The 35th Hong Kong International Film Festival by HKIFF

Audi FP 4C.indd 1

1/31/11 5:39 PM

香港國際電影節協會鄭重鳴謝第三十五屆香港國際電影節的贊助商及合作夥伴 We are proud to acknowledge and thank the Official Sponsors of the 35th Hong Kong International Film Festival 資助機構 Financially Supported by

大會指定高級用車 Official Premium Car Partner

同期活動 Concurrent Events

香港國際電影節為香港影視娛樂博覽始創項目 HKIFF is a Founding Event of

大會指定酒店 Official Hotel

節目夥伴 Festival Partners

合作夥伴 Festival Supporters

數碼放映支援 Digital Cinema Support

影音器材支援 Audio Visual Equipment Support

支持機構 Supporting Organisation

大會指定傳媒 Official Media Partners

合作傳媒 Media Partners

傳媒夥伴 Media Supporters

香港國際電影節協會法律顧問 Honorary Legal Advisers, Hong Kong International Film Festival Society

李正國律師 Rin LEE

霍璽律師 Angus FORSYTH

亞洲電影大獎及香港亞洲電影投資會法律顧問 Honorary Legal Advisers, Asian Film Awards & Hong Kong – Asia Film Financing Forum

廖永康律師 Michael LEOW

W Hotel FP 4C.pdf 1 10/02/2011 2:23 PM

CMY

30/3（三） 7:00pm 頒獎禮 Award Ceremony 7:30pm 電影放映 Screening 香港文化中心 KG

香港會展中心CE2 20/3（日）10:00pm CE2

03UL4M3 3/4（日）5:15pm UA朗豪坊 UL

香港會展中心CE1 23/3（三）7:15pm CE1

Gala Premiere

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Awards Gala

Opening Film

香港會展中心CE2 20/3（日）7:15pm CE2

單身男女

觀音山

出軌的女人

導演：杜琪峯、韋家輝 2011 彩色 117分鐘演員：古天樂、吳彥祖、高圓圓、林雪、尹子維

導演：李玉 2010 普通話彩色 105分鐘演員：張艾嘉、范冰冰、陳柏霖、肥龍

導演：潘源良 2011 粵語彩色 90分鐘演員：夏文汐、葉璇、吳家麗、陳偉霆、杜汶澤

杜琪峯、韋家輝的鑽石組合已久沒炮製都市情緣，《孤男寡女》、《瘦身男女》已相隔十年，令人期待的新「男女」終於現身。十年來城市的內容當然有變化，感情生活也更飄忽。見女便上的金融才子（古天樂），有才華的建築設計師（吳彥祖），優才來港工作的索女（高圓圓），三個都市典型本來好好的走平行線，香港商廈危機四伏的玻璃外牆首先給兩個製造機會隔空調情（古天樂、高圓圓），然後如虎口的馬路再讓兩個碰上（吳彥祖、高圓圓），花心賤男與絕世好男的取捨該易如反掌，但愛情從不講理由，也不知哪裏是最後，落幕前看好戲仍在後頭。

李玉（《紅顏》，30 屆）引爆了范冰冰野野的崩味，讓張艾嘉用時光雕刻角色，邀陳柏霖在海峽彼岸再演一回況味有別的迷惘少年，再叫胖胖的肥龍搞笑攻略。一部演員奪目的作品，大陸媒體潮評為「一場給力的讓青春飛」，大概因為長七分鐘的衝火車鏡頭吧。四川觀音山地震中毀了，不遠的城內，南風、丁波、肥皂三個高考肥佬的年輕人遇上絕望的京劇老師常月琴，四人同住一個屋簷下，青春的盲撞、仍在淌血的舊疤互相衝擊，在最不幸的時刻卻溫熱出扶持的力量。重建心靈，路長修遠。參賽東京電影節獲最佳藝術貢獻獎，范冰冰獲封影后。

女人不壞，男人不愛。不是天方夜譚，編劇楊漪珊（《性工作者 2：我不賣身我賣子宮》）逆水行舟為女性角色做現代化工程，前提是四個怨婦為情感宣洩找出路。她們北上找鴨店，在自我虛擬空間釋放情性。夏文汐毋須理由，毋須豪放，僅在畫面的存在很快便把局面扭轉，成了慾望的對象。吳家麗以性怡情，徹底豁出去。葉璇的角色最複雜，一個有情有義的黑道老公為她包容所有，只是她戴着去喪玩的面具終有一天得摘下來。夏文汐、吳家麗兩個 80 年代銀幕性女復出之作，時代變異，兩性關係會逆轉，但恆久的不會變，譬如愛，譬如性。

Don’t Go Breaking My Heart (Dan sun nam nui)

Buddha Mountain (Guan yin shan) Dir: Li Yu 2010 Putonghua Colour 105min Cast: Sylvia Chang, Fan Bingbing, Chen Po Lin, Fei Long

Hi, Fidelity (Chut gwai dik nui yan)

Three aimless friends buck parental and societal expectations by skipping university and striking out on their own. They rent rooms from retired Peking Opera singer Yue Qin, a woman coping with a personal tragedy that has shut her off from the world. Initially at odds with each other – the kids think she’s crazy; she’s flustered by their recklessness – the four form a surrogate bond that compels the kids towards mature emotions and Yue Qin to re-embrace life. Anchored by strong performances and never straying into mawkish sentimentality, Buddha Mountain is a bittersweet ode to unconditional love.

How desperate can a housewife get? Three lonely tai-tais whose husbands have eloped with others start to embark on pleasure-seeking excursions to Hong Kong’s neighboring northern territory. It all started as some good-natured fun runs in the pleasure dome, but when they all start to fall for a handsome gigolo with irresistible boyish charms, their friendship is put to the test. What follows is a downward spiral into the abyss of the human psyche. Pat Ha makes a welcome return and has lost none of her charms.

Dir: Johnnie To, Wai Ka-fai 2011 Colour 117min Cast: Louis Koo, Daniel Wu, Gao Yuanyuan, Lam Suet, Terence Yin

Louis Koo, high-flying playboy owner of an international finance institute, sets his eyes on Gao Yuanyuan from his office window. Gao, an executive and a nice girl looking for a husband, just had her heart broken by a heartless boyfriend. Then she meets Daniel Wu, a talented yet depressed architect, but certainly the marrying type. While bad women have all the fun, nice girls get their hearts broken over and over again by bad boys. For frothy romantic comedies calculated to tickle the fantasies of Hong Kong’s ordinary Joes of both genders, the Johnnie To-Wai Ka-fai partnership packs the best punches: a pretty cast, clever twists, and a you-can-have-it-all brain candy.

Dir: Poon Yuen-leung 2011 Cantonese Colour 90min Cast: Patricia Ha, Michelle Ye, Carrie Ng, William Chan, Chapman To

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20/3（日）10:00pm UA太古城 UC

4/4（一）7:15pm 香港文化中心 KG

香港會展中心CE1 22/3（二）9:30pm CE1

香港四重奏 II

報應

趙氏孤兒

導演：布里揚文杜沙、何宇恒、阿彼察邦韋拉斯花古、關錦鵬 2011 粵語／英語彩色／黑白 56 分鐘演員：惠英紅、詩雅、林家棟、尹子維、徐天佑

導演：羅永昌 2011 粵語彩色 94分鐘演員：黃秋生、任賢齊、文詠珊、張可頤、盧巧音

導演：陳凱歌 2010 普通話彩色 127 分鐘演員：葛優、王學圻、范冰冰、黃曉明、海清、趙文卓

四重奏今次衝出香港，找來三個東南亞作者導演跟關錦鵬聯手，局外人看香港，會不會旁觀者更清？阿彼察邦的《M 酒店》，以他拿手的遊蕩，把油麻地轉化成神秘領域。文杜沙的《紫》，給香港的「原色」吸引，跑到大澳和花墟看繁華根源。何宇恒的《天機洩》再找惠英紅拍檔，立意搞笑；香港緝私組收到堅料，嚴陣以待大馬重要人物帶貨闖關，不過甚麼時候，情報沒有透露。關錦鵬的《上河圖》不是清明上河圖，而是

傳媒導演分身家，羅永昌以紮實的電影語言也來炮製一齣富豪家變。我們的主角一樣冷面出招，正所謂有錢惡哂，形容黃秋生飾演的富商最貼切，他動輒講打講嚇，不管他的金錢王國還是家庭內宮，一樣得屈服他的淫威底下。富二代不學無術的女兒遭標參，富商以為她自導自演，結果弄得車毀人亡。富商不甘老虎頭上被釘蝨乸，派出忠心保鏢（任賢齊）大開殺戒，保鏢做得乾淨利落，富商反而陷進萬劫不復，報應報了在自己頭上。難得黃秋生演大奸角由頭帶到尾，演技曬冷，任賢齊終於亦奸得成功，演出令人信服。

陳凱歌帶上戲曲情結上溯二千多年，沒有了《梅蘭芳》的制肘，改編得心應手更有可觀。戲曲裏的趙氏孤兒是一個個烈士前仆後繼換來的，拆解忠義和犧牲等抽象觀念，陳凱歌苦心孤詣過濾出一個有血有肉的面目，以至出現影片最大爭議：程嬰獻子換趙孤，不過陰差陽錯罷了。這無疑是顛覆。程嬰（葛優）是一介平民醫師，受托運走慘遭滅門的趙家唯一血脈，權臣屠岸賈（王學圻）不肯罷休，以城內一百嬰孩要脅，結果把程嬰骨肉錯認，在程跟前摔死嬰孩。程嬰把趙孤當親兒，在屠岸賈身邊帶大，忍辱只為 15 年後大報復。有譽為陳凱歌十多年來的最佳作品。

Punished (Po ying) Dir: Lo Wing-cheong 2011 Cantonese Colour 94min Cast: Anthony Wong, Richie Ren, Janice Man, Maggie Cheung Ho-yee, Candy Lo

Sacrifice (Zhaoshi guer) Dir: Chen Kaige 2010 Putonghua Colour 127min Cast: Ge You, Wang Xueqi, Huang Xiaoming, Fan Bingbing

The tycoon (Anthony Wong) is a tyrant who terrorizes both family and staff - the only exception being his loyal bodyguard (Richie Ren). The tycoon’s punishment begins with his good-for-nothing daughter being abducted and then killed by cold-blooded kidnappers. Grief-stricken and guilt-ridden, he turns to his bodyguard, a man with a history and therefore underworld connections, to avenge his daughter’s death. The bodyguard goes to work with great efficiency. But there is little satisfaction in payback, and the tycoon finds himself plunging into lower and lower depths.

Cheng Ying, a court doctor in the times of the Warring States, has the misfortune of having his own baby born when his master’s clan was wiped out by General Tuan Gu. A cruel twist of fate forces him to sacrifice his son to save his master’s. Unable or unwilling to cut his loss, he schemes revenge. He offers his service to the General and entices the General to become godfather to the boy, only to see his plan backfire big time. Lush and opulent, Sacrifice is Chen’s most pessimistic films since The Yellow Earth.

13 分鐘香港長卷，真實時間拍攝看完清明上河圖的回程巴士，林家棟助陣演出。

Quattro Hong Kong 2 Dir: Brillante Mendoza, Ho Yu-hang, Apichatpong Weerasethakul, Stanley Kwan 2011 Cant/Eng Colour/B&W 56min Cast: Wai Ying-hung, Michelle Wai, Lam Ka-tung, Terence Yin

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

Gala Premiere

23/3（三）6:15pm UA太古城 UC

Gala Premiere

Opening Film

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Quattro Hong Kong 2 brings together three of Southeast Asia’s best and Hong Kong’s own Stanley Kwan. From sleepy Tai O village to bustling Yaumatei to the city’s famed flower market, Cannes winners Apichatpong Weerasethakul (M Hotel, Thailand) and Brillante Mendoza (Purple, the Philippines) find mystery mixed with beauty. Malaysia’s Ho Yu-hang (of At the End of Daybreak fame) lets fly his comic talents in Open Verdict, a gem about some kind of cross-border trade. And Stanley Kwan takes us on a realtime bus trip from the airport to Kowloon in 13 Minutes in the Lives of… The heady and deadly mix of Hong Kong and cinema; wonder never ceases.

30/3（三） 7:00pm 頒獎禮 Award Ceremony 7:30pm 電影放映 Screening 香港文化中心 KG

香港會展中心CE2 20/3（日）10:00pm CE2

03UL4M3 3/4（日）5:15pm UA朗豪坊 UL

香港會展中心CE1 23/3（三）7:15pm CE1

Gala Premiere

30KG3E1

Awards Gala

Opening Film

香港會展中心CE2 20/3（日）7:15pm CE2

單身男女

觀音山

出軌的女人

導演：杜琪峯、韋家輝 2011 彩色 117分鐘演員：古天樂、吳彥祖、高圓圓、林雪、尹子維

導演：李玉 2010 普通話彩色 105分鐘演員：張艾嘉、范冰冰、陳柏霖、肥龍

導演：潘源良 2011 粵語彩色 90分鐘演員：夏文汐、葉璇、吳家麗、陳偉霆、杜汶澤

Don’t Go Breaking My Heart (Dan sun nam nui)

Buddha Mountain (Guan yin shan) Dir: Li Yu 2010 Putonghua Colour 105min Cast: Sylvia Chang, Fan Bingbing, Chen Po Lin, Fei Long

Hi, Fidelity (Chut gwai dik nui yan)

Dir: Johnnie To, Wai Ka-fai 2011 Colour 117min Cast: Louis Koo, Daniel Wu, Gao Yuanyuan, Lam Suet, Terence Yin

Dir: Poon Yuen-leung 2011 Cantonese Colour 90min Cast: Patricia Ha, Michelle Ye, Carrie Ng, William Chan, Chapman To

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20/3（日）10:00pm UA太古城 UC

4/4（一）7:15pm 香港文化中心 KG

香港會展中心CE1 22/3（二）9:30pm CE1

香港四重奏 II

報應

趙氏孤兒

導演：布里揚文杜沙、何宇恒、阿彼察邦韋拉斯花古、關錦鵬 2011 粵語／英語彩色／黑白 56 分鐘演員：惠英紅、詩雅、林家棟、尹子維、徐天佑

導演：羅永昌 2011 粵語彩色 94分鐘演員：黃秋生、任賢齊、文詠珊、張可頤、盧巧音

導演：陳凱歌 2010 普通話彩色 127 分鐘演員：葛優、王學圻、范冰冰、黃曉明、海清、趙文卓

Punished (Po ying) Dir: Lo Wing-cheong 2011 Cantonese Colour 94min Cast: Anthony Wong, Richie Ren, Janice Man, Maggie Cheung Ho-yee, Candy Lo

Sacrifice (Zhaoshi guer) Dir: Chen Kaige 2010 Putonghua Colour 127min Cast: Ge You, Wang Xueqi, Huang Xiaoming, Fan Bingbing

13 分鐘香港長卷，真實時間拍攝看完清明上河圖的回程巴士，林家棟助陣演出。

Quattro Hong Kong 2 Dir: Brillante Mendoza, Ho Yu-hang, Apichatpong Weerasethakul, Stanley Kwan 2011 Cant/Eng Colour/B&W 56min Cast: Wai Ying-hung, Michelle Wai, Lam Ka-tung, Terence Yin

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

Gala Premiere

23/3（三）6:15pm UA太古城 UC

Gala Premiere

Opening Film

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香港會展中心CE1 23/3（三）9:30pm CE1

HAPPY FAMILY 香港會展中心CE1 22/3（二）7:15pm CE1

Gala Premiere

2/4（六）12:45pm 香港文化中心 KG

合辦 Co-presenters:

Gala Premiere

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香港會展中心CE1 24/3（四）9:45pm CE1

四重奏今次衝出香港，找來三個東南亞作者導演跟關錦鵬聯手，局外人看香港，會不會旁觀者更清？

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貓的一生

吸血達人導演：岩井俊二加拿大／美國 2011 彩色 120分鐘中文字幕

以下是法國警方初步調查報告：經數周跟蹤，我們確定家貓 Dino 擁有雙重生活。白天，牠跟督察 Jeanne 和她女兒 Zoe 在一起，做良好貓民。晚上，牠跟珠寶賊 Nico 為伍，打家劫舍。Dino 生性狡猾，常拿小狗 Rufus 做替死鬼。同時，殺害 Zoe 探員爸爸的慣匪 Coster 正蠢蠢欲動，要盜取內羅比人像。警方至今未拘捕任何人任何貓，疑犯屢次翻越巴黎屋頂逃走，更斗膽逃至聖母院樓頂。要形容目前狀況，三個字：好大鑊。溫馨提示：《貓的一生》回歸原創，全人手上色，色彩鮮艷飽和，風格有馬蒂斯、莫迪里亞尼、畢加索的影子，很黑色電影，非常不迪士尼。

放心吧，岩井英語首作沒有拍成一部「吸血新新世紀」，他的吸血殭屍幾乎不可以叫吸血殭屍，因為太岩井了。嗜血的叫西門，一出場，他便跟水母約定殉情，水母吃下安眠藥，他沒依約，卻溫柔的給她放血，然後骨碌把血喝光。西門沒有呼嘯的大袍，不會青面獠牙，只隨身帶備放血的針筒和空樽，白天他是個怕羞的生物科老師，晚上到網上尋找獵物─自殺的少女（蒼井優飾演其中一角），尊重她們的意願之前，會跟女孩談一場戀愛，遇上瓢蟲之前，都沒失過手。編導、攝影、剪接、配樂，岩井都一人包辦，是要確定西門跟藤井樹（《情書》）、雄一（《青春電幻物語》）都是同族人。

A Cat in Paris (Une vie de chat)

Vampire

Dir: Alain Gagnol, Jean-Loup Felicioli France/Belgium/The Netherlands/Switzerland 2010 Colour 70min

Dir: Iwai Shunji Canada/USA 2011 Colour 120min Cast: Kevin Zegers, Rachael Leigh Cook, Keisha Castle-Hughs

Dino the cat leads a double life. By day he’s a pet to Zoé, a young girl that has plunged herself into silence following her father’s murder at the hands of the gangster Costa. By night he’s the right-hand man to Nico, a kindly burglar. Zoé’s mother Jeanne is also a dedicated cop, and when Dino brings the young girl a stolen bracelet, events conspire to bring the four together over the course of one adventurous evening. A Cat in Paris is a thrilling and mature animated mystery that unfurls in the alleys and on the rooftops of the French capital, rendered in vivid 2D graphics that will charm viewers of all ages.

Iwai Shunji returns with his first-ever English language movie, an atmospheric film which usurps our expectations of the bloodsucking genre. Simon Wade, a shy high school biology teacher, takes care of his despondent mother with the help of strange contraptions. But his secret obsession is with blood – and to that end he assists suicidal women with their death by draining their precious life fluid. While the supernatural is purposefully absent, the film nevertheless captures the sense of creeping dread and soulful melancholy present in Iwai’s earlier works. Warning: the film contains scenes which some may find profoundly disturbing.

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22/3（二）7:30pm The Grand GC

31/3（四）7:15pm 香港文化中心 KG

Gala Premiere 豆富小僧

票價 Price: $100

(3D)

流金歲月(修復版)

導演：杉井儀三郎、河原真明日本 2011 彩色 100分鐘聲演：深田恭子

導演：楊凡 1988 粵語彩色 100分鐘演員：鍾楚紅、張曼玉、鶴見辰吾

身為妖怪首領的兒子，豆富小僧捧着一塊「動 L」的豆腐，經常被妖怪們笑他的嚇人伎倆豆泥。豆富和他的守護神達磨一起出走，尋找從未見過的母親，卻遇上邪惡的狐妖和他的一眾狸貓手下，逃出險境卻誤打誤撞來到現代：社會進步了，但妖怪都被人們遺忘。豆富傻傻更更，但總能逢凶化吉，並結識了人類朋友。狐妖亦來到現代，策動大奸計，善良的豆富能否拯救人類？日本首部 3D 立體大製作千呼萬喚，傳統細緻畫風加上立體效果，帶來華麗的視覺體驗，深田恭子童真爆棚的聲演，加上豆富仔好無辜的造型，超卡哇兒呢！

新修復的楊凡早期作品。那時楊凡的風格是美，鍾楚紅和張曼玉完全成為攝製《流金歲月》的最好理由，大概只有楊凡，能恣意拍出明星的魅力，靚髮靚衫擺靚位教好靚燈，港產片流金歲月特有的星味，我們今天仍可在永恆的銀幕留戀看個夠。改編亦舒亦引發轟動，不過小說頂多提供了姊妹情的載體，讓兩明星由少女演至熟女，由天真爛漫蛻變出女人韻味，爭議的角色家明終究是閒人，夾在中間只為製造電影的戲劇衝突效果，看完整部戲，抹不掉的深印象始終是鎖鎖和南孫不同成長階段排排坐講心事的鏡頭，鍾楚紅的純自然和張曼玉的有型都是本色，是絕唱了。

Little Ghostly Adventures of the Tofu Boy

Last Romance

Born to the king of the goblins, the son is so gentle that he comes in the shape of a harmless piece of tofu. The Tofu Boy who has a heart of gold and a courageous spirit embarks on a larger-than-life adventure that takes him and his friends across the spiritual realm and into the human world, where he meets a host of weird foes and true friends. In the end, our soybean hero foils a heinous plot to rule the world. Japan’s first 3D animation feature featuring the voice of Fukada Kyoko is a visual feast for the young and young at heart!

Though the title may suggest a straightforward romance, Yonfan’s artfully directed melodrama is actually a nuanced tale of friendship. It begins at a high school where two girls, Nancy and So So, meet and become best friends. Their goals may be different, but when they meet a Mandarin-speaking boy, both are equally smitten. Despite the women’s bourgeois backgrounds, both are not spared from life’s hard knocks. Yonfan brings out highly sympathetic performances from both Maggie Cheung and Cherie Chung. Newly digitally restored.

Dir: Sugii Gisaburo, Kawahara Shimmei Japan 2011 Colour 100min Voice cast: Fukada Kyoko

Special Presentation

26GC3M3 26/3（六）4:00pm The Grand GC

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20/3（日）10:00pm 23/3（三）6:15pm UA太古城 UC UA太古城 UC

導演：賈諾、費利西奧尼法國／比利時 2010 彩色 70 分鐘

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QUATTRO HONG KONG 2

Dir: Yonfan 1988 Cantonese Colour 100min Cast: Maggie Cheung, Cherie Chung, Tsurumi Shingo

紫 Purple 導演：布里揚文杜沙 Dir: Brillante Mendoza Cast: Rene Durian, Raymund Nullan

紫是洋紫荊的顏色，神秘又高貴。菲律賓導演文杜沙為此要尋找香港的原色，繁榮的根源。他跑到大嶼山大澳的漁村，看香港的原住民，也切切實實看花，到了花墟。是他的旅行日誌，摻入人類學考尋，更有對香港日常生活的觀察。那本身就是美。花墟有各色人等，也有美麗繁花，文杜沙上前跟買花人搭訕。與《國際短片競賽節目（二）》同場放映。

Inspired by the color of bauhinia, a purple that is at once mysterious and regal, Mendoza and his team spent their days in Hong Kong’s flower market and Tai O, the fishing village in Lantau Island. Travelogue, anthropology and more, Purple begins as an observation of the ways Hong Kong people go about their everyday activities and emerges as an ode to beauty: the specific beauty of Hong Kong as a city, and the almost transcendental beauty of life itself. Screening with Short Film Competition Programme II.

Quattro Hong Kong 2 brings together three of Southeast Asia’s best and Hong Kong’s own Stanley Kwan. The heady and deadly mix of Hong Kong and cinema; wonder never ceases.

天機洩 Open Verdict 導演：何宇恒演員：惠英紅、詩雅、徐天佑、陳家樂、周堅華 Dir: Ho Yu-hang Cast: Wai Ying-hung, Michelle Wai, Tsui Tien You, Carlos Chan, Chew Kin-wah, Bront Palarae

喜劇傳統原來已變成香港的 DNA，馬來西亞何宇恒來到馬上受躁動的城市感染，一改作風事先張揚拍喜劇。這次再找惠英紅拍檔。香港緝私組收到堅料，嚴陣以待大馬重要人物帶貨闖關，不過甚麼時候，情報不甚了了，總之要打醒精神，等。大馬警方隆重其事，派來兩員相助。與《國際短片競賽節目（四）》同場放映。

T hrill e d by H ong Kong’s unbounded energy, Ho Yu-hang lets loose his comic talents. Two Hong Kong narcotics agents receive a tip from their Malaysian counterparts: a Malaysian kingpin will be hauling some serious goods to Hong Kong for some serious business. “Watch out for him, find out when he shows up, and….” Screening with Short Film Competition Programme IV.

M酒店 M Hotel

上河圖 13 Minutes in the Lives of...

導演：阿彼察邦韋拉斯花古 Dir: Apichatpong Weerasethakul Cast: Chaisiri Jiwarangsan, Nitipong Thinthupthai, Chalermrat Kaweewattana

導演：關錦鵬演員：林家棟、尹子維、葉山豪、曉華、游佩玲 Dir: Stanley Kwan Cast: Lam Ka-tung, Terence Yin, Hayama Hiro, Felina Pau, Yolande Yau

一個慵懶的午後，酒店 17 樓，兩男在拍東西，他們專程前來，為香港國際電影節拍戲。酒店外的公園，也看到一個男人和收音師。泰國導演阿彼察邦用他的指紋，拍出一個怪異的油麻地。影片以真實時間拍攝，啟發自這裏的日常生活與節奏，講的也是時間──阿彼察邦身在香港的時間，他那期間的感覺。與《國際短片競賽節目（三）》同場放映。

Two men are on the 17th floor of a hotel, taking lazy afternoon portraits. They are there to shoot a film for the Hong Kong International Film Festival. Outside, another man is in the park with his sound recorder. Yaumatei transformed into a place of sound and mystery; pure Apichatpong Weerasethakul. Screening with Short Film Competition Programme III. 贊助放映設備 Equipment provided by

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

2010 年 11 月某個周六下午，香港人大舉出動，到亞洲博覽館看電子版「清明上河圖」。這是一輛回程的巴士，擠滿遊客、外地和博覽館盡興回來的港人。鏡頭攫住兩個中女、一對大陸情侶、來港表演的音樂家、一個本地書生。13 分鐘的車程，真實時間攝下的長卷，更活動的香港風情上河圖。與《國際短片競賽節目（一）》同場放映。

One Saturday afternoon in late November, 2010, a bus throttles from the Airport Station to Kowloon. Riding this 13-minute trip are: two gleeful middle-aged women returning from the “Animated River Scenes at Qingming Festival” exhibition; a mainland couple here for a holiday and their young friend; a touring Japanese musician; and a local intellectual type. Small talks and lovers’ discourses, a trip in real time and a slice of life in today’s Hong Kong. Screening with Short Film Competition Programme I.

Produced by Hong Kong International Film Festival Society 香港國際電影節協會監製

香港會展中心CE1 23/3（三）9:30pm CE1

HAPPY FAMILY 香港會展中心CE1 22/3（二）7:15pm CE1

Gala Premiere

2/4（六）12:45pm 香港文化中心 KG

合辦 Co-presenters:

Gala Premiere

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香港會展中心CE1 24/3（四）9:45pm CE1

四重奏今次衝出香港，找來三個東南亞作者導演跟關錦鵬聯手，局外人看香港，會不會旁觀者更清？

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貓的一生

吸血達人導演：岩井俊二加拿大／美國 2011 彩色 120分鐘中文字幕

A Cat in Paris (Une vie de chat)

Vampire

Dir: Alain Gagnol, Jean-Loup Felicioli France/Belgium/The Netherlands/Switzerland 2010 Colour 70min

Dir: Iwai Shunji Canada/USA 2011 Colour 120min Cast: Kevin Zegers, Rachael Leigh Cook, Keisha Castle-Hughs

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22/3（二）7:30pm The Grand GC

31/3（四）7:15pm 香港文化中心 KG

Gala Premiere 豆富小僧

票價 Price: $100

(3D)

流金歲月(修復版)

導演：杉井儀三郎、河原真明日本 2011 彩色 100分鐘聲演：深田恭子

導演：楊凡 1988 粵語彩色 100分鐘演員：鍾楚紅、張曼玉、鶴見辰吾

Little Ghostly Adventures of the Tofu Boy

Last Romance

Dir: Sugii Gisaburo, Kawahara Shimmei Japan 2011 Colour 100min Voice cast: Fukada Kyoko

Special Presentation

26GC3M3 26/3（六）4:00pm The Grand GC

23UC3M3

20/3（日）10:00pm 23/3（三）6:15pm UA太古城 UC UA太古城 UC

導演：賈諾、費利西奧尼法國／比利時 2010 彩色 70 分鐘

HAPPY FAMILY 22GC3E1

QUATTRO HONG KONG 2

Dir: Yonfan 1988 Cantonese Colour 100min Cast: Maggie Cheung, Cherie Chung, Tsurumi Shingo

紫 Purple 導演：布里揚文杜沙 Dir: Brillante Mendoza Cast: Rene Durian, Raymund Nullan

Quattro Hong Kong 2 brings together three of Southeast Asia’s best and Hong Kong’s own Stanley Kwan. The heady and deadly mix of Hong Kong and cinema; wonder never ceases.

M酒店 M Hotel

上河圖 13 Minutes in the Lives of...

導演：阿彼察邦韋拉斯花古 Dir: Apichatpong Weerasethakul Cast: Chaisiri Jiwarangsan, Nitipong Thinthupthai, Chalermrat Kaweewattana

導演：關錦鵬演員：林家棟、尹子維、葉山豪、曉華、游佩玲 Dir: Stanley Kwan Cast: Lam Ka-tung, Terence Yin, Hayama Hiro, Felina Pau, Yolande Yau

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

Produced by Hong Kong International Film Festival Society 香港國際電影節協會監製

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27/3（日）10:30am 30/3（三）9:50pm 香港科學館 SM 香港太空館 SP

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30/3（三）2:30pm 香港科學館 SM

28/3（一）10:10pm 1/4（五）7:15pm UA太古城 UC 香港藝術中心 AC

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26/3（六）6:00pm The Grand GC

29/3（二）9:30pm The Grand GC

老狗

世界早安

Fit到病

非人島

導演：廣原曉日本 2010 彩色 81分鐘

導演：廣末哲萬日本 2010 彩色 106分鐘

導演：S.A.山齊士、R.法迪菲律賓／瑞典 2010 彩色 88分鐘

一隻年老的藏獒，將老人、兒子與賣狗人扭結在一起。兒子要賣了牠，老人堅決要留住這牧人的朋友，賣狗人要將牠賣去作寵物。由羊群、白雲、牧人組成的藏區風景上，或許是最後的純種藏獒該何去何從？既是老人的苦惱，也是對藏族文化傳承的迫切叩問。藏族導演萬瑪才旦對文化議題的鋪陳含蓄不失力度，延續了《靜靜的嘛呢石》（30 屆）、《尋找智美更登》（34 屆）中對藏區文化之美準確而寫意的捕捉，他與攝影師松太加默契有加的合作令鏡頭語言始終寧靜雋永，回味悠長。

內向少年高橋正值寂寞的 16 歲，相依為命的母親不時到外地出差，他獨留在家，常以錄音機為伴。某日出於好奇，高橋撿走了路邊流浪漢的皮包，怎料翌日知道流浪漢猝死街頭，於是決定把皮包交還死者親屬，踏上尋人旅程。首先找到妙齡女子，再跑到陌生小鎮，一邊追尋死者身世，一邊卻發現自己最想尋找的，其實另有其人。 80 後導演廣原曉憑學生作品先聲奪人，以自然流暢的鏡頭調度，把一趟象徵成年禮的公路之旅，拍出獨有感性。獲溫哥華電影節龍虎獎。

穿藍雨衣的抑鬱上班族，戴着紅綠濾光鏡的智障患者，偏執某種綠色的超級宅女，這三個怪人將如何適應自己的陪伴者？自殺、性犯罪等威脅如影隨形，將三段關係慢慢扭緊，稍有差池就是慘不忍睹的倫理悲劇。導演，同時也是戴怪異面具的男主角，將精彩的手筆獻給了都市怪人的結局，不但在片尾大玩聲畫拼接，而且為弱勢群體發聲，奏出了愛與孤獨的強音！日本著名獨立導演廣末哲萬，繼《十四才》（33 屆）、《鼻歌不見了》後，以冷冰冰成人世界為題的最新作品。

台灣有艋舺，菲律賓有巴朗加，同指古老的小船，但菲島這一艘，卻寄寓了菲人出海找新大陸的冒險精神。政府和叛軍長年累月的爭戰在偏遠一隅上演，一群遊牧遺民，被迫遷徙至廢棄機場，在一應俱無的環境下重新上路。荒廢的房子、被遺棄的民族同樣守着神秘的巨大魂魄，不遠處，一個外國人汽車死火跟他們空間交疊。山齊士（《天地明溝》，33 屆）原意跟丹麥導演搞藝術片，作私人收藏，但影片負載豐富文化與個人意涵，不公諸同好實在可惜。獲馬尼拉電影節評審團大獎。

Old Dog

Good Morning to the World!!

Fit

Balangay

Dir: Pema Tsedan 2010 Tibetan Colour 93min Cast: Lochey, Drolma Kyab, Tamdrin Tso, Yanbum Gyal

Dir: Hirohara Satoru Japan 2010 Colour 81min Cast: Koizumi Yoichiro, Arai Miho, Izumi Mitsunori

Dir: Hiromasa Hirosue Japan 2010 Colour 106min Cast: Hiromasa Hirosue, Akie Namiki, Midori Shine

The coming-of-age yarn has seen enough permutations that it’s hard to imagine one without clichés. Yet this feature debut by 23-year-old Hirohara Satoru manages to upend our expectations with a story that resonates with its reflections upon Japanese society. Yes, there is the requisite awkward high school teen, Yuta Takahashi, on a road to self-discovery, but here the catalyst is the death of a homeless man and the bag which Yuta picks up – the only clue as to the deceased’s identity. Winner, Dragons & Tigers Award, Vancouver Film Festival.

Every morning, Sagawa performs his daily ritual – he stands in front of a mirror and recites inspirational slogans. But soon his obsession turns more radical… Those around him are no better: a dissatisfied customer whose phone complaints are the only means of interaction with others; a woman living with a mentally challenged brother; and others who live by social conventions only to be left alone and lonely. Fit, with its unconventional rhythms and quasi-comic elements, is as idiosyncratic as the individuals it chooses to portray.

Dir: Sherad Anthony Sanchez, R. Färdig The Philippines/Sweden 2010 Colour 88min Cast: Randy Quilos, Remlanie Ruca, Robin Färdig

An eerie and dilapidated abandoned airport located in the troubled region of Mindanao is the main protagonist in Imburnal director’s mysteriously metaphorical Balangay. The lumads, a group of nomadic people, have made it their home, aided by a visiting NGO worker. Like the airport, these people are a relic of the past, although they are constantly chased out. Meanwhile, a foreigner is left stranded in the wilderness. Intimations of violence abound as a revolution may be underway…

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28/3（一）5:45pm UA太古城 UC

31/3（四）9:45pm 香港藝術中心 AC

27/3（日）9:30pm 香港藝術中心 AC

3/4（日）5:30pm 香港太空館 SP

28/3（一）7:50pm UA太古城 UC

31/3（四）5:00pm 香港藝術中心 AC

23/3（三）7:15pm UA朗豪坊 UL

26/3（六）8:00pm The Grand GC

太陽總在左邊

告別校園時

獨舞城

永恆

導演：松太加 2011 藏語彩色 89分鐘演員：益西蘭周、羅后傑、尕藏仁青

導演：謝洛塔羅菲律賓 2010 彩色 95分鐘

導演：全圭煥南韓 2010 彩色 95分鐘

導演：史華祖哥沙古泰國 2010 彩色 102分鐘

青春果然有數不盡的面相，可以不是獨沽一味的浮躁、衝動、叛逆，少年十五二十時還有 too simple 的青春荳和 sometimes naive 的情愛事；而最懵懂的只不過是人人都話你是未來棟樑，對未來要有夢想，你卻覺得自己只是隻盲頭烏蠅亂衝亂撞。到了三十而立的一天再回望高校人生，還是回甘無窮。一班非職業演員的學生自然入戲，導演用輕鬆的手法捕捉了青春的調調，掌握了一種專屬於年輕人的氣息和節奏。以青春的溫婉來降伏暴風和烈日，愜意又舒暢。

全圭煥繼《莫札特城》與《動物城》後的都市三部曲壓卷篇。羅美蘭飾演前北韓國家乒乓球手，人到中年，丈夫被捕，只好偷渡南下，在首爾尋求庇護，開展新生，卻時刻受到監視。身邊有財困的監護人、熱情教徒、懷了身孕的女學生，亦有來佔便宜的男人。她努力融入新環境，卻始終格格不入，仍夢想有天與丈夫團聚。羅美蘭演來有說服力，充份表現角色的孤立無援。全圭煥透過外來女性不安的眼睛，從社會邊緣回望大城小景的冰冷無情。獲釜山電影節最佳女演員獎。

泰國獨立電影新秀首部長片，從父母的愛情故事取得靈感，描劃跨越生死的動人感情。第一段是現在：男子騎電單車越過寧靜風景，他已是路上亡靈，死後三天回魂，正尋找家鄉所在。第二段是過去：年輕的他邂逅少艾的她，訂下終身，要帶她回家見父母。第三段是未來：他們早結為夫妻，已屆中年的她與孩子相依，而他肉身已滅，靈魂彷彿仍守在家人身邊。雅狄也阿薩拉（《海逝》， 32 屆）監製，透過如詩如畫的攝影，描畫生命長河，窺探箇中含意。曼谷電影節展開幕電影。

Senior Year Dir: Jerrold Tarog Philippines 2010 Colour 95min Cast: Che Ramos, LJ Moreno, Ramon Bautista

Dance Town (Daenseutawoon) Dir: Jeon Kyu-hwan South Korea 2010 Colour 95min Cast: Ra Miran, Oh Seong-tae, Lee Yong-ju

Eternity (Tee rak) Dir: Sivaroj Kongsakul Thailand 2010 Colour 102min Cast: Wanlop Rungkumjad, Namfon Udomlertlak, Prapas Amnuay

Anyone who has attended their high school reunion will relate to the feelings of trepidation and anxious anticipation beforehand. For class valedictorian Henry, his pre-event jitters trigger a flood of memories. Senior Year stars real students, resulting in a marked naturalism in the acting that helps to realistically showcase the lives of young Filipinos. Breezy and populated with likeable characters, this winning slice of nostalgia nonetheless tackles real social issues, from family violence to homosexuality and religious indoctrination.

After fleeing North Korea to the South, Lee Jungrim struggles to build a life in Seoul. Connecting lightly with a group of similarly placed refugees and working a menial job, Jungrim quickly comes to the realisation that things aren’t all that different in the promised land as they were at home. Jeon’s study of isolated and marginalised people unable to truly bridge social and cultural divides may be specific in its geography, but with its universal themes it demands a review of how our perceptions may conflict with reality.

The breathtakingly atmospheric Eternity, the third Thai Rotterdam Tiger winner in four years, is a meditative metaphysical love story told through three stages of one man’s being. He first appears as a ghost visiting his childhood home, then as a young man who falls in love with his future wife, and finally as a void while his family copes with his passing. The transitions between each state is both sublime and poetic, aided greatly by graceful cinematography and an unobtrusive soundscape.

藏族青年尼瑪懷揣着沾染了母親鮮血的黃土，不知何處安放。即使磕長頭到拉薩，虔誠地向佛告罪，亦不能從罪疚感中解脫。罪孽加身的重與行裝簡陋的輕，是尼瑪的處境；他的放下，亦堪比尤利西斯的回家之路。導演松太加白描了尼瑪的精神救贖，圈點了生活本身的禪意。那些絕美流麗的風光固然是徒步行者的背景，藏族老人談及生老病死則是痛苦釋然的語境。本片是松太加繼擔任《靜靜的嘛呢石》的美術和《尋找智美更登》的攝影師之後，編劇執導的首部作品。

The Sun Beaten Path

Dir: Sonthar Gyal 2011 Tibetan Colour 89min Cast: Yixi Lanzhou, Luo Houjie, Gacang Renqing

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27/3（日）7:15pm 香港藝術中心 AC

導演：萬瑪才旦 2010 藏語彩色 93分鐘

The old dog in question is a scruffy “nomad mastiff” that Gonpo’s family has had for years. But as many dogs in their village have been stolen recently, Gonpo (Drolma Kyab) decides to sell his in the town. When his father finds out and tries to get the dog back, it sets off a chain of tragicomic events which build to a heartbreaking final twist. Another starkly beautiful sketch of contemporary Tibetan life and its complex contradictions by Pema Tsedan (The Search).

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

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Pema Tsedan’s cinematographer on The Search (34th HKIFF) makes his directorial debut with this spare but affecting work about companionship and redemption. Groom-to-be Nima sets out on a pilgrimage to Lhasa after a freak accident in which the young man’s mother was killed. But sorrow and guilt continue to haunt him, and even after reaching Lhasa, he cannot find a way to forgive himself. On his trip back, he meets an old man, and together they cross into Tibet’s vast no man’s land.

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27/3（日）10:30am 30/3（三）9:50pm 香港科學館 SM 香港太空館 SP

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30/3（三）2:30pm 香港科學館 SM

28/3（一）10:10pm 1/4（五）7:15pm UA太古城 UC 香港藝術中心 AC

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26/3（六）6:00pm The Grand GC

29/3（二）9:30pm The Grand GC

老狗

世界早安

Fit到病

非人島

導演：廣原曉日本 2010 彩色 81分鐘

導演：廣末哲萬日本 2010 彩色 106分鐘

導演：S.A.山齊士、R.法迪菲律賓／瑞典 2010 彩色 88分鐘

Old Dog

Good Morning to the World!!

Fit

Balangay

Dir: Pema Tsedan 2010 Tibetan Colour 93min Cast: Lochey, Drolma Kyab, Tamdrin Tso, Yanbum Gyal

Dir: Hirohara Satoru Japan 2010 Colour 81min Cast: Koizumi Yoichiro, Arai Miho, Izumi Mitsunori

Dir: Hiromasa Hirosue Japan 2010 Colour 106min Cast: Hiromasa Hirosue, Akie Namiki, Midori Shine

Dir: Sherad Anthony Sanchez, R. Färdig The Philippines/Sweden 2010 Colour 88min Cast: Randy Quilos, Remlanie Ruca, Robin Färdig

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28/3（一）5:45pm UA太古城 UC

31/3（四）9:45pm 香港藝術中心 AC

27/3（日）9:30pm 香港藝術中心 AC

3/4（日）5:30pm 香港太空館 SP

28/3（一）7:50pm UA太古城 UC

31/3（四）5:00pm 香港藝術中心 AC

23/3（三）7:15pm UA朗豪坊 UL

26/3（六）8:00pm The Grand GC

太陽總在左邊

告別校園時

獨舞城

永恆

導演：松太加 2011 藏語彩色 89分鐘演員：益西蘭周、羅后傑、尕藏仁青

導演：謝洛塔羅菲律賓 2010 彩色 95分鐘

導演：全圭煥南韓 2010 彩色 95分鐘

導演：史華祖哥沙古泰國 2010 彩色 102分鐘

Senior Year Dir: Jerrold Tarog Philippines 2010 Colour 95min Cast: Che Ramos, LJ Moreno, Ramon Bautista

Dance Town (Daenseutawoon) Dir: Jeon Kyu-hwan South Korea 2010 Colour 95min Cast: Ra Miran, Oh Seong-tae, Lee Yong-ju

Eternity (Tee rak) Dir: Sivaroj Kongsakul Thailand 2010 Colour 102min Cast: Wanlop Rungkumjad, Namfon Udomlertlak, Prapas Amnuay

The Sun Beaten Path

Dir: Sonthar Gyal 2011 Tibetan Colour 89min Cast: Yixi Lanzhou, Luo Houjie, Gacang Renqing

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27/3（日）7:15pm 香港藝術中心 AC

導演：萬瑪才旦 2010 藏語彩色 93分鐘

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

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26/3（六）9:00pm 香港科學館 SM

29/3（二）7:20pm 香港科學館 SM

26/3（六）6:00pm 香港科學館 SM

30/3（三）7:30pm 香港太空館 SP

28/3（一）5:30pm 香港科學館 SM

31/3（四）3:20pm 香港太空館 SP

27/3（日）7:15pm 香港太空館 SP

3/4（日）1:30pm 香港太空館 SP

一國雙城

老唐頭

完全和平手冊

還看稀星點點

導演：張經緯 2011 粵語／普通話／福建話彩色 100 分鐘

導演：徐童 2011 普通話彩色 104 分鐘

導演：想田和弘日本 2010 彩色 75分鐘

導演：里安納列度夏姆里殊荷蘭 2010 彩色 111 分鐘

人人話一國兩制沒落實，但有時一國兩制也太實際。張經緯（《音樂人生》，33 屆）回到《歌舞昇平》（32 屆）的族群，由弱勢自己發聲，主角阿雪沒有 KJ 的張揚，不過人生曲折不遑多讓。她居住福建，家只她一個人，因為 70 年代的「遺子政策」，舉家移居香港後獨留下她。她自小持雙程證不間斷奔波兩地，以為回歸有轉機，但居港權爭了十年仍無望。為了一家人整整齊齊，她生活從不安穩，婚姻破裂收場。雙城故事的鏡頭，也留連於阿雪在福建的兩個好友，她們亦各有本難念的經。

擁有驚人記憶力的 80 歲東北老爹唐希信，天生能講滿口引人入勝的掌故軼事，聽他將自己的歷史娓娓道來還不忘在緊要關頭配上背景音響，從他爹幾乎撞上殭屍到中華 80 年家國，豈能只用聽出耳油、如癡如醉形容？小人物與大歷史、真實與記憶、紀實與傳說，與其說是對立統一，不如說是恰到好處的互滲緊扣，把敘事還給活生生的當下感覺。徐童拋下前作《麥收》惹來的道德爭議，延續《算命》的人物，以對準老唐頭的鏡頭再探紀錄片的可能性。人生的厚度與歷史的折射淡然在閃光中相遇。

看到岳父餵流浪貓，原本不想給電影節委約的和平主題框限的想田和弘（《完全精神手冊》，33 屆）馬上靈感泉湧，把短打拍成長片。岳父的自來貓，隻隻有名有姓：心型紋跛腳的智郎、細膽的小不點……新成員加入，要時間磨合，剛就來了頭專偷吃的花貓。想田也拍岳父岳母當半義工照顧和接送傷殘老弱，其中 91 歲的煙民橋本自覺快要離別人世，又提起當兵時人命只值一張明信片的怪事。人與貓的世界平行又交疊，也互相倒映着。獲 TOKYO FILMeX 電影節最受觀眾歡迎獎。

夏姆里殊繼《月有陰晴圓缺》(29 屆 ) 後，再度拿下辛丹士和阿姆斯特丹兩電影節的最佳紀錄片獎。印尼三部曲最後一部，仍沿用啟發自巴贊的一場一鏡拍法，跟隨了貧民區這個三代之家 12 年，鏡頭直擊得更親密更多故事。嫲嫲雷美黛搬回耶加達，如今身負重大任務──好好管住有望升讀大學的孫女塔莉。塔莉是全家希望，叔叔為此操副業繁殖打魚，但塔莉跟時下少年無異，生活只有臉書和跳舞。現代對傳統的衝擊沒有回路，雷美黛不斷導演惡作劇，彷彿是最後反撲。

One Nation, Two Cities

Shattered (Lao tang tou) Dir: Xu Tong 2010 Putonghua Colour 104min

Peace

Position Among the Stars (Stand van de sterren)

Dir: Soda Kazushiro Japan 2010 Color 75min

Dir: Leonard Retel Helmrich The Netherlands 2010 Col 111min

China’s modern history is filtered through the life of 80-year old Heilongjiang native Old Man Tang and his scattered family in Xu Tong’s intimate and interactive doc. Notable are his felonious, albeit devoted, daughter Caifeng’s scornful dismissal of the Party and son Yihong’s contrarian independence. They stand in stark, generational contrast to their father’s beliefs – beliefs that may or may not have influenced his parental decisions. Engaging and infuriating, unflattering and enlightening, Shattered puts one family in China’s larger developmental context.

When Soda Kazujiro was asked to make a film about “peace and co-existence,” he nearly rejected the commission. Instead, he found unexpected inspiration in small-town Japan through the lives of three people and a group of stray cats. Retired public servant Toshio has been feeding the strays, but their community is threatened by an outsider cat, while Toshio’s wife Hiroko, a professional caregiver, aids a 91 year-old WWII veteran in facing death. A luminous film exploring the nature of co-existence, community, and forgiveness in everyday life. Winner of Tokyo Filmex Audience Award.

Director Leonard Retel Helmrich’s acclaimed trilogy about an ordinary Indonesian family comes to a fitting end with Position Among the Stars, the IDFA Documentary and Sundance World Documentary Special Jury Prize winner. For 12 years Helmrich has followed the Sjamsuddin household, starting with the first film Eye of the Day and later Shape of the Moon. While the turmoils of the Suharto regime and the deadly 1998 riots are a distant memory, life continues to be harsh, though the new generation holds the promise to a better future.

Dir: Cheung King-wai 2011 Cantonese/Putonghua/Fujianese Colour 100min

Ah Suet has been fighting for her right of abode for the last thirty years despite all her family members having long been Hong Kong citizens. She travels frequently between Fujian and Hong Kong to care for her two Hong Kong-born children. Along the way, we meet two of Suet’s best friends in Fujian, both with their own marital problems. Cheung, who has charmed us with KJ, takes us behind the usual local headlines about the rights abode issue and examines what the term "family reunion" means when families are disintegrating.

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

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28/3（一）7:30pm 香港科學館 SM

31/3（四）12:30pm 香港藝術中心 AC

27/3（日）3:15pm UA太古城 UC

30/3（三）9:30pm The Grand GC

28/3（一）9:45pm 香港科學館 SM

1/4（五）3:30pm 香港太空館 SP

全力支持 Supported by

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04AC4E1

27/3（日）10:45am 4/4（一）7:30pm UA太古城 UC 香港藝術中心 AC

光棍

加薩淚

小泰豆打擂台

粉紅一姐

導演：于廣義 2011 普通話彩色 100分鐘

導演：維伯奇洛基堡挪威 2010 彩色 82分鐘

導演：切拉韋查蘇斯古泰國 2010 彩色 95分鐘

導演：金朗芝諾圖英國 2010 彩色 96分鐘

于廣義（《木幫》、《小李子》，33 屆）家鄉三部曲最終回，最聚焦，內在世界反更寬廣。主人翁是三梁子，典型下崗木幫，妻子出走省城後變光棍，二百多工人的林場有四十多個。于廣義往返他打散工的場所，上山運木，地盤打雜，幫姑娘做活。三梁子其實非典型，城裏好工不肯幹，不泡小姐卻死死戀着小 16 歲的姑娘。憨厚的他生活只有基本法，幾件衣服，一床一桌一櫈，影機跟他交心看透他的思緒和落寞，但感覺親密，雖然獨個兒，窗外射進來的陽光是溫暖的。

亞伯拉罕的子孫在迦南地互相仇殺，流淚的可曾是耶和華？也許問一個永遠沒有答案的問題，不如凝視已沒空抹乾眼淚的加薩地帶孩子們。現代戰爭的殺傷力已遠超聖經記載的任何爭戰，然而人便有這個本事，一面在戲劇性的生死邊緣掙扎，一面過他／她的瑣碎日常。當發現一度燃起和平希望的停火協議，到頭來只是下一次開戰的前哨，彷彿有一看不見的命運之手扼着被攝者和觀眾的咽喉，見證戰爭會帶來和平的荒誕辯證，成為永不瓦解的眾人噩夢。鏡頭只默默紀錄，震憾力卻非同小可。

在富裕繁榮的國度，30 歲的人還是 kidult，但在落後的國土，幾歲豆丁已掙扎往上爬，做着大人要做的事。時裝攝影師出身的導演，把目光從華麗的城巿人轉向貧窮的鄉土童，探索小小年紀的孩子內心深處想擺脫貧窮、過好日子的渴望，自願又好，被迫也罷，人仔細細日練夜練打泰拳，不歸路引向成功還是失敗且得看個人造化。在中年漢 Uncle Sak 的指導下，看似沒有未來的孩子，找到了希望出路，有幾多是玉不琢不成器，有幾多是揠苗助長，留待你來定論。

生為婆羅門種姓制度的下等人，已如被施了永不超生的先天魔咒；身為下等婦女，更是苦不堪言。終於有人站出來提問，並且領導一場溫柔革命。粉紅色頭巾是她們的標誌，象徵着敢與傳統對着幹的勇毅和決心，同時不捨愛美與陰柔。金朗芝諾圖（《波波熊姨姨》，33 屆）冷靜客觀的鏡頭追隨粉紅首領辛芭，適當時附以文字說明，讓觀眾感受婦女的真實生活，出入種種家庭和社會鬧劇，觀察辛芭如何為她們解決難題。仗義每多紅粉輩，巾幗英雄的說法原來可以如此寫實。

Bachelor Mountain (Guanggun) Dir: Yu Guangyi 2011 Putonghua Colour 100min

Tears of Gaza (Gazas tårer)

Lumpinee

Pink Saris

“Guanggun” is a trendy Chinese observance that celebrates being single, but Yu Guangyi’s latest doc sees bachelorhood as something much more complicated. Returning to the snowbound logging region of Survival Song and Timber Gang, Yu again documents the struggles – and modest pleasures – of a dying town and its people. In China’s remote north, the women abandon the village for city jobs. With only men, the elderly and children remaining, the village faces a fundamental fight for survival beyond a changing logging industry.

In war, the most vulnerable of victims are the children. Director Vibeke Løkkeberg examines the effect of the 2008-09 Israeli bombing of Gaza mostly through the viewpoints of Palestinian boys and girls. Some of them suffer from horrifying injuries, while others, with tears in their eyes, recall the loss of family members. Keeping a strictly observational viewpoint, the director keeps the politics off-screen, although the visceral effect of seeing bombs destroying markets and buildings is a statement all of its own.

Dir: Vibeke Løkkeberg Norway 2010 Colour 82min

Dir: Chira Wichaisuthikul Thailand 2010 Colour 95min

Muay Thai, or Thai kickboxing, begins at a young age for the trainees at Saknirunrak Camp. Many of the boys (and girls) here come from poor households, where the camp becomes a shelter for the less fortunate, guarded over by Uncle Sak. All of them have the dream of one day fighting – and winning – the championship at Bangkok’s famed Lumpinee Stadium. This documentary gives us a glimpse of these kids’ aspirations as well as their troubles – even when they reach the top of their game.

Dir: Kim Longinotto UK 2010 Colour 96min

Loud, brash and charismatic, Sampat Pal Devi is the leader of the Gulabi Gang – a group of women in bright pink saris. They come from the untouchable caste yet defy their social and gender status to fight against injustices inflicted upon them. But Sampat is also a complex figure – a flawed and combative soul who loses her battles as much as she wins them. From her difficult past as a battered child bride, she learns how to stand up against seemingly insurmountable odds. Directed by award-winning HKIFF veteran Kim Longinotto.

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26/3（六）9:00pm 香港科學館 SM

29/3（二）7:20pm 香港科學館 SM

26/3（六）6:00pm 香港科學館 SM

30/3（三）7:30pm 香港太空館 SP

28/3（一）5:30pm 香港科學館 SM

31/3（四）3:20pm 香港太空館 SP

27/3（日）7:15pm 香港太空館 SP

3/4（日）1:30pm 香港太空館 SP

一國雙城

老唐頭

完全和平手冊

還看稀星點點

導演：張經緯 2011 粵語／普通話／福建話彩色 100 分鐘

導演：徐童 2011 普通話彩色 104 分鐘

導演：想田和弘日本 2010 彩色 75分鐘

導演：里安納列度夏姆里殊荷蘭 2010 彩色 111 分鐘

One Nation, Two Cities

Shattered (Lao tang tou) Dir: Xu Tong 2010 Putonghua Colour 104min

Peace

Position Among the Stars (Stand van de sterren)

Dir: Soda Kazushiro Japan 2010 Color 75min

Dir: Leonard Retel Helmrich The Netherlands 2010 Col 111min

Dir: Cheung King-wai 2011 Cantonese/Putonghua/Fujianese Colour 100min

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

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28/3（一）7:30pm 香港科學館 SM

31/3（四）12:30pm 香港藝術中心 AC

27/3（日）3:15pm UA太古城 UC

30/3（三）9:30pm The Grand GC

28/3（一）9:45pm 香港科學館 SM

1/4（五）3:30pm 香港太空館 SP

全力支持 Supported by

27UC3M1

04AC4E1

27/3（日）10:45am 4/4（一）7:30pm UA太古城 UC 香港藝術中心 AC

光棍

加薩淚

小泰豆打擂台

粉紅一姐

導演：于廣義 2011 普通話彩色 100分鐘

導演：維伯奇洛基堡挪威 2010 彩色 82分鐘

導演：切拉韋查蘇斯古泰國 2010 彩色 95分鐘

導演：金朗芝諾圖英國 2010 彩色 96分鐘

Bachelor Mountain (Guanggun) Dir: Yu Guangyi 2011 Putonghua Colour 100min

Tears of Gaza (Gazas tårer)

Lumpinee

Pink Saris

Dir: Vibeke Løkkeberg Norway 2010 Colour 82min

Dir: Chira Wichaisuthikul Thailand 2010 Colour 95min

Dir: Kim Longinotto UK 2010 Colour 96min

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25/3（五）7:15pm 香港科學館 SM

26/3（六）12:30pm 香港科學館 SM

國際短片競賽節目（一）

「國際短片競賽」集亞洲、歐洲和美洲 21 部入圍作品，競逐「大獎」及「評審團獎」。得獎結果於 3 月 30 日頒獎禮之夜公佈。四個節目將連同《香港四重奏 II》(p.7) 四部由著名導演阿彼察邦韋拉斯花古、布里揚文杜沙、何宇恒、關錦鵬執導的委約短片一同放映。 The 21 finalists, selected for the 2nd HKIFF International Short Film Competition, hail from Asia, Europe and the Americas and are competing for the Grand Prize and Jury Prize. The 4 programmes will each kick off with a title from Quattro Hong Kong 2 (p.7), four commissioned short films directed by filmmakers Apichatpong Weerasethakul, Brillante Mendoza, Ho Yu-hang and Stanley Kwan. The winners will be announced at the Awards Gala evening on March 30, 2011.

國際短片競賽節目（三）

殺死一隻蜜蜂沒啥大不了，只不過是《去死吧 ! 大黃蜂》（以色列，7 分）的開始；《我是大屠殺的倖存兒》（加拿大，15 分）將著名繪本回憶錄製成動畫，女孩幽默地講述二戰的傷痛；《蟲屍》（芬蘭，7 分）用多種動畫技術將時間凝固，蝴蝶在生命終結時展現最後的華麗；《別了》（菲律賓，16 分）中米高的生活就是照顧將死的父母，直至遇上她 ...... 三更半夜，的士司機載着一個撐《紅雨傘》（印尼，9 分）的女子回家，到底是人是鬼？《森林來嚇》（加拿大，12 分）的營火會上，童子軍製造驚慄血腥加搖滾而意想不到的救美故事。同場加映《上河圖》（關錦鵬，13 分）。共 79 分鐘。

Short Film Competition Programme I

Short Film Competition Programme III

In To Kill a Bumblebee (Tal Granit & Sharon Maymon), a hunting trip by two friends turns into a darkly comic moral fable. Ann Marie Fleming’s I Was a Child of Holocaust Survivors is an animated memoir about history and forgetting. Paying homage to Stan Brakhage, Hannes Vartiainen and Pekka Veikkolainen illuminate The Death of an Insect. In The Farewell (Borgy Torre), a man must choose between his filial duties and the woman of his dreams. An iconic ghost story gets updated for the road in Red Umbrella (Andri Cung & Edward Gunawan). Jerome Sable’s horror musical The Legend of Beaver Dam is a readymade cult classic! Screening with Stanley Kwan’s 13 Minutes in the Lives of… Total: 79min.

In Annick Blanc’s Nowhere Elsewhere, a woman takes an unexpected detour to a mysterious motel on the way to visit her ailing mother. Ad Vitam (Mathieu Labaye) is a tragicomic animated tale of an elderly Belgian couple. A young girl tries to reconcile her private sanctuary with the outside world in Kaynipa Polnikorn’s The Tree. In Paul Clipson’s 16mm experimental film Union, a woman’s path through a kaleidoscopic bamboo grove creates an alternate reality. In Employee of the Month by Clément Cornu, an average worker starts to sink through the office carpet – and that’s when things start to get really weird. Screening with Apichatpong Weerasethakul’s M Hotel. Total: 80min.

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25/3（五）9:30pm 香港科學館 SM

26/3（六）3:00pm 香港科學館 SM

國際短片競賽節目（二）《童言大忌》（瑞典，12 分）裏七歲細路的志願講出來，最有愛心的老師都張口結舌；《登陸阿發 46》（瑞士／德國，15 分）一鏡直落到穹蒼之中，如果不能回到地球，你還會說感覺良好嗎？《被水困住的眼淚》（日本，15 分）裏哭泣不過是眼睛發熱的一瞬間；《打回原形》（荷蘭，11 分）的未來世界經歷一場災難，分裂的肢體在黑暗中試着互相合作與重組；《變態，無賴，與被夾在中間的女人》( 台灣／美國，15 分 ) 中阿班在公車上只敢遠遠望着菲菲迷人的身影，直到目睹一個老頭偷取她的運動褲，他決定挺身而出。同場加映《紫》（布里揚文杜沙，15 分）。共 83 分鐘。

Grand Prize 2011 導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

《再見不再見》（加拿大，15 分）中阿玉一家三口去探望患病的母親，半路中途，她突然要停車，因為回憶幻想使她卻步；《非常嫲嫲》（比利時，9 分）無時無刻發揮的負面想像力，來自她老伴會先行一步的恐懼；《樹》（泰國，16 分）中的小女孩徘徊在兩個世界中成長：母親的精神病院和一棵秘密的樹；《疾走空間》（美國，14 分）將時間層層疊疊，光影色彩曖昧合流；打工仔日捱夜捱，精神肉體全奉獻給魔鬼老闆；《每月之精英》（法國，13 分）的 80 後思想大解放，長期壓抑形成一段變態的旅程。同場加映《M 酒店》（阿彼察邦韋拉斯花古，13 分）。共 80 分鐘。

國際短片競賽節目（四）《是豬也是你和我》（美國，8 分）紀錄了豬的肢體語言和精神面貌，真是豬如此類；《吻》（澳洲，15 分鐘）中兩個少女跳入樹林的儲水缸，親密過後是背叛，即使吻下來，也難豁出去；《女朋友》（挪威，15 分）中個性沉鬱的女孩從未被她傾慕的男孩關注，但她一個行動竟令形勢逆轉；《貓頭鷹》（加拿大，16 分）小男孩把受傷的貓頭鷹帶回家，卻遭父親斥責招來厄運，他要反抗的是父母抑或迷信？《快樂認領處》（德國， 14 分）邀得伊恩麥基倫作旁白及約瑟費恩斯聲演，究竟遺失了的快樂可以再找回來嗎？同場加映《天機洩》（何宇恒，15 分）。共 83 分鐘。

Short Film Competition Programme II

Short Film Competition Programme IV

In Little Children, Big Words by Lisa James Larsson, a class of schoolchildren learn that a single word can yield a big lesson. Yuri Lennon’s Landing on Alpha 46 (Anthony Vouardoux): an astronaut lands on a desolate planet and finds himself in a mindbending paradox. Water, by Ouchul Hwang & Wen Shing Ho, is a poetic puzzle about three friends and the flowing water that connects them. Floris Kaayk’s animated The Origin of Creatures charts the path of mutated limbs through a dystopic world. Scumbag, Pervert, and the Girl in Between is a fresh and funny tale of a cute girl, a missing pair of shorts, and their unlikely savior. Screening with Brillante Mendoza’s Purple. Total: 83min.

Pigs (Pawel Wojtasik) brings us face to face with the animals on a Las Vegas farm – which may not be so different from humans after all. In Ashlee Page’s The Kiss, two teenage girls find freedom and danger during a midnight swim. Ingvild Søderlind’s Jenny is a young girl growing up in the Oslo suburbs, and as an outsider she’s the perfect witness to a secret. In Mokhtar (Halima Ouardiri), a young Moroccan boy risks bad luck and his family’s anger to adopt a fallen owl. A Lost and Found Box of Human Sensation (Stefan Leuchtenberg & Martin Wallner) traces a journey through grief, featuring the voices of Ian McKellen and Joseph Fiennes. Screening with Ho Yu-hang’s Open Verdict. Total: 83min.

Masterpiece Squelette

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26SM3M2

25/3（五）7:15pm 香港科學館 SM

26/3（六）12:30pm 香港科學館 SM

國際短片競賽節目（一）

國際短片競賽節目（三）

Short Film Competition Programme I

Short Film Competition Programme III

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26SM3M3

25/3（五）9:30pm 香港科學館 SM

26/3（六）3:00pm 香港科學館 SM

Grand Prize 2011 導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

Short Film Competition Programme II

Short Film Competition Programme IV

Masterpiece Squelette

20UC3M2 20/3（日）12:00 noon UA太古城 UC 票價 Price: $100

豺狼卡洛斯（足本）導演：奧利維亞阿薩耶斯法國／德國 2009 彩色 325分鐘

蘇德堡拍《捷古華拉》做不到的，敢作敢為的阿薩耶斯都做到了，同樣的史詩幅度個人造像，緊湊的五個半小時一氣呵成全無冷場，《豺狼卡洛斯》是部傑作。卡洛斯是七十年代盤踞歐洲報章頭條的頭號恐怖份子，真人比電影傳奇，影片分三章，由他加入巴解人民陣線策動連串暗殺與綁架，到變身受僱從事軍火買賣和恐怖活動，貼身追蹤他一次次的策劃、行動、逃亡，更不乏情史，遍走七國，活靈活現這謎樣的革命變色龍。他是後現代政治亂象的象徵人物，集矛盾於一身，這邊批判資本主義，轉個頭開平治泡妞。長版是導演原意，去年在港曝光的短版只是戲院放映的折衷。中場休息 20 分鐘。

Carlos Dir: Olivier Assayas France/Germany 2009 Colour 325min Cast: Édgar Ramírez, Alexander Scheer, Alejandro Arroyo

Voted the Best Film of 2010 by Film Comment, this highly acclaimed biopic of notorious Venezuelan terrorist Carlos the Jackal is hailed as a “hypnotic and sprawling fivehour-plus piece of cinematic genius” by the Los Angeles Times. Olivier Assayas’s meticulously researched film is filled with authentic details that convincingly recreates the terrorist lifestyle of the egomaniacal Ilich Ramirez Sanchez, the real-life Carlos. At the heart of the film is a nail-biting recreation of Carlos’ infamous 1975 raid on the OPEC Headquarters in Vienna, which resulted in three dead. 20min intermission.

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27/3（日）5:00pm UAiSQUARE IS

30/3（三）7:15pm 香港大會堂 CT

28/3（一）7:45pm UA時代廣場 UQ

31/3（四）9:50pm 香港文化中心 KG

23/3（三）9:40pm UA朗豪坊 UL

5/4（二）12:30pm 香港大會堂 CT

野獸家族

惡魔的替身

精銳暴隊 2：內鬼

導演：大衛美曹澳洲 2010 彩色 112分鐘中文字幕

導演：李譚荷利比利時 2010 彩色 108分鐘

導演：荷西柏迪夏巴西 2010 彩色 116 分鐘

辛丹士電影節曝光令觀眾和影評人起哄，驚呼史高西斯、塔倫天奴及米高曼後繼有人，結果捧走最高榮譽的評審團大獎。大衛美曹這部黑幫片異常黑色，不走主流獨創難以捉摸的怪奇結構，動用所有電影部門以澳洲的白光製造極度不安和凶險的氣氛。母親吸毒暴斃，J 從此栽進婆婆生人勿近的大家庭。三個舅舅不是劫匪便是毒販，最愛錫錫的婆婆其實毒最攻心，J 吃不消找上正義的朋友，卻卡在兩難之境。勾心鬥角爾虞我詐的奪目群戲，可跟我們的港產片滴血相認。

1987 年伊拉克，有錢人的樂園，總統薩達姆的大仔烏代巴西動作片又發威！柏迪夏並無故步於奪柏林金熊獎的橫行無忌，別人屋靚或老婆靚，他一個唔該即搶，致四《精銳暴隊》(08 夏日電影節 )，續集製作規模更大，時面樹敵。烏代覺得要自保，找替身，舊同學拉迪夫威迫間鎖定十多年後，跟前作劃清界線，無論人物和層次都下來到了烏代身邊，無力地天天目擊惡魔姦淫擄掠。波更豐富，大破巴西票房紀錄。里約熱內盧貧民區的犯罪斯灣戰爭爆發，拉迪夫命仔危危乎。李譚荷利（《天眼救世界依然囂張，踩在灰色地帶鐵腕滅罪的精銳警隊隊長未來》）根據拉迪夫自傳，搞的不是野史而是有賊沒有兵納西文杜，把手下訓練得儼如一隊精兵，每每調動裝甲的黑幫片新品種，分飾二角的杜明尼古柏不讓周潤發專車殺敵。不過矛盾深化，同僚的質疑雖然擋得住，但體美，一邪一正演來判若兩人，法國影星露迪雲仙妮（《泳制這個大敵當前，兒子又跟他作對。柏迪夏的凌厲寫實風沒有跌 watt，無論動作場面、戲劇衝突皆更上層樓。池謀殺案》）演繹烏代性感的變心情人。

Animal Kingdom

The Devil’s Double

Dir: David Michod Australia 2010 Colour 112min Cast: James Frecheville, Guy Pearce, Jacki Weaver

Dir: Lee Tamahori Belgium 2010 Colour 108min Cast: Dominic Cooper, Ludivine Sagnier, Raad Rawi

After his mother’s death, 17-year-old J Cody moves in with his estranged grandmother, not knowing that he has walked into a lion’s den of Melbourne’s most sociopathic criminals. When rogue cops exact their vengeance on the clan’s friend, the retribution spirals out of control, and J Cody must choose his place in this Darwinian animal kingdom. This critically lauded Sundance Grand Jury Prize winner showcases some of Australia’s best actors, including Jacki Weaver with her Oscar-nominated performance as Grandma Smurf. In a world full of alpha males, the lioness is queen.

Once Were Warriors director Lee Tamahori’s sexy, disturbing and sensationally sensationalistic thriller revels in over-the-top reality. Uday Hussein, the son of late Iraqi President Saddam Hussein, was legendary for his sadistic cruelty and sexual cravings. As such, he needed a body double to safeguard him from assassinations. Latif Yahia became his man. The magnetic Dominic Cooper steals the show as both Uday and Latif, creating two utterly believable and distinct characters even while the two share the same screen.

Elite Squad 2 – The Enemy Within Dir: José Padilha Brazil 2010 Colour 116min Cast: Wagner Moura, Irandhir Santos, Andre Ramiro

The sequel to the controversial 2008 Berlin Golden Bearwinning Elite Squad picks up over a decade later, with decidedly not retired Nascimento and his special unit tackling rising crime in Rio de Janeiro. New to the team is Fraga, a critic that has butted heads with Nascimento over his tactics in the past and a more sinister, intangible element: corruption that has reached into the Elite Squad itself. Padilha’s signature visuals are back, and this time the filmmaker broadens his scope to target institutional rot and the disillusionment it engenders.

24UQ3M3D 24/3（四）5:30pm UA時代廣場 UQ

29KG3E1 29/3（二）7:15pm 香港文化中心 KG

香港會展中心CE1 24/3（四）7:15pm CE1

幻象師導演：施梵素美法國／英國 2010 彩色 80分鐘

《瘋狂約會美麗都》後，素美不再瘋狂更有驚喜，淡淡哀愁中餘音裊裊。人已缺乏想像的年代，魔術師在英國小村，終於見到仍然相信魔術的女孩，兩人到了大城市，建立起柏拉圖式的感情，魔術師偷偷去車房打工，變靚衫滿足女孩的想像。積大地滄海遺珠的劇本，箇中有太多大師自傳的影子，素美不敢有差池，將聲片靜化，減少鏡頭，細細還原 50 年代的歷史風貌，更把場景搬至天空幻變的愛丁堡，製造迷人光線，終成就超越時代的傑作。獲歐洲電影獎最佳動畫獎，入圍奧斯卡角逐最佳動畫。

The Illusionist (L’illusioniste) Dir: Sylvain Chomet France/UK 2010 Colour 80min

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

The legendary Jacques Tati is resurrected in this long-awaited animated return by The Triplets of Belville director Sylvain Chomet. Less manic and more melancholic than the filmmaker’s previous work, The Illusionist chronicles the bittersweet relationship between a down-on-his-luck conjurer (modeled after Tati) and a naïve young lass who believes he has true magical powers. As usual, the film dispenses with intelligible dialogue to capture the charm of old-school animation, all the while painting a most sumptuous panorama of Scottish vistas, especially of 1950s Edinburgh. Oscar nominee for Best Animated Feature.

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3/4（日）12:45pm 香港文化中心 KG

9/4（六）9:00pm 香港藝術中心 AC

香港會展中心CE2 21/3（一）7:15pm CE2

02CT4M1 2/4（六）10:30am 香港大會堂 CT

母親的告白

仨

狂戀聖羅蘭

導演：D.維爾諾夫加拿大／法國 2010 彩色 130分鐘中文字幕

導演：湯泰華德國 2010 彩色 119分鐘

導演：皮亞托赫頓法國 2010 彩色 98 分鐘

同樣奇情、懸疑、驚慄再摻有政治議題，跟《龍紋身的女孩》異曲同工，孖生兄妹萬里追查母親的過去，也和腳跟紋有三圓點的男孩關係密切。母親遺囑不立墓碑，除非孖生的珍妮和西門前去中東故土，尋回他們一直蒙在鼓裏的父兄。憤怒的西門沒法接受突然爆出兩個親人，理性的珍妮覺得有必要走這一趟。隨着珍妮的腳步，母親昔日的旅程亦閃回展開，她追尋未婚產下的兒子，捲入革命狂流，更在獄中成了紅人。奪加拿大多個最佳本土電影獎，奧斯卡最佳外語片入圍五強之一。

湯泰華（《香水》、《疾走羅拉》）的鏡頭十年後回歸，在柏林上空盤旋，蒼生如常疾走生命：相愛、吵鬧、不忠、分居、同居、有性、無性、老去、死去。驀地鏡頭攫住目標，直撲脫軌的兩個人。她：漢娜，電視主持，結婚廿年，有性幻想，一次兩次碰上阿當，和他上了床。他：西門，工程師，漢娜丈夫，睪丸癌剛康復，碰上阿當，頭一次和男人幹了。阿當：科學家，雙性戀。巧合？不過是鏡頭找到命運與機緣的時刻。漢娜有了誰的孩子？湯泰華大笑：有甚麼關係，世界該變了。

YSL 的耀眼光芒內，是一顆敏感靦腆的心靈，和一抹憂鬱孤獨的眼神。知名時裝大師聖羅蘭逝世後，他的生意夥伴兼同性伴侶皮亞貝格，決定把兩人共同收藏的七百多件藝術品作慈善拍賣。2009 年佳士得「世紀拍賣會」上，每一件珍藏，由古埃及雕像，到畢加索、戈雅、馬蒂斯的名畫，彷彿都在訴說時裝大師昔日生活點滴。紀錄片透過皮亞貝格的憶述，回溯他與聖羅蘭一起走過的日子，由聖羅蘭接下 Dior 設計總監重任開始，娓娓道來兩人相知相交、共同創業，並相伴到老的一生。

Incendies

Three (Drei)

L’Amour Fou

Dir: Denis Villeneuve Canada/France 2010 Colour 130min Cast: Maxim Gaudette, Remy Girard

Dir: Tom Tykwer Germany 2010 Colour 119min Cast: Sophie Rois, Sebastian Schipper, Devid Striesow

Dir: Pierre Thoretton France 2010 Colour 98min

Oscar Beat Foreign Film nominee Incendies follows twins Jeanne and Simon to Lebanon to discover who their mother really was and the father and lost brother they knew nothing about – the mother’s dying wish. In travelling from safe, even-keeled Canada to the Middle East, the story weaves in and around the foundations of deep-seated hatred, cycles of violence, tragedy and back to love and affection. Vivid cinematography by André Turpin contributes to building a powerful and emotional narrative as complex as its subject.

Run Lola Run director Tom Tykwer follows his playful side to deliver one of his best works: a smart and riproaring rom-com with a bisexual twist that pushes the right buttons in terms of shock – be it technically with the use of split screens or with the outrageous scenarios Tykwer devise. Simon and Anna are unmarried but are happily codependent until they both separately meet Adam, a coolly masculine biologist. The setup of these couplings is marvelously detailed, establishing all three characters as very much real people living within our times.

It was billed as “the auction of the century” – Christie’s 2009 sale of Yves Saint-Laurent’s legendary collection of objets d’art from Picasso, Matisse and others. Even after his death, the fashion legend still made headlines around the world. But it was this love of art and beauty which brought Saint-Laurent and his lifetime business partner and lover Pierre Bergé together. In this suitably elegant and revealing documentary, we trace back through 50 years of the pair’s personal and public lives via rare archival footages, with Bergé as our host.

