CIne fan
CINE FAN Jan Feb Mar 2021 // The Witty Raconteur, Billy Wilder 娛樂的睿智 比利懷特 // Eric Rohmer: Comedies and Proverbs 伊力盧馬：喜劇與諺語 // 30th Anniversary of The Film di Bologna 意大利電影之旅 // The Cameraman 攝影師 // The Circus 大馬戲團 // Street Angel 馬路
天使 // Four Nights of a Dreamer 一個夢者的四個晚上 // Sabrina 龍鳳配 // Two for the Road 儷人行 // Johnny Got His Gun 無語問蒼天 // Birdy 追鳥
Jan Feb Mar 2021
Foundation 電影基金會三十周年 // Journey Through Italian Cinema: Restorations from Cineteca
娛樂的睿智 比利懷特
主辦 Presenter
Images courtesy of Park Circus/MGM
資助機構 Financially Supported by
The Witty Raconteur, Billy Wilder
Jan Feb Mar 2021
TK
AH
大館賽馬會立方綜藝館 Tai Kwun JC Cube Auditorium 中環荷李活道10號 10 Hollywood Road, Central
K11 Art House 尖沙咀梳士巴利道18號 Victoria Dockside K11 MUSEA L4樓層 Level 4, K11 MUSEA, Victoria Dockside, 18 Salisbury Road, Tsim Sha Tsui
目錄
Contents
AC 香港藝術中心古天樂電影院 Hong Kong Arts Centre Louis Koo Cinema 灣仔港灣道2號 2 Harbour Road, Wanchai
2
9
12
16
27
31
The Witty Raconteur, Billy Wilder 娛樂的睿智 比利懷特
30th Anniversary of The Film Foundation 電影基金會三十周年
The Golden Age 黃金時代
Eric Rohmer: Comedies and Proverbs 伊力盧馬：喜劇與諺語
Journey Through Italian Cinema: Restorations from Cineteca di Bologna 意大利電影之旅
Ticketing Information 購票須知
14 Back to the Screen 銀幕再現
22 Restored Classics 修復經典
32 Screening Schedule 放映時間表
影片放映格式請參閱Cine Fan網頁 Screening format information please refer to the Cine Fan website 除特別註明外，所有非英語對白電影皆設有英文字幕。 Unless otherwise stated, all non-English speaking films are subtitled in English.
主辦 Presenter
資助機構 Financially Supported by
香港特別行政區政府透過電影發展基金向本項目提供財政支援。有關財政支援與本項目的內容或在本項目中所表達的意見並無關連。 The Government of the Hong Kong Special Administrative Region provides funding support to the project through the Film Development Fund. The funding support bears no relationship whatsoever to the content of or views expressed in this project.
語言 Language (語言代碼 Language Code: ISO 639-2/B)
合作夥伴 Supporters
字幕 Subtitles
默片 Silent
Jan Feb Mar 2021
TK
AH
大館賽馬會立方綜藝館 Tai Kwun JC Cube Auditorium 中環荷李活道10號 10 Hollywood Road, Central
K11 Art House 尖沙咀梳士巴利道18號 Victoria Dockside K11 MUSEA L4樓層 Level 4, K11 MUSEA, Victoria Dockside, 18 Salisbury Road, Tsim Sha Tsui
目錄
Contents
AC 香港藝術中心古天樂電影院 Hong Kong Arts Centre Louis Koo Cinema 灣仔港灣道2號 2 Harbour Road, Wanchai
2
9
12
16
27
31
The Witty Raconteur, Billy Wilder 娛樂的睿智 比利懷特
30th Anniversary of The Film Foundation 電影基金會三十周年
The Golden Age 黃金時代
Eric Rohmer: Comedies and Proverbs 伊力盧馬：喜劇與諺語
Journey Through Italian Cinema: Restorations from Cineteca di Bologna 意大利電影之旅
Ticketing Information 購票須知
14 Back to the Screen 銀幕再現
22 Restored Classics 修復經典
32 Screening Schedule 放映時間表
影片放映格式請參閱Cine Fan網頁 Screening format information please refer to the Cine Fan website 除特別註明外，所有非英語對白電影皆設有英文字幕。 Unless otherwise stated, all non-English speaking films are subtitled in English.
主辦 Presenter
資助機構 Financially Supported by
香港特別行政區政府透過電影發展基金向本項目提供財政支援。有關財政支援與本項目的內容或在本項目中所表達的意見並無關連。 The Government of the Hong Kong Special Administrative Region provides funding support to the project through the Film Development Fund. The funding support bears no relationship whatsoever to the content of or views expressed in this project.
語言 Language (語言代碼 Language Code: ISO 639-2/B)
合作夥伴 Supporters
字幕 Subtitles
默片 Silent
「
N
obody's perfect」， 不 單 是《 熱 情 如 火 》（1959）
W
為 人 傳 頌 的 金 句， 也 是 比 利 懷 特
hen Spanish director Fernando Trueba won the Best Foreign
Language Film Oscar in 1993 for Belle
（1906-2002）的墓誌銘。人無完人，
Époque , he said in his acceptance speech,
因此才會充滿曲折離奇故事。比利
“I would like to believe in God in order to
懷特擁有講故事的高超本領，看透
thank him. But I just believe in Billy Wilder.”
人情世故，洞察人性弱點，更擅於
With 21 Oscar nominations over an
精心佈局，對白機鋒處處，舉重若
illustrious filmmaking career that spanned
輕，令人回味無窮。
five decades, Billy Wilder (1906-2002) has
比利懷特生於奧匈帝國（今波蘭
been a major influence for generations of
人移居維也納，成年後隨爵士樂
his immense talent for storytelling and
境內）猶太裔家庭，童年時隨家
aspiring filmmakers who want to inherit
團巡迴到柏林，並在那裏開始劇
directing actors.
本創作。納粹掌權，他輾轉從巴
Eschewing a distinctive visual style
時代。他曾為著名喜劇大師劉別
characters, Wilder was a master storyteller
黎逃到美國，趕上了荷里活黃金
for tightly crafted stories and strong
謙寫過兩個劇本，得以近距離看
with phenomenal versatility. He pioneered
娛樂的睿智 比利懷特
偶像如何炮製為人津津樂道的
「劉別謙筆觸」，並憑《情迷冰 美人》（1939）獲奧斯卡最佳編劇
提名。其後編而優則導，無論是 喜劇、愛情片、法庭戲、戰爭片 等，都難不到他，同時深得黑色 電影精髓，《殺夫報》（1944）就
為黑色電影類型立下典範，個人 共贏得一座康城影展大獎及六座 奧斯卡金像獎，才華橫溢。
他秉信電影是娛樂的藝術，同時 堅持言之有物，作品盡顯幽默機 智，不乏尖銳諷刺：《紅樓金 粉》（1950）戲謔夢工場，《生葬 古坵墳》（1951）劍指傳媒現象，
《 桃 色 公 寓 》（ 1 9 6 0 ）嘲 諷 紐 約 職場。瑪莉蓮夢露和柯德莉夏萍 都在他的電影裏閃閃發亮，威廉 荷頓和積林蒙亦大放異彩。當時 美國電檢制度嚴苛，他卻屢次成 功闖關，《殺夫報》將婚外情慾 包藏在扣人心弦的犯案過程中， 《熱情如火》更如同宣告審查制 度落後過時，大玩性別倒錯。比 利懷特佳作如雲，成績斐然，今 何笑對殘缺腐朽的世界，看破荒 謬世情。
2
Images courtesy of Park Circus/MGM
次回顧其中十部作品，細味他如
the film noir genre with Double Indemnity (1944), but he also charmed audiences with refined romantic comedies like Sabrina (1954) and tickled them silly with hilarious farces like Some Like It Hot (1959) and
Irma La Douce (1963). Working under the Motion Picture Production Code censorship system for most of his career, Wilder also pushed the envelope and challenged taboos. The Lost Weekend (1945) was the first major American film to tackle alcoholism, considered a sensitive topic under the code. Double Indemnity and
The Apartment (1960) also attracted
The Witty Raconteur, Billy Wilder
controversy for their depictions of adultery. Some Like It Hot was even released without a Production Code seal of approval because of its sexual humour. No introduction of Billy Wilder’s career would be complete without mentioning his actors. Known for his ability to change scripts to suit his actors’ strengths, Wilder directed 14 different actors in Oscarnominated performances, including Hollywood legends like Barbara Stanwyck, William Holden and Jack Lemmon, who starred in seven of Wilder’s films.
3
「
N
obody's perfect」， 不 單 是《 熱 情 如 火 》（1959）
W
為 人 傳 頌 的 金 句， 也 是 比 利 懷 特
hen Spanish director Fernando Trueba won the Best Foreign
Language Film Oscar in 1993 for Belle
（1906-2002）的墓誌銘。人無完人，
Époque , he said in his acceptance speech,
因此才會充滿曲折離奇故事。比利
“I would like to believe in God in order to
懷特擁有講故事的高超本領，看透
thank him. But I just believe in Billy Wilder.”
人情世故，洞察人性弱點，更擅於
With 21 Oscar nominations over an
精心佈局，對白機鋒處處，舉重若
illustrious filmmaking career that spanned
輕，令人回味無窮。
five decades, Billy Wilder (1906-2002) has
比利懷特生於奧匈帝國（今波蘭
been a major influence for generations of
人移居維也納，成年後隨爵士樂
his immense talent for storytelling and
境內）猶太裔家庭，童年時隨家
aspiring filmmakers who want to inherit
團巡迴到柏林，並在那裏開始劇
directing actors.
本創作。納粹掌權，他輾轉從巴
Eschewing a distinctive visual style
時代。他曾為著名喜劇大師劉別
characters, Wilder was a master storyteller
黎逃到美國，趕上了荷里活黃金
for tightly crafted stories and strong
謙寫過兩個劇本，得以近距離看
with phenomenal versatility. He pioneered
娛樂的睿智 比利懷特
偶像如何炮製為人津津樂道的
「劉別謙筆觸」，並憑《情迷冰 美人》（1939）獲奧斯卡最佳編劇
提名。其後編而優則導，無論是 喜劇、愛情片、法庭戲、戰爭片 等，都難不到他，同時深得黑色 電影精髓，《殺夫報》（1944）就
為黑色電影類型立下典範，個人 共贏得一座康城影展大獎及六座 奧斯卡金像獎，才華橫溢。
他秉信電影是娛樂的藝術，同時 堅持言之有物，作品盡顯幽默機 智，不乏尖銳諷刺：《紅樓金 粉》（1950）戲謔夢工場，《生葬 古坵墳》（1951）劍指傳媒現象，
《 桃 色 公 寓 》（ 1 9 6 0 ）嘲 諷 紐 約 職場。瑪莉蓮夢露和柯德莉夏萍 都在他的電影裏閃閃發亮，威廉 荷頓和積林蒙亦大放異彩。當時 美國電檢制度嚴苛，他卻屢次成 功闖關，《殺夫報》將婚外情慾 包藏在扣人心弦的犯案過程中， 《熱情如火》更如同宣告審查制 度落後過時，大玩性別倒錯。比 利懷特佳作如雲，成績斐然，今 何笑對殘缺腐朽的世界，看破荒 謬世情。
2
Images courtesy of Park Circus/MGM
次回顧其中十部作品，細味他如
the film noir genre with Double Indemnity (1944), but he also charmed audiences with refined romantic comedies like Sabrina (1954) and tickled them silly with hilarious farces like Some Like It Hot (1959) and
Irma La Douce (1963). Working under the Motion Picture Production Code censorship system for most of his career, Wilder also pushed the envelope and challenged taboos. The Lost Weekend (1945) was the first major American film to tackle alcoholism, considered a sensitive topic under the code. Double Indemnity and
The Apartment (1960) also attracted
The Witty Raconteur, Billy Wilder
controversy for their depictions of adultery. Some Like It Hot was even released without a Production Code seal of approval because of its sexual humour. No introduction of Billy Wilder’s career would be complete without mentioning his actors. Known for his ability to change scripts to suit his actors’ strengths, Wilder directed 14 different actors in Oscarnominated performances, including Hollywood legends like Barbara Stanwyck, William Holden and Jack Lemmon, who starred in seven of Wilder’s films.
3
Double Indemnity 殺夫報
奧斯卡金像獎最佳電影等七項提名 Academy Awards: 7 nominations including Best Picture
9.1
14:45 TK
13.3
醉鄉遺恨
美國 USA 1945 101min
Cast: Ray Milland, Jane Wyman, Phillip Terry, Howard da Silva 奧斯卡金像獎最佳影片、最佳導演、 最佳男主角及最佳編劇 Academy Awards: Best Picture, Best Director, Best Actor and Best Writing
4
9.1
17:30 TK
一早開估兇手是誰，照樣引人入勝。保險
場虛幻浮華最尖刻的嘲諷。一開始是命
經紀能幹精明但色迷心竅，謀殺客戶的計
案現場，小白臉編劇竟死在過氣女星家中
劃看似完美無瑕，幾乎騙得雙倍賠償，結
泳池。故事由死者倒敘憶述，為了避債誤
局卻不似預期。要拍出死因無可疑，毋須
闖默片女王的大宅，被時代遺忘的她披一
虛張聲勢，行家一出手，就知有沒有。改
身星塵回憶，深信借助編劇之力能東山再
編占士凱恩的冷硬派犯罪小說，找來擅寫
起。沿着日落大道，並非都能通往荷里活
偵探推理的錢德勒合編，善用反英雄及蛇
青雲路，更多是駛向日暮窮途。影片請來
蠍美人角色設計，層層揭開人性貪婪、慾
導演艾力馮史特勞咸、施素德美及巴士達
念與背叛。雖然七項奧斯卡提名全數落
基頓客串助陣，威廉荷頓演出恰到好處，
空，但口碑載道，美國電影學院百年百大
歌利亞史允臣更是入型入格揮灑自如，結
電影榜上有名。
尾一幕尤教人難忘。
Seduced by the alluring wife of a client, an insurance salesman draws up a devious scheme to murder her husband and take the double payout. However, the couple’s plan is constantly threatened under the watchful eye of a brilliant colleague. Featuring gorgeous use of shadows by cinematographer John Seitz and brilliant rapid-fire dialogue by novelist Raymond Chandler, this tantalising and sordid tale of murder – based on a novel by James M. Cain, which in turn was loosely based on a real 1927 murder case – is considered a pioneering work of the film noir genre.
Billy Wilder channeled his fascination with, and sardonic reflection of, Hollywood and American culture by peeling back its facades. It’s the ultimate lurid tale of Hollywood depravity told from the posthumous perpective of a failing screenwriter, who is asked by a has-been film star to write a screenplay for what she hopes would be her comeback, then becomes trapped in a dangerous relationship. "Hollywood at its worst told by Hollywood at its best" – this melodramatic film noir remains one of the greatest scathing satires of the dream kingdom.
小說作家靈感枯竭，寫不出半個字，何以
「壞消息最好賣，因為好消息不是新
解憂？唯有杜康。但願長醉不願醒，只是
聞。」也許諷刺太辛辣，當年票房失利，
酒入愁腸愁更愁。倘若導演功力稍遜，大
但時間證明只是走得太前。馬田史高西斯
概會拍成戒酒宣傳片。比利懷特最拿手是
列為必看之選，影評人羅渣伊拔稱許影片
細節描寫與精妙對白，與編劇老拍檔查理
歷久不衰，讚揚卻德格拉斯的演出毫不過
斯畢奇合作，直探沉迷杯底風光的精神狀
時，依然鋒利如刀。記者野心勃勃卻流落
態，情人不敵玉液瓊漿，理智節節敗退；
平淡無奇小鎮，自我吹噓可令當地報章銷
當中活用黑色電影風格，表現神智昏亂，
量激增。遇上男子被困山洞的消息，如獲
把酒徒病房拍出鐵窗滋味。無懼觸碰電檢
至寶，正是人生翻盤大好機會。看熱鬧的
紅線，精闢呈現酗酒問題，當年叫好叫
民眾蜂擁而至，營救現場竟變遊樂場。同
座，橫掃奧斯卡四項大獎，並揚威康城，
流合污機關算盡，他才發現遺留在山洞裏
與多部影片並列大獎。
的，還有自己的良心。
Sunset Boulevard 紅樓金粉
RESTORED
修復 典 CLASSIC
美國 USA 1950 110min
Cast: William Holden, Gloria Swanson, Erich von Stroheim 奧斯卡金像獎最佳編劇、最佳美術指導及最佳配樂 Academy Awards: Best Writing, Best Art Direction and Set Decoration and Best Music Score 金球獎最佳劇情片、最佳導演、最佳女主角及最佳配樂 Golden Globe Awards: Best Picture (Drama), Best Director, Best Actress and Best Original Score
10.1 14:30 TK
13.3 映後座談會講者家明、王勛 Seminar with Fung Ka-ming, Geoffrey Wong
19:30 AH
17:15 AH
The Lost Weekend
康城影展大獎及最佳男主角 Cannes Film Festival: Grand Prix and Best Actor
赫赫有名的荷里活經典，恰恰是對夢工
Images courtesy of Park Circus/Paramount
美國 USA 1944 107min
Cast: Fred MacMurray, Barbara Stanwyck, Edward G. Robinson
公認為奠定黑色電影類型風格的代表作，
Billy Wilder was inspired to adapt Charles R. Jackson’s novel by screenwriter Raymond Chandler, who returns to alcohol after his tumultuous experience on Double Indemnity . In this powerful and sobering film noir, an alcoholic writer goes on a self-destructive bender after missing a weekend getaway with his brother, and turning away from his faithful girlfriend. A chilling look at the devastating effects of alcoholism ahead of its time, The Lost Weekend remains one of the only three films to win Best Picture at both Cannes and the Oscars.
“Bad news sells best because good news is no news,” says Charles Tatum (superbly played by Kirk Douglas), disgraced journalist and the anti-hero of this scathing criticism of sensational journalism. Stumbling upon a hunter who’s trapped after a cave collapse, Tatum is determined to turn the story to his ticket back to big city papers, even if he has to interfere with the rescue mission to his favour. A critical and commercial failure during release, the film has since been embraced as a perceptive and remarkably prescient film about the modern media landscape.
Ace in the Hole a.k.a. The Big Carnival
生葬古坵墳
美國 USA 1951 111min
Cast: Kirk Douglas, Jan Sterling, Bob Arthur, Porter Hall 威尼斯影展國際大獎及最佳原創音樂 Venice Film Festival: International Award and Best Original Music
10.1 18:15 TK
20.2 映後談講者陳志華 Film talk with Ernest Chan
19:45 TK
14.3 14:30 AH
5
Double Indemnity 殺夫報
奧斯卡金像獎最佳電影等七項提名 Academy Awards: 7 nominations including Best Picture
9.1
14:45 TK
13.3
醉鄉遺恨
美國 USA 1945 101min
Cast: Ray Milland, Jane Wyman, Phillip Terry, Howard da Silva 奧斯卡金像獎最佳影片、最佳導演、 最佳男主角及最佳編劇 Academy Awards: Best Picture, Best Director, Best Actor and Best Writing
4
9.1
17:30 TK
一早開估兇手是誰，照樣引人入勝。保險
場虛幻浮華最尖刻的嘲諷。一開始是命
經紀能幹精明但色迷心竅，謀殺客戶的計
案現場，小白臉編劇竟死在過氣女星家中
劃看似完美無瑕，幾乎騙得雙倍賠償，結
泳池。故事由死者倒敘憶述，為了避債誤
局卻不似預期。要拍出死因無可疑，毋須
闖默片女王的大宅，被時代遺忘的她披一
虛張聲勢，行家一出手，就知有沒有。改
身星塵回憶，深信借助編劇之力能東山再
編占士凱恩的冷硬派犯罪小說，找來擅寫
起。沿着日落大道，並非都能通往荷里活
偵探推理的錢德勒合編，善用反英雄及蛇
青雲路，更多是駛向日暮窮途。影片請來
蠍美人角色設計，層層揭開人性貪婪、慾
導演艾力馮史特勞咸、施素德美及巴士達
念與背叛。雖然七項奧斯卡提名全數落
基頓客串助陣，威廉荷頓演出恰到好處，
空，但口碑載道，美國電影學院百年百大
歌利亞史允臣更是入型入格揮灑自如，結
電影榜上有名。
尾一幕尤教人難忘。
Seduced by the alluring wife of a client, an insurance salesman draws up a devious scheme to murder her husband and take the double payout. However, the couple’s plan is constantly threatened under the watchful eye of a brilliant colleague. Featuring gorgeous use of shadows by cinematographer John Seitz and brilliant rapid-fire dialogue by novelist Raymond Chandler, this tantalising and sordid tale of murder – based on a novel by James M. Cain, which in turn was loosely based on a real 1927 murder case – is considered a pioneering work of the film noir genre.
Billy Wilder channeled his fascination with, and sardonic reflection of, Hollywood and American culture by peeling back its facades. It’s the ultimate lurid tale of Hollywood depravity told from the posthumous perpective of a failing screenwriter, who is asked by a has-been film star to write a screenplay for what she hopes would be her comeback, then becomes trapped in a dangerous relationship. "Hollywood at its worst told by Hollywood at its best" – this melodramatic film noir remains one of the greatest scathing satires of the dream kingdom.
