The 39th Hong Kong International Film Festival by HKIFF

23-25 March, 2015 Hong Kong Convention and Exhibition Centre

Hannah MOON

Shivajee CHANDRABHUSHAN

Mikhail RED

The A Women

American Serial Killer in Manila

YANG Heng

Ghost in Mountain

Gilitte LEUNG

The Bicycle Girl

PENG Tao

Hell is Other People

Jun Robles LANA

Breathing

Teddy SOERIAATMADJA

Die Beautiful

Degena Yun

A Jade Journey

HUANG Ji The Foolish Bird

Stephen Gurie WOO

Last Days

The Last Stitch

LUK Yee-sum

Gabriel LE BOMIN

HO Hong

FUKADA Koji

Lazy Hazy Crazy

Les Célestes

Lost in Border

The Man from the Sea

YIM Ho

Carlos M. QUINTELA

Glen GOEI

Nanking Xmas.1937

NARAtive Film 2015-2016

Pontianak

Prasanna VITHANAGE Silence in the Courts

ZHOU Quan That Summer

TAN Pin Pin

Time Capsule

Riddle

LI Rui

SETTING PICTURES IN MOTION 為電影夢啟航 Financially Supported by 資助機構

ZHOU Hao

What's the Next?

YU Sen-I

HARA Kazuo

The Memory of Okinawa My Beauty Queen Mom

PHAM Siu A Shade of Paradise

Shahrbanoo SADAT Wolf and Sheep

LU Yulai Zhang Chu's Novel

For details 詳情請登入: www.haf.org.hk Organiser 主辦

Enquiries 查詢

haf@hkiff.org.hk haf.asia

香港國際電影節協會鄭重鳴謝第三十九屆香港國際電影節的贊助商及合作夥伴 We are proud to acknowledge and thank the Official Sponsors of the 39th Hong Kong International Film Festival 資助機構 Financially Supported by

同期活動 Concurrent Events

香港國際電影節為香港影視娛樂博覽始創項目 HKIFF is a Founding Event of

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指定航空公司 Official Airline

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影音器材支援 Audio Visual Equipment Support

資助 Supported by

支持機構 Supporting Organisation

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合作夥伴 Festival Supporters

www.thegrandcinema.com.hk

指定傳媒 Official Media Partners

合作傳媒 Media Partners

傳媒夥伴 Media Supporters

香港國際電影節協會法律顧問 Honorary Legal Advisers, Hong Kong International Film Festival Society

李正國律師 Rin LEE

霍璽律師 Angus FORSYTH

香港亞洲電影投資會法律顧問 Honorary Legal Advisers, Hong Kong - Asia Film Financing Forum

廖永豐律師 Michael LEOW

節目表 Programme Diary 電影節目 Film Programme 首映禮 Galas

目錄 CONTENTS

6 6 7 7 8

開幕電影 Opening Film 頒獎禮之夜 Awards Gala 閉幕電影 Closing Film 隆重首映 Gala Premiere 特備節目 Special Presentation

火鳥大獎 Firebird Awards 10 新秀電影競賽 Young Cinema Competition 12 紀錄片競賽 Documentary Competition 14 國際短片競賽 Short Film Competition

大師與作者 Masters & Auteurs 24 大師級 Master Class 30 作者風 Auteurs

世界電影 World Cinema 18 36 80 88 90

影迷嘉年華 Gala Presentation 香港電影面面觀 2014-15 Hong Kong Panorama 2014-15 環球視野 Global Vision 德意志豐收年 German Cinema Now 以色列新世代 Young Israeli Cinema

紀錄片 Documentaries 100 真的假不了 Reality Bites 103 博物館解謎 Portraits of Museums 104 影人影事 Filmmakers and Filmmaking

平台 Platforms 46 92 94 96 110 114

自主新潮 Indie Power 我愛午夜長 Midnight Heat 我看我電影 I See It My Way 超人氣動畫 Animation Unlimited 前衛眼 The Avant Garde 修復經典 Restored Classics

焦點 Focuses 28 冷調高歌：羅伊安德遜 Roy Andersson, A Critical Surrealist 40 焦點影人：張艾嘉 Sylvia Chang, Filmmaker in Focus 111 保羅奇立遜：超八隨想曲 Paul Clipson, Super-8 Lyricism

致敬 Tributes 106 回到三里塚：小川紳介的啟示 40 Years Later: The Legacy of Ogawa Shinsuke 116 市川崑：審美時刻 Ichikawa Kon, 4 Classics Restored 120 成瀨巳喜男 110 年紀念展 Naruse Mikio, 110th Anniversary

其他 Miscellaneous 63 72 74 134

訂票指南 Booking Guide 電影節指南 How to Festival 電影節通行證 HKIFF Passes 影片索引 Index of Films

世界首映 World Premiere

開幕電影 Opening Film

香港會展中心CE2 23/3（一）8:00pm CE2 香港會展中心CE1 23/3（一）9:45pm CE1

g al as

首映禮

念念導演：張艾嘉 2015 國語 119 分鐘中文字幕演員：梁洛施、張孝全、柯宇綸、李心潔

梁洛施復出，還不夠張艾嘉多年後回台尋根引人期待。這個念念，尋源大概在她主演楊德昌的《海灘的一天》吧。李心潔演的單親媽愛跟仔女說童話，童話有美人魚，有自由的海，但更多媽的渴望。母女住綠島，苦撐的世外天堂；父子住台東，是灰濛濛的奔波。女兒（梁洛施）想墮胎，痛苦間想起媽不真實的童話；兒子（柯宇綸）酒吧爛醉，幻覺閃現母親的桃源。張孝全演拳手，把傷口帶進和梁洛施的愛情。海邊故事，總來雨打風吹。電影有一念之差，有念念不忘，回響亦必然。張艾嘉的女性命題就是瀟灑，但對悲喜的豁然，影像氣度從容，是大步跨前了。

Murmur of the Hearts Dir: Sylvia Chang 2015 Mandarin 119min Cast: Isabella Leong, Joseph Chang, Lawrence Ko, Lee Sinje

Not Louis Malle’s classic but the latest from director Sylvia Chang who, after years of absence from the helm, digs deep into her Taiwanese roots to tell a story about growing up, and letting go. Isabella Leong (Isabella, 30th HKIFF) plays an uncertain painter, Mei, who drifted apart from her tour guide brother after leaving Liudau, the off-shore island of Taiwan, with their mother. Mei falls for an underachieving boxer, and begins years of soul searching in the city, where the siblings reunite under unexpected circumstances. What was remembered and forgotten are lessons that have profound consequences in this emotional drama. 03MK4E1

頒獎禮之夜 Awards gala

3/4（五）7:00pm UA Cine Moko MK 觀眾請自攜 3D 眼鏡，亦可到戲院購買。 Please bring along your own 3D glasses or buy a new pair at the cinema.

03MK4P1 3/4（五）7:15pm UA Cine Moko MK

智取威虎山 3D 導演：徐克 2014 普通話 141 分鐘中文字幕演員：張涵予、梁家輝、林更新、佟麗婭、余男

紅色經典當港產片玩，問誰又能做到！驚艷之外，徐克 3D 也修成正果，槍戰是武術設計，活用 3D 飛簷走壁更奪目。事先張揚一定有飛機老虎，結果一幕值回票價的上山打虎撼低李安的《少年 Pi》老虎，更何止飛機，還有大炮坦克，對正了這個特技痴的胃口。 1947 年的世界像個江湖，爾虞我詐，國軍使計要土豪自相殘殺，保護夾皮溝的 203 小分隊個個像大俠，共軍和土豪之間互鬥臥底，楊子榮（張涵予）忍辱負重，做臥底還經歷美色試探，山寨王座三雕（梁家輝）亮相像惡魔，如徐克港片跑出來的老妖。影片還挺會搞笑，更搞到《一代宗師》頭上。一個字：絕非樣板戲，很過癮。

The Taking of Tiger Mountain 3D Dir: Tsui Hark 2014 Putonghua 141min Cast: Zhang Hanyu, Tony Leung Kar-fai, Yu Nan

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

The Taking of Tiger Mountain started out as a novel, became one of the eight model plays during the Cultural Revolution, and then a concept album by Brian Eno. A communist reconnaissance team soldier disguises himself as a bandit to infiltrate a gang of bandits in China’s wintry northeast during the Civil War. Tsui Hark reinvents and re-imagines, no, not the revolutionary opera, but the glories of Hong Kong cinema within the confines of a mainland blockbuster. Tiger Mountain is taken not by strategy, but the Master’s singular brand of hysteria at full speed.

閉幕電影 closing film

世界首映 World Premiere

06KG4E1 6/4（一）6:00pm 香港文化中心 KG

隆重首映 gala premiere

世界首映 World Premiere

25GC3E1 25/3（三）7:15pm The Grand GC

06TC4E1

27GC3M2D

6/4（一）7:15pm MCL德福戲院 TC

27/3（五）2:00pm The Grand GC

踏血尋梅 ( 導演版 )

美好 2015

導演：翁子光 2015 粵語／普通話 120 分鐘中文字幕演員：郭富城、春夏、白只、金燕玲、譚耀文、邵美琪、蔡潔

導演：慕森麥馬巴夫、蔡明亮、黃建新、嚴浩 2015 英語／普通話／國語／粵語 120 分鐘演員：阿米拉里哥斯羅謝迪、瑪嘉莉達哥莉亞、李康生、安藤政信、佟麗婭、竇驍、黃淑儀、徐肇平

少女時光明媚，但歲月不靜好，不快樂的梅，要獨立救自己，走上網交路，她最後的恩客，是聰。索 K 索 high 了，我想死脫口而出。梅帶出臧 Sir，負責查她的死因，臧 Sir 很怪，會在案發現場拍照留念，不是不想破案，但對人的底蘊更好奇。他很快尋到聰，一個三失青年，跟梅一見如故。真凶殺案改編，不問誰是兇手，只問為甚麼。翁子光第三作大大開拓野心和電影視角，跳躍時空探討失落的世代，幕後三大師杜可風、廖慶松和杜篤之聯袂助陣（掌鏡、剪接、混音），吳里璐精心改造郭富城。這個臧 Sir 造型突出，花白髮黑框眼鏡不修邊幅，再一次影帝出來了？

電影節今年請來兩岸三地三大導，還有伊朗大師麥馬巴夫，走四地拼出四種感覺。麥馬巴夫拍《房客》，伊朗男孩給倫敦包租婆迫租，情急之下和她一起遛狗和領盲人，那都是他的散工。執導《無無眠》的蔡明亮說故事：「只是出門寫生，畫一幅小康東京夜行圖。冬夜，冷，澡堂，嬰兒般光滑剔透安藤的身體……」黃建新的《失眠筆記》是當失眠男遇上嗜睡女，相異個性相吸？可惜病像會傳人，他們漸變同質時，愛情守得下去嗎？嚴浩的《死後三天》找來黃淑儀演遇意外的女人，陷入昏迷之際遇上扶她一把的男孩天使。咦，可真是天使？

Port of Call (Director’s cut)

Beautiful 2015

Dir: Philip Yung 2015 Cantonese/Putonghua 120min Cast: Aaron Kwok, Jessie Li, Michael Ning, Elaine Jin, Patrick Tam

Dir: Mohsen Makhmalbaf, Tsai Ming-Liang, Huang Jianxin, Yim Ho 2015 English/Putonghua/Mandarin/Cantonese 120min Cast: Amirali Khosrojerdi, Lee Kang-Sheng, Tong Liya, Gigi Wong

A teenage prostitute is murdered; her body cut up and flushed down the toilet, and her severed head thrown into Victoria Harbor. Director Philip Yung (Glamorous Youth, 33th) chooses to focus not on the crime or the investigation, but on the dead girl and her family, the cop and his family, and the killer who is without a family. The result is a genre-bender that progresses as it digresses, an atmospheric mosaic of human lives and actions that invariably get complicated, out of order and beyond reason, and with the characters firmly grounded in gritty and unforgiving reality.

隆重首映 gala premiere

世界首映 World Premiere

30KG3E1 30/3（一）8:00pm 香港文化中心 KG

Understanding “beauty” for 2015… from Beijing, Huang Jianxin wonders if it’s nobler to sleep or not to sleep in Insomniac Diary. In London, Mohsen Makhmalbaf’s Tenant tells the misadventures of an Iranian boy trying not to lose his bed-sit. With Three Days after My Death, Yim Ho creates a parable: a woman who wants to die must save someone’s life before her death wish be granted. Tsai Ming-Liang returns with No No Sleep, where bare-footed Lee Kang-Sheng walks Tokyo streets in the depth of winter.

隆重首映 gala premiere

亞洲首映 Asian Premiere

03KG4E2 3/4（五）9:15pm 香港文化中心 KG

05GC4M2 5/4（日）2:30pm The Grand GC

衝鋒車

愛森斯坦萬萬歲

導演：劉浩良 2015 粵語 102 分鐘中文字幕演員：吳鎮宇、任達華、古巨基、鄭浩南、思漩、譚耀文、姜皓文

導演：彼得格連納韋荷蘭／墨西哥／芬蘭／比利時 2015 105 分鐘中文字幕

黑社會大佬森哥（吳鎮宇）義薄雲天，頂罪坐監 20 年，放監吹雞，已從良三兄弟馬上集結（任達華、鄭浩南、譚耀文）去食大茶飯。吓！十四座改裝衝鋒車，和平械劫人民幣？咁都得？都話警賊無分界咯，森哥絕計合情合理只差合法。點知撞正食腦神探（古巨基），嗅出罪案，腦海具象重組，甚至賊人個性：這個執着細節，那個鵪鶉。行動正日，神探追蹤，又撞正另一匪幫，冷血女飛賊上錯車，真假乜乜乜，神探也起義。劉浩良也是個食腦的，無數港產片編劇，初把文字原味帶進搞笑畫面，活力十足。擔正都是港產性格演員，精彩別無分號，港產片點會死！

愛森斯坦的《十月》有副題「震撼世界的十天」，彼得格連納韋卻找到「震撼愛森斯坦的十天」。愛森斯坦拍《墨西哥萬歲》到了瓜納華托的十天，發現了性愛死，所經歷的革命，就在自己體內發生。33 歲的他本以大導演英雄姿態駕臨，卻沒料到面對自己的腆腆。回國後創作軌跡轉向，以前的《波特金號戰鑑》、《十月》等處理政治慾望意識形態，其後的《俄軍抗德記》、《恐怖的伊凡》已變人性化了。極大特寫、分割畫面、戲劇化蒙太奇，格連納韋挪用愛森斯坦電影魔法，一步步貼近天才心，「電影已死的今天，正好去追憶我們最了不起的導演。」（格連納韋）

Two Thumbs Up

Eisenstein in Guanajuato

Dir: Lau Ho-leung 2015 Cantonese 102min Cast: Francis Ng, Simon Yam, Leo Ku, Cheng Ho-nam, Patrick Tam

Dir: Peter Greenaway The Netherlands/Mexico/Finland/Belgium 2015 105min Cast: Elmer Bäck, Stelio Savante, Lisa Owen, Luis Alberti

Four loser gangsters devise a scheme that is deviously ingenious (or profoundly stupid): to disguise a minibus as a police vehicle to rob cross-border trucks that carry human carcasses with money inside. The ploy kicks into action one evening in the New Territories, and the plot thickens with spooky and deadly encounters, including one with an identical police car – also a fake, but manned by killer gangsters who are after the same dead bodies. Fast-paced, feverish, smart-alecky, in-your-face… Two Thumbs Up brims with the street-wise energy that once ignite Hong Kong Cinema.

Sergei Eisenstein is so deeply embedded in Soviet film and history that it seems impossible to imagine him away from the Odessa steps or the icy landscapes of Alexander Nevsky. Yet, in 1930, Paramount invited him to Hollywood, whence he traveled to Mexico. This interlude provides Peter Greenaway with a leaping off point to explore a new sensuality and meaning that Eisenstein discovers in ten days with his Mexican guide, Palomino Canedo. Master meets Master in a vivid and unexpected landscape.

隆重首映 gala premiere

香港會展中心CE1 24/3（二）8:00pm CE1

特備節目 Special Presentation

28UC3E2

世界首映 World Premiere

31CT3E1 31/3（二）7:15pm 香港大會堂 CT 社區放映會（P.27頁） 2/4（四）2:00pm The Grand GC

28/3（六）9:45pm UA太古城 UC

合辦 Co-presenters:

舞吧！夜遊天使

我城

導演：瑪莉阿瑪蘇琪妮、克拉寶嘉、森美泰斯法國 2014 95 分鐘中文字幕

導演：陳果 2015 粵語／國語 117 分鐘中文字幕

法國東北部，舞孃安琪宣佈要結婚，怎也是小鎮夜蒲界的盛事，眾人心聲是：她終於修心養性找到歸宿。未來老公是斯文大個子，出得廳堂順得人，同母不同父的三子女為她高興，她也藉此機會，接回不知精子誰出，寄養他方，一頭金髮的細女。《秘密與謊言》蕩母痴兒的故事曾讓你流過淚吧，這裏情調大不同，安琪有個如周慕雲對樹洞才說得出口的秘密，叫她放棄幸福。影片不帶半點批判目光，不要觀眾為她滴一淚，要你尊重舞到底是人生抉擇。森美泰斯找來電影學院兩同窗一起炮製這部別出心裁之作，主演的是他母親，同場還有其他家人，箇中有導演人生，是銀幕內外的一趟省思旅程。獲康城影展最佳新導演金攝影機獎。

西西筆下的阿果見到荷花見到蓮藕，喊一聲有落，從紅 van 走下來另一個阿果也見到荷花蓮藕，他藉着一記遊戲童心，Hi, Story 問候這位最具影響力的本地作家，試縫一本小小文學剪貼冊，活潑鏡頭下是西西的恬淡和堅韌，生趣和志氣。那一代有瘂弦、莫言、鄭樹森、羅卡等，這一代有董啟章、潘國靈、謝曉紅、馬世芳等，文本也好，交往也好，承傳也好，說故事裏的故事。我們在西西的寫作島嶼土瓜灣轉來轉去，看到她的失敗劇本和前衛電影，都有坐飛氈的感覺，亦重訪美麗大廈，淡淡哀悼乳房。從香港文學走到香港現狀，有西西的執着與放低，有香港人的孤寂和氣質。陳果不認命，看見一座像我城這樣美麗的城市。

Party Girl

My City

Dir: Marie Amachoukeli, Claire Burger, Samuel Theis France 2014 95min Cast: Angélique Litzenburger, Joseph Bour, Mario Theis, Samuel Theis

Dir: Fruit Chan 2015 Cantonese/Mandarin 117min

Not the chick flic the title suggests, but a truly moving real-life exploration of a 60ish working class French cabaret woman in northeast France who decides to settle down with a miner client. This is not the hardscrabble fictional world of the Dardennes either: director Samuel Theis, working with two friends from film school, instead scrutinizes the events of his own life, bringing his mother, Angélique Litzenburger, and his family, providing reflections and insights for family and audience alike. Camera d’Or Winner, Cannes Film Festival.

Poet and author Xi Xi is one of Hong Kong’s most treasured writers. Though also acclaimed in Taiwan and mainland China for seminal works like the essay Shops, her writings are firmly rooted in the spirit of Hong Kong. Leave it to Fruit Chan, another staunchly grassroots auteur, to make a documentary on Xi Xi’s career. Chan sought out renowned critics and writers to discuss Xi Xi’s works, starting with 1979’s My City. He also juxtaposes photos of a changing Hong Kong with readings of her writings, and even playfully inserts characters from her stories into the film.

yo co u m ng pe c ti in ti em o a n

Firebird Award

新秀電影競賽

火鳥大獎

31GC3P2

02MK4M3D

31/3（二）10:00pm 2/4（四）5:00pm The Grand GC UA Cine Moko MK

照見導演：喬美仁波切 2014 普通話 92 分鐘

孩子突地失去蹤影，她發狠了，強悍外殼一下子坍塌，報案時連公安都奇怪那慌張得過份，「他是盲的！」單親的媽就是特強，保護膜當然也是：送他去正常學校，因為對他好；拉他去打乒乓，因為對他好。她說：不好好訓練，媽死了他怎辦？導演喬美仁波切是轉世活佛，鏡頭下光影出塵，影機猶如心眼，觀照五蘊與眾生苦厄。他後來讓媽媽蒙住眼睛，體驗孩子所感所觸所見。沒有長篇大論的心經，一部憑感覺去看的電影，佛家有云覺知的心有八個，你能拿出幾多，看造化了。

ATA Dir: Chakme Rinpoche 2014 Putonghua 92min Cast: Wang Ning, Jiao Gang, Meng Tianyu

Tibetan filmmaker Chakme Rinpoche directs this compassionate journey of spiritual discovery set in Inner Mongolia. Sightless Meng Tianyu is pressured by his mother to train in blind ping pong in hopes that he’ll become a national champion. But Tianyu doesn’t enjoy the sport and one day he suddenly disappears. At a loss, the mother searches for her son while wearing an eye mask, experiencing first hand his world of darkness and his capacity to see so much more.

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2/4（四）5:00pm The Grand GC

心迷宮導演：忻鈺坤 2014 普通話 119 分鐘中文字幕

新與舊左與右都不是人的小農村，帶點惡意的謊言滾出來大雪球，雪球黑黑的嚇死人。村長兒子搞大人家的肚，大不了自己悲劇收場，卻弄出一具不明不白的屍體。村長心中有鬼呃神騙鬼，阿仔也有鬼無厘頭去私奔。旁枝人物也滑稽，跛子愛色出城爛滾，窮村民求財出城豪賭，一個老想打死人，一個錯手打死人。但屍體更命途多舛，給用完即棄，總找不着身份。奇詭如《白日焰火》（38 屆），再以環迴結構命裏巧合撞出更荒謬的，打入威尼斯影展獲譽為才情更勝寧浩、去年最牛逼的大陸作品。

The Coffin in the Mountain Dir: Xin Yukun 2014 Putonghua 119min Cast: Huo Weimin, Wang Xiaotian, Sun Li, Jia Zhigang

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

Village noir with touches of black comedy. First-time director Xin probes the entanglements of love and death in a village in Henan where people presumed and desired dead have annoying tendencies not to be so. The narrative weaves us into an apparently chaotic interplay of coffins, bodies and funerals with loves licit and illicit, gambling and rivalry. Leaving us to guess, nearing the end, who or what is in the box and what it will mean for the villagers we have come to know so closely.

亞洲首映 Asian Premiere

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無國界小王子

還我女兒身

導演：D.E. 布拉格、艾米亞李察 2015 蒙古語 85 分鐘

導演：阿米荷辛阿斯加里伊朗 2014 102 分鐘中文字幕

導演：羅拉碧絲普莉意大利／阿爾巴尼亞 2015 90 分鐘

K 來到偏遠小村子，給城堡官樣文化無休止留難，這你聽過了，但能想像場景是蒙古大漠麼？卡夫卡的《城堡》由賈樟柯監製果然不一樣。K 穿越的蒙古草原沒有在望的城堡，他抵達時是陽光普照的午後，村子一下子甦醒過來。這裏盡多迴廊和弄堂，鏡頭湊得近，收音機播出 40 年代爵士樂，電話是轉盤的古老款式，頭頂珍寶機越過發出巨響，時空現在還是過去都分不清楚。K 在村長書記官員身上經歷一次次的挫折，重複得像輪迴，卻每每有啟示。看不見的城堡隱沒艷陽中，都不知近還是遠。

他是小王子，擱淺岸邊的破船是他的小恆星，他拋下魚餌，一邊等魚兒上釣，一邊沉迷在自己小小世界裏，有時悉心佈置，也弄些貝殼做做風鈴。說得太浪漫？是是是，忘了說明，這兒位處生人勿近的邊區，我們的小王子務必時刻提防大兵走近，或者，他更像《怒海求生》的羅拔烈福一人騷，只是更神勇更好看。然後，來了個持槍小孩，做買賣的，兩孩劃地各據一方；再後來，殺進個肥大兵。那個不安世界的小縮影，不過有愛有和平，就像《小王子》。獲東京電影節最佳亞洲電影獎。

阿爾巴尼亞偏遠山村有「Kanun」這俗例，倘若家中無男，獨生女只要發處女誓，可換取公認的「花木蘭」身份，授以男生任務拿槍枝打獵，哈娜因此變成「馬克」。身體藏在男兒裝束 14 年，生理有些微妙變化，馬克毅然孤獨上路，往意大利米蘭大都會進發。人生二分的地圖，在邊界路上現形出來：那一邊代表古老、犧牲、壓抑，這一邊則是當下、忠於自己、解放。放下身體規條，羅拉碧絲普莉這部首作並非揀錯後悔修正，而是身心同時昇華，馬克發掘哈娜，哈娜擁抱馬克。

Borderless (Bedone Marz)

Dir: Darhad Erdeni Bulag, Emyr ap Richard 2015 Mongolian 85min Cast: Bayin, Jula, Yirgui, Zandaraa, Altanochir

Dir: Amirhossein Asgari Iran 2014 102min Cast: Alireza Baledi, Arsalan Alipourian, Arash Mehraban

Sworn Virgin (Vergine Giurata) Dir:Laura Bispuri Italy/Albania 2015 90min Cast: Alba Rohrwacher, Lars Eidinger, Flonja Koheli, Luan Jaha

The latest film produced by Jia Zhangke – as part of his initiative to support young filmmakers – is a fresh rendering of Kafka’s unfinished novel The Castle. In present-day Inner Mongolia, a conman arrives in a farflung village and engages in an affair with the purported mistress of an important official. K’s Mongolian and Welsh co-directors, skillfully distill Kafka’s absurdist fable about bureaucracy into a modern tale of man’s existential struggle against alienation and questionable authority.

In a world at war, the rusting hulk of an abandoned ship grounded in marshlands becomes a refuge and a world for a small boy and his fishing. Yet strangers and their realities inevitably intrude, linking him to the lives and deaths of those around him and forcing him to grow. With this intriguing representative of new Iranian cinema, first-time director Asgari won the “Asian Future“ award at the 27th Tokyo International Film Festival.

亞洲首映 Asian Premiere

For her debut feature film, Italian director Laura Bispuri tackles both the socio-political and the magical. When still a girl, Hana Doda, escapes a life of servitude in the Albanian mountains, pledging her eternal virginity in return for a male body. Her wish is granted, but after a decade spent in savagery in the mountains as “Mark”, she yearns for company and intimacy. She heads to modern day Milan, where she must learn what it means to be a woman once more.

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1/4（三）4:30pm The Grand GC

3/4（五）2:00pm UA Cine Moko MK

激戰之羊

穿越消失點

大爸爸小爸爸及其他

導演：伊凡奧斯洛佐夫斯基斯洛伐克／捷克 2015 75 分鐘

導演：渣卡華尼譚朗泰國 2015 100 分鐘

導演：潘黨迪越南／法國／德國 2015 100 分鐘

男人的浪漫可是一拳闖出天下踏遍省埠？惜雄心壯志，總未可盡酬。前奧運拳手高沙和伴侶美莎苟活於破落公屋，朝搵唔得晏，雪上加霜是美莎有天說自己身懷六甲，叮囑他找錢給她墮胎。已缺練幾年的高沙唯有找出拳套，在教練扎溫高協助下，重上擂台激戰。他用肉體和痛楚交換的早超越金錢和個人發揮：可以打倒多少對手變得愈來愈不重要；可以捱多少拳，重新站起，屹立不倒才是關鍵所在。真實情事搬上銀幕，男主角演回自己，虛實之間，微妙的轉換加倍引誘觀眾發掘品嚐。

阿彼察邦韋拉斯花古成大名後，泰國電影新美學不再自我約束，驚喜不斷。由一宗虐殺兇案開出，兇手被帶到現場過程重組，記者回到城中，到花街蹓躂，同時華裔商人外出找相好，他女兒亭亭玉立，問母親為甚麼沒親戚，其實父親有個出家哥哥，寺院裏平淡說出心中慾夢。鏡頭流麗開展有簡樸味亦有神秘感；生命相關卻非絕對的因果。新導演尼譚朗銳氣非凡，從生死無常、人生危機的思考出發，不離世俗不落俗套，追蹤眾生色蘊。獲鹿特丹電影節老虎大獎。

一部越南的《那些年》，西貢的糜爛燃盡了青春。阿胡來到學攝影，同屋的阿湯是個夜蒲哥兼皮條友，和阿胡同齡卻已身經人生百戰，把阿胡迷倒了。哥兒倆一起夜蒲，阿胡跟女人睡了。哥兒倆一起避難到鄉下，同志春光乍洩，給阿胡的爸趕回西貢。哥兒倆窮途末路，想一起去絕育領獎金，放棄做爸的可能。越南的 90 年代禁忌和陷阱處處，大爸爸小爸爸都一樣叫人難堪，潘黨迪（《慾念起錨》編劇，34 屆）的風格獨立作，破天荒成了首部打入柏林影展角逐金熊獎的越南片。

Koza

Vanishing Point

Big Father, Small Father and Other Stories (CHA VÀ CON VÀ)

Dir: Ivan Ostrochovský Slovakia/Czech Republic 2015 75min Cast: Peter Baláž, Zvonko Lakčević, Ján Franek, Stanislava Bongilajová

Real-life former Olympian Peter “Koza” Baláž has seen better days. The ex-boxer now lives in a housing estate and just discovered that his pregnant girlfriend Miša wants to get an abortion. Struggling to make ends meet, the out-of-shape Koza decides to retrain and go on a boxing tour to make some extra cash. Ostrochovský’s static camera deliberately strays away from the pathos of Koza’s deplorable predicament – making this deepseated blend of docu-fiction an interesting successor to the boxing film.

Dir: Jakrawal Nilthamrong Thailand 2015 100min Cast: Ongart Cheamcharoenpomkul, Drunphob Suriyawong, Chalee Choueyai

32 years ago, the parents of visual artist and filmmaker Jakrawal Nilthamrong experienced a debilitating car accident. The life-changing event serves as this film’s raison d’être: a rumination on life’s unpredictability, and how it goes on regardless of overwhelming tragedies. Eschewing standard narrative, this meditative and atmospheric work follows several protagonists such as a photojournalist witnessing a grisly crime re-enactment; and a factory owner whose existential crisis leads to infidelity and alienation from his family.

Dir: Phan Dang Di Vietnam/France/Germany 2015 100min Cast: Do Thi Hai Yen, Le Long Hong

Set against the looming Asian economic crisis, Phan Dang Di’s sophomore feature examines the evolving social fabric of 1990s Vietnam via the lives of young people in Ho Chi Minh City. Photography student Vu falls for small-time drug dealer Thang, but his father, wants him to marry Huong instead. A story of hidden desire and desperate measures, this film traces the protagonists’ romantic and financial entanglements while remaining unfettered by melodramatic foresight or easy endings.

do co c m um pe e ti nt ti ar o y n

Firebird Award

紀錄片競賽

火鳥大獎

世界首映 World Premiere

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尋愛導演：范儉、柴紅芳 2015 普通話 97 分鐘中文字幕

窮困家鄉抵不住充滿機遇的城市誘惑，大陸民工故事自經濟開放以來一直說不完，兩導演帶你往深圳跟貼三個民工兩段愛情。年輕的一對在同一工廠相識相戀正準備結婚，回鄉請示父母，女的來自湖南，男的來自陝西，相距千里，但兩方家長都想他們回鄉生活，年輕人又有自己打算，作決定是難上難。另一女民工捱出了頭，結識當地年長的工程師，戀愛是另一番滋味。戀愛大，現實難。影機同理心千里相隨，細看愛情和婚事截然兩種心情，是民情報告，也寫下最新小民歷史。

Manufacturing Romance Dir: Chai Hongfang, Fan Jian 2015 Putonghua 97min

China’s economic boom have seen young, aspirational men and women abandon their provincial homes for the cities to find work. While some are able to break free of their filial responsibilities, choose a spouse and settle down in an affluent metropolis like Shenzhen, others are bound by their families. While the children look to make a better life, their parents face the very real fear that their family legacy will soon disappear forever.

世界首映 World Premiere

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3/4（五）8:30pm 香港科學館 SM

少年 * 小趙導演：杜海濱 2014 普通話 106 分鐘中文字幕

介紹紀錄片先說「故事」？不，是平遙愛國少年的真實人生。一開始他為釣魚台反日吶喊，聽說六四的清場是「勸退」的，家窮考大學要問親戚借錢，壓力大酒後灑男兒淚，終於考進民族大學學習反美帝。牛頓說世間有引力也有反引力，大學生活還是有自由思考空間，到彝族當 15 天山區小老師教導共產主義好，大地經驗開闊眼界，當初當兵衛國的想法不是必然，課本的歷史未必是真。杜海濱（《鐵路沿線》，26 屆）用五年時間踟踟躕躕跟着這名 90 後，鏡頭關切而不介入，見證時代成長。

A Young Patriot Dir: Du Haibin 2014 Putonghua 106min

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

Zhao Chatong from Shanxi Province was born in 1990. At age 19, he was already a fervent Mao worshipper and a nationalist who waved his country’s flag in protest against the Japanese claims over Diaoyu Islands. But as Du Haibin follows Zhao from his teenage years into his adulthood, the young man’s idealism begins to fall away, just as his own failures and frustrations start to mount amid the background of China’s shifting political landscape.

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4/4（六）1:00pm 香港藝術中心 AC

30/3（一）9:30pm UA iSQUARE IS

4/4（六）3:30pm 香港藝術中心 AC

一九八九

各有國教

革命……其後

導演：A. 奧斯泰格、E. 拉絲丹麥／德國 2014 101 分鐘中文字幕

導演：譚瑪拉艾黛法國 2014 93 分鐘中文字幕

導演：安娜羅絲朗法國 2014 111 分鐘

1989 年，柏林圍牆倒下前，為東西德統一放上最後一根稻草的，是當時匈牙利總理內梅特一個善良的決定。奧斯泰格（《緬甸起義－看不到的真相》，33 屆）與拉絲為八九歷史尋源，發現了華里沙、哈維爾、戈巴卓夫外，還有被遺忘的內梅特。內梅特親身亮相，爆出五月開放邊境的前因後果。東德小人物舒爾茲偷越邊境遭槍殺，促成重大決定。舒爾茲妻子講述當年越境經過，勾沉大小故事，紀錄片段糅合事件重演，幾乎重現一部驚慄劇情片。11 月圍牆倒下，他們都功不可沒。

教育可以是洗腦的無形打手，處於衝突刀尖上的以巴才不管甚麼客觀持平，反正愛國是王道，洗腦合法。以色列導演細選以巴六間地域與立場各異的學校，一間甚至種族共融的，跟拍一載，細說自己也曾經歷的那些年少無知。這邊廂以色列小孩被教育要趕走巴人奪回橄欖，那邊廂巴勒斯坦小孩被大力灌輸以暴易暴；一批又一批衝鋒陷陣的戰士就這樣煉成的。一個教師自製批判思維教科書 …… 混合班的巴勒斯坦教師力陳另一面的真相……濁流裏的清泉，情何以堪。

不是人頭湧湧喊聲震天的塔希爾廣場，同一埃及時空下，是羊兒咩咩的寧謐綠草地，革命別忘記他們。尼羅河西岸樂蜀附近村莊，三千年前埃及史上首次罷工示威，衝着法老王的，就發生在這裏。法拉這個耕田人，血裏有前人播下的種，他支持革命，但毗鄰的村人，關心收割麵包蓋房子，尤甚於開羅有幾多人自焚。影機從 2011 年佔領廣場開始，一直追聽泥土氣息中的聲音，革命的複雜辯證，遠一點靜一點看更透徹，樂蜀沒有樂不思蜀。獲捷克伊赫拉瓦紀錄片節最佳世界電影及首作獎。

1989

This is My Land

I am the People (Je suis le peuple)

Dir: Anders Østergaard, Erzsébet Rácz Denmark/Germany 2014 101min

Dir: Tamara Erde France 2014 93min

Dir: Anna Roussillon France 2014 111min

War is both taught and learned, as French-Israeli filmmaker Erde shows us through her sensitive observations in six Jewish and Arab schools in Israel and Palestine. Denied knowledge of Palestinian history in her own upbringing, she examines a Talmudic school, a refugee camp school and an institution with both Jewish and Arab students, among others, to hear how history is taught, how students make it their own, and how the divisions of the past are replicated in eager new generations.

The Arab Spring became known to the world through mass, grassroots actions in urban settings from Tunis to Tahrir Square in Cairo. Roussillon’s documentary, by contrast, probes below the grassroots, exploring Egypt’s political dramas, from the fall of Mubarak to the rise of Morsi, through the perspective of a small village and its rural inhabitants who saw the political convulsions of the center from a distance via mass media. In the end, we must ask what has really changed for them.

A year that reshaped the world. 1989 marked the rapid destruction of the Iron Curtain that had divided Europe for more than four decades. østergaard (Burma VJ, 33th HKIFF) charts how the actions of Hungary’s young and forward-thinking prime minister Miklós Neméth galvanized hundreds of thousands of East German refugees to force their way into the West. Constructed from interviews, news footage and reconstructions, 1989 is a fascinating glimpse into the darkened corridors of power. 亞洲首映 Asian Premiere

亞洲首映 Asian Premiere

國際首映 International

Premiere

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1/4（三）9:45pm 香港藝術中心 AC

4/4（六）7:45pm 香港藝術中心 AC

30/3（一）7:20pm UA iSQUARE IS

2/4（四）10:15pm The Grand GC

我要見經理

非人熱線

駱駝的天空

導演：漢斯朗德國／意大利 2014 93 分鐘中文字幕

導演：茜維娜蘭絲曼以色列／法國 2015 99 分鐘

導演：露津艾嘉南阿拉伯聯合酋長國 2014 85 分鐘中文字幕

只須看地球一眼，任何來自外太空的訪客，都會想向「熱線」是處理以色列難民事務的民間團體。喂喂，說得經理投訴。電影開首即引用垮掉一代作家 William S. 不對，難民這個字眼已被單邊剔除，不理來自北非還是 Burroughs 的名句。衝着這句，電影去了七個城市，紀錄中東，是逃避戰火抑或尋求政治庇護，一律被內塔尼阿了七個看似毫無關係的故事，由玻利維亞天空之鏡的鋰胡內閣稱為「滲透者」！跨過國際人道主義共識，鷹派以礦工人到北京的名車推銷員，由底特律的人體急凍銀行為強硬可阻擋難民潮，執法部門只懂加建監獄，卻令刑到龐貝古城與遊客合照的羅馬戰士，由清邁的國際化安事法與人權法抵觸，法理自相矛盾含糊不清，製造更多老院，到委內瑞拉廢棄大樓變身的貧民社區。漢斯朗以問題，難民財產及工作領薪，都因為沒有身份被扣押。人類學的冷靜態度審視全球化下地球村的面貌，同時呈影片紀錄「熱線」的女社工如同難民的一線曙光，精力現社會低下層卑微的夢想、希望和恐懼。充沛每天與各方周旋，在死局中打開缺口。

一個人跟整個阿拉伯世界打仗？傻的嗎？更匪夷所思的，這是個她。花地瑪是駱駝痴，喪夫後尋回貝都牧民的根，戴上傳統皮面具，落戶沙漠，與美駝為伍。她參加駱駝選美，去駱駝拍賣會，都是女子禁足地，她是第一人。那是一個人的抗爭。男人認為只有男人懂駱駝，她就覺得自己的寶貝冧巴 one。只有兒子縱她，鏡頭下，她用昂貴進口洗髮水，給駱駝洗一個性感的浴。花地瑪躺在沙漠，也很性感，像大海裏的美人魚，她說，這裏近天空。她是自由鳥。獲杜拜電影節最佳紀錄片獎。

I Want to See the Manager

Hotline

Dir: Hannes Lang Germany/Italy 2014 93min

Dir: Silvina Landsmann Israel/France 2015 99min

Nearby Sky (Samma Qarribah) Dir: Nujoom Alghanem UAE 2014 85min

The balance of power has shifted between the world’s leading economies with almost tectonic repercussions. From lithium mining in Bolivia to Beijing’s luxury car dealers, the redistribution of wealth is making its impact felt on the rich and poor alike. With an incredible eye for capturing beauty in both nature’s grand panoramas and the increasingly weary faces of its inhabitants, Lang presents his unique, eccentric perspective on globalisation.

In Tel Aviv, the volunteers at the Hotline for Migrant Workers tirelessly advocate for their charges: refugees from Sudan and Eritrea brought to Israel and now stranded – some of them deemed criminals and imprisoned, some prevented from working, and all lacking basic human rights due to xenophobia, racism, conflicting policies and outrageous bureaucracy. Landsmann captures the volunteers and the underrepresented people they fight for in a sometimes futile but vital struggle against an unjust, broken system.

“A daughter of men challenges men. I am a wolf and they’re wolves…I’ll eat them!” says Fatima Ali Alhameli, the UAE’s first female to enter her camels into the country’s camel auctions and beauty pageant competitions. Acclaimed Emirati poet-filmmaker Nujoom Alghanem follows the illiterate yet dauntless Ali Alhameli as she pursues her dreams in a male-dominated arena. Filmed over two years, Nearby Sky is a rousing portrait of a woman whose act against societal norms reveals a country’s capacity for change.

27SP3P1 27/3（五）8:30pm 香港太空館 SP

01AC4M2D 1/4（三）3:30pm 香港藝術中心 AC

國際短片競賽節目（一）

FILM

SH COMPETITION ORT

Firebird Award

國際短片競賽

火鳥大獎

太初有常，人類文明與建設同步並向，迸發光采，但稍一看清，破壞早隱藏其中，而且為何也那樣美？畢竟，《太初有作》（德國），一切唯心造。裝修工人和住客一起獃在《水泥》（中國）造的房子，疏離與焦慮迫出空間轉換，唯仍差強人意。阿當困於《藍調心房》（法國／波蘭），音訊隔絕，只有一扇窗閃現想像的安慰。故老相傳，火山爆發是《牛頭人》（印尼）狼戾所致，虛實交織的敘事，揭開神話帷幕，再現的仍是奇幻光景。一面看帕索里尼一面構思文章，前兵哥不禁問自己《為何》（以色列）走不出記憶夢魘。全長 60 分鐘。

Short Film Competition Programme I Ulu Braun’s Architektura (Germany) inspects man’s architectural ambitions, with video “collage tableaus” of places and structures in stages of construction and demolition; Liu Wei’s The Concrete (China) explores the space between strangers within the alienating confines of constructed environments; Our relationship with the materials and places that constitute contemporary urban life is starkly personified in Tomasz Siwinski’s animation A Blue Room (France/Poland), where a comatose man is stuck in a room with his own subconscious; Wregas Bhanuteja digs out imaginary spaces in Lembusura (Indonesia), where youths attempt to evoke a Javanese mythological figure after a volcano eruption; and renowned Israeli filmmaker Nadav Lapid (The Kindergarten Teacher, p.90) investigates memories in Why? (Israel) as a middle-aged man reluctantly recalls viewing Pasolini’s Theorem, long ago. Total: 60min.

27SP3E2 27/3（五）10:00pm 香港太空館 SP

03AC4M2 3/4（五）3:45pm 香港藝術中心 AC

國際短片競賽節目（二）如咒語般的喃喃獨白聲中，戀上變態男的黃衣女郎，在《陽光燦爛的殺人日子》（加拿大），終於對不同的自己大報復。剛果來的《阿伊莎》（法國），未能說服要驅逐她出境的官員相信她未成年，醫生要為她驗明正身。《狼孩》（德國）有一個獸父，獲救後由狼養大，但他無法背叛血統，天使和貓能否為他提供救贖？《五月天》（意大利），影子在小鎮、礦洞間穿梭，人等待黑鳥歌唱之際，牠們卻躲起來。少女給男友拋棄，危站高樓，《跳下去，活下來》（台灣）兩邊都不易，其實徘徊生死邊緣的又豈止是她？全長 62 分鐘。

Short Film Competition Programme II A jilted woman narrates her story with spiteful relish in Kenneth J. Harvey’s It Was Sunny the Day I Killed Her (Canada); Clément Tréhin-Lalanne examines the extent to which officers clinically assessed the age of an undocumented young woman in Aïssa (France); an animated film using traditional woodcut technique, David Jansen’s Daewit (Germany) is a fable about an angel, a cat and the coming-of-age of a wolf child; Simone Massi’s animated oil pastels in The Wait of May (Italy) hover over the sights and sounds of a country’s pastas the protagonist continues a personal quest; and a suicidal woman meets an ex-gangster chef on New Year’s Eve in Chen Yungchi’s Jump Off or Live On (Taiwan). Total: 62min.

28SP3E2 28/3（六）9:45pm 香港太空館 SP

01AC4M3D 1/4（三）5:30pm 香港藝術中心 AC

國際短片競賽節目（三）抹地工人忽然機械人上身，一時置身無重太空，一時游走《憂鬱的沙漠》（奧地利），問題是：如何平伏那心跳？剛和孩子洗過澡的俏媽獲悉離家多天的夫君跟人曖昧，蕉也不買了，不找到《負心漢》（哥倫比亞／英國）誓不罷休。另一個母親跑到警局投訴家暴，礙於言語不通，翻譯的人無心《聆聽》（丹麥／芬蘭），都只想把她送回地獄。這邊廂，偷窺群雌出浴的哥兒們忽發奇想，一心進行《河馬式突擊》（波蘭）。那邊廂，姐兒擅入室友親密戰場，不斷挑戰對方性愛和情緒的底線，《拙於舞步》（美國）的究竟是誰？全長 60 分鐘。

Short Film Competition Programme III Stephanie Winter’s baroque sci-fi musical Tristes Déserts – A Robot’s Tale (Austria) proposes a mind-bending encounter between a lonely ruff-collared robot and otherworldly creatures; Leidi (Colombia/UK), Simón Mesa Soto’s Palme d’Orwinning short, follows the titular young mother as she searches for the father of her child in Colombia’s barrios; Linguistic, cultural and moral quandaries abound in Hamy Ramezan and Rungano Nyoni’s Listen (Denmark/Finland), when a translator intentionally mistranslates a burqa-clad woman’s complaint; Human nature is put to question in Piotr Dumala’s Gauguin- and choreography-inspired C animation, Hipopotamy (Poland), where violence lurks as women and children bathe by a river; M and two friends unabashedly test each other’s personal and sexual boundaries in Joanna Arnow’s post-mumblecore dramedy Bad at Dancing (USA). Total: Y 60min. CM

29SP3M1 CY 29/3（日）12:30pm 香港太空館 SP CMY

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2/4（四）5:45pm 香港藝術中心 AC

國際短片競賽節目（四）面對癱瘓病人《抱抱抱吧》（加拿大）的呼喚，男護如假包換，送佛送到西。在《西格瑪星球》（法國），龐大生物都困在冰塊裏，潛水艇爆炸引發了全球暖化，生命周期彷彿重新開始。《無伴奏合唱》（埃及）的節拍魅力，令獃在箱子的人一躍而起，鞭子無用武之地，生命恢復色彩。慈父為《兄弟與小雞》（北愛爾蘭／英國）提供了相處的機會，小孩心性樂翻了天，誰料穿制服的人快要來到家門。孖生姐妹終日秤不離砣，在父親眼皮底下玩壓抑色慾的危險遊戲，終於出現大膽情哥，《雙妹嘜》（美國）誰比誰優勝，可有定奪？全長 64 分鐘。

Short Film Competition Programme IV Take Me (Canada), by André Turpin and Anaïs Barbeau-Lavalette, delicately regards the private world of the disabled, and a nurse’s role in their intimacy; Planet Sigma (France), the third piece in Momoko Seto’s Planet series, is a captivating time-lapse narrative of giant creatures trapped in ice; In Islam Safiyyudin Mohamed’s texturally weathered Acapella (Egypt), the captor and the confined join in a discordant chorus of discomfort, anticipation and deliverance; Michael Lennox’s Oscar-nominated Boogaloo and Graham (N. Ireland/UK) tells the story of two boys caring for baby chicks while growing up during the Troubles; and Erin Vassilopoulos explores a stranger’s disruptive effect on a curious pair of identical twin girls and their father in the quasi-giallo short, Superior (USA). Total: 64min.

GALA PRESENTATION

影迷嘉年華

亞洲首映 Asian Premiere

04GC4E1 4/4（六）6:45pm The Grand GC

06KG4M3 6/4（一）3:15pm 香港文化中心 KG

天使的茶几導演：SABU 日本 2015 112 分鐘中文字幕

SABU（《沙煲英雄》，28 屆、《蟹工船》，34 屆）愛顛覆，今次玩到天上人間。茶助（松山研一）原是負責給「天堂創作組」端茶的見習生，這組編劇產量豐富，絞盡腦汁令世人死得與別不同，結果老作出禍，茶助半推半就下落入凡間補鑊，將命不該絕的 Yuri 從無情車禍中救出來；論論盡盡自己也被撞死，復活過來擁有治療魔法，成為商店町的天使男。茶助對世情一知半解，但卻比人間更有情。絕世好天使，惹來天堂懲罰是常識吧。SABU 繼續前衛呼叫、喪跑疾走，要將這部逆天的勵志怪片，獻給抱怨生活的凡人。

Chasuke’s Journey (Ten no Chasuke) Dir: SABU Japan 2015 112min Cast: Matsuyama Kenichi, Ono Ito, Osugi Ren, Iseya Yusuke A madcap, deliriously inventive odyssey the kind only SABU could think of, Chasuke’s Journey begins in heaven, where God employs dozens of scribes to write the destinies of those on earth. But when God demands more originality, some of the writers are thrown into a panic, thus inadvertently sealing the fate of an innocent human named Yuri. Chasuke, a heavenly tea servant, is unwittingly sent down to save Yuri. But Chasuke's quest won’t be easy, what with so many writers meddling in his destiny...

06KG4E2 6/4（一）9:00pm 香港文化中心 KG

大愛同行導演：馬修華卓斯英國 2014 120 分鐘中文字幕

1984 年，英國政府對外於福克蘭戰役之後，與中國簽訂決定香港未來的《中英聯合聲明》，對內則飽受煤礦工人長期罷工困擾。一群男女同志社運人發起籌款運動支援罷工工人，無奈性傾向問題竟令全國煤礦工會以考慮形象為由，謝絕好意。於是他他和她她改轅易轍，集中資源對威爾斯一條煤礦小村實行人肉支援，造就了一場無分性別、階級、城鄉的戀戀大同盟。真人真事改編，匹夫不可奪笑，平凡創出奇蹟；電影正好提醒我們，尊嚴本就大過天，只是在營營役役的生活裏，大部份人不覺忘掉了。獲康城影展同志棕櫚獎及 LGBT 年度電影獎。

Pride Dir: Matthew Warchus UK 2014 120min Cast: Bill Nighy, Imelda Staunton, Dominic West, Paddy Considine

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

Based on a true story, Pride is a jubilant account of how two very dissimilar communities came to join forces during the miners’ strike in Thatcher-era Britain. A motley Londonbased group of lesbian and gay activists decides to extend support directly to a Welsh mining village. Though faced with considerable social stigma, the two groups gradually form an unlikely but strong alliance. More than just a feel-good film, Pride’s solid casting and well-balanced script makes the case for solidarity in the real world.

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4/4（六）9:00pm 香港文化中心 KG

6/4（一）12:15pm The Grand GC

3/4（五）7:15pm 香港大會堂 CT

6/4（一）2:30pm MCL德福戲院 TC

3/4（五）4:30pm UA Cine Moko MK

5/4（日）9:00pm 香港大會堂 CT

墮落星圖

三顆痴痴的心

我是一隻小小鳥

導演：大衛哥連堡加拿大／美國 2014 111 分鐘中文字幕

導演：班諾亞積高法國／德國／比利時 2014 106 分鐘中文字幕

導演：帕斯卡爾花蘭法國 2014 128 分鐘中文字幕

茱莉安摩亞完成三影后（包括康城）的無先例力作，她豁出去演搭尾班車的荷里活星，踩住人上位，又粗口又床戲，bitchy 到不得了。然後是滿口計算和銅臭的 13 歲天才紅星，不怕父母利用卻懂得食住上，現實到不行。明星們的自然療法醫師能醫不自醫，全家不是顯性就是隱性的心理重病。大衛哥連堡拍恐怖成性，卻從沒有這次凶殘，疤面復仇公主潛行眾星間，最後的浴血竟然大快人心。勁踩完荷里活，哥連堡說非存心挖苦，的確，換個場景，商界以至政壇都差不多吧。

如果不是班諾亞積高（《慾望盛放的森林》，35 屆），肯定是典型的欲斷難斷三角關係，但積高總有辦法令人的情緒一直惴惴不安。小鎮尾班火車走了，兩個乾巴的心卻遇上，他喜歡她又型又寸爆，她喜歡他夠沒所謂，他們是彼此的甘露，兩顆心喋喋不休至天亮。相約在巴黎，命運卻叫愛情擦身過了。她搬去紐約，他流連小鎮去找，找到的是她姐姐，姐妹關係到結婚都沒有揭發。夏洛蒂甘絲堡、琪珂拉馬斯杜安尼、嘉芙蓮丹露，三星的戲令人如痴如醉，至於那三顆心，愈痴狂愈好看。

聯想到《飛鳥俠》是閣下的事（理據可會是那邊有劇院，這邊是酒店？），這個開場實是寄意《柏林蒼穹下》：機鐵車廂內，乘客談話與心聲被聽見，天使在場了。雀仔飛到窗前，與機場酒店服務生 Audrey 面對面。她夢見自己是鳥，還是回到自己鳥的前身？這也是勾留機場酒店的 Gary 的故事，他是經濟全球化的精英，可是不開心不想前行。兩個孤獨人，在鳥兒身上精彩交會。航拍平民化氾濫的今天，鳥的主觀鏡無處不在，帶我們夜遊戴高樂機場，締造一次愛與夢的低空飛行。

Maps to the Stars

3 Hearts (3 coeurs)

Bird People

Dir: David Cronenberg Canada/ USA 2014 111min Cast: Julianne Moore, Mia Wasikowska, Robert Pattinson

Dir: Benoît Jacquot France/Germany/Belgium 2014 106min Cast: Benoît Poelvoorde, Charlotte Gainsbourg, Chiara Mastroianni

Dir: Pascale Ferran France 2014 128min Cast: Josh Charles, Anaïs Demoustier, Roschdy Zem

High in the Hollywood hills, Canadian provocateur David Cronenberg sets to work dissecting the fragile egos and phony personas of Tinseltown’s celebrity elite. While less overtly graphic than the body horror chillers on which he built his career, Maps to the Stars is every bit as savage and bloodthirsty. By tearing away the botoxed veneer of beauty and success, Cronenberg exposes a pathetic world built on lies, greed and vanity that is fuelled by meaningless sex, prescription drugs, and perpetual death.

Caught by accident – or fate – in a French provincial city, tax-collector Marc meets the woman who will transform his life – the evanescent Sylvie, incarnated by Charlotte Gainsbourg. Yet, when another twist diverts their path, Marc falls, unknowingly, under the spell of her equally charming sister, Sophie (the splendid Chiara Mastroianni). As marriage nears, love and chance intertwine more closely, under the wary eye of matriarch, the ageless Catherine Deneuve. A cinematic banquet, under the masterful hand of Benoît Jacquot.

Why are we more alone than when we are in motion, crossing international airports caught in skewed vectors that don’t even take us into the city of our final destination? Yet, in an airport Hilton outside Paris, a disillusioned American engineer en route to Dubai and a French college dropout turned maid intersect in motion, leaving complicated pasts painfully behind. And suddenly, from such quotidian encounters emerges a world of surreal magic and surprise.

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3/4（五）3:45pm 香港文化中心 KG

5/4（日）8:00pm The Grand GC

4/4（六）2:00pm 香港大會堂 CT

觀眾請自攜3D 眼鏡。 Please bring along your own 3D glasses.

