ms Phyllis Mi Ching Lam Mrs A. M. Peyer

HK$6,000 – HK$11,999

無名氏 Anonymous Edith Shih & Stephen Sun Mr So Kai Tai

網上藝術教育捐助計劃 Digital Arts Education Scheme 鉑金捐款者 PLATINUM DONORS

黃金捐款者 GOLD DONORS

鑽石捐款者 DIAMOND DONORS

青銅捐款者 BRONZE DONORS

HK$140,000 或以上 AND ABOVE

馬振玉慈善基金會有限公司 CYMA Charity Fund Ltd HK$70,000 – HK$139,999

Dr & Mrs H. Sohmen

學生票捐助計劃 Student Ticket Scheme 鉑金捐款者 PLATINUM DONORS HK$140,000 或以上 AND ABOVE

無名氏 (2) Anonymous (2)

鑽石捐款者 DIAMOND DONORS HK$70,000 – HK$139,999

Mrs Miriam Hwa Tin Ka Ping Foundation 芝蘭基金會 Zhilan Foundation

翡翠捐款者 JADE DONORS HK$30,000 – HK$69,999

HK$12,000 – HK$29,999

無名氏 Anonymous

HK$3,000 – HK$5,999

無名氏 Anonymous Mrs A. M. Peyer

純銀捐款者 SILVER DONORS

HK$6,000 – HK$11,999

Mr Iain Bruce Anna Chan and Henry Wong Mr & Mrs Norman Chui Pak Ming 天智合規顧問有限公司 CompliancePlus Consulting Limited Mrs Margaret Hamilton 林海容女士 Ms Lam Hoi Yung 麥禮和醫生 Dr Mak Lai Wo 曹延洲醫生夫人 Dr & Mrs Tsao Yen-chow Mrs Linda Wang

Roger and Lina Lui Ronald and Rita McAulay Foundation

青銅捐款者 BRONZE DONORS

HK$12,000 – HK$29,999

Mr Au Son Yiu Mr & Mrs Herbert Au-Yeung 陳皓宜博士 Dr Cindy Chan MDB & Star B Chan Dr Chan Wan Tung Dr Chiang Kwok Shing Alan 馮兆林先生太太 Mr & Mrs Fung Shiu Lam Ms Maureen Leung Savita Leung Ms Regina Lo Mrs A. M. Peyer Dr Adrian Raper Ms Janice Ritchie Mr So Kin Man Mr Desmond Yu

黃金捐款者 GOLD DONORS 無名氏 Anonymous

Ms Momo Chan Dr Chung See Yuen Ho & Fung Charitable Foundation Limited Mr & Mrs Stefan & Caroline Kracht Diana and Jay Parmanand Mr & Mrs Kenneth Quinn Edith Shih & Stephen Sun Dr Peter & Mrs Nancy Thompson Dr Eleanor Wong

HK$3,000 – HK$5,999

無名氏 (3) Anonymous (3)

支持及協助 SUPPORT AND COOPERATION Acorn Design Alfie Leung Design AMC Pacific Place

香港浸會大學 Hong Kong Baptist University •音樂系 Department of Music •拉闊文化 Cultural Literacy Programme