小說作家靈感枯竭，寫不出半個字，何以
「壞消息最好賣，因為好消息不是新
解憂？唯有杜康。但願長醉不願醒，只是
聞。」也許諷刺太辛辣，當年票房失利，
酒入愁腸愁更愁。倘若導演功力稍遜，大
但時間證明只是走得太前。馬田史高西斯
概會拍成戒酒宣傳片。比利懷特最拿手是
列為必看之選，影評人羅渣伊拔稱許影片
細節描寫與精妙對白，與編劇老拍檔查理
歷久不衰，讚揚卻德格拉斯的演出毫不過
斯畢奇合作，直探沉迷杯底風光的精神狀
時，依然鋒利如刀。記者野心勃勃卻流落
態，情人不敵玉液瓊漿，理智節節敗退；
平淡無奇小鎮，自我吹噓可令當地報章銷
當中活用黑色電影風格，表現神智昏亂，
量激增。遇上男子被困山洞的消息，如獲
把酒徒病房拍出鐵窗滋味。無懼觸碰電檢
至寶，正是人生翻盤大好機會。看熱鬧的
紅線，精闢呈現酗酒問題，當年叫好叫
民眾蜂擁而至，營救現場竟變遊樂場。同
座，橫掃奧斯卡四項大獎，並揚威康城，
流合污機關算盡，他才發現遺留在山洞裏
與多部影片並列大獎。
的，還有自己的良心。
Sunset Boulevard 紅樓金粉
RESTORED
修復 典 CLASSIC
美國 USA 1950 110min
Cast: William Holden, Gloria Swanson, Erich von Stroheim 奧斯卡金像獎最佳編劇、最佳美術指導及最佳配樂 Academy Awards: Best Writing, Best Art Direction and Set Decoration and Best Music Score 金球獎最佳劇情片、最佳導演、最佳女主角及最佳配樂 Golden Globe Awards: Best Picture (Drama), Best Director, Best Actress and Best Original Score
10.1 14:30 TK
13.3 映後座談會講者家明、王勛 Seminar with Fung Ka-ming, Geoffrey Wong
19:30 AH
17:15 AH
The Lost Weekend
康城影展大獎及最佳男主角 Cannes Film Festival: Grand Prix and Best Actor
赫赫有名的荷里活經典，恰恰是對夢工
Images courtesy of Park Circus/Paramount
美國 USA 1944 107min
Cast: Fred MacMurray, Barbara Stanwyck, Edward G. Robinson
公認為奠定黑色電影類型風格的代表作，
Billy Wilder was inspired to adapt Charles R. Jackson’s novel by screenwriter Raymond Chandler, who returns to alcohol after his tumultuous experience on Double Indemnity . In this powerful and sobering film noir, an alcoholic writer goes on a self-destructive bender after missing a weekend getaway with his brother, and turning away from his faithful girlfriend. A chilling look at the devastating effects of alcoholism ahead of its time, The Lost Weekend remains one of the only three films to win Best Picture at both Cannes and the Oscars.
“Bad news sells best because good news is no news,” says Charles Tatum (superbly played by Kirk Douglas), disgraced journalist and the anti-hero of this scathing criticism of sensational journalism. Stumbling upon a hunter who’s trapped after a cave collapse, Tatum is determined to turn the story to his ticket back to big city papers, even if he has to interfere with the rescue mission to his favour. A critical and commercial failure during release, the film has since been embraced as a perceptive and remarkably prescient film about the modern media landscape.
Ace in the Hole a.k.a. The Big Carnival
生葬古坵墳
美國 USA 1951 111min
Cast: Kirk Douglas, Jan Sterling, Bob Arthur, Porter Hall 威尼斯影展國際大獎及最佳原創音樂 Venice Film Festival: International Award and Best Original Music
10.1 18:15 TK
20.2 映後談講者陳志華 Film talk with Ernest Chan
19:45 TK
14.3 14:30 AH
5
拍戰爭題材，比利懷特另闢蹊徑，志不在
改編自阿嘉莎克莉絲蒂著名舞台劇《控方
千軍萬馬槍林彈雨，而在極端處境下的人
證人》，被譽為法庭戲傑作，連原作者也
性刻劃。一群美軍被囚在納粹戰俘營，越
譽之為最出色改編。資深大律師大病初
獄計劃屢被識破，眾人懷疑有內鬼洩漏風
癒，看護要他好好在家休養，但他還是接
聲。破格以喜劇處理沉重氣氛，營內苦中
下棘手案件。富婆遇害，生前曾改遺囑，
作樂，隔窗偷窺，賽鼠賭博，黏鬍子扮希
把巨額財產留給一男子，這名遺產繼承人
特拉。死亡威脅從未解除，最終沒有英雄
欲洗脫謀殺嫌疑，只有其德裔妻子可證清
主義，都是功利計算。懷特大幅修改同名
白，但她竟以控方證人身份出庭頂證。對
舞台劇，將戲謔與懸疑共冶一爐，以單一
白睿智風趣，角色針鋒相對，情節峰迴路
場景拍出生動豐富的戰俘百態。《桃色血
轉，結局更是出人意表。查理士羅頓夫妻
案》（1959）大導演岳圖柏林明加粉墨登
檔演出充滿默契，瑪蓮德烈治更是狀態大
場扮演軍官，威廉荷頓塑造憤世自私的反
勇，鋒芒盡顯。
英雄，榮膺奧斯卡影帝。
Stalag 17 戰地軍魂
美國 USA 1953 120min
Cast: William Holden, Don Taylor, Otto Preminger 奧斯卡金像獎最佳男主角 Academy Awards: Best Actor
16.1 14:30 AH
14.3
Images courtesy of Park Circus/Paramount
龍鳳配
Cast: Audrey Hepburn, Humphrey Bogart, William Holden 奧斯卡金像獎最佳服裝設計 Academy Awards: Best Costume Design 金球獎最佳編劇 Golden Globe Awards: Best Screenplay
16.1
映後談講者登徒 Film talk with Thomas Shin
6
17:15 AH
雄才偉略
美國 USA 1957 116min
Cast: Tyrone Power, Marlene Dietrich, Charles Laughton
17.1 14:30 AH
奧斯卡金像獎最佳電影等六項提名 Academy Awards: 6 nominations including Best Picture 金球獎最佳女配角 Golden Globe Awards: Best Supporting Actress
In the hardest circumstances of a Nazi war camp, life can only make sense through gallows humour – organizing rat races or even imitating Hitler. After two prisoners are killed during an escape attempt, the selfish, cyncial Sefton, who is suspected of being a mole for their German captors, becomes an anti-hero to save his fellow inmate in hope of a reward. Entertaining and darkly comedic, Stalag 17 is regarded as one of the best prisoners of war films along with The Great Escape (1963) and The Bridge on the River Kwai (1957).
A veteran barrister has been asked to rest during his recovery from heart surgery, but he can’t help but take on the case of an inventor accused of murdering a rich, older widow. The plot thickens when the defendant’s wife, the only one who can prove his innocence, becomes a witness for the prosecution. Featuring whip-smart dialogue and transformative performances by superstar Marlene Dietrich and Charles Laughton, this adaptation of the Agatha Christie play is one of the few that was actually publicly praised by the iconic author herself.
柯德莉夏萍剛憑《金枝玉葉》（1953）榮
《七年之癢》（1955）令瑪莉蓮夢露的裙
膺影后，比利懷特即為她再添光芒，奠定
襬迷倒眾生，這次比利懷特就將他的卓越
典雅女神地位。出入豪門大宅，她只是司
編導才華，與夢露的美艷完美結合，加上
機女兒，灰姑娘暗戀風流二少，註定痴心
東尼蔻蒂斯與積林蒙男扮女裝上陣，拍成
錯付。避走巴黎進修廚藝，搖身一變，成
劃時代喜劇瑰寶，美國電影學院選為百年
為絕色佳人，回家卻陷入三角關係。網
百大喜劇之首。故事發生於禁酒年代，兩
球場獨自起舞，車上清唱〈粉紅色的一
個潦倒男樂手意外目睹黑幫仇殺，為了逃
生〉，都是夏萍動人時刻。懷特離開派拉
命喬裝混入女子樂團。一個假冒富豪願抱
Cast: Marilyn Monroe, Tony Curtis, Jack Lemmon
蒙前最後一作，以夏萍配搭堪富利保加與
得美人歸，一個引來真富翁熱烈追求。過
威廉荷頓，黃金組合拍出迷人浪漫，亦開
程妙趣橫生，妙語連珠，叫人笑破肚皮，
奧斯卡金像獎最佳服裝設計 Academy Awards: Best Costume Design
始了時裝設計大師Givenchy與夏萍的長期
輕鬆跨過當時社會禁忌，單是結尾一句
合作關係，締造時尚傳奇。
「Nobody’s perfect」已足以載入史冊。
Commanding the screen in her second leading role, Audrey Hepburn’s charismatic elegance and sleek sophiscation is consummated under the exquisite direction of Billy Wilder. Her allure alone makes it all convincing for Sabrina’s glamorous transformation from a chauffeur’s daughter to a beautiful, cosmopolitan woman after two years in Paris. Upon return, she becomes caught in a love triangle between two brothers – the chivalrous Humphrey Bogart and the tantalising William Holden. Wilder’s charming Cinderella-esque story is a sophisticated commentary on romance beyond class borders, and also ignited the iconic collaboration between Hepburn and fashion designer Givenchy.
Well, nobody’s perfect, yet probably no comedies that are funnier – or more taboobreaking in its time – than Some Like It Hot . One of Wilder’s biggest hits stars Jack Lemmon and Tony Curtis as two musicians who crossdress to join a travelling all-female band after witnessing a gangland murder. Also featuring Marilyn Monroe as a red-hot singer and the object of the two heroes’ attraction, this boisterous, witty and stereotype-bending farce has been ranked number one of the funniest comedies of all time by the American Film Institute.
20.2 17:00 TK
17:00 AH
Sabrina 美國 USA 1954 113min
Witness for the Prosecution
28.2 14:30 TK
Some Like It Hot 熱情如火
美國 USA 1959 122min
金球獎喜劇及歌舞片組最佳影片、最佳男主角及最佳女主角 Golden Globe Awards: Best Picture (Comedy or Musical), Best Actor and Best Actress
RESTORED
修復 典 CLASSIC
17.1 17:15 AH
28.2 20:50 TK
7
拍戰爭題材，比利懷特另闢蹊徑，志不在
改編自阿嘉莎克莉絲蒂著名舞台劇《控方
千軍萬馬槍林彈雨，而在極端處境下的人
證人》，被譽為法庭戲傑作，連原作者也
性刻劃。一群美軍被囚在納粹戰俘營，越
譽之為最出色改編。資深大律師大病初
獄計劃屢被識破，眾人懷疑有內鬼洩漏風
癒，看護要他好好在家休養，但他還是接
聲。破格以喜劇處理沉重氣氛，營內苦中
下棘手案件。富婆遇害，生前曾改遺囑，
作樂，隔窗偷窺，賽鼠賭博，黏鬍子扮希
把巨額財產留給一男子，這名遺產繼承人
特拉。死亡威脅從未解除，最終沒有英雄
欲洗脫謀殺嫌疑，只有其德裔妻子可證清
主義，都是功利計算。懷特大幅修改同名
白，但她竟以控方證人身份出庭頂證。對
舞台劇，將戲謔與懸疑共冶一爐，以單一
白睿智風趣，角色針鋒相對，情節峰迴路
場景拍出生動豐富的戰俘百態。《桃色血
轉，結局更是出人意表。查理士羅頓夫妻
案》（1959）大導演岳圖柏林明加粉墨登
檔演出充滿默契，瑪蓮德烈治更是狀態大
場扮演軍官，威廉荷頓塑造憤世自私的反
勇，鋒芒盡顯。
英雄，榮膺奧斯卡影帝。
Stalag 17 戰地軍魂
美國 USA 1953 120min
Cast: William Holden, Don Taylor, Otto Preminger 奧斯卡金像獎最佳男主角 Academy Awards: Best Actor
16.1 14:30 AH
14.3
Images courtesy of Park Circus/Paramount
龍鳳配
Cast: Audrey Hepburn, Humphrey Bogart, William Holden 奧斯卡金像獎最佳服裝設計 Academy Awards: Best Costume Design 金球獎最佳編劇 Golden Globe Awards: Best Screenplay
16.1
映後談講者登徒 Film talk with Thomas Shin
6
17:15 AH
雄才偉略
美國 USA 1957 116min
Cast: Tyrone Power, Marlene Dietrich, Charles Laughton
17.1 14:30 AH
奧斯卡金像獎最佳電影等六項提名 Academy Awards: 6 nominations including Best Picture 金球獎最佳女配角 Golden Globe Awards: Best Supporting Actress
In the hardest circumstances of a Nazi war camp, life can only make sense through gallows humour – organizing rat races or even imitating Hitler. After two prisoners are killed during an escape attempt, the selfish, cyncial Sefton, who is suspected of being a mole for their German captors, becomes an anti-hero to save his fellow inmate in hope of a reward. Entertaining and darkly comedic, Stalag 17 is regarded as one of the best prisoners of war films along with The Great Escape (1963) and The Bridge on the River Kwai (1957).
A veteran barrister has been asked to rest during his recovery from heart surgery, but he can’t help but take on the case of an inventor accused of murdering a rich, older widow. The plot thickens when the defendant’s wife, the only one who can prove his innocence, becomes a witness for the prosecution. Featuring whip-smart dialogue and transformative performances by superstar Marlene Dietrich and Charles Laughton, this adaptation of the Agatha Christie play is one of the few that was actually publicly praised by the iconic author herself.
柯德莉夏萍剛憑《金枝玉葉》（1953）榮
《七年之癢》（1955）令瑪莉蓮夢露的裙
膺影后，比利懷特即為她再添光芒，奠定
襬迷倒眾生，這次比利懷特就將他的卓越
典雅女神地位。出入豪門大宅，她只是司
編導才華，與夢露的美艷完美結合，加上
機女兒，灰姑娘暗戀風流二少，註定痴心
東尼蔻蒂斯與積林蒙男扮女裝上陣，拍成
錯付。避走巴黎進修廚藝，搖身一變，成
劃時代喜劇瑰寶，美國電影學院選為百年
為絕色佳人，回家卻陷入三角關係。網
百大喜劇之首。故事發生於禁酒年代，兩
球場獨自起舞，車上清唱〈粉紅色的一
個潦倒男樂手意外目睹黑幫仇殺，為了逃
生〉，都是夏萍動人時刻。懷特離開派拉
命喬裝混入女子樂團。一個假冒富豪願抱
Cast: Marilyn Monroe, Tony Curtis, Jack Lemmon
蒙前最後一作，以夏萍配搭堪富利保加與
得美人歸，一個引來真富翁熱烈追求。過
威廉荷頓，黃金組合拍出迷人浪漫，亦開
程妙趣橫生，妙語連珠，叫人笑破肚皮，
奧斯卡金像獎最佳服裝設計 Academy Awards: Best Costume Design
始了時裝設計大師Givenchy與夏萍的長期
輕鬆跨過當時社會禁忌，單是結尾一句
合作關係，締造時尚傳奇。
「Nobody’s perfect」已足以載入史冊。
Commanding the screen in her second leading role, Audrey Hepburn’s charismatic elegance and sleek sophiscation is consummated under the exquisite direction of Billy Wilder. Her allure alone makes it all convincing for Sabrina’s glamorous transformation from a chauffeur’s daughter to a beautiful, cosmopolitan woman after two years in Paris. Upon return, she becomes caught in a love triangle between two brothers – the chivalrous Humphrey Bogart and the tantalising William Holden. Wilder’s charming Cinderella-esque story is a sophisticated commentary on romance beyond class borders, and also ignited the iconic collaboration between Hepburn and fashion designer Givenchy.
Well, nobody’s perfect, yet probably no comedies that are funnier – or more taboobreaking in its time – than Some Like It Hot . One of Wilder’s biggest hits stars Jack Lemmon and Tony Curtis as two musicians who crossdress to join a travelling all-female band after witnessing a gangland murder. Also featuring Marilyn Monroe as a red-hot singer and the object of the two heroes’ attraction, this boisterous, witty and stereotype-bending farce has been ranked number one of the funniest comedies of all time by the American Film Institute.
20.2 17:00 TK
17:00 AH
Sabrina 美國 USA 1954 113min
Witness for the Prosecution
28.2 14:30 TK
Some Like It Hot 熱情如火
美國 USA 1959 122min
金球獎喜劇及歌舞片組最佳影片、最佳男主角及最佳女主角 Golden Globe Awards: Best Picture (Comedy or Musical), Best Actor and Best Actress
RESTORED
修復 典 CLASSIC
17.1 17:15 AH
28.2 20:50 TK
7
電影基金會由著名導演馬田史高西斯等資深影
《熱情如火》備受歡迎，比利懷特正值事
人於1990年創辦，致力保育電影歷史文化遺
業高峰，跟編劇拍檔戴蒙再下一城，從大
產。為慶祝基金會成立三十周年，香港國際電
衛連的《相見恨晚》（1945）取得靈感，
影節協會與該會達成合作協議，由今期開始於
寫成浪漫諷刺喜劇，堪稱爐火純青之作。 Images courtesy of Park Circus/MGM
The Apartment 桃色公寓
美國 USA 1960 125min
RESTORED
Cast: Jack Lemmon, Shirley MacLaine, Fred MacMurray
修復 典 CLASSIC
奧斯卡金像獎最佳影片、最佳導演、 最佳原著劇本、最佳美術、最佳剪接 Academy Awards: Best Picture, Best Director, Best Original Screenplay, Best Art Direction and Best Editing 威尼斯影展最佳女主角 Venice Film Festival: Best Actress
23.1 14:15 AH
21.2
紐約大企業小職員為保飯碗，把自己的公
Cine Fan節目放映其修復傑作，讓經典的萬丈
寓借給高層幽會，以為可扶搖直上，豈料
光華，重新閃耀。
事業與愛情原來不可兼得。囊括奧斯卡五 項大獎，積林蒙、莎莉麥蓮雙雙榮膺金球
基金會與各大資料館及片廠合作推動電影修復
影帝影后，風頭一時無兩。劇本滴水不
工作，除大師經典珍藏外，其「世界電影計
漏，細節前後呼應，令人捧腹之餘，也是
劃」亦協助不少國家保育作品，對電影藝術的
在社會大染缸裏，從妥協低頭的人群中，
傳承貢獻極大。今次精選的四部修復經典跨越
尋回一點本來的純真。
時代與地域，從西部喜劇、社會寫實以至暗黑
To climb the corporate ladder, Bud Baxter has been lending his apartment out to company executives for their extramarital affairs, but things change when he falls for one of his executives’ girls. Eager to reunite with Jack Lemmon right after Some Like It Hot , Wilder and co-writer I.A.L. Diamond created this smart and tender romantic comedy about sexual politics in the corporate world. Controversial for its depictions of adultery at the time, this five Oscars winner reaffirms Wilder’s mastery in striking the perfect balance between farce and sadness.
驚慄題材縱深廣闊，導演功架亦非同凡響。
佐治馬素在《碧血煙花》將瘋狂喜感混入西部 片類型，伊力卡山在《狂流春醒》則將戲劇張 力糅合柔情美意，兩位荷里活巨匠各擅勝場。 西班牙大師布紐爾在《被遺忘的人》以超現實 幻夢揭示墨西哥的殘酷現實；美國導演妮茲卡 基恩在冰島拍攝的《女巫歲月》則以冷洌詩意 喚醒對女性貶抑的迷思。四部皆是罕見傑作， 放諸當代依然令人眼界大開。
17:15 TK
甜姐兒愛瑪是應召女郎，總有辦法令客人 多給小費。傻小子被調來駐守紅燈區，當 不了貪腐巡警，不懂潛規則隨波逐流，卻 闖進情關，成為閨房入幕之賓。為了阻止 愛人接客，竟妙想天開，喬裝英倫紳士嫖 Images courtesy of Park Circus/MGM
Irma la Douce
花街神女
美國 USA 1963 147min
Cast: Jack Lemmon, Shirley MacLaine, Lou Jacobi 奧斯卡金像獎最佳音樂 Academy Awards: Best Score 金球獎喜劇及歌舞片組最佳女主角 Golden Globe Awards: Best Actress (Comedy or Musical)
8
23.1 17:00 AH
21.2 20:15 TK
己爭風呷醋，還搞出個大頭佛。改編法國 音樂劇，飽滿色調配合滑稽橋段，片廠搭 出花都春色。《桃色公寓》兩主角再續前 緣繼續牌局，積林蒙逗趣可愛，莎莉麥蓮 活潑生猛，而比利懷特也沒料到，這是他 個人最賺錢電影。
Image courtesy of Park Circus / Universal
客大灑金錢，討得愛瑪歡心，結果兩個自
After their Golden Globe winning performances in The Apartment , Jack Lemmon and Shirley MacLaine reunited with Billy Wilder for this rowdy Paris-set romantic comedy. After dismissed by the police force for being overly honest, Nestor falls in love with Irma, a charming prostitute. When Nestor realises that he can’t help but be furiously jealous by Irma’s line of work, he comes up with a drastic solution – inventing an alter ego. Adapted from a French musical, this endearing farce about sex and love is anchored by the splendid performances of its two stars. 節目夥伴 Festival Partner
Established in 1990 by Martin Scorsese and other leading filmmakers, The Film Foundation is dedicated to protecting and preserving motion picture history. To celebrate its 30th anniversary, HKIFFS collaborates with the foundation to showcase its new restorations of rarely-seen classics, which will regularly feature in our upcoming Cine Fan programmes. Working in partnership with archives and studios, the foundation has helped to restore classic treasures, and lent its support to many countries through its renowned World Cinema Project. Commencing the special tribute in this issue’s programme are four gems, ranging from Hollywood comedy Western, to Mexican social realism and Icelandic psychological thriller, that reflect the foundation’s mission of championing the rich diversity in world cinema. George Marshall’s Destry Rides Again and Elia Kazan’s Wild River see Hollywood cinema at its best, breaking the boundary of genre stereotypes. Steering poetic departure from reality in entirely different ways, Spanish master Luis Buñuel’s Los Olvidados reflects juvenile crime in surreal flourishes, while American director Nietzchka Keene’s The Juniper Tree questions latent gynophobia in captivating chill. These timeless works have never lost their fascination, their brilliance continues to inspire and resonate with generations of audiences.