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31/3（二）2:00pm UA iSQUARE IS

4/4（六）8:00pm 香港大會堂 CT

女朋友的女朋友

天才少年的奇妙旅程

狗眼看人間

導演：法蘭索亞奧桑法國 2014 105 分鐘中文字幕

導演：尚皮亞桑里法國／美國 2014 105 分鐘中文字幕

導演：康奴門多佐匈牙利／德國 2014 119 分鐘中文字幕

奧桑（《我要…17 歲》，13 夏日電影節）的鬼才一直恣多年夢想拍《少年 Pi 的奇幻漂流》卻給李安拍了，尚皮意挑戰想像力，這一部更絕。改編自英國犯罪小說女王亞桑里（《子彈頭 ‧ 大復仇》，34 屆）就當這是自己的 Ruth Rendell 的短篇，一起長大的嘉露兒和羅娜好到蕾絲《少年 Pi》。改編美國暢銷小說，神童小畢大隱隱於蒙大邊的警戒線，羅娜去世，嘉露兒的心像掏空，去安慰羅拿州牧場一個現代愛登士家庭，媽是昆蟲迷，爸是牛仔娜的老公，卻發現對方的驚天秘密，守秘竟然刺激又浪迷，姐發明星夢，孖生細佬更是小魔怪。小畢構思的永漫。她開始對老公撒謊，和他頂多閨密而已，但觀眾的動摩打贏了發明大獎，這晚留書「我出走一會，勿念」雪亮眼睛都不相信，電影接着執行了它的坦白任務。變便偷偷往華盛頓闖。有愛美麗的奇想，少年 Pi 的險境，態不難拍，變態踩界又得到你的默許，就是高手了，顛神童的翻山越州奇幻之旅更是多姿彩的 3D 景與物飄移。覆簡直於無形。獲聖塞巴斯蒂安電影節最佳電影獎。大會堂劇院更新設施後放映的首部 3D 電影。

狗是人類最佳朋友？言重了。風格怪導門多佐（《科學怪童》，35 屆）又越界實驗，讓狗主角由頭帶到尾。狗兒叫 Hagen，莉莉的真朋友，政府一聲雜種狗抽重稅，全城棄狗，莉莉爸也使計棄掉 Hagen，牠被捉去鬥狗，後更淪落狗房。革命由 Hagen 開始，牠衝破牢籠，領犬軍大報復。片名喻大白人，人命已不平等，何況是狗？寓言很應景，指向全球化下極醜陋的種族問題，最後一鏡如同希治閣的《鳥》極震撼。獲康城影展某種觀點最佳電影獎，精彩演同一角的兩狗兒也得了個「狗棕櫚獎」。

The New Girlfriend (Une nouvelle amie)

The Young and Prodigious T.S. Spivet

White God

Dir: François Ozon France 2014 105min Cast: Romain Duris, Anaïs Demoustier, Raphaël Personnaz

Dir: Jean-Pierre Jeunet France/ USA 2014 105min Cast: Kyle Catlett, Helena Bonham Carter, Judy Davis, Callum Keith Rennie

Dir: Kornél Mundruczó Hungary/Germany 2014 119min Cast: Zsófia Psotta, Sándor Zsótér, Lili Horváth

Ozon’s tense and fascinating thriller of love and secrets, complicated by swirling questions of gender, identity and sexuality. Loosely adapted from a story by Ruth Rendell, Ozon adds his own twists from the funeral tableau of the young mother, Laura, through the lives of those she left behind. We chase the protagonists through suspicions and shadows that reshape the lives of the widower (Romain Duris), the dead wife’s best friend, Claire (Anaïs Demoustier), Claire’s husband and the woman – and relationships that haunt them all.

10-year-old prodigy T.S. Spivet lives with a family as quirky as he is: a cowboy-like father, an entomologist mother, a beauty-pageant-wannabe sister, and his nonidentical twin brother, who dies in a tragic accident. When T.S. learns that he’s invited to the Smithsonian, he sets out to ride the rails on his own and learns to come to terms with his world. Jean-Pierre Jeunet’s signature idiosyncratic cinema (Delicatessen, Amélie) shines through in this colorful, immersive adaptation of the Reif Larsen novel.

Rights and rebellion from a dog’s eye view. While the core story begins with the relation of young Lili and her mongrel Hagen, their separation sparks different trajectories of rebellion. Can an introspective but rebellious teenager find common ground with what seems to be the dawn of the planet of the dogs, as Hagen draws from his abuse to become a canine firebrand? Mingling poetry and violence, human questions and animal parables, Silver-Leopard winner Mundruzcó provides a challenging and seldom film.

亞洲首映 Asian Premiere

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03TC4E1

05GC4M1

30GC3E1

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Festival + (P.23頁)

28/3（六）12:15pm The Grand GC

3/4（五）7:15pm MCL德福戲院 TC

5/4（日）12:15pm The Grand GC

30/3（一）7:15pm The Grand GC

1/4（三）2:00pm The Grand GC

31/3（二）7:30pm 星影匯 MP

詩人復仇記

奪命保險金（暫名）

製造死亡天使

導演：維沙巴華印度 2014 161 分鐘

導演：保羅維斯意大利 2014 110 分鐘中文字幕

導演：寶娜雲迪奧絲荷蘭／瑞典 2014 97 分鐘中文字幕

巴華的「當代印度莎士比亞」第三部曲，前兩部是《馬聖誕前夕，廚師打烊後騎單車回家被撞死，現代科學鑑奧寶》（即《馬克白》）和《奧塞羅》（08 夏日電影節）。證要找出肇事車輛不難，保羅維斯當然對誰是真兇有興這次，哈姆雷特是 90 年代喀什米爾的孤獨年輕詩人哈德趣，也執意發掘更大的人間真相。他倒敘到半年前，分爾，隻身回到政治打壓嚴峻的家鄉，大屋已炸成廢墟，頭跟蹤三個有關無關的當事人：想上位的窮父親 Dino、不滿母親口說沒忘丈夫，卻與叔叔親近，他追尋父親被沒有安全感的富太 Carla，和 Dino 的女兒 Serena；Serena 害死的真相，沒有苟且偷生之餘地。以文學透視當代政瞞着二世祖男友，與窮小子撻着，慾望與規條，率性與治創傷，沉重裏翩翩歌舞，不失氣度，巴華是恆守中庸「外出」，慢慢步向意外之夜。三章既獨立又不時回到共之道的大師，高尚與失格、寫實與詩意、通俗與心理描同時刻，作不同角度的考察，建構出一幅米蘭中產階級寫，一一均衡關照。獲羅馬電影節最受觀眾歡迎獎。的精妙拼圖。囊括意大利電影金像獎最佳電影等七獎。

真有其事，荷蘭史上最轟動的屈人事件。白衣天使露茜亞值班時間嬰孩接連失救，傳媒未審先判直呼「死亡天使」，助理檢察官茱迪加入洶湧群情，不理旁門或左道，把偵探小說的推理、護士的閒話、傳媒爆的黑材料砌成起訴證據。環境證供入不了罪，但乖僻又討人厭的個性犯了眾憎，結果露茜亞囚禁終生。很諷刺，真人真事發生在以伸張正義知名的海牙，但故事還沒完，鏡頭緩緩勘探猙獰的集體心魔，引向贖罪之旅。高踞本土票房首位，代表荷蘭角逐奧斯卡最佳外語片獎。

Haider

Human Capital (Il capitale umano)

Dir: Vishal Bhardwaj India 2014 161 min Cast: Tabu, Shahid Kapoor, Shraddha Kapoor, Kay Kay Menon

Dir: Paolo Virzì Italy 2014 110min Cast: Fabrizio Bentivoglio, Valeria Bruni Tedeschi, Matilde Gioli

Accused (Lucia de B.) Dir: Paula van der Oest The Netherlands/Sweden 2014 97min Cast: Ariane Schluter, Barry Atsma, Amanda Ooms, Marwan Kenzari

After successfully adapting Macbeth and Othello, Vishal Bhardwaj concludes his Shakespeare trilogy with this gritty re-imagining of Hamlet, set during the Kashmir conflicts. Haider, the son of a doctor whose neutrality during the war became his undoing. When Haider returns, he vows to trace his father’s disappearance, only to find the betrayal right within his own family. The result is a sumptuously staged spectacle that is far darker than the traditional Bollywood musical.

Paolo Virzì’s neo-noir drama examines greed and amorality among society’s one-percent. Relocating Stephen Amidon’s novel to northern Italy, Human Capital spins a tale of two families mired in dehumanising economic and social politics, and how a hit-and-run accident unravels their entitled lives. An all-star cast and relevance to Europe’s financial crisis helped to propel the film to box office success. Italy’s entry for Best Foreign Language Film at the 2015 Academy Awards.

Was middle-aged Dutch pediatric nurse Lucia de Berk really the Angel of Death? A single-minded fighter for children’s lives or someone who took it upon herself to release her young patients and others from pain? The trial on which this thriller is based preoccupied Holland’s media by its human details and the highly scientific debates that eventually led the courts to reopen and overturn this devastating decision. Combining the technological excitement of CSI with the human angst of courtroom drama. 亞洲首映 Asian Premiere

24UC3E2

28IS3E2

31GC3E2

03KG4M2

27GC3E2

29GC3M2

24/3（二）9:30pm UA太古城 UC

28/3（六）10:00pm UA iSQUARE IS

31/3（二）9:30pm The Grand GC

3/4（五）1:30pm 香港文化中心 KG

27/3（五）9:45pm The Grand GC

29/3（日）3:30pm The Grand GC

男兒免責 ( 暫名 )

71 暴亂夜

公爵蝶戀花

導演：魯賓奧士蘭瑞典／法國 2014 118 分鐘中文字幕

導演：恩狄孟治英國 2014 99 分鐘中文字幕

導演：彼得史察蘭英國 2014 104 分鐘中文字幕

婦孺真可優先嗎？《鐵達尼號》撒了個謊，奧士蘭來戳破 1971 年北愛衝突升級，貝爾法斯特如在血地獄，英軍新它。像前作《玩死》（36 屆）一樣根據事實，抵死的把丁加利臨危受命來到內戰戰場，第一天落區搜武器，遇角色放進逆境看人的本色。中產白人四口之家來到阿爾暴動失控，部隊急急撤，棄加利於敵陣。城市頓成屠場卑斯滑雪場，早餐遇雪崩，女人第一時間護兒女，男人夢魘，加利抱頭亂竄，小霸王把他從槍口救出，他又遭第一時間狂奔保自己。雪崩沒釀傷亡，本來超穩定架構炸傷，好心父女冒險救起，特工與激進派系卻來搶奪，的家庭卻崩解了。女人對男人絕望，男人像失憶一樣，爾虞我詐，誓要滅殺加利，加利得在各黨派勢力邊緣亡甚麼都不承認，幾天假期舌劍唇槍，連朋友也中箭。糟命。恩狄孟治把細節調動得出神入化，刺激感官，影片質卻絕無詆毀，男人來看必有所獲。各地電影節大受歡打入柏林競賽，獲英國獨立電影獎最佳導演。積奧干奴迎獲獎纍纍，包括康城影展某種觀點評審團獎。（《非凡生命歷》）未封荷里活最佳新星前先令人驚艷。

一部古怪性感又迷人的片子。史察蘭已是不雅電影類型的王者，最會營造怪異時空感，把色情挖得又黑又深。像是勾沉 70 年代歐洲大陸蕾絲邊性虐片，英文片名指一種珍貴蝴蝶，講兩個女蝶迷一段愛慾，開場已內有玄虛，女主人橫蠻要求多多，女僕手洗底褲要通過審查，更像性奴，對愈來愈不合理的侮辱面露歡顏。鎮日幻想很無奈也很累人，結果和現實撕裂，她要出牆去。內衣和香水品牌都放在字幕裏，又有串串無從記起的蝶名，更有蟲鳴聲效、視覺挑逗，滿滿的感官刺激。

Force Majeure (Turist)

The Duke of Burgundy

‘71

Dir: Ruben Östlund Sweden/France 2014 118min Cast: Johannes Bah Kuhnke, Lisa Loven Kongsli

Dir: Yann Demange UK 2014 99min Cast: Jack O’Connell, Paul Anderson, Sean Harris

Dir: Peter Strickland UK 2014 104min Cast: Chiara D’Anna, Sidse Babett Knudsen

Is it a social satire, a scathing commentary on modern masculinity or just a mean-spirited take on well-to-do vacationers? Östlund’s deceptively diabolical comedy of manners is a clever dissection into contemporary family life. After an avalanche at a luxury ski resort, a Swedish family is left reeling from the father’s not-so-fatherly reaction to the icy deluge. At once piercing, hilarious, and yet subtle, this fine-tuned winner at Cannes’ Un Certain Regard effectively reinvents the disaster movie for the 21st century.

Belfast. The Troubles. Protestants against Catholics. British against Irish. A hardscrabble red-brick workers’ city divided by walls, bombs, police and armies, open and concealed, in a civil war that tore apart families and neighborhoods. Where Gary, a young British paratrooper separated from his police unit during a house by house search, becomes a soldier, a victim and a pawn in a taut thriller set within the politics of urban warscapes where memories still linger.

Strickland’s newest feature deftly shows his talent for recalibrating genre film within a distinctive aural experience. Set in a nondescript time, The Duke of Burgundy takes place in a moody, hermetic world of women – one in which Cynthia, a butterfly entomologist, role-plays mistress to her (seemingly) submissive lover Evelyn. At once sensuous, surreal and unusually amusing, this gorgeous film is not only a nod to vintage erotic melodrama, but also a titillating tale about two people deeply in love.

festival+

T h e M e t ro p l e x

香港國際電影節 x 星影匯聯合主辦「Festival+」免費放映活動，觀眾可在舒適的星影匯戲院內免費欣賞精彩電影，與導演、資深策展人及影評人見面交流。所有入場觀眾可獲贈爆谷乙份。學生更可以報名參加開場前半小時的星影匯戲院小型導賞團，了解電影院運作。 HKIFF x The Metroplex proudly present Festival+ to students and communities. Located in KITEC, the heart of Eastern Kowloon, The Metroplex opened its doors to the public as a state-of-the-art 9-screen multiplex last year with the best viewing and sound conditions in Hong Kong. A complimentary small cup of popcorn will be given to each attendee at Festival+ screening to complete the full cinematic screening experience. A special 30-minute behind-the-stage cinema tour will be arranged for students who are interested to learn more about the cinema exhibition business; a rare opportunity to go beyond the frontline and to know more about the unsung efforts of The Metroplex team who help to bring in the silver screen experience.

春子超常現象研究所 Haruko’s Paranormal Laboratory

殿堂內望 The Great Museum

導演：竹葉理沙日本 2015 74 分鐘中文字幕演員：野崎萌香、中村蒼

導演：約翰尼斯荷查臣奧地利 2014 94 分鐘

( Das grosse Museum )

維也納藝術史博物館的奧匈帝國藏品舉世無雙，能看到帝國演進至共和的底蘊。鏡頭在美麗建築和名畫間慢行細賞，畫面如饗宴，更從策展人、修復專家甚至清潔工的日常看博物館運作。

春子相信超自然力量，習慣對電視說話。某天電視化身男人，春子的春天來了。電視男入得厨房出得廳堂，唯一缺點是有小白臉不做，學人要爭氣離家出走。人機戀能否終成眷屬？

Dir: Johannes Holzhausen Austria 2014 94min

Dir: Takeba Lisa Japan 2015 74min

Some couch potatoes have an unhealthy obsession with their television. Haruko takes this habit to new extremes when she falls in love with her TV set...that magically turns into a man. Takeba Lisa’s colorful, whimsically bonkers comedy manages to balance zaniness with genuine warmth.

Director Holzhausen takes you behind the scenes at Vienna’s Kunsthistorisches Museum. Generously sprinkled with real-life moments of humor, emotion and insight, this documentary thoughtfully explores the roles played by public institutions, museums, and art itself.

28/3（六）2:30pm 星影匯 The Metroplex 嘉賓講者：翁子光（導演） Guest Speaker: Philip Yung (Filmmaker)

29/3（日）2:30pm 星影匯 The Metroplex 嘉賓講者：何慶基教授（藝評人／策展人） Guest Speaker: Prof. Ho Hing Kay Oscar (Art critic / Curator)

郵差的白夜 The Postman’s White Nights

製造死亡天使 Accused ( Lucia de B. )

導演：安德烈岡查洛夫斯基俄羅斯 2014 110 分鐘中文字幕

導演：寶娜雲迪奧絲荷蘭／瑞典 2014 97 分鐘中文字幕

人跡罕至的偏遠湖區，郵差利奧卡送信之餘，也兼任傾訴對象，成為當地心靈天使。導演結合演員與非演員，將人文浮塵撒到戀戀山川。獲威尼斯影展最佳導演銀獅獎。

護士露茜亞值班時間嬰孩接連失救，傳媒未審先判直呼「死亡天使」。環境證供入不了罪，但乖僻個性犯了眾憎，令她囚禁終生。但故事還沒完，鏡頭緩緩勘探猙獰的集體心魔，引向贖罪之旅。

Dir: Andrei Konchalovskiy Russia 2014 110min

Dir: Paula van der Oest The Netherlands/Sweden 2014 97min

In a godforsaken Russian village, lifelines depend on the boat of the postman, Lyokha, who connects the scattered populations across frozen lakes. And he, in turn, begins to connect with Irina and her son Timur in this pastoral landscape, until the boat breaks down, and love and worlds are threatened. Silver Lion at Venice. 30/3（一）7:30pm 星影匯 The Metroplex 嘉賓講者：家明（影評人） Guest Speaker: Fung Ka Ming (Film critic)

* 小量門票將預留給教育團體，其餘將於開場前半小時派發。座位有限，每人限取一張，先到先得，額滿即止。 * 查詢星影匯戲院小型導賞團詳情，請電郵至 outreach@hkiff.org.hk *A limited number of tickets will be reserved for educational and charity organisations. The remaining tickets will be available to the public. Please collect tickets on-site 30 minutes prior to the screening, on a first-come, first-served basis. Limit 1 ticket per person. *For registration or enquiry on the behind-the-stage tour, please email to outreach@hkiff.org.hk 主辦 Presenter

全力支持 Supported by

映後談以粵語主講 Post-screening talks conducted in Cantionese

28GC3M2 28/3（六）3:30pm The Grand GC

02KG4E1

大師級

2/4（四）7:30pm 香港文化中心 KG

總統大人着草了

MASTER CLASS

導演：慕森麥馬巴夫格魯吉亞／法國／英國／德國 2014 115 分鐘中文字幕

阿拉伯之春掀動全球神經，敲響最不可能倒台的獨裁者喪鐘。麥馬巴夫（《園丁偈語》， 37 屆）也從中汲取靈感，虛擬一個萬人之上，慣於放縱恣肆的中亞國度元首。人民終於起義，他和五歲孫兒幸運逃離總統府，踏上逃亡之路。慣於頤指氣使的兩爺孫，喬裝流浪樂師，走入民間，聆聽本該一早採納的自由之音。革命究竟是以武制暴抑或以暴易暴？權力帶來的撕裂最終能否和解收場？連串問題交織出一部絕對適合後佔領時期取經的現代童話公路電影。威尼斯影展開幕放映時備受注目。

The President Dir: Mohsen Makhmalbaf Georgia/France/UK/Germany 2014 115min Cast: Misha Gomiashvili, Dachi Orvelashvili, la Sukhitashvili, Guja Burduli

Makhmalbaf and his screenwriter wife, Marziyeh Meshkiny, have crafted a parable about power, corruption and chaos that resonates across contemporary Eurasia. Drawing on Georgian backdrops and actors, the director explores the collapse of tyranny and its bloody aftermath through the eyes of the dictator’s grandson, who questions each act with innocence that reframes the lies, the struggles for power, and even the fear underpinning their flight from power and search for security.

27UC3E2 27/3（五）9:45pm UA太古城 UC

29GC3P1 29/3（日）7:15pm The Grand GC

馬．錢導演：柏度哥斯達葡萄牙 2014 104 分鐘中文字幕

生命無法超越的話，那就吸盡最後一口氣去征服它。凡圖亞把內心監獄，煉成一個宇宙。他是楓丹夏詩三部曲的貧民窟主角，在康乃馨革命中逆流而去，今天仍有千百個理由去抗爭。他飄移於過去與現在，在心理寫實的荒野前行。這裏有最令人驚喜的柏度哥斯達（31 屆焦點導演），於超時空迷離間，撥弄敘事線，調度音樂、明暗和色彩，讓凡圖亞在銀幕存一個不朽的酷斃了。高潮是精彩到瞠目結舌的升降機超現實腦交戰，柏度哥斯達這次藝術創新竟然很有娛樂性！羅迦諾電影節大獲全勝，捧走最佳導演等四獎項。

Horse Money (Cavalo Dinheiro) Dir: Pedro Costa Portugal 2014 104min Cast: Ventura, Vitalina Varela, Tito Furtado, António Santos

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

A disquieting epilogue converts Costa’s Fontainhas trilogy about displaced Cape Verdeans into a reflective quartet. Ventura, the real-life anchor of Colossal Youth (31st HKIFF), returns as an old man, trapped in a world of illness, decaying urban landscapes and the ghosts of memories of war and life. Yet, these dialogues are not simply melancholic: Costa mixes in life, family and music. The whole becomes a powerful meditation on life and trauma in the post-colonial world, a virtuoso display of Costa as cinematic master.

亞洲首映 Asian Premiere

25IS3M1D

06GC4E1

25/3（三）1:00pm UA iSQUARE IS

6/4（一）7:45pm The Grand GC

社區放映會（P.27頁） 05KG4E2 30/3（一）2:30pm 5/4（日）9:30pm UA太古城 UC 香港文化中心 KG

中學生放映會（P.35頁） 02CT4E1 25/3（三）2:30pm 2/4（四）7:15pm The Grand GC 香港大會堂 CT

戇神探與小昆昆

大地之鹽

在世界盡頭喚自由

導演：般奴杜蒙法國 2014 200 分鐘

導演：雲溫達斯、J.R. 薩爾加多法國 2014 109 分鐘中文字幕

導演：A. 薛沙高法國／毛里塔尼亞 2014 97 分鐘中文字幕

他的鏡頭是打開的心眼，在最細微處直視靈魂，看到巴西巨坑五萬掏金者的集體面相，看到科威特油井沖天大火的真正英雄，看到非洲的死亡延續着生存。每次的拍攝方案都是經年的萬里長征，是人神共舞，每次成果都引起巨大回響。合導的兒子伴着老爸遠征，只見他用海象的視角，拍出但丁的地獄。再來到地球重病的現在，他重建了一座森林。雲溫達斯最心儀的傳奇攝影師薩爾加多，就是大地之鹽。獲康城影展某種觀點評審團特別獎，入圍角逐奧斯卡最佳紀錄片。

天地不仁，以萬物為芻狗。非洲擺脫了殖民，卻面對更嚴峻的極端教派管治。撒哈拉沙漠以西盡頭的小鎮，外來聖戰組織奪權，製造十級白色恐怖，街上死寂，家家閉戶，禁茶禁煙禁音樂，也禁色彩，女人不能露半點肌膚。牧牛人一家四口住在邊陲，能呼吸鞭長莫及的自由，但錯手殺了惡人，給惡法纏身。薛沙高（《審判 IMF》， 31 屆）奉行簡潔就是力量，白描居民和孩子的默默抗爭，黑大陸以壯觀亦美麗之身去控訴，悲愴尤甚。獲芝加哥電影節最佳導演獎，並殺入奧斯卡最佳外語片最後五強。

Li’l Quinquin (P'tit Quinquin)

The Salt of the Earth

Timbuktu

Dir: Bruno Dumont France 2014 200min Cast: Alane Delhaye, Lucy Caron, Bernard Pruvost, Philippe Jore

Dir: Wim Wenders, Juliano R. Salgado France 2014 109min

Dir: Abderrahmane Sissako France/Mauritania 2014 97min Cast: Ibrahim Ahmed, Toulou Kiki, Abel Jafri, Fatoumata Diawara

小昆昆放暑假，三五成群消磨着野性時光，村上卻發現牛屍，內藏斬件人體，兩個傻偵探來查，再驚爆無頭女屍，傻探抓狂：我們不是來做哲學思考啊！傻探其實面懵心精，但線索一條條斷了，揭出更陰暗的，之後三凶案，一人竟給豬吃掉，疑雲愈積愈厚。小昆昆像看小說追看凶案，也繼續他的小惡作劇。法國頭號作者杜蒙（《魔非魔》，36 屆）首拍喜劇（原是四集電視劇）帶來不絕驚喜笑料，以幽默反轉偵探類型，詰問到邪惡人間，遊刃卻不離本色。《電影筆記》年度十大居首。

Sure to please (and likely surprise) cinephiles of all stripes, Bruno Dumont’s latest work is a wacky police procedural that infuses his usual rigorous social observations into screwball comedy. Chock-full of strange small-town characters and preposterous situations, the film centers on a series of bizarre murders – human remains stuffed in livestock, for one – being investigated by a bumbling police captain, his sidekick, and a mischievous crew of local children. Seriously unsettling and yet brutally funny, this is slapstick with a definite raw edge.

For decades, the photographs of Brazilian master Sebastião Salgado have become a kind of conscience for a world where nature and humans are vulnerable to the violences of development, of war, of disaster where Salgado has found stark beauty. Wim Wenders engages Salgado and his work in traveling conversations about life, art and the compelling witness of Salgado’s work from his native Brazil, adopted France or the world he has claimed as his own. With Salgado’s son, Juliano, as co-director – a rich portrait of one artist by others.

With singular grace and magnanimous humanity, Abderrahmane Sissako captures the tribulations of a beloved land seized by foreign jihadists. Stripped of many freedoms – singing, playing, modes of dress – the people of this ancient Malian city contend with the imposed fundamentalist doctrine without losing their spirit. At the center of the film’s intertwined tales is a Tuareg patriarch, who is forced to face radical Sharia law for an accidental misdeed. Richly perspicacious, Timbuktu is a rousing call for a more open, tolerant world.

亞洲首映 Asian Premiere

02MK4E1

05CT4M2

29AC3M1

04MK4E2

06CT4M3

2/4（四）7:30pm UA Cine Moko MK

5/4（日）2:00pm 香港大會堂 CT

29/3（日）1:30pm 香港藝術中心 AC

4/4（六）9:30pm UA Cine Moko MK

6/4（一）4:00pm 香港大會堂 CT

的士司機巴納希

莫忘初衷

色

導演：約化巴納希伊朗 2015 82 分鐘

導演：拉夫狄亞茲菲律賓 2014 338 分鐘

導演：基斯托夫贊祿西波蘭／意大利 2014 117 分鐘中文字幕

那些年，十季旱，十季雨，接二連三是怪事。有個巫女來了，弱智女忽然會驅邪治病；治好了的釀酒男，變成潛行者；師奶挨家挨戶推銷，登堂入室做壞事；從辣手老竇手上救出兒子的好漢，一切看在眼裏。那年 1971，馬可斯軍法統治前夕，風聲鶴唳，臥底到農村顛覆，流氓軍再殺到與村民為敵，人和傳統，歷盡花果飄零。他們來說，神怪入了血，和現實分不開。我們來說，是現世寓言。拉夫狄亞茲（《罪與罰末世篇》，38 屆）不忘初衷拍下巨構，摘下羅迦諾電影節最佳電影金豹獎。

女友天主入血，潛心修道，安哲羅從皮靴國追到波蘭修道院，更為了方便施展哦功，去了就近大公司打工，沒想到送羊入虎口。上司是絕色美女，卻如虎向上爬，似餓狼好色。天使與魔鬼天天跟安哲羅同在。他抵住色誘、淫威和辣手，女上司不甘老鼠拉龜，派他出差俄國做不道德交易，鐵下心腸要毀滅他。贊祿西（34 屆焦點導演）的寓言太誇張？但身歷其境有更厲害的，他在辯證，也旨在尖銳挑釁：自由，令波蘭可以去到幾盡？後共產企業異常凶猛，傳統道德防線告急哩。

Taxi

From What is Before

Dir: Jafar Panahi Iran 2015 82min Cast: Jafar Panahi

Dir: Lav Diaz The Philippines 2014 338min Cast: Perry Dizon, Roeder Camañag, Hazel Orencio, Karenina Haniel

Foreign Body Dir: Krzysztof Zanussi Poland/Italy 2014 117min Cast: Riccardo Leonelli, Agnieszka Grochowska, Agata Buzek

After This is Not a Film (36th) and Closed Curtain (37th), Taxi is Jafar Panahi’s third film after he was banned from filmmaking in 2010. The film takes place within a taxicab; the characters are Tehran’s diverse residents; and the story is literally steered by none other than the driver, Panahi, who engages his passengers in candid conversations. Though scripted and acted, Taxi upholds Panahi’s conviction to continue “making films under any circumstances to pay my respects and feel alive”.

After Norte, The End of History (38th), Lav Diaz returns with this equally ambitious five-and-a-half hour examination of his country’s volatile political landscape. Focusing on the three years leading up to Ferdinard Marcos’ imposition of martial law in 1972, the film adopts a static, monochromatic aesthetic that echoes classic photojournalism and frequently comes close to documentary realism as it taps in to a climate fraught with uncertainty and fear.

Angelo takes a corporate job in Poland, hoping to persuade his girlfriend, Kasia, to relinquish her intentions to become a nun. While he still carries a torch for Kasia, Angelo has incidentally caught the interest of Kris – his alluring, cutthroat boss – who would soon embroil him in her ruthless tactics for self-promotion. Veteran director Zanussi’s latest tale about a man caught between two women is a melodramatic parable about faith, capitalism, and crumbling social mores in today’s Eastern Europe.

巴納希無戲拍，山窮水盡轉行開的士？話說他 2009 年參與反總統的綠浪示威被捕，軟禁刑期到 2016 年，拍片禁制到 2030 年。但《這不是電影》和《電影關不住》（36、 37 屆）之後，這已是他破禁第三擊。這次不再屈在室內，的士車廂是片場，也是講古的山洞，乘客（演員）有老有嫩，有貧有富，有城市人和鄉下人，跟巴納希對演《一千零一夜》德黑蘭流動風景版。車頭放迷你鏡頭，「你咪係拍戲嘅」，分別向基阿魯斯達米的《10》（27 屆）和麥馬巴夫出鏡的《大寫特寫》（15 屆）打眼色。

懷念大師 In Memorium

26GC3E1

Festival + (P.23頁)

26GC3P1

02TC4M3D

30AC3E1

26/3（四）7:15pm The Grand GC

30/3（一）7:30pm 星影匯 MP

26/3（四）7:45pm The Grand GC

2/4（四）5:15pm MCL德福戲院 TC

30/3（一）7:15pm 香港藝術中心 AC

吳天明女兒吳妍妍將出席與觀眾見面 Janet Wu, daughter of Wu Tianming, will greet the audience at this screening.

郵差的白夜

愛的化妝

百鳥朝鳳

導演：安德烈岡查洛夫斯基俄羅斯 2014 110 分鐘中文字幕

導演：林權澤南韓 2014 93 分鐘

導演：吳天明 2013 普通話 107 分鐘中文字幕

湖區人跡罕至差點被上帝遺忘，郵差利奧卡控着摩托小船，送信送包裹之餘，也兼任傾訴對象，最樂意見到心儀的單親媽媽伊莉娜。但人間天堂禍福有時，摩托被盜，伊莉娜要搬回城市，他無心充當湖水天使了。老牌導演岡查洛夫斯基（《暴走列車》）爐火純青地將演員與非演員結合，將人文浮塵撒到戀戀山川，津津樂道的是利奧卡載着伊莉娜的小兒子走了一段魔幻詩意的尋找精靈之旅。導演是塔可夫斯基的同學，令《星球梭那里斯》的配樂大師難得出山。獲威尼斯影展最佳導演銀獅獎。

當摯愛快要離開，自己亦經歷中年危機，理性比感性更容易去面對？實情是你沒得揀，感覺不會受控制，或者吳先生也不想控制。他是化妝品公司高層，默默依戀着愛妻彌留的日子，醫院和繁忙業務之間雖然沒有舒一口氣的空間，幻想卻乘虛闖入：一次又一次，他跟性感的女下屬做愛。韓文片名有兩義，可作化妝或火葬，冷靜諷刺的點了題。正宗韓風還看林權澤（《春香傳》，25 屆），他這第 102 作跨出國境，聚焦生死與性愛的人性根本矛盾，取態坦然又明朗，一部有裏子的韓片。

哥兒倆游天鳴與藍玉跟隨無雙鎮嗩吶師焦三爺學藝，歷經吸水、試奏、鳥語、傳聲，苦練出頭，終於天鳴憑着能把嗩吶「吹到骨頭縫裏」的意志和傻勁繼承衣缽，藍玉黯然離去。隨着時代變遷，紅白二事依舊，傳統接師禮卻早讓路給豐厚紅包，老一輩口中的愈來愈沒規矩，還包括賀壽找來西洋管樂隊、短裙美眉獻唱靡靡之音。音樂何為？接班人困惑的心，還得老師傅出山，瀝血演繹絕活百鳥朝鳳挽救。尋常少年成長故事，在第五代電影教父吳天明遺作寄志下，為匠活人生寫下完美句號。

The Postman’s White Nights

Revivre (Hwajang)

Song of the Phoenix

Dir: Andrei Konchalovsky Russia 2014 110min Cast: Aleksey Tryapitsyn, Irina Ermolova, Timur Bondarenko

Dir: Im Kwon-taek South Korea 2014 93min Cast: Ahn Sung-ki, Kim Qyu-ri, Kim Ho-jung

Dir: Wu Tianming 2013 Putonghua 107min Cast: Tao Zeru, Li Mincheng

In a world abuzz with cellphones, social media and digital overload, can we imagine the tranquility and fragile communication? Konchalovsky evokes in this idyllic rhapsody of rural Russia. Here, lifelines depend on the boat of the postman, Lyokha, who connects the scattered populations across frozen lakes. And he, in turn, begins to connect with Irina and her son Timur in this pastoral landscape. Until the boat breaks down, and love and worlds are threatened. Silver Lion at Venice.

Korean master Im Kwon-taek’s remarkable 102nd feature, his seventh with veteran Ahn Sung-ki, who anchors this deeply moving story of a man facing love and death. Executive Oh Sang-moo must balance the demands of his cosmetic business with the loving care he offers his wife as she lies in a hospital dying of cancer. Into this precarious and emotional balance comes the young, vivacious employee Choo Eun-joo, causing both to think about their pasts and futures and where love survives.

The final film from late director Wu Tianming tells the moving humanist tale of young Tianming, who’s apprenticed to learn the suona, a traditional Chinese woodwind instrument, from the grizzled Master Jiao. Tianming strives to master the legendary funeral piece “Song of the Phoenix” and carry on Master Jiao’s suona band, but as the years pass and China rushes towards modernisation, Tianming must also confront the fading relevance of his time-honored traditional art.

承蒙香港藝術發展局資助，本協會挑選了不同片種，免費招待中學生、青少年服務中心、慈善團體及公眾人士，並安排嘉賓講者或導演於放映後與觀眾見面分享，以增觀影樂趣，拓展電影知識領域。 Financially supported by Hong Kong Arts Development Council, the Hong Kong International Film Festival Society has chosen films in different genres for the community. Post-screening discussion (in Cantonese) will be followed.

Community Screenings

大會將預留半數門票予學生及慈善團體，其餘門票將於開場前 30 分鐘免費派發。每人限取一張，額滿即止。 Approximately half of the tickets of each screening will be reserved for schools and charitable organizations. Remaining tickets are open to public. Please collect tickets on-site 30 minutes prior to the screening on a first-come, first-served basis. Limit 1 ticket per person.

白髮魔女傳 The Bride with White Hair 導演：于仁泰 1993 粵語 90 分鐘中文字幕演員：張國榮、林青霞、吳鎮宇

愛是這樣難，一夜青絲換白頭。張國榮飾演的卓一航，與林青霞飾演的練霓裳，在腥風血雨的江湖愛得波折重重，最終悲劇收場。美術燈光攝影突破武俠片傳統，連獲多個獎項，包括金馬獎最佳改編劇本。

大地之鹽 The Salt of the Earth

Director: Ronny Yu 1993 Cantonese 90min Cast: Leslie Cheung, Brigitte Lin, Francis Ng

導演：雲溫達斯、J.R. 薩爾加多法國 2014 109 分鐘中文字幕

Starring two screen legends, this adaptation of a wuxia novel with a Shakespearean touch is action-packed and surprisingly touching. Oscar winners Peter Pau’s cinematography and Emi Wada’s costumes make this love story a sumptuous visual feast.

雲溫達斯拍攝最心儀的傳奇攝影師薩爾加多。薩的鏡頭是打開的心眼，在最細微處直視靈魂，只見他用海象的視角，拍出但丁的地獄。他更坐在作品前細談箇中人性。獲康城影展某種觀點評審團特別獎。

1/4（三）2:30pm

Dir: Wim Wenders, Juliano R. Salgado France 2014 109min

香港科學館 Hong Kong Science Museum

One master meets another as Wim Wenders engages Salgado and his work in traveling conversations about life, art and the compelling witness of Salgado’s work from his native Brazil, adopted France or the world he has claimed as his own.

嘉賓講者：紀陶 ( 編劇、影評人 ) Guest Speaker: Keeto Lam (Scriptwriter, Film critic)

30/3（一）2:30pm UA 太古城 UA Cityplaza

德黑蘭人間傳奇 Tales

嘉賓講者：馮美華 ( 文化教育工作者 ) Guest Speaker: May Fung (Cultural Educator)

導演：洛珊班尼蒂瑪伊朗 2014 88 分鐘中文字幕

紀錄片導演拍攝腐敗資本主義如何磨蝕人性，先由的士司機開始，逐漸變成七個人，七個故事。角色不斷接棒敘事，愈平凡況味，愈耐人細嚼。威尼斯影展摘下最佳編劇獎。 Dir: Rakhshan Banietemad Iran 2014 88min Cast: Habib Rezaei, Mohammadreza Forootan, Mehraveh Sharifinia, Golab Adineh

我城 My City 導演：陳果 2015 粵語／國語 117 分鐘中文字幕

陳果拍攝作家西西，鏡頭在她的寫作島嶼土瓜灣兜轉，看到她的失敗劇本和前衛電影，看到她的恬淡和堅韌、生趣和志氣。她筆下的阿果相遇荷花碰見蓮藕；兩代作家談文本憶交往，展現我城的氣質。 Dir: Fruit Chan 2015 Cantonese/Mandarin 117min

Documentarian Banietemad returns to dramatic filmmaking with this patchwork of stories, touches on everything from poverty and prostitution to corruption and kidnapping, as well as gender and generational divides within a country.

Fruit Chan sought out renowned critics and writers to discuss Xi Xi’s works, starting with 1979’s My City. He also juxtaposes photos of a changing Hong Kong with readings of her writings, and even playfully inserts characters from her stories into the film.

31/3（二）2:30pm

導演陳果將出席與影評人鄭政恆對談 Post-screening discussion with Fruit Chan. Moderator: Matthew Cheng director (Film critic)

MCL 德福戲院 MCL Telford Cinema 嘉賓講者：黃愛玲 ( 影評人 ) Guest Speaker: Wong Ain-ling (Film critic)

2/4（四）2:00pm The Grand Cinema

主辦 Presenter 資助

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An ic a de

su r rr ss ea o li n st

冷調高歌羅伊安德遜

「我通過共通和看似平凡的處境，處理存在意義的問題。新寫實主義和荒謬電影我們都看過了，我今天要引進『瑣碎主義』。」（羅伊安德遜）羅伊安德遜於 1943 年出生，1970 年的畢業作兼首作《瑞典愛情故事》已光芒四射，在柏林影展拿下四獎，可惜五年後的次作《海邊的基利亞》票房慘淡，沒法再開戲，他去拍廣告，獨創一鏡直落的詭異風格，誰知一鳴驚人，拍了不下四百部，捧走八個康城廣告金獅獎，英瑪褒曼說他的廣告世界第一。有了片廠和班底，25 年後他回歸電影，《二樓傳來的歌聲》在大銀幕讓招牌風格大爆發，以極度嚴謹的態度放大瑣碎的日常，看得影痴瞠目結舌。他繼續慢工細貨，場景自己造，鏡頭細細研，一場一鏡拍它一個月，一戲拍來往往四、五年，過程已是藝術，新作《鴿子在樹上反思存在意義》拿下威尼斯最佳電影金獅獎，是遲來的肯定。

A satirical Bergman? A Swedish Fellini? Andersson soared to prominence after graduating from the Swedish Film Institute when his A Swedish Love Story garnered multiple Berlinale prizes with its tender portrait of teen love amidst adult anxiety. Yet, he tarried in making a follow-up and then flopped with his dark, comic and underrated second film, Giliap. After decades making commercials, in themselves often wondrously ironic vignettes, he returned to filmmaking with a mature, critical vision of Swedish life without his earlier innocence. These films, marked by stylized and episodic surrealism, recall his humorously crafted commercials. Certainly, his trilogy of critical observations of adult life in modern Sweden, beginning with the Cannes Jury Prize-winning Songs from the Second Floor, manifests both the power of his current vision and the innocence we have lost.

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25/3（三）7:30pm 香港科學館 SM

1/4（三）2:30pm 香港太空館 SP

瑞典愛情故事瑞典 1970 114 分鐘

你絕不會想到羅伊安德遜會拍《兩小無猜》。他這個瑞典版，特色是酷，有煙仔機舖、皮褸迷你裙，很快 kiss 很快上床，但同時懂得體諒懂得珍惜；而且，他來自英瑪褒曼家鄉，不會賣軟性的。少年初戀很敏感，外力都變很無情，溫柔與暴烈間，我們看到另一種面目，是受污染的大人，對人刻毒，對感情麻木，讓金錢淹沒理想。對了，就是 70 年代物質開始掛帥經濟經歷危機，安德遜對人和年代同樣敏感。黑色幽默早在這裏，但樂觀直寫不是側描，有了這條線，就知大師不是冷。

A Swedish Love Story (En kärlekshistoria) Sweden 1970 114min Cast: Ann-Sofie Kylin, Rolf Sohlman, Anita Lindblom Andersson’s youthful debut film, a hit in Sweden, offers a tender glimpse of adolescent love, with all its awkwardness, stumbling, and discovery. A world built on sidelong glances, painful dances, mopeds as youngsters escape from the parental world around them. Yes, around this romantic core swirl the difficulties of marriage, career and maturity. Yet, even when these climax in the combustible events of a rural party, we return to Annika and Pär, their idyllic world and first loves, not yet tainted by adulthood.

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26/3（四）2:30pm 香港太空館 SP

3/4（五）5:45pm 香港科學館 SM

海邊的基利亞瑞典 1975 140 分鐘

以為導演新星拍的是《瑞典愛情故事》續集，誰知來了一部風格野心作，期待落空票房慘淡，觀眾未有心理準備，卻變影痴炫耀的秘密花園：未看過？更勝英瑪褒曼哩。羅伊安德遜大變身，景深了，鏡頭靜了，角色思想了。像卡夫卡小說跑出來的人物，男主角來到小城酒店打散工，外號「公爵」的工頭送上代號「基利亞」，叫他一同去劫獄；同是淪落人的女侍應，更想和他一起到海邊酒店圓夢。幽幽的鏡頭煞有介事看基利亞的一宗宗小奇遇，乍看瑣碎貌不驚人，隱隱然都是浮生難忍。

Giliap Sweden 1975 140min Cast: Thommy Berggren, Mona Seilitz, Willie Andréason

Roy Andersson’s forgotten film. After his tender debut, audiences and critics were put off by this challenging darker story of a man without secrets and his mobile involvements, with its layers of mysterious and tragic overtones. Its poor reception forced him into commercials for decades. Yet, understanding the craftsmanship, poetry and dark comedy of his later films, critics have reevaluated this early milestone and audiences have found its demands more understandable and rewarding. A chance to judge for yourself….

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27/3（五）7:00pm 香港太空館 SP

31/3（二）7:30pm 香港科學館 SM

27/3（五）10:15pm 4/4（六）12:30pm The Grand GC The Grand GC

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羅伊安德遜短片集

二樓傳來的歌聲

選映安德遜最出色的兩部短片，以及一窺大師全貌所不能少的廣告片。《出事了》（1987）是為政府拍攝的愛滋病短片，早着先機批判西方社會委過個人的做法，班房教小學生用避孕套的黑色處理已叫官僚政府受不了，結果當然沒有成為宣傳片。《光榮世界》（1991）開場一鏡重塑集中營屠殺，比真實更駭人。兩短片畫面殘忍，卻見無比的人文精神。安德遜於 1969 年開始拍廣告，簡直風格大放題，都差不多一場一鏡，彩票廣告玩父權，醫院廣告玩成瘋人院，政黨廣告玩出個殘酷世界，部部黑色幽默，廣告時間怎會捨得上廁所！（全長 70 分鐘）

瑞典／挪威／丹麥 2000 98 分鐘

Roy Andersson Shorts

Songs from the Second Floor

Fall and Redemption of an Auteur. Something Has Happened (1987), following the problematic Giliap, turned a 1986 Swedish commission for an AIDS film into a conspiratorial attack on the U.S. as the “real” source of AIDS, truncating its distribution. Only with World of Glory (1991) would Andersson’s sharp, stylized vision, matured through commercials, return him to critical acclaim and his triumphant and sardonic films of the 21st century. The commercials, meanwhile, remind us just how sharp and funny his wandering gaze remains. Total: 70min

Sweden/Norway/Denmark 2000 98min Cast: Lars Nordh, Stefan Larsson, Bengt C.W. Carlsson

次作票房大災難，唯有廣告變練武場，拍了全世界最出色的廣告，25 年磨劍，再出山已是個驚雷。前所未見的一部片子，拍攝四年，60 個一場一鏡末日景象，老闆辭掉服務 30 年的老員工開始，墮落便一往無前，股市狂瀉，老闆燒舖，車瘋狂地堵，魔術會鋸斷人，路上人集體自鞭。這些形容都有點枉費心機，因為超現實得只能在銀幕親睹，最驚駭的：人人推着行李疊到天花高的手推車，死人一個個在地底驚醒。達利、積大地、卡夫卡與 Bosch 集體腦震盪傑作，輕易摘下康城評審團獎。

And the innocence of childhood fades. After 25 years, Andersson returned to filmmaking with stories that focus on the adult anxieties of his earlier love story, stylized and intensified by non-professional actors. His carefully constructed vignettes are both realistic and askew – whether the business conversation conducted with a CEO encased in a tanning booth or the ghoulish executive traveling a melodic subway with the charred remains of his enterprise. In all, a bountiful, surreal and funny vision of modernity that won plaudits at Cannes.

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28/3（六）7:30pm 香港科學館 SM

5/4（日）3:00pm 香港科學館 SM

29/3（日）10:00pm 6/4（一）1:00pm The Grand GC 香港文化中心 KG

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人啊，你為甚麼

鴿子在樹上反思存在意義

瑞典／德國／法國 2007 94 分鐘

瑞典／挪威／法國／德國 2014 100 分鐘中文字幕

也是經年的苦心孤詣，單是 50 個長鏡頭個個廠景搭建的事實，再看看場景如何精細，便只能五體投地。影評人 Roger Ebert 說安德遜已去到沒有瑕疵的境界。統一有如 Hopper 風格的氛圍和構圖裏，苦着臉的人演繹日常不起眼的傷心事，一地的黑色幽默。不開心的男女總找錯人訴苦，心理醫生說人太自私了不要再聽嘮叨了，男人發夢打爛碗碟被判坐電椅，女人發夢和暗戀人來個飛翔婚姻，而且不用 CGI 真的拍了出來。故事驟看支離破碎，卻融和像史詩，北歐曲子和唱，這次會叫人掉淚。

安德遜化身樹上鴿子看人間，沒有白鴿眼，像澄明鏡子反照一趟穿越時間的奧德賽。《二樓傳來的歌聲》及《人啊，你為甚麼》後終完成「人間三部曲」，依然超現實超級冷面，也是章回結構，場景自己造，但破天荒以兩推銷員的目光貫穿。黯黑的現代，這對男男活寶像老夫老妻，愁眉苦臉去推銷殭屍牙怪面具，和周遭的人和景就是不搭調。東征西討的古帝王騎着駿馬前呼後擁，殺進了這時空，物換星移卻彼此融合，在酒吧演出個末世荒唐。公認大師神作，威尼斯捧走最佳電影金獅獎。

You, the Living (Du levande) Sweden/Germany/France 2007 94min Cast: Elisabeth Helander, Jörgen Nohall, Jan Wikbladh

A Pigeon Sat on a Branch Reflecting on Existence

Andersson extended his critical vision of modern life with a tapestry of 50 short vignettes that encapsulate and develop tensions of the everyday into the darkly humorous, whether involving couples, the workplace or the encounters of strangers (pickpocket and mark). These stories, all shot in exquisitely designed studio sets, share ironic links as they also negotiate relations of realities and dreamscapes. Like his early work, both compelling and demanding – and humorous.

Sweden/Norway/France/Germany 2014 100min Cast: Holger Andersson, Nils Westblom, Charlotta Larsson

The title, whether taken from an image of Bruegel or embodied in museum taxidermy, shows Andersson’s striking directorial control in the concluding work of his “living” trilogy. With stories ranging from the humor of death to the boring lives of traveling toy salesman, and travels in time as well as space, Andersson challenges nature of narrative with visual infusions and connections glimpsed through windows or only seen, afterwards, in our minds, still chuckling.

詳情請參閱第120頁 For details please see P.120

國際首映 International

Premiere

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29/3（日）7:30pm UA iSQUARE IS

2/4（四）9:15pm UA Cine Moko MK

車拼導演：萬仁 2014 國語／普通話／閩南語 102 分鐘中文字幕

AUTEU

作者風

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「車拼」在台語是「火拼」的意思，台灣最火的車拼不是藍綠，而是紅綠之間，尤其太陽花學運之後吧。這裏的車拼是一宗兩岸婚姻，大陸男孩趙中和台灣女孩心怡在北京相戀，心怡回台，趙中追來求婚，心怡深綠的爹偏阻撓，趙中出動深紅的阿爺和爹媽遠道而來，展開如國共和談的紅綠車拼，互施銀彈互出怪招，政治立場對陣鬧翻天。台灣新電影名將萬仁（《超級公民》，23 屆）調侃僵化的意識形態，笑料貼近現狀，心怡的阿公一段秘密身世提昇了層次，荒謬的是命運和歷史的勾連。

It Takes Two to Tango Dir: Wan Jen 2014 Mandarin/Putonghua/Minnan dialect 102min Cast: Lee Tsung-I, Wang Lo-Yuan, Chen Po-Cheng, Su Ming-Ming

The relationship between the Mainland and Taiwan has been under a century of intense political pressure, but Taiwanese New Wave auteur Jen Wan gives it a personal spin in It Takes Two to Tango. When Zhao leaves Beijing for Taipei to be with his lover Shin-Ye, they face fierce opposition from he parents. Wan approaches the situation with humor and intelligence, and ultimately it proves the older generations hold the keys to diplomacy and lasting happiness. 亞洲首映 Asian Premiere

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25/3（三）10:00pm 27/3（五）7:45pm The Grand GC The Grand GC

醉，生夢死導演：張作驥 2015 閩南話／國語 107 分鐘中文字幕

《美麗時光》的阿偉（27 屆），《蝴蝶》的阿哲（32 屆），到現在的老鼠，張作驥的男生無能抗逆，卻都在光影裏魔幻自主。老鼠在媽的爛醉中成長，他選擇走進自己世界，跟河魚談心，看螞蟻跟肥蟲跳探戈，又忙於保護小妓女。哥哥給男友拋棄，老鼠形容他回來，像過去一把刀子捅過來。哥哥、碩哥、他，三人住一塊，老鼠說得對，碩哥不單純是牛郎。媽是醉，他們仨是跟在後頭的生夢死。金山河邊、美景的舊房子說的台北故事，有泥土氣味。張作驥首次碰同志題材，刻骨入肉。

Thanatos, Drunk Dir: Chang Tso-Chi 2015 Minnan dialect/Mandarin 107min Cast: Lu Hsueh-Feng, Li Hong-Chi, Huang Shang-Ho

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

Taking the Greek personification of death as inspiration for its title, Thanatos, Drunk paints an evocative portrait of young Taiwanese man living with the spectre of death. Following his mother’s tragic passing, disturbed slacker Rat is drawn into a complex emotional web with his gay brother Shanghe and sexually-ambiguous gigolo Shuo. Chang Tso-Chi guides his protagonists through glitzy nightclubs and dangerous underworld encounters, but focuses on their emotional and psychological burdens.

亞洲首映 Asian Premiere

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4/4（六）2:30pm UA Cine Moko MK

6/4（一）9:30pm UA Cine Moko MK

27/3（五）7:30pm UA太古城 UC

30/3（一）2:15pm The Grand GC

30/3（一）2:45pm UA iSQUARE IS

3/4（五）9:30pm 香港大會堂 CT

巧黑

原住民的異鄉

地窖天堂

導演：里桑度艾朗素阿根廷／美國／荷蘭 2014 108 分鐘

導演：羅夫狄夏爾澳洲 2014 108 分鐘中文字幕

導演：尤里塞德奧地利 2014 85 分鐘

阿根廷的巧黑如同太虛幻境，眾人口中的樂土，你刻意去尋，就會迷失。回到 19 世紀，印第安人慘遭滅絕，丹麥將領帶着女兒來到巴塔哥尼亞，引發士兵性騷動，女兒跟帥兵哥跑了。將領堅執尋女，頓變時空晃蕩，異境荒涼，路和時間都摺曲了。艾朗素（《利物浦》，33 屆）多重突破，首拍古裝，首有明星（維高摩天臣），首次來個戲劇化故事，營造 Delacroix 的畫面，最後殺一個措手不及，電影原來有這個可能。銀幕方方，艾朗素一直的主題，不就是電影麼？獲康城影展國際影評人獎。

世風日變，澳洲土著查理無法再沉浸於世代相傳的舊日風光，連拿起獵人之矛也被警察指藏有攻擊性武器，無理充公，唯有上路尋找自己的心靈故鄉。然而，叢林不再神聖，人性也不盡單純，神疲心倦終要入院求醫，備受摩登醫學摧殘，更不意捲入私酒交易，鎯鐺入獄，被同族引以為恥。羅夫狄夏爾（《壞男孩扑比》，18 屆）以冷靜的鏡頭，引導寧謐包裹的張力湧現；土著古派利抱擁卑賤裏的尊嚴，演活與世界格格不入的異鄉人查理，眾口交譽，獲康城影展某種觀點最佳演員獎。

禁室少女案令奧地利的地牢臭名遠播，尤里塞德（天堂三部曲，37 屆）更早洞悉天機。醞釀十年，終把國人的絕密地牢一個個磊落見光。歌劇男闢室地下練靶場；希魔粉絲搞地下宮殿呼朋喚友醉臥珍藏；性虐女叫裸體「豬豬」用條脷潔廁；part-time 妓女設行刑室和恩客合作無間。個個醜事怎肯在鏡頭前三級重演？這個迷思令全片氣氛怪異，怪雞地牢在工整文靜的畫面下有奇醜之美，更永遠有曲折離奇的下一幕。可以是一部重口味娛樂片，敏感閱讀就是社會諷刺精神分析心理劇。

Jauja

Charlie’s Country

In the Basement (Im Keller)

Dir: Lisandro Alonso Argentina/USA/The Netherlands 2014 108min Cast: Viggo Mortensen, Viilbjørk Mallin Agger, Ghita Nørby

Dir: Rolf de Heer Australia 2014 108min Cast: David Gulpilil, Peter Djigirr, Luke Ford

A bold, exciting step forward for director Alonso, who has already established a reputation for his control of both landscapes and ideas. Viggo Mortensen, who co-wrote the score, anchors the film as an immigrant engineer between ‘civilization’ and indigenous worlds under threat, powerful boundaries of time, space and language. When Mortensen’s daughter disappears with a soldier, Alonso takes us along on a quest both paternal and metaphysical, creating an equilibrium that makes him a new director to watch.

Australian aborigines are torn between two worlds – the place and culture of their heritage and the same land, occupied by modern Australians who have displaced them. In this heartfelt tale set between bushlands of the past and homeless ghettos of contemporary Darwin, David Gulpilil, who drew global attention as a teenager in Walkabout (1971), appears half a century of hard life and no-win dilemmas later, collaborating with director de Heer in a film that interrogates its country and audience without easy answers.

Dir: Ulrich Seidl Austria 2014 85min

What lies beneath the veneers and manners of the Austrian bourgeoisie? Filmmaker Seidl has probed this question before in multiple docurealist works. Here, he takes subterranean geographies at their most literal and metaphoric, by capturing the delights and secrets of a diverse series of Austrian basements. Teenage rock bands and Nazi souvenirs, snakes and fetishes, indoor shooting ranges and scenarios for domination. In all, myriad hidden places of the home and mind should prove shocking, amusing or perhaps illuminating.