20UC3M2 20/3（日）12:00 noon UA太古城 UC 票價 Price: $100

豺狼卡洛斯（足本）導演：奧利維亞阿薩耶斯法國／德國 2009 彩色 325分鐘

Carlos Dir: Olivier Assayas France/Germany 2009 Colour 325min Cast: Édgar Ramírez, Alexander Scheer, Alejandro Arroyo

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23UL3E2A

05CT4M2

27/3（日）5:00pm UAiSQUARE IS

30/3（三）7:15pm 香港大會堂 CT

28/3（一）7:45pm UA時代廣場 UQ

31/3（四）9:50pm 香港文化中心 KG

23/3（三）9:40pm UA朗豪坊 UL

5/4（二）12:30pm 香港大會堂 CT

野獸家族

惡魔的替身

精銳暴隊 2：內鬼

導演：大衛美曹澳洲 2010 彩色 112分鐘中文字幕

導演：李譚荷利比利時 2010 彩色 108分鐘

導演：荷西柏迪夏巴西 2010 彩色 116 分鐘

Animal Kingdom

The Devil’s Double

Dir: David Michod Australia 2010 Colour 112min Cast: James Frecheville, Guy Pearce, Jacki Weaver

Dir: Lee Tamahori Belgium 2010 Colour 108min Cast: Dominic Cooper, Ludivine Sagnier, Raad Rawi

Elite Squad 2 – The Enemy Within Dir: José Padilha Brazil 2010 Colour 116min Cast: Wagner Moura, Irandhir Santos, Andre Ramiro

24UQ3M3D 24/3（四）5:30pm UA時代廣場 UQ

29KG3E1 29/3（二）7:15pm 香港文化中心 KG

香港會展中心CE1 24/3（四）7:15pm CE1

幻象師導演：施梵素美法國／英國 2010 彩色 80分鐘

The Illusionist (L’illusioniste) Dir: Sylvain Chomet France/UK 2010 Colour 80min

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

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3/4（日）12:45pm 香港文化中心 KG

9/4（六）9:00pm 香港藝術中心 AC

香港會展中心CE2 21/3（一）7:15pm CE2

02CT4M1 2/4（六）10:30am 香港大會堂 CT

母親的告白

仨

狂戀聖羅蘭

導演：D.維爾諾夫加拿大／法國 2010 彩色 130分鐘中文字幕

導演：湯泰華德國 2010 彩色 119分鐘

導演：皮亞托赫頓法國 2010 彩色 98 分鐘

Incendies

Three (Drei)

L’Amour Fou

Dir: Denis Villeneuve Canada/France 2010 Colour 130min Cast: Maxim Gaudette, Remy Girard

Dir: Tom Tykwer Germany 2010 Colour 119min Cast: Sophie Rois, Sebastian Schipper, Devid Striesow

Dir: Pierre Thoretton France 2010 Colour 98min

香港會展中心CE1 02KG4M1 20/3（日）10:00pm 2/4（六）10:30am CE1 香港文化中心 KG

26UQ3M3

30CT3E2

26/3（六）5:00pm UA時代廣場 UQ

30/3（三）9:30pm 香港大會堂 CT

香港會展中心CE2 22/3（二）9:45pm CE2

05CT4M1 5/4（二）10:30am 香港大會堂 CT

讓師奶飛

高鐘女王

戀戀節拍夏灣拿

導演：法蘭索亞奧桑法國 2010 彩色 103分鐘

導演：珍妮賴布瑄法國／盧森堡 2010 彩色 95分鐘

奧桑（《小飛 B》）真會點石成金，看來死板的故事，給他搞出笑刺肚皮的怪戲。嘉芙蓮丹露從影以來最好的喜劇角色，連肥都肥得特別可愛，跟謝勒狄帕度這大塊綠葉相映得尤其趣緻。丹露本是模範老婆，富商老公突然中風，她毅然走出廚房，找舊情人市長狄帕度教路，硬着頭皮替老公收拾工潮爛攤子，初時淪為笑柄，後竟力挽狂瀾，更深得員工擁戴。老公病癒見勢色不對欲討回江山，迫仔女歸邊，卻發現老婆原來不簡單。一部性別之戰完全傾斜、女人看得心花怒放之作。

你不會想得到，他們的職業原來性質相近。他用時間換錢，她用身體賺錢，他的病人愛易服，她的客人愛角色扮演，他們都需要抽離。他是心理治療師，她是高級妓女，兩人的客都非善男信女。終於她抵受不住，主婦淫娃學生都扮膩了，四出找心理治療；他妻子走了，自己能醫不自醫，朋友遞來她的名片。能化腐朽為神奇的依莎貝雨蓓接待心理治療師先小人後君子，精彩得難以形容。導演把兩種職業並置又相碰，奇想連連，都是治療而矣，一切看你的造化吧。

導演：祖巴、馬利斯卡、艾蘭度西班牙／英國 2010 彩色 93分鐘

Potiche

Special Treatment (Sans queue ni tête)

Dir: François Ozon France 2010 Colour 103min Cast: Catherine Deneuve, Gérard Depardieu, Fabrice Luchini

Dir: Jeanne Labrune France/Luxembourg 2010 Colour 95min Cast: Isabelle Huppert, Bouli Lanners, Sabila Moussadek

Catherine Deneuve stars in the latest from Ozon as Suzanne, a neglected housewife who steps back into the family business her loutish husband had been running. When a dispute renders him unable to continue, Suzanne is given the chance to show off her knack for labour relations, and her return to the workplace sets off an empowering series of changes. This idealistic 70s-set comedy tracks Suzanne’s inner journey but never wallows in negativity, instead honing in on Suzanne’s engaging transformation.

A prostitute informs a psychoanalyst of her rate, spelling out her terms using the therapist’s jargon. The parallel nature of these two disparate professions are highlighted in this intelligent and comical dissection of social negotiations. Isabelle Huppert plays dress-up as she takes on different personae based on her clients’ wishes. Her interests lies in antiques – and their costs are in terms of the sexual deeds she must perform. The unhappily married Xavier comes to her as a client, but their needs are more mutual than they had bargained for…

一部高度原創的成年人動畫，時空設在古巴 50 年代革命前後，也遊走於現代。Chico，一個有才華的爵士樂鋼琴家；Rita，一個美麗的歌手。二人因音樂而相遇，也因音樂而分離，戀愛得動盪曲折，由古巴夏灣拿愛到美國紐約，直是個古巴版傾城之戀。畫功美妙動人，豐富多彩，技巧圓熟，在 2D 動畫和 3D 畫功之間的轉換渾然如行雲流水，音樂與動畫的結合也天衣無縫。電影中的爵士樂或拉丁美洲音樂更是動聽得可以，你絕對會愛上這部電影。

Chico and Rita (Chico y Rita) Dir: F. Trueba, J. Mariscal, T. Errando Spain/UK 2010 Colour 93min

Oscar-winner Fernando Trueba (Belle époque) flawlessly translates his signature concoction of romance and comedy into animated form with the superbly entertaining Chico and Rita. Strikingly animated using cutting-edge rotoscoping, the film is a love letter to pre-Castro Havana, where playboy pianist Chico first lays eyes on the seductive chanteuse Rita. Their tumultuous affair would lead them to New York, where cameos by Charlie Parker and Dizzy Gillespie will delight jazz lovers. Driven by an intoxicating soundtrack of the era, this is an adventure steeped in music history and Latin passion.

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5/4（二）9:00pm 香港文化中心 KG

8/4（五）7:30pm 香港藝術中心 AC

30/3（三）9:30pm UA朗豪坊 UL

3/4（日）12:40pm 香港大會堂 CT

30/3（三）9:50pm 香港文化中心 KG

殺戮小丑

無義之城

殺手代父

導演：德拉易格斯亞西班牙／法國 2010 彩色 108分鐘

導演：柳昇完南韓 2010 彩色 120分鐘

導演：李楨凡南韓 2010 彩色 119分鐘中文字幕

20 世紀 30 年代的西班牙內戰只是開始，戰鬥沒完沒了，《赤搏之男》導演最新作，韓國票房走勢凌厲，不但情節以小丑笑容與眼淚二元對立的方式延伸。Javier 肥仔嘜其緊湊、實力派演員互相較勁，更影射國家的貪腐黑洞：貌不揚，卻是孤星天煞，聽從亡父忠告，接棒做傷心小檢察官貪贓枉法，警察濫權瀆職，商家朋比為奸。連環丑，遇上長年酗酒、心靈被腐蝕的馬戲團老闆兼開心小丑殺手殘害女童，總統府下令火速破案，但線索盡斷茫無 Sergio，他由害怕瑟縮，輾轉被仇恨感染，變成拿機關槍頭緒。崔探員（黃政民）被委以重任，要馬上抓到兇手！的殺戮人形。德拉易格斯亞是張揚的添布頓，黑色指數爆崔上位心切，透過黑道商人（柳海真）找來替死鬼，卻燈，他特選佛朗哥建造的英魂谷上演最後的廝殺戲碼，紀因過程中損及檢察官周揚（柳承范）的不法利益，引來念塔頓成血腥的旋轉木馬，噩夢、寓言、童話、魔咒共冶兩人連番惡鬥，令計劃逐步失控。每個人都想從腐敗裏一爐。獲威尼斯影展最佳導演及最佳劇本獎。分一杯羹，出人意表的終局無疑是當頭棒喝。

經營當舖的大叔（元斌）為人冷漠頹廢，只有鄰家小女孩（金賽綸，《等我愛的人》，33 屆）與他接觸而成為朋友。女孩的母親捲入黑道的毒品搶奪，慘遭殺害，女孩亦被捉走。大叔目睹經過瞬間爆發，以一己之力展開追捕，發現更喪心病狂的惡行。英雄不問過去，不要名字，元斌把酷發揮到極致，動作皆親身上陣，憑着時而沉鬱時而狂放的精彩演繹，獲封大鐘獎影帝。導演李楨凡影像的凌厲、寸土必爭的動作設計，為韓國動作片重新奠定最高標準。2010 年韓國最賣座電影。

The Last Circus (Balada triste de trompeta) Dir: Álex de la Iglesia Spain/France 2010 Colour 108min Cast: Antonio de la Torre, Carlos Areces, Carolina Bang

The Unjust (Budanggeorae)

The Man from Nowhere (Ajeossi)

Dir: Ryoo Seung-wan South Korea 2010 Colour 120min Cast: Hwang Jung-min, Ryoo Seung-bum, Yu Hae-jin

Dir: Lee Jeong-beom South Korea 2010 Colour 119min Cast: Won Bin, Kim Sae-ron, Kim Hyo-seo

Quentin Tarantino favourite The Last Circus is a parable on the fascist dictator Franco era that pushes the limits of fantasy beyond even Pan’s Labyrinth. After losing his father to war in 1937, Javier now follows in his father’s footsteps working as a clown in a local circus. But a battle is brewing between him and the violently drunken Sergio, who has a nasty habit of beating his acrobat girlfriend Natalia. It’s a grotesque and bloody spectacle featuring the most frightening of creations – clowns. Best Director and Best Screenplay, Venice Film Festival.

Amoral, cynical yet fascinating, The Unjust is a darkly complex police thriller in which words are often punctuated by violence. Action wunderkind Ryoo Seung-wan (Crying Fist) has made a superbly acted and deftly directed drama which deals with the effect of rampant corruption upon all levels of Korean government – from politicians and business CEOs to rookie cops. It begins with a serial killer whose killings have panicked the nation. But the real plot concerns not the murderer, but those who cover up the tracks once the main suspect is accidentally killed.

Korea’s 2010 box office champ also features Won Bin’s breakthrough performance, winning the heartthrob a slew of Best Actor awards. Won Bin is Tae-sik, a reclusive pawn shop owner with a mysterious past whose only friend is neighborhood girl So-mi (A Brand New Life ingénue Kim Sae-ron). But when So-mi and her mother is kidnapped, Tae-sik is unwittingly drawn into a drug war, and he sheds his quiet persona for his true self as he runs and guns to save the little girl’s life. This is one ultra-satisfying action drama.

THE

BARCO

www.barco.com www.barco.com.cn

Barco 新世代—高清電影全接觸

Experience HD Cinema

贊助放映設備 Equipment provided by

UA CITYPLAZA | UA 太古城中心 20/3( 日 )

10:00pm 香港四重奏 II Quattro Hong Kong 2 p. 4,7

21/3( 一 ) 5:45pm 9:50pm 22/3( 二 )

科士打有幾堅 How Much Does Your Building Weigh, Mr. Foster? P. 76 在一起 Together p. 75

7:50pm 老驢頭 The Old Donkey p. 36 10:10pm 新世界 new world p. 38

23/3( 三 ) 6:15pm 7:50pm 10:10pm

香港四重奏 II Quattro Hong Kong 2 p. 4,7 寒假 Winter Vacation p. 37 我們離瘋人院究竟有多遠 ? Are We Really So Far from the Madhouse? p. 37

24/3( 四 ) 7:50pm 反安保：藝術之戰 ANPO: Art X War p. 75 10:10pm 科士打有幾堅 How Much Does Your Building Weigh, Mr. Foster? P. 76 25/3( 五 )

5:30pm

青春夜行 Bleak Night p. 39

26/3( 六 )

10:30am 光棍兒 Single Man p. 36 12:50pm 寡佬非人日記 The Journals of Musan p. 39

27/3( 日 )

10:45am 粉紅一姐 Pink Saris p. 11 12:50pm 反安保：藝術之戰 ANPO: Art X War p. 75

28/3( 一 )

5:45pm 太陽總在左邊 The Sun Beaten Path p. 8 7:50pm 獨舞城 Dance Town p. 9 10:10pm Fit 到病 Fit p. 9

HK CULTURAL CENTRE | 香港文化中心 31/3 ( 四 )

7:15pm

流金歲月 Last Romance p. 6

1/4 ( 五 )

9:45pm

砰！ Kaboom p. 34, 83

2/4 ( 六 )

2:30pm 9:50pm

里斯本密語 Mysteries of Lisbon p. 20 愛瘋三次元 Milocrorze - A Love Story p. 80

5/4 ( 二 )

10:30am 小熊曲奇大冒險 Kooky p. 79 12:30pm 犀利姐小小報 Tabloid p. 20

數碼放映支援 Digital Cinema Support

22GC3E2 22/3（二）9:45pm The Grand GC

27GC3M3 27/3（日）4:00pm The Grand GC

29GC3E1 29/3（二）7:30pm The Grand GC 票價 Price: $100

翩娜

(3D)

導演：雲溫達斯德國／法國 2011 彩色 100分鐘

「舞吧，舞吧，不然我們便會迷失。」重新定義舞蹈的翩娜包殊，火浴再生於雲溫達斯的 3D 空間裏。一次既感性又震撼的發現之旅，通往傳奇舞者和舞團的新領域，鏡頭也舞出劇場，隨舞者一起走到烏珀塔爾的大街小巷，那是翩娜創作生活逾 35 年的城市。翩娜和雲相識廿多載，醞釀合作多年一直沒找到舞與電影的轉化點，07 年看到 U2 的 3D 演唱會電影，雲恍然大悟：就是 3D ！兩人講好把《穆勒咖啡館》、《春之祭》、《月滿》、《交際場》等舞碼搬在 3D 演繹，09 年翩娜去世製作一度中斷，如今雲和烏珀塔爾舞團終完成其遺願。

Pina

Dir: Wim Wenders Germany/France 2011 Colour 100min

In 2009, just as famed Wings of Desire director Wim Wenders was about to make a film on her and her work, legendary German dancer and choreographer Pina Bausch passed away. As such, the planned documentary then morphed into a work for Bausch - a revolutionary 3-D film that spectacularly brings us to the world of dance like no film before. Working with the Tanztheater Wuppertal Pina Bausch ensemble, Wenders translates some of Bausch’s most well-known repertoire, ‘Café Müller’, ‘Le Sacre du Printemps’, ‘Vollmond’ and ‘Kontakthof’, and sets them in visually stunning real-life vistas that go beyond the theatres. No dialogue, no narrative, just the expressive, emotive and explosive power of dance.

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25/3（五）7:30pm UAiSQUARE IS

3/4（日）3:00pm 香港大會堂 CT

1/4（五）7:15pm 香港文化中心 KG

24/3（四）7:15pm The Grand GC

夢中見

似是有緣人

無歌之歌

導演：楊史雲梅耶捷克／斯洛伐克 2010 彩色／黑白 105分鐘

導演：基阿魯斯達米法國／意大利 2010 彩色 106分鐘中文字幕

導演：奧達伊奧塞里安尼格魯吉亞／法國 2010 彩色 122分鐘

捷克超現實動畫大師史雲梅耶新作，繼續運用已臻化境「我們是對好夫妻」，男對女說。咖啡店老闆認定他們是的真人演出與拼貼動畫混合手法，炮製出這齣極度黑色一對，他們便做起夫婦來。影片前段卻是，男女不過初 Certified Copy》 Copy》，她領他到幽默的「精神分析喜劇」，主角是一個平凡的上班族，有相識，他來意大利宣傳新書《相識，他來意大利宣傳新書《Certified 一段 25 年的婚姻生活，每晚在夢境中遇見個紅衣女子，古城跑一圈。這就印證了他的說法：只要打動人，真品困擾得要找心理醫生打救。史雲梅耶再次展現對佛洛伊贗品的分別沒那麼重要。電影施了拿手的魔法，他們頓德精神分析理論的迷戀，大玩潛意識與夢境意象，雞蛋、成了感人的有情男女，電影，不正是現實的贗品？基阿西瓜、蘋果等代表着禁忌和性象徵的東西在片中任意飛魯斯達米十年後重拾電影理念，以繁花的故事結構解讀揚，更有佛洛伊德與容格粉墨登場，好比一個動畫版的真實，竟又一個深度突破，憑此片再奪康城影后的朱麗《日常生活心理分析》。葉庇樂仙登峰造極之作。

一個既遠且近的年代，大家都遵守遊戲規則，齊齊口是心非。格魯格亞電檢員都覺得看了一齣佳作，但得胡扯一個禁片的理由。年輕的導演口說知錯了，但影片照拍如儀。高幹客氣說你最好出國，你好我好。導演到了法國，體驗國情有別的自由。伊奧塞里安尼（《秋日花園》， 31 屆）說不是自傳，是塔可夫斯基一代人的集體傳記。戲中戲突然的炸彈、導演偷運菲林遇美人魚興風作浪，這些例必叫人看得過癮的小段落其實才是戲肉，鏡頭行雲流水，剪接隨心所欲，大師寶刀未老。

Surviving Life (Prezít svuj zivot)

Certified Copy (Copie conforme)

Chantrapas

Dir: Jan Svankmajer Czech/Slovakia 2010 Col/B&W 105min Cast: Václav Helsus, Klára Issová, Zuzana Kronerová

Dir: Abbas Kiarostami Kiarostami France/Italy France/Italy 2010 2010 Colour Colour 106min Cast: Juliette Binoche, William Shimell, Jean-Claude Carrière

Dir: Otar Iosseliani Georgia/France 2010 Colour 122min Cast: Dato Tarielashvili, Tamuna Karumidze, Fanny Gonin

In what may be Jan Svankmajer’s final feature film, Surviving Life is a delightful amalgamation of live-action and stopmotion photo-cutouts. A middle-aged man’s dream of a young woman becomes an obsession that leads him through Jungian and Freudian psychoanalyses of his past traumas. The filmmaker makes an early cameo to explain the supposed shortcomings of this work, but even that is tongue-in-cheek. As surrealistic as ever but imbued with a tremendous sense of humor and inventiveness, this marks Svankmajer’s most accessible and generous work yet.

Set in postcard-perfect Tuscany and starring a luminous Juliette Binoche, Certified Copy is a charming, bittersweet romantic comedy between a French art dealer and a highprofile British author. Or at least that is how it appears on the surface, except that the film is the latest cinematic deconstruction by the legendary Iranian director Abbas Kiarostami. Intellectually rigorous yet never faltering in its guise as an accessible arthouse drama, the director constantly plays with our perception of reality and illusion. Best Actress for Juliette Binoche, Cannes Film Festival.

Award-winning filmmaker Otar Iosseliani escaped from Soviet Russia in 1982 after his works were repeatedly banned and confiscated. With Chantrapas, he returns to his homeland, Georgia, to make a whimsical film about a young director who, after facing the Soviet censors, emigrates to France, but only to ironically confront the reality of commercial filmmaking. Semi-autobiographical yet universal in its observation of humankind, this is an affectionate and semi-comic odyssey of one man who stubbornly refuses to give up hope.

26UL3E1 26/3（六）7:15pm UA朗豪坊 UL

05KG4E1 5/4（二）5:45pm 香港文化中心 KG

都靈老馬導演：貝拉塔爾匈牙利／法國／瑞士／德國 2011 黑白 146分鐘

1889 年某天，尼采踏出都靈家門，走不遠目睹慘絕一幕：老馬走不動，給馬車上的老爹不斷抽打。尼采流淚上前環抱着馬，不支跌倒，回家沒能言語，哲學家從此失心瘋，十年後去世。至於老馬，世人不甚了了。塔爾新作話分兩頭，講故事另一頭的老馬。鞭馬的是個窮苦的鄉下人，跑城市運送維生，老馬盡心盡力緊守崗位，但健康着實不行了，主人和他女兒必須接受這個事實。長鏡頭、黑白攝影、省略對白，塔爾用他沒法模仿的指紋，凝視人與生命與世界。他說是最後作品，要講的已在此作講完，但願並非如此。

The Turin Horse (A torinói ló)

Dir: Béla Tarr Hungary/France/Switzerland/Germany 2011 B&W 146min Cast: János Derzsi, Erika Bók, Mihály Kormos

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

Friedrich Nietzsche suffered a mental collapse in Turin on January 3rd, 1889 after supposedly witnessing the whipping of a horse owned by a hansom cab driver. After another ten years of silence and dementia, he passed away. But whatever happened to the driver and the horse? The Turin Horse is a meditation on the imminence of death and the pain that comes with it, as well as a study of hardship with which the innocent and the defenseless must contend with daily. Proclaimed by the master director himself to be his final feature film, this much-anticipated work gathers Béla Tarr’s regular cast and crew for a final bow.

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30/3（三）9:30pm 香港科學館 SM

3/4（日）3:40pm 香港太空館 SP

30/3（三）7:45pm The Grand GC

2/4（六）7:50pm 香港文化中心 KG

23/3（三）9:30pm UA朗豪坊 UL

29/3（二）7:15pm 香港大會堂 CT

星空塵土

極地逃殺

再生奇緣

導演：柏德烈西奧古茲曼智利／法國／德國 2010 彩色 90分鐘

導演：謝西史高林莫斯基波蘭／挪威／愛爾蘭 2010 彩色 83分鐘

導演：迪奧利菲拉葡萄牙／西班牙 2010 彩色／黑白 95分鐘

阿塔卡馬沙漠位於智利北部，全球至旱，夜空澄明，觀雲遜加勞的確不是普通料子，誰看到這樣一個劇本，肯星最多，地下古屍千萬年不腐，是故天文觀測站星羅旗定會掉頭走，但他沒有。前年藉《與安娜的四個晚上》佈，考古學家也多，出奇地也有老婦，在挖掘遭獨裁者（33 屆）復出技驚四座的波蘭導演史高林莫斯基，在新屠殺親友的屍骨！星塵成份與人體無異，天文學者看到作照舊藝高人膽大，全片幾乎只一個逃亡的處境，由阿億萬光年前的過去，考古學家發現上千年的故事，政府富汗沙漠，到波蘭邊境冰封四野，在精準的攝影、剪接卻對埋下不過 40 年的歷史置若罔聞？大音聲希，靜躺的和配樂下，竟時刻緊抓觀眾內心。加勞演繹給美軍俘虜沙漠更像個無言的紀念碑。紀錄片大師古茲曼（《智利不的塔利班，在零下 30 度遭圍捕，大部份真實時間拍攝，會忘記》，29 屆）洞悉沙漠有無形大象，以四年半時間他鑽進角色皮膚，表現人在絕境的生存狀態。影片在威拍成的一首詩。獲歐洲電影大獎最佳紀錄片獎。尼斯影展獲評審團特別獎，加勞眾望所歸封影帝。

以撒和夢中情人飛越都魯河上，像 Chagall 的浪漫油畫，卻是迪奧利菲拉（《金髮奇女子》，34 屆）返回默片首作的場景，穿越的大抵是電影夢。一見鍾情一開始已陰陽相隔，以撒為她拍死後玉照，驚瞥她在觀景器復活過來，從此魂飛魄散，每晚等待美人夢中造訪。以撒惋惜着消逝時光，他愛在家中念詩，情願跑到麥田給仍用雙手幹活的農人拍照。迪奧利菲拉的新作散發濃郁的懷古，連貓兒看鳥也啖出一股哀怨。被譽為傳奇百歲大師十年來最佳作，也是一樁奇事。

Nostalgia for the Light (Nostalgia de la luz)

Essential Killing

The Strange Case of Angelica

Dir: Patricio Guzmán Chile/France/Germany 2010 Col 90min

Dir: Jerzy Skolimowski Poland/Norway/Ireland Poland/Norway/Ireland 2010 2010 Col Col 83min Cast: Vincent Gallo, Emmanuelle Seigner, David L. Price

Dir: Manoel de Oliveira Portugal/Spain 2010 Colour/B&W 95min Cast: Pilar López de Ayala, Filipe Vargas, Leonor Silveira

Essential Killing is a provocative examination of violence in the post-9/11 world. We follow our bearded protagonist, an Afghan tribal soldier who is captured by the American forces, as he is incarcerated and tortured using waterboarding techniques. He is then transported to Eastern Europe, where he escapes and is left to survive in a forbiddingly snow-covered landscape. Intense, suspenseful and at times grisly, this film is already a lightning rod for controversy. Special Jury Prize and Best Actor, Venice Film Festival.

The 102-year-old Manoel de Oliveira practically defies his age with this playfully anachronistic love story. Simultaneously retro in its evocation of Méliès and avant-garde in its ruminations on recent ecological and economic crises, the film charts the romantic obsession of a photographer, Isaac, who falls for the recently deceased Angelica after taking her photo. Soon enough, Isaac becomes haunted by Angelica’s ghost. The surprising assimilation of digital visual effects shows a director who remains unafraid of taking risks.

Astronomy seems an unlikely topic for Patricio Guzmán, who has made it his livelihood to document the horrors of Chile’s Pinochet regime. But in this universally acclaimed work, the stars mark just the beginning of the filmmaker’s sublime and often moving meditation on history, time and politics. Atacama Desert, the driest place on earth and the location of many astronomical observatories, is where Guzmán juxtaposes the works of scientists with relatives of those killed by Pinochet. Both are searching for answers that elude us.

22GC3E2 22/3（二）9:45pm The Grand GC

27GC3M3 27/3（日）4:00pm The Grand GC

29GC3E1 29/3（二）7:30pm The Grand GC 票價 Price: $100

翩娜

(3D)

導演：雲溫達斯德國／法國 2011 彩色 100分鐘

Pina

Dir: Wim Wenders Germany/France 2011 Colour 100min

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3/4（日）3:00pm 香港大會堂 CT

1/4（五）7:15pm 香港文化中心 KG

24/3（四）7:15pm The Grand GC

夢中見

似是有緣人

無歌之歌

導演：楊史雲梅耶捷克／斯洛伐克 2010 彩色／黑白 105分鐘

導演：基阿魯斯達米法國／意大利 2010 彩色 106分鐘中文字幕

導演：奧達伊奧塞里安尼格魯吉亞／法國 2010 彩色 122分鐘

Surviving Life (Prezít svuj zivot)

Certified Copy (Copie conforme)

Chantrapas

Dir: Jan Svankmajer Czech/Slovakia 2010 Col/B&W 105min Cast: Václav Helsus, Klára Issová, Zuzana Kronerová

Dir: Abbas Kiarostami Kiarostami France/Italy France/Italy 2010 2010 Colour Colour 106min Cast: Juliette Binoche, William Shimell, Jean-Claude Carrière

Dir: Otar Iosseliani Georgia/France 2010 Colour 122min Cast: Dato Tarielashvili, Tamuna Karumidze, Fanny Gonin

26UL3E1 26/3（六）7:15pm UA朗豪坊 UL

05KG4E1 5/4（二）5:45pm 香港文化中心 KG

都靈老馬導演：貝拉塔爾匈牙利／法國／瑞士／德國 2011 黑白 146分鐘

The Turin Horse (A torinói ló)

Dir: Béla Tarr Hungary/France/Switzerland/Germany 2011 B&W 146min Cast: János Derzsi, Erika Bók, Mihály Kormos

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

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30/3（三）9:30pm 香港科學館 SM

3/4（日）3:40pm 香港太空館 SP

30/3（三）7:45pm The Grand GC

2/4（六）7:50pm 香港文化中心 KG

23/3（三）9:30pm UA朗豪坊 UL

29/3（二）7:15pm 香港大會堂 CT

星空塵土

極地逃殺

再生奇緣

導演：柏德烈西奧古茲曼智利／法國／德國 2010 彩色 90分鐘

導演：謝西史高林莫斯基波蘭／挪威／愛爾蘭 2010 彩色 83分鐘

導演：迪奧利菲拉葡萄牙／西班牙 2010 彩色／黑白 95分鐘

Nostalgia for the Light (Nostalgia de la luz)

Essential Killing

The Strange Case of Angelica

Dir: Patricio Guzmán Chile/France/Germany 2010 Col 90min

Dir: Jerzy Skolimowski Poland/Norway/Ireland Poland/Norway/Ireland 2010 2010 Col Col 83min Cast: Vincent Gallo, Emmanuelle Seigner, David L. Price

Dir: Manoel de Oliveira Portugal/Spain 2010 Colour/B&W 95min Cast: Pilar López de Ayala, Filipe Vargas, Leonor Silveira

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21/3（一）7:30pm The Grand GC

24/3（四）5:30pm The Grand GC

30/3（三）7:45pm UA時代廣場 UQ

5/4（二）12:30pm 香港文化中心 KG

里斯本密語

拳擊會

犀利姐小小報

導演：拉烏盧易茲葡萄牙／法國／巴西 2010 彩色 272分鐘

導演：弗德烈懷斯曼美國 2010 彩色 91分鐘

導演：艾路摩里斯美國 2010 彩色 87分鐘中文字幕

大病一場過後魔幻王盧易茲（《鬼房客》，33 屆）如獲神功，氣吞牛斗以四個半小時的驚人長度，戲中有戲，環迴時間，迷宮走陣，寫盡激情、報復、孽戀、隱秘，出神入化如旋風中歷險。故事由孤兒謎一樣的身世展開，貴族出身的神父、妒忌成狂的女侯爵、惡賊變身的富商列陣出場，葡萄牙講到法國，再走意大利、巴西。像回應《薩拉戈薩手稿》，比改編普魯斯特更大工程，絕對是他的 magnum opus。獲聖塞巴斯蒂安電影節最佳導演獎，法國新聞與電影界選為年度最佳法語片。中場休息 15 分鐘。

鹿特丹紀錄片節首次把活傳奇獎頒給懷斯曼（《舞動花都》，34 ，34 屆），紐約現代藝術博物館破天荒全年做懷斯曼回顧。大師已擁有哲人之眼，新作靜觀德州一間離奇的 Lord，拳擊會，透現社會縮影問題人生。前拳手里察姓 Lord ，他開的拳擊會名符其實像神殿，灑甘霖普渡眾生。學員有指望打出名堂，但更多在找避世所，無論黑白、男女，無論老少、貧富，里察有教無類，嬰孩小狗亦無任歡迎。層出不窮的訓練方式在鏡頭下會跳舞，懷斯曼的眼睛領我們看到暴力的轉化，也看到天堂在望。

艾路摩里斯（22 屆焦點導演）這次的變種小人物是前懷俄明州小姐，智商 168，他有史以來最狡猾的主角。 1977 年冶艷主角相中了夢中情人，一個摩門教傳教士。她千里追到英國，之後各執一辭，她說那是段浪漫性關係，他聲稱遭五花大綁強迫性交。英國小報瘋了，陷入炒作大戰，文字和圖片盡是一派胡言。2008 她又爆新聞，去南韓複製愛犬。主角在鏡頭前坦率又無辜，摩里斯說這是一人愛情故事，愛情與複製的關係，很需要大家想像，這該也是個一人黑色幽默劇。紀實果然離奇過虛構。

Mysteries of Lisbon (Mistérios de Lisboa) Dir: Raoul Ruiz Portugal/France/Brazil 2010 Colour 272min Cast: Adriano Luz, Maria João Bastos, Ricardo Pereira

Boxing Gym

Tabloid

Dir: Frederick Wiseman USA 2010 Colour 91min

Dir: Errol Morris USA 2010 Colour 87min

In Frederick Wiseman’s La Dance (34th HKIFF), he trained his eyes on the movements of ballet dancers. With Boxing Gym, Gym, the director similarly finds an elegance in a different kind of dance: boxing, which proves equally as hypnotic and beautiful in its rhythms and motions. Far from the world of Palais Garnier, here the setting is a no-frills Texan gym where everyone is dead serious about their sport. Like all his previous works, Wiseman refrains from making commentaries, only showing us whatever his lens manage to exquisitely capture.

The father of the modern documentary renaissance delves into the rich subject of reality television through the story of former beauty pageant queen Joyce McKinney, infamous for kidnapping a Mormon missionary in Devon in the 1970s. He accused her of rape; she claimed that was impossible. Their mutual volleys set off a sordid chain of events that were breathlessly chronicled by the tabloid media. Morris shines a light on the desperation inherent in the more modern format and raises questions regarding the veracity of reality programming as we know it.

Eleven years after Time Regained, Raoul Ruiz has effortlessly concocted an even grander period costume drama, the epic Mysteries of Lisbon. Complex yet effortlessly told, Ruiz here showcases his mastery over storytelling by weaving a 19th century tale involving a teenage boy and his secret lineage, an embittered French heiress seeking revenge, and a padre of an orphanage who switches identities. Winner of the prestigious Louis Delluc Prize for best French film of the year. Best Director, San Sebastian Film Festival. 15min intermission.

21GC3E2 21/3（一）9:30pm The Grand GC

國際大師班 Master Class

透過國際大師班，參加者有機會向世界知名的導演賈樟柯取經，體驗與國際級電影人交流的難忘機會。此項活動以普通話進行，設現場即時英語及粵語傳譯。費用全免，現於 http://jcca.hkiff.org 接受登記，額滿即止。

海上傳奇導演：賈樟柯 2010 上海話／國語／普通話彩色 118分鐘

雖然是世博委約作品，賈樟柯無懼向禁地進發，造訪 18 個傳奇人物，不避文革、國共關係等敏感內容，憑這股還我真歷史的稀罕勇氣，已奠定影片價值。杜月笙的女兒講述父親保鏢護駕的排場，勞模黃寶妹回憶毛主席接見的經過，上官雲珠之子韋然回想母親文革受迫害跳樓，轟烈的史事，親述起來又是私密家事，曾國藩孫女張心漪一口吳儂軟語如同念張愛玲的小說。趙濤走在上海渺無人煙的工地上，歷史的聲音回蕩，這裏就是個空靈的舞台，還等待自我調侃的韓寒新世代去填寫。

I Wish I Knew Dir: Jia Zhangke 2010 Shanghainese/Mandarin/Putonghua Colour 118 min Cast: Zhao Tao, Hou Hsiao-Hsien, Han Han, Lim Giong

As he did in 24 City, Jia Zhangke takes a single place as a jumping off point for ruminations on both fiction and reality, past and present – only this time, the place is not a former Chengdu factory, but a city as epic as Shanghai. Jia’s frequent muse Zhao Tao wanders the urban landscape in its buildup to the Expo as a thread connecting interviews with key figures and archival film footage. The result is a portrait of a metropolis working its way through the trauma of history toward an anxious future.

大師級 Master Class

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Featuring world-class filmmaker Jia Zhangke, Master Class offers an unforgettable opportunity of a lifetime to interact with this distinguished filmmaker. The seminar will be conducted in Putonghua with simultaneous interpretation in English and Cantonese. Master Class is free of charge on a first-come-first-serve basis. It is now open for registration at http://jcca.hkiff.org. 日期：2011年3月21日時間：下午2時30分地點：香港國際會議展覽中心會議室S221 Date: 21 March 2011 Time: 2:30pm Location: HKCEC Meeting Room S221 語路 Yulu 監製：賈樟柯 Producer: Jia Zhangke

詳情見 p.74 For details, see p.74

GDC FP 2C.pdf 1 1/31/11 5:12 PM

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3/4（日）6:00pm 香港藝術中心 AC

25/3（五）7:30pm UA時代廣場 UQ

28/3（一）9:45pm UA朗豪坊 UL

23/3（三）2:30pm UAiSQUARE IS

4/4（一）7:15pm 香港大會堂 CT

日照重慶

夾邊溝

瘋狂的馬戲

慾望盛放的森林

導演：王小帥 2010 四川話／普通話彩色 110分鐘

導演：王兵 2010 普通話彩色 109分鐘

導演：丹尼斯泰諾維奇波黑／法國／英國 2010 彩色 113 分鐘

導演：班諾亞積高法國／德國 2010 彩色 102分鐘

攝影機貼在王學圻飾演的父親身後，打從碼頭乘纜車攀山的一幕開始，走過重慶的迂道和繁華，也嗅到日照的陽光和海水味，都沒有離開過。王學圻尋找兒子遭槍殺的真相，吃了前妻幾次閉門羹，唯有在兒子朋友（秦昊）、兒子脅持的人質（范冰冰）、開槍的警察身上，逐小拼出一個圖像，但總跟他自製的兒子照片一樣，面目模糊。嚮往大海的船長要回到過去，才可面對將來？繼《十七歲的單車》、《青紅》後，王小帥的城市三部曲最終章，自然主義帶出新世界蒼涼的隔代關係。

Chongqing Blues (Rizhao Chongqing)

泰諾維奇（《無人地帶》，26 ，26 屆 ) 回到風光如畫的老家把積高（《尋找窮爸爸》，31 屆）為依莎貝雨蓓釋放自由時光倒流，拍出回勇之作。1991 年共黨倒台，離家廿載（《阿瑪利亞別墅》）之後，再為其繆思女神萊貝絲嘉在原時光倒流，拍出回勇之作。1991 的男人駕着酒紅色平治、挽着性感女郎、抱着大黑貓招始森林釋放慾望。他借助的角色自命是神之子，時間回搖回鄉實踐銀彈報復大計，第一步找貪官幫忙，討回房到 19 世紀，這個像野人一樣的男孩來到醫生的家討吃，子，趕走妻兒。當黑貓失踪，全村動員尋找，大疊馬克其實裝聾扮啞有心給醫生的漂亮女兒落咒。女孩給施暴這時都幫不了多少忙。活劇背景聲中，種族仇恨同時播以後，竟身不由己死纏着野孩浪蕩，在野外同眠交合。種，好人也當賊辦，南斯拉夫人還沒察覺國家快走進歷積高深鑽人心底層，挖掘出連自己也難相認的慾望，來史。那是個非常時空，寓言的啟示作用亦非比尋常。獲到最後一幕法庭戲，你不會想到施虐者和受害人的敵對同謀關係有多微妙。薩拉熱窩電影節最受觀眾歡迎獎。

The Ditch (Jia bian gou) Dir: Wang Bing 2010 Putonghua Colour 109 min Cast: Lu Ye, Lian Renjun, Xu Cenzi

Cirkus Columbia

Deep in the Woods (Au fond des bois)

Dir: Wang Xiaoshuai 2010 Sichuanese/Putonghua Col 110min Cast: Wang Xueqi, Fan Bingbing, Qin Hao

Dir: Danis Tanovic Bosnia & Herzegovina Herzegovina 2010 2010 Colour Colour 113min Cast: Miki Manojlovic, Boris Ler, Mira Furlan

Dir: Benoît Jacquot France/Germany 2010 Colour 102min Cast: Isild Le Besco, Nahuel Perez Biscayart, Jérôme Kircher

Wang Xueqi yet again delivers a towering performance as Lin, a tortured sea captain who returns to discover that his son has been killed six months ago. Having been absent for 15 years, he barely remembers his son’s face, and the only photograph he could find is a still from a CCTV captured the day the young man was gunned down by a policeman. As Lin tries to desperately connect with his estranged child, he traverses across a transformed modern Chongqing – strikingly yet gloomily shot in industrial gray and blue.

It takes a renowned documentarian to finally make a feature film based on the harrowing accounts of those who experienced the 1950s forced labor camps. Wang Bing makes his fiction film debut with this bleak look into one re-education camp set in the harsh Gobi desert. There, only survival has currency, and with barely any supplies or equipments to help them, the men are reduced to shockingly sub-human conditions. Wang’s eyes are trained to observe at a distance, but the impact is no less devastating.

Danis Tanovic of No Man’s Land fame revisits the Bosnian war with his signature satirical bite in Cirkus Columbia, Columbia, a major return-to-form for the filmmaker. After the fall of Communism, middle-aged Divko returns to his homeland of South Herzegovina armed with plenty of riches and a young girlfriend in tow. But the man also has a wife and son which he had left behind. Using his money and fame to bully his way through town, Divko soon faces the reality of an impending war. Best Film, Antalya Film Festival.

Benoît Jacquot has previously led his actress and muse Isild Le Besco through difficult emotional terrains. But Deep in the Woods is by far the most extreme – an unhinged and uninhibited depiction of amour fou between Josephine, the daughter of a well-to-do doctor, and a near-feral young man who could have escaped from Truffaut’s The Wild Child. The disheveled outsider soon seduces and hypnotizes Josephine, sending them both into the woods where they abandon the principles of civilized behavior through savage, carnal sex.

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無名者

失魂游泳池

是夫也是子

聖誕回家

導演：王兵 2009 普通話彩色 92 分鐘

導演：穆哈默沙萊哈龍法國／比利時／乍得 2010 彩色 92分鐘

導演：賓尼德費高夫德國／匈牙利 2010 彩色 107分鐘英文字幕

導演：賓特哈馬挪威／德國／瑞典 2010 彩色 90分鐘

這若非現代的隱喻又會是甚麼呢？也許一人啟示錄？不管你身體力行生活多麼有機，看到他也必汗顏。他家在岩洞，洞外無邊的天與地是他的花園。這是個荒廢的村莊，說明世界只有他一個人，無邊的也是孤獨。他不去乞，他很忙，他依從大自然規律，冬天找獸糞施肥，春天播種，耕作，直至秋收，一雙手種出每個瓜每棵菜每粒米。他用最基本的工具，吃最基本的食物。他沒有名字，沒有來歷，沒有話，有時笑，有時抽不明來歷的煙。他不像人？王兵說他更像。

憑此作拿過康城評審團獎的哈龍（《等待在旱天》，31 屆）已是個作者導演，跟他喜歡的小津和侯孝賢一樣有淡靜的影像風格。「泳池是我的生命。」說這話的 Champion，名符其實是游泳冠軍，不過是過氣的。他仍依依戀着池水，在五星級酒店的泳池指揮若定。當發現自己老了，要讓位給兒子，他跨不過自尊的關口，戰火變成藉口，他做了個不怎麼道德的決定。鏡頭下沒有乍得的連年戰火，哈龍的主角也不擅辭令，臉孔和流水無語，卻自有問蒼天的一股力量。

匈牙利新銳闖將費高夫（《銀河影像》，32 ，32 屆）又走在時代前頭，雖然乖乖講故事，卻直踩未來的禁區：複製人亂倫。吊詭的是，這其實是個童話。利碧嘉回到祖父故居找童年小男友湯美，發現愛情吃了防腐劑未變過，湯美卻車禍身亡，利碧嘉決定懷胎複製的男友，繼續超時空要愛。看着湯美一天天長大快樂無以名狀，但他喚她始終是 ─ 媽媽。費高夫跟貝拉塔爾同樣不凡的，是在廣袤天地製造幽閉空間，給全片帶上神秘的超現實未來色彩。獲奇斯洛夫斯基最佳編劇獎。

無論是《水路一條》(23 屆 ) 的迷路旅人、《寡佬廚房》脾氣古怪的農夫，或者《沒有路軌的車長》(33 屆 ) 的工程師，哈馬的主角都是孤獨怪，新作卻一反常態，幾個短篇的主人翁，都想有美滿關係，但哈馬當然不會令聖誕大團圓，悲劇與幽默感同在，依然是他擦不走的簽名。父親扮聖誕老人想見分居孩子、丈夫發現妻子換掉門鎖、老女等待已婚情人來過聖誕，處境荒誕又絕望，窩心的人情味又往往令你破涕為笑。獲聖塞巴斯蒂安電影節最佳劇本獎。

Man with No Name (L’homme sans nom) Dir: Wang Bing 2009 Putonghua Colour 92min

A Screaming Man (Un homme qui crie)

Womb

Dir: Mahamat-Saleh Haroun France/Belgium/Chad 2010 Col 92min Cast: Youssouf Djaoro, Diouc Koma, Emile Abossolo M’bo

Dir: Benedek Fliegauf Germany/Hungary/France 2010 Col 107min Cast: Eva Green, Matt Smith, Lesley Manville

Home for Christmas (Hjem til jul) Dir: Bent Hamer Norway/Germany/Sweden 2010 Col 90min Cast: Trond Fausa Aurvåg, Fridtjov Såheim, Nina Andresen-Borud

Chadian director Mahamat-Saleh Haroun has vaulted himself to the forefront of African auteurs with both the Venice Grand Jury prizewinner Daratt and his latest, the quietly heartbreaking A Screaming Man. The latter concerns middleaged Adam, an ex-champion swimmer who now faces the reality of losing his job as a hotel pool attendant to his grown son. Meanwhile, a civil war rages on, and the government is stepping up its enlistment efforts. In desperation, Adam makes a decision that would lead to disastrous and irrevocable consequences. Jury Prize, Cannes Film Festival.

Rebecca is sent into unremitting grief when misfortune befalls her lover Tommy. Controversially, she decides to clone him, thus becoming the mother to her beloved. Austere, unsettling and mysterious, the ethical questions Womb pose on the cloning issue are troubling yet startlingly compassionate. Benedek Fliegauf’s first English-language work deliberately withholds judgments, letting the uncomfortable taboo unfold naturally. Those willing to follow the film’s unusual time paradox will be richly rewarded.

Tuning down the deadpan of his earlier works, Bent Hamer has crafted, appropriately for a Christmas-themed film, his warmest and most accessible work yet. This secular take on the yuletide blues, based on a selection of disparate short stories, weaves together characters from different nationalities and cultures in a small Norwegian town who, due to personal circumstances, desperately seek connection with others. Comical, sweet yet never shying away from serious themes, the film celebrates our differences and our interconnectedness all at once.

Ultra-realist documentarian Wang Bing makes one of his most spare yet universally relatable works with this observation of a nameless man subsisting in a harsh, otherworldly environment. Formally simple but raising complex questions both socially and politically, the film never divulges any information about our subject, instead showing us his daily duties, from digging dirt in the winter to picking up stones in the summer, as he makes a living entirely outside of modern society. It’s a fascinating anthropological portrait. 22

《和鳳鳴》（32 屆）講了一個夾邊溝倖存者的故事，王兵看了楊顯惠的紀實小說《告別夾邊溝》，才知道父親餓死在那裏，屍骨無存。王兵遂以無比堅定和自信的紀錄片之眼，拍出首部劇情片。那時 50 年代，下放到戈壁灘勞改農場的三千多「右派」，回來只四百人。大躍進逆轉成大饑荒，被遺忘在荒漠的人時刻在等死神臨門，他們吃別人的嘔吐殘渣，扒光死人的衣服換食物，甚至吃屍。王兵以冷靜克制的鏡頭，奏起鬼哭神號的地獄輓歌。唯有迫着去正視，才能面對歷史。

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日照重慶

夾邊溝

瘋狂的馬戲

慾望盛放的森林

導演：王小帥 2010 四川話／普通話彩色 110分鐘

導演：王兵 2010 普通話彩色 109分鐘

導演：丹尼斯泰諾維奇波黑／法國／英國 2010 彩色 113 分鐘

導演：班諾亞積高法國／德國 2010 彩色 102分鐘

Chongqing Blues (Rizhao Chongqing)

The Ditch (Jia bian gou) Dir: Wang Bing 2010 Putonghua Colour 109 min Cast: Lu Ye, Lian Renjun, Xu Cenzi

Cirkus Columbia

Deep in the Woods (Au fond des bois)

Dir: Wang Xiaoshuai 2010 Sichuanese/Putonghua Col 110min Cast: Wang Xueqi, Fan Bingbing, Qin Hao

Dir: Danis Tanovic Bosnia & Herzegovina Herzegovina 2010 2010 Colour Colour 113min Cast: Miki Manojlovic, Boris Ler, Mira Furlan

Dir: Benoît Jacquot France/Germany 2010 Colour 102min Cast: Isild Le Besco, Nahuel Perez Biscayart, Jérôme Kircher

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無名者

失魂游泳池

是夫也是子

聖誕回家

導演：王兵 2009 普通話彩色 92 分鐘

導演：穆哈默沙萊哈龍法國／比利時／乍得 2010 彩色 92分鐘

導演：賓尼德費高夫德國／匈牙利 2010 彩色 107分鐘英文字幕

導演：賓特哈馬挪威／德國／瑞典 2010 彩色 90分鐘

Man with No Name (L’homme sans nom) Dir: Wang Bing 2009 Putonghua Colour 92min

A Screaming Man (Un homme qui crie)

Womb

Dir: Mahamat-Saleh Haroun France/Belgium/Chad 2010 Col 92min Cast: Youssouf Djaoro, Diouc Koma, Emile Abossolo M’bo

Dir: Benedek Fliegauf Germany/Hungary/France 2010 Col 107min Cast: Eva Green, Matt Smith, Lesley Manville

Home for Christmas (Hjem til jul) Dir: Bent Hamer Norway/Germany/Sweden 2010 Col 90min Cast: Trond Fausa Aurvåg, Fridtjov Såheim, Nina Andresen-Borud

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革命之父受難記

玉熙的映畫

格拉斯哥墮落少年

導演：馬利奧奧哈拉菲律賓 2010 彩色／黑白 120分鐘

導演：洪尚秀南韓 2010 彩色 80分鐘

導演：彼德梅倫英國／法國 2010 彩色 124分鐘英文字幕

主張和平變革的黎剎，早被奉為菲律賓國父；堅持武裝威尼斯影展地平線環節閉幕電影。這一次可是洪尚秀起義的波尼法西歐，歷史地位則被刻意淡化，要到較後（《電影節桃花劫》，34 ，34 屆）最大膽的結構實驗，四短片才獲官方追認，而他被同路人逮捕處決，亦一直充滿爭〈咒語一天〉、〈接吻王〉、〈風雪之後〉、〈玉熙的映畫〉議。當年菲律賓人為推翻西班牙統治，成立起義軍，並獨立成篇，卻同樣是電影教授、女學生和導演的三角戀，組織新政府，選出首任總統，卻隨即陷於決裂，波尼法層次極豐滿，奇怪的時間觀、突兀的偶遇串燒出誘人的人西歐與阿奎諾各有支持，結果波尼法西歐被圍捕，並遭物故事。中年教授和男生爭風呷醋的段落之後，點題的末秘密處決。奧哈拉根據當年審判記錄，運用劇場元素重段一把女性畫外音，以相近畫面道出她和兩男分別到同一塑歷史現場，借白面小丑補充敘事並插入議論，再現波地點同遊，經歷微妙的感情落差。愛情、電影的辯證一一解剖開來，機鋒處處。同場加映短片《童言大忌》（12 分）。（1 尼法西歐受審受難經過。

影帝彼德梅倫（《瑪德蓮墮落少女》，27 屆）猶如英國姜文，能演能導。七年後再執導的新作又拿下聖塞巴斯蒂安電影節最佳電影獎。恍似前作的男版，70 年代格拉斯哥慘綠少年阿尊，一上中學便遭劈頭劈腦恐嚇：你以為好威，遲早我整死你。從此噩夢連連，封閉的學校制度令他雖然全班第一卻當眾受辱，再因阿哥是爛仔阿頭，結交一個正常朋友都有難度。直至頓悟阿哥個朵好有用，唔古惑無運行，阿尊一步步融入「環境」，梅倫更請出耶穌下凡群獅出籠，為少年蜀道行設下超現實關卡。

The Trial of Andres Bonifacio

Oki’s Movie (Ok hui ui yeonghwa)

Neds

Dir: Mario O’Hara The Philippines 2010 Colour/B&W 120min Cast: Alfred Vargas, Mailes Kanapi, Danielle Castaño

Dir: Hong Sang-soo South Korea 2010 Colour 80min Cast: Lee Sunk-yun, Jung Yu-mi, Moon Sung-keun

Dir: Peter Mullan UK/France/Italy 2010 Colour 124min Cast: Conor McCarron, Peter Mullan, Louise Goodall

Why was a Philippine revolutionary hero charged with treason and executed by the very people he shepherded? Andres Bonifacio’s death is still an open wound in the Philippines’ history – a case of one national leader pitted against another. Respected filmmaker Mario O’Hara returns to direct a highly theatrical, unbiased and anachronistic documentation of the events during the infamous trial. Narrated by the bizarre “Ibong Adarna”, we are privy to a fascinating and cinematic historical re-enactment.

The prolific Hong Sang-soo here is at his most playful, juggling audiences’ expectations with regards to what is past or present, reality or fiction. Divided into four “films”, or chapters, each represents a different point-ofview of the relationship between the girl Oki, the young filmmaker Jingu and their professor Song. As always, the characters go through drunken bouts, moments of embarrassments, and of course romance – all trademarks of Hong. Screening with short film Little Children, Big Words (12min).

Where actor-director Mullan’s The Magdalene Sisters pivoted on the lives of a clutch of young Irish women, the gritty Neds moves on to a group of young Scottish men. Like the earlier film, Neds explores adolescence, particularly that of John, who is destined to be a NED – a non-educated delinquent. Living in the shadow of his violent older brother, John muddles through his days at a new school until he makes a fateful wrong decision and digs himself into a hole he may not be able to escape.

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XXX

利希慎基金贊助中文字幕，數以萬計的觀眾打破語言隔閡，安坐戲院欣賞來自世界各地的電影。希望這份小小心意能令更多人享受看電影的樂趣。電影，是無隔膜、無邊界。今年特別得到

香港歌德學院鼎力支持 Generously supported by

FOCUS ON GERMAN FILMS

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翩娜 Pina 導演：雲溫達斯 Dir: Wim Wenders

導演：湯泰華 Dir: Tom Tykwer

雲溫達斯的革命性3D電影，捕捉了傳奇舞蹈家翩娜包殊最偉大作品當中的驚豔美感。 A revolutionary 3D film by Wim Wenders, capturing the thrilling aesthetics of the legendary choreographer Pina Bausch’s greatest works.

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是夫也是子 Womb

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仨 Three

《疾走羅拉》導演湯泰華自編自導，探索無疆的三人行情慾世界。 Tom Tykwer departs from the breakneck thrill of Run Lola Run and ponders middle-aged intimacy in this intellectual but punchy love drama.

我快樂你大鑊 My Joy

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魯爾區 Ruhr

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導演：賓尼德費高夫 Dir: Benedek Fliegauf

導演：沙基羅斯尼薩 Dir: Sergei Loznitsa

導演：占士班寧 Dir: James Benning

獲奇斯洛夫斯基最佳編劇獎。 Winner of Krzysztof Kieslowski TVP Award for Best Eastern and Central European Script.

2010康城影展競賽電影 2010 Cannes Film Festival In Competition

2010鹿特丹、多倫多國際電影節 2010 International Film Festival Rotterdam, Toronto International Film Festival

GERMAN CO-PRODUCTIONS

聖誕回家

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星空塵土

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Home for Christmas 導演：賓特哈馬 Dir: Bent Hamer

Nostalgia for the Light 導演：柏德烈西奧古茲曼 Dir: Patricio Guzmán

2010聖塞巴斯蒂安電影節最佳編劇 2010 San Sebastian Film Festival Best Screenplay

2010康城影展特備節目 2010 Cannes Film Festival Special Screenings

屍檔案

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盜光皇帝

Post Mortem 導演：柏比路拉林 Dir: Pablo Larrain

The Light Thief 導演：阿丹艾連古伯 Dir: Aktan Arym Kubat

2010威尼斯影展金獅獎競賽電影 2010 Venice Film Festival In Competition

2010康城影展導演雙周 2010 Cannes Film Festival Directors’ Fortnight

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二十年前的國際藝術電影市場，基本上是歐美電影的天下。當時新成立的 Fortissimo公司獨具慧眼，全力推動亞洲的新銳作者導演，像王家衛和岩井俊二等皆在其代理下全球熱賣，成為炙手可熱的藝術電影寵兒。另類紀錄片如《不瘦降之謎》是另一個Fortissimo成功推廣到全世界的類型，其製作的《誘惑肌膚》和《性愛巴士》亦膾炙人口。為了肯定它推廣亞洲電影及製作新銳電影的貢獻，特別選映多部Fortissimo旗下的難忘佳作，兼為它踏入二十周年誌慶。 Back in 1991, Asian arthouse cinema were still a relatively rare export. Outside of the few cult hits and genre flicks, the realm of auteurs mostly belonged to European and North American directors. The late Fortissimo Films co-founder Wouter Barendrecht, however, believed in Asian cinema, and the nascent sales company soon was promoting filmmakers such as Wong Kar Wai and Iwai Shunji as well as 6th generation Chinese filmmakers Zhang Yuan and Wang Xiaoshuai to the world. As the reputation of the company grew, it began producing films from North America such as Mysterious Skin (2004) and Shortbus (2006). Documentaries like Super Size Me (2004) were also another genre which Fortissimo successfully pushed worldwide. Twenty years later, Fortissimo, led by chairman Michael J. Werner, continues to be at the forefront of international film sales and distribution. For all its works in helping to promote films from our region as well as producing and funding cutting-edge titles around the world, we are celebrating the 20th anniversary of Fortissimo Films with a small retrospective of some of their most well-known titles.

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4/4（一）9:30pm 香港文化中心 KG

24/3（四）7:15pm UA朗豪坊 UL

情書

布宜諾斯艾利斯‧攝氏零度

鬼子來了

咖啡與煙

導演：岩井俊二日本 1995 彩色 117分鐘

導演：關本良、李業華 1999 國語／粵語彩色 59分鐘

導演：姜文 2000 普通話黑白 134分鐘

導演：占渣木殊美國 2003 黑白 96分鐘

他看書，其實在看她。他們因名字相同給同學取笑，她哭了，他去揍那同學，給她出氣。他才不真的要用單車的燈光看試卷，只想她把腳踏轉呀轉，多待一會。他把所有借書卡寫上自己名字，其實也是寫她的名字，兩個人寫在一起，覺得很親密，圖書館是他們的秘密花園。他帶着固執的回憶走了，她讀着寄到天國給他的信，漸漸尋回記憶，尋回了他。岩井俊二經典，藤井樹這個名字也變成經典，無數忘了忘不了愛過失去過的有情人的代號。重看別再煲碟了，來大銀幕吧。

相信是影史上最令人期待的「製作特輯」了。王家衛把當年跟《一一》和《花樣年華》一起在康城大放異彩，剪下來的春光交給關本良和李業華，像要他人成全另一拿了個評審團獎，傳為佳話，可惜一直無緣在國內上片，個版本，《攝氏》就是《春光乍洩》外傳，也是王家衛和這次難得在香港大銀幕「首映」，跟《讓子彈飛》並讀，電影的故事。攝影隊 1996 年 8 月中來到阿根廷，原本幾肯定趣味無窮，姜文還是姜文。背景是抗日戰爭，自稱周的日程一再延宕，王家衛一直在找故事，弄得人人都「我」的神秘人把一個日本人一個翻澤宮交托馬大三（姜思鄉病發作，戲裏原來也是戲外，翻譯的台灣女孩跟着文自演）保管，因為飢荒他拿俘虜去換糧，卻招及滅村片子回到台灣又重新流放阿根廷。然後關淑怡的故事幾之禍。姜文夥拍攝影顧長衛，鏡頭狂放，斷頭甚至拍出乎完整曝光，更有梁朝偉自殺的結局。攝影機回到拍攝主觀鏡。戲裏不乏大膽妄為的反諷和幽默感，在這個生現場，尋找這另一個故事的情懷。存至上的粗野世界裏，民族主義的神話不堪一擊。

銀幕最酷，注定是占渣木殊。真是前無古人後再無來者，那時公眾地方未禁煙，今天，煙與咖啡文化再不可能這樣肆無忌憚。十一短作，演出粒粒星，都是咖啡與煙我自銷魂間真我的流露。姬蒂白蘭芝分飾名人表姊和酸溜溜的表妹，拿了幾個最佳女配角獎。兩獨立音樂教父相遇，心知肚明大家乜料，講起戒煙惺惺相惜，食一支無緊要，這一段獲康城最佳短片金棕櫚獎。最抵死是紅演員跟小角色飲咖啡，擺大牌錯失良機。壓軸的舞台老戲骨咖啡當香檳，享受子非魚之樂。閒人人生萬歲。

Love Letter (Rabu retâ) Dir: Iwai Shunji Japan 1995 Color 117min Cast: Nakayama Miho, Toyokawa Etsushi, Han Bunjaku

Buenos Aires Zero Degree

Devils on the Doorstep (Guizi lai le)

Coffee and Cigarettes

Dir: Kwan Pun-Leung, Amos Lee 1999 Man/Cant Col 59min

Dir: Jiang Wen 2000 Putonghua/Japanese B&W 134min Cast: Jiang Wen, Sawada Kenya, Kagawa Teruyuki

Dir: Jim Jarmusch USA 2003 B&W 96min Cast: Roberto Benigni, Cate Blanchett, Bill Murray

This Cannes Grand Jury Prize winner, set during the harrowing World War II invasion of China by Japanese forces, resulted in Jiang Wen reportedly being banned from making films in China for seven long years. But the controversy stemmed from the film’s unusual tragicomic angle and its refusal to completely vilify the Japanese as monstrous or inhuman. Widely considered a daring masterpiece, the plot revolves around a small Chinese village and the gift delivered to them one night – a captured Japanese soldier and his Chinese translator.

This star-studded black-and-white film comprises of 11 comic vignettes, all with coffee and cigarettes as a common thread. The talky shorts build upon each other to finally reflect upon the obsessions, joys and addictions in life. With this film, Fortissimo began its close relationship with director Jim Jarmusch, resulting in the company later representing the filmmaker’s full back catalogue. It was a major move for Fortissimo into the American independent scene, foreshadowing the company’s involvement in productions such as Shortbus.

A truly seminal film that influenced all romances to come, Love Letter broke box office records and made pop idol Nakayama Miho into a pan-Asian superstar. It also established Iwai Shunji as one of the premier filmmakers in the region. Fortissimo Films was Iwai’s champion, and together they made the director into an international name with subsequent titles Swallowtail Butterfly, All About Lily Chou-Chou and the latest, Vampire. To this day, the story of a letter which connects two women together after a tragic death still resonates deeply.

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2/4（六）6:00pm 香港大會堂 CT

23/3（三）3:00pm UA時代廣場 UQ

28/3（一）9:45pm 香港文化中心 KG

29/3（二）9:40pm UA朗豪坊 UL

1/4（五）7:15pm 香港大會堂 CT

春光乍洩

流亡三部曲（精華版）

凍死骨

90後殘酷物語

導演：王家衛 1997 粵語／國語彩色 96分鐘

導演：彼德格連納韋荷蘭 2005 彩色 120分鐘

導演：狄波拉嘉妮美國 2010 彩色 100分鐘中文字幕

導演：賓盧卡斯澳洲 2010 彩色 97分鐘中文字幕

王家衛摘下康城最佳導演獎的作品，也開始他創作的新階段。這次他以直線敘事深刻交代同性戀人相處的磨難，由痴纏到自處到愛念復生，到步入澄明的境界，個人心跡娓娓道來，是王家衛命題的另一高峰。他與杜可風和張叔平鐵三角的組合神乎其技，把阿根廷的異色挪移，變成半混濁半濃艷的獨特本色，實驗性之強和《東邪西毒》不相伯仲。梁朝偉最後決定返港與父親和解，配合影片97年5月推出的機緣，堪稱一個時代的見證。

格連納韋三作合成的巨構「流亡三部曲」已在第 28 和 29 屆電影節放映，這個未曾在港曝光的濃縮精華版是特地為影痴重新剪輯，更加進前三作所無的篇幅，有 Cissie 的故事、主角盧帕替身的戲，以及向帕索里尼驚世駭俗的遺作《沙勞》致敬的場面。格連納韋的作品出名耐人尋味，三部曲卻不難閱讀，盧帕漂流在 20 世紀各地的監獄，他那 92 個皮箱，都毋須搬出理性去思考，觀眾只管隨便走進去，用心觀賞就是。格連韋納帶動的反敘事觀影革命，已成電影的新指向。

嘉妮要拍英雄片，她的英雄不是嘉芙蓮碧嘉露的大兵，而是 17 歲的莉。美國窮鄉奧札克山區，成全了這號人物，她有個不可能的任務，馬上找出棄保潛水的老豆，慘過疾走羅拉，莉得照顧弟妹病母，又逐一向販毒親友敲門，頂住恐嚇毒打，卻愈戰愈勇。獨立女將深入原著小說不毛背景，徵用民房邀居民串演，力求原汁原味，小妹騎布馬跳彈床，全是她現實裏的玩具，劏松鼠斬柴生火，都是那裏的風俗。辛丹士電影節眾口交譽的最佳影片，各地獲獎無數，女主角是奧斯卡影后黑馬。

青春無敵，不是你所想的那樣。澳洲編劇奇才首次執導，徹底撕破青春校園片的糖衣，講社交網絡世紀更殘酷的校園欺凌，不過，復仇之路也可一 click 搞掂。同母異父兄弟各走學校霸權的兩極，型仔 Zack 呼風喚雨，打機男 Darren 鵪鶉，當女同學 Xandrie 遭 Zack 迷姦棄屍， Darren 破殼而出，Xandrie 卻突然翻生，網絡瘋傳謠言。全片大人缺席，刻意讓野性自主一個驚慄空間，幻想與現實的界線隨時模糊。悉尼首映時家長嚇到面青，只管留意新聞，便認出這風格之作其實超寫實。

A Life in Suitcases

Winter’s Bone

Wasted on the Young

Dir: Peter Greenaway 2005 The Netherlands Colour 120min Cast:JJ Feild, Isabella Rossellini, Debbie Harry

Dir: Debra Granik USA 2010 Colour 100min Cast: Jennifer Lawrence, John Hawkes, Shelley Waggener

Dir: Ben C. Lucas Australia 2010 Colour 97min Cast: Oliver Ackland, Adelaide Clemens, Alex Russell

Billed as a condensed version of Peter Greenaway’s expansive Tulse Luper trilogy, A Life in Suitcases is also its own unique creation – a film which extends the ideas outlined in the previous works by connecting the stories of all three but also adding previously unseen footages. As with the trilogy, Tulse Luper is the embodiment of the 20th Century – a writer who has traveled worldwide. His 92 suitcases are associated with his journeys throughout his lifetime. Fortissimo was involved in this multimedia project as Executive Producers.

Hailed equally as a feminist triumph and an unforgiving, searing gothic noir, the Sundance Grand Jury Prize winner Winter’s Bone went on to garner four Academy Award nominations, including Best Picture. Set in the wintry Ozark Mountains, the film follows headstrong 17-year-old Ree who raises her siblings by herself while her father Jessup goes missing and her mother is incapacitated. The drug-dealing Jessup’s troubles with both sides of the law threatens to upend the family’s security, and Ree must take matters into her own hands.

Predating the recent real-life suicides related to cyberbullying, Ben C. Lucas’ chilling portrayal of high school social hierarchy is impressively assembled, visually polished and populated with a handsome cast. At this posh private school, Twitter, texting and chatrooms are used to spread rumors. The cruel and charismatic Zack is the campus overlord who has his eyes on Xandrie, except that she has a crush on Zach’s half-brother. When a rejection turns into something more dastardly, tensions threaten to boil over between the two siblings.

Happy Together (Chun gwong ja sit) Dir: Wong Kar Wai 1996 Cantoneose/Mandarin Colour 96min Cast: Tony Leung Chiu-Wai, Leslie Cheung, Chang Chen

其他 Fortissimo 二十周年電影：

吸血達人

流金歲月

(p.6)

我快樂你大鑊

(p.42)

(p.6)

分手又如何

(p.45)

4 more Fortissimo films:

Vampire (p.6)

Last Romance (p.6)

My Joy (p.42)

Come Rain Come Shine (p.45)

This documentary on Happy Together’s eventful fourmonth long film shoot in Argentina dispenses with the expected by showing us extraordinary unseen footages from Wong Kar Wai’s seminal work. From the infamous Shirley Kwan scenes which were left on the cutting floor to even a glimpse of Leslie Cheung in drag, Buenos Aires crosscuts interviews, unused film clips and rare glimpses of the cast and crew’s behind-the-scene antics. As part of Wong Kar Wai’s canon, this is an unmissable opportunity to understand the workings of one of modern cinema’s most celebrated auteurs.

The dying throes of a gay romance in Buenos Aires are achingly portrayed with such exquisite beauty that it won Wong Kar Wai the Best Director prize in Cannes. It was a triumphant moment for both the filmmaker and his sales agent Fortissimo Films, whose championing of Wong has landed the director in the A-list of cineastes that he belongs. This symbiotic relationship, which started with 1994’s Chungking Express, would continue on through to Wong’s latest work, but it is the seminal Happy Together which solidified the reputation of both parties.

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22/3（二）7:30pm UAiSQUARE IS

30/3（三）6:00pm 香港科學館 SM

4/4（一）9:30pm 香港文化中心 KG

24/3（四）7:15pm UA朗豪坊 UL

情書

布宜諾斯艾利斯‧攝氏零度

鬼子來了

咖啡與煙

導演：岩井俊二日本 1995 彩色 117分鐘

導演：關本良、李業華 1999 國語／粵語彩色 59分鐘

導演：姜文 2000 普通話黑白 134分鐘

導演：占渣木殊美國 2003 黑白 96分鐘

Love Letter (Rabu retâ) Dir: Iwai Shunji Japan 1995 Color 117min Cast: Nakayama Miho, Toyokawa Etsushi, Han Bunjaku

Buenos Aires Zero Degree

Devils on the Doorstep (Guizi lai le)

Coffee and Cigarettes

Dir: Kwan Pun-Leung, Amos Lee 1999 Man/Cant Col 59min

Dir: Jiang Wen 2000 Putonghua/Japanese B&W 134min Cast: Jiang Wen, Sawada Kenya, Kagawa Teruyuki

Dir: Jim Jarmusch USA 2003 B&W 96min Cast: Roberto Benigni, Cate Blanchett, Bill Murray

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2/4（六）6:00pm 香港大會堂 CT

23/3（三）3:00pm UA時代廣場 UQ

28/3（一）9:45pm 香港文化中心 KG

29/3（二）9:40pm UA朗豪坊 UL

1/4（五）7:15pm 香港大會堂 CT

春光乍洩

流亡三部曲（精華版）

凍死骨

90後殘酷物語

導演：王家衛 1997 粵語／國語彩色 96分鐘

導演：彼德格連納韋荷蘭 2005 彩色 120分鐘

導演：狄波拉嘉妮美國 2010 彩色 100分鐘中文字幕

導演：賓盧卡斯澳洲 2010 彩色 97分鐘中文字幕

A Life in Suitcases

Winter’s Bone

Wasted on the Young

Dir: Peter Greenaway 2005 The Netherlands Colour 120min Cast:JJ Feild, Isabella Rossellini, Debbie Harry

Dir: Debra Granik USA 2010 Colour 100min Cast: Jennifer Lawrence, John Hawkes, Shelley Waggener

Dir: Ben C. Lucas Australia 2010 Colour 97min Cast: Oliver Ackland, Adelaide Clemens, Alex Russell

Happy Together (Chun gwong ja sit) Dir: Wong Kar Wai 1996 Cantoneose/Mandarin Colour 96min Cast: Tony Leung Chiu-Wai, Leslie Cheung, Chang Chen

其他 Fortissimo 二十周年電影：

吸血達人

流金歲月

(p.6)

我快樂你大鑊

(p.42)

(p.6)

分手又如何

(p.45)

4 more Fortissimo films:

Vampire (p.6)

Last Romance (p.6)

My Joy (p.42)

Come Rain Come Shine (p.45)

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27/3（日）9:00pm 香港科學館 SM

29/3（二）7:15pm 香港藝術中心 AC

21/3（一）12:30pm UA時代廣場 UQ

22/3（二）12:30pm UA時代廣場 UQ

幸福的旁邊

飛砂風中轉

綫人

導演：麥曦茵 2011 粵語彩色 40分鐘演員：楊淇、小野

導演：莊文強 2010 粵語彩色 97分鐘演員：鄭伊健、陳小春、葉璇、方中信、余安安

導演：林超賢 2010 粵語彩色 112分鐘演員：謝霆鋒、張家輝、桂綸鎂

這部顛覆黑社會類型之作，找來鄭伊健和陳小春，是着意由「古惑仔」系列出發再創作，另一方面，將黑社會描繪成夕陽工業，也自我指涉地回應香港電影的狀況。片中一眾幫派份子皆無心戀戰，不再爭當頭目，似悲劇小人物多過似英雄。面對生存與承傳的危機，古惑仔也不再年少氣盛，而是銳意求變，響應政府鼓吹的持續進修，向中產社會意識投誠，是保守勢力抬頭，還是反映現實趨勢，真個是眾說不一。

這可能是去年最悲涼的香港電影，戲中各人皆背負着各自的傷痛，也盡全力去補償自己的過失。張家輝以極度內斂的方法演出夾在上司與綫人之間的苦命男，謝霆鋒則是拼命拯救落難妹妹的古惑仔，桂綸鎂改變戲路，以全新形象扮演同樣沒有出路的黑幫大佬的女人。林超賢、吳煒倫這組合的默契愈來愈緊密，繼《証人》和《火龍》之後，《綫人》更加成熟，情感深刻，已不只是普通的警匪片，而是香港男兒的傷痕電影。

beside(s,) happiness (Hang fuk dik pong bin) Dir. Heiward Mak 2011 Cantonese Colour 40min Cast: Debby Yang, Siuyea Lo

Once a Gangster

The Stool Pigeon

Dir: Felix Chong 2010 Cantonese Colour 97min Cast: Ekin Cheng, Jordan Chan, Michelle Ye, Alex Fong, Candice Yu

Dir: Dante Lam 2010 Cantonese Colour 112min Cast: Nicolas Tse, Nick Cheung, Kwai Lun-Mei

“Hi Mom, I’m pregnant.” Mei-ling’s tone is neither sentimental nor overtly emotional, but a storm is already brewing in her mind. He is 21 and she is almost 28. She tries to be calm and rational but is subtly coming to terms with herself while falling in love and getting to know a stranger with whom she has shared a moment of intimacy. Without being judgmental, Heiward Mak tells a bittersweet and delightful tale of love, responsibility and growing up in the post-80s generation. Screening with The Warriors of Qiugang (38min).

Triad shenanigans are in for an absurdist update when writer-director Felix Chong trades mobster swagger for sly satire in Once a Gangster. Jordan Chan and Ekin Cheng make their return to gangland roles, only this time their characters have grown up and want out. Playing underworld democracy for laughs with a kingpin election and skewering old-school gangster heroics, Chong’s frisky scenario parodies landmark Hong Kong films, toys with political intrigue and revels in outrageous caricature.

Dante Lam continues to reshape Hong Kong’s roughand-tumble action thrillers with The Stool Pigeon, once again working with the lead actors and co-writer from 2008’s intense and classy Beast Stalker. In a casting switcheroo, Nick Cheung plays a cop who coaxes an excon into joining the informer ranks to help bust a team of jewel thieves. Lam and Jack Ng’s lean script builds off solid crime-flick foundations, exploring betrayal and tortured souls on both sides of the law before topping out with the year’s most brutal screen showdown.

美玲在婚紗店工作，不斷看到幸福的正面、側面，但幸福的內裏呢？她很想知道。她知道的，是自己站在幸福的旁邊。她 28 歲，一杯在腸裏骨碌的轉，轉出了個意外，人生的意外。「我有了孩子」，電話另一頭的人，聽不出異樣，她呢，努力在裝。他 21 歲，原是速食，現在有情。「他是我表弟」，礙於現實的話，掩飾了事實，流露了不安。麥曦茵（《前度》，34 屆）在 80 後的情感距離中，無拘束寫下感動。與《仇崗衛士》（38 分）同場放映。

How to 訂票方法 Book The 35th Hong Kong International Film Festival 第三十五屆香港國際電影節 ➜➜ Online Booking 網上訂票 26/2/2011 10:00am – 9/3/2011 10:00pm www.hkiff.org.hk

➜➜ Postal 郵購訂票 26/2/2011 – 4/3/2011

➜➜ URBTIX Booking 城市電腦售票網訂票 From 10/3/2011 起 2111 5999 www.urbtix.hk URBTIX Outlets 城市電腦售票處

➜➜ HK Ticketing Booking 快達票訂票 From 26/2/2011 起 31 288 288 www.hkticketing.com HK Ticketing Outlets 快達票售票處 25IS3M2D

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25/3（五）2:30pm UAiSQUARE IS

24/3（四）12:30pm UA時代廣場 UQ

23/3（三）12:30pm UA時代廣場 UQ

金不換

狄仁傑之通天帝國

酒徒

導演：葉劍峰 2010 粵語／泰語彩色 93分鐘

導演：徐克 2010 普通話彩色 123分鐘演員：劉德華、劉嘉玲、李冰冰、梁家輝

導演：黃國兆 2010 粵語彩色 106分鐘演員：溫碧霞、張國柱、蔣祖曼、江美儀

香港電影的「泰國連繫」從此不只彭氏兄弟一檔，資深副導葉劍峰磨刀十載終於出手，不搞見鬼，但仍把心中有鬼驅走。假藥二人幫拍檔上路，出得嚟行，到時到候要還：一個走上生命的不歸路，另一個則慢慢踏上救贖懺悔之途。他首先遇上變性歌后，之後是旅店的風情靚妹仔，騙人者終被騙，或不願再騙人，終於回鄉路迢迢，他要面對善與惡於體內相生相剋的起點。這部公路電影拍攝時不但遇上曼谷不穩的政局，葉劍鋒也經歷嚴重車禍，艱難捕捉的風土人情尤有血肉感。

Cure Dir: Bill Yip 2010 Cantonese/Thai Colour 93min Cast: Makara Supinacharoen, Jirarat Teachasriprasert, Eric Chu

導演／演員將出席與觀眾見面 This screening will be attended by the director and/ or actors

When Thai authorities blocked a project he was about to shoot, Hong Kong filmmaker Bill Yip wasn’t about to go home empty-handed. Instead, the first-time director launched into an improvised road movie, his small crew doubling as actors and shooting on the sly. Starting in on-edge Bangkok and heading north, Yip’s indie picture follows a small-time con man hawking miracle pills – and finding hope, trust and redemption along the way. A lack of star power proves no obstacle in serving up a tonic of gorgeously lensed cinema.