電影基金會由著名導演馬田史高西斯等資深影
《熱情如火》備受歡迎，比利懷特正值事
人於1990年創辦，致力保育電影歷史文化遺
業高峰，跟編劇拍檔戴蒙再下一城，從大
產。為慶祝基金會成立三十周年，香港國際電
衛連的《相見恨晚》（1945）取得靈感，
影節協會與該會達成合作協議，由今期開始於
寫成浪漫諷刺喜劇，堪稱爐火純青之作。 Images courtesy of Park Circus/MGM
The Apartment 桃色公寓
美國 USA 1960 125min
RESTORED
Cast: Jack Lemmon, Shirley MacLaine, Fred MacMurray
修復 典 CLASSIC
奧斯卡金像獎最佳影片、最佳導演、 最佳原著劇本、最佳美術、最佳剪接 Academy Awards: Best Picture, Best Director, Best Original Screenplay, Best Art Direction and Best Editing 威尼斯影展最佳女主角 Venice Film Festival: Best Actress
23.1 14:15 AH
21.2
紐約大企業小職員為保飯碗，把自己的公
Cine Fan節目放映其修復傑作，讓經典的萬丈
寓借給高層幽會，以為可扶搖直上，豈料
光華，重新閃耀。
事業與愛情原來不可兼得。囊括奧斯卡五 項大獎，積林蒙、莎莉麥蓮雙雙榮膺金球
基金會與各大資料館及片廠合作推動電影修復
影帝影后，風頭一時無兩。劇本滴水不
工作，除大師經典珍藏外，其「世界電影計
漏，細節前後呼應，令人捧腹之餘，也是
劃」亦協助不少國家保育作品，對電影藝術的
在社會大染缸裏，從妥協低頭的人群中，
傳承貢獻極大。今次精選的四部修復經典跨越
尋回一點本來的純真。
時代與地域，從西部喜劇、社會寫實以至暗黑
To climb the corporate ladder, Bud Baxter has been lending his apartment out to company executives for their extramarital affairs, but things change when he falls for one of his executives’ girls. Eager to reunite with Jack Lemmon right after Some Like It Hot , Wilder and co-writer I.A.L. Diamond created this smart and tender romantic comedy about sexual politics in the corporate world. Controversial for its depictions of adultery at the time, this five Oscars winner reaffirms Wilder’s mastery in striking the perfect balance between farce and sadness.
驚慄題材縱深廣闊，導演功架亦非同凡響。
佐治馬素在《碧血煙花》將瘋狂喜感混入西部 片類型，伊力卡山在《狂流春醒》則將戲劇張 力糅合柔情美意，兩位荷里活巨匠各擅勝場。 西班牙大師布紐爾在《被遺忘的人》以超現實 幻夢揭示墨西哥的殘酷現實；美國導演妮茲卡 基恩在冰島拍攝的《女巫歲月》則以冷洌詩意 喚醒對女性貶抑的迷思。四部皆是罕見傑作， 放諸當代依然令人眼界大開。
17:15 TK
甜姐兒愛瑪是應召女郎，總有辦法令客人 多給小費。傻小子被調來駐守紅燈區，當 不了貪腐巡警，不懂潛規則隨波逐流，卻 闖進情關，成為閨房入幕之賓。為了阻止 愛人接客，竟妙想天開，喬裝英倫紳士嫖 Images courtesy of Park Circus/MGM
Irma la Douce
花街神女
美國 USA 1963 147min
Cast: Jack Lemmon, Shirley MacLaine, Lou Jacobi 奧斯卡金像獎最佳音樂 Academy Awards: Best Score 金球獎喜劇及歌舞片組最佳女主角 Golden Globe Awards: Best Actress (Comedy or Musical)
8
23.1 17:00 AH
21.2 20:15 TK
己爭風呷醋，還搞出個大頭佛。改編法國 音樂劇，飽滿色調配合滑稽橋段，片廠搭 出花都春色。《桃色公寓》兩主角再續前 緣繼續牌局，積林蒙逗趣可愛，莎莉麥蓮 活潑生猛，而比利懷特也沒料到，這是他 個人最賺錢電影。
Image courtesy of Park Circus / Universal
客大灑金錢，討得愛瑪歡心，結果兩個自
After their Golden Globe winning performances in The Apartment , Jack Lemmon and Shirley MacLaine reunited with Billy Wilder for this rowdy Paris-set romantic comedy. After dismissed by the police force for being overly honest, Nestor falls in love with Irma, a charming prostitute. When Nestor realises that he can’t help but be furiously jealous by Irma’s line of work, he comes up with a drastic solution – inventing an alter ego. Adapted from a French musical, this endearing farce about sex and love is anchored by the splendid performances of its two stars. 節目夥伴 Festival Partner
Established in 1990 by Martin Scorsese and other leading filmmakers, The Film Foundation is dedicated to protecting and preserving motion picture history. To celebrate its 30th anniversary, HKIFFS collaborates with the foundation to showcase its new restorations of rarely-seen classics, which will regularly feature in our upcoming Cine Fan programmes. Working in partnership with archives and studios, the foundation has helped to restore classic treasures, and lent its support to many countries through its renowned World Cinema Project. Commencing the special tribute in this issue’s programme are four gems, ranging from Hollywood comedy Western, to Mexican social realism and Icelandic psychological thriller, that reflect the foundation’s mission of championing the rich diversity in world cinema. George Marshall’s Destry Rides Again and Elia Kazan’s Wild River see Hollywood cinema at its best, breaking the boundary of genre stereotypes. Steering poetic departure from reality in entirely different ways, Spanish master Luis Buñuel’s Los Olvidados reflects juvenile crime in surreal flourishes, while American director Nietzchka Keene’s The Juniper Tree questions latent gynophobia in captivating chill. These timeless works have never lost their fascination, their brilliance continues to inspire and resonate with generations of audiences.
發。新警長請來外援，看似文弱書生，原來槍法 如神，誓要令法治重回正軌。眼見新法官將到 任，經營酒館的匪黨頭目突然發難，惡鬥一觸即 發……佐治馬素以爐火純青的場面調度，拍出亂 中有序的連場混戰，將拿手的西部片類型反轉， 神經喜感、浪漫、刺激動作共冶一爐；副警長占 士史超域斯文淡定，女伶瑪蓮德烈治潑辣狂野， 高唱〈The Boys in the Back Room〉，性別定型來 個戲謔的龍鳳顛倒，堪稱經典。 Primed with slapstick, wisecracks, and action, Marshall’s iconic western transforms a straight-shooting cowboy hero into a sheriff craving law and order. In the roiling chaos of a saloon, where men stop fighting and cheating only when the “real boss” performs her enchanting number, the cool marshal tames the lawless town with his wit and jokes, and finally his gun. Flawless performances from James Stewart and Marlene Dietrich chart an amusing gender role reversal, against the stereotypes of the genre.
Destry Rides Again 碧血煙花
Restored by Universal Pictures in collaboration with The Film Foundation. Special thanks to Martin Scorsese and Steven Spielberg for their consultation on this restoration.
佐治馬素
George Marshall 美國 USA 1939 95min Cast: Marlene Dietrich, James Stewart, Brian Donlevy
6.2
19:45 AH
20.2 14:30 TK
背景是大蕭條時期，羅斯福推新政復甦經濟。田
©1960 Twentieth Century Fox Film Corporation
Image courtesy of Park Circus / Universal
美國西部瓶頸鎮，警長調查老千騙局時人間蒸
納西河谷洪水為患，政府獲授權收地建水壩。 孟甘穆利奇里夫飾演河谷管理局職員，負責監 督工程，並要遊說不肯賣地的老太太遷出家園。 勸告失敗，老太太的守寡孫女卻與他燃起戀火。 CinemaScope 闊銀幕拍攝，伊力卡山後期代表作， 卻一直受忽視。故事由兩部小說改編而成，觸及 政策法令與個人權利、社會發展與保留傳統的永 恆矛盾。卡山這次不只強調方法演技的戲劇張 力，更精心經營影像，拍出抒情之美。
Wild River 狂流春醒 伊力卡山
Elia Kazan 美國 USA 1960 110min Cast: Montgomery Clift, Lee Remick, Jo Van Fleet 柏林影展競賽影片 Berlin International Film Festival: In Competition 《電影筆記》年度十大電影第六位 #6 in Cahiers du Cinéma 's Top 10 Films
一把冷刀割開墨西哥貧民區的殘酷現實，放出的瘀
改編自格林童話，原是繼母殺兒分屍再煮給家人
血滲着意大利新寫實主義，血脈裏仍是布紐爾的超
吃的暗黑故事，美國導演妮茲卡基恩把場景移師
現實詩意，令影片超凡入聖。一群童黨欺侮老弱傷
冰島，在冰火兩極的大地，喚醒對女性貶抑的迷
殘，偷竊搶劫無惡不作；為人父母的亦弊病纏身，
思。母親施巫術被殺害，姊姊為與妹妹求存，施
不是酗酒逃避現實，就是埋首工作冷待孩兒。被亂
法令鰥夫與她組織新家庭，可惜他兒子無法接受
棒虐打的小雞喻意昭昭，在殺人幫兇男孩渴求母
新媽媽，終釀成悲劇。簡約冷冽的黑白攝影透現
愛、嗜肉慾望、恐懼欺凌的夢魘裏，貧困悲苦的壓
英瑪褒曼的空靈，融合古老詩歌、民間傳說及宗
抑更活脫浮現，成了影史上最驚心動魄的幻象，亦
教禱文，後母恐懼及巫術迷信交加錯落，平靜卻
令布紐爾在爭議聲中榮膺康城最佳導演。
透心寒。二十出頭的冰島天后Björk初登銀幕，純
Buñuel’s crude vision of juvenile crime, and the marginal lives of children in a Mexico City slum, is steadfast in its realism, yet operatic in its tragedy. A stunning dream sequence is imbued with flourishes of surreal, transcendental insight into the emotional turmoil of a street kid, revealing his fear of violence, craving for sustenance, and desire for a mother’s love. The film’s controlled passion sets it apart from the genre, as Buñuel’s poetic departure from reality captivates with its horror at the world’s cruelty. Restored by The Film Foundation’s World Cinema Project at L’Immagine Ritrovata in collaboration with Fundación Televisa, Televisa, Cineteca Nacional Mexico, and Filmoteca de la UNAM. Restoration funding provided by The Material World Foundation. Print courtesy of the Academy Film Archive.
7.2
19:30 AH
10
Restored by the Academy Film Archive and Twentieth Century Fox with funding provided by The Film Foundation.
6.2
17:15 AH
14.3 19:45 AH
真夢幻的演繹，令人着迷。
Los Olvidados 被遺忘的人 (The Young and the Damned) 布紐爾
Luis Buñuel 墨西哥 Mexico 1950 81min Cast: Alfonso Mejía, Roberto Cobo, Estela Inda, Miguel Inglan 康城影展最佳導演獎 Cannes Film Festival: Best Director
21.2 14:30 TK
A Tennessee Valley Authority representative battling rural Southerners to make way for a hydroelectric dam might not sound like the trappings of classic cinema, but under the impeccable direction of Elia Kazan, Wild River is transformed into a riveting matinee melodrama. Montgomery Clift plays the corporate suit tasked with ousting Jo Van Fleet’s elderly landowner from her home, clashing with locals, stirring up racial tensions, and sweeping Lee Remick off her feet, all in the name of national progress.
Drawing her inspiration from the Brothers Grimm's macabre tale, Keene conjured an ethereal psychological horror film, shot against Iceland’s striking landscape and starring Björk in her enchanting film debut. Two sisters cast a spell on a widower, in a desperate bid to form a new family and secure their survival. But the magic fails to entrance his young son, who rejects his replacement mother. Lyrical and fraught as the pagan myth, Keene’s parable hides a secret message questioning society’s latent gynophobia. Restored by the Wisconsin Center for Film and Theater Research and The Film Foundation, with funding provided by the George Lucas Family Foundation.
7.2
映後談講者張偉雄 Film talk with Bryan Chang
17:45 AH
20.3 15:30 AH
The Juniper Tree 女巫歲月
妮茲卡基恩
Nietzchka Keene 冰島 Iceland 1990 79min Cast: Björk Guðmundsdóttir, Bryndis Petra Bragadóttir, Valdimar Örn Flygenring
11
發。新警長請來外援，看似文弱書生，原來槍法 如神，誓要令法治重回正軌。眼見新法官將到 任，經營酒館的匪黨頭目突然發難，惡鬥一觸即 發……佐治馬素以爐火純青的場面調度，拍出亂 中有序的連場混戰，將拿手的西部片類型反轉， 神經喜感、浪漫、刺激動作共冶一爐；副警長占 士史超域斯文淡定，女伶瑪蓮德烈治潑辣狂野， 高唱〈The Boys in the Back Room〉，性別定型來 個戲謔的龍鳳顛倒，堪稱經典。 Primed with slapstick, wisecracks, and action, Marshall’s iconic western transforms a straight-shooting cowboy hero into a sheriff craving law and order. In the roiling chaos of a saloon, where men stop fighting and cheating only when the “real boss” performs her enchanting number, the cool marshal tames the lawless town with his wit and jokes, and finally his gun. Flawless performances from James Stewart and Marlene Dietrich chart an amusing gender role reversal, against the stereotypes of the genre.
Destry Rides Again 碧血煙花
Restored by Universal Pictures in collaboration with The Film Foundation. Special thanks to Martin Scorsese and Steven Spielberg for their consultation on this restoration.
佐治馬素
George Marshall 美國 USA 1939 95min Cast: Marlene Dietrich, James Stewart, Brian Donlevy
6.2
19:45 AH
20.2 14:30 TK
背景是大蕭條時期，羅斯福推新政復甦經濟。田
©1960 Twentieth Century Fox Film Corporation
Image courtesy of Park Circus / Universal
美國西部瓶頸鎮，警長調查老千騙局時人間蒸
納西河谷洪水為患，政府獲授權收地建水壩。 孟甘穆利奇里夫飾演河谷管理局職員，負責監 督工程，並要遊說不肯賣地的老太太遷出家園。 勸告失敗，老太太的守寡孫女卻與他燃起戀火。 CinemaScope 闊銀幕拍攝，伊力卡山後期代表作， 卻一直受忽視。故事由兩部小說改編而成，觸及 政策法令與個人權利、社會發展與保留傳統的永 恆矛盾。卡山這次不只強調方法演技的戲劇張 力，更精心經營影像，拍出抒情之美。
Wild River 狂流春醒 伊力卡山
Elia Kazan 美國 USA 1960 110min Cast: Montgomery Clift, Lee Remick, Jo Van Fleet 柏林影展競賽影片 Berlin International Film Festival: In Competition 《電影筆記》年度十大電影第六位 #6 in Cahiers du Cinéma 's Top 10 Films
一把冷刀割開墨西哥貧民區的殘酷現實，放出的瘀
改編自格林童話，原是繼母殺兒分屍再煮給家人
血滲着意大利新寫實主義，血脈裏仍是布紐爾的超
吃的暗黑故事，美國導演妮茲卡基恩把場景移師
現實詩意，令影片超凡入聖。一群童黨欺侮老弱傷
冰島，在冰火兩極的大地，喚醒對女性貶抑的迷
殘，偷竊搶劫無惡不作；為人父母的亦弊病纏身，
思。母親施巫術被殺害，姊姊為與妹妹求存，施
不是酗酒逃避現實，就是埋首工作冷待孩兒。被亂
法令鰥夫與她組織新家庭，可惜他兒子無法接受
棒虐打的小雞喻意昭昭，在殺人幫兇男孩渴求母
新媽媽，終釀成悲劇。簡約冷冽的黑白攝影透現
愛、嗜肉慾望、恐懼欺凌的夢魘裏，貧困悲苦的壓
英瑪褒曼的空靈，融合古老詩歌、民間傳說及宗
抑更活脫浮現，成了影史上最驚心動魄的幻象，亦
教禱文，後母恐懼及巫術迷信交加錯落，平靜卻
令布紐爾在爭議聲中榮膺康城最佳導演。
透心寒。二十出頭的冰島天后Björk初登銀幕，純
Buñuel’s crude vision of juvenile crime, and the marginal lives of children in a Mexico City slum, is steadfast in its realism, yet operatic in its tragedy. A stunning dream sequence is imbued with flourishes of surreal, transcendental insight into the emotional turmoil of a street kid, revealing his fear of violence, craving for sustenance, and desire for a mother’s love. The film’s controlled passion sets it apart from the genre, as Buñuel’s poetic departure from reality captivates with its horror at the world’s cruelty. Restored by The Film Foundation’s World Cinema Project at L’Immagine Ritrovata in collaboration with Fundación Televisa, Televisa, Cineteca Nacional Mexico, and Filmoteca de la UNAM. Restoration funding provided by The Material World Foundation. Print courtesy of the Academy Film Archive.
7.2
19:30 AH
10
Restored by the Academy Film Archive and Twentieth Century Fox with funding provided by The Film Foundation.
6.2
17:15 AH
14.3 19:45 AH
真夢幻的演繹，令人着迷。
Los Olvidados 被遺忘的人 (The Young and the Damned) 布紐爾
Luis Buñuel 墨西哥 Mexico 1950 81min Cast: Alfonso Mejía, Roberto Cobo, Estela Inda, Miguel Inglan 康城影展最佳導演獎 Cannes Film Festival: Best Director
21.2 14:30 TK
A Tennessee Valley Authority representative battling rural Southerners to make way for a hydroelectric dam might not sound like the trappings of classic cinema, but under the impeccable direction of Elia Kazan, Wild River is transformed into a riveting matinee melodrama. Montgomery Clift plays the corporate suit tasked with ousting Jo Van Fleet’s elderly landowner from her home, clashing with locals, stirring up racial tensions, and sweeping Lee Remick off her feet, all in the name of national progress.
Drawing her inspiration from the Brothers Grimm's macabre tale, Keene conjured an ethereal psychological horror film, shot against Iceland’s striking landscape and starring Björk in her enchanting film debut. Two sisters cast a spell on a widower, in a desperate bid to form a new family and secure their survival. But the magic fails to entrance his young son, who rejects his replacement mother. Lyrical and fraught as the pagan myth, Keene’s parable hides a secret message questioning society’s latent gynophobia. Restored by the Wisconsin Center for Film and Theater Research and The Film Foundation, with funding provided by the George Lucas Family Foundation.
7.2
映後談講者張偉雄 Film talk with Bryan Chang
17:45 AH
20.3 15:30 AH
The Juniper Tree 女巫歲月
妮茲卡基恩
Nietzchka Keene 冰島 Iceland 1990 79min Cast: Björk Guðmundsdóttir, Bryndis Petra Bragadóttir, Valdimar Örn Flygenring
11
儷人行
Two for the Road 瑰麗色彩、優美攝影、Mancini的典雅音樂、Rabanne及Courrèges的時尚 服式、阿爾拔芬尼與柯德莉夏萍俊男美女組合──史丹利杜倫最擅長的 荷里活浪漫愛情喜劇格局，甫開首已自行把幻夢戳破：一對壁人新婚燕 爾，卻預告不會從此快樂地生活下去。走過十二年婚姻路，以神乎其技 的剪接跳駁幾段人生軌跡，回憶與當下時空交錯行雲流水，從摩登轎車 上貌合神離切線閃回順風車上一見鍾情，戀人打情罵俏下坡滑向怨偶互 相責難。法國南部的旅途依然如故，駛過路直路彎，看盡愛情與婚姻貪
史丹利杜倫
Stanley Donen 美國 USA 1967 112min Cast: Audrey Hepburn, Albert Finney, Jacqueline Bisset 聖塞巴斯蒂安電影節最佳電影 San Sebastián International Film Festival: Golden Seashell for Best Film
嗔痴怨的道道風景，方才發現那本護照，原來一直近在身邊。 Sumptuous colours, sublime cinematography, Mancini’s fascinating score combined with a haute wardrobe from Rabanne and Courrèges – the Hollywood romantic comedy slides off the archetypal cheering track into a bittersweet portrait of a marriage under the steer of veteran Stanley Donen. Albert Finney and Audrey Hepburn, a glossily idealised couple, break the fable of happily hereafter right from the start, as they are caught in moments of flirts and quarrels, joy and lament on their way across Europe, during their 12 years of courtship and marriage in amusingly seamless leaps back and forth in time. “There’ll never be anyone else like you in my life.” So is the film.