亞洲首映 Asian Premiere

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社區放映會（P.27頁）

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24/3（二）2:30pm UA iSQUARE IS

29/3（日）7:30pm 香港藝術中心 AC

30/3（一）9:45pm The Grand GC

31/3（二）2:30pm MCL 德福戲院 TC

29/3（日）10:00pm 5/4（日）11:45pm UA iSQUARE IS UA Cine Moko MK

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非請勿進

德黑蘭人間傳奇

野火

導演：佳麥甸、伊凡莊遜加拿大 2015 128 分鐘

導演：洛珊班尼蒂瑪伊朗 2014 88 分鐘中文字幕

導演：塚本晉也日本 2014 87 分鐘中文字幕

佳麥甸（《窺孔》，36 屆）這一次玩得大了，左手拖卡爾維諾，右手挾愛森斯坦，做個飛越光影夢旅人。一開始便無厘頭得很好玩，男子教洗浴作開場白，然後船員困在潛艇，啃燕麥餅取氧氣，不料撞進一個斬柴佬，大講深入狼穴救美女，之後不斷的失驚無神戲中有戲。火山會發一個未來的夢，怪醫救斷骨四十幾條的女人，女人脊椎裏會生出火車催眠奇案，故事個個顛覆期望，同場角色一個默片演繹一個聲片演出，過癮到癲，助陣又有滿天星。佳麥甸獨創電光幻影的巔峰之作。

七個人，一種武器，七個故事。紀錄片導演找上的士司機，拍攝腐敗資本主義如何磨蝕人性。司機重遇淪為妓女的兒時玩伴，還未從淡淡神傷過轉，母親已越過他走進她的煩惱。由此及彼，彼是相生，角色不斷接棒，敘事的結構並不新奇，引人入勝是：愈平凡況味，愈耐人細嚼。洛珊班尼蒂瑪（《一紗之隔》、《爛心城市》，20、 26 屆）磨劍八年，劇情新片中注入前作依稀可辨的角色，增加文本層次之餘，更不斷強化批判不義建制的力度。威尼斯影展摘下最佳編劇獎，實至名歸。

塚本晉也繼續 cult 得起，重拍市川崑的《野火》，少點膽量請勿進場。他自演少點演員能量都不行的主角，二次大戰末，敗走菲島前夕，日兵如喪家犬，田村染上肺癆，部隊醫院都不收，他遊走戰場的光景，比地獄更駭人。屍橫遍野，瘋狂浴血，殘肢亂飛，更因糧絕，人獵人而吃，田村這個文人，最後也掉進你吃我還是我吃你的惡咒裏。敵人不曾出現銀幕，恐怖卻一直瀰漫，殺戮至鬼哭神號。塚本晉也穿越難耐的恐怖血腥，反思民族潔癖，他愛拍的暴力都市，放大了不就是這個戰場？

The Forbidden Room

Tales (Ghesseha)

Fires on the Plain (Nobi)

Dir: Guy Maddin, Evan Johnson Canada 2015 128min Cast: Charlotte Rampling, Maria de Medeiros, Udo Kier

Dir: Rakhshan Banietemad Iran 2014 88min Cast: Habib Rezaei, Mohammadreza Forootan, Mehraveh Sharifinia

Dir: Tsukamoto Shinya Japan 2014 87min Cast: Tsukamoto Shinya, Lily Franky, Nakamura Tatsuya

The warped directorial mind of Guy Maddin is utterly unique and wholly derivative, creating a fantastical dreamscape that echoes a centur y of cinematic endeavors through a kaleidoscope of formats, film stocks and optical effects. Evoking silent expressionism, schlock exploitation and 50s paranoid sci-fi, Maddin and Johnson fashion a phantasmagorical alternate reality populated by poisonous skeleton unitards, volcano-worshipping tribesmen, dreaming moustache hairs and vaudevillian instructors of proper bathtub etiquette.

Documentarian Banietemad returns to drama with this patchwork of stories - originally conceived as shorts under Iran’s former regime - revisiting many themes and characters from her earlier work. Employing a documentary filmmaker to chronicle the state of the country, Tales touches on everything from poverty and prostitution to corruption and kidnapping, as well as gender and generational divides within a country fraught with restrictions, frustrations yet an undulating passion to speak out and address the world.

When his besieged World War II regiment falls into chaos, wounded soldier Tamura (director Tsukamoto in the lead role) wanders deliriously through the war-torn jungle, surveying the inhumane carnage while heading towards a complete moral and psychological breakdown. A long-standing project of passion for Tsukamoto, this grisly adaptation of Ooka Shohei’s classic war novel (previously adapted by Ichikawa Kon in 1959) is realised with shocking and upsetting power by the provocative cult director.

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3/4（五）5:00pm 香港大會堂 CT

6/4（一）7:30pm UA Cine Moko MK

31/3（二）3:00pm 香港藝術中心 AC

6/4（一）9:00pm 香港藝術中心 AC

24/3（二）7:15pm UA太古城 UC

一千零一克

過度發展的回憶

一個人的神曲

導演：賓特哈馬挪威／德國／法國 2014 93 分鐘中文字幕

導演：傑拉達喜米菲律賓 2015 145 分鐘

導演：李治馬祖斯基波蘭／意大利 2014 102 分鐘

賓特哈馬（《聖誕回家》，35 屆）的畫面，讓瑪麗活在馬格烈特的超現實作品中：整齊的生活，天天如是的衣食住行，執迷準確度的工作。但和老公分手，至親的老爸病故，一件多餘道具也沒有的素淨畫面，壓下大團烏雲，人在下面勉力不為所動。着力平穩自己的當兒，瑪麗接下大差事，到巴黎出席一公斤標準模世界大會（真有其會的！）。她戰兢拿着挪威的標準模上路，他們說，一公斤模多了一克，會引發巨災，那生命多了一克呢？人生意外是常態，這一克讓瑪麗看到了自己。

寫照 15 世紀安力奇這個漂流奴隸的生平，被譽為菲律賓獨立電影之父的達喜米自編自導自演，影像跨越 35 年，他從壯健中年，演到白髮老翁。你覺得《我們都是這樣長大的》誠意可嘉的話，那麼這部既史詩格局，又遊戲人間的獨立精神作品，可相應喚為「菲律賓是這樣從殖民時代煉成過來的」，更擴闊你觀影如翻相簿的眼界。歷史幽默再塑，家傳戶曉流行民歌相隨，家庭錄像自由穿插；不同的菲律賓時刻飛越世代潛行想像，不可或缺是達喜米的野蠻氣質。新鮮入圍柏林影展之作。

牛兒在超市耙地，教堂瀉下大瀑布，水染墳地一片十字架浮沉汪洋。馬祖斯基（《磨坊與十字架》，36 屆）的新作盡是超現實景像，大自然和人類相沖已到臨界點！詩人阿當遇意外痛失妻子和好友，棄下大學教席到超市打工，帶着臉上傷疤瑟縮一角生活。但丁《神曲》扣問下，阿當和我們經歷內心異像，據說，傷逝穿越地獄，能直抵永恆。海德格筆下的暗黑森林，更是個天啟。總統墜機，洪水處處，火山灰蔽日，天災加人禍，個人和國族命運相纏，馬祖斯基目光深沉，翻開一部現代啟示錄。

1001 Grams

Balikbayan#1 Memories of Overdevelopment Redux III

Field of Dogs (Psie Pole) Dir: Lech Majewski Poland/Italy 2014 102min Cast: Michal Tatarek, Elzbieta Okupska

Dir: Bent Hamer Norway/Germany/France 2014 93min Cast: Ane Dahl Torp, Laurent Stocker, Hildegun Riise, Stein Winge

What is a kilo, really? Scientists charged with safeguarding global accuracy preserve official weights and measures via high-security measures rivaling those of state secrets or saintly relics. Yet this infinitesimally precise quest creates the space in which an equally tightly-bound Norwegian scientist, Marie, comes to encounter new feelings, love, loss and liberation at a Paris conference. An understated film for fans of Hamer’s more comic works (Kitchen Stories, 2003) and new romantics seeking to understand the weights of love.

Dir: Kidlat Tahimik The Philippines 2015 145min Cast: Kidlat Tahimik, Wig Tysman, Kawayan De Guia

Magellan, the famous navigator, met his untimely death in the Philippines before he could circumnavigate the globe. Ironically, it was his slave and translator Enrique who most likely was the first to achieve the historic feat. Though rarely mentioned in the history books, Kidlat Tahimik investigates Enrique’s story and continues with that of a modern-day village in Ifugao province. 35 years in the making, this ethnographic study examines colonialism and local history with amusing insight.

Following The Mill and the Cross (36th HKIFF), Majewski tackles a contemporary personal story with evocations of the Middle Ages, as Dante interrogates a young poet amidst contemporary loss and disillusion. Adam escapes his soul-numbing job in a retail emporium in a world of surreal dreams as the collapse of his private world resonates with international cataclysms from weather to the death of the Polish president. A philosopheraunt becomes his Virgil, guiding him and us through this dark night.

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24/3（二）2:30pm UA太古城 UC

5/4（日）9:30pm 香港藝術中心 AC

28/3（六）9:30pm The Grand GC

5/4（日）2:30pm UA Cine Moko MK

26/3（四）9:45pm UA iSQUARE IS

28/3（六）8:15pm UA iSQUARE IS

雪原七思

佔領廣場

愚父怨母神經槍

導演：小阿歷西謝曼俄羅斯 2015 137 分鐘

導演：沙基羅斯尼薩烏克蘭／荷蘭 2014 130 分鐘

導演：侯哈徹利美國 2014 85 分鐘中文字幕

導演預視兩年後一場大戰待發，然而圍繞着俄羅斯這個河岸地盤，新雪初下時，並非戰意高昂。工人來到發覺人人說着偏見外星語；中年建築師忘年戀，彌補現實落空；回流兄妹無力成全父親建築遺願；地產律師綑在舊夢，過不是自己的人生；逃避戰火來到這裏的男人，碰見少女被擄；博物館受鄰近工程影響有倒塌危險，保安員被迫離開；曾效力葉利欽的導遊，被小學生問：「我們是誰？這裏一切散亂亂的。」七個人事段落，象徵俄羅斯的前世今生，但下世紀已臨，剛打入柏林影展角逐金熊獎。

始於佔領，終推翻邪惡政府！烏克蘭人有幾堅，沙基羅斯尼薩就讓你眼睛貼在廣場慢慢看。他是那種放心讓鏡頭淡淡定定洞悉天機的作者，拍過《霧裏人鬼神》（37 屆）後看到家鄉巨變，便重回紀錄的根，鏡頭企定定，90 天與佔領呼吸同一空氣，展現影像澎湃力量。穩築防線，帳篷生活，煮大鍋飯，齊過聖誕，開放大台，熟悉如血脈相連。清場那刻，人手一棍掘地取磚，嗌咪調兵，已成一個戰場。最後定性已非運動，不只革命，是政變了。獲羅馬尼亞阿斯特拉電影節最佳電影獎。

從《Henry Fool》到《Fay Grim》，害人不淺的爸、性上癮的媽都成傳以後，三部曲輪到神經槍兒子 Ned 了，美國獨立鬼才哈徹利也回勇了。爸害媽終身監禁，牧師帶大的 Ned 變虔誠教徒，誓弒父報仇。他重遇舅舅，一個諾獎詩人，卻跟他爸要好；也遇上性感女生 Susan，離奇迷戀他家族。各有秘密，卻互相吸引。Ned 在監獄見過媽，在瘋人院找到爸。哈徹利一貫好玩，給現實一個幽默的藝術包裝，筆下人事都畸怪，還有挖苦式哲學對白。 Susan 回應詩人：不流行是必須的。更像電影宣言。

Under Electric Clouds

Maidan

Ned Rifle

Dir: Alexei German Jr. Russia 2015 137min Cast: Lui Frank, Merab Ninidze, Viktoria Korotkova

Dir: Sergei Loznitsa Ukraine/The Netherlands 2014 130min

Dir: Hal Hartley USA 2014 85min Cast: Liam Aiken, Aubrey Plaza, Parker Posey, James Urbaniak

German pairs again with Chulpan Khamatova (whom we met in Goodbye Lenin [2003]) in a story situated somewhere between parable and science fiction, imbued with the experiences of changing Eastern Europe. Based on intertwining novels and intertwining seasons of summer and the winter of the first snowfalls, an architect, his project and the people around him create dialogue and negotiation across past, present and future in this complex and wondrous film. From the son of famed Russian director Alexei German. 32

亞洲首映 Asian Premiere

After two acclaimed fiction films, Sergei Loznitsa returns to documentaries with this astonishing portrait of a swelling populist movement. Set in Maidan Nezalezhnosti, the central square of Kiev, Maidan chronicles a 90-day period from 2013 to 2014 when Ukrainian citizens gathered to protest the ruling regime. Using static long takes, Loznitsa sharply reveals the power of the masses as they assemble peacefully before ultimately engaging in a defiant uprising. A monumental and stunningly relevant document of citizens in revolt.

Completing the trilogy that Hal Hartley began 17 years ago with Henry Fool (1997) (and Fay Grim [2006]), this kickstarter funded project continues Hartley’s deep independence. Rifle, the son of these earlier protagonists raised instead by devout Christians, sets out for revenge against the father (Fool) whom he believes led to the imprisonment of his mother (Grim). A quest replete with philosophical dialogues and other Hartley characteristics, with a femme fatale who complicates all our lives.

中學生放映會 S ec on d ary S chool S creeni ngs

今年香港國際電影節協會繼續得到新昌營造集團全力支持，舉辦專為中學生而設的免費「中學生放映會」。是次活動旨在培養中學生對電影文化的興趣及鑑賞力，每場放映均邀請資深影評人作導賞及分析。 With continued support from the Hsin Chong Construction Group Ltd., the Hong Kong International Film Festival Society again proudly present the Secondary School Screenings. These free screenings are aimed at fostering film culture and promoting inspiring films among local students. Each screening will be accompanied by a discussion conducted in Cantonese by film critics.

25/3( 三 ) 2:30pm The Grand Cinema 嘉賓講者：朗天 Guest Speaker: Long Tin

在世界盡頭喚自由 Timbuktu

導演：A. 薛沙高法國／毛里塔尼亞 2014 97 分鐘中文字幕

撒哈拉沙漠以西盡頭的小鎮，外來聖戰組織奪權，製造十級白色恐怖，街上死寂，家家閉戶。牧牛人一家住在邊陲，生活本相對自由，仍遭惡法纏身。導演以白描手法呈現居民和孩子的默默抗爭。獲芝加哥電影節最佳導演獎。 Dir: Abderrahmane Sissako France /Mauritania 2014 97min Cast: Ibrahim Ahmed, Toulou Kiki, Abel Jafri, Fatoumata Diawara

With singular grace and magnanimous humanity, Abderrahmane Sissako captures the tribulations of a beloved land seized by foreign jihadists. At the center of the film’s intertwined tales is a Tuareg patriarch who is forced to face radical Sharia law for an accidental misdeed.

26/3( 四 ) 2:30pm UA Cine Moko

海月姬 Princess Jellyfish

嘉賓講者：劉偉霖 Guest Speaker: William Lau

導演：村川泰祐日本 2014 126 分鐘中文字幕演員：能年玲奈、菅田將暉、長谷川博己

人氣漫畫真人版。月海與數名宅女同居，以接觸男人為禁忌。但哪個少女不懷春？轉角遇見偽娘易服癖，接着暗戀處男富二代，還陷入清拆姑婆屋的恐慌。月海要為愛情為生活勇敢豁出去了！ Dir: Kawamura Taisuke Japan 2014 126min Cast: Noonen Rena, Suda Masaki, Hasegawa Hiroki, Ikewaki Chizuru

This quirky romantic comedy centers on “jellyfish otaku” Tsukimi , who lives with four other otaku in a girls-only apartment house in Amamizukan. The introverted girls must overcome their petrifying aversion to “fab humans” to save their beloved home – and with the help of their gutsy cross-dressing male friend, anything is possible!

27/3( 五 ) 3:00pm 香港科學館 Hong Kong Science Museum

最佳拍檔 Aces Go Places

嘉賓講者：林超榮 Guest Speaker: Lam Chiu Wing

導演：曾志偉 1982 粵語 90 分鐘演員：許冠傑、麥嘉、張艾嘉、石天、古嘉露、徐克

於賀歲檔推出，票房勁收，壓倒同期的《少林寺》和《龍少爺》。混合占士邦式鬥智、港式動作、飛車與錯摸笑料；許冠傑、麥嘉及張艾嘉三位主角互鬥演技，火花四濺，成就另一部八十年代香港喜劇經典。 Dir: Eric Tsang 1982 Cantonese 90min No Subtitles Cast: Samuel Hui, Karl Maka, Sylvia Chang

香港名家講座張艾嘉（43 頁） Face to Face: Sylvia Chang（P.43）

The first in the successful film series combines buddy comedy with caper action drawing on every genre imaginable. A representative example of Hong Kong’s wildly entertaining popular cinema of the eighties.

主持：林奕華 Moderator: Edward Lam 查詢及登記 Registration and Enquiry: outreach@hkiff.org.hk

主辦 Presenter

全力支持 Supported by

*「中學生放映會」只為中學生而設，歡迎各中學老師以學校名義報名。報名及查詢電郵：outreach@hkiff.org.hk *Secondary School Screenings admit secondary school students only. Group application is open to all secondary schools in Hong Kong. Interested parties please write to outreach@hkiff.org.hk

PA ON NO G KON RA M G A

2014-15

香港電影面面觀

25MK3M2D 25/3（三）2:30pm UA Cine Moko MK

竊聽風雲 3 導演：麥兆輝、莊文強 2013 粵語 131 分鐘中文字幕演員：劉青雲、古天樂、吳彥祖、周迅、葉璇

一切開始於政府決定終止丁屋計劃，將剩餘的丁權統一為多層式的丁屋大廈。麥莊二人組一貫緊貼時代脈搏，在本土意識日漸高漲的香港，結合新界圍村丁權與房地產勢力的奇想展開想像，講述一個關於貪婪的故事。劇本野心極大，既觸及兄弟情、兒女私情、兩代情，也旁及家族傳承和歷史，又輕輕點出不同利益集團背後來自中國的有形之手。黑幫類型片包裝下，麥莊仍然寄託人文關懷與社會批判，肯定人情與土地的有機關係。

Overheard 3 Dir: Alan Mak, Felix Chong 2013 Cantonese 131min Cast: Sean Lau, Louis Koo, Daniel Wu, Zhou Xun, Michelle Ye

The latest in the hit series of surveillance thrillers, Overheard 3 features a ripped-from-the-headlines story of robber barons and family intrigue set in the New Territories. When the scheming Luk Clan pools their government-sponsored land grants to challenge Hong Kong’s big four real estate developers, it falls upon a shamed Luk family member (Louis Koo) and a hacker (Daniel Wu) to expose their corruption. Award-winning actors Sean Lau and Zhou Xun co-star in this complex and timely crime epic.

27MK3M2D 27/3（五）2:30pm UA Cine Moko MK

黃金時代導演：許鞍華 2014 普通話 178 分鐘中文字幕演員：湯唯、馮紹峰、王志文、朱亞文、黃軒、郝蕾

去年威尼斯影展的閉幕電影，也代表香港角逐今年奧斯卡最佳外語片。但這些對許鞍華都不重要，拍蕭紅傳記一直是她的心願，她也不負自己不負觀眾，拍出這部壓卷之作。三小時的電影，顯示了她的導演氣魄，也展現徐疾有致的敘事功力。許鞍華電影向以女性為主軸，民國四大才女之一的蕭紅一生自主而崎嶇，自是她喜愛的題材，但蕭紅最後流落香港並且殞命於此，也是許鞍華此作暗地與香港命運牽連一起的重要原因。

The Golden Era Dir: Ann Hui 2014 Putonghua 178min Cast: Tang Wei, Feng Shaofeng, Wang Zhiwen, Zhu Yawen

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

Ann Hui’s pet project is an epic drama about progressive writer Xiao Hong (Tang Wei), who rose to prominence in turbulent 1930s China and died at the age of 30 in war-torn Hong Kong. Told using an intricately-crafted experimental structure, the film explores Xiao Hong’s relationships and literary inspirations, particularly her experiences living in China’s culturally oppressive patriarchal society. Hong Kong’s entry into the Best Foreign Language Film category at the 2015 Academy Awards.

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25/3（三）5:15pm UA Cine Moko MK

30/3（一）5:15pm UA太古城 UC

30/3（一）2:30pm UA Cine Moko MK

麥兜．我和我媽媽

爭氣

一個人的武林

導演：謝立文、李俊民 2014 粵語 81 分鐘中文字幕聲演：吳君如、張正中、黃秋生、the pancakes

導演：楊紫燁 2014 粵語 91 分鐘中文字幕

導演：陳德森 2014 粵語／普通話 100 分鐘中文字幕演員：甄子丹、王寶強、楊采妮、白冰

香港只此一家的麥兜動畫，題材寓意心繫香港。這次麥兜長大成人，化身為神探波比，查案之餘也再次訴說他和麥太的感人至深小故事。《麥太家居萬能俠》原為國內電視短片，謝立文巧妙將之融入電影，麥太恍似女版曾近榮，也是個為生存拼搏的典型香港人，搞土法社區電視台，向師奶傳授各種日常生活法寶。麥兜為忘記自己歷史，少小離家流浪異地，長大回港才再想起媽媽和家的好，不禁讓人聯想起日漸褪色的我城苦況。

奧斯卡最佳紀錄短片得主楊紫燁 2013 年監製《子非魚》，走到基層小學展現不同背景孩子的生活面貌。這次再走進蔡功譜、何明華、聖匠和心光等中學，刻意融合問題與失明學生，為一個音樂劇排演作紀錄。從零開始學唱歌跳舞，可說是事先張揚的勵志事件，醉翁之意不在脫胎換骨精彩水準演出，而是少年面對先天後天不足種種身心性格弱點與陋習，見證自我提升的汗與淚。本質是一部「公司」片，但楊紫燁關注家庭互動扶持，捕捉着少年人不花假的爭氣感染力，盡去宣傳味。

McDull · Me & My Mum

My Voice, My Life

Kung Fu Jungle

Dir: Brian Tse, Alfred Li 2014 Cantonese 81min Voice Cast: Sandra Ng, Zhang Zhengzhong, Anthony Wong, the pancakes

Dir: Ruby Yang 2014 Cantonese 91min

Dir: Teddy Chan 2014 Cantonese/Putonghua 100min Cast: Donnie Yen, Wang Baogiang, Charlie Young

The lovable and dim-witted animated pig McDull returns for more hilarious and heartfelt misadventures. While solving a mysterious murder, the adult McDull – now called Bobby Mak – reminisces on his formative years with his mother, the acerbic Mrs. Mak, who taught him the importance of imagination, pragmatism and good old-fashioned hard work. Known for its bittersweet regard for Hong Kong and its unique people, the McDull series continues in stride with this sixth fulllength feature.

This acclaimed documentary follows a ragtag group of students from four disadvantaged secondary schools, as they train for a once-in-a-lifetime stage musical performance, while confronting personal issues such as delinquency, low self-esteem and even tragicallyacquired blindness. Ruby Yang (Academy Awardwinning short documentary The Blood of Yingzhou District [2006]) skillfully intercuts rehearsal footage with candid interviews for this hopeful and life-affirming portrait of young Hong Kong underdogs seeking a better tomorrow.

陳德森廣邀本地武術指導參與，動作設計玲瓏浮凸，過程不忘回顧致敬。武痴王寶強挑戰整個武林，表面是甄子丹的 copycat，主張武藝必殺技要成為新正統，實質是走火入魔，將個人不幸，加諸世界，將武藝推至新高峰時，亦同時殺死武林，甄子丹因此有機會重新面對小我成長過來。陳德森見證又辯證，以楊采妮代表警匪片柔腸認知，修正隱密、非理性的功夫片偏執，清洗盛世病態思想，好一個自持態度：南方風骨，堅守正道。

A thrilling modern-day action film that pays tribute to the kung-fu genre with a classic storyline and many cameos from martial arts movie actors and filmmakers. When a mysterious murder occurs, imprisoned martial arts master Hahou Mo (Yen) asks the police for temporary release to pursue the murderer: Fung Yu-sau (Wang Baoqiang), a kung-fu killer who intends to defeat all of Hong Kong’s top martial artists!

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26/3（四）5:30pm UA Cine Moko MK

24/3（二）2:30pm UA Cine Moko MK

29/3（日）2:15pm 香港太空館 SP

鮮浪潮得獎作品展

雛妓

親愛的

導演：邱禮濤 2015 粵語 95 分鐘中文字幕演員：蔡卓妍、任達華、孫佳君、柳俊江、何華超

導演：陳可辛 2014 普通話 128 分鐘中文字幕演員：趙薇、黃渤、佟大為、郝蕾

有人認為是這一年最佳港產片，無論如何，這是一次本土電影的漂亮示範。兩時空交叉剪接，一段是少女 Sara 被包養，一段是她已身為名記，在市場掛帥的雜誌社中角力；都是她的戰爭，前者用身體，後者用筆。邱禮濤處理兩時空有條不紊互相呼應，沒多餘鏡頭，敘事清脆利落，母題和意象更首尾呼應。對不倫之戀不加批判的胸襟，港片罕見，那句在潔淨版 trailer 被剪走的「我有畀你 x」入心入肺。提提電影學院，要編進教材哩。

北漂的陳可辛天空和題材一直拉闊，以孜孜港式精神繼續發掘感人故事，場景遍及城鄉，聚焦一孩政策下拐帶現象。城市離婚夫妻黃渤和郝蕾多年以後，才發現被拐的愛兒變成農婦趙薇之子，再認不出他們，經歷二度創傷。不再是《中國合伙人》（38 屆）的概念化，而是真實切割之苦，尋孩的父母走在一起的誇張場面看來諷刺，但也是國情。沒感覺的觀眾，最後也被趙薇這個感情發電機所打動，到質疑養娘親抑生娘親，已是另一境界了。

Sara

Dearest

Fresh Wave Awarded Showcase

Dir: Herman Yau 2015 Cantonese 95min Cast: Charlene Choi, Simon Yam, Sunadcha Tadrabiab

Dir: Peter Ho-sun Chan 2014 Putonghua 128min Cast: Vicki Zhao, Huang Bo, Tong Dawei, Hao Lei

Charlene Choi delivers an astonishing performance in Herman Yau’s gritty drama about tarnished lives and second chances. Disillusioned journalist Sara (Choi) travels to Thailand to escape her professional and romantic woes, and befriends young prostitute Dok-My (Sunadcha Tadrabiab). Seeing herself in the underprivileged Dok-My, Sara recalls her own difficult youth, including the emotional and sexual abuse she received from her family, and her lengthy affair with the man (Simon Yam) who helped to change her life.

Years after their son Pengpeng is abducted, Tian Wenjun (Huang Bo) and ex-wife Lu Xiaojuan (Hao Lei) discover him living with poor Li Hongqin (Vicki Zhao) in a remote village. But Pengpeng does not remember his parents, and he now calls Hongqin “mother.” Can Pengpeng ever be Wenjun and Xiaojuan’s son again? Inspired by true events, Peter Ho-sun Chan’s powerful drama explores the desperate and heartbreaking emotions of parents – both real and adopted – grappling with the loss of children.

The annual showcase for young filmmakers presents four recognized shorts from 2014. Understated emotion on working class life permeate Best Film (Open Division) The Sea Within, about a fishermen couple at a crossroads. Best Cinematography (Open Division) The Food Fascist features an uncompromising chef who exposes inhumanity in near-future Hong Kong. Best Film (Student Division) Neighbours tells of a Mainland student living alone in Hong Kong who discovers a dead body. A happy-go-lucky father must put away childish things for the sake of his 5-year-old son in Best Script (Open Division) Hong Kong’s Weepie. Total: 120min.

新鮮一代待破浪，還請乘風潮頭看。《這裏，一切還好》（詹可達，公開組最佳劇本獎）大概是世界仔爸爸的感言，為望子成龍，底線推到那裏守在那裏。內地女生入住唐樓，在《樓上樓下》（蔡嘉豪，學生組最佳電影）運滯碰到命案，陌生與孤獨感帶出恐懼性飢餓空間。《飲食法西斯》（葉文希，公開組最佳攝影獎）是個電視直播節目，獨裁大廚挑機政客食家主持人，徒弟旁白見證師父犬儒烹飪哲學走火入魔。《他們的海》（黃瑋納，鮮浪潮大獎）的導演來自漁民家庭，深情目光看一對徘徊岸上水上的夫妻，在人生的過渡中推拉同行。共 120 分鐘。

24/3（二）8:00pm 香港科學館 SM

山中傳奇導演：胡金銓 1979 國語 184 分鐘演員：徐楓、張艾嘉、石雋、佟林、田豐、吳明才、陳慧樓、孫越

改編宋代話本《西山一窟鬼》，在韓國慶州及濟州島等外景拍攝了一年多。充滿禪意的影像，山巒煙霧繚繞，盡見胡金銓巔峰時期的美學境界。窮書生石雋到山中抄寫大手印佛經，超渡亡魂，張艾嘉、徐楓皆演女鬼，變臉鬥法，欲搶奪經書。其時張艾嘉剛拍完李翰祥的《金玉良緣紅樓夢》，與當年兩大導演都合作過。她在韓國拍攝期間，胡金銓喊她做「兒子」，不但演出，更協助幕後工作，了解拍片過程，為她日後執導之路奠下基礎。

c us

an Fo g

焦點影人張艾嘉

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Dir: King Hu 1979 Mandarin 184min No Subtitles Cast: Hsu Feng, Sylvia Chang, Shih Chun

A young Sylvia Chang plays a pivotal role in this contemplative supernatural fable from the incomparable King Hu. On a quest to copy a powerful sutra, a young scholar (Shih Chun) is drawn into a ghostly world where he’s torn between the temptations of his demure wife (Hsu Feng) and a mysterious young girl (Chang). Shot on location in Korea and boasting stunning natural landscapes, this haunting reinvention of the wuxia genre has been restored to its full 184-minute length.

Sy Fi lm lv m ia a

Legend of the Mountain

張艾嘉從影 40 年，兩奪金馬獎影后，亦曾兩度獲香港電影金像獎封后，演技毋容置疑。她不單是出色演員，也是出色電影製作人、導演、編劇，堪稱全能電影人，樂於扶掖後晉。她更是歌手，涉足舞台劇創作及演出。她投資並演出許鞍華首部劇情長片《瘋劫》（79），投入香港電影新浪潮的波濤；在台灣製作劇集《十一個女人》（81），令楊德昌嶄露頭角，其後策劃並主演楊德昌首部劇情長片《海灘的一天》（83），為台灣新電影奠下里程碑。她自己編導的《最愛》（86）、《少女小漁》（95）、《心動》（99）等，均見敏銳纖細的女性觸覺，睿智不失幽默，言情但不煽情。她今年推出新作《念念》，是個難得時機，讓我們藉此重溫張艾嘉歷年的精彩演出及編導作品，回顧其電影事業的豐碩成果。

Born in Taiwan but working in Hong Kong and beyond, Sylvia Chang is known worldwide as one of Asia’s foremost female filmmakers. Over a career spanning four decades, Chang has received consistent acclaim as an actor, writer and director. Sylvia Chang’s filmography is remarkable for its variety and depth, but her signature is her strong portrayal of women from all walks of life. As a testament to her versatility and talent, Chang has amassed six awards and many more nominations from the Golden Horse and Hong Kong Film Awards. Chang’s dedication to the arts extends beyond film. She also manages artists Angelica Lee and Rene Liu, both frequently featured in her work, and has served in leadership positions for the Golden Horse and Hong Kong International Film Festivals. Chang is also a popular recording artist, releasing nine albums over 20 years, and works actively to promote humanitarian causes. Häagen-Dazs™ 全力支持焦點影人：張艾嘉 Häagen-Dazs™ supports Sylvia Chang, Filmmaker in Focus.

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors 40

Moleskine 為香港國際電影節推出張艾嘉特別版筆記本。 Sylvia Chang limited edition notebook created specially for HKIFF by Moleskine.

中學生放映會（P.35頁） 27/3（五）3:00pm 香港科學館 SM

最佳拍檔導演：曾志偉 1982 粵語 90 分鐘演員：許冠傑、麥嘉、張艾嘉、石天、古嘉露、徐克

混合占士邦式鬥智、港式動作、飛車與錯摸笑料，於賀歲檔推出，票房勁收，壓倒同期的《少林寺》和《龍少爺》，展開了新藝城的輝煌歲月。張艾嘉過往大多演文藝片，在這部接近瘋狂喜劇的影片裏，一改形象，演出男性化粗魯差婆，令人耳目一新。她與麥嘉合演假夫妻，憑累積多年的演戲經驗，跟一群喜劇老手互鬥演技，令她掌握了港產片的喜劇節奏，搞笑形象大受歡迎之餘，亦拓闊了日後戲路，並開始了她跟新藝城的合作關係。

Aces Go Places Dir: Eric Tsang 1982 Cantonese 90min No Subtitles Cast: Samuel Hui, Karl Maka, Sylvia Chang

The first in the successful film series combines buddy comedy with caper action and bits of every genre imaginable! Cat burglar King Kong (Samuel Hui) and cop Baldy (Karl Maka) engage in stunt-filled action and comedy while teaming to battle international jewel thief White Glove. Sylvia Chang received a Hong Kong Film Award Best Actress nomination for her scenestealing role as feisty Inspector Nancy ‘Hot Tongue’ Ho. A representative example of Hong Kong’s wildly entertaining popular cinema of the eighties.

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27/3（五）8:15pm 香港科學館 SM

28/3（六）7:30pm 香港太空館SP

29/3（日）5:15pm 香港太空館 SP

海灘的一天

上海之夜

最想念的季節

導演：楊德昌 1983 國語 160 分鐘中文字幕演員：張艾嘉、胡茵夢、毛學維、李烈、徐明

導演：徐克 1984 粵語 103 分鐘中文字幕演員：葉蒨文、張艾嘉、鍾鎮濤、胡楓

導演：陳坤厚 1985 國語 93 分鐘中文字幕演員：張艾嘉、李宗盛、吳念真、楊麗音

佳莉與哥哥的舊情人久別重逢，在咖啡廳聊起往事，成長的艱難頃刻湧上心頭。張艾嘉飾演的佳莉，從聽話的高中生，到經歷愛情、婚姻與婚變，然後丈夫離奇失蹤，只在海灘留下隨身物品……張艾嘉出任新藝城台灣總監後，促成了楊德昌這部首作，杜可風也首次擔任攝影。影片對台灣社會與家庭觀念轉變的透視，以及理性與自覺的反省目光，以至對攝影、燈光、美術、錄音等細節的講究，都徹底更新了台灣文藝片的固有面貌。

電影工作室創業作，猶如《十字街頭》的歡喜冤家和《馬張艾嘉最接近本色的一次演出，改寫時代女性的定義。她路天使》的三角戀情，也是日本名劇《請問芳名》的炮飾演的劉香妹敢愛敢言，卻屈服於社會壓力，把自己裹在火中邂逅相約戰後再見，然而在徐克的重新詮釋下，混層層疊疊的衣服下，因為未婚懷孕，急着要為孩子找個爸合港式熱鬧狂想，就變成極富個人風格的懷舊喜劇，體爸。遇上古板戇直的畢寶亮，此人迷信 30 歲前不能碰女現亂世中的頑強生命力。那個上海租界不夜天，大抵也人，卻被劉香妹完全征服了。影片原著和編劇是朱天文是當時中英談判，香港前途未明，馬照跑舞照跳但人心（侯孝賢合編），把台灣中產女性自主自強的意識覺醒，惶惶的隱喻。張艾嘉充份掌握戲中的明快節奏，能收能拍得不落俗套，充滿幽默與生活氣息。張艾嘉曾說這角色放，把那份嬉笑中暗帶憂愁的情緒，表現得恰到好處。跟她本人最相似，這也是她一直想重拍的故事。

That Day, on the Beach

Shanghai Blues

My Favorite Season

Dir: Edward Yang 1983 Mandarin 160min Cast: Sylvia Chang, Hsu Ming, Terry Hu

Dir: Tsui Hark 1984 Cantonese 103min Cast: Sally Yeh, Sylvia Chang, Kenny Bee

Dir: Chen Kun-Hou 1985 Mandarin 93min Cast: Sylvia Chang, Jonathan Lee

The debut feature-length film of director Edward Yang and cinematographer Christopher Doyle, this epic drama concerns the reunion of female friends Chia-li (Sylvia Chang) and Chin-chin (Terry) after thirteen years apart. What follows is an intricate series of flashbacks tracing the divergent paths of the two friends, as they weather life-changing conflicts over family and love. Chang is extraordinary in this intimate modernist tale from the late master Edward Yang.

Sylvia Chang was nominated for a Hong Kong Film Award for her performance as a lovelorn dancer in this screwball romantic comedy. Chang and Kenny Bee play star-crossed lovers who meet and part on the eve of the Japanese invasion of Shanghai. Post-war, the two long for one another but find their reunion stymied by a ditzy country girl (Sally Yeh) seeking big city dreams. A breathless, joyful and dizzy farce as only director Tsui Hark can deliver.

Based on a novel by screenwriter Chu Tien-Wen and co-scripted by Hou Hsiao-Hsien, this classic romantic comedy showcases Sylvia Chang in top leading lady form. Liu Xiang-Mei (Chang) is a career woman who gets pregnant by her married boss. To give her child a family name, she enters into a one-year marriage contract with Bi Bao-Liang, whose fear of women makes him ideal for a temporary marriage. But Xiang-Mei’s plan soon goes awry.

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29/3（日）7:15pm 香港科學館 SM

30/3（一）12:30pm UA iSQUARE IS

31/3（二）9:00pm 香港科學館 SM

最愛

酸甜

廟街皇后

導演：張艾嘉 1986 粵語 87 分鐘演員：張艾嘉、繆騫人、林子祥、鍾景輝、羅美薇、李麗珍

導演：邁克紐維英國 1988 111 分鐘演員：張艾嘉、鄧安寧、金士傑、梁美玉

導演：劉國昌 1990 粵語 103 分鐘演員：張艾嘉、劉玉翠、羅烈、劉雅麗、顧美華

白芸和明玉相識多年，一次閒話家常，早已塵封的秘密就徐徐揭開。原來在明玉跟丈夫俊彥結婚的前夕，白芸跟俊彥也有過一段情。在世間尋覓愛侶，回望半生，到底最愛是誰？在港式動作喜劇大行其道的年代，張艾嘉沒有隨俗，首次在港執導，就拍出了代表作，自編自演，擺脫了傳統文藝片的濫調，刻劃現代事業女性面對友情與愛情的內心掙扎，含蓄細膩。此片令她贏得香港電影金像獎及金馬獎影后，亦為她日後的作品風格奠下基調。

改編華裔作家毛翔青小說，《四個婚禮一個葬禮》導演邁克紐維以誠意邀得張艾嘉越洋主演。新婚燕爾的新界鄉村小夫妻離鄉別井，到英國落地生根，丈夫在唐人餐館打工，妻子當上鐘點女傭，小家庭要安穩度日卻不容易。張艾嘉演繹剛柔並濟的妻子，想勸丈夫開展小生意，但丈夫誤交損友欠下賭債，更捲入不法勾當，日子變得不再安寧。原來在《少女小漁》之前，張艾嘉已在這部英語片裏尋找他鄉的故事，翻開了華人移居海外辛酸一頁。

張艾嘉儘管演過不同類型的角色，演繹華姐仍是她演藝生涯的一次挑戰，要不怕破壞明星形象，配合劉國昌的寫實風格，掌握社會低下層的日常用語。華姐本是個從良的歡場女子，卻多次被男人背叛，中年後重操故業，更升級為廟街鴇母。女兒繼承了她的倔強性格，離家出走。張艾嘉精彩演繹了被生活折騰的女子，對生命憤恨仍要努力活下去，頂多對嫖客惡言相向以挽回一點自尊，亦努力修補跟女兒的破裂關係。

Passion

Soursweet

Queen of Temple Street

Dir: Sylvia Chang 1986 Cantonese 87min No Subtitles Cast: Sylvia Chang, George Lam, Cora Miao

Dir: Mike Newell UK 1988 111min Cast: Sylvia Chang, Danny Dun, Jodi Long

Dir: Lawrence Lau 1990 Cantonese 103min Cast: Sylvia Chang, Rain Lau, Lo Lieh

Sylvia Chang wrote, directed and starred in this revealing drama about two lifelong friends. Widowed mothers Wendy (Chang) and Ming (Cora Miao) share a close, intimate friendship that’s survived many years and hardships. One afternoon, while reminiscing over their past, they unearth a painful shared emotion: a passionate love for the same man (George Lam). Chang won Best Actress at the Hong Kong Film Award for her strong, understated work.

Sylvia Chang expanded her international profile with a starring role in this England-set drama of culture clashes and difficult realities from director Mike Newell. Chinese immigrants Lily (Chang) and Chen (Danny Dun) start a family in 1960s London, where they struggle to make ends meet. But Chen runs afoul of the local triads, who expect him to run drugs as payment for a debt. Escape may be the only option for the family to survive.

A mother and daughter come to terms in this gritty prostitute drama from director Lawrence Lau. Sylvia Chang was nominated for a Hong Kong Film Award for her performance as Big Sister Wah, a lifelong prostitute who reassesses her life when her rebellious daughter (Rain Lau in an award-winning performance) joins her in the sex trade. Raw and moving, this uniquely Hong Kong film is as much about family and womanhood as it is about the world’s oldest profession.

01SM4E1

03SM4M1

04SM4M1

1/4（三）8:15pm 香港科學館 SM

3/4（五）12:15pm 香港科學館 SM

4/4（六）12:30pm 香港科學館 SM

少女小漁

心動

地久天長

導演：張艾嘉 1995 國語／英語 103 分鐘中文字幕演員：劉若英、庹宗華、Daniel J. Travanti、Marj Dusay

導演：張艾嘉 1999 粵語 114 分鐘中文字幕演員：金城武、梁詠琪、莫文蔚、金燕玲、戴立忍、張艾嘉、蘇永康

導演：杜國威 2001 粵語 96 分鐘中文字幕演員：張艾嘉、李沛誠、何超儀、杜汶澤、張同祖

本是李安要拍的題材，是海外華人藉假結婚以圓綠卡夢的故事，到了張艾嘉手裏，就成了一趟女性成長歷程。小漁為了男友，隻身到紐約，當黑工維生，又在男友安排下，跟意大利裔老頭假結婚，以取得居留權。男友懷疑她跟假丈夫有染，她含冤莫白，卻發現男友跟別的女生曖昧。張艾嘉的鏡頭下，劉若英初登銀幕一鳴驚人。張艾嘉遠赴美國拍片，排除萬難，交出成熟豐富的人物刻劃，亦拍出了小漁由懵懂依賴到自決去留的微妙轉變。

中學生談戀愛遭守舊母親阻撓的故事，由張艾嘉來拍，又豈會是老掉了牙的俗套？不只把《最愛》以來的三角戀故事寫得更飽滿，亦以純熟技巧與新意，把感情錯失與事過境遷的感慨，發展得深刻動人。片中一句「孩子怎夠大人鬥？」既是早戀的破滅，也是理想的夭折。而張艾嘉粉墨登場，以後設手法，與飾演編劇的蘇永康討論情節，把片中三角關係變成戲中戲，就把看似普通的初戀故事，變成導演引領觀眾緬懷緣份與青春的過程。

真人真事改編，身患先天血友病的兒子，因輸入受污染血液感染愛滋，在母親不離不棄的照料下為生存而戰。張艾嘉早已想過籌拍癌症病童及其家屬遭遇的故事，因此看到杜國威劇本後，欣然接拍，拍攝期間遭逢家庭事故，依然堅持演出，更投入去演繹當中勇敢堅毅的母愛，把生命中的考驗結合到電影角色裏，表現戲中母親面對逆境仍活出尊嚴，陪伴兒子度過生命最後階段，情真戲也真，教觀眾動容，並奪得香港電影金像獎影后殊榮。

Siao Yu

Tempting Heart

Forever and Ever

Dir: Sylvia Chang 1995 Mandarin/English 103min Cast: Rene Liu, Tou Chung-Hua, Daniel J. Travanti, Marj Dusay

Dir: Sylvia Chang 1999 Cantonese 114min Cast: Kaneshiro Takeshi, Gigi Leung, Karen Mok, Sylvia Chang

Dir: Raymond To 2001 Cantonese 96min Cast: Sylvia Chang, Chris Lee, Josie Ho, Chapman To

Sylvia Chang sets this humanistic drama in the Chinese diaspora. Illegal immigrants Siao Yu (Rene Liu) and Jiang Wei (Tou Chung-Hua) seek a green card to remain in the United States. Borrowing US$10,000 from friends, the couple pays middle-aged Mario (Daniel J. Travanti) to enter into a marriage of convenience with Siao Yu, sparking changes in them all. Shot in New York City, Chang’s modestly-budgeted film boasts a refreshing honesty alongside authentic, nuanced performances.

Thirteen years after the acclaimed Passion, Sylvia Chang again explores themes of love, friendship and regret with this romantic drama. Adapting memories of her first love, filmmaker Cheryl (Chang) workshops a new screenplay about teenager Sheo-Rou (Gigi Leung), who falls in love with shy Ho-Jun (Kaneshiro Takeshi) only to have fate – and Sheo-Rou’s best friend Chen Li (Karen Mok) – interfere. Chang received a Hong Kong Film Awards for the film’s ambitious, multi-layered screenplay.

Based on autobiographical novels by Chi Mo, an HIVpositive young man who died at the age of 23, sociallyconscious drama Forever and Ever tells a stirring tale of hope and faith. Sylvia Chang won her second Hong Kong Film Award for Best Actress as Chi Mo’s selfless and devout mother, who inspired Chi Mo during his life and later honored him by posthumously publishing his novels. The directorial debut of noted screen and stage writer Raymond To Kwok-wai. 世界首映 World Premiere

04SM4M2

05SM4M1

4/4（六）2:45pm 香港科學館 SM

5/4（日）12:30pm 香港科學館 SM

香港會展中心CE2 23/3（一）8:00pm CE2

香港會展中心CE1 23/3（一）9:45pm CE1

20 30 40

一個好爸爸

念念

導演：張艾嘉 2004 粵語／國語 123 分鐘演員：張艾嘉、劉若英、李心潔、楊淇、梁家輝、黃秋生

導演：張艾嘉 2008 粵語 115 分鐘中文字幕演員：古天樂、劉若英、苗可秀、劉一含、莫少聰、林雪

導演：張艾嘉 2015 國語 119 分鐘中文字幕演員：梁洛施、張孝全、柯宇綸、李心潔

同一班航機上，三個不同世代的女性，正經歷不同的人生階段。30 歲出頭的空姐，常在天上飛來飛去，正周旋於不同男友之間，無法取捨，還沒找到落腳點。20 歲的少女，由馬來西亞隻身到了台北，希望實現當歌手的夢，遇上從香港來的女生，激起了迷糊的同性慾望。年過 40 的花店老闆娘，發現老公有外遇，離婚後不知可否再覓得理想對象。突如其來的地震，見證她們的人生轉折。張艾嘉夥拍兩位愛徒，勾勒出現代女性的成長心路。

張艾嘉編導的作品，一向帶有強烈女性觀點，也多以女性為主角，但這次改編李純恩小說《黑社會爸爸》，卻是黑幫類型，回望一個蠱惑仔如何從懵懂少年誤打誤撞成了黑幫大佬，更忽然當上了爸爸，可說是《20 30 40》的成長故事變奏，只是主角變了男人。影片以漫畫化的喜劇形式處理母子、夫妻和父女關係，教人喜出望外，演員之間互動亦充滿火花。而張艾嘉最關心的，還是這個黑幫大佬生命中的三個女性：媽媽、老婆和女兒。

李心潔演的單親媽愛跟仔女說童話，童話有美人魚，有自由的海，但更多媽的渴望。母女住綠島，苦撐的世外天堂；父子住台東，是灰濛濛的奔波。女兒（梁洛施）想墮胎，痛苦間想起媽不真實的童話；兒子（柯宇綸）酒吧爛醉，幻覺閃現母親的桃源。張孝全演拳手，把傷口帶進和梁洛施的愛情。電影有一念之差，有念念不忘，回響亦必然。張艾嘉的女性命題就是瀟灑，但對悲喜的豁然，影像氣度從容，是大步跨前了。

20 30 40

Run Papa Run

Murmur of the Hearts

Dir: Sylvia Chang 2004 Cantonese/Mandarin 123min No Subtitles Cast: Sylvia Chang, Rene Liu, Angelica Lee, Kate Yeung

Dir: Sylvia Chang 2008 Cantonese 115min Cast: Louis Koo, Rene Liu, Nora Miao, Liu Yihan

Dir: Sylvia Chang 2015 Mandarin 119min Cast: Isabella Leong, Joseph Chang, Lawrence Ko, Lee Sinje

Sylvia Chang takes a poignant and occasionally humorous look at modern women in this 2004 directorial effort set in Taiwan. Chang focuses on three vastly different women at ages 20, 30 and 40 – played by Angelica Lee, Rene Liu and Chang respectively – as they cope with relationships, self-esteem and identity. The actresses also contributed to the film’s script, working with Chang to create a unique and refreshing document of women finding themselves at the dawn of the 21st century.

This colorful comedy-drama features a male protagonist, but it’s still very much about women. Lee Tin-yun (Louis Koo) is a rambunctious gangster whose life changes when his lawyer girlfriend (Rene Liu) gives birth to his daughter Hai-yi. Suddenly enamoured of the little woman in his life, Tin-yun goes to extreme and sometimes comical lengths to protect Hai-yi from her daddy’s illegal profession.

After years of absence from the helm, director Sylvia Chang digs deep into her Taiwanese roots to tell a story about growing up, and letting go. Isabella Leong plays an uncertain painter, Mei, who drifted apart from her tour guide brother after leaving Liudau, the off-shore island of Taiwan, with their mother. Mei falls for an underachieved boxer, and begins years of soul searching in the city, where the siblings reunited under unexpected circumstances.

香港名家講座

焦點影人：張艾嘉

特刊

Sylvia Chang, Filmmaker in Focus Catalogue 售價：$100

嘉賓：張艾嘉主持：林奕華日期 Date: 5/4/2015 時間 Time: 3:15pm 地點 Venue: 香港文化中心大劇院

Hong Kong Cultural Centre Grand Theatre 粵語主講，免費入場 Conducted in Cantonese. Free admission.

報名 Registration at:

www.hkiff.org.hk 主辦 Hosted by

全力支持 Supported by

D0202_39 39th HKIFF print Student Ticket.pdf 1 15年2月3日上午1:01

AC Arts Centre | CE HK City Hall | GC The Grand | KG Cultural Centre | MP The Metroplex | TC MCL Telford | SM Science Museum | SP Space Museum | UC UA Cityplaza | IS iSqUArE | MK UA Cine AC Arts Centre | CE HK Convention Convention && Exhibition Exhibition Centre Centre || CT CT City Hall | GC The Grand | KG Cultural Centre | MP The Metroplex | TC MCL Telford | SM Science Museum | SP Space Museum | UC UA Cityplaza | IS UA iSquare | MK Cine Moko Moko

世界首映 World Premiere

29SP3E1

25/3（三）2:30pm 香港太空館 SP

29/3（日）7:30pm 香港太空館 SP

滿州里來的人

po w

導演：唐棣 2015 普通話 86 分鐘中文字幕演員：劉錚、劉小美

自主新潮

25SP3M1D

雪在燃，燒的是人心；風在號，叫的是慾望。告別拉斯馮特爾的白人中產世界，從陰性書寫走忠於雄性殺戮的回頭路，是大中華版性上癮。許為中國首部以性癮為題材的犯罪長片，唐棣寫而優則導，借助大膽緊湊的影像，分畫失焦、時空蒙太奇及意識流等手法，裏外捕捉兇手及其妻子經驗的心路歷程，見證惡心和美麗如何互倚互持，讓本只可訴諸文學的境界，躍現眼前。邊境、肅殺、冷雨……交織滲透的別扭異色，摻合了凜冽銳利的鏡頭、目光，成就出觀眾循之感受的無形殺氣。

A Man from Manchuria Dir: Tang Di 2015 Putonghua 86min Cast: Liu Zheng, Liu Xiaomei

Novelist Tang Di’s directorial debut engages nudity, masturbation and sadomasochism with fearless chutzpah. Using unconventional split-screen and grungy hand-held camera visuals, Tang deliberately uses intimate and disorientating close-ups to heighten the senses appropriate for a film about a sexual addict husband who returns as a fugitive from Manchuria after committing murder, and his wife who willingly engages in violent consensual S&M with him.

31MK3M3D

04TC4E1

31/3（二）5:15pm UA Cine Moko MK

4/4（六）7:30pm MCL德福戲院 TC

迷失在波斯尼亞導演：加美高爾、曼尼爾拉加等 11 人波斯尼亞／黑塞哥維亞 2014 95 分鐘

絕對是《都靈老馬》(35 屆 ) 封鏡後，貝拉塔爾創作生命的首階段勝利。他開辦的 Film Factory 電影學院，請來如雲名師，吉士雲辛、阿彼察邦、蒂達史雲頓、柏度哥斯達等等，不過他說，電影不能教，但可以讓年輕導演有自由，釋放想像，勇於實驗自己東西。於是絕對個人、絕對生命、另一角度的 11 部短片，風格紛陳，對抗爭、對生命的探索不乏詩的時刻。從日本到墨西哥，塔爾的門生背景各異，但必謹守六戒，包括自由，也時刻影機不離手。這裏的電影有熱血青春，更有無限個可能性。

Lost in Bosnia Dir: Graeme Cole et al. Bosnia/Herzegovina 2014 95min

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

Three years ago, after the Silver-Bear winning The Turin Horse (35th HKIFF), celebrated Hungarian auteur Béla Tarr announced his retirement. Instead, he went on to a new phase, directing a demanding film programme, the Film Factory at the Sarajevo Film Academy. Lost in Bosnia showcases the quests of eleven young filmmakers, from Japan to Mexico, to find their voices and styles under the guidance of a master who so richly chronicled Eastern Europe in the 20th century.

國際首映 International

Premiere

01MK4M3D

05GC4P2

26UC3E2

28UC3M2

29UC3M3

31TC3E1

1/4（三）5:15pm UA Cine Moko MK

5/4（日）10:15pm The Grand GC

26/3（四）9:00pm UA太古城 UC

28/3（六）2:00pm UA太古城 UC

29/3（日）4:15pm UA太古城 UC

31/3（二）7:30pm MCL德福戲院 TC

光明磊落的一天

朱古麗葉

寵物女探偵

導演：蘇迪雲印度 2013 80 分鐘

導演：風間志織日本 2014 159 分鐘

導演：高橋泉日本 2014 103 分鐘

山旮旯，一部死火吉普車把四個男人趕入窮巷。修車漢、快要結婚的幸福小男人、兩個黑幫流氓，一個做好時一個做歹，在偏離公路，甚麼也可以發生的荒山野嶺，製造了天人交戰的上佳道德實驗處境。蘇迪雲初執導筒即康德上身，與觀眾上一堂倫理課，示範堅守道德律的神聖莊嚴之餘，更以大量空鏡、精湛的畫框構圖和徐疾有致的場面調度，打開了以外應內回歸自然的生活願景。全片對白是印度西南一隅的馬拉雅拉姆語，百分百本土，十足十在地，揭示了日常天堂的可能。

費里尼《大路》的女主角朱麗葉塔，橫空遇後福島 skinhead 少女。在《共食家族》(38 屆 ) 比老戲骨更搶戲的天才新演員菅田將輝，夥拍性格型模森川葵。311 核事故後十年，乳名「朱古麗葉」的 16 歲少女知世子，也失去母親十年。狗兒朱麗葉塔陪她度過這十年，不是說狗一年等於人七年嗎？朱麗葉塔也要死了。不想報大學，只想做隻狗。亡母最愛的《大路》將知世子帶到影痴學長跟前，兩人登上電單車浪遊日本，拍攝只屬於他們倆的電影，路上有爭吵，有意外，還有第一次爆房。

聽不到的達莉，長出了第六感，在寵物探偵社發揮所長，追尋失蹤寵物去向。達莉有個不介意她失聰的男友，去做推銷員，太誠實了，犯了大忌，達莉叫他：不開心就別笑。嗅覺特靈敏的善川，看到達莉在工作，嗅覺告訴他這個人要親近，他跑上探偵社，說要尋回鸚鵡，達莉卻找到他真正的失物。高橋泉（《出走吧！戀人》，32 屆）找獨立老拍檔廣末哲萬（《fit 到病》，35 屆）演出敗犬，該敗的不敗，反拯救健全人。演探偵的大下美步是真失聰，在高橋的詩意影像中像游魚得水。

CR NO: 89

Chokolietta

Dari Marusan

Dir: Sudevan India 2013 80min Cast: Achuthanandan, Asok Kumar, Vappukka

Dir: Kazama Shiori Japan 2014 159min Cast: Morikawa Aoi, Suda Masaki

Dir: Takahashi Izumi Japan 2014 103min Cast: Hirosue Hiromasa, Ohshita Miho, Matsumoto Takashi

Beyond Bollywood, an independent voice in the flourishing Malayalam cinema of Kerala in South India. Sudevan, a self-trained filmmaker relying on fans and friends to fund his shoestring production, uses the simplest settings of a car (and what is it carrying?) breaking down on a deserted road in a typical village and the struggle to find and convince someone to fix it unleash a surprising range of questions whose morality towers about the everyday plot. A young auteur to watch.