教育局藝術教育組 •

香港大會堂 Hong Kong City Hall

Arts with the Disabled Association Hong Kong Auberge Discovery Bay Hong Kong

Arts Education Section, Education Bureau 香港展能藝術會 • 香港愉景灣酒店 •

奧地利駐香港總領事館 Austrian Consulate General

Hong Kong

樺利廣告有限公司 Avanny Advertising Co Ltd

宏基國際賓館 Bishop Lei International House

BRICK LANE

英國文化協會 British Council

英國駐香港總領事館 British Consulate General Hong Kong 百老匯院線 Broadway Circuit

burgundy etc CAMPSITE

香港管弦樂團 Hong Kong Philharmonic Orchestra 香港公共圖書館 Hong Kong Public Libraries

Spanish Chamber of Commerce in Hong Kong

事必達推廣有限公司 Speedy Promotion Limited

香港旅遊發展局 Hong Kong Tourism Board

香港海事博物館 Hong Kong Maritime Museum

城巿花園酒店 City Garden Hotel

思聯設計有限公司 CL3 Architects Ltd 比利時駐港澳總領事館 •

Consulate General of Belgium in Hong Kong and Macau 加拿大駐香港總領事館 •

Consulate General of Canada in Hong Kong and Macau 智利駐港澳總領事館 •

Consulate General of Chile in Hong Kong 法國駐港澳總領事館 •

Consulate General of France in Hong Kong and Macau 以色列駐香港總領事館 •

Consulate General of Israel in Hong Kong & Macau 西班牙駐港澳總領事館 •

Consulate General of Spain in Hong Kong and Macao 瑞士駐香港總領事館 •

Consulate General of Switzerland in Hong Kong 捷克共和國駐香港領事館•

Consulate General of the Czech Republic in Hong Kong 伊朗駐香港總領事館 •

Consulate General of the Islamic Republic of Iran in Hong Kong 荷蘭王國駐港總領事館 •

Hotel Ease Access Tsuen Wan

天開數碼媒體有限公司 TFI Digital Media Limited

宜必思香港中上環 •

香港中文大學 The Chinese University of Hong Kong

荃灣 Hotel COZi Oasis

登臺 Hotel Stage

荃灣 •

ibis Hong Kong Central and Sheung Wan 工銀亞洲 ICBC (Asia)

香港以外地區經濟事務辦事處新聞及公共關係組海景嘉福洲際酒店 •

InterContinental Grand Stanford Hong Kong JellyBin Limited

賽馬會創意藝術中心 Jockey Club Creative Arts Centre 高山劇場 Ko Shan Theatre

Die Konzertisten

拔萃女書院 Diocesan Girls' School

香港荃灣帝盛酒店 Dorsett Tsuen Wan, Hong Kong 香港灣仔帝盛酒店 Dorsett Wanchai, Hong Kong

Kwang Hwa Information & Culture Center

香港逸蘭精品酒店 Lanson Place Hotel, Hong Kong 拉脫維亞駐香港名譽領事館 •

Latvian Honorary Consulate in Hong Kong 康樂及文化事務署 •

Leisure and Cultural Services Department

中央人民政府駐香港特別行政區聯絡辦公室•

Liaison Office of the Central People's Government in the HKSAR 嶺南大學 Lingnan University

• 黃炳禮音樂及演藝部 • Wong Bing Lai Music and Performing Arts Unit

馬哥孛羅香港酒店 Marco Polo Hongkong Hotel

MCL K11 Art House

Ministry of Culture and Tourism, PRC

香港君悅酒店 Grand Hyatt Hong Kong 青苗琴行 Greenery Music

快達票香港有限公司 HK Ticketing 香港藝術行政人員協會 •

Hong Kong Arts Administrators Association 香港藝術中心 Hong Kong Arts Centre

音樂系 Department of Music 聯合書院 United College 文學院 Faculty of Arts 藝術行政主任辦公室 The Office of the Arts Administrator 文化及宗教研究系 Department of Cultural and Religious Studies

香港城市大學 The City University of Hong Kong

• 中文及歷史學系 Department of Chinese and History • 城大創意媒體學院 School of Creative Media

香港教育大學 The Education University of Hong Kong

• 文化與創意藝術學系 Department of Cultural and Creative Arts • 圖書館 Library

香港演藝學院 • • • • • • •

戲曲學院 School of Chinese Opera 戲劇學院 School of Drama 音樂學院 School of Music 舞蹈學院 School Dance 電影電視學院 Film and Television 學生事務處 Student Affairs Office

香港兒童合唱團 The Hong Kong Children’s Choir 香港科技大學 T•

he Hong Kong University of Science and Technology • 藝術中心 Center for the Arts

中環石板街酒店 The Pottinger Hong Kong

The Swiss Chamber of Commerce in Hong Kong Limited 香港大學 The University of Hong Kong • • • •

音樂系 Department of Music 香港大學美術博物館 University Museum and Art Gallery Cultural Management Office 志新學院 Chi Sun College