映後談講者林瀚光 Film talk with Derek Lam
6.2
14:45 AH
28.2 17:45 TK
龍鳳配 Sabrina
柯德莉夏萍剛憑《金枝玉葉》（1953）榮膺影后，比利懷特即為她
比利懷特
再添光芒，奠定典雅女神地位。出入豪門大宅，她只是司機女兒，
Billy Wilder
灰姑娘暗戀風流二少，註定痴心錯付。避走巴黎進修廚藝，搖身一
美國 USA 1954 113min
變，成為絕色佳人，回家卻陷入三角關係。網球場獨自起舞，車上
Cast: Audrey Hepburn, Humphrey Bogart, William Holden 奧斯卡金像獎最佳服裝設計 Academy Awards: Best Costume Design 金球獎最佳編劇 Golden Globe Awards: Best Screenplay
映後談講者登徒 Film talk with Thomas Shin
15.11 14:30 AC 16.1 17:15 AH
12
29.11 19:30
AH 28.2 14:30 TK
清唱〈粉紅色的一生〉，都是夏萍動人時刻。懷特離開派拉蒙前最 後一作，以夏萍配搭堪富利保加與威廉荷頓，黃金組合拍出迷人浪 漫，亦開始了時裝設計大師Givenchy與夏萍的長期合作，締造時尚 傳奇。 Commanding the screen in her second leading role, Audrey Hepburn’s charismatic elegance and sleek sophiscation is consummated under the exquisite direction of Billy Wilder. Her allure alone makes it all convincing for Sabrina’s glamorous transformation from a chauffeur’s daughter to a beautiful, cosmopolitan woman after two years in Paris. Upon return, she becomes caught in a love triangle between two brothers – the chivalrous Humphrey Bogart and the tantalising William Holden. Wilder’s charming Cinderella-esque story is a sophisticated commentary on romance beyond class borders, and also ignited the iconic collaboration between Hepburn and fashion designer Givenchy.
13
儷人行
Two for the Road 瑰麗色彩、優美攝影、Mancini的典雅音樂、Rabanne及Courrèges的時尚 服式、阿爾拔芬尼與柯德莉夏萍俊男美女組合──史丹利杜倫最擅長的 荷里活浪漫愛情喜劇格局，甫開首已自行把幻夢戳破：一對壁人新婚燕 爾，卻預告不會從此快樂地生活下去。走過十二年婚姻路，以神乎其技 的剪接跳駁幾段人生軌跡，回憶與當下時空交錯行雲流水，從摩登轎車 上貌合神離切線閃回順風車上一見鍾情，戀人打情罵俏下坡滑向怨偶互 相責難。法國南部的旅途依然如故，駛過路直路彎，看盡愛情與婚姻貪
史丹利杜倫
Stanley Donen 美國 USA 1967 112min Cast: Audrey Hepburn, Albert Finney, Jacqueline Bisset 聖塞巴斯蒂安電影節最佳電影 San Sebastián International Film Festival: Golden Seashell for Best Film
嗔痴怨的道道風景，方才發現那本護照，原來一直近在身邊。 Sumptuous colours, sublime cinematography, Mancini’s fascinating score combined with a haute wardrobe from Rabanne and Courrèges – the Hollywood romantic comedy slides off the archetypal cheering track into a bittersweet portrait of a marriage under the steer of veteran Stanley Donen. Albert Finney and Audrey Hepburn, a glossily idealised couple, break the fable of happily hereafter right from the start, as they are caught in moments of flirts and quarrels, joy and lament on their way across Europe, during their 12 years of courtship and marriage in amusingly seamless leaps back and forth in time. “There’ll never be anyone else like you in my life.” So is the film.
映後談講者林瀚光 Film talk with Derek Lam
6.2
14:45 AH
28.2 17:45 TK
龍鳳配 Sabrina
柯德莉夏萍剛憑《金枝玉葉》（1953）榮膺影后，比利懷特即為她
比利懷特
再添光芒，奠定典雅女神地位。出入豪門大宅，她只是司機女兒，
Billy Wilder
灰姑娘暗戀風流二少，註定痴心錯付。避走巴黎進修廚藝，搖身一
美國 USA 1954 113min
變，成為絕色佳人，回家卻陷入三角關係。網球場獨自起舞，車上
Cast: Audrey Hepburn, Humphrey Bogart, William Holden 奧斯卡金像獎最佳服裝設計 Academy Awards: Best Costume Design 金球獎最佳編劇 Golden Globe Awards: Best Screenplay
映後談講者登徒 Film talk with Thomas Shin
15.11 14:30 AC 16.1 17:15 AH
12
29.11 19:30
AH 28.2 14:30 TK
清唱〈粉紅色的一生〉，都是夏萍動人時刻。懷特離開派拉蒙前最 後一作，以夏萍配搭堪富利保加與威廉荷頓，黃金組合拍出迷人浪 漫，亦開始了時裝設計大師Givenchy與夏萍的長期合作，締造時尚 傳奇。 Commanding the screen in her second leading role, Audrey Hepburn’s charismatic elegance and sleek sophiscation is consummated under the exquisite direction of Billy Wilder. Her allure alone makes it all convincing for Sabrina’s glamorous transformation from a chauffeur’s daughter to a beautiful, cosmopolitan woman after two years in Paris. Upon return, she becomes caught in a love triangle between two brothers – the chivalrous Humphrey Bogart and the tantalising William Holden. Wilder’s charming Cinderella-esque story is a sophisticated commentary on romance beyond class borders, and also ignited the iconic collaboration between Hepburn and fashion designer Givenchy.
13
Back To The Screen
Back To The Screen
銀幕 再現
無語問蒼天
追鳥
Johnny Got His Gun 不見烽火連天，沒有屍橫遍野；惟那無邊無際的絕望，比任何戰爭
Birdy
杜頓卓林保
插上翅膀，夢想飛離嚴苛母親，與心愛金絲雀雙宿雙棲。自小幻想化
電影更觸目驚心。一戰士兵祖受傷送院，慢慢意識到想擁抱愛人，
Dalton Trumbo
身飛鳥自由翱翔，卻被越戰烽火推向崩潰邊緣。他像受傷囚鳥身體開
已無雙臂；想逃離病床，已無雙腿。眼不見，口也不能言，思緒在
美國 USA 1971 111min Cast: Timothy Bottoms, Kathy Fields, Donald Sutherland
始蜷縮起來，赤身蹲坐床沿望向那扇僅有的天窗。被戰火毀容的艾爾
混沌記憶中苦苦掙扎，彷徨幻夢向耶穌求助，卻孤立無援。荷里活 金牌編劇杜頓卓林保唯一手執導筒之作，改編自撰小說，控訴戰爭 不公義，更叩問人之何謂人。已故電影研究者黃愛玲稱本片乃「令 我對戰爭產生最大恐懼的美國電影」。慘白床單欲蓋彌彰，任由恐
康城影展評審團大獎及國際影評人聯盟獎 Cannes Film Festival: Grand Jury Prize and FIPRESCI Prize
映後談講者朗天 Film talk with Long Tin
3.1
16:00 AC
14
奉召到醫院試圖喚醒摰友，成長回憶、青春幻夢與殘酷現實斑駁陸 離；他那天真的執迷，反令艾爾重拾任情恣性的本來面目。改編威廉 禾頓小說，去年離世的阿倫柏加飛揚於現實與迷夢之間，俯瞰戰爭、 家庭、體制對身心的摧殘。為攞脫樊籠，不顧一切張開雙臂縱身一
阿倫柏加
Alan Parker 美國 USA 1984 120min
Cast: Matthew Modine, Nicolas Cage, John Harkins 康城影展評審團大獎 Cannes Film Festival: Grand Jury Prize
跳，是逕往青空，抑或粉身碎骨？人生，說不定有意外驚喜。
懼在張狂想像裏肆虐，與布紐爾的超現實夢魘意象，不遑多讓。 Survival from war turns out to be the most horrifying experience to Joe, a patriotic young soldier grievously wounded and confined to a hospital back room. Left limbless, faceless, blind and dumb, Joe is only alive in memories and fantasies, as he learns to communicate with the world in search of a faint hope of life, or even death. Adapting his own novel in his only directorial effort, Oscar-winning blacklisted screenwriter Dalton Trumbo taps on every emotional effect to deliver a strong, disquieting cinematic statement about the cruelty of war and the meaning of life, conjuring nightmarish terror as in the surrealist cinema of Luis Buñuel, whom Trumbo originally wanted to direct.
銀幕 再現
30.1 19:15 AC
Shooting up the propulsiveness of Midnight Express (1978), the late Alan Parker filled William Wharton’s story with streams of imaginative flights into a moving tragicomedy about friendship and survival in a world of suppression and violations to the human spirit. Returning from Vietnam as war ravaged victims, Birdy withdraws entirely into his dream world, transforming himself into a feathered creature he is always fascinated with, while Al, now with a disfigured face, is called on to bring his pal back to his senses. In mesmerising flashbacks of memorable vignettes, the two friends send their spirit soaring, in an exalting act to try one last fling at flying and freedom.
映後談講者陳志華 Film talk with Ernest Chan
9.1
20:00 TK
31.1 20:15 AC
15
Back To The Screen
Back To The Screen
銀幕 再現
無語問蒼天
追鳥
Johnny Got His Gun 不見烽火連天，沒有屍橫遍野；惟那無邊無際的絕望，比任何戰爭
Birdy
杜頓卓林保
插上翅膀，夢想飛離嚴苛母親，與心愛金絲雀雙宿雙棲。自小幻想化
電影更觸目驚心。一戰士兵祖受傷送院，慢慢意識到想擁抱愛人，
Dalton Trumbo
身飛鳥自由翱翔，卻被越戰烽火推向崩潰邊緣。他像受傷囚鳥身體開
已無雙臂；想逃離病床，已無雙腿。眼不見，口也不能言，思緒在
美國 USA 1971 111min Cast: Timothy Bottoms, Kathy Fields, Donald Sutherland
始蜷縮起來，赤身蹲坐床沿望向那扇僅有的天窗。被戰火毀容的艾爾
混沌記憶中苦苦掙扎，彷徨幻夢向耶穌求助，卻孤立無援。荷里活 金牌編劇杜頓卓林保唯一手執導筒之作，改編自撰小說，控訴戰爭 不公義，更叩問人之何謂人。已故電影研究者黃愛玲稱本片乃「令 我對戰爭產生最大恐懼的美國電影」。慘白床單欲蓋彌彰，任由恐
康城影展評審團大獎及國際影評人聯盟獎 Cannes Film Festival: Grand Jury Prize and FIPRESCI Prize
映後談講者朗天 Film talk with Long Tin
3.1
16:00 AC
14
奉召到醫院試圖喚醒摰友，成長回憶、青春幻夢與殘酷現實斑駁陸 離；他那天真的執迷，反令艾爾重拾任情恣性的本來面目。改編威廉 禾頓小說，去年離世的阿倫柏加飛揚於現實與迷夢之間，俯瞰戰爭、 家庭、體制對身心的摧殘。為攞脫樊籠，不顧一切張開雙臂縱身一
阿倫柏加
Alan Parker 美國 USA 1984 120min
Cast: Matthew Modine, Nicolas Cage, John Harkins 康城影展評審團大獎 Cannes Film Festival: Grand Jury Prize
跳，是逕往青空，抑或粉身碎骨？人生，說不定有意外驚喜。
懼在張狂想像裏肆虐，與布紐爾的超現實夢魘意象，不遑多讓。 Survival from war turns out to be the most horrifying experience to Joe, a patriotic young soldier grievously wounded and confined to a hospital back room. Left limbless, faceless, blind and dumb, Joe is only alive in memories and fantasies, as he learns to communicate with the world in search of a faint hope of life, or even death. Adapting his own novel in his only directorial effort, Oscar-winning blacklisted screenwriter Dalton Trumbo taps on every emotional effect to deliver a strong, disquieting cinematic statement about the cruelty of war and the meaning of life, conjuring nightmarish terror as in the surrealist cinema of Luis Buñuel, whom Trumbo originally wanted to direct.
銀幕 再現
30.1 19:15 AC
Shooting up the propulsiveness of Midnight Express (1978), the late Alan Parker filled William Wharton’s story with streams of imaginative flights into a moving tragicomedy about friendship and survival in a world of suppression and violations to the human spirit. Returning from Vietnam as war ravaged victims, Birdy withdraws entirely into his dream world, transforming himself into a feathered creature he is always fascinated with, while Al, now with a disfigured face, is called on to bring his pal back to his senses. In mesmerising flashbacks of memorable vignettes, the two friends send their spirit soaring, in an exalting act to try one last fling at flying and freedom.
映後談講者陳志華 Film talk with Ernest Chan
9.1
20:00 TK
31.1 20:15 AC
15
「
遲
來的青春保青春持久。」大器晚成的伊力盧馬（1920-2010），情懷永遠年輕，作品總教人如
沐春風，恰切尼采之言。前年「六個道德故事」專題先響前奏，今趟推出「喜劇與諺語」系
列，看「少老」盧馬捨去世俗覊絆，敞懷擁抱青春，更見奔放。
擱下道德規範，再施生花妙筆，以前人雋語揭示新章，畫龍點睛對花都男女的矛盾心事來個妙趣暗諷。
一句「長舌開口夾着脷」為《沙灘上的寶蓮》（1983）開篇，戲謔喋喋不休的角色同時幽自己一默； 「不去胡思亂想絕無可能」來形容《飛行員的妻子》（1981）裏少男對女友疑心生暗鬼，一語中的；在 《女友的男友》（1987），「朋友之友亦吾友」冷嘲之餘也為情難自禁的少女解窘，豈不美哉？
依然是惱人的情感糾葛，不過八十年代的女子獨立自由，擁抱自我愛情觀，不再是男子獨白下的被動角
色。花甲之年的盧馬從容走進少女情懷的秘密花園，透過細膩觀察，把千迴百轉的心事刻劃得玲瓏剔
透。《圓月映花都》（1984）裏的露薏絲冀左右逢源，亦渴望自由自在；《難得有情郎》（1986）裏的 狄菲嫣寂寞難耐，卻鄙視即食愛情；《好姻緣》（1982）的莎翩一意孤行，屈辱過後又釋懷以對。詩意
鏡頭下的女子如花似玉，可總是對感情偏執，教人哭笑不得；沒保證童話結局，甚至如玩音樂椅團團 轉，依然孤寂、迷惘、失落。這種對個人信念的執迷不悔，在世俗中透着清氣，也是大師蓋以自況吧。
別以為盧馬只懂談情說愛，有志不在年高。《雙姝奇遇》（1987）從兩位來自不同環境性格迥異的女 孩，以片段式的軼事呈現日常生活趣味，輕鬆飄逸；在《柏士浮》（1978）更開創電影實驗，從古典文 學及歷史溯源，打造極具風格的劇場電影。這份大膽嘗試的本色，何嘗不是青春的一往無前？
RESTORED
Eric Rohmer: s b r e v o r P d n a Comedies
修復
典
CLASSIC
伊力盧馬：喜劇與諺語
F
orever Young. With a remarkably persistent preoccupation with youthful subjects throughout his career, Eric Rohmer’s (1920-2010) films have been consistently refreshing, sophisticated, amusing, and ageless. Following the prelude of “Six Moral Tales” in 2019, the French master is again celebrated in this commemorative programme featuring eight of his acclaimed works in the 1980s, reflecting the progressive changes of independent young women who are no longer living under the first-person narration of men. Continued to be fascinated by the romantic entanglements and emotional adventures of young women even in his 60s, Rohmer’s "Comedies and Proverbs" series brings together six of his best. Beginning with a proverb, each film satirically reflects the paradox of his heroines – either dissatisfied with being single or current relationships; or perplexed about destiny, fidelity or freedom. In whimsical spontaneity, his casually sensuous dramas offer a polyphony of ideas contemplating the intriguing feminine thoughts, interweaving romance with socio-economic differences, while underlining the fluidity of modern life. Unlike the Cinderella plot of Hollywood, the Rohmerian romantic comedies are fables that are revelatory of the dilemma of love and ambiguities of life. Under the closely observed, highly realist setting, there is a depth of passionate empathy behind his delicate portraits of heroines who form a different philosophy of love – Louise’s indulgence in her own illusion in Full Moon in Paris (1984); Delphine’s stubborn insistence on her fate in The Green Ray (1986); Sabine’s humiliation resulting from her own obsession in A Good Marriage (1982). Often faced with an agony of choice, they try and make sense of their own lives and desires, with no guarantee of a happy ending – and indeed, many of his characters end up in confusion and solitude for holding up their own conviction. Yet, it is this conviction that gives Rohmer’s cinema its transcendental idealism, distinctive vision, and above all, evergreen enchantment.
16
17
「
遲
來的青春保青春持久。」大器晚成的伊力盧馬（1920-2010），情懷永遠年輕，作品總教人如
沐春風，恰切尼采之言。前年「六個道德故事」專題先響前奏，今趟推出「喜劇與諺語」系
列，看「少老」盧馬捨去世俗覊絆，敞懷擁抱青春，更見奔放。
擱下道德規範，再施生花妙筆，以前人雋語揭示新章，畫龍點睛對花都男女的矛盾心事來個妙趣暗諷。
一句「長舌開口夾着脷」為《沙灘上的寶蓮》（1983）開篇，戲謔喋喋不休的角色同時幽自己一默； 「不去胡思亂想絕無可能」來形容《飛行員的妻子》（1981）裏少男對女友疑心生暗鬼，一語中的；在 《女友的男友》（1987），「朋友之友亦吾友」冷嘲之餘也為情難自禁的少女解窘，豈不美哉？
依然是惱人的情感糾葛，不過八十年代的女子獨立自由，擁抱自我愛情觀，不再是男子獨白下的被動角
色。花甲之年的盧馬從容走進少女情懷的秘密花園，透過細膩觀察，把千迴百轉的心事刻劃得玲瓏剔
透。《圓月映花都》（1984）裏的露薏絲冀左右逢源，亦渴望自由自在；《難得有情郎》（1986）裏的 狄菲嫣寂寞難耐，卻鄙視即食愛情；《好姻緣》（1982）的莎翩一意孤行，屈辱過後又釋懷以對。詩意
鏡頭下的女子如花似玉，可總是對感情偏執，教人哭笑不得；沒保證童話結局，甚至如玩音樂椅團團 轉，依然孤寂、迷惘、失落。這種對個人信念的執迷不悔，在世俗中透着清氣，也是大師蓋以自況吧。
別以為盧馬只懂談情說愛，有志不在年高。《雙姝奇遇》（1987）從兩位來自不同環境性格迥異的女 孩，以片段式的軼事呈現日常生活趣味，輕鬆飄逸；在《柏士浮》（1978）更開創電影實驗，從古典文 學及歷史溯源，打造極具風格的劇場電影。這份大膽嘗試的本色，何嘗不是青春的一往無前？
RESTORED
Eric Rohmer: s b r e v o r P d n a Comedies
修復
典
CLASSIC
伊力盧馬：喜劇與諺語
F
orever Young. With a remarkably persistent preoccupation with youthful subjects throughout his career, Eric Rohmer’s (1920-2010) films have been consistently refreshing, sophisticated, amusing, and ageless. Following the prelude of “Six Moral Tales” in 2019, the French master is again celebrated in this commemorative programme featuring eight of his acclaimed works in the 1980s, reflecting the progressive changes of independent young women who are no longer living under the first-person narration of men. Continued to be fascinated by the romantic entanglements and emotional adventures of young women even in his 60s, Rohmer’s "Comedies and Proverbs" series brings together six of his best. Beginning with a proverb, each film satirically reflects the paradox of his heroines – either dissatisfied with being single or current relationships; or perplexed about destiny, fidelity or freedom. In whimsical spontaneity, his casually sensuous dramas offer a polyphony of ideas contemplating the intriguing feminine thoughts, interweaving romance with socio-economic differences, while underlining the fluidity of modern life. Unlike the Cinderella plot of Hollywood, the Rohmerian romantic comedies are fables that are revelatory of the dilemma of love and ambiguities of life. Under the closely observed, highly realist setting, there is a depth of passionate empathy behind his delicate portraits of heroines who form a different philosophy of love – Louise’s indulgence in her own illusion in Full Moon in Paris (1984); Delphine’s stubborn insistence on her fate in The Green Ray (1986); Sabine’s humiliation resulting from her own obsession in A Good Marriage (1982). Often faced with an agony of choice, they try and make sense of their own lives and desires, with no guarantee of a happy ending – and indeed, many of his characters end up in confusion and solitude for holding up their own conviction. Yet, it is this conviction that gives Rohmer’s cinema its transcendental idealism, distinctive vision, and above all, evergreen enchantment.