A young girl grapples with multiple tragedies in her life, and begins to find escape within her school’s film club. She meets Masamune (played by rising star Suda Masaki), older, funnier and more film-addicted. They journey together on a filmic adventure, living and reinventing Fellini’s La Strada, to escape the past. Yet their surroundings remind us of Japan’s dangers as his bittersweet story intertwines the Fukushima disaster with the lives and love of the young couple, adding new dimensions to an age of angst.

Dari has taken her name from Japanese Daruma dolls that lack ears, turning her hearing impairment into an identity but still suffering as she spends her days searching for missing pets. Her lonely job leads her to Yoshikawa, a man whose lost parrot have caused him to cut himself off from human life. This wounded and uneven couple become the nucleus of a story of reclamation and healing, with the sensitivity and strength that Takahashi Izumi has brought to his cinematic vision of modern Japan.

國際首映

International

Premiere

04SM4E1

06SM4M2

24MK3E2

26MK3E1

29GC3E2

01MK4E1

4/4（六）8:00pm 香港科學館 SM

6/4（一）3:00pm 香港科學館 SM

24/3（二）9:45pm UA Cine Moko MK

26/3（四）7:30pm UA Cine Moko MK

29/3（日）9:45pm The Grand GC

1/4（三）7:15pm UA Cine Moko MK

車房佬中空寶

馬尼拉風月寶鑑

爸爸的隆冬

導演：渡邊大知日本 2014 83 分鐘

導演：艾活佩雷斯菲律賓 2014 99 分鐘

導演：金大煥南韓 2014 99 分鐘中文字幕

鄉下車房，一班車房仔似宅男宅佬多過老粗。倦怠期男女借公司車兜夜風，竟在車房前死火，被迫借宿一宵等老闆明早拍板修理。車房宅佬整車無難度，馬桶無水卻難倒了他，靚女伸手入水箱，三扒兩撥赤手修好，宅佬立即中箭。靚女啊靚女，能多留一晚嗎？吓！宅佬打入三角戀？ Band 友出身、於《渴罪》客串死屍的 90 後導演渡邊大知的鏡頭下，離東京不近又不遠的伊豆半島，不是旅遊書上的山明水秀，更像是台客電影半發展鄉鎮的寧靜。獲 PIA 電影節評審團特別獎。

玩藝術難，玩藝術玩到成家難，做靚仔藝術家不出事更難，又靚仔身材又好又要全身而退的藝術家，難上加難！在前作《女神？編劇？真普選？》(38 屆 ) 已示範了何謂天馬行空失驚無神玩轉菲島電影政治的艾活佩雷斯，這次去得更盡，借美男馬里奧瞓身追求創意，讓鏡頭從貧民窟、舊建築、畫廊影室書店遊走到人肉舞場，務求讓光怪陸離的藝壇眾生相，纖毫畢現。變性人吸血鬼交臂尋歡，迷蹤處處邪正難分；愈得到愈飢渴的慾望對象，離經叛道的聲畫如影隨形，你怎逃得了？

上次是《十分見習男》(38 屆 )，今次是這部了，同一學院連續兩年拿了釜山電影節最佳新導演首獎，金大煥的功力獲評審和影評人一致讚好。老爸偏不會揀日子，鄉下擺下退休宴宣佈我要離婚，寒冬積雪幾尺深，交通癱瘓，驚聞噩耗的老媽、兩兒和媳婦無法返首爾，只能憋着大問號一起困獸鬥了兩個日夜。老爸投下深水炸彈後無語，老媽索性擺大款，兒媳各有盤算。沒交代家變前因，反而在後果處細細替人物造像，冰天雪地凝聚繃緊的張力，比原該有的戲劇化更具影像威力。

The Motors

Esoterica: Manila (Esoterika: Maynila)

End of Winter (Cheo-rwon-gi-haeng)

Dir: Watanabe Daichi Japan 2014 83min Cast: Shibukawa Kiyohiko, Inuta Fumiharu, Konoe Yuki

Life goes on in this understated comedy about lazy mechanics, would-be guitarists and awkward unrequited love in suburban Japan. Affable slacker Tanaka works in a car repair shop alongside several other ne’er-dowells, none of whom have a direction in life. Then Tanaka meets Miki, a young woman who arrives at the garage with her boyfriend and their broken down van, sparking a subtle love triangle. Watanabe Daichi’s gentle neorealist indie is by turns charming, painful and quietly authentic.

Dir: Elwood Perez The Philippines 2014 99min Cast: Ronnie Liang, Boots Anson Roa, Vince Tañada, Snooky Serna

Dir: Kim Dae-hwan South Korea 2014 99min Cast: Moon Chang-gil, Lee Young-ian, Kim Min-hyuk, Lee Sang-hee

Frustrated with his station in life as a lowly cook boy in a Chinese restaurant, comic book enthusiast Mario sets out across Manila to experience the wealth and diversity of the city’s cultural scene. Elwood Perez employs a sprawling cast of professionals and non-actors alike to create a campy, kaleidoscopic, quasi-documentary of the city’s rich yet dangerous underbelly. The result is a confrontational yet rewarding odyssey from one of South East Asia’s leading cinematic provocateurs.

A carefully etched story of a family breakdown. An aging Korean schoolteacher caps off the celebration of his retirement by announcing that he wants a divorce from his dominating wife. But a snowstorm traps the couple and their adult children in their dwelling for two nights, revealing long hidden divisions and tensions made more intense by the very lack of communication, of reason, that lies at the heart of this dysfunctional tableau. Superb acting complements stark framing in this compelling directorial debut.

亞洲首映 Asian Premiere

26IS3E1

28IS3M2

25MK3E1

27MK3M3D

29MK3M3

31MK3M2D

26/3（四）7:15pm UA iSQUARE IS

28/3（六）3:45pm UA iSQUARE IS

25/3（三）7:00pm UA Cine Moko MK

27/3（五）5:50pm UA Cine Moko MK

29/3（日）5:15pm UA Cine Moko MK

31/3（二）2:30pm UA Cine Moko MK

仲夏幻想曲

尋羊的複製人

金錢綜合症

導演：張健宰南韓／日本 2014 96 分鐘

導演：伊安迪蘇沙西班牙 2014 61 分鐘

導演：璜洛迪格尼斯西班牙 2014 78 分鐘

韓國人遊日本的兩個故事：先是「初戀 ‧ 與志子」，一名導演探採故事靈感，找來翻譯，訪人訪景；然後是「櫻之井」，女演員獨自旅行，遇上務農男生當導遊，異國生情的一天。兩段故事時空平行不重疊，說相關亦不相關。想起洪尚秀電影人自我影射的旅遊風情嗎？個性大師當然對張健宰（《婚姻夜語》，37 屆）有影響，然而在另一風格大師河瀨直美監製下，不是一味男人心動，更有在地的胸懷，細緻目光紀錄片風味，本地人與外來者談地方說自己，眼神回憶，景物有情。

2052 年的西班牙是一片廢棄地盤，年輕人鬧移民，城市成為老人天堂。人類愈來愈少，碰到的未必都是真實的人，每個複製人被「殺」時，我們會看到他虛假的記憶。西班牙海濱市鎮貝尼多爾姆取景，該地高樓林立，秋天旅遊淡季遊客稀少，生活節奏慢下來，電影便特意此時拍攝，藉 16 毫米菲林的粗糙感，荒涼的石屎森林顯得殺機重重，只有在死者記憶中才有生命氣息。新銳導演借經典《2020》和《阿爾伐城》元素做實驗，拍成 70 年代 B 級科幻片風格，寫實迷離兼備。

兒子帶同未婚妻回鄉探望老爸，一心宣布喜訊，萬料不到老人家正被千頭萬緒糾結；女娃出奇不意的音樂洗禮，總揮不走那有時遠在天邊，有時近在咫尺的各種金錢情意結。把德國 20 世紀初才女，有「波希米亞伯爵夫人」美譽的芬妮馮蕾雲露原作小說搬到當代西班牙南部上演，竟有說不出的跨代共鳴。誰說鄉間一定比城市清靜無為？在資本主義畸型發展魔掌下，不是煩惱追上人，而是人人自尋煩惱。要認識商品拜物教不必讀《資本論》，來一輪光影眾生相，自然入心入肺，如如朗現。

A Midsummer’s Fantasia

Androids Dream (Sueñan los androides)

(Hanyeoreumui Pantajia) Dir: Jang Kun-jae South Korea/Japan 2014 96min Cast: Kim Sae-byuk, Iwase Ryo, Lim Hyung-kook

Dir: Ion de Sosa Spain 2014 61min Cast: Manolo Marín, Moisés Richart, Marta Bassols, Coque Sánchez

The Money Complex (El Complejo De Dinero) Dir: Juan Rodrigáñez Spain 2014 78min Cast: Lola Rubio, Gianfranco Poddighe, Rafael Lamata, Jorge Dutor

In an apocalyptic future, tourists and elderly people wander about an overdeveloped Spanish coastal town. Meanwhile, a man hunts down androids and encounters a kooky mix of characters, including a robotic gunman, a young family, and a sheep. De Sosa’s reimagining of the Philip Dick classic and Blade Runner interjects improvised scenes with documentary footage, creating a thoroughly strange world where dystopian memories mirror everyday life. Shot in 16mm, Androids Dream is as strange as it is unique.

On the sprawling grounds of his estate in Southern Spain, Raphael lives a charmed life with free-spirited friends – including a gold prospector, a devourer of highbrow books, and other “leftover revolutionaries”. His son’s arrival with a German girlfriend sets the stage for this mocking, mischievous portrait of bohemianism. Rodrigáñez’s debut is freely inspired by Franziska zu Reventlow’s 1916 novel about the creative class and their struggle with Money – topics that remain highly relevant today.

For his third feature, rising indie auteur Jang Kun-jae again turns his camera on himself, or at least presents a recreation of his own life experiences, this time ruminating on his career as a filmmaker. Split into two halves, both located in the remote Japanese town of Gojo, Jang first uses black and white to explore the community and its inhabitants, before then creating a fictional, full color romance between a local man and a young Korean woman.

世界首映 World Premiere

亞洲首映 Asian Premiere

02TC4E1

04GC4P2

25UC3E1

28MK3E2

25GC3E2

2/4（四）7:30pm MCL德福戲院 TC

4/4（六）10:00pm The Grand GC

25/3（三）7:00pm UA太古城 UC

28/3（六）9:45pm UA Cine Moko MK

25/3（三）9:45pm The Grand GC

殺佛美少年

又毒又愛

茉莉劫

導演：安奴查般亞華坦拿泰國 2015 97 分鐘

導演：賓薩夫迪、祖舒薩夫迪美國 2014 93 分鐘中文字幕

導演：戴斯費蘭美國 2015 80 分鐘

沉默寡言美少年 Tam 從性向到人格成長皆受壓抑，在一《毒海鴛鴦》、《半熟少年》之後是這一部，將紐約街頭所荒棄的泳池大宅相約 Phum 頓成戀人。看見他們天台吸毒青年狀況再帶進銀幕。薩夫迪兄弟遇上 19 歲到處依傍，以為是說好了的同志愛正在春光乍洩，導演般亞睡的 Arielle Holmes，真實的她成為啟發，她首先被鼓勵華坦拿實在精心部署，當 Tam 在垃圾場慌亂中自衛殺了寫下經歷，作劇本依據，最後被說服落場演出。於是，持槍男人後，縱浪氣氛急轉彎至血泊恐怖，男孩從此看 Harley 與 Ilya（《變種特攻：異能第一戰》的卡勒蘭迪鍾見血地獄，處處是黑影。他明明發現哥哥的屍體，轉頭斯）愛恨糾纏很「真實」，她一直說對不起，他一直叫她就不見了，而床底下一灘血又是怎樣來的？他或許不是去死，她就當場衝動去割脈。非演員與演員互動情緒演甚麼被欺凌者，是死亡使者才真。藍色氛圍下現實與心出又低調又高漲，再以上了電狀態的電子配樂烘托，很理罪與罰交纏，佛洛伊德中早閃現佛的黑色身影。酷又很殘酷。獲東京電影節最佳電影及導演獎。

美國獨立過江龍，來港炮製首部驚慄片，沒有帆船旗袍 IFC 的膚淺和浮誇，倒拍出我們想像以外的我城影像來。臉有三分邪的中英混血國際演員杜俊緯演 Leonard，妻子被殺，失蹤八個月後回到香港，想重返過去生活，原麗淇飾演的 Grace，重見他有驚無喜。他不敵哀傷，港鐵廟街等到處放白玫瑰，當看到神秘人現身亡妻墓前，憤怒便炸開了。原來要問要知他是誰，不比問自己更重要。杜俊緯帶神經質，原麗淇帶神秘和細膩，連同香港的隧道、高廈和夜色，組成罕見的驚慄質感。

The Blue Hour (Onthakan)

Heaven Knows What

Jasmine

Dir: Anucha Boonyawatana Thailand 2015 97min Cast: Atthaphan Poonsawas, Oabnithi Wiwattanawarang, Duangjai Hirunsri

Dir: Ben Safdie, Joshua Safdie USA 2014 93 min Cast: Arielle Holmes, Caleb Landry Jones, Buddy Duress

Dir: Dax Phelan USA 2015 80min Cast: Jason Tobin, Byron Mann, Eugenia Yuan

Photogenic and delicate, Tam seems prototypical of a closeted gay teen: harassed at school and abused at home. But a secret rendezvous with the handsome but mysterious Phum at a derelict swimming pool introduces Tam to both romance as well as dangers he never knew existed. What seems like a typical coming out story soon enters into surreal, disturbing Kurosawa Kiyoshi’s Pulse territory as the boys uncover grisly happenings inside landfills and long-abandoned buildings. An accomplished and atmospheric debut.

Heaven Knows What portrays the everyday life of a New York heroin user with uncompromising yet refreshing honesty. Led by the compelling Arielle Holmes, herself a former homeless addict on whose memoir the script was based, the film uses cinema vérité and a discomforting synth soundtrack to observe the protagonist’s unglamorous ritual of panhandling, stealing and scoring. But her tumultuous relationship with volatile Ilya may prove even more harrowing... Grand Prix & Best Director, Tokyo Film Festival.

A year after his wife’s murder, once-successful Hong Kong businessman Leonard To (Tobin) is still reeling from the tragedy. Having lost his job, friends and all sense of order in his life, Leonard becomes obsessed with a mysterious stranger he sees at his wife’s grave, believing him to be responsible for her death. Phelan’s direction shies away from the tourist’s-eye-view of Hong Kong, capturing instead the atmosphere of isolation that lurks within the bustle and crowds.

第39屆香港國際電影節放映的HAF計劃 HAF PROJECTS SCREENING AT THE 39TH HKIFF 家在水草豐茂的地方 River Road 導演：李睿珺 Director: Li Ruijun

第27屆東京國際電影節競賽 The 27th Tokyo International Film Festival, Competition

大爸爸小爸爸及其他 Big Father, Small Father and Other Stories 導演：潘黨迪 Director: Phan Dang Di

第65屆柏林影展競賽 The 65th Berlin International Film Festival, Competition

踏血尋梅 Port of Call 導演：翁子光 Director: Philip Yung

第39屆香港國際電影節閉幕電影 The 39th Hong Kong International Film Festival, Closing Film

仲夏幻想曲 A Midsummer's Fantasia 導演：張建宰 Director: Jang Kun-jae

奈良國際電影節開幕電影 Nara International Film Festival, Opening Film

Financially Supported by 資助機構：

Organiser 主辦：

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購票途徑 HOW TO BUY TICKETS 1. 網上購票 Online Booking 2015年2月28日上午10時起* From 10am, 28 February 2015 onwards*

www.hkiff.org.hk

請即掃描瀏覽！ Scan me!

* 網上預售由2月28日上午10時開始至3月5日晚上10時止。詳情請細閱本手冊內之「購票指南」。 * Online Advance Booking starts from 28 February, 10:00 to 5 March, 22:00. For details, please read the Booking Guide in this booking folder.

2. 票房購票及其他 Counter Booking and Others 城市售票網（不包括香港會議展覽中心放映之場次） URBTIX (Except HKCEC Screenings) 各場次均會預留一定數量門票由城市售票網公開發售 A limited amount of tickets will be reserved for URBTIX Public Sales

2015年3月6日上午10時起 From 10am, 6 March 2015 onwards

www.urbtix.hk

2111 5999

各城市售票處 URBTIX outlets (P.65頁)

31 288 288

快達票分銷處 HK Ticketing outlets (P.65頁)

快達票（只限香港會議展覽中心放映之場次） HK Ticketing (For Screenings at HKCEC only) 2015年2月28日上午10時起 From 10am, 28 February 2015 onwards

www.hkticketing.com

票價 Ticket Prices 票價 Ticket Prices

港幣 HKD

電影節通行證及特刊 Festival Passes & Publications

3D電影 3D Film(s)

$100

VIP通行證* VIP Pass

$5,000

影癡通行證* Super Value Pass

$3,000

開幕電影 Opening Film

$75

於香港文化中心、UA Cine Moko、UA iSQUARE、The Grand Cinema、MCL 德福戲院放映之正場、週末及假日場次 Ordinary, Weekend and Public Holiday Screenings at HK Cultural Centre / UA Cine Moko / UA iSQUARE / The Grand Cinema / MCL Telford Cinema

$75

於香港會議展覽中心（開幕電影除外）、香港大會堂、香港科學館、香港太空館、香港藝術中心、UA 太古城中心放映之正場、週末及假日場次 Ordinary, Weekend and Public Holiday Screenings at HK Convention & Exhibition Centre (except Opening Films) / HK City Hall / HK Science Museum / HK Space Museum / HK Arts Centre / UA Cityplaza

$65

平日日場（星期一至五〔假期除外〕，影片編號以D結尾） Weekday Matinee Screenings (Mondays - Fridays [except public holidays] film code ends with“D”)

$45

港幣 HKD

第三十九屆香港國際電影節特刊 39th HKIFF Main Catalogue

$100

焦點影人：張艾嘉 Sylvia Chang, Filmmaker in Focus

$100

成瀨巳喜男110年紀念展 Naruse Mikio, 110th Anniversary

$65

* 請留意各電影節通行證之有關使用條款 * Please read the relevant conditions of the Festival Passes

門票優惠 Discounts 門票優惠（不適用於購買電影節通行證） Discounts (Not valid for purchasing Festival Passes) 本地全日制學生優惠票 Hong Kong Full-time Student Tickets

$25

購買正價門票20張或以上 Buy 20 Regular Price Tickets or more

九折優惠 10% Discount

60歲或以上高齡人士、殘疾人士及綜援受惠人士 Concessionary Tickets for the Elderly aged over 60 or above, the Disabled & CSSA Recipients

六折優惠 40% Discount

「電影節發燒友」會員 HKIFF Cine Fan Privilege

九折優惠 10% Discount

新昌營造集團員工 Staff of Hsin Chong Construction Group

九折優惠 10% Discount

藝穗會會員 Fringe Club Members

九折優惠 10% Discount

The Citizen Grand會員 The Citizen Grand Members

The Grand Cinema各場次九折優惠 10% Discount for screenings at The Grand Cinema

UA院線Loyalty Club會員 UA Loyalty Club Members

UA戲院各場次九折優惠 10% Discount for screenings at UA Cinemas

MCL Club會員 MCL Club Members

MCL 德福戲院各場次九折優惠 10% discount for screenings at MCL Telford Cinema

· 使用上列之門票優惠前，請細閱本手冊內之「購票指南」。Please read the Booking Guide in this booking folder before obtaining the above discounts. · 每張門票最多只可享用其中一種購票優惠。All the above discounts cannot be used in conjunction with any other discounts or offer. · 優惠門票數量有限，售完即止。All discounted tickets are subject to availability. 61

自助取票服務 Ticket Collection Service 香港國際電影節網上預售

HKIFF Online Advance Booking

28.2.2015 – 5.3.2015

(取票服務由網上預售交易完成後第二天起提供 Collection service for online advance booking is available the second day after transaction)

城市售票網網上訂票及

URBTIX Online Booking &

信用卡電話訂票服務 Telephone Credit Card Booking

From 6.3.2015 起

顧客可選擇憑購票時所使用的信用卡，前往位於下列地點的「購票通自助取票機」或城市售票處的售票櫃檯領取電影節各放映場地*的門票。顧客亦可選擇郵遞服務，惟服務提供至放映前七天止。

Customers may choose to collect HKIFF tickets for all screening venues* at any Cityline Ticket Dispensing Machine (TDM) or the sales counter of URBTIX outlets with the credit card used for the transaction. Locations of Cityline TDMs and URBTIX Outlets are listed below. Customers may also choose mail delivery service which is available until 7 days before screening day. * 此服務不包括於香港會議展覽中心的電影節放映場次。該場地票務只由快達票提供。 * This service does not apply to screenings to be held at HKCEC – where the service is provided by HK Ticketing only.

購票通自助取票機 Cityline Ticket Dispensing Machines 地點 Location: www.cityline.com 康文署演出場地 LCSD Performing Venues 香港文化中心 Hong Kong Cultural Centre *

香港大會堂 Hong Kong City Hall *

香港科學館 Hong Kong Science Museum *

香港太空館 Hong Kong Space Museum *

香港體育館 Hong Kong Coliseum

伊利沙伯體育館 Queen Elizabeth Stadium

西灣河文娛中心 Sai Wan Ho Civic Centre

上環文娛中心 Sheung Wan Civic Centre

高山劇場 Ko Shan Theatre

牛池灣文娛中心 Ngau Chi Wan Civic Centre

葵青劇院 Kwai Tsing Theatre

荃灣大會堂 Tsuen Wan Town Hall

屯門大會堂 Tuen Mun Town Hall

元朗劇院 Yuen Long Theatre

沙田大會堂 Sha Tin Town Hall

大埔文娛中心 Tai Po Civic Centre

北區大會堂 North District Town Hall

香港文化博物館 Hong Kong Heritage Museum

香港歷史博物館 The Hong Kong Museum of History

香港電影資料館 Hong Kong Flim Archives

其他場地 Other Venues 亞洲國際博覽館 AsiaWorld-Expo

浸會大學大學會堂 Academic Community Hall of Baptist University

影藝戲院 Cine-Art House

九龍灣國際展貿中心機場UA IMAX影院 UA IMAX Theatre @ Airport Kowloonbay International Trade and Exhibition Centre

UA iSQUARE *

UA Cine Moko *

Cine Times (地面食通天電梯大堂 G/F at Food Forum Lift Lobby)

通利琴行各分行 Tom Lee Music Co Ltd Branches

* 電影節放映場地 HKIFF Screening Venues

其他電影節放映場地之取票服務 Ticket Collection Service at Other HKIFF Screening Venues 香港藝術中心 Hong Kong Arts Centre

設有售票櫃檯，可供領取門票 Ticket Collection Service available at sales counter.

不支援領票服務。已訂票的觀眾，請先行到上述「購票通自助取票機」或城市售票處領取門票。 Ticket collection service is NOT available at these screening venues. Please collect your tickets at a Cityline TDM or URBTIX outlet at the locations as mentioned above before going to the screening venues.

The Grand Cinema UA 太古城中心 UA Cityplaza MCL 德福戲院 MCL Telford Cinema

有關自助取票服務的最新詳情，請留意購票通不時的公佈。 Regarding the latest information on the Ticket collection service, please take note of Cityline’s announcement from time to time.

訂票指南 Booking Guide 票價 Ticket Prices

港幣 HKD

網上預售（不包括香港會議展覽中心放映之場次） Online Advance Booking (Except HKCEC Screenings)

3D電影 3D Film(s) 開幕電影 Opening Film 於香港文化中心、UA Cine Moko、UA iSQUARE、The Grand Cinema、 MCL 德福戲院放映之正場、週末及假日場次 Ordinary, Weekend and Public Holiday Screenings at HK Cultural Centre / UA Cine Moko / UA iSQUARE / The Grand Cinema / MCL Telford Cinema 於香港會議展覽中心（開幕電影除外）、香港大會堂、香港科學館、香港太空館、香港藝術中心、UA 太古城中心放映之正場、週末及假日場次 Ordinary, Weekend/ Public Holiday Screenings at HK Convention & Exhibition Centre (except Opening Films) / HK City Hall / HK Science Museum / HK Space Museum / HK Arts Centre / UA Cityplaza 平日日場（星期一至五〔假期除外〕，影片編號以D結尾） Weekday Matinee Screenings (Mondays - Fridays [except public holidays] film code ends with “D”) VIP通行證（請留意有關使用條款） VIP Pass (Please read the relevant conditions) 影癡通行證（請留意有關使用條款） Super Value Pass (Please read the relevant conditions)

$100

2月28日上午10時至3月5日晚上10時 28 February, 10:00 – 5 March, 22:00 www.hkiff.org.hk • 訂購手續費：每張門票港幣8元，手續費不設上限及退款。以上手續費會因應購票通（香港）有限公司而調整。如選擇以掛號郵件或速遞收取門票，需繳付相關郵遞費用。恕不提供平郵服務。（註：如門票遭派遞失誤、遺失、偷竊或摧毀均不能補發。） Service Fee: HK$8 per ticket, no limit set per transaction and is non-refundable. The service fee is subjected to adjustment by Cityline (HK) Limited. Extra service fee will be charged for choosing registered mail or courier service. Surface mail is not available. (Remark: Tickets cannot be re-issued if they are posted wrongly, lost, stolen or destroyed) • 除門票郵遞服務外，顧客亦可選擇於交易完成後第二天開始，攜帶交易使用的信用卡在「購票通自助取票機」刷卡提取門票或親臨任何一間城市售票處的售票櫃檯憑卡領取門票（請參閱62頁）。 Besides ticket mailing service, customers may choose to collect their pre-paid tickets from Cityline Ticket Dispensing Machines or at the sales counter at any of the URBTIX Outlets (Please refer to P.62) with the credit card used for transaction starting from the second day after the transaction. • 國內客戶可選用全國送票上門服務。此服務需另繳付港幣$60。如有任何查詢，請致電客戶服務熱線 (86) 400 678 0311。 Patrons from Mainland China may also choose to receive tickets by courier, with an additional charge of HK$60. Customer Service Hotline: (86) 400 678 0311.

$75 $75

$65

$45

$5,000 $3,000

門票優惠（不適用於購買所有電影節通行證） Discounts (Except for purchasing Festival Passes) 1) 2) 3) 4) 5) 6)

8) 9)

本地全日制學生優惠票（先到先得，額滿即止）： $25 Hong Kong Full-time Student Tickets (Limited availability, on a first-come, first-served basis): • 學生優惠票持有人於入場時必須出示可以證明身份的有效證件 Hong Kong Full-time Student Tickets holders must provide acceptable proof of identity upon admission 購買正價門票20張或以上（不包括於香港會議展覽中心放映之場次）： Buy 20 Regular Price Tickets or more (Excluding HKCEC screenings): • 九折優惠 10% Discount • 獲贈特刊書券，免費換領香港國際電影節協會刊物一本 A book voucher for one complimentary copy of HKIFFS Publications 60歲或以上高齡人士、殘疾人士及綜援受惠人士：六折優惠 Concessionary Tickets for the Elderly aged over 60 or above, the Disabled & CSSA Recipient: 40% Discount • 綜援受惠人士優惠不適用於UA院線、The Grand Cinema及MCL德福戲院 No CSSA concessionary tickets at UA Cinemas, The Grand Cinema and MCL Telford Cinema • 優惠票持有人於入場時必須出示可以證明身份或年齡的有效證件 Concessionary ticket holders must provide acceptable proof of identity upon admission 「電影節發燒友」會員：正價門票九折優惠 HKIFF Cine Fan Privilege: 10% Discount for regular price tickets UA院線Loyalty Club會員：UA戲院各場次九折優惠（只適用於城市售票處之售票櫃檯購票及戲院即場門票，售完即止） UA Loyalty Club Members: 10% Discount for screenings at UA Cinemas (Available at the sales counter of URBTIX Outlets and Cinema door sales, subject to availability) The Citizen Grand會員：The Grand Cinema各場次九折優惠（只適用於城市售票處之售票櫃檯購票及戲院即場門票，售完即止） The Citizen Grand Members: 10% Discount for screenings at The Grand Cinema (Available at the sales counter of URBTIX Outlets and Cinema door sales, subject to availability) MCL Club 會員：MCL 德福戲院各場次九折優惠（只適用於城市售票處之售票櫃檯購票及戲院即場門票，售完即止） MCL Club Members: 10% Discount for screenings at MCL Telford Cinema (Available at the sales counter of URBTIX Outlets and Cinema door sales, subject to availability) 新昌營造集團員工：正價門票九折優惠（只適用於城市售票處之售票櫃檯購票，售完即止） Staff of Hsin Chong Construction Group: 10% Discount for regular price tickets (Available at the sales counter of URBTIX Outlets only, subject to availability) 藝穗會會員：正價門票九折優惠（只適用於城市售票處之售票櫃檯購票，售完即止） Fringe Club Members: 10% Discount for regular price tickets (Available at the sales counter of URBTIX Outlets only, subject to availability)

每張門票最多只可享用其中一種購票優惠。觀眾須於購票時說明所選用的優惠。 All the above discounts cannot be used in conjunction with any other discounts or offer. Please inform the box office of the discount you wish to enjoy at the time of booking.

城市售票網（不包括香港會議展覽中心放映之場次） URBTIX (Except HKCEC Screenings) 3月6日上午10時起 From 6 March, 10:00 onwards 網上訂票服務Online Booking: www.urbtix.hk 信用卡電話訂票URBTIX Telephone Credit Card Booking: 2111 5999 • 訂購手續費：每張門票港幣8元，手續費不設上限及退款。以上手續費會因應購票通（香港）有限公司而調整。如選擇以掛號郵件或速遞收取門票，需繳付相關郵遞費用。恕不提供平郵服務。（註：如門票遭派遞失誤、遺失、偷竊或摧毀均不能補發。） Service Fee: HK$8 per ticket, no limit set per transaction and is non-refundable. The service fee is subjected to adjustment by Cityline (HK) Limited. Extra service fee will be charged for choosing registered mail or courier service. Surface mail is not available. (Remark: Tickets cannot be re-issued if they are posted wrongly, lost, stolen or destroyed) • 電影放映前七天內所訂購的門票，顧客須攜帶購票時所使用的信用卡，在「購票通自助取票機」刷卡提取門票或親臨任何一間城市售票處的售票櫃檯憑卡領取門票。 Tickets booked within 7 days of screenings must be collected at any Cityline Ticket Dispensing Machines or the sales counter at any of the URBTIX Outlets with the credit card used for transaction. 請注意：由於UA太古城中心、The Grand Cinema及MCL 德福戲院不設城市售票處，觀眾必須在前往上述放映場地之前，先行在「購票通自助取票機」刷卡提取門票或親臨任何一間城市售票處的售票櫃檯憑卡領取門票。 Note: URBTIX outlets are NOT available at UA Cityplaza, The Grand Cinema and MCL Telford Cinema. Please collect your tickets from Cityline Ticket Dispensing Machine or at the sales counter at any of the URBTIX Outlets BEFORE going to these screening venues. 票房售票Counter Booking：各城市售票處URBTIX outlets (P.65頁) 各城市售票處均接受現金、信用卡（美國運通卡、萬事達卡、Visa卡及大來信用證）及銀聯卡（交易以港幣結算）付款。 All URBTIX outlets accept payment in cash, credit card (American Express, MasterCard, Visa and Diners Club) and China Union Pay Card (Hong Kong currency only). •

• •

UA院線、The Grand Cinema及MCL德福戲院放映的電影節節目，城市售票網會於放映前一天下午5時起停止發售。觀眾可於電影放映當日到放映場地票房購買剩餘門票。 For screenings at UA Cinemas, The Grand Cinema and MCL Telford, tickets are available at URBTIX outlets until 5:00pm one day before respective screenings, after which tickets will be available only at the box office of respective screening venues on the day of screening, subject to availability. 其他放映場地的電影節節目，城市售票網會於放映前一小時停止售票，隨後由放映場地票房發售剩餘門票。 For screenings at other venues, tickets are available at URBTIX outlets until one hour before the screening, after which tickets will be sold only at the door. 香港科學館不設城巿售票處。科學館之臨時售票櫃位於電影開映前30分鐘提供服務，即場發售剩餘門票，只接受現金付款。 There is no URBTIX counter sales at the Hong Kong Science Museum. The Door ticket counter at Science Museum opens 30 minutes before the screening. Limited tickets to non sold-out screenings will be available at the door, subject to availability (Cash Only).

於香港會議展覽中心放映之電影節節目 HKIFF Screenings at Hong Kong Convention and Exhibition Centre (HKCEC)

退款及節目更改 Refund and Programme Changes

由2月28日上午10時起，於快達票售票網公開發售票價 Regular Price: $65 From 28 February 10:00 through HK Ticketing 開幕電影 Opening Film: $75 網上購票 Online Booking: www.hkticketing.com 電話購票 Telephone Booking: 31 288 288 顧客服務費：每張門票將收取港幣15元顧客服務費。顧客服務費不設上限及退款。可選擇郵政專遞或親身到各快達票分銷處領取門票。選擇郵政專遞方式收取門票的人士，須另繳付郵遞費用。以上顧客服務費會因應快達票香港有限公司而調整。 Customer Service Fee: HK$15 per ticket. No limit set per transaction and is nonrefundable. Collect tickets at any HK Ticketing outlet after the transaction, or request delivery by courier to a specific address with additional courier charge. The customer service fee is subjected to adjustment by Hong Kong Ticketing Limited.

本電影節訂票手冊付印時，大部份影片均未經電影、報刊及物品管理辦事處檢查。將來如有影片被檢定為三級者，未滿18歲而於公布前購買該場門票的持票人，可由通知日起至2015年4月30日止向本會遞交退票申請表格。 At the time when this booking folder goes to print, most of the films have not been submitted to Office for Film, Newspaper and Article Administration. In case that a film is subsequently classified as Category III, refunds will be made to ticket holders under 18 years of age who bought tickets before the announcement.

票房購票 Counter Booking：快達票分銷處 HK Ticketing Outlets（P.65頁）每張門票將收取港幣8元的顧客服務費。各快達票分銷處均接受現金及信用卡（美國運通卡、萬事達卡及Visa卡）付款。顧客服務費不設上限及退款。以上顧客服務費會因應快達票香港有限公司而調整。 Customer Service Fee: HK$8 per ticket. All HK Ticketing outlets accept cash and credit card (American Express, MasterCard and Visa). No limit set per transaction and is non-refundable. The customer service fee is subjected to adjustment by Hong Kong Ticketing Limited. （只提供本地全日制學生HK$25優惠票、高齡人士、殘疾人士及綜援受惠人士六折購票優惠及電影節發燒友九折購票優惠。不設其他優惠。） (Only $25 Hong Kong Full-time Student Tickets, 40% discount to Elderly aged 60 or above, the Disabled & CSSA Recipients, and 10% discount to Cine Fan Privilege will be offered. No other discounts are applicable.)

滿座場次即場門票 Stand-by Tickets for Sold-out Screenings 香港文化中心大劇院及香港大會堂劇院所有滿座場次將有小量即場門票於開映前30分鐘在該放映場地發售，座位安排將視乎VIP通行證持有人及持票人士入場後之情況而定。每人每次限購即場門票2張。 A limited number of stand-by tickets for sold-out screenings are on sale at HK Cultural Centre Grand Theatre and HK City Hall Theatre 30 minutes prior to the screening time at the respective screening venue. Seating is subject to availability after admission of VIP Pass holders and all ticket holders. Each person can purchase up to 2 stand-by tickets per transaction.

座位及排隊安排 Seating and Queuing Arrangement 所有於城市售票網發售之門票，將根據訂票先後次序配以未售出的座位。 All tickets are sold on a first-come, first-served basis. 香港文化中心大劇院的電影節目，電腦系統會於售票時以堂座→樓座→高座的次序，配以未售出的座位。由於距離和觀看角度問題，高座的座位或會較堂座和樓座的座位稍遜，敬請留意。 For screenings at HK Cultural Centre, seats are allocated in the following sequence: Stalls→Circle→Upper Circle. Please kindly note that due to the distance and viewing angles, Upper Circle seats are less satisfactory than those within Stalls and Circle. 連場門票：位於香港會議展覽中心、香港文化中心、香港大會堂及香港科學館的放映場地，設有等候區，供持有「連場門票」的觀眾排隊入場。惟其他放映場地因條件所限，在一般情況下，不會提供此安排。 Back-to-back Screenings: At HKCEC, HK Cultural Centre, HK City Hall and HK Science Museum, if you hold tickets to back-to-back screenings in the same venue, you may stay in the Waiting Area for admission to subsequent screenings. In other venues, there is no such arrangement for back-to-back screenings in normal cases.

電影節特刊換領地點及時間 Opening Hours of Festival Catalogue Redemption Points 3月25日至4月6日 25 Mar – 6 Apr

4月8日至5月29日 8 Apr – 29 May

香港文化中心行政大樓四樓展覽館九龍尖沙咀梳士巴利道10號 Exhibition Gallery, 4/F, Administration Building of HK Cultural Centre 10 Salisbury Road, Tsim Sha Tsui, Kowloon 辦公時間 Hour：10:00 - 19:00 香港國際電影節協會辦事處九龍觀塘道370號創紀之城3期21樓（近港鐵牛頭角站） The HKIFF Society Office 21/F, Millennium City 3, 370 Kwun Tong Road, Kowloon, Hong Kong (Opposite to Ngau Tau Kok MTR Station) 辦公時間 Hour：星期一至五Mon – Fri 10:00 - 12:00; 14:00 - 17:00 星期六、日及公眾假期休息Closed on Sat, Sun & Public Holidays

退票申請表格可於以下途徑索取： Refund application forms are available at: 1. 香港文化中心、香港大會堂或該片放映場地之票房 HK Cultural Centre, HK City Hall, and the box offices of the screening venue. 2. 於電影節網頁www.hkiff.org.hk下載 HKIFF Websitewww.hkiff.org.hk 請將填妥之表格及完整之門票於2015年4月30日前寄回香港國際電影節協會有限公司辦事處（香港九龍觀塘道370號創紀之城3期21樓），信封面請註明「退款申請」。香港國際電影節會以劃線支票寄回門票款項給持票人（購票手續費及其他費用恕不退回）。 Completed application forms and tickets should be returned by post to the Hong Kong International Film Festival Society Office (21/F, Millennium City 3, 370 Kwun Tong Road, Kowloon, Hong Kong) on or before 30 April 2015, with the subject “Refund Application”on envelope. Refund cheques of the net amount of ticket will be sent to ticket holders by post (Handling Charges and other charges will not be refunded). 香港國際電影節保留更改所有放映的影片、時間及地點的權利，請留意電影節網頁 w w w.hkiff.org.hk最新資訊公布或各放映場地的通告。節目如有更改或取消，觀眾可循上述安排辦理退款或按原定時間入場觀看補映的影片。除此之外，所有完成放映的電影場次恕不受理任何退款申請。 In case of unavoidable necessity, The Hong Kong International Film Festival reserves the right to alter programmes without prior notice. Programme updates will be announced on the Festival website www.hkiff.org.hk and at the screening venues. For alteration or cancellation of screenings, refund policies are the same as aforementioned. Ticket holders may also choose to attend a screening of a replacement film at the same time slot. Under no circumstances other than the cancellation or the alteration of programmes can tickets be refunded. Refund applications are also not available for all completed screenings.

售票條款 Terms and Conditions 1. 2.

每次交易最多可訂購40張門票，每場最多4張。 Maximum 40 tickets per transaction; 4 tickets per screening. 一人一票，不論年齡亦需憑票入場。6歲以下小童，恕不招待。 One person per ticket regardless of age. Children under age of 6 will not be admitted to any screenings. 3. 本會恕不負責任何門票遺失。如門票遭派遞失誤、遺失、偷竊或摧毀，恕不獲補發。 HKIFFS is not responsible for any lost ticket. Tickets cannot be re-issued if posted wrongly, lost, stolen or destroyed. 4. 所有已出售的門票均不能退款，亦不能更換其他放映之場次。 All tickets are non-refundable and non-exchangeable. 5. 所有門票不設劃位。 All screenings offer free seating. 所有門票均受城市售票網、快達票及個別放映場地的銷售條款所約束。 All tickets are subject to the Purchase Policy of URBTIX, HK Ticketing & the venues. 城市售票網 – 請參閱張貼於各城市售票處或www.urbtix.hk網頁上之告示。 URBTIX – Please refer to the Terms and Conditions at URBTIX outlets or www.urbtix.hk 快達票 – 請參閱快達票網頁www.hkticketing.com網頁上之告示。 HK Ticketing – Please refer to the Terms and Conditions at www.hkticketing.com 電影節通行證 – 請參閱第74頁的銷售條款。 Festival Passes – Please refer to P.74 for Terms and Conditions

票房地點及開放時間 Ticketing Outlets and Opening Hours 城市售票網 URBTIX 3 月 6 日起公開發售 Ticket Sales from March 6 ( 香港會議展覽中心場次外 ) (Except HKCEC Screenings) 城市售票網票房地點及開放時間 URBTIX Outlets & Opening Hours 1000 - 2130

星期一至日 Mon - Sun

香港大會堂、香港文化中心、葵青劇院、沙田大會堂、荃灣大會堂、屯門大會堂、元朗劇院、青年廣場 Hong Kong City Hall, Hong Kong Cultural Centre, Kwai Tsing Theatre, Sha Tin Town Hall, Tsuen Wan Town Hall, Tuen Mun Town Hall, Yuen Long Theatre, Youth Square

1000 - 1830

星期一至日 Mon - Sun

香港體育館、高山劇場、牛池灣文娛中心、北區大會堂、伊利沙伯體育館、西灣河文娛中心、上環文娛中心、大埔文娛中心、樂韻琴行旺角分行 Hong Kong Coliseum, Ko Shan Theatre, Ngau Chi Wan Civic Centre, North District Town Hall, Queen Elizabeth Stadium, Sai Wan Ho Civic Centre, Sheung Wan Civic Centre, Tai Po Civic Centre, Happy Sound Music Ltd Mong Kok Branch

1000 - 1800

星期一至日 Mon - Sun

香港藝術中心 (電影節期間，票房將於最後一場電影放映後15分鐘關閉)、賽馬會創意藝術中心、香港兆基創意書院 Hong Kong Arts Centre (during the Festival Period, the box office will close 15 minutes after the last screening begins), Jockey Club Creative Arts Centre, HKICC Lee Shau Kee School of Creativity

1000 - 1930

星期一至日 Mon - Sun

各通利琴行分行 Tom Lee Music Co. Ltd. Branches 灣仔告士打道、銅鑼灣The L Square、太古城中心、香港仔中心、西環西寶城、尖沙咀金馬倫里、紅磡黃埔花園、旺角奧海城三期、MegaBox、沙田HomeSquare、馬鞍山新港城、將軍澳東港城、大埔新達廣場、屯門時代廣場、元朗大馬路、荃灣綠楊坊、青衣城 Gloucester Road (Wanchai), The L Square (Causeway Bay), Cityplaza (Taikoo Shing), Aberdeen Centre (Aberdeen), The Westwood (Western District), Cameron Lane (Tsimshatsui), Whampoa Garden (Hung Hom), Olympian City 3 (Mong Kok), MegaBox (Kowloon Bay), HomeSquare (Shatin), Sunshine Bazaar (Ma On Shan), East Point City(Tseung Kwan O), Uptown Plaza (Tai Po), Trend Plaza (Tuen Mun), Castle Peak Road (Yuen Long), Luk Yeung Galleria (Tsuen Wan), Maritime Square (Tsing Yi)

1000 - 1800

星期一至五 Mon - Fri

亞洲國際博覽館 AsiaWorld-Expo

以上資料如有更改，以城市售票網公布為準。 The above information is subject to change with announcements by URBTIX.

其他票房 Other Outlets 1200 - 2045 1000 - 2045

星期一至五，星期二休息 Mon – Fri; Closed on Tue 星期六、日及公眾假期 Sat, Sun & Public Holidays

未滿座場次開映前30 分鐘 30 mins before non sold-out screenings

香港太空館（只發售太空館放映場次之門票，售完即止。電影節期間，票房將於最後一場電影開映後15分鐘關閉。） Hong Kong Space Museum (tickets for Space Museum screenings only, subject to availability. During the Festival

Period, the box office will close 15 minutes after the last screening begins) 香港科學館即場門票銷售點（只發售科學館放映場次之門票，售完即止。） Hong Kong Science Museum Door Ticket Counter (tickets for Science Museum screenings only, subject to availability.)

UA院線、The Grand Cinema 及MCL 德福戲院票房只發售剩餘的即場門票，售完即止。

The box offices at UA Cinemas, The Grand Cinema and MCL Telford Cinema: Remaining door tickets only, subject to availability

快達票票房地點及開放時間 HK Ticketing Outlets & Opening Hours

2 月 28 日起公開發售 Tickets Sales from February 28 ( 香港會議展覽中心場次 ) (S creenings at Hong Kong Convention and Exhibition Centre)

1100 - 1900

星期一至六* Mon - Sat

香港會議展覽中心 Hong Kong Convention and Exhibition Centre

1200 - 1800

星期一至六* Mon - Sat

香港演藝學院 Hong Kong Academy for Performing Arts

1200 - 2200

星期一至六* Mon - Sat

藝穗會 Fringe Club

1000 - 1800

星期一至五* Mon - Fri

亞洲國際博覽館 AsiaWorld-Expo

1100 - 1900

星期一至日 Mon - Sun

九龍灣國際展貿中心 Kowloon Bay International Trade & Exhibition Centre

1100 - 1800

星期一至日 Mon - Sun

香港演藝學院古蹟校園-伯大尼 The Academy’s Landmark Heritage Campus - Bethanie

1100 - 1930

星期一至日 Mon - Sun

K11 Select, K11購物藝術館 K11 Select, K11 Art Mall

1000 - 1930

星期一至日 Mon - Sun

各通利琴行分銷處 Tom Lee Music Co. Ltd. Branches

*Closed on Public Holidays 公眾假期休息 65

Date 日期

CE1

23 9:45 PM 星期一 Mon

24 8:00 PM 星期二 TUE

HKCEC THEATRE 1 香港會議展覽中心演講廳 1

Page 頁碼

Murmur of the Hearts 念念

6,42

Party Girl 舞吧！夜遊天使

The Grand Cinema

Date 日期

UL GC

Page 頁碼

UA Cine Moko

87,89 2:30 PM

Dearest 親愛的 24MK3M2D Nezha 少女哪吒 24MK3M3D River Road 家在水草豐茂的地方 24MK3E1

UA CITYPLAZA 太古城

Page 頁碼

24 星期二 TUE

2:00 PM 5:00 PM 7:15 PM 8:00 PM 9:45 PM 10:00 PM

Labyrinth of Lies 大話迷宮 24GC3M2D Theeb 沙漠小野狼 24GC3M3D Men Who Save the World 偽娘捉鬼記 24GC3E1 The Chambermaid Lynn 女僕與女王 24GC3P1 The Look of Silence 沉默的眼睛 24GC3E2 Red Army 冰上最強 24GC3P2

5:00 PM

7:15 PM

2:30 PM

Under Electric Clouds 雪原七思 24UC3M2D The Voice of Sokurov 蘇古諾夫七日譚 24UC3M3D Field of Dogs 一個人的神曲 24UC3E1

5:30 PM

7:15 PM

Esoterica: Manila 馬尼拉風月寶鑑 24MK3E2

9:30 PM

Force Majeure 男兒免責(暫名) 24UC3E2

Overheard 3 竊聽風雲 3 25MK3M2D McDull ．Me & My Mum 麥兜．我和我媽媽 25MK3M3D Androids Dream 尋羊的複製人 25MK3E1

2:30 PM

101

4:45 PM

7:00 PM

Dark Star - HR Giger's World 基格的暗黑國度 25UC3M2D Appleseed Alpha 蘋果核戰：Alpha 25UC3M3D Heaven Knows What 又毒又愛 25UC3E1

9:00 PM

The Tribe 性本無言 25UC3E2

Victoria 柏林驚魂夜 26UC3M2D Aferim! 押奴記 26UC3M3D Amour Fou 喪戀 26UC3E1

105 32

89 101

9:45 PM

102

25 星期三 WED

Date 日期

CE2

23 8:00 PM 星期一 Mon

2:30 PM 5:00 PM

HKCEC THEATRE 2 香港會議展覽中心演講廳 2

Page 頁碼

Murmur of the Hearts 念念

6,42

7:15 PM 7:45 PM 9:45 PM 10:00 PM

Timbuktu 在世界盡頭喚自由 A Blast 無限春光在爆seed 25GC3M3D Beautiful 2015 美好2015 25GC3E1 Rebels of the Neon God 青少年哪吒 25GC3P1 Jasmine 茉莉劫 25GC3E2 Thanatos, Drunk 醉，生夢死 25GC3P2

25,35 2:30 PM 82

5:15 PM

7:00 PM

87,96 48

116 8:30 PM

Alive 生之欲 25MK3E2

115

2:30 PM

35,95 2:00 PM

101

5:30 PM

Princess Jellyfish 海月姬 Sara 雛妓 26MK3M3D Esoterica: Manila 馬尼拉風月寶鑑 26MK3E1

48 30

26 星期四 THU

2:00 PM 5:00 PM 7:15 PM 7:45 PM 9:30 PM 10:00 PM

27 2:00 PM 星期五 Fri

5:00 PM 7:15 PM 7:45 PM 9:45 PM 10:15 PM

Paris, Texas 德州巴黎 26GC3M2D The Look of Silence 沉默的眼睛 26GC3M3D The Postman's White Nights 郵差的白夜 26GC3E1 Revivre 愛的化妝 26GC3P1 Labyrinth of Lies 大話迷宮 26GC3E2 La Sapienza 雕欄玉砌應猶在 26GC3P2 Beautiful 2015 美好2015 27GC3M2D 40-Love 蠱惑決勝分 27GC3M3D Stations of the Cross 苦路上的女孩 27GC3E1 Thanatos, Drunk 醉，生夢死 27GC3P1 The Duke of Burgundy 公爵蝶戀花 27GC3E2 Songs from the Second Floor 二樓傳來的歌聲 27GC3P2

23,26 7:30 PM

4:45 PM

7:00 PM

Nezha 少女哪吒 26MK3E2

9:00 PM

Chokolietta 朱古麗葉 26UC3E2

The Golden Era 黃金時代 27MK3M2D Androids Dream 尋羊的複製人 27MK3M3D Conflagration 炎上 27MK3E1

2:30 PM

4:45 PM

117

7:30 PM

Corn Island 孤島桃源 27UC3M2D Star 不死明星夢 27UC3M3D Charlie's Country 原住民的異鄉 27UC3E1

9:45 PM

Horse Money 馬．錢 27UC3E2

26 87,89 9:45 PM 82 7

2:30 PM

5:50 PM

7:30 PM

85 31,87

30 20

9:40 PM

The Council of Birds 空山鳥啁啁 27MK3E2

11:45 PM

What We Do in the Shadows 直擊殭屍屋 27MK3E3

★ Chinese subtitles in addition to English subtitles/dialogue. 除英語對白或英文字幕外附加中文字幕。 Unless otherwise stated, all films (except English-speaking films) are subtitled in English. 除特別註明外，所有非英語對白電影皆設有英文字幕，但不另設中文字幕。 3D Film. 3D 電影。 Screening format information please refer to the website of the 39th Hong Kong International Film Festival. 影片放映格式請參閱第 39 屆香港國際電影節網頁。

24 12:30 PM 星期二 TUE

2:30 PM 5:00 PM 7:30 PM

9:30 PM

25 1:00 PM 星期三 WED

5:00 PM 7:30 PM

9:30 PM

Page 頁碼

Body 臭皮囊 24IS3M1D The Forbidden Room 非請勿進 24IS3M2D The Kindergarten Teacher 愛詩誘罪 24IS3M3D Ben Zaken 我們 24IS3E1

Merchants of Doubt 真相販子 24IS3E2

102

Li’l Quinquin 戇神探與小昆昆 25IS3M1D

As We were Dreaming 圍牆倒下時 25IS3M3D The Farewell Party 安樂死派對 25ISE1

Wild Life 野父痴兒 25IS3E2

5:00 PM 7:15 PM

9:45 PM

27 2:30 PM 星期五 Fri

5:00 PM 7:30 PM

Ben Zaken 我們 26IS3M2D Merchants of Doubt 真相販子 26IS3M3D A Midsummer's Fantasia 仲夏幻想曲 26IS3E1

Page 頁碼

8:00 PM

HK SCIENCE MUSEUM LECTURE HALL 香港科學館演講廳

Page 頁碼

World Animation for Adults 成人動畫精選 24SM3M3D Legend of the Mountain 山中傳奇 24SM3E1

97 40

Mar

23 Mar

27 2:30 PM

A Man from Manchuria 滿洲里來的人 25SP3M1D

7:30 PM

A Swedish Love Story 瑞典愛情故事 25SM3E1

3:00 PM

35,40

102

6:30 PM

110

8:15 PM

Aces Go Places 最佳拍檔 World Animation 世界動畫精選 27SM3M3D That Day, on the Beach 海灘的一天 27SM3E1

Giliap 海邊的基利亞 26SP3M1D

90 102 48

Ned Rifle 愚父怨母神經槍 26IS3E2

Fassbinder – To Love without Demands 吾友法斯賓達 27IS3M2D Princess 藍寶石公主 27IS3M3D Gett: The Trial of Viviane Amsalem 猶太式離婚 27IS3E1

105

3:30 PM

5:30 PM

The New Rijksmuseum -The Film 十年一覺維新夢 27IS3E2

HK ARTS CENTRE AGNèS B. CINEMA! 香港藝術中心 Agnès b. 電影院

6:30 PM

7:00 PM 8:30 PM

10:00 PM

Page 頁碼

2:30 PM 2:30 PM

HK SPACE MUSEUM LECTURE HALL 香港太空館演講廳

26 星期四 THU

UA iSQUARE

103

10:00 PM

Roy Andersson Shorts 羅伊安德遜短片集 27SP3ME1 Short Film Competition Programme I 國際短片競賽節目(一) 27SP3P1 Short Film Competition Programme II 國際短片競賽節目(二) 27SP3E2

7:30 PM

August Winds 八月風 27AC3M2D Actress 二度女星 Go Go Go 27AC3M3D Avant Garde Programme I 前衛短片專輯 (一) 27AC3E1

14 14

9:15 PM

Jia Zhangke: A Guy from Fenyang 汾陽小子賈樟柯 27AC3E2

105

Secondary School Screenings: Registration in advance is required, please refer to p. 35 for details. 中學生放映會：需預先登記報名，詳情請參閱 35 頁。  Free Screenings: Open to public. All seats will be available on a first-come, first-served basis. Please refer to concerning programme note for details. 免費放映場次：部份門票將預留予公眾人士即場免費領取。門票數量有限，額滿即止。詳情請參閱相關節目內容。 Weekday Matinee Screenings: Mondays – Fridays [except public holidays], film code ends with “D”.