這是徐克最信步沉穩的電影，也是他回歸自己的原點之《酒徒》作為中國第一部意識流小說，要改編拍成電影本作。奇案偵查的主調，電影中所有異能異像，都能夠身就是向難度挑戰，加上製作資金有限，就算是享譽國一一用科學解答，與《蝶變》極為相近，赤焰金龜亦讓際的大導演，也未必有像黃國兆那種勇氣。作者劉以鬯人聯想到《蝶變》中的殺人蝴蝶。不同的是本片有一個在上世紀 60 年代借筆鞭撻的社會怪現狀，到 50 年後的明確的歷史時空 ─唐武則天年代，讓電影有更紮實的今天依然未曾絕跡：錢繼續萬能，無錢變本加厲地萬萬活動背景，亦見到從日本靈幻小說家夢枕獏的作品撮取不能。賣文維生的作家劉先生，為了生活不得不埋沒良來的靈感，只是這一次，徐克電影中的主角，雖然自負心，撰寫庸俗的消費文學。既然無法改變現實，唯有靠依舊獨行依舊，卻罕見地與統治者有極為密切的關係。酒精和女人來麻醉自己，在沉淪中找尋一絲救贖的可能。

Detective Dee and the Mystery of the Phantom Flame Dir: Tsui Hark 2010 Putonghua Colour 123min Cast: Andy Lau, Carina Lau, Li Bingbing, Tony Leung Ka-fai

Tsui Hark makes good his return to period-action thrills. Andy Lau stars as the titular sleuth, summoned from exile by the empress to foil a spectacular assassination plot. Tsui updates the legend of Tang dynasty official Di Renjie for an exhilarating adventure, replete with wild action choreography, imposing set designs and all sorts of madness, from body transformation to kung fu deer. It’s a rush – and no less ambitious than the epics Tsui made his name with.

➜➜ For More Information 查詢詳情 2970 3300 www.hkiff.org.hk info@hkiff.org.hk

The Drunkard Dir: Freddie Wong 2010 Cantonese Colour 106min Cast: Irene Wan, John Chang, Joman Chiang, Elena Kong

Comparisons to Wong Kar Wai’s In the Mood for Love are likely, but Freddie Wong’s literary directorial debut, also based on the work of Liu Yichang, has few similarities beyond the pedigree. Lau is the drunkard of the title: an intellectual forced to make ends meet – and support his drinking habit – by authoring pulpy porn in 1960s Hong Kong. The ceaseless battle between art and commerce and the more modern issue of piracy are undercurrents that run through the film as Lau navigates his brutal memories and the women that dominate his life.

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幸福的旁邊

飛砂風中轉

綫人

導演：麥曦茵 2011 粵語彩色 40分鐘演員：楊淇、小野

導演：莊文強 2010 粵語彩色 97分鐘演員：鄭伊健、陳小春、葉璇、方中信、余安安

導演：林超賢 2010 粵語彩色 112分鐘演員：謝霆鋒、張家輝、桂綸鎂

beside(s,) happiness (Hang fuk dik pong bin) Dir. Heiward Mak 2011 Cantonese Colour 40min Cast: Debby Yang, Siuyea Lo

Once a Gangster

The Stool Pigeon

Dir: Felix Chong 2010 Cantonese Colour 97min Cast: Ekin Cheng, Jordan Chan, Michelle Ye, Alex Fong, Candice Yu

Dir: Dante Lam 2010 Cantonese Colour 112min Cast: Nicolas Tse, Nick Cheung, Kwai Lun-Mei

How to 訂票方法 Book The 35th Hong Kong International Film Festival 第三十五屆香港國際電影節 ➜➜ Online Booking 網上訂票 26/2/2011 10:00am – 9/3/2011 10:00pm www.hkiff.org.hk

➜➜ Postal 郵購訂票 26/2/2011 – 4/3/2011

➜➜ URBTIX Booking 城市電腦售票網訂票 From 10/3/2011 起 2111 5999 www.urbtix.hk URBTIX Outlets 城市電腦售票處

➜➜ HK Ticketing Booking 快達票訂票 From 26/2/2011 起 31 288 288 www.hkticketing.com HK Ticketing Outlets 快達票售票處 25IS3M2D

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23/3（三）12:30pm UA時代廣場 UQ

金不換

狄仁傑之通天帝國

酒徒

導演：葉劍峰 2010 粵語／泰語彩色 93分鐘

導演：徐克 2010 普通話彩色 123分鐘演員：劉德華、劉嘉玲、李冰冰、梁家輝

導演：黃國兆 2010 粵語彩色 106分鐘演員：溫碧霞、張國柱、蔣祖曼、江美儀

Cure Dir: Bill Yip 2010 Cantonese/Thai Colour 93min Cast: Makara Supinacharoen, Jirarat Teachasriprasert, Eric Chu

導演／演員將出席與觀眾見面 This screening will be attended by the director and/ or actors

Detective Dee and the Mystery of the Phantom Flame Dir: Tsui Hark 2010 Putonghua Colour 123min Cast: Andy Lau, Carina Lau, Li Bingbing, Tony Leung Ka-fai

➜➜ For More Information 查詢詳情 2970 3300 www.hkiff.org.hk info@hkiff.org.hk

The Drunkard Dir: Freddie Wong 2010 Cantonese Colour 106min Cast: Irene Wan, John Chang, Joman Chiang, Elena Kong

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和平飯店

暗花

孤男寡女

辣手回春

導演／編劇：韋家輝 1995 粵語彩色 89分鐘演員：周潤發、葉童、秦豪

導演：游達志監製：韋家輝 1998 粵語彩色 82分鐘演員：劉青雲、梁朝偉、邵美琪

編導／監製：韋家輝合導：杜琪峯 2000 粵語彩色 101分鐘 101分鐘演員：劉德華、鄭秀文、梁藝齡、黃浩然

編導／監製：韋家輝合導：杜琪峯 2000 粵語彩色 87分鐘演員：鄭伊健、陳小春、張柏芝、許紹雄

正如片中的對白：「odd couple 最後都會在一起」，囧港正如片中的對白：「odd 男遇上傻港女，注定最後必然有情人終成眷屬，只在過程有多浪漫有多感人。這種編劇竅門韋家輝自是手到拿來，杜韋更惡搞自己的《天若有情》，最後來個華少遇到華弟，比《大隻佬》裏劉德華自己見到自己更早出幾年。杜韋拿手的男性情誼靠邊站，把心一橫搞起都市辦公室情緣，旨在讓各方明白，銀河映像並非只有義氣與鎗火，也有能力拍出雅俗共賞的電影來。

何求其醫院上下都做事馬虎，醫生不似醫生，護士不似護士，清潔阿嬸不似清潔阿嬸，人在其位卻不謀其政。這家醫院是影射回歸後的香港嗎？醫院主人翁林蚊是影射董特首嗎？《辣手回春》並未得到普羅大眾認同，卻極具韋家輝編劇色彩，誇張去到盡的手法，上承《一個字頭的誕生》，下開《鬼馬狂想曲》與《喜馬拉亞星》等韋式瘋狂喜劇，超現實的世界設定，讓想像天馬行空，觀眾亦需要以開放心靈來看這齣勵志電影。

Needing You... (Gu nam gwa nui)

韋家輝第一部自編自導電影作品，牽頭人是當年即將離港到荷里活發展的周潤發大哥。本來是上海十里洋場的故事，慢慢演變為大漠發生的西部英雄之歌。殺人王阿平退隱江湖，在這想像中的上海劃地為界開了一間和平飯店，不論何人闖了任何禍，只要進了這飯店便可保平安，場景設定儼若六、七十年代的荷里活西部片。十年後歌女阿曼被黑幫追殺而至，阿平愛上了她並決定護送她離去，一段段鬼哭神嚎的慘烈廝殺隨即展開。

Peace Hotel (Wo ping fan dim) Dir/Scr: Wai Ka-fai 1995 Cant Col 89min No English Subtitles Cast: Chow Yun-fat, Cecilia Yip, Chin Ho

For his directing debut, Wai Ka-fai defied popular trends with a Cantonese take on the spaghetti western, its story set in a hotel providing sanctuary within a lawless landscape. Chow Yun-fat stars as a man with no name defending his hotel’s boundary until a troubled past comes to back to haunt him. Though largely spurned by mainstream moviegoers upon its initial release, Peace Hotel finds helmer Wai making early experiments in filmic style, whether employing repetition as a key plot device or pushing forward explorations of fate.

2009年韋家輝自編自導《再生號》，立即成為香港電影史上最奇詭的異數，甚至激起文化界一場爭論。其實早在八、九十年代的電視時期，韋家輝已充份流露他在劇本和人物設定的不落俗套和偏鋒筆觸。《誓不低頭》、《義不容情》、《大時代》等長篇電視劇，叫人刮目相看；丁蟹一角性格既瘋狂又迷人，儼然成為當年香港的民間英雄。96年與杜琪峯合組銀河映像，創業作《一個字頭的誕生》別創一格，成為97 後香港電影的新興力量。遊走於通俗主流與個人發揮之間的韋家輝，不斷於劇本題材與結構作更大的嘗試：《大隻佬》以佛理入戲讓人驚艷，《喜馬拉亞星》玩盡天人合一的意念，《最愛女人購物狂》加入容格的精神分析，《神探》探討多重人格。《再生號》更上層樓，格局之奇與境界之妙，已經打破了商業電影與藝術電影的分野，成為香港電影極致創意的一座里程碑。在合拍片蔚成風潮，港產片獨憔悴的今日，回顧韋家輝的創作歷程尤別具意義。 No genre is safe from being upended in Wai Ka-fai’s magical acts of commercial cinema. Celebrated for his creative partnership with helmer Johnnie To in the Milkyway Image production house, Wai made his name as a writer and producer for TV before powering into film directing in the mid-1990s with the Eastern-Western Peace Hotel and the gangland mashup Too Many Ways to Be No. 1. By 2000, Milkyway Image leapt from taut thrillers to risk-taking box-office smashes, with Wai writing, directing and producing. Employing offbeat explorations of fate, psychology and the metaphysical with the most mainstream of hooks, Wai exploits and tears apart pop norms, his intricate setups teetering on collapse and audiences kept clinging to every narrative thread. At a time when his peers place ever more emphasis on mainland blockbusters, Wai still charts a singular course in widescreen experiments — and Hong Kong cinema is all the richer for it.

《暗花》的黑暗世界，雖然發生在澳門，但很難令人不聯想為對九七後的香港狀況的隱喻，那個沒有出路、前景完全不明朗的封閉心理空間，營造出比 film noir 更黑的氣氛。韋杜二人以有機的創作方式拍成此片，劇本隨着拍攝進程而生長，見招拆招，跡近以潛意識創作這齣黑暗的電影。最後一場兩個光頭佬在鏡陣中決鬥，塑造出介乎正義與邪惡之間的梁朝偉，是他進軍國際之後難得再有的電影形象。

The Longest Nite (Am fa) Dir: Patrick Yau Pro: Wai Ka-fai 1998 Cantonese Colour 82min Cast: Lau Ching-wan, Tony Leung Chiu-wai, Maggie Siu

Dir/Pro/Scr: Wai Ka-fai Co-dir: Johnnie To 2000 Cantonese Colour 101min Cast: Andy Lau, Sammi Cheng, Fiona Leung, Raymond Wong

Help!!! (Laat sau wui chun) Dir/Pro/Scr: Wai Ka-fai Co-dir: Johnnie To 2000 Cantonese Colour 87min Cast: Ekin Cheng, Jordan Chan, Cecilia Cheung, Hui Siu-hung

Hong Kong noir at its absolute darkest, The Longest Nite kicked off 1998’s triplet of thrillers from Milkyway Image. The scene is crime-ridden Macau, where in the heat of a triad feud a shady, sadistic cop finds himself facing off with a mystery man just as all hell starts to break loose. Co-producer Wai Ka-fai came onto the project after shooting had already begun, bringing with him the screenwriter chops to bind together a complex shock of fatalism, ultra-stylized action and violence.

Having taken pole position in stylish thrillers through the late 1990s, To and Wai had a box-office smash with Needing You..., You..., the first in their line of megastar-led romantic comedies. Sammi Cheng is perfectly cast as an obsessive-compulsive office lady who finds her beau in suave manager Andy Lau, and romantic moves and office politics ensue. A sensation lined with innovation and popculture references, To and Wai’s effort helped revive hope in hometown filmmaking after years of industry crisis.

Given just a month in which to conceive, shoot and release a mainstream picture, Johnnie To and Wai Ka-fai took anything but the easy route. Help!!!, the resulting black comedy, centred on three pretty young doctors, takes the high road to combine frantic comedy, biting satire and delightful genre spoofs. Made in the wake of Needing You..., the anarchic hospital drama made clear the filmmakers’ drive to reinvigorate Hong Kong cinema was nowhere close to flagging.

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一個字頭的誕生

鍾無艷

嚦咕嚦咕新年財

我左眼見到鬼

導演／編劇：韋家輝 1997 粵語彩色 91分鐘演員：劉青雲、李若彤、吳鎮宇、黃卓玲、張達明

編導／監製：韋家輝合導：杜琪峯 2001 粵語彩色 123分鐘演員：梅艷芳、鄭秀文、黃浩然、張柏芝

編導／監製：韋家輝合導：杜琪峯 2002 粵語彩色 96分鐘 96分鐘演員：劉德華、劉青雲、古天樂、梁詠琪

編導／監製：韋家輝合導：杜琪峯 2002 粵語彩色 98分鐘演員：鄭秀文、劉青雲、應采兒、林雪

銀河映像創業作，以手搖超廣角鏡頭拍攝，戲中人物像變了形的小丑，總是徬徨無助地跑江湖，對當時盛極一時的「古惑仔」系列和黑社會類型極盡諷刺挖苦，32 歲的古惑仔阿狗面臨兩個人生抉擇，一是繼續胡混，二是大幹一場，但事情發展總是與他所想南轅北轍，是性格決定命運，還是一切皆有命定？某時某刻一個抉擇，前路便會不同，是《大隻佬》的前奏，兩個不同的結局，已經預告了《再生號》的出現。大銀幕重溫，機會不再。

杜韋組合可謂深得賀歲片箇中三昧，管他趕拍不趕拍，只要熱鬧就好。集梅艷芳鄭秀文張柏芝三代當紅女星於一片，梅艷芳一人分飾三角，反串鹹濕佬效果驚喜，張柏芝不扮玉女扮狐狸精又是一絕，鄭秀文演一個愛君如命含辛茹苦的小女子更是贏盡觀眾的心。經歷《辣手回春》的商業上挫頓，杜韋再以鄭秀文為皇牌，加上扭盡六壬的喜劇橋段，重回處境喜劇及愛情片商業主流，終以本片開創出自成一派的新世代賀歲片。

這次韋家輝向賀歲片出發，以賭術奇招爾虞我詐為主打思念的確是一種病。鄭秀文婚後七日便失去了丈夫，三的賭俠類型，加入「奮發向上自強不息」的正面訊息，年後依然不能釋懷。車禍後左眼見到鬼，也見到死鬼小一句「牌品好人品好」，趁勢向港人所有的劣根性來個大學同學現身作守護天使，最後發現他就是最想念的人卻檢修。古天樂的大愚若智，劉青雲的恃勢凌人，梁詠琪一直視而不見，就算兩隻眼見到鬼都無補於事。開首以的港女躁底，都是典型人版。麻將只是一個譬喻，重點《鐵達尼號》為變奏，從類型傳統出發，但總在關鍵骨節是敬業樂業，創作人立着善心，向金融風暴之後瀕臨崩處翻新再翻新，不落俗套，盡現韋家輝的編劇功力。以潰邊緣的港人來一個新年祝願，只是想不到香港在其後靈異類型訢說人間有情，反覆描繪眾生對思念的執迷，的 03 年會面對更大的難關。下開《大隻佬》、《神探》以至《再生號》的心靈路線。

Too Many Ways to be No. 1

Wu Yen (Chung mo yim) Dir/Pro/Scr: Wai Ka-fai Co-dir: Johnnie To 2001 Cantonese Colour 123min Cast: Anita Mui, Sammi Cheng, Raymond Wong, Cecilia Cheung

Fat Choi Spirit

My Left Eye Sees Ghosts

Dir/Pro/Scr: Wai Ka-fai Co-dir: Johnnie To 2002 Cantonese Colour 96min Cast: Andy Lau, Lau Ching-wan, Louis Koo, Gigi Leung

Dir/Pro/Scr: Wai Ka-fai Co-dir: Johnnie To 2002 Cantonese Colour 98min Cast: Sammi Cheng, Lau Ching-wan, Cherrie Ying, Lam Suet

For their first Chinese New Year comedy together, co-directors Johnnie To and Wai Ka-fai revamped a popular folk tale and showed a mastery of the mo lei tau. At the centre is a love triangle between a warrior, an emperor and an enchantress, a situation tangled up in cross-dressing, curses and court intrigue. Wai and his fellow writers re-energise the source material, breaking gender rules with three female leads, pitching in satire and adopting a frenzied interplay of styles.

Johnnie To and Wai Ka-fai’s anything-goes approach to cinema proved perfect for festive-season high jinks in Fat Choi Spirit Andy Lau and Lau Ching-wan star as opponents for mahjong glory in a farcical, exuberant concoction. Made on a shockingly tight deadline but never appearing cheap or underwritten, Fat Choi Spirit muscled into Hong Kong’s popular gambling genre and delighted in addressing the psyche of an audience weighed down by increasingly tough economic times.

Tasked with a twist on the I-see-dead-people movie craze, Johnnie To and Wai Ka-fai opted for all-out comedy. Sammi Cheng is a widow who lives hard until a road accident brings on a spooky eye disorder. Among the phantoms she comes to see is that of a childlike man who helps her confront inner demons. With themes of loss, mourning and the afterlife coursing through its romantic comedy, the picture prefigures material Wai would explore further in later works.

Dir/Scr: Wai Ka-fai 1997 Cantonese Colour 91min Cast: Lau Ching-wan, Carman lee, Francis Ng, Ruby Wong

Exhilarating, experimental and utterly essential, Wai Kafai’s Too Many Ways to Be No. 1 feeds off the popular triad genre and flips it on its head. Viewers join a band of underworld flunkies caught in an episode of borderhopping chaos, then watch on as the narrative is flung back to the beginning so another turn of fate can be explored. A landmark work of 1990s Hong Kong cinema yet scarce on home video, Wai’s breathless sophomore effort placed the nascent Milkyway Image production company front and centre for local film buffs.

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和平飯店

暗花

孤男寡女

辣手回春

導演／編劇：韋家輝 1995 粵語彩色 89分鐘演員：周潤發、葉童、秦豪

導演：游達志監製：韋家輝 1998 粵語彩色 82分鐘演員：劉青雲、梁朝偉、邵美琪

編導／監製：韋家輝合導：杜琪峯 2000 粵語彩色 101分鐘 101分鐘演員：劉德華、鄭秀文、梁藝齡、黃浩然

編導／監製：韋家輝合導：杜琪峯 2000 粵語彩色 87分鐘演員：鄭伊健、陳小春、張柏芝、許紹雄

Needing You... (Gu nam gwa nui)

Peace Hotel (Wo ping fan dim) Dir/Scr: Wai Ka-fai 1995 Cant Col 89min No English Subtitles Cast: Chow Yun-fat, Cecilia Yip, Chin Ho

The Longest Nite (Am fa) Dir: Patrick Yau Pro: Wai Ka-fai 1998 Cantonese Colour 82min Cast: Lau Ching-wan, Tony Leung Chiu-wai, Maggie Siu

Dir/Pro/Scr: Wai Ka-fai Co-dir: Johnnie To 2000 Cantonese Colour 101min Cast: Andy Lau, Sammi Cheng, Fiona Leung, Raymond Wong

Help!!! (Laat sau wui chun) Dir/Pro/Scr: Wai Ka-fai Co-dir: Johnnie To 2000 Cantonese Colour 87min Cast: Ekin Cheng, Jordan Chan, Cecilia Cheung, Hui Siu-hung

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一個字頭的誕生

鍾無艷

嚦咕嚦咕新年財

我左眼見到鬼

導演／編劇：韋家輝 1997 粵語彩色 91分鐘演員：劉青雲、李若彤、吳鎮宇、黃卓玲、張達明

編導／監製：韋家輝合導：杜琪峯 2001 粵語彩色 123分鐘演員：梅艷芳、鄭秀文、黃浩然、張柏芝

編導／監製：韋家輝合導：杜琪峯 2002 粵語彩色 96分鐘 96分鐘演員：劉德華、劉青雲、古天樂、梁詠琪

編導／監製：韋家輝合導：杜琪峯 2002 粵語彩色 98分鐘演員：鄭秀文、劉青雲、應采兒、林雪

Too Many Ways to be No. 1

Wu Yen (Chung mo yim) Dir/Pro/Scr: Wai Ka-fai Co-dir: Johnnie To 2001 Cantonese Colour 123min Cast: Anita Mui, Sammi Cheng, Raymond Wong, Cecilia Cheung

Fat Choi Spirit

My Left Eye Sees Ghosts

Dir/Pro/Scr: Wai Ka-fai Co-dir: Johnnie To 2002 Cantonese Colour 96min Cast: Andy Lau, Lau Ching-wan, Louis Koo, Gigi Leung

Dir/Pro/Scr: Wai Ka-fai Co-dir: Johnnie To 2002 Cantonese Colour 98min Cast: Sammi Cheng, Lau Ching-wan, Cherrie Ying, Lam Suet

Dir/Scr: Wai Ka-fai 1997 Cantonese Colour 91min Cast: Lau Ching-wan, Carman lee, Francis Ng, Ruby Wong

展覽 Exhibition

35 Years of HKIFF 香港國際電影節三十五周年

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大隻佬

神探

再生號

編導／監製：韋家輝合導：杜琪峯 2003 粵語彩色 93分鐘演員：劉德華、張栢芝、張兆輝

編導／監製：韋家輝合導：杜琪峯 2007 粵語彩色 91分鐘 91分鐘演員：劉青雲、安志杰、林家棟、林熙蕾

編導／監製：韋家輝 2009 粵語彩色 85分鐘演員：劉青雲、林熙蕾

「萬般帶不走，唯有業隨身」成為當年港人的口頭禪，劉德華的隨身肉也帶給他很多獎項。身負異能卻心靈脆弱，是韋家輝筆下主角的一貫宿命，從電視劇《大時代》已露端倪，大隻佬也不例外，看到因果卻不能參透因果，而苦苦追尋的惡人孫果，可能是他自己也可能不是他自己，正暗合一句「業力不可思議」。了因最後放下一身肉，是電影企圖向正在谷底的後沙士香港，指出方向，也讓這可能是談禪論佛最為到肉的華語電影，更添一絲慈悲。

天才和瘋子只是一線之差，神探劉青雲唔只左眼見到鬼，更見到林家棟背後七隻鬼，也同時見到自己心中有鬼，偵探能力超凡，破案無數，更像梵高一樣割下自己的耳朵。沿襲銀河映像一貫的思路，是韋家輝又一次對男性自我心魔的心理治療。韋家輝再次運用雞尾酒編劇大法，以其熟手的偵探警匪類型為骨幹，混入多重人格分裂、 Mind）的靈力探案，以至《有你終身美麗》（A （A Beautiful Mind）的幻想世界，繼《大隻佬》後再來一次心靈之旅。

要數最奇詭而又嚴肅的香港電影，其中必定有《再生號》的份兒，同樣是多層空間相互交錯，卻比《潛行凶間》有更大的視野。多層空間逐層展現的同時，劇情也由思念亡者開始，進而處理鬼神的存在問題，再深入至存在以及創作的意義，問的是「我為甚麼要編劇」。電影由戲中書寫者開始，由戲外書寫者結束，敘事結構和思考命題的複雜性，令《再生號》成為香港電影歷史之中奇特卻又必然的異數、編劇韋家輝自身的不凡演練。

Running on Karma (Dai jek lo)

Mad Detective (Sun tam)

Dir/Pro/Scr: Wai Ka-fai Co-Dir: Johnnie To 2003 Cantonese Colour 93min Cast: Andy Lau, Cecilia Cheung, Eddie Cheung

Dir/Pro/Scr: Wai Ka-fai Co-Dir: Johnnie To 2007 Cantonese Colour 91min Cast: Lau Ching-wan, Andy On, Gordon Lam, Kelly Lin

Written by (Joi sang ho) Dir/Pro/Scr: Wai Ka-fai 2009 Cantonese Colour 85min Cast: Lau Ching-Wan, Kelly Lin

Supernatural action, Buddhist philosophy and crime thrills. Star Andy Lau dons a muscle suit as Big, a bodybuilding former monk who can see karma and past lives. When he’s roped into helping a young cop solve a case, ominous visions and a cycle of violence emerge. With the script plastered with Wai’s fingerprints, the film melds heavyweight commercial teases and the unexpected at every turn, a combination that snared it the Hong Kong Film Awards for best picture, direction and screenplay.

After a break of several years, Johnnie To and Wai Kafai returned to their co-directing partnership for this masterly labyrinth of mind games and identity intrigue. Mad Detective’s bizarre gumshoe is Bun, a mentally unhinged sleuth whose tricks of the trade include stalking multiple identities and seeing into the minds of others. Wai and regular co-writer Au Kin-yee manipulate concepts no less challenging than those seen in Running on Karma’s assault on the film scene four years earlier.

香港名家講座 Face to Face

20th Anniversary of Fortissimo Films Fortissimo Films 二十周年

Family tragedy is the catalyst for multilayered fantasy and catharsis in Wai Ka-fai’s Written by. After a car crash leaves her father dead and her mother gripped for years by loss, a blind girl pens a story about life after the same accident, only with Dad as the sole survivor. But what would happen if the father in that narrative were to write a similar tale, and if the stories within stories were to cross? An intricate exploration of fate and pain, Written by saw Wai revisiting pet themes with audacious metaphysical twists.

焦點影人：韋家輝特刊 Wai Ka-fai, Filmmaker in Focus Catalogue 折扣價 HK $60

地點 Location: 1881 Heritage 九龍尖沙咀廣東道 2 號 A, 2A Canton Street, Tsim Sha Tsui 展出日期 Exhibition Period: 27/3–5/4

Posters Exhibition 第三十五屆香港國際電影節電影海報展 The 35th HKIFF

香港名家講座請得本屆電影節的焦點影人韋家輝出席，分享他對電影、藝術和創意獨到的見解。各參加者均可獲贈韋家輝專題特刊一本。此項活動以粵語進行，費用全免，現於 http://jcca.hkiff.org 接受登記，額滿即止。日期：2011年4月4日時間：下午2時30分地點：香港文化中心大劇院 Face to Face invites Wai Ka-fai, 35th HKIFF’s Filmmaker in Focus, to share his insights on films, art and creativity. A complimentary catalogue on Wai Ka-fai will also be offered to all participants. Face to Face is free of charge on a first-come-first-serve basis. It is now open for registration at http://jcca.hkiff.org. Date: 4 April 2011 Time: 2:30pm Location: Hong Kong Cultural Centre Grand Theatre

換書券現已於網上發售，3月21日起可於香港文化中心換領，詳情見第60頁。 Catalogue vouchers are now on sale online. Redemption of catalogues at the Hong Kong Cultural Centre starts on 21 March. Please see p.62.

地點 Location: LCX 銅鑼灣名店坊京士頓街 9 號 LCX Fashion Walk Causeway bay, 9 Kingston Street 展出日期 Exhibition Period: 1/3–31/3 地點 Location: 1881 Heritage 九龍尖沙咀廣東道 2 號 A, 2A Canton Street, Tsim Sha Tsui 展出日期 Exhibition Period: 27/3–5/4 地點 Location: 香港文化中心演藝大樓地下大堂 G/F Foyer, Auditoria Building, Hong Kong Cultural Centre 展出日期 Exhibition Period: 29/3–5/4

展覽 Exhibition

35 Years of HKIFF 香港國際電影節三十五周年

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大隻佬

神探

再生號

編導／監製：韋家輝合導：杜琪峯 2003 粵語彩色 93分鐘演員：劉德華、張栢芝、張兆輝

編導／監製：韋家輝合導：杜琪峯 2007 粵語彩色 91分鐘 91分鐘演員：劉青雲、安志杰、林家棟、林熙蕾

編導／監製：韋家輝 2009 粵語彩色 85分鐘演員：劉青雲、林熙蕾

Running on Karma (Dai jek lo)

Mad Detective (Sun tam)

Dir/Pro/Scr: Wai Ka-fai Co-Dir: Johnnie To 2003 Cantonese Colour 93min Cast: Andy Lau, Cecilia Cheung, Eddie Cheung

Dir/Pro/Scr: Wai Ka-fai Co-Dir: Johnnie To 2007 Cantonese Colour 91min Cast: Lau Ching-wan, Andy On, Gordon Lam, Kelly Lin

Written by (Joi sang ho) Dir/Pro/Scr: Wai Ka-fai 2009 Cantonese Colour 85min Cast: Lau Ching-Wan, Kelly Lin

香港名家講座 Face to Face

20th Anniversary of Fortissimo Films Fortissimo Films 二十周年

焦點影人：韋家輝特刊 Wai Ka-fai, Filmmaker in Focus Catalogue 折扣價 HK $60

地點 Location: 1881 Heritage 九龍尖沙咀廣東道 2 號 A, 2A Canton Street, Tsim Sha Tsui 展出日期 Exhibition Period: 27/3–5/4

Posters Exhibition 第三十五屆香港國際電影節電影海報展 The 35th HKIFF

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豺狼卡洛斯（足本）凍死骨導演：奧利維亞阿薩耶斯法國／德國 2009 彩色 325分鐘導演：狄波拉嘉妮美國 2010 彩色 100分鐘中文字幕

嘉妮要拍英雄片，她的英雄不是嘉芙蓮碧嘉露的大兵，而是 17 歲的莉。美國窮鄉奧札蘇德堡拍《哲古華拉》做不到的，敢作敢為的阿薩耶斯都做到了，同樣的史詩幅度個人造像，緊湊的五個半小時一氣呵成全無冷場，克山區，成全了這號人物，她有個不可能的任務，馬上找出棄保潛水的老豆，慘過疾《豺狼卡洛斯》是部傑作。卡洛斯是七十年代盤踞歐洲報章頭條的頭號恐怖份子，真人比電影傳奇，影片分三章，由他加走羅拉，莉得照顧弟妹病母，又逐一向販毒親友敲門，頂住恐嚇毒打，卻愈戰愈勇。入巴解人民陣線策動連串暗殺與綁架，到變身受僱從事軍火買賣和恐怖活動，貼身追獨立女將深入原著小說不毛背景，徵用民房邀居民串演，力求原汁原味，小妹騎布馬蹤他一次次的策劃、行動、逃亡，更不乏情史，遍走七國，活靈活現這謎樣的革命變跳彈床，全是她現實裏的玩具，劏松鼠斬柴生火，都是那裏的風俗。辛丹士電影節眾色龍。他是後現代政治亂象的象徵人物，集矛盾於一身，這邊批判資本主義，轉個頭口交譽的最佳影片，各地獲獎無數，剛獲奧斯卡四項提名，女主角更是影后黑馬。開平治泡妞。長版是導演原意，去年在港曝光的短版只是戲院放映的折衷。

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27/3（日）2:15pm 香港藝術中心 AC

10/4（日）9:30pm 香港太空館 SP

23/3（三）2:30pm 香港科學館 SM

10/4（日）7:30pm 香港太空館 SP

生煙草之味

看不見的深淵

迷失小石鎮

導演：奇利謝得美國 2011 彩色 85分鐘英文字幕

導演：櫻井北尾美國 2010 彩色 80 分鐘

導演：米奇奧特美國 2010 彩色 84 分鐘

人物輕，故事小，卻拍出一部史詩。辛丹士電影節首映時是不少影評人至愛，公認為最能突破電影語言之作。 18 歲和 12 歲的表姊弟，像給世人遺忘，相依相伴穿梭在煙草田間，度過了那年盛夏。他們鬥嘴，講最心底的話，溫柔和暴烈都自然流露。她躍躍欲試情事，他只想聽她講故事；他不懂她幹麼老打自己，她想再創作他的家庭歷史。一部獨立時代的「美國製造」，導演以三十多截用剩的菲林拍攝，畫面有時粗糙顏色有時飽和，蒙上神秘的意境，配樂美得也像畫布上的筆觸，渾成故事。

史上第一部真盲人擔演的劇情片，虛實並駕齊驅疑幻疑真，盲人主角 Larry 和他的柔道老師 Darren 都是從現實裏跑出來的人物，師徒發展柏拉圖式兼又酒又肉的友情歲月。劇情接着峰迴路轉，一個鋼管女郎，一條死屍，令 Larry 掉進暗黑的陌生地，只能以觸覺和感官潛行，荒唐處境步步驚心。不過他不只是盲俠，更是個醉俠，打死沒那麼易。十幾歲便演戲拍戲的美籍日裔影痴導演，把東西映畫共冶一爐，像是法斯賓達來拍《座頭市》，有詩意激情，有動作驚慄。

迷失何須遠渡重洋？自主的米奇奧特立意更新。溫子和林太郎兩兄妹因壞車流落加州荒漠小石鎮，闖進遊客止步的異樣生活。雖然言語不通，溫子卻迷上這裏，當地幾個男孩，則迷上她的異色美。小石鎮故事說來不慌不忙，帶你沙漠走一回，也把美國男孩逐個看。導演也如荷索在這裏找到奇人 Coky，滿腦夢想煩躁不安，都是現實裏的真性情。他也迷失美國。誰都不明白誰，很想得到卻得不到，但有甚麼關係？結果可能更美。連獲美國電影學會及冰島電影節最受觀眾歡迎獎。

Jess + Moss

Aardvark

Littlerock

Dir: Clay Jeter USA 2011 Colour 85min Cast: Sarah Hagan, Haley Strode, Austin Vickers

Dir: Kitao Sakurai USA/Argentina 2010 Colour 80min Cast: Larry Lewis, Darren Branch, Jessica Elizabeth Cole

Dir: Mike Ott USA 2010 Colour 84min Cast: Atsuko Okatsuka, Cory Zacharia, Rintaro Sawamoto

Hailed equally as a feminist triumph in the darkest, poorest rural America and an unforgiving, searing gothic noir, the Sundance Grand Jury Prize winner Winter’s Bone went on to garner four Academy Award nominations, including Best Picture. Set in the wintry Ozark Mountains, the film follows headstrong 17-year-old Ree who raises her siblings by herself while her father Jessup goes missing and her mother is incapacitated. The drug-dealing Jessup’s troubles with both sides of the law threaten to upend the family’s security, and Ree must take matters into her own hands.

The exquisite sun-bathed glow permeates the gorgeously moody cinematography of this impressionistic comingof-age reverie. Suspending time and logic for an dreamy nostalgia and greatly enhanced by an impeccably chosen soundtrack, the film transports us to a summer where adults seem to not exist and only two people matter – mature teen Jess and prepubescent Moss. The dynamics between the younger boy and the older girl are completely convincing, giving the necessary gravitas to the secrets that emerge later on.

Larry is a blind recovering alcoholic. One day, he wanders into a jujitsu school and, after promptly signing up, begins a friendship with the charismatic instructor Darren, who also has a darker side. When Larry stumbles upon a crime, he must contend with a stripper and a thick-accented cop in order to find out the truth. Aardvark constantly surprises with its playful usurping of conventions and genres, effectively using non-professionals to essentially play themselves. Special Mention, Locarno Film Festival Leopard of the Future.

Mike Ott’s charming, non-professionally acted Littlerock shows what happens when two young Japanese tourists become stranded in small town California. Atsuko and Rintaro are forced to camp out in Littlerock when their rental car breaks down. Luckily they are quickly befriended by the local crowd of slackers, especially the hilariously oddball Cory. But complications arise when Atsuko decides she would prefer to stay in this sleepy exurb. Winner of eight prizes internationally, including Audience Award at AFI FEST and Reykjavik Film Festivals.

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In this year’s Rediscovering American Indies section, we gather a number of quality titles from the past four years to showcase the ongoing strength of non-Hollywood American cinema. Some have gone on to Oscar successes, while others remain niche items, such as the ultra-low-budget mumblecore films. But this is a prime opportunity to re-introduce Hong Kongers to a prolific cinematic culture that should not be considered any less than the best from European and Asian arthouse auteurs.

25/3（五）11:45pm UA朗豪坊 UL

01KG4E2 1/4（五）9:45pm 香港文化中心 KG

贊助 Sponsored by

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！

導演：格力阿拉基美國／法國 2010 彩色 86分鐘中文字幕

同性戀獨立猛人阿拉基（《誘惑飢膚》，09 夏日電影節）要討回怪傑榮銜，重返末世少年題材，炮製恐怖科幻瘋狂性喜劇，兜亂類型，摘下康城同志電影棕櫚獎。電影系新丁 Smith 性向無定，跟小性女 London 上床，和沙灘男一夜情，因吃下有料曲奇，給魔鬼神秘追殺，死黨 Stella 亦遇女巫色誘，也無定向的劇情最後走入毀滅地球大陰謀。後 Juno 式癲得無厘頭政治不正確對白抵死，角色的青春魅力跟荷里活校園片有得揮，不過奇形怪狀，cool 得不一樣，一如對白「Strange is the new normal」。

Kaboom Dir: Gregg Araki USA/France 2010 Colour 86min Cast: Haley Bennett, Thomas Dekker, James Duval

It took just a few words from cult figure John Water to bring Gregg Araki (Mysterious Skin) back to his universe of shocking and subversive hedonism. In this quib-heavy, nudity galore romp, one college freshman’s reality is assaulted by the possibility of psychic powers, supernatural cults and doomsday scenario. Smith, a film major student, beds both sexes but has a crush on his surfer roommate. Just before his 19th birthday, he has a prophetic dream. This Cannes Queer Palm winner is campy, funny and blessed with a photogenic cast. 導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

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1/4（五）9:30pm 香港藝術中心 AC

Dir: Debra Granik USA 2010 Colour 100min Cast: Jennifer Lawrence, John Hawkes, Shelley Waggener

Winter’s Bone

美國獨立電影向來是抗衡荷里活一股不容忽視的創新力量，娛樂性往往亦不遜色，踏入21世紀，他們更掀起有「mumblecore」之稱的低成本電影獨立運動。過去的香港觀眾不時仍可在戲院欣賞得到他們的作品。只是到了近年，普羅觀眾嚴重向「大片」傾斜，這些不隨流俗的清新作品再沒機會浮上本地影院。電影節為饗影痴，特地選映美國近四年的獨立佳作，其中不少更在奧斯卡及美國本土的辛丹士電影節打響名堂。

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10/4（日）2:30pm 香港藝術中心 AC

忽然搭錯基

三角錯

冰河劫

導演：蓮莎頓美國 2009 彩色 93 分鐘英文字幕

導演：蘭斯咸馬美國 2008 彩色 96 分鐘

導演：古妮亨特美國 2008 彩色 97分鐘英文字幕

年少輕狂的一對好哥兒，十年後捧着肚腩而非腹肌的阿班仍然玩世不恭，安德魯卻已是住家男。不過一日阿班忽然無端摸上門，帶着老友出席瘋狂派對，最後更忽然無厘頭拍了部同志 A 片入圍業餘色情片比賽，兩個男人如何收科交差成為頭號大事件。舞台演員出身的導演蓮莎頓，用女人溫柔感性的角度輕觸男性情誼中細膩的一面，注入輕鬆惹笑的調子，緩緩化解中年男內心沉重的危機感。本片得到獨立電影界垂青，拿下辛丹士電影節評審團特別獎。

像全球的三角洲一樣，美國密西西比三角洲先天性充滿難以抹掉的神秘感及蒼涼感。一個男人的自殺，將死亡的陰影在三角洲擴散，籠罩住他的孿生兄弟、前妻及兒子，激發起存在已久的仇恨和矛盾。曾經為《蝙蝠俠不敗之謎》建構立體葛咸城的蘭斯咸馬，放下高薪厚職的建築師工作，拿起筆、扛起攝影機當上編劇及導演，花了幾年時間觀察及了解三角洲的歷史及文化，寫好劇本再找來非職業演員參演，拍出了驚人的爆發力，在辛丹士電影節及柏林影展引來注目。

08 辛丹士電影節評審團大獎得主，古妮亨特以蚊型成本、懸疑手法炮製末路狂媽的悲歌，評審主席塔倫天奴說由頭到尾都看得透不過氣。一開場鏡頭便進入狀態，女主角酷酷的臉部特寫統懾銀幕，她是一元店店員，爛賭老公偷光儲蓄走佬忽然變單親媽，窮途末路下遇上另一個單親媽，一個給族人排擠的印弟安女人。兩人合伙搵快錢，在美加邊境冰河駕車偷運人蛇。如履薄冰的窮媽、煙不離手的焦慮、隨時爆發的低調暴力，美國貧窮的寫照，從未見這麼逼真和刺入心脾。

Humpday

Ballast

Frozen River

Dir: Lynn Shelton USA 2009 Colour 93min Cast: Mark Duplass, Joshua Leonard, Alycia Delmor

Dir: Lance Hammer Hammer USA USA 2008 2008 Colour Colour 96min Cast: JimMyron Ross, Micheal J. Smith Sr., Tarra Riggs

Dir: Courtney Hunt USA 2008 Colour 97min Cast: Melissa Leo, Misty Upham, Charlie McDermott

Bromance gets the mumblecore treatment in Lynn Shelton’s audience-pleasing dissection of heterosexual male dynamics. Ben and Andrew were once the bad boys on campus. Since then, Ben has settled down with a family and a good job, while Andrew continues on as a vagabond artist. When the two reunite, Andrew coaxes Ben into making a daring amateur porn video for a contest. The catch is, they are to have sex together on camera. Special Jury Prize, Sundance Film Festival Dramatic Competition.

An austere, quiet yet elegant work which recalls the Dardennes or Bresson, Ballast is widely hailed for its sensitive depiction of African-Americans living in the Mississippi Delta township. A suicide is the catalyst for three people to try to mend their past and begin new lives: Marlee, a single mother; James, her 12-yearold son; and Lawrence, the deceased’s brother. The exquisitely shot barren landscapes compliment the harsh solitary existence of the protagonists. Best Direction, Sundance Film Festival Dramatic Competition.

Nominated for two Oscars for Best Actress and Best Original Screenplay, this Sundance Grand Jury Prize winner is a taut, tough and brilliantly acted thriller set near the Indian reservations around the New York/ Canada border. The electric Melissa Leo plays Ray, a discount store clerk forced to raise her two sons alone when her gambling husband disappears with their money. She encounters Lila, a Mohawk casino employee, and together they form an uneasy alliance to smuggle illegal aliens across the border.

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豺狼卡洛斯（足本）凍死骨導演：奧利維亞阿薩耶斯法國／德國 2009 彩色 325分鐘導演：狄波拉嘉妮美國 2010 彩色 100分鐘中文字幕

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10/4（日）9:30pm 香港太空館 SP

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10/4（日）7:30pm 香港太空館 SP

生煙草之味

看不見的深淵

迷失小石鎮

導演：奇利謝得美國 2011 彩色 85分鐘英文字幕

導演：櫻井北尾美國 2010 彩色 80 分鐘

導演：米奇奧特美國 2010 彩色 84 分鐘

Jess + Moss

Aardvark

Littlerock

Dir: Clay Jeter USA 2011 Colour 85min Cast: Sarah Hagan, Haley Strode, Austin Vickers

Dir: Kitao Sakurai USA/Argentina 2010 Colour 80min Cast: Larry Lewis, Darren Branch, Jessica Elizabeth Cole

Dir: Mike Ott USA 2010 Colour 84min Cast: Atsuko Okatsuka, Cory Zacharia, Rintaro Sawamoto

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贊助 Sponsored by

砰

！

導演：格力阿拉基美國／法國 2010 彩色 86分鐘中文字幕

Kaboom Dir: Gregg Araki USA/France 2010 Colour 86min Cast: Haley Bennett, Thomas Dekker, James Duval

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1/4（五）9:30pm 香港藝術中心 AC

Dir: Debra Granik USA 2010 Colour 100min Cast: Jennifer Lawrence, John Hawkes, Shelley Waggener

Winter’s Bone

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3/4（日）7:30pm UA朗豪坊 UL

10/4（日）2:30pm 香港藝術中心 AC

忽然搭錯基

三角錯

冰河劫

導演：蓮莎頓美國 2009 彩色 93 分鐘英文字幕

導演：蘭斯咸馬美國 2008 彩色 96 分鐘

導演：古妮亨特美國 2008 彩色 97分鐘英文字幕

Humpday

Ballast

Frozen River

Dir: Lynn Shelton USA 2009 Colour 93min Cast: Mark Duplass, Joshua Leonard, Alycia Delmor

Dir: Lance Hammer Hammer USA USA 2008 2008 Colour Colour 96min Cast: JimMyron Ross, Micheal J. Smith Sr., Tarra Riggs

Dir: Courtney Hunt USA 2008 Colour 97min Cast: Melissa Leo, Misty Upham, Charlie McDermott

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5/4（二）11:30am 香港藝術中心 AC

23/3（三）10:10pm 5/4（二）1:45pm UA太古城 UC 香港藝術中心 AC

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老驢頭

寒假

我們離瘋人院究竟有多遠？

兩個攀攀的心

導演：李紅旗 2010 普通話彩色 91分鐘

導演：李紅旗 2010 普通話彩色 86分鐘

導演：戴芬娜嘉絲坦蓮諾阿根廷 2010 彩色 76分鐘

一位老人、一頭驢子和一片土地，曾是中國農民的寫照。在鄉村城市化的進程中，74 歲的老驢頭與相濡以沫的土地，遇上了企業老闆張永福的擴張計劃。保衛農田、治理荒漠、保護祖墳等，令他疲於應對，眼看傳統價值被蠶食得所剩無幾，依然堅守尊嚴負隅頑抗。導演李睿珺讓本就務農的親朋好友走入鏡頭中，又讓老驢頭栽進城市化的人情冷暖中去，諷刺與感動並存。2010 年釜山電影節新流競賽單元入圍影片。獲 2010 年中國獨立影像年度展最高獎。

把寧靜的小鎮變成舞台，然後請戲劇化離開電影，就這樣，李紅旗在中國的生活場裏，排演了實驗性可媲美《人間狗鎮》的作品。小鎮的年輕人、小孩以及長輩，在慢速的時間裏慢速地交流，許多問題因而變得清晰了，比如學校教育的意義？活着又有甚麼樂趣？不止於此，李紅旗還更進一步地把生活的荒謬感從日常麻木中擠壓了出來，關照範圍由家庭內部延展到社會，最後由一位「忘記吃藥的老師」營造了諷刺的高潮。本片獲羅迦諾電影節最佳電影金豹獎。

因為地下崩樂的蓬勃，南京曾被譽為非主流的「超現實主義之城」。P.K.14 。P.K.14 就是一支參與了這超現實主義建設的崩樂隊。當他們開始 2008 全國巡演，遇上詩人導演李紅旗的紀錄鏡頭，地下音樂就成了一輛沾滿灰塵的汽車，飛馳在中國的公路上。李紅旗沒有刻意去解釋或強調這群年輕人有怎樣的夢想，多宏大的追求，而是讓鏡頭在配樂的指引下，呈現出瘋狂和執着兩種極端狀態。這些沒有光環只為歌唱的崩樂手，到底是不是瘋子？答案就在觀眾心中。

巴塔哥尼亞山區，以美麗環抱兩個失落的魂魄。她長居在此，相依為命的父親剛離世；她從城裏跑來相伴，正和一起四年的男友鬧分手。兩個她都沒能力為對方分憂，她們不知自己需要什麼，只知自己不需要什麼。她們都不想面對現實。她以淚水遣散父親木場的工人，她和着酒精跟男子搭訕。《利物浦》（33 屆）副導嘉絲坦蓮諾以觀察入微的鏡頭，看感情在過渡裏漂流、離散又聚合。布宜諾斯艾利斯獨立電影節一舉拿走最佳電影、雙影后及國際影評人獎。

The Old Donkey (Lao lu tou) Dir: Li Ruijun 2010 Ganzu dialect Colour 112min Cast: Ma Xingchun, Zhang Min, Wang Dazhi

Winter Vacation (Hanjia) Dir: Li Hongqi 2010 Putonghua Colour 91min Cast: Bai junjie, Zhang Naqi, Bai Jinfeng

Are We Really So Far From the Madhouse?

What I Love the Most (Lo que mas quiero) Dir: Delfina Castagnino Argentina 2010 Colour 76min Cast: Pilar Gamboa, María Villar, Esteban Lamothe

Elderly farmers displaced and disaffected by progress and big business in Mainland China are at the heart of Liu Ruijun’s lushly photographed and angry drama. Old Ma is being forced off the land the government bestowed on him years before and is on the verge of destitution. Unable to live with his adult children and left with only a small plot of land and his donkey, Old Ma is a symbol of the cost of development in a country whose priorities are shifting so rapidly, too many are left behind.

Locarno Golden Leopard winner Winter Vacation perfects Li Hongqi’s unique brand of droll ultradeadpan, with the director adding sumptuous hi-def cinematography, close-up shots and effective casting to his signature static long takes. The film plumbs the depths of socialist ennui to deliver a statement about the Chinese youth of today. Ineffectual teens mull around as they wait for their winter vacation to end, while a precocious young tyke, in a battle of wills against his grandfather, longs to be an orphan.

Ostensibly a documentary or a music video chronicling influential post-punk indie Chinese rock group P.K. 14’s first national tour, Li Hongqi’s latest provocation becomes a rumination on existential ennui that takes place on endless highways as band members sit in their tour bus and anonymous hotels. The director, who perversely does away with all forms of dialogue by replacing human interaction with various sounds of animal noises, gives us reprieve during scenes on the road with music from the group itself.

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26/3（六）10:30am 30/3（三）9:45pm UA太古城 UC 香港藝術中心 AC

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導演：李睿珺 2010 甘肅方言彩色 112 分鐘

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Dir: Li Hongqi Hongqi 2010 2010 Putonghua Putonghua Colour Colour 86min

A startlingly honest film about two young women overcoming personal tragedies, this minimalistic first feature continues recent Argentine cinema’s reputation for cultivating new talents. The protagonists have barely entered adulthood, yet one must deal with her father’s death, while the other is struggling to move on from her four-year relationship. But it is their friendship that is fully evident, and the realism in which the film captures it is deceptively simplistic yet rich in emotions.

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2/4（六）12:30pm 香港大會堂 CT

光棍兒

轆地魔

耶加達小夜曲

天堂物語

導演：郝傑 2010 西北方言／普通話彩色 93分鐘

導演：昆丹杜皮埃法國 2010 彩色 84分鐘

導演：A.聖多薩、I.艾斯梵思亞等等印尼 2010 彩色 88分鐘

導演：瀨瀨敬久日本 2010 彩色 278分鐘

黃土地上四個光棍老頭，各自都有過陽光燦爛的日子。梁大頭調戲姑娘時弄斷了手，顧林覬覦小姨氣走了妻子，六軟未發育就成親從此怕了女人，老楊念念不忘他的山楂樹之戀，可惜愛人嫁給了村長，只能偷偷幽會重溫舊夢。寡佬任逍遙始終寂寞難耐，老楊花錢買了個四川妹子來做伴，以為看上去很美，盲山啞嫁卻還是一場歡喜一場空。郝傑初次執導，盡顯幽默機鋒，從家鄉發掘素材，圍繞尋常百姓的下半身故事，瞄準小山村裏的慾望與情色。獲東京 FILMeX 電影節評審團特別獎。

輪胎殺人，原來是真的，古天樂一早用普通話語重深長說「能胎能」，原來就是這個意思。話說荒漠一車胎，犬儒又好鬥，擁超異功能，一路爆人頭；終於發現自己的後工業被遺棄身世，像《A.I. 人工智能》祖迪羅革命家的命運，起世界人類的義。昆丹杜皮埃不單止說了一個物料反擊的存在主義寓言，並將呢個殺人轆放到實景實地，給自命不凡的觀眾作主題公園凸現式觀影經驗，實情是他看穿荷里活片一條龍消費口腔餵食和食物中毒的狀況，潛台詞是：電影能……

Single Man (Guanggun’er)

Rubber

Belkibolang

Dir: Hao Jie 2010 Northwestern dialect/Putonghua Col 93min Cast: Yang Zhenjun, Ye Lan, Wang Suzhen

Dir: Quentin Dupieux France 2010 Colour 84min Cast: Stephen Spinella, Jack Plotnick, Wings Hauser

Dir: Various 2010 Indonesia Colour 88min

About 150 kilometres from Beijing in the mountain village of Gu Jia Gou, men drastically outnumber women, forcing some to buy wives from human traffickers. The rest remain bachelors, resigned to a life of gossips, complaints, manly bonding over the good old days and sex lives that border on the illicit. One of these is middleaged Lao Yang, carrying the torch for a married love of his life and also carrying on a secret affair with her. She’s happy as the village chief’s wife. He wants more.

Apparently Goodyear’s cousin has killer telekinetic powers. Robert is a sentient tire – possibly an all-season one at that. In the indescribably wacky horror comedy Rubber, our lead villain wakes up one day to begin its slaughtering…and also to fall in love. The film’s opening is worth the admission price alone – a deranged monologue about the lack of raison d’être. A Greek chorus of sorts – a group of binocular-toting spectators – even complements our police officer/narrator. Is it all just a joke? Must be seen to be believed.

九位印尼導演在作家瓦基梅納創作的劇本的基礎上，從不同角度聚焦雅加達夜晚精彩紛呈的故事和情緒。《傘》是金黃色調的雨中夜曲；《聊聊》是饒有興味的敘事實驗；《哺乳媽媽》講述了一場滑稽又諷刺的搶劫；《大象行星》 2010；《壁虎》裏一個寂寞中，一對情侶用遊戲來約定 2010 ；《壁虎》裏一個寂寞男人在停電的夜晚經歷了精彩的超現實；《站台》玩音樂狂想，《過山車》就玩脫衣服；《她》講妓女要回老家的前一夜，《滿月》側寫了一位出租車司機的婚姻，個個都小巧精美且遊戲趣味十足。

Jakarta’s vital, youthful energy is perfectly translated to the screen in this light-hearted omnibus that shows how the rules in their society are rapidly changing. Nine directors give us their take on life in the capital after dark: Agung Sentausa, Ifa Isfansyah, Tumpal Christian Tampubolon, Rico Marpaung, Anggun Priambodo, Azhar Lubis, Wisnu Surya Pratama, Edwin and Sidi Saleh. The scriptwriter for all segments is one talented Titien Wattimena. With humor, irony and suspense, the film showcases the new generation of Indonesian filmmakers.

女孩復仇十年未晚的故事長河，旁雜人物眾多，以九章鋪敘，亦獨立成篇。小里一家遭冷血殺害，殺人者畏罪自殺，八歲的她意識到復仇，卻寄託在同一命運的朋樹身上。十年後，朋樹有了新家庭，小里找到這個陌生人重燃他復仇之火。兼職殺手的探員、失憶的布偶藝人、殺性難改的少年犯、半失聰的搖滾少女，綿密交織出一張劫數難逃的塵世網。天堂，竟然在仇恨的咫尺之遙，瀨瀨敬久（《東京性愛死》，26 屆）又觸發數不盡的懸念。電影旬報十大位列第三之作。中場休息 15 分鐘。

Heaven’s Story (Hevunzu sutorii) Dir: Zeze Takahisa Japan 2010 Color 278min Cast: Tsuruoka Moeki, Hasegawa Tomoharu, Oshinari Shugo Forget every murder mystery you’ve ever seen – director Zeze Takahisa flips the genre inside-out with his modern epic. Nine interlocking stories follow characters whose lives have been touched by murder: victims, family members, police, or even the killers themselves. In the first episode, Tomoki, a young man whose wife and child were murdered, vows revenge. But as the years pass, we realize that nothing is as simple as good and evil. A gripping drama that is also a sustained meditation on trauma and healing. 15min Intermission.

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4/4（一）12:30pm 香港藝術中心 AC

23/3（三）7:50pm UA太古城 UC

5/4（二）11:30am 香港藝術中心 AC

23/3（三）10:10pm 5/4（二）1:45pm UA太古城 UC 香港藝術中心 AC

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21/3（一）7:50pm UA太古城 UC

1/4（五）5:30pm 香港藝術中心 AC

老驢頭

寒假

我們離瘋人院究竟有多遠？

兩個攀攀的心

導演：李紅旗 2010 普通話彩色 91分鐘

導演：李紅旗 2010 普通話彩色 86分鐘

導演：戴芬娜嘉絲坦蓮諾阿根廷 2010 彩色 76分鐘

The Old Donkey (Lao lu tou) Dir: Li Ruijun 2010 Ganzu dialect Colour 112min Cast: Ma Xingchun, Zhang Min, Wang Dazhi

Winter Vacation (Hanjia) Dir: Li Hongqi 2010 Putonghua Colour 91min Cast: Bai junjie, Zhang Naqi, Bai Jinfeng

Are We Really So Far From the Madhouse?

What I Love the Most (Lo que mas quiero) Dir: Delfina Castagnino Argentina 2010 Colour 76min Cast: Pilar Gamboa, María Villar, Esteban Lamothe

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26/3（六）10:30am 30/3（三）9:45pm UA太古城 UC 香港藝術中心 AC

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導演：李睿珺 2010 甘肅方言彩色 112 分鐘

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導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

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Dir: Li Hongqi Hongqi 2010 2010 Putonghua Putonghua Colour Colour 86min

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1/4（五）9:30pm 香港太空館 SP

4/4（一）3:15pm 香港太空館 SP

25/3（五）7:15pm The Grand GC

2/4（六）12:30pm 香港大會堂 CT

光棍兒

轆地魔

耶加達小夜曲

天堂物語

導演：郝傑 2010 西北方言／普通話彩色 93分鐘

導演：昆丹杜皮埃法國 2010 彩色 84分鐘

導演：A.聖多薩、I.艾斯梵思亞等等印尼 2010 彩色 88分鐘

導演：瀨瀨敬久日本 2010 彩色 278分鐘

Single Man (Guanggun’er)

Rubber

Belkibolang

Dir: Hao Jie 2010 Northwestern dialect/Putonghua Col 93min Cast: Yang Zhenjun, Ye Lan, Wang Suzhen

Dir: Quentin Dupieux France 2010 Colour 84min Cast: Stephen Spinella, Jack Plotnick, Wings Hauser

Dir: Various 2010 Indonesia Colour 88min

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30/3（三）7:15pm 香港藝術中心 AC

26/3（六）12:50pm 31/3（四）7:05pm UA太古城 UC 香港藝術中心 AC

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27/3（日）5:30pm UA太古城 UC

80後速愛物語

新世界

無夏之年

青春夜行

寡佬非人日記

電影就在街角

導演：內田伸輝日本 2010 彩色 92分鐘

導演：林家威日本 2010 彩色 100分鐘

導演：陳翠梅馬來西亞 2010 彩色 87分鐘

導演：尹成賢南韓 2010 彩色 116分鐘

導演：朴庭凡南韓 2010 彩色 127分鐘

導演：弗德烈哥維羅烏拉圭 2010 黑白 67分鐘

同一職場四男女交纏的死結。由加子懷疑重久不忠，卻不敢面對真相；阿敦愛上佐枝子，示愛後連朋友都做不成；佐枝子暗戀重久，最後將他弄到手。重久說自己每餐吃幾碗飯，女人也要有幾個。內田伸輝（《寄出的肖像》， 28 屆）將關係複雜的四人逐個對碰，展現相異的戀愛觀，但同有着 80 後的印記。四人在最不適當的時候碰上，即興的演出迸發巨大張力。當愛情失守，跑出來的自我很有殺傷力。東京 FILMEX 電影節拿下最高榮譽大獎，評審讚：成本極有限，表現力卻巨大。

Coco 是北京這新世界教出來的幸褔新人類，希望與少年《莫失莫忘》（31 屆）的清新明麗令全世界驚喜，陳翠梅得志的男朋友到日本歡度聖誕，男友走不開，她賭氣隻終於推出望眼欲穿的第二部長片。她回到出生地：關丹 Coco 期待落空，加上的 Sungai Ular，寫她這首波光鱗影、空靈視覺的散文詩。身上路。去到大阪的 Shinsekai 區，區，Coco 言語不通，速上迷失大阪一課，在曾經是天堂的破陋社圓月夜的平和氣氛帶着出神的蠢動，阿參回到家鄉漁村，區遇見幾個真實的人，有跟她同齡，兼職陪酒的留學少與兒時好友阿里及他的妻子米娜夜遊聚舊，懷緬成長身女，還有小子被獨留在家，個多月未見母親，而她卻有世，也閒話漁村的傳說，透現山水間蘊藏萬物之情。阿個北京來的保鏢。林家威（《其後》，34 ，34 屆）以過來人口參三分鐘閉氣潛水，是歸路也是不歸路，阿里回憶起阿吻，給來自新新世界的小公主，學習物質世界運行的必參的少年苦悶年代，人生節錄的兩段，將一個躁動的生然興衰歷史軌跡，要以熾熱人心，成長面對。命平常道來，卻傳奇釋放。

三個本是死黨的少年，從嬉戲無間的棒球遊戲，走進了愛情和成長的迷局，於是行為上開始自相矛盾，課室裏處處可見欺凌，謊言就是大殺傷力武器，直到死亡成了無可挽回的結局。導演尹成賢並沒有打算在他的首部長片中，止步於渲染青春的殘酷，而是拋出了辛辣的謎題：誰是施害者，誰又是受害者？答案的確出乎意料。那位找答案的父親，則將主題推升至社會層面，讓人不禁與他一起詢問：少年的悲劇，如何發生？為甚麼發生？本片獲釜山電影節新流獎。

茂山，位於中國、朝鮮邊境，是北韓生產鐵礦的經濟重鎮，不過這裏的人依然吃不飽穿不暖。勝喆從茂山逃到首爾尋新生，為的只是兩餐一宿。求生的渴望縱強，卻敵不過一群價值觀截然有異的新同志，歧視、排斥、衝突接踵而來，迫狗入窮巷，不得不反抗，身邊剩下最親近的只有一頭同是天涯淪落的小白狗。導演朴庭凡給本是同根生的北韓同胞投注了真切的關懷，在兩韓裝腔作勢隨時開戰的今天，這份情特別珍貴。本片獲釜山電影節新流獎及國際影評人獎，再獲鹿特丹電影節龍虎獎。

烏拉圭電影中心預告電影之死，提早摺埋，20 年盡心盡力的電影策劃理所當然受影響至大。但佐治身體力行活化電影，自己當起主角，第一件事恤個靚頭，然後直闖大學約會女影癡教授，誤打誤撞誤充代課大講現實與幻象（電影），更用肥笨身軀演繹快樂的佛烈雅士提。一部獻給電影的純電影，黑白畫面、老式銀幕比例、默片配樂，懷舊得率真動人，更有電影中心總監演回自己，冷面電影策劃其實是個影評人。獲夏灣拿電影節最佳電影獎。同場加映短片《我是大屠殺的倖存兒》（15 分）。

Love Addiction (Fuyu no kemono)

new world (Shinsekai)

Year Without a Summer (Berkelana) Dir: Tan Chui-mui Malaysia 2010 Colour 87 min Cast: Nam Ron, Azman Hassan, Mislina Mustaffa

Bleak Night (Pasuggun) Dir: Yoon Sung-hyun South Korea 2010 Colour 116min Cast: Lee Je-hoon, Seo Jun-young, Park Jung-min

The Journals of Musan (Musan ilgi) Dir: Park Jung-bum South Korea 2010 Colour 127min Cast: Park Jung-bum, Jin Yon-guk, Kang Eun-jin

A Useful Life (La vida útil)

Dir: Lim Kah-wai Japan 2010 Colour 100min

After winning the top prizes at Rotterdam and Pusan for her debut Love Conquers All, Tan reinvents herself with the languid, haunting Year Without a Summer. A significant technical leap is evident in every sumptuously shot scene, which complements the film’s poetic exploration of a local myth. It begins with Azam’s return to his hometown, where he reconnects with childhood friend Ali and his wife while on a night fishing trip. The two men’s friendship is the key to the past, which Azam triggers when he disappears into the sea.

What at first seems like another case of high school bullying gone awry reveals itself to be something much more complex in the aptly named but moving Bleak Night, the Pusan New Currents prizewinner. The mystery unfolds via flashbacks to a better time between three best friends, although strong masculine bonds and hyper-aggressive tension were already evident back then. Fast-forward to the present, and the father of one of the boys is searching for answers, only to find that he does not know his son at all.

Seungchul can’t hold down a decent job and has problems getting along with parishioners at his church. He’s not a criminal. He’s not a drop out. But he does have and ID card that begins with 125, the automatic signifier of a North Korean defector. His only friend is a stray dog, a creature almost as scorned as Seungchul himself. Park Jung-bum paints a picture of alienation and hypocrisy in modern South Korea, where Northern secularism and an inability to reconcile with capitalist beliefs are creating a conflicted and reviled underclass. Rotterdam Tiger Winner.

Part bittersweet elegy and part deadpan romantic comedy, A Useful Life is an exquisitely crafted ode to those who dedicate their lives to cinema. In one cinematheque, dwindling public attendance, dilapidated equipments and a budget deficit all threaten the very livelihood of those who bring cinematic classics to the screen. For Jorge, the programmer, the prospect of unemployment seems unthinkable. But things suddenly change for him when he once again encounters Paola …Screening with I Was a Child of Holocaust Survivors (15min).

Dir: Uchida Nobuteru Japan 2010 Colour 92min Cast: Kato Megumi, Sato Hiroyuki, Takaki Kosuke

An addiction to love could lead to a most dangerous game for four co-workers in this drama full of fierce emotions and complex entanglements. It begins simply enough with Yukako and her lackadaisical boyfriend Shigehisa; and Noboru and his infatuation with coy Saeko, who does not share his feelings. When Yukako faints in a metro station, Noboru helps her but also imparts to her a devastating suspicion about Shigehisa’s possible infidelity. Thus begins a raw and realistic showdown. Grand Prize, Tokyo Filmex.

Shinsekai, in Osaka’s downtown core, is the one neighbourhood where no one wants to walk alone at night. Nonetheless it’s where Beijing native Coco, looking for a swanky Christmas vacation, winds up. Initially upset over her disappointing circumstances - this isn’t the Osaka she read about in the travel brochures - things start looking up when she encounters a local with his own problems - chiefly his thug gang boss. Together they navigate the night streets as Coco makes new, surprising and ultimately enlightening discoveries about both Japan and her native China.

Dir: Federico Veiroj Uruguay 2010 B&W 67min Cast: Jorge Jellinek, Manuel Martínez Carril, Paola Venditto

一直為大家帶來高質素的電影節目和刊物出版的香港國際電影節協會，除官方資助外，同樣需要得到各公司企業、基金及個人的支持和贊助，方可延續我們的使命。

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23/3（三）5:30pm The Grand GC

26/3（六）9:30pm UA時代廣場 UQ

1/4（五）2:30pm 香港藝術中心 AC

5/4（二）6:15pm 香港藝術中心 AC

1/4（五）7:30pm 香港太空館 SP

4/4（一）1:30pm 香港太空館 SP

性女的閏年

防毒面罩殺人狂

超錯膠警大電影

導演：米高路維墨西哥 2010 彩色 92分鐘

導演：金曲、金宣南韓 2010 彩色 123分鐘

導演：金宣南韓 2010 彩色 73分鐘

如果她不是在日曆給 2 月 29 號畫上個血紅的圈，還以為殺手肆虐首爾，行兇時戴上防毒面罩，專向藍衣人下手。不外是又一個嚮往城市之光的鄉下女孩。城市狹小的房保守派政客參選市長，即接獲死亡恐嚇；交通督導員化間，正倒數羅拉一個月的生活。看電視，看街，吃罐頭身超人，矢志生擒兇徒；駐韓美軍悲痛欲絕，因未婚妻食物，打電話騙騙鄉間母親我生活得很好。每次她性感已遭毒手；少女深信曾被軍官父親強暴，發起自殺小組，外出，總帶回一夜情男人。然後遇上阿圖，阿圖的巴掌渴望死於殺手刀下。四組人物的故事交錯並置，展現人令她騷動，一夜兩夜三夜，彼此沉淪在激烈性愛裏，瀨心被恐懼蠶食的混亂失序。金氏兄弟延續《黑洞人間》尿箍頸身，最後來到 2 月 29。墨西哥生活的澳洲劇作（31 屆）的奇異風格，政治諷刺不言而喻（藍色正是南家電影首作，從房間鑽進羅拉的腸胃，再直奔墨西哥的韓執政黨官方顏色），孖生導演猶如炮製影像毒氣彈，爆五臟六腑。獲康城影展最佳首作金攝影機獎。開一片荒誕乖張的現世圖景。

首爾警方為建立親民形象，弄了個名為 Podori 的卡通吉祥物，以可愛造型收買人心。韓國獨立電影闖將金宣偏偏來搞破壞，利用山寨土炮特技，惡搞超錯政權。刻意刮花畫面，製造殘片效果，無非在暗示韓國民主自由正嚴重倒退。序幕的一家三口諧趣劇，誇張得來夭心夭肺，把修復清溪川的現任總統擺上枱，直指保守勢力當權當道。缺了下半身的塑膠 Podori 與群鼠大戰的重頭戲，極盡諷刺惡警的太監本性，民眾則是火中有火，誓要揭破膠警真面目。同場加映短片《再見不再見》（15 分）。

Leap Year (Año bisiesto)

Anti Gas Skin (Bangdokpi)

Dir: Michael Rowe Mexico 2010 Colour 92min Cast: Mónica del Carmen, Gustavo Sánchez Parra, Marco Zapata

Dir: Kim Gok, Kim Sun South Korea 2010 Colour 123min Cast: Jo Yeong-jin, Jang Liu, Park Ji-hwan

Self Referential Traverse: Zeitgeist and Engagement

Perverse and sexually explicit yet profoundly humanistic, this controversial Cannes Camera d’Or winner has some up in arms due to shocking scenes of sadomasochism. Yet nothing in the film feels exploitative. Instead, the minimalist camerawork and the fearless performance by its lead only highlight the sense of solitude of its complex protagonist: a female journalist who subsists emotionally via casual sexual encounters. But when she meets Arturo, she begins an intense and disturbing relationship with him.

Korean enfants terribles returns with their most ambitious film yet, revolving around a mysterious gasmask-donning serial killer who preys upon those wearing blue. There is the girl with a hairy face who leads a suicide cult to meet the murderer, a wannabe superhero obsessed with the case, a politician on the eve of his election who receives death threats, and an American G.I. whose girlfriend was butchered by the killer. It all adds up to one spectacularly weird satire of Korea’s modern-day sociopolitical landscape.

Dir: Kim Sun South Korea 2010 Colour 73min Cast: Podori, Jung Ah-young

A changing society, identity, Korea’s relationship to its institutions and Koreans’ relationships to each other are among the themes packed into Kim Sun’s wholly unique story of a cop looking for his father. Using archival footage and materials from a wide variety of media and mixing formats, Goksa’s nearly experimental feature is unlike anything you’ve seen before - and you’ll never look at Podori the same way again. Screening with short film Nowhere Elsewhere (15min).

我們得到越多的捐助，便有越多學生、影迷、藝術及電影工作者，以至整個社會受益。透過電影活動，文化溝通得以增進，創意交流得以鼓勵，藝術領域得以拓展。請到網址： http://society.hkiff.org.hk/cn/support_ donation.php，透過信用咭、支票或銀行轉帳捐款。

需要你電影節 DONATE & SUPPORT US!

The Hong Kong International Film Festival Society needs your support in order to continue producing quality programming and publications for our city. The development of the arts requires the strong support from the community. This includes funding that comes not only from the government, but also from private corporations, foundations and individuals. The greater the contribution, the more students, filmgoers, filmmakers and the general public can benefit from film activities that bridge greater cultural understanding, encourage creative works and dialogue, and broaden perspectives in all art forms. Please visit our website to make your online donation by credit card, cheque or bank transfer: http://society.hkiff.org.hk/en/support_donation.php

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30/3（三）5:45pm 香港太空館 SP

25/3（五）5:30pm UA太古城 UC

30/3（三）7:15pm 香港藝術中心 AC

26/3（六）12:50pm 31/3（四）7:05pm UA太古城 UC 香港藝術中心 AC

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27/3（日）5:30pm UA太古城 UC

80後速愛物語

新世界

無夏之年

青春夜行

寡佬非人日記

電影就在街角

導演：內田伸輝日本 2010 彩色 92分鐘

導演：林家威日本 2010 彩色 100分鐘

導演：陳翠梅馬來西亞 2010 彩色 87分鐘

導演：尹成賢南韓 2010 彩色 116分鐘

導演：朴庭凡南韓 2010 彩色 127分鐘

導演：弗德烈哥維羅烏拉圭 2010 黑白 67分鐘

Love Addiction (Fuyu no kemono)

new world (Shinsekai)

Year Without a Summer (Berkelana) Dir: Tan Chui-mui Malaysia 2010 Colour 87 min Cast: Nam Ron, Azman Hassan, Mislina Mustaffa

Bleak Night (Pasuggun) Dir: Yoon Sung-hyun South Korea 2010 Colour 116min Cast: Lee Je-hoon, Seo Jun-young, Park Jung-min

The Journals of Musan (Musan ilgi) Dir: Park Jung-bum South Korea 2010 Colour 127min Cast: Park Jung-bum, Jin Yon-guk, Kang Eun-jin

A Useful Life (La vida útil)

Dir: Lim Kah-wai Japan 2010 Colour 100min

Dir: Uchida Nobuteru Japan 2010 Colour 92min Cast: Kato Megumi, Sato Hiroyuki, Takaki Kosuke

Dir: Federico Veiroj Uruguay 2010 B&W 67min Cast: Jorge Jellinek, Manuel Martínez Carril, Paola Venditto

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23/3（三）5:30pm The Grand GC

26/3（六）9:30pm UA時代廣場 UQ

1/4（五）2:30pm 香港藝術中心 AC

5/4（二）6:15pm 香港藝術中心 AC

1/4（五）7:30pm 香港太空館 SP

4/4（一）1:30pm 香港太空館 SP

性女的閏年

防毒面罩殺人狂

超錯膠警大電影

導演：米高路維墨西哥 2010 彩色 92分鐘

導演：金曲、金宣南韓 2010 彩色 123分鐘

導演：金宣南韓 2010 彩色 73分鐘

Leap Year (Año bisiesto)

Anti Gas Skin (Bangdokpi)

Dir: Michael Rowe Mexico 2010 Colour 92min Cast: Mónica del Carmen, Gustavo Sánchez Parra, Marco Zapata

Dir: Kim Gok, Kim Sun South Korea 2010 Colour 123min Cast: Jo Yeong-jin, Jang Liu, Park Ji-hwan

Self Referential Traverse: Zeitgeist and Engagement

Dir: Kim Sun South Korea 2010 Colour 73min Cast: Podori, Jung Ah-young

需要你電影節 DONATE & SUPPORT US!

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22/3（二）9:30pm UA朗豪坊 UL

28/3（一）5:30pm UA時代廣場 UQ

29/3（二）9:40pm UA朗豪坊 UL

1/4（五）7:15pm 香港大會堂 CT

29/3（二）7:30pm UAiSQUARE IS

3/4（日）3:00pm THe Grand GC

22/3（二）5:30pm UAiSQUARE IS

28/3（一）9:40pm UA朗豪坊 UL

ER禿鷹

90後殘酷物語

五二二大事件

難為愛情定分界

導演：帕布洛查比羅阿根廷／智利／法國 2010 彩色 107分鐘

導演：賓盧卡斯澳洲 2010 彩色 97分鐘中文字幕

導演：高恩莫蒂爾比利時 2010 彩色 88分鐘

導演：卡迪巴慈比利時／土耳其 2010 彩色 95分鐘

比《ER》複雜和暗黑百倍的急症室風雲。禿鷹就是律師索沙（《謎情追兇》的力卡度戴連飾），盤旋醫院覓死傷者家屬，美其名出頭索保險金，其實詐取落自己袋。阿根廷車禍頻仍，ER 禿鷹是個發財行業。一宗車禍，索沙終於遇上他的女神，急救醫生露茵。他想改邪歸正，但法醫警三界合流的黑集團不肯放人。查比羅（《鎖不住的獄孃》，33 屆）取經四、五十年代，拍出古風濃烈的黑色電影，黑吃黑，宿命鴛鴦，窮途末路，翻新類型全無冷場，把急症室變生死角力、正邪互鬥的戰場。

5 月下旬青春無敵，不是你所想的那樣。澳洲編劇奇才首次執保安員森姆一覺醒來，如常到商場上班，然而，保安員森姆一覺醒來，如常到商場上班，然而，5 導，徹底撕破青春校園片的糖衣，講社交網絡世紀更殘的這一天其實一點也不平常。商場發生自殺式炸彈爆炸，酷的校園欺凌，不過，復仇之路也可一 click 搞掂。同母回身拼命救人的森姆終於按捺不住，轉身狂奔。也許他異父兄弟各走學校霸權的兩極，型仔 Zack 呼風喚雨，打將看到的比他已看到的更為恐怖，影片亦開始進入異域，機男 Darren 鵪鶉，當女同學 Xandrie 遭 Zack 迷姦棄屍，當事人在荒涼的街道、交通工具上重遇，互相責怪，彼 Darren 破殼而出，Xandrie 卻突然翻生，網絡瘋傳謠言。此傾訴，到頭來失敗靈魂原早已匯聚於爆炸奇點。前作全片大人缺席，刻意讓野性自主一個驚慄空間，幻想與《廢人幫》即一鳴驚人的莫蒂爾，這次以緊湊的前後跟拍現實的界線隨時模糊。悉尼首映時家長嚇到面青，只管鏡頭、荒人意境的淒美畫面，把觀眾的心徹底揉皺方再留意新聞，便認出這風格之作其實超寫實。打開，迎面而來的不叫遺憾還可能是甚麼？

愛情活在二人世界，很美滿，但不會好看，也不會很浪漫。添姆和莎拉相愛一年，但見雙方家長來得比誰都難，莎拉母親一見面便不客氣問：你哪裏來的？添姆頑固兼傳統的大佬甚至見都沒見，便拳頭警告。添姆是土耳其人，活在比利時，但覺兩面不是人。當父親這棵大樹倒下，添姆家三兄弟也在搖搖欲墜。巴慈的首作是半個自傳，畫面總散發難以言傳的親密感覺，是因輕快隨意的攝影、靜謐優美的配樂，也因主角是巴慈的弟弟。土耳其新浪潮電影版圖又一員實力猛將。

Carancho

Wasted on the Young

22nd of May (22 Mei)

Turquaze

Dir: Pablo Trapero Argentina/Chile/France 2010 Colour 107min Cast: Ricardo Darín, Martina Gusman, Carlos Weber

Dir: Ben C. Lucas Australia 2010 Colour 97min Cast: Oliver Ackland, Adelaide Clemens, Alex Russell

Dir: Koen Mortier Belgium 2010 Colour 88min Cast: Sam Louwyck, Titus De Voogdt, Wim Willaert

Dir: Kadir Balci Belgium/Turkey 2010 Colour 95min Cast: Burak Balci, Charlotte Vandermeersch, Nihat Alptug Altinkaya

Ricardo Darin (The Secret in Their Eyes), Argentina’s premier actor, teams up with rising auteur Pablo Trapero (Leonera) for an explosive noir set in the gritty underbelly of Buenos Aires. Hector is a scheming lawyer who preys upon accident victims by supposedly helping them with their insurance claims. One night, he meets Lujan, an ambulance duty doctor working night shifts. A tense relationship begins, but not before the moral decay surrounding them threatens to swallow them all. This is a dark thriller par excellence.