16
17
The Aviator’s Wife 飛行員的妻子 (La femme de l'aviateur)
法國 France 1981 101min
Cast: Philippe Marlaud, Marie Rivière, Anne-Laure Meury, Mathieu Carrière 《電影筆記》年度十大電影第一位 #1 in Cahiers du Cinéma ’s Top 10 Films
24.1 15:00 AH
27.2 20:40 TK
sible to thing. s o p m i s It i out no b a k n i h t 不去胡思亂想絕無可能。
A Good Marriage 好姻緣 (Le beau mariage)
法國 France 1982 97min
Cast: Béatrice Romand, André Dussollier, Féodor Atkine, Arielle Dombasle 威尼斯影展最佳女主角獎 Venice Film Festival: Best Actress
24.1 17:15 AH
6.3
17:30 AH
ream? d y Spain? a d n i t ’ s n e s l e t Who do esn’t build cas Who do 日夢？
飛行員的妻子？耳聞不少，可又從未露
諾曼第海岸，夏日將盡的艷陽依然把人弄
面。盧馬的鏡頭在巴黎街頭兜兜轉轉，捕
得心癢難搔。十五歲的寶蓮跟剛與丈夫分
捉都市男女游移不定的愛情，開啟「喜劇
手的表姐去度假，在沙灘上看着她與前度
與諺語」系列新章。年輕郵差懷疑女友與
情人、離婚人類學家的三角感情遊戲，自
前度藕斷絲連，偷偷尾隨她的飛行員男友
己也不知不覺嘗到初戀滋味。比堅尼下袒
及其「妻子」在公園蹓躂，途中偶遇少女
胸相對，大人卻以欺騙、猜疑、嫉妒把情
學生，主動與他展開追蹤之旅。盧馬改以
感遮遮掩掩；一對小男女純真坦率，反讓
16米厘拍攝，粗曠質感捕捉了情感的曖昧
愛意自然流露。盧馬將十八世紀流行的愛
飄渺，追隨青年獨個兒在街頭巷陌尋尋覓
情錯摸喜劇結構，巧妙套於現代男女的戀
覓的身影，更見內心的恍惚不定。雪美蓮
愛計算上，鋪排對稱，對白幽默雋永，將
首任剪接助理，更客串一角，師徒的長期
矯飾慾望裸裎。圓熟精煉功架，贏得柏林
緊密合作由此開展。
最佳導演殊榮。
Erroneously assuming his girlfriend is being unfaithful, a young postman decides to investigate the man whom he sees leaving her room one morning. Following the aviator and his “wife” through Paris, he encounters a pert schoolgirl who offers to help in his ludicrous detection. The first of Rohmer’s "Comedies and Proverbs" series, this bittersweet comedy beautifully shot in 16mm captures the elusive labyrinths of angst and confusion a lover creates with hurtful suspicions and romantic insecurity. Debut as an assistant editor and a cameo, Mary Stephen begins her long-term partnership with Rohmer.
Translating the medieval quote in modern romance, Rohmer’s witty, effervescent comedy takes a vacation on the Normandy coast, while returning home with a Best Director kudos at Berlinale. Following her recently divorced cousin to spend the summer in the family beach house, 15-year-old Pauline watches her elders entangled in romantic games filled with jealousy and denial, as she emerges with a most valuable insight of what love and sex is all about. Equally inspiring is Rohmer’s ingenuity in adapting the stylistic rigor of classical repertory to contemporary mores, revealing the complications of ever-changing love.
藝術系女生厭倦了當已婚畫家的情人，
以諺語開宗明義，盧馬輕盈道破得一想二
毅然決定結婚去也，不過丈夫人選未有
的矛盾愛情觀。與男友同居市郊的露薏絲
着落。透過好友介紹認識風度翩翩的律
不甘於束縛，在巴黎另置公寓尋求自由。
師，認定他是結婚對象，可惜神女有心、
懷疑男友暗中搭上好友，已婚男伴伺機逾
襄王無夢。一趟趟萊芒與巴黎之間火車的
越，她斷然拒絕友誼變質；與初識舞伴共
來回穿梭，一次次矜持與屈辱衝擊心頭的
度一宵後，決定重投男友懷抱，可惜回頭
起伏跌宕；一廂情願的執迷，把自己推向
已晚。盧馬讓一輪圓月灑亮花都，在令人
進退維谷的死胡同。「喜劇與諺語」系列
難眠的晚上喚醒少女夢魂。初挑大樑的柏
第二章，六十有二的盧馬就像調皮的邱比
絲高奧芝亞光芒四射，碎碎唸說得坦誠，
特，向拒絕平庸生活的倔強女子開一個小
眼珠溜溜卻另有所思，憑細膩演技榮膺威
玩笑，把金箭盲投錯射，卻又在柳暗花明
尼斯影后。
處，讓好姻緣翩然降臨。 Determined to leave her mistress’ identity behind, Sabine impulsively decides to get married. But to whom? As fate has it, she finds her ideal man – a lawyer who is “handsome, young and available”. In the conviction that he also falls for her, she suffers agonies of humiliation when she discovers the truth. The second in Rohmer’s series of "Comedies and Proverbs", this cautionary tale ironically reflects the predicament of the troubled heroine caught between liberation and selfconfinement. Disgraced but not defeated, the resolute woman by a fluke meets her right man.
誰不做白 誰在西班牙不建城堡？
18
Louise knows what she wants: to love and be loved, and to remain free. The alluring designer lives with her possessive boyfriend in a suburban apartment, yet she rents a Parisian pied-à-terre to seek her liberty and excitement. Pursued by a married, self-absorbed writer but succumbing to the charms of a sensual dancer, Louise finally realises what she really wants – when it now becomes an impossible goal. An amusing study of an incongruous character captured to perfection by Pascale Ogier, Rohmer’s rounds of selfdeceptions and mistaken identities are invigoratingly comic to behold.
e A wagging tongu
bites itself.
長舌開口夾
着脷。
Pauline at the Beach 沙灘上的寶蓮 (Pauline à la plage)
30.1
法國 France 1983 95min
14:30 AC
Cast: Arielle Dombasle, Amanda Langlet, Pascal Greggory, Féodor Atkine 柏林影展最佳導演銀熊獎及國際影評人聯盟獎 Berlin International Film Festival: Silver Bear for Best Director and FIPRESCI Prize
6.3
19:30 AH
ses his soul. lo en m o w o tw s a h He who ses his mind. lo s se u o h o tw s a h He who 宅喪失理智。 誰擁兩女失魂落魄，
誰擁兩
Full Moon in Paris 圓月映花都 (Les nuits de la pleine lune) 法國 France 1984 102min
Cast: Pascale Ogier, Tcheky Karyo, Fabrice Luchini, Christian Vadim 威尼斯影展最佳女主角獎 Venice Film Festival: Best Actress 法國影評人協會最佳電影獎 French Syndicate of Cinema Critics: Best Film
30.1 16:45 AC
7.3
17:15 AH
19
The Aviator’s Wife 飛行員的妻子 (La femme de l'aviateur)
法國 France 1981 101min
Cast: Philippe Marlaud, Marie Rivière, Anne-Laure Meury, Mathieu Carrière 《電影筆記》年度十大電影第一位 #1 in Cahiers du Cinéma ’s Top 10 Films
24.1 15:00 AH
27.2 20:40 TK
sible to thing. s o p m i s It i out no b a k n i h t 不去胡思亂想絕無可能。
A Good Marriage 好姻緣 (Le beau mariage)
法國 France 1982 97min
Cast: Béatrice Romand, André Dussollier, Féodor Atkine, Arielle Dombasle 威尼斯影展最佳女主角獎 Venice Film Festival: Best Actress
24.1 17:15 AH
6.3
17:30 AH
ream? d y Spain? a d n i t ’ s n e s l e t Who do esn’t build cas Who do 日夢？
飛行員的妻子？耳聞不少，可又從未露
諾曼第海岸，夏日將盡的艷陽依然把人弄
面。盧馬的鏡頭在巴黎街頭兜兜轉轉，捕
得心癢難搔。十五歲的寶蓮跟剛與丈夫分
捉都市男女游移不定的愛情，開啟「喜劇
手的表姐去度假，在沙灘上看着她與前度
與諺語」系列新章。年輕郵差懷疑女友與
情人、離婚人類學家的三角感情遊戲，自
前度藕斷絲連，偷偷尾隨她的飛行員男友
己也不知不覺嘗到初戀滋味。比堅尼下袒
及其「妻子」在公園蹓躂，途中偶遇少女
胸相對，大人卻以欺騙、猜疑、嫉妒把情
學生，主動與他展開追蹤之旅。盧馬改以
感遮遮掩掩；一對小男女純真坦率，反讓
16米厘拍攝，粗曠質感捕捉了情感的曖昧
愛意自然流露。盧馬將十八世紀流行的愛
飄渺，追隨青年獨個兒在街頭巷陌尋尋覓
情錯摸喜劇結構，巧妙套於現代男女的戀
覓的身影，更見內心的恍惚不定。雪美蓮
愛計算上，鋪排對稱，對白幽默雋永，將
首任剪接助理，更客串一角，師徒的長期
矯飾慾望裸裎。圓熟精煉功架，贏得柏林
緊密合作由此開展。
最佳導演殊榮。
Erroneously assuming his girlfriend is being unfaithful, a young postman decides to investigate the man whom he sees leaving her room one morning. Following the aviator and his “wife” through Paris, he encounters a pert schoolgirl who offers to help in his ludicrous detection. The first of Rohmer’s "Comedies and Proverbs" series, this bittersweet comedy beautifully shot in 16mm captures the elusive labyrinths of angst and confusion a lover creates with hurtful suspicions and romantic insecurity. Debut as an assistant editor and a cameo, Mary Stephen begins her long-term partnership with Rohmer.
Translating the medieval quote in modern romance, Rohmer’s witty, effervescent comedy takes a vacation on the Normandy coast, while returning home with a Best Director kudos at Berlinale. Following her recently divorced cousin to spend the summer in the family beach house, 15-year-old Pauline watches her elders entangled in romantic games filled with jealousy and denial, as she emerges with a most valuable insight of what love and sex is all about. Equally inspiring is Rohmer’s ingenuity in adapting the stylistic rigor of classical repertory to contemporary mores, revealing the complications of ever-changing love.
藝術系女生厭倦了當已婚畫家的情人，
以諺語開宗明義，盧馬輕盈道破得一想二
毅然決定結婚去也，不過丈夫人選未有
的矛盾愛情觀。與男友同居市郊的露薏絲
着落。透過好友介紹認識風度翩翩的律
不甘於束縛，在巴黎另置公寓尋求自由。
師，認定他是結婚對象，可惜神女有心、
懷疑男友暗中搭上好友，已婚男伴伺機逾
襄王無夢。一趟趟萊芒與巴黎之間火車的
越，她斷然拒絕友誼變質；與初識舞伴共
來回穿梭，一次次矜持與屈辱衝擊心頭的
度一宵後，決定重投男友懷抱，可惜回頭
起伏跌宕；一廂情願的執迷，把自己推向
已晚。盧馬讓一輪圓月灑亮花都，在令人
進退維谷的死胡同。「喜劇與諺語」系列
難眠的晚上喚醒少女夢魂。初挑大樑的柏
第二章，六十有二的盧馬就像調皮的邱比
絲高奧芝亞光芒四射，碎碎唸說得坦誠，
特，向拒絕平庸生活的倔強女子開一個小
眼珠溜溜卻另有所思，憑細膩演技榮膺威
玩笑，把金箭盲投錯射，卻又在柳暗花明
尼斯影后。
處，讓好姻緣翩然降臨。 Determined to leave her mistress’ identity behind, Sabine impulsively decides to get married. But to whom? As fate has it, she finds her ideal man – a lawyer who is “handsome, young and available”. In the conviction that he also falls for her, she suffers agonies of humiliation when she discovers the truth. The second in Rohmer’s series of "Comedies and Proverbs", this cautionary tale ironically reflects the predicament of the troubled heroine caught between liberation and selfconfinement. Disgraced but not defeated, the resolute woman by a fluke meets her right man.
誰不做白 誰在西班牙不建城堡？
18
Louise knows what she wants: to love and be loved, and to remain free. The alluring designer lives with her possessive boyfriend in a suburban apartment, yet she rents a Parisian pied-à-terre to seek her liberty and excitement. Pursued by a married, self-absorbed writer but succumbing to the charms of a sensual dancer, Louise finally realises what she really wants – when it now becomes an impossible goal. An amusing study of an incongruous character captured to perfection by Pascale Ogier, Rohmer’s rounds of selfdeceptions and mistaken identities are invigoratingly comic to behold.
e A wagging tongu
bites itself.
長舌開口夾
着脷。
Pauline at the Beach 沙灘上的寶蓮 (Pauline à la plage)
30.1
法國 France 1983 95min
14:30 AC
Cast: Arielle Dombasle, Amanda Langlet, Pascal Greggory, Féodor Atkine 柏林影展最佳導演銀熊獎及國際影評人聯盟獎 Berlin International Film Festival: Silver Bear for Best Director and FIPRESCI Prize
6.3
19:30 AH
ses his soul. lo en m o w o tw s a h He who ses his mind. lo s se u o h o tw s a h He who 宅喪失理智。 誰擁兩女失魂落魄，
誰擁兩
Full Moon in Paris 圓月映花都 (Les nuits de la pleine lune) 法國 France 1984 102min
Cast: Pascale Ogier, Tcheky Karyo, Fabrice Luchini, Christian Vadim 威尼斯影展最佳女主角獎 Venice Film Festival: Best Actress 法國影評人協會最佳電影獎 French Syndicate of Cinema Critics: Best Film
30.1 16:45 AC
7.3
17:15 AH
19
The Green Ray
a.k.a. Summer
友分手的狄菲嫣又被好友撇了，一個人就
難得有情郎
獨自去散散心吧。偏偏個性有點倔強，加
(Le rayon vert)
率戀愛也就煩躁起來。可正是這份偏執，
法國 France 1986 98min
Cast: Marie Rivière, Maria Luisa Garcia, Vincent Gauthier, Eric Hamm
上寂寞芳心鬱鬱不樂，看着消費旅遊和輕 令她終遇上情投意合的男子，結伴等待日 落前最後一道綠光，奇蹟真的帶來看穿心
威尼斯影展最佳電影金獅獎及 Pasinetti最佳女主角獎 Venice Film Festival: Golden Lion, Pasinetti Award for Best Actress
靈的魔法？獲威尼斯金獅獎桂冠加冕，盧 馬「喜劇與諺語」系列中最享譽的一部， 即興演出，簡約隨意，一放一收早已出神
31.1
映後座談會講者藍天雲、王勛 Seminar with Grace Ng, Geoffrey Wong
Ah! May the time
炎炎夏日，巴黎人都蜂擁去度假，剛與男
7.3
14:30 AC
19:30 AH
入化；人生總有一刻，會幡然頓悟，明白 自己愛的所在。 It’s July, when Parisians flock out of town for their summer holidays, Delphine finds herself all alone as her lover and friends jilt her. Drifting from the Alps to Biarritz, she is increasingly disconsolate and at a loose end. Still, she clings to her faith in destiny, which eventually seems to reveal its auspicious sign in the green ray of sunset. An adaptation of Jules Verne’s novel in improvised whims, Rohmer’s Venice Golden Lion winner is one of the most vibrantly illuminating portraits of the paradoxes in human nature in all cinema.
e enamored. r a ts r ea h en h w e m
co
啊！讓傾心的時刻
來臨吧。
My Girlfriend’s Boyfriend
a.k.a. Boyfriends and Girlfriends
女友的男友 (L'ami de mon amie)
眾裏尋他千百度，原來男友還是人家的 好？緣來緣去，拐個彎又是另一片天。 羞怯的白朗茜對好姊妹莉亞的男友暗生情 愫，唯有自欺以求逃避感情；自信的莉亞 欲為白朗茜與新邂逅的工程師牽引紅線， 自己卻竟與他墮入愛河。樹影下心猿意 馬、派對上尷尬曖昧；錯綜複雜的四角關 係，在盧馬手上都變得輕盈灑脫。「喜劇 與諺語」系列最後一部，且任緣份自由來 去，把綠與藍的對襯悄然一換，對背叛與 欺瞞的微妙反諷，又豈止是荷里活式浪漫
法國 France 1987 102min
Cast: Emmanuelle Chaulet, Sophie Renoir, Eric Viellard, François-Eric Gendron
The friends of m
31.1
20.3
17:45 AC
y friends are m
19:30 AH
朋友之友亦吾友。
20
y friends.
喜劇的圓滿結局？ “The friends of my friends are my friends.” So the proverb goes, yet the shy Blanche hesitates about her growing affection for her friend’s lover, while the self-assured Léa is blithe when she finds herself enamored with the handsome engineer, whom she initially wants to make a match for Blanche. Rohmer’s mastery of mood is impressive – swaying hearts under summer breeze, unspoken feelings lost in party fever – all delicately captured under his sympathetic observation of human foibles. A charming finale to the "Comedies and Proverbs" series, funny, insightful, and vive l’amour !
布烈遜寫蘭西諾，以昇華靈性還原人的激 情與軟弱；盧馬寫柏士浮，則以看透世情 的寬容展開自我探索，發見內心的澄明。 年少無知的威爾斯青年對騎士威嚴心神嚮 往，不顧一切尋求亞瑟王策封他為圓桌武 士；可惜發現聖杯卻失諸交臂，遂展開漫 長尋覓，經歷愛情、信念、死亡的考驗， 誠心懺悔，終領略騎士精神。繼《女侯 爵》後盧馬再於歷史破舊立新，從古典文 學的押韻對句抽煉神髓，配以中世紀詩歌 樂曲，在廠景劇場中重塑柏士浮青春磨練 之旅，乍見現代靈光。 Offering a gorgeously evocative adaptation of Chrétien de Troyes’s 12th-century Arthurian poem, Rohmer creates a cinematic experiment and a personal adventure for the naïve, young Welsh knight Perceval, who goes through courtship, faith and chivalry in his discovery of spirituality and redemption. In a magnificent combination of medieval music, iconography and theatre, the French master transforms the mime and verse into stylised imagery of a stunningly coherent spectacle. A classical dramatisation mirroring his contemporary comedies, the odyssey is but a delightful variation of the Rohmerian youthful rite of passage.
Perceval 柏士浮 (Perceval le Gallois)
7.2
法國 France 1978 138min
14:45 AH
Cast: Fabrice Luchini, André Dussollier, Arielle Dombasle, Marc Eyraud 法國影評人協會最佳電影獎 French Syndicate of Cinema Critics: Best Film
27.2 17:25 TK
rbs" e v o r P d n a s e i d ome C " r e t f A d 《喜劇與諺語》前與後 n a e Befor 來自城鄉的兩個女孩，性格迥異，共度四 段時光。女畫家雲奈德在野外偶遇大學生 米拉貝爾，希望與她分享天亮前「藍色時 刻」的完全寂靜。應邀來到巴黎，雲奈德 在咖啡室遇上無理取鬧的侍應，又在街頭 踫到乞丐、竊賊與騙子。因與米拉貝爾打 賭，她要緘口不言向畫廊東主推銷自己畫 作，引發對藝術的討論，也瞥見雙姝對世 界看法大相逕庭。儘管依然絮絮不休道理 連篇，盧馬在罕見的沉靜裏卻透現對平凡 生命的瞭解，擁抱奇妙一刻，聆聽螫伏心 靈深處的希音。 Filmed while Rohmer was awaiting decent sunset shots for The Green Ray , this sublimely improvised film in four episodes stands as one of his most playful features. First met in the countryside anticipating “the blue hour” of absolute silence before dawn, the country painter and the Parisian student then roam together in the capital. Their amusing encounters reflect the two teenage girls’ different reactions to the world about nature, injustice, and the problem of talking too much (Oh là là!). Hilarious, cynical, yet loaded with all the passionate and philosophical mediations of life.