97 41

Programme Diary

Date 日期

節目表

平日日場：星期一至五［假期除外］，影片編號以 D 結尾。

Date 日期

HK CULTURAL CENTRE GRAND THEATRE 香港文化中心大劇院

The Grand Cinema

Page 頁碼

12:15 PM

星期六 SAT

3:30 PM 6:30 PM

Page 頁碼

Haider 詩人復仇記 28GC3M1 The President 總統大人着草了 28GC3M2 Viktoria 沒肚臍的女兒 28GC3M3

UA Cine Moko

9:30 PM 10:15 PM

12:15 PM

星期日 SUN

3:30 PM 5:40 PM 7:45 PM 7:15 PM 9:45 PM 10:00 PM

UA CITYPLAZA 太古城

Page 頁碼

20 24

2:30 PM

5:30 PM 7:30 PM

8:00 PM

La Sapienza 雕欄玉砌應猶在 28GC3P1 Maidan 佔領廣場 28GC3E2

Phoenix 火鳳凰 28MK3M2 Today 今天無悔 28MK3M3 Her Brother 弟弟 28MK3E1

2:00 PM

Chokolietta 朱古麗葉 28UC3M2 Amour Fou 喪戀 28UC3M3 Wild Life 野父痴兒 28UC3E1

5:30 PM

117

7:30 PM

9:45 PM

Party Girl 舞吧！夜遊天使 28UC3E2

Aferim! 押奴記 29UC3M2 Dari Marusan 寵物女探偵 29UC3M3 Star 不死明星夢 29UC3E1

81 82

82 9:45 PM

Heaven Knows What 又毒又愛 28MK3E2

11:45 PM

Cruel 我殺故我在 28MK3E3

2:00 PM

117

2:00 PM

5:15 PM

4:15 PM

7:00 PM

Tokyo Olympiad 東京世運會 29MK3M2 The Money Complex 金錢綜合症 29MK3M3 The Valley 失魂谷 29MK3E1

7:00 PM

The Lesson 老師作反 29MK3E2

9:45 PM

Corn Island 孤島桃源 29UC3E2

Kung Fu Jungle 一個人的武林 30MK3M2D The Dead Lands 闇鬥士幽靈谷 30MK3M3D An Actor’s Revenge 雪之丞變化 30MK3E1

2:30 PM

25,27

5:15 PM

117

7:15 PM

The Salt of the Earth 大地之鹽 My Vioce, My Life 爭氣 30UC3M3D As We were Dreaming 圍牆倒下時 30UC3E1

9:45 PM

32 89

The Chambermaid Lynn 女僕與女王 28GC3P2

The Last Emperor 3D 末代皇帝溥儀 3D 29GC3M1 The Duke of Burgundy 公爵蝶戀花 29GC3M2 The Council of Birds 空山鳥啁啁 29GC3M3 40-Love 蠱惑決勝分 29GC3E1 Horse Money 馬．錢 29GC3P1 End of Winter 爸爸的隆冬 29GC3E2 A Pigeon Sat on a Branch Reflecting on Existence 鴿子在樹上反思存在意義 29GC3P2

116

47 85

24 47

9:45 PM

30 星期一 MON

2:15 PM 5:00 PM 8:00 PM

Two Thumbs Up 衝鋒車 30KG3E1

7:15 PM 7:30 PM 9:45 PM 10:00 PM

Charlie's Country 原住民的異鄉 30GC3M2D Men Who Save the World 偽娘捉鬼記 30GC3M3D Accused 製造死亡天使 30GC3E1 The Coffin In the Mountain 心迷宮 30GC3P1 Tales 德黑蘭人間傳奇 30GC3E2 Sworn Virgin 還我女兒身 30GC3P2

31,87 2:30 PM

River Road 家在水草豐茂的地方 31GC3M2D Vanishing Point 穿越消失點 31GC3M3D Phoenix 火鳳凰 31GC3E1 K K 31GC3P1 '71 71暴亂夜 31GC3E2 ATA 照見 31GC3P2

2:30 PM

5:15 PM

7:30 PM

5:00 PM

20,23 7:15 PM

2:00 PM 5:00 PM 7:30 PM

Princess Jellyfish 海月姬 31KG3E1

35,95 7:30 PM 7:45 PM 9:30 PM 10:00 PM

10 27,31 9:30 PM

Virgin Talkies 聖堂魅影 30MK3E2

Angels of Revolution 蘇維埃的美麗任務 30UC3E2

MCL Telford Cinema 德福戲院

31 星期二 Tue

The Money Complex 金錢綜合症 31MK3M2D Lost in Bosnia 迷失在波斯尼亞 31MK3M3D A Blast 無限春光在爆seed 31MK3E1

2:30 PM

5:00 PM

7:30 PM

Today 今天無悔 31MK3E2

The Valley 失魂谷 01MK4M2D CR NO: 89 光明磊落的一天 01MK4M3D End of Winter 爸爸的隆冬 01MK4E1

2:15 PM

5:30 PM

7:30 PM

The Dead Lands 闇鬥士幽靈谷 01MK4E2

Tales 德黑蘭人間傳奇 The Lesson 老師作反 31TC3M3D Dari Marusan 寵物女探偵 31TC3E1

Page 頁碼

27,31 81 47

11 20

9:30 PM

1 星期三 Wed

2:00 PM 4:30 PM 7:30 PM

Once Upon a Time in America 義薄雲天 01KG4E1

115

7:30 PM 7:45 PM 9:45 PM 10:00 PM

Accused 製造死亡天使 01GC4M2D Big Father, Small Father and Other Stories 大爸爸小爸爸及其他 01GC4M3D Cruel 我殺故我在 01GC4E1 Koza 激戰之羊 01GC4P1 The Kindergarten Teacher 愛詩誘罪 01GC4E2 Borderless 無國界小王子 01GC4P2

28 2:30 PM

5:15 PM

7:15 PM

Haruko's Paranormal Laboratory 春子超常現象研究所

23,94

29 2:30 PM 星期日 SUN

The Great Museum 殿堂內望

Alive 生之欲 01TC4M2D My Friend Victoria 我的不敗姊妹 01TC4M3D Theeb 沙漠小野狼 01TC4E1

85 82 83

11 90

9:30 PM

The Metroplex 星影匯

Date 日期

星期六 SAT

20,23 2:30 PM

23,103

30 7:30 PM 星期一 Mon

MP The Postman’s White Nights 郵差的白夜

23,26

31 7:30 PM 星期二 TUE

Accused 製造死亡天使

20,23

28 12:30 PM 星期六 SAT

3:45 PM 6:15 PM 8:15 PM

10:00 PM

29 12:30 PM 星期日 SUN

2:45 PM 5:00 PM 7:30 PM

10:00 PM

30 12:30 PM 星期一 MON

2:45 PM 5:00 PM 7:20 PM

National Gallery 國家美術館 28IS3M1 A Midsummer's Fantasia 仲夏幻想曲 28IS3M2 The Farewell Party 安樂死派對 28IS3M3 Ned Rifle 愚父怨母神經槍 28IS3E1

Page 頁碼

1 星期三 Wed

HK SCIENCE MUSEUM LECTURE HALL 香港科學館演講廳

Page 頁碼

Shanghai Blues 上海之夜 28SP3E1

7:30 PM

You, the Living 人啊，你為甚麼 28SM3E1

Force Majeure 男兒免責(暫名) 28IS3E2

9:45 PM

Short Film Competition Programme III 國際短片競賽節目(三) 28SP3E2

9:45 PM

Life May Be 人生也許 28SM3E2

101

Princess 藍寶石公主 29IS3M1 Gett: The Trial of Viviane Amsalem 猶太式離婚 29IS3M2 Stations of the Cross 苦路上的女孩 29IS3M3 It Takes Two to Tango 車拼 29IS3E1

12:30 PM

2:15 PM

5:15 PM

7:30 PM

Short Film Competition Programme IV 國際短片競賽節目(四) 29SP3M1 Fresh Wave Awarded Showcase 鮮浪潮得獎作品選 29SP3M2 My Favorite Season 最想念的季節 29SP3M3 A Man from Manchuria 滿洲里來的人 29SP3E1

1:30 PM

From What is Before 莫忘初衷 29AC3M1

7:30 PM

The Forbidden Room 非請勿進 29AC3E1

7:15 PM

Passion 最愛 29SM3E1

10:00 PM

Avant Garde Programme II 前衛短片專輯 (二) 29AC3E2

110

9:15 PM

World Animation for Adults 成人動畫精選 29SM3E2

3:30 PM

5:30 PM

7:15 PM

Ixcanel Volcano 火山少女 30AC3M2D Avant Garde Programme I 前衛短片專輯 (一) 30AC3M3D Song of the Phoenix 百鳥朝鳳 30AC3E1

7:30 PM

Life May Be 人生也許 30SM3E1

101

9:45 PM

Songs from the North 朝鮮之歌 30AC3E2

101

9:15 PM

Tough Love 愛很硬 30SM3E2

3:00 PM

Balikbayan #1 Memeries of Overdevelopment Redux III 32 過度發展的回憶 31AC3M2D Avant Garde Programme II 110 前衛短片專輯 (二) 31AC3M3D Fassbinder – To Love without Demands 105 吾友法斯賓達 31AC3E1

7:30 PM

Roy Andersson Shorts 羅伊安德遜短片集 31SM3E1

Fires on the Plain 野火 29IS3E2

Soursweet 酸甜 30IS3M1D In the Basement 地窖天堂 30IS3M2D Manufacturing Romance 尋愛 30IS3M3D Nearby Sky 駱駝的天空 30IS3E1

White God 狗眼看人間 31IS3M2D I Want to See the Manager 我要見經理 31IS3M3D This is My Land 各有國教 31IS3E1

19,87

1989 一九八九 31IS3E2

2:30 PM

Page 頁碼

7:30 PM

2:00 PM

HK ARTS CENTRE AGNèS B. CINEMA! 香港藝術中心 Agnès b. 電影院

9:30 PM

I am the People 革命……其後 30IS3E2

7:15 PM

Page 頁碼

9:30 PM

5:00 PM

HK SPACE MUSEUM LECTURE HALL 香港太空館演講廳

103

31 星期二 Tue

HK SPACE MUSEUM LECTURE HALL 香港太空館演講廳 A Swedish Love Story 瑞典愛情故事 01SP4M1D

HK CITY HALL THEATRE 香港大會堂劇院

My City 我城 31CT3E1

41 46

Page 頁碼

5:45 PM 7:15 PM

APR

13 13

Mar

UA iSQUARE

8,27 7:15 PM

110

9:30 PM

From Caligari to Hitler 從卡里加利到希特拉 31AC3E2

105

9:00 PM

Queen of Temple Street 廟街皇后 31SM3E2

1:30 PM

Songs from the North 朝鮮之歌 01AC4M1D Short Film Competition Programme I 國際短片競賽節目(一) 01AC4M2D Short Film Competition Programme III 國際短片競賽節目(三) 01AC4M3D The Voice of Water 聽水的聲音 01AC4E1

101

2:30 PM

The Bride with White Hair 白髮魔女傳

5:30 PM

12,87

8:15 PM

A Young Patriot 少年＊小趙 01SM4M3D Siao Yu 少女小漁 01SM4E1

Hotline 非人熱線 01AC4E2

13,91

Page 頁碼

3:30 PM 5:30 PM 7:30 PM

What We Do in the Shadows 直擊殭屍屋 01CT4E1

7:00 PM

9:30 PM

Corrections Class 廢青同盟 01CT4E2

9:45 PM

Programme Diary

Date 日期

節目表

KNOWING THE FILM CLASSIFICATION 認識電影分級制

Date 日期

HK CULTURAL CENTRE GRAND THEATRE 香港文化中心大劇院

The Grand Cinema

Page 頁碼

UA Cine Moko

8,27 2:30 PM

Memories on Stone 石頭不會忘記 02MK4M2D ATA 照見 02MK4M3D Taxi 的士司機巴納希 02MK4E1

Page 頁碼

2 Suitable for All Ages 適合任何年齡人士

星期四 THU

2:00 PM 5:00 PM

Not Suitable for Children 兒童不宜

7:30 PM

The President 總統大人着草了 02KG4E1

8:00 PM

Not Suitable for Young Persons and Children 青少年及兒童不宜

10:15 PM

The Color of Pomegranates 紅塵百劫 02KG4E2

115

Persons Aged 18 and Above Only 只准18歲或以上人士

W h i l e i t i s t h e H K I F F ’s p o li c y to sec ure the b est possible print of the original version for all its screenings, HKIFF will appreciate its patrons’ understanding on occasions when less than perfect screening formats are screened.

12:00 PM 1:30 PM 3:45 PM 6:00 PM

'71 71暴亂夜 03KG4M2 The New Girlfriend 女朋友的女朋友 03KG4M3 Kabukicho Love Hotel 歌舞伎町24小時時鐘酒店 03KG4E1

2:30 PM

5:00 PM

7:30 PM 7:45 PM

9:15 PM

Eisenstein in Guanajuato 愛森斯坦萬萬歲 03KG4E2

10:30 PM 10:45 PM

4 星期六 SAT

12:30 PM 1:30 PM 4:20 PM

Durations of films are provided by the rights owners o r c u l l e d f ro m p u b l i c i t y materials, and may differ from their actual lengths. P le a s e c h e c k t h e H K I F F website for the latest updates. 本手冊內各電影的片長主要由片主提供，部份或參考電影製作及宣傳資料，可能與實際片長略有出入。請留意電影節網頁的更新資訊。

10:00 PM 10:15 PM

星期五 FRI

香港國際電影節務必為觀眾全力搜羅影片的最佳原版拷貝放映，但若偶然事與願違，尚祈大家見諒。

7:45 PM

6:30 PM

The Tales of Hoffmann 魔宮艷舞 04KG4M2 Song of the Sea 海洋之歌 04KG4M3 Haruko's Paranormal Laboratory 春子超常現象研究所 04KG4E1

115

2:30 PM

4:30 PM

23,94 6:45 PM 8:00 PM

9:00 PM

Maps to the Stars 墮落星圖 04KG4E2

9:30 PM 10:15 PM

5 星期日 SUN

12:15 PM 1:00 PM 3:15 PM 6:30 PM

The Cabinet of Dr. Caligari 卡里加利博士 05KG4M2 Face to Face: Sylvia Chang 香港名家講座：張艾嘉 Paris, Texas 德州巴黎 05KG4E1

114

2:30 PM

5:30 PM

115

7:30 PM 8:00 PM

9:30 PM

The Salt of the Earth 大地之鹽 05KG4E2

25,27 9:30 PM 10:15 PM

6 星期一 MON

12:15 PM 1:00 PM 3:15 PM 6:00 PM

A Pigeon Sat on a Branch Reflecting on Existence 鴿子在樹上反思存在意義 06KG4M2 Chasuke’s Journey 天使的茶几 06KG4M3 Port of Call 踏血尋梅 06KG4E1

2:30 PM

5:15 PM

7:45 PM 8:00 PM

9:00 PM

Pride 大愛同行 06KG4E2

My City 我城 The Coffin In the Mountain 心迷宮 02GC4M3D Jia Zhangke: A Guy from Fenyang 汾陽小子賈樟柯 02GC4E1 Vanishing Point 穿越消失點 02GC4P1 K K 02GC4E2 Nearby Sky 駱駝的天空 02GC4P2

Sworn Virgin 還我女兒身 03GC4M1 Borderless 無國界小王子 03GC4M2 Floating Clouds 浮雲 03GC4M3 Sunflower Occupation 太陽‧不遠 03GC4E1 The Wages of Resistance: Narita Stories 活在三里塚 03GC4P1 Koza 激戰之羊 03GC4E2 Out of Nature 一個人自由野 03GC4P2

Songs from the Second Floor 二樓傳來的歌聲 04GC4M1 The 50 Year Argument 書中方一頁，世上五十年 04GC4M2 Scattered Clouds 亂雲 04GC4M3 Chasuke’s Journey 天使的茶几 04GC4E1 Atomic Heart 原子心媽媽 04GC4P1 Actress 二度女星 Go Go Go 04GC4E2 The Blue Hour 殺佛美少年 04GC4P2

Human Capital 奪命保險金（暫名） 05GC4M1 Eisenstein in Guanajuato 愛森斯坦萬萬歲 05GC4M2 Repast 飯 05GC4M3 The Great Museum 殿堂內望 05GC4E1 The New Girlfriend 女朋友的女朋友 05GC4P1 Victoria 柏林驚魂夜 05GC4E2 CR NO: 89 光明磊落的一天 05GC4P2

Maps to the Stars 墮落星圖 06GC4M1 Princess Jellyfish 海月姬 06GC4M2 Daughters, Wives and a Mother 娘．妻．母 06GC4M3 Li’l Quinquin 戇神探與小昆昆 06GC4E1 Out of Nature 一個人自由野 06GC4P1

5:00 PM

105

7:30 PM

★ Chinese subtitles in addition to English subtitles/dialogue. 除英語對白或英文字幕外附加中文字幕。

9:15 PM

It Takes Two to Tango 車拼 02MK4E2

11:45 PM

Goodnight Mommy 媽咪早抖 02MK4E3

2:00 PM

120

4:30 PM

100

7:00 PM

106

7:15 PM

9:45 PM

Big Father, Small Father and Other Stories 大爸爸小爸爸及其他 03MK4M2 Bird People 我是一隻小小鳥 03MK4M3 The Taking of Tiger Mountian 3D 智取威虎山 3D 03MK4E1 The Taking of Tiger Mountian 3D 智取威虎山 3D 03MK4P1 Point Blank 零距離殺機 03MK4E2

11 13

19 6 6 100

84 11:45 PM

Shrew's Nest 血腥愛巢 03MK4E3

101

2:30 PM

121

5:15 PM

7:15 PM

Jauja 巧黑 04MK4M2 Memories on Stone 石頭不會忘記 04MK4M3 How to Win at Checkers (Every Time) 戀戀棋盤 04MK4E1

83 85

83 102

9:30 PM

Foreign Body 色𠝹 04MK4E2

11:50 PM

When Animals Dream 狼女傳說 04MK4E3

2:30 PM

120

5:15 PM

Maidan 佔領廣場 05MK4M2 Point Blank 零距離殺機 05MK4M3 Ixcanul Volcano 火山少女 05MK4E1

23,103 7:15 PM

100 82

19 89

9:30 PM

Body 臭皮囊 05MK4E2

11:45 PM

Fires On the Plain 野火 05MK4E3

How to Win at Checkers (Every Time) 戀戀棋盤 06MK4M2 Viktoria 沒肚臍的女兒 06MK4M3 1001 Grams 一千零一克 06MK4E1

Jauja 巧黑 06MK4E2

19 35,95 2:00 PM 121

4:15 PM

7:30 PM

81 32

84 9:30 PM

Atomic Heart 原子心媽媽 06GC4P2

18 10:00 PM

Page 頁碼

HK CITY HALL THEATRE 香港大會堂劇院

Page 頁碼

2 星期四 THU

AC 1:30 PM

2:30 PM 5:15 PM 7:30 PM

Virgin Talkies 聖堂魅影 02TC4M2D Revivre 愛的化妝 02TC4M3D The Blue Hour 殺佛美少年 02TC4E1

3:45 PM

5:45 PM

7:15 PM

Timbuktu 在世界盡頭喚自由 02CT4E1

25,35 7:15 PM

9:45 PM

HK ARTS CENTRE AGNèS B. CINEMA! 香港藝術中心 Agnès b. 電影院 From Caligari to Hitler 從卡里加利到希特拉 02AC4M1D Hotel Nueva Isla 夏灣拿有間大酒店 02AC4M2D Short Film Competition Programme IV 國際短片競賽節目(四) 02AC4M3D Manufacturing Romance 尋愛 02AC4E1

I Want to See the Manager 我要見經理 02AC4E2

Page 頁碼

105

SP 2:30 PM

1:00 PM 2:30 PM 5:00 PM 7:15 PM

Appleseed Alpha 蘋果核戰：Alpha 03TC4M2 Dark Star - HR Giger's World 基格的暗黑國度 03TC4M3 Human Capital 奪命保險金（暫名） 03TC4E1

87,96 2:00 PM 101

5:00 PM

7:15 PM

9:30 PM

2:30 PM 5:15 PM 7:30 PM

The Man from Oran 革命黑路 04TC4M2 August Winds 八月風 04TC4M3 Lost in Bosnia 迷失在波斯尼亞 04TC4E1

2:00 PM

4:30 PM

8:00 PM

2:30 PM 5:15 PM 7:30 PM

The Tribe 性本無言 05TC4M2 Corrections Class 廢青同盟 05TC4M3 My Friend Victoria 我的不敗姊妹 05TC4E1

2:00 PM

3:45 PM

6:50 PM

9:00 PM

2:30 PM 5:00 PM 7:15 PM

3 Hearts 三顆痴痴的心 06TC4M2 The 50 Year Argument 書中方一頁，世上五十年 06TC4M3 Port of Call 踏血尋梅 06TC4E1

2:00 PM

101

4:00 PM

6:30 PM

9:00 PM

2:45 PM

111

5:45 PM

104

8:30 PM

7:00 PM

In the Basement 地窖天堂 03CT4E2

9:15 PM

The Moment 那時．此刻 03AC4E2

104

1:00 PM

This is My Land 各有國教 04AC4M1 I am the People 革命……其後 04AC4M2 Paul Clipson Programme II 保羅奇立遜選輯(二) 04AC4M3 Hotline 非人熱線 04AC4E1

12:30 PM

2:45 PM

111

5:30 PM

103

6:00 PM

19,87 7:45 PM

13,91 8:00 PM

10:00 PM

Hotel Nueva Isla 夏灣拿有間大酒店 04AC4E2

101

1:00 PM

The Moment 那時．此刻 05AC4M1 Zhou Lan-Ping ~ His Life and Music 音樂家周藍萍 05AC4M2 Angels of Revolution 蘇維埃的美麗任務 05AC4M3 The Voice of Sokurov 蘇古諾夫七日譚 05AC4E1

104

12:30 PM

104

3:00 PM

5:00 PM

105

8:00 PM

Taxi 的士司機巴納希 05CT4M2 Kabukicho Love Hotel 歌舞伎町24小時時鐘酒店 05CT4M3 Goodnight Mommy 媽咪早抖 05CT4E1

3:30 PM

5:35 PM

7:50 PM

Bird People 我是一隻小小鳥 05CT4E2

9:30 PM

Under Electric Clouds 雪原七思 05AC4E2

1:00 PM

Paul Clipson Programme I 保羅奇立遜選輯(一) 06AC4M1 Paul Clipson Programme II 保羅奇立遜選輯(二) 06AC4M2 The New Rijksmuseum - The Film 十年一覺維新夢 06AC4M3 The Man from Oran 革命黑路 06AC4E1

111

12:30 PM

111

3:00 PM

103

5:30 PM

8:30 PM

6 星期一 MON

12:15 PM

5:15 PM

5 星期日 SUN

3:30 PM

Song of the Sea 海洋之歌 06CT4M2 Foreign Body 色𠝹 06CT4M3 When Animals Dream 狼女傳說 06CT4E1

2:45 PM

4:30 PM

6:30 PM

The Last Emperor 3D 末代皇帝溥儀 3D 06CT4E2

116

9:00 PM

Balikbayan #1 Memories of Overdevelopment Redux III 32 過度發展的回憶 06AC4E2

2 6

3:45 PM

Apr

114

The Young and Prodigious T.S. Spivet 天才少年的奇妙旅程 04CT4M2 National Gallery 國家美術館 04CT4M3 White God 狗眼看人間 04CT4E1

The Lady from Shanghai 上海小姐 03CT4M2 1001 Grams 一千零一克 03CT4M3 3 Hearts 三顆痴痴的心 03CT4E1

4 星期六 SAT

1989 一九八九 03AC4M1 Short Film Competition Programme II 國際短片競賽節目(二) 03AC4M2 Paul Clipson Programme I 保羅奇立遜選輯(一) 03AC4M3 Zhou Lan-Ping ~ His Life and Music 音樂家周藍萍 03AC4E1

Tough Love 愛很硬 02SP4M1D

Page 頁碼

101

SM 星期五 FRI

HK SPACE MUSEUM LECTURE HALL 香港太空館演講廳

HK SCIENCE MUSEUM LECTURE HALL 香港科學館演講廳 Tempting Heart 心動 03SM4M1 The Voice of Water 聽水的聲音 03SM4M2 Giliap 海邊的基利亞 03SM4M3 A Young Patriot 少年＊小趙 03SM4E1

Forever and Ever 地久天長 04SM4M1 20 30 40 20 30 40 04SM4M2 Summer in Narita: The Front Line for the Liberation of Japan 日本解放戰線：三里塚之夏 04SM4M3 The Motors 車房佬中空寶 04SM4E1

Run Papa Run 一個好爸爸 05SM4M1 You, the Living 人啊，你為甚麼 05SM4M2 Narita: Peasants of the Second Fortress 三里塚：第二寨之人 05SM4M3 Sunflower Occupation 太陽‧不遠 05SM4E1

World Animation 世界動畫精選 06SM4M1 The Motors 車房佬中空寶 06SM4M2 Narita: Heta Village 三里塚：邊田部落 06SM4M3 Shrew's Nest 血腥愛巢 06SM4E1

Page 頁碼

42 83 28 12,87

42 42 106 47

42 29 107 100

97 47 107 92

Programme Diary

MCL Telford Cinema 德福戲院

Date 日期

節目表節目表

Unless otherwise stated, all films (except English-speaking films) are subtitled in English. 除特別註明外，所有非英語對白電影皆設有英文字幕，但不另設中文字幕。 71

電影節指南 How to Festival 九龍區 KOWLOON 尖沙咀 Tsim Sha Tsui 1 香港文化中心 Hong Kong Cultural Centre 科

尖沙咀梳士巴利道 10 號 10 Salisbury Road, Tsim Sha Tsui 電話 Tel: 2734 2009

學館道

九龍公園 Kowloon Park

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香港文化中心 Hong Kong Cultural Centre

尖沙咀彌敦道 63 號國際廣場 7 樓 7/F, iSQUARE, 63 Nathan Road, Tsim Sha Tsui 電話 Tel: 3918 5888 • 港鐵尖沙咀站 H / R 出口 Tsim Sha Tsui MTR Exit H / R

天星碼頭 Star Ferry Pier

香港太空館 Hong Kong Space Museum

西九龍 West Kowloon

洗衣街花墟

Road

道 un

Street

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繞 n To

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Megabox

偉業街 Wai Yip

宏照道 Wang Chu

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Mongkok

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旺角道

D 旺角東站 C Mong Kok East Station B

i Street

Road

柯士甸道西 Aust

新世紀廣場 MOKO

Street

Tung Cho

Street

德福花園 Telford Garden

C 星影匯 The Metroplex

Sai Yee

Fa Yuen

通菜街

柯士甸站 Austin Station

ute 弼街 B

MCL 德福戲院 MCL Telford Cinema

洗衣街

花園街

Canton

ui Man Ro

in Road West

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廣東道

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滙民道 W

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連翔道 Lin Cheung Road

Nga

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啟祥道 Kai Ch

West

UA Cine Moko

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觀塘道 Kwun Tong

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Street

Yuen Street

Sai Yee

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The Grand Cinema

圓方 Elements

九龍灣 Kowloon Bay

旺角 Mong Kok

九龍站 Kowloon Station

尖沙咀梳士巴利道 10 號 10 Salisbury Road, Tsim Sha Tsui 電話 Tel: 2721 0226 • 港鐵尖東站 L6 出口 East Tsim Sha Tsui MTR Exit L6 • 尖沙咀碼頭步行五分鐘 5-min walk from TST Ferry Pier

尖沙咀東部科學館道 2 號 2 Science Museum Road, East Tsim Sha Tsui 電話 Tel: 2732 3232 • 港鐵尖沙咀站 B2 出口 Tsim Sha Tsui MTR Exit B2 • 港鐵尖東站 P2 出口 East Tsim Sha Tsui MTR Exit P2

2 香港太空館 Hong Kong Space Museum

3 香港科學館 Hong Kong Science Museum

UA iSQUARE

ad Ro

香港科學館 Hong Kong Science Museum

ad lle Ro Granvi

老道加連威

彌敦道 Nathan Road

九龍

道 Kim

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免費穿梭巴士 Shuttle Bus Stop i Fuk Road

啟福道 Ka

旺角政府合署 Mongkok Government Offices

Road

5 The Grand Cinema

6 UA Cine Moko

7 星影匯 The Metroplex

尖沙咀柯士甸道西 1 號圓方 2 樓 2/F, Elements, 1 Austin Road West, Tsim Sha Tsui 電話 Tel: 2196 8170 • 港鐵九龍站 C1 出口 Kowloon MTR Exit C1

旺角太子道西 193 號新世紀廣場 L 4 樓層 Level 4, MOKO, 193 Prince Edward Road West, Mongkok, Kowloon 電話 Tel: 3918 5888 • 港鐵旺角東站 D 出口 Mongkok East MTR Exit D

九龍灣展貿徑 1 號九龍灣國際展貿中心 E-Max 地下 G/F, E-Max, KITEC, 1 Trademart Drive, Kowloon Bay 電話 Tel: 2620 2200 • 港鐵九龍灣站 A 出口轉乘免費接駁巴士 Free shuttle bus at Kowloon Bay MTR Exit A

8 MCL 德福戲院 MCL Telford Cinema

九龍灣偉業街 33 號德福花園平台 Telford Gardens, No. 33 Wai Yip Street, Kowloon Bay, Kowloon 電話 Tel: 2759 2248 • 港鐵九龍灣站 A 出口 Kowloon Bay MTR Exit A

支持機構 Supporting Organization

Hong Kong - Asia Film Financing Forum Selected Project

香港島 HONG KONG ISLAND

香港亞洲電影投資會入選計劃

灣仔 WANCHAI 9 香港會議展覽中心 Hong Kong Convention and Exhibition Centre

會議道 Convention Avenue

香港會議展覽中心 Hong Kong Convention and Exhibition Centre

碼頭方向 To Ferry Pier

港灣道 Harbour Road 香港藝術中心 Hong Kong Arts Centre

菲林明道 Fleming Road

告士打道 Gloucester Road

駱克道 Lockhart Road

柯布連道 O'Brien Road

盧押道 Luard Road

分域街 Fenwick Street

謝斐道 Jaffe Road

A1 A2

國際影評人聯盟獎提名電影

灣仔港灣道 1 號 1 Harbour Road, Wanchai 電話 Tel: 2582 8888 10 香港藝術中心

Fipresci Prize Nominated Film

Hong Kong Arts Centre SIGNIS Award Nominated Film 天主教文化獎提名電影

灣仔港灣道 2 號 2 Harbour Road, Wanchai 電話 Tel: 2582 0200 • 港鐵灣仔站 A1 出口 Wanchai MTR Exit A1 • 灣仔碼頭步行十五分鐘 15-min walk from Wanchai Pier

嘉賓及傳媒招待處 Hospitality & Media Suite

軒尼詩道 Hennessy Road

香港文化中心行政大樓4樓展覽館 Exhibition Gallery, 4/F, Administration Building, Hong Kong Cultural Centre 開放時間 Opening Hours

23/3/2015

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12 UA 太古城中心 UA Cityplaza

太古城道 Taikoo Shing Road

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10:00 – 19:00 太豐路 Tai Fung Avenue

道中

24/3/2015 – 6/4/2015

太古灣道 Taikoo Wan Road

太茂路 Tai Mou Avenue

香港大會堂 Hong Kong City Hall

太裕路 Tai Yue Avenue

干諾

10:00 – 17:30

太古 Taikoo

道

太古城中心 Cityplaza E1

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香港文化中心行政大樓4樓展覽館 Exhibition Gallery, 4/F, Administration Building, Hong Kong Cultural Centre

A1 A2

8/4/2015 – 29/5/2015

康山道 Kornhill Road tral Queen's Road Cen

25/3/2015 – 6/4/2015 10:00 – 19:00

D2 Kin

特刊換領處 Catalogue Redemption Point

11 香港大會堂 Hong Kong City Hall

12 UA 太古城中心 UA Cityplaza

中環愛丁堡廣場 5 號 5 Edinburgh Place, Central 電話 Tel: 2921 2840 • 港鐵中環站 K 出口 Central MTR Exit K

太古城道 18 號太古城中心 1 期 5 樓 5/F, Phase 1 Cityplaza, 18 Taikoo Shing Road, Taikoo Shing 電話 Tel: 3918 5888 • 港鐵太古站 D2 / E1 出口 Taikoo MTR Exit D2 / E1

星期一至五 Mon – Fri 10:00 - 12:00 ; 14:00 - 17:00 星期六、日及公眾假期休息 Closed on Sat, Sun & Public Holidays 香港國際電影節協會辦事處 The HKIFF Society Office 九龍觀塘道370號創紀之城3期21樓（近港鐵牛頭角站） 21/F, Millennium City 3, 370 Kwun Tong Road, Kowloon (Opposite to Ngau Tau Kok MTR Station)

電影節通行證 HKIFF PassES

VIP通行證 Pass

• 可觀賞電影節期間 (2015 年 3 月 24 日至 4 月 6 日 ) 各場電影節目，不包括 3 月 23 日之所有場次 • 獲贈 2015 年 3 月 23 日之開幕電影其中一場門票兩張 • 優先進場入座 *，並可攜同一位持票或持有通行證人士同時進場（滿座場次除外） •獲贈《第三十九屆香港國際電影節》特刊、《焦點影人：張艾嘉》特刊及《成瀨巳喜男 110 年紀念展》特刊各一本 * 請於各場次開映前十五分鐘與場地職員聯絡

• Admit to all screenings during Festival period (24 March – 6 April 2015), except all screenings on 23 March 2015 • Receive 2 tickets for anyone screening of Opening Film (23 March 2015) • Receive priority admittance for all screenings* with one accompanying ticket holder or pass holder (except sold-out screenings) • Get one copy of both "The 39th HKIFF Main Catalogue", "Sylvia Chang, Filmmaker in Focus” and "Naruse Mikio, 110th Anniversary”

每張 HK$5,000 each ( 限量發售 Limited Availability) 為你帶來無比便利，全情投入電影節！

* Please arrive at the venue and contact the staff 15 minutes before the show

HK$5,000 訂購及換領方法 How to order & collect 網上訂購 Online Advance Booking: 可於 2 月 28 日上午 10 時至 3 月 5 日下午 10 時期間於 www.hkiff.org.hk 購買 Please purchase at www.hkiff.org.hk from 28 February, 10am to 5 March, 10pm 顧客可經網上預售系統上載個人照片（以 2MB 為限），證件製作完成後，將郵寄至指定地址。 Please upload your recent photo (max. size 2MB) to the booking system. Upon completion of the transaction, the customer will receive the Festival Pass by post in due course.

傳真訂購 Fax Order: 請填妥訂購表格於 2 月 28 日上午 10 時後傳真至 2970 3011 Please fax the form to 2970 3011 from 28 February, 10am onwards 顧客須帶同換領票及近照一幀（護照相片），於 3 月 13 日至 21 日期間親臨香港國際電影節協會辦事處辦理。 Please collect your VIP Pass from 13 March – 21 March at the HKIFF Society Office. You are requested to bring along a recent passport-sized photo for the issuance of Passes.

VIP Pass Order Form VIP 通行證傳真訂購表格 (Fax No 傳真號碼：2970 3011) From 28 February 2015 10:00am (All booking forms would not be accepted before that time) 2015 年 2 月 28 日上午 10 時開始接受訂購 ( 於上述時間前的傳真訂購，恕不受理 ) I wish to order 我欲訂購：

VIP Pass(es) VIP 通行證

(HK$5,000@)

Total Value of Festival Pass(es): 通行證總值：

個

HK$

From 28 Feb 2015, 10am 2015 年 2 月 28 日上午 10 時開始接受訂購

Pass Holder Name / 通行證持有人姓名 *Please use HKID English Name /請使用身份證上之英文姓名

(1)

(2)

（1st Pass Holder/第1個通行證持有人）

（2nd Pass Holder/第2個通行證持有人）

Address 地址：

Tel 電話：

(day 日)

(night 夜)

E-mail 電郵：

Fax 傳真：

We will confirm your booking by email or fax within 3 working days. 客戶將於 3 個工作天內以電郵或傳真方式收到訂購結果。

Credit Card Order Voucher 信用卡訂票憑單 Total Amount HK$ 金額 Expiry date 有效日期至 (MM/YY)

Credit card number 信用卡號碼 Issuing bank 發卡銀行

Name

Tel

姓名

電話

Signature (Please 請用信用卡上之簽名式樣 ) 簽署 use authorized signature as on your credit card 74

發卡銀行 (Applicable only to VISA / MasterCard / American Express 只適用於 VISA 卡、萬事達卡及美國運通卡 )

Fax 傳真

Date 日期

Super Value Pass 影癡通行證 • 可觀賞電影節期間 (2015 年 3 月 24 日至 4 月 6 日 ) 各場未滿座的電影節目，不包括 3 月 23 日之所有場次 • 獲贈《第三十九屆香港國際電影節》特刊一本 • Admit to all non sold-out screenings (From 24 March - 6 April 2015), except all screenings on 23 March 2015 • Get one copy of "The 39th HKIFF Main Catalogue"

HK$3,000 訂購及換領方法 How to order & collect 網上訂購 Online Advance Booking: 可於 2 月 28 日上午 10 時起於 www.hkiff.org.hk 購買 Please purchase at www.hkiff.org.hk from 28 February, 10am onwards 顧客可經網上預售系統上載個人照片（以 2MB 為限），證件製作完成後，將郵寄至指定地址。 Please upload your recent photo (max. size 2MB) to the booking system. Upon completion of the transaction, the customer will receive the Festival Pass by post in due course.

其他途徑 Other Channels: 3 月 6 日起：城市售票網網上、電話及城市售票處售票櫃檯 From 6 March onwards: URBTIX Online Booking, Telephone Credit Card Booking and Counter Sales 顧客須帶同換領票及近照一幀（護照相片），於 3 月 13 日至 21 日期間親臨香港國際電影節協會辦事處辦理。 Please collect your Super Value Pass from 13 March – 21 March at the HKIFF Society Office. You are requested to bring along a recent passport-sized photo for the issuance of Passes. 香港國際電影節協會辦事處 HKIFF Society Office

電影節通行證使用條款： 1. 不設折扣優惠，每張通行證只限一人使用，不得轉讓。 2. 只限年滿 18 歲或以上人士購買，數量有限，先到先得。 3. 有效期為 2015 年 3 月 24 日至 4 月 6 日，逾期作廢。 4. VIP 通行證：本會恕不保證開場後到場的 VIP 通行證持有人能獲安排入座。 5. 影癡通行證：持有人須排隊進場，待 VIP 通行證持有人及持票人士進場後方可被安排入座。如臨場滿座，影癡通行證恕不通用。本會不保證影癡通行證持有人能於滿座場次入座。

地址：

香港九龍觀塘道 370 號創紀之城 3 期 21 樓

辦公時間：星期一至五上午 10 時至中午 12 時，下午 2 時至 5 時；星期六上午 10 時至中午 12 時；星期日及公眾假期休息如不能在上述時間親臨辦理通行證，請致電 2102 7329 另行安排

Usage for Festival Passes

Address:

1. No discount is applied to all Passes. All Passes are non-transferable and good for one person only. 2. All Passes are sold to persons aged 18 or above and on a first-come, first-served basis. 3. All Passes are valid from 24 March to 6 April 2015. 4. VIP Pass: For sold-out screenings, VIP Pass does not guarantee seating once the show begins. 5. Super Value Pass: Holders should join the queue and admission will be arranged after all VIP Pass holders and ticket holders are seated. For sold-out screenings, Super Value Pass does not guarantee seating and admission is subject to availability.

Office Hours: 10:00-12:00, 14:00-17:00 Mon-Fri; 10:00-12:00 Sat; Sunday & Public

21/F, Millennium City 3, 370 Kwun Tong Road, Kowloon, Hong Kong

Holidays closed If you cannot come to collect the pass during office hours, please call 2102 7329 during office hours for further arrangement.

Purchase Form of URBTIX Outlet 城市售票處購票表格 (Maximum 40 tickets per transaction; 4 tickets per screening 每次交易最多可訂購 40 張門票，每場最多 4 張 )

Screening 場數

This form is applicable for URBTIX outlet only. 此表格只限於城市售票處使用。

Regular 正價票

10% Discount 九折優惠

($100, $75, $65, $45)

($90,$68,$59,$41)

Hong Kong Full-time Student’s discount 本地全日制學生優惠

Concessionary 優惠票 ($60, $45, $39, $27)

($25)

Flim Code 影片編號

Price 票價 HK$

□ No. of Tickets 票數

20 Regular Tickets or More 20 張正價門票或以上 Price 票價 HK$

No. of Tickets 票數

Price 票價 HK$

Senior Citizens 高齡人士

People with disabilities 殘疾人士

CSSA Recipients 綜援受惠人士

No. of Tickets 票數

1 2 3 4 5 6 7 8 9 10 11 The following card holder can enjoy ticket discount for regular price tickets (Please present valid proof of identity upon purchasing tickets) 以下證件持有人可享正價門票折扣優惠 ( 請於購票時出示相關證明文件 ) 正價門票九折優惠：「電影節發燒友」會員 / 新昌營造集團員工 / 藝穗會會員證 10% discount of regular price tickets: HKIFF Cine Fan Prvilege / Staff of Hsin Chong Construction Group / Fringe Club Members 相關商業戲院各場次九折優惠：UA 院線 Loyalty Club 會員 / The Citizen Grand 會員 / MCL Club 會員 10% discount of screenings at resepective commercial cinemas: UA Loyalty Club Members / The Citizen Grand Members / MCL Club Members 75

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24/3（二）7:15pm UA Cine Moko MK

31/3（二）2:00pm The Grand GC

家在水草豐茂的地方

VI SI O

導演：李睿珺 2014 突厥語普通話 102 分鐘中文字幕

BA L

環球視野

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時代巨輪輾過祁連山牧民，兩兄弟被父親送到省城上學，迎來的卻是沒家人來接的暑假。少年唯有上路，緊隨先人教誨，順着河流走，嘗試尋回草原的家鄉。他們沉默地走着，走着，沿途瘡痍滿目、頹垣敗瓦、河床枯乾，連收留他們留宿的寺僧，也自稱撐不下去了。發展是硬道理，但人真啃得下一切代價嗎？草原就像逝去了的爺爺說過的，豈止生病，簡直奄奄一息了。幸好有溝通就有人，有人就有家，編導為幾被歷史遺忘的回鶻遺民裕固族人，寫下了逐金洪流裏拒絕淒涼的可能。

River Road Dir: Li Ruijun 2014 Turkic dialect/Putonghua 102min Cast: Tang Long, Guo Songtao

Young brothers Bartel and Adikeer attend boarding school while their parents, nomadic Uyghur herders, seek fertile grasslands for their sheep. When their grandfather dies, the two embark on a search for their father, following the dying river in search of life but finding only desolate prairies and abandoned memories. Li Ruijun’s elegiac rural drama is simultaneously a story of reconciliation between estranged family and a mournful look at a disappearing way of life.

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24/3（二）5:00pm UA Cine Moko MK

26/3（四）9:45pm UA Cine Moko MK

少女哪吒導演：李霄峰 2014 普通話 98 分鐘中文字幕

改編自詩人綠妖同名小說，可看成向八、九十年代「致青春」懷舊電影潮的壓卷作，自豪的是向迂腐的成人世界決絕說不。李霄峰首次當導演，找來豐富的時代意像，讓兩個未成年女生在新華書店的陽光與塵埃中，嗅那《哭泣的駱駝》的書紙味，還有英雄牌墨水筆、彩虹間襪、黑膠唱片、不銹鋼飯盒，陪着李曉冰王小路罰跑翹課轉校寄宿，挑戰時代兩大虛偽：家庭與學校。飾演李曉冰的李嘉琪哪吒不畏海龍王，試探死亡，令人想起《藍色大門》的桂綸鎂和《我的父親母親》的章子怡。

Nezha Dir: Li Xiaofeng 2014 Putonghua 98min Cast: Li Jiaqi, Li Haofei, Chen Jin

導演演員將出席與觀眾見面 This screening will be attended by the director and/or actors

Adapted from the novel by Lu Yao, Li Xiaofeng’s narrative feature debut is an off-kilter coming-of-age story about a pair of precocious 16-year-olds in Baocheng. The rebellious and insubordinate Xiaolu makes unlikely friends with the straight laced class monitor Xiaobing. The couple bond over a shared love of poet Shamao, but they are soon torn apart, as Xiaolu is expelled for insulting a teacher and Xiaobing is sent to a nursing school after her parents get divorced.

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4/4（六）2:30pm MCL德福戲院 TC

6/4（一）6:30pm 香港藝術中心 AC

26/3（四）7:00pm UA太古城 UC

28/3（六）5:30pm UA太古城 UC

27/3（五）3:30pm 香港藝術中心 AC

4/4（六）5:15pm MCL德福戲院 TC

革命黑路

喪戀

八月風

導演：賴斯沙隆阿爾及利亞法國 2014 128 分鐘

導演：謝茜嘉侯斯娜奧地利盧森堡德國 2014 96 分鐘

導演：加比奧馬斯卡路巴西 2014 83 分鐘

60 年代經典《阿爾及爾之戰》完結於阿國人民戰勝法國殖民者，但民族獨立後如何？阿國名演員賴斯沙隆自導自演殖民地年代的木匠扎夫，意外令法裔老農猝死，迫上梁山成為游擊英雄。後凱旋還鄉，驚悉妻子遭法農之子強姦報復，生下混血兒後鬱鬱而終。扎夫與戰友躋身新政府高層，多年官宦生涯，一一因權和利相殘，國政陷入獨裁貪瀆，民族英雄與非親生的混血兒子相視無言。反殖解殖脫殖，自立路迢迢，賴斯沙隆輔以美式黑幫電影的詩情，反思先輩的功與罪。

前作《神蹟疑雲》（34 屆）去法國染了些地道法國風，奧地利的侯斯娜新作除有前輩米高漢尼卡，還帶點伊力盧馬。怎樣死才最理想？ 19 世紀德國浪漫派詩人 Heinrich von Kleist 就相信跟心愛的人一起殉情最精彩。詩人最後日子的真實改編，前提是他的敏感靈魂悶病了，眾裏尋她，終於迷上美麗人妻韓莉艾，人家當然敬謝不敏，但當發現身染痼疾，就覺得是好主意，不過輪到他有顧慮。一點調侃一點浪漫加一點詼諧，侯斯娜冷靜細緻的處理，已有大師風範。要麼死得癲，愛就不死了。

風可以錄下來嗎？看不見的，怎麼能獲得應有的注視？這個懸念，驅使藝術家兼紀錄片導演拍出首部劇情片。巴西海岸八月風景很震撼，罡風潮湧，誓要跟海邊墳地同歸於盡。城市女孩為照顧婆婆來到這裏，小村沒門牌，要找只能形容，像河口拐彎第二間，但她倒優悠的，不駕車運椰子時，會跟男友椰子堆中做愛，男友潛捕八爪魚，她便在艇上日光浴。到了八月，來了一個聽風人，小男友卻迷上海上浮屍。恭喜導演，記下了風，記下了風中歲月。獲羅迦諾電影節特別表揚獎。

The Man from Oran (L’Oranais)

Amour Fou

Dir: Lyes Salem Algeria/France 2014 128min Cast: Lyes Salem, Khaled Benaïssa, Djemel Barek, Amal Kateb

Dir: Jessica Hausner Austria/Luxembourg/Germany 2014 96 min Cast: Christian Friedel, Sandra Hüller, Mit Birte Schnöink

August Winds (Ventos de Agosto) Dir: Gabriel Mascaro Brazil 2014 83min Cast: Dandara de Morais, Geová Manoel dos Santos

The aftermath of the Algerian Revolution is explored in this gorgeously-filmed political drama set over a period of 30 years. Friends Djaffar and Hamid emerge from the war for Algeria’s independence with bright futures in government. But their pain and sacrifices linger, as the former revolutionaries betray their own ideals through arrogance, corruption and denial. Director-actor Lyes Salem demonstrates with upsetting clarity how noble accomplishments are compromised by weakness and amorality.

After Goethe’s The Sorrows of Young Werther, German Romantics were in a tizzy over the idealized tragicromantic death. Poet Heinrich von Kleist was an example of this movement, and his short life culminated in his double suicide with the terminally ill Henriette Vogel. Director Jessica Hausner (Lourdes, 34th HKIFF) wisely recognizes the absurdity and irony in both his works and his demise, and through this lens has fashioned a surprisingly humorous and whip-smart script about these doomed lovers.

In an idyllic, yet isolated coastal village embodying rural Brazil, a young girl from the city struggles to adjust to life at the ends of the Earth. She is involved with a young co-worker from the coconut plantation, and together they go fishing, have sex and test the limits of their impoverished situation. As the rising tides threaten to engulf the community at any moment, these young souls wrestle with life, death and other natural forces in the stifling summer heat. 亞洲首映 Asian Premiere

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29/3（日）9:45pm UA Cine Moko MK

31/3（二）5:00pm MCL德福戲院 TC

28/3（六）6:30pm The Grand GC

6/4（一）4:15pm UA Cine Moko MK

27/3（五）5:00pm The Grand GC

29/3（日）7:45pm The Grand GC

老師作反

沒肚臍的女兒

蠱惑決勝分

導演：K. 歌齊華、P. 維查諾夫保加利亞希臘 2014 105 分鐘

導演：瑪雅維歌娃保加利亞 2014 155 分鐘中文字幕

導演：史提芬迪莫斯提亞比利時法國 2014 95 分鐘

女教師心想，小學雞心散很自然，同事無感、校長不撐也算了，自己還有個真心嘛。雖然公缺一份但婆有一份，而且夫慈女孝，按月供樓生活無憂。以為窮是遙不可及，但後共產生活不依進化邁步，老公虛榮叛變，迫遷在眉睫，她女人仔一個撐起整邊天，求有錢老竇，借大耳窿，甚至做 blow job，統統倔頭路。正誘捕偷錢學生的當兒，自己卻食大茶飯。肩鏡不離不棄，對女角亦憐亦愛，小鎮大小居民真情演出，超寫實成就了超現實，也迫出人間荒誕。獲聖塞巴斯蒂安電影節最佳新導演獎。

那時鐵幕未瓦解，寶莉恨國家，恨共產黨員的慈母，更不想在共黨國家生孩子，小心翼翼結果徒勞。沒陣痛，沒臍帶，她產下維琪，母女像沒牽連。沒肚臍的維琪被封為國家女兒，享盡特權，更有條代臍帶──和國家主席的直通電話線，寶莉的產後抑鬱從此沒回頭，直至 1989，維琪十歲打回原形。當然是寓言，極超現實，尤其國家女兒呼風喚雨，幽默又諷刺。三代母女的暴風關係，點滴是導演自身寫照，女性觸覺富詩意，也縮影保加利亞 30 年巨變。獲布達佩斯鐵達尼電影節最佳電影獎。

爭取人生的決勝分，可以去到很盡。百貨公司經理謝隆遭解僱後，滿腹大計，籌備創業做老細，豈知投資者縮沙，妻子離家去，到此像是又一部中佬危機電影。但奇峰突出，兒子雨果被發現是網球神童，有望入選精英計劃，謝隆年輕時的足球夢，似可由他再續。為了夢想，雨果確是一往無前，比成年人去得更盡。導演首部長片，大師戴丹兄弟監製，兩人的御用影帝奧利華高密擔正，寫實主義風格和手提攝影均見真傳。不乏幽默的家庭劇，逐漸滲出冷冽的悲情，令人心有戚戚然。

The Lesson (Urok)

Viktoria

Dir: K. Grozeva, P. Valchanov Bulgaria/Greece 2014 105min Cast: Ivan Barnev, Ivanka Bratoeva, Stefan Denolyubov

Dir: Maya Vitkova Bulgaria 2014 155min Cast: Irmena Chichikova, Daria Vitkova, Kalina Vitkova

40-Love (Terre battue) Dir: Stéphane Demoustier Belgium/France 2014 95min Cast: Olivier Gourmet, Valeria Bruni Tedeschi, Charles Mérienne

Nadezhda is an upstanding schoolteacher who is about to lose her home if she doesn’t come up with money for the mortgage. Whether it’s because of her drink-fuddled husband, incompetent boss, indifferent students, or uncaring father, Nadezhda’s circumstances become increasingly dire as she resorts to more desperate measures. What began as a classroom lesson about morals turns into a dispassionate look into life in austerity-ridden Europe. Grozeva and Valchanov’s debut feature won San Sebastian’s New Director prize.

A Bulgarian female viewpoint on the traumas of Eastern Europe. Viktoria, an unwanted child born with no navel is named baby of the decade by the socialist regime in a surrealist celebration. But late Communism collapses in her teenage years, changing dynamics of her life, her mother and the world around her. With powerful performances by siblings Daria and Kalina Vitkova as Viktoria in these two contrasting chapters of her life and world.

Recently laid off, Jérôme (Olivier Gourmet) remains ambitiously hopeful: he aims to reinvent himself as a retail entrepreneur, even at the cost of estrangement from his wife (Valeria Bruni Tedeschi). Meanwhile, his 11-year-old son Ugo (Charles Mérienne), a budding tennis champion, focuses on qualifying at a prestigious training center. Inspired by the news and produced by the Dardenne brothers, Demoustier’s feature debut is both an austere father-and-son story and a modern portrait of people ensnared by their personal ideas of success.

亞洲首映 Asian Premiere

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1/4（三）5:30pm MCL德福戲院 TC

5/4（日）7:30pm MCL德福戲院 TC

26/3（四）10:00pm 28/3（六）8:00pm The Grand GC The Grand GC

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25IS3E2

28UC3E1

25/3（三）9:30pm UA iSQUARE IS

28/3（六）7:30pm UA太古城 UC

我的不敗姊妹

雕欄玉砌應猶在

野父痴兒

導演：尚保羅史維拉法國 2014 95 分鐘

導演：尤金格連法國／意大利 2014 107 分鐘

導演：西迪克卡恩法國 2014 106 分鐘

諾貝爾得主萊辛小說神韻俱在的細膩搬演，場景換了在巴黎，黑妹 Vic 在寄養家庭長大，八歲時意外在白人中產鄰居度過一晚，嚮往得像個夢，從此一夢不醒。幾年後 Vic 和那白人鄰居的兒子湯姆相愛，偷偷產下瑪莉，八年後才告訴已分開的湯姆。白人家庭熱情擁抱黑人新成員，瑪莉在實現 Vic 的夢，但夢殘缺又如何？ Vic 的姐姐是敘事者：我還以為可改變甚麼。她說，Vic 讓社會幹她。而 Vic 卻總在夢中，像置身事外。雖說永不言敗，但那道種族階級的鴻溝，萊辛的筆觸說得份外憂鬱與感動。

中年建築師獲頒終身成就獎，卻啞子吃黃連，飽嚐江郎才盡之苦。驚起欲回頭，有恨無人省，唯有重遊舊地，尋覓當初眷顧一己的繆思女神。無論身處都靈或是羅馬，人即使幾成飄緲孤鴻，曾經撼動他無數遍的巴洛克建築仍留下不可磨滅的心色密碼。解鈴還須繫鈴人，無盡圓頂弧線的視覺盛宴、足以一再打開靈魂的人文空間，成就的當然是偉大的愛情故事。既關乎穿越年齡的個體心情，最後落實的，何嘗不是相融於即善即美之境的人性和風景？心嚮往建築者必看之作。

真人真事改編，Paco 願景高尚，徹底反對消費主義過清貧的生活，妻子捱不下去中途出走，他遂強行「擄走」兩個小兒子。在廣闊的法國田野中過的，並非光明磊落的波希米亞生活，而是躲藏身份戰兢度日。十年內兒子天地為朋磨練出優秀野孩子氣質，但缺乏母愛下人格鬱結成長，父子情推至崩解邊緣。西迪克卡恩（《悔當不悔時》，34 屆）率直的鏡頭，呈現理想跟世界格格不入，苦境中本能掙扎令人想起戴丹兄弟，也有湯尼吉列夫的泥土氣味和詩意。獲聖塞巴斯蒂安電影節評審團特別獎。

My Friend Victoria (Mon amie Victoria)

La Sapienza

Wild Life (Vie sauvage)

Dir: Jean-Paul Civeyrac France 2014 95min Cast: Guslagie Malanda, Nadia Moussa, Catherine Mouchet

Dir: Eugène Green France/Italy 2014 107min Cast: Fabrizio Rongione, Christelle Prot Landman, Ludovico Succio

Dir: Cédric Kahn France 2014 106min Cast: Mathieu Kassovitz, Céline Sallette

Transposing Nobel Prize Winner Doris Lessing’s short story from London to Paris, Civeyrac continues his knack for discovering unknown young talent for the big screen. Victoria is an impoverished black girl who becomes infatuated with the wealthy white Savinet family who show her a glimmer of hospitality. A brief affair with their son Thomas leads to calamitous circumstances for the motivated yet misguided Victoria, whose tempestuous experiences are narrated by her childhood friend Fanny.