What would you do if you were confronted with terrorism? Koen Mortier’s atmospheric film tackles this sensitive topic with gorgeously bleak handheld visuals, beautiful destruction in slow-mo and painstakingly observed long takes. We witness Sam, a middle-aged security guard, as he begins what seems like another ordinary work day...until a bomb detonates inside the mall where he works. In shock, Sam runs out of the destruction, only to be confronted by the ghost-like apparitions of those trapped inside.

As its title suggests, Turquaze is a gem. Praised as a “luminously lensed first feature” by Variety, it depicts the lives of three very different Turkish brothers living in Ghent, Belgium. It focuses on Timur, the middle son, who dreams of fulfilling his late father’s wish of joining a brass band. Meanwhile, he leads a seemingly normal relationship with his lively Flemish girlfriend, until cultural insensitivities culminate into conflict. Realistic yet warm, tense yet romantic, this is a fresh and uplifting spin on the modern issue of multiculturalism.

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26/3（六）2:45pm UAiSQUARE IS

29/3（二）9:30pm UA太古城 UC

25/3（五）9:45pm UA時代廣場 UQ

27/3（日）10:30am UAiSQUARE IS

26/3（六）7:30pm UA太古城 UC

30/3（三）5:45pm The Grand GC

21/3（一）2:30pm UAiSQUARE IS

24/3（四）9:40pm UA朗豪坊 UL

不要哭我，阿根廷

冰上滾石

屍檔案

剛果風雲

導演：丹尼爾布曼阿根廷 2010 彩色 107分鐘

導演：丹尼斯郭迪加拿大 2010 彩色 92分鐘

導演：柏比路拉林智利／德國／墨西哥 2010 彩色 98分鐘

導演：祖東達華蒙加剛果／法國／比利時 2010 彩色 96分鐘

憑此作二度拿走羅迦諾電影節最佳導演獎的郭迪，最喜歡炮製乖行異人，他以寬容的目光，讓鏡頭下的「異類」自由地張牙舞爪。歡迎來到尚恩的魁北克冰封世界，尚恩覺得世道危險，恐懼到一個程度，不讓女兒上學。鄰家男孩在附近堆雪，他嚇走人不止，再一腳踩扁製成品，因為怕女兒有樣學樣。尚恩日間在酒店打工，晚在保齡球場兼職，獨個兒在家的女兒像雪國的愛麗絲，不過卻選在「陰間」漫遊。主角比勞度動員眼皮和臉肌演戲，形神俱備，獲羅迦諾電影節最佳男演員獎。

驗屍室的故事不必是鬼古，但人其實經常比鬼更可怕。幾疑是港產黑幫片移民非洲的羅里活，剛果拍出這部娛 1973 年智利軍事政變，左翼民主政府被推翻，驗屍助理樂性豐富的奇葩，只能以天才形容導演。沒錯蒙加大玩發現支持總統的鄰居被抓走了，朝思暮想的鄰居女兒芳類型元素，古惑仔覬準機會發大財，中途殺出的程咬金蹤杳然，與日俱增送到他跟前的屍體中可會有她份兒？不只黑道大佬，還有個 femme fatale，英雄片公式但主角大時代小人物開展的愛情，蕩氣迴腸即使不足，見微知卻極之反英雄，除了一味得把口，更逢打必輸。最煞食著大抵有餘。不見於鏡頭前的殘酷軍事行動確如鬼魅，是剛果的亂象統統都是爆笑位，狼胎講數的除了黑幫，壓抑的暴力才顯得無孔不入，終至無遠弗屆。「無人可逃還有女兵和神父，更通過鄰國安哥拉黑幫之口道出金句：避歷史的巨輪」，人性在權力面前的堅持與崩潰僅一線之「你們國家真屎，做回殖民地更好。」幾時有類型片把政差。入圍角逐威尼斯影展金獅獎。府罵得這麼狗血淋頭？剛果電影前途無限。

Brother and Sister (Dos hermanos)

Curling

Post Mortem

Viva Riva!

Dir: Daniel Burman Argentina 2010 Colour 107min Cast: Antonio Gasalla, Graciela Borges, Elena Lucena

Dir: Denis Côté Canada 2010 Colour 92min Cast: Emmanuel Bilodeau, Philomène Bilodeau, Roc Lafortune

Dir: Pablo Larrain Chile/Germany/Mexico 2010 Colour 98min Cast: Marcelo Alonso, Alfredo Castro, Amparo Nogue

Dir: Djo Tunda Wa Munga Congo/Fr/Bel 2010 Colour 96min Cast: Patsha Bay, Manie Malone, Hoji Fortuna

It’s a scenario most can relate to – a sibling whom you cannot stand yet you also cannot live without. Such is the dynamics between Susana and Marcos, two recently reunited bourgeois sixtysomethings who cannot be more different from each other. The sister is manipulative, immoral and highly theatrical just as the brother is meek, dutiful and a pushover. But when their mother dies, Marcos finds a new vocation, and the roles begin to reverse. Daniel Burman strikes a fine balance between comic wit and affectionate sympathy.

The game of curling is a perfect metaphor for the lonely individuals in Denis Coté’s masterful drama. The film, which deftly weaves humour, emotional resonance and even crime suspense elements together, follows JeanFrançois, an overprotective single father who works two jobs to support his home-schooled daughter. Their remote, snow-covered town is inhabited by equally eccentric characters, so it is unsurprising when a sinister spate of murders occur. Best Director and Best Actor, Locarno Film Festival.

Reuniting with his Tony Manero star, Pablo Larrain once again confronts the brutality of Chile’s 1973 coup, but this time its anti-hero Mario is a detached autopsy transcriber who is in love with his neighbor, an anorexic cabaret dancer. This could have unfolded as an awkward love story, but the reality of the times are about to come crashing upon them. As bodies pile up at the morgue, a shocking revelation unfolds. The film’s final 8-minute closing scene is at once phenomenally executed and terrifying in its implications.

Sexy, violent and thrilling – these adjectives can easily apply to the city of Kinshasa as much as the film itself. Viva Riva! is a breakthrough for African cinema – a wonderfully slick and fluidly shot crime drama that owes more to director Tony Scott (Unstoppable) than slapdash Nollywood filmmaking. The playboy Riva is a rogue who is chased by Angolans after stealing a cache of gas. But once he lays eyes on the sensuous Nora, he sets his sight on a most unattainable goal. It’s a tale full of desires, double-crossings and delicious danger.

〈Don't Cry for Me Argentina〉有這個「難兄難妹」版。馬高「姨」實是禾稈蓋珍珠，不羈的心當年勇闖過巴黎，只是媽媽金牌召回，乖乖做個住家男，他心底自然羨慕曾經在舞台紅過一陣，也曾是年薪千萬地產紅人的妹妹。如今媽媽老去，進入花樣年華已過的日子，妹妹浮誇如昔，馬高卻久旱逢春，遇上靚佬舞台導演，想贏得人生難得的掌聲與愛情滋味。兩兄妹與世間的風雨瓜葛，總發覺悲喜愛憎裏總有這血緣最親的人的份兒，命運早注定啊：打死不離親兄妹。

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

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22/3（二）9:30pm UA朗豪坊 UL

28/3（一）5:30pm UA時代廣場 UQ

29/3（二）9:40pm UA朗豪坊 UL

1/4（五）7:15pm 香港大會堂 CT

29/3（二）7:30pm UAiSQUARE IS

3/4（日）3:00pm THe Grand GC

22/3（二）5:30pm UAiSQUARE IS

28/3（一）9:40pm UA朗豪坊 UL

ER禿鷹

90後殘酷物語

五二二大事件

難為愛情定分界

導演：帕布洛查比羅阿根廷／智利／法國 2010 彩色 107分鐘

導演：賓盧卡斯澳洲 2010 彩色 97分鐘中文字幕

導演：高恩莫蒂爾比利時 2010 彩色 88分鐘

導演：卡迪巴慈比利時／土耳其 2010 彩色 95分鐘

Carancho

Wasted on the Young

22nd of May (22 Mei)

Turquaze

Dir: Pablo Trapero Argentina/Chile/France 2010 Colour 107min Cast: Ricardo Darín, Martina Gusman, Carlos Weber

Dir: Ben C. Lucas Australia 2010 Colour 97min Cast: Oliver Ackland, Adelaide Clemens, Alex Russell

Dir: Koen Mortier Belgium 2010 Colour 88min Cast: Sam Louwyck, Titus De Voogdt, Wim Willaert

Dir: Kadir Balci Belgium/Turkey 2010 Colour 95min Cast: Burak Balci, Charlotte Vandermeersch, Nihat Alptug Altinkaya

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26/3（六）2:45pm UAiSQUARE IS

29/3（二）9:30pm UA太古城 UC

25/3（五）9:45pm UA時代廣場 UQ

27/3（日）10:30am UAiSQUARE IS

26/3（六）7:30pm UA太古城 UC

30/3（三）5:45pm The Grand GC

21/3（一）2:30pm UAiSQUARE IS

24/3（四）9:40pm UA朗豪坊 UL

不要哭我，阿根廷

冰上滾石

屍檔案

剛果風雲

導演：丹尼爾布曼阿根廷 2010 彩色 107分鐘

導演：丹尼斯郭迪加拿大 2010 彩色 92分鐘

導演：柏比路拉林智利／德國／墨西哥 2010 彩色 98分鐘

導演：祖東達華蒙加剛果／法國／比利時 2010 彩色 96分鐘

Brother and Sister (Dos hermanos)

Curling

Post Mortem

Viva Riva!

Dir: Daniel Burman Argentina 2010 Colour 107min Cast: Antonio Gasalla, Graciela Borges, Elena Lucena

Dir: Denis Côté Canada 2010 Colour 92min Cast: Emmanuel Bilodeau, Philomène Bilodeau, Roc Lafortune

Dir: Pablo Larrain Chile/Germany/Mexico 2010 Colour 98min Cast: Marcelo Alonso, Alfredo Castro, Amparo Nogue

Dir: Djo Tunda Wa Munga Congo/Fr/Bel 2010 Colour 96min Cast: Patsha Bay, Manie Malone, Hoji Fortuna

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

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27/3（日）6:00pm The Grand GC

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30/3（三）9:45pm UA時代廣場 UQ

4/4（一）2:30pm The Grand GC

香港會展中心CE2 23/3（三）7:15pm CE2

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24/3（四）5:45pm UA太古城 UC

4/4（一）9:30pm 香港藝術中心 AC

26/3（六）12:30pm 1/4（五）7:30pm UAiSQUARE IS The Grand GC

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黑色維納斯

伊戀

我快樂你大鑊

伊朗式分居

天堂無路

人事經理補鑊之旅

導演：阿杜拉提克智思法國／意大利 2010 彩色 159分鐘

導演：安妮維拉茜琪法國 2011 彩色 95分鐘

導演：沙基羅斯尼薩德國／烏克蘭／法國 2010 彩色 127分鐘

導演：阿斯加法哈迪伊朗 2011 彩色 123分鐘

導演：扎曼尼艾斯馬堤伊朗 2010 彩色 79分鐘

導演：力奇利斯以色列／德國／羅馬尼亞 2010 彩色 103分鐘

二百年前，她是倫敦最煞食的娛樂：籠裏嘶叫的黑色維納斯。每個來看的觀眾都想獵奇，管她是食人的野人、下等畸零人，還是末落公主。健碩得近乎不合比例的莎拉，給主人從南非誘來生財，由倫敦到巴黎，她易手給更卑鄙的白人，被迫做更下流的表演，一步步成為醜陋人性的最大受害者，以科學之名得逞的，原來最惡，莎拉的真人倒模，至今仍在巴黎的博物館。令人不忍卒睹的畫面在威尼斯影展引起巨大回響，活化那個歷史，克智思（《他鄉的煮意》，32 ，32 屆）更想諷今。

寶莉年近 50，依然美麗，丈夫找了個少艾，拋棄了她；浪漫老套的同事追求，被她力拒；到 soulmate.com 找伴，和陌生男造愛；有個似樣的，卻被騙去換伴俱樂部；在地鐵昏倒；忘了自己生日；做噩夢被男人見到自己戴起厚玻璃眼鏡的真身；到戲院避難看杜魯福的戲，哭光了紙巾。獻給法國新浪潮的作品，不過盧馬和杜魯福的愛情到了今天，加入互聯網這角色，轉速奇快，寶莉轉個頭便演出了幾部《柔膚》和《秋天的故事》，愛與夢向來需要時間發酵，一 click 真的可以？

俄境腹地有如卡夫卡的荒誕故事，卻是今日的現實速寫，康城競賽曝光時驚艷，在愛沙尼亞和俄羅斯多地電影節摘下大獎。貨車司機一天的偶遇，幾次路障一次大塞車，幾個陌生的不速之客一些奇怪的經歷，心死的老兵、苦纏的雛妓、神秘的吉卜賽女人，還有貪腐的警察。都是導演拍紀錄片時採集的精彩故事，高明是不着痕跡隨意串聯，劇情發展破格，披上保護色的暴力不知何時會埋身，明明寫實在陽光明媚中，卻暗暗驚慄恐怖，一如走在俄境離散形的公路上，不覺間前無去路。

伊朗式離婚當然比我們迂迴曲折，狀況艱難。絲敏鋪路離開伊朗，但尼達卻有遲疑，因為他爸老人癡呆，絲敏決絕搞離婚，遭法庭駁回，她自己出走，女兒留下跟尼達。尼達應付不來，找年輕女子幫忙，卻不知對方有孕，更瞞着丈夫工作。有天尼達回家，發現老爸給綁起來。法哈迪走出自己新一代的伊朗風格，不惜犯禁發掘引人入勝的新題材（此作一度遭政府禁制），前作《艾莉的小秘密》(33 屆 ) 獲柏林影展最佳導演銀熊獎，此作再接再厲，入圍角逐最佳電影金熊獎。

這是一個男人做了錯事不相干，女人做了便吃虧在眼前的國度。說的當然是性，也當然不只是性。鏡頭緊緊捕捉不斷走避的少女，焦慮、惶恐，終究帶上絕望的神色如此令人心碎。故意不全面的敘事、強烈的特寫和影機運動，讓觀眾不知道的反而推動所知、加強所知。正是那無可詮表，終須歸於沉默的重壓，令個人無所逃於天地之間。中央監獄仍是有形的，片末父親放逐女兒時置身的，那彷彿無垠的風砂大漠，才是叫你久久透不過氣的人性隱喻。

耶路撒冷最大的麵包店大鑊，女外勞店員做了人肉炸彈，屍體無人認領，引發傳媒公審。人事經理急急修補形象，護送遺體回羅馬尼亞家鄉。人性雖本自私，經理有齊商業社會抵死本質，官僚制度卻迫出真性情。掛着蒙娜麗莎神秘笑容的遺體，漸漸令他着迷。以為是交差的化裝工程，卻因共產主義遺害及大風雪、語言障礙演變成歷險。討厭的記者、反叛的兒子、古怪的領事，角色荒唐亦寫真。獲羅迦諾電影節最受觀眾歡迎獎，並囊括以色列電影金像獎最佳電影、導演及編劇等大獎。

Black Venus

E-Love

My Joy (Schastye moe)

Nader and Simin, A Separation

The Orion

The Human Resources Manager

Dir: Anne Villecèque France 2011 Colour 95min Cast: Anne Consigny, Antoine Chappey, Carlo Brandt

Dir: Sergei Loznitsa Germany/Ukraine/France 2010 Col 127min Cast: Vlad Ivanov, Viktor Nemets, Olga Shuvalova

Dir: Asghar Farhadi Iran 2011 Colour 123min Cast: Lelia Hatami, Peyman Moadi, Shahab Hosseini, Sareh Bayat

Dir: Zamani Esmati Iran 2010 Colour 79min Cast: Nasim Kiani, Mehrdad Sheykhi, Hamed Baraghani

Dir: Eran Riklis Israel/Germany/Romania 2010 Colour 103min Cast: Mark Ivanir, Guri Alfi, Noah Silver

Fifty-year-old Paule, a professor of philosophy, is forced to apply her theories to her own life when her seemingly perfect marriage is shattered when her husband blindsides her with demands for a divorce. Newly single, Paule is compelled to re-enter the dating world, and of course she has to do it the modern way: online. Using the cyber-handle Antigone, Paule spends a summer on a journey of social and sexual awakening that opens her eyes to what she had been missing and what she truly wants.

Nihilism has rarely been as riveting as in documentarian Sergei Loznitsa’s highly praised fiction debut. The ironically titled My Joy follows truck driver Georgy as he journeys into the heart of darkness of the Russian countryside, rife with abuse of power, greed and age-old corruption. The ravaging despair and inhumanity borders on horror film material, but the film’s allegorical quality reminds us of the truthfulness in the social injustice and disorder which we witness. It is an ugly, brutal world, illuminated only via skillful mise-en-scène and powerful imagery.

Nader loses his wife Simin when their plans to leave Iran are complicated by his refusal to leave his Alzheimer’safflicted father behind. With Simin unable to get a divorce and back with her own family, Nader is compelled to hire pregnant Razieh, working in secret, as a caregiver for his father. One poor decision, an argument and the resulting tragedy destroys Nader’s life and shatters his relationship with his daughter Termeh. Silver Bear winner Farhadi’s follow-up to About Elly again focuses on perception as it defines a family.

Clandestinely shot without official permission, The Orion searingly recalls the activism of Jafar Panahi’s seminal The Circle. Circle. With Panahi, who consults on the film, still arraigned in Iran for his political views, director Zamani Esmati takes up his mantle to speak for women’s rights. Esmati uses a handheld camera to intimately capture in real-time the plight of young Elham, a woman who has lost her virginity to her astronomy professor Amir. A backstreet doctor is soon arranged for her, but not before the police are clued in...

As if HR is not a tough enough job, our ever-frowning protagonist is faced with a potential scandal after an employee is found dead and unclaimed at the morgue. Hardly selfless, the man is pushed by his boss to resolve the situation at all costs thanks to an exposé on the company by an unscrupulous journalist. Thus begins an unwittingly epic transnational journey from Israel to Russia, with many oddball characters encountered along the way. A poignant and quirkily humorous story, this film upholds the values of family and home.

Dir: Abdellatif Kechiche France/Italy 2010 Colour 159min Cast: Andre Jacobs, Jonathan Pienaar, Yahima Torres

Black Venus is based on the true story of Sarah Baartman, the African woman who was displayed as a freak show attraction in the racially-obsessed Europe of the early 1800s. The sad tale unfolds in the gritty London circuses and genteel Paris salons where Baartman was forced to perform like a trained animal – and finally in the bars and brothels where she found an early death. Director Kechiche and actress Yahima Torres bring Baartman to life in a harrowing exploration of racism past that implicates each of us in the present.

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香港會展中心CE2 24/3（四）9:30pm CE2

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27/3（日）6:00pm 香港科學館 SM

30/3（三）3:30pm 香港太空館 SP

25/3（五）7:15pm UA朗豪坊 UL

29/3（二）9:30pm 香港大會堂 CT

21/3（一）7:15pm 香港科學館 SM

3/4（日）9:30pm 香港太空館 SP

性教育奇觀

科學怪童

喀什米爾之秋

質數的孤寂

四時之樂：人‧羊‧樹‧煤

歡待

導演：雅典娜麗秋曾嘉莉希臘 2010 彩色 95分鐘

導演：康奴門多佐匈牙利／德國／奧地利 2010 彩色 105分鐘

導演：阿米巴舒印度 2010 彩色 99分鐘

導演：沙維里奧高斯坦祖意大利 2010 彩色 118分鐘

導演：米開蘭基羅芬馬天奴意大利／德國 2010 彩色 88分鐘

導演：深田晃司日本 2010 彩色 96分鐘

一開場兩女角舌頭交戰，實情是西部片轉移大法，所以舌頭其實是槍（儘管性的象徵無異），奇才曾嘉莉還惡搞科幻、瘋狂喜劇和希臘悲劇等類型，創意空前。超級實驗場建築師要訣別他認為過譽的 20 世紀，女兒 Marina 這件最後的實驗品，則開始自我性教育，對象是死黨 Bella 和新到的工程師，不過 David Attenborough 的動物王國才是真師父。父女、朋友、情人的關係顛覆得體無完膚，你固有的接收模式都會在這兒瓦解。去年最怪雞之作，徹底上身的女主角獲封威尼斯影后。

破格改寫《聖女貞德》之後（《性女貞德》，30 屆），匈牙利風格導演門多佐又來悲壯地重寫《科學怪人》，但怪物不是瘋狂科學家的產物，而是門多佐自演的無情導演所播的種，也夠諷刺的。17 歲的棄兒魯多去找素未謀面的母親，卻撞上大導演試鏡，一見魯多一副不染塵俗的表情，大導大喜，一個決定卻馬上導致女角遇害。驚惶的魯多縈繞試鏡所在的半塌樓房，在愛的絕望中威脅現場一切生物。門多佐以哥德式的建築和畫面風格，重構人類鏡象裏的經典怪物。

失踪這裏有特殊意思，是永永遠遠的。哥一去不回，少年拉菲去偷渡，給親戚抓回來，夢遊度日，找工作，只找到送報。到了深秋，他發現爸媽更魂不附體，媽死命追討兒子屍體，爸遇炸彈男大受刺激，拉菲的死黨，都說去德里避難。他發現哥的相機，開始拍照。那年 2002，手機進佔印度，國家經濟起飛，喀什米爾的正常 2002 ，手機進佔印度，國家經濟起飛，喀什米爾的正常生活卻不住失陷，居民手機的用處是有子彈飛時報平安。攝影收音簡約，節奏慢而有致，畫面不停的細微變化有股魔力，是薩耶哲雷的大師功架，但巴舒才是首作。

她跛的是腳，傷的是心。他傷的是心，卻鎅手傷自己。她和他不幸都是質數／人，不能合群，女生都來欺負她，他則關門玩自閉。他們認出彼此隱形的疤，還有彼此的孤獨，成了好朋友。他們一起長大，卻在走平行線，感情只能寄住暗角，沉重得難以承受。高斯坦祖（《我屋企有隊兵》，29 屆）改編同名得獎暢銷小說，打亂童年、少年和成年三段時空，以超現實的迷離影像，把兩個質數人愛情路上複雜的感覺炮製得黑色驚慄。成長也好，愛情也好，驚慄確也是現實的顏色。

裝置藝術家芬馬天奴第二作，在康城曝光石破天驚，證明電影誕生百幾年，創意仍然不枯竭。片名「四時」指生命四個時態／形態，導演回到意大利遺世的小村故鄉，靜觀「四主角」召喚我們的集體想像。牧羊老人先出場，陸續有自把自為的山羊、初生小羊、瑰麗杉樹、古老節慶，還有喧賓奪主的小狗、深藏不露的煤碳。芬馬天奴以謙卑的眼神解說莊子的齊物論，長鏡頭滿載詩意和幽默感，更邀觀眾一同構築結局。獲康城導演雙周最佳歐洲電影獎、最佳狗演員金棕櫚獎。

小林家有怪訪客，一張尋鳥啟事引來陌生男子登門造訪。小林是中年老實人，經營家庭式印刷店，前妻留下幼女，再娶的妻子青春少艾，還有個失婚妹妹，一屋四口平靜度日。訪客看來謙謙君子，先請纓當替工，無家可歸就住下來，更攜同異族訪客乘隙而入，勾起小林的潛在慾望，也翻開年輕妻子的秘密。雖不是柏索里尼《定理》對中產家庭的劇烈衝擊，《東京人間喜劇》導演深田晃司卻以這次「歡待」步步鬆開小鎮居民保守排外的拘謹面具。獲東京電影節日本電影視點獎。

ATTENBERG

Tender Son ﹣ The Frankenstein Project Autumn (Harud)

The Solitude of Prime Numbers

Dir: Kornél Mundruczó Hungary/Germany/Austria 2010 Col 105min Cast: Rudolf Frecska, Lili Monori, Kornél Mundruczó

Dir: Aamir Bashir India 2010 Colour 99min Cast: Reza Naji, Shahnawaz Bhat, Shamim Basharat

Dir: Saverio Costanzo Italy 2010 Colour 118min Cast: Alba Rohrwacher, Luca Marinelli, Isabella Rossellini

The Four Times (Le quattro volte) Dir: Michelangelo Frammartino Italy/Germany 2010 Col 88min Cast: Giuseppe Fuda, Bruno Timpano, Nazareno Timpano

hospitalité

Dir: Athina Rachel Tsangari Greece 2010 Colour 95min Cast: Ariane Labed, Giorgos Lanthimos, Vangelis Mourikis

Oscar-nominated Dogtooth producer Tsangari returns as the director of Attenberg Attenberg,, a bizarre, riotous yet oddly moving account of Marina, a young woman with a form of Asperger’s syndrome. The film opens with a scene of two women kissing, but it’s just Marina’s best friend Bella trying to teach her how to achieve intimacy. Marina also spends much of her time with her father, watching and imitating the animals in David Attenborough-presented documentaries. It is the latter relationship which forms the emotional core of the film.

This radical re-interpretation of Mary Shelley’s classic, a gorgeously visualized gothic tale by the director of Delta and Johanna, posits the mythical man-made monster as a fleshand-blood human. 17-year-old Rudolf, abandoned as a child by his parents, escapes from an institution and wanders into a movie casting session. The callous director is fascinated by teen, only to realize later that it is his own son. But the boy has long since lost any sense of normality despite his need for acceptance, and events soon turn tragic.

The marks of conflict are everywhere: the sparks on power lines, half-crumbled buildings and barbed wires on roads. This is Kashmir, a land locked between two conflicting states, where military presence is overwhelming and the threat of violence is ever-present. Rafiq is, like his parents, unable to cope with his older brother’s disappearance. He sleepwalks through his daily routines until the discovery of his sibling’s old camera. Beautifully lensed, this is a convincing and arresting directorial debut by Bashir, a Kashmir native.

Alice and Mattia are two solitary, outcast teenagers who fall into an instant attraction when their paths cross. But each bears a hidden wound from childhood which will keep them apart as much as it intertwines their destinies. Can prime numbers ever really come together? Based on the celebrated novel by Paolo Giordano, this haunting tale of two tortured souls longing for connection features visceral performances by Alba Rohrwacher (I Am Love), rising star Luca Marinelli, and the legendary Isabella Rossellini.

The theme of reincarnation unfolds in purely cinematic form in this magnificent philosophical rumination, the Cannes Directors’ Fortnight Best European Film Label winner. Italy’s picturesque Calabria province serves as a backdrop as we wordlessly trail a frail old shepherd while he performs his daily duties. In a revelatory transition, our focus then shifts to a young goat, and later still a giant tree. Though undeniably understated, there is plenty of humor to be found among the splendors of life and nature within this joyously transcendental film.

It’s another slow summertime at the Kobayashi Printing Company, where the proprietor Mikio lives with his young wife, daughter, and divorced sister…until their pet parakeet goes missing, and a barely-remembered family friend shows up on their doorstep. When their visitor Kagawa moves in, the Kobayashi’s quiet life is thrown into disarray, with increasingly hilarious consequences. Fukada Koji borrows from the robust absurdity of his Seinendan Theatre troupe for this refreshing comedy about family, tradition, and change.

Dir: Fukada Koji Japan 2010 Colour 96min Cast: Kenji Yamaguchi, Kiki Sugino, Kanji Furutachi, Bryerly Long

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4/4（一）2:30pm The Grand GC

香港會展中心CE2 23/3（三）7:15pm CE2

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24/3（四）5:45pm UA太古城 UC

4/4（一）9:30pm 香港藝術中心 AC

26/3（六）12:30pm 1/4（五）7:30pm UAiSQUARE IS The Grand GC

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黑色維納斯

伊戀

我快樂你大鑊

伊朗式分居

天堂無路

人事經理補鑊之旅

導演：阿杜拉提克智思法國／意大利 2010 彩色 159分鐘

導演：安妮維拉茜琪法國 2011 彩色 95分鐘

導演：沙基羅斯尼薩德國／烏克蘭／法國 2010 彩色 127分鐘

導演：阿斯加法哈迪伊朗 2011 彩色 123分鐘

導演：扎曼尼艾斯馬堤伊朗 2010 彩色 79分鐘

導演：力奇利斯以色列／德國／羅馬尼亞 2010 彩色 103分鐘

Black Venus

E-Love

My Joy (Schastye moe)

Nader and Simin, A Separation

The Orion

The Human Resources Manager

Dir: Anne Villecèque France 2011 Colour 95min Cast: Anne Consigny, Antoine Chappey, Carlo Brandt

Dir: Sergei Loznitsa Germany/Ukraine/France 2010 Col 127min Cast: Vlad Ivanov, Viktor Nemets, Olga Shuvalova

Dir: Asghar Farhadi Iran 2011 Colour 123min Cast: Lelia Hatami, Peyman Moadi, Shahab Hosseini, Sareh Bayat

Dir: Zamani Esmati Iran 2010 Colour 79min Cast: Nasim Kiani, Mehrdad Sheykhi, Hamed Baraghani

Dir: Eran Riklis Israel/Germany/Romania 2010 Colour 103min Cast: Mark Ivanir, Guri Alfi, Noah Silver

Dir: Abdellatif Kechiche France/Italy 2010 Colour 159min Cast: Andre Jacobs, Jonathan Pienaar, Yahima Torres

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28/3（一）5:45pm UAiSQUARE IS

2/4（六）9:00pm 香港大會堂 CT

21/3（一）7:15pm UA朗豪坊 UL

香港會展中心CE2 24/3（四）9:30pm CE2

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27/3（日）6:00pm 香港科學館 SM

30/3（三）3:30pm 香港太空館 SP

25/3（五）7:15pm UA朗豪坊 UL

29/3（二）9:30pm 香港大會堂 CT

21/3（一）7:15pm 香港科學館 SM

3/4（日）9:30pm 香港太空館 SP

性教育奇觀

科學怪童

喀什米爾之秋

質數的孤寂

四時之樂：人‧羊‧樹‧煤

歡待

導演：雅典娜麗秋曾嘉莉希臘 2010 彩色 95分鐘

導演：康奴門多佐匈牙利／德國／奧地利 2010 彩色 105分鐘

導演：阿米巴舒印度 2010 彩色 99分鐘

導演：沙維里奧高斯坦祖意大利 2010 彩色 118分鐘

導演：米開蘭基羅芬馬天奴意大利／德國 2010 彩色 88分鐘

導演：深田晃司日本 2010 彩色 96分鐘

ATTENBERG

Tender Son ﹣ The Frankenstein Project Autumn (Harud)

The Solitude of Prime Numbers

Dir: Kornél Mundruczó Hungary/Germany/Austria 2010 Col 105min Cast: Rudolf Frecska, Lili Monori, Kornél Mundruczó

Dir: Aamir Bashir India 2010 Colour 99min Cast: Reza Naji, Shahnawaz Bhat, Shamim Basharat

Dir: Saverio Costanzo Italy 2010 Colour 118min Cast: Alba Rohrwacher, Luca Marinelli, Isabella Rossellini

The Four Times (Le quattro volte) Dir: Michelangelo Frammartino Italy/Germany 2010 Col 88min Cast: Giuseppe Fuda, Bruno Timpano, Nazareno Timpano

hospitalité

Dir: Athina Rachel Tsangari Greece 2010 Colour 95min Cast: Ariane Labed, Giorgos Lanthimos, Vangelis Mourikis

Dir: Fukada Koji Japan 2010 Colour 96min Cast: Kenji Yamaguchi, Kiki Sugino, Kanji Furutachi, Bryerly Long

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25/3（五）7:15pm 香港太空館 SP

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香港會展中心CE2 21/3（一）9:30pm CE2

03CT4M1 3/4（日）10:30am 香港大會堂 CT

盜光皇帝

十月的神蹟

末路兄弟

河上的幽靈

當海南遇上潮州

分手又如何

導演：阿丹艾連古伯吉爾吉斯／德國／法國 2010 彩色 80分鐘

導演：韋加兄弟秘魯／委內瑞拉／西班牙 2010 彩色 83分鐘

導演：馬辛胡路那波蘭 2010 彩色 86分鐘

導演：阿歷西費多真高俄羅斯 2010 彩色 75分鐘

導演：韓耀光新加坡 2010 彩色 81分鐘

導演：李潤基南韓 2011 彩色 109分鐘

別的地方他頂多是個電工，在吉爾吉斯他卻是個大俠。盜光先生專修破爛：電力電錶電線甚至婚姻。他替老居民的電錶做手腳，打劫政府去濟貧。他有兩個夢，一是生個仔，於是騙壯男上妻子的床；二是發明廉價的風力發電。電視播反政府示威，不及村上來了個大款震撼，大款安插傀儡市長，又安排艷舞巴結中國豪客。還以為自導自演的古伯（《猩猩仔十七歲》，26 屆）講民間故事，拐個彎直批資本主義在第三世界幹的好事，沒想到吧，從前銀幕的白人奸角，今天換上了中國人。

奇蒙經營街坊當舖，眼中只有錢，腦中只有數字。內心？未用過，大概空空如也。肉身？嫖嫖妓混過去了。妓女在他家留下嬰孩，據說是奇蒙的，一個惡煞抱着 BB 撈偏門？說不過去。鄰家中女蘇菲看準機會飛身營救，把嬰孩和一頭家打理得井井有條，奇蒙像有條神經震醒了，但不肯定。來到秘魯十月節，奇蹟之神你顯顯靈吧。說起來，兄弟班導演都有強烈風格，韋加兄弟的啟蒙者有郭利斯馬基、占渣木殊、布烈遜，看那些冷面黑色幽默，真的不假。獲康城某種觀點評審團獎。

李滄東出道作《黑道初哥》被馬辛胡路那搬到波蘭的沒落城市再奏。年輕小伙子楊力服完兵役回到家鄉，找當年有過救命之恩的米察爾找狀況，對方已非當年黑幫小子，坐擁先進的玻璃裝飾工場，有個金髮靚老婆，兒子剛出生。然而美哉人生背後卻是一場生死搏鬥：米察爾曾在警方迫供下做了一次二五仔，他企圖以定期上繳換取生存空間，命運安排，楊力被選中去執行那其實亦是利益至上，無仁義可言的地下幫規。這是低吟下一世再做兄弟的黑道夕陽之歌。

費多真高是電影魔術師，前有《捷足先登三十年》(30 屆 ) 炮製偽紀錄片製造歷史，這一次拍劇情片意態情色，把湮沒民族的想像變成「史實」。馬里人四百年前從芬蘭散居俄境伏爾加河，電影裏，工廠老闆遵從傳統，把亡妻送往祖先之地河葬，路上，他跟帶上的友人大談自家夫妻性事，以慰亡魂，友人的畫外音縷述民族故事和兒時軼事，再有死者的舊事閃回，原是公路電影，卻籠罩陰魂不息的詭異氣氛。獲阿布扎比電影節最佳劇情片獎，威尼斯影展國際影評人獎。

海南仔遇上潮州妹，一個女生男相，一個男生女相，住在同一大廈，本來互不相干，卻因一個從天而降的 bra 結怨結緣。他把自來 bra 當作護身符據為己有，她就四出張貼「尋 bra 啟事」苦苦搜索，內衣爭奪戰一觸即發。以為冰釋前嫌，緣份來跨性別，她的舊愛美慧卻突然殺到，一屋兩性三角錯，擁抱也未免太擁擠。他的弟弟亡魂亦來加入戰團，左右感情大局。新加坡新銳導演以低成本拍出非一般愛情喜劇，以非職業演員擔綱主角，兜亂性別定型，不是帥哥美女，一樣甜蜜蜜。

她（林秀晶）說愛上別人，不如分手，他（玄彬）沒有異議，默然接受。這是兩口子在家最後的一日，和一串小事。雨很大，一頭小貓闖進來，和他們玩了一場捉迷藏。門鈴響，鄰家夫妻來找貓，舊事不覺間湧心頭，大家都害怕提起。電話響，是她的新男友，然後她說今天路不好走，多待一日。他做飯切洋葱，淚在長流。小貓終於發抖現身，她呵護：不怕，沒事的。南韓愛情缺陷搞手李潤基（《愛情回水一日遊》，33 屆）鏡頭細如流水的雋永新作，打入柏林影展競賽爭金熊。

The Light Thief (Svet-Ake)

October (Octubre)

Silent Souls (Ovsyanki) Dir: Aleksei Fedorchenko Russia 2010 Colour 75min Cast: Igor Sergeyev, Yuri Tsurilo, Yuliya Aug

Come Rain Come Shine

Dir: Diego Vega, Daniel Vega Peru 2010 Colour 83min Cast: Bruno Odar, Gabriela Velásquez, Carlos Gassols

The Christening (Chrzest) Dir: Marcin Wrona Poland 2010 Colour 86min Cast: Tomasz Schuchardt, Wojciech Zielinski, Natalia Rybicka

When Hainan Meets Teochew

Dir: Aktan Arym Kubat Kyrgyzstan/Germany 2010 Col 80min Cast: Aktan Arym Kubat, Taalaikan Abazova, Askat Sulaimanov

Dir: Han Yew Kwang Singapore 2010 Colour 81min Cast: Lee Chau Min, Tan Hong Chye, Yeo Yann Yann

Dir: Lee Yoon-ki South Korea 2011 Colour 109min Cast: Lim Su-jeong, Hyun Bin

A gentle, droll allegory on post-Soviet Kyrgystan’s problems with rapid capitalisation and corruption, The Adopted Son director’s newest work gives us context as to the public sentiments which led to last year’s uprising. A cheerful Robin Hood-esque electrician known as Mister Light helps everyone around him by tampering with meters so that the poor can have access to power. But the authorities are on him, especially crooked politician Bezkat, who plans to sell the villagers’ land to the Chinese. Can Mister Light realize his dream of providing cheap energy through wind power?

In Peru, the month of October is when the country’s capital celebrates its patron saint. It also marks a time of change for Clemente, a middle-aged moneylender and a loner whose relationships all revolve around his profession – except his trysts with prostitutes. The dalliances result in a baby being deposited at his apartment, triggering a new realization in Clemente as he rediscovers his bonds with people. Charmingly lowkey in its heart and humour, this is a compassionate tale of redemption. Jury Prize, Cannes Un Certain Regard.

The adage “one cannot escape from one’s past” is never truer than in this bruisingly violent yet superbly crafted crime thriller. When Jacek is discharged from the army, he barges in on his childhood buddy. The married Mikal however has moved on to become a successful business owner, and he invites Jacek to become his newborn baby’s godfather at the christening. But a vicious gang that both were once involved with catches up with the ex-soldier, threatening to drag them all down the path they once tried to escape.

The ancient ritual of sending the dead to the afterlife is fast disappearing in today’s modern world. In the poetic and enigmatic Silent Souls, the near-forgotten rite of the Merjans, a disappearing ethnic group in Russia, is resurrected when Miron discovers that his wife Tanya has passed away. Enlisting the help of Aist, a photographer, the two men embark upon a road trip to the river Neya. The resulting work recalls Andrei Tarkovsky in its visual opulence and brooding poetry. Best Cinematography and FIPRESCI award, Venice Film Festival.

Prevailing romantic comedy trends would have us believe that ordinary people are not likely to find love, romance and acceptance. Han Yew Kwang begs to differ. The gender-bending pairing of the girly Teochew and the boyish Hainan begins with a lost bra and ends with happily ever after. More about companionship than grand romance, the fundamentally dialectical film is a clever, subversive riff on communication and connection that balances just the right amount of physical humour with witty, sharply delivered dialogue.

After three years together, a woman tells a man she is leaving him for someone else. They spend their last day together, and though neither makes any attempt at reconciliation, the shared memories in evidence around them and a series of innocuous events rekindle long-dormant feelings and force her to reconsider. With everything they do in their final hours together holding multiple meanings, Lee transcends the relationship drama with a portrait of a universally recognisable struggle between emotional familiarity and weariness.

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牧羊人的天空

世界盡頭的列車

這個夏天真太冷

蚊帳之家

半個奧斯卡

哭泣的假面

導演：特美提馬莫利亞俄羅斯 2010 彩色 86分鐘

導演：阿歷西烏哲圖俄羅斯 2010 彩色 123分鐘

導演：巴波葛立斯基俄羅斯 2010 彩色 124分鐘

導演：阿古斯蒂維拉西班牙 2010 彩色 95分鐘

導演：曼紐馬田昆卡西班牙／古巴 2010 彩色 89分鐘

導演：佩妮拉阿古絲瑞典／芬蘭 2010 彩色 94分鐘

牧羊人的世界該屬於羊的，當羊漸漸死光，似是個啟示，阿里覺得是時候上路了。他揹着兒子，頭一次離開大草原，往莫斯科尋找失踪已久的妻子。他接觸警察，找上自己的烏茲別克族人，都不得要領，妻子像斷了線的風箏，他變成現代的奧菲斯。電視天天禽流感疲勞轟炸，這個城市太陌生，阿里只管在陰暗裏亂晃，跑淫窟和血汗工場，他要走完命運，更要付出代價。馬莫利亞把畫面的時間和空間都凝聚到阿里身上，配樂和環境聲融作一體，奏出如同希臘神話的悲壯旋律。

擅於重現舊歲月的烏哲圖（《太空夢》，30 屆）又回到過去，請出俄羅斯民族最剛烈的原型，炮製用身體指揮大腦的故事。戰後世界邊陲，獨臂鎮長無為而治，勞改遊民樂得以烈酒淫話度日，一列巨無霸火車是他們存活的象徵，那是他們的神。一個戰爭英雄掩至，他熟知火車，目光如炬，行動迅猛，瞬間俘虜美女的心。英雄無懼森林鬼魅與鬼熊，出發尋找傳說中的火車頭。影片像打一場類型戰，甚麼驚慄片、通俗劇、歷險記通殺，它自成類型，讓神秘的享樂與慾望在菲林爆發。

極地冷，人心更冷。白茫茫的重重冰雪，困住駐守孤島氣象站的兩顆心靈。氣象專家沙治性格乖僻處事嚴苛，暑期實習生帕維則是貪求刺激的大男孩，一個口硬心軟，一個大膽粗心。沙治出海捕魚為糧，帕維收到總部傳來沙治家人的噩耗，要轉告卻開不了口。新舊兩代本已話不投機，為了隱瞞事實更令謊言與猜疑如雪球愈滾愈大，焦慮與恐懼比寒風更刺骨。壯麗景觀突顯個體渺小，孤寂雪地照出人性脆弱，層層衝突營造情緒張力。兩個男主角由頭帶到尾，贏得柏林影展雙影帝殊榮。

中產夫妻同居不同床，終於各自找來外遇。一個被青春貌美的鐘點女傭吸引，以為可用金錢換來熱愛；一個搭上跟兒子同校的俊美少年，盼望重拾生命激情。兒子則把流浪貓狗都撿回家，然而房子還是寂寞無邊，連貓亦跳樓去。祖父母輩一樣發現相愛很難，女的患了老人痴呆，男的絕望求死。一個當代核心家庭有如雪山崩解，愈富有愈空虛，在無愛紀苦苦試愛，走得愈近卻傷得愈深。好不容易一家人齊齊整整吃頓飯，還是如履薄冰。獲捷克卡羅維法利電影節最佳電影獎。

因為啟蒙的尊福，也因為要捕捉光線的質感，昆卡不只扛着攝影機到大自然，更執着用 35 毫米菲林拍攝電影，然後主角就有了山，當妹妹瑪麗遊走山上，失去了哥哥奧斯卡和男友的蹤影，自由與恐懼便明明白白顯露在人與山的光影晃動中。這是部愛靜的電影，開始的時候我們只看到奧斯卡，他獨個兒在荒廢鹽田做保安，獨個兒回家抹着手槍，獨個兒聽永遠沒有留言的電話錄音。影像訴說一段不倫之愛，久違的瑪麗一出現，奧斯卡便走失了常態。這是一部「看」的電影。

即使卸下鼻環和崩裝束，露美慧柏絲飾演的賢妻良母蕾娜，依然是「龍紋身的女孩」的身世，背負傷痛家庭記憶；當接到醫院來電上路去見母親最後一面，酗酒父失控母幼弱弟的童年往事一一勾起。蕾娜以為自己玩水不玩火，當年憑一肚子恨怨，孤獨贏得泳賽的女孩，原來內心從未釋懷，愈抗拒母親，愈承繼她的狂躁，終於水火相冲爆發出來。資深演員佩妮拉阿古絲首部長片，深明英瑪褒曼式的家庭內爆，拉埋慧柏絲老公合演伴隨，直搗蕾娜夢魘的蜂窩。

Another Sky (Drugoe Nebo)

The Edge (Krai)

How I Ended This Summer

The Mosquito Net (La mosquitera)

Dir: Aleksei Popogrebsky Russia 2010 Colour 124min Cast: Grigory Dobrygin, Sergei Puskepalis, Igor Chernevich

Dir: Agustí Vila Spain 2010 Colour 95min Cast: Emma Suárez, Eduard Fernández, Geraldine Chaplin

Half of Oscar (La Mitad de Oscar) Dir: Manuel Martín Cuenca Spain/Cuba 2010 Colour 89min Cast: Verónica Echegui, Rodrigo Sáenz de Heredia, Denis Eyriey

Beyond (Svinalängorna)

Dir: Alexey Uchitel Russia 2010 Colour 123min Cast: Vladimir Mashkov, Vyacheslav Krikunow, Anjorka Strechel

Post-World War II, Krai is a camp populated by Russians branded as German collaborators. A decorated war hero, Ignat, is sent to this remote Siberian outpost because of his first love: trains. This passion leads to the discovery of a deserted locomotive – and a wild German girl. But Ignat is also plagued by debilitating migraines which threaten to derail his authority. Thrilling train chase sequences is but one of the highlights in this high adventure, along with the steamy romance between man, woman and machine.

Ravishingly shot in the remote Arctic Tundra, How I Ended This Summer is a thrilling survival drama whereby man must struggle with the forbidding environment as much as the mistrust of fellow man. Technically a twohander made more jarring by a generational gap, the film faces off the seasoned Sergei, a gruff meteorologist with instinctive survival skills, with Pavel, an idealistic college grad who faces difficult decisions when he learns of a terrible tragedy. Best Actors, Berlin Film Festival and Best Film, London and Chicago Film Festivals.

Dysfunc tional doesn’t even begin to describe the characters in this pitch-black and bone-dry tragicomedy. The film’s bourgeois family consists of an incommunicative son who brings home stray animals, an uptight father who is infatuated with the housemaid, and an overprotective mother who draws bizarre children’s illustrations. When the parents’ relationship turns sour, all begin indulging in their personal neuroses. It’s like Buñuel meets Solondz: a coolly observed, absurdist yet unsettling experience. Best Film, Karlovy Vary.

Beneath Oscar’s rugged boyish looks lies a haunted past. A security guard working amidst the bleak yet stunning landscapes of Almeria, our taciturn protagonist endures a monotonous daily routine that is broken once he receives the news of his sister’s return. Their eventual meetings are tense, as if unspoken secrets are hidden between these two greatly estranged siblings. Half of Oscar builds its mysteries by using a spare soundscape that complements its static shots. It unfolds into a finale that surprises, yet only hints at the truth.

The Girl with the Dragon Tattoo’s Noomi Rapace is in commanding form in this searing domestic drama, which won the Venice Critics’ Week Award. She stars in actress Pernilla August’s directorial debut as Leena, a woman who seems to have it all: two beautiful children and an attentive husband. But Leena also hides a painful and secretive past, one which she conceals even from her family. When she suddenly receives a call from the hospital, she is finally forced to confront her family’s history of alcoholism and domestic abuse.

Dir: Dmitri Mamulia Russia 2010 Colour 86min Cast: Habib Bufares, Amirza Muhamadi, Mitra Zahedi

Ali and his son hail from the pastoral steppes of Central Asia. They decide to journey to Moscow in order to find Ali’s wife, who has left them for the capital. But life in the big city as a minority is grim, and the taciturn Ali must subsist on a hand-to-mouth existence while enduring all manners of insults. Meanwhile, TV sets blare the headline news…. This quietly powerful first feature from Georgian director Dmitri Mamulia understands the daily hardships of non-ethnic Russians. Ecumenical Jury Award and Special Jury Mention, Karlovy Vary Film Festival. 44

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Dir: Pernilla August Sweden/Finland 2010 Colour 94min Cast: Noomi Rapace, Ola Rapace, Tehilla Blad

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盜光皇帝

十月的神蹟

末路兄弟

河上的幽靈

當海南遇上潮州

分手又如何

導演：阿丹艾連古伯吉爾吉斯／德國／法國 2010 彩色 80分鐘

導演：韋加兄弟秘魯／委內瑞拉／西班牙 2010 彩色 83分鐘

導演：馬辛胡路那波蘭 2010 彩色 86分鐘

導演：阿歷西費多真高俄羅斯 2010 彩色 75分鐘

導演：韓耀光新加坡 2010 彩色 81分鐘

導演：李潤基南韓 2011 彩色 109分鐘

The Light Thief (Svet-Ake)

October (Octubre)

Silent Souls (Ovsyanki) Dir: Aleksei Fedorchenko Russia 2010 Colour 75min Cast: Igor Sergeyev, Yuri Tsurilo, Yuliya Aug

Come Rain Come Shine

Dir: Diego Vega, Daniel Vega Peru 2010 Colour 83min Cast: Bruno Odar, Gabriela Velásquez, Carlos Gassols

The Christening (Chrzest) Dir: Marcin Wrona Poland 2010 Colour 86min Cast: Tomasz Schuchardt, Wojciech Zielinski, Natalia Rybicka

When Hainan Meets Teochew

Dir: Aktan Arym Kubat Kyrgyzstan/Germany 2010 Col 80min Cast: Aktan Arym Kubat, Taalaikan Abazova, Askat Sulaimanov

Dir: Han Yew Kwang Singapore 2010 Colour 81min Cast: Lee Chau Min, Tan Hong Chye, Yeo Yann Yann

Dir: Lee Yoon-ki South Korea 2011 Colour 109min Cast: Lim Su-jeong, Hyun Bin

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牧羊人的天空

世界盡頭的列車

這個夏天真太冷

蚊帳之家

半個奧斯卡

哭泣的假面

導演：特美提馬莫利亞俄羅斯 2010 彩色 86分鐘

導演：阿歷西烏哲圖俄羅斯 2010 彩色 123分鐘

導演：巴波葛立斯基俄羅斯 2010 彩色 124分鐘

導演：阿古斯蒂維拉西班牙 2010 彩色 95分鐘

導演：曼紐馬田昆卡西班牙／古巴 2010 彩色 89分鐘

導演：佩妮拉阿古絲瑞典／芬蘭 2010 彩色 94分鐘

Another Sky (Drugoe Nebo)

The Edge (Krai)

How I Ended This Summer

The Mosquito Net (La mosquitera)

Dir: Aleksei Popogrebsky Russia 2010 Colour 124min Cast: Grigory Dobrygin, Sergei Puskepalis, Igor Chernevich

Dir: Agustí Vila Spain 2010 Colour 95min Cast: Emma Suárez, Eduard Fernández, Geraldine Chaplin

Half of Oscar (La Mitad de Oscar) Dir: Manuel Martín Cuenca Spain/Cuba 2010 Colour 89min Cast: Verónica Echegui, Rodrigo Sáenz de Heredia, Denis Eyriey

Beyond (Svinalängorna)

Dir: Alexey Uchitel Russia 2010 Colour 123min Cast: Vladimir Mashkov, Vyacheslav Krikunow, Anjorka Strechel

Dir: Dmitri Mamulia Russia 2010 Colour 86min Cast: Habib Bufares, Amirza Muhamadi, Mitra Zahedi

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Dir: Pernilla August Sweden/Finland 2010 Colour 94min Cast: Noomi Rapace, Ola Rapace, Tehilla Blad

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街外錢

上流社會

堡童的初戀

導演：丹尼爾艾斯賓奴沙瑞典 2010 彩色 119分鐘

導演：雅狄也阿薩拉泰國 2010 彩色 102分鐘

導演：塞倫尤斯土耳其 2010 彩色 102分鐘

全球化新形勢令歐洲黑幫片有個新現實註腳，《我在俄摩拉的日子》、《志哥傳奇》之後繼續深化寫照。食腦金髮靚仔 JW 未獲經濟學位但已憑智勇上位，越獄金剛 Jorge 死裏逃生，要吃大茶飯，他跟地上最強極度抽得的「帶女洪郎」Mrado 一樣，希望憑個人努力，改寫家族命運。三人性格、背景、種族風馬牛不相及，卻都被困在漢堡的黑道大戰中，明白上位無望，黑社會搵笨，要在被搵笨前起尾注拿錢走人。艾斯賓奴沙很熱的拍法，背後卻是冷眼的世情洞悉。

說來是個警號，感情生活開始全球化，其實有先天缺陷。阿薩拉（《海逝》，32 ，32 屆）自我造像，找帥星阿南做主角，阿南有兩段情，一段英語版一段泰語版。美國同窗女友來探班，在海嘯後未重建的小鎮看阿南拍戲，言語不通，迷失泰國，也發現和阿南之間有一堵牆。戲煞科後阿南有個曼谷女友，無論是阿南工人成群的大宅，還是阿南滿口英語的死黨，她都覺得有隔膜。像戲中戲失憶的主角，無根的阿南也許比較快樂。影片對白簡略，畫面靜美，對照的結構凸現人性的重重矛盾。

我們有港童，伊斯坦堡也有他們特色的堡童，麥根就是個長大了的人辦。老豆超高壓管教，麥根自小不敢說不，但十問九不理，明知有錢老豆會給他鋪出康莊大道，便無聊無目的兼揮霍度日。到他出位跟庫爾德女孩上床，以為命有轉機，老爸卻不接受非我族類，麥根的堡童根性又一次發揮了作用。銀幕上首次有堡男原形畢露（都有點港男特性哩），導演乘機自嘲，更說土耳其大男人便是這樣一代代打造出來的。威尼斯影展獲最佳首作獎，孟買及土耳其電影節最佳電影。

Easy Money (Snabba cash) Dir: Daniel Espinosa Sweden 2010 Colour 119 min Cast: Joel Kinnaman, Matias Padin Varela, Dragomir Mrsic

Hi-So

Majority (Cogunluk)

Dir: Aditya Assarat Thailand 2010 colour 102min Cast: Ananda Everingham, Cerise Leang, Sajee Apiwong

Dir: Seren Yüce Turkey 2010 Colour 102min Cast: Bartu Kucukcaglayan, Settar Tanriogen, Nihal Koldas

This adaptation of Jens Lapidus’ best-selling novel already has Hollywood lining up for a remake. Daniel Espinosa succeeds in making Stockholm’s criminal underworld thrillingly gritty and violent, all the while tracing the travails of three individuals and their ethical choices: Jorge, a prison escapee; muscular Serbian mafia enforcer Mrado; and J.W., a poor, naive yet business savvy student who longs to fit in with high society. Easy Money skillfully balances style and substance with great casting to make for a satisfying, complex crime thriller.

Predating his acclaimed first feature Wonderful Town in its inception, the beguiling and subtle Hi-So is clearly a personal work for the director. Divided into two distinct halves, the plot revolves around Ananda, a foreigneducated half-Thai who returns to his birthplace to try his hands at acting. In these two scenarios, we witness Ananda’s relationships with two women – first his visiting American girlfriend, who feels alienated and bored during his film shoot; then his Thai girlfriend, who also feels out of place among Ananda’s American friends.

Majority, the Lion of the Future winner at Venice, is an incisive examination of the ever-growing class and racial divide in modern Turkey. It concentrates on the seemingly aimless life of 21-year-old Mertkan, who still lives with his upper middle class family and wiles his days away with deadbeat friends. Mertkan one day meets Gül, a waitress and part-time student who soon becomes his girlfriend…until his father disapproves of her Kurdish background. Will nationalism and militarism continue to breed in the new generation of Turks?

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蛋奶蜜三部曲之蜂蜜

逆女西風

羅拔圖的死線

導演：森美卡潘諾古土耳其 2010 彩色 103分鐘

導演：貝爾瑪巴斯土耳其 2010 彩色 93分鐘

導演：丹尼爾韓勒烏拉圭／阿根廷 2010 彩色 89分鐘

那是生命剛開始的時刻，卡潘諾古把回憶的最深處、人文的根喚到目前。「蜜」指的是父親，一個養蜂人。六歲的小尤在班上忽然結巴，他開始不說話，只肯跟爸耳語。跟着爸和小白騾在參天古木之間築蜂窩，是小尤的快樂時刻。近日，蜂都不來，爸決定動身往別的林區碰運氣，沒料到歸來的等待卻漫長。拿下柏林影展最佳電影金熊獎的作品，樹聲、風聲、鳥聲、蟲聲，一路陪伴詩人的童年，由知覺主宰每分每秒的流逝，時間不期然在心靈壓下重量。小尤生命裏第一首詩，是藍波。

11 歲母親是時隱時現的月亮，女兒則是好嫉妒的西風。11 母親是時隱時現的月亮，女兒則是好嫉妒的西風。女兒到祖父母家度暑假，一邊悠然漫步鄉間，一邊期待母親接她回家，時常跑到附近山頭，只盼母親現身。山村生活簡樸自然，但死亡陰影籠罩四周。等到母親出現，卻是帶來壞消息：並非來接女兒回家，而是來道別，因為不得已要到更遠的地方工作。女兒不願被遺棄，悄悄跟蹤，決定以自己方式阻止母親離開。土耳其女導演以含蓄簡約敘事，藉母女間的情感糾葛，迫視少女的內心幽暗，呈現成長路途的崎嶇顛簸。

中年是危機？還是契機？羅拔圖不會弄得清楚。他飯碗被砸，貪就手轉行做地產經紀，講大話無人信，銷售紀錄始終得個吉，老闆好心叫他去上那些虛無飄渺的自我肯定課程，他卻膽粗粗入劇團，同成班後生仔一齊學做戲，猶如發現了晚春，他一發不可收拾，荒廢了不只工作，更有婚姻，迫得老婆走人，老闆發出最後通牒。柏林影帝韓勒有拉美活地阿倫稱號，他周身喜劇細胞，首次執導炮製人生悲喜變奏，沒有假造樂觀，敏感的鏡頭道出這一代不肯醒轉的 Kidult 休眠狀態。

Honey (Bal) Dir: Semih Kaplanoglu Turkey 2010 Colour 103min Cast: Bora Altas, Erdal Besikcioglu, Tulin Ozen

Zephyr (Zefir) Dir: Belma Bas Turkey 2010 Colour 93min Cast: Seyma Uzunlar, Vahide Gördüm, Sevinç Bas

Norberto’s Deadline (Norberto apenas tarde) Dir: Daniel Hendler Uruguay/Argentina 2010 Colour 89min Cast: César Troncoso, Eugenia Guerty, Roberto Suárez

The third time proves the sweetest for Honey, the Golden Bear and Ecumenical Jury Prize Winner at the Berlin Film Festival. Semih Kaplanoglu’s reverse-order trilogy reaches its beautifully contemplative conclusion with protagonist/poet Yusuf depicted as a 6-year-old boy. Though Yusuf communicates well with his beekeeping father due to their strong, affecting emotional bond, at school the child stutters. But when father fails to return from a mission, he must summon his courage to go into the mysterious, lush forest…

The arresting beauty of the Black Sea Mountains only serves as a prison for introverted young Zephyr, who longs to be reunited with her frequently absent mother. She is left in the care of her grandparents and deliberately avoids friendships, instead spending her time among the wildness, waiting for her parent’s return. When her mother does come back, the happiness is brief, replaced yet again by an intense sense of loss. Sumptuously composed photography contrasts with the girl’s emotional turmoil, leading to an unexpected finale.

Uruguayan filmmakers are masters at the deadpan. Recently fired from his job, the über-average thirtysomething Norberto must contend with working for commissions in real estate despite his timidity. Dissatisfaction also begins to creep into his relationship with his wife. By chance, he stumbles upon theatre and begins to take acting lessons while escaping from his everyday problems. The film does not end in triumphs or personal epiphanies, which is precisely what makes it a real and relatable story of a salaryman.

French

Rendez-Vous

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狂戀聖羅蘭 L’Amour Fou

導演：奧利維亞阿薩耶斯 Dir: Olivier Assayas

導演：皮亞托赫頓 Dir: Pierre Thoretton

分三章的長版是導演原意，以史詩幅度貼身追蹤謎樣的革命變色龍 - 卡洛斯。 Olivier Assayas’ sprawling yet incisive threepart epic compacts more than three decades of history into almost six hours of kinetic portraiture of the Venezuelan terrorist.

法

蘭西約

會

全力支持 Supported by

導演：安德烈尤哲卡 Dir: Andrei Ujica

尤哲卡把千多小時新聞片剪成壽西斯古的傳記，譜寫出「共產主義覆亡」三部曲之最終章。 A grand exercise in the power of montage, this virtuoso pseudo-documentary uses impeccable archival footage to reconstruct the life of Romanian ex-president Nicolae Ceausescu.

對情人、對藝術、對美，他的狂熱和認真始終如一。時尚大師聖羅蘭的紀實故事。 This elegant documentary reveals the love of art and beauty that brought Yves Saint-Laurent and his lifetime business partner and lover Pierre Bergé together.

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似是有緣人 Certified Copy

幻象師 The Illusionist 導演：施梵素美 Dir: Sylvain Chomet

缺乏想像的年代，幻象師碰上仍然相信魔術的女孩。本片獲歐洲電影獎最佳動畫獎。 The legendary Jacques Tati is resurrected as a down-on-his-luck conjurer in this long-awaited animated return by The Triplets of Belville director Sylvain Chomet.

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壽西斯古自傳 The Autobiography of Nicolae Ceausescu

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豺狼卡洛斯（足本) Carlos

導演：阿巴斯基阿魯斯達米 Dir: Abbas Kiarostami

基阿魯斯達米以繁花的故事解讀真實，又見突破。朱麗葉庇樂仙憑此片再奪康城影后。 Reality gets intertwined with illusion in this bittersweet romantic comedy by the Iranian master. Binoche charms more than ever and snares Best Actress at Cannes.

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洋洋大觀 Oceans

剛果風雲 Viva Riva!

導演：積葵貝瀚、積葵克魯索 Dir: Jacques Perrin, Jacques Cluzaud

導演：祖東達華蒙加 Dir: Djo Tunda Wa Munga

兩位導演七年遠征七十多次，走遍七大洲四大洋。無距離的海洋全接觸，就在這裏開始。 At once spectacular and reflective, this breathtaking documentary captures the intense life-and-death drama among magnificent creatures deep within the oceans.

天才剛果導演拍出位爆笑黑幫片，幾乎讓港產黑幫片移民非洲。 Sexy, violent and thrilling, Viva Riva! is a breakthrough for African cinema – a slick and fluid crime drama reminiscent of Unstoppable’s Tony Scott.

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors 48

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第四張畫

黑貓大旅社

導演：鍾孟宏 2010 國語／閩南語彩色 102分鐘

導演：徐麗雯 2010 國語彩色 112分鐘

親父病逝，小翔要搬去跟疏遠的母親同住，是「父後」戲碼，也開始「後父」驚嚇。戴立忍神秘兮兮，叫小翔少惹他，這個世界並非不能沒有你；小翔不時夢見失蹤的哥哥，嫌疑最大自然是這個媽媽的情人。孤獨的他在不完整的家外尋找替代親情，身邊出現過精明「爺爺」金士傑和低 B「大哥」納豆，但對於等待發掘的人生真相毫無提點。鍾孟宏《停車》後拒絕溫柔，藉個人短片《醫生》延伸，不讓情節通俗上路，暫借 Edward Hopper 的冷酷異境，寫不一樣的童「畫」。

老闆娘曾是夜巴黎舞廳的紅牌，而短裙子妓女玲瓏替弱智兒行成人禮打手槍；有打女兒屁股癮的出走漢子，跟蹤卜卜脆的喬喬，而女兒終找到來，要他陪去墮胎。喬喬於結業旅行被男同學強暴，卻撞破過期居留的淺野不好意思的易服癖。住在違規旅舍裏的社會違規人，女的全帶着血的記憶，男的都是容易流淚的人。徐麗雯師承監製周美玲（《漂浪青春》，32 屆），替肌膚接觸的暴烈與溫柔，鍍上一層荒謬的嫣紅色景緻，黑貓酷酷提示：當愛終於來的時候，起舞吧達旦。

The Fourth Portrait (Di si zhang hua)

Hotel Blackcat (Heimao dalushe)

Dir: Chung Mong-Hong 2010 Mandarin/Fujianese Col 102min Cast: Bi Xiao-Hai, Leon Dai, Hao Lei

Dir: Herb Hsu 2010 Mandarin Colour 112min Cast: Lu Yi-Jing, Li Kang-Yi, Huang Cai-Yi, Wen Ji-Xing

Like the earlier, offbeat Parking, Chung Mong-Hong’s sophomore work differentiates itself via a sumptuous, saturated color palette and its unusual use of zooms and angles. But here, the cinematic flourish firmly complements the casting, which has yielded awardwinning performances. The story begins with the death of ten-year-old Xiang’s father. A life as an orphan seems to be in Xiang’s cards, until his estranged mother suddenly claims him. But his new environment is not what he expected. Best Director, Golden Horse Awards.

The ghosts of past traumas haunt the halls and denizens of the Blackcat Hotel. The candy-coloured haven belies the darkness of the lives of the characters living in former beauty queen Mang’s crumbling rooming house. In the hotel’s dying days, a transplanted Japanese salaryman, a prostitute and her handicapped son, a runaway schoolgirl, her older guardian angel, an ex-con and the housekeeper are forced to find their own versions of closure and forgiveness. Herb Hsu’s feature debut is a paean to letting go and moving on.

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到阜陽六百里

當愛來的時候

導演：鄧勇星 2010 國語彩色 85分鐘

導演：張作驥 2010 國語／閩南語彩色 108分鐘

拍過《7-11 之戀》的鄧勇星在內地拍廣告時被一則新聞啟發：40 多名阜陽阿姨拼一架巴士趕春節回鄉，於是他花了一年時間鑽研安徽人在上海聚居的生活狀貌，找侯孝賢監製，孕育出這個騙阿姨搭錯車故事。曹莉有份花言巧語，卻無意還鄉，命運也騙她上路，置身冒充巴士，到頭來卻發現是山寨版挪亞方舟之神奇旅程。秦海璐飾演曹莉令影片器度提升，她本是阜陽人，憑着地緣情脈參與了影片的編劇工作，寫真個人心情之餘，也向十年前《榴槤飄飄》第一次離家演出反覆致意。

你總以為片名這句話是給反叛傾向未成年的來春的忠告，她被男友弄大肚子，蹲在陽台，要跳下去的念頭徘徊着，殊不知這才是她身心與世間銜接對話的人生緣起。因為她，一家人由大吵大罵，到抱頭大哭，在行將父後的日子，迎接生命呱呱墜地。其實這句話適用於所有台灣未婚媽媽，於她的大媽細媽身上，也一樣是油蔴菜籽的身世，我這樣過了大半生。張作驥（《美麗時光》，27 屆）不急躁、不哀怨首次正寫女人命運，對男人「不事生產」處境不無幽默筆觸。情逝去，愛才來，是自愛啊。

Return Ticket (Dao Fuyang liubaili)

When Love Comes (Dang ai lai de shihou)

Dir: Teng Yung-Shing 2010 Mandarin Colour 85min Cast: Qin Hailu, Tang Qun, Li Binbin, Shen Yiquan

Dir: Chang Tso-Chi 2010 Mandarin/Fujianese Col 108min Cast: Li Yi-jie, Lu Xue-feng, Lin Yu-shun

Cao Li lives and works in Shanghai, opting, like many others, for migrant domestic work in the affluent city as a way to provide for her family in Anhui. The opportunistic Gou and Jiuzi have refurbished a broken down bus just enough to hatch a holiday taxi scheme for women like Cao – and they want her help selling seats. In exploring the human cost of success, Return Ticket pulls back the glitzy curtain of progress to reveal the silent subculture that makes Shanghai, and cities like it around the world, run.

This Golden Horse Best Film winner is a remarkable comeback for Chang Tso-Chi – a multilayered drama chronicling the turmoil within a polygamous Taiwanese family. Though narrated by Laichun, the rebellious teenage daughter, the story arch also encompasses her henpecked dad, an autistic but artistically inclined uncle, and the domineering matriarch, her father’s first wife. Women hold the power here; they run the family restaurant while staving off local gangsters and cops. Though quarrels are aplenty, the film dispenses with melodrama for organic authenticity.

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VIPPASS

HK$4,500

通行證

• 觀賞電影節期間 (2011年3月20日至4月5日) 各場電影節目（不包括香港電影資料館「人人為我，我為人人：中聯電影」節目） • 獲贈開幕電影門票每場各兩張（2011年3月20日）及「亞洲電影大獎」頒獎典禮入場券兩張 • 優先進場入座*，並可攜同一位持票或持有通行證人士同時進場（滿座場次除外） • 獲贈《第三十五屆香港國際電影節》特刊及《焦點影人：韋家輝》特刊各一本 *請於各場次開映前十五分鐘與場地職員聯絡

• Admit to all screenings during the Festival period (20 March – 5 April 2011), except Hong Kong Film Archive’s Programme “All for One and One for All: Union Film” • Receive 2 tickets for each of the Opening Films (20 March 2011) and 2 admission tickets for “Asian Film Awards” Presentation Ceremony • Receive priority admittance for all screenings* with one accompanying ticket holder or pass holder (except sold-out screenings) • Get one copy of both “35th HKIFF Main Catalogue” and “Wai Ka-fai, Filmmaker in Focus” *Please arrive at venue and contact the staff 15 minutes before the screening.

• 觀賞2011年3月20日至4月5日期間各場未滿座的電影節節目 (不包括3月20日的開幕電影及香港電影資料館「人人為我，我為人人：中聯電影」所有放映) • 獲贈《第三十五屆香港國際電影節》特刊或《焦點影人：韋家輝》特刊一本

• Admit to all non sold-out screenings during the Festival period (20 March - 5 April 2011), except Opening Films held on 20 March 2011 and “All for One and One for All: Union Film” Programme at Hong Kong Film Archive • Get one copy of “The 35th HKIFF Main Catalogue” or “Wai Ka-fai, Filmmaker in Focus”

R E P U S E PASS

VALU行證

影癡通 HK$2,500

電影節通行證使用條款：

訂購及換領方法

不設折扣優惠，每張通行證只限一人使用，不得轉讓

影癡通行證可以透過網上預售(www.hkiff.org.hk)、郵購訂票及城市電腦售票網購買。（請見第60頁）

只限年滿18歲或以上人士購買，數量有限，先到先得有效期為2011年3月20日至4月5 日，逾期作廢。2011年4月8日至5月1日期間舉行的下集節目 (影片編號以X結尾)及香港電影資料館各場次，恕不適用。 VIP通行證：本會恕不保證開場後到場的VIP通行證持有人能獲安排入座。影癡通行證：持有人須排隊進場，待VIP 通行證持有人及持票人士進場後方可被安排入座。如臨場滿座，影癡通行證恕不通用。本會不保證影癡通行證持有人能於滿座場次入座。

Usage of Festival Pass No discount is applied to Passes. All Passes are non-transferable and good for one person only. All Passes are sold to persons aged 18 or above and on a first-come-first-served basis. All Passes are valid from 20 March to 5 April 2011 and invalid in the Part II Programme to be held on 8 April - 1 May 2011 (film code ends with X) and all screenings in Hong Kong Film Archive. VIP Pass: For sold-out screenings, VIP Pass does not guarantee seating once the show begins. Super Value Pass Holders should join the queue and admission will be arranged after all VIP Pass holders and ticket holders are seated. For sold-out screenings, Super Value Pass does not guarantee seating and admission is subject to availability.

VIP通行證可以透過網上訂售(www.hkiff.org.hk)或傳真方式購買。（請見第72頁） 2月26日至3月9日期間於www.hkiff.org.hk購買電影節通行證的觀眾，可經網上預售系統上載個人照片（以500KB為限）；證件製作完成後，將郵寄至指定地址。透過其他途徑購買電影節通行證的觀眾，須帶同換領票及近照一幀（護照相片），於3月7日至19日期間（星期一至五早上10時至下午12時30分，下午2時至晚上7時，星期六上午10時至中午1時、星期日及公眾假期休息），親臨香港國際電影節協會辦事處（香港九龍觀塘道370號創紀之城3期21樓）辦理。如不能在上述時間親臨辦理通行證，請致電 2102 7330 另行安排。

How to Order and Collect Super Value Pass is available through online advance booking, postal booking and URBTIX sales. (Please refer to P.62) VIP Pass is available through online advance booking (www.hkiff.org.hk) and fax order. (Please refer to P.72) For customers using online advance booking (www.hkiff.org.hk) during 26 February to 9 March: please upload your recent photos (max. size 500KB) to the booking system. Upon completion of the transaction, the customers will receive the Festival Pass by post in due course. Customers buying Festival Passes from other channels may collect the Super Value Pass with a voucher or the VIP Pass with a receipt from 7 March – 19 March (10:00-12:30, 14:00-19:00 Mon-Fri; 10:00-12:00 Sat; Public Holidays closed) at the HKIFF Society Office (21/F, Millennium City 3, 370 Kwun Tong Road, Kowloon, Hong Kong). You are requested to bring along a recent passport-sized photo for the issuance of Passes. If you cannot come to collect the pass during office hours, please call 2102 7330 for further arrangement.