Four Adventures of Reinette and Mirabelle 雙姝奇遇 (4 aventures de Reinette et Mirabelle) 法國 France 1987 97min
16.1 19:45 AH
Cast: Joëlle Miquel, Jessica Forde, Philippe Laudenbach, Marie Rivière 《電影筆記》年度十大電影第六位 #6 in Cahiers du Cinéma’s Top 10 Films
21.3 19:30 AH
21
The Green Ray
a.k.a. Summer
友分手的狄菲嫣又被好友撇了，一個人就
難得有情郎
獨自去散散心吧。偏偏個性有點倔強，加
(Le rayon vert)
率戀愛也就煩躁起來。可正是這份偏執，
法國 France 1986 98min
Cast: Marie Rivière, Maria Luisa Garcia, Vincent Gauthier, Eric Hamm
上寂寞芳心鬱鬱不樂，看着消費旅遊和輕 令她終遇上情投意合的男子，結伴等待日 落前最後一道綠光，奇蹟真的帶來看穿心
威尼斯影展最佳電影金獅獎及 Pasinetti最佳女主角獎 Venice Film Festival: Golden Lion, Pasinetti Award for Best Actress
靈的魔法？獲威尼斯金獅獎桂冠加冕，盧 馬「喜劇與諺語」系列中最享譽的一部， 即興演出，簡約隨意，一放一收早已出神
31.1
映後座談會講者藍天雲、王勛 Seminar with Grace Ng, Geoffrey Wong
Ah! May the time
炎炎夏日，巴黎人都蜂擁去度假，剛與男
7.3
14:30 AC
19:30 AH
入化；人生總有一刻，會幡然頓悟，明白 自己愛的所在。 It’s July, when Parisians flock out of town for their summer holidays, Delphine finds herself all alone as her lover and friends jilt her. Drifting from the Alps to Biarritz, she is increasingly disconsolate and at a loose end. Still, she clings to her faith in destiny, which eventually seems to reveal its auspicious sign in the green ray of sunset. An adaptation of Jules Verne’s novel in improvised whims, Rohmer’s Venice Golden Lion winner is one of the most vibrantly illuminating portraits of the paradoxes in human nature in all cinema.
e enamored. r a ts r ea h en h w e m
co
啊！讓傾心的時刻
來臨吧。
My Girlfriend’s Boyfriend
a.k.a. Boyfriends and Girlfriends
女友的男友 (L'ami de mon amie)
眾裏尋他千百度，原來男友還是人家的 好？緣來緣去，拐個彎又是另一片天。 羞怯的白朗茜對好姊妹莉亞的男友暗生情 愫，唯有自欺以求逃避感情；自信的莉亞 欲為白朗茜與新邂逅的工程師牽引紅線， 自己卻竟與他墮入愛河。樹影下心猿意 馬、派對上尷尬曖昧；錯綜複雜的四角關 係，在盧馬手上都變得輕盈灑脫。「喜劇 與諺語」系列最後一部，且任緣份自由來 去，把綠與藍的對襯悄然一換，對背叛與 欺瞞的微妙反諷，又豈止是荷里活式浪漫
法國 France 1987 102min
Cast: Emmanuelle Chaulet, Sophie Renoir, Eric Viellard, François-Eric Gendron
The friends of m
31.1
20.3
17:45 AC
y friends are m
19:30 AH
朋友之友亦吾友。
20
y friends.
喜劇的圓滿結局？ “The friends of my friends are my friends.” So the proverb goes, yet the shy Blanche hesitates about her growing affection for her friend’s lover, while the self-assured Léa is blithe when she finds herself enamored with the handsome engineer, whom she initially wants to make a match for Blanche. Rohmer’s mastery of mood is impressive – swaying hearts under summer breeze, unspoken feelings lost in party fever – all delicately captured under his sympathetic observation of human foibles. A charming finale to the "Comedies and Proverbs" series, funny, insightful, and vive l’amour !
布烈遜寫蘭西諾，以昇華靈性還原人的激 情與軟弱；盧馬寫柏士浮，則以看透世情 的寬容展開自我探索，發見內心的澄明。 年少無知的威爾斯青年對騎士威嚴心神嚮 往，不顧一切尋求亞瑟王策封他為圓桌武 士；可惜發現聖杯卻失諸交臂，遂展開漫 長尋覓，經歷愛情、信念、死亡的考驗， 誠心懺悔，終領略騎士精神。繼《女侯 爵》後盧馬再於歷史破舊立新，從古典文 學的押韻對句抽煉神髓，配以中世紀詩歌 樂曲，在廠景劇場中重塑柏士浮青春磨練 之旅，乍見現代靈光。 Offering a gorgeously evocative adaptation of Chrétien de Troyes’s 12th-century Arthurian poem, Rohmer creates a cinematic experiment and a personal adventure for the naïve, young Welsh knight Perceval, who goes through courtship, faith and chivalry in his discovery of spirituality and redemption. In a magnificent combination of medieval music, iconography and theatre, the French master transforms the mime and verse into stylised imagery of a stunningly coherent spectacle. A classical dramatisation mirroring his contemporary comedies, the odyssey is but a delightful variation of the Rohmerian youthful rite of passage.
Perceval 柏士浮 (Perceval le Gallois)
7.2
法國 France 1978 138min
14:45 AH
Cast: Fabrice Luchini, André Dussollier, Arielle Dombasle, Marc Eyraud 法國影評人協會最佳電影獎 French Syndicate of Cinema Critics: Best Film
27.2 17:25 TK
rbs" e v o r P d n a s e i d ome C " r e t f A d 《喜劇與諺語》前與後 n a e Befor 來自城鄉的兩個女孩，性格迥異，共度四 段時光。女畫家雲奈德在野外偶遇大學生 米拉貝爾，希望與她分享天亮前「藍色時 刻」的完全寂靜。應邀來到巴黎，雲奈德 在咖啡室遇上無理取鬧的侍應，又在街頭 踫到乞丐、竊賊與騙子。因與米拉貝爾打 賭，她要緘口不言向畫廊東主推銷自己畫 作，引發對藝術的討論，也瞥見雙姝對世 界看法大相逕庭。儘管依然絮絮不休道理 連篇，盧馬在罕見的沉靜裏卻透現對平凡 生命的瞭解，擁抱奇妙一刻，聆聽螫伏心 靈深處的希音。 Filmed while Rohmer was awaiting decent sunset shots for The Green Ray , this sublimely improvised film in four episodes stands as one of his most playful features. First met in the countryside anticipating “the blue hour” of absolute silence before dawn, the country painter and the Parisian student then roam together in the capital. Their amusing encounters reflect the two teenage girls’ different reactions to the world about nature, injustice, and the problem of talking too much (Oh là là!). Hilarious, cynical, yet loaded with all the passionate and philosophical mediations of life.
Four Adventures of Reinette and Mirabelle 雙姝奇遇 (4 aventures de Reinette et Mirabelle) 法國 France 1987 97min
16.1 19:45 AH
Cast: Joëlle Miquel, Jessica Forde, Philippe Laudenbach, Marie Rivière 《電影筆記》年度十大電影第六位 #6 in Cahiers du Cinéma’s Top 10 Films
21.3 19:30 AH
21
影師善良但經常撞板，偶遇秘書小姐一見傾心。為接近佳人應 徵美高梅新聞部，卻把新聞片拍得亂七八糟，跟心儀對象約會 又鬧出連串笑話。還有情敵橫刀奪愛，頭頭碰着黑，但冷面笑 匠勝在跌不死打不傷。飛奔接電話傻得可愛，猴子竟成了最佳
RESTORED CLASSICS
RESTORED CLASSICS
The Cameraman
勢成水火，然而把握僅有創作自由，仍成就了示範作。落魄攝
©Roy Export SAS
image courtesy of Park Circus / Warner Bros
修復經典
攝影師
巔峰狀態的基頓，簽約美高梅，儘管片廠掣肘多多，又跟監製
大 馬 戲 團
拍攝過程一波三折，依然拍出了經典。鏡房迷宮、扮機械木偶、誤 闖獅子籠、走鋼線同時跟猴子搏鬥，差利以爐火純青喜劇節奏，加 上邁向巔峰的創作力，透過烏龍百出的流浪漢角色，反映世態炎 涼，令人捧腹之餘也有淡淡憂愁。窮到要偷吃小孩手中熱狗的流浪
The Circus
拍檔，更遇上華埠幫派大火併。用攝影機撞碎美高梅玻璃，也
愛德華薛域
Edward Sedgwick 美國 USA 1928 68min
Cast: Buster Keaton, Marceline Day, Harold Goodwin
2.1
17:30 AC
22
17.1 20:00 AH
為台柱。默默愛上無良班主的養女，既有奮不顧身的傻勁，也有成 人之美的溫柔。費里尼推崇不意外，更是英瑪褒曼每年生日之選。
許正是打破限制的象徵。 In his first feature at MGM, Keaton is on fine form, though he would later regret his move, as the studio wrestled his creative control away. After falling in love with a beautiful newsreel secretary, our hero gets a job as a cameraman, leading to all manners of hilarious hijinks, including a perilous trip to New York’s Chinatown, where he becomes embroiled in a violent Tong War. Beautifully restored to its former glory, this is an unmissable opportunity to experience a late masterpiece from “The Great Stone Face” on the big screen.
漢，被誤認作扒手，逃到馬戲班，誤打誤撞贏得喝彩，笨手笨腳成
差利卓別靈
Charles Chaplin 美國 USA 1928 72min
Cast: Charles Chaplin, Merna Kennedy, Allan Garcia, Harry Crocker 奧斯卡金像獎榮譽獎 Academy Awards: Honorary Award
2.1
15:30 AC
The Circus was a tumultuous affair, from a scratched negative to an on-set fire, and Chaplin’s chaotic divorce from Lita Grey, all threatening to halt production. But on screen, it was business as usual for the Little Tramp, who, mistaken for a pickpocket, hides out at the circus. The ringmaster hires him as a clown, only for our diminutive hero to fall for his employer’s step-daughter. Chaplin’s efforts earned him a special Academy Award, for his “versatility and genius in acting, writing, directing and producing”.
10.1 21:00 TK
23
影師善良但經常撞板，偶遇秘書小姐一見傾心。為接近佳人應 徵美高梅新聞部，卻把新聞片拍得亂七八糟，跟心儀對象約會 又鬧出連串笑話。還有情敵橫刀奪愛，頭頭碰着黑，但冷面笑 匠勝在跌不死打不傷。飛奔接電話傻得可愛，猴子竟成了最佳
RESTORED CLASSICS
RESTORED CLASSICS
The Cameraman
勢成水火，然而把握僅有創作自由，仍成就了示範作。落魄攝
©Roy Export SAS
image courtesy of Park Circus / Warner Bros
修復經典
攝影師
巔峰狀態的基頓，簽約美高梅，儘管片廠掣肘多多，又跟監製
大 馬 戲 團
拍攝過程一波三折，依然拍出了經典。鏡房迷宮、扮機械木偶、誤 闖獅子籠、走鋼線同時跟猴子搏鬥，差利以爐火純青喜劇節奏，加 上邁向巔峰的創作力，透過烏龍百出的流浪漢角色，反映世態炎 涼，令人捧腹之餘也有淡淡憂愁。窮到要偷吃小孩手中熱狗的流浪
The Circus
拍檔，更遇上華埠幫派大火併。用攝影機撞碎美高梅玻璃，也
愛德華薛域
Edward Sedgwick 美國 USA 1928 68min
Cast: Buster Keaton, Marceline Day, Harold Goodwin
2.1
17:30 AC
22
17.1 20:00 AH
為台柱。默默愛上無良班主的養女，既有奮不顧身的傻勁，也有成 人之美的溫柔。費里尼推崇不意外，更是英瑪褒曼每年生日之選。
許正是打破限制的象徵。 In his first feature at MGM, Keaton is on fine form, though he would later regret his move, as the studio wrestled his creative control away. After falling in love with a beautiful newsreel secretary, our hero gets a job as a cameraman, leading to all manners of hilarious hijinks, including a perilous trip to New York’s Chinatown, where he becomes embroiled in a violent Tong War. Beautifully restored to its former glory, this is an unmissable opportunity to experience a late masterpiece from “The Great Stone Face” on the big screen.
漢，被誤認作扒手，逃到馬戲班，誤打誤撞贏得喝彩，笨手笨腳成
差利卓別靈
Charles Chaplin 美國 USA 1928 72min
Cast: Charles Chaplin, Merna Kennedy, Allan Garcia, Harry Crocker 奧斯卡金像獎榮譽獎 Academy Awards: Honorary Award
2.1
15:30 AC
The Circus was a tumultuous affair, from a scratched negative to an on-set fire, and Chaplin’s chaotic divorce from Lita Grey, all threatening to halt production. But on screen, it was business as usual for the Little Tramp, who, mistaken for a pickpocket, hides out at the circus. The ringmaster hires him as a clown, only for our diminutive hero to fall for his employer’s step-daughter. Chaplin’s efforts earned him a special Academy Award, for his “versatility and genius in acting, writing, directing and producing”.
10.1 21:00 TK
23
24.1 19:30 AH
法蘭波西傑憑《七重天》（1927）高奏凱歌後，夢幻組合再創傳奇。珍納姬 娜、查理斯花路分別飾演窮家女與畫家，淒美愛情幾經波折。她因企圖賣 淫及搶劫鋃鐺入獄，幸福險成泡影。妓女與聖母在畫筆下融為一體，道德 與宗教規範卻在華彩裏若隱若現。行雲流水的鏡頭恍如泰納的光影印象緩
法蘭波西傑
Frank Borzage 美國 USA 1928 102min
Cast: Janet Gaynor, Charles Farrell, Natalie Kingston 奧斯卡金像獎最佳女主角 Academy Awards: Best Actress
映後談講者劉嶔 Film talk with Lau Yam
24
緩流動，以詩意溶化現實的淒風苦雨。畫家輕抱愛人依偎船上，碼頭重逢 卻相見爭如不見，最終抱擁破鏡重圓，在拿坡里縷縷迷霧中，悠悠情愫起 承轉合，美得教人神迷。 Borzage reunited with stars Janet Gaynor and Charles Farrell to repeat the phenomenal success of 7th Heaven (1927). Akin to their previous masterpiece in its intense romanticism and spiritual mise-en-scène, Street Angel showcases the legendary director’s mastery of fusing expressionism with poetic realism. This mesmerising tale of two star-crossed lovers, armed only with their infatuation for each other, in a struggle against rigid societal conventions and religious hostilities, is an ode to the redemptive power of love.
RESTORED CLASSICS
RESTORED CLASSICS
Street Angel
修復經典
Photographs © 1928 Twentieth Century Fox Film Corporation. All rights reserved.
修復經典
馬路 天使
2.1
19:15 AC
一個 夢者的 四個晚上 Four Nights of a Dreamer
(Quatre nuits d’un rêveur) 羅拔布烈遜
Robert Bresson 美國 France／意大利 Italy 1971 82min
Cast: Isabelle Weingarten, Guillaume des Forêts, Jean-Maurice Monnoyer 柏林影展競賽影片 Berlin International Film Festival: In Competition
《白夜》是杜斯妥也夫斯基的詩文，也是維斯康堤的耽美浪 漫。來到布烈遜手上，輕輕烘托出愛情的水月鏡花。年輕畫家 積葵某夜在橋上救回欲尋死的瑪花，一段霧水情緣於焉展開。 瑪花告知本來約定情人但不見影蹤，積葵聽着聽着，不知不覺 墮入愛河。巴黎夜色是那樣的美，塞納河畔歌聲悠悠，布烈遜 的心思總在那雙手，感情都在指間流動。邂逅、了解、戀上、 分手，四個晚上歷遍陰晴圓缺。看似喜怒不形於色，內心都是 激情，既如夢似幻，又極度迷人。女主角兼雲溫達斯前妻伊莎 貝雲嘉頓雖於八月離世，在迷夢裏永遠留下美麗倩影。
White Nights , Dostoevsky’s short story once embraced by Visconti in delusional romanticism, is distilled in Bresson’s restrained hands into a beautiful tale of gentle eroticism and electric mystery. The hallucinatory light and colour of Paris is transformed into a dreamy landscape for a fragile relationship, between a solitary dreamer and a distraught girl, over four successive nights. Painted with bittersweet emotions, this fascinating classic offers a glimpse of Bresson's sense of humour and worldly irony, while enshrining the enigmatic charm of Isabelle Weingarten, ex-wife of Wim Wenders, who passed away in August.
3.1
14:15 AC
23.1 20:00 AH
25
24.1 19:30 AH
法蘭波西傑憑《七重天》（1927）高奏凱歌後，夢幻組合再創傳奇。珍納姬 娜、查理斯花路分別飾演窮家女與畫家，淒美愛情幾經波折。她因企圖賣 淫及搶劫鋃鐺入獄，幸福險成泡影。妓女與聖母在畫筆下融為一體，道德 與宗教規範卻在華彩裏若隱若現。行雲流水的鏡頭恍如泰納的光影印象緩
法蘭波西傑
Frank Borzage 美國 USA 1928 102min
Cast: Janet Gaynor, Charles Farrell, Natalie Kingston 奧斯卡金像獎最佳女主角 Academy Awards: Best Actress
映後談講者劉嶔 Film talk with Lau Yam
24
緩流動，以詩意溶化現實的淒風苦雨。畫家輕抱愛人依偎船上，碼頭重逢 卻相見爭如不見，最終抱擁破鏡重圓，在拿坡里縷縷迷霧中，悠悠情愫起 承轉合，美得教人神迷。 Borzage reunited with stars Janet Gaynor and Charles Farrell to repeat the phenomenal success of 7th Heaven (1927). Akin to their previous masterpiece in its intense romanticism and spiritual mise-en-scène, Street Angel showcases the legendary director’s mastery of fusing expressionism with poetic realism. This mesmerising tale of two star-crossed lovers, armed only with their infatuation for each other, in a struggle against rigid societal conventions and religious hostilities, is an ode to the redemptive power of love.
RESTORED CLASSICS
RESTORED CLASSICS
Street Angel
修復經典
Photographs © 1928 Twentieth Century Fox Film Corporation. All rights reserved.
修復經典
馬路 天使
2.1
19:15 AC
一個 夢者的 四個晚上 Four Nights of a Dreamer
(Quatre nuits d’un rêveur) 羅拔布烈遜
Robert Bresson 美國 France／意大利 Italy 1971 82min
Cast: Isabelle Weingarten, Guillaume des Forêts, Jean-Maurice Monnoyer 柏林影展競賽影片 Berlin International Film Festival: In Competition
《白夜》是杜斯妥也夫斯基的詩文，也是維斯康堤的耽美浪 漫。來到布烈遜手上，輕輕烘托出愛情的水月鏡花。年輕畫家 積葵某夜在橋上救回欲尋死的瑪花，一段霧水情緣於焉展開。 瑪花告知本來約定情人但不見影蹤，積葵聽着聽着，不知不覺 墮入愛河。巴黎夜色是那樣的美，塞納河畔歌聲悠悠，布烈遜 的心思總在那雙手，感情都在指間流動。邂逅、了解、戀上、 分手，四個晚上歷遍陰晴圓缺。看似喜怒不形於色，內心都是 激情，既如夢似幻，又極度迷人。女主角兼雲溫達斯前妻伊莎 貝雲嘉頓雖於八月離世，在迷夢裏永遠留下美麗倩影。
White Nights , Dostoevsky’s short story once embraced by Visconti in delusional romanticism, is distilled in Bresson’s restrained hands into a beautiful tale of gentle eroticism and electric mystery. The hallucinatory light and colour of Paris is transformed into a dreamy landscape for a fragile relationship, between a solitary dreamer and a distraught girl, over four successive nights. Painted with bittersweet emotions, this fascinating classic offers a glimpse of Bresson's sense of humour and worldly irony, while enshrining the enigmatic charm of Isabelle Weingarten, ex-wife of Wim Wenders, who passed away in August.
3.1
14:15 AC
23.1 20:00 AH
25
香
港國際電影節協會與意大利博洛尼亞電影資料
遊》，如夢似真的地獄景象開創視覺效果新風；先驅
化遺產。資料館是電影保育權威之一，珍藏逾萬部電
呈現社會現實，獲譽為意大利新寫實主義電影豎旗立
館訂立長期合作協議，致力推廣及保存電影文
影的菲林及底片拷貝，彌足珍貴。
該館修復的六部傑作原定於第44屆電影節放映，當
中四部現於Cine Fan節目登場，時空變換，但光芒不
遜。經典橫跨半世紀，可見意大利電影創意血脈相 承，影響力無遠弗屆。基度碧倫尼的默片《神曲幻
羅塞里尼的《不設防城市》，以寫實手法和敏銳觀察 竿，雙雙奠定影史嶄新里程。
秉承創新精神，敢於突破界限，馬可法拉利的閨房喜 劇《枕邊女皇蜂》，對宗教道德的辛辣嘲諷險令他鋃 鐺入獄；貝托魯奇的懸疑驚慄劇《蜘蛛策略》，對當 代法西斯社會的尖銳批判，更教人刮目相看。
龔志成是作曲家、表演者、音樂文化推廣人，近期 作品包括與坂本龍一合作的《荏苒》。
Kung Chi-shing is a composer, performer and music activist. He has recently collaborated with Sakamoto Ryuichi on Stealing Time .