Green’s formalism and mannered, stilted performances echo the grand, inflexible structures that loom omniscient throughout his inquisitive drama. A celebrated Swiss architect and his French wife head to Italy on a research trip where they meet a young local girl and her brother, an aspiring architect. While the men continue the tour, the women remain behind, both couples slowly find an unlikely trust in each other and the opportunity to unburden themselves of lingering secrets, doubts and desires.

At first, Paco and Nora seem to have noble ideas: escaping consumer society to travel the land in idyllic freedom, raising their children with alternative values. Yet, when Nora chooses to return into bourgeois society, Paco and two of the kids flee across an underground of communes and invented lives. Following the perspective of growing children who learn to question these choices, while anchored by strong performances by Matthieu Kassovitz and Céline Sallette, the film raises haunting issues for life. 亞洲首映 Asian Premiere

27UC3M2D

29UC3E2

25GC3M3D

31MK3E1

30AC3M2D

05MK4E1

27/3（五）2:30pm UA太古城 UC

29/3（日）9:45pm UA太古城 UC

25/3（三）5:00pm The Grand GC

31/3（二）7:30pm UA Cine Moko MK

30/3（一）3:30pm 香港藝術中心 AC

5/4（日）7:15pm UA Cine Moko MK

孤島桃源

無限春光在爆 seed

火山少女

導演：佐治奧華舒韋利格魯吉亞／德國／法國 2014 100 分鐘

導演：西拿斯曹米格斯希臘／德國／荷蘭 2014 83 分鐘

導演：海魯布斯譚馬地危地馬拉／法國 2015 90 分鐘

奧華舒韋利（《鬥雞眼尋親記》，34 屆）久待的新作，卡會爆 seed 的人其實幾真性情，瑪莉就經常有少少爆，跟皮皮說要去美國，攀山涉水穿過墨西哥就到了。17 歲的羅維瓦利電影節馬上頒來最佳電影獎，他已是個作者了。家姐鬥嘴，會在高潮裏鬧爆，罵老爸也會罵到叫他返鄉瑪雅女孩瑪麗亞聽得出神，她有窮家都逃不掉的婚配，這次老人為伴煉製光影，申訴着地球村情狀。老人和孫下，至於談情說愛就更不在話下，直闖禁區。演瑪莉的對象是中年管工，她對皮皮說：「帶我去喔。」咖啡園女來到河中島，開墾玉米田，也孜孜在建屋、築堤，影演員也同一性情，去到盡，尤其肉帛相見，而且有匹配收割期一完，皮皮逃了，遺下瑪麗亞和她的腹中肉。往機繞着在變魔法，還原人和大自然的親密。河是高加索的男演員，演他男友，後來的老公。已三孩之母的瑪莉：後媽媽迫墮胎，古老風俗用盡，胎兒命硬不走，幸好媽多國的天然邊界，有巡邏大兵、戰爭槍響。異國傷兵沖「很不開心，雖然老公錫，但不想見他，孩子也不想見。」媽更愛瑪麗亞，隨遇而安吧。危地馬拉出生的導演對人來島上，撩撥起老人和女孩兩種心事。幕後也有個壯觀一下子，家庭不和、性愛不調、經濟不穩都衝上來，瑪和土地的感應靈敏，青春身體是性感敘事，火山邊緣的的電影故事，拍攝現場有七國語言，小島是人工堆積的，莉在國情和人性虛怯下大爆發，駕着 SUV 狂飆。希臘新場景硫磺味撲鼻，瑪雅傳統不是異色而是生活，來自土影像是菲林烙下的，土色質感很稀罕了。浪潮也有不走怪雞的超寫實，一樣創新出位。地的演員像一直活在影片裏。今年柏林影展競賽片。

Corn Island (Simindis kundzuli) Dir: George Ovashvili Georgia/Germany/France 2014 100min Cast: Ilyas Salman, Tamer Levent, Mariam Buturishvili

A Blast

Ixcanul Volcano (Ixcanul)

Dir: Syllas Tzoumerkas Greece/Germany/The Netherlands 2014 83min Cast: Angeliki Papoulia, Vassilis Doganis, Maria Filini

Dir: Jayro Bustamante Guatemala/France 2015 90min Cast: María Mercedes Coroy, María Telón, Manuel Antún

A Georgian parable that won the Grand Prize at Karlovy Vary and proved a critical favorite as well. On an island in a river with Russian and Georgian warriors snarling from each bank, an old man and his young granddaughter raise their crop. Until a wounded soldier is washed ashore. A symphonic construction where the mythical setting and pregnant silences say much more than its sparse dialogue, creating a film experience that soars across boundaries of time and space.

For a decade, Greece has been the symbol of myriad problems facing Europe – unbalanced budgets, failing welfare states, uneasy globalisation – creating a cauldron of anger and violence. Director and screenwriter Tzoumerkas distill these crises in the riveting figure of Maria (Angeliki Papoulia), a woman in revolt against family, society and history to demand, the right to control her own life. From its fiery beginnings through the agonizing twists and choices that follow, a film that speaks to audiences.

María, a Kaqchikel Maya peasant girl, lives with her parents on a coffee plantation at the foot of the Ixcanul Volcano. Bitten by the “grass-is-greener-on-the-otherside-of-the-mountain” bug, she befriends a coffeeharvester who wants to run to the USA. But he just gets her pregnant and disappears. Here the melodrama ends and María’s discovery of her people’s rituals and beliefs begin. Director Bustamante sets a Maya village’s rhythm of life against harsh living conditions to create a beautiful film about the gifts and tribulations of life.

國際首映

亞洲首映 Asian Premiere

International

Premiere

30MK3E2

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28MK3M3

31MK3E2

30/3（一）9:30pm UA Cine Moko MK

2/4（四）2:30pm MCL德福戲院 TC

4/4（六）8:00pm The Grand GC

6/4（一）10:00pm The Grand GC

28/3（六）5:30pm UA Cine Moko MK

31/3（二）9:30pm UA Cine Moko MK

聖堂魅影

原子心媽媽

今天無悔

導演：K.R. 曼諾伊印度 2013 115 分鐘

導演：阿里阿默扎德伊朗 2015 97 分鐘

導演：雷沙美卡尼米伊朗 2014 87 分鐘

電影大報復？非也，奪舍就真。來奪的是三級片，被奪的是教堂，兩極對壘。開場電影已死，放映機砸掉，色情影院讓路給教堂，影痴院主黯然別去。以前三級片賣錢，現在宗教賣錢。超級嚴肅的神父進駐，還有一班騎呢聚眾。吼！誰知電影還魂，一把欲仙欲死的女聲縈繞，迫得神父瘋了，去看心理醫生。背景溫馨提示：喀拉拉以前真有千多間色情影院，殖民者入口的，宗教也是。導演說，色情和宗教之間，有慾望有罪咎，彼此是個環。必看的印度片，獲喀拉拉電影節國際影評人獎。

各位伊朗電影迷，考考你們，舉出哪一部伊朗片跟這一齣相近，給你如此知性、摩登、謎樣的感覺？女子請小心，有學識有豐裕生活又如何，一旦缺乏警覺袋住先，隨時一出街已是黑色時代。她們駕車深宵夜行，接街上唯一行人表弟上車，談末世夢談起 Pink Floyd 的〈Atom Heart Mother〉，放聲隨唱〈We Are the World〉，卻遇上長相可比佐治古尼的風度神秘男人，導演暗示他是當世伊朗最重要人物，先替她們付撞車賠償費，之後無限索求。這則超現實寓言，耐人咀嚼。

是時勢選擇了他，無言的威力，足以移山填海。的士司機尤里斯載來臨盆在即的孕婦，她一條肋骨斷了，胎盆已鬆脫。她，未婚，在伊朗──罪可致死。醫院一眼認定尤里斯就是虐妻夫，不是沒有內心掙扎的，但他選擇沉默，只為陌生人。接着承受的所有，他不後悔。美卡尼米重新界定英雄，沒有大道理的呼喊，只有影像的呢喃，同理心就是面對保守與強權的最強「凶器」。影評人 Jonathan Rosenbaum 鴻文剖析精奇，更封之為伊朗大師。獲摩洛哥電影節最佳電影及最受觀眾歡迎獎。

Virgin Talkies (Kanyaka Talkies)

Atomic Heart

Today (Emrouz)

Dir: Ali Ahmadzadeh Iran 2015 97min Cast: Taraneh Alidoosti, Pegah Ahangarani, Mehrdad Sedighiyan

Dir: Reza Mirkarimi Iran 2014 87min Cast: Parciz Parastui, Soheila Golestani, Shabnam Moghadami

Two young women emerge from a circumcision party, praising the host’s flush toilet as Western civilization’s greatest invention. They get into their car, gather a male relative, lambast Tehran and bellow out “We are the World”, and smash into an oncoming car. A stranger comes to the rescue. Next he makes them pick up Saddam Hussein and tells them even stranger things. Could he be… the Devil? A wacky film and a surreal adventure that also has a place for Pink Floya’s “Atom Heart Mother”.

Iranian director Reza Mirkarimi’s humanist cinema shines in Today, an intimately observed encounter between ordinary people during a seemingly typical day in bustling Tehran. Taxi driver Youness had just ended his shift when a distraught pregnant young woman, Sedigheh, jumped into his cab, begging to be taken to hospital. Today delicately illustrates modern-day empathy: it takes us on a journey to see how a stranger – even a stoic, reluctant one – comes to aid someone at her most difficult time.

Dir: K. R. Manoj India 2013 115min Cast: Murali Gopy, Lena Kumar, Alencier Lay, Indrans

Both cinema and Christianity arrived in India deeply tinged by colonialism, yet both compete for the heart of the masses in similarly theatrical spaces even if the content of their messages may be diametrically opposed. A B-movie cinema in a village is turned into a church and becomes haunted by... the movies. Debut director K. R. Manoj poses fundamental conflicts of body, spirit, lust and guilt in a new and exciting embodiment of independent South Asian cinema.

亞洲首映 Asian Premiere

01AC4E1

03SM4M2

24GC3M3D

01TC4E1

02MK4M2D

04MK4M3

1/4（三）7:00pm 香港藝術中心 AC

3/4（五）2:45pm 香港科學館 SM

24/3（二）5:00pm The Grand GC

1/4（三）7:30pm MCL德福戲院 TC

2/4（四）2:30pm UA Cine Moko MK

4/4（六）5:15pm UA Cine Moko MK

聽水的聲音

沙漠小野狼

石頭不會忘記

導演：山本政志日本 2014 129 分鐘中文字幕

導演：那智阿布諾華約旦 2014 100 分鐘中文字幕

導演：蘇卡阿敏哥奇庫爾德／德國 2014 97 分鐘

無邪童顏、壇蜜式無染黑髮、長今韓服，再以「阿呢哈些唷」讀出讖文，日韓混血美少女敏貞摸清日本人的迷信心理，食準 K-Pop 韓劇征服大和文化的歷史契機，從街邊睇掌妹上位成「神水教」教主，追隨者樂於奉獻真金白銀。好食懶飛日籍父親賴死唔走，明言「父債女償」的黑道債主步步進迫。呃神騙鬼的敏貞會得到真神庇佑，還是慘遭蹂躪？高潮一幕甚有英瑪褒曼《處女之泉》意味。在日韓國人是大島渚及崔洋一的拿手題材，但韓國今已成強國，對照也是頗堪玩味的。

Theeb 是狼的意思，1916 年狼孩未熟時，與哥哥胡森相依為命，學習沙漠道理，英國士兵與阿拉伯隨從到來，要胡森帶他們去找鄂圖曼帝國鐵路旁的一口井，Theeb 不想被撇下，吊着尾，結果一起遇上伏擊，他要迅速成長，無情炮火轟開血液裏的狼騰印記。英國出生的那智阿布諾華也是無懼小狼，用了四年完成首部長片，回到祖籍地約旦沙漠拍攝（《沙漠梟雄》亦在此取景），以小孩心性和目光，在歷史不留痕的沙上重建失落的遊牧民風和天地意志。獲威尼斯影展地平線最佳導演獎。

薩達姆禁電影 30 年，他倒台後，庫爾德人拍戲由零再起步，哥奇拍了兩得獎作，苦頭吃盡，一身經歷，化成創作。電影故事由電影發燒友開始，兩死黨要拍和平後第一戲，就直擊大屠殺吧。找上樂壇天王很順利，家人卻不要女角拋頭露面，去伊朗偷運一個回來，又被大發現。辛苦開戲了，天王太 chok 點算？女角未婚夫日日監管，連手仔都勿近。跟住錢唔夠，報復又在後頭。眼看唯一戲院也變餐廳，電影還可以怎樣？關關難過，衝得頭崩額裂。獲阿布扎比電影節最佳阿拉伯電影獎。

The Voice of Water

Theeb

Memories on Stone (Bîranînên li ser Kevirî)

Dir: Yamamoto Masashi Japan 2014 129min Cast: Hyunri, Shuri, Murakami Jun

Dir: Naji Abu Nowar Jordan 2014 100min Cast: Jacir Eid, Hassan Mutlag, Hussein Salameh, Jack Fox

Dir: Shawkat Amin Korki Kurdistan/Germany 2014 97min Cast: Hussein Hassan, Nazmi Kink, Shima Molaei

The latest from Yamamoto Masashi, a pioneer in Japanese independent cinema, is a scathing dissection of modern-day religion and true faith. Fronted by a young Korean woman, Minjon, “God’s Water” is a phony cult, intent on milking its vulnerable followers of their cash. But the arrival of her errant father - on the run from violent loan sharks - throws the young leader into a crisis of conscience, which sends her disciples, and the PR gurus pulling the strings behind her, into disarray.

What if Lawrence of Arabia followed the young boys Lawrence adopts and loses in desert wars? In this beautiful, tender story of two Bedouin brothers caught in global conflicts among Britons, Ottomans and Arabs during World War I, breathtaking scenery and powerful events are complicated by the affection and loss of young men coming to grips with a changing world where their lives as guides for pilgrims to Mecca will disappear. A rare chance to see the skills and beauty of Jordanian cinema.

What do we know about Kurdistan? That Kurds have battled Turks, Iraqis and Europeans to be a nation? That Iraqis destroyed 90% of their villages and killed tens of thousands in the 1980s? This film asks how a film crew can tell these stories in contemporary Kurdistan, facing issues posed by the weight of history and the flows of culture (making it difficult to find a heroine for the film at all). A complex portrait of layers of culture and representation in a little-known area central to contemporary global issues.

亞洲首映 Asian Premiere

29MK3E1

01MK4M2D

24GC3E1

30GC3M3D

30MK3M3D

01MK4E2

29/3（日）7:00pm UA Cine Moko MK

1/4（三）2:30pm UA Cine Moko MK

24/3（二）7:15pm The Grand GC

30/3（一）5:00pm The Grand GC

30/3（一）5:00pm UA Cine Moko MK

1/4（三）9:30pm UA Cine Moko MK

失魂谷

偽娘捉鬼記

闇鬥士幽靈谷

導演：加桑沙赫黎巴嫩／法國／德國 2014 135 分鐘

導演：劉城達馬來西亞 2014 93 分中文字幕

導演：圖亞菲沙新西蘭／英國 2014 108 分鐘

又玩失憶？唔好啩。壞人失憶變好人，仇人失憶變愛人，愛人失憶成陌路人，今時今日影迷失憶怕怕。夾在《山》及《河》中間的第二部曲舊瓶盛新酒，中東新美學向言情奇情說拜拜，沙赫只是將失憶漢子放在黎巴嫩渺無人煙的貝卡谷，再交到法外之徒手上。他策略有兩個，全程拍人在處境，沒有全知解話，其次超敏感聲效協助敘事，是隔絕環境中耳朵之旅，聽到看不見的戰機，也聽到心跳。神奇是這樣子戰爭背景十足張力的劇情，竟然不是荷里活的氣味，摩登詩意取代一切老土的可能。

黑麻麻，有隻冒牌鬼！黑色不只是夜晚的顏色，還是村《魔戒》虛構幻想，這一部有根有據；荷里活會變米路吉民口中妖魔的膚色。一切都是老爺為了女兒把森林的白遜講英文扮土著，這裏絕對毛利的語言、土地和神話。屋搬到城裏去惹的禍！陸上行舟似的苦力還是其次，屋有土著血統的導演，更想呈現毛利口傳故事的形神。酋子鬧鬼傳聞才令村民心大心細，一日數驚。遇上無恥政長之子報父仇，追至幽靈谷，敵眾我寡，祖母幽靈指點，客入鄉求票，再失驚無神闖入黑種移民，被誤認鬼怪，着他找大戰士，可大戰士半神半魔，不小心會變他的晚還掀動搞基疑雲，大家喬裝女人齊齊令當事人變大頭佛。餐！電影有三看點，一是珍貴毛利傳統，小至首飾羽毛導演首作《口袋裏的花》（32 屆）教國際驚艷，冷不防裙都搶眼；二是演員勇猛逼真演繹；三是首度銀幕曝光幽默爆炸，以笑聲反諷宏觀時局兼微觀政治，不避胡鬧的毛利武功利落好看。多倫多電影節首映哄動影評界，挑戰政治正確，俗中見雅，盡顯藝高人膽大。獲布里斯班電影節最受觀眾歡迎獎。

The Valley (La Vallée)

Men Who Save the World

The Dead Lands

Dir: Ghassan Salhab Lebanon/France/Germany 2014 135min Cast: Carlos Chahine, Mounzir Baalbaki, Fadi Abi Samra, Carole Abboud

Dir: Liew Seng Tat Malaysia 2014 93min Cast: Wan Hanafi Su, Harun Salim Bachik, Azman Hasan, Azhan Rani

Dir: Toa Fraser New Zealand/UK 2014 108min Cast: James Rolleston, Lawrence Makoare, Te Kohe Tuhaka

The Bekaa Valley – fertile heartland for war-torn Lebanon, where inhabitants of many religions and cultures cultivate grain, wines and occasionally, drugs. In this sequel to esteemed Lebanese director Salhab’s The Mountain (2010), the arrival of a mysterious stranger, bloodied and amnesiac, sets in motion a chain of questions on an equally secretive farm, while the sounds of war resonate from beyond this bucolic setting. An intense, rewarding film whose beauty and subtlety provides another chapter to Salhab’s powerful trilogy.

Liew paints a lighthearted picture of rural contemporary Malaysia in his latest comedy, playing fast and loose with race, gender and sexual politics in this isolated corner of society. As a wedding gift for his daughter, Pak Awang (Wan Hanafi Su) enlists a group of friends to help him bring an abandoned house out of the forest and back to their village. But panic breaks out when they mistake an escaped fugitive, hiding out in the derelict abode, for a demon.

A pulse-pounding action epic, The Dead Lands transports audiences back to pre-colonial New Zealand where Maori tribes, bridled by superstition and honor, fought viciously for control of the territory. When his entire clan is massacred by a stronger tribe, chieftain’s son Hongi turns to a mysterious warrior to help him avenge his ancestors. Recapturing the spirit and breathless pacing of Mel Gibson’s Apocalypto, Toa Fraser’s breakout feature resurrects an ancient, once-formidable culture in ferociously effective fashion.

亞洲首映 Asian Premiere

03GC4P2

06GC4P1

24IS3M1D

3/4（五）10:45pm The Grand GC

6/4（一）8:00pm The Grand GC

24/3（二）12:30pm 5/4（日）9:30pm UA iSQUARE IS UA Cine Moko MK

05MK4E2

亞洲首映 Asian Premiere

26UC3M3D

29UC3M2

26/3（四）4:45pm UA太古城 UC

29/3（日）2:00pm UA太古城 UC

一個人自由野

臭皮囊

押奴記

導演：奧利耶華挪威 2014 80 分鐘

導演：瑪歌莎堤蘇慕絲嘉波蘭 2015 88 分鐘

導演：雷杜祖迪羅馬尼亞／保加利亞／捷克 2015 108 分鐘

也是自導自演，精彩傳神，不過是《發夢王大歷險》現實版，對在地的我們更能悲喜入心脾。平庸男工作疏離，婚姻生活已無漣漪，周末野外跑是挪威振奮靈性的指定動作，那就起跑吧。帶着內心獨白，沒有旁人眼睛，腦海沒有審查，暴走兩天。思緒很多三級，很多自戀，粗鄙也免不了。做隻鼠做隻鷹不要做老公！詛咒完人生，大自然叫他反省，舊事新愁，忽然有另種體會，再有出軌機會，人生軌道眼看要變了，可惜……旅程完了要回家，人像換了，又好像不，明天還會一樣否？

屍體身體靈體，分別是他們仨的生命密碼。死因裁判官贊祿西要把屍體逐寸剖析，辨屍能力高強，卻無法看透女兒奧嘉。奧嘉一直怪爸害死媽，厭食自主一個瘦瘦的身軀，但這訊息爸看不懂，爸把她交托給心理治療師安娜。孤獨安娜有大狗為伴，她眼能見鬼，自覺可通靈，這天，她安排奧嘉一家陰陽相會。波蘭電影接棒人蘇慕絲嘉的取材次次都很新奇，前作《鄉村神父的私情》（37 屆）破解宗教同性愛禁忌，這次給現代寂寞人的身體解密。影片打入柏林影展角逐金熊獎。

羅馬尼亞，1835 年，父子受命於貴族來到華拉茨亞地區，捉拿跟貴族妻子有染而亡命的吉卜賽奴隸。巴爾幹蠻荒追趕碰跌，走出一個時代奧德賽，土耳其俄羅斯羅馬尼亞匈牙利基督徒猶太人傲慢偏見代代相傳紛雜相處。看得見的種族騷動，也有不彰顯的二元思維，要兩性、兩代、及主奴情理關係勇敢面對面。片名是土耳其語喝采的歡呼，我們看見導演雷杜祖迪不徐不疾的氣度，黑白攝影下視覺質感分明，假托無賴小說、野史及西部片的精神面貌，既古風又現代並行，bravo ！

Out of Nature (Mot Naturen)

Body

Aferim!

Dir: Ole Giæver Norway 2014 80min Cast: Ole Giæver, Marte Magnusdotter Solem, Slvert Giæver Solem

Dir: Małgorzata Szumowska Poland 2015 88 min Cast: Janusz Gajos, Maja Ostaszewska, Justyna Suwała

Dir: Rodu Jude Romania/Bulgaria/Czech Republic 2015 108 min Cast: Teador Corban, Mihai Comanoiu, Cuzin Toma

The young father is bored. BORED. With his work and colleagues. With his wife in their home. Even with his days passed staring out the window at other people. A weekend with nature, by himself, holds the promise of time to think and to recharge… even more so when he runs into an attractive young woman at the lodge. Ole Giæver provides tender laughs as both actor and director in this sprightly Norwegian comedy.

Detective Janusz has seen it all. A dead body suddenly gets up and walks away, and he doesn’t even blink an eye. But he is helpless when faced with his anorexic daughter Olga who cannot stop grieving for her dead mother. Then there’s Anna, the helpful psychologist who also communicates with the dead. A complex story about the longing for security with insights into the limits of the rational mind and the appeal of the supernatural, while remaining firmly on human grounds and with a sense of black humor.

Few period films have reached such heights in re-creating history with both ingenuity and authenticity. Set in mid19th century Wallachia, a constable and his son go in search of a runaway Gypsy slave who has jumped the boyar’s wife. Their picaresque journey reveals a time of immeasurable injustice rife with prejudices, ignorance and cowardice, though precarious existences are often peppered with colorful jokes and wisecracks. By the time the boyar parcels out justice, no audience will be shocked by either cruelty or the limits of human kindness.

亞洲首映 Asian Premiere

30UC3E2

05AC4M3

27UC3M3D

29UC3E1

25MK3E2

01TC4M2D

30/3（一）9:45pm UA太古城 UC

5/4（日）5:35pm 香港藝術中心 AC

27/3（五）4:45pm UA太古城 UC

29/3（日）7:00pm UA太古城 UC

25/3（三）8:30pm UA Cine Moko MK

1/4（三）2:15pm MCL德福戲院 TC

蘇維埃的美麗任務

不死明星夢

生之欲

導演：阿歷斯費多真高俄羅斯 2014 113 分鐘中文字幕

導演：安娜美妮琪安俄羅斯 2014 134 分鐘中文字幕

導演：朴庭凡南韓 2014 175 分鐘中文字幕

1934 年西伯利亞奧比河區發生了卡濟姆暴亂，原住民族寧死不屈反抗共產黨。費多真高（《草原上的極樂女子》， 38 屆）對政治大軍壓境沒有興趣，而是看中藝術家先頭部隊，讓他演繹出因藝術之名的山中傳奇。漂亮的「革命女」波莉妮受命傳播新生社會主義意識形態，同行有劇場、電影工作者，又有建築師、雕刻家及作曲家，費多真高隔代師承帕拉賈諾夫，當理想主義的蘇維埃前衛派遇上硬骨頭古早的異教主義，碰撞出一場無神有神的美學大戰，山川秀色中藝術之心澄明感染，奇觀不絕。

美少女要實現明星夢，她很清楚那個遊戲規則，執勻全身過關斬將去。她天真的以為身旁美少年為她偷錢，但他其實是個老竇有福不給享的有錢仔。有錢仔的後母認錢不認人，死到臨頭才發現世間有愛。今日的灰姑娘不是老套童話，她要逐夢，不在乎身邊是否有個王子，她更像艾慕杜華的角色，扭曲現實去迎合自己。三個酷弊的主角只要兜轉鏡頭前，就會有出位戲，不是她怪或她壞，就是他會反。一股俄國新風，反轉期望享受清新自由。獲索契電影節最佳導演及最佳女演員獎。

天要絕人，人還可以怎樣？正哲的答案是：寧死不屈。人窮，最慘災星降，他家給洪水沖破，那睡帳篷吧，然後總為築家忙，家人卻只懂築夢。家姐不自殘就去發明星夢，甥女夢想彈琴，老友想用孵蛋器發達。他打工，薪水遭騎劫，衝天幹勁終有老闆賞識，天又要他犯大錯。一人扛起整頭家，真沒法子了。甥女說上帝已死，偷了教堂獻金。朴庭凡（《寡佬非人日記》，35 屆）讓窮活得光明磊落，開闢南韓片新境，一片稱奇之聲。長鏡頭的美和自然，給邊緣人一個永恆的讚，亮眼得不朽。

Angels of Revolution (Angely Revolyutsii)

Star (Zvezda)

Dir: Aleksei Fedorchenko Russia 2014 113min Cast: Daria Ekamasova, Oleg Yagodin, Pavel Basov, Georgy Lobadze

Dir: Anna Melikian Russia 2014 134min Cast: Tina Dalakishvili, Severija Janusauskaite, Pavel Tabakov

Alive (Sanda) Dir: Park Jung-bum South Korea 2014 175min Cast: Park Jung-bum, Lee Seung-yeon, Park Myung-hoon

In his Celestial Wives of the Meadow Mari (38th), Fedorchenko celebrated the traditions of the Mari Siberia who resisted European integration with lively sexuality. Now, working with (and beyond) and historical crises of the Kanty and Nenet peoples in the 1920s and 1930s, he explores the uneven struggle between Soviet cultural power – embodied by dissident artists and writers – and popular traditions across a beautiful yet fragmented landscape of knowledge and rights that reverberates with contemporary struggles worldwide.

Fate brings three disparate lives together in this comedy-drama about big dreams and bigger realities. A misunderstood 15 year-old boy and his arrogant stepmother find their lives changed by Masha, a young wannabe actress who arrives in the big city chasing dreams of stardom. Lacking talent but not optimism, Masha brazenly chooses plastic surgery as a means to get ahead. Won Best Actress and Best Direction at Sochi Open Russian Film Festival.

Four years after his phenomenal debut, The Journals of Musan (35th), Park Jung-bum continues to astound as director, writer and star of his second feature. A heartrending but delicate portrayal of poverty, mental illness and survival in a wintry mountain village, Alive is the story of Jeong-cheol, a marginalized laborer who struggles to care for his mentally unstable sister and her young daughter. Park’s gripping performance as a man wrestling with his misfortunes speaks to the power of human integrity against all odds.

亞洲首映 Asian Premiere

04MK4E1

06MK4M2

25UC3E2

05TC4M2

4/4（六）7:15pm UA Cine Moko MK

6/4（一）2:00pm UA Cine Moko MK

25/3（三）9:00pm UA太古城 UC

5/4（日）2:30pm MCL德福戲院 TC

戀戀棋盤

性本無言

導演：金俊杓泰國美國印尼 2015 80 分鐘

導演：M. 史拉波殊皮斯基烏克蘭 2014 130 分鐘中文字幕

棋盤的黑白很分明，但曼谷少年從棋盤學會的成長，是灰色一大片。少年有點像牯嶺街的小四，但這裏的現實複雜得多，母親早逝，父親在經濟起飛中祭了旗，他在相依為命的哥身邊轉呀轉，哥的摩托、哥工作的酒吧、哥的有錢男友，最後是哥的兵役，組成他的世界。一切都荒謬，兵役也是，抽籤決定的，他以為用棋藝對付現實，能解哥的困厄，就這招：搶先對手兩步！誰料局終於贖不了的罪。泰國很異色，人妖也去服兵役，大愛和天堂彷彿不遠，但現實是和着血吞的，是個煉獄了。

烏克蘭導演懷抱電影，找來失聰非職業演員演繹沒有言語、毋須字幕的純電影世界，形式極端超乎想像。但別擔心，你看不懂手語的囉囉攣很快消失，專注便是解脫，聾演員型爆的身體語言就是補償。寄宿新生撞正聾學生犯罪集團，在羞辱與拳頭中一步步上位，卻卡在賣肉女生的激情中。青春在殘酷呼嘯，動作在長鏡頭迸發，暴力、性愛以至墮胎場面，都原始潑辣，力破銀幕的那聲嘶叫更顯言語累贅。康城影展最大開眼界的出位話題作，連奪影評人周最佳電影大獎等三獎。

How to Win at Checkers (Every Time)

The Tribe

Dir: Josh Kim Thailand/USA/Indonesia 2015 80min Cast: Ingkarat Damrongsakkul, Thira Chutikul, Toni Rakkaen

Dir: M. Slaboshpytskiy Ukraine 2014 130min Cast: Grigoriy Fesenko, Yana Novikova

11-year-old Oat was orphaned at a young age. He looks up to his older brother, the confident, motorcycleriding Ek, who is not shy about his relationship with his wealthier boyfriend Jai. Together the siblings live a frugal but happy life under the care of their superstitious aunt... until the day when Ek turns 21 and must face the Thai military draft. The game of checkers that the brothers play become much more than a pastime in this nostalgic and touching first feature.

Gangs, prostitution, love and betrayal in high school – but so much more. Winner of the Critic’s Week Prize at Cannes, Slaboshpytskiy’s inventive and demanding opus, set in a Ukrainian school for the deaf, confronts the audience entirely in sign language without subtitles and non-verbal cues that force them to see the movie with new senses. Meanwhile we are drawn ever more deeply into the story of Sergey as he moves from new student to insider to challenges about love and life that reshape his world.

Film+

大話迷宮 Labyrinth of Lies (P.89 頁 ) 24/3( 二 ) 2:00pm The Grand Cinema 嘉賓講者：登徒 ( 影評人 ) Guest Speaker: Thomas Shin (Film critic)

Post-screening Talks 放映 + 導賞

「Film+」由香港國際電影節協會主辦、創意香港資助，從本屆國際電影節節目中挑選五場放映，各場預留部份門票，免費派給事先登記的中學及大專學生，並於放映後設映後談環節，邀請影評人及導演與學生交流，亦歡迎現場觀眾參與。

原住民的異鄉 Charlie’s Country (P.31 頁 ) 30/3( 一 ) 2:15pm The Grand Cinema 嘉賓講者：周思中 ( 影評人 ) Guest Speaker: Chow Sze Chung (Film critic)

狗眼看人間 White God (P.19 頁 )

With financial support from Create Hong Kong, the festival has selected five films and reserved a number of tickets for each public screening for free distribution to secondary and university students. All screenings are subtitled in Chinese and will be followed by post-screening discussions (in Chinese).

31/3( 二 ) 2:00pm UA iSQUARE 嘉賓講者：陳志華（影評人） Guest Speaker: Ernest Chan (Film critic)

少年 * 小趙 A Young Patriot (P.12 頁 ) 1/4( 三 ) 5:30pm 香港科學館 Hong Kong Science Museum 導演杜海濱將出席與觀眾見面 This screening will be attended by director Du Haibin

蘋果核戰：Alpha Appleseed Alpha (P.96 頁 ) 3/4( 五 ) 2:30pm MCL 德福戲院 MCL Telford Cinema 導演荒牧伸志將出席與觀眾見面 This screening will be attended by director Aramaki Shinji 報名詳情： • 歡迎各中學老師以學校名義報名。報名及查詢電郵：outreach@hkiff.org.hk。 • 全日制大專學生可於即日起將姓名、電話、所選場次、就讀院校，電郵至 outreach@hkiff.org.hk 登記。主辦機構保留一切最終決定權。截止登記日期：3 月 9 日 Registration for Screenings: · Registration for eligible full-time secondary students should be made through their schools to outreach@hkiff.org.hk · Registration for eligible full-time students at tertiary level education institutions in Hong Kong should send email with name, phone number, selected screening, school attending to outreach@hkiff.org.hk · A confirmation email will be sent to successful schools and/or applicants. We reserve the right of final decision in case of disputes. Deadline: 9 March 主辦 Presenter

資助機構 Financially Supported by

國際首映 International

Premiere

德意志豐收年

25IS3M3D

30UC3E1

25/3（三）5:00pm UA iSQUARE IS

30/3（一）7:15pm UA太古城 UC

圍牆倒下時

C ER IN M EM AN A NO W

導演：安德亞斯卓辛德國 2015 117 分鐘

我要見經理 (P.13) I Want to See the Manager

城市淪落，家不成家，經歷柏林變天的德國人早已深刻體會。1989 年圍牆倒下，政治真空，舊價值觀崩潰，新的卻未能建立。入世未深的五位少年可以怎樣迎接前所未見的無政府狀態，適應空前巨變？前作《生命的軌跡》已盡顯才華的安德亞斯卓辛，嘗試透過前人鮮有觸及的後圍牆一代感性，直刺經濟至上的新自由主義死穴。講金不講心，他們的友情可會遲早變得薄如蟬翼？幸好破字當頭立在其中，最壞的時刻，只要努力，到頭來便是最好的時代。新鮮熱辣打入柏林影展角逐金熊獎。

As We were Dreaming (Als wir träumten) Dir: Andreas Dresen Germany 2015 117min Cast: Merlin Rose, Julius Nitschkoff, Joel Basman, Ruby O. Fee

Adapted from the award-winning novel by Clemens Meyer, As We were Dreaming charts the story of five childhood friends who hit adolescence precisely as the Berlin Wall comes down and their hometown of Leipzig becomes pivotal in the fall of Communism. Beyond dealing with the everyday pains of love, success and searching for meaning, these emergent adults must wrestle with a whole new identity as exposure to the West opens up all number of temptations, torments and troubles. Offical Competition, Berlinale.

大地之鹽 (P.25) The Salt of the Earth

亞洲首映 Asian Premiere

從卡里加利到希特拉 (P.105) From Caligari to Hitler 卡里加利博士 (P.114) The Cabinet of Dr. Caligari 德州巴黎 (P.115) Paris, Texas 30SM3E2

02SP4M1D

30/3（一）9:15pm 香港科學館 SM

2/4（四）2:30pm 香港太空館 SP

愛很硬導演：羅剎馮邦函德國 2015 89 分鐘

安迪贏過空手道世界冠軍，歐洲賽 15 連冠，不過他無敵，不只空手道，更有龜公界，龜公他做了 20 年，心狼手辣，操控妓女前後三百，月入至十萬歐元。傳奇中的傳奇，拍個紀錄片不夠，貪心的導演將半部戲用演員風格化重演，真假相間，弄出更黑色人生。年輕的安迪 cool 得像石頭，一切無感。三歲定八十，原來有因。如果說他爸弄死他殘忍，也不及六歲時他媽開始的性侵。從此植入思維：女人可恨。因為好打得，安迪在龜公界闖出名堂，直至遇上 16 歲的瑪莉安，他如今的伴侶。

Tough Love (Härte) Dir: Rosa von Praunheim Germany 2015 89min

Supported by

全力支持

導演演員將出席與觀眾見面 This screening will be attended by the director and/or actors

German gay activist filmmaker Rosa von Praunheim continues the examination of sexuality, gender and power he has built across 70 films. Here, he introduces us to a loving provincial judo coach and his partner, only to reveal the brutality that shaped them both – savage abuse, sexual and physical, cruel displacement of feelings into pimping, violence and prostitution and a slow, tortured path to new lives. As modern interviews and painful reconstructions intertwine, we are drawn into and through their worlds into a new empathy.

國際首映

亞洲首映 Asian Premiere

International

Premiere

亞洲首映 Asian Premiere

26UC3M2D

05GC4E2

24GC3P1

28GC3P2

27MK3E2

29GC3M3

26/3（四）2:00pm UA太古城 UC

5/4（日）9:30pm The Grand GC

24/3（二）8:00pm The Grand GC

28/3（六）10:15pm The Grand GC

27/3（五）9:40pm UA Cine Moko MK

29/3（日）5:40pm The Grand GC

柏林驚魂夜

女僕與女王

空山鳥啁啁

導演：薩巴斯蒂安舒普德國 2015 140 分鐘

導演：恩高哈布德國 2014 90 分鐘

導演：添高格德國 2014 81 分鐘

夜未央，西班牙少女維多利亞在夜店門外搭上她的四大天王。流星花園般的浪漫？別開玩笑了，說勝利女神獵食也沾不上邊。酒不醉人自強，但證明存在的方式難道始終訴諸逞一時之快？演員導演舒普自編自導，把自己對城市的熱情反其道表現，型女酷男在百分之二百的風格影像中如穿花蝴蝶，帶領觀眾出入柏林大街小巷，飽嚐死暗幽谷的人性反照，是與非準在意料之外扭轉。很快發現，在夜深深處的柏林，才是電影義無反顧擁抱的主角。剛入圍柏林影展角逐金熊獎。

打掃女工琳性格內向不要愛情，偷窺好過浪費時間來真，沒有朦朧情慾對象又如何，躲在酒店房床底下探聲色慾望，赤踝皮鞭高跟鞋黑絲襪，終於遇上令她心動的金髮虐待女王莎拉，是時候脫離眼看手不動的階段嗎？恩高哈布從布紐爾《青樓紅杏》走到蔡明亮《愛情萬歲》再到《接近無限溫暖的藍》，由身體到心性，琳與莎拉開始交流、交替，基因再組，然後像恢復過來，做回獨立的自己。「清潔之美在於它準會回歸到污糟」，這不只是琳的對白，還是哈布這個誘惑故事的情理結構啊。

1929 年，德國。保羅與妻子離開柏林到深山去，尋找失意的作曲家好友薜夫曼，行行重行行，找着的已是嚴重抑鬱，失去溝通意願，精神恍惚的陌路人。保羅下山找醫生，留下妻子照顧薜夫曼，卻想不到，這個別離，卻約定在彼岸他方才能重聚。他們皆執着腦海裏的音符，在大自然四時不善意的新浪漫主義畫意中，在馬勒、費茲納及華格納世外氣息配曲下，脫離文明走進人心迷離。這部竟然是電影系學生的畢業作，長鏡頭的場面調度已是大將風範，添高格這個新丁名字要記住。

Victoria

The Chambermaid Lynn

The Council of Birds (Zerrumpelt Herz)

Dir: Sebastian Schipper Germany 2015 140min Cast: Frederic Lau, Laia Costa, Franz Rogowski, Burak Yigit

While dancing through Berlin’s club scene, young Victoria meets Sonne and his three friends. Sonne and Victoria’s sweet flirting is cut short, and the night soon turns sour: his friends have a shady scheme to pay off an old debt, and chose Victoria to be their driver. Actordirector Schippper’s able camera seamlessly weaves various times and locations into a breathless journey through bleak urban streets, placing the audience right within the action of this darkly dramatic, cinematic feat. Offical Competition, Berlinale.

Dir: Ingo Haeb Germany 2014 90min Cast: Vicky Krieps, Lena Lauzemis, Steffen Muenster

Dir: Timm Kröger Germany 2014 81min Cast: Thorsten Wien, Eva Maria Jost, Daniel Krauss

Lynn (Vicky Krieps) is a timid and obsessive-compulsive woman who loves working as a hotel room cleaner. While she seeks comfort and safety in objects, routines and surroundings, she’s also fascinated by the lives of guests: she spies on them by hiding under the bed. Her encounter with blond dominatrix Chiara during a spying episode will slowly draw Lynn out of her shell. Writer-director Ingo Haeb’s novel adaptation is a tender chamber play about a woman’s awakening to intimacy, human relationships, and even love.

Music, mystery and high Romanticism in the majestic forests of Weimar Germany. Three young companions respond to the invitation of a secretive composer, only to find the sylvan house practically abandoned, except for the dog. As they take up various tasks, the composer returns, silent and feverish. The four characters act out this minor-key drama about the discovery of self and surroundings, played to the music of Mahler, Wagner, and Hans Pfitzner, and the strikingly textured visuals of light filtering dense foliage.

亞洲首映 Asian Premiere

24GC3M2D

26GC3E2

28MK3M2

31GC3E1

27GC3E1

29IS3M3

24/3（二）2:00pm The Grand GC

26/3（四）9:30pm The Grand GC

28/3（六）2:30pm UA Cine Moko MK

31/3（二）7:30pm The Grand GC

27/3（五）7:15pm The Grand GC

29/3（日）5:00pm UA iSQUARE IS

大話迷宮

火鳳凰

苦路上的女孩

導演：古利奧里奇亞雷尼德國 2014 123 分鐘中文字幕

導演：基斯頓柏索德國 2014 98 分鐘中文字幕

導演：德烈布魯格曼德國 2014 107 分鐘中文字幕

只是打份工，扑頭殺人便沒有罪？平凡人的邪惡，令集體沉默集體講大話。二戰後那些年，德國人對甚麼集中營一概懵然，我們的主角，年輕的檢控官打開了缺口：倖存者登門，認出了在奧斯威辛施酷刑的納粹軍；納粹黨人掩飾罪行，在當教師。聽到「受害人千千萬萬」，檢控官為之目瞪口呆，往後是場硬仗，不只面對八千戰犯、 60 萬個美軍檔案，更有上司同儕阻撓：難道要人人都質問父親是否殺過人？這段改寫德國歷史的真人真事，重要性猶甚於紐倫堡審判，劇力萬鈞牽動着義憤的心。

妮莉捱過集中營，臉卻捱不住酷刑毀了，醫生說，換張臉有好處的。一句安慰的話，原來是真的。面孔浴火再生，內心卻沒有，據說，丈夫出賣她，她不信。叫火鳳凰的夜店內，妮莉找到他，他但覺面善，叫她假扮妻子，騙走妻家家財。她，惶恐中，開始扮自己。結尾很震撼，電影彷彿為這一刻存在。領軍《三生組曲》（36 屆）的柏索，人稱德國新電影教父，他很清楚怎樣叫電影呼吸，掌控能力超乎常人。電影手法，像再生希治閣，或者方朱，都高手。獲聖塞巴斯蒂安電影節國際影評人獎。

第一場：年輕神父帶領最後晚餐，訓詁的門徒是六個小孩，給灌輸耶穌苦路 14 處的意義。布魯格曼「挑戰」德萊葉 1954 年的《諾言》，Hammershoi 的宗教寧謐畫風，被灰藍調、達達主義幽默佔領。全片實在是少女瑪利亞的苦無出路 14 場，幾乎都是紋風不動的長鏡頭，她在母親嚴格家訓下，在神聖愛與人間愛之間煎熬；她詢問神父，只獲得那些堅定不移的永恆答案。布魯格曼酷鏡頭寫照無形苦，政治立場也是美學宣言，他曾叫柏林學派去死，討厭那迂迴、柔性的風格。

Labyrinth of Lies

Phoenix

Stations of the Cross (Kreuzweg)

Dir: Guilio Ricciarelli Germany 2014 123min Cast: Alexander Fehling, André Symanski, Friederike Becht

Dir: Christian Petzold Germany 2014 98min Cast: Nina Hoss, Ronald Zehrfeld, Nina Kunzendorf, Trystan Püttler

Dir: Dietrich Brüggemann Germany 2014 107min Cast: Lea Van Acken, Franziska Weisz, Florian Stetter

In the aftermath of the Second World War, a generation of newly democratised Germans were growing up unaware of the horrific crimes committed by their countrymen, or even the existence of concentration camps such as Auschwitz. That is, however, until an idealistic young prosecutor sought to bring 8,000 Nazis to justice. Directed by Italian actor Giulio Ricciarelli, Labyrinth of Lies dramatises one of the most pivotal legal cases in modern German history in riveting, unflinching fashion.

A powerful exploration of Germany after World War II. Nelly (Nina Hoss), is not only a Holocaust survivor but also deeply disfigured, and must try to reconstruct her life anew, like the broken country around her. Her first task is finding her husband, which, in turn, means posing questions about their life whose answers she may not want to know. From the breakout director of Jerichow (2008) and Barbara (2012) a film of profound questions for contemporary Germany.

Framed by devotions of Catholics worldwide on the path of Jesus to the cross, Brüggemann’s stylized film creates 14 moments of cinematic meditation, shot in fixed-camera long shots. We follow the story of Maria, grappling with a dogmatic family and priest and inklings of friendly adolescent temptation (rock music) as she seeks sainthood for the sake of her youngest brother. A brooding condemnation of rigid belief, nuanced by occasional humor and the compelling performance of ingénue Lea van Acken.

亞洲首映 Asian Premiere

24IS3E1

26IS3M2D

24/3（二）7:30pm UA iSQUARE IS

26/3（四）2:30pm UA iSQUARE IS

我們

導演：艾凡哥林以色列 2014 90 分鐘

YO C U IN N EM G I A SR AE

以色列新世代

在以色列南部的憂鬱城市阿舒克隆，公屋一家四人：母親酷，大仔傲，細仔憤，孫女叛。問題的核心是史諾米，作為么仔、弟弟，也是十歲女兒露兒的父親，三個血緣身份他怎努力都做不好，大抵他歸咎妻子背叛遠去，令他失去作為丈夫的第四個身份。憤世嫉俗背後，實在是軟弱逃避，他怕見拉比，不敢為女兒出頭。艾凡哥林首作鏡頭精簡踏實，敘事率直簡樸，對準家庭戲劇裏相處的心結，認清眼前現實和身邊關係，慢慢甦醒過來找那男人真膊頭。

Ben Zaken Dir: Efrat Corem Israel 2014 90min Cast: Rom Shoshan, Eliraz Sade, Mekikes Ronen Amar, Chani Elemlch

Shlomi Ben Zaken is a single father who lives with his mother and brother in a depressed housing project. He tries to raise his troubled 11-year-old daughter Ruhi, but his night shift and lack of further job prospects encapsulates the lives of generations of immigrants who long to break out of their cycle of poverty. Only when he is separated from Ruhi does Shlomi understand what it truly means to be a parent. Filmed with authenticity using non-professional actors, Ben Zaken is a sympathetic and well-observed slice-of-life.

24IS3M3D

01GC4E2

24/3（二）5:00pm UA iSQUARE IS

1/4（三）9:45pm The Grand GC

愛詩誘罪導演：拿達夫拉比特以色列法國 2014 120 分鐘

她自我介紹，帶自卑說是幼稚園教師，其實是個愛詩成痴的沉悶中產，打抱不平，或間中出軌，都是詩。她忽然認定人生使命，是保護五歲的小詩人尤夫。在她眼中是發現了莫扎特，認為當今以色列正處於背棄詩的年代，她以詩人的私人秘書助理保母保鑣天使自居，不擇手段不讓小詩人天才埋沒，不惜要他遠離父親影響。拉比特明白這是個純情中帶扭曲邪氣「不倫愛」的故事，憑藉貼近小孩高度的敏感視覺，凸顯成年世界冷的暖不了的神經質。同場加映導演同年短片《為何》。

The Kindergarten Teacher Dir: Nadav Lapid Israel/France 2014 120min Cast: Sarit Larry, Avi Shnaidman, Lior Raz, Hamuchtar

導演演員將出席與觀眾見面 This screening will be attended by the director and/or actors

Where does poetry come from? How does it change people and lives? The marvelous creations of 5-year old Yoav – representing the director’s own prodigal past – fascinate and ensnare his kindergarten teacher, Nira, as well as his actress nanny, Miri. Through their competing interests, the poems ripple across networks of lovers, tainted teachers, neglectful parents and others of a crass, adult world that we explore in powerful stylized visions through Nira’s limpid blue eyes. Screening with the director’s short film Why.

亞洲首映 Asian Premiere

27IS3M3D

29IS3M1

25IS3E1

28IS3M3

27/3（五）5:00pm UA iSQUARE IS

29/3（日）12:30pm UA iSQUARE IS

25/3（三）7:30pm UA iSQUARE IS

28/3（六）6:15pm UA iSQUARE IS

藍寶石公主

安樂死派對

導演：堤莉莎倫艾莎以色列 2014 92 分鐘

導演：沙朗梅蒙、泰格蘭尼以色列德國 2014 93 分鐘中文字幕

「男仔頭」的 Adari 十二歲開始脆，她經常見着媽媽與同居男友米高毫不避忌廳房親熱，米高叫她做王子，他們玩得像「父子」。無言關懷的鏡頭開始呈現 Adari 莫名憂鬱，她走上天台想輕生，卻結識一個衣着、髮型、氣質都跟自己相似的男孩 Alan，二人也樂意孖公仔出動； Adari 邀 Alan 回家住，他成為米高的新王子。Adari 愛 Alan 嗎？她不想做「王子」，要做回「公主」嗎？她在找個人真身，抑或旨在分身自保？堤莉莎倫艾莎非常性感的敘述，小心呵護 Adari 的邊緣純真。

安老院最受歡迎的是甚麼，你懂的。老耶愛扮上帝致電一隻腳已在天堂的老人：「天堂暫時無配額，繼續和日子拼吧。」他很得意做了續命天使，不過上天看上這個機器達人，另有安排。垂死老友的妻子慫恿他發明死亡機器，知情者竟勒索老耶幫老婆圓夢安樂死。老耶如再世閻王，更組成死亡兵團，德行傳遍安老院。自救自強相扶持從來是對付命運的殺手鐧，兩導舉重若輕，以黑色和荒誕衝擊無情的道德封鎖區。獲西班牙瓦拉多利德電影節最佳電影獎、威尼斯影展最受觀眾歡迎獎。

Princess

The Farewell Party (Mita Tova)

Dir: Tali Shalom Ezer Israel 2014 92min Cast: Keren Mor, Shira Haas, Ori Pfeffer

Dir: Sharon Maymon, Tal Granit Israel/Germany 2014 93min Cast: Ze’ev Revah, Levana Finkelshtein, Aliza Rozen, Ilan Dar

The sexual confusion of puberty and adolescence turns sinister in this assured directorial debut. 12-year-old Adar (the stunning Shira Haas) lives with her workaholic mom and her handsome stepfather. As she witnesses the sexual intimacy between the parents, she also discovers strange changes happening to her body. Adar soon befriends a homeless boy who bears a striking similarity to herself. But the decision to bring him home sets up a devastating collision course for the whole family. Best Film, Jerusalem Film Festival.

Provocative dramedy: The Farewell Party tackles the topic of euthanasia with intelligence, humanity and a surprising sense of humor. Inventor Yehezkel lives in a retirement home in Jerusalem with his wife Levana and a community of friends. Despite Levana’s objections, Yehezkel invents a self-euthanasia device to help his terminally ill friend Max end his own life peacefully. But when more residents of the retirement home begin requesting use of his device, Yehezkel begins to question himself anew. 亞洲首映 Asian Premiere

27IS3E1

29IS3M2

01AC4E2

04AC4E1

27/3（五）7:30pm UA iSQUARE IS

29/3（日）2:45pm UA iSQUARE IS

1/4（三）9:45pm 香港藝術中心 AC

4/4（六）7:45pm 香港藝術中心 AC

猶太式離婚

非人熱線

導演：羅妮艾卡畢、史諾米艾卡畢以色列 2014 115 分鐘中文字幕

導演：茜維娜蘭絲曼以色列法國 2015 99 分鐘

以色列影后羅妮艾卡畢和弟弟合導的婚姻生活三部曲壓「熱線」是處理以色列難民事務的民間團體。喂喂，說得卷篇。羅妮親飾女主人翁慧雲安，向宗教法庭申請離婚不對，難民這個字眼已被單邊剔除，不理來自北非還是第三年，丈夫艾利沙才肯出庭對質。猶太式離婚不比伊中東，是逃避戰火抑或政治庇護，一律被內塔尼阿胡內朗式簡單，大多須丈夫同意才可成事，艾利沙不是隱形閣稱為「滲透者」！跨過國際人道主義共識，鷹派以為強就是一味說反話，慧雲安不斷申訴，苦戰五年，丈夫施硬可阻擋難民潮，執法部門只懂加建監獄，卻令刑事法捨分手，但她要付出不可言喻的承諾。全片幾乎都在小與人權法抵觸，法理自相矛盾模糊不清，製造更多問題，法庭發生，順時序鋪展一次次荒謬審判，對白和處境叫難民財產及工作領薪，都因為沒有身份被扣押。影片紀人失笑，影像佈滿衝突張力。去年享譽海內外的以色列錄「熱線」的女社工如同難民的一線曙光，精力充沛每天與各方周旋，在死局中打開缺口。片，演技逼真超凡。

Gett: The Trial of Viviane Amsalem

Hotline

Dir: Ronit Elkabetz, Shlomi Elkabetz Israel 2014 115min Cast: Ronit Elkabetz, Menashe Noy, Simon Abkarian, Sasson Gabay

Dir: Silvina Landsmann Israel/France 2015 99min

Viviane (director Ronit Elkabetz) seeks a divorce (a gett) but in Israel only rabbis can legitimise her divorce – and only with full consent of her manipulative husband Elisha (Simon Abkarian), who obstinately refuses to grant Viviane’s wish. Set in a small, claustrophobic courtroom, Gett chronicles Viviane’s frustration and courage as she is effectively put on trial by a patriarchal to society for daring to ask for freedom. And a comedy to almost boot. Israel’s entry into the Best Foreign Language Film category at the 2015 Academy Awards.

In Tel Aviv, the volunteers at the Hotline for Migrant Workers tirelessly advocate for their charges: refugees from Sudan and Eritrea brought to Israel and now stranded – some of them deemed criminals and imprisoned, some prevented from working, and all lacking basic human rights due to xenophobia, racism, conflicting policies and outrageous bureaucracy. Silvina Landsmann captures with immediacy the volunteers and the underrepresented people they fight for in a sometimes futile but undeniably vital struggle against an unjust, broken system.