訂票指南票價

港幣

3D電影及《豺狼卡洛斯》（足本） $100 正場及週末／假日場次 $65 平日日場（星期一至五〔假期除外〕，影片編號以D結尾） $40 下集節目（4月8日至5月1日期間，影片編號以X結尾） $60 「人人為我，我為人人：中聯電影」（影片編號以R結尾）及「桂治洪：反建制的先鋒」 $30 影癡通行證（請留意有關使用條款） $2,500 VIP通行證（請留意有關使用條款） $4,500

門票優惠（不適用於電影節通行證） 1) 購票正價門票20張或以上（不包括於香港會議展覽中心放映之場次）： ‧九折優惠； ‧ 獲贈書券，免費換領《第三十五屆香港國際電影節》特刊（價值港幣80元）或《焦點影人：韋家輝》特刊（價值港幣60元）。 2) 下集節目（4月8日至5月1日期間，影片編號以X結尾）門票優惠： ‧12張或以上正價門票：九折優惠； ‧18張或以上正價門票：八折優惠。 3) 60歲或以上高齡人士、殘疾人士、全日制學生及綜援受惠人士：六折優惠 ‧全日制學生優惠票先到先得，額滿即止； ‧綜援受惠人士優惠不適用於UA院線及The Grand Cinema； ‧優惠票持有人於入場時必須出示可以證明身份或年齡的有效證件； ‧「人人為我，我為人人：中聯電影」節目提供半價門票優惠。 4) UA院線 Loyalty Club會員： UA戲院各場次九折優惠（只適用於城市電腦售票處票房購票及戲院即場門票，售完即止）。 5) The Citizen Grand 會員： The Grand Cinema各場次九折優惠（只適用於城市電腦售票處票房購票及戲院即場門票，售完即止）。 6) Ｗ酒店員工：九折優惠（只適用於城市電腦售票處票房購票）。訂購每張門票，最多只可享用其中一種購票優惠。觀眾須於購票時說明所選用的優惠。

郵購訂票（2月26日至3月4日）（不包括於香港會議展覽中心放映之場次）訂購手續費為每張門票港幣6.5元，而每次交易手續費為最高為港幣20元。 1) 付款方法 (i) 使用信用卡付款：請使用信用卡訂票憑單，填上最高限額。 (ii) 使用劃線支票付款：請書明支付「購票通（香港）有限公司」，期票恕不接受。請勿填寫銀碼，只需在括號內註明最高限額。票務人員會代為填寫正確銀碼。最高限額：以門票正價總和（不包括任何門票優惠）加上港幣20元為計算基準。 2) 交還訂票表格： (i) 投遞每天上午9時30分至晚上8時30分，交往香港文化中心或香港大會堂低座詢問處的訂票表格收集箱。 2月26日至2月28日交回之訂票表格將按收取時間處理，而由3月1日起交回之表格將按收取日期處理。 (ii) 郵遞請將填妥的訂票表格寄回：香港灣仔軒尼詩道 1 號熙信樓 15 樓 1501 室（第三十五屆香港國際電影節 – 郵購訂票）。3月6日後寄達之郵購訂單，恕不受理。 3) 查詢電話觀眾若於3月10日仍未收到門票或有關通知，請儘早通知「購票通（香港）有限公司」（電話：3761 6633 - 每日上午10時至晚上8時）。如有遺失門票，請於該場電影放映前一星期通知「購票通（香港）有限公司」。逾期報失，恕不受理。

網上預售（2月26日上午10時至3月9日晚上10時）（不包括於香港會議展覽中心放映之場次）

請登入電影節網頁 www.hkiff.org.hk 訂票。訂購手續費為每張門票港幣6.5元，而每次交易手續費最高港幣20元。如選擇以掛號郵件收取門票，須另加收港幣25元。訂票結果會即時於網上及經電郵核實。除郵遞服務外，顧客亦可選擇於交易完成後第二天開始，攜帶交易用之信用卡到21間柏斯琴行的「購票通售票網」或各「購票通自助出票機」取票（請參閱61頁）。

香港會議展覽中心電影節節目由2月26日上午10時起，於快達票售票網公開發售。票價：$65 （提供高齡人士、殘疾人士、全日制學生及綜援受惠人士六折購票優惠。不設其他優惠。）網上訂票 www.hkticketing.com：可選擇以速遞或親身到各快達票分銷處領取門票。每張門票將收取港幣10元的服務費，選擇以速遞方式領取門票的人士，需另繳付速遞費用。電話購票 31 288 288：可選擇以速遞或親身到各快達票分銷處領取門票。每張門票將收取港幣10元的服務費，選擇以速遞方式領取門票的人士，須另繳付速遞費用。票房訂票：快達票分銷處（見63頁）均接受現金及信用卡﹝美國運通卡、萬事達卡及Visa 卡﹞付款。每張門票將收取港幣5元的服務費。

海外觀眾訂票（不包括於香港會議展覽中心放映之場次）網上預售 www.hkiff.org.hk （2月26日上午10時至3月9日晚上10時）訂購手續費為每張門票港幣6.5元，每次交易手續費最高為港幣20元。顧客請攜帶交易用之信用卡到21間柏斯琴行的「購票通售票網」或各「購票通自助出票機」取票（請參閱61頁）。網上訂票服務 www.urbtix.hk及信用卡電話訂票 (852) 2111 5999 （3月10日上午10時起）訂購手續費為每張門票港幣6.5元，每次交易手續費最高為港幣20元。如選擇以掛號郵件收取門票，須另加收港幣25元。

換領特刊《第三十五屆香港國際電影節》特刊及《焦點影人：韋家輝》特刊 - 換領地點及時間： 3月21日至4月5日（上午10時至晚上7時）香港文化中心行政大樓四樓地址：九龍尖沙咀梳士巴利道十號 4月7日至5月31日香港國際電影節協會辦事處（星期一至五早上9時30分至下午12時30分，下午2時至下午5時 30分；星期六、日及公眾假期休息）地址：九龍觀塘道370號創紀之城3期21樓（近牛頭角港鐵站）

滿座場次即場門票香港文化中心大劇院、香港大會堂劇院及香港電影資料館所有滿座場次將有小量即場門票於開映前30分鐘在該放映場地發售，座位安排將視乎VIP通行證持有人及持票人士入場後之情況而定（VIP通行證不適用於香港電影資料館特備節目各場次）。每人每次限購即場門票2張。

座位及排隊安排所有於各城市電腦售票處發售之門票，將根據訂票先後次序配以未售出的座位。香港文化中心大劇院的電影節目，電腦系統會於售票時以堂座→樓座→高座的次序，配以未售出的座位。連場門票：位於香港會議展覽中心、香港文化中心、香港大會堂及香港科學館的放映場地，設有等候區，供持有「連場門票」的觀眾排隊入場。惟其他放映場地因條件所限，在一般情況下，不會提供此安排。所有門票不設劃位。「人人為我，我為人人：中聯電影」各場次門票除外。電腦系統會於售票時為購票人士提供當時可供發售的最佳座位，惟不保證安排相連座位。凡於香港文化中心大劇院放映的影片，除堂座和樓座門票外，還會發售部份高座門票。由於距離和觀看角度問題，高座的座位或會較堂座和樓座的座位稍遜，敬請留意。

退款及節目更改本電影節訂票手冊付印時，大部份影片均未經影視及娛樂事務管理處檢查。將來如有影片被檢定為三級者，未滿18歲而於公布前購買該場門票的持票人，可由通知日起至2011年5月31 日止，在香港大會堂、香港文化中心或該片放映場地索取退票申請表格，亦可於電影節網頁 www.hkiff.org.hk下載。請將填妥之表格於2011年5月31日前寄回香港國際電影節協會有限公司辦事處（香港九龍觀塘道370號創紀之城3期21樓），信封面請註明「退款申請」。香港國際電影節會以劃線支票寄回門票款項給持票人（其他費用恕不退回）。香港國際電影節保留更改所放映的影片、時間及地點的權利。節目更改或取消的詳情，請留意電影節網頁www.hkiff.org.hk最新資訊公布或各放映場地的通告。節目如有更改或取消，觀眾可循上述安排辦理退款或按原定時間入場觀看補映的影片。除此之外，所有完成放映的電影場次恕不受理任何退款申請。

售票條款

城市電腦售票網（3月10日上午10時起）

每次交易最多可訂購40張門票，以每場不超過4張。

（不包括於香港會議展覽中心放映之場次）

所有已出售的門票均不能退款，亦不能更換其他放映之場次。

網上訂票服務 www.urbtix.hk (3月10日上午10時至開映前一小時）信用卡電話訂票 2111 5999 (3月10日上午10時至開映前一小時） ‧ 訂購手續費為每張門票港幣6.5元，而每次交易手續費最高港幣20元。如選擇以掛號郵件收取門票，須另加收港幣25元。

所有門票均受城市電腦售票網、快達票及個別放映場地的銷售條款所約束。

‧ 電影放映前七天內所訂購的門票，顧客須攜同購票時所使用的信用卡，到「購票通自助出票機」或各城市電腦售票處的售票櫃檯領取門票。請注意：由於香港太空館、香港科學館、UA院線及The Grand Cinema不設城市電腦售票處，於電影放映前七天內預訂門票的觀眾，必須在前往上述放映場地之前，先行到「購票通自助出票機」或各城市電腦售票處領取門票。票房售票：各城市電腦售票處（見63頁）均接受現金、信用卡﹝美國運通卡、萬事達卡、Visa卡及大來信用證﹞及銀聯卡（交易以港幣結算）付款。 UA院線及The Grand Cinema的電影節節目，城市電腦售票網會於放映前一天下午5時起停止發售。觀眾可於電影放映當日到放映場地票房購買剩餘門票。其他放映場地的電影節節目，城市電腦售票網會於放映前一小時停止售票，隨後由放映場地票房發售剩餘門票。香港科學館的臨時售票櫃位於電影開映前30分鐘提供服務，即場發售剩餘門票，只接受現金付款。

城市電腦售票網 - 請參閱張貼於各城市電腦售票處或www.urbtix.hk網頁上之告示。快達票 - 請參閱快達票網頁www.hkticketing.com網頁上之告示。電影節通行證 - 請參閱第59頁的銷售條款。

自助取票服務 Ticket Collection Service www.hkiff.org.hk

電影節網上預售 HKIFF Online Advance Booking

除郵遞服務外，顧客亦可選擇憑購票時所使用的信用卡，透過下列的「購票通自助取票機」或前往「購票通售票網」，領取電影節各放映場地*的門票（取票服務由網上預售交易完成後第二天起提供）。

In addition to postal delivery, customers may also choose to collect HKIFF tickets for all screening venues* from Cityline Ticket Dispensing Machine (TDM) or Cityline Ticketing Outlets at locations as listed below with the credit card used for the transaction (Collection service for online advance booking is available 2 days after transaction).

購票通自助取票機 Cityline TDM

購票通售票網 Cityline Ticketing Outlets

康文署演出場地 (不包括香港科學館及香港太空館) LCSD Performing Venues (Not available at Hong Kong Science Museum and Hong Kong Space Museum)

21間柏斯琴行 21 Parsons Music Branches

香港文化中心 Hong Kong Cultural Centre

黃埔花園旗艦店 Whampoa Garden Flagship Store

香港大會堂 Hong Kong City Hall

銅鑼灣時代廣場總店 Times Square, Causeway Bay Showroom

香港體育館 Hong Kong Coliseum

九龍塘又一城總店 Festival Walk, Kowloon Tong Showroom

伊利沙伯體育館 Queen Elizabeth Stadium

中半山般咸道 Bonham Road, Mid-Level

沙田新城市廣場 New Town Plaza, Sha Tin

上環文娛中心 Sheung Wan Civic Centre

北角港運城 Island Place, North Point

馬鞍山廣場 Ma On Shan Plaza

西灣河文娛中心 Sai Wan Ho Civic Centre

北角和富 Provident Centre, North Point

大埔大元邨 Tai Yuen Shopping Centre, Tai Po

牛池灣文娛中心 Ngau Chi Wan Civic Centre

鑽石山荷里活廣場 Plaza Hollywood, Diamond Hill

粉嶺中心 Fanling Centre

高山劇場 Ko Shan Theatre

藍田麗港城 Laguna City, Lam Tin

葵涌商場 Kwai Chung Shopping Centre

沙田大會堂 Sha Tin Town Hall

旺角新世紀商場 Grand Century Place, Mongkok

荃灣廣場 Tsuen Wan Plaza

荃灣大會堂 Tsuen Wan Town Hall

長沙灣昇悅居 Liberte Place, Cheung Sha Wan

荃灣綠楊新邨 Luk Yeung Galleria, Tsuen Wan

屯門大會堂 Tuen Mun Town Hall

將軍澳新都城 Metro City, Tseung Kwan O

屯門市廣場 Tuen Mun Town Plaza

葵青劇院 Kwai Tsing Theatre

將軍澳中心 Park Central, Tseung Kwan O

東涌東堤灣畔 Tung Chung Crescent

元朗劇院 Yuen Long Theatre 大埔文娛中心 Tai Po Civic Centre 北區大會堂 North District Town Hall

* This service is not applied to screenings to be held at HKCEC – where the service is provided by HK Ticketing only. * 此服務不包括於香港會議展覽中心的電影節放映場次。該場地票務只由快達票提供。

城市電腦售票網網上及信用卡電話訂票服務 URBTIX Online and Telephone Credit Card Booking 取票地點 Ticket Collection Service Available at: 城市電腦售票網售票櫃檯 (請見63頁)

URBTIX Outlet Sales Counters (see p. 63 for locations)

設於康文署演出場地之購票通自助取票機 (請見上表)

Cityline TDM at LCSD Performing Venues (see above for locations)

電影放映前七天內經網上（www.urbtix.hk）或信用卡及電話訂票服務（2111 5999）所訂購的門票，只提供自助取票機或櫃檯領票服務，不設郵寄方式送遞。請注意：由於香港科學館、UA院線及The Grand Cinema不設城市電腦售票處，而香港太空館的售票處不設領票服務，因此使用網上或電話購票服務而須自行領取門票的顧客前往以上放映場地時，請先行到「購票通自助取票機」或城市電腦售票處售票櫃檯領取門票。

As delivery by mail takes time, tickets booked within 7 days of screenings on URBTIX internet (www.urbtix.hk) or telephone credit card booking service (2111 5999) can only be collected from TDM or at the sales counter of any URBTIX outlet by the patron. Note: As there is no URBTIX outlet at Hong Kong Science Museum, UA Cinemas & The Grand Cinema and ticket collection service is not available at the box office of Hong Kong Space Museum, please collect your tickets at Cityline TDM or URBTIX outlets before going to these screening venues.

Booking Guide Ticket Prices

HKIFF Screenings at HK Convention and Exhibition Centre (HKCEC)

3D Films and Carlos $100 Ordinary and Weekend/ Public Holiday Screenings $65 Weekday Matinee Screenings (Mondays - Fridays [except public holidays]; film code ends with D) $40 Part II Programme (8 April – 1 May; film code ends with X) $60 “All for One and One for All: Union Film” [film code ends with R] & “Kuei Chih-hung: The Rebel in the System” $30 Super Value Pass (please read the relevant conditions) $2,500 VIP Pass (please read the relevant conditions) $4,500

From 26 February 10:00 through HK Ticketing Ticket Price $65 (40% discount are offered to Elderly aged 60 or above, the Disabled, Full-time Students & CSSA Recipients. No other discounts are applicable.) Online Booking: www.hkticketing.com • Collect tickets at any HK Ticketing outlet after the transaction, or request delivery by courier to a specific address with additional courier charge. • Service Fee: HK$10 per ticket. Telephone Booking 31 288 288 • Collect tickets at any HK Ticketing outlet after the transaction, or request delivery by courier to a specific address with additional courier charge. • Service Fee: HK$10 per ticket.

Discounts (Except VIP Pass and Super Value Pass) 1) Buy 20 Regular Price Tickets or more (Excluding tickets to HKCEC screenings): • 10% discount • A book voucher for one complimentary copy of “The 35th HKIFF Main Catalogue” (worth HK$80) or “Wai Ka-fai, Filmmaker in Focus” (worth HK$60). 2) Part II Programme (8 April – 1 May; film code ends with X) Discount Scheme:

•12 regular price tickets or more: 10% discount

•18 regular price tickets or more: 20% discount

Overseas Booking (Except HKCEC Screenings) Online Advance Booking: www.hkiff.org.hk (26 February 10:00 – 9 March 22:00) Service fee: HK$6.50 per ticket, up to a maximum of HK$20 per transaction. Tickets can be collected at Cityline Ticketing Outlets at the 21 Parsons Music Branches or any of the Cityline’s Ticketing Dispensing Machines (Please refer to P.61) with the credit card used for transaction starting from the second day after the transaction.

3) Concessionary Tickets for the Elderly aged 60 or above, the Disabled, Full-time Students & CSSA Recipients: 40% Discount

• Limited availability for student tickets on a first-come-first-served basis.

• No CSSA concessionary tickets at UA Cinemas and The Grand Cinema.

• Concessionary ticket holders must provide acceptable proof of identity upon admission. • Half-priced concessionary tickets are offered for “All for One and One for All: Union Film” Programme.

Counter Booking: HK Ticketing outlets (Please refer to P.63) • All outlets accept cash and credit card (American Express, Master Card and Visa Card). • Service Fee: HK$5 per ticket.

4) UA Loyalty Club Members: 10% discount for screenings at UA Cinemas (available at URBTIX box offices and door sales, subject to availability). 5) The Citizen Grand Members: 10% discount for screenings at The Grand Cinema (available at URBTIX box offices and door sales, subject to availability). 6) W Hotel Staff: 10% discount (at URBTIX box offices only). All the above discounts cannot be used in conjunction with any other discounts or offer. Please inform the box office of the discount you wish to enjoy at the time of booking.

Postal Booking (26 February – 4 March) (Except HKCEC Screenings) Postal booking handling fee: HK$6.50 per ticket, up to a maximum of HK$20 per transaction. 1) Methods of Payment (i) By Credit Card: Please fill out the Credit Card Order Voucher and enter a maximum limit. (ii) By Cheque: Cheques should be crossed and made payable to “Cityline (Hong Kong) Ltd.”. Postdated cheques are not accepted. Please leave the “total amount” blank but write the maximum limit in brackets. The ticketing staff will enter the correct amount. Maximum Limit: Assuming all in regular prices (excluding all discounts), plus HK$20 handling fee. 2) Form Submission (i) Drop-in Please submit the form to the collection boxes at the Enquiry Counter of the HK Cultural Centre or the HK City Hall Low Block during opening hours (09:30-20:30) of the postal booking period. Booking forms will be processed in order of the time of receipt from 26 February – 28 February. Thereafter, booking forms will be processed in order of the date received.

URBTIX Online Booking: www.urbtix.hk (From 10 March 10:00) URBTIX Telephone Credit Card Booking: (852) 2111 5999 Service fee: HK$6.50 per ticket, up to a maximum of HK$20 per transaction. Extra service charge of HK$25 for choosing registered mail.

Redemption of Festival Catalogue “The 35th HKIFF Main Catalogue” & “Wai Ka-fai, Filmmaker in Focus”: Redemption Points and Opening Hours: From 21 March to 5 April (10:00 – 19:00) 4/F, Administration Building of HK Cultural Centre Address: 10 Salisbury Road, Tsim Sha Tsui, Kowloon From 7 April to 31 May The HKIFF Society Office (Mon-Fri: 09:30-12:30, 14:00-17:30; closed at weekends and Public Holidays) Address: 21/F, Millennium City 3, 370 Kwun Tong Road, Kowloon, Hong Kong (Near Ngau Tau Kwok MTR Station)

Stand-by Tickets for Sold-out Screenings A limited number of stand-by tickets for sold-out screenings are on sale at HK Cultural Centre Grand Theatre, HK City Hall Theatre and HK Film Archive Cinema 30 minutes prior to the screening time at the respective screening venue. Seating is subject to availability after admission of VIP Pass holders and all ticket holders. (VIP Pass admission is not applicable to HK Film Archive Screenings). Each person can purchase up to 2 stand-by tickets per transaction.

Seating and Queuing Arrangement All tickets are sold on a first-come, first-served basis. For screenings in HK Cultural Centre, seats are allocated in the following sequence: Stalls Circle Upper Circle.

(ii) By Post Please mail the completed form to: Suite1501, 15/F Asian House, 1 Hennessy Road, Wanchai, Hong Kong (The 35th Hong Kong International Film Festival). Postal booking order received after 6 March will not be processed.

Back-to-back Screenings: In HKCEC, HK Cultural Centre, HK City Hall and HK Science Museum, if you hold tickets to back-to-back screenings in the same venue, you may stay in the Waiting Area for the admission to subsequent screenings. In other venues, there is no such a special arrangement for backto-back screenings in normal cases.

Enquiry Hotline If you do not receive your tickets by 10 March, please report to Cityline (Hong Kong) Ltd. at your soonest convenience (Tel: 3761 6633; 10:00 – 20:00 daily). The presenter will not assume responsibilities for tickets lost in the mail if the problem is reported less than one week before respective screening.

All screenings are free seating, except “All for One and One for All: Union Film” Programme. The computerized ticketing system will automatically assign the best available seat for audience. However, it is not guaranteed that seats will be adjacent. In addition to Stalls and Circle, tickets for selected seats at the Upper Circle of the HK Cultural Centre Grand Theatre will also be released for sale. Please kindly note that due to the distance and viewing angles, Upper Circle seats are less satisfactory than those within Stalls and Circle.

Online Advance Booking (26 February 10:00 – 9 March 22:00) (Except HKCEC Screenings)

Please visit the HKIFF Website: www.hkiff.org.hk for booking. Service fee: HK$6.50 per ticket, up to a maximum of HK$20 per transaction. Extra service charge of HK$25 for choosing registered mail. Bookings will be confirmed online right after the transaction as well as by email. Besides postal service, customers may choose to collect tickets at Cityline Ticketing Outlets at the 21 Parsons Music Branches or any of the Cityline’s Ticketing Dispensing Machines (Please refer to P.61) with the credit card used for transaction starting from the second day after the transaction.

URBTIX (From 10 March) (Except HKCEC Screenings) Online Booking: www.urbtix.hk

(From 10 March 10:00 up to One Hour before screenings)

Telephone Credit Card Booking: 2111 5999 (From 10 March 10:00 up to One Hour before screenings) • Service fee: HK$6.50 per ticket, up to a maximum of HK$20 per transaction. Extra service charge of HK$25 for registered mail. • T ickets booked within 7 days of screenings on the above services must be collected at any Cityline TDM or URBTIX outlets upon presentation of the credit card used for transaction. Note: URBTIX outlets are not available at the HK Space Museum, HK Science Museum, UA Cinemas and The Grand Cinema. If your tickets are booked within 7 days of screenings on the above services, please collect your tickets at any Cityline TDM or URBTIX outlets before going to these screening venues. Counter Booking: URBTIX outlets (Please refer to P.63) accept payment in cash, credit card (American Express, MasterCard, Diners Club and Visa) and China Union Pay Card (Hong Kong currency only). For screenings at the UA Cinemas and The Grand Cinema, tickets are available at the URBTIX outlets until 5:00pm one day before respective screenings, after which tickets are available only at the box office of respective screening venues on the day of screening subject to availability. For screenings at other venues, tickets are available at the URBTIX outlets until one hour before the screening, after which tickets are sold only at the door. HK Science Museum door ticket counter opens 30 minutes before the screening. Limited tickets to nonsold out screenings are available at the door, subject to availability (Cash Only).

Refunds and Programme Changes At the time when this booking folder goes to print, most of the films have not been submitted to the Television and Entertainment Licensing Authority. In case that a film is subsequently classified as Category III, refunds will be made to ticket holders under 18 years of age who buy tickets before the announcement. Forms for refund application will be available from the day of announcement until 31 May 2011 at HK Cultural Centre, HK City Hall, and the box offices of the screening venues. You may also download the forms from the Festival website at www.hkiff.org.hk. Completed application forms should be returned by post to the Hong Kong International Film Festival Office (21/F, Millennium City 3, 370 Kwun Tong Road, Kowloon, Hong Kong) on or before 31 May 2011, with the subject “Refund Application” on envelope. Refund cheques of the net amount of ticket will be sent to ticket holders by post (Other charges will not be refunded). In case of unavoidable necessity, The Hong Kong International Film Festival reserves the right to alter programmes without prior notice. Late entries, screening cancellations or alterations will be announced on the Festival website www.hkiff.org.hk and at the screening venues. For alterations or cancellations of screenings, refund policies are the same as aforementioned. Ticket holders may also choose to attend a screening of a replacement film at the same time slot. Under no circumstances other than the cancellation or the alteration of programmes can tickets be refunded. Refund applications are also not available for all completed screenings.

Terms & Conditions Maximum 40 tickets per transaction; 4 tickets per screening. All tickets are non-refundable and non-exchangeable. All tickets are subject to the Purchase Policy of URBTIX, HK Ticketing & the venues. URBTIX – Please refer to the Terms and Conditions at URBTIX outlets or www.urbtix.hk HK Ticketing – Please refer to the Terms and Conditions at www.hkticketing.com. Festival Passes – Please refer to P.59 for terms and conditions.

票房地點及開放時間 Ticketing Outlets and Opening Hours 城市電腦售票網 URBTIX 3 月 10 日起公開發售 Ticket Sales from March 10 ( 所有未滿座電影節節目，香港會議展覽中心場次除外 ) ( All non sold-out HKIFF programmes, except HKCEC Screenings ) 城市電腦售票網票房地點及開放時間 URBTIX Outlets & Opening Hours 1000 - 2130

星期一至日 Mon - Sun

香港大會堂、香港文化中心、葵青劇院、沙田大會堂、荃灣大會堂、屯門大會堂、元朗劇院 Hong Kong City Hall, Hong Kong Cultural Centre, Kwai Tsing Theatre, Sha Tin Town Hall, Tsuen Wan Town Hall, Tuen Mun Town Hall, Yuen Long Theatre

1000 - 1830

星期一至日 Mon - Sun

香港體育館、高山劇場、牛池灣文娛中心、北區大會堂、伊利沙伯體育館、西灣河文娛中心、上環文娛中心、大埔文娛中心、樂韻琴行旺角分行 Hong Kong Coliseum, Ko Shan Theatre, Ngau Chi Wan Civic Centre, North District Town Hall, Queen Elizabeth Stadium, Sai Wan Ho Civic Centre, Sheung Wan Civic Centre, Tai Po Civic Centre, Happy Sound Music Ltd Mong Kok Branch

1000 - 1800

星期一至日 Mon - Sun

香港藝術中心（電影節期間，票房將於最後一場電影放映後15分鐘關閉）、賽馬會創意藝術中心、青年廣場、香港兆基創意書院 Hong Kong Arts Centre (during the Festival Period, the box office will close 15 minutes after the last screening begins), Jockey Club Creative Arts Centre, Youth Square, HKICC Lee Shau Kee School of Creativity

1200 - 2000

星期一至日，星期四休息 Mon - Sun; Closed on Thu

香港電影資料館（電影節期間，票房將於最後一場電影放映後15分鐘關閉） Hong Kong Film Archive (during the Festival Period, the box office will close 15 minutes after the last screening begins)

1000 - 1930

星期一至日 Mon - Sun

各通利琴行分銷處 Tom Lee Music Co. Ltd. Branches 灣仔告士打道、銅鑼灣波斯富街、北角和富中心、太古城中心、柴灣青年廣場、香港仔中心、西環西寶城、小西灣藍灣半島、尖沙咀金馬倫里、紅磡黃埔花園、九龍灣德福花園、MegaBox、沙田新城市廣場、馬鞍山新港城、將軍澳新都城、大埔新達廣場、上水龍琛路、屯門市廣場、元朗大馬路、荃灣愉景新城、青衣城 Gloucester Road (Wanchai), Percival Street (Causeway Bay), Provident Centre (North Point), Cityplaza (Taikoo Shing), Youth Square (Chai Wan), Aberdeen Centre (Aberdeen), The Westwood (Kennedy Town), Island Resort (Siu Sai Wan), Cameron Lane (Tsimshatsui), Whampoa Garden (Hunghom), Telford Garden (Kowloon Bay), MegaBox, (Kowloon Bay), New Town Plaza (Shatin), Sunshine City Plaza (Ma On Shan), Metro City Plaza (Tseung Kwan O), Uptown Plaza (Tai Po), Lung Shum Avenue (Sheung Shui), Tuen Mun Town Plaza (Tuen Mun), Castle Peak Road (Yuen Long), Discovery Park (Tsuen Wan), Maritime Square (Tsing Yi)

1000 - 1800

星期一至五 Mon - Fri

亞洲國際博覽館Arena Asia World - Arena

其他票房 Other Outlets 1200 - 2045

星期一至五，星期二休息 Mon – Fri; Closed on Tue

未滿座場次開場前30 分鐘 30 mins before non sold-out screening

香港太空館 (只發售太空館放映場次之門票，售完即止。) Hong Kong Space Museum (tickets for Space Museum screenings only, subject to availability.) 香港科學館即場門票銷售點 (只發售科學館放映場次之門票，售完即止。) Hong Kong Science Museum Door Ticket Counter (tickets for Science Museum screenings only, subject to availability.)

UA院線及The Grand Cinema票房只發售剩餘的即場門票，售完即止。 The box offices at UA Cinemas and The Grand Cinema: Remaining door tickets only, subject to availability.

快達票票房地點及開放時間 HK Ticketing Outlets & Opening Hours:

2 月 26 日起公開發售 Ticket Sales from February 26 ( 香港會議展覽中心場次 ) (S creenings at Hong Kong Convention and Exhibition Centre)

1100 - 1900

星期一至六* Mon - Sat

香港會議展覽中心 Hong Kong Convention and Exhibition Centre

1200 - 1800

星期一至六* Mon - Sat

香港演藝學院 Hong Kong Academy for Performing Arts

1200 - 2200

星期一至六* Mon - Sat

藝穗會 Fringe Club

1000 - 1800

星期一至五* Mon - Fri

亞洲國際博覽館 Asia World - Expo

1100 - 1800

星期一至日 Mon - Sun

香港演藝學院古蹟校園-伯大尼 The Academy’s Landmark Heritage Campus - Bethanie

1100 - 1800

星期一至日 Mon - Sun

九龍灣國際展貿中心 Kowloon Bay International Trade & Exhibition Centre

1000 - 1930

星期一至日 Mon - Sun

各通利琴行分銷處 Tom Lee Music Co. Ltd. Branches

*Closed on Public Holidays 公眾假期休息 63

Date 日期

Time 時間

HKCEC THEATRE 1

1 香港會議展覽中心 CE 演講廳 1

Page 頁碼

Date 日期

星期日 SUN

21 星期一 MON

22 星期二 TUE

23 星期三 WED

24 星期四 THU

Date 日期

20 星期日 SUN

21 星期一 MON

10:00pm Potiche 讓師奶飛

7:15 pm Aurora 破曉

7:15 pm A Cat in Paris 貓的一生

9:30 pm Sacrifice 趙氏孤兒

7:15 pm Hi, Fidelity 出軌的女人

9:30 pm Vampire 吸血達人 ★

7:15 pm Incendies 母親的告白 ★

9:45 pm Vampire 吸血達人 ★

Time 時間

HKCEC THEATRE 2 香港會議展覽中心演講廳 2

CE 2

星期二 TUE

23 星期三 WED

Page 頁碼

HK SCIENCE MUSEUM LECTURE HALL 香港科學館演講廳

12:30 PM 21SM3M1

10:00 pm Don’t Go Breaking My Heart 單身男女

24 星期四 THU

Page 頁碼

HK SPACE MUSEUM LECTURE HALL 香港太空館演講廳

The Delinquent 憤怒青年 2:30 PM 21SM3M2 The Teahouse 成記茶樓 (2:45pm) 5:30 PM 21SM3M3D World Animation I 世界動畫精選 ((一一) 7:15 PM 21SM3E1 hospitalité 歡待 9:30 PM 21SM3E2 The Ditch 夾邊溝

106 21SP3M1D

12:30 PM 22SM3M1

The Deaf Mute Killer / Arson 臨村兇殺案／老爺車縱火案 2:30 PM 22SM3M2 Killer Constable 萬人斬 5:30 PM 22SM3M3D Man with No Name 無名者 (5:15pm) 7:15 PM 22SM3E1 Yulu 語路 9:30 PM 22SM3E2 Year Without a Summer 無夏之年

107

12:30 PM 23SM3M1D World Animation II 世界動畫精選 ((二二) 2:30 PM 23SM3M2D Litterock 迷失小石鎮 5:30 PM

23SP3M1D

23SP3M2D

7:15 PM 23SM3E1

23SP3E1

23SP3E2

9:30 PM 23SM3E2

7:15 pm Don’t Go Breaking My Heart 單身男女

7:15 pm L’Amour Fou 狂戀聖羅蘭

21 星期一 MON

Time 時間

Man with a Movie Camera 帶攝影機的人 (7:30pm) Piercing I 刺痛我

107 21SP3M2D

Peace Hotel 和平飯店 (1:30pm) The Far Shore 遠岸戀人 (3:30pm)

Page 頁碼

90 21GC3M3D Rubber 轆地魔 21GC3E1 Boxing Gym 拳擊會 (7:30pm) 21GC3E2 I Wish I Knew 海上傳奇

79 43 23

37 20 20

107 22GC3M3D Return Ticket 48 到阜陽六百里 22GC3E1 Little Ghostly Adventures of the Tofu Boy 6 豆富小僧 (3D) (7:30pm) 22GC3E2 Pina 18 翩娜 (3D) (9:45pm)

22 74 38

23SP3M3D

Needing You… 孤男寡女 (1:30pm) Help!!! 辣手回春 (3:30pm) Joyce Wieland’s Shorts Programme 哉絲韋蘭短片選 Hanoi Little Girl 河內女孩 The Killer Snakes 蛇殺手

31 31 23GC3M3D Leap Year 性女的閏年 95 23GC3E1 Hotel Blackcat 黑貓大旅社 106 23GC3E2 Black Venus 黑色維納斯 90

38 48 42

12:30 PM 2:30 PM

7:15 PM 9:30 pm Come Rain Come Shine 分手又如何

5:30 PM

15,75

The Grand

Cinema

9:30 PM

24GC3M3D Boxing Gym 拳擊會 24GC3E1 Chantrapas 無歌之歌 24GC3E2 The Christening 末路兄弟 (9:45pm)

25GC3M3D Cool It 冷眼真相 25GC3E1 Heaven’s Story 天堂物語

19 44

22 星期二 TUE

25 9:45 pm Chico and Rita 戀戀節拍夏灣拿

23 星期三 WED

24 星期四 THU

星期五 FRI

12:30 PM 2:30 PM

7:15 pm Nader and Simin, A Separation 伊朗式分居

9:45 pm Honey PuPu 消失打看

7:15 pm When Love Comes 當愛來的時候

7:15 PM 25SM3E1 9:30 PM 25SM3E2

Short Film Competition Programme I 國際短片競賽節目 (一) Short Film Competition Programme II 國際短片競賽節目 (二)

25SP3E1

25SP3E2

World Animation I 世界動畫精選 (一) Short Film Competition Programme III 國際短片競賽節目 (三) Short Film Competition Programme IV 國際短片競賽節目 (四) Shattered 老唐頭 One Nation, Two Cities 一國雙城

26SP3M1

26SP3M2

26SP3M3

26SP3E1

26SP3E2

Reason over Passion 情理大地 When Hainan Meets Teochew 當海南遇上潮州 Hex 邪

90 45

107

11:45 PM

9:30 pm Tender Son - The Frankenstein Project 42 科學怪童

26 星期六 SAT

10:30 AM 26SM3M1 12:30 PM 26SM3M2 3:00 PM 26SM3M3 6:00 PM 26SM3E1 9:00 PM 26SM3E2 11:45 PM

25SP3M3D

5:30 PM

Wu Yen 鍾無艷 (1:30pm) Fat Choi Spirit 嚦咕嚦咕新年財 (4:00pm) Kawamoto’s Shorts Programme I 川本喜八郎短片集 (一) (6:00pm) Winter Days 冬之日(7:45pm) Hex after Hex 邪完再邪 (9:50pm)

31 31 78

26GC3M3

26GC3E1

107 26GC3E2

Little Ghostly Adventures of the Tofu Boy 6 豆富小僧3D (4:00pm) Balangay 9 非人島 Eternity 9 永恆 (8:00pm)

Page 頁碼

2:30 PM 5:30 PM

9:30 PM 21UL3E2 HSE 6院 6院 21UL3E2A HSE 3院 3院 12:30 PM

Tender Son - The Frankenstein Project 科學怪童 Oceans 洋洋大觀 ★ Hi-So 上流社會 (9:40pm)

20UC3E2

Quattro Hong Kong 2 香港四重奏II (10:00pm)

4,7

21IS3M2D 21UC3M3D How Much Does Your Building Weigh, Mr. Foster? 科士打有幾堅 (5:45pm) 21UC3E1 What I Love the Most 兩個攀攀的心 (7:50pm) 21UC3E2 Together 在一起 (9:50pm)

21IS3M3D

21IS3E1

22IS3M2D

44 44

22UC3M3D Waste Land 荒原藝術 22UC3E1 The Old Donkey 老驢頭 (7:50pm) 22UC3E2 new world 新世界 (10:10pm)

22IS3M3D

22IS3E1

27,34 35

23IS3M2D 23UC3M3

Quattro Hong Kong 2 4,7 香港四重奏II (6:15pm) Winter Vacation 37 寒假 (7:50pm) Are We Really So Far From the Madhouse? 37 我們離瘋人院究竟有多遠? (10:10pm)

23IS3M3D 23IS3E1

24IS3M2D

46 14

27 45

24UC3M3D The Orion 天堂無路 (5:45pm) 24UC3E1 ANPO: Art X War 反安保：藝術之戰 (7:50pm) 24UC3E2 How Much Does Your Building Weigh, Mr. Foster? 科士打有幾堅 (10:10pm)

24IS3M3D

24IS3E1

25IS3E1

10:30 AM

26UC3M1

26IS3M1

12:30 PM

26UC3M2

26IS3M2

26IS3M3

26IS3E1

43 24

Deep in the Woods 慾望盛放的森林 Armadillo 子彈橫飛維和路 A Useful Life 電影就在街角 (7:45pm)

Beyond 哭泣的假面 Norberto’s Deadline 羅拔圖的死線 The Radish and the Carrot 白蘿蔔與紅蘿蔔 (7:30pm)

Cure 金不換 Zephyr 逆女西風 Surviving Life 夢中見 (7:30pm)

Half of Oscar 半個奧斯卡 The Human Resources Manager 人事經理補鑊之旅 Brother and Sister 不要哭我，阿根廷 (2:45pm) The Light Thief 盜光皇帝 (5:00pm)

41 26

75 39

46 99

25UQ3M3D October 十月的神蹟 (5:45pm) 25UQ3E1 Cirkus Columbia 瘋狂的馬戲 (7:30pm) 25UQ3E2 Curling 冰上滾石 (9:45pm)

44 23 41

46 19

34,83

26UQ3M3

3:00 PM

11:45 PM 26UL3E3

The Longest Nite 暗花 Turquaze 難為愛情定分界 Love Letter 情書 (7:30pm)

Mar

9:00 PM 26UL3E2

25IS3M3D

The Turin Horse 都靈老馬 (7:15pm) Silent Souls 河上的幽靈 (10:15pm) I Saw the Devil 我，看見惡魔 ★

Viva Riva! 剛果風雲 The Christening 末路兄弟 Too Many Ways to be No. 1 一個字頭的誕生 (7:30pm)

6:00 PM 26UL3E1

25UC3M3D Bleak Night 青春夜行 25UC3E1 Return Ticket 到阜陽六百里 (8:00pm) 25UC3E2 Autumn 喀什米爾之秋 (10:10pm)

11:45 PM 25UL3E3

Mar

23UC3E2

5:30 PM

9:30 PM 25UL3E2

Page 頁碼

25IS3M2D

The Four Times 四時之樂：人‧羊‧樹‧煤 Neds 格拉斯哥墮落少年 (9:15pm) Kaboom 砰！★

2:30 PM

7:15 PM 25UL3E1

iSQUARE

5:30 PM

9:30 PM 24UL3E2 HSE 6院 6院 24UL3E2A HSE 3院 3院 12:30 PM

23UC3E1

24UQ3M1D Detective Dee and the Mystery of the Phantom Flame 狄仁傑之通天帝國 24UQ3M2D Hi-So 上流社會 (2:45pm) 24UQ3M3D The Illusionist 幻象師 Coffee and Cigarettes 咖啡與煙 The Mosquito Net 蚊帳之家 Viva Riva! 剛果風雲 (9:40pm)

Carlos 豺狼卡洛斯（足本） (12:00noon)

2:30 PM

7:15 PM 24UL3E1

20UC3M2

5:30 PM

9:30 PM 23UL3E2 HSE 6院 6院 23UL3E2A HSE 3院 3院 12:30 PM

23UQ3M1D The Drunkard 酒徒 23UQ3M2D Winter’s Bone 凍死骨 (3:00pm) ★ 23UQ3M3D Ballast 三角錯 Eternity 永恆 The Strange Case of Angelica 再生奇緣 Elite Squad 2 - The Enemy Within 精銳暴隊2：內鬼 (9:40pm)

Page 頁碼

2:30 PM

7:15 PM 23UL3E1

5:30 PM

9:30 PM 22UL3E2 HSE 6院 6院 22UL3E2A HSE 3院 3院 12:30 PM

CITYPLAZA 太古城

22UQ3M1D The Stool Pigeon 綫人 22UQ3M2D The Edge 世界盡頭的列車 (2:45pm) 22UQ3M3D Another Sky 牧羊人的天空 The Fourth Portrait 第四張畫 Carancho ER禿鷹 Madame X 妖X俠 (9:40pm)

Page 頁碼

2:30 PM

7:15 PM 22UL3E1

21UQ3M1D Once a Gangster 飛砂風中轉 21UQ3M2D Easy Money 街外錢 21UQ3M3D Silent Souls 河上的幽靈

12:30 PM

7:15 PM 21UL3E1

TIMES SQUARE 時代廣場

LANGHAM PLACE 朗豪坊

26UQ3E1

26UQ3E2

Special Treatment 高鐘女王 (5:00pm) Chongqing Blues 日照重慶 (7:15pm) Leap Year 性女的閏年 (9:30pm)

26UC3M3

26UC3E1

26UC3E2

Single Man 光棍兒 The Journals of Musan 寡佬非人日記 (12:50pm) Morgen 明天偷渡會更好 (3:30pm) Outbound 暴走女24小時 (5:30pm) Post Mortem 屍檔案 (7:30pm)

43 40 44

Programme Diary

Time 時間

節目表

★ 中文字幕

Date 日期

27 星期日 SUN

Time 時間

HK ARTS CENTRE HK SCIENCE MUSEUM Page AGNES B. CINEMA! LECTURE HALL 頁碼香港藝術中心 Agnes b. 電影院香港科學館演講廳

10:30 AM 27AC3M1 12:30 PM 27AC3M2 3:00 PM 27AC3M3 6:00 PM 27AC3E1 9:00 PM 27AC3E2

28 星期一 MON

Aardvark 看不見的深淵 (2:15pm) Avant Garde Programme II 前衛短片選輯 (二) (4:00pm) Avant Garde Programme I 前衛短片選輯 (一) (5:30pm) Good Morning to the World!! 世界早安 (7:15pm) Senior Year 告別校園時 (9:30pm)

35 92 92 9 9

12:30 PM 2:30 PM 5:30 PM 7:15 PM 28AC3E1 9:30 PM 28AC3E2

29 星期二 TUE

Piercing I 刺痛我 The Day When the Sun Was Lost 太陽消失的那天

12:30 PM 2:30 PM 5:30 PM 7:15 PM 29AC3E1

besides(s,) happiness / The Warriors of Qiugang 幸福的旁邊／仇崗衛士

9:30 PM

30 星期三 WED

79 76

2:30 PM 5:30 PM

9:30 PM 30AC3E2

Bleak Night 青春夜行 Single Man 光棍兒 (9:45pm)

Page 頁碼

HK SPACE MUSEUM LECTURE HALL 香港太空館演講廳

Page 頁碼

27SM3M1

27SP3M1

Old Dog 老狗 27SM3M2 When Hainan Meets Teochew 當海南遇上潮州 (12:45pm) 27SM3M3 Love Addiction 80後速愛物語 27SM3E1 The Solitude of Prime Numbers 質數的孤寂 besides(s,) happiness / The Warriors of Qiugang 27SM3E2 幸福的旁邊／仇崗衛士 28SM3M1D Hong Kong Baptist University Selection 香港浸會大學學生作品選 28SM3M2D Hong Kong Academy for Performing Arts Selection 香港演藝學院學生作品選 (2:45pm) 28SM3M3D Peace 完全和平手冊 28SM3E1 Bachelor Mountain 光棍 (7:30pm) 28SM3E2 Lumpinee 小泰豆打擂台 (9:45pm)

29SM3M1D City University of Hong Kong Selection 香港城市大學學生作品選 29SM3M2D The Hong Kong Polytechnic University Selection 香港理工大學學生作品選 (2:45pm) 29SM3M3D Yulu 語路 28,77 29SM3E1 One Nation, Two Cities 一國雙城 (7:20pm) 29SM3E2 World Animation II 世界動畫精選 (二) (9:45pm)

12:30 PM

7:15 PM 30AC3E1

39 36

30SM3M1D Hong Kong Design Institute Selection 香港知專設計學院學生作品選 30SM3M2D Good Morning to the World!! 世界早安 30SM3M3 Buenos Aires Zero Degree 布宜諾斯艾利斯‧攝氏零度 (6:00pm) 30SM3E1 The Mummy: the Night of Counting the Years 木乃伊 (7:30pm) 30SM3E2 Nostalgia for the Light 星空塵土

Date 日期

Time 時間

Ruhr 魯爾區

The Grand

Cinema

27GC3M3

38 43

27SP3E1

28,77 27SP3E2 104 28SP3M1D 104 28SP3M2D

Position Among the Stars 還看稀星點點 (7:15pm) The Boxer’s Omen 魔 (9:30pm) The Wild Field 荒原 (1:30pm) Twenty Cigarettes 二十支煙 (3:15pm)

27GC3E1

Pina (3D) 翩娜(3D) (4:00pm) Black Venus 黑色維納斯

28GC3M3D Home for Christmas 聖誕回家 28GC3E1 Honey 蛋奶蜜三部曲之蜂蜜 28GC3E2 Zephyr 逆女西風

29GC3M3D Womb 是夫也是子 29GC3E1 Pina 翩娜(3D) (7:30pm) 29GC3E2 Balangay 非人島

30GC3M3D Post Mortem 屍檔案 (5:45pm) 30GC3E1 Essential Killing 極地逃殺 (7:45pm) 30GC3E2 Tears of Gaza 加薩淚

7:15 PM 29KG3E1 9:30 PM 29KG3E2

30 星期三 WED

7:15 PM 30KG3E1 9:30 PM 30KG3E2

46 46

105 105 74 10 79

105 30SP3M1D 9

30SP3M2D

30SP3M3D

30SP3E1

30SP3E2

My Left Eye Sees Ghosts 我左眼見到鬼 (1:30pm) The Solitude of Prime Numbers 質數的孤寂 (3:30pm) Year Without a Summer 無夏之年 (5:45pm) Shattered 老唐頭 (7:30pm) Old Dog 老狗 (9:50pm)

38 11 8

HK CITY HALL THEATRE 香港大會堂劇院

Page 頁碼

Inside Job 呃錢帝國 ★ Winter’s Bone 凍死骨 (9:45pm) ★

28CT3E1

Cool It 冷眼真相 Madame X 妖X俠

The Illusionist 幻象師 I Saw the Devil 我，看見惡魔 (9:15pm) ★

29CT3E1

29CT3E2

The Strange Case of Angelica 再生奇緣 The Four Times 四時之樂：人‧羊‧樹‧煤

30CT3E1

Animal Kingdom 野獸家族 ★

30CT3E2

Special Treatment 高鐘女王

Buddha Mountain 觀音山 Award Ceremony 頒獎禮 (7:00pm) Screening 電影放映 (7:30pm) The Man from Nowhere 殺手代父 (9:50pm) ★

Page 頁碼

27,34 28CT3E2

29 星期二 TUE

9:30 PM 28KG3E2

107

HK CULTURAL CENTRE GRAND THEATRE 香港文化中心大劇院

7:15 PM 28KG3E1

Page 頁碼

28 星期一 MON

19 11

LANGHAM PLACE 朗豪坊

Page 頁碼

TIMES SQUARE 時代廣場

Page 頁碼

CITYPLAZA 太古城

10:30 AM

27UC3M1

12:30 PM

27UC3M2 27UQ3M3

3:00 PM 6:00 PM 27UL3E1

Kawamoto’s Shorts Programme II 川本喜八郎短片集 (二) (7:15pm) The Book of the Dead 死者之書 (9:15pm)

9:00 PM 27UL3E2

27UQ3E1

27UQ3E2

Oki’s Movie 玉熙的映畫 (5:00pm) Tuesday, After Christmas 聖誕後的星期二 (7:00pm) Hotel Blackcat 黑貓大旅社 (9:30pm)

27UC3M3

27UC3E1

27UC3E2

Pink Saris 粉紅一姐 (10:45am) ANPO: Art X War 反安保：藝術之戰 (12:50pm) Tears of Gaza 加薩淚 (3:15pm) A Useful Life 電影就在街角 (5:30pm) Cameraman: The Life and Work of Jack Cardiff 攝影大師積卡迪夫 (7:30pm)

Page 頁碼

27IS3M1

27IS3M2

27IS3M3

27IS3E1

iSQUARE

Curling 冰上滾石 A Screaming Man 失魂游泳池 Majority 堡童的初戀 (2:45pm) Animal Kingdom 野獸家族 (5:00pm) ★

Page 頁碼

41 23 46 15

12:30 PM 28IS3M2D

2:30 PM 5:30 PM 7:15 PM 28UL3E1 9:30 PM 28UL3E2 HSE 6院 6院 28UL3E2A HSE 3院 3院 12:30 PM

The Edge 世界盡頭的列車 Cirkus Columbia 瘋狂的馬戲 (9:45pm) Turquaze 難為愛情定分界 (9:40pm)

44 23

28UQ3M3D Carancho ER禿鷹 ER 禿鷹 28UQ3E1 The Devil’s Double 惡魔的替身 (7:45pm) 28UQ3E2 Armadillo 子彈橫飛維和路 (10:00pm)

40 15 75

28UC3M3D The Sun Beaten Path 太陽總在左邊 (5:45pm) 28UC3E1 Dance Town 獨舞城 (7:50pm) 28UC3E2 Fit Fit到病 (10:10pm)

28IS3M3D

28IS3E1

5:30 PM

9:30 PM 29UL3E2 HSE 6院 6院 29UL3E2A HSE 3院 3院 12:30 PM

Mar

29IS3M2D

Half of Oscar 半個奧斯卡 October 十月的神蹟 Wasted on the Young 90後殘酷物語 (9:40pm) ★

2:30 PM

7:15 PM 29UL3E1

The Autobiography of Nicolae Ceausescu 86 壽西斯古自傳 (2:15pm) Attenberg 42 性教育奇觀 (5:45pm) Another Sky 44 牧羊人的天空 (7:50pm)

Mar

Time 時間

45 44

29UQ3M3D The Mosquito Net 蚊帳之家 29UQ3E1 If I Want to Whistle, I Whistle 逆風少年越獄記 (7:30pm) 29UQ3E2 Beyond 哭泣的假面

30UQ3M3D Milocrorze - A Love Story 愛瘋三次元 (5:45pm) ★ 30UQ3E1 Tabloid 犀利姐小小報 (7:45pm) ★ 30UQ3E2 My Joy 我快樂你大鑊 (9:45pm)

29IS3M3D

29UC3E1

29UC3E2

Norberto’s Deadline 羅拔圖的死線 Brother and Sister 不要哭我，阿根廷

29IS3E1

How I Ended This Summer 這個夏天真太冷 Autumn 喀什米爾之秋 22nd of May 五二二大事件 (7:30pm)

44 42 41

27,41

2:30 PM 5:30 PM 7:15 PM 30UL3E1 9:30 PM 30UL3E2

Oki’s Movie 玉熙的映畫 The Unjust 無義之城

24 16

20 42

20/3 星期日 SUN

Time 時間

HK Film Archive Cinema

香港電影資料館電影院

2:00pm 20FA3M2R

Parents’ Hearts 父母心 The More the Merrier 兒女債 Eternal Love 天長地久

110

7:00pm 25FA3E1R

Murderer in Town 香城兇影

111

2:00pm 26FA3M2R

Story of Father and Son 父與子

109

5:00pm 26FA3M3R

The Wall 牆

111

7:00pm 26FA3E1R

We Want to Live 我要活下去

112

9:15pm 26FA3E2R

The Bloody Sucker 吸血婦

112

2:00pm 27FA3M2R

Autumn Comes to Crape Myrtle Garden 紫薇園的秋天 Sworn Sisters 金蘭姊妹 In the Face of Demolition 危樓春曉

111

5:00pm 20FA3M3R 7:30pm 20FA3E1R

25/3 星期五 FRI

26/3 星期六 SAT

27/3 星期日 SUN

Page 頁碼

4:30pm 27FA3M3R 7:30pm 27FA3E1R

110 110

Date 日期

1/4 星期五 FRI

2/4 星期六 SAT

Time 時間

HK Film Archive Cinema

香港電影資料館電影院

7:00pm 01FA4E1R

An Orphan’s Tragedy 孤星血淚

110

2:00pm 02FA4M2R

Family 家 Spring 春 Autumn 秋 Road 路 Love (Part 1) 愛 Love, the Sequel 愛 (續集)

109

7:30pm 04FA4E1R

Human Relationships 人倫

112

2:00pm 05FA4M2R

Money 錢 Blood Money 血染黃金 Anna 春殘夢斷

111

5:30pm 02FA4M3R 8:00pm 02FA4E1R

3/4 星期日 SUN

4:30pm 03FA4M3R 7:00pm 03FA4E1R 9:30pm 03FA4E2R

4/4

109 109

星期一 MON

5/4 星期二 TUE

Page 頁碼

4:30pm 05FA4M3R 7:00pm 05FA4E1R

109 109 112 110 110

111

Mar

20 ~

Date 日期

Apr

Programme Diary

★ 中文字幕

節目表

111

Date 日期

31 星期四 THU

Time 時間

HK CULTURAL CENTRE GRAND THEATRE 香港文化中心大劇院

Page 頁碼

HK CITY HALL THEATRE 香港大會堂劇院

12:30 PM 2:30 PM 5:30 PM 7:15 PM 31KG3E1 9:30 PM 31KG3E2

1 星期五 FRI

Last Romance 流金歲月(修復版) The Devil’s Double 惡魔的替身 (9:50pm)

31CT3E1

31CT3E2

Happy Together 春光乍洩 Rubber 轆地魔

12:30 PM 2:30 PM 5:30 PM 7:15 PM 01KG4E1 9:30 PM 01KG4E2

Certified Copy 似是有緣人 ★ Kaboom 砰！ (9:45pm) ★

19, 102 01CT4E1 34,83 01CT4E2

Wasted on the Young 90後殘酷物語 ★ The Pack 妹腎探母夜叉

Page 頁碼

HK ARTS CENTRE HK SPACE MUSEUM Page AGNES B. CINEMA! LECTURE HALL 頁碼香港藝術中心 Agnes b. 電影院香港太空館演講廳

31AC3M1D Bachelor Mountain 光棍 31AC3M2D new world 新世界 (2:45pm) 31AC3M3D Dance Town 獨舞城 (5:00pm) 26 31AC3E1 The Journals of Musan 寡佬非人日記 (7:05pm) 37 31AC3E2 The Sun Beaten Path 太陽總在左邊 (9:45pm) 01AC4M1D Psychohydrography 水遊記 (1:00pm) 01AC4M2D Anti Gas Skin 防毒面罩殺人狂 01AC4M3D What I Love the Most 兩個攀攀的心 27,41 01AC4E1 Fit Fit到病 82 01AC4E2 Jess + Moss 生煙草之味

31SP3M1D

31SP3M2D

Page 頁碼

Running on Karma 大隻佬 (1:30pm) Peace 完全和平手冊 (3:20pm)

Mad Detective 神探 (1:30pm) Lumpinee 小泰豆打擂台 (3:30pm) Avant Garde Programme I 前衛短片選輯 ((一一) (5:45pm) Self Referential Traverse: Zeitgeist and Engagement 超錯膠警大電影 (7:30pm) Belkibolang 耶加達小夜曲

9 39 8 92

01SP4M1D

01SP4M2D

01SP4M3D

01SP4E1

01SP4E2

02SP4M1

Written by 再生號

02SP4E1

02SP4E2

Love Addiction 80後速外物語 (7:15pm) Righteousness 正義派 (9:30pm)

03SP4M1

Position Among the Stars 還看稀星點點 (1:30pm) Nostalgia for the Light 星空塵土 (3:40pm) Senior Year 告別校園時 (5:30pm) …but Film is My Mistress/Images from the Playground 電影情婦／樂園影像 (7:30pm) hospitalité 歡待 (9:30pm) Self Referential Traverse: Zeitgeist and Engagement 超錯膠警大電影 (1:30pm) Belkibolang 耶加達小夜曲 (3:15pm)

11 92 38 37

11:45 PM

2 星期六 SAT

10:30 AM 02KG4M1 12:30 PM 02KG4M2 3:00 PM 02KG4M3 6:00 PM 02KG4E1 9:00 PM 02KG4E2

Potiche 讓師奶飛 A Cat in Paris 貓的一生 (12:45pm) Mysteries of Lisbon 里斯本密語 (2:30pm) Essential Killing 極地逃殺 (7:50pm) Milocrorze - A Love Story 愛瘋三次元 (9:50pm) ★

02CT4M1

02CT4M2

Oceans 洋洋大觀 ★ Three 仨 (12:45pm) Honey PuPu 消失打看 (3:15pm) La Dolce Vita 露滴牡丹開 Submarine 愛情潛水 (9:25pm) ★

L’Amour Fou 狂戀聖羅蘭 Heaven’s Story 天堂物語

15,75 02AC4M1 37

02AC4M2 02AC4M3

20 19

02CT4E1

02CT4E2

03CT4M1

03CT4M2

03CT4M3

03CT4E1

03CT4E2

A Life in Suitcases 流亡三部曲（精華版） Attenberg 性教育奇觀

02AC4E1

02AC4E2

Come Rain Come Shine 分手又如何 The Unjust 無義之城 (12:40pm) Surviving Life 夢中見 Neds 格拉斯哥墮落少年 Womb 是夫也是子

03AC4M1

Joyce Wieland’s Shorts Programme 哉絲韋蘭短片選 (10:45am) 16 Years of ifva Animation Programme 1 ifva動畫作品十六年精選節目一：「動感」 Ruhr 魯爾區 The Trial of Andres Bonifacio 革命之父受難記 Reason over Passion 情理大地

103 91

11:45 PM

3 星期日 SUN

10:30 AM 03KG4M1 12:30 PM 03KG4M2 3:00 PM 03KG4M3 6:00 PM 03KG4E1 9:00 PM 03KG4E2

4 星期一 MON

16 19 24 23

12:30 PM 2:30 PM 5:30 PM 7:15 PM 04KG4E1 9:30 PM 04KG4E2

Punished 報應 Devils on the Doorstep 鬼子來了

04CT4E1

04CT4E2

Kooky 小熊曲奇大冒險 ★ Tabloid 犀利姐小小報 ★ Bunraku 復仇三chok俠 ★ The Turin Horse 都靈老馬 (5:45pm) The Last Circus 殺戮小丑

05CT4M1

05CT4M2

05CT4M3

05CT4E1

05CT4E2

Avant Garde Programme II 前衛短片選輯 (二) (11:00am) 03AC4M2 16 Years of ifva Animation Programme 2 ifva動畫作品十六年精選節目二：「感動」 03AC4M3 Twenty Cigarettes 二十支煙 03AC4E1 The Ditch 夾邊溝 03AC4E2 The Far Shore 遠岸戀人 (8:45pm) 04AC4M1D The Old Donkey 老驢頭 04AC4M2D Together 在一起 (2:45pm) 04AC4M3D Psychohydrography 水遊記 (5:45pm) 04AC4E1 Pink Saris 粉紅一姐 (7:30pm) 04AC4E2 The Orion 天堂無路

Deep in the Woods 慾望盛放的森林 Julia’s Eyes 盲女凶間

Chico and Rita 戀戀節拍夏灣拿 Elite Squad 2 - The Enemy Within 精銳暴隊2：內鬼 Chongqing Blues 日照重慶 The Fourth Portrait 第四張畫 When Love Comes 當愛來的時候

05AC4M1

05AC4M2

05AC4M3

05AC4E1

05AC4E2

103 03SP4M2 91

03SP4M3

03SP4E1

03SP4E2

04SP4M1D

04SP4M2D

19 9 76 43 38 37

92 11 43

11:45 PM

5 星期二 TUE

10:30 AM 05KG4M1 12:30 PM 05KG4M2 3:00 PM 05KG4M3 6:00 PM 05KG4E1 9:00 PM 05KG4E2

Winter Vacation 寒假 (11:30am) Are We Really So Far From the Madhouse? 我們離瘋人院究竟有多遠? (1:45pm) Jess + Moss 生煙草之味 (4:00pm) Anti Gas Skin 防毒面罩殺人狂 (6:15pm) Waste Land 荒原藝術 (9:15pm)

05SP4M1

05SP4M2

05SP4M3

05SP4E1

05SP4E2

The Peddler 全城熱拍誇啦啦 (1:30pm) The Trial of Andres Bonifacio 革命之父受難記 (3:15pm) The Day When the Sun Was Lost 太陽消失的那天 (5:45pm) Man with No Name 無名者 (7:45pm) Machete Maidens Unleashed! 剝削電影駐菲大本營 (9:50pm)

76 24 76 22 76

Time 時間

12:30 PM

The Grand Cinema

Page 頁碼

LANGHAM PLACE 朗豪坊

Mar

Page 頁碼

5:30 PM 31GC3M3D Outbound 暴走女24 暴走女 24小時小時 7:15 PM 31GC3E1 The Two Escobars 足球有毒 (7:30pm) 9:30 PM 31GC3E2 E-Love 伊戀 (9:45pm) 12:30 PM

2:30 PM 87 75

31UL3E1

31UL3E2

Apr

Cameraman: The Life and Work of Jack Cardiff 76 攝影大師積卡迪夫 Bunraku 81 復仇三chok俠 ★

2:30 PM 5:30 PM 01GC4M3D Morgen 明天偷渡會更好 7:15 PM 01GC4E1 The Human Resources Manager 人事經理補鑊之旅 (7:30pm) 9:30 PM 01GC4E2 How I Ended This Summer 這個夏天真太冷 11:45 PM

87 43

01UL4E1

01UL4E2 01UL4E3

Home for Christmas 聖誕回家 Easy Money 街外錢 Julia’s Eyes 盲女凶間

23 46 83

See p.97 for Part II Programme Schedule. 下集節目表見第 97 頁。

10:30 AM 12:30 PM 02GC4M2 3:00 PM 02GC4M3

The Two Escobars 足球有毒 Kooky 小熊曲奇大冒險 (2:45pm) ★

75 79

6:00 PM

02UL4E1

9:00 PM

02UL4E2

11:45 PM

02UL4E3

Think Global, Act Rural 自耕救地球 (7:15pm) Majority 堡童的初戀 (9:45pm) Madame X 妖X俠

Buddha Mountain 觀音山 (5:15pm) Frozen River 冰河劫 (7:30pm) Humpday 忽然搭錯基 (9:45pm)

Tuesday, After Christmas 聖誕後的星期二 If I Want to Whistle, I Whistle 逆風少年越獄記 The Pack 妹腎探母夜叉

46 82

10:30 AM

3:00 PM 03GC4M3

Nader and Simin, A Separation 伊朗式分居 22nd of May 五二二大事件

43 41

03UL4M3

6:00 PM

03UL4E1

9:00 PM

03UL4E2

35 35

12:30 PM 2:30 PM 04GC4M2D My Joy 我快樂你大鑊 5:30 PM 04GC4M3D E-Love 伊戀 7:15 PM

42 42 04UL4E1

9:30 PM

04UL4E2

11:45 PM

04UL4E3

87 82

10:30 AM 12:30 PM 05GC4M2 3:00 PM 05GC4M3

While it is the HKIFF’s policy to secure the best possible print of the original version for all its screenings, HKIFF will appreciate its patrons’ understanding on occasions when less than perfect screening formats are screened. 香港國際電影節務必為觀眾全力搜羅影片的最佳原版拷貝放映，但若偶然事與願違，尚祈大家見諒。 Durations of films are provided by the rights owners or culled from publicity materials, and may differ from their actual lengths. Please check the HKIFF website for the latest updates. 本手冊內各電影的片長主要由片主提供，部份或參考電影製作及宣傳資料，可能與實際片長略有出入。請留意電影節網頁的更新資訊。 Unless otherwise stated, all films (except English-speaking films) are subtitled in English. 除特別註明外，所有非英語對白電影皆設有英文字幕 , 但不另設中文字幕。

Think Global, Act Rural 77 自耕救地球 (12:15pm) The Autobiography of Nicolae Ceausescu 86 壽西斯古自傳 (2:30pm)

6:00 PM

05UL4E1

9:00 PM

05UL4E2

A Screaming Man 失魂游泳池 The Light Thief 盜光皇帝 (8:00pm)

23 44

★ Chinese subtitles in addition to English subtitles/dialogue. 除英語對白或字幕外附加中文字幕。 Please take note of irregular screening time next to the titles. 請留意片名旁的特別開映時間。

Programme Diary

12:30 PM 03GC4M2

節目表

How to Festival 電影節指南里敦佐 dan Jor

覺士道

th Pa

UA iSQUARE UA iSquare 佐敦站 Jordan Station C2

C1 H1 HK of HMuse isto um ry

臣

J3 J2

YMCA 青年會

Chater Garden

Bus Terminus

路

尖沙咀站 Tsimshatsui Station

紅棉

碼頭 Ferry Pier

香港文化中心及香港太空館 Hong Kong Cultural Centre & Hong Kong Space Museum • 由尖沙咀碼頭步行五分鐘或由尖沙咀港鐵站（F 出口）沿行人隧道步行十分鐘可達 • 5-minute walk from Tsimshatsui Ferry Pier or 10-minute walk from Tsimshatsui MTR Station (Exit F) along the subway

香港大會堂 Hong Kong City Hall

香港科學館 Hong Kong Science Museum

• 從尖沙咀乘小輪往中環（船程約十分鐘），再步行十分鐘可達 • 中環港鐵站 (J 出口 ) 步行五分鐘可達 • Take Star Ferry from Tsimshatsui to Central (about 10 minutes) 10-minute walk from pier • 5-minute walk from Central MTR Station (Exit J)

• 距離尖沙咀、佐敦及紅磡港鐵站十五分鐘路程 • 15-minute walk from Tsimshatsui, Jordan and Hung Hom MTR Station

UA iSQUARE • 由尖沙咀港鐵站（H 出口）步行兩分鐘可達 • 2-minute walk from Tsimshatsui MTR Station (Exit H) 碼頭 Ferry Pier

Lei King Road

HK Arts Centre

分域街 Fenwick Street

香港電影資料館 Hong Kong Film Archive • 鄰近西灣河港鐵站，由港鐵站（A 出口）步行約五分鐘可達 • 5-minute walk from Sai Wan Ho MTR station (Exit A)

香港會議展覽中心及香港藝術中心 Hong Kong Convention and Exhibition Centre & Hong Kong Arts Centre

上海街 Shanghai Street

UA 朗豪坊 Langham Place • 由旺角港鐵站步行前往約兩分鐘可達 (C3 出口 ) • 2-minute walk from Mong Kok MTR Station (Exit C3)

• 由灣仔港鐵站（A1 出口）步行十五分鐘可達 • 15-minute walk from Wanchai MTR Station (Exit A1)

波斯富街 Percival Street

九龍站

Kowloon Station

耀華街 Yiu Wa Street

柯士甸站

Austin Station 禮頓道

UA 時代廣場 Times Square

UA 太古城中心 Cityplaza

The Grand Cinema

• 由銅鑼灣港鐵站（A 出口）步行兩分鐘可達 • 2-minute walk from Causeway Bay MTR station (Exit A)

• 於太古港鐵站上蓋，由港鐵站前往約兩分鐘可達 • 2-minute walk from Taikoo MTR Station

• 由九龍港鐵站（B 出口）步行五分鐘可達 • 於九龍公園徑 ( 近「北京道一號」) 之巴士站乘專線小巴 77M 前往港鐵九龍站 ( 約需十五分鐘 ) • 5-minute walk from Kowloon MTR Station (Exit B) • Take Public Light Bus No. 77M at the bus stop in Kowloon Park Drive ( “One Peking” Entrance) to Kowloon Station (about 15-minute ride)

支持機構 Supporting Organization

Venue 場地

Address 地址

Tel 電話

香港文化中心 Hong Kong Cultural Centre

九龍尖沙咀梳士巴利道10號 10 Salisbury Road, Tsimshatsui, Kowloon

2734 2009

香港大會堂 Hong Kong City Hall

中環愛丁堡廣場5號 5 Edinburgh Place, Central, HK

2921 2840

香港科學館 Hong Kong Science Museum

九龍尖沙咀東科學館道2號 2 Science Museum Road, Tsimshatsui East, Kowloon

2732 3232

香港太空館 Hong Kong Space Museum

九龍尖沙咀梳士巴利道10號 10 Salisbury Road, Tsimshatsui, Kowloon

2721 0226

香港藝術中心 Hong Kong Arts Centre

香港灣仔港灣道2號 2 Harbour Road, Wanchai, HK

2582 0200

UA時代廣場 UA Times Square

銅鑼灣勿地臣街1號時代廣場地下至2樓 G/F-2/F, Times Square, 1 Matheson Street, Causeway Bay, HK

3516 8811

UA太古城中心 UA Cityplaza

太古城道18號太古城中心1期5樓 5/F Cityplaza, 18 Taikoo Shing Road, Taikoo Shing, HK

3516 8811

UA朗豪坊 UA Langham Place

九龍旺角亞皆老街8號朗豪坊8至11樓 8/F-11/F, Langham Place, 8 Argyle Street, Mongkok,Kowloon

3516 8811

UA iSQUARE

九龍尖沙咀彌敦道63號國際廣場7樓 7/F, iSQUARE, 63 Nathan Road, Tsimshatsui, Kowloon

3516 8811

The Grand Cinema

九龍柯士甸道西1號九龍站圓方2樓 2/F, Elements, 1 Austin Road West, Kowloon

2196 8170

香港電影資料館 Hong Kong Film Archive

香港西灣河鯉景道50號 50 Lei King Road, Sai Wan Ho, HK

2739 2139

香港會議展覽中心 Hong Kong Convention and Exhibition Centre

香港灣仔港灣道1號 1 Harbour Road, Wanchai, HK

2582 8888

• 嘉賓及傳媒招待處 Hospitality & Media Suite

Asian Film Awards Nominated Film 亞洲電影大獎提名電影

Hong Kong - Asia Film Financing Forum Selected Project

香港亞洲電影投資會入選計劃

• 特刊換領處 Catalogue Redemption Fipresci Prize Nominated Film

香港文化中心行政大樓四樓 4/F, Administration Building, Hong Kong Cultural Centre 開放時間 Opening Hours: 20/3/2011-5/4/2011 10am-7pm

國際影評人聯盟獎提名電影

(特刊換領於3月21日開始 Catalogue redemption starts on 21 March)

門票 TICKETS 3D 電影及《豺狼卡洛斯》（足本） 3D Films and Carlos 下集節目

$100 $60

Part II Programme

正價 Standard

$65

平日日場 Weekday Matinee

$40

「中聯電影」及「桂治洪」節目 “Union Film” and “Kuei Chih-hung“ Programme

$30

From 26/2/2011 起

Online and Postal Booking 網上及郵購訂票 Online 網上訂票

26/2/2011 10am – 9/3/2011 10pm  www.hkiff.org.hk

Postal 郵購訂票

26/2/2011 – 4/3/2011 From 10/3/2011 起

URBTIX Booking 城市電腦售票網訂票  www.urbtix.hk

城市電腦售票處 URBTIX Outlets

 2111 5999 From 26/2/2011 起

HK Ticketing 快達票只限香港會議展覽中心場次 HKCEC Screenings Only  www.hkticketing.com www.hkticketing.com

快達票售票處 HK Ticketing Outlets 票務詳情：第60頁 Ticketing Information : p. 62

 31 288 288

Suitable for All Ages 適合任何年齡人士

Not Suitable for Children 兒童不宜

$4,500

* 有關通行證的資料及銷售條款，請參閱第59頁。

Super Value Pass 影癡通行證

$2,500 Not Suitable for Young Persons and Children 青少年及兒童不宜

For more information on Passes, see p. 59.

特刊 CATALOGUES 第三十五屆香港國際電影節特刊 35th HKIFF Main Catalogue

KNOWING THE FILM CLASSIFICATION 認識電影分級制

票房地點及開放時間：第63頁 Outlets Address & Opening Hours: p. 63

通行證 Passes VIP Pass VIP 通行證

SIGNIS Award Nominated Film 天主教文化獎提名電影

$80

焦點影人：韋家輝 Wai Ka-fai, Filmmaker in Focus

$60

Persons Aged 18 and Above Only 只准18歲或以上人士

POSTAL BOOKING 郵購訂票

VIPPASS

(26/2– 4/3)

每張

HK$4,500

Handling fee: HK$6.50 per ticket, up to a maximum of HK$20 per transaction. 手續費：每張港幣6.5元；每次交易手續費最高為港幣20元。

each ed 限量發售 Limit y t ili Availab

通行證

Methods of Payment 付款方法 1. By Credit Card 使用信用卡付款: Please fill out the Credit Card Order Voucher and enter a maximum limit. 請使用信用卡訂票憑單，填上最高限額。

投入電影節！

便利，全情為你帶來無比

imate joy the ult ience! er ass and en Buy VIP Pclusive festival exp all-in

2. By Cheque 使用支票付款: Cheques should be crossed and made payable to "Cityline (Hong Kong) Ltd.". Post-dated cheques are not accepted. Please leave the “total amount” blank but write the maximum limit in brackets.

．觀賞電影節期間 (2011年3月20日至4月5日) 各場電影節目（不包括香港電影資料館「人人為我，我為人人：中聯電影」所有放映）．獲贈開幕電影（2011年3月20日）門票每場各兩張．獲贈「亞洲電影大獎」頒獎典禮（2011年3 月21日）入場券兩張．優先進場入座（請於各場次開映前十五分鐘與場地職員聯絡），並可攜同一位持票或持有通行證人士同時進場（滿座場次除外）．獲贈《第三十五屆香港國際電影節》特刊及《焦點影人：韋家輝》特刊各一本注意事項 1. 每張VIP通行證只限一人使用，不得轉讓。 2. 只限年滿18歲或以上人士購買，數量有限，先到先得。 3. 有效期為2011年3月20日至4月5日，逾期作廢。香港電影資料館「人人為我，我為人人：中聯電影」節目及2011年4月8日至5月1 日期間舉行的下集節目，恕不適用。 4. 本會恕不保證開場後到場的VIP通行證持有人能獲安排入座。訂購方法網上訂購：www.hkiff.org.hk 傳真訂購：請填妥以下訂購表格於2月26日上午10 時後傳真至2970 3011。 VIP Fax Order Form VIP 通行證傳真訂購表格 From 26 February 2011 10:00am

1 / 2 VIP Pass(es) _____個VIP通行證

• Receive 2 tickets for each of the Opening Films (20 March 2011) • Receive 2 admission tickets for “Asian Film Awards” Presentation Ceremony (21 March 2011)

VIP通行證總值$

受。請勿填寫銀碼，只需在括號內註明最高限額。

Maximum Limit: Assuming all in regular prices, plus HK$20 handling fee. 最高限額: 以正價票價總和，加上港幣20元手續費計算。

• Get one copy of both “35th HKIFF Main Catalogue” and “Wai Ka-fai, Filmmaker in Focus”

Special Notes 1. VIP Pass is non-transferable and good for one person only.

Form Submission 遞交訂票表格

2. V IP Pass is sold to persons aged 18 or above and on a firstcome-first-served basis.

1. Drop-in 投遞

3. The validity period of VIP Pass is from 20 March to 5 April 2011. The Pass is invalid in Hong Kong Film Archive’s Programme “All for One and One for All: Union Film” and Part II Programme to be held from 8 April to 1 May 2011 . 4. F or sold-out screenings, VIP Pass does not guarantee seating once the show begins.

How to Order

Collection Box at HK Cultural Centre or the HK City Hall Low Block 香港文化中心或香港大會堂低座詢問處之訂票表格收集箱

2. By Post 郵遞 Please send the booking form to: Suite 1501, 15/F Asian House, 1 Hennessy Road, Wanchai, Hong Kong (The 35th Hong Kong International Film Festival – Postal Booking). 請將訂票表格郵寄至：香港灣仔軒尼詩道 1 號熙信樓 15 樓 1501 室 (第三十五屆香港國際電影節 – 郵購訂票）

Online booking: www.hkiff.org.hk Fax Booking: Please fill out the form below and return by fax at 2970 3011 from 26 February 10:00 onwards.

UNDERSTANDING THE FILM CODE 認識影片編號 30

Date 日期

(1)

(day 日)

E-mail 電郵：

Fax 傳真：

(night 夜)

購買前請先細閱使用條款。You 購買前請先細閱使用條款。 You are advised to read the Usage of VIP Pass carefully before checkout.

Issuing bank

Name 姓名

Tel

(Applicable only to VISA Card & MasterCard 只適用於 VISA 卡及萬事達卡)

電話

Signature 簽署 use authorized signature as on your credit card 請用信用卡上之簽名式樣) (Please

時間

$100

3D Films and Carlos

$65

Ordinary and Weekend/Public Holiday Screenings

$40

Weekday Matinee Screenings 平日日場 (Film code ends with D 影片編號以D結尾)

$60

Part II Programme (8 April-1 May] (Film code ends with X 影片編號以X結尾)

Fax 傳真 Date 日期

3D電影及《豺狼卡洛斯》（足本）

正場及週末／假日場次

下集節目（4月8日至5月1 日期間舉行）

「人人為我，我為人人：中聯電影」（影片編號以R結尾）及「桂治洪：反建制的先鋒」

“All for One and One for All: Union Film” (Film code ends with R) & “Kuei Chih-hung: The Rebel in the System”

$30 Credit card number 信用卡號碼

發卡銀行

月份

TICKET PRICE 票價

（2nd Pass Holder/ Holder/第2個通行證持有人）

Tel 電話：

有效日期至 (MM/YY )

M3 Time

平日日場門票

(2)

（1st Pass Holder/ Holder/第1個通行證持有人）

3 Month

Weekday Matinee Screening

*Please use HKID English Name /請使用身份證上之英文姓名

Credit Card Order Voucher 信用卡訂票憑單

Expiry date

場地

(於上述時間前的傳真訂購，恕不受理)

VIP Pass Holder Name / VIP通行證持有人姓名

We will confirm your booking by email or fax within 3 working days. 客戶將於3個工作天內以電郵或傳真方式收到訂購結果。

Total Amount HK$ 金額

SP Venue

Address 地址：

Total Value of VIP Pass(es)

請於劃線支票書明支付「購票通（香港）有限公司」，期票恕不接

• Receive priority admittance for all screenings (please arrive at venue and contact the staff 15 minutes before the show) with one accompanying ticket holder or pass holder (except sold-out screenings)

(Fax No 傳真號碼：2970 3011) 2011年2月26日上午10時開始接受訂購

(All booking forms would not be accepted before that time)

I wish to order 我欲訂購

• Admit to all screenings during Festival period (20 March – 5 April 2011), except screenings in “All for One and One for All: Union Film” Programme” at Hong Kong Film Archive

Maximum 4 tickets per screening 每場只限訂購門票四張

“All for One and One for All: Union Film”: No limit on the number of tickets purchased for each screening. 「人人為我，我為人人：中聯電影」節目不設每場購票數量限制

Booking Form 訂票表格

(Maximum 4 tickets per screening 每場只限訂購門票4張) For Box Office Use Only票房專用

Name in full (Mr/Ms) 姓名 (先生/女士)請用正楷書寫

Date Received 收表日期：

Add 地址

Screening 場數

Tel 電話

(day日) Film Code 影片編號

1st choice 首選

(night夜) Email電郵 Regular 正價票 ($100/$65/$60/$40/$30)

2nd choice 次選

Price 票價 HK$

No. of Tickets 票數

20 Regular Tickets or More 20 張正價門票或以上

Part II Discount (code with“X”) 下集節目優惠 ( 編號以“X”結尾 )

Concessionary 優惠票 ($60/$39/$36/$24/$18/$15)

10% Discount 九折優惠 ($90/$59/$54/$36/$27) Price 票價 HK$

Senior Citizens

People with Disabilities

高齡人士

殘疾人士

Full-time Students

CSSA Recipients

全日制學生綜援受惠人士

12 Regular Tickets or More 12 張正價門票或以上 - $54 18 Regular Tickets or More 18 張正價門票或以上 - $48

Price 票價 HK$ No. of Tickets 票數 No. of Tickets 票數 This form is not applicable for screenings at HK Convention and Exhibition Centre. Please purchase the tickets through“HK Ticketing”from 26 February onward. 請注意：此表格不適用於訂購於香港會議展覽中心放映之電影場次。顧客請於 2 月 26 日起透過「快達票」購買門票。

Price 票價 HK$ No. of Tickets 票數

=$ ______________ +Handling Fees 手續費 $ _______________ x $90 + x $59 + x $36 + x $54 + x $27 九折優惠票總值

Do you still wish to book your tickets at full price if some screenings of your choice are sold out, making you ineligible to enjoy 10% discount? (If you do not complete this section, we assume that you agree to buy the tickets at the full price if the total number of ticket is less than 20.) 如部份欲購之門票已售罄，以致閣下未能享有購滿二十張正價門票的票價優惠，請註明你是否願意以正價購買其他場數的門票。(如不填寫此欄，當你選擇之門票數目少於二十張時，則代表你願意以全值票價訂購其餘之正價門票。)

Credit Card Order Voucher 信用卡訂票憑單

Total Value of Part II Discounted Tickets 下集節目優惠票總值

=$ ______________

= Total Value of Pass(es) 通行證總值

Super Value Pass (please note the relevant conditions on p.59)

1/2

If Stalls/ Circle Tickets at Hong Kong Cultural Centre are sold out, please indicate if you still wish to purchase the Upper Circle Tickets. 如香港文化中心堂座及樓座門票售罄，請註明你是否願意訂購高座的門票。

HK$

Total Value of Concessionary Tickets = 優惠票總值

Total Amount 總計

I wish to order 我欲訂購：

If Student Tickets are sold out, please indicate if you still wish to purchase the tickets of chosen screenings at full price (If you do not complete this section, your requested tickets will not be further processed after they are sold out). 如學生優惠票售罄，請註明你是否願意以全值票價訂購該場次的門票。 (如不填寫這欄，當你選擇的門票售罄後，恕不另行處理。)

Total amount to be refunded 退回款項

x $54 + x $48

x $60 + x $39 + x $36 + x $24 + x $18 + x $15

Super Value Pass 影癡通行證 ($2,500 ($2,500))

Should you require wheel-chaired seat(s), please indicate the number of seat(s) needed. Seat (s) 有需要使用輪椅座位者，請在此特別註明：輪椅位張

For Box Office Use Only 票房專用

( 適用於門票、通行證及特刊 ) (For film tickets, passes & catalogues)

Total Value of Tickets 門票總值

Total Value of 10% Discounted Tickets

手續費 :

每張門票 $6.50 ( 最高 $20) $6.50 per ticket; (Maximum $20)

x $100 + x $65 + x $40 + x $60 + x $30 Total Value of Regular Tickets 正價票總值

Handling Fees:

Checked by

Yes 是 No 否

影癡通行證 (請留意59頁之有關使用條款)

(1)

(1st Pass Holder/ 第1個通行證持有人)

(2)

(2nd Pass Holder/第2個通行證持有人)

Festival Catalogues 電影節特刊 I wish to order 我欲訂購

Yes 是

copy(ies) of “The 35th Hong Kong International Film Festival Main Catalogue” (HK$80 each) A 本「第三十五屆香港國際電影節」特刊(每本HK$80)

No 否

B copy(ies) of “Wai Ka-fai, Filmmaker in Focus” Catalogue (Discounted Price HK$60 each) 本「焦點影人：韋家輝」特刊(折扣價每本HK$60) Total Value of Festival Catalogue(s) Ordered 訂購特刊總值 HK$

Yes 是

Free Catalogue 免費特刊

No 否

Patrons who successfully purchase Super Value Pass or 20 or more regular tickets in a single transaction will receive a free voucher good for exchanging one of the following festival catalogues. Please ✓ in the appropriate box: 凡成功購買影癡通行證或20張正價門票或以上，可獲贈書券，免費換領以下其中一本電影節特刊。請選擇： A copy of “The 35th Hong Kong International Film Festival Main Catalogue” 「第三十五屆香港國際電影節」特刊一本 OR 或 A copy of “Wai Ka-fai, Filmmaker in Focus” Catalogue

「焦點影人：韋家輝」特刊一本

Note: Please leave the cheque/credit card voucher blank. 注意：請勿在支票／信用卡憑單上填寫銀碼。

Please debit my credit card account HK$ Maximum HK$ 請在我的信用卡戶口記賬 (Leave blank for box office to fill in the correct amount 請留空由票房填上正確銀碼) 最高限額 (Assuming all in regular prices 以正價計算) Credit card number Name 信用卡號碼姓名 Signature Tel 簽署 (Please use authorized signature as on your credit card 請用信用卡上之簽名式樣) 電話

Expiry date 有效日期至 (MM/YY) Fax 傳真

Date 日期

22SM3E1 22/3（二）7:15pm 香港科學館 SM

29SM3M3D 29/3（二）5:30pm 香港科學館 SM

語路導演：賈樟柯、衛鐵、陳濤、宋方、陳摯恒、王子昭、陳翠梅 2011 普通話彩色／黑白 90分鐘

中國 21 世紀初人物誌，也是一個時代的紀錄；一次個人夢想的大檢閱，也是電影與不同界別的碰撞。賈樟柯領着六導演，有留學外國，有剛跑出校園，有拍過一兩部長片，也有來自馬來西亞，都是一群心裏有火的新銳，一起為 12 個中國當代人物造像。題目是夢想，但夢想的內容不簡單，且看來頭：牛博網（精英中最具影響力的網站）創辦人羅永浩、知名藝術家徐冰、良心盲眼歌手兼詩人周雲篷、環保組織創辦人趙中、維權首席記者王克勤、最活躍的地產領袖潘石屹。他們的語錄，是激勵也是提醒：路是會向前的。

Yulu Dir: Jia Zhangke, Wei Tie, Chen Tao, Song Fang, Chen Ziheng, Wang Zizhao, Tan Chui Mui 2011 Putonghua Colour/B&W 90min

Jia Zhangke gathered 6 young directors to make a dozen short films about 12 outstanding young people in present-day China. Among them are artists, an investigative reporter, an environmentalist, even an entrepreneur (in real estate, naturally), all under 40, and all living a life they want. On one level the series trumpets the arrival of a generation of “New Chinese”, successful people doing their own things and being mighty happy about it. On another level it is an unintended yet most apt and wry commentary on Andy Warhol’s great prophecy: “In the future everybody will be famous for fifteen minutes.”