19/2 (五 Fri) 8:00pm TK
27/2 (六 Sat) 3:00pm TK
Seminars
JOURNEY THROUGH I TA L I A N C I N E M A :
意大利電影之旅
座談會
RESTOR ATIONS FROM CINETECA DI BOLOGNA
H
Seminar on Billy Wilder
Seminar on Eric Rohmer
10.1
31.1
比利懷特座談會 Sun 日
TK
時間Time: 4:20-5:20pm 《紅樓金粉》放映後 After the screening of Sunset Boulevard 講者Speakers: 家明 Fung Ka-ming、王勛 Geoffrey Wong 粵語主講，免費入場 Conducted in Cantonese. Free admission
26
伊力盧馬座談會 Sun 日
AC
時間Time: 4:10-5:10pm 《難得有情郎》放映後 After the screening of The Green Ray 講者Speakers: 藍天雲 Grace Ng、王勛 Geoffrey Wong
KIFFS has entered into a long-term collaboration with Italy’s world-renowned Cineteca di Bologna to promote film conservation. With a collection of thousands of films in its archive, Cineteca di Bologna is one of the most recognised centres for preserving world cinematic heritage. Due to present in the 44th edition of HKIFF, some of Cineteca di Bologna’s remarkable collection of restored film classics will now be showcased in this issue’s Cine Fan programme. The four timeless classics in this selection represent the boundless creativity of Italian cinema. From the fascinating silent masterpiece Maciste in Hell by Guido Brignone, who championed pioneering special effects known at the time, to Roberto Rossellini’s Rome, Open City , which spearheaded the revolutionary style of Italian Neorealism, these bold
adventures in filmmaking left an enduring influence on generations of aspiring filmmakers. Inheriting their audacious spirit, Marco Ferreri and Bernardo Bertolucci broke new grounds to articulate their critical social and political commentaries. A biting satire on the matriarchal and religious austerity, The Conjugal Bed nearly put Ferreri behind bars for openly challenging moral conventions. The Spider’s Stratagem , a suspense thriller built around confronting the ambiguity of history, is equally thought-provoking as seen today for its scathing criticism of fascist ideology.
節目夥伴 Festival Partner
27
香
港國際電影節協會與意大利博洛尼亞電影資料
遊》，如夢似真的地獄景象開創視覺效果新風；先驅
化遺產。資料館是電影保育權威之一，珍藏逾萬部電
呈現社會現實，獲譽為意大利新寫實主義電影豎旗立
館訂立長期合作協議，致力推廣及保存電影文
影的菲林及底片拷貝，彌足珍貴。
該館修復的六部傑作原定於第44屆電影節放映，當
中四部現於Cine Fan節目登場，時空變換，但光芒不
遜。經典橫跨半世紀，可見意大利電影創意血脈相 承，影響力無遠弗屆。基度碧倫尼的默片《神曲幻
羅塞里尼的《不設防城市》，以寫實手法和敏銳觀察 竿，雙雙奠定影史嶄新里程。
秉承創新精神，敢於突破界限，馬可法拉利的閨房喜 劇《枕邊女皇蜂》，對宗教道德的辛辣嘲諷險令他鋃 鐺入獄；貝托魯奇的懸疑驚慄劇《蜘蛛策略》，對當 代法西斯社會的尖銳批判，更教人刮目相看。
龔志成是作曲家、表演者、音樂文化推廣人，近期 作品包括與坂本龍一合作的《荏苒》。
Kung Chi-shing is a composer, performer and music activist. He has recently collaborated with Sakamoto Ryuichi on Stealing Time .
19/2 (五 Fri) 8:00pm TK
27/2 (六 Sat) 3:00pm TK
Seminars
JOURNEY THROUGH I TA L I A N C I N E M A :
意大利電影之旅
座談會
RESTOR ATIONS FROM CINETECA DI BOLOGNA
H
Seminar on Billy Wilder
Seminar on Eric Rohmer
10.1
31.1
比利懷特座談會 Sun 日
TK
時間Time: 4:20-5:20pm 《紅樓金粉》放映後 After the screening of Sunset Boulevard 講者Speakers: 家明 Fung Ka-ming、王勛 Geoffrey Wong 粵語主講，免費入場 Conducted in Cantonese. Free admission
26
伊力盧馬座談會 Sun 日
AC
時間Time: 4:10-5:10pm 《難得有情郎》放映後 After the screening of The Green Ray 講者Speakers: 藍天雲 Grace Ng、王勛 Geoffrey Wong
KIFFS has entered into a long-term collaboration with Italy’s world-renowned Cineteca di Bologna to promote film conservation. With a collection of thousands of films in its archive, Cineteca di Bologna is one of the most recognised centres for preserving world cinematic heritage. Due to present in the 44th edition of HKIFF, some of Cineteca di Bologna’s remarkable collection of restored film classics will now be showcased in this issue’s Cine Fan programme. The four timeless classics in this selection represent the boundless creativity of Italian cinema. From the fascinating silent masterpiece Maciste in Hell by Guido Brignone, who championed pioneering special effects known at the time, to Roberto Rossellini’s Rome, Open City , which spearheaded the revolutionary style of Italian Neorealism, these bold
adventures in filmmaking left an enduring influence on generations of aspiring filmmakers. Inheriting their audacious spirit, Marco Ferreri and Bernardo Bertolucci broke new grounds to articulate their critical social and political commentaries. A biting satire on the matriarchal and religious austerity, The Conjugal Bed nearly put Ferreri behind bars for openly challenging moral conventions. The Spider’s Stratagem , a suspense thriller built around confronting the ambiguity of history, is equally thought-provoking as seen today for its scathing criticism of fascist ideology.
節目夥伴 Festival Partner
27
Maciste in Hell 神曲幻遊
(Maciste all’Inferno) 基度碧倫尼
但丁《神曲》為藍本，傳奇男星巴托羅密歐帕迦
夢寐以求娶得貌美虔誠兼守身如玉的嬌妻，男人
諾飾演勇闖地獄的大力士馬西斯特，他在十五年
四十的阿方索日日沉醉溫柔鄉。床上翻雲覆雨，
間於廿七部電影演繹長壽系列的同一角色，成為
夫妻角色亦暗中翻天覆地；枕邊人變身女皇蜂，
影壇佳話。基度碧倫尼執導的版本，將中古背景
小工蜂只得密密侍奉，精竭力疲，完成播種使命
改為十九世紀，馬西斯特因打退企圖操縱人間的
後，落得油盡燈枯。馬可法拉利的閨房喜劇，以
撒旦使者，被拉進地獄面對種種試煉。運用多重
恰如布紐爾的幽默戲謔筆觸，調侃婚姻道德失
曝光、反拍鏡頭等當代創新視覺效果，以豐富想
衡，極盡諷刺傳宗接代的迂腐思想。當年一出即
像繪出逼真震撼的地獄景象，猙獰鬼怪、噴火龍
被禁映，導演及製片更差點因「違反公德」入
造型蔚為奇觀。如夢似真的影像更啟發費里尼投
獄。烏戈唐納斯傳神演繹小男人要命的愛與痛，
身電影創作，譜寫意大利影史傳奇。
《我所知道她的二三事》女主角瑪麗娜維拉迪更
Brignone transfigured Dante’s vision of Hell into a grandiose cinematic spectacle of fantasy and imagination. Legendary actor Pagano plays a strongman, who descends into the inferno in order to restore order, a role he reprised 27 times in this long-running film series. The enthralling contrasts between the realistic scenes on Earth and the surrealist ones in Hell, huge cast of demons, and terrifying dragon, fashioned from the most state of the art special effects of the day, all inspired Fellini to get into the movies.
Guido Brignone
獲康城影后殊榮。 All would envy Alfonso, a 40-year-old man, when he marries a beautiful and religious virgin. But soon he faces the grim fate of a worker bee, whose sole mission is to fulfill his queen’s sexual desires and quest for motherhood. A satirical Buñuelian grotesquerie that was censored upon release, Ferreri’s first Italian feature pokes wicked fun at the eternal battle between the sexes, while offering a critical commentary on the matriarchal complex and religious formalities. Marina Vlady (2 or 3 Things I Know About Her ) was named Best Actress at Cannes.
意大利 Italy 1925 95min Cast: Bartolomeo Pagano, Elena Sangro, Umberto Guarracino, Mario Saio
Rome, Open City 不設防城市
(Roma città aperta) 羅塞里尼
Roberto Rossellini
20:00 TK
27.2 15:00 TK
6.3
15:30 AH
20.3 17:30 AH
被譽為意大利新寫實主義揭竿之作。先驅羅塞里
沒有英雄的時代是可嘆的；需要英雄的時代，更
尼在二戰末期，於納粹佔領的羅馬實景拍攝，以
是可悲。一個反法西斯英雄，暗殺墨索里尼的計
四處搜羅的菲林，拍出烽火中貼近真實的生命面
劃雖無疾而終，但以身殉道，小鎮人人以他為
貌。俐落鏡頭對準地下反抗軍英勇抗暴事蹟，織
榮。遺腹子獲邀回鄉出席紀念儀式，父親當年情
入樸實逼真的庶民群像：義無反顧的神父、出賣
婦叮囑他要查明真兇。一頭栽進蜘蛛網絡，從父
愛人的舞女、負隅頑抗的孩童……安娜夢茵兒為
親三位戰友透露的一絲一縷，發現不容揭露的真
愛不顧危險，眾目睽睽下，奮身追車中彈的震撼
相。與《同流者》同年橫空出世，貝托魯奇將波
一幕，為歷史真相留下見證。紀實風格滲透濃厚
赫士小說轉化，在攝影大師史托拉盧迷離鏡頭
戲劇張力與真摯感情，在頹垣敗瓦中，平地一聲
下，透過父子兩代繼承與背離的懸疑劇情，尖銳
雷，為時代與影史奠下里程碑。
批判法西斯社會蒙混不清的道德觀。
A world cinema landmark that launched the revolutionary style of Italian neorealism, Rossellini’s thrilling drama, simultaneously realistic and melodramatic, has left a trace on every film movement since. Shot amid the ruins of Rome during World War II, the story of brave resistance leaders struggling against the Nazi occupation is a shockingly authentic experience, galvanised by newsreelstyle cinematography. The infamous torture and execution scenes have lost none of their monumental impact today.
Through his tragic death, an anti-Fascist figure is transformed into the legendary hero of a provincial Italian town. Returning for his honouring ceremony, his son becomes entwined in a web of mysteries and ambiguities as he gradually discovers the truth behind his father’s myth. A continuation of his classic The Conformist (1970), Bertolucci transposes Jorge Luis Borges' short story, orchestrating the high tragedy of a thrilling theatrical play into a dazzling microcosm of human society filled with lies and delusion.
馬可法拉利
康城影展最佳女主角 Cannes Film Festival: Best Actress
The Spider’s Stratagem 蜘蛛策略
(Strategia del ragno)
貝托魯奇
康城影展評審團大獎 Cannes Film Festival: Grand Prize of the Jury
(L’ape regina)
意大利 Italy／法國 France 1963 90min Cast: Ugo Tognazzi, Marina Vlady, Walter Giller
意大利 Italy 1945 103min Cast: Anna Magnani, Aldo Fabrizi, Marcello Pagliero
美國國家評論協會最佳女主角、最佳外語片 National Board of Review: Best Actress, Best Foreign Language Film
枕邊女皇蜂
Marco Ferreri
19.2 現場音樂伴奏：龔志成 Live Music Accompaniment: Kung Chi-shing
The Conjugal Bed
Bernardo Bertolucci
13.3 14:30 AH
21.3 17:15 AH
7.3
15:00 AH
21.3 15:00 AH
意大利 Italy 1970 100min Cast: Giulio Brogi, Alida Valli, Pippo Campanini
映後談講者劉偉霖 Film talk with William Lau
28
29
Maciste in Hell 神曲幻遊
(Maciste all’Inferno) 基度碧倫尼
但丁《神曲》為藍本，傳奇男星巴托羅密歐帕迦
夢寐以求娶得貌美虔誠兼守身如玉的嬌妻，男人
諾飾演勇闖地獄的大力士馬西斯特，他在十五年
四十的阿方索日日沉醉溫柔鄉。床上翻雲覆雨，
間於廿七部電影演繹長壽系列的同一角色，成為
夫妻角色亦暗中翻天覆地；枕邊人變身女皇蜂，
影壇佳話。基度碧倫尼執導的版本，將中古背景
小工蜂只得密密侍奉，精竭力疲，完成播種使命
改為十九世紀，馬西斯特因打退企圖操縱人間的
後，落得油盡燈枯。馬可法拉利的閨房喜劇，以
撒旦使者，被拉進地獄面對種種試煉。運用多重
恰如布紐爾的幽默戲謔筆觸，調侃婚姻道德失
曝光、反拍鏡頭等當代創新視覺效果，以豐富想
衡，極盡諷刺傳宗接代的迂腐思想。當年一出即
像繪出逼真震撼的地獄景象，猙獰鬼怪、噴火龍
被禁映，導演及製片更差點因「違反公德」入
造型蔚為奇觀。如夢似真的影像更啟發費里尼投
獄。烏戈唐納斯傳神演繹小男人要命的愛與痛，
身電影創作，譜寫意大利影史傳奇。
《我所知道她的二三事》女主角瑪麗娜維拉迪更
Brignone transfigured Dante’s vision of Hell into a grandiose cinematic spectacle of fantasy and imagination. Legendary actor Pagano plays a strongman, who descends into the inferno in order to restore order, a role he reprised 27 times in this long-running film series. The enthralling contrasts between the realistic scenes on Earth and the surrealist ones in Hell, huge cast of demons, and terrifying dragon, fashioned from the most state of the art special effects of the day, all inspired Fellini to get into the movies.
Guido Brignone
獲康城影后殊榮。 All would envy Alfonso, a 40-year-old man, when he marries a beautiful and religious virgin. But soon he faces the grim fate of a worker bee, whose sole mission is to fulfill his queen’s sexual desires and quest for motherhood. A satirical Buñuelian grotesquerie that was censored upon release, Ferreri’s first Italian feature pokes wicked fun at the eternal battle between the sexes, while offering a critical commentary on the matriarchal complex and religious formalities. Marina Vlady (2 or 3 Things I Know About Her ) was named Best Actress at Cannes.
意大利 Italy 1925 95min Cast: Bartolomeo Pagano, Elena Sangro, Umberto Guarracino, Mario Saio
Rome, Open City 不設防城市
(Roma città aperta) 羅塞里尼
Roberto Rossellini
20:00 TK
27.2 15:00 TK
6.3
15:30 AH
20.3 17:30 AH
被譽為意大利新寫實主義揭竿之作。先驅羅塞里
沒有英雄的時代是可嘆的；需要英雄的時代，更
尼在二戰末期，於納粹佔領的羅馬實景拍攝，以
是可悲。一個反法西斯英雄，暗殺墨索里尼的計
四處搜羅的菲林，拍出烽火中貼近真實的生命面
劃雖無疾而終，但以身殉道，小鎮人人以他為
貌。俐落鏡頭對準地下反抗軍英勇抗暴事蹟，織
榮。遺腹子獲邀回鄉出席紀念儀式，父親當年情
入樸實逼真的庶民群像：義無反顧的神父、出賣
婦叮囑他要查明真兇。一頭栽進蜘蛛網絡，從父
愛人的舞女、負隅頑抗的孩童……安娜夢茵兒為
親三位戰友透露的一絲一縷，發現不容揭露的真
愛不顧危險，眾目睽睽下，奮身追車中彈的震撼
相。與《同流者》同年橫空出世，貝托魯奇將波
一幕，為歷史真相留下見證。紀實風格滲透濃厚
赫士小說轉化，在攝影大師史托拉盧迷離鏡頭
戲劇張力與真摯感情，在頹垣敗瓦中，平地一聲
下，透過父子兩代繼承與背離的懸疑劇情，尖銳
雷，為時代與影史奠下里程碑。
批判法西斯社會蒙混不清的道德觀。
A world cinema landmark that launched the revolutionary style of Italian neorealism, Rossellini’s thrilling drama, simultaneously realistic and melodramatic, has left a trace on every film movement since. Shot amid the ruins of Rome during World War II, the story of brave resistance leaders struggling against the Nazi occupation is a shockingly authentic experience, galvanised by newsreelstyle cinematography. The infamous torture and execution scenes have lost none of their monumental impact today.
Through his tragic death, an anti-Fascist figure is transformed into the legendary hero of a provincial Italian town. Returning for his honouring ceremony, his son becomes entwined in a web of mysteries and ambiguities as he gradually discovers the truth behind his father’s myth. A continuation of his classic The Conformist (1970), Bertolucci transposes Jorge Luis Borges' short story, orchestrating the high tragedy of a thrilling theatrical play into a dazzling microcosm of human society filled with lies and delusion.
馬可法拉利
康城影展最佳女主角 Cannes Film Festival: Best Actress
The Spider’s Stratagem 蜘蛛策略
(Strategia del ragno)
貝托魯奇
康城影展評審團大獎 Cannes Film Festival: Grand Prize of the Jury
(L’ape regina)
意大利 Italy／法國 France 1963 90min Cast: Ugo Tognazzi, Marina Vlady, Walter Giller
意大利 Italy 1945 103min Cast: Anna Magnani, Aldo Fabrizi, Marcello Pagliero
美國國家評論協會最佳女主角、最佳外語片 National Board of Review: Best Actress, Best Foreign Language Film
枕邊女皇蜂
Marco Ferreri
19.2 現場音樂伴奏：龔志成 Live Music Accompaniment: Kung Chi-shing
The Conjugal Bed
Bernardo Bertolucci
13.3 14:30 AH
21.3 17:15 AH
7.3
15:00 AH
21.3 15:00 AH
意大利 Italy 1970 100min Cast: Giulio Brogi, Alida Valli, Pippo Campanini
映後談講者劉偉霖 Film talk with William Lau
28
29
購票須知
TICKETING INFORMATION
售票處購票 Counter Booking： 城市售票網售票處 / URBTIX Outlets
門票於2020年12月10日起於城市售票網公開發售
Tickets available from 10 December 2020 onwards at URBTIX 票價 Ticket Price
$85
於 K11 Art House 放映之場次 Screenings at K11 Art House
In the view of the cancellation of Cine Fan Apr/May, Jun/ Jul & Sep/Oct programmes, Cine Fan 2020 Privilege Scheme will be extended to 31 December 2021.
信用卡電話購票 Credit Card Telephone Booking： 2111 5999
$75
於香港藝術中心及大館放映之場次 Screenings at Hong Kong Arts Centre / Tai Kwun
* 由於電影節發燒友四、五月，六、七月及 九、十月節目因 新型冠狀病毒疫情而取消，原定本年底到期之Cine Fan會員 會籍，有效期將自動延長至2021年12月31日。
網上購票 Internet Booking： cinefan.com.hk / www.urbtix.hk
流動購票應用程式 Moblie Ticketing App： My URBTIX (Android, iPhone versions)
票務查詢 Ticketing Enquiries：3761 6661
門票優惠 Discount Schemes
八折優惠 七折優惠 八折優惠 九折優惠
20% discount 30% discount 20% discount
10% discount
電影節發燒友會員 / 贊助會員 Cine Fan Classic Privilege / Patron Privilege 電影節發燒友學生會員 Cine Fan Student Privilege ^ Art House/ UA Loyalty Club會員購買K11 Art House各場次@ Art House/ UA Loyalty Club members for screenings at K11 Art House@ 「港樂會」+ / 「以舞會友」尊尚、精英會籍 + / 城市當代舞蹈團「舞蹈靈」卡會員 +、Dance, Kids Card 會員# /「進念之友」+ / 「中樂摯友會」+ / 藝穗會會員# / Perfect Cup卡會員# HK Phil Club Bravo+/ Friends of HKDC Prestige, Classic Membership+/ CCDC Dance Inspirations+, Dance, Kids Card# / Zuni Friends+/ Friends of Hong Kong Chinese Orchestra +/ Fringe Club Members# / Perfect Cup Card Members#
^ 學生會員優惠票持有人，須於入場時出示有效電影節發燒友(HKIFF Cine Fan)學生會員卡。 HKIFF Cine Fan Student Privilege ticket holder must present valid Student Privilege Card upon admission. @ 只適用於城市售票網售票處之售票櫃檯購票及戲院即場門票。Only available at the sales counter of URBTIX Outlets and Cinema door sales. + 只適用於城市售票網購票。Available at URBTIX only. # 只適用於城市售票網售票處之售票櫃檯購票。Available at the sales counter of URBTIX Outlets only. 香港國際電影節協會及其合作夥伴，保留暫停或取消所有會員優惠的最終決定權。 Subject to final agreement of HKIFFS & its partners. HKIFFS reserves, all rights and final decision to cancel or alter the discount offer. 每張門票最多只可享用其中一種購票優惠。All of the above discounts cannot be used in conjunction with any other discounts or offers. 所有場次均設劃位。所有已出售的門票皆不能退款或更換。本會恕不負責任何門票遺失。 All seats are marked. All tickets are non-refundable and non-exchangeable. HKIFF Society is not responsible for any lost ticket. * 於K11 Art House放映之場次：城市售票網將於放映前一天之下午5時停止發售門票。觀眾可於電影放映當日到放映場地票房購買剩餘門票，售完即止。 For screenings at K11 Art House, tickets are available at URBTIX till 5:00pm one day before respective screenings, after which tickets will be available only at the box office of the respective screening venues on the day of screening, subject to availability. * 於香港藝術中心及大館之場次：每個節目開始前一小時起，剩餘門票只限於相關放映場地之售票處發售。 Screenings at HK Arts Centre / Tai Kwun: For screening about to start in one hour, all remaining tickets can only be bought at the box office of respective screening venues.