M H IDN EA I T GH

我愛午夜長

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2/4（四）11:45pm UA Cine Moko MK

5/4（日）6:50pm 香港大會堂 CT

4/4（六）11:50pm UA Cine Moko MK

6/4（一）6:30pm 香港大會堂 CT

媽咪早抖

狼女傳說

導演：V. 花蘭絲、S. 費亞拿奧地利 2014 99 分鐘中文字幕

導演：鍾納斯阿歷山大阿恩比丹麥 2014 84 分鐘中文字幕

媽咪整完容變 mummy，頭纏紗布，只兩眼放光。孖仔心想：不是從前溫柔的媽咪呀。Mummy 很暴躁，不准亂嘈，全屋嚴密監控。然後見真面目，真是媽咪啊！有人易容的？頑皮孖仔心思亂舞，開始發揮性本惡的極致。尤里塞德監製（37 屆焦點導演），太太與姪兒合導，承襲對肉體和空間的靈敏觸覺，更以菲林存真捕捉，讓恐怖佈滿作者指紋，驚慄爆燈。奪魄生物實驗，古怪田野玻璃屋，夢境幻覺現實多軌道遊移，解密比《閃靈》更豐富。獲加泰隆尼亞電影節歐洲奇幻電影大獎。

北歐漁村山雨遲來，暗黑之翼籠罩的平靜生活快要吞噬常性。母親臥病，與父相依為命的妙齡少女發現身體漸起變化，工作遇上的人際逼迫引爆性慾，開啟異於常人的成長之路。不容揭示的家族秘密壓得她胸臆透不過氣來，畢竟浪與狼，僅得半步之遙。不一樣的驚慄異色故事，承載着鍾納斯阿恩比初執導筒即直探人性奧秘的膽色。女主角桑妮亞蘇兒以沉靜本色演繹歇斯底里的多元性，於有序與無序之間，達致罕有的平衡，豈止令人眼前一亮。說到底，動物的夢，你敢發嗎？

Goodnight Mommy (Ich Seh Ich She) Dir: Veronika Franz, Severin Fiala Austria 2014 99min Cast: Susanne Wuest, Lukas Schwarz, Elias Schwarz

When Animals Dream (Når dyrene drømmer) Dir: Jonas Alexander Arnby Denmark 2014 84min Cast: Sonia Suhl, Lars Mikkelsen, Sonja Richter, Jakob Oftebro

After having cosmetic surgery, Mommy comes home – face tightly bandaged – to her twin boys, Lukas and Elias. Mommy seems different: she’s moody, stern and refuses to talk to Lukas. Suspecting she is not their real mother, the twins act out in evermore frightening ways to find out the truth – upending an already tortured family dynamic to its last downward spiral of repulsion and horror. Produced by Ulrich Seidl, this intensely eerie, ‘naturalist’ psycho-horror film quivers with dualities, doubles and surfaces.

And if a werewolf is a young woman? Family, interactions with male associates at work, and growing up to claim independence become complicated across many dimensions for a girl who is also a wolf. Reclaiming lycanthropy from the sexy masculinity of recent media, Danish director Arnby sets his coming-of-age drama against the landscapes of Jutland, balancing an elegiac tone poem with the a twist of violence, anchored by strong female performances. From a director whose work will surely keep us interested.

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28/3（六）11:45pm 1/4（三）7:30pm UA Cine Moko MK The Grand GC

我殺故我在導演：伊力薛利埃法國 2014 108 分鐘

野火 (P.31) Fires on the Plain 直擊殭屍屋 (P.94) What We Do in the Shadows

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3/4（五）11:45pm UA Cine Moko MK

6/4（一）8:30pm 香港科學館 SM

血腥愛巢中文字幕

導演：J. 安迪斯、E. 浩爾西班牙 2014 95 分鐘中文字幕

當連環殺手遇上存在主義，影迷目光第一時間望向法國，犯罪小說家薛利埃以鏡頭代筆，接棒查布洛，又接棒積葵奧迪亞。圖盧茲青年皮耶回望沙灘的快樂時光，小子戲言要屠龍，要保護媽媽跟媽媽結婚；現實人生卻是照顧腦退化的父親，幹沒滿足感的工作。他隨意選擇受害人卻細心行兇，從中認活自己，諷刺是行兇的地窖是祖母二戰時用來藏匿猶太人，當他遇上羅莉，溫馨與殺意互換。當存在主義遇上連環殺手不獨是通俗文學式罪與罰解話，更是從小窗爬入黑暗內心，沉着氣的瀏看。

像是史提芬京遇上了德拉易格斯亞（《進擊的巫女》，38 屆；本片監製），驚慄狂歡。男神鄰居差錯腳跌在門前，患上戶外恐懼症的姐姐獲天降獵物。她不知道他來歷，他不知道她暗戀。她把昏迷的他拖進房間，天天餵吃極樂「聖水」，一面禁室培慾，一面如常體罰相依為命的妹妹。心裏的巨大陰影一旦再滋長，只待燃點爆發，到時就不只血肉橫飛了，扭曲變態的恩怨情仇好得人驚。《凶宅兒魂》、《八十分鐘死亡直播》已證西班牙驚嚇現在無敵，此作更會嚇壞身體每個細胞。

Cruel Dir: Eric Cherriere France 2014 108min Cast: Jean-Jacques Lelte, Magali Moreau, Maurice Poli, Hans Meyer

Shrew’s Nest (Musarañas) Dir: Juanfer Andrés, Esteban Roel Spain 2014 95min Cast: Macarena Gómez, Nadia de Santiago, Luis Tosar, Hugo Silva

Pierre is a nobody. He works menial jobs and cares for his Alzheimers-ridden father. Pierre is also a serial killer who stalks and kills ordinary people at random – it’s his only reprieve from a sad life, one trapped within a single happy moment from his childhood. When Pierre falls in love with Laure, will he finally have what he’s yearned for years? Brooding with implicit violence, Cherrière’s moody noir debut is an incisive, existential portrait of a killer’s inner world.

Two Sisters. Loving. Caring. Possessive. And sometimes, well, disturbing. Debut directors Andrés and Roel craft a psychological thriller set in Spain of the 1950s that explores what happens when a handsome neighbor changes the bonds of two young orphan sisters and becomes a pawn, as well, in the fantasias and manipulations of the maternal older figure. These are not shrews to be tamed, but a nest in which we become ensnared, viewers and victim(s) alike.

春子超異常實驗室 Haruko ’s Paranor mal Laborator y

Festival+ (P.23頁)

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28/3（六）2:30pm 星影匯 MP

4/4（六）6:30pm 香港文化中心 KG

導演：竹葉理沙日本 2015 74 分鐘中文字幕演員：野崎萌香、中村蒼

春子相信超自然力量，習慣對電視說話，一天電視化身男人，春子的春天來了。電視男能操六國語言，後面有條鞭鞭有力的天線，下面天賦異稟令人敬仰，煮飯親熱統統勝任。唯一缺點是他有小白臉不做，學人要爭氣離家出走，人機戀能否終成眷屬？導演竹葉理沙在獨立片的空間盡情發揮異想，曲線反映日本男人的無能，令人噴飯的人物無間亂入：瘋狂的電視費收數職員、如狼似虎的師奶、偷內褲作靈感的畫家，少少鹹多多趣，不喜重口味者慎入。 Dir: Takeba Lisa Japan 2015 74min Cast: Nakamura Aoi, Nozaki Moeka, Kohinata Fumiyo

Some couch potatoes have an unhealthy obsession with their television. Haruko, a paranormal enthusiast, takes this habit to new extremes when she falls in love with her TV set...that magically turns into a man. But their relationship becomes complicated when he decides to contribute equally in the relationship by finding a job, thus leading him to unexpected fame... Can their love survive such tribulations? Takeba Lisa’s colorful, whimsically bonkers comedy manages to balance zaniness with genuine warmth.

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27/3（五）11:45pm UA Cine Moko MK

1/4（三）7:30pm 香港大會堂 CT

導演：祖曼卡文、泰格韋替替新西蘭 2014 86 分鐘中文字幕

這間大宅住了四隻吸血鬼，分別怕事衝動愛面子，還有隻是元祖殭屍王，他們現身說法，講述從歐洲移民到新西蘭的血淚史。爆牙裝兇只是鏡頭前的指定動作，他們其實是弱勢社群，環境光害、劣質血食品、夜生活不美滿及與人狼在街頭冤家路窄都是每日面對的問題，最頭痕是要教新仔如何做一隻安份守己的殭屍。兩位喜劇演員自編自導自演過足癮，借紀錄片過橋，抵死諷刺無限翻炒的《驚情四百年》和《吸血新世紀》，老而不死的殭屍，最好用來搞笑吧。

直擊殭屍o屋 Dir: Jemaine Clement, Taika Waititi New Zealand 2014 86min Cast: Jemaine Clement, Taika Waititi, Jonathan Brugh, Cori Gonzalez-Macuer

What happens when the undead need to upload and update? No, we’re not in Transylvania anymore, Dorothy, as a comradely group of centurial vampires find out as they negotiate problems of modern human and post-human society in Wellington, New Zealand. Beset equally by werewolves and computers, this delightful mockumentary asks if thousands of years of death can really prepare anyone to live with (and not just on) new generations around them.

What We D ows in the Shad

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3/4（五）6:00pm 香港文化中心 KG

5/4（日）3:45pm 香港大會堂 CT

歌舞伎町店酒鐘時時小 4 2 l ho Love Hote KabukicKabukicho) (Sayonara

導演：廣木隆一日本 2014 135 分鐘中文字幕演員：染谷將太、前田敦子、李恩宇、大森南朋

Dir: Hiroki Ryuichi Japan 2014 135min Cast: Sometani Shota, Maeda Atsuko, Minami Kaho

阿徹（染谷將太）一心入職五星級酒店，結果淪落到新宿歌舞伎町的時鐘酒店當經理。這天，阿徹被流浪痴漢、偷情黑警、送外賣的韓妓、物色未夠秤女生的星探等弄得頭昏腦脹，還有 AV 脫星家姐大駕光臨，唯一令他心靈得到慰藉的歌手女友（前田敦子），也來到酒店向音樂監製潛規則獻身。導演廣木隆一拍情色電影成名，這次描繪一群迷失的都市人相當到肉，體溫和興奮可以相贈，但慾望永不能滿足，24 小時過後，又是荒謬的另一天。

Over a single 24-hour period the lives of employees and customers alike who frequent the same love hotel in Tokyo’s eponymous red light district become inextricably entwined. Director Hiroki’s typically esoteric style shifts from comedy to drama and back, while his top drawer cast of popular performers and musicians collide with hilarious and heartbreaking results.

廢青同盟

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1/4（三）9:30pm 香港大會堂 CT

5/4（日）5:15pm MCL德福戲院 TC

Corrections Class (Klass Korre ktsi i)

導演：伊凡杜化多斯基俄羅斯／德國 2014 92 分鐘中文字幕

俄羅斯的中學有個改造班，收容生理或心理上非主流的學生。行動不便的美少女麗娜來到這一班，輕易融入其中，還帶頭到處搗亂和頂撞老師。她引發荷爾蒙旺盛男生的爭奪戰，失控的學生沒有最壞只有更壞，成長的代價超乎想像。導演年僅 25 歲，以自由流動的鏡頭，冷靜抽離地關注被遺棄的少年，一幕幕震撼的火車軌場景，送別不可追憶的年華。青春最殘酷不是錯失了甚麼，而是你走過之後，才發覺付出了太多。

Dir: Ivan I. Tverdovsky Russia/Germany 2014 92min Cast: Nikita Kukushkin, Philipp Avdeev, Masha Poezhaeva

After years of being home-schooled, wheelchairbound Lena is elated to be readmitted to high school. Relegated to a remedial class, where the teachers have no interest in doing their job and the other students grow increasingly hostile, Lena’s problems are far from over. Like Miroslav Slaboshpitsky’s acclaimed Ukranian drama The Tribe (P.85), Tverdovsky’s film is a similarly arresting dramatisation of disabled youth in the former Soviet Union.

海月姬s

Princes Jellyfish

中學生放映會 (P.35頁) 26/3（四）2:30pm UA Cine Moko MK

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6/4（一）2:30pm The Grand GC

導演：村川泰祐日本 2014 126 分鐘中文字幕演員：能年玲奈、菅田將暉、長谷川博己

月海（能年玲奈）還是女孩時問媽媽「What will I be?」，怎知媽的一句「你會變成水母公主出嫁」，月海從此變成水母控，長大後還跟三國志迷、電車痴、迷戀中坑等尼特族女孩（即不升學不就業不進修）同居，並以接觸男人為禁忌。但那個少女不懷春？月海轉角遇見偽娘易服癖，接着暗戀處男富二代，還陷入清拆姑婆屋的恐慌。這時代沒有穩穩的幸福，月海借助水母的力量，為愛情為生活勇敢豁出去一次！ Dir: Kawamura Taisuke Japan 2014 126min Cast: Noonen Rena, Suda Masaki, Hasegawa Hiroki, Ikewaki Chizuru

Based on the josei manga by Higashimura Akiko, this quirky romantic comedy centres on “jellyfish otaku” Tsukimi (Nounen Rena), who lives with four other otaku in girls-only apartment house Amamizukan. But when Amamizukan is targeted for demolition by heartless developers, the introverted girls must overcome their petrifying aversion to “fab humans” to save their beloved home – and with the help of gutsy cross-dressing male friend Kuranosuke (Suda Masaki), anything’s possible!

04KG4M3 4/4（六）4:20pm 香港文化中心 KG

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AN UN IM LI AT M IO IT N ED

超人氣動畫

海洋之歌導演：湯姆摩亞愛爾蘭丹麥比利時 2014 94 分鐘中文字幕

宮崎駿退休封筆，動畫迷急切去找接班人，非日本人可以角逐嗎？來看一下湯姆摩亞（《奇斯的秘密》）吧。摩亞用了九年時間水彩手繪，二維動畫逐幅畫，將愛爾蘭遠古傳說帶到現世來。雪莎出世後母親神秘失蹤，一路長大從未跟哥哥小班說過一句話，父親是傷感守塔人不懂照顧兒女，讓他們跟都柏林的嫲嫲住。雪莎有一天找到母親的毛衣有所感應穿上，自此更悶悶不樂，小班知道妹妹不能住在城市，遂與她踏上回歸大海之旅，印證她「selkie」（半人半海豹）的身世。是否讓你想起《千與千尋》和《崖上的波兒》呢？海水有情，能洗擦積壓在陸地的痛楚和憤怨。入圍角逐奧斯卡最佳動畫長片獎。

Song of the Sea Dir: Tomm Moore Ireland/Denmark/Belgium 2014 94min

From the creator of The Secret of Kells comes another stunning piece of animated cinema. Inspired by Celtic maritime folklore, Tomm Moore’s Song of the Sea tells the story of the last seal-child, Saoirse, and her brother, Ben, as they discover secrets from their enchanted past and race to save the magic in their world. Dazzlingly hand-drawn, immersive and profound, Song of the Sea is a poetic tribute to the power of storytelling and the mythic ties that bind us all. Oscar nominee for Best Animated Feature Film.

25UC3M3D 25/3（三）4:45pm UA太古城 UC

03TC4M2 3/4（五）2:30pm MCL德福戲院 TC

蘋果核戰：Alpha 導演：荒牧伸志日本美國 2014 93 分鐘

中文字幕

荒牧伸志第三度拍也是《攻殼機動隊》原作人土郎正宗 1985 年的成名作，人及機械化肢體活動視覺效果達到爐火純青境界。不是延續卻是外章，甚至是平行空間另一個切入。回到地球被戰爭蹂躪後最初的 2131 年，Deunan 與未對她動情的機械人 Briareos，幫忙能劇面譜機械身的土霸雙角在紐約廢墟中運送疫苗，這次不是遇上強化人造人阿瞳，令她輾轉到達烏托邦奧林帕斯，而是遇上被戰閥 Telos 追捕的少女真人類 Iris，明哲保身抑或出手相助，在猜疑中判斷，末日蒼涼酷境，人性神話再啟動，史詩場面壯觀。

Appleseed Alpha Dir: Aramaki Shinji Japan/USA 2014 93min Cast: Luci Christian, David Matranga, Brina Palencia, Adam Gibbs

Supported by

全力支持

Set in an alternate reality to the rest of the Appleseed canon, Aramaki’s latest offering sees former soldiers Deunan Knute and her cyborg lover Briareos working as mercenaries in the wreckage of a world war nobody won. After failing to retrieve a vital vaccine from a devastated New York City, they are sent to the outskirts by overlord Two Horns. There they learn of the legendary city of Olympus and begin a quest to find the mythical metropolis. A stunning example of computer generated animation, Appleseed Alpha pulsates with blistering action, epic spectacle and an endlessly innovative vision of a not-too-distant future.

導演演員將出席與觀眾見面 This screening will be attended by the director and/or actors 96

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27SM3M3D 27/3（五）6:30pm 香港科學館 SM

06SM4M1 6/4（一）12:30pm 香港科學館 SM

TURN YOUR CREATIVITY INTO A CAREER.

世界動畫精選回憶《我童年時》（伊朗），有隻烏鴉經常向媽媽告密。《猴子愛實驗》（英國），整天擁着用貓抓板造的朋友，幻想自己登上月球，終被科學家送上太空。《看守風車的豬》（美國）遭欺凌，新來的同學為他的生活帶來甚麼變化？獲提名奧斯卡最佳動畫短片獎。造音樂盒的熊用音樂盒給你講一個《熊的故事》（智利）。被人小看的滋味很慘，《卡斯泰勞和鯰魚》（巴西）搏鬥後捉回家威威，誰知大家說味道麻麻你自己吃吧。小女孩初臨世界不知如何是好，然後發現自己有神奇魔法可把東西變來變去，令她《變得勇敢》（德國）無懼未知的世界。共 65 分鐘。

Learn more about the university for creative careers.

World Animation Surreal and dark, When I Was a Child recounts a woman’s superstitious fears during childhood; Twisting on Harlow’s famous psychology experiment, a monkey watches TV and gets the wrong idea of his ultimate fate in Monkey Love Experiments; With vibrant and exciting colors, The Dam Keeper (Oscar nominee for Best Animated Short Film) tells a tale between a fox and a pig while a father bear gets separated from his wife and son in the bittersweet Bear Story; Castillo y el Armado shows us a man’s determination to catch a really big fish from the sea and a girl plays with her newC found super powers in the minimalistic while cheeky PAWO. Total: 65min. M

24SM3M3D 24/3（二）6:30pm 香港科學館 SM

29SM3E2 29/3（日）9:15pm 香港科學館 SM

CMY

成人動畫精選粉嫩的色調、緩慢的節奏，輕柔地打開《幕》（日本）。《黑色島》（瑞士）的看守人找到樂子對付沉悶的生活，殊不知有個重大危機降臨。兔子愛主人，即使小主人是《難搞的細路》（英國），也忠心耿耿。動物在挪亞方舟的《第四十天》（加拿大），惡行盡顯。《聖保羅皇廷》（巴西）中的人偶被背叛後出走，帶着復仇大計回來。以名畫演繹生、愛、性、惡、死，來一場《美》（意大利）的巡禮。家門被破壞，追查《足印》（美國），究竟疑犯是誰？《椅子男》（南韓）離不開椅子，於是他坐着思考自己的存在。共 59 分鐘。

admission@scad.edu.hk 852.2253.8044 scad.edu.hk

World Animation for Adults Veil explores the tenderness and pleasures of sensual connections; a watchman on Black Island seizes a chance to escape boredom but the consequence is high; The Obvious Child tries to send her dismembered dead parents to heaven with the help of a rabbit; animals on Noah’s Ark become too wild and face the unexpected on Day 40; a scale model figure’s life goes away in Tatuapé Mahal Tower; waking up to the noise of a broken window, a man follows Footprints to find out who caused it; being glued to a chair, the Man on the Chair reflects on his existence; paintings getting animated is a thing of Beauty. Total: 59min.

Courses of Study are registered with the Hong Kong Education Bureau, registration numbers: 261958-261971 and 262196-262202. It is a matter of discretion for individual employers to recognize any qualification to which these courses may lead.

國際首映 International

Premiere

RE BI AL TE IT S Y

真的假不了

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3/4（五）7:30pm The Grand GC

5/4（日）8:00pm 香港科學館 SM

太陽 • 不遠導演：傅榆、王佩芬、陳育青等 2014 國語 120 分鐘中文字幕

啟發與鼓舞香港雨傘革命的太陽花學運，我們都只是隔岸旁觀，感激底子深厚的台灣紀錄片傳統，我們有了親歷的機會。太陽花學運影像紀錄計劃首次集結九個導演，以十作投身運動，不要傳媒的渲染和娛樂化，不避鏡頭有個立場，不做傳聲筒講甚麼平行報道，也不淪為口號式的宣傳。十角度入微立體相扣：直視學運領袖的真性子、一夜成長的學生、政府鎮壓的底蘊、輕浮的傳媒報道、學生與父母兩代齟齬等等。學生以血和身體開出的太陽花，對雨傘有太多的呼應，也是借鑑與反省。

Sunflower Occupation Dir: Fu Yu et al. 2014 Mandarin 120min

In March 2014, students stormed the Legislative Yuan of Taiwan to protest the Kuomintang’s attempt to unilaterally adopt the Cross-Strait Service Trade Agreement, leading to a weeks-long standoff that grew contentious and even violent. The Sunflower Student Movement is chronicled in this vivid and stirring documentary, assembled from on-the-ground footage shot on location as well as recollections from involved policemen, legislators and protestors, who discovered first-hand the price they must pay to defend their democracy. 亞洲首映 Asian Premiere

大地之鹽 (P.25) The Salt of the Earth 地窖天堂 (P.31) In the Basement 03MK4E2

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3/4（五）9:45pm UA Cine Moko MK

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零距離殺機導演：杜麗莎積蘇蘭巴西 2014 90 分鐘

民主國度的蟻民，今天都免不了面對警隊的暴力和腐化，巴西景況最慘。《無主之城》看得很過癮？紀錄的鏡頭重重扑醒你：死亡和恐懼都是真的。里約熱內盧青年成為差佬槍下亡魂的，每年數以千計，針對的都是非裔。早在 1993 年，毒販殺四警，同袍落貧民區亂槍報復，屠殺 21 人。虔誠女教徒憶述目擊全家身亡，半癱理髮師垂淚談腦中槍，槍手現身鏡頭爆黑幕，法官學者齊分析獨裁者遺害，直擊新聞片穿插，90 分鐘都是震撼。獲里約熱內盧電影節最佳紀錄片及最佳紀錄片導演獎。

Point Blank (À Queima Roupa) Dir: Theresa Jessouroun Brazil 2014 90min

導演演員將出席與觀眾見面 This screening will be attended by the director and/or actors

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Viewers worldwide have been captivated and horrified by the full-screen violence of the favelas as in modern Brazilian cinema from City of God (27th HKIFF) to Elite Squad (35th). This riveting documentary probes the real police of Rio de Janeiro and their 1993 massacre of 21 citizens in Vigario Geral and the lengthy, incomplete investigation that followed. Corruption, violence, betrayals, bystander suffering and concealment are not merely the stuff of cinema in these hardscrabble neighborhoods – despite complaints, they are life.

亞洲首映 Asian Premiere

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24/3（二）9:45pm The Grand GC

26/3（四）5:00pm The Grand GC

30/3（一）9:45pm 香港藝術中心 AC

1/4（三）1:30pm 香港藝術中心 AC

夏灣拿有間大酒店

沉默的眼睛

朝鮮之歌

導演：艾蓮古蒂蕾絲古巴西班牙 2014 71 分鐘

導演：約書亞奧本海默丹麥印尼 2014 103 分鐘中文字幕

導演：柳守美南韓葡萄牙美國 2014 72 分鐘

劇本原是夏灣拿舊城夜遊，但當兩導偶遇這家前世五星級、現世露宿者天堂的半塌古舊酒店，兩眼便發光。留守至最後的住客老柯被徵用當主角，不離不棄的小狗、情人，還有抽大煙的伴兒，統統是綠葉。甚麼？有劇本？有聲效？都說紀實劇情現在無分界啦。影像總在適切的時機溜進來，實情是搬到鄰舍兩年的影機，知心捕捉。老柯神秘的掘呀掘，掘出不少風光歲月的痕跡。當年古巴革命，東主棄守酒店，居民就是革命一代人，影像魅力都有前因的。獲全州電影節評審團特別獎。

荷索和艾路莫里斯兩紀錄片之神繼續祝福的奧本海默，「你不覺得北韓是世上最孤獨的地方嗎？沒有朋友，沒有繼《殺人凶戲》（37 屆）的印尼超真實第二擊，直視眾歷史，只有神話。」移居美國的南韓導演三訪北韓，官人沉默，暴露更戲劇化的恐懼本質、墮落真相。驗眼師方安排，生活實錄都不見半個頹敗的影兒，影像當然會阿迪登門替長者配眼鏡，實情趁機直面哥哥在大屠殺中撒謊，導演卻膽大過人，索性把宣傳片、樣板戲和新聞遇害的主謀和幫兇甚至兇手第二代。舅舅當時是獄警，片等扭曲影像，拼貼出驚喜的馬爾卡式散文電影。「可以卻見死不救，如今說：過去已成過去。位高權重的主謀有另一個北韓的想像嗎？」複雜的家國感情，終於出來更像恐嚇：你再問下去，歷史會重演。惡勢力依然橫行，了：含淚仰望偉大金日成，淚流滿臉歌頌金正恩，可以人便軟弱忘記。來回不捨的追問，在靈魂深處顛覆。囊不妖魔化，滿載怪異詩意。灌注深情，也適度抽離，連括威尼斯影展評審團特別大獎等五獎。老爸也出鏡大談北韓情。獲羅迦諾電影節最佳新導演獎。

Hotel Nueva Isla

The Look of Silence

Songs from the North

Dir: Irene Gutiérrez Cuba/Spain 2014 71min

Dir: Joshua Oppenheimer Denmark/Indonesia 2014 103min

Dir: Yoo Soon-mi South Korea/Portugal/lUSA 2014 72min

Hotel Nueva Isla explores a dilapidating former luxury hotel that is now home to the marginal and the browbeaten in Havana. Hinging upon the fictional and anecdotal, the documentary focuses on the daily life of older resident Jorge, whose quixotic search for treasures from Cuba’s glorious past continues while the building crumbles. With sparse dialogue, and carefully composed scenes, Gutiérrez’s doleful debut prefers to show rather than tell – inspired, perhaps, by Pedro Costa’s Fontainhas trilogy (31st).

Joshua Oppenheimer’s formidable follow-up to The Act of Killing (37th) centers on Adi, an optometrist whose brother was killed during the 1965-66 Indonesian political massacre. As Adi makes his rounds in the village to conduct eye exams, he also compels his patients – many of whom are his neighbors – to address their direct role in the killings. Poignant and revelatory, The Look of Silence starkly betrays the abysmal gap between perpetrators and victims’ families that is entrenched within the complex entanglements of history.

South Korea-born artist Yoo Soon-mi crosses the 38th parallel for this relevant and insightful document of the enigma that is North Korea. Songs from the North combines television, songs, pageantry and popular cinema from North Korea with interviews and personallyshot location footage – including surreptitiously-filmed candid moments – compiled from three tourist visits to Pyongyang. What emerges is a unique and vital glimpse of a world both propagandistic and personal – and also closer to understanding than one might think.

亞洲首映 Asian Premiere

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25/3（三）2:30pm UA太古城 UC

3/4（五）5:00pm MCL德福戲院 TC

28/3（六）9:45pm 香港科學館 SM

30/3（一）7:30pm 香港科學館 SM

4/4（六）2:30pm The Grand GC

6/4（一）5:00pm MCL德福戲院 TC

基格的暗黑國度

人生也許

書中方一頁，世上五十年

導演：貝蓮達莎倫瑞士 2014 95 分鐘

導演：曼妮亞雅芭莉、馬克卡辛斯英國伊朗 2014 80 分鐘

導演：馬田史高西斯、大衛泰德斯美國英國 2014 96 分鐘中文字幕

構思出《異形》的怪物，是個怎樣的人？特效設計大師基格在荷里活鼎鼎大名（最新作《普羅米修斯》），也是粉絲無數的藝術家，他的作品，會跟你的潛意識說話，所以可怖。基格去年逝世前，莎倫拍了這部寫真。外母形容他常人一個，但策展人卻說人家怕得要死的地方，這怪人就像回到家。影機一踏進他的恐怖屋子，我們就明白過來。他足不出戶，全世界圍着這顆黯星在轉。他說，六歲他爸送的骷髗頭，是一切的開始。說時溫文勝常人，還很謙卑，格格不入，比《異形》更不安吧？

不管你是藝術系哲學系還是電影系，請到此上這一課非《紐約書評》創辦 50 周年紀念，史高西斯躲在鏡頭後，一般東西方性別政治私房對話。卡辛斯（《電影史話》，捕捉總舵手羅拔史費斯的風采，勾勒奇偉的文化金字塔 36 屆）是電影學者、導演；雅芭莉是藝術家，涉繪畫至如何建成之餘，半個世紀的社會風潮難免陣列在前，邀電影。他從蘇格蘭出發浪遊，她從伊朗出走自我放逐。他請觀眾檢閱。評的是書，但書後有人，人後又有人，以見到西方藝術勇於露體自行探索；她的東方女性成長伴隨及被他們模造，同時模造他們的世界。越戰、波斯灣戰着一件黑袍，裸露是底線。在散文電影的知性形式他們三爭、佔領華爾街、埃及風雲……相關理念在報道評論裏度書信往來，從基阿魯斯達米的影片（雅芭莉是《10》的合縱連橫，交織整個人文風景。蘇珊桑塔、沙哈諾夫、女主角），來回吳爾芙家門，Reza Abbasi 的畫，最後交哈維爾、薩伊德，位位名家健筆，跟你細說記憶並非源織布拉姆斯的音符與 Forough Farrokhzad 的詩句中。於直接經驗，而是來自心靈的交感互動。

Dark Star - HR Giger’s World

Life May Be

The 50 Year Argument

Dir: Belinda Sallin Switzerland 2014 95min

Dir: Mania Akbari, Mark Cousins UK/ Iran 2014 80min

Dir: Martin Scorsese, David Tedeschi USA/UK 2014 96min

Single-handedly responsible for changing sci-fi cinema as we know it, Swiss-born artist, sculptor and designer H.R. Giger won an Oscar for the iconic space monster in Ridley Scott’s classic Alien. But who was the man behind these terrifying images of sexual, biomechanical horror? Giger passed away in May 2014, but before he died director Belinda Sallin was able to spend time with the artist and attempt to learn something about the deranged mind behind some of the 20th Century’s most frightening imagery.

A visual epistolary dialogue between filmmakers. Mark Cousins continues his personal essay approach to the life and creators of images, stimulated by an assignment to write liner notes for one of Mania Akbari’s 20 Fingers. Akbari’s contributions take on a different reflective tone as she traces her life in Iran, the stages of her exile and her experience with breast cancer and recuperation. The convergence of themes, subjects and love creates a cinematic fugue in two compelling voices.

The New York Review of Books was born in the debates of the 1960s, from Civil Rights to the Middle East, and has kept many debates alive and informed by its lengthy and thoughtful critiques, its independent polemical voices and the consistent engagement of major scholars and active readers. To commemorate this forum’s semicentennial, editor Robert Silvers asked reader Martin Scorsese (and collaborator David Tedeschi) to weave together archival footage and contemporary interviews into vivid, engaging living history.

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24/3（二）9:30pm UA iSQUARE IS

26/3（四）5:00pm UA iSQUARE IS

24/3（二）10:00pm The Grand GC

二度女星 Go Go Go

真相販子

冰上最強

導演：羅拔格連美國 2013 89 分鐘中文字幕

導演：羅拔肯拿美國 2014 96 分鐘中文字幕

導演 : 嘉比普斯基美國俄羅斯 2014 85 分鐘

羅拔格連左手紀實，右手執導演棒，把電影魔法推上高潮。他拍的對象，就是會演戲的嘛，為甚不可以指導指導演出個完美？早早息影的鄰家太太 Brandy，湊仔湊到快 40，說要回復女星身，格連一心以為拍鄰居的星途恨。也是的，Brandy 跟星界重新連線，頭號敵人是年齡，其次是做師奶多年失落的自信。誰知拍呀拍，Brandy 抖出大籮心事，往後戲劇化的故事已超越年齡和性別歧視，她鑽進了戲，她在思想，戲也在思想。紀錄片界一片爭議聲，最後影評界一錘定音：是寫實的藝術哩。

吸煙危害健康。化石燃料導致全球暖化。阿媽係女人。 Are you sure?《毒食難肥》(33 屆 ) 導演再次揭示大企業的操控本領，明明珍珠都冇咁真，都要硬砌疑點，再找個專家演員，睜大眼講大話，製造「爭議」。政治正確或扮中立的新聞台，以為總有正反兩面，照單全收，代為廣傳。不需要拗贏，有人 buy 就夠。你以為美國愚民多，荒謬現象只美國獨有？可有想到「真的假不了」，也可以被人反轉再反轉？有片為證，花哥都要用「懷疑」？拆解輿論戰與人性弱點的關係，總有一個愚民在左近。

有俄羅斯血統的普斯基中學時為提高技巧，發現了這隊七、八十年代冰上霸王的魔鬼式訓練片段，蘇聯人打冰曲的境界等同巴西森巴足球，充滿即興、流暢和優美，所向披靡，但背後契機卻是醜陋政治。成為獨立導演後普斯基念念不忘，在荷索催生下隻身飛往莫斯科走訪當年神奇隊長，道盡冷戰時代運動生態的荒謬與荒唐，作為一枚國家指定「導彈頭」，爛仔冠軍隊去得幾盡就幾盡。普斯基的身世注定是最合適的代言人，動態詮釋冰曲，亦具破冰本事，抵觸時代「英熊」的血與骨。

Actress

Merchants of Doubt

Red Army

Dir: Robert Greene USA 2013 89min

Dir: Robert Kenner USA 2014 96min

Dir: Gabe Polsky USA/Russia 2014 85min

Robert Greene effectively blurs the lines between fact, fiction, persona, and personality in Actress, a documentary film about a woman/actress in crisis. Brandy Burre appeared on the series The Wire before taking a hiatus to start a suburban family with her partner, Tim. Now a mother of two, the middle-aged Burre plays out her crumbling domestic life, starring in a role as herself. Surprisingly opaque, Actress wanders through Sirkian melodrama and cinema vérité to question both thespian and real-life truths.

Is the truth really for sale today? Or can truths be muddled by the doubts that ‘talking heads for hire’ make available across mass media as servants of corporate interests. Starting with the aggressive campaigns that challenged the harmfulness of tobacco and ending with climate change deniers, this riveting documentary explores both issues and voices that never confront truth so much as they besmirch it, fund spurious debates, and sow confusion – to reap rewards at tremendous human cost.

Crowd-favorite documentary about Soviet hockey and the rise and fall of its championship Army team in the 1970s, 1980s, and 1990s. The narrative is anchored by charismatic protagonist – Viacheslav “Slava” Fetisov – who grew up as an Army hockey protégé and after decades as a star became Russian Minister of Sports. Polsky also manages to combine glimpses inside the communist sport systems with an understanding of sports as a national obsession and the joys and passions of those who play on the ice.

Festival + (P.23頁)

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5/4（日）7:30pm The Grand GC

殿堂內望導演：約翰尼斯荷查臣奧地利 2014 94 分鐘

維也納藝術史博物館的奧匈帝國藏品是舉世無雙的，能看到帝國演進至共和的底蘊。敏感媲美懷斯曼的鏡頭，在美麗建築和名畫間，任我行細細賞，畫面如饗宴，更從策展人、修復專家甚至清潔工的日常看博物館運作。換上新裝的決定，讓偌大展廳爆出破舊的震撼。修復者溫柔撫着名畫超細微眷顧，發現魯賓斯的作品畫中有畫。可惜挪亞方舟的神聖任務今天無市場，也得靠行銷，快要退休的藏品總監悻悻然說「像賣牙膏廣告」，說罷走到窗前不吝珍貴食材餵白鴿。他屬於上一代人。

The Great Museum (Das grosse Museum)

Dir: Johannes Holzhausen Austria 2014 94min

Po M r us tr eu ai m ts s o

博物館解謎

亞洲首映 Asian Premiere

Johannes Holzhausen’s delightful documentary takes viewers behind the scenes at Vienna’s Kunsthistorisches Museum. Shot in the style of direct cinema (without commentary, interviews, or background music), The Great Museum patiently observes work being done in all its detail – whether it’s a directors’ budget meeting, a curator’s archival rediscovery, or an art restorer’s intricate handiwork. Generously sprinkled with real-life moments of humor, emotion and insight, this documentary thoughtfully explores the roles played by public institutions, museums, and art itself. 28IS3M1

04CT4M3

28/3（六）12:30pm 4/4（六）4:30pm UA iSQUARE IS 香港大會堂 CT

國家美術館導演：弗德烈懷斯曼法國／美國 2014 174 分鐘

終於輪到他深愛的油畫了。30 年的渴望終於實現，紀錄片大師來到倫敦國家美術館，沉思名畫，沉思凝視意義。畫是活的，懷斯曼（《直擊柏克萊》，38 屆）打破畫框，讓你走進畫裏，捕捉現世，一如他其餘作品。好看是沒有賣弄，反而站遠一點去看，讓智慧自由增長。拍攝時巧遇提香、林布蘭和端納的專題展，攝影機黏着見解獨到的熱情策展人和講解員，看導賞團、藝術課、職員會議、修復過程，更有示威，如常靜觀，鏡頭即油彩，讓觀眾拼貼所思。

National Gallery Dir: Frederick Wiseman France/USA 2014 174min

The watcher watched… and listened to. Using the keen ethnographic and cinematic eye that has taken us into the heart of asylums, high schools, missile silos, small towns, nightclubs, college campuses, zoos and the meat industry, master documentarian Frederick Wiseman turns his gaze on London’s National Gallery. Here, the power of Art competes with the structures and goals of the institution, in a dialectic of sounds (tours, explanations, meetings, music) and vision that embodies the fundamental tensions of museums themselves. 「博物館就像挪亞方舟，把東西保存下來，橫渡時間的海，航至當下。因此，每座博物館都是世界的縮影。」(《殿堂內望》導演約翰尼斯荷查臣）

亞洲首映 Asian Premiere

博物館這艘挪亞方舟，處身其間能鑑古知今，一座好的博物館，是極滋補的文化養份，這裏就有三個世界一流的。很難得去年有這三部同時裹外看透博物館的佳作，我們組成專題，增長知識也好，一饗影痴和藝術痴也好，際此香港極需文化藝術空間的時刻，就讓這三作做個導賞，放眼世界去。

Plodding academic documentaries about art dominated the genre for most of the last century. In recent years, though, has been injected into films about art and no more so than in documentaries about the guardians of culture – the Museum. Each film in this section looks at one of the great museums of the world. The filmmakers observe the fascinating workings of these complex institutions, from management meetings to behind-the-scenes conservation and storage; and their relations with official funders and the public. Each film reveals much about culture and attitudes in the contemporary world. With Hong Kong’s M+ art museum on the horizon, these films provide a timely reminder of why art and its institutions matter.

27IS3E2

06AC4M3

27/3（五）10:00pm 6/4（一）4:30pm UA iSQUARE IS 香港藝術中心 AC

十年一覺維新夢導演：奧嘉荷瑾迪荷蘭 2014 94 分鐘

瑰寶無數的荷蘭國家博物館要維修，悲愴猶如一部莎劇，預算五年很漫長了吧，誰料竟成背水戰，一打十年，支出拖到天文數字。這邊有館長、策展人、建築師、修復專家的焦急，迎頭是政客、單車黨和市政府的痛擊。單車黨仗勢否決建築師的新思維，市政府手握財權指手劃腳，人氣館長嘔氣到不幹了，工程膠着又膠着，荒謬絕倫。我們難得目睹修復名畫的戰兢（林布蘭的《夜巡》啊）、深愛藝術如同愛情，以及愛護博物館的熱血，共度年華十載的導演，拍出一部觀照文化的史詩。

The New Rijksmuseum - The Film (Het nieuwe Rijksmuseum - De Film) Dir: Oeke Hoogendijk The Netherlands 2014 94min

How does a major world heritage site reinvent itself? With a decade of closure, reengineering, redecorating, collecting and debating and a half billion dollar budget. Hoogendijk’s documentary brings forth both the expected personages – curators, architects and others – and the unexpected but quintessentially Dutch elements of the debate – who would have thought that a museum would stop for cyclists? Amid the glories of Rembrandt, Vermeer and so many other artists, there are many other tales to learn as well.

103

國際首映 International

Premiere

AN LM D MA FI K LM ER M S AK IN G

影人影事

03AC4E2

05AC4M1

3/4（五）9:15pm 香港藝術中心 AC

5/4（日）1:00pm 香港藝術中心 AC

那時．此刻導演：楊力州 2014 國語粵語 110 分鐘中文字幕

最初金馬獎是國民黨的宣教工具，是總統的慶生大玩偶，每年準時 10 月 31 日舉行。舊情綿綿瀏覽金馬獎，街頭巷尾小城故事：國共政治，外交孤立，吾土意識抬頭，到解嚴後兩岸新形勢；電影同樣步伐這樣長大：梅花主旋律、「三廳」文藝、「健康」寫實、新電影，到發掘類型臥虎藏龍。楊力州策馬入林，以珍貴電影美麗時光海角寄語。金馬獎也關香港事，台港共坐汪洋一條船不能沒有你，葉德嫻廣東話、章國明忘形「國語」一一致辭笑過後，輪到劉德華道出我們悲情城市搭錯車實況。

The Moment Dir: Yang Li-Chou 2014 Mandarin/Cantonese 110 min

Established in 1962, the Golden Horse is Chineselanguage cinema’s oldest film awards. In 2013, director Yang Li-Chou was commissioned to make a documentary chronicling the event’s history upon its 50th anniversary. Using archival footage, and clips from classics as well as interviews with luminaries such as Hou Hsiao-Hsien, Sylvia Chang, Stanley Kwan and others, this is a love letter to cinema that traces Taiwan’s tumultuous past as well as the richness of Chinese-language films in the past 50 years.

世界首映 World Premiere

03AC4E1

05AC4M2

3/4（五）7:00pm 香港藝術中心 AC

5/4（日）3:30pm 香港藝術中心 AC

音樂家周藍萍導演：黃敬峯 2013 國語 82 分鐘中文字幕

香港對周藍萍是有虧欠的，他為香港電影真正忙到氣絕，但我們從沒有追認過這位一代宗師。天才作曲家的《綠島小夜曲》先成為不朽，台灣十年配樂的片子已經無數，邵氏把他帶來香港，便有《梁山伯與祝英台》和《大醉俠》等數之不盡膾炙人口的名作。他的黃梅調獨創風格，特別蕩氣迴腸，直至 46 歲逝世前一刻，仍埋首港片配樂。 40 年後，女兒周揚明尋找失落父蹤，找到更屬於電影史的偉人。岳華充導遊到邵氏片場看大師腳印，鄒文懷談大師歲月……大家都急於重組一個巨大身影。

Zhou Lan-Ping ~ His Life and Music Dir: Mark Huang 2013 Mandarin 82min

導演演員將出席與觀眾見面 This screening will be attended by the director and/or actors

104

Composer Zhou Lan-Ping receives well-deserved attention in this nostalgic documentary, which follows Zhou’s daughter Yang-Ming as she retraces her late father’s steps. Yang-Ming’s journey takes her from Taiwan, where Zhou penned the beloved Mando-pop classic “Green Island Serenade” in 1954, to Hong Kong, where he composed memorable songs and scores for films like The Love Eterne and Come Drink with Me. Reminiscences from artists and filmmakers, as well as the timeless sound of Zhou’s work, enrich this loving tribute.

亞洲首映 Asian Premiere

27IS3M2D

31AC3E1

24UC3M3D

05AC4E1

27/3（五）2:30pm UA iSQUARE IS

31/3（二）7:15pm 香港藝術中心 AC

24/3（二）5:30pm UA太古城 UC

5/4（日）7:50pm 香港藝術中心 AC

吾友法斯賓達

蘇古諾夫七日譚

導演：基斯頓布拉湯遜丹麥 2015 105 分鐘

導演：蓮娜琦寶連儂芬蘭 2014 77 分鐘

法斯賓達 24 歲，帶着《愛比死更冷》出征柏林，換來觀眾喝倒采不絕，但這對他彷彿全無影響，往後 14 年，一種極速燃燒生命的創作方式，挾狂風掃落葉的暴烈形態，成就了 60 部影視作品。基斯頓布拉湯遜作為法斯賓達密友，從旁見證那充斥酗酒、濫藥、虐待、驚奇的天才人生。愛瑪賀曼憶述她和他台上台下虛實難分的宰制情事，哈利巴爾娓娓道出他和他的最後創作大計，觀眾會為穿越唏噓的憶舊動容。糅合情誼和歷史，以小見大，大中有小不可不看之作。

電影是他的生命，不能拍戲，他會離開祖國。不過，走過共產主義鐵腕，到專制回朝，他都熬過來，戲還在祖國拍。蘇古諾夫是電影智者。苦難、局限、承傳……生命七章分成七天，在聖彼得堡的七個場景細細道來。七天晃眼過，其實是五年的製作，他一生的故事。鏡頭和大師挨得近，話也真心。跟魔鬼一場場對峙：首作十年後解禁，是恩師塔可夫斯基救了的；拍《浮士德》的錢，諷刺的來自普京。還有對生命的重視、孤獨的感受、電影的想法，都聽來溫心。愛蘇古諾夫，就不能錯過。

Fassbinder – To Love without Demands

The Voice of Sokurov (Sokurovin ääni)

R E T S 師班 A M 大 SS A CL 慕森麥馬巴夫

Mohsen Makhmalbaf

28/3 (六) 3:30pm

Dir: Leena Kilpeläinen Finland 2014 77min

Dir: Christian Braad Thomsen Denmark 2015 105min

Christian Braad Thomsen became close friends with Fassbinder after meeting him in 1969 at the Berlin Film Festival, and filmed numerous lengthy interviews with the acclaimed filmmaker before Fassbinder’s untimely death in 1982. This astounding documentary collects these never-before-published interviews, along with new recollections from Fassbinder’s peers and confidantes, to weave an insightful and intimate portrait of an iconoclastic filmmaker whose impact on world cinema was only just beginning.

During a series of candid, introspective interviews the acclaimed Russian director of Russian Ark (27th), Father and Son (28th) and Faust (36th) discusses his life and career, including his friendship with Andrei Tarkovsky, his 33-year career at Lenfilm, as well as his complex relationship with his craft and his critics. Beyond his own work, Sokurov speaks about the greater meaning and importance of cinema, its purpose and the role of art and artists in modern society.

地點 Venue: The Grand Cinema P. 24 頁

柏度哥斯達

Pedro Costa

29/3 (日)

亞洲首映 Asian Premiere

7:15pm 地點 Venue: The Grand Cinema P. 24 頁

27AC3E2

02GC4E1

31AC3E2

02AC4M1D

27/3（五）9:15pm 香港藝術中心 AC

2/4（四）7:45pm The Grand GC

31/3（二）9:30pm 香港藝術中心 AC

2/4（四）1:30pm 香港藝術中心 AC

汾陽小子賈樟柯

從卡里加利到希特拉

導演：和路達沙利斯法國 2015 105 分鐘

導演：魯迪格塞斯蘭德國 2014 113 分鐘

阿薩耶斯拍侯孝賢，正路啊，然而以《中央車站》（23 屆）打低《鐵達尼號》成為巴西最賣座導演的沙利斯拍賈樟柯，有怪怪傾斜的感覺嗎？別看成大導演放下身段，言語不通不是問題，根本是識英雄重英雄。為賈樟柯站台，有當年男主角王宏偉一起漫步 15 年前取景的汾陽市大街，說着說着又把作品對照，中國夢背後是迷惑價值觀，好人無用武之地。不能沒有上天注定的趙濤，現實及電影中的她，跟賈樟柯一起從小城走到世界。沙利斯眼中，賈樟柯看似任逍遙，實在心中有團不滅火種。

Peter Greenaway

研究德國電影必看，片名和導遊都來自 Siegfried Kracauer 的經典著作。說的是 1918 至 33 年威瑪時期，電影很年輕，會革命，德國銀幕盛放，大師湧現，弗烈茲朗、茂瑙、劉別謙、馮史登堡等等，等等。這時德國在電影裏，如火山上踏舞，恐懼、危機和對最高權力的仰望，都美麗烙下來。大量影像摘錄，千百鏡頭流轉，集體思潮起伏，《卡里加利博士》來到《浮士德》，魔鬼再沒回頭，威瑪電影的下半，是另一個故事，最後結束於《馬布斯博士的遺囑》的瘋人院。光影有知，只是當時懵然。

Dir: Walter Salles France 2015 105min

From Caligari to Hitler (Von Caligari zu Hitler) Dir: Ruediger Suchsland Germany 2014 113min

Auteur meets auteur in Motorcycle Diaries director Walter Salles’ portrait of Sixth Generation Chinese director Jia Zhangke. Filmed as a journey through Fenyang, Jia’s hometown and the setting of many of his films, the documentary features Jia good-naturedly musing on his work and his home, revealing changes to Fenyang or even China at large. Peppered with clips from Jia’s own films, this engaging and affectionate documentary is a must for Jia Zhangke devotees and a splendid introduction for curious cinephiles.

In 1947, Siegfried Kracauer’s classic text probed the hypnotic villains of Weimar films to understand the rise of Nazi leaders in relation to German masses. This thesis not only opened important visions on film and society but also helped a war-weary world explain the presence of such evil in an enlightened state. This elegant documentary revisits Kracauer’s terrain, weaving together restored prints with music and events from the 1920s. While we may argue with its broadest claims, we shudder anew at the dark threats these classic films convey.

Jia Zhangke: A Guy from Fenyang

彼得格連納韋

5/4 (日) 2:30pm 地點 Venue: The Grand Cinema P. 8 頁

張艾嘉

Sylvia Chang

5/4 (日) 3:15pm 地點 Venue: 香港文化中心 HK Cultural Centre P. 43 頁

105

03GC4P1 3/4（五）7:45pm The Grand GC

活在三里塚導演：大津幸四郎、代島治彥日本 2014 140 分鐘中文字幕

不是愛與和平，也不是表達訴求，抗議興建成田機場的三里塚鬥爭，擺明是勇武農民硬撼國家暴力。40 年過去，當年在小川紳介三里塚系列掌鏡的大津幸四郎，挺着 80 歲的老朽身軀，走訪昔日抗爭鬥士。眼前這些毫無殺傷力的公公婆婆，怎樣回顧當年揭竿起義？如何決定堅持或退場？你說你上月才去過成田機場，證明抗爭無用？抗爭學生代文盲婆婆討回公道，迫得當局在機場範圍讓出一片田。機場啟用三十多年，原定的第二條跑道經修改後要等到 2009 年才落成。

The Wages of Resistance: Narita Stories Dir: Otsu Koshiro, Daishima Haruhiko Japan 2014 140min

In 1966, the Japanese government devastated the rural lives of Sanrizuka district with a mighty airport – Narita – despite years of bitter struggle by local farmers and students. Today, as Japan confronts economic stagnation, political uncertainties and Narita expansion for the 2020 Olympics, filmmakers Otsu Koshiro – who filmed vivid documentaries of Narita in 1968 – and Daishima Haruhiko weave together new interviews and archival footage in a powerful indictment of state power versus ordinary people.

TH YE O E AR G L SL AW EG AT A AC ER: SH Y IN O SU F KE

回小到川三紳里介塚的啟示

曾跟小川紳介並肩拍攝「三里塚系列」的攝影師大津幸四郎，以 80 歲的高齡，重返闊別四十多年的三里塚，重訪抗爭英雄，反省當年與今日，拍成新作《活在三里塚》，惜大津於去年成片後撒手塵寰。我們選映此作的同時，正好回望小川紳介的巨大影響。「三里塚系列」在日本以至世界紀錄片史上有無可取代的位置，小川本人或許不自覺，該系列可視為日本紀錄片分水嶺，明確將日本紀錄片帶離傳統的「教育」及「公關」功能，變成紀錄甚至宣揚社會改革的媒介，而且更和傳統發行渠道保持距離，為觀眾帶來建制不想人民聽到的聲音。這次選映系列的三部代表作，作為《活在三里塚》的必要參考，也由此看到抗爭由盛轉衰，以及小川從激進到謙卑的心路歷程，抗爭運動可鑑。 40 years on, Ogawa Shinsuke's monumental Narita Series retains its place as a milestone of Japanese documentary filmmaking. Mostly shot in black and white, the images of farmers clashing with riot police are as vivid as ever. "Crush the Airport!", say the placards of the resisting farmers. Narita Airport is not crushed, but the imprint of the docile Japanese is forever shattered. In the 2010s, Otsu Koshiro, cameraman of the first film of the series, revisited Sanrizuka. Co-directed with Daishima Haruhiko, The Wages of Resistance: Narita Stories is an update on the people who lived on the land which is now the Narita Airport. Three entries of the Narita Series will be screened as reference, including Summer in Narita, in which Otsu was arrested with a trumped-up charge of "Obstruction of Formal Duties."

導演演員將出席與觀眾見面 This screening will be attended by the director and/or actors

106

Provided by The Film School of Tokyo

04SM4M3 4/4（六）5:30pm 香港科學館 SM

日本解放戰線：三里塚之夏導演：小川紳介日本 1968 108 分鐘

三里塚抗爭真的是保衛家園那麼簡單？小川紳介不這麼想。那如北越農民抗擊美帝轟炸一樣，是日本人民覺醒的解放前哨戰。小川要攝影機站在抗爭農民的一方，讓觀眾通過銀幕與權力對話。然而，防暴隊沒有暗角也可拳打腳踢，雙手捧着攝影機就是「妨礙公務」，給數人按在地上。屢遇挫折，但戰意高昂。小川留了下來，繼續拍攝農民及學生鬥爭，完成七部三里塚影片。拍攝時被警察逮捕的大津幸四郎離開小川班底，改隨土本典昭，四十多年後才重回故地拍攝《活在三里塚》。

Summer in Narita: The Front Line for the Liberation of Japan Dir: Ogawa Shinsuke Japan 1968 108min

In 1968, the newly established Ogawa Productions moved to the Sanrizuka district to live among farmers and document those protesting against impending plans to build Narita Airport. Ogawa’s hand-held camera plunges us deep into the farmers’ grassroots campaign as they clash with riot police. Capturing the chaos and fervor on the ground, Summer marks the first of Ogawa’s seven documentaries about what would become a keystone in Japanese social movements.

Provided by The Film School of Tokyo

05SM4M3 5/4（日）5:00pm 香港科學館 SM

三里塚：第二寨之人導演：小川紳介日本 1971 143 分鐘

三里塚系列第四部，可能是整個系列最為西方世界認識的一部，這與片中異常密集的衝突場面不無關係。抗爭踏入第五年，農民設置多個防禦陣地（即片名中的「寨」），農婦用鐵鏈自綁於樹，泥土下更有地道。烽煙四起，農民猶豫是否調整策略：堅持打不還手，還是動用一早預備好的竹矛及汽油彈，向政府以高薪請來的臨時工大開殺戒？陣地被逐個擊破，向防暴警察及臨時工宣揚道德感召，只是對牛彈琴。見慣風浪的老人無奈承認，政府像癲狗，反對黨只是得把口。

Narita: Peasants of the Second Fortress Dir: Ogawa Shinsuke Japan 1971 143min

As his first international success, Ogawa’s fourth film on the Narita Airport project protests is a decidedly entrenched work: it follows villagers in recently built ‘fortresses’ and underground tunnels as they anticipate clashes with the police. Interspersed between scenes of escalating violence, the film’s candid encounters with villagers provide accounts of their ongoing struggle and a compassionate portrait of their radicalism. This is “a world… beyond success and defeat, comprehensible only to those who stand firm within it” (publicity note, 1971).