21UC3E2

04AC4M2D

22UC3M3D

05AC4E2

31GC3E1

02GC4M2

21/3（一）9:50pm UA太古城 UC

4/4（一）2:45pm 香港藝術中心 AC

22/3（二）5:30pm UA太古城 UC

5/4（二）9:15pm 香港藝術中心 AC

31/3（四）7:30pm The Grand GC

2/4（六）12:30pm The Grand GC

在一起

荒原藝術

足球有毒

導演：趙亮 2010 普通話彩色 83 分鐘

導演：露茜獲加等巴西／英國 2010 彩色 98分鐘

導演：詹巴里斯兄弟哥倫比亞／美國 2010 彩色 102分鐘

「生活中我一直演戲，戲裏面卻不用再演。」說話的，是參演了顧長衛《魔術外傳》的愛滋病女孩。幾乎是一次行為藝術，《魔術》徵求愛滋病人，趙亮（《上訪》，34 屆）跟影機一同去找，遍尋網絡聊天室、病院和小學。愛滋病忌諱有幾深？有人說阿媽在銀幕見到我會崩潰，有人說別想有人之後跟我說話。愛滋病是一生繫着的秘密，鏡頭前他們坦白講每天苦況和慘狀。最後六個願參與《魔術》拍攝的，跟章子怡、郭富城等幕前幕後由生疏到在一起，明星效應在這裏有最正面的註腳。

「四月是最殘酷的月份……是甚麼根在抓着，是甚麼樹杈／從這廢石堆裏長出來？」當年，艾略特寫下驚世傑作《荒原》；今天，旅居紐約的巴西視覺藝術家維克穆尼茲，在里約熱內盧市郊垃圾場附近串連了三年，證明廢物堆裏長出來的，原來可以是華麗的藝術！紀錄片不但捕捉了他如何動員區民以垃圾創作，也將那如螻蟻般生活着的人，他們的苦樂、他們的尊嚴，一一收到同理心爆炸的鏡頭下。作品拍賣所得都用來改善區民生活，循環再生早超越了物質的層次。獲奧斯卡最佳紀錄片提名。

可觀與悲愴如同莎劇中人，他們同叫 Escobar，一個是哥倫比亞國家足球隊隊長，94 年世界盃誤射己方龍門，結果賠上性命。另一個大毒梟，錢多得可以買起國家，卻喜歡濟貧，更愛足球，欽點球會洗黑錢，令國家球隊由弱旅變雄獅，破紀錄叫阿根廷狂吞五蛋。毒梟和足球挽手同度黃金歲月，也一起走到末路。他向政府宣戰，至敗走如喪家狗，足球亦失去了光環。兄弟導演串起兩風雲人物，重組驚心動魄的故事，最刺激是到獄中訪問毒梟的愛將，興奮說「豐功偉績」。

Together (Zai yi qi)

Waste Land

Dir: Zhao Liang 2010 Putonghua Colour 83min

Dir: Lucy Walker, et al. Brazil/UK 2010 Colour 98min

The Two Escobars Dir: J. Zimbalist, M. Zimbalist Colombia/USA 2010 Col 102min

Intended as a companion piece to Gu Changwei’s Til Death Do Us Part, Together transcends the making-of format to compassionately present a case for HIVpositive people in mainland China. Director Zhao Liang, whose Petition won the Humanitarian Award for Best Documentary last year, situates the plight of real-life AIDS patients inside the framework of Gu’s fiction film, where certain cast or crew members are afflicted with the disease. An unabashed call for acceptance and tolerance, Together derives its power from its very idealism: that we are all in this together.

A winner of over 21 prizes including Audience Awards from Sundance and Berlin, the rousing and uplifting Waste Land simultaneously highlights the transformative power of art and the urgent environmental need for recycling. Visual artist superstar Vic Muniz, who grew up poor on the edge of the Brazilian slums, journeyed to Jardim Gramacho, the world’s largest landfill, for a project which would turn garbage into materials for his canvas, all the while changing the lives of those living every day among the trash. Oscar nominee for Best Documentary.

Though unrelated by blood, Pablo Escobar and Andres Escobar were two larger-than-life personalities. The former was the most feared and powerful drug lord in the world, while the other, a rising football star, led the Colombian national team to South American championship. Their fates, as it turned out, were inextricably linked, especially with Pablo’s drug money funding Andres’ football team. This fast-paced and riveting documentary examines how crime, politics and sports intersect and serves also as a fascinating portrait of two charismatic men.

28KG3E1 28/3（一）7:15pm 香港文化中心 KG

呃錢帝國導演：查理斯費格遜美國 2010 彩色 120分鐘中文字幕

提起三年前的世界金融海嘯，迄今猶有餘悸者在所多有。20 兆美元全球蒸發，數以百萬計民眾加入失業大軍，歷史上只有二次世界大戰之間的大蕭條可與之相提並論，一切真的只是房屋次按危機的延伸？麥迪倫的旁白，引導觀眾聆聽歐、美、亞的財經專家、政客、記者、學者在訪問中各陳其見，矛頭直指華爾街文化及銀行屯積財富的不健全體制。少數對局勢掉以輕心的政經官員固然難辭其咎，新自由主義意識形態才可會是元兇禍首？看得愈遠愈發悲觀，信焉。公認是剖析金融海嘯最鞭辟入裏之作，獲奧斯卡最佳紀錄片提名。

Inside Job Dir: Charles Ferguson USA 2010 Colour 120min

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

No film this year will upset and anger you more than the universally acclaimed Inside Job, a heist film in which the bad guys are the very people who you entrust your money to. Charles Ferguson has executed a tremendously passionate and meticulously well-argued documentary about how the financial institutions in Wall Street have deliberately defrauded ordinary investors by betting against their own customers, leading to the completely avoidable 2008 financial collapse. “A gripping, must-see narrative of the financial meltdown.” – Forbes magazine. Oscar nominee for Best Documentary.

23IS3M3D

28UQ3E2

23/3（三）5:30pm UAiSQUARE IS

28/3（一）10:00pm UA時代廣場 UQ

香港會展中心CE2 21/3（一）7:15pm CE2

02CT4M1

24UC3E1

27UC3M2

2/4（六）10:30am 香港大會堂 CT

24/3（四）7:50pm UA太古城 UC

27/3（日）12:50pm UA太古城 UC

子彈橫飛維和路

狂戀聖羅蘭

反安保：藝術之戰

導演：恩尼斯梅士丹麥 2010 彩色 100分鐘

導演：皮亞托赫頓法國 2010 彩色 98 分鐘

導演：蓮達賀綸日本／美國 2010 彩色 89分鐘

維和部隊真能維和？久存的疑問，這裏有個轟動的答案，康城曝光馬上獲影評人一周大獎。丹麥紀錄片悍將梅士居然取得軍部許可，直擊到了阿富汗的一班少爺兵。全片節奏明快，戲劇化無異於劇情片，子彈血肉橫飛，攝影隊冒的生命危險歷歷在目。滿懷理想的文弱小子、好鬥格的同伴，經歷了敵我難分、陣上浴血後，不是變得犬儒，便是刺激上癮。還有一個阿富汗當地人的角度，令眼界豁然開朗。此紀錄片不同一般，必須提醒：人是真的，影像也是真的，箇中詰問是血肉換成的。

YSL 的耀眼光芒內，是一顆敏感靦腆的心靈，和一抹憂鬱孤獨的眼神。知名時裝大師聖羅蘭逝世後，他的生意夥伴兼同性伴侶皮亞貝格，決定把兩人共同收藏的七百多 2009 年佳士得「世紀拍賣會」上，件藝術品作慈善拍賣。2009 件藝術品作慈善拍賣。每一件珍藏，由古埃及雕像，到畢加索、戈雅、馬蒂斯的名畫，彷彿都在訴說時裝大師昔日生活點滴。紀錄片透過皮亞貝格的憶述，回溯他與聖羅蘭一起走過的日子，由聖羅蘭接下 Dior 設計總監重任開始，娓娓道來兩人相知相交、共同創業，並相伴到老的一生。

以反共之名，安保條約讓美軍冇王管，900 個軍事基地令日本人淪為二等公民。大量電影珍貴片段讓五、六十年代被刻意遺忘的民主鬥爭再現，當年投身運動的藝術家現身說法，他們的作品一直被博物館及美術館否定，京都出生的蓮達賀綸印證日本反制藝術的誕生之餘，指出日本如何畏縮地走上鎖國之路。影片亦處於新一波抗爭中，是枝裕和高度稱讚它是個始料未及的恩澤，及時回應民間又再熾熱的反安保討論，已有政治家為未能推動撤軍承諾而丟官。

Armadillo

L’Amour Fou

ANPO: Art X War

Dir: Janus Metz Denmark 2010 Colour 100min

Dir: Pierre Thoretton Thoretton France France 2010 2010 Colour Colour 98min

Dir: Linda Hoaglund Japan/USA 2010 Colour 89min

Armadillo, the Cannes Critics’ Week Grand Prix winner, realigns our expectations of a documentary. Exceptionally well-shot and edited, it contains as much drama and tension as the Oscar-winning The Hurt Locker, except that everything you see is real. Without sentimentality or judgment, the director intimately focuses on young Danish soldiers stationed near the Helmand frontline in Afghanistan as they fight the Taliban. Surprising moments of humour shine through, but so do the gut-punching violence and candid emotions as the troops become disillusioned.

Arguably no one else can make this remarkable and insightful docu-essay about ANPO – the US-Japan Mutual Security Treaty signed in 1960 that continued American military presence in Japan – except for Linda Hoaglund, a Japanese-born American and a veteran in the film industry. Hoaglund uses her unique perspective as both an insider and an outsider to give a historical and cultural account of the treaty’s impact, but more importantly the responses to it by politically engaged Japanese artists in media such as film, photography and art.

22SM3E1 22/3（二）7:15pm 香港科學館 SM

29SM3M3D 29/3（二）5:30pm 香港科學館 SM

語路導演：賈樟柯、衛鐵、陳濤、宋方、陳摯恒、王子昭、陳翠梅 2011 普通話彩色／黑白 90分鐘

Yulu Dir: Jia Zhangke, Wei Tie, Chen Tao, Song Fang, Chen Ziheng, Wang Zizhao, Tan Chui Mui 2011 Putonghua Colour/B&W 90min

21UC3E2

04AC4M2D

22UC3M3D

05AC4E2

31GC3E1

02GC4M2

21/3（一）9:50pm UA太古城 UC

4/4（一）2:45pm 香港藝術中心 AC

22/3（二）5:30pm UA太古城 UC

5/4（二）9:15pm 香港藝術中心 AC

31/3（四）7:30pm The Grand GC

2/4（六）12:30pm The Grand GC

在一起

荒原藝術

足球有毒

導演：趙亮 2010 普通話彩色 83 分鐘

導演：露茜獲加等巴西／英國 2010 彩色 98分鐘

導演：詹巴里斯兄弟哥倫比亞／美國 2010 彩色 102分鐘

Together (Zai yi qi)

Waste Land

Dir: Zhao Liang 2010 Putonghua Colour 83min

Dir: Lucy Walker, et al. Brazil/UK 2010 Colour 98min

The Two Escobars Dir: J. Zimbalist, M. Zimbalist Colombia/USA 2010 Col 102min

28KG3E1 28/3（一）7:15pm 香港文化中心 KG

呃錢帝國導演：查理斯費格遜美國 2010 彩色 120分鐘中文字幕

Inside Job Dir: Charles Ferguson USA 2010 Colour 120min

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

23IS3M3D

28UQ3E2

23/3（三）5:30pm UAiSQUARE IS

28/3（一）10:00pm UA時代廣場 UQ

香港會展中心CE2 21/3（一）7:15pm CE2

02CT4M1

24UC3E1

27UC3M2

2/4（六）10:30am 香港大會堂 CT

24/3（四）7:50pm UA太古城 UC

27/3（日）12:50pm UA太古城 UC

子彈橫飛維和路

狂戀聖羅蘭

反安保：藝術之戰

導演：恩尼斯梅士丹麥 2010 彩色 100分鐘

導演：皮亞托赫頓法國 2010 彩色 98 分鐘

導演：蓮達賀綸日本／美國 2010 彩色 89分鐘

Armadillo

L’Amour Fou

ANPO: Art X War

Dir: Janus Metz Denmark 2010 Colour 100min

Dir: Pierre Thoretton Thoretton France France 2010 2010 Colour Colour 98min

Dir: Linda Hoaglund Japan/USA 2010 Colour 89min

影人影事 Filmmakers and Filmmaking

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28/3（一）9:30pm 香港藝術中心 AC

5/4（二）5:45pm 香港太空館 SP

5/4（二）1:30pm 香港太空館 SP

9/4（六）7:00pm 香港藝術中心 AC

5/4（二）9:50pm 香港太空館 SP

9/4（六）2:30pm 香港太空館 SP

太陽消失的那天

全城熱拍誇啦啦

剝削電影駐菲大本營

導演：佐藤文郎日本 2011 彩色 87分鐘

導演：德拉舒拿、馬卓治阿奴、約高維治阿根廷 2010 彩色 84分鐘

導演：馬克夏利澳洲 2010 彩色 85分鐘

經濟發展邏輯下，文化保育往往被忽視。島根縣的虎屋旅館自明治時代已存在，附近是古寺出雲大社，遊人絡繹不絕，但現代交通發達，周邊旅館反而漸趨式微。政府以重整社區之名，興建新路，舊旅館就得讓路。導演得知虎屋旅館面臨拆卸，決定以鏡頭作保育，由女攝影師帶着相機走訪當地長者，過程卻充滿波折，先是當地居民不愛上鏡，攝影師又與導演出現矛盾。然而鏡頭的凝視沒有打住，更記下了旅館主人臨終前的生活點滴，捕捉看似尋常渺小卻真實的存在感覺。

古稀老伯約見市長，說他懂法語和雕塑，搞過木偶戲和兒童劇場，但這次圖的是免費食宿，交換他用大約一個月時間為小鎮拍一部電影。不用簽合約、不用保證建議書，起用的都是當地居民，穿上日常衣服，演繹他已預備多年的劇本。又一個平凡人圓電影夢的故事？抑或，大家其實見證了社會企業之濫觴？隨着觀眾緊跟當事人找景、試鏡、實際拍攝的步伐前進，社區合作精神默默滲透，終如水銀瀉地。電影絕對不是一個人的事，它維繫及成就的閃光與價值，如何在 30 天內計量？

沒有錢又想開戲，心中那團火需要找某處來洩一洩？不要徬徨，幸好你身在七、八十年代，好彩你是白種人！暫且拋開所有政治正確所有認真執着，一頭栽進當年 B 級以至 C 級片的製作天堂菲律賓去。演員好使好用，特技人膽正命平，加上充滿異國情調的外景、寬鬆的勞工保險法，製作人終於做到電影內外盡剝削的超級境界。前作《澳洲 B 片十分 B》（33 屆）已令觀眾過足癮的馬克夏利，再找來大批局中人和影史學者，為大家重開到菲律賓拍片的影人檔案，再嚐種種荒唐中的辛酸。

The Day When the Sun Was Lost

The Peddler (El ambulante)

Machete Maidens Unleashed!

Dir: Sato Fumiro Japan 2011 Colour 87min

Dir: Eduardo de la Serna, Lucas Marcheggiano, Adriana Yurcovich Argentina 2010 Colour 84min

Dir: Mark Hartley Australia 2010 Colour 85min

“One day, when we have lost all the light, will it be possible for us to remember the world right in front of us?” This is the question at the heart of Sato Fumiro’s delicate documentary about an old neighborhood slated for demolition and the elderly residents still living there. Through subtle, unobtrusive camerawork and a melancholic score, we are absorbed in the peaceful daily rhythms of a place that will soon disappear. A fascinating meditation on existence and absence.

An inspirational tale for any would-be filmmakers, The Peddler shows how passion is all you need to make a motion picture. The charming Daniel Burmeister, a nearly penniless, self-professed maker of “handicraft films”, goes from place to place armed with only his camera and convinces entire villages to collaborate with him on his features. He recycles around 4-5 scripts as stories, but the magic begins when ordinary townfolks become actors, crew members and finally audiences. Burmeister’s own past itself is fascinating enough to be a movie.

The Philippines was, in the 70s, the Asian capital of B-movies. Long before Francis Ford Coppola went there for his disastrous Apocalypse Now shoot, directors such as Roger Corman took advantage of the country’s low production costs and exotic environment to churn out monster movies, sexploitation films and action flicks. The era even created Weng Weng, the pint-sized Filipino cult icon. Not Quite Hollywood’s (33rd HKIFF) Mark Hartley carries on his genre obsession by interviewing Joe Dante, John Landis and others on those golden days of anything-goes.

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24/3（四）10:10pm UA太古城 UC

3/4（日）7:30pm 香港太空館 SP

9/4（六）5:00pm 香港太空館 SP

27/3（日）7:30pm UA太古城 UC

31/3（四）7:15pm UA朗豪坊 UL

科士打有幾堅

電影情婦／樂園影像

攝影大師積卡迪夫

導演：N.L.阿馬度、C.卡斯英國／西班牙 2010 彩色 78分鐘

導演：史提博克曼瑞典 2010 彩色／黑白 69分鐘／29分鐘

導演：奇勒麥可英國 2010 彩色 82 分鐘

有人說科士打可能已是香港建築界的神。1979 年為匯豐銀行設計新總行，建下可以斬件搬走的十億大廈；西九龍文娛藝術區兩代諮詢，由無敵天幕到城市中的森林，持續領導風騷。國際大師崛起固然其來有自，單是其傑作巡禮已目不暇給：紐約赫斯特大樓、德國國會大廈、北京新機場，直至創下沙漠奇蹟的阿布扎比「零碳之城」馬斯達。以設計改善生活，信念說來輕鬆，在科士打手上實踐出來，卻成了織夢成真的同義詞。倫敦設計博物館館長蘇迪積旁白。

2007 年瑞典電影大師英瑪褒曼離世，種種回顧重溫的動作中，有甚麼比褒曼自況更有說服力？不用問米上身，只消把其傑作的幕後花絮，跟褒曼的自白與評論，以及演員好友、資深影人如活地阿倫、貝托魯奇、馬田史高西斯的訪談比量齊觀，已足引人入勝，深刻可期。兩部短片各有側重，一部盡情展示褒曼對電影之愛，幕後片段取自 2002 年其捐贈片輯；一部更收入 50 年代初褒曼用手提攝影機工餘自拍的珍貴片段，細觀自得行雲流水之妙。

自問影痴的你，可有聽過縱橫英美影圈 70 載的積卡迪夫的大號？《紅菱艷》的英國導演米高鮑華以「天才造夢者」來形容才華橫溢兼且真誠地忠於攝影的積卡迪夫，不過向來低調的他多數喜歡躲在攝影機背後織夢，即使合作過的位位名字響噹噹如希治閣、柯德莉夏萍、尊侯斯頓、馬田史高西斯，他自己名字卻少人認識。導演奇勒麥可將卡迪夫大半生的工作點滴和功績紀錄下來，將這位利用光影和鏡頭來說故事的攝影先行者的名字，重新配上「傳奇」一詞。

How Much Does Your Building Weigh, ...but Film is My Mistress / Images Mr. Foster? from the Playground

Cameraman: The Life and Work of Jack Cardiff

Dir: N. L. Amado, C. Carcas UK/Spain 2010 Colour 78min

Dir: Stig Björkman Sweden 2010 Colour/B&W 69min/29min

Dir: Craig McCall UK 2010 Colour 82min

Lord Norman Foster is someone who needs few introductions in Hong Kong, where one of his most celebrated designs, the HSBC Main Building, stands. In this sumptuously shot documentary, in which many of his landmark structures are viewed from magnificent aerial shots as well as from within, we trace the origins of Foster, from his humble beginnings to the planning of the world’s first city powered by renewable energy sources, Masdar. For those with even the slightest interest in architecture, the film will inspire and excite you.

Here, we are privy to a candid portrait of seminal director Ingmar Bergman as never before seen. In the former, Stig Björkman has assembled clips from the early 50s which were taken with a cine-camera Bergman often used. They are accompanied by Bergman’s own commentaries, as well as those from actresses Harriet Andersson and Bibi Andersson. For the latter film, Björkman has culled behind-the-scene footages from eight movies, from Persona in 1965 to 2003’s Saraband, to give us unexpected glimpses of Bergman the filmmaker.

McCall’s doc is a well-deserved tribute to one of the greatest cinematographers ever. Jack Cardiff came to prominence in the 1940s and ’50s, working with directors like Alfred Hitchcock, Michael Powell and Emeric Pressburger and created some of Hollywood’s most indelible images over the course of his storied career. Cardiff himself humbly relays a wealth of industry anecdotes and is complemented by filmmaking pros like Martin Scorsese and Alan Parker, among a host of glitterati from Hollywood’s Golden Age.

HAPPY FAMILY

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27/3（日）9:00pm 香港科學館 SM

29/3（二）7:15pm 香港藝術中心 AC

21/3（一）9:30pm UA朗豪坊 UL

3/4（日）10:30am 香港文化中心 KG

仇崗衛士

洋洋大觀

導演：楊紫燁 2010 普通話／英語彩色 38 分鐘

導演：貝瀚、克魯索法國／瑞士 2009 彩色 104分鐘中文字幕

都說他山之石可以攻玉。由天星、皇后、灣仔街市到菜園村，留下的是本地保育的成敗哀樂、汗水與眼淚，但無論當權者怎樣想像誰會車毀人亡，全球烽火始終不會熄滅。內地安徽省蚌埠市仇崗村便出了個農民張功利，上演現代版大衛對歌利亞，幾以一人之力，成功迫使污染當地環境的化工廠撤離村莊。楊紫燁繼得獎前作《穎州的孩子》，拍下足以讓香江衛士借鑑觀摩的過程片段，並再獲 2011 奧斯卡最佳紀錄短片提名。同場放映麥曦茵作品《幸福的旁邊》（40 分鐘）。

兩支蟹軍在海底大戰翻起洶湧波濤，大群小海龜給群鳥空襲爭相逃命海裏，一尾花園鰻站直身子在跳森巴舞。這些都怎麼拍成的？兩個熱愛大自然的導演相信：要觀魚，最好先變成魚；要看海，必須用感性起跑。他們獨步攝影新法，有史以來頭一次，我們跟大白鯊並翅同游，跟海豚極速賽跑。七年的七十多次遠征，走遍七大洲四大洋，都是親密的接觸。一個懾人的悲壯場面：海豚繞着沙甸魚在塑造牠們群舞的形態，水面飛鳥縱身偷襲，鯨魚最後來踩場。未看本片，未算認識海洋。

The Warriors of Qiugang (Chou gang wei shi) Oceans

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors 76

Dir: Ruby Yang 2010 Putonghua/English Colour 38min

Dir: J. Perrin, J. Cluzaud France 2009 Colour 104min

Chemical manufacturers are getting away with murder. That’s the allegation hurled at Jiucailuo Company by the residents of Qiugang as they take on big businesses with the hopes of cleaning up their toxic, deadly environment. Ruby Yang documents the five-year campaign by the poor, illiterate and terrorised villagers fighting the institutional corruption and cronyism that have left them suffering under the weight of unusually high cancer rates and infertile land. Oscar nominee for Best short Documentary Subject. Screening with Heiward Mak’s beside(s,) happiness (40min).

Deep within the oceans, there are innumerous organisms of unimaginable wonder. In this visually spectacular documentary, the directors used next-generation digital cameras to vividly capture the intense life-and-death drama that these magnificent creatures face every day. We are regaled with tales about armies of fighting spider crabs and young sea turtles scrambling for their lives into the water. But Oceans also explores the distressing reality about our relationship with the sea and the various life forms that reside within it.

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5/4（二）12:15pm The Grand GC

25/3（五）5:30pm The Grand GC

28/3（一）7:15pm 香港大會堂 CT

自耕救地球

冷眼真相

導演：歌蓮謝荷法國 2010 彩色 113分鐘

導演：昂迪蒂莫納美國 2010 彩色 84分鐘

自 1977 年推出驚世駭俗的紀錄片《女人到底要甚麼》，法國導演歌蓮謝荷就與女性主義、激進態度再也脫不了關係。她將鏡頭對準了不同國籍的農學家、經濟學家、微生物學家以及小型農耕業者，讓他們用智慧尖銳的言論去解剖全球化農業的惡症，包括新型經濟對農民群體有計劃的清洗，以及病毒頑疾從土地向人體的蔓延。這是一場富有剪輯節奏和探索精神的馬拉松式採訪，精而廣的採訪對象令紀錄片瓦解經濟假象的力量乾淨到位，呼籲着想要解除全球危機，請先從腳下開始。

備受爭議的丹麥學者隆柏格，被視為全球暖化懷疑論者，著有《Cool It》一書，反駁主流環保論述，與戈爾的《絕望真相》打對台唱反調，聲言一味靠嚇並不能救地球。有人把他標籤為環保運動的麻煩友，他則主張以懷疑精神拉闊視野，指出誇大全球變暖的末日景象、強調災難迫在眉睫的絕望真相，只會令大家把資源和精力投放在錯誤地方。他並不否定全球暖化乃人為所致，只是呼籲大眾破除迷思，重新反省人與環境的關係，進而思考更具成本效益的環保方案。影片珠玉紛陳，發人深省。

Think Global, Act Rural

Cool It

Dir: Coline Serreau France 2010 Colour 113min

Dir: Ondi Timoner USA 2010 Colour 84min

Organic food may be all the rage these days, but no one gives a more convincing argument of its necessity than director Coline Serreau. In this hard-hitting documentary manifesto, Serreau shows us the destruction brought about by industrial farming. With our planet heading towards economic and environmental crises, alternative solutions regarding our food sources are needed – and fast. Think Global, Act Rural proposes well-researched alternatives through a global viewpoint that may very well save us all.

Hope – not fearmongering – is the message of the incendiary Cool It, which negates point-by-point the doomsday prophecy that Al Gore and An Inconvenient Truth envision for mankind. Sure to win both detractors and devotees, Cool It is all about its charismatic star: Bjorn Lomborg, already infamous as a “skeptical environmentalist”. But rather than just refuting popular beliefs, Lomborg cleverly uses witty slideshows and graphics to take a middle ground and suggest an alternative to our current environmental problems.

川本喜八郎 Kawamoto Kihachiro HAPPY FAMILY

去年因為肺炎辭世的日本木偶動畫大師川本喜八郎，成名作包恬《鬼》(1972)、《道成寺》(1976)、《火宅》(1979)等等。川本喜八郎早年跟日本木偶動畫先鋒持永只仁學習動畫，1963 年到布拉格跟捷克木偶動畫大師謝利鄧卡學習後，汲取日本能劇、文樂、歌舞伎等等藝術，建立其極具日本傳統風格的木偶動畫，作品獲得許多國際大獎。2003年他集合了世界各地知名動畫家，製作出動畫接力電影《冬之日》，可說是國際動畫界盛事。2005年，他完美結合傳統木偶動畫手藝與現今電腦技術，創作了最後一部動畫長片《死者之書》。 Kawamoto Kihachiro (1925-2010) is renowned for his impeccably detailed stopmotion puppet animations, but he could be considered a master filmmaker in any format. His earliest work in the 1950s was alongside Japan’s first puppet animator, Mochinaga Tadahito, and since the late-’60s Kawamoto has occupied a position at the fore of Japan’s diverse animated film industry. Known widely at home for the television adaptation of Romance of the Three Kingdoms (’82-’84) and The Tale of Heike (’93-’94), Kawamoto studied under legendary Czech animator Jirí Trnka, who taught him the value of drawing on all aspects of Japanese cultural tradition, inspiring Kawamoto to hone his art and craft on the unique Noh- and Kabuki-influenced cinematic personality so recognizable today.

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26/3（六）6:00pm 香港太空館 SP

16/4（六）7:00pm 香港藝術中心 AC

鬼 The Demon

貓的一生 (p.6) 戀戀節拍夏灣拿

幻象師

(p.14)

Other animations:

A Cat in Paris (p.6) The Illusionist (p.14)

Little Ghostly Adventures of the Tofu Boy (p.6) Chico and Rita (p.16) Surviving Life (p.19)

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors 78

火宅 House of Flames

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23/3（三）9:30pm 香港科學館 SM

28/3（一）7:15pm 香港藝術中心 AC

2/4（六）2:45pm The Grand GC

5/4（二）10:30am 香港文化中心 KG

川本喜八郎短片集﹝二﹞

刺痛我

小熊曲奇大冒險

日本 1979-1990 彩色／黑白 67 分鐘

導演：劉健 2010 普通話彩色 74分鐘

導演：楊恩斯維拉克捷克／丹麥 2010 彩色 95分鐘中文字幕

這輯動畫運用了不同的動畫技術，展現川本喜八郎早期對風格的探索。《折花》是他第一部人偶動畫作品，故事詼諧，也確立了日後的個人風格。《犬儒的臉》以賽狗賭博諷刺人性。《旅行》是一個奇異的旅程。《詩人的生涯》以西方炭筆素描風改編安部公房的小說。以上三片都看到歐洲動畫風格的影響。《鬼》和《道成寺》則取材日本民間故事，亦是風格成熟的作品。《鬼》中的傳說是父母太老會變成鬼去吃自己的兒女，《道成寺》則是女子愛上年輕僧人的典型瘋狂故事。

四齣作品是川本喜八郎中後期的創作。《火宅》獲得多個國際動畫獎項，將川本的名聲推向了巔峰。一名絕世美女周旋在兩名追求者之間，無法取捨，於是投河自盡。泥膠動畫《自畫像》中導演與魔鬼的爭持，甚有史雲梅耶之風格。《不射之射》取材「列子」當中我們熟悉的故事，講述意志能勝一切的道理。《野玫瑰公主與睡美人》取材歐洲民間故事，片中木偶造型風格也變得歐化。公主從媽媽的日記發現很多秘密，也找到她的舊情人。可說是成人版的《睡美人》。

這齣動畫除了找來內地音樂人左小祖咒做音樂，導演、《給我一個樽》(32 屆 ) 講完人老之苦，斯維拉克跟着以編劇、原畫、動畫完全由劉健一人擔當。由鄉下來到南動畫的全新形式，走進幻想世界。沒有假大空 3D 沒有京、失業的大學畢業生，最大的願望就是回到農村當一 CGI，只有捷克最拿手的動畫傳統──手作布偶定格拍個農民，回鄉前夕被公安誤會他撞傷老婦而吃了一頓打，攝，背景全皆天然實景，更有狐狸烏鴉等助陣，真假動因而與朋友企圖綁架超市老闆；另一方面裝修公司老闆物同場演出。小熊曲奇給小主人的媽媽扔進垃圾堆後，不滿超市老闆苛索回佣，也打算騙他一次，最後眾人遭開始瘋狂歷險，在怪物森林和看守伯伯交上朋友，一起遇在一起，後果一發不可收拾，從小子的遭遇映照出中炮彈飛車大冒險對付廢物場和森林壞蛋。不是《反斗奇國的社會怪現象。風格與人物造型酷似日本漫畫家古谷兵》而是有內涵得多的《動物農莊》，捷克幽默除了對實，視點和題材則有強烈的賈樟柯風範。白，還看騎呢獨特的人物設定，令人心花怒放。

Kawamoto’s Shorts Programme I

Kawamoto’s Shorts Programme II Japan 1979-1990 Colour/B&W 67min

Piercing I (Ci tong wo) Dir: Liu Jian 2010 Putonghua Colour 74min

Kooky

Japan 1968-1976 Colour/B&W 80min

Kawamoto incorporated Japan’s Noh and Kabuki culture into shorts as rich in theme as they are in his distinctive style. This programme includes some of Kawamoto’s earliest works, where the kernels of his distinct aesthetic were formed. His first film, Breaking of Branches is Forbidden, is a graceful meditation on a young Buddhist acolyte’s struggle with temptation. The film sets the tone for much of the director’s subsequent works, such as the painterly Anthropo-Cynical Farce and his interpretation of Dojoji Temple, based on the classical Kabuki play.

This collection includes House of Flames, the Nohinfluenced unjust tragedy of a woman fated to suffer for being loved too much; the philosophical To Shoot Without Shooting, a paean to peace made during the world’s second arms race; and a romantic history threatening to repeat itself in Briar Rose or The Sleeping Beauty, when a young woman meets her mother’s former lover. Finally Kawamoto offers a glimpse into his artistic process in Self Portrait, an uncharacteristic clay animation that has the artist locked in a seemingly endless struggle with his own creations.

An unmistakably bold new voice in Chinese independent cinema, Liu Jian takes modern-day China’s social concerns and animates them with striking, expressive visuals. Set during the 2008 financial crisis, Piercing I concerns the disaffected and unemployed youths who, even with university degrees, are unable to find meaningful employment. Zhang Xiaojun, in particular, is even wrongfully arrested for theft in a supermarket. Corruption, drugs and discrimination are all laid bare in this harsh yet impressively novel work which culminates in a brilliantly unexpected finale.

An asthmatic boy’s fantasy world is a place of unshakeable good and pure evil in Kooky, an animated hero’s quest illustrated with dense images and vibrant colours. When Ondra’s favourite stuffed toy, Kooky, is tossed in the trash, the adventure Ondra creates for Kooky’s journey home includes travels through a forest where he meets all manners of strange creatures. The combination of reality and childhood imagination is the source of discoveries that reach far beyond the toy shelf, helping Kooky on his way to becoming a hero.

27UL3E2

17AC4M3X

26SP3E1

17AC4M2X

27/3（日）9:15pm UA朗豪坊 UL

17/4（日）5:00pm 香港藝術中心 AC

26/3（六）7:45pm 香港太空館 SP

17/4（日）2:30pm 香港藝術中心 AC

21SM3M3D 21/3（一）5:30pm 香港科學館 SM

26SM3M1

世界狗 Guard Dog Global Jam

26/3（六）10:30am 香港科學館 SM

死者之書

冬之日

世界動畫精選（一）

日本 2005 彩色 70 分鐘

日本 2003 彩色 103分鐘

貴族小姐篤信佛教，日復一日的抄寫經文，直至看到遙遠的山上寺廟中一個佛陀的影像，卻原來是多年前死去的大津王子的靈魂。王子當年被殺前的最後一刻看到的就是貴族小姐的前身，靈魂受到她的信念感召來到寺廟。這是一個極有佛性的故事，在世的貴族小姐一心超脫世間，死去的王子卻執着於死前一刻的影像。川本喜八郎的遺作，完美結合傳統木偶動畫手藝與現今電腦技術，請來宮澤里惠為女主角配音，把一個極為淒美的故事弄

川本喜八郎任監督，將日本詩聖松尾芭蕉的著名連句作品《冬之日》動畫化，邀請了 35 位世界各地頂尖動畫家共同參與，如久里洋二、高畑、山村浩二，以及前蘇聯動畫大師 Yuri Norshtein。連句是一種日本特有的文學形式，由多人合作完成，前一人吟出上句，後一人以意思相關的下句接力。這動畫亦以接力賽形式，各動畫家以不同的製作風格和方法創作，各自精彩，包括水彩、油畫、水墨畫、木偶劇、泥膠等，是一次國際動畫界盛事，也是傳統動畫創作大檢閱。

比爾布林頓誠邀全球動畫師各出奇謀，一人一鏡拼出一隻《世界狗》（美國）；《影 ‧ 情》（波蘭）的老頭子立志發明彩色放映機，可惜成功有價；小牛牛學人舉啞鈴谷肌肉，高呼《我要做漢堡》（美國）！《四眼仔》（法國）除下眼鏡，驚瞥奇妙新世界；《大亂》（中國）聲色詭異，狂想無止境；《動不動》（德國）輕鬆搞笑，認真你就輸了；《史丹利》（英國）安於做溫室小花，直到窗外出現美女和小鳥；由香港電台和 Simage 動畫公司製作的《奇廟單車遊》，貼身追蹤膽小女孩神廟奇遇：跌倒要自己站起來。共 64 分鐘。

Japan 2005 Colour 70min

豆富小僧 (p.6) 夢中見 (p.19)

16/4（六）9:00pm 香港藝術中心 AC

川本喜八郎短片集﹝一﹞

The Book of the Dead (Shisha no sho)

(p.16)

16AC4E2X

27/3（日）7:15pm UA朗豪坊 UL

日本 1968-1976 彩色／黑白 80 分鐘

得更加淒美。

其他動畫：

27UL3E1

Narrated by the legendary Kishida Kyoko and perhaps Kawamoto’s most meticulously crafted film, The Book of the Dead tells the tale of a young scholar that is as easily distracted by a ghostly pseudo-lover as she is devoted to Buddhism. Spellbinding, almost sensual images illustrate Iratsume’s relationship to her faith in a Japan gripped by radical change and the executed Prince Otsu’s quest to find peace for his restless spirit. A demanding and rewarding film that incorporates Japanese cultural traditions into Kawamoto’s stop-motion puppet animation to create something entirely unique.

Winter Days (Fuyu no hi) Japan 2003 Colour 103min In adapting Basho’s renga poem, a form traditionally created by a minimum of three different poets, Kawamoto enlisted the help of 34 of Japan and the world’s finest animators, including Alexandr Petrov, Mark Baker, Bretislav Pojar, Jacques Drouin and Wang Bairong to each produce a 30-second segment of Winter Days, one of Kawamoto’s most ambitious films. Ranging widely in styles and techniques, from cel animation to CGI to pin screen, from the surreal to the comic, Winter Days is a visual delight as well as an innovative approach to renga.

Dir: Jan Sverák Czech Republic/Denmark 2010 Colour 95min

23SM3M1D

29SM3E2

23/3（三）12:30pm 29/3（二）9:45pm 香港科學館 SM 香港科學館 SM

泡芙小姐的金魚缸 Miss Puff’s Goldfish Bowl

世界動畫精選（二）中年科學家醉心研究時間壓縮論，竟在甲蟲身上找到《不死定理》（英國）？崩口大鼻不用自卑，《整人院》（南韓）讓你重拾自信，見證另類美態；《走音世界》（美國）極盡荒誕，一切從鋼琴男孩彈錯黑鍵開始；情人《鼠去邊度》（德國）都要一追再追？只歎愛讓倉鼠也瘋狂；《碰碰畫畫》（香港）手法清新，以簡單線條畫出窩心奇緣；倒楣夫婦撞上連環殺手，死到臨頭還有心情留下證據？《事前事後》（美國）給你上一堂滅罪鑑證科；《泡芙小姐的金魚缸》（中國）空空如也，一如她寂寞的心。共 67 分鐘。加映短片《是豬也是你和我》（8 分）。

World Animation I

World Animation II

Animators worldwide each contribute one shot to Plympton’s transnational feat Guard Dog Global Jam. As a headstrong old man learns in inventing The Kinematograph, dreams may come at a tragic cost. Ambitions prove misguided for The Cow Who Wanted to be a Hamburger. A kid with Specky Four Eyes discovers a whole new world. Expose yourself to a mix of uncanny images and eerie sounds in The Greatness. In Mobile, a clumsy cow throws everyone off balance. A graceful lady and her bird bring intrigue to Stanley Pickle’s mechanical life. Temple Rider chronicles the adventures a timid girl must embark on to embolden herself. Total: 64min.

A scientist’s fascination with time compression becomes a counter-aging obsession in The Eagleman Stag. At The Wonder Hospital, patients are lured into trading their unsightly looks for unimaginable beauty. A young boy painstakingly learns to play the piano against the lurid absurdity of The External World. Bob is a hamster determined to chase his love around the globe. With Aeriform Touch, the creator and the created cross lines and get intimate. A vacationing couple plunges into a crime scene in Something Left, Something Taken. Miss Puff’s Goldfish Bowl is as empty as the lady’s heart. Total: 67min. Screening with short film Pigs (8min).

川本喜八郎 Kawamoto Kihachiro HAPPY FAMILY

26SP3M3

16AC4E1X

26/3（六）6:00pm 香港太空館 SP

16/4（六）7:00pm 香港藝術中心 AC

鬼 The Demon

貓的一生 (p.6) 戀戀節拍夏灣拿

幻象師

(p.14)

Other animations:

A Cat in Paris (p.6) The Illusionist (p.14)

Little Ghostly Adventures of the Tofu Boy (p.6) Chico and Rita (p.16) Surviving Life (p.19)

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors 78

火宅 House of Flames

23SM3E2

28AC3E1

02GC4M3

05KG4M1

23/3（三）9:30pm 香港科學館 SM

28/3（一）7:15pm 香港藝術中心 AC

2/4（六）2:45pm The Grand GC

5/4（二）10:30am 香港文化中心 KG

川本喜八郎短片集﹝二﹞

刺痛我

小熊曲奇大冒險

日本 1979-1990 彩色／黑白 67 分鐘

導演：劉健 2010 普通話彩色 74分鐘

導演：楊恩斯維拉克捷克／丹麥 2010 彩色 95分鐘中文字幕

Kawamoto’s Shorts Programme I

Kawamoto’s Shorts Programme II Japan 1979-1990 Colour/B&W 67min

Piercing I (Ci tong wo) Dir: Liu Jian 2010 Putonghua Colour 74min

Kooky

Japan 1968-1976 Colour/B&W 80min

27UL3E2

17AC4M3X

26SP3E1

17AC4M2X

27/3（日）9:15pm UA朗豪坊 UL

17/4（日）5:00pm 香港藝術中心 AC

26/3（六）7:45pm 香港太空館 SP

17/4（日）2:30pm 香港藝術中心 AC

21SM3M3D 21/3（一）5:30pm 香港科學館 SM

26SM3M1

世界狗 Guard Dog Global Jam

26/3（六）10:30am 香港科學館 SM

死者之書

冬之日

世界動畫精選（一）

日本 2005 彩色 70 分鐘

日本 2003 彩色 103分鐘

Japan 2005 Colour 70min

豆富小僧 (p.6) 夢中見 (p.19)

16/4（六）9:00pm 香港藝術中心 AC

川本喜八郎短片集﹝一﹞

The Book of the Dead (Shisha no sho)

(p.16)

16AC4E2X

27/3（日）7:15pm UA朗豪坊 UL

日本 1968-1976 彩色／黑白 80 分鐘

得更加淒美。

其他動畫：

27UL3E1

Dir: Jan Sverák Czech Republic/Denmark 2010 Colour 95min

23SM3M1D

29SM3E2

23/3（三）12:30pm 29/3（二）9:45pm 香港科學館 SM 香港科學館 SM

泡芙小姐的金魚缸 Miss Puff’s Goldfish Bowl

World Animation I

World Animation II

03KG4E2 3/4（日）9:25pm 香港文化中心 KG

30UQ3M3D 30/3（三）5:45pm UA時代廣場 UQ

02KG4E2 2/4（六）9:50pm 香港文化中心 KG

導演：石橋義正日本 2011 彩色 90分鐘中文字幕演員：山田孝之、Maiko、石穚杏奈、岩佐真悠子、美波、佐藤惠 Dir: Ishibashi Yoshimasa Japan 2011 Colour 90min Cast: Yamada Takayuki, Maiko, Ishibashi Anna

三段物語不同空間展開又互相約束，把愛 cult 出三種味道：童話魔幻風－老人精男孩愛上女神不能自拔，生出一個失心窿；瘋狂音樂劇－超誇張溝女顧問拯救宅男，早登淫樂；淒美武士片－獨眼武士為尋找被擄走的愛人，大鬧妓院。愛是嫉妒、自誇、執狂，奇幻的美術造型中滲出變態的氣味；山田孝之分飾三角，不愧為日本當今最搞笑的男一號，多位人氣女優誘惑演出，癲喪系映畫的代表作，爽死也要看！

導演：李察艾奴亞迪英國 2010 彩色 94分鐘中文字幕演員：奇勒羅拔士、莎莉霍金絲、雅絲敏派芝 Dir: Richard Ayoade UK 2010 Colour 94min Cast: Craig Roberts, Sally Hawkins, Paddy Considine

15 歲怕醜仔自以為是型爆的文學天才，實則是臉書創辦人在校園的同類，他有兩個逼切的訴求，A：16 歲前失身，B：阻止父母離婚。A：遇到喪妹以為水到渠成，點知她極難捉摸，慘遭反擒；B：要破壞母親的婚外情，先要監視其性生活。導演艾奴亞迪一鳴驚人，破格和活潑的手法，呼喚法國新浪潮的春光；音樂型人 Alex Turner 獻上五曲，柏林影后霍金絲固然生鬼，兩位主角亦夠神經質，絕對是英式幽默和潮流的驚豔之作！

A kitschy retro musical’s unconventional relationship therapist, a smitten one-eyed ronin straight out of a samurai drama and a storybook tale of a man-child subjected to the whims of a mysterious woman are at the heart of two love stories loosely linked to each other in an exploration of masculine romantic angst. Artist and designer Ishibashi’s visually rich debut feature stars Thirteen Assassins’ Yamada Takayuki and balances ridiculous humour with arresting images to create an irreverent, modern pop-punk fantasy.

Awkward and vaguely unhinged, 15-year-old Oliver totes a briefcase to school among other tiny oddities, and after spying on his parents he comes to the conclusion that his mother is having an affair. While trying to save his parents’ marriage, he’s trying to be the perfect boyfriend and prays that his virginity vanishes – soon. Based on Joe Dunthorne’s novel, Submarine is a coming-of-age story that jettisons sentimental clichés and ratchets up witty dialogue for a surprisingly moving comedy with visual tricks galore.

31UL3E2

香港會展中心CE2 23/3（三）9:45pm CE2

導演：佳摩殊美國 2010 彩色 118分鐘中文字幕演員：祖殊夏勒、GACKT、活地夏里遜、狄美摩亞 Dir: Guy Moshe USA 2010 Colour 118min Cast: Josh Hartnett, GACKT, Woody Harrelson, Demi Moore

03KG4M3 3/4（日）3:15pm 香港文化中心 KG

導演：陳宏一 2011 國語彩色 100分鐘演員：曾珮瑜、王子（邱勝翊）、林辰唏、謝欣穎 Dir: Chen Hung-I 2011 Mandarin Colour 100min Cast: Tseng Pei-Yu, Chiu Sheng-Yi, Lin Chen-Shi, Hsieh Hsin-Ying

Vicky 的男友 Dog 突然失蹤，她為了尋回 Dog，遇見了一群流連在 Dog 的網站的新類型人：失去靈魂的塗鴉少年「可樂」、戀物浪人「刺客」、宣揚末日的異樣少女「Money」、令男人為她消失的辣妹「Playing」；他們或埋藏、或遺忘那不容觸碰的內心之壁，卻又在互相的迷失國度到此一遊。導演陳宏一繼《花吃了那女孩》（32 屆）後，更見成熟，敲動少年的窗，用霧氣寫下：愛，在這個虛浮世代，一旦消失便無影無蹤。

The world of cyberspace and reality become ever more intertwined, and youths now communicate using their internet names. So when Dog goes missing, Vicky comes across a group of cyber dwellers who might be able to find her love. Meanwhile, the honey bee population is slowly disappearing… Boy band Lollipop F heartthrob Wang Zi (Prince) stars in Candy Rain director’s sophomore outing, the stylish, young and ultra-hip Honey Pupu. 80

子彈禁飛的世界，兵器才是王道，斬柴佬稱霸，門下九大殺手令人聞風喪膽。牛仔、浪客、酒保聚義酒吧，為向斬柴佬奪回浪客的家族寶物，三俠過關斬將，背後是個不能說的秘密。導演佳摩殊踏出塔倫天奴的步法，惡搞復仇更見野心：文樂（日本傳統人形劇）、漫畫、電玩、西部、武士、功夫的一次六神合體，荷里活型男祖殊夏勒與日本視覺系殿堂級的 GACKT 示範正宗 chok 技，是由內到外再自我感覺良好，學師請報到。

31/3（四）9:30pm UA朗豪坊 UL

05KG4M3 5/4（二）3:00pm 香港文化中心 KG

In a future where violence persists even after a global conflict has brought about the elimination of guns, t wo mysterious strangers arrive on gangleader Nicola’s turf with a score to settle. Moshe follows his neorealist Holly with this pulpy actioner, incorporating elements of the spaghetti western and kitsch television as a start. Bunraku is a gaudy, hectic pop culture mishmash that defies description and revels in its comic book inspiration.

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors 81

03KG4E2 3/4（日）9:25pm 香港文化中心 KG

30UQ3M3D 30/3（三）5:45pm UA時代廣場 UQ

02KG4E2 2/4（六）9:50pm 香港文化中心 KG

31UL3E2

香港會展中心CE2 23/3（三）9:45pm CE2

03KG4M3 3/4（日）3:15pm 香港文化中心 KG

31/3（四）9:30pm UA朗豪坊 UL

05KG4M3 5/4（二）3:00pm 香港文化中心 KG

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors 81

01CT4E2

04UL4E3

26UL3E3

1/4（五）9:30pm 香港大會堂 CT

4/4（一）11:45pm UA朗豪坊 UL

26/3（六）11:45pm 29/3（二）9:15pm UA朗豪坊 UL 香港文化中心 KG

29KG3E2

01UL4E3

04CT4E2

25UL3E3

01KG4E2

1/4（五）11:45pm UA朗豪坊 UL

4/4（一）9:30pm 香港大會堂 CT

25/3（五）11:45pm UA朗豪坊 UL

1/4（五）9:45pm 香港文化中心 KG

我，看見惡魔

盲女凶間

砰

導演：法蘭里察法國／比利時 2010 彩色 90分鐘

導演：金知雲南韓 2010 彩色 142分鐘中文字幕

導演：基廉摩拉斯西班牙 2010 彩色 100分鐘

導演：格力阿拉基美國／法國 2010 彩色 86分鐘中文字幕

沙膽索妹黑夜飛馳，公路遇怪青搭順風車，神推鬼使一起撞入路旁食店醫肚，鎮店的大娘露了一手笨槍退爛仔。怪青人有三急，卻一去不回。雖然獲腎探預先警告「大娘咪當好人辦」，索妹仍夜闖黑店，慘變籠裏羔羊，後欄喪屍等開餐。荷里活恐怖片只會老翻經典、日本鬼片不斷食老本的今天，只有法國銀幕驚嚇得夠原創，艾美麗黛謹（《露茜坦》）、若蘭摩露（《花落花開》）兩影后擔演撐場，就知不只恐怖咁簡單。夾雜類型，顛覆公式，讓你在暗黑的童話世界漫遊惡境。

未婚妻遭虐殺，頭顱被發現泡在河中，國情局探員金休玄（李秉憲）誓要把殺人狂魔張敬哲（崔岷植）折磨到痛不欲生。其他變態佬巧合出現，群魔亂舞，金遇魔殺魔，但仇恨把敵我都推向萬劫深淵。金知雲繼《風塵三俠決戰地獄門》（33 屆）後，走到韓國電影最到肉的復仇命題，功架十足，仇恨與暴力同行，鞭撻人性之惡。李秉憲的憤怒直刺觀眾心扉，崔岷植變態得令人極度不安。慘不忍睹的虐待鏡頭在韓國公映被剪，電影節放映完整足本，請做好掩面的準備。

執導《魔間迷宮》和《凶宅兒魂》的戴拖路嚴選新晉導演基廉摩拉斯去發掘官能的「潛行凶間」。茱莉有個孖生姊姊莎拉，在染上眼疾失明期間上吊身亡，茱莉也步上姊姊的命運漸漸失明，但她堅信莎拉不會自殺，於是走進凶宅，與看不見的兇手周旋到底。當茱莉還看到時，一群盲婦告訴她「他」就在身邊，當她失明後，開眼人看不見她身邊有人，但她卻能呼吸着「他」，「他」也能觸碰她。入場觀眾請注意：不准吸煙，不准玩電話，也不准失驚無神搭人膊頭。

同性戀獨立猛人阿拉基（《誘惑飢膚》，09 夏日電影節）要討回怪傑榮銜，重返末世少年題材，炮製恐怖科幻瘋狂性喜劇，兜亂類型，摘下康城同志電影棕櫚獎。電影系新丁 Smith 性向無定，跟小性女 London 上床，和沙灘男一夜情，因吃下有料曲奇，給魔鬼神秘追殺，死黨 Stella 亦遇女巫色誘，也無定向的劇情最後走入毀滅地球大陰謀。後 Juno 式癲得無厘頭政治不正確對白抵死，角色的青春魅力跟荷里活校園片有得揮，不過奇形怪狀， cool 得不一樣，真是「Strange is the new normal」。

The Pack (La meute) Dir: Franck Richard France/Belgium 2010 Colour 90min Cast: Yolande Moreau, Émilie Dequenne, Benjamin Biolay

I Saw the Devil (Akmareul boattda) Dir: Kim Jee-woon South Korea 2010 Colour 142min Cast: Lee Byung-hun, Choi Min-sik, Jeon Gook-hwan

Julia’s Eyes (Los ojos de Julia) Dir: Guillem Morales Spain 2010 Colour 100min Cast: Belén Rueda, Lluís Homar, Pablo Derqui

Kaboom

Just when we think the Koreans have pushed the limits of the revenge genre with films like Old Boy, director Kim Ji-woon impossibly one-ups the competition with this blood-soaked cat-and-mouse thriller. Kyung-chul, a deranged serial killer who brutalizes young women, has made secret agent Joo-yeon’s pregnant fiancée his next victim. As retribution, Joo-yeon begins his sadistic hunt for the murderer. His goal is not to kill, but to torture Kyung-chul again and again by capturing then releasing him. Warning: contains graphic violence.

Guillermo del Toro, producer of The Orphanage, presents yet another spine-chilling frightfest, this time about twin sisters who both suffer from a degenerative eye disease. When one perishes seemingly via suicide, the other, Julia, is left unconvinced of her sister’s supposed motivations. Soon, Julia is stalked by a sinister presence…or is it just her vision playing tricks? Superbly paced, laced with atmosphere and spiked with sublime moments of shock, Julia’s Eyes proves that the Spaniards continue to make the most stylist thrillers around.

妹腎探母夜叉

After being harassed by a pack of bikers, Charlotte picks up a hitcher and strikes up a casual conversation that may hint at more. The bikers make another appearance when the two stop at a diner and events spiral out of control. Diverging from standard shock and gore, Richard’s attention to sound and image creates a palpably oppressive atmosphere that never interferes with the increasing tension. Moodier than standard horror and bloodier than average thrillers, The Pack lands somewhere in the undefined, wholly compelling middle.

VIP Pass

！

Dir: Gregg Araki USA/France 2010 Colour 86min Cast: Haley Bennett, Thomas Dekker, James Duval

通行證

22UL3E2A

28CT3E2

02UL4E3

22/3（二）9:40pm UA朗豪坊 UL

28/3（一）9:30pm 香港大會堂 CT

2/4（六）11:45pm UA朗豪坊 UL

HK$4,500

Super Value Pass

影癡通行證

HK$2,500

妖X俠導演：勒基右斯旺迪印尼 2010 彩色 102分鐘

超華麗浮誇浪漫寫實 camp 心蕩漾蕩氣迴腸七彩巨製！易服亞當主理小鎮髮型屋，念念不忘無疾而終的刻骨初戀，生日派對上跟好姊妹變裝艷光夏娃，卻遭道德塔利班突襲，目睹薄命同志魂斷輪下，更孑然流落異鄉。大選臨近，性潔癖政團乘勢冒起，亞當避走世外伊甸，卻因此遭逢奇遇，巧遇舞林高手，接受舞功特訓，成為宇宙最強妖冶超人，矢志與惡勢力周旋到底！導演曾參與《女身四重奏》（33 屆），借奇俠故事影射今日印尼極端組織對多元性取向的暴力衝擊，camp 得過癮。

Madame X Dir: Lucky Kuswandi Indonesia 2010 Colour 102min Cast: Amink, Marcell Siahaan, Joko Anwar

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

Indonesia is an unlikely place for an exuberant transvestite superhero action comedy, but Madame X delivers its message of tolerance without sacrificing the glam kitsch and the lip gloss. Adam is a hairstylist who is prophesied to become a champion against homophobes. After escaping from the nefarious Mr. Storm and his conservative political group BOGEM, he must fulfill his destiny to become Madame X. With its super-saturated look and intentionally cheesy CGI, this is the most fun and unapologetically campy film in years.

•觀賞通行證使用期限內所有場次 ( 不包括香港電影資料館各場次 ) •獲贈開幕電影門票及「亞洲電影大獎」頒獎典禮入場券各兩張 •優先進場入座 •獲贈《第三十五屆香港國際電影節》特刊及《焦點影人：韋家輝》特刊各一本 •Admission to all screenings during its period of validity (except screenings at Hong Kong Film Archive) •2 tickets for Opening Films and 2 admission tickets for "Asian Film Awards" Presentation Ceremony •Priority admittance privilege •Get one copy of both "35th HKIFF Main Catalogue" and "Wai Ka-fai, Flimmaker in Focus"

•觀賞通行證使用期限內各場未滿座場次（不包括 3 月 20 日的開幕電影及香港電影資料館各場次） •獲贈《第三十五屆香港國際電影節》特刊或《焦點影人：韋家輝》特刊一本 •Admission to all non-sold out screenings during its period of validity (except Opening Films held on 20 March 2011 and screenings at Hong Kong Film Archive) •Get one copy of "35th HKIFF Main Catalogue" or "Wai Ka-fai, Flimmaker in Focus" 使用期限：2011 年 3 月 20 日至 4 月 5 日各通行證之使用受銷售條款約束，購買前請細閱第 59 頁的使用條款。 Period of validity: 20 March – 5 April 2011 The usage of these Passes is subject to terms and conditions on P.59. Please read before purchase.

01CT4E2

04UL4E3

26UL3E3

1/4（五）9:30pm 香港大會堂 CT

4/4（一）11:45pm UA朗豪坊 UL

26/3（六）11:45pm 29/3（二）9:15pm UA朗豪坊 UL 香港文化中心 KG

29KG3E2

01UL4E3

04CT4E2

25UL3E3

01KG4E2

1/4（五）11:45pm UA朗豪坊 UL

4/4（一）9:30pm 香港大會堂 CT

25/3（五）11:45pm UA朗豪坊 UL

1/4（五）9:45pm 香港文化中心 KG

我，看見惡魔

盲女凶間

砰

導演：法蘭里察法國／比利時 2010 彩色 90分鐘

導演：金知雲南韓 2010 彩色 142分鐘中文字幕

導演：基廉摩拉斯西班牙 2010 彩色 100分鐘

導演：格力阿拉基美國／法國 2010 彩色 86分鐘中文字幕

同性戀獨立猛人阿拉基（《誘惑飢膚》，09 夏日電影節）要討回怪傑榮銜，重返末世少年題材，炮製恐怖科幻瘋狂性喜劇，兜亂類型，摘下康城同志電影棕櫚獎。電影系新丁 Smith 性向無定，跟小性女 London 上床，和沙灘男一夜情，因吃下有料曲奇，給魔鬼神秘追殺，死黨 Stella 亦遇女巫色誘，也無定向的劇情最後走入毀滅地球大陰謀。後 Juno 式癲得無厘頭政治不正確對白抵死，角色的青春魅力跟荷里活校園片有得揮，不過奇形怪狀， cool 得不一樣，真是「Strange is the new normal」。

The Pack (La meute) Dir: Franck Richard France/Belgium 2010 Colour 90min Cast: Yolande Moreau, Émilie Dequenne, Benjamin Biolay

I Saw the Devil (Akmareul boattda) Dir: Kim Jee-woon South Korea 2010 Colour 142min Cast: Lee Byung-hun, Choi Min-sik, Jeon Gook-hwan

Julia’s Eyes (Los ojos de Julia) Dir: Guillem Morales Spain 2010 Colour 100min Cast: Belén Rueda, Lluís Homar, Pablo Derqui

Kaboom

妹腎探母夜叉

VIP Pass

！

Dir: Gregg Araki USA/France 2010 Colour 86min Cast: Haley Bennett, Thomas Dekker, James Duval

通行證

22UL3E2A

28CT3E2

02UL4E3

22/3（二）9:40pm UA朗豪坊 UL

28/3（一）9:30pm 香港大會堂 CT

2/4（六）11:45pm UA朗豪坊 UL

HK$4,500

Super Value Pass

影癡通行證

HK$2,500

妖X俠導演：勒基右斯旺迪印尼 2010 彩色 102分鐘

Madame X Dir: Lucky Kuswandi Indonesia 2010 Colour 102min Cast: Amink, Marcell Siahaan, Joko Anwar

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

Gravitas FP 4C.pdf 1 1/31/11 6:12 PM

APA FP 2C.indd 1

1/31/11 5:34 PM

香港會展中心CE1 21/3（一）7:15pm CE1

29UQ3E1

04UL4E2

26UC3M3

01GC4M3D

29/3（二）7:30pm UA時代廣場 UQ

4/4（一）9:30pm UA朗豪坊 UL

26/3（六）3:30pm UA太古城 UC

1/4（五）5:30pm The Grand GC

How to 訂票方法 Book The 35th Hong Kong International Film Festival

破曉

逆風少年越獄記

明天偷渡會更好

導演：基斯蒂培訏羅馬尼亞／法國／瑞士 2010 彩色 180分鐘

導演：費羅連塞班羅馬尼亞／瑞典 2010 彩色 94分鐘

導演：馬里安奇森羅馬尼亞／法國／匈牙利 2010 彩色 100分鐘

四年也熬過去，只剩五天，便憋不下去麼？西維奧聽到母親要帶走弟弟，一向兄兼父和母的他急瘋了。他要逃出少年監獄，一刻也不能留，乖巧的他變了個臉，把暗暗戀上的女社工挾持越獄，終於，四年來頭一趟，他吸進一口自由空氣，也嚐到了初吻。柏林影展評審團大獎得主，就像塔倫天奴找釋囚拍戲，塞班更激訓練少年犯人演回自己，畫面因此出現前所未有的震撼實感，羅國緊迫的鏡頭總教人喘不過氣，今次更叫我們跟困在愁城少年同呼同吸，對體制的冰冷批判得份外醒神。

這個已屆退休之齡，與老婆過着簡單生活的羅馬尼亞佬，平時不談政治，得閒釣魚，心中卻有份會發光的人情味，教他率性地去一人「黃雀行動」。他收留萬里尋子的土耳其佬，助他潛過保加利亞。這個邊境社區由酒吧客到邊防警察都知他在做甚麼，既不幫他也不拉他。邊境的日與夜與霧的荒謬，帶出歐盟根本自相矛盾，為遙不可及的無疆界理想（或謊話）設下繁重關卡。羅馬尼亞是當代電影諷刺家的少林寺，馬里安奇森是最新一個小師弟。獲羅迦諾電影節評審團特別獎。

➜➜ Online Booking 網上訂票

Aurora

If I Want to Whistle, I Whistle

Morgen

Dir: Cristi Puiu Romania/France/Switzerland 2010 Col 180min Cast: Cristi Puiu, Clara Voda, Catrinel Dumitrescu

Dir: Florin Serban Romania/Sweden 2010 Colour 94min Cast: George Pistereanu, Ada Condeescu, Mihai Constantin

Dir: Marian Crisan Romania/France/Hungary 2010 Col 100min Cast: András Hatházi, Yilmaz Yalcin, Elvira Rîmbu

➜➜ Postal 郵購訂票

Aurora, Cristi Puiu’s highly anticipated follow-up to The Death of Mr. Lazarescu, is masterfully directed yet deliberately stultifying in its narrative buildup. Unfolding in real-time like its predecessor, here we follow Viorel, a troubled middle-aged metallurgical engineer. The reasons for his fury are not fully explained, but the aftermath is tremendously more shocking as a result. Aided by Puiu’s chillingly effective performance as an everyman, Aurora is an intelligent, challenging and uncompromising auteurist work that demands patience and perceptiveness.

The recent resurgence in prison dramas (A Prophet, Cell 211) only makes Florin Serban’s nail-biting directorial debut seem all the more unique. Although taking place in a juvenile detention center, the sense of claustrophobia is apparent in this impressive Berlin Grand Jury Prize Winner. Silviu, a seemingly well-mannered young man, is set to be freed in just a few days. Despite being harassed by the more hardened inmates, he keeps his anger under control. That is, until an event triggers his breakdown, forcing Silviu down a path of no return.

Transnationalism is the future of Europe, as eloquently argued in Morgen, which means “tomorrow” in German. It is also the word uttered by Nelu, a Romanian supermarket security guard, to an illegal Turkish immigrant whom he picked up during a fishing trip. A kind-hearted man who also has economic needs, Nelu decides to help the Turk, but only to absurdly have the immigrant return again time after time. Director Crisan amply fulfills his directorial promise. Ecumenical and Special Jury Prize, Locarno Film Festival.

《無醫可靠》(30 屆 ) 之後等了五年，才等到培訏的「布加勒斯特郊區六故事」之二，普通男子的兩天沉淪紀實，世界比首作更冷。主角找來找去不滿意培訏結果親自上陣，影機雖然亦步亦趨，但旁觀的手法，令每個尋常細節都湧現不安的暗流。跟他上床的女人是什麼關係？跟他口角的人是誰？以至他一言一行，一概含糊其辭，寫實去得好盡，拒絕既定的解讀。主角不斷抹槍試槍，我們知會有人死，平凡如你我的人，竟然嗜血？最後一把冷汗來自培訏，他說那是自己的故事。

第三十五屆香港國際電影節

26/2/2011 10:00am – 9/3/2011 10:00pm www.hkiff.org.hk

26/2/2011 – 4/3/2011

➜➜ URBTIX Booking 城市電腦售票網訂票 From 10/3/2011 起 2111 5999 www.urbtix.hk URBTIX Outlets 城市電腦售票處

➜➜ HK Ticketing Booking 快達票訂票 From 26/2/2011 起 31 288 288 www.hkticketing.com HK Ticketing Outlets 快達票售票處 28IS3M2D

05GC4M3

26UC3E1

31GC3M3D

27UQ3E1

04UL4E1

28/3（一）2:15pm UAiSQUARE IS

5/4（二）2:30pm The Grand GC

26/3（六）5:30pm UA太古城 UC

31/3（四）5:30pm The Grand GC

27/3（日）7:00pm UA時代廣場 UQ

4/4（一）7:15pm UA朗豪坊 UL

壽西斯古自傳

暴走女24小時

聖誕後的星期二

導演：安德烈尤哲卡羅馬尼亞 2010 彩色／黑白 187分鐘

導演：波簡佐治艾柏提羅馬尼亞 2010 彩色 87分鐘

導演：西杜蒙頓羅馬尼亞 2010 彩色 99分鐘

尤哲卡這部「共產主義覆亡」三部曲最終章是個創舉，說是紀錄片不恰當，該是真人演出的劇情片。導演沒拍過半個鏡頭，只把浩瀚的千多小時新聞片剪成故事，事實證明，導演能化身蒙太奇重構自傳。壽西斯古夫婦問吊前遭盤問的著名片段之後，即見前總統喪禮的超大場面，壽西斯古從此扶搖直上。黨大會、大巡遊或出國訪問，排場驚人鏡頭超水準，幾是蘭妮萊芬斯妲的巨構，也有不設防的時刻如打排球時出蠱惑，沒畫外音沒有解說，如獨裁者自拍自傳，史詩幅度感覺震撼。

羅馬尼亞三大寫手雲集，包括《4 月 3 周 2 日－墮胎日記》及《黃金寓言》得獎導演，塑造影史上最黑色最孤獨的人物。一開始我們對 Matilda 一無所知，只覺她一臉是寸，火爆上腦。她獲出獄一天奔母喪，其實滿肚密圈，24 小時內，必須找上三個重要男人，哥哥、前男友、兒子，再踏上越洋貨輪。影機如影隨形跟她同度每個血脈賁張的時刻，謎樣的 Matilda 漸漸暴露真身：她是失敗的化身，自己是自己的頭號敵人。影片獲獎無數，包括希臘電影節最佳電影獎。

保羅愛兩個女人，一個是結了婚十年的老婆，一個是上了床四個月的情人。愛情是命運，蒙頓（《海邊的波兒》， 33 屆）處理三角關係不講對與錯，只是保羅得揀選一個。電影結局該非重點，過程才夭心夭肺，蒙頓的長鏡頭很到肉，把驚變發展成驚慄。他和情人床上繾綣纏綿、她他她終極碰頭、他和老婆故作低調攤牌，幕幕張力十足，三演員的演技和能量很具爆發力，直追英瑪褒曼和卡薩維蒂那些扣人心弦的場面。獲西班牙希洪電影節最佳電影及最佳男、女演員獎。

The Autobiography of Nicolae Ceausescu

Outbound (Periferic) Dir: Bogdan George Apetri Romania 2010 Colour 87min Cast: Ana Ularu, Mimi Branescu, Andi Vasluianu

Tuesday, After Christmas

Matilda’s steely gaze and hardened countenance belie a desperate soul. On parole from jail for 24 hours so she could attend her mother’s funeral, Matilda plans to escape once and for all, but not before she has the cash to smuggle herself out. Alas visits to her brother and later an ex-lover yield negligible results, sending her down a collision course towards that elusive freedom. With Palm d’Or winner Cristian Mungiu as co-scriptwriter, the film is breathlessly paced, one time stamp after another. Best Film, Thessaloniki Film Festival.

Infidelity is a well-worn subject in cinema. But in the hands of the neo-realist Romanians, especially the ever-observant Radu Muntean (Boogie), the straightforwardness of the scenario is anchored by a superb attention to realism. Unfolding in flawless long takes and aided by a stellar cast, the chemistry and dialogue of the relationships never seem off-key. Starting off with a post-coital conversation between a nude couple, we quickly learn that the man, Paul, is married to another woman. It becomes a ticking time bomb as we await his inevitable marital breakdown.

Dir: Andrei Ujica Romania 2010 Colour/B&W 187min

This is a grand exercise in the power of montage – a virtuoso pseudo-documentary that uses impeccably preserved archival footage to reconstruct the life of Romanian ex-president Nicolae Ceausescu as he himself might have seen it. Though the infamously self-aggrandizing and tyrannical dictator was executed in 1989, the cult of personality he built for himself during his reign continues to fascinate to this day. Autobiography is a gripping first-person narrative that brings immediacy and relevancy to history as we’ve never seen before. 86

➜➜ For More Information 查詢詳情 2970 3300 www.hkiff.org.hk info@hkiff.org.hk

Dir: Radu Muntean Romania 2010 Colour 99min Cast: Mimi Branescu, Mirela Oprisora, Maria Popistasu

香港會展中心CE1 21/3（一）7:15pm CE1

29UQ3E1

04UL4E2

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29/3（二）7:30pm UA時代廣場 UQ

4/4（一）9:30pm UA朗豪坊 UL

26/3（六）3:30pm UA太古城 UC

1/4（五）5:30pm The Grand GC

How to 訂票方法 Book The 35th Hong Kong International Film Festival

破曉

逆風少年越獄記

明天偷渡會更好

導演：基斯蒂培訏羅馬尼亞／法國／瑞士 2010 彩色 180分鐘

導演：費羅連塞班羅馬尼亞／瑞典 2010 彩色 94分鐘

導演：馬里安奇森羅馬尼亞／法國／匈牙利 2010 彩色 100分鐘

➜➜ Online Booking 網上訂票

Aurora

If I Want to Whistle, I Whistle

Morgen

Dir: Cristi Puiu Romania/France/Switzerland 2010 Col 180min Cast: Cristi Puiu, Clara Voda, Catrinel Dumitrescu

Dir: Florin Serban Romania/Sweden 2010 Colour 94min Cast: George Pistereanu, Ada Condeescu, Mihai Constantin

Dir: Marian Crisan Romania/France/Hungary 2010 Col 100min Cast: András Hatházi, Yilmaz Yalcin, Elvira Rîmbu

➜➜ Postal 郵購訂票

第三十五屆香港國際電影節

26/2/2011 10:00am – 9/3/2011 10:00pm www.hkiff.org.hk

26/2/2011 – 4/3/2011

➜➜ URBTIX Booking 城市電腦售票網訂票 From 10/3/2011 起 2111 5999 www.urbtix.hk URBTIX Outlets 城市電腦售票處

➜➜ HK Ticketing Booking 快達票訂票 From 26/2/2011 起 31 288 288 www.hkticketing.com HK Ticketing Outlets 快達票售票處 28IS3M2D

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28/3（一）2:15pm UAiSQUARE IS

5/4（二）2:30pm The Grand GC

26/3（六）5:30pm UA太古城 UC

31/3（四）5:30pm The Grand GC

27/3（日）7:00pm UA時代廣場 UQ

4/4（一）7:15pm UA朗豪坊 UL

壽西斯古自傳

暴走女24小時

聖誕後的星期二

導演：安德烈尤哲卡羅馬尼亞 2010 彩色／黑白 187分鐘

導演：波簡佐治艾柏提羅馬尼亞 2010 彩色 87分鐘

導演：西杜蒙頓羅馬尼亞 2010 彩色 99分鐘

The Autobiography of Nicolae Ceausescu

Outbound (Periferic) Dir: Bogdan George Apetri Romania 2010 Colour 87min Cast: Ana Ularu, Mimi Branescu, Andi Vasluianu

Tuesday, After Christmas

Dir: Andrei Ujica Romania 2010 Colour/B&W 187min

➜➜ For More Information 查詢詳情 2970 3300 www.hkiff.org.hk info@hkiff.org.hk

Dir: Radu Muntean Romania 2010 Colour 99min Cast: Mimi Branescu, Mirela Oprisora, Maria Popistasu

帶攝影機的人導演：昔加維爾托夫蘇聯 1929 黑白 68分鐘

維爾托夫說這部蘇聯城市交響曲是他純電影的實驗，實情是他是電影的先驅，前衛過前衛，釋放劇場式拍法，公告電影該如是的同時，也在解構電影，疊印、動畫、溶鏡、慢鏡、定格應有盡有，蒙太奇出神入化。今天的電影課依然教隱形剪接，維爾托夫反而請出剪接師，鏡頭前剪這部電影；高達最先玩跳接？不，維爾托夫早已實踐出來，所以今天看此片依然現代好玩。荷蘭發現維爾托夫當年帶到歐洲的孤本，新修復後重現強烈的黑白對比、一直不見天日的左邊兩成畫面、六幕的完整結構，視覺感受全新，絕對機會難逢。

烏妮絲瑪汀斯從德國專程來港現場鋼琴伴奏。

Man with a Movie Camera (Cheloveks kino-apparatom)

VIP Pass 通行證

HK$4,500

Dir: Dziga Vertov Soviet Union 1929 B&W 68min

23SM3E1 23/3（三）7:30pm 香港科學館 SM

An undisputed classic of the silent era, Dziga Vertov’s avant-garde documentary is a monumental exercise in the art of Constructivist montage. From dawn to dusk, we are given a glimpse of urban Russian life during the Soviet era, culled from footages taken in three cities: Moscow, Odessa and Kiev. The whirring machinations which power the cities are contrasted with the life of people at work and at leisure. But it is the bravura cinematic techniques – freeze-frames, dissolves, slow-motion and split-screens – that make this work as exhilarating as it was when it first premiered over 80 years ago. Newly restored and shown with live accompaniment by German pianist Eunice Martins.