港青 - 香港基督教青年會 The Salisbury – YMCA of

Hong Kong

綠葉劇團 Théâtre de la Feuille

音樂事務處 Music Office

三角關係 Trinity Theatre

李鏡輝先生 Mr Alpha Li

北區大會堂 North District Town Hall

One Minden Tapas Kitchen

柏斯琴行 Parsons Music Limited

卓滙達有限公司 Patsville Company Ltd

Pixellent

香港歌德學院 Goethe-Institut Hong Kong

• • • • •

Mission Production Company Ltd

德國駐香港總領事館 •

六國酒店 Gloucester Luk Kwok Hong Kong

香港八和會館 The Chinese Artists Association of Hong Kong

The Hong Kong Academy for Performing Arts

光華新聞文化中心 •

Performing Arts Fund NL

German Consulate General Hong Kong

藝林文具印刷有限公司 The Artland Co Ltd

葵青劇院 Kwai Tsing Theatre

香港旺角帝盛酒店 Dorsett Mongkok, Hong Kong 愛普生香港有限公司 Epson Hong Kong Limited

道風山基督教叢林 Tao Fong Shan Christian Centre

梅夫人婦女會 The Helena May

中華人民共和國文化和旅遊部 •

好青年荼毒室 Corrupt the Youth

Taiwan Sotheby's International Realty

九龍木球會 Kowloon Cricket Club

Kubrick

Consulate General of the Lao PDR in Hong Kong Consulate General of the Russian Federation in Hong Kong SAR, PRC

大館 Tai Kwun

旭逸雅捷酒店

悦品酒店

Maxibit HK/China

俄羅斯駐香港總領事館 •

辰衝圖書有限公司 Swindon Book Co. Ltd. 台灣蘇富比國際房地產•

Consulate General of the Kingdom of Netherlands 老撾駐香港總領事館 •

香港西班牙商會 •

Honorary Consulate of Monaco in Hong Kong

摩納哥駐香港名譽領事館 •

Information and Public Relations Units in Offices Outside Hong Kong

城市當代舞蹈團 City Contemporary Dance Company

信興電器貿易有限公司 Shun Hing Electronic Trading Co., Ltd.

香港黃金海岸酒店 Hong Kong Gold Coast Hotel

周生生集團國際有限公司 Chow Sang Sang Jewellery Co. Ltd

CITIC Telecom International CPC Limited

上環文娛中心 Sheung Wan Civic Centre

Southgate Design

入境事務處 Immigration Department

中信國際電訊 ( 信息技術 ) 有限公司 •

邵氏影城 Shaw Studios

香港文化中心 Hong Kong Cultural Centre

粵劇發展基金 Cantonese Opera Development Fund 牛棚藝術村 Cattle Depot Artist Village

618 上海街 618 Shanghai Street

電訊盈科 PCCW

犇華企業服務有限公司 Primasia Corporate Services Limited

通利琴行 Tom Lee Music Company Ltd 荃灣大會堂 Tsuen Wan Town Hall 屯門大會堂 Tuen Mun Town Hall 城市售票網 URBTIX

市區重建局 Urban Renewal Authority

同流黑盒劇場 WeDraman Black Box Theatre 進富印刷公司 Wealthy Step Printing Co.

西九文化區管理局 West Kowloon Cultural District

Authority

富豪酒店國際 Regal Hotels International

粵海華美灣際酒店 Wharney Hotel

皇家太平洋酒店 Royal Pacific Hotel

YSpace

Royal Thai Consulate General Hong Kong

赤豚事務所 Zhu Graphizs

香港瑰麗酒店 Rosewood Hong Kong 泰國駐香港總領事館 •

Russian Club in Hong Kong

沙田大會堂 Sha Tin Town Hall

油麻地戲院 Yau Ma Tei Theatre 元朗劇院 Yuen Long Theatre

加料節目 +

演出之外，更多精采！

More than Great Performances

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傑出文化領袖講座系列（九）

Distinguished Cultural Leader Series (IX)

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幕後花絮

Behind-the-Scenes

藝術節「加料節目」2022 絕不止於舞台演出——

Festival PLUS 2022 will continue its mission

透過不同活動讓觀眾深入了解各個製作，鼓勵

to broaden audiences’ Festival experience

觀眾與藝術家互動接觸，讓大眾在台上台下不同

beyond the stage.

空間尋覓啟迪和共鳴。一系列豐富的加料節目，

Take a step back from what you see on stage and escape into the minds of the artists

將從線上線下帶你投入藝術家們的想像世界，

and creatives, through a hybrid of activities

一窺音樂、舞蹈、藝術 x 科技、戲劇、歌劇 /戲

of different genres, to give you a deeper

曲的創作故事。

engagement with the artists and their works.

無論你是否為藝術愛好者，一定能探索到屬於

Whether you are an arts enthusiast or not, it

你的藝術節「演出之外，更多精采」！

would be a pleasure for us if you find something wonderful in a fusion line-up of in-venue and online PLUS activities.