Provided by The Film School of Tokyo

06SM4M3 6/4（一）5:30pm 香港科學館 SM

三里塚：邊田部落導演：小川紳介日本 1973 146 分鐘

三里塚系列第六部，有如《三里塚之夏》的 B 面，先前的戰意高昂，數年過後變節節敗退。三防暴隊殉職令年輕農民羞愧自盡，外援學生逐漸退場，年輕農民被砌詞扣押，警方蓄意離間村民，但他們仍能守望相助，農婦苦中作樂，將蘿蔔刨成陽具祭神。動作場面欠奉，小川卻脫胎換骨，成就日後以菲林紀錄天地人的傳奇。鏡頭從學生警察轉向農民自身，他們不再是左仔的鬥爭工具，而是和土地有深厚感情的血肉之軀。小川的三里塚系列於此暫告一段落，之後他轉戰山形，學做農民。

Narita: Heta Village Dir: Ogawa Shinsuke Japan 1973 146min

Long hailed as one of Ogawa’s masterpieces, Heta Village is his sixth film about the farming community mired in a decade-long fight against the Narita Airport building project. The documentary’s lengthy scenes poignantly capture the faces of a community away from the frontlines, of villagers contending with their casualties and fading way of life. Having been entrenched in their daily protests for years, Ogawa’s solidarity with the farmers is deeply palpable in this quiet ode to Heta’s history and customs. AC Arts Centre | CE HK Convention & Exhibition Centre | CT City Hall | GC The Grand | KG Cultural Centre | MP The Metroplex | TC MCL Telford | SM Science Museum | SP Space Museum | UC UA Cityplaza | IS UA iSQUARE | MK Cine Moko

107

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27AC3E1 27/3（五）7:30pm 香港藝術中心 AC

30AC3M3D

G AR

AV AN T

前衛眼

30/3（一）5:30pm 香港藝術中心 AC

前衛短片專輯（一）結集了一堆非敘事「結構性」作品。《導致》（英國）窗框望出，樹枝、鐵欄及對街屋疊在一起，黑盒意象光的折射。《看到的聲音》（英國）儼如一個 DJ 將片頭片尾放在唱盤上刮呀刮。《畫微粒》（德國）從渾沌破爛膠片提煉出金色的對稱幾何。《霧徑》（加拿大）細緻重疊一次從草地到泛舟的郊遊，看到 Seurat。《深睡》（希臘馬爾他巴勒斯坦）催你眠洗你腦，就要探問潛意識的影像。《全色底片 I,II,III》（美國）是一個個以時軸為基礎的 Pixel Paintings。《月曆》（加拿大智利）追隨月影，是記錄、膜拜，也是蒙太奇。（共 72 分鐘）

Avant Garde Programme I A celebration of sound, color and the materiality of film and image. A single take of a street scene becomes a revolutionary challenge to media in Patrick Tarrant's The Take Up. Color and sound dance together in unexpected rhythms in Optical Sound (Stephen Irwin) and enter a fugue with found footage as Picture Particles (Thorsten Fleisch) follows. Alexandre Larose's Brouillard – Passage #14 takes us from abstraction to impressionism with its rich layers of imagery, while Basma Alsharit's Deep Sleep takes us through ruins to Gaza on a voyage framed by sleep waves. Impressionism meets pixelation in T Marie’s Panchrome I,II,III. And the moon itself dances the finale in Malena Szlam's Lunar Almanac. Total: 72min

29AC3E2 29/3（日）10:00pm 香港藝術中心 AC

31AC3M3D 31/3（二）5:45pm 香港藝術中心 AC

Courtesy the artist; Marian Goodman Gallery, New York; Hauser & Wirth, London; Esther Schipper, Berlin; and Anna Lena Films, Paris

前衛短片專輯（二）主要是敘事成份的沉思作品。《困在當下看將來》（英國）女子化妝，帶出「我」身處何世，反覆詰問。《任意葉》（美國）將生活、大自然、動物的片段隨意接上，尋找不隨意的質地。肯雅各斯像一個潑墨的畫家，《獨眼巨人觀天體》（美國）的水態展現依然是他的哲學：Cyclops 及薛西弗斯都不可憐，宇宙縮影其中。《羊齒植物田野手冊》（美國）來自中東的前衛新星，自我披露影像困局，在舒適林中小屋，隔離又隔離看第三世界苦難。一隻小猩猩穿上餐廳侍應服，戴上《人面具》（法國），在後福島的孤零中學習做人。（共 63 分鐘）

Avant Garde Programme II Nature, human and other. Haunted by the Present, She Looks to the Past takes us through the personalized and visualized diary of Emmaalouise Smith before exuberant nature, bursts in and out in foliage, with mermaids and haunting images in Fern Silva’s hypnotic Wayward Fronds. Ken Jocob's Cyclops Observes the Celestial Bodies then challenges the dimensions of what we see before Basma Alsharif’s A Field Guide for Ferms provides a palimpsest of nature and horror across multileveled gazes and provocative geographies. In Pierre Huyghe's Human Mask, a creature of indeterminate species exploring a landscape of horrifying vacancy makes “human” a question. Total: 63min

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03AC4M3

06AC4M1

3/4（五）5:15pm 香港藝術中心 AC

6/4（一）1:00pm 香港藝術中心 AC

IS ON M

保羅奇立遜選輯（一）

ER -8

PA SU U P L

C LY LIP R S

保超羅八奇隨立想遜曲

自 2003 年開始，保羅奇立遜慢慢發展出一個拍攝模式：「我的電影以即興、意識流的拍攝手法，在潛意識初顯現之際立刻捕捉下來。夢、記憶及日常的片段，以重重疊、影機內置剪接，細究出大大小小的形態和抽象環境，置放在沒有計劃效果、流動形態的實驗美學裏。」他喜歡跟不同前衛音樂人合作（其中 Jefre CantuLedesma 最多），聲影對話，戲院內，畫廊內，也在演奏台上。奇立遜的實驗作品發揮超八的濃烈視覺特質，不經深思熟慮，充滿「錯誤」及意外效果。表面上他承繼着布力奇治、布魯士比利（Bruce Baillie）、瑪莉門肯（Marie Menken）等詩意一派，然而他的順時拍攝，亦具有結構派質地，抒情與理性並重，微觀中宏視，詮釋他打開的時間裂痕，夢態追蹤身處的文明，並感性頌讚大自然。 Poet laureate of the Super-8. Since 2003, Paul Clipson has forged unique syntheses of lyricism and experimentation that have been exhibited to critical and audience acclaim in festivals and museums worldwide. Working in collaboration with varied contemporary musicians such as Jefre Cantu-Ledesma and Barn Owl, Clipson has created multi-layered elegies of light, music, and perception. The complex patterns of these dynamic shorts, combined with a range of musical rhythms, easily recall the questions and delights of early cinema as well as experiments among the surrealists. In this overview of Clipson’s work over the last decade, we explore with him the nature of night and lights across the patterns of cities worldwide. He also turns his eye toward nature, creating intertwining backdrops or focusing us on figures in movement in counterpoint to the motions of waves and sunlight.

導演演員將出席與觀眾見面 This screening will be attended by the director and/or actors

《塞納河上獅身人面像》（2008）的在途上片段，藉着陽光、粼光會合，眼前、記憶、神思、眷戀踟躕潛行。《副歌》（2009）裏三藩市、紐約和鹿特丹之夜色，聚合成一次超驗出神，溫柔激盪，追尋霓虹的精靈個性。在《融合》（2010）裏女子（安雅金曼絲卡雅）林中獨行，伸出手去自證此夢非夢。《來自梅薩的光》（2010）為樂團 Barn Owl 的演出創作，趨近大自然，找着小昆蟲、小葉子的國度，觀天望日。《複眼》（2011）也要觀眾代入萬有萬物萬象，穿越晨露鱗波，與甲蟲鍋牛蒼蠅蜘蛛海魚等分享微小大天地。（共 64 分鐘）

Paul Clipson Programme I Clipson takes the “symphony of a city” into the new millennium in SPHINX ON THE SEINE and the melting lights of Rotterdam, San Francisco and New York in CHORUS. The programme shifts from city to nature with the chiaroscuro dance of UNION and the explosions of growth, light and sound in LIGHT FROM THE MESA, with its score by Barn Owl. Finally, the five movements of COMPOUND EYES NOS. 1-5, a magical menagerie, ask us to see the world with and like other beings – whether refracted through the vision of myriad insects or drifting in an aqueous world with the fishes. Total: 64min.

04AC4M3

06AC4M2

4/4（六）6:00pm 香港藝術中心 AC

6/4（一）2:45pm 香港藝術中心 AC

保羅奇立遜選輯（二）《降》（2012）的高架路軌交疊，令人想起歌頌工業化的早期前衛電影。《本》（2012）在睡中夢行，困頓迷恍累積。《風景交融》（2012），清晨在抽象與形態間，實與虛對話。《誓重生》（2013）捕捉晨光下薩格伯鐵路的神經質。《困難愛》（2013）在三藩市植物公園，也在奇立遜的後花園，水、光與花寫出愛的詩篇。《另一虛》（2012）幾乎是完全影機內置剪接作品。《明鏡》（2013）中《融合》的安雅又出現。《另一狀》（2013）專注眼球、提款機及啤酒牌，慾望想像。《類星體與脈衝星》（2014）終於用了流行曲式配樂，目遊旭日。（共 64 分鐘）

Paul Clipson Programme II Urban industrial landscapes create angular canvasses in ABSTEIGEND and then reemerge as spears of light in the Zagreb train station in VOID REDUX. These converge with other poetic essays of movement and shadow like ORIGIN with its play of body, woods and waves or the synthetic visions of LANDSAPE DISSOLVES. And then Clipson’s striking trilogy – ANOTHER VOID, BRIGHT MIRROR and OTHER STATES – where his certainty of color, light, and sound is anchored by key images of the eye, the dancing figure and erasing shadow and urgent hands and faces. Culminating with PULSARS E QASARS. Total: 64min.

111

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修復經典

05KG4M2 5/4（日）1:00pm 香港文化中心 KG

茂瑙基金會電影史學者薛巴斯安舒亞講座，詳情： www.goethe.de/hongkong Film historian Sebastian Schurr from the Murnau Stiftung will hold a talk. Details: www.goethe.de/hongkong

卡里加利博士導演：羅拔維內德國 1920 77 分鐘

瘋狂博士、夢遊異類、操控行兇、癲人心像……德國表現主義經典也是史上第一部真正的恐怖片。歷史之功不為導演維內獨擁，兩位編劇才是始創。他們或許經歷過軍事治療創傷，或迷濛現實裏與凶殺擦身而過，決意見證心魔；另有美術設計師與兩位畫家，不獨參考前衛表演及畫風，更切切實實開創着表現主義電影：在畫出來的光與影中，在立體想像的佈景裏，失神的演員演繹內心恐怖風景，連敘事玩結局扭轉，這一部也是老祖宗。再看真一點，電影美藝空間拼砌與繪畫的想像力在此片之後不再關起來，同一脈絡發展，當世先進的特技視覺概念也承繼於此。這回博洛尼亞進行的 4K 修復影像質素無與倫比，染色恢復原貌，更配上佛萊堡音樂大學集大成的交響樂。

The Cabinet of Dr. Caligari (Das Cabinet des Dr. Caligari) Dir: Robert Wiene Germany 1920 77min Cast: Werner Krauss, Conrad Veidt, Friedrich Feher, Lil Dagover

The century-old Expressionist masterwork that defined art cinema and yet tingles with the power of true horror that modern productions so often seek in vain. Its haunting story probes our primal fears of carnivalesque manipulators and murderous sleeping servants, while the intense angles of architecture and light create an indelible world between nightmares and art. And in its play of truth and fiction, reality and insanity, this silent masterpiece has retained remarkable power for critics and audiences alike. Now beautifully restored: the images are clearer than ever but the story just as compellingly mysterious. New orchestral score by Musikhochschule Freiburg. 03CT4M2 3/4（五）2:00pm 香港大會堂 CT

設映後談，電影學者莊拿頓盧辛鵬主講 Post-screening talk with film scholar Jonathan Rosenbaum

上海小姐導演：奧遜威爾斯美國 1947 87 分鐘中文字幕

杜魯福認同巴贊，說奧遜威爾斯就算只得三部影片（《大國民》、《偉大的安伯遜家族》和這一部），也足以令名字刻在電影史的凱旋門上。拍於事業低迷時，奧遜威爾斯讓當時妻子烈打希和芙染一頭金髮，向落泊水手（自己演出）灌迷湯，辣手解決厭惡的婚姻狀況。事及視覺不斷扭轉，《大國民》的凌厲視覺又再復活：低調剪影、深景跳接，變形倒影，噩夢與現實摩擦。結局鏡子迷宮一場殺死假面裂像，心理及技術層次均百看不厭，不用說活地阿倫，我們李小龍杜琪峯都曾參考致敬，跟《波特金號戰艦》的「奧德薩階梯」、《觸目驚心》的「浴室謀殺」等並列為經典中的經典場面。原底片損毀嚴重，此 4K 數碼修復簡直鬼斧神工。

The Lady from Shanghai Dir: Orson Welles USA 1947 87min Cast: Rita Hayworth, Orson Welles, Everett Sloane, Glenn Anders

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

114

Noir mystery at its best. Welles masterfully directed and starred in this ever-twisting story of partners and traitors, feigned suicides and equally false loves, where betrayals and alliances shift in kaleidoscopic wonder. And by the time we end up in the surreal infinite mirrors of the funhouse, we as audience are as entranced, betrayed and enthralled as any of the characters circling around the magnetic figure of Rita Hayworth. They don’t make movies like this anymore – but then, who else but Orson Welles ever did? The new 4K restoration has recovered this masterpiece to all its glory.

04KG4M2

02KG4E2

4/4（六）1:30pm 香港文化中心 KG

2/4（四）10:15pm 香港文化中心 KG

魔宮艷舞

紅塵百劫

導演：米高鮑華、愛密力柏斯保格英國 1951 133 分鐘中文字幕

導演：沙基帕拉賈諾夫蘇聯 1969 79 分鐘

落落寡歡的詩人荷夫曼酒醉後憶述他三段錯愛；無論是神奇的機械娃娃、風情萬種的「看《紅塵百劫》像打開一道門，走進異度空間，時間停頓，美麗大解放。」（馬田史水都花魁，抑或如中魔咒，頹唐如玉山將崩的女高音，魂牽夢縈處，蝕骨椎心，卻又高西斯）帕拉賈諾夫橫空出世，拍下 20 世紀最美的作品。記 18 世紀阿美尼亞詩人無不無疾而終，教人唏噓再三。改編自法國作曲家奧芬巴赫歌劇《荷夫曼的故事》，電 Sayat Nova 的一生，由成長、戀愛、修道到死亡，一反平鋪敘事，通過詩、帕拉賈諾影將原本三女一體的角色分配，改為由舞后摩娜絲拉（《紅菱艷》，34 屆）演繹機動女夫的想像，影像宛如幾百年前的模樣跑到眼前，異色璀璨前所未見。芝奧雷妮分飾六娃與詩人最後真愛史蒂拉，將雄性慾望對象的真容揭開，帶上意想不到的驚慄效應。角，不分男女，帕氏還扛起幕後多部門，靜止畫面裏，角色物件服裝佈景七色紛陳，連場艷舞固然美不勝收，行雲流水的攝影、妙到毫巔的剪接，更展示了電影與舞蹈相水中書、教會羊、棉花天堂……一切遠超現實。詩人的繆思不死，帕氏的極端美學，互轉化的奇觀。米高鮑華遺孀 Thelma Schoonmaker 記得，她剪接《狂牛》時，史高西也成為爾後高達、麥馬巴夫等導演的繆思。艱巨的修復工程去年完成，經典原來更美。斯不停重溫此片。貝特朗塔凡尼亞也說《2020》受它影響至深。

The Color of Pomegranates (Sayat Nova) Dir: Sergei Parajanov USSR 1969 79min Cast: Sofiko Chiaureli, Melkon Alekyan, Vilen Galstyan, Gogi Gegechkori

The Tales of Hoffmann Dir: Michael Powell, Emeric Pressburger UK 1951 133min Cast: Moira Shearer, Ludmilla Tchérina, Ann Ayars, Pamela Brown

Powell and Pressburger’s fantastical rendition of the Offenbach opera is an extravagant treat for the senses, and fulfills Powell’s vision of the ‘composed film’. A bold fusion of music, dance, art and performance, and an allegory of the sacrifices one makes in the name of art, The Tales of Hoffmann recounts a poet’s three lost loves – the automaton Olympia (Moira Shearer, from The Red Shoes [34th HKIFF]), the Venetian courtesan Giulietta, and the ailing soprano Antonia. Lusciously shot in Technicolor, this recently restored classic brings Hein Heckroth and Ivor Beddoes’ audacious color schemes and imaginative set designs back to life.

“In the temple of cinema there are images, lights and reality. Sergei Parajanov was the master of that temple” so wrote Godard about this director, whose masterpiece, The Color of Pomegranates, created a new language of film anchored in living palimpsests from medieval Armenia. Imbued with poetry, flowing sounds (water, wine, blood), religion and color, Parajanov created a mythic world of ethnic identity, aspiration, and loving arts, works, culture and language. Banned from export and withdrawn from circulation in the USSR, the film nonetheless has become a global classic. Restored by World Cinema Project, a programme of The Film Foundation and provided by Fondazione Cineteca di Bologna.

01KG4E1

26GC3M2D

1/4（三）7:30pm 香港文化中心 KG

26/3（四）2:00pm The Grand GC

05KG4E1 5/4（日）6:30pm 香港文化中心 KG

義薄雲天

德州巴黎

導演：沙治奧里昂尼意大利／美國 1984 251 分鐘中文字幕

導演：雲溫達斯德國／法國／英國／美國 1984 148 分鐘中文字幕

意式西部片在沙治奧里昂尼掌舵下接軌美國當代史，《獨行俠決鬥地獄門》和《龍虎大賊鬥千軍》都途經內戰區，語境是告別西部，下一站城市黑幫世界。不說不知，實情是里昂尼謝絕派拉蒙執導《教父》的邀請，他篤定要拍作家親歷其境的原著《The Hood》，以恢宏的旁述／回閃結構，呈現孤兒仔心態的黑道情義史詩。當年里昂尼已經妥協，從三部曲原意，到不分上下集，剪了一個 269 分鐘的初剪版，但電影公司依然短視，行政粗暴剪接，推出 139 分鐘順時序的公映版，令里昂尼心碎，從此不再執導。這是史高西斯與里昂尼家人合力復修的 251 分鐘加長版，比市面流傳的版本長了 22 分鐘，三年前康城首映後即收回加工復修，如今再度面世。

雲溫達斯來圓夢的，心目中的公路電影、美國神話、孤獨英雄全都在美國超額兌現。史丹頓演得像憂傷的詩，令查維斯一角成為傳奇，他迷失在德州沙漠，重回到家庭的現實時，再又失落，吊詭的同時也是圓滿。他背過單面鏡子背着賣肉妻子的獨白，已成經典。金像寫手 Sam Shepard 寫憤怒和異化，這一部會勾魂。Ry Cooder 首次原創音樂，音符懂得寂寞抽身。Robby Müller 掌鏡，地平線上的德州山色與洛城公路散發險惡亦美麗的矛盾美國氣息。幕前幕後的猛人，創作慾都正處巔峰。美國拍成，回到歐洲拿下康城金棕櫚獎，也是圓滿了。雲溫達斯監修的 30 周年紀念修復版，經典再現。

Once Upon a Time in America

Dir: Wim Wenders Germany/France/UK/USA 1984 148min Cast: Harry Dean Stanton, Nastassja Kinski, Dean Stockwell, Hunter Carson

Dir: Sergio Leone Italy/USA 1984 251min Cast: Robert De Niro, James Woods, Elizabeth McGovern, Joe Pesci

Sergio Leone’s magnificent last film delves into the myth of the American gangster, with its story of ‘Noodles’ Aaronson (Robert De Niro) and his crew operating in Prohibition-era New York. Spanning over four decades, this epic story about loyalty, betrayal, and the American dream – now in its extended 251-minute version – is flawlessly executed with Simi’s lavish production design and Morricone’s periodperfect score. Richly immersive, entertaining, and yet emotionally profound, this film adaptation of Harry Grey’s novel remains one of the last great pieces of pre-digital filmmaking. Once Upon a Time in America is, quite simply, quintessential cinema.

Paris, Texas Reconciliation without roots, against the sere landscapes of Texas and the West. Wim Wenders begins with the mysterious encounter of distant and estranged brothers, as the film builds a complex rhythm of relationships as brother remeets brother, father relearns son, son reopens to father. And father, with son, embark on a quest to meet, to understand, to change the mother who once completed the family but now exists on a deposit slip. And the future? Palme d’Or at Cannes, BAFTA awards and critical praise affirm this telling vision of the American soul, still powerful and poignant decades after its first release.

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觀眾請自攜 3D 眼鏡，亦可到戲院購買。 Please bring along your own 3D glasses or buy a new pair at the cinema.

06CT4E2 6/4（一）9:00pm 香港大會堂 CT 觀眾請自攜 3D 眼鏡。 Please bring along your own 3D glasses.

末代皇帝溥儀 3D 導演：貝納杜貝托魯奇中國／意大利／英國／法國 1987 163 分鐘中文字幕

Ic 4 h cl i as ka si w cs a r

貝托魯奇最轟動的作品，覆蓋溥儀傳奇一生，反映中國 60 年動蕩，4K 修復，再轉 3D，二十多年後的新生命。3D，是命裏如此。《末代》華麗打造，一萬九千臨時演員、坂本龍一的浩瀚音樂、仿真的華美宮廷服、史無前例紫禁城拍攝，一切無邊際，2D 裏不起眼的美麗細部多的是，到 3D 竟奇蹟現形。貝托魯奇稱這做「純真 3D」，沒有喧賓奪主，其實細弄的構圖，層次豐富的前中後景，早已是 3D 了，3D 提升時代氛圍，令深陷末代王朝、民國、偽滿洲、共產大陸的人生傀儡更加倉皇。史詩只能在紫禁城打造，也只有貝托魯奇能幻化出來。當年囊括九大奧斯卡金像獎和四項金球獎。

es Ko to n re d

29/3（日）12:15pm The Grand GC

市川崑審美時刻

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The Last Emperor 3D Dir: Bernardo Bertolucci China/Italy/UK/France 1987 163min Cast: John Lone, Joan Chen, Peter O’Toole

You mean it did not have extra dimensions, already? We all remember the heady spectacles of the court, the glorious swirls of silk and scent, the martial masses and endless bureaucracies surrounding a fragile boy who struggles to become emperor and then to survive the end of empire: craftsmanship on an epic scale in the days before computer simulation. Now, this complex masterwork has been lovingly restored and the pomp and pageantry – as well as the intricate human stories woven through it – leaps from the screen for new generations to experience it and talk about the questions it raises.

25GC3P1 25/3（三）7:45pm The Grand GC

青少年哪吒導演：蔡明亮 1992 國語 106 分鐘中文字幕演員：陳昭榮、李康生、王渝文、任長彬、陸弈靜

大師級華語導演始於這部首作，推動「台灣新電影」於 90 年代再闖高峰。蔡明亮根據在電動遊樂場發現的李康生來編劇，木呆自閉的中學生小康，與父母疏遠，沉迷遊戲，另外兩個小混混，交上一個不太純潔的女孩。他們騎着摩托，在昏暗的台北天空下擦身相遇。相比於此前新電影思考城鄉成長和中產經驗，蔡的主題是低下層個體，發展歐洲的寫實冷觀，為台灣留下混沌日常的音影。現代哪吒願望卑微，摩托像風火輪，但無法飛天遁地，只偶然觸發瘋癲。蔡李從庸俗中創造美和悲寂，影壇僅此一家。最新數碼修復版由蔡明亮親自調光，香港有幸成為大銀幕放映的首站。

Rebels of the Neon God (Qing shao nian nuozha) Dir: Tsai Ming-Liang 1992 Mandarin 106min Cast: Aaron Chen, Lee Kang-Sheng, Michelle Wang, Ren Chang-bin, Lu Yi-Ching Tsai Ming-Liang’s startling debut feature is a gritty look at youth adrift in an urban maze of concrete structures and neon signage. Ah Tze (Aaron Chen) and Ah Bing (Jen Chang-bin) cruise the Taipei streets on mopeds, engaging in petty theft and wasting time with roller rink girl Ah Kuei (Michelle Wang). After seeing the kids vandalise his father’s taxi, alienated loner Hsiao Kang (Lee Kang-sheng) drops out of school and follows them, perhaps attracted to Ah Tze or perhaps seeking revenge. Using sparse dialogue and naturalistic camerawork, Tsai masterfully reveals the aimless rebellion of 90s Taiwanese youth. 116

與黑澤明、木下惠介、小林正樹合稱日本影壇「四騎士」的市川崑，名作多不勝數，不同年代的觀眾，會有不同的親近。對於年輕一代，可能是打開推理潮流的《八墓村》（96）及遺作《犬神家一族》（2006），早一些當會鍾情《古都》（80）和《細雪》（83）。電影節七年前重點回顧，曾帶來《心》（55）、《緬甸豎琴》（56）、《野火》（59）和《雪之丞變化》（63）等令他備受肯定為嚴肅文學性導演的代表作。這一次再見《雪之丞變化》外，尚連同三部美學形式突出的五、六十年代作品，以最新數碼復修版面世，讓我們深化對大師與時並進獨特審美觀的認識，也是他誕生百年的最佳紀念。

Ichikawa Kon (1915-2008), became a postwar master of multiple genres of Japanese cinema, often in collaboration with his wife, screenwriter Wada Natto (1920-1983). While claiming Disney as a major influence, Ichikawa proved brilliantly flexible in a remarkably varied range of projects (sometimes abandoned by others). With Wada, he gained fame for such masterpieces as The Burmese Harp, Conflagration, Fires on the Plain and Tokyo Olympiad. After her retirement, he continued to explore literary classics such as I Am a Cat and The Makioka Sisters. Although retired from directing, he made his final appearance before the camera as a director in Koki Mitani’s 2008 The Magic Hour.

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27/3（五）7:30pm UA Cine Moko MK

28/3（六）7:30pm UA Cine Moko MK

炎上

弟弟

日本 1958 99 分鐘演員：市川雷藏、仲代達矢、中村雁治郎、蒲路洋子

日本 1960 98 分鐘演員：岸惠子、川口浩、田中絹代、森雅之、岸田今日子

50 年代末是市川崑一個重要創新時期，首個闊銀幕作品，就改編三島由紀夫的《金閣寺》，與其說是電影事業一個賭博，不如視之為他和編劇拍檔妻子和田夏十對日本人極致審美態度一次大膽陳述，聰明之處是不逼迫自己去理解三島的美醜對立。市川崑視覺上盡情釋放，大膽的心象描敘，前衛的蒙太奇，以及空寂的攝影（溝口健二御用攝影師宮川一夫），回到 1950 年 7 月 2 日大學生林養賢焚寺事件的心理推敲，醜和尚變高中美少年，豁達的瘋狂代替曖昧的癡迷。《電影旬報》年度十大電影第四位。

這次非出自和田夏十手筆，找來成瀨愛用的水木洋子改編幸田文，點點荒謬感，隱隱諷刺性。針對小津維繫家庭和諧的傳統，企圖打碎日本核心價值觀。卡士已是一個造句，森雅之是時代的無能男家長，田中絹代是沉迷宗教神不守舍的後母，川口浩是漫無目的奔馳的弟弟，不斷犯錯消耗生命，岸惠子這個姊姊以無邊活力維繫家庭，只好不斷拒絕追求和婚聘。明朗攝影夾雜褪色的時代理解，日式大屋刻意空蕩蕩，暗角處處。菲林冲印使用「殘銀法」令暗處顯現更多細節和層次，是大膽的技術創新。《電影旬報》年度十大電影第一位，山田洋次也改編為《給弟弟的安眠曲》向他致敬。

Conflagration (Enjo) Japan 1958 99min Cast: Ichikawa Raizo, Nakadai Tatsuya, Nakamura Ganjiro, Uraji Yoko

Her Brother (Ototo)

Based on Mishima Yukio’s Temple of the Golden Pavilion based on real events in postwar Japan, Ichikawa draws out a finely-etched portrait of loss and madness within the confines of a temple and school. Master Tayama adopts Goichi Mizoguchi, son of a friend, as his successor without realizing the obstacles facing the boy. His academic failings converge with his discoveries of corruption in the world around him to lead to his descent into alienation and madness in the name of purity. A fiery parable of the generation who grew up in Japan in the ashes of the Second World War.

Japan 1960 98min Cast: Kishi Keiko, Kawaguchi Hiroshi, Tanaka Kinuyo, Mori Masayuki

Lovingly adapted from the autobiographical novel by Aya Koda, this film explores a complicated family triangle composed by a brutally uncaring father, a sober and protective elder sister, Gen (from whose viewpoint we see the story), and a wild and over-indulged younger brother, Hekirou. Gen, exquisitely incarnated by Tanaka Kinuyo must grow in her understanding and independence as she negotiates the shoals created by these men. Ichikawa brings out the sentimental depths of the story with his careful framing, his sensitive use of music to his incredible manipulation of the light and the color palette of the film.

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30/3（一）7:15pm UA Cine Moko MK

29/3（日）2:00pm UA Cine Moko MK

Print Courtesy of International Olympic Committee

雪之丞變化

東京世運會

日本 1963 114 分鐘演員：長谷川一夫、山本富士子、若尾文子、市川雷藏、勝新太郎

日本 1965 170 分鐘

日本藝能地位如梅蘭芳、任劍輝的長谷川一夫第 300 部紀念作，也是告別作。重拍衣笠貞之助和伊藤大輔 1935 年作品，市川崑不但對人，也對野郎歌舞伎（男旦）、時代劇、早期電影，以至衣笠曾代表的新感覺派等等的江戶情趣、日本美學再三致敬。敘事上忠實改編，長谷川是萬人迷乾旦雪之丞，也同時化身兩個凡夫歹徒，成全復仇任務。復古審美同時包羅時代驚豔，演浪路的若尾文子絕豔上場。歌舞伎台上精緻形態，藉電影感拓展變化，古典呼吸前衛，現在看來，精神健在。

An Actor’s Revenge (Yukinojo henge) Japan 1963 114min Cast: Hasegawa Kazuo, Yamamoto Fujiko, Wakao Ayako, Funakoshi Eiji Punished for his flops by being forced to readapt a melodramatic serial, Ichikawa instead created a marvel of a play within a play, where kaleidoscopic motives and perspectives of actors and identities turned mediocrity into high art. At the center stands Nakamura Yukinojyo (Hasegawa Kazuo), a popular 19th-century kabuki actor specialising in women’s roles, and his quest to revenge the death of his parents. When the daughter of one of those he holds responsible, Namiji, falls under his spell, Yukinojo weaves together dramas on stage and off in devastating plots that create a mesmerizing film.

奧運場上是較量，奧運紀錄片也無可避免，是柏林 1936 vs 東京 1964。市川崑把持當時方興未艾的觀察美學，拍攝策略是「距拍」，跟蘭妮萊芬斯坦那「我在場、我話事」的鏡頭很不同。影機未曾打擾運動員，甚至觀眾，捕捉很專注的競賽氣氛，卻巨細無遺；闊銀幕、長焦距、慢鏡頭，技驚四座，運動紀錄片的美學從此改寫。開場高空視角穿越雲端容或向《奧林匹亞》（18 屆）致敬，對照機中人吧，原來暗示美國是納粹，市川崑又特意跟一名乍得選手上街走走，鋤強扶弱立場鮮明。難怪當時媚美的日本官方不滿，迫他剪短及重剪結尾。這次當然放映導演足本，復現時代見證。《電影旬報》年度十大電影第二位。

Tokyo Olympiad Japan 1965 170min

As Tokyo takes on the challenges of the 2020 Olympics, a classic vision of its 1964 predecessor, when the postwar city rose from the ashes onto the world stage. Originally offered to Kurosawa (who instead chose to direct the opening and closing), the film concentrates even more than its forerunner (Leni Riefenstahl’s Olympia, 18th) on the athletes and lives of the games rather than glorification of the event – to the disappointment of the Tokyo Olympic Committee who forced serious editing onto Ichikawa. Nonetheless, it remains one of the greatest sports movies of all time, and a beautiful as well as timely work on its own.

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成瀨巳喜男年紀念展

05GC4M3 5/4（日）5:30pm The Grand GC

na 110 ru th se an m ni iki ve o, rs ar y

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成瀨巳喜男（1905-69）比同代的溝口健二和小津安二郎較遲走進國際視線，但論成就和地位，三人並駕齊驅。他是黑澤明最喜愛的導演，蘇珊桑塔口中最優秀的。他到松竹學藝，25 歲便首執導筒，五年後拍出成名作《願妻如薔薇》。他寫現實男女感情最出神入化，這在小津的世界是闕如的，溝口則傾向理想化。他六次改編林芙美子，六作都不朽，且煉就成文藝片高手，對草根女子刻劃入微。成瀨在片廠磨練出神技，他信賴電影，調動所有元素如光線、空間、剪接等，拍自己故事 ──人物囿於環境命運卻不自憐，而且目光透徹。他很本能用影像表現情感，對雨的處理、回頭一望的鏡頭出名出色。成瀨的高峰正值 50 年代日本電影黃金期，這裏選映的四作和之後 Cine Fan 的八作，也大部份來自其間。

It took a long time for Naruse Mikio (1905-1969) to reach an international audience. In reality he is on an equal footing with Ozu and Mizoguchi in Japanese cinema. He learnt his craft at Shochiku and made his debut at 25. Then he moved to PCL which was eventually absorbed into Toho, where he ended his prolific career. His fortes are the trappings of romantic relationships and human resilience in adversity. Also notable are his adaptations of the literary works of Hayashi Fumiko, including Floating Clouds (1955), Naruse’s magnum opus. The present series draws heavily from the 1950s, the heyday not only of Naruse but also of Japanese cinema. 《成瀨巳喜男 110 年紀念展》專書 $65

“Naruse Mikio, 110th Anniversary” Catalogue $65 120

飯日本 1951 97 分鐘中文字幕演員：上原謙、原節子、島崎雪子、杉村春子、杉葉子

婚後幾年過去，初之輔飯來張口，眼睛再沒離開過報紙，三千代端來飯鍋後出神：生命啊，都花在廚房和飯桌之間了。這時來了個放浪的俏姪女，三千代出走，是想找回自己？還是對老公灰了心？她沒說清楚，成瀨也沒有，妻子之苦比男人的更複雜。成瀨初改編林芙美子，日本銀幕罕見傳統枷鎖裏女性竭力自主，小津裏看慣的原節子，也釋出機靈的生活感性。不過自主只像放個假，四分三逆光精心搭建的佈景，把小夫妻拍得很美，連帶甜美生活的貓咪、疑似的大團圓，都更像諷刺。《電影旬報》年度十大電影第二位。

Repast (a.k.a. A Married Life) (Meshi) Japan 1951 97min Cast: Hara Setsuko, Uehara Ken, Shimazaki Yukiko

Considered a revival piece in Naruse’s mid-career, Repast stars the luminous Hara Setsuko as Michiyo, housewife to salaryman husband Hatsunosuke (Uehara Ken) in Osaka. Her 5-year marriage has long since dulled, as she finds domestic duties mechanical and her husband uninspiring. The arrival of her spirited niece Satoko incites Michiyo’s disdain for her passionless marriage, and leads her in search of the life she once knew in Tokyo… As Naruse’s first film adaptation of Hayashi Fumiko’s feminist novels, Repast was at the beginning of a wave of shomin-geki films about the working-class in mid-century Japan. 03GC4M3 3/4（五）5:00pm The Grand GC

浮雲日本 1955 124 分鐘中文字幕演員：高峰秀子、森雅之、中北千枝子、岡田茉莉子、山形勳

日本電影黃金期傑作中的傑作，連小津都羨慕說自己拍不來的。也是林芙美子筆下的人物，花樣年華的雪子在越南愛上已婚男富岡，戰後歸來，富岡郎心如鐵，雪子卻一次次貪看負心人的背影。兩個命運貌合神離，愛飄泊於不同身體，終掉落虛空，再難相認。成瀨把感情激流在沉靜跳接中一直沉澱，叫人屏息；長期攝影拍檔玉井正夫的無瑕構圖和燈光佈置是經典中經典，利用陰暗房間和雨水反差營造生離死別，淒美得無以名狀；高峰秀子和森雅之投入角色之深，也令畫面散發異樣陰森。《電影旬報》年度十大電影第一位。

Floating Clouds (Ukigumo) Japan 1955 124min Cast: Takamine Hideko, Mori Masayuki Consistently lauded as a masterpiece, powerful in its evocation of female mentality and postwar malaise, Floating Clouds is Naruse’s fifth adaptation of a Hayashi Fumiko’s novel. The story of downtrodden Yukiko (Takamine Hideko) and her rakish lover Kengo (Mori Masayuki) interweaves the memory of their love affair during wartime Indochina with the sordid state of their current non-relationship in Japan, one eroded by Kengo’s repeated betrayal and Yukiko’s cyclical descent into squalor. The film deals directly with the inability to return to the past – a theme similarly explored, years later, in Resnais’ Hiroshima Mon Amour (1959).

06GC4M3 6/4（一）5:15pm The Grand GC

娘．妻．母日本 1960 123 分鐘中文字幕演員：原節子、高峰秀子、三益愛子、森雅之、寶田明、仲代達矢

成瀨的彩色闊銀幕很絢麗，還有眾星排場：原節子，高峰秀子，森雅之，寶田明…… 三代家庭像喜劇惹笑，但後來笑聲都變黑色。原節子飾演的妻子因丈夫身亡獲大筆保險金，她回到母親的大家庭，哥哥說投資，妹妹說買樓，錢都賒借了去。成瀨的人物總有生活上這樣那樣的金錢瓜葛，來得很真。原節子喪夫自由了，卻墮進和仲代達矢的姐弟戀，兩人在視線間剪接裏由腆到吻下去的一場戲，成瀨的神乎其技，浪漫得叫人流淚。人和家庭要離散，戲沒有完，餘韻都在我們的現實裏。

Daughters, Wives and a Mother (Musume tsuma haha) Japan 1960 123min Cast: Hara Setsuko, Takamine Hideko, Takarada Akira, Koizumi Hiroshi Sanae (Hara Setsuko), a recent widow, has returned to the family home with a sizable sum of insurance money – an event that triggers discord in a family already coming apart at the seams. With great performances by an A-list cast, Daughters, Wives, and a Mother contrasts Sanae’s virtuous daughter against her scheming, cash-strapped, and self-centered relatives, highlighting the mismatch between how people ought to be versus how they actually behave as a family. Naruse’s usual grim outlook on modern society is no less tarnished by this film’s resplendent color and Toho scope cinematography; rather, the vibrancy only enhances the loathsome quality in human nature. 04GC4M3 4/4（六）4:30pm The Grand GC

亂雲日本 1967 108 分鐘中文字幕演員：加山雄三、司葉子

成瀨去世前兩年拍成的遺作，也是極出色的一部，把命運不在我手的處境化成兩個人的探戈。婚姻極美滿的由美子突然丈夫身亡，事故的元兇三島被判無罪，卻堅持支付由美子的生活費，兩人有意或無意間不停遇上，有時極恨也有時極之愧咎，但心其實都善良。司葉子含蓄內歛，加山雄三真情直率，兩人的反差，再有成瀨精準的驚險懸疑手法，把既愛又恨的感情拍得張力繃緊。片末兩人戰兢到旅館的一組戲，簡潔有力，心理糾葛一瞬間閃現驚險片的神采，不愧一部壓卷作。《電影旬報》年度十大電影第四位。

Scattered Clouds (a.k.a. Two in the Shadow) (Midaregumo) Japan 1967 108min Cast: Kayama Yuzo, Tsukasa Yoko, Kusabue Mitsuko Made two years before Naruse’s death, Scattered Clouds is a wistful tale of lives entwined by fate and coincidence. Young widow Yumiko (Tsukasa Yoko) returns to her home town to eke out a living. Exonerated, Shiro (Kayama Yuzo) – the repentant man who killed Yumiko’s husband in a traffic accident – is transferred to a minor post in the same town. Despite their mutual reluctance, the two gradually fall in love, while the painful past looms over their relationship… Showing characters isolated in muted surroundings, Naruse’s final film eloquently reveals his clear-eyed view of human unhappiness. AC Arts Centre | CE HK Convention & Exhibition Centre | CT City Hall | GC The Grand | KG Cultural Centre | MP The Metroplex | TC MCL Telford | SM Science Museum | SP Space Museum | UC UA Cityplaza | IS UA iSquare | MK Cine Moko

137 121

Publications

書籍

香港影片大全系列 Hong Kong Filmography Series 1970年代篇：第七卷（1970-1974）第八卷（1975-1979）（中文書）

The 1970s: Volume VII (1970–1974) Volume VIII (1975–1979) (In Chinese)

$185

$285

專題書籍 Topical Books 百年光影覓香江（DVD 連特刊）

乘風變化─嘉禾電影研究（附英文翻譯光碟）

江湖路冷─香港黑幫電影研究（附英文翻譯光碟）

Hong Kong Memories in Cinema

Golden Harvest: Leading Change in Changing Times

Always in the Dark: A Study of Hong Kong Gangster Films

(DVD and catalogue)

(English Edition in CD-ROM)

$98

$140

$130

本館出版共六十多部書刊，香港電影資料館有售，有關其他銷售地點及本館各書刊，請參閱資料館網頁。 Some 60 titles are on sale at the Archive box office. For information about other sales outlets and Archive publications, please refer to our website. 查詢電話 Enquiry: (852) 2739 2139 傳真 Fax: (852) 2311 5229 電郵 E-mail: hkfa@lcsd.gov.hk 網址 Website: www.filmarchive.gov.hk

費穆電影孔夫子（中英對照） Fei Mu's Confucius (Bilingual in Chinese and English)

$78 電影光碟同步發售 DVD also on sale

香港影人口述歷史叢書之六：龍剛（附英文翻譯光碟） Oral History Series (6): Director Lung Kong (English Edition in CD-ROM)

$120

海外訂購書籍 Overseas Orders (books): www.shopthrupost.hk

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電影節發燒友2015會員計劃 HKIFF Cine Fan 2015 Privilege Scheme

入會即送門票兩張＊ Join and Get 2* Free Tickets! ＊門票數量有限，先到先得。 *Tickets are available on a first-come, first-served basis.

會籍詳情 The Privilege Scheme Details 會員類別 Privilege Type 費用 Fee

贊助會員 Patron Privilege HK10,000

有效期至 Valid Thru

會員 Classic Privilege

學生會員 Student Privilege

HK$100

HK$80

2015 年 12 月 31 日 31 December 2015 2015 年 2 月 28 日至 2015 年 4 月 3 日內成為電影節發燒友 Join the scheme from 28 February to 3 April 2015 第 39 屆香港國際電影節 VIP 通行證乙張 One (1) 39th HKIFF VIP pass

禮品 Gift

第 39 屆香港國際電影節特選場次門票 2 張 ( 門票數量有限，先到先得 )

2 complimentary tickets for selected screenings of the 39th HKIFF (on a first-come, first-served basis) 2015 年 4 月 4 日或以後成為電影節發燒友

Join the scheme on or after 4 April 2015 第 40 屆香港國際電影節 VIP 通行證乙張 One (1) 40th HKIFF VIP pass

電影節發燒友四、五月節目換票證 *2 張 ( 門票數量有限，先到先得 )

2 ticket vouchers for Cine Fan Apr / May Programmes (on a first-come, first-served basis)

＊換票證只適用於換取電影節發燒友四、五月節目於香港藝術中心放映的未滿座場次。換票證數量有限，先到先得。( 受有關條款及細則約束，詳情請參閱 http://goo.gl/935yrv) *Ticket vouchers are applicable to redeem tickets for all non sold-out screenings of Cine Fan Apr/May Programmes shown at Hong Kong Arts Centre. Ticket vouchers are available on a first-come, first-served basis. (Offers are subject to relevant terms and conditions. For details, please refer to http://goo.gl/935yrv)

門票優惠 Ticket Promotion 電影節發燒友 (HKIFF Cine Fan) 節目各場正價門票 Regular-priced HKIFF Cine Fan Programme tickets 其他由香港國際電影節協會及其合作夥伴合辦之電影節目門票 * Tickets of other programmes co-organised by HKIFFS and its partners* Cine Fan 夏日國際電影節各場正價門票 Regular-priced Cine Fan Summer International Film Festival (SIFF) tickets 香港國際電影節各場正價門票 Regular-priced HKIFF tickets 《第三十九屆香港國際電影節》特刊、《焦點影人：張艾嘉》及《成瀨巳喜男 110 年紀念展》 The “39th HKIFF Main Catalogue", "Sylvia Chang, Filmmaker in Focus", "Naruse Mikio, 110th Anniversary"

贊助會員▲ 及會員 Patron Privilege ▲ and Classic Privilege

學生會員 Student Privilege 七折 30% discount#

八五折 15% discount 八五折 15% discount 九折 10% discount 八折 20% discount^

▲

贊助會員獨享額外優惠，請參閱 cinefan.com.hk。 Exclusive privileges for Patron Privilege, please visit cinefan.com.hk. # 只限學生會員優惠，不設其他學生優惠票。 No other student discount than Student Privilege. ^ 會員請於 3 月 25 日至 4 月 6 日期間，到香港國際電影節嘉賓及傳媒招待處 ( 地址：九龍尖沙咀梳士巴利道十號香港文化中心行政大樓四樓展覽館 )，出示有效電影節發燒友會員證，以現金購買。 Privilege must present their valid HKIFF Cine Fan privilege card with cash at the HKIFF Hospitality & Media Suite (Address: Exhibition Gallery, 4/F Administration Building of HK Cultural Centre, 10 Salisbury Road, Tsim Sha Tsui, Kowloon) during 25 March to 6 April to enjoy the discount.

更多優惠 More Promotion 藝穗會 Fringe Club

出示有效電影節發燒友會員證即享藝穗會活動 / 節目正價門票、餐飲最高八折優惠 *。 Up to 20% discounts* for expenditures at the Fringe, including tickets to shows and food and beverages by presenting valid Cine Fan privilege card

更多優惠詳情，請參閱 www.cinefan.com.hk More benefit details, please visit www.cinefan.com.hk * 香港國際電影節協會及其合作夥伴保留暫停或取消所有會員優惠的最終決定權。 Subject to final agreement from HKIFFS & its partners. HKIFFS reserves all rights and final decision to cancel or vary the discount offer.

辦理入會手續

How to join the HKIFF Cine Fan

有意成為贊助會員者，請於辦公時間內致電 2970 3300。入會可經網上申請 (www.cinefan.com.hk) 或親身到以下地址遞交。 - 於網上遞交申請時，可經網上申請系統上載個人照片（以 2MB 為限）。而親身遞交申請表的申請人，須帶同近照一幀（護照相片）到以下地點期間辦理：

For application for Patron Privilege, please call 2970 3300 during office hours. Application can be made on-line (cinefan.com.hk) or in person. A recent passport photo (max. 2MB) is required. For in-person application, applicants can hand in their completed application forms together with a passport sized photo to the following offices:

3 月 22 日或以前香港國際電影節協會辦事處地址：九龍觀塘道 370 號創紀之城 3 期 21 樓（近港鐵牛頭角站）時間：星期一至五上午 10 時至中午 12 時，下午 2 時至 5 時；星期六早上 10 時至下午 12 時〈公眾假期除外〉 3 月 23 日* 至 4 月 6 日香港國際電影節嘉賓及傳媒招待處地址：九龍尖沙咀梳士巴利道十號香港文化中心行政大樓四樓展覽館時間：星期一至日上午 10 時至下午 7 時 *3 月 23 日開放時間為上午 10 時至下午 5 時 30 分

電影節發燒友 (HKIFF Cine Fan) 入會條款及細則，請參閱 http://goo.gl/SHoVNQ HKIFF Cine Fan Privilege Scheme Terms and Conditions, please visit http://goo.gl/SHoVNQ

On or before 22 March The HKIFF Society Ltd. Address: 21/F, Millennium City 3, 370 Kwun Tong Road, Kowloon, Hong Kong (Opposite to Ngau Tau Kok MTR Station) Hours: Mon-Fri: 10:00-12:00, 14:00-17:00; Sat: 10:00-12:00 (Except Public Holiday) 23 March* to 6 April The HKIFF Hospitality & Media Suite Address: Exhibition Gallery, 4/F, Administration Building of HK Cultural Centre, 10 Salisbury Road, Tsim Sha Tsui, Kowloon Hours: Mon-Sun: 10:00-19:00 *23 March : 10:00 – 17:30 137 133

影片索引

Index of Films

Online Booking 網上訂票 From 28/2/2015 起

www.hkiff.org.hk

134

1001 Grams 一千零一克

Bride with White Hair, The 白髮魔女傳

Fresh Wave Awarded Showcase 鮮浪潮得獎作品選

1989 一九八九

114

Cabinet of Dr. Caligari, The 卡里加利博士

105

From Caligari to Hitler 從卡里加利到希特拉

20 30 40 20 30 40

Chambermaid Lynn, The 女僕與女王

From What is Before 莫忘初衷

3 Hearts 三顆痴痴的心

31, 87 Charlie's Country 原住民的異鄉

Gett: The Trial of Viviane Amsalem 猶太式離婚

40-Love 蠱惑決勝分

Chasuke's Journey 天使的茶几

Giliap 海邊的基利亞

101

50 Year Argument, The 書中方一頁，世上五十年

Chokolietta 朱古麗葉

Golden Era, The 黃金時代

'71 71暴亂夜

Coffin in the Mountain, The 心迷宮

Goodnight Mommy 媽咪早抖

20, 23 Accused 製造死亡天使

115

Color of Pomegranates, The 紅塵百劫

23, 103 Great Museum, The 殿堂內望

35, 40 Aces Go Places 最佳拍檔

117

Conflagration 炎上

117

Actor’s Revenge, An 雪之丞變化

Corn Island 孤島桃源

23, 94 Haruko's Paranormal Laboratory 春子超常現象研究所

102

Actress 二度女星 Go Go Go

Corrections Class 廢青同盟

Heaven Knows What 又毒又愛

Aferim! 押奴記

Council of Birds, The 空山鳥啁啁

117

Her Brother 弟弟

Alive 生之欲

CR NO: 89 光明磊落的一天

Horse Money 馬．錢

Amour Fou 喪戀

Cruel 我殺故我在

101

Hotel Nueva Isla 夏灣拿有間大酒店

Androids Dream 尋羊的複製人

Dari Marusan 寵物女探偵

13, 91 Hotline 非人熱線

Angels of Revolution 蘇維埃的美麗任務

101

Dark Star - HR Giger's World 基格的暗黑國度

How to Win at Checkers (Every Time) 戀戀棋盤

87, 96 Appleseed Alpha 蘋果核戰：Alpha

121

Daughters, Wives and a Mother 娘．妻．母

Human Capital 奪命保險金（暫名）

As We were Dreaming 圍牆倒下時

Dead Lands, The 闇鬥士幽靈谷

I am the People 革命……其後

ATA 照見

Dearest 親愛的

I Want to See the Manager 我要見經理

Atomic Heart 原子心媽媽

Duke of Burgundy, The 公爵蝶戀花

In the Basement 地窖天堂

August Winds 八月風

Eisenstein in Guanajuato 愛森斯坦萬萬歲

It Takes Two to Tango 車拼

110

Avant Garde Programme I 前衛短片專輯 (一)

End of Winter 爸爸的隆冬

Ixcanul Volcano 火山少女

110

Avant Garde Programme II 前衛短片專輯 (二)

Esoterica: Manila 馬尼拉風月寶鑑

Jasmine 茉莉劫

Balikbayan #1 Memories of Overdevelopment Redux III 過度發展的回憶

Farewell Party, The 安樂死派對

Jauja 巧黑

Beautiful 2015 美好2015

105

Fassbinder–To Love without Demands 吾友法斯賓達

105

Jia Zhangke: A Guy from Fenyang 汾陽小子賈樟柯

Ben Zaken 我們

Field of Dogs 一個人的神曲

K K

Big Father, Small Father and Other Stories 大爸爸小爸爸及其他

Fires on the Plain 野火

Kabukicho Love Hotel 歌舞伎町24小時時鐘酒店

120

Floating Clouds 浮雲

Kindergarten Teacher, The 愛詩誘罪

Haider 詩人復仇記

Bird People 我是一隻小小鳥

Blast, A 無限春光在爆seed

Forbidden Room, The 非請勿進

Koza 激戰之羊

Blue Hour, The 殺佛美少年

Force Majeure 男兒免責（暫名）

Kung Fu Jungle 一個人的武林

Body 臭皮囊

Foreign Body 色𠝹

87, 89 Labyrinth of Lies 大話迷宮

Borderless 無國界小王子

Forever and Ever 地久天長

114

Lady from Shanghai, The 上海小姐

116

Last Emperor 3D, The 末代皇帝溥儀 3D

Nezha 少女哪吒

Short Film Competition Programme II 國際短片競賽節目(二)

Valley, The 失魂谷

Legend of the Mountain 山中傳奇

115

Once Upon a Time in America 義薄雲天

Short Film Competition Programme III 國際短片競賽節目(三)

Vanishing Point 穿越消失點

Lesson, The 老師作反

Out of Nature 一個人自由野

Short Film Competition Programme IV 國際短片競賽節目(四)

Victoria 柏林驚魂夜

101

Life May Be 人生也許

Overheard 3 竊聽風雲 3

Shrew's Nest 血腥愛巢

Viktoria 沒肚臍的女兒

Li'l Quinquin 戇神探與小昆昆

115

Paris, Texas 德州巴黎

Siao Yu 少女小漁

Virgin Talkies 聖堂魅影

101

Look of Silence, The 沉默的眼睛

Party Girl 舞吧！夜遊天使

Song of the Phoenix 百鳥朝鳳

105

Voice of Sokurov, The 蘇古諾夫七日譚

Lost in Bosnia 迷失在波斯尼亞

Passion 最愛

Song of the Sea 海洋之歌

Voice of Water, The 聽水的聲音

Maidan 佔領廣場

111

Paul Clipson Programme I 保羅奇立遜選輯(一)

101

Songs from the North 朝鮮之歌

106

Wages of Resistance: Narita Stories, The 活在三里塚

Man from Manchuria, A 滿洲里來的人

111

Paul Clipson Programme II 保羅奇立遜選輯(二)

Songs from the Second Floor 二樓傳來的歌聲

What We Do in the Shadows 直擊殭屍屋

Man from Oran, The 革命黑路

Phoenix 火鳳凰

Soursweet 酸甜

When Animals Dream 狼女傳說

Manufacturing Romance 尋愛

Star 不死明星夢

19, 87 White God 狗眼看人間

Maps to the Stars 墮落星圖

Pigeon Sat on a Branch Reflecting on Existence, A 鴿子在樹上反思存在意義

100

Stations of the Cross 苦路上的女孩

Wild Life 野父痴兒

McDull · Me & My Mum 麥兜．我和我媽媽

Point Blank 零距離殺機

106

World Animation 世界動畫精選

Memories on Stone 石頭不會忘記

Summer in Narita: The Front Line for the Liberation of Japan 日本解放戰線：三里塚之夏

Port of Call (Director’s Cut) 踏血尋梅（導演版）

100

World Animation for Adults 成人動畫精選

Men Who Save the World 偽娘捉鬼記

Sunflower Occupation 太陽‧不遠

23, 26 Postman's White Nights, The 郵差的白夜 24

You, the Living 人啊，你為甚麼

Merchants of Doubt 真相販子

Swedish Love Story, A 瑞典愛情故事

102

President, The 總統大人着草了

Young and Prodigious T.S. Spivet, The 天才少年的奇妙旅程

Midsummer's Fantasia, A 仲夏幻想曲

Sworn Virgin 還我女兒身

Pride 大愛同行

104

Moment, The 那時．此刻

Princess 藍寶石公主

Taking of Tiger Mountian 3D, The 智取威虎山 3D

Money Complex, The 金錢綜合症

35, 95 Princess Jellyfish 海月姬

27, 31 Tales 德黑蘭人間傳奇

115

Motors, The 車房佬中空寶

Queen of Temple Street 廟街皇后

Tales of Hoffmann, The 魔宮艷舞

116

6, 42

Murmur of the Hearts 念念

Rebels of the Neon God 青少年哪吒

Taxi 的士司機巴納希

102

My City 我城

Red Army 冰上最強

8, 27

Tempting Heart 心動

120

My Favorite Season 最想念的季節

Repast 飯

Thanatos, Drunk 醉，生夢死

My Friend Victoria 我的不敗姊妹

Revivre 愛的化妝

That Day, on the Beach 海灘的一天

My Voice, My Life 爭氣

River Road 家在水草豐茂的地方

Theeb 沙漠小野狼

Narita: Heta Village 三里塚：邊田部落

Roy Andersson Shorts 羅伊安德遜短片集

107

This is My Land 各有國教

107

Narita: Peasants of the Second Fortress 三里塚：第二寨之人

Run Papa Run 一個好爸爸

25, 35 Timbuktu 在世界盡頭喚自由

103

National Gallery 國家美術館

25, 27 Salt of the Earth, The 大地之鹽

Today 今天無悔

117

Nearby Sky 駱駝的天空

Sapienza, La 雕欄玉砌應猶在

Tokyo Olympiad 東京世運會

Ned Rifle 愚父怨母神經槍

Sara 雛妓

Tough Love 愛很硬

121

New Girlfriend, The 女朋友的女朋友

Scattered Clouds 亂雲

Tribe, The 性本無言

103

New Rijksmuseum - The Film, The 十年一覺維新夢

Shanghai Blues 上海之夜

Two Thumbs Up 衝鋒車

Short Film Competition Programme I 國際短片競賽節目(一)

Under Electric Clouds 雪原七思

12, 87 Young Patriot, A 少年*小趙 104

Zhou Lan-Ping ~ His Life and Music 音樂家周藍萍

135