露滴牡丹開導演：佛德烈高費里尼意大利／法國 1960 黑白 174分鐘

費里尼和馬斯杜安尼把發現的時刻變成不朽（影評人羅渣依拔語），當年康城頒來金棕櫚獎，費里尼和馬斯杜安尼也成了不朽，一個在這裏永遠不老，一個的此作我們願意看到終老。羅馬的夜，璀璨、肉慾、頹癈，烙下年代的印記，包括電影。為誌念面世 50 年，也為誌念羅馬，新修復的靚版重現費里尼努力攫取的光線，羅馬發亮的夜光。都是影史的經典場面，跟隨馬斯杜安尼憂鬱的臉去歷險胡鬧，穿越夢境、幻境、噩夢，從第一幕耶穌像升天，到安妮達愛寶水池嬉水，到結尾的巨魚之眼，人人都有最難忘的時刻。來，來大銀幕再看一遍。

La Dolce Vita Dir: Federico Fellini Italy/France 1960 B&W 174min Cast: Marcello Mastroianni, Anita Ekberg, Anouk Aimée

03KG4E1 3/4（日）6:00pm 香港文化中心 KG Restored by Cineteca di Bologna at L’Immagine Ritrovata Laboratory in association with The Film Foundation, Centro Sperimentale di Cinematografia-Cineteca Nazionale, Pathé, Fondation Jérôme SeydouxPathé,Mediaset - Medusa, Paramount Pictures and Cinecittà Luce. Restoration funding provided by Gucci and The Film Foundation.

This Oscar-winning Cannes Palme d’Or winner is a landmark of Italian cinema and one of Federico Fellini’s most well-known masterpieces. This is also where the term paparazzo was first coined, with the inimitable Marcello Mastrioanni starring as a tabloid journalist who struggles between the glamorous and decadent lifestyle of Rome and becoming a serious writer. When an exotic foreign movie star arrives into town, he becomes instantly smitten, leading us to the unforgettable scene of Anita Ekberg playing in the Trevi fountain. This newly restored version, funded by Gucci and The Film Foundation, was made under the supervision of director Martin Scorsese for the film’s 50th anniversary.

Super Value Pass

影癡通行證

HK$2,500

Presented as part of Italian Cinema Visionaries.

木乃伊導演：沙迪阿杜薩林埃及 1969 彩色 103分鐘

薩林的長片只此一部，已足以使他名垂影史，甫曝光即列入經典，其後無影無蹤，年前修復後再度驚艷影壇。薩林原是羅西里尼等大師的御用名佈景設計師，拍此片只為保存國家歷史（他原是埃及人）。1881 年英國殖民時期，尼羅河部族族長逝世，兒子羞於族人三千年來盜寶維生，向考古學家披露部族的藏寶洞。影片大部份時間利用晨曦與落日的神奇光線，講部族的故事。薩林執迷藝術的追求，把光暗、顏色、構圖、運鏡都佈置得巧奪天工，令死亡與記憶的題旨呼之欲出。結尾這一幕尤其壯觀：數十木乃伊從山洞運出，在地平線上怪異地列隊走過。

The Mummy: The Night of Counting the Years Dir: Shadi Abdel Salam Egypt 1969 Colour 103 min Cast: Ahmed Marei, Ahmad Hegazi, Zouzou Hamdy El-Hakim

30SM3E1 30/3（三）7:30pm 香港科學館 SM

This national treasure of Egyptian cinema has been all but impossible to see until recently, when Martin Scorsese’s World Cinema Fund and other organizations supported this beautiful restoration. Inspired by true events, the story is set in 1881, not long before the start of British colonial rule. When ancient artifacts begin appearing on the black market, archaeologists think that a new tomb has been discovered and set out to investigate. However the mountain tribe that guards this cache doesn’t want to hand it over to outsiders... With all dialogue in classical Arabic and all sequences shot at dawn or dusk, The Mummy is an atmospheric reverie on the themes of Egyptian history.

使用期限：2011 年 3 月 20 日至 4 月 5 日各通行證之使用受銷售條款約束，購買前請細閱第 59 頁的使用條款。 Period of validity: 20 March – 5 April 2011 The usage of these Passes is subject to terms and conditions on P.59. Please read before purchase.

帶攝影機的人導演：昔加維爾托夫蘇聯 1929 黑白 68分鐘

烏妮絲瑪汀斯從德國專程來港現場鋼琴伴奏。

Man with a Movie Camera (Cheloveks kino-apparatom)

VIP Pass 通行證

HK$4,500

Dir: Dziga Vertov Soviet Union 1929 B&W 68min

23SM3E1 23/3（三）7:30pm 香港科學館 SM

露滴牡丹開導演：佛德烈高費里尼意大利／法國 1960 黑白 174分鐘

La Dolce Vita Dir: Federico Fellini Italy/France 1960 B&W 174min Cast: Marcello Mastroianni, Anita Ekberg, Anouk Aimée

Super Value Pass

影癡通行證

HK$2,500

Presented as part of Italian Cinema Visionaries.

木乃伊導演：沙迪阿杜薩林埃及 1969 彩色 103分鐘

The Mummy: The Night of Counting the Years Dir: Shadi Abdel Salam Egypt 1969 Colour 103 min Cast: Ahmed Marei, Ahmad Hegazi, Zouzou Hamdy El-Hakim

30SM3E1 30/3（三）7:30pm 香港科學館 SM

哉絲韋蘭短片選

27SP3M1

導演：哉絲韋蘭加拿大 1965-1969 彩色／黑白 67分鐘

27/3（日）10:30am 香港太空館 SP

哉絲韋蘭的短片像專注的眼球，微看生活事物，具有家庭電影的性格，她的敏感往往進一步發掘影像背後的政治閱讀，尤其是美國對加拿大的無形操控。《巴巴拉失明》（65，比堤費格遜合導）是選輯中最敘事的一部，大量插入片引出小女生將見未見的人生。《1933》（68）是露台望街的回盪。《手着色》（68）以藝術性的迴路手法，呈現一刻永恆的女性群像。《北美鼠人生鼠餐單》（68）看真點是美國中情局的漫畫式入侵。《航船》（68）、《貓糧》（69）和《滴水》（69，米高史諾合導）簡約視像暗示複雜的軍事化關係。

02AC4M3 2/4（六）3:00pm 香港藝術中心 AC

Joyce Wieland’s Shorts Programme Dir: Joyce Wieland Canada 1965-1969 Colour/B&W 67min

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巴巴拉失明 Barbara’s Blindness

23/3（三）5:30pm 香港太空館 SP

02AC4M1 2/4（六）10:45 AM 香港藝術中心 AC

女人的願景，容或欠缺暴力和重型武器，但卻能給我們新天地。能夠在大戲院公開看到非控制性的電影多好啊，那些關於『在』着、看着、聞着、夢着的影片...... －哉絲韋蘭

魯爾區導演：占士班寧德國 2010 彩色 120分鐘

占士班寧（30 屆焦點導演）第一次跳出美國，第一次用 HD，移師德國最大重工業區再跟你喁喁細語。七分鐘至一小時不等的七個聲影造像，給你冥想藝術、經濟和文化的微妙關係、魯爾區工人文化的範式轉移。無人影在生產的工廠，滿目回教信眾的寺廟，藝術品上的塗鴉，工人居住的小街，高解像炮製的深焦鏡頭看到填滿畫面的細節，也看到班寧至今最豐富的意涵。數碼拍攝解放了鏡頭的長度，持續一小時的日暮煙囪，把狂噴的白煙幻化，偷雞剪接濃縮後壯觀又凶險。

Ruhr

女性主義已經過時嗎？這要看你有沒有再起風雲的膽色。沿女性主義＋前衛電影的歷史軌跡交接處去找，你必然會碰到哉絲韋蘭（1931 －1998）。

情理大地

Dir: James Benning Germany 2010 Colour 120 min

導演：哉絲韋蘭加拿大 1969 彩色 84分鐘

Avant-garde maestro James Benning has shockingly transitioned over from 16mm to digital filmmaking, and the Germany-shot Ruhr is his eagerly awaited high-def feature film. This is also his first work ever to be shot completely outside of his native soil, but these conditions only inspire him to make new discoveries. Now unfettered by film’s restrictions, Benning is able to expand his observations into the sociopolitical realm via masterful, perfectly framed shots. A two-part study which consists of six long takes and one bravura hour-long single take, Ruhr is essential viewing.

女性視覺的現代「奧德賽」。手搖、直接、有時順序、碎砌的車窗外風景，通過結構電影的形式思考後，被韋蘭還原至基本的觀看造型，所有附加的意像，如楓葉、國歌〈O Canada〉的歌詞，以及當時加拿大總理杜魯多其人其言（片名「理先於情」便是出自他口），頓變化出陰陽、虛實的開放辯證。擅畫也擅拍的韋蘭擅於為既有電影類型換新裝，她自創獨特的藝術愛國主義，軟化着詩意旅行誌和理性真實電影的男性型格，把加拿大大地描寫為一個在過程中，眼見得到，「現在」活態的家園女性。

韋蘭最初以畫筆，去抒發她的藝術觸覺，1963年她開始拿起攝影機，引進對時空的思考，尤其以剪接為手段，發揮回轉性的視覺知性，對男性中心的理性、邏輯敘事作出反省，與米高史諾、荷利斯法蘭頓等開創了「結構電影」一派；而她對家居物，以及加拿大家園狀態的關注，令她有愛國藝術家的稱謂。她的愛國，當然不是拿槍上戰場那一種。 Canadian artist, writer, quilter and filmmaker Joyce Wieland is one of the world’s most significant avant-garde filmmakers. She studied under noted artists Elizabeth Wynn Wood and Doris McCarthy, among others, and eventually married fellow avant-garde pioneer Michael Snow. While living in New York in the early 1960s, Wieland gained recognition for her paintings and experimental films, in which the themes and issues that would define her work were honed: nationalism, ecology and the feminine voice, sexuality and aesthetic. As a filmmaker Wieland was the first to bridge the gap between the structural, the abstract and other avant-garde forms. Wieland died an Officer in the Order of Canada in 1998.

This presentation features many of Wieland’s most influential works produced between 1963 and ’69, among them Barbara’s Blindness (with Betty Ferguson) and 1933, which question the nature of how we interpret what we see with incongruous stock and repetition; Rat Life and Diet in North America, an unapologetic Vietnam-era political allegory and the antithesis of Disney-style anthropomorphisation; and the mesmerising simplicity and boundaries of the cinematic image are the focus of Sailboat and Dripping Water, Wieland’s only directorial collaboration with Michael Snow. Handtinting and Cat Food round out the programme.

Reason over Passion (La raison avant la passion)

25SP3M3D 25/3（五）5:30pm 香港太空館 SP

02AC4E2 2/4（六）9:00pm 香港藝術中心 AC

Dir: Joyce Wieland Canada 1969 Colour 84min

28SP3M2D

Produced the same year the polarising Parti Québécois was born, Reason Over Passion was Wieland’s first foray into long-format filmmaking and is exemplary of her singular, feminine brand of satire. Inspired by former Prime Minister Pierre Trudeau’s speech addressing both the country’s future and some kind of harmony between French and English, the film is an almost purely visual exploration of a fragile national identity as travelogue. Using images and reference points that Canadians frequently use to define themselves, Wieland dares to flirt with selfparody while exposing her artistic persona.

28/3（一）3:15pm 香港太空館 SP

03AC4M3 3/4（日）3:00pm 香港藝術中心 AC

Supported by

鼎力支持

烏力克格雷戈爾（柏林Arsenal藝術影院總監）將於放映前後為觀眾講解及解答問題。 Ulrich Gregor, Director of the Arsenal Filmhouse in Berlin, will be present to talk about Wieland's works and answer questions from the audience.

遠岸戀人導演：哉絲韋蘭加拿大 1976 彩色 105分鐘

前衛藝術家拍起古典通俗劇來，當年被嚴重忽略，如今重新發掘，這部北美風光的《董夫人》，已被譽為擁有最濃郁加拿大國族命運的經典作。表面是寫歐拉莉感情徘徊於熱中權力的丈夫與被排擠於制度外的畫家之間的三角戀，簡單的仿古視覺，豈只是畫意與文學性的包羅，時代的張狂瀰漫，以一種來自遠方的火藥味呈現，男人消磨度日，女人則身體力行，回應着體內屬於大自然一部份的呼叫；日後的《華盛頓廣場》、《鋼琴戀曲》，無不啟承於此。

The Far Shore (L’autre rive) Dir: Joyce Wieland Canada 1976 Colour 105min

21SP3M2D 21/3（一）3:30pm 香港太空館 SP

03AC4E2 3/4（日）8:45pm 香港藝術中心 AC

At the end of the First World War, an artistic young Québécoise woman leaves home after she marries an engineer from Toronto. Her only reprieve from her new, oppressive life is romance with her husband’s tenant, a painter. Wieland tackles gender, language, nature, the place of art and national identity, positioning the aggressively Canadian film as the culmination of a career. Wieland’s first and only narrative feature, The Far Shore, was a critical and commercial failure when it was released in 1976, and it halted Wieland’s filmmaking for a decade.

二十支煙導演：占士班寧美國 2011 彩色 99分鐘

占士班寧顛覆戲院不准吸煙？這次向安地華荷致敬，外在風景看飽之後，他帶你往解除武裝的人臉上看風起雲湧山巒起伏。20 人鏡頭前孤獨地參與這場遊戲，有男女老幼、直攣貧富，站在各自的環境，來一根煙。占士班寧放棄向來嚴守的結構，鏡頭長度由人物那根煙決定，最短是兩分幾的酒保，最長是七分幾的次文化人。被攝者身體動作也許可以自主，臉部表情未必，噴升的縷縷白煙就完全不受控制，然後成了電影故事。占士班寧再一次帶來驚喜。

Twenty Cigarettes Dir: James Benning USA 2011 Colour 99min

Free from the constraints of having to shoot magnificent vistas and foreign terrains, the newest structuralist experiment from James Benning replaces skies and lakes for twenty people smoking cigarettes. Benning, a non-smoker, observes each personality – some known, some not – for the amount of time they take to finish their puffs. Within this length, we study each person’s demeanor: the body language, the facial contours, and the exhalation of the smoke. The result is mesmerizing and also a little addictive – something akin to having a smoke yourself.

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

哉絲韋蘭短片選

27SP3M1

導演：哉絲韋蘭加拿大 1965-1969 彩色／黑白 67分鐘

27/3（日）10:30am 香港太空館 SP

02AC4M3 2/4（六）3:00pm 香港藝術中心 AC

Joyce Wieland’s Shorts Programme Dir: Joyce Wieland Canada 1965-1969 Colour/B&W 67min

23SP3M3D

巴巴拉失明 Barbara’s Blindness

23/3（三）5:30pm 香港太空館 SP

02AC4M1 2/4（六）10:45 AM 香港藝術中心 AC

魯爾區導演：占士班寧德國 2010 彩色 120分鐘

Ruhr

女性主義已經過時嗎？這要看你有沒有再起風雲的膽色。沿女性主義＋前衛電影的歷史軌跡交接處去找，你必然會碰到哉絲韋蘭（1931 －1998）。

情理大地

Dir: James Benning Germany 2010 Colour 120 min

導演：哉絲韋蘭加拿大 1969 彩色 84分鐘

Reason over Passion (La raison avant la passion)

25SP3M3D 25/3（五）5:30pm 香港太空館 SP

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Dir: Joyce Wieland Canada 1969 Colour 84min

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Supported by

鼎力支持

遠岸戀人導演：哉絲韋蘭加拿大 1976 彩色 105分鐘

The Far Shore (L’autre rive) Dir: Joyce Wieland Canada 1976 Colour 105min

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二十支煙導演：占士班寧美國 2011 彩色 99分鐘

Twenty Cigarettes Dir: James Benning USA 2011 Colour 99min

導演／演員將出席與觀眾見面 This screening will be attended by the director and/or actors

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沖洗之姿 Photofinish Figures

前衛短片選輯（一）《東京－惠比壽》和《谷－東京》（日本）是西川智也將街頭編織為拼砌方格的時空。《萬物有靈》（美國）拆與造之間尋找城市失落了魂魄。《沖洗之姿》（意大利）是保羅治奧利（31 屆焦點）視覺再推進，叫人想到 Munch 的〈叫喊〉。《金海滴》與《潘珍妮絲》（德國）是美少女與香港的空中思辯。《搖搖板》（日本）是看完想完的再想像。壓軸出場的是威尼斯參展短片《下一波電影引力》（奧地利），以嶄新的立體派視覺再驗證梅里愛、高克多、里榭等人的前衛意義，又向柏索里尼致敬，氣度萬千開發下一個電影盛世的精神面貌。共 75 分鐘。

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這些鎚子傷不到我們 These Hammers Don’t Hurt Us

前衛短片選輯（二）

Avant Garde Programme I

Avant Garde Programme II

Photofinish Figures examines moving images and the mesmerising Coming Attractions explores the connection between early cinema and the avant-garde; discordant noise and multiple exposures illustrate Tokyo as it exists along the mighty JR Yamanote Line in the dual snapshots of Tokyo-Ebisu and Shibuya-Tokyo; SeeSea-Saw ponders creation of perception by observation; the City Symphony-esque The Soul of Things is an essay on construction and destruction, and an elegy to industrialism and history’s passing; and Heidi Kim ponders Orientalism while Janice Poon unflinchingly gazes at life’s end. Total 75min.

The Day Was a Scorcher makes cinematic space a character to be manipulated; ancient Egypt is reimagined through the filter of popular culture in These Hammers Don’t Hurt Us; Us; the Three Gorges Reservoir is scanned before it’s flooded forever in Atlantis Atlantis;; the limits of visual and aural perception are challenged in the illusory Vergence Vergence;; two aimless boys straddle the line between imagination and reality in Kindless Villain; Villain; and the pre-dark “blue hour” is chronicled at a desert prison in the ethereal SHU SHU.. Klahr’s April Snow rounds out the programme, an urban romance only Klahr could construct. Total 65min.

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水遊記

久違了的肯雅各斯，《度日如年》（美國）的三維視覺不用戴眼鏡看的。剪貼大師路易斯卡拉則以《四月雪》（美國）繼續他的自動點唱機系列。《不仁反派》（美國）在訴說一宗懸疑案嗎？兒童是兇手又是受害者。《會而不合》（奧地利）黃黑格仔自我反芻，衝擊平面空間的界限。《舒（藍時份搖籃曲）》（德國）看出占士班寧精神時，看到文明與自然的接壤，《阿特蘭蒂斯》（比利時）也是一鏡頭看見長江的夜魅。最後，《這些鎚子傷不到我們》（美國）中的埃及妖后（伊莉莎白泰萊飾）從烈火中看見兒子（米高積遜飾）的命運。共 65 分鐘。

y r e l l a

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導演：彼德波納皮蒙特美國 2010 彩色 62分鐘

是《機械生活》遇上占士班寧嗎？也是布力奇治帶攝影機上山冥想的美國前衛電影人優良承傳，得出彼德波納皮蒙特孤身走這一段上天下海隨水漂流之旅。水氣氤氳凝住，他順着內華達山、歐文斯谷的冰雪清流，紀律地定鏡拍攝，是個背囊風雨的露宿，亦開始加州地理史的考察。那裏的導水管設施於 1913 年建成，一路而下二百哩，提供洛杉磯一半以上的食水供應。流水很清楚這個責任，電影珍惜同行；水影或在石紋上流，或夜燈下流轉出鱗光，最後回到太平洋的懷抱。

Psychohydrography Dir: Peter Bo Rappmund USA 2010 Colour 62min

From the mountains in Easter Sierra Nevada to the Pacific Ocean, we witness the flow of water as it journeys into the rivers of Owens Valley, then to the Los Angeles Aqueduct and the Los Angeles River then finally to the sea. Shot using sped-up single-frame photography, Psychohydrography’s beautifully composed images are coupled with the hypnotic buzzing sound of field recordings, culminating in a mesmerizing visual essayfilm that far surpasses its origin as a CalArts thesis film, all the while recalling the works of James Benning (who also teaches at CalArts).

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24/4（日）9:00pm 香港太空館 SP

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小青鳥

四厚姐

絨小姐

河內女孩

導演：阮文通、陳武北越 1962 黑白 43分鐘

導演：范其南北越 1963 黑白 76分鐘

導演：阮德興、鄧一明北越 1970 黑白 66分鐘

導演：海寧北越 1974 黑白 80分鐘

范其南是少有留學法國的導演。本片改編小說，被視為越南文學電影的代表作，與《小青鳥》同列最早兩部經典。四厚姐在漁村生活，戰火卻將平靜和幸福逐一趕走，她遭法國兵污辱，丈夫抗敵陣亡，家庭崩裂，她反而由消極的平凡女性，漸變救人英雄。拍攝手法到家，畫面大膽凌厲富原創性，尤其四厚姐遭姦污及其後和丈夫相見，懾人無聲畫面如看雷諾亞和英瑪褒曼。四厚姐的形象層次分明，隨劇情推進漸變豐富，溫婉美麗的女主角茶江成為越南女性堅忍的象徵。

越南戰爭片怎麼與別不同？這一部完全體現出來。着靚靚戴黑超走在槍來炮往的頹垣敗瓦間，平民士兵無分彼此混在街上。不說不會知道，這正是現實的寫照。世界大戰只有幾年，越南戰火卻一打二十多載，平民百姓已和槍炮和睦共存，戰亂中曉得有尊嚴地過活。着靚靚的戰地佳人就是絨小姐，十歲喪母去做小傭工，幫忙喬裝家庭教師的地下軍逃過一劫，十年後兩人戰地重逢，絨自告奮勇去破壞敵軍坦克。越南電影從來巾幗不讓鬚眉，絨小姐一角大受歡迎，主演的愛雲成了樂壇偶像。

彷彿越南女孩炮火中赤裸狂奔的照片的延伸，勾起美國最多越戰傷痕的越南電影。海寧敘事喜歡環環相扣，擅用影像，女孩在瓦礫中尋親的畫面可用震撼形容。片上打出向河內遭轟炸 12 個日夜的英雄致敬，畫面卻是美麗的樹影、女孩純潔的笑臉，越南詩與文學的傳統在把電影淨化。12 歲的玉河在轟炸中失去家人下落，四出尋親，遇上好心的士兵和鄰居。跟隨玉河奔跑的身影，戰爭生活人間溫暖展露無遺。拍攝時正值 72 年河內遭空襲，彈痕纍纍的樓房，真實得毛骨悚然。

The White-Eye Bird (Con chim vành khuyên)

Mrs. Tu Hau (Chi Tu Hau)

Miss Nhung (Chi Nhung)

Hanoi Little Girl (Em bé Hà Noi)

Dir: Nguyen Van Thong, Tran Vu N. Vietnam 1962 B&W 43min Cast: Tu Buu, To Uyen, Thuy Vinh

Dir: Pham Ky Nam North Vietnam 1963 B&W 76min Cast: Tra Giang, Tran Phuong, Ba Du, Hang Ri Phuc

Dir: Nguyen Duc Hinh, Dang Nhat Minh N. Vietnam 1970 B&W 66min Cast: Ai Van, Kim Dzung, Danh Tan

Dir: Hai Ninh North Vietnam 1974 B&W 80min Cast: Lan Huong, Tra Giang, The Anh

Also known as The Fledgling, this short masterwork juxtaposes a simple yet eloquent family story with the harshest violence of colonialism: shadowy dangers that constantly infringe on and deny any tranquility. The lyrical pastorale of Nga and her father, a ferryman, embedded in nature and sounds of the river, becomes an arena of conflict between the revolutionaries whom he assists and the French agents who intervene, shattering this domestic idyll forever with its tragic denouement. Screening with The Story of Luc Couple.

The peaceful calm of a coastal fishing village and the lives of its ordinary families is shattered by an FrenchVietnamese mortar attack and brutal follow-ups, including the rape of the heroine, Mrs. Tu Hau. From this cruel beginning, the film traces her stumbling journey through relationships and community, bound together by the promise of her infant. Over time, slowly transcending her suffering, Mrs. Hau becomes a soldier fighting for her children and her village in a crucial campaign against the enemy.

A drama of urban divisions and warfare, weaving together class, personal and national histories. The film is anchored by a wartime reencounter between a servant child and a tutor, transformed in the crucible of the spring 1968 Saigon offensive. Nhung, once an abandoned orphan, had saved tutor Tam Son by hiding his revolutionary papers from the police. Years later, both are soldiers fighting the United States, and Nhung asks to assist commander Tam who finally give her an assignment: to destroy a tank blocking advances.

A searing, almost documentary alike vision of the massive destruction and personal resilience during the 1972 American multi-day bombing of Hanoi, reminiscent of Battle of Algiers in its mixture of anguish and hope. We see war through the eyes of a young girl who hears of the death of her mother and sister. In a poignant search through the rubble of the city, intertwined with memory and myth, she rebuilds family and a wider community in counterpoint to the military resistance of the city at the end of decades of warfare.

越南 60 年代才剛有自己的製片廠，便拍出代表性的經典（又名《自由鳥》）。漁村父女協助游擊隊渡江，遭法國特工識破，特工挾持小娥父親，迫小娥在江邊如常跳繩，令游擊隊放下戒心。反殖的題旨具有鮮明的時代背景，卻跟硬繃繃的革命樣板戲大異，鏡頭詩意，飾演小娥的少女演員擔起整部戲，她自然清新的形象已成越南電影不能磨滅的 icon，尤其她用最後一口氣釋放口袋小鳥的場面。第一部引起國際注目的越南電影，在捷克電影節贏得評審團特別獎。與《阿力夫婦》同場放映。

陳英雄以至近期的裴碩專，原來都不是石頭爆出來的。美國的驚艷始於1985年看到《當十月到來》，已經相逢恨晚，我們的越南電影回顧實在不能再遲。看越南經典會目定口呆，同是社會主義下的產物，他們的竟毫不樣板，戰爭片沒有戰爭，而是講戰禍對人的影響；國家的苦難，又可與優美鏡頭並存；箇中樸實又富詩意，意象豐富，更有嚴謹的電影作法，鏡頭講究結構緊密。原因，得數越南的詩，是文化和感性的核心，更普及至農村百姓，而且導演深受東歐和法國影響，陳武、海寧、白葉都是越南電影學院首屆畢業生，教授都來自東歐和蘇聯，鄧一明則表明最受阿倫雷奈影響。其次，也得「歸功」越南電檢，他們的領導是藝術家，會重視電影美學，所以鬼神、裸露會在畫面出現，雖然引起爭議，但導演可拿出藝術作免死金牌。當然，越南電影面對巨大困境，電檢始終是個緊箍咒，且國家走上市場經濟後不再獲補貼，致產量大減。但越南電影一如捷克，夾在強鄰之間反而更懂得保存自己個性，這裏放映的十部作品，完全說明了這一點。 Vietnamese films, for many, are defined by transnational collaborations under emigrant directors. Yet Vietnamese cinema has another history forged by war and anti-colonialism. Born in documentation and propaganda, short of materials and guided by Soviet teaching, this cinema nonetheless developed subtle aesthetics while resonating with European and Asian art cinema. War is never absent – sometimes a tragic background, often catalyzing action in stories of family, loss, love and heroism with strong women protagonists. Pastoral lyricism meets the ruined monumentality of Hanoi or the capitalism of Saigon as hunger, religion, loyalty, humor and memory are all transmuted through a unique vision.

Supported by

鼎力支持

公開座談會詳情見 96 頁 Public Seminar For details, see p.96

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23/4（六）9:00pm 香港藝術中心 AC

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28/3（一）1:30pm 香港太空館 SP

24/4（日）2:30pm 香港藝術中心 AC

阿力夫婦

聖誕日

初戀

荒原

導演：陳武北越 1971 黑白 66分鐘

導演：白葉越南 1976 黑白 156分鐘

導演：海寧越南 1977 黑白 101分鐘

導演：阮鴻仙越南 1979 黑白 91分鐘

村上集體農場的領導下了個重大決定，為了全村促生產，必須開鑿水道引水灌溉。阿力的家不幸橫在水道路線圖，不過對阿力來說，犧牲小我完全不是一回事，他有社會覺醒嘛，但阿力的老婆就不這樣想。當村民夾手夾腳為阿力起新屋，阿力又再一次觸動他的犧牲精神，決定將新居奉獻給學童。這一次，惶惶終日的阿力嫂怎麼辦？陳武不改《小青鳥》的詩性，前提雖然是集體主義，其實投越南觀眾所好拍出一部生活化的文藝片，自然光和長鏡頭的處理皆見風範。與《小青鳥》同場放映。

師承蘇聯電影教授的白葉，是最重要的越南女性導演。本片改編自通俗小說《海岸風暴》，劇情蕩氣迴腸，更可貴是看到那時代的縮影。銀（茶江）和愛兩姐妹都不快樂，一個的丈夫南下發財，一個的丈夫另結新歡。銀篤信天主活在自傷自憐中，愛則跟教會決裂愛上思想進步的男人。兩姐妹的愛情波折，跟越北的社會變動同時跌蕩，共黨在農村組織公社，生產、分配和管理等問題浮現。越南電影的黑白攝影如何發亮？看婚禮給前夫踩場一幕，蒙太奇和運鏡緊湊，夜戲拍得劇力萬鈞。

初戀情人嫁了醜老美，死黨在反政府示威中遇害，阿偉從此一蹶不振，跟古惑仔混在一起，在西貢煙花地夜夜笙歌。這裏有海寧塑造得最成功的人物，阿偉儼如社會異化的產物，他不信政府，也不肯加入反對組織，酗酒吸毒自我麻醉，是越南鏡頭下罕有的存在主義式人物。難得解放前有小巴黎之稱的西貢，依然是電影素材，說的雖是理想幻滅，但穿插特工和間諜活動、人口販賣、逼真的槍戰和示威衝突場面，妓女、毒海、夜生活的題材，令影片情節豐富，目不暇給。

西方公認的一部傑出詩電影，《荒原》不以故事先行，反突出小人物在惡劣環境下的描繪，立意創新，至今仍不過時。三都夫婦幾天生活紀錄，由始至終都在敵機的槍林彈雨中，一方面是他們和小孩開心的勞動和生活（拾柴、打魚、做飯），一方面是反覆出現的轟炸。導演獨具匠心，把生活的場景安排在富大自然詩意，但生存環境惡劣的湄公河低窪地，人物在水上活動的細節生動可信，政宣片不盡不實，人文精神反而呼之欲出。轟炸的直昇機像會思想，場面至今一時無兩。

The Story of the Luc Couple

The Christmas Day (Ngày l Thánh) Dir: Bach Diep Vietnam 1976 B&W 156min Cast: Tra Giang, Tran Phuong, Nhu Quynh

First Love (Moi Tinh Dau) Dir: Hai Ninh Vietnam 1977 B&W 101min Cast: The Anh, Nhu Quynh, Tra Giang, Robert Hai

The Wild Field (Cánh dong hoang)

Dir: Tran Vu North Vietnam 1971 B&W 66min Cast: Tue Minh, Tran Phuong, Trinh Thinh

Mr. Luc, taking seriously his responsibilities to the entire village, must literally sacrifice his household. First, the house stands in the way of an irrigation canal for the good of all. When villagers rebuild the house for the Lucs, he again sacrifices it to the needs of children for a school. Can Mrs. Luc come to understand how the private needs of the family fit into the needs of the people and the state? Domestic drama in a collectivist context, complete with amazing scenes of everyday village life utilizing natural lighting and long takes. Screening with The White-Eye Bird.

Two sisters, Ai and Nhan, struggle to move beyond failed marriages and find love. This is a story seemingly more distant from conflict but is intimately connected to tensions between the villagers and the imposing role of the Catholic Church in everyday lives and beliefs. Women search for the meaning of love within the family as well as between husband and wife, while facing challenges from the environment, corrupt neighbors and profligate jealous spouses. A rare vision of personal life in a society so imbued with wars.

War-crossed lovers against a canvas of Vietnam at the fall of the Southern capitalist regime. Tender memories of Duy and Diem’s first affections crash against her forced marriage to the ugliest of Americans. Duy, the betrayed, spins out of control in a mesmerizing, surreal montage of the decadence of the capitalist city, only to be rescued, eventually, by the long-suffering women around him. Meanwhile, Diem’s Faustian bargain reveals even more horrifying dimensions of American exploitation, as the lover’s trajectories converge yet again.

Man, wife, baby – the simplest elements of a lyrical story set amid the marshes and boat communities of the Mekong Delta, offering an almost documentary charm through its watery domestic landscapes. Yet, this Viet Cong family is also committed to waging war. And in their resistance, any domestic tranquility is constantly threatened by the pervasive, terrifying power of American helicopters and by a personal, scorched-earth vengeance that threatens their very survival. A powerful, empathetic story of living normally while fighting a war.

Dir: Hong Sen Vietnam 1979 B&W 91min Cast: Lam Toi, Thuy An

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23SP4M2X

22AC4M2X

24SP4E2X

22AC4M3X

25SP4M3X

23SP3E1

23AC4E1X

17/4（日）7:00pm 香港藝術中心 AC

23/4（六）2:30pm 香港太空館 SP

22/4（五）2:30pm 香港藝術中心 AC

24/4（日）9:00pm 香港太空館 SP

22/4（五）4:15pm 香港藝術中心 AC

25/4（一）5:30pm 香港太空館 SP

23/3（三）7:15pm 香港太空館 SP

23/4（六）7:00pm 香港藝術中心 AC

小青鳥

四厚姐

絨小姐

河內女孩

導演：阮文通、陳武北越 1962 黑白 43分鐘

導演：范其南北越 1963 黑白 76分鐘

導演：阮德興、鄧一明北越 1970 黑白 66分鐘

導演：海寧北越 1974 黑白 80分鐘

The White-Eye Bird (Con chim vành khuyên)

Mrs. Tu Hau (Chi Tu Hau)

Miss Nhung (Chi Nhung)

Hanoi Little Girl (Em bé Hà Noi)

Dir: Nguyen Van Thong, Tran Vu N. Vietnam 1962 B&W 43min Cast: Tu Buu, To Uyen, Thuy Vinh

Dir: Pham Ky Nam North Vietnam 1963 B&W 76min Cast: Tra Giang, Tran Phuong, Ba Du, Hang Ri Phuc

Dir: Nguyen Duc Hinh, Dang Nhat Minh N. Vietnam 1970 B&W 66min Cast: Ai Van, Kim Dzung, Danh Tan

Dir: Hai Ninh North Vietnam 1974 B&W 80min Cast: Lan Huong, Tra Giang, The Anh

Supported by

鼎力支持

公開座談會詳情見 96 頁 Public Seminar For details, see p.96

17AC4E1X

23SP4M2X

22AC4E1X

25SP4M2X

23AC4E2X

25SP4E1X

28SP3M1D

24AC4M2X

17/4（日）7:00pm 香港藝術中心 AC

23/4（六）2:30pm 香港太空館 SP

22/4（五）6:00pm 香港藝術中心 AC

25/4（一）2:30pm 香港太空館 SP

23/4（六）9:00pm 香港藝術中心 AC

25/4（一）7:00pm 香港太空館 SP

28/3（一）1:30pm 香港太空館 SP

24/4（日）2:30pm 香港藝術中心 AC

阿力夫婦

聖誕日

初戀

荒原

導演：陳武北越 1971 黑白 66分鐘

導演：白葉越南 1976 黑白 156分鐘

導演：海寧越南 1977 黑白 101分鐘

導演：阮鴻仙越南 1979 黑白 91分鐘

The Story of the Luc Couple

The Christmas Day (Ngày l Thánh) Dir: Bach Diep Vietnam 1976 B&W 156min Cast: Tra Giang, Tran Phuong, Nhu Quynh

First Love (Moi Tinh Dau) Dir: Hai Ninh Vietnam 1977 B&W 101min Cast: The Anh, Nhu Quynh, Tra Giang, Robert Hai

The Wild Field (Cánh dong hoang)

Dir: Tran Vu North Vietnam 1971 B&W 66min Cast: Tue Minh, Tran Phuong, Trinh Thinh

Dir: Hong Sen Vietnam 1979 B&W 91min Cast: Lam Toi, Thuy An

公開座談會 Public Seminars

下集節目表 8.4 – 1.5.2011

Part II Programme – Screening Schedule

票價 Ticket Price: $60 Date 日期

24AC4M3X

29SP4E1X

24AC4E1X

29SP4E2X

24/4（日）5:00pm 香港藝術中心 AC

29/4（五）7:30pm 香港太空館 SP

24/4（日）7:00pm 香港藝術中心 AC

29/4（五）9:30pm 香港太空館 SP

當十月到來

馬戲團

導演：鄧一明越南 1984 黑白 90分鐘

導演：越玲越南 1989 黑白 78分鐘

CNN 選為 18 部最佳亞洲片之一。阿緣為免家人傷心，隱瞞丈夫前線陣亡的死訊，更把村校的康老師拖落水冒她亡夫給家翁寫家書，愛寫詩的康老師對阿緣動了真情，但阿緣又怎能砸破自己製造的假象？人與鬼、現實與虛假在畫面自然交織，閱讀層次豐富，當鬼丈夫向阿緣剖白愛莫能助，為國捐軀的英雄主義也成了假象，結果也撫平不了個人的傷口。從個人看大時代，寫愛的寬大都同樣感人。片名出自阿康的詩，從運鏡及寫情的細膩含蓄，足見創作者時刻也心中有詩。

有人譽為 80 年代越南最佳影片，獲獎不少，包括弗里堡第三世界電影節大獎、馬德里女性電影節首獎。越玲偏愛費里尼，也帶着馬戲團講故事，但班主和美女的愛恨只是點綴，主角是純真的德仔。馬戲團來到人餓得皮包骨的土族窮村，要村民付黃金入場，班主洞悉他們純良，變大米作招徠，村民信以為真，都荒廢農地上山掘金。德仔纏住馬戲團姐姐要學變米，到發現真相，他小小的世界爆發災難。一個出色的現代寓言，黑白是資金不足的妥協，卻造就又一部越南拿手的黑白經典。

When the Tenth Month Comes

Travelling Circus (Gánh xic rong)

講者：舒明、李焯桃 Speakers: H.C.Li, Cheuk-to 免費入場 Free Admission 粵語主講 Conducted in Cantonese

Dir: Viet Linh Vietnam 1989 B&W 78min Cast: Bac Son, The Anh, Thai Ngan, Vien Minh

An unusual war story exploring the struggles among the needs and duties of individuals, the Confucian family and the demands of the military state. When Zuyen learns of her husband’s battlefield death, she keeps the knowledge secret to protect the frail health of her aged father-inlaw and her son. She enlists the schoolmaster to create a correspondence with the missing man, creating new romance between this man and Zuyen amidst private mourning. Yet, facing death, the father asks for one last reunion with his missing son….

What would happen if Bergman, Fellini and Glauber Rocha rolled their wagon into a Vietnamese ethnic minority village? The illusions of ragtag players become transformed into more – and less – in the context of starving villagers who see tawdry magic as their salvation, weaving players, audience and naysayers into a dance of love and death. A movie whose stark images, expressive faces and powerful symbols speak of a nation no longer at war but not yet at peace.

座談會 Seminar

地點 Venue

頁碼 Page

21/3 (Mon)

2:30pm

賽馬會電影學堂國際大師班－賈樟柯 Jockey Club Cine Academy Master Class Jia Zhangke

國際會議展覽中心會議室 CE

p20

賽馬會電影學堂香港名家講座－韋家輝 Jockey Club Cine Academy Face to Face Wai Ka-fai

文化中心大劇院 KG

松竹風全才巨匠谷實 Shibuya Minoru, Master of All Trades

藝術中心電影院 AC

10/4 (Sun)

2:30pm

6:15pm

p32

免費入場 Free Admission 粵語主講 Conducted in Cantonese

p96

22/4 (Fri)

23/4 (Sat)

4:30pm

4:15pm

4:30pm

中聯精神 The Union Film Spirit

電影資料館 FA

虛實辯證：基阿魯斯達米 The Reality of Illusion: Abbas Kiarostami

太空館演講廳 SP

越南經典：戲中有詩 Vietnamese Classics: Poetry in Motion

太空館演講廳 SP

p112

p96

4:30pm

中聯的類型片 The Genre Films of Union Film

電影資料館 FA

殺戮小丑三角錯

16 35

9/4 2:30 PM 5:00 PM

09SP4M2X 09SP4M3X

剝削電影駐菲大本營電影情婦／樂園影像

76 76

SAT 星期六

7:00 PM 9:00 PM

09SP4E1X 09SP4E2X

Machete Maidens Unleashed! …but Film is My Mistress / Images from the Playground The Shrikes A Good Man, A Good Day

伯勞鳥好人好日

99 99

9/4 2:30 PM 4:30 PM 7:00 PM 9:00 PM

09AC4M2X 09AC4M3X 09AC4E1X 09AC4E2X

Righteousness The Days of Evil Women The Peddler Three

正義派惡女之季節全城熱拍誇啦啦仨

99 99 76 15

10/4 7:30 PM SUN 9:30 PM

10SP4E1X 10SP4E2X

Littlerock Aardvark

迷失小石鎮看不見的深淵

35 35

10/4 2:30 PM SUN 4:30 PM 星期日

10AC4M2X 10AC4M3X

Frozen River Humpday

冰河劫忽然搭錯基

35 35

15/4 7:30 PM FRI 9:45 PM

15SP4E1X 15SP4E2X

Modern People Doctor's Day Off

現代人本日休診

98 98

16/4 2:30 PM SAT 5:00 PM 星期六 7:00 PM 9:15 PM

16SP4M2X 16SP4M3X 16SP4E1X 16SP4E2X

The Bread and Alley / The Traveller Where is the Friend's Home? The Days of Evil Women Drunkard's Paradise

麵包與小巷／小旅人踏破鐵鞋無覓處惡女之季節醉漢天堂

100 100 99 99

17/4 7:30 PM SUN 9:30 PM

17SP4E1X 17SP4E2X

Homework Close-Up

家家家課大寫特寫

101 101

22/4 2:30 PM

22SP4M2X

And Life Goes On…

春風吹又生

101

星期五

4:15 PM

Seminar on "The Reality of Illusion: Abbas Kiarostami" 「虛實辯證：基阿魯斯達米」座談會

100

7:00 PM 9:00 PM

22SP4E1X 22SP4E2X

Through the Olive Trees Taste of Cherry

23/4 2:30 PM

23SP4M2X

The White-Eye Bird / The Story of 小青鳥／阿力夫婦 the Luc Couple

Seminar on "Vietnamese Classics: Poetry in Motion" 「越南經典：戲中有詩」座談會

4:30 PM

橄欖樹下的情人櫻桃的滋味

101 101

7:00 PM 9:30 PM

23SP4E1X 23SP4E2X

The Wind Will Carry Us ABC Africa

風再起時童心一二三

101 102

24/4 2:30 PM SUN 5:00 PM 星期日 7:00 PM 9:00 PM

24SP4M2X 24SP4M3X 24SP4E1X 24SP4E2X

Ten Five 10 on Ten Mrs. Tu Hau

10 伍 10重拾四厚姐

102 102 102 95

25/4 2:30 PM MON 5:30 PM 星期一 7:00 PM 9:00 PM

25SP4M2X 25SP4M3X 25SP4E1X 25SP4E2X

The Christmas Day Miss Nhung First Love Shirin

聖誕日絨小姐初戀雪馨

95 95 95 102

29/4 7:30 PM FRI 9:30 PM

29SP4E1X 29SP4E2X

When the Tenth Month Comes Travelling Circus

當十月到來馬戲團

96 96

30/4 7:30 PM SAT 9:30 PM

30SP4E1X 30SP4E2X

Ten 10 on Ten

10 10重拾

102 102

星期五

4:30pm

桂治洪電影 The Films of Kuei Chih-hung

電影資料館 FA

6:15 PM

Seminar on "Shibuya Minoru, Master of All Trades” 「松竹風全才巨匠谷實」座談會

7:45 PM 9:30 PM

10AC4E1X 10AC4E2X

Drunkard's Paradise The Radish and the Carrot

醉漢天堂白蘿蔔與紅蘿蔔

99 99

16/4 2:30 PM SAT 5:00 PM 星期六 7:00 PM 9:00 PM

16AC4M2X 16AC4M3X 16AC4E1X 16AC4E2X

The Shrikes A Good Man, A Good Day Kawamoto’s Shorts Programme I Kawamoto’s Shorts Programme II

伯勞鳥好人好日川本喜八郎短片集 (一) 川本喜八郎短片集 (二)

99 99 78 79

17/4 2:30 PM SUN 5:00 PM 星期日 7:00 PM

17AC4M2X 17AC4M3X 17AC4E1X

Winter Days The Book of the Dead The White-Eye Bird / The Story of the Luc Couple

冬之日死者之書小青鳥／阿力夫婦

79 78 94

22/4 2:30 PM FRI 4:15 PM 星期五 6:00 PM

22AC4M2X 22AC4M3X 22AC4E1X

Mrs. Tu Hau Miss Nhung The Christmas Day

四厚姐絨小姐聖誕日

95 95 95

23/4 2:30 PM SAT 5:00 PM 星期六 7:00 PM 9:00 PM

23AC4M2X 23AC4M3X 23AC4E1X 23AC4E2X

The Bread and Alley / The Traveller Homework Hanoi Little Girl First Love

麵包與小巷／小旅人家家家課河內女孩初戀

100 101 95 95

24/4 2:30 PM SUN 5:00 PM 星期日 7:00 PM 9:00 PM

24AC4M2X 24AC4M3X 24AC4E1X 24AC4E2X

The Wild Field When the Tenth Month Comes Travelling Circus Close-Up

荒原當十月到來馬戲團大寫特寫

95 96 96 101

25/4 2:30 PM MON 5:00 PM 星期一 7:00 PM 9:00 PM

25AC4M2X 25AC4M3X 25AC4E1X 25AC4E2X

Where is the Friend's Home? And Life Goes On… Through the Olive Trees ABC Africa

踏破鐵鞋無覓處春風吹又生橄欖樹下的情人童心一二三

100 101 101 102

1/5 2:30 PM 5:00 PM

01AC5M2X 01AC5M3X

Five Shirin

伍雪馨

102 102

SUN 星期日 Date 日期

Time 時間

1/5 7:00 PM SUN 9:00 PM 星期日

HK SCIENCE MUSEUM LECTURE HALL 香港科學館演講廳

01SM5E1X 01SM5E2X

Taste of Cherry The Wind Will Carry Us

櫻桃的滋味風再起時

page 頁碼

101 101

23/4 (Sat) 4:15pm 太空館演講廳 SP 講者：張偉雄、劉嶔 Speakers: Bryan Chang, Lau Yam 免費入場 Free Admission 粵語主講 Conducted in Cantonese

p96

下集節目訂票優惠 Part II Programme Fest-saver 凡每次交易成功購買任何正價門票20張或以上（包括「第三十五屆香港國際電影節」及4月8日至5月1日期間舉行「下集節目」），即享有九折優惠，並獲贈《第三十五屆香港國際電影節》特刊或《焦點影人：韋家輝》特刊一本。

p112

尾）正價門票12張或以上，即享有九折優惠；成功購買正價門票18張或以上更可獲八折優惠。由2月26日起觀眾可使用第73頁的訂票表格郵購或透過電影節網頁www.hkiff.

8/5 (Sun)

page 頁碼

The Last Circus Ballast

凡每次交易成功購買4月8日至5月1日期間舉行的「下集節目」（影片編號以X結

30/4 (Sat)

08AC4E1X 08AC4E2X

星期六

16/4 (Sat)

HK ARTS CENTRE AGNES B. CINEMA! 香港藝術中心 Agnes b. 電影院

8/4 7:30 PM FRI 9:45 PM 星期五

FRI 星期五

講者：舒琪、家明 Speakers: Shu Kei, Ka Ming

Time 時間

98 98

星期日

22/4 (Fri) 4:15pm 太空館演講廳 SP

Date 日期

本日休診現代人

公開座談會 Public Seminars 時間 Time

page 頁碼

Doctor's Day Off Modern People

SAT 星期六

日期 Date

08SP4E1X 08SP4E2X

星期日

10/4 (Sun) 6:15pm 藝術中心電影院 AC

HK SPACE MUSEUM LECTURE HALL 香港太空館演講廳

8/4 7:30 PM FRI 9:30 PM 星期五 SAT 星期六

Dir: Dang Nhat Minh Vietnam 1984 B&W 90min Cast: Le Van, Nguyen Huu Muoi

4/4 (Mon)

Time 時間

p113

You may enjoy 10% discount and receive a complimentary copy of “35th HKIFF” Main Catalogue or “Wai Ka-fai, Filmmakers in Focus” for each successful transaction of 20 or more regular tickets for “Part II Programme” (8 April to 1 May), in conjunction with any programmes in 35th HKIFF. 10% discount will be offered for each successful transaction of 12 or more regular tickets for “Part II Programme” (8 April to 1 May; film code ends with X), while 20% discount will be given when 18 or more regular tickets are purchased successfully.

urbtix.hk訂票。訂票詳情請參閱第60頁之「訂票指南」。

Advance postal (booking form on page 73) and online booking (www.hkiff.org.hk) of tickets start from 26 February. Counter booking at URBTIX outlets, URBTIX telephone and online booking (www.urbtix.hk) will be available from 10 March. Please refer to P.62 for details.

此項優惠不能與其他電影節門票優惠同時使用。

The above offer cannot be used in conjunction with other HKIFF discount schemes.

org.hk預訂門票，由3月10日起亦可透過城市電腦售票網票房、電話及網頁www.

公開座談會 Public Seminars

下集節目表 8.4 – 1.5.2011

Part II Programme – Screening Schedule

票價 Ticket Price: $60 Date 日期

24AC4M3X

29SP4E1X

24AC4E1X

29SP4E2X

24/4（日）5:00pm 香港藝術中心 AC

29/4（五）7:30pm 香港太空館 SP

24/4（日）7:00pm 香港藝術中心 AC

29/4（五）9:30pm 香港太空館 SP

當十月到來

馬戲團

導演：鄧一明越南 1984 黑白 90分鐘

導演：越玲越南 1989 黑白 78分鐘

When the Tenth Month Comes

Travelling Circus (Gánh xic rong)

講者：舒明、李焯桃 Speakers: H.C.Li, Cheuk-to 免費入場 Free Admission 粵語主講 Conducted in Cantonese

Dir: Viet Linh Vietnam 1989 B&W 78min Cast: Bac Son, The Anh, Thai Ngan, Vien Minh

座談會 Seminar

地點 Venue

頁碼 Page

21/3 (Mon)

2:30pm

賽馬會電影學堂國際大師班－賈樟柯 Jockey Club Cine Academy Master Class Jia Zhangke

國際會議展覽中心會議室 CE

p20

賽馬會電影學堂香港名家講座－韋家輝 Jockey Club Cine Academy Face to Face Wai Ka-fai

文化中心大劇院 KG

松竹風全才巨匠谷實 Shibuya Minoru, Master of All Trades

藝術中心電影院 AC

10/4 (Sun)

2:30pm

6:15pm

p32

免費入場 Free Admission 粵語主講 Conducted in Cantonese

p96

22/4 (Fri)

23/4 (Sat)

4:30pm

4:15pm

4:30pm

中聯精神 The Union Film Spirit

電影資料館 FA

虛實辯證：基阿魯斯達米 The Reality of Illusion: Abbas Kiarostami

太空館演講廳 SP

越南經典：戲中有詩 Vietnamese Classics: Poetry in Motion

太空館演講廳 SP

p112

p96

4:30pm

中聯的類型片 The Genre Films of Union Film

電影資料館 FA

殺戮小丑三角錯

16 35

9/4 2:30 PM 5:00 PM

09SP4M2X 09SP4M3X

剝削電影駐菲大本營電影情婦／樂園影像

76 76

SAT 星期六

7:00 PM 9:00 PM

09SP4E1X 09SP4E2X

Machete Maidens Unleashed! …but Film is My Mistress / Images from the Playground The Shrikes A Good Man, A Good Day

伯勞鳥好人好日

99 99

9/4 2:30 PM 4:30 PM 7:00 PM 9:00 PM

09AC4M2X 09AC4M3X 09AC4E1X 09AC4E2X

Righteousness The Days of Evil Women The Peddler Three

正義派惡女之季節全城熱拍誇啦啦仨

99 99 76 15

10/4 7:30 PM SUN 9:30 PM

10SP4E1X 10SP4E2X

Littlerock Aardvark

迷失小石鎮看不見的深淵

35 35

10/4 2:30 PM SUN 4:30 PM 星期日

10AC4M2X 10AC4M3X

Frozen River Humpday

冰河劫忽然搭錯基

35 35

15/4 7:30 PM FRI 9:45 PM

15SP4E1X 15SP4E2X

Modern People Doctor's Day Off

現代人本日休診

98 98

16/4 2:30 PM SAT 5:00 PM 星期六 7:00 PM 9:15 PM

16SP4M2X 16SP4M3X 16SP4E1X 16SP4E2X

The Bread and Alley / The Traveller Where is the Friend's Home? The Days of Evil Women Drunkard's Paradise

麵包與小巷／小旅人踏破鐵鞋無覓處惡女之季節醉漢天堂

100 100 99 99

17/4 7:30 PM SUN 9:30 PM

17SP4E1X 17SP4E2X

Homework Close-Up

家家家課大寫特寫

101 101

22/4 2:30 PM

22SP4M2X

And Life Goes On…

春風吹又生

101

星期五

4:15 PM

Seminar on "The Reality of Illusion: Abbas Kiarostami" 「虛實辯證：基阿魯斯達米」座談會

100

7:00 PM 9:00 PM

22SP4E1X 22SP4E2X

Through the Olive Trees Taste of Cherry

23/4 2:30 PM

23SP4M2X

The White-Eye Bird / The Story of 小青鳥／阿力夫婦 the Luc Couple

Seminar on "Vietnamese Classics: Poetry in Motion" 「越南經典：戲中有詩」座談會

4:30 PM

橄欖樹下的情人櫻桃的滋味

101 101

7:00 PM 9:30 PM

23SP4E1X 23SP4E2X

The Wind Will Carry Us ABC Africa

風再起時童心一二三

101 102

24/4 2:30 PM SUN 5:00 PM 星期日 7:00 PM 9:00 PM

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Ten Five 10 on Ten Mrs. Tu Hau

10 伍 10重拾四厚姐

102 102 102 95

25/4 2:30 PM MON 5:30 PM 星期一 7:00 PM 9:00 PM

25SP4M2X 25SP4M3X 25SP4E1X 25SP4E2X

The Christmas Day Miss Nhung First Love Shirin

聖誕日絨小姐初戀雪馨

95 95 95 102

29/4 7:30 PM FRI 9:30 PM

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When the Tenth Month Comes Travelling Circus

當十月到來馬戲團

96 96

30/4 7:30 PM SAT 9:30 PM

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Ten 10 on Ten

10 10重拾

102 102

星期五

4:30pm

桂治洪電影 The Films of Kuei Chih-hung

電影資料館 FA

6:15 PM

Seminar on "Shibuya Minoru, Master of All Trades” 「松竹風全才巨匠谷實」座談會

7:45 PM 9:30 PM

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Drunkard's Paradise The Radish and the Carrot

醉漢天堂白蘿蔔與紅蘿蔔

99 99

16/4 2:30 PM SAT 5:00 PM 星期六 7:00 PM 9:00 PM

16AC4M2X 16AC4M3X 16AC4E1X 16AC4E2X

The Shrikes A Good Man, A Good Day Kawamoto’s Shorts Programme I Kawamoto’s Shorts Programme II

伯勞鳥好人好日川本喜八郎短片集 (一) 川本喜八郎短片集 (二)

99 99 78 79

17/4 2:30 PM SUN 5:00 PM 星期日 7:00 PM

17AC4M2X 17AC4M3X 17AC4E1X

Winter Days The Book of the Dead The White-Eye Bird / The Story of the Luc Couple

冬之日死者之書小青鳥／阿力夫婦

79 78 94

22/4 2:30 PM FRI 4:15 PM 星期五 6:00 PM

22AC4M2X 22AC4M3X 22AC4E1X

Mrs. Tu Hau Miss Nhung The Christmas Day

四厚姐絨小姐聖誕日

95 95 95

23/4 2:30 PM SAT 5:00 PM 星期六 7:00 PM 9:00 PM

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The Bread and Alley / The Traveller Homework Hanoi Little Girl First Love

麵包與小巷／小旅人家家家課河內女孩初戀

100 101 95 95

24/4 2:30 PM SUN 5:00 PM 星期日 7:00 PM 9:00 PM

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The Wild Field When the Tenth Month Comes Travelling Circus Close-Up

荒原當十月到來馬戲團大寫特寫

95 96 96 101

25/4 2:30 PM MON 5:00 PM 星期一 7:00 PM 9:00 PM

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Where is the Friend's Home? And Life Goes On… Through the Olive Trees ABC Africa

踏破鐵鞋無覓處春風吹又生橄欖樹下的情人童心一二三

100 101 101 102

1/5 2:30 PM 5:00 PM

01AC5M2X 01AC5M3X

Five Shirin

伍雪馨

102 102

SUN 星期日 Date 日期

Time 時間

1/5 7:00 PM SUN 9:00 PM 星期日

HK SCIENCE MUSEUM LECTURE HALL 香港科學館演講廳

01SM5E1X 01SM5E2X

Taste of Cherry The Wind Will Carry Us

櫻桃的滋味風再起時

page 頁碼

101 101

23/4 (Sat) 4:15pm 太空館演講廳 SP 講者：張偉雄、劉嶔 Speakers: Bryan Chang, Lau Yam 免費入場 Free Admission 粵語主講 Conducted in Cantonese

p96

p112

8/5 (Sun)

page 頁碼

The Last Circus Ballast

凡每次交易成功購買4月8日至5月1日期間舉行的「下集節目」（影片編號以X結

30/4 (Sat)

08AC4E1X 08AC4E2X

星期六

16/4 (Sat)

HK ARTS CENTRE AGNES B. CINEMA! 香港藝術中心 Agnes b. 電影院

8/4 7:30 PM FRI 9:45 PM 星期五

FRI 星期五

講者：舒琪、家明 Speakers: Shu Kei, Ka Ming

Time 時間

98 98

星期日

22/4 (Fri) 4:15pm 太空館演講廳 SP

Date 日期

本日休診現代人

公開座談會 Public Seminars 時間 Time

page 頁碼

Doctor's Day Off Modern People

SAT 星期六

日期 Date

08SP4E1X 08SP4E2X

星期日

10/4 (Sun) 6:15pm 藝術中心電影院 AC

HK SPACE MUSEUM LECTURE HALL 香港太空館演講廳

8/4 7:30 PM FRI 9:30 PM 星期五 SAT 星期六

Dir: Dang Nhat Minh Vietnam 1984 B&W 90min Cast: Le Van, Nguyen Huu Muoi

4/4 (Mon)

Time 時間

p113

urbtix.hk訂票。訂票詳情請參閱第60頁之「訂票指南」。

此項優惠不能與其他電影節門票優惠同時使用。

The above offer cannot be used in conjunction with other HKIFF discount schemes.

org.hk預訂門票，由3月10日起亦可透過城市電腦售票網票房、電話及網頁www.

One of the most respected names from the famed house of Shochiku, Shibuya Minoru was also one of the early Japanese filmmakers who received international recognition when his Modern People (1952) was selected for Cannes Film Festival Competition. Shibuya was born in 1907 in Tokyo, Japan, and in 1930 he joined Shochiku as an assistant to Naruse Mikio. He was given the chance to direct in 1937 with Don’t Tell Your Wife About It, and afterwards he made a total of over 40 films. His works from the 1950s-60s showcase Shibuya’s auteurial voice, with his signature dry wit frankly yet compassionately chronicling the plight of the lower class who struggles with life amidst the harshness of post-war Japan. This retrospective showcases eight of the director’s films from this fertile period, emphasizing Shibuya’s socially conscious themes and deft handling of humour and drama. Shibuya Minoru passed away in December, 1980, and this programme marks the 30th anniversary of his death. Supported by

鼎力支持

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15/4（五）9:45pm 香港太空館 SP

2/4（六）9:30pm 香港太空館 SP

9/4（六）2:30pm 香港藝術中心 AC

9/4（六）4:30pm 香港藝術中心 AC

16/4（六）7:00pm 香港太空館 SP

9/4（六）7:00pm 香港太空館 SP

16/4（六）2:30pm 香港藝術中心 AC

本日休診

正義派

惡女之季節

伯勞鳥

日本 1952 黑白 97分鐘演員：柳永二朗、鶴田浩二、三國連太郎、淡島千景

日本 1957 黑白 91分鐘演員：三好榮子、田浦正巳、佐田啟二、久我美子

日本 1958 彩色 110分鐘日本 1958 彩色 110分鐘演員：東野英治郎、山田五十鈴、岡田茉莉子、伊藤雄之助

日本 1961 彩色 95分鐘演員：淡島千景、有馬稻子、永井智雄、山田五十鈴

八春醫生欲掛上休診告示放假去，無奈病人接二連三登門造訪，求助的不只是他們的身體，凡戰爭後遺賭博之禍家事情事，無論醫生願也不願，原來也得事事關心。浸溫泉的大計只得擱下，兵來將擋，方知無常人生苦中之樂，只能在實踐中深嘗箇中三昧。《黑雨》作者井伏鱒二的原著小說拿了讀賣文學獎，柳永二郎的良心演繹，配合出色的場面調度和回閃敘事，造就了一齣被許為谷實代表作，無形中展示日本戰後眾生相的佳構。

兒子目睹巴士意外，如實作供的話將不利同事和波士，天人交戰良心飯碗權力倫理糾纏不清。母親為餬口作黑市買賣，小事從權大事何會從輕？誰能當正義的朋友，戰後大和社會，好像已不是容易回答的問題。原著出自新理想主義作家志賀直哉，谷實再度發揮其改編勝場，意外現場只餘人形血跡，警察量地讀數，以冷衝擊觀眾心田，換取暖的道德反思。三好榮子演活了一個善心長舌婦，谷實的社會關懷和庶民智慧於片中表露無遺。

嫁了個孤寒剝削不解溫柔的丈夫，幾乎有盡醜惡資本家的品性和嘴臉，偏偏老而不死，激得老娘惡向膽邊生，進行連串殺夫計劃。山田五十鈴渾身是戲不用說，半途殺出美艷不可方物的女兒岡田茉莉子，談交易變相合縱連橫；惡女還不是糟男兒迫出來的？影片最令人動容之處大抵不是數線交疊、勾心鬥角，而是突然插入飛車黨以吉他歌唱歡送交通失事的死亡鴛侶，宛如禁不住的神手，流出極樂與自由的刻描，注定超越所屬類型。

擁有強喙的伯勞體態雖小，卻被稱為雀中猛禽。兩母女天涯分隔 20 年重聚，女兒被自己的老相好看中，母親被得失的矛盾撕裂，忘記了誰是離棄的始作俑者。思念與怨懟交雜，舊愛新仇平添絲絲妒恨。人性本善本惡實在難下判語，母與女始終還原成兩個女人之間的對峙或結盟。忽然絕症，與其說是通俗劇的必然，毋寧說有意無意突顯了真正男權之惡。醫院的訣別其實早在小巷發生，動容不在遺憾，而在延擱下的無盡虛無。

Doctor’s Day Off (Honjitsu Kyûshin)

Righteousness (Seigiha) Japan 1957 B&W 91min Cast: Miyoshi Eiko, Taura Masami, Sada Keji

The Days of Evil Women (Akujo no kisetsu)

The Shrikes (Mozu)

Japan 1952 B&W 97min Cast: Mikuni Rentaro, Kishi Keiko, Awashima Chikage

Japan 1958 Colour 110min Cast: Higashino Eijiro, Yamada Misuzu, Okada Mariko

Japan 1961 Colour 95min Cast: Awashima Chikage, Arima Inako

There’s no rest for a weary doctor even on his day off in this tragicomic melodrama, considered a high point in Shibuya Minoru’s oeuvre. Ibuse Masuji’s eponymous novel, set in 1946 Tokyo and all of its myriad of postwar plights, perfectly captures the desperation and lawlessness of the time. A kindly doctor living in a poor neighborhood must contend with a stream of patients that range from the whimsically kooky to the painfully needy. All of this is rendered with pathos and affection that similarly guides the man’s heart and actions.

A crafty black marketer learns from her son the value of righteousness in this charming moral tale, an ensemble piece with rich characterizations. At a bus company, two men, Seitaro, a young mechanic, and Fujita, a down-onhis-luck bus driver, are distressed by their predicaments. The former is in love with Machiko, who is about to be betrothed to a rich stock broker. Meanwhile, Fuijta, who eloped with his frail wife, struggles to get a loan when he learns of his father’s upcoming visit. Things come to a head when tragedy strikes…

This deliriously campy suspense comedy is an indictment on human greed, replete with cat-fights, doublecrossings and a surreal road trip. Though the title seems to implicate the women as the evil-doers, the men are equally guilty of their sins. The long-suffering commonlaw wife of a wily and wealthy old man schemes to murder him. When her attempt fails, she enlists the help of an illegal driver, but not before both her own Machiavellian daughter, born from another man, and her husband’s vengeful nephew come into the mix.

Two headstrong women’s combative yet interdependent relationship is the basis for this exemplary melodrama. Sugako and Sachiko are a mother-daughter pair who have been estranged from each other for 20 years. But when Sachiko decides to move to the city, it begins a tumultuous cycle of love, jealousy and loss for both women. Emotional yet observant regarding the difficult position women are put in during those times, this is a potent social critique aided by outstanding mise-enscène and devastating performances.

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15/4（五）7:30pm 香港太空館 SP

9/4（六）9:00pm 香港太空館 SP

16/4（六）5:00pm 香港藝術中心 AC

10/4（日）7:45pm 香港藝術中心 AC

16/4（六）9:15pm 香港太空館 SP

24/3（四）7:30pm UAiSQUARE IS

10/4（日）9:30pm 香港藝術中心 AC

現代人

好人好日

醉漢天堂

白蘿蔔與紅蘿蔔

日本 1952 黑白 112分鐘演員：池部良、山村聰、山田五十鈴、多多良純

日本 1961 彩色 88分鐘演員：笠智眾、淡島千景、岩下志麻、乙羽信子

日本 1962 黑白 93分鐘 93分鐘演員：笠智眾、石浜朗、倍賞千惠子、津川雅彥

日本 1965 彩色 104分鐘演員：笠智眾、乙羽信子、加賀真理子、岩下志麻

腐敗、黑暗、貪婪、背叛，人被無休止的罪行包圍，縱有良知也只能在善性微弱閃光下掙扎求存──這可是谷實眼中的日本戰後世界？通過發展商跟國土省建造局官員勾結的黑幕故事，揭示的何止燈紅酒綠掩藏的無數枱底交易？縱使保有一絲善良的主人翁，也因女兒捲入局中惹來一身蟻。與其說影片暴露了所謂「現代人」的醜惡真貌，不如說矛頭早指向制度之惡。個人的渺小不必宗教觀照，商品拜物教已足夠壓碎一切尊嚴。

飲譽國際的數學教授整天想着數式，不理俗務，偏偏有貌似格力哥利柏的墨廠少東向義女說親，從此一家平凡生活泛起漣漪。深信數學能探究宇宙內在真理的他，又能否深入人的內心，洞悉女兒真正訴求？因緣際會，國家褒獎教授的文化勳章被盜，主角失蹤，好人未必有好日？笠智眾、淡島千景、岩下志麻等繼續淡淡演繹谷實的生活輕喜劇。結局的團圓意義不在人人開心各取所需，而在困局的無形消解，不損人性溫暖。

父子同愛杜康，無事相濡以沫，搞出大頭佛時已是人命關天，白頭人送黑頭人，還留下聲稱珠胎暗結、如花似玉的未婚妻。「酗酒丈夫喝醉前自己先醉！」連家庭主婦也歇斯底里起來時，不難體會戰後社會實有太多令人需要埋首醉鄉的原因。在計算機淘汰神算子、急促變化的時代巨輪下，在對上恭敬對下嚴苛紀律有序層階分明的日本企業文化中，注定天堂無路，牢獄有門。說到底馬克思經濟學不一定對，但資本主義剝削已成悲劇註腳。

無人關注的賤物蘿蔔默默發揮作用；人人眼中的老好男人，過慣 28 年盡責卻流於瑣碎的家庭生活後，突然發現朋友家人各有各麻煩不滿，牽連所致，四面楚歌暗湧處處，看至人情細膩處，自明此已超越一切錢作怪的輕喜劇。大師小津安二郎仙遊，兩年後谷實以本片向他致敬，起用了笠智眾、岩下志麻等小津愛將，演繹小津編作的故事。小津迷固然必看，欲一睹老年阿信乙羽信子風華正茂身影的，此片更不容錯過。

Modern People (Gendai-jin)

A Good Man, A Good Day (Koujin-koujitsu)

Drunkard’s Paradise (Yopparai tengoku) Japan 1962 B&W 93min Cast: Ryu Chisu, Tsugawa Masahiko, Baisho Chieko,

The Radish and the Carrot (Daikon to ninji)

Japan 1961 Colour 88min Cast: Ryu Chishu, Awashima Chikage, Iwashita Shima

In one of Ozu regular Ryu Chishu’s most accomplished performances, A Good Man, A Good Day revolves around a poor but well-respected mathematics professor who is alternately charmingly eccentric and infuriately childish. His adopted daughter Tokiko, who longs to learn about her own past, seeks her father’s approval in marrying Ryuji, the scion of a well-respected ink merchant family. But the hi-jinks reaches its zenith when the professor’s Order of Culture medal is stolen. This is a immensely warm comic drama – one of Shibuya’s best.

First the father must pay for his son’s drunken rampage, then it’s the young man’s turn to bail his inebriated dad from jail. However, this behavior is rampant and is not just symptomatic to this nuclear family. This gently droll satire examines Japanese drinking culture amidst the post-war recovery period, when social rules were beginning to lax. But things take a tragic turn when a freak drinking accident strikes, leaving the father to mend his relationship with his future daughter-in-law and a famed baseball pitcher struggling with his guilt.

An aging, well-to-do patriarch is flippantly compared to a radish and a carrot by one of his four daughters in this warmly comic domestic yarn. Apart from his offspring, he must contend with a worthless brother and an increasingly hostile relationship with his good friend. When the man suddenly disappears one day, secrets of his past are slowly revealed. Though based on a story by Yasujiro Ozu and made to commemorate his achievements, the plotline is far from standard Ozu in its depiction of the seedier side of 1960s Tokyo.

Japan 1952 B&W 112min Cast: Ikebe Ryo, Yamada Isuzu, Yamamura Sou

公開座談會詳情見 96 頁 Public Seminar For details, see p.96

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This 1953 Cannes Competition entry was the first to expose Shibuya Minoru to an international audience. But the view of post-war Japan here is dark and corrosive. Odagiri, a brash young rookie from a lower class, works for the lands ministry but is soon lured into corruption after falling for the innocent Izumi. The girl’s father, who is also Odagiri’s boss, is torn between his sick wife and his obsession with the opportunistic owner of a chic nightclub. But it is the shady Iwamitsu who has both men in his pockets…

谷實 Shibuya Minoru, Master of all Trades

1907年於東京淺草區出生的谷實，大學時主修英文，1930年正式加入松竹映畫，出入蒲田製片廠，曾擔任成瀨巳喜男、五所平之助及小津安二郎等大師助導。1937年至1966年間拍攝了四十多部電影，以活潑複雜的影機運動、擅長改編文學名著、指導演員演出，尤其發掘他們喜劇細胞稱著。50年代初接連拍出《自由學校》（1951）、《本日休證》（1952）及《現代人》等直接反映日本戰後社會問題的作品，聲名漸噪。谷實創作取材廣泛，但在近年新左翼思潮影響下，其作品每每觸及社會制度深層弊病的特色倍受國際注目。代表作除所選影八部作品，還包括：《情炎》（1947）、《青銅之基督》（1955）、《氣違部落》（1957）等。

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松竹風全才巨匠 —

Japan 1965 Colour 104min Cast: Ryu Chishu, Otowa Nobuko, Kaga Mariko

鼎力支持

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15/4（五）9:45pm 香港太空館 SP

2/4（六）9:30pm 香港太空館 SP

9/4（六）2:30pm 香港藝術中心 AC

9/4（六）4:30pm 香港藝術中心 AC

16/4（六）7:00pm 香港太空館 SP

9/4（六）7:00pm 香港太空館 SP

16/4（六）2:30pm 香港藝術中心 AC

本日休診

正義派

惡女之季節

伯勞鳥

日本 1952 黑白 97分鐘演員：柳永二朗、鶴田浩二、三國連太郎、淡島千景

日本 1957 黑白 91分鐘演員：三好榮子、田浦正巳、佐田啟二、久我美子

日本 1958 彩色 110分鐘日本 1958 彩色 110分鐘演員：東野英治郎、山田五十鈴、岡田茉莉子、伊藤雄之助

日本 1961 彩色 95分鐘演員：淡島千景、有馬稻子、永井智雄、山田五十鈴

Doctor’s Day Off (Honjitsu Kyûshin)

Righteousness (Seigiha) Japan 1957 B&W 91min Cast: Miyoshi Eiko, Taura Masami, Sada Keji

The Days of Evil Women (Akujo no kisetsu)

The Shrikes (Mozu)

Japan 1952 B&W 97min Cast: Mikuni Rentaro, Kishi Keiko, Awashima Chikage

Japan 1958 Colour 110min Cast: Higashino Eijiro, Yamada Misuzu, Okada Mariko

Japan 1961 Colour 95min Cast: Awashima Chikage, Arima Inako

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15/4（五）7:30pm 香港太空館 SP

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16/4（六）5:00pm 香港藝術中心 AC

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現代人

好人好日

醉漢天堂

白蘿蔔與紅蘿蔔

日本 1952 黑白 112分鐘演員：池部良、山村聰、山田五十鈴、多多良純

日本 1961 彩色 88分鐘演員：笠智眾、淡島千景、岩下志麻、乙羽信子

日本 1962 黑白 93分鐘 93分鐘演員：笠智眾、石浜朗、倍賞千惠子、津川雅彥

日本 1965 彩色 104分鐘演員：笠智眾、乙羽信子、加賀真理子、岩下志麻

Modern People (Gendai-jin)

A Good Man, A Good Day (Koujin-koujitsu)

Drunkard’s Paradise (Yopparai tengoku) Japan 1962 B&W 93min Cast: Ryu Chisu, Tsugawa Masahiko, Baisho Chieko,

The Radish and the Carrot (Daikon to ninji)

Japan 1961 Colour 88min Cast: Ryu Chishu, Awashima Chikage, Iwashita Shima

Japan 1952 B&W 112min Cast: Ikebe Ryo, Yamada Isuzu, Yamamura Sou

公開座談會詳情見 96 頁 Public Seminar For details, see p.96

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谷實 Shibuya Minoru, Master of all Trades

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松竹風全才巨匠 —

Japan 1965 Colour 104min Cast: Ryu Chishu, Otowa Nobuko, Kaga Mariko

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麵包與小巷／小旅人

家家家課

大寫特寫

春風吹又生

伊朗 1970/1974 黑白 10/71分鐘

伊朗 1989 彩色 86分鐘

伊朗 1990 彩色 102分鐘

伊朗／敘利亞 1991 彩色 95分鐘

巴士裏婦人發現身旁人就是大導麥馬巴夫，喜孜孜邀大導回家，大導說開新戲，請她兒子合演，婦人結果識穿他偽冒，送官究治。基阿魯斯達米這時跑出來，向法庭申請拍攝審訊過程，又要求一干人等事件重演。罪行真有其事，影片拍得半真半假，還有點超現實，卻又比實況劇意味深長。全場戲肉在騙徒的自白，如果沒人拆穿西洋鏡，難保他真會拍起戲來。麥馬巴夫後來亮相，跟騙徒竟又相像，受害人說假的更真。影片講寬恕，也講電影，基氏後來還帶騙徒去圓夢。

1990 年伊北大地震死傷無數，《踏破鐵鞋無覓處》取景的哥卡也是災區，基阿魯斯達米曾兩次跟兒子上路，尋找片中兩小演員，都沒有找到。像圓滿心靈之旅，他請來兩個當地人、另一次地震的倖存者重演旅程，路上的故事、所見的災場都是真的，基氏再模糊紀實與虛構之別，呈現滿目瘡痍裏煥發的勃勃生機，花還繼續澆，婚仍是要結。最絕倒是父子碰到《踏破》的演員，他竟說穿自己的屋子是假的，是這部電影的安排。最後的長鏡頭跑出父子的視野，以上帝之眼寫下驚奇的句號。

Close-Up (Nema-ye nazdik) Iran 1990 Colour 102min Cast: Ali Sabzian, Hassan Frazmand, Abolfazi Ahankhan

And Life Goes On… (Zendegi va digar hich)

In one of Kiarostami’s most admired fusions of documentary and fiction, we encounter the story of Ali Sabzian. This real-life, unemployed young man impersonated the famous Iranian film director Mohsen Makhmalbaf and even convinced a family that they would star in his next film. When caught, Kiarostami’s crew begins documenting his trial, and in parallel, restages the previous events of Sabzian’s charade with all the original participants playing themselves. A landmark piece of meta-cinema exploring the nature of truth and identity.

Here Kiarostami pushes his methods of documentaryfiction hybrid to the next level. In this faux-documentary, the “director” and his “son” search for the two child actors of Where is the Friend’s Home? in the aftermath of the devastating 1990 Iran earthquake. As the pair make their way along damaged highways through a ravaged landscape, they meet several earthquake survivors who have lost almost everything. A portrait of life amidst destruction that cleverly reveals its own picture frame.