最新節目詳情 For most updated details 週末主題特備活動音樂、舞蹈、藝術 x 科技、戲劇、歌劇 / 戲曲 Thematic Weekend Specials Music, Dance, Arts x Tech, Theatre, Opera

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加料電影 PLUS Film

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演前講座 | 演後藝人談 Pre-Performance Talk | Meet-the-Artists

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電話 PHONE 傳真 FAX 地址 ADDRESS

2824 3555

2824 3798 / 2824 3722 香港灣仔港灣道 2 號 12 樓 1205 室

Room 1205, 12th Floor, 2 Harbour Road, Wanchai, Hong Kong

贊助人

林鄭月娥女士

PATRON

永遠名譽會長

邵逸夫爵士

The Hon Mrs Carrie Lam Cheng Yuet-ngor, GBM GBS

HONORARY LIFE PRESIDENT

Sir Run Run Shaw, CBE (1907-2014)

主席

查懋成先生

Chairman

Mr Victor Cha

義務司庫

范高廉先生

Vice Chairman

Prof Lo King-man, SBS MBE JP

Honorary Treasurer

Mr Colin Farrell

Members

Mrs Betty Yuen Cheng Ms Margaret Cheng Prof Gabriel Leung, GBS JP Mr Sebastian Shiu-wai Man Dr Dennis T L Sun, BBS JP Ms Miriam Yao Mr Sunny Yeung

執行委員會副主席委員

節目委員會主席委員

財務委員會

主席

委員發展委員會

主席

盧景文教授鄭阮培恩女士鄭惠貞女士梁卓偉教授文肇偉先生孫大倫博士姚潔莉女士楊光先生

Chairman

Prof Lo King-man, SBS MBE JP

Members

Prof Giorgio Biancorosso Prof David Gwilt, MBE Mr Peter C L Lo Prof Fredric Mao, BBS The Hon Mr Justice Ribeiro Mr Joseph Seelig + Mr Wing-pong Tam, SBS JP Ms Jue Yao, JP

范高廉先生

Chairman

Mr Colin Farrell

Members

Ms Margaret Cheng Mr Nelson Leong

鄭阮培恩女士

Chairman

Mrs Betty Yuen Cheng

Vice Chairman

Ms Jane Yong

Members

Mrs Helen Lin Sun Mr Andrew Yao

ADVISORS

The Hon Ronald Arculli, GBM GBS JP Mr Martin Barrow, GBS CBE JP Dr John C C Chan, GBS CBE LVO JP Dr Darwin Chen, SBS ISO Mr Angus H Forsyth The Hon Charles Y K Lee, GBM GBS OBE JP Mrs Mona Leong, SBS BBS MBE JP Dr The Hon Sir David K P Li, GBM GBS OBE JP

白諾信教授紀大衛教授羅志力先生毛俊輝教授李義法官約瑟．施力先生 + 譚榮邦先生姚珏女士

鄭惠貞女士梁國輝先生

雍景欣女士

顧問

夏佳理先生鮑磊先生陳祖澤博士陳達文博士霍璽先生李業廣先生梁紹榮夫人李國寶博士

名譽法律顧問核數師職員

甘乃迪女士（孖士打）羅兵咸永道會計師事務所

何嘉坤何丹蓉

短期節目經理助理節目經理節目統籌物流及接待經理

梁掌瑋蘇國雲廖國穎司徒頌欣葉健鈴游慧姿譚小敏陳栢琦金學忠

FINANCE COMMITTEE

DEVELOPMENT COMMITTEE

孫林宣雅女士姚祖輝先生

行政總監行政總監助理節目節目總監副節目總監節目經理

PROGRAMME COMMITTEE

盧景文教授

副主席委員

EXECUTIVE COMMITTEE

HONORARY SOLICITOR

Ms Gabriela Kennedy, Mayer Brown

AUDITOR

PricewaterhouseCoopers

STAFF Executive Director Assistant to Executive Director

馬筠婷杜歷兒

+ 榮譽節目顧問 Honorary Programme Advisor

PROGRAMME Programme Director Associate Programme Director Programme Managers

Temporary Programme Manager Assistant Programme Manager Programme Coordinator Logistics Manager

Tisa Ho Connie Ho Grace Lang So Kwok-wan Sophie Liao Samantha Szeto Linda Yip Janet Yau Tracy Tam Pecky Chan Elvis King