使用信用卡電話購票、 流動購票應用程式或網上購票
For Credit Card Telephone Booking, Mobile Ticketing App and Internet Booking 手續費：每張訂購門票港幣8元（手續費不設退款）。 以上手續費會因應購票通（香港）有限公司而調整。 A handling charge (which is non-refundable) is levied at HK$8 per ticket. The service fee is subjected to adjustment by Cityline (HK) Limited.
自助取票服務 Ticketing Collection Service 顧客選擇自助取票服務提取門票，可於12月11日開 始，攜帶交易使用的信用卡在購票通自助取票機刷卡 提取門票，或親臨任何一間城市售票網售票處的售票 櫃檯憑卡領取門票。 Customers choosing ticket collection service can collect their pre-paid tickets from Cityline Ticket Dispensing Machines or at the sales counter at any of the URBTIX Outlets with the credit card used for transaction from 11 December onwards.
電影分級制 The Film Classification
適合任何年齡人士 Suitable for All Ages
退票及節目更改
Refund Arrangement and Programme Change 節目如有更改或取消，觀眾可按原定時間入場觀看替代影片，或可由通知當日起至2021年4月9日申請退 票。退票表格可於電影節發燒友（HKIFF Cine Fan）網頁（cinefan.com.hk）下載。 For alteration or cancellation of screenings, ticket holders may choose to attend a screening of a replacement film at the same time slot or to get a refund on or before 9 April 2021. Refund application form can be downloaded from Cine Fan website (cinefan.com.hk).
惡劣天氣之放映安排
Arrangements under Inclement Weather Conditions 當香港天文台發出八號或以上熱帶氣旋警告訊號或黑色暴雨警告時，電影節目可能會受影響而取消， 或未能提供投映字幕。詳情請留意電影節發燒友（HKIFF Cine Fan）網頁的最新公佈。 Screenings or electronic subtitles may be cancelled when tropical cyclone warning signal No. 8 is in force or Black Rainstorm Warning is issued. Please refer to the HKIFF Cine Fan website for the latest notice.
售票條款 Terms and Conditions 香港國際電影節協會保留更改放映節目、時間及地點的權利。有關節目更改或取消的最新消息，請參閱電影節發 燒友（HKIFF Cine Fan）網頁及放映場地的通告。 The HKIFF Society reserves the right to change the programme and the schedule should unavoidable circumstances make it necessary. Screening alterations and cancellations will be announced on the HKIFF Cine Fan website and at the screening venues.
兒童不宜 Not Suitable for Children
青少年及兒童不宜 Not Suitable for Young Persons and Children
只准18歲或以上人士 Persons Aged 18 or Above Only
本訂票手冊付印時，大部份影片均未經電影、報刊及物品管理辦事處檢查。將來如有影片被檢定為三級者，未滿18歲而於公布前購買該場門票的持有人，可申請退票。 At the time when this booking folder goes to print, most of the films have not been submitted to the Office for Film, Newspaper and Article Administration. In case a film is subsequently classified as Category III, refunds will be made to ticket holders under 18 years of age who bought the tickets before the announcement.
cinefan.com.hk / 2970 3300 / info@hkiff.org.hk
Follow us
HKIFFS
31
購票須知
TICKETING INFORMATION
售票處購票 Counter Booking： 城市售票網售票處 / URBTIX Outlets
門票於2020年12月10日起於城市售票網公開發售
Tickets available from 10 December 2020 onwards at URBTIX 票價 Ticket Price
$85
於 K11 Art House 放映之場次 Screenings at K11 Art House
In the view of the cancellation of Cine Fan Apr/May, Jun/ Jul & Sep/Oct programmes, Cine Fan 2020 Privilege Scheme will be extended to 31 December 2021.
信用卡電話購票 Credit Card Telephone Booking： 2111 5999
$75
於香港藝術中心及大館放映之場次 Screenings at Hong Kong Arts Centre / Tai Kwun
* 由於電影節發燒友四、五月，六、七月及 九、十月節目因 新型冠狀病毒疫情而取消，原定本年底到期之Cine Fan會員 會籍，有效期將自動延長至2021年12月31日。
網上購票 Internet Booking： cinefan.com.hk / www.urbtix.hk
流動購票應用程式 Moblie Ticketing App： My URBTIX (Android, iPhone versions)
票務查詢 Ticketing Enquiries：3761 6661
門票優惠 Discount Schemes
八折優惠 七折優惠 八折優惠 九折優惠
20% discount 30% discount 20% discount
10% discount
電影節發燒友會員 / 贊助會員 Cine Fan Classic Privilege / Patron Privilege 電影節發燒友學生會員 Cine Fan Student Privilege ^ Art House/ UA Loyalty Club會員購買K11 Art House各場次@ Art House/ UA Loyalty Club members for screenings at K11 Art House@ 「港樂會」+ / 「以舞會友」尊尚、精英會籍 + / 城市當代舞蹈團「舞蹈靈」卡會員 +、Dance, Kids Card 會員# /「進念之友」+ / 「中樂摯友會」+ / 藝穗會會員# / Perfect Cup卡會員# HK Phil Club Bravo+/ Friends of HKDC Prestige, Classic Membership+/ CCDC Dance Inspirations+, Dance, Kids Card# / Zuni Friends+/ Friends of Hong Kong Chinese Orchestra +/ Fringe Club Members# / Perfect Cup Card Members#
^ 學生會員優惠票持有人，須於入場時出示有效電影節發燒友(HKIFF Cine Fan)學生會員卡。 HKIFF Cine Fan Student Privilege ticket holder must present valid Student Privilege Card upon admission. @ 只適用於城市售票網售票處之售票櫃檯購票及戲院即場門票。Only available at the sales counter of URBTIX Outlets and Cinema door sales. + 只適用於城市售票網購票。Available at URBTIX only. # 只適用於城市售票網售票處之售票櫃檯購票。Available at the sales counter of URBTIX Outlets only. 香港國際電影節協會及其合作夥伴，保留暫停或取消所有會員優惠的最終決定權。 Subject to final agreement of HKIFFS & its partners. HKIFFS reserves, all rights and final decision to cancel or alter the discount offer. 每張門票最多只可享用其中一種購票優惠。All of the above discounts cannot be used in conjunction with any other discounts or offers. 所有場次均設劃位。所有已出售的門票皆不能退款或更換。本會恕不負責任何門票遺失。 All seats are marked. All tickets are non-refundable and non-exchangeable. HKIFF Society is not responsible for any lost ticket. * 於K11 Art House放映之場次：城市售票網將於放映前一天之下午5時停止發售門票。觀眾可於電影放映當日到放映場地票房購買剩餘門票，售完即止。 For screenings at K11 Art House, tickets are available at URBTIX till 5:00pm one day before respective screenings, after which tickets will be available only at the box office of the respective screening venues on the day of screening, subject to availability. * 於香港藝術中心及大館之場次：每個節目開始前一小時起，剩餘門票只限於相關放映場地之售票處發售。 Screenings at HK Arts Centre / Tai Kwun: For screening about to start in one hour, all remaining tickets can only be bought at the box office of respective screening venues.
使用信用卡電話購票、 流動購票應用程式或網上購票
For Credit Card Telephone Booking, Mobile Ticketing App and Internet Booking 手續費：每張訂購門票港幣8元（手續費不設退款）。 以上手續費會因應購票通（香港）有限公司而調整。 A handling charge (which is non-refundable) is levied at HK$8 per ticket. The service fee is subjected to adjustment by Cityline (HK) Limited.
自助取票服務 Ticketing Collection Service 顧客選擇自助取票服務提取門票，可於12月11日開 始，攜帶交易使用的信用卡在購票通自助取票機刷卡 提取門票，或親臨任何一間城市售票網售票處的售票 櫃檯憑卡領取門票。 Customers choosing ticket collection service can collect their pre-paid tickets from Cityline Ticket Dispensing Machines or at the sales counter at any of the URBTIX Outlets with the credit card used for transaction from 11 December onwards.
電影分級制 The Film Classification
適合任何年齡人士 Suitable for All Ages
退票及節目更改
Refund Arrangement and Programme Change 節目如有更改或取消，觀眾可按原定時間入場觀看替代影片，或可由通知當日起至2021年4月9日申請退 票。退票表格可於電影節發燒友（HKIFF Cine Fan）網頁（cinefan.com.hk）下載。 For alteration or cancellation of screenings, ticket holders may choose to attend a screening of a replacement film at the same time slot or to get a refund on or before 9 April 2021. Refund application form can be downloaded from Cine Fan website (cinefan.com.hk).
惡劣天氣之放映安排
Arrangements under Inclement Weather Conditions 當香港天文台發出八號或以上熱帶氣旋警告訊號或黑色暴雨警告時，電影節目可能會受影響而取消， 或未能提供投映字幕。詳情請留意電影節發燒友（HKIFF Cine Fan）網頁的最新公佈。 Screenings or electronic subtitles may be cancelled when tropical cyclone warning signal No. 8 is in force or Black Rainstorm Warning is issued. Please refer to the HKIFF Cine Fan website for the latest notice.
售票條款 Terms and Conditions 香港國際電影節協會保留更改放映節目、時間及地點的權利。有關節目更改或取消的最新消息，請參閱電影節發 燒友（HKIFF Cine Fan）網頁及放映場地的通告。 The HKIFF Society reserves the right to change the programme and the schedule should unavoidable circumstances make it necessary. Screening alterations and cancellations will be announced on the HKIFF Cine Fan website and at the screening venues.
兒童不宜 Not Suitable for Children
青少年及兒童不宜 Not Suitable for Young Persons and Children
只准18歲或以上人士 Persons Aged 18 or Above Only
本訂票手冊付印時，大部份影片均未經電影、報刊及物品管理辦事處檢查。將來如有影片被檢定為三級者，未滿18歲而於公布前購買該場門票的持有人，可申請退票。 At the time when this booking folder goes to print, most of the films have not been submitted to the Office for Film, Newspaper and Article Administration. In case a film is subsequently classified as Category III, refunds will be made to ticket holders under 18 years of age who bought the tickets before the announcement.
cinefan.com.hk / 2970 3300 / info@hkiff.org.hk
Follow us
HKIFFS
31
FEBRUARY 二月
SCREENING SCHEDULE 放 映時間表 JANUARY 一月
座談會：粵語主講 Seminar : Conducted in Cantonese
14:45 AH
17:15 AH
19:45 AH
儷人行
狂流春醒
碧血煙花
06
Two for the Road
Wild River
Destry Rides Again
六 Sat
02
15:30 AC
17:30 AC
19:15 AC
14:45 AH
17:45 AH
19:30 AH
大馬戲團
攝影師
馬路天使
柏士浮
女巫歲月
被遺忘的人
六 Sat
The Circus
The Cameraman
Street Angel
Perceval
The Juniper Tree
Los Olvidados
03 日 Sun
09 六 Sat
10 日 Sun
16 六 Sat
17 日 Sun
23 六 Sat
14:15 AC
16:00 AC
20:00 TK
一個夢者的四個晚上
無語問蒼天
神曲幻遊
Four Nights of a Dreamer
Johnny Got His Gun
Maciste in Hell
14:45 TK
17:30 TK
20:00 TK
14:30 TK
17:00 TK
19:45 TK
殺夫報
醉鄉遺恨
追鳥
碧血煙花
雄才偉略
生葬古坵墳
Double Indemnity
The Lost Weekend
Birdy
Destry Rides Again
Witness for the Prosecution
Ace in the Hole
14:30 TK
16:20 TK
18:15 TK
21:00 TK
14:30 TK
17:15 TK
20:15 TK
紅樓金粉
比利懷特座談會
生葬古坵墳
大馬戲團
被遺忘的人
桃色公寓
花街神女
Sunset Boulevard
Seminar on Billy Wilder
Ace in the Hole
The Circus
Los Olvidados
The Apartment
Irma la Douce
14:30 AH
17:15 AH
19:45 AH
15:00 TK
17:25 TK
20:40 TK
戰地軍魂
龍鳳配
雙姝奇遇
神曲幻遊
柏士浮
飛行員的妻子
Stalag 17
Sabrina
Four Adventures of Reinette and Mirabelle
Maciste in Hell
Perceval
The Aviator's Wife
14:30 AH
17:15 AH
20:00 AH
14:30 TK
17:45 TK
20:50 TK
雄才偉略
熱情如火
攝影師
龍鳳配
儷人行
熱情如火
Witness for the Prosecution
Some Like It Hot
The Cameraman
Sabrina
Two for the Road
Some Like It Hot
14:15 AH
17:00 AH
20:00 AH
桃色公寓
花街神女
一個夢者的四個晚上
The Apartment
Irma la Douce
Four Nights of a Dreamer
24 日 Sun
30 六 Sat
31 日 Sun
座談會 Seminar
AC TK AH
15:00 AH
17:15 AH
19:30 AH
飛行員的妻子
好姻緣
馬路天使
The Aviator's Wife
A Good Marriage
Street Angel
14:30 AC
16:45 AC
19:15 AC
沙灘上的寶蓮
圓月映花都
無語問蒼天
Pauline at the Beach
Full Moon in Paris
Johnny Got His Gun
14:30 AC
16:10 AC
17:45 AC
20:15 AC
難得有情郎
伊力盧馬座談會
女友的男友
追鳥
The Green Ray
Seminar on Eric Rohmer
My Girlfriend's Boyfriend
Birdy
五 Fri
20 六 Sat
21 日 Sun
27 六 Sat
28 日 Sun
15:30 AH
17:30 AH
19:30 AH
枕邊女皇蜂
好姻緣
沙灘上的寶蓮
06
The Conjugal Bed
A Good Marriage
Pauline at the Beach
六 Sat
15:00 AH
17:15 AH
19:30 AH
蜘蛛策略
圓月映花都
難得有情郎
07
The Spider's Stratagem Full Moon in Paris
The Green Ray
14:30 AH
17:15 AH
19:30 AH
不設防城市
殺夫報
紅樓金粉
Rome, Open City
Double Indemnity
Sunset Boulevard
14:30 AH
17:00 AH
19:45 AH
醉鄉遺恨
戰地軍魂
狂流春醒
The Lost Weekend
Stalag 17
Wild River
15:30 AH
17:30 AH
19:30 AH
女巫歲月
枕邊女皇蜂
女友的男友
The Juniper Tree
The Conjugal Bed
My Girlfriend's Boyfriend
15:00 AH
17:15 AH
19:30 AH
蜘蛛策略
不設防城市
雙姝奇遇
The Spider's Stratagem Rome, Open City
32
19
MARCH 三月
映後談 Film Talk
香港藝術中心古天樂電影院 Hong Kong Arts Centre Louis Koo Cinema 大館賽馬會立方綜藝館 Tai Kwun JC Cube Auditorium K11 Art House
07 日 Sun
Four Adventures of Reinette and Mirabelle
日 Sun
13 六 Sat
14 日 Sun
20 六 Sat
21 日 Sun
33
FEBRUARY 二月
SCREENING SCHEDULE 放 映時間表 JANUARY 一月
座談會：粵語主講 Seminar : Conducted in Cantonese
14:45 AH
17:15 AH
19:45 AH
儷人行
狂流春醒
碧血煙花
06
Two for the Road
Wild River
Destry Rides Again
六 Sat
02
15:30 AC
17:30 AC
19:15 AC
14:45 AH
17:45 AH
19:30 AH
大馬戲團
攝影師
馬路天使
柏士浮
女巫歲月
被遺忘的人
六 Sat
The Circus
The Cameraman
Street Angel
Perceval
The Juniper Tree
Los Olvidados
03 日 Sun
09 六 Sat
10 日 Sun
16 六 Sat
17 日 Sun
23 六 Sat
14:15 AC
16:00 AC
20:00 TK
一個夢者的四個晚上
無語問蒼天
神曲幻遊
Four Nights of a Dreamer
Johnny Got His Gun
Maciste in Hell
14:45 TK
17:30 TK
20:00 TK
14:30 TK
17:00 TK
19:45 TK
殺夫報
醉鄉遺恨
追鳥
碧血煙花
雄才偉略
生葬古坵墳
Double Indemnity
The Lost Weekend
Birdy
Destry Rides Again
Witness for the Prosecution
Ace in the Hole
14:30 TK
16:20 TK
18:15 TK
21:00 TK
14:30 TK
17:15 TK
20:15 TK
紅樓金粉
比利懷特座談會
生葬古坵墳
大馬戲團
被遺忘的人
桃色公寓
花街神女
Sunset Boulevard
Seminar on Billy Wilder
Ace in the Hole
The Circus
Los Olvidados
The Apartment
Irma la Douce
14:30 AH
17:15 AH
19:45 AH
15:00 TK
17:25 TK
20:40 TK
戰地軍魂
龍鳳配
雙姝奇遇
神曲幻遊
柏士浮
飛行員的妻子
Stalag 17
Sabrina
Four Adventures of Reinette and Mirabelle
Maciste in Hell
Perceval
The Aviator's Wife
14:30 AH
17:15 AH
20:00 AH
14:30 TK
17:45 TK
20:50 TK
雄才偉略
熱情如火
攝影師
龍鳳配
儷人行
熱情如火
Witness for the Prosecution
Some Like It Hot
The Cameraman
Sabrina
Two for the Road
Some Like It Hot
14:15 AH
17:00 AH
20:00 AH
桃色公寓
花街神女
一個夢者的四個晚上
The Apartment
Irma la Douce
Four Nights of a Dreamer
24 日 Sun
30 六 Sat
31 日 Sun
座談會 Seminar
AC TK AH
15:00 AH
17:15 AH
19:30 AH
飛行員的妻子
好姻緣
馬路天使
The Aviator's Wife
A Good Marriage
Street Angel
14:30 AC
16:45 AC
19:15 AC
沙灘上的寶蓮
圓月映花都
無語問蒼天
Pauline at the Beach
Full Moon in Paris
Johnny Got His Gun
14:30 AC
16:10 AC
17:45 AC
20:15 AC
難得有情郎
伊力盧馬座談會
女友的男友
追鳥
The Green Ray
Seminar on Eric Rohmer
My Girlfriend's Boyfriend
Birdy
五 Fri
20 六 Sat
21 日 Sun
27 六 Sat
28 日 Sun
15:30 AH
17:30 AH
19:30 AH
枕邊女皇蜂
好姻緣
沙灘上的寶蓮
06
The Conjugal Bed
A Good Marriage
Pauline at the Beach
六 Sat
15:00 AH
17:15 AH
19:30 AH
蜘蛛策略
圓月映花都
難得有情郎
07
The Spider's Stratagem Full Moon in Paris
The Green Ray
14:30 AH
17:15 AH
19:30 AH
不設防城市
殺夫報
紅樓金粉
Rome, Open City
Double Indemnity
Sunset Boulevard
14:30 AH
17:00 AH
19:45 AH
醉鄉遺恨
戰地軍魂
狂流春醒
The Lost Weekend
Stalag 17
Wild River
15:30 AH
17:30 AH
19:30 AH
女巫歲月
枕邊女皇蜂
女友的男友
The Juniper Tree
The Conjugal Bed
My Girlfriend's Boyfriend
15:00 AH
17:15 AH
19:30 AH
蜘蛛策略
不設防城市
雙姝奇遇
The Spider's Stratagem Rome, Open City
32
19
MARCH 三月
映後談 Film Talk
香港藝術中心古天樂電影院 Hong Kong Arts Centre Louis Koo Cinema 大館賽馬會立方綜藝館 Tai Kwun JC Cube Auditorium K11 Art House
07 日 Sun
Four Adventures of Reinette and Mirabelle
日 Sun
13 六 Sat
14 日 Sun
20 六 Sat
21 日 Sun
33
CIne fan
CINE FAN Jan Feb Mar 2021 // The Witty Raconteur, Billy Wilder 娛樂的睿智 比利懷特 // Eric Rohmer: Comedies and Proverbs 伊力盧馬：喜劇與諺語 // 30th Anniversary of The Film di Bologna 意大利電影之旅 // The Cameraman 攝影師 // The Circus 大馬戲團 // Street Angel 馬路
天使 // Four Nights of a Dreamer 一個夢者的四個晚上 // Sabrina 龍鳳配 // Two for the Road 儷人行 // Johnny Got His Gun 無語問蒼天 // Birdy 追鳥
Jan Feb Mar 2021
Foundation 電影基金會三十周年 // Journey Through Italian Cinema: Restorations from Cineteca
娛樂的睿智 比利懷特
主辦 Presenter
Images courtesy of Park Circus/MGM
資助機構 Financially Supported by
The Witty Raconteur, Billy Wilder