Katie Ma Nicholas To

行政節目經理 ( 行政 ) 節目主任 ( 行政 ) 技術製作經理助理製作經理出版編輯助理編輯

外展高級外展經理外展經理副外展經理外展主任外展助理

市場推廣市場總監副市場總監市場項目經理助理市場項目經理市場經理助理市場經理市場助理短期市場主任

票務市場經理 ( 票務 ) 票務主任

發展發展總監發展經理（大額捐獻）發展經理助理發展經理藝術行政見習員發展助理短期發展助理行政事務

會計財務主管會計經理會計主任

人力資源及行政行政經理接待員 / 初級秘書助理資訊科技資訊科技經理

無限亮高級項目經理節目及外展經理節目及外展主任市場經理助理市場經理助理技術及製作經理高級會計主任香港藝術節 @ 大館項目經理市場經理製作經理

蘇雪凌林穎妍梁雅芝莫賦斌

魏婉意

奧利弗．化理伍藹然鄭豐榮李芷晴李冠輝鄧冠恆林嘉敏張翠騫韓樂恒鄭尚榮盧伯全鄧巧茵鄭寶儀李善衡陳靄婷張予心邱芷婷甄柏衡

林穎茵

譚懿諾黃嘉璧張凱喬

TECHNICAL Production Managers Assistant Production Manager

Shirley Leung Benny Mok

Gloria Ngai

PUBLICATIONS Editors Assistant Editors

Oliver Farry Rain Cheng

Monica Ng Rebecca Lee

OUTREACH Senior Outreach Manager Outreach Manager Deputy Outreach Manager Outreach Officers Outreach Assistant

Kenneth Lee Joe Tang Carman Lam Tracy Cheung Leona Hon

MARKETING Marketing Director Associate Marketing Director Project Manager - Marketing Assistant Project Managers - Marketing Marketing Managers Assistant Marketing Managers

TICKETING Marketing Manager (Ticketing) Ticketing Officer

麥紫琴

DEVELOPMENT Development Director Development Manager (Major Gifts) Development Managers Assistant Development Manager Arts Administrator Trainee Development Assistant Temporary Development Assistant

Katy Cheng Eugene Lo Maggie Tang Keniz Cheng Kidman Li Tobie Chan Stephanie Cheung Leila Yau Alex Yan

Lilian Lam

Hades Tam Valentina Wong Kylie Cheung

Eppie Leung Stephanie Chan Flora Yu Fiona Chung Sharon Lam Lorna Tam Connie So Katrina So Winky Heung Charlotte Tang

Mak Tsz Kam

CORPORATE SERVICES ACCOUNTS Head of Finance Account Manager Accounting Officer

Teresa Kwong Connie To Catherine Chung

楊美君李美娟黃國愛

HR & ADMINISTRATION Office Manager Receptionist/Junior Secretary General Assistant

Janet Yeung Virginia Li Bonia Wong

陳啟明

INFORMATION TECHNOLOGY Information Technology Manager

Derek Chan

鄺敬婷杜詩麗鍾巧明

張文磊施藝虹何敬堯何詩慧黃秀雯陳梓衡彭健欣

嚴家卉潘詠汶

林鴻怡黃嘉欣馬志恒

香港藝術節 50 周年特備節目《拉娜》鍾維新節目經理助理節目經理李玨熙製作經理梁潔芝技術統籌製作主任剪接師

Shirley So Michelle Lam

Marketing Assistant Marketing Officer (Temporary)

梁彩雲陳偲穎余潔儀鍾雅妍林思穎譚樂瑤蘇小欣蘇曉嵐向寶淇鄧樂蕘

ADMINISTRATION Programme Manager (Administration) Programme Officer (Administration)

彭家達周德邦

按英文姓氏首字母排列 In alphabetical order 2022 年 3 月更新 Updated March 2022

NO LIMITS Senior Project Manager Programme and Outreach Managers Programme and Outreach Coordinators Marketing Manager Assistant Marketing Manager Assistant Technical and Production Manager Senior Accounting Officer

Grace Zhang Alice Sze Kelvin Ho Ho Sze-wai Stephanie Wong Jacob Chan Janice Pang

HKARTSFESTIVAL@TAIKWUN Project Manager Marketing Manager Production Manager

Brenda Lam Carly Wong Jason Ma

HKAF 50TH ANNIVERSARY SPECIAL PROJECT LAILA Project Manager Chung Wai-sun Assistant Project Manager Michael Lee Production Manager Katherine Leung TECHNICAL COORDINATION Production Officer Video Editor

Pang Ka-tat Jackie Chow

Michelle Yim Jasmine Poon