《小旅人》是基氏第一部長片，黑白也只此一部。像是伊朗的《四百擊》，森仔在家沒溫暖，給學校認定頑劣，於是取來一片胡作非為的天空。為了籌錢去德黑蘭看心愛的球隊踢波，森仔偷呃拐騙，收錢替同學拍照，相機其實無菲林，更連死黨都出賣。基氏之後沒有拍出情節這麼曲折的作品，但目光老早已在，最後一個長鏡頭不讓《四百擊》專美，一樣叫人難忘。短小精彩的《麵包與小巷》是小孩智破餓狗的寓言，小巷的鏡頭長得有道理，首作已完美示範了基氏的長鏡頭美學。

The Bread and Alley (Noon va koucheh) / The Traveller (Mosafer)

Homework (Mashgh-e shab)

Iran 1970/1974 B&W 10min/71min

As a companion piece to Where is the Friend’s Home, Homework explores the everyday trials of children using a documentary format. Interviewing a group of school children, Kiarostami poses questions about that bane of all students – homework – and their attitudes toward it. What follows is a continuously fascinating chorus of voices, with shifting levels of self-consciousness and performances. Soon, this simple Q&A starts to uncover all sorts of underlying truths about social order and coming of age.

Kiarostami’s very first film was The Bread and Alley, a black-and-white short about a schoolboy’s confrontation with a hungry dog as he’s walking home through a narrow alley with a loaf of bread. In The Traveller, Kiarostami’s first feature, another boy uses his wits to scam enough money to go see his favorite soccer team play in Tehran. Though The Traveller may owe more than a little debt to The 400 Blows, these early neorealist films by a filmmaker just gaining his voice glow with their warm portrayals of children.

馬田史高西斯口中，他是電影裏藝術層次最登峰造極的導演，高達認為電影始於格里菲斯，終結於他。基阿魯斯達米不知道有沒有給這些言論影響，不過他對電影的思考、創新和批判，從開始就沒有停止過。他不斷突破劇情片和紀錄片的固有框框，虛構和紀實，沒有硬去分開，並認為走近真實，只有說謊，所以在《大寫特寫》重構新聞，在《春風吹又生》放進導演一角，在《櫻桃的滋味》讓影機亮相。這並非甚麼後現代，而是貫徹自己，勇於實驗，也挑戰觀眾既定的接收。伊北三部曲之後來到 21 世紀，他的創新和實驗精神更令人驚訝。同樣獨一無二的，是基阿魯斯達米的電影滿載詩意和人文精神，他的長鏡頭、黑畫面、省略等電影形式，跟內容結合無間，讓戲裏的人物、戲外的觀眾同樣有想像和感情生發的空間。電影來到他不是終結，而是啟發更多，影響更大。 Abbas Kiarostami was born in 1940 in Tehran, Iran. He first began making short films in 1970 and was known to be part of the early Iranian New Wave of directors. But international recognition started in the 1980s with feature films that focused on the lives of children, especially his unofficial trilogy of Where Is the Friend's Home?, And Life Goes On... and Through the Olive Trees. Later, he developed an increasingly complex technique of blurring fiction and reality, with each film attempting to reveal the illusory structure of the last. This culminated in '90s masterpieces such as Close-Up and Taste of Cherry. The next decade brought the most radical phase of experimentations for Kiarostami with formalist works such as Ten, Five and Shirin. Ever the intellectual, Kiarostami continues to challenge us with every new feature. Early on, he had been called the humanist heir of Satyajit Ray. But after four decades, he is the one and only, inimitable Abbas Kiarostami.

公開座談會詳情見 96 頁 Public Seminar For details, see p.96

100

《家家家課》貌不驚人，卻是不少影評人的十大之選。一群七、八歲孩子逐個面對鏡頭老老實實回答：為甚麼不做家課？喜歡家課還是卡通？問題看似平常，不過基阿魯斯達米裝下了機關，擺明權威的攝影機其實暗藏顛覆，令畫面的可觀，絕對超越了童真和惹笑對白。當所有孩子都說喜歡做家課，真實電影便在實踐它假中尋真的使命；當孩子怪罪家貧和大人的冷漠與文盲，我們看到怎樣的一整個壓迫制度；當最後一個孩子在鏡頭前崩潰痛哭，我們見證了一個幻滅的童年。

Iran 1989 Colour 86min

Iran/Syria 1991 Colour 95min Cast: Farhad Kheradmand, Puya Pievar

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25/4（一）7:00pm 香港藝術中心 AC

22/4（五）9:00pm 香港太空館 SP

1/5（日）7:00pm 香港科學館 SM

23/4（六）7:00pm 香港太空館 SP

1/5（日）9:00pm 香港科學館 SM

踏破鐵鞋無覓處

橄欖樹下的情人

櫻桃的滋味

風再起時

伊朗 1987 彩色 83分鐘

伊朗 1994 彩色 103分鐘

伊朗 1997 彩色 99分鐘

伊朗／法國 1999 彩色 118分鐘

簡單過簡單的故事，也可令觀眾一直緊盯銀幕一個半小時，基氏成名作，令全球影人影痴都上了切實的一課。老師恐嚇同學仔再不把功課寫在簿上，便要趕出校，鏡頭這時也停在鄰座阿默憐憫的臉上，當阿默回家發現拿錯同學仔的家課簿，可以想像他多驚惶。影機其後幾乎以真實時間，跟阿默跑到鄰村還簿，儘管媽媽反對，儘管地址他茫無頭緒。旅程的戲似無還有，背着禾草的村民、回家的山羊、領路的木匠，觀察入微的鏡頭通過孩子無塵的眼睛，竟看出一個世界來。

和《踏破鐵鞋無覓處》、《春風吹又生》合成伊北三部曲，好玩的延續前作，寫成是《春風》的 making of。一開場電影即與現實難分難解：一個演員跑出來，說扮演導演，是全片唯一的職業演員，接着他選了地震孤女德蘭當女角。男角太結巴，由《春風》做幕後的荷辛頂上，荷辛剖白曾向德蘭求婚被拒，導演便將他們寫成新婚，但德蘭弄不懂真假，戲裏戲外都不跟荷辛說話，劇本又得修改。末了一個基氏的簽名鏡頭，美麗的橄欖樹下，神奇地捕獲一個動人的生命處境。

巴迪先生駕着車在山路兜轉，一路物色對象，「你需要錢，我可以幫忙」是他的開場白，他找性伴？第一個男人誤會了，揮拳相向。一個兵哥上車，才知道巴迪要尋死，找個人幫忙埋葬，兵哥連跑帶跳逃了。一個博物館標本師最後答應了，他缺錢替女兒治病，離開前跟巴迪講了個櫻桃的故事。巴迪躺在預先掘好的墓洞，看落日餘暉，想起櫻桃的故事。基阿魯斯達米做了個實驗，戲都在沒對手下單獨拍，最後才剪在一起。戲講的不是死亡，是孤獨。康城最佳電影金棕櫚獎是個肯定。

基阿魯斯達米的千禧故事特別發人深省，被譽為他的最佳傑作。德黑蘭男子領着三人攝製隊來到庫爾德山城，鬼祟等待病重老婦離世，企圖把葬禮的奇風異俗拍攝下來，但代價是缺席自己親人的喪禮。等待的漫長日子，他天天向小孩收風，跟茶座的老闆娘閒扯，當手機響起，跑上山頭接收來電，跟附近掘地道的工人閒聊幾句。他由不耐煩的局外人，漸變山城生活的參與者。影片一半人物有聲沒影，蜿蜒垂直錯落的房子，都像尋寶，每個鏡頭，也確在提醒我們遺忘或失落了的寶藏。

Where is the Friend’s Home?

Through the Olive Trees (Zire darakhatan zeyton) Taste of Cherry (Ta’m-e gilass)

The Wind Will Carry Us

Iran 1987 Colour 83min Cast: Babak Ahmadpoor, Ahmad Ahmadpoor

Iran 1994 Colour 103min Cast: Hossein Rezai, Farhad Kheradmand, Mohamad Ali Keshavarz

Iran 1997 Colour 99min Cast: Homayoun Ershadi, Abdolrahman Bagheri

Iran/France 1999 Colour 118 min Cast: Behzad Dorani

After school one day, Ahmed realizes that he’s taken his classmate Mohammad’s notebook by mistake. Planning to give it back, he undertakes the difficult journey to get to Mohammad’s village, only to find that he doesn’t know his friend’s address. He solves this problem as only a child could: by returning home and completing Mohammad’s homework for him. With an almost effortless simplicity, Kiarostami again reveals the world of children as one of texture, dignity, and beauty – at once the same and completely different from our own.

The final chapter of Kiarostami’s self-reflexive trilogy (after Where is the Friend’s Home? and And Life Goes On…) concentrates on a young couple, Hossein and Farkhonde. The young man and woman are shown as actors “playing” a scene – but their fictional characters and real selves begin to blur. As the Hossein has been courting Farkhonde in “real” life, the director begins advising him behind the scenes. The outcome remains a mystery, as the tension of life, nature, and cinema continues to pull in every direction.

Perhaps the film that made Kiarostami a household name in international arthouse cinema, Taste of Cherry is also his bleakest – at least at first glance. The middle-aged Mr. Badii goes on a road trip to commit suicide and tries to convince the people he meets along the way to help him. Eventually an old Turkish taxidermist agrees, but guides him on a scenic detour instead. The final twist proves Kiarostami’s masterful skill at evoking truth, beauty, and the shock of reality, even when we least expect it. Winner of 1997 Cannes Palme d’Or.

Kiarostami takes us on the road again – this time to a remote Kurdish village where a group of outsiders from the city have just arrived with mysterious intentions. Everyone is waiting for something, and in the meantime, the cityfolk adjust themselves to a slower, more traditional pace of life, tethered to the outside world by only a cellphone. Kiarostami offers a poignant glimpse into the close yet distant relationship between local and global, urban and rural, and man and his environment.

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23/4（六）5:00pm 香港藝術中心 AC

17/4（日）9:30pm 香港太空館 SP

24/4（日）9:00pm 香港藝術中心 AC

22/4（五）2:30pm 香港太空館 SP

25/4（一）5:00pm 香港藝術中心 AC

麵包與小巷／小旅人

家家家課

大寫特寫

春風吹又生

伊朗 1970/1974 黑白 10/71分鐘

伊朗 1989 彩色 86分鐘

伊朗 1990 彩色 102分鐘

伊朗／敘利亞 1991 彩色 95分鐘

Close-Up (Nema-ye nazdik) Iran 1990 Colour 102min Cast: Ali Sabzian, Hassan Frazmand, Abolfazi Ahankhan

And Life Goes On… (Zendegi va digar hich)

The Bread and Alley (Noon va koucheh) / The Traveller (Mosafer)

Homework (Mashgh-e shab)

Iran 1970/1974 B&W 10min/71min

公開座談會詳情見 96 頁 Public Seminar For details, see p.96

100

Iran 1989 Colour 86min

Iran/Syria 1991 Colour 95min Cast: Farhad Kheradmand, Puya Pievar

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25/4（一）7:00pm 香港藝術中心 AC

22/4（五）9:00pm 香港太空館 SP

1/5（日）7:00pm 香港科學館 SM

23/4（六）7:00pm 香港太空館 SP

1/5（日）9:00pm 香港科學館 SM

踏破鐵鞋無覓處

橄欖樹下的情人

櫻桃的滋味

風再起時

伊朗 1987 彩色 83分鐘

伊朗 1994 彩色 103分鐘

伊朗 1997 彩色 99分鐘

伊朗／法國 1999 彩色 118分鐘

Where is the Friend’s Home?

Through the Olive Trees (Zire darakhatan zeyton) Taste of Cherry (Ta’m-e gilass)

The Wind Will Carry Us

Iran 1987 Colour 83min Cast: Babak Ahmadpoor, Ahmad Ahmadpoor

Iran 1994 Colour 103min Cast: Hossein Rezai, Farhad Kheradmand, Mohamad Ali Keshavarz

Iran 1997 Colour 99min Cast: Homayoun Ershadi, Abdolrahman Bagheri

Iran/France 1999 Colour 118 min Cast: Behzad Dorani

101

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童心一二三

伍

伊朗 2001 彩色 84分鐘

伊朗／法國 2002 彩色 89分鐘

伊朗／日本／法國 2003 彩色 74分鐘

基阿魯斯達米的劇情片灌注對小孩的關懷，呈現他們在《童心一二三》之後，敢於創新的基阿魯斯達米宣佈從此惡劣環境下的生存意志，來到記錄烏干達小童，這一切放棄菲林，數碼攝影的自由，直接促成這部形式前衛的流露得更真切，成了他最平易近人之作。與傳媒炮製的實驗作。他把兩攝錄機放車頭，自己全程缺席，撒手讓煽情和媚俗的同情心大相逕庭，眼前小孩沒有皮黃骨瘦非職業演員自行演戲，十段車內精彩對談，以簡約結構肚皮腫脹，只有無邪的天使笑容，國家連年戰亂，愛滋帶出。司機是剛離婚的女人，幾天兜轉德黑蘭街頭，道為患，這群失去家人的孩子卻沒失去赤子之心，基氏像盡伊朗社會深層糾結。乘客都是女性，失戀的女子，一摑了傳媒一大巴掌。面對充滿好奇又不停蹦跳的孩子，日上三次寺院的老婦，更有語重心長叫司機尊重人家自他的影機一改作風沒停定下來，卻以另一種狀態領我們由的妓女，男的就只有抱怨她離婚的兒子。高度聚焦，出入於《春風吹又生》、《風再起時》的場景。令小如手勢的意義都加倍放大，趣味盎然。

基阿魯斯達米獻給小津的作品，小津影響基氏至巨，他抽走或淡化情節的實驗作法，都啟發自這個日本大師。基阿魯斯達米妙手偶拾五個長鏡頭，通過不同的構圖與巧妙的影機運動，帶出不同的意趣和感覺，亦在在突顯個人筆觸。海灘木頭，隨潮來潮往。海邊路上，人來人去，偶爾有人駐足。冬日的海闊天空，群狗遠處躑躅。鴨子一隻隻頭接尾尾接頭，向左走向右走。池塘晚色，明月倒映，蛙聲四起，忽然天地變色。五段渾成大自然一個整體，東方禪味盡出。

ABC Africa

Ten (Dah)

Iran 2001 Colour 84min

Iran/France 2002 Colour 89min Cast: Mania Akbari, Amin Maher

Five (Panj) Iran/Japan/France 2003 Colour 74min

In 2001, the director was invited by the UN to spend 10 days in Uganda filming children orphaned by AIDS. What could have been a clichéd, poverty-exploiting documentary is transformed into trademark Kiarostami: a peek into the world of children, full of curiosity and spirit in the face of harsh experiences. With the freedom offered by his small handheld camera, Kiarostami comes close to his idea of a “poetic camera”. This revelatory and inspiring documentary is a tender return to the subject of children, albeit in a land far from his home.

Made in the same year as 10 on Ten, Five couldn’t be more different. In this hyper-minimalist piece, Kiarostami abandons dialogue, actors, cars or even camera movement. Instead, he offers five Zen-like static shots of nature at its most glorious, from driftwood washing up on a Spanish beach to thunderous rain upon a dark sea. Though abstract, the film warmly opens itself to those willing to do the same. Commissioned as part of the centenary celebration of Japanese master Ozu Yasujiro’s birth, Five is a dazzling triumph of the long shot.

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24/4（日）7:00pm 香港太空館 SP

30/4（六）9:30pm 香港太空館 SP

25/4（一）9:00pm 香港太空館 SP

1/5（日）5:00pm 香港藝術中心 AC

1/4（五）7:15pm 香港文化中心 KG

10重拾

雪馨

似是有緣人

伊朗／法國 2004 彩色 87分鐘

伊朗 2008 彩色 92分鐘

法國／意大利 2010 彩色 106分鐘中文字幕

粉絲們，或者對基阿魯師達米的電影作法有興趣的，都別錯過這課大師班。像自製《10》的 making of，基阿魯斯達米也把攝影機架在車頭，不過對準駕車的自己，車走在德黑蘭北區《櫻桃的滋味》的場景，道來他對數碼近作的反省。他講數碼拍攝的好處，電影的核心價值（敘事手段還是再造現實？），更分段以攝影、主題、劇本、場景、音樂逐一講解。最後車子停定，他語帶諷刺叫電影人若想成功，就別忘記美國電影方程式。他像個手持 DV 的大衛，挑戰全球化的哥利亞。

基阿魯斯達米再試驗電影的無邊法力，給荷里活片弄得「我們是對好夫妻」，男對女說。咖啡店老闆認定他們是麻木走樣的觀眾，來一次腦震盪。鏡頭對準影院女觀眾，一對，他們便做起夫婦來。影片前段卻是，男女不過初包括臉上無添加的茱麗葉庇樂仙，她們在看 12 世紀的波相識，他來意大利宣傳著作《Certified Copy》，她領他到斯劇三角戀，電影聲音變成我們的豐富畫外音：牛叫、古城跑一圈。這就印證了他的說法：只要打動人，真品 112 個女演贗品的分別沒那麼重要。電影施了拿手的魔法，他們頓馬嘶、操兵、樂隊演奏，還有喋喋的話語。112 馬嘶、操兵、樂隊演奏，還有喋喋的話語。員串演觀眾，她們眼前銀幕其實只有三點，喜怒驚惶都成了感人的有情男女，電影，不正是現實的贗品？基阿是想像電影的反應，導演匠心重組下，我們在動人的臉魯斯達米十年後重拾電影理念，以繁花的故事結構解讀部特寫裏想像出一部戲。基氏獻給電影的情書，以強而真實，竟又一個深度突破，憑此片再奪康城影后的朱麗有力的影像解答「我們為什麼上電影院」。葉庇樂仙登峰造極之作。

10 on Ten

Shirin

Certified Copy (Copie conforme)

Iran/France 2004 Colour 87min

Iran 2008 Colour 92min Cast: Golshifteh Farahani, Mahnaz Afshar, Taraneh Alidoosti, Juliette Binoche

France/Italy 2010 Colour 106min Cast: Juliette Binoche, William Shimell, Jean-Claude Carrière

With a knowing, self-reflexive wink at his previous films, Kiarostami offers a master class in cinema – and where else but on wheels? With cameras fixed to the dashboard (as in Ten), the director drives through the sweeping landscapes of Taste of Cherry, all the while discussing ten points on his own style of independent filmmaking. Intimate, chatty, and brilliantly articulate, his mobile lectures emphasize the possibilities of DV and the creation of true auteurist expression. The carpool of a lifetime with a one-of-a-kind visionary. 102

After dismantling the boundaries between fiction and documentary throughout his career, in Ten Kiarostami turns to the structure of storytelling itself. Entirely set within a car, the film is split into ten scenes – each showing a conversation between a middle-class female driver and her passengers. Her dialogues with passengers, including her young son, a bride, a prostitute, and a woman on her way to prayer, reveal deep truths about the role of women in contemporary Iranian society.

Continuing with the streak of bold formalism found in Five,, Shirin is composed entirely of women’s faces. Not Five five, not ten, but 112 faces of actresses are to be found in the audience of a surreal cinema space. We watch their faces one by one as they, in turn, watch a drama unfold out of view – reacting to the thunderous action of a 12th century Persian play that we can only imagine from the lush soundtrack. An engrossing experiment with rich rewards.

Set in postcard-perfect Tuscany and starring a luminous Juliette Binoche, Certified Copy is a charming, bittersweet romantic comedy between a French art dealer and a high-profile British author. Or at least that is how it appears on the surface, except that the film is the latest cinematic deconstruction by the legendary Iranian director Abbas Kiarostami. Intellectually rigorous yet never faltering in its guise as an accessible arthouse drama, the director constantly plays with our perception of reality and illusion.

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01/02/2011 5:51 PM

附加節目 Associate Programme

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29/3（二）12:30pm 香港科學館 SM

30/3（三）12:30pm 香港科學館 SM

29/3（二）2:45pm 香港科學館 SM

香港演藝學院學生作品選《Snooker》（Jeffrey K. Miller）：年輕有為的銀行家，面對失業，發現更難面對的卻是自己。《菜園人》（何鳳麟）：清拆菜園村鬧得沸沸揚揚，影片定焦於村民陳水在等待收地、復耕期間，如常日出而作、日入而息，以不變應萬變。《出租爸爸》（梁健邦）：兒女長大，兩代關係日漸疏離，爸爸將無人認領的愛心轉移到女同事的年幼子女身上，平靜家庭翻起波瀾。《阿潘》（詹可達）：阿潘因為女兒的一篇作文而跟學校決裂，一怒之下將女兒從學校帶走，阿潘堅持的原則是對是錯？共 88 分鐘。

Hong Kong Academy for Performing Arts Selection Snooker (Jeffrey K. Miller) – the portrayal of a man who is too conceited to confess to his wife about his unemployment. Tsoi Yuen Villagers (Ho Fung-lun) – a documentary on the shattering consequences on the farmers’ livelihood brought about by the construction of the super-railway. Ripples (Leung Kin-pong, Daffy) – neglected by his children, an aging father shifts his love to the kids of a neighboring widow and causes havoc to his own family. True Story Of Ah Poon (Tsim Ho-tat) – a man with principles decides that his young daughter must not study in a school corrupted by bureaucracy. Total: 88min.

香港城市大學學生作品選

香港知專設計學院學生作品選

Human!》、《升呢 Online Online》、《 Think3》及《媽媽香港城市大學創意媒體學院碩士及本科學生製作的錄像《Oops Human!》、《》、《Think 短片。作品包括《17.9 18 18.1》( 關子維 )、反映對未知你唔好去死》是一群動畫學生對媒材質感採索的藝術成的恐懼的《Doom Day》( 阮文 )，一系列以我們身邊熟果，四齣動畫短片為觀者帶來四種截然不同的視覺經驗。悉的故事為題的短片 : 《Starry Night》( 卓亦謙 )、《十四「鮮浪潮」比賽得獎作品《子非魚》（馬嘉裕）敘述人類天》( 林樂騫 )、《I miss you now》( 林蔚彤 )、《U Fool》( 梁與自然一趟超現實的相遇。《心念》（劉俊傑）呈現了一翠賢 )、《孤獨的剖白》( 丁世娟 )、《Irretrievable》( 謝詠種普遍瀰漫於當下社會的悲觀意識。《深房》（黃仲穩）勤 )、《behind KRISTANTO》( 黃業龍 ) 及《當我們談論愛呼召大眾關注校園欺凌對受害者所帶來的心理創傷後遺情時，我們在談論什麼》( 袁曉萌 )。共 87 分鐘。症。《孫婆婆》（葉銘熹）是導演本人對祖母無私的愛的致敬。共 87 分鐘。

香港理工大學學生作品選 16 齣來自設計學院數碼媒體 ( 榮譽 ) 文學士及多媒體設計與科技高級文憑課程的學生作品，展現創意思維在製作過程中的主導地位。作品包括二維、三維動畫、宣傳片及短篇電影 : 《An Interview with Shrek 3’s Co-Director: Raman Hui》、《Archery》、《Before the End》、《Brain Cell Activation》、《Bus Code》、《Corn》、《Follow Sheep ≠ Fellowship》、《Food for Thoughts》、《In Case》、《Innocence》、《Life Story》、《不知者》、《Merry Go Down》、《Super Legend》及《萬人敵》。共 86 分鐘。

City University of Hong Kong Selection

Hong Kong Design Institute Selection

Hong Kong Polytechnic University Selection

Students from the School of Creative Media of City University of Hong Kong showcase their works, including 17.9 18 18.1(Kwan Tsz-wai), Doom Day (Yuen Man-suen) and a series of our familiar daily stories: Starry Night (Cheuk Yick-him), 14 days (Isabella Candice Lam), I Miss You Now (Lam Wai-tung), U Fool (Leung Chui-yin), The Lonely Monologue (Ting Sai-kuen), Irretrievable (Tse Wing-kan), behind KRISTANTO (Kristanto Harris) and What We Talk about when We Talk about Love (Yuan Xiaomeng). Total: 87min.

Four pieces of animation – Oops Human!, Human!, Level Up Online,, Think 3 and Ouch Mum – offer viewers four Online distinctive forms of visual experience, which demonstrate the animators’ artistic ambition in exploring visual textures. The Fresh Wave award winner Fish out of Water (Ma Ka-yue) unfolds as a surreal encounter between human and nature. Will (Lau Chun-kit) shows a pessimistic consciousness common to the people of our time. My Room (Wong Chung Wan) calls our attention to the traumatic effect upon the victim of school bullying. Memory (Jerry Ip) expresses its maker’s salute to the unconditional love of his grandmother. Total: 87min.

This is a selection of student works from School of Design - BA (Hons) in Digital Media & HD in Multimedia Design & Technology programs. It demonstrates the significant message of “Content is King” – how the creative idea acts as the prime element in production. The works include 2D & 3D animation, promotion clips and short movies, namely An Interview with Shrek 3’s CoDirector: Raman Hui, Archery, Before the End, Brain Cell Activation, Bus Code, Corn, Follow Sheep≠Fellowship, Food for Thoughts, In Case, Innocence, Life Story, Meeting of the Half Moons, Merry Go Down, Super Legend, The Legacy and TVC-Wan Ren Di. Total:86min.

28SM3M1D 28/3（一）12:30pm 香港科學館 SM

香港浸會大學學生作品選本科及碩士學生的三部作品。《雙城記》（張端陽）：中國東北有一座沒落的工業城市。時間的流逝使它僅僅變成對逝去年代的深沉回憶。寧靜天幕下，下崗工人的孩子無知的承受着物質上、情感上的寂寞。《流感》（趙啟辰）：寒假，在香港留學的邱楓不慎將一場流感帶回了北京的家，病毒在親人間肆虐，不僅給家人的關係帶來了一場不小的風波，也讓矛盾重重的家庭成員開始反思愛情和婚姻的意義。《人有三急》（朱佳夢）：黑夜給了我黑色的眼睛，我卻用它來尋找──廁所。共 77 分鐘。

Hong Kong Baptist University Selection

導演／演員將出席與觀眾見面 This screening will be attended by the director and/ or actors 104

Works by undergraduate and MFA students. A Tale of Two Cities (Mickey Zhang): In northeast China, there is a declining industrial city which is becoming solely a memory of the past. Children with unemployed parents suffer innocently from the loneliness of both material and emotional world. Cold (Eric Zhao): During a winter vacation, Qiu Feng, who studies in Hong Kong, brings flu virus to his family in Beijing. Feelings, like virus, are spread among his family members. No Rest for Restrooms (Angelina Zhu): What a crappy night on the way to casting. An actress tries to find a toilet, but it seems that she is stopped by everyone… Total: 77min.

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附加節目 Associate Programme

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28/3（一）2:45pm 香港科學館 SM

29/3（二）12:30pm 香港科學館 SM

30/3（三）12:30pm 香港科學館 SM

29/3（二）2:45pm 香港科學館 SM

香港城市大學學生作品選

香港知專設計學院學生作品選

City University of Hong Kong Selection

Hong Kong Design Institute Selection

Hong Kong Polytechnic University Selection

28SM3M1D 28/3（一）12:30pm 香港科學館 SM

Hong Kong Baptist University Selection

導演／演員將出席與觀眾見面 This screening will be attended by the director and/ or actors 104

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由香港國際電影節及香港電影資料館共同策劃 Co-curated by Hong Kong International Film Festival and Hong Kong Film Archive

桂治洪是七十年代邵氏旗下一名重要的導演，所拍電影題材廣泛，包括犯罪、靈異、武俠、艷情等；當中尤以社會犯罪及靈異類型電影最為人稱道。 1973 年與張徹合導《憤怒青年》，以實景拍攝與靈活鏡頭，引起觀眾注目，隨後之《蛇殺手》被小眾電影迷視為港產 cult 片代表作。《成記茶樓》、《大哥成》，着力以電影針砭時弊、控訴施政者，顯露出其社會關懷。《香港奇案之二：兇殺》之〈臨村兇殺案〉以高反差黑白拍攝，影象凌厲極受好評，亦讓桂治洪成為《香港奇案》系列的主力導演。其靈異類型電影如《邪》、《屍妖》、《蠱》、《邪咒》、《魔》等，每一部皆以嶄新角度改寫傳統靈異鬼怪電影的取向，橋段和情節出人意表。但桂治洪最獨特之處，是在以廠景主導的邵氏年代，前瞻地強調實景拍攝，將其電影題材和拍攝場地，與現實環境有機地掛鈎，配以大膽創新的電影語言，令人讚歎。 Trace the origins of Hong Kong’s greatest celluloid excesses, and you’ll be stopping in on the sensational cinema of Kuei Chi-hung. Kuei spent the bulk of his film career with the prolific Shaw Brothers studio, fertile ground for him to experiment with on-the-streets crime flicks, witchcraft horrors, bawdy comedies and so much more, just as local movies were spinning into daring new forms. Kuei’s 1970s and early ’80s oeuvre as director was seldom marred by restraint: his ambitious gangland epics The Delinquent and The Teahouse broke free from studio routines, employed cutting-edge camerawork and led the way to harsh modern thrillers; others, like his squalid epic The Killer Snakes, straddled social commentary, cynicism and sheer exploitation outrages. Kuei retired from the director’s chair in 1984 and died in 1999, leaving behind a body of work worthy not just of a cult director but one of Hong Kong cinema’s foremost innovators.

特刊於 3 月 20 日起於香港電影資料館有售。 Catalogue on sale at HK Film Archive from 20 March. 106

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22/3（二）12:30pm 香港科學館 SM

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憤怒青年

成記茶樓

臨村兇殺案／老爺車縱火案

萬人斬

導演：張徹、桂治洪 1973 國語彩色 96分鐘演員：王鍾、李麗麗、貝蒂、樊梅生

導演：桂治洪 1974 粵語彩色 101分鐘演員：陳觀泰、汪禹、林偉圖、程剛

導演：桂治洪 1976／1977 粵語黑白／彩色 32／48分鐘導演：桂治洪 1976／1977 粵語黑白／彩色 32／48分鐘演員：韓國才、楊澤霖／于榮、顧冠忠

導演：桂治洪 1980 國語彩色 98分鐘演員：陳觀泰、谷峰、曹達華、白彪

這電影有張徹參與，所以雖然是一部時裝動作片，講述當年一個誤入歧途青年的黑幫經歷，但就很有張徹功夫片的陽剛氣味。主角最後單槍匹馬獨闖賊巢，逐一將仇人剿滅，而且美術上用色大膽，甚有日本導演鈴木清順之風格。更有趣的是，桂治洪早在這部 1973 年的時裝動作片，展現了他獨特的外景拍攝的駕御能力，主角與一眾飛型青年在牛頭角街上一場打鬥，由舊屋邨街頭打到大水坑再打回街上，已讓人看得過癮非常。

電影中的成記茶樓，就好像五、六十年代我們在粵語片《香港奇案》系列以實錄重現方式拍攝當時轟動的罪案，中常見的場景，很多戰後來到香港的小家庭住在同一屋可說是為桂治洪度身訂造，難怪他一直是這系列的主打簷下，互相照應，只是時空轉移到 70 年代，在大哥成領導演。〈臨村兇殺案〉來自《香港奇案之二：凶殺》，全導之下，茶樓恍如一個自給自足的小國度，而大哥成那片以高反差黑白菲林在全實景拍攝，把一個在鄉郊小鎮亦正亦邪的暗黑成份，也令這電影可被視作香港黑社會發生的兇殺案拍得充滿張力，風格逼人。〈老爺車縱火案〉類型電影的先驅。桂治洪亦展現其血液中的草根元素，來自《香港奇案》第三集，無牌色情場所被縱火，釀成充份利用公共屋邨各種廣闊空間與高空視角，着力表現傷亡慘劇，桂治洪以抽絲剝繭、逐步掀開線索，由犯案當時新興的多層公共屋邨的視覺震憾。到法庭審結，都如實地呈現出來，功力十足。

桂治洪唯一的武俠片，卻是對當時由徐克等新晉導演引發的新一波武俠片的回應，號稱萬人斬的冷天鷹這個「人在江湖身不由己」的角色，為主子賣命到頭來卻被主子出賣，其悲劇命運的設定，也影響了其後 1984 年與去年兩齣《錦衣衛》。桂治洪繼續發揮其無限想像力，場景設計與武術設計緊密結合，海邊搭建的木屋與長廊的打鬥，巨大日晷上的生死戰，以至最後一場機關算盡的密閉空間，都一新觀眾耳目。

The Delinquent (Fun lo ching nin) Dir: Chang Cheh, Kuei Chih-hung 1973 Mandarin Colour 96min Cast: Wong Chung, Lily Li, Betty Pei, Fan Mei-sheng

The Teahouse

The Deaf Mute Killer / Arson

Killer Constable (Man yan jaam)

Dir: Kuei Chih-hung 1974 Cantonese Colour 101min Cast: Chen Kuan-tai, Wong Yu, Lam Wai-tiu, Ching Gong

Dir: Kuei Chih-hung 1976 /77 Cantonese B&W/Col 32/48min Cast: Hon Kwok-choi, Yang Tze-lin / Yu Yung, Ku Kuan-chung

Dir: Kuei Chih-hung 1980 Mandarin Colour 98min Cast: Chen Kuan-tai, Ku Feng, Walter Tso, Jason Pai

Though working with veteran director Chang Cheh, Kuei Chih-hung made his involvement clearly felt in The Delinquent, a fierce proto-thriller set on mean streets and housing estates. When a young dishwasher goes off the rails, falling in with gangsters and tasting the high life, he’s called to help rob the warehouse his dad looks after. To whom do his allegiances lie? At times reminiscent of Japan’s nifty ‘60s thrillers, Kuei’s picture thrives on underlying social concerns, smart action and experimental lensing.

The Cheng Chi Teahouse in Kuei Chih-hung’s milestone triad picture is not your typical cha chaan teng: part neighbourhood watch and part secret society, the diner is a safe zone in a district riddled with community ills. Delinquent kids expect a slap on the wrist for their crimes, the rich assume they’re above the law and gangsters stake out their turfs in housing estates that aren’t even finished. Quickly followed up by Big Brother Cheng, Kuei’s effort turns in a troubling and pessimistic picture of the city’s developing fringe.

Real-life Hong Kong horrors were the focus of The Criminals,, a five-part compendium of crime shorts. Criminals Joining the series in Part II with The Deaf Mute Killer, Killer, Kuei elevated his efforts to shock cinema with blackand-white aesthetics and gave a bleak and sympathetic 1950s-set account of a helpless young villager who’s viciously bullied, wrongly accused of rape and driven to a bloody confrontation with the law. Come Arson in Part III, Kuei revisited a 1976 firebomb attack on a nightclub and the tense investigation that followed.

In a rare detour into wuxia cinema, Kuei Chih-hung drafted Teahouse star Chen Kuan-tai as the Empress Dowager’s ruthless security chief. Tasked with reclaiming the stolen palace treasure and widely feared for his take-no-prisoners style, the officer is sent south only to find his followers bumped off one by one and have his faith in the system shaken by the horrors and corruption he sees. Kuei’s elaborate swordplay saga draws on the Shaw Brothers studio’s martial-arts pedigree and pushes it forward with a tough emotional core.

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27/3（日）9:30pm 香港太空館 SP

蛇殺手

邪

邪完再邪

魔

導演：桂治洪 1974 國語彩色 95分鐘演員：甘國亮、李琳琳、陳駿、葛荻華

導演：桂治洪 1980 粵語彩色 90分鐘演員：恬妮、王戎、陳思佳、沈勞

導演：桂治洪 1982 粵語彩色 101分鐘導演：桂治洪 1982 粵語彩色 101分鐘演員：羅莽、劉藍溪、劉丹、盧遠

導演：桂治洪 1983 粵語彩色 100分鐘演員：高飛、徐錦江、衛嘉文、王龍威

電影的靈感應該來自 72 年米高積遜唱主題曲的《Ben》或更早一年的《鼠殺手》(Willard)。像桂治洪所有電影的主角，蛇殺手是個無依無靠受盡欺凌的青年，學識不多，只能做大牌檔送外賣的工作，他的朋友就是隔壁蛇肉店的蛇，與做小販的女朋友。他被各方欺侮，女友也被有錢人騙去貞操。他最後忍無可忍，差使他的蛇朋友，為他報仇。桂治洪聰明地選擇了青澀的甘國亮來擔演主角，演活了這個極度神經質以至充滿性壓抑的憤怒青年。

是人嚇人還是鬼嚇人？家道中落的陳家只剩下多病的陳《邪完再邪》完全沒有《邪》的鬼怪恐佈，而是一個借鬼《魔》也許是桂治洪靈異作品中，對降頭鬥法最全面投入秀英及入贅的丈夫，加上突然出現自稱陳家僕人的女子。諷今的人間喜劇，片中的女鬼不但不嚇人，而且可愛善與擁抱的一部，簡直是部降頭鬥法的示範大全，以邪術因入贅而鬱鬱不得志的丈夫常出手痛打秀英出氣，太太良，幫主角度過很多難關。桂治洪繼續發揮其社會批判降頭為本，正邪鬥法，情節曲折離奇，更遠赴泰國與尼錯手打死丈夫，後來反被丈夫的鬼魂嚇死，而電影到這的本色，以嬉笑怒罵的情節針砭時弊，控訴殖民政府的泊爾取景，在前作《蠱》中的已故清照大師被對頭施「針裏才真正開始，也展現出全新角度鬼片處理。故事發生種種不公平施政，亦早在三十年前大力撻伐地產商賺到降」在屍身，前世為大師孿生兄弟的拳手被感召協助抗在民國初年廣州西關的陳家大屋，全廠景拍攝，片首一盡的問題。桂治洪的導演功力日趨圓熟，中環皇后像廣魔。受當時方興未艾的荷里活科幻片的製作方法影響，組主觀鏡盡顯大屋之華麗，也見出桂治洪在郡氏片廠制場的一場銅像特技，廠景與實景混合交替，讓觀眾分不桂治洪大玩各種模型特技與光學動畫效果，將古老巫術度內如魚得水，構思精妙。出那一段是廠景那一段是實景。與新興電影科技溶於一爐。

The Killer Snakes (Se saat sau)

Hex (Cheh)

Hex after Hex (Cheh yuen joi cheh)

Dir: Kuei Chih-hung 1974 Mandarin Colour 95min Cast: Kam Kwok-leung, Maggie Li, Richard Chan, Got Dik-wa

Dir: Kuei Chih-hung 1980 Cantonese Colour 90min Cast: Tanny Tien, Wong Yung, Chan Si-gaai, Shum Lo

Dir: Kuei Chih-hung 1982 Cantonese Colour 101min Cast: Lo Meng, Nancy Lau, Lau Dan, Lo Yuen

The Boxer’s Omen (Moh) Dir: Kuei Chih-hung 1983 Cantonese Colour 100min Cast: Philip Ko, Elvis Tsui, Wai Ga-man, Johnny Wang

In Kuei Chih-hung’s ultimate midnight movie, a loner Yaumatei shack dweller turns vigilante when he’s humiliated by hookers, robbed by pimps and stood up on a date. Perpetually bullied, sexually frustrated and with absolutely no fear of snakes, the young man turns to reptiles to exact bloody revenge. Star Kam Kwok-leung stuns and appalls in an uncompromising role, at turns tugging on audience sympathy and violating all tenets of good taste while helmer Kuei draws on influences as varied as U.S. picture Willard and Japanese porn for a shock-and-gore epic.

Hex starts simply enough: a new housemaid turns up for work at the rocky household of a sick wife and foultempered hubby, and melodrama ensues. But this is also a Kuei Chih-hung exercise in frights, so soon enough there’s foul play, a swamp monster, a wandering spirit and a trippy body-painting exorcism freakout to cap it all off. Completely studio-shot and high on atmospherics, the period-set Hex sees genres slam together as Kuei pitches in nods to classic Japanese screen imagery, lashings of gothic horror and flat-out psychedelic mayhem.

Kuei Chih-hung’s Hex series of pictures served up goofy comedy for this modern-day spooker. When a hopeless gambler agrees use his pretty young missus to pay off his debts, things sure enough don’t go to plan. Down on his luck, he ends up striking a deal to marry a dead immigrant with a penchant for possessing people. Kuei had dabbled before in comedy in pictures like The Rat Catcher,, and in Hex after Hex he weds it to gambling Catcher thrills and horror spills - two great staples of later Hong Kong cinema.

After his brother is killed in the ring, a boxer jets off to Thailand to seek help in vengeance, then becomes a monk for extra power. It’s not such a great idea: soon there’s a wizard on his case, casting hexes and hazards leading all the way to Kathmandu. Kuei Chih-hung employs outrageous monster effects, flying heads, stop motion, whacked-out optical distortions and, between sorcery showdowns and shower scenes, hints of cynicism in his sordid tale - among the first in a decades-long line essaying evil striking Hongkongers in Southeast Asia.

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由香港國際電影節及香港電影資料館共同策劃 Co-curated by Hong Kong International Film Festival and Hong Kong Film Archive

特刊於 3 月 20 日起於香港電影資料館有售。 Catalogue on sale at HK Film Archive from 20 March. 106

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22/3（二）2:30pm 香港科學館 SM

憤怒青年

成記茶樓

臨村兇殺案／老爺車縱火案

萬人斬

導演：張徹、桂治洪 1973 國語彩色 96分鐘演員：王鍾、李麗麗、貝蒂、樊梅生

導演：桂治洪 1974 粵語彩色 101分鐘演員：陳觀泰、汪禹、林偉圖、程剛

導演：桂治洪 1976／1977 粵語黑白／彩色 32／48分鐘導演：桂治洪 1976／1977 粵語黑白／彩色 32／48分鐘演員：韓國才、楊澤霖／于榮、顧冠忠

導演：桂治洪 1980 國語彩色 98分鐘演員：陳觀泰、谷峰、曹達華、白彪

The Delinquent (Fun lo ching nin) Dir: Chang Cheh, Kuei Chih-hung 1973 Mandarin Colour 96min Cast: Wong Chung, Lily Li, Betty Pei, Fan Mei-sheng

The Teahouse

The Deaf Mute Killer / Arson

Killer Constable (Man yan jaam)

Dir: Kuei Chih-hung 1974 Cantonese Colour 101min Cast: Chen Kuan-tai, Wong Yu, Lam Wai-tiu, Ching Gong

Dir: Kuei Chih-hung 1976 /77 Cantonese B&W/Col 32/48min Cast: Hon Kwok-choi, Yang Tze-lin / Yu Yung, Ku Kuan-chung

Dir: Kuei Chih-hung 1980 Mandarin Colour 98min Cast: Chen Kuan-tai, Ku Feng, Walter Tso, Jason Pai

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27/3（日）9:30pm 香港太空館 SP

蛇殺手

邪

邪完再邪

魔

導演：桂治洪 1974 國語彩色 95分鐘演員：甘國亮、李琳琳、陳駿、葛荻華

導演：桂治洪 1980 粵語彩色 90分鐘演員：恬妮、王戎、陳思佳、沈勞

導演：桂治洪 1982 粵語彩色 101分鐘導演：桂治洪 1982 粵語彩色 101分鐘演員：羅莽、劉藍溪、劉丹、盧遠

導演：桂治洪 1983 粵語彩色 100分鐘演員：高飛、徐錦江、衛嘉文、王龍威

The Killer Snakes (Se saat sau)

Hex (Cheh)

Hex after Hex (Cheh yuen joi cheh)

Dir: Kuei Chih-hung 1974 Mandarin Colour 95min Cast: Kam Kwok-leung, Maggie Li, Richard Chan, Got Dik-wa

Dir: Kuei Chih-hung 1980 Cantonese Colour 90min Cast: Tanny Tien, Wong Yung, Chan Si-gaai, Shum Lo

Dir: Kuei Chih-hung 1982 Cantonese Colour 101min Cast: Lo Meng, Nancy Lau, Lau Dan, Lo Yuen

The Boxer’s Omen (Moh) Dir: Kuei Chih-hung 1983 Cantonese Colour 100min Cast: Philip Ko, Elvis Tsui, Wai Ga-man, Johnny Wang

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香港電影資料館配合第三十五屆香港國際電影節而籌辦之節目 Organised by the Hong Kong Film Archive as a contribution to the 35th Hong Kong International Film Festival

中聯電影企業有限公司是香港歷史上最重要的電影機構之一。

The Union Film Enterprise is one of the most important film companies in Hong Kong history.

1952年成立，1953年推出創業作，1964年停產，中聯活躍時期雖然只有短短十三年，卻奇蹟地改變了粵語片，改變了香港電影。中聯對電影的教化功能及作品質素都非常重視，在內容和形式上都為粵語片帶來革新，為香港電影奠立了美好的傳統。

Established in 1952, releasing its debut film in 1953 and ceasing production in 1964, Union Film was active for only thirteen short years. Yet it managed to fundamentally transform Cantonese cinema and, to a larger extent, Hong Kong film.

中聯為一所仝人公司，以合作精神營運，股東共有廿一人，其中十二位為演員，其餘九位則為主要負責幕後工作的導演或製片。該公司於上世紀五十年代初創立，正值香港電影經過了戰後重整、進入繁盛的時刻。市場上充滿種類不同、優劣程度相差頗大的產品，影片質素在業內和社會都引起爭論，先後出現了「清潔運動」、「伶星分家」等行動。中聯以藝術良心和關注社會人心為己任，創業之初，作品便已叫好叫座，令五十年代粵語片有了新的聚焦。中聯的製作，態度嚴謹，拍攝期比一般同期電影長，並且重視劇本，而導演與演員都為當時粵語片界最富素養者，作品主題健康，一方面努力反映社會現實，另一方面有一種貫徹始終的道德理念，以簡單易明的方式，將上世紀中國人因外憂內患、五四風潮等經歷所沉澱而成的新時代倫理，以雅俗共賞的方式表達。因此，無論其作品或公司本身，都有一種特殊的道德感染力。作為一家商業機構，中聯也有適度的市場調整，在1956年開始作出新嘗試，陸續推出了各種類型片，作品較為多元化，但仍然保留了一向堅持的倫理觀念，沒有因為商業考慮而埋沒了仝人重視的藝術良心。中聯對香港電影的抱負、作品流露的道德力量以及員工的合作精神，均為人所敬仰，亦是香港電影資料館努力保護電影文化遺產的其中一股重要動力。今年正值資料館成立十周年，我們特地舉辦中聯電影回顧，展出該公司所有作品，向中聯精神致敬。本館籌備此回顧展時獲亞洲電視鼎力支持，授予放映權及借出有關電影的拷貝，本館特此鳴謝。「人人為我，我為人人：中聯電影」節目第二部份將於4月9日至5月29 日舉行。有關節目詳情，請參閱香港電影資料館出版的《展影》57期及www.filmarchive.gov.hk。 108

The company was founded by filmmakers and operated as a cooperative, with various forms of reduced and often deferred payment to cut down on start-up cost. The 21 shareholders included twelve actors and nine directors or producers, all among the industry’s best. The early 1950s was an eventful period for Hong Kong cinema which was enjoying a production boom after post-war reconstruction but also faced with indignant outcries against shoddy products and corrupting values. Union Film emerged amid calls for clean-up, declaring commitment to artistic excellence and the moral function of film. Union Film made good on this commitment to both form and content. Production periods were longer than most other Cantonese films, with a healthy emphasis on scripts, realized in turn by some of the industry’s best directors and actors. Its early films are either adapted from literature or original works, most of them eagerly portraying the harsh reality of a Hong Kong besieged with all forms of social injustices. The company’s first releases were met with phenomenal responses both commercially and critically, their success in fact revolutionized Cantonese cinema. Most of the films are compelling, well-told stories marked also by moral beliefs coalesced from half a century of intense debate and vigorous incubation of often conflicting ideas in modern China. Such beliefs are expressed – at once openly and seamlessly – in ways readily understood by audiences of all educational levels. The result is a company and a body of works that effuse moral charisma, a Union Film spirit of fabled proportions. The Union Film spirit was a major inspiration for the Hong Kong Film Archive during our early years. The company’s dedication to the art of film, the moral convictions in its works and the mettle of cooperation motivated us to work hard towards the preservation of our film heritage. As we celebrate our 10th Anniversary this year, we’re proud to present the complete retrospective of Union Film’s glorious catalogue of titles. Special thanks to ATV for granting rights to the films and leasing copies for this presentation. Part 2 of “All for One and One for All: Union Film” will be held from 9 April to 29 May. Please refer to Hong Kong Film Archive’s ProFolio 57 and www.filmarchive.gov.hk for details.

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家

危樓春曉

春

導演∕編劇：吳回主演：吳楚帆、張活游、張瑛、紫羅蓮、盧敦 1953 黑白粵語中英文字幕 146 分鐘

導演：李鐵編劇：余幹之 ( 即盧敦與陳雲 ) 主演：吳楚帆、張瑛、紫羅蓮、黃楚山 1953 黑白粵語英文字幕 129 分鐘

導演∕編劇：李晨風主演：吳楚帆、張活游、白燕、羅細鉗 1953 黑白粵語中英文字幕 128 分鐘

描寫戰後香港草根階層的住屋及就業問題，樹立了「人人為我，我為人人」的人倫理想，用以對抗商業社會對倫理的侵蝕。通俗劇的起承轉合精準有力，伏線鋪排細膩，結尾高潮迭起。群戲 vs 個人表演，處理不著痕跡。無良資本家 vs 中介人（包租婆、收租佬）vs 無產草民，層層剝削的架構固然恐怖，知識份子的道德淪喪才最叫人齒冷。李鐵利用狹窄空間拍出守望相助的親密鄰里關係，成熟沉着，不盡精彩。

巴金《激流三部曲》之二，高家封建大家長死了，取而代之仍是保守勢力，淑英 ( 羅細鉗 ) 被父親操縱婚事，眼見表姊蕙 ( 白燕 ) 心儀堂兄覺新 ( 吳楚帆 )，卻被迫下嫁別人，結果含恨而終，遂決意離開家庭反抗到底。乍看似是《家》(1953) 的變奏，李晨風運用鏡頭調度與剪接功力，精確表達角色之間的感情流動，成功拍出箇中的細膩含蓄。獲中國文化部 1949-55 年優秀影片榮譽獎。

In the Face of Demolition

Dir / Scr: Lee Sun-fung 1953 B&W Cantonese Chi & Eng Subtitles 128min

Family Dir / Scr: Ng Wui 1953 B&W Cantonese Chi & Eng Subtitles 146min

The film that kick-started Union Film’s legacy is an adaptation of Ba Jin’s novel of the same title that arguably eclipses the original in artistic accomplishment. Director Ng Wui skilfully condenses the voluminous first part of the highly regarded Torrent Trilogy, turning it into an emotionally powerful and intellectually focused story of young folks struggling to survive the oppressions and repressions in a feudalistic family. Family was enthusiastically received by audience and critics alike, quickly establishing the company’s reputation.

Dir: Lee Tit Scrs: Lo Duen, Chan Wan 1953 B&W Cantonese Eng Subtitles 129min

The tenement film, its story of families and individuals sharing a partitioned space a powerful depiction of living conditions and human interactions, is one of the most cherished genres of post-war Hong Kong cinema. And among tenement films, In the Face of Demolition is one the most cherished – if not the monolithically singular. “One for all and all for one”, motto of the character played by Ng Cho-fan, has come to stand for the moral cry of an entire generation. A film that defines its time.

Spring The human struggle continues in the second chapter of the Torrent Trilogy. Spring repeats the formula that makes a great success of Family (1953), portraying the extended family with an all-star ensemble cast, most of the major actors are founding members of Union Film, while focusing on a few characters. Director and scriptwriter Lee Sun-fung reworks the novels’ structure to streamline the dramatic impact, realizing the story with several evocatively staged scenes that string together the sorrowful development of the characters’ lives.

中聯創業作，改編自巴金巨著，確立寓教育於娛樂的文藝路線。高家上一代迷信守舊，老太爺主宰兒孫婚嫁，反對長孫覺新 ( 吳楚帆 ) 與表妹相戀，又把與三孫覺慧 ( 張瑛 ) 相戀的女僕鳴鳳 ( 紫羅蓮 ) 送予世交作妾，鳳絕望投湖自盡，慧悲憤莫名，毅然離家出走。故事情節豐富，人物角色眾多，吳回拍來有條不紊，出色的場面調度，別具匠心的畫面構圖，層層揭開封建思想對年輕一代的桎梏與殘害。

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父與子

秋

金蘭姊妹

導演：吳回編劇：程剛主演：張活游、阮兆輝、容小意 1954 黑白粵語 113 分鐘

導演：秦劍編劇：司馬才華 ( 即秦劍 ) 主演：吳楚帆、張活游、紅線女、容小意 1954 黑白粵語中英文字幕 103 分鐘

導演：吳回編劇：譚謀主演：黃曼梨、紫羅蓮、梅綺、小燕飛 1954 黑白粵語中英文字幕 120 分鐘

Autumn

Sworn Sisters

Dir / Scr: Chun Kim 1954 B&W Cantonese Chi & Eng Subtitles 103min

Dir: Ng Wui Scr: Tam Mau 1954 B&W Cantonese Chi & Eng Subtitles 120min

Adapting Ba Jin’s Torrent Trilogy to the screen in a span of two years consolidated Union Film’s reputation. The original stands in 20th century history as an emblem of the Chinese people’s moral pursuit. Autumn is perhaps the weakest work among Union Film’s three-pack, largely due to failings of the original novel, yet director Chun Kim still manages to fabricate an emotionally intense story that animates the sadness and triumphs of a generation grappling with a stifling social order, represented by the feudal family structure.

This is a rare gem about an underprivileged sector of society. Sworn Sisters is the tale of five women, all working as live-in maids, one of most lowly professions in Hong Kong, perhaps true even to this day. Each woman has her unique personality and life story. Combined, their lives offer a vivid portrait of society. Intertwined, they make up a touching, compelling story. The actresses for the major roles all provide gripping performances, but Mui Yee stands out with a bravado outing at once subtle and sensational.

張活游飾演的洋行職員眼巴巴看著老闆兒子的同學憑藉人事關係獲聘，致令自己陞職無望，從此誓要兒子蝦仔《秋》是秦劍早期佳作，亦是當年本地電影賣座冠軍。退進名校，交富友。吳回以豐富的情節刻劃父親的扭曲心縮怯懦的覺新 ( 吳楚帆 ) 與婢女翠環 ( 紅線女 ) 互生情愫態，皆因愛子心切和不甘貧窮。兒子如何不懂城市規矩，但不敢表白，直至翠環被五叔威迫為妾，欲求一死，他父親如何講究體面，拍得寫實靈動。是喜劇，其實也是才敢於面對自己的感情。全片瀰漫壓抑與傷感情緒，同曲線悲劇，父親的固執不惹觀眾反感，因為背後是辛酸。時也喊出年輕人的控訴，琴表妹 ( 容小意 ) 提倡積極對抗片中一幕蝦仔賣花，竟賣到大觀片廠，內裡中聯仝人正封建，擺脫枷鎖。「詩禮傳家」牌匾拆下，覺新終於悟到「有勇氣就有辦法」，與翠環走出陰霾，迎向下一個春天。在拍戲，充滿即興意味。

Story of Father and Son Dir: Ng Wui Scr: Cheng Kang 1954 B&W Cantonese 113min

Central to the Union Film spirit is the May Fourth Movement tenet of revolt against the extended family as embodiment of feudalism and the embrace of the nuclear family as symbol of future hope. Story of Father and Son is the first of several Union Film works that focuses on the modern nuclear family. The story of a father trying desperately to make a future for his son is heart-wrenchingly touching, realized by life details at once sad and funny. Film also includes a wonderful scene at the set where Union made most of its films, with cameos by Pak Yin, Ng Cho-fan and other Union Film stars.

中聯的社會寫實電影，開始走入特定的社群 —媽姐，以底層職業女性的處境窺看社會上各式人等的光怪陸離現象。極盡剝削的僱傭關係 ( 外在環境 )，無知和愚昧 ( 性格 )，遇人不淑 ( 命運 )，令她們受盡委屈。她們身邊的男人不是騙財就是騙色，唯一出路是女兒要自強，並重申「互助守望」這一中聯的基本人倫觀念。有趣的是，吳回請來李晨風、李鐵、珠璣及王鏗，加上他自己同台演出，不讓女角們專美，煞是熱鬧。

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愛 ( 續集 )

孤星血淚

導演：王鏗、吳回、李鐵、李晨風、秦劍、珠璣主演：吳楚帆、小燕飛、紫羅蓮、李清、馬師曾、李小龍 1955 黑白粵語中英文字幕 114 分鐘

導演：珠璣編劇：劉芳、珠璣、程剛主演：吳楚帆、張活游、容小意、梅綺、李小龍 1955 黑白粵語英文字幕 115 分鐘

中聯成立兩周年紀念作，全體演員參與演出。在博愛號輪船上，多個刻劃倫理親情的故事漸漸展開：女工人白燕無力撫養幼兒，拱手讓人，養母怕幼兒發現真相，不容母子相見；紅線女、梅綺演的姊妹同時愛上作曲家張活游，姊姊以手足情凌駕男女情，甘心讓愛。未幾，輪船觸礁……《愛》上集故事中沒有真正的小人或壞人，只有處境的不由人，及人世間的種種矛盾。骨肉親情，人性的包容和犧牲，層次豐滿。

博愛號乘客繼續他們的故事：小燕飛因丈夫吳楚帆舊愛來訪發生誤會，幾鬧離婚；孤女紫羅蓮被叔嬸所迫，嫁予富家子為妻，幾經波折才能跟愛人李清結合；街頭藝人馬師曾一家為賺取旅費回鄉而賣武街頭，卻因飢餒致連連失手，幸獲好心人幫忙。中聯高舉愛之旗幟，在兩集《愛》中刻劃父母、姊妹、夫妻、情侶之愛，最後船長捨身救火，為救眾人而犧牲，歌頌互助互愛、無私奉獻的偉大精神。

贈醫施藥的鄉村醫生范田笙 ( 吳楚帆 ) 遭土豪劣紳杜濟仁陷害入獄，成功越獄後決定暗助被鐵匠收養的兒子復群到省城習醫。長大後的復群 ( 張活游 ) 卻誤以為杜濟仁才是匿名贊助人，杜則懷疑復群乃范的後人，重施故技加以陷害。中聯把狄更斯的《遠大前程》改編成民國初年的兩代恩怨情仇，知識份子受保守腐敗勢力所害，范田笙率領鄉民闖入杜濟仁大宅一幕，不只批判為富不仁，更是訴諸行動，組織受壓迫者奮起反抗。

Love (Part 1)

Love, the Sequel

An Orphan’s Tragedy

Dirs: Wong Hang, Ng Wui, Lee Tit, Lee Sun-fung, Chun Kim, Chu Kea 1955 B&W Cantonese Chi & Eng Subtitles 117min

Dirs: Wong Hang, Ng Wui, Lee Tit, Lee Sun-fung, Chun Kim, Chu Kea 1955 B&W Cantonese Chi & Eng Subtitles 114min

Dir: Chu Kea Scrs: Lau Fong, Chu Kea, Cheng Kang 1955 B&W Cantonese Eng Subtitles 115min

Love is the commemorative production to mark the second anniversary of Union Film. The two-part omnibus film is gang directed by the company’s major directors, featuring an all-star cast. Both parts take place on an ocean liner called Fraternity, as several characters share their life stories when passengers are forced to congregate to prepare for possible disaster. In Part I, the podium belongs to a poor widow who loses her son and a songstress who loses her lover.

Love of various forms are portrayed in the diptych Love. While Part I depicts parental devotion and sisterly loyalty in its vignettes, Part II represents familial bonds, marriage ties, romantic love and kindness for strangers through the stories of a dirt-poor family, a young couple and two lovers facing separation by an arranged marriage. Particularly noteworthy is one episode in which young Bruce Lee shows off his acting chops as well as action moves.

This is a reworking of Charles Dicken’s Great Expectations, focusing on class inequality and the corruptions of the feudalistic order. An Orphan’s Tragedy is set in the Early Republican era and traces the story of a young boy who grows up to be an idealistic doctor, his life and work embodying the conflicting aspirations of two generations. The film features in its early segment Bruce Lee and Josephine Shiao, child actors who grew up to be major forces in Hong Kong cinema.

愛導演：王鏗、吳回、李鐵、李晨風、秦劍、珠璣主演：白燕、張活游、紅線女、梅綺、李小龍 1955 黑白粵語中英文字幕 117 分鐘

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父母心

天長地久

兒女債

導演：秦劍編劇：司馬才華 ( 即秦劍 ) 主演：馬師曾、黃曼梨、林家聲、阮兆輝 1955 黑白粵語中英文字幕 111 分鐘

導演：李鐵編劇：高煌主演：吳楚帆、紅線女、黃曼梨、石堅 1955 黑白粵語英文字幕 133 分鐘

導演：秦劍編劇：吳丹 ( 即吳天池 )、司馬才華 ( 即秦劍 ) 主演：張活游、紫羅蓮、李清、容小意 1955 黑白粵語中英文字幕 116 分鐘

忘不了生鬼利的形象，嘴角總是彎彎的，眼睛眯起來，是一張笑臉，但眼神深處，卻是無限辛酸，一把沙啞的嗓子，背負了幾許滄桑？生鬼利一生為兒子奔波，同時也為生命、為藝術竭盡心力。《父母心》是一代中國人的故事，生命的卑微，人的尊嚴，馬師曾演活了生鬼利這個台上嬉笑怒罵、台下嘗盡甘苦的角色，是全片的靈魂。簡單的故事，純淨的風格，是中聯刻劃家庭倫理、無常命運的深沉傑作。

Parents’ Hearts Dir / Scr: Chun Kim 1955 B&W Cantonese Chi & Eng Subtitles 111min

Parents’ Hearts is one of the best Hong Kong films, ever! Like Story of Father and Son (1954), it’s the tale of a modern nuclear family, struggling to find a better future for its children. The social conditions in this film are even harsher, as the father finds himself unemployed when his opera troupe is forced to close due to the bad economy and the dwindling popularity of Cantonese opera. Director Chun Kim’s tender animation of miseen-scene is perfectly complemented by opera superstar Ma Si-tsang’s heartfelt performance. 110

李鐵改編德萊瑟小說《嘉麗妹妹》，成功將蕩氣迴腸的戀愛與封建悲劇熔為一爐。世家子吳楚帆為償父債與富家《兒女債》探討在不同客觀條件下是否容許有下一代，並女黃曼梨結婚，鬱鬱不得志，與愛人紅線女私奔到澳門，轉化成不同個案。秦劍透過熟練的通俗劇手法，四對夫以為可以重新開始，卻被外父趕絕無以維生，自此日夕妻處境互有對應。有女無力養的全叔，輾轉將稚女送予消沉，一對情人亦無奈失散。昔日儀表堂堂，今日頹唐不育的林子明夫婦，種種矛盾隨之而來，養父母 vs 親父無依，吳楚帆演得淒涼酸楚。人情之炎涼，命運之折磨，母，親情 vs 恩情，心願 vs 能力，富 vs 貧，拼出連串道愛情的延綿思念，成就中聯一部極出色的傑作，半開放德兩難，最後以人倫大愛來消融：愛惜子女的就可當父母，父母∕子女是恩，不是債。的結局，更是經典。

Eternal Love

The More the Merrier

Dir: Lee Tit Scr: Ko Wong 1955 B&W Cantonese Eng Subtitles 133min

Dir: Chun Kim Scrs: Ng Dan, Chun Kim 1955 B&W Cantonese Chi & Eng Subtitles 116min

This is a prime example of Union Film’s excellence in adapting literary work. Eternal Love is so thoroughly adapted to 1950’s Hong Kong – and Macau, for that matter - that most viewers won’t notice it’s based on an American novel, Sister Carrie, by Theodore Dreiser. Switching the tale’s focus to the male protagonist, director Lee Tit creates a powerfully moving portrayal of a man of changing times whose pursuit for happiness is repeatedly thwarted by cruel fate in the form of unscrupulous people and his own unfortunate decisions, some of which driven by integrity.

Union Film had made two of Hong Kong’s best films about parent-child relationships, Story of Father and Son (1954) and Parents’ Hearts (1955). With The More the Merrier, the company offers another perspective, a contemplation on the meaning of child bearing, filtered through the story of several families troubled by the inability to have children or the inability to stop having children or the inability to decide whether to have children or… By turns funny and heart-wrenching, touching and inspiring, this is a profound celebration of humble nobility.

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春殘夢斷

牆

血染黃金

導演∕編劇：李晨風主演：白燕、張活游、馬師曾、梅綺 1955 黑白粵語英文字幕 117 分鐘

導演：王鏗編劇：司馬才華 ( 即秦劍 )、程剛主演：李清、紫羅蓮、黃曼梨、王愛明 1956 黑白粵語 101 分鐘

導演：珠璣編劇：顏開 ( 即阮朗 ) 主演：吳楚帆、張瑛、梅綺、李清 1957 黑白粵語 107 分鐘

改編自俄國名著《安娜．卡列尼娜》。潘安娜 ( 白燕 ) 與丈夫陳克烈 ( 馬師曾 ) 感情冷淡，青梅竹馬的王基樹 ( 張活游 ) 卻對她猛烈追求。專制固執的丈夫與軟弱痴纏的追求者，均把安娜逼入窮巷。烈更誣蔑安娜紅杏出牆，提出離婚，並嚴禁她與女兒見面。影片把原著的女性解放主題，調節為堅強女性在男尊女卑的父權社會奮力維護個人尊嚴，並借安娜妹美娜與雞農的感情發展，歌頌精誠所至金石為開的愛情。

李清、紫羅蓮演的小夫妻與小女兒居於板間房，丈夫作為一家之主反對妻子出外工作，夫婦一時齟齬致鬧離婚，在房間內架起布幔為牆。丈夫要面子，妻子要獨立，唯一能游走於牆之兩邊的只有小女兒，也就是家庭倫理的載體，後來夫妻和好亦是基於這個倫理核心。秦劍、程剛的劇本探討新舊倫理價值的矛盾，輕鬆小巧又細膩動人，是中聯刻劃五十年代都市夫婦生活的傑作。

中聯公司第一部幾乎無個好人的電影。一群死裡逃生的監犯為了黃金鬥個你死我活！「人人為錢」取代了「人人為我，我為人人」。影片在暴露金錢腐蝕人心的主題下，活靈活現刻劃出人受貪念驅動下的沉迷與瘋狂。中聯演員這次集體演壞人，有多個教人驚喜的演出。吳楚帆演陰狠的刀疤李固然一改形像；梅綺演蛇蠍美人，單是一出場那種風騷入骨便足以迷死戲內的李清和戲外的觀眾。

The Wall

Blood Money

Dir: Wong Hang Scrs: Chun Kim, Cheng Kang 1956 B&W Cantonese 101min

Dir: Chu Kea Scr: Yuen Long 1957 B&W Cantonese 107min

Films about the marital life of young couples constitute a mini-genre in 1950s Hong Kong cinema that cuts across the dialect divide. The Wall is one of the best. The film is about a school teacher and his wife, whose peaceful, loving life is on the brink of breakdown. The family strife is caused mostly by mundane happenings, which only makes their story more compelling. Director Wong Hang tells his story with touches at once incisive and sensitive, including an amusing “he said, she said” segment early in the film. The introduction of the divorce concept into the mix is also a telling sign of the times.

Blood Money is a neglected gem in the Union Film canon. It’s a genre film, part of the company’s commercial push that started around 1956. The story is set in World War II, about a collaborator officer and the group of prisoners in his charge, who gang up to steal a cache of gold from the hated Japanese. Director Chu Kea successfully blends the moral stance that characterizes Union Film with the entertainment appeal of a genre picture, offering an efficiently crafted work that laments the corruptive power of money and the destructive force of greed.

Anna Dir / Scr: Lee Sun-fung 1955 B&W Cantonese Eng Subtitles 117min

Released in the same year as Eternal Love, this is another Union Film adaptation of western literature. Anna pars down Leo Tolstoy’s voluminous Anna Karenina to the relationship between the title character and her husband and lover (a jockey!), while adding Anna’s sister (based on another character in the novel) and her suitor into the mix to form a love pentagon. Tolstoy’s courageous heroine is transformed into a traditional Chinese woman, victimized by a feudalistic order that refuses to fade away.

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25/3（五）7:00pm 香港電影資料館 FA

27/3（日）2:00pm 香港電影資料館 FA

5/4（二）2:00pm 香港電影資料館 FA

香城兇影

紫薇園的秋天

錢

導演：李鐵編劇：史舒、孟江龍主演：吳楚帆、紫羅蓮、容小意、姜中平 1958 黑白粵語 100 分鐘

導演：秦劍副導∕編劇：楚原主演：白燕、吳楚帆、張活游、容小意 1958 黑白粵語 110 分鐘

導演：吳回編劇：中聯編導委員會主演：張瑛、白燕、張活游、吳楚帆、李清 1959 黑白粵語 97 分鐘

李鐵向荷里活偵探片取經，吳楚帆的西裝乾濕褸造型，和高反差的燈光和攝影，隱隱透露了其黑色電影底蘊。由一樁銀行劫案∕命案開始，此起彼伏的是出賣和被出賣，案中有案牽連到背信棄義挾帶私逃，勾二嫂和無間道亦相繼登場，電影亦由日光日白變為黑夜潛行，慢慢揭出了人性黑暗。李鐵圓熟的處理，對影像事充滿自信的發揮，貫徹全片，前段夜總會的舞蹈，隨之而來的監視、跟蹤等場面，純影像魅力迫人。

楚原以文藝氣息濃厚的劇本，控訴封建思想的專橫。大宅「紫薇園」內，父權體制的代表，由專橫的女人充當，兒子對母親愚孝，誤了自身也誤了下一代。吳楚帆演繹自卑、垂死的兄長；黃曼梨飾守寡的二姊；弟妹（張活游、容小意）寄情歌舞玩樂，消極逃避。秦劍開始脫離寫實風格，配合劇本營造陰鬱氣氛。影片以白燕的日記為事骨幹。傷感的情調、主角的氣質、自殺的主題，已初現楚原日後作品的色彩。

中聯拍的喜劇不多，卻別樹一幟。《錢》通過一袋賊贓的不斷易手，把一個個貪財的故事串連成一部喜劇。貪心的吳楚帆和賊人李清一方面要爭奪賊贓，一方面又要裝朋友來瞞騙一起吃飯的探員，對白下下語帶相關，固然巧妙。最過癮的還是財主扮老虎嚇狗一場，入情入理地誇張瘋狂，活現甚麼叫財迷心竅。《錢》的主題統一但喜劇處境卻豐富多樣，允為五十年代其中一部最出色的喜劇。

Murderer in Town

Autumn Comes to Crape Myrtle Garden

Dir: Lee Tit Scrs: Sze Shu, Mang Kong-lung 1958 B&W Cantonese 100min

Dir: Chun Kim Scr: Chor Yuen 1958 B&W Cantonese 110min

Dir: Ng Wui Scr: The Union Screenwriters and Directors Committee 1959 B&W Cantonese 97min

Murderer in Town is a prime example of Union Film’s capacity for good genre pictures. This thriller rises above the crudity typical of Cantonese crime films with a tight script and effective direction by turns stylish and restrained. The story about a bank robbery remarkably balances between Union Film’s social convictions, Cantonese cinema’s family concerns and requisite genre appeal, from action to suspense to a song-and-dance scene of Yung Siu-yi as Carmen Miranda incarnate.

The freedom to love without familial interference is an integral part of modern Chinese pursuit for modernity and a central theme in many Union Film productions. Autumn Comes to Crape Myrtle Garden, based on a novel by popular writer Cheng Wai, is an example. The film dutifully employs the familiar estate setting, in which a family is trapped, struggling with the putrefying feudal order that rules the domain, here personified by a domineering matriarch. The result is a tale of love thwarted and lives ruined.

Money Hong Kong cinema has a tradition of using satire to portray greed and this is Union Film’s contribution to the tradition. Money, a rare comedy in the company’s roster, traces the journey of a bag of cash – the loot from a bank robbery – from one pair of rapacious hands to another, like the fate of the title weapon in Anthony Mann’s Winchester ’73 (1950). The humor switches between the witty, the absurd and the physical, offering a delicious take on human nature when men and women are confronted with the chance for unearned wealth.

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3/4（日）4:30pm 香港電影資料館 FA

4/4（一）7:30pm 香港電影資料館 FA

26/3（六）7:00pm 香港電影資料館 FA

路

人倫

我要活下去

導演∕編劇：吳回主演：吳楚帆、紫羅蓮、李清、張活游、白燕 1959 黑白粵語 120 分鐘

導演：李晨風編劇：李兆熊主演：吳楚帆、張活游、白燕、黃曼梨 1959 黑白粵語 92 分鐘

導演：李鐵編劇：馮鳳謌主演：吳楚帆、張瑛、李清、黎奔 1960 黑白粵語 91 分鐘

中聯群星牽動抗日回憶，吳楚帆當大好人司機，張活游當正直教員，白燕是淚汪汪大肚婆，石堅飾演冷血漢奸，梅綺擔綱淒慘慰安婦，紫羅蓮做熱血護士，李清當游擊隊員。一輛大貨車表面上要接載高先生到省城走馬上任，實際上有更緊要的抗敵情報資料要運送，途中貨車愈載愈多人，卒之落入日軍的虎口和槍口。生死與共，要脫離險境，還要完成不可能的任務，一切當然少不了民族大義和團結精神。

中聯七周年紀念作。姚國良 ( 張活游 ) 任由岳母嬌縱兒子小虎，繼室婉華 ( 白燕 ) 眼見小虎任性頑劣，欠缺管教，卻苦無對策。孩童昭寒常來大宅偷採茶花，婉華因而得悉憩園舊主人楊家三少爺 ( 吳楚帆 ) 的悲慘遭遇，皆因童年被溺愛，只會嫖賭飲吹，終至沉淪，悔之已晚。大家族的衰落，子孫變賣家業，楊家老爺喪禮一幕最為諷刺。原著是小虎遇溺身亡，電影換成良醒悟，好好教導兒子，把悲慘教訓改為樂觀盼望。

Road

Human Relationships

Dir / Scr: Ng Wui 1959 B&W Cantonese 120min

Dir: Lee Sun-fung Scr: Lee Sil-hong 1959 B&W Cantonese 92min

A Chinese road movie indeed, taken after John Ford’s Stagecoach (1939). Road is an action thriller, set in World War II, featuring guerilla exploits against Japanese occupation forces. Much of the story takes place inside a truck, in which a cross-section of characters is stuck, fighting among themselves and against Japanese authorities. Director and scriptwriter Ng Wui cleverly keeps the intrigue interesting while keeping with Union tradition of “all for one“ unity and “one for all” selflessness.

26/3（六）9:15pm 香港電影資料館 FA

吸血婦導演：李鐵編劇：程剛主演：白燕、張活游、黃曼梨、容小意 1962 黑白粵語 95 分鐘

白燕飾演的大少奶方慧珍在小兒子頸上吸血，被丈夫張大成（張活游）撞破，證據確鑿，嚴苛的家姑（黃曼梨）誓要逼死她。新晉編劇程剛雙重斗膽，不但將西方吸血鬼的傳說放到嶺南地區極度迷信的大宅門內，更要將忠的奸不了的白燕寫成沒有良知的吸血婦；當然，他有信心，李鐵帶表現主義味道的攝影和場面調度，會為正氣大少奶洗脫污名。除了白燕的堅忍，二少奶容小意由畏罪輕生逆轉過來，給全片帶來意想不到的效果。

The Bloody Sucker Dir: Lee Tit Scr: Cheng Kang 1962 B&W Cantonese 95min

The rally against superstition is a major precept of the May Fourth spirit, which Union Film passionately holds dear. The Bloody Sucker is loosely based on Arthur Conan Doyle’s short story The Adventure of the Sussex Vampire. Again, Union Film skillfully transposes the exploits of Sherlock Holmes onto Chinese soil, turning it into a work of Chinese gothic! Director Lee Tit successfully balances the commercial appeal of a horror film with the moral convictions that characterize Union Film. The result?One of 1962’s top ten box-office hits. 112

We Want to Live Dir: Lee Tit Scr: Fung Fung-kor 1960 B&W Cantonese 91min

It is illustrative that Union Film celebrates its 8th anniversary with We Want to Live, a thriller inspired by Italian neo-realism. The film is a rare gem that strikes a fine balance between box-office appeal and concerns for the harsh realities of life. It’s a heist film, in which four desperados – including an artist and a shoeshine boy! – robs the Jockey Club in a despaired attempt to better their livelihood. The able direction of Lee Tit and the evocative script by Fung Fung-kor make this a work at once moody, entertaining and touching.

Hong Kong Film Archive • Seminars 香港電影資料館座 • 談會

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Union Film commemorated its 7th Anniversary by going back to its beginning, celebrating the May Fourth spirit by adapting a Ba Jin novel. Human Relationships is based on Garden of Repose, a story that takes place in a mansion, where the new owners are repeating the mistakes of the previous inhabitants, spoiling rotten the family’s young child. Lee Sun-fung’s rendition makes some drastic changes to the original, concluding with a positive outlook towards the future, much like the end of Union’s Torrent Trilogy adaptation.

李鐵再展示其駕馭犯罪片的功力，馬場大劫案帶出了故事的多線發展，開首的十五分鐘，對白不出十句，全靠影像述四悍匪糾集、犯案及逃亡的整個過程，可謂先聲奪人。全片百分之九十採用外景及實景，強勁配樂、緊湊剪接、流水行雲的鏡頭運動，高潮一浪接一浪，一步步走入主角們的心理絕望境地，緊緊地烘托出人窮志短、社會不義的現實，但同時強調人性尊嚴遠比物質生活重要，善惡、生死，只在一念之間。

中聯精神 THE Union Film Spirit 日期、時間 Date & Time：16/4 ( 六 Sat) 4:30pm 主持 Host：蒲鋒 Po Fung 講者 Speakers：羅卡 Law Kar, 藍天雲 Grace Ng

中聯的類型片 THE Genre Films of Union Film 日期、時間 Date & Time：30/4 ( 六 Sat) 4:30pm 講者 Speakers：何思穎 Sam Ho, 登徒 Thomas Shin 地點 Venue：香港電影資料館電影院 Cinema, Hong Kong Film Archive 粵語主講，免費入場 Conducted in Cantonese. Free admission.

人人為我，我為人人：中聯電影（第二部份） All for One and One for All: Union Film（Part 2）放映時間表 Screening Schedule: 9/4 - 29/5 日期 Date

時間 Time

香港電影資料館電影院 Cinema, Hong Kong Film Archive

9/4 ( 六 Sat)

2:00pm

寶蓮燈 The Precious Lotus Lamp

5:00pm

寶蓮燈續集 The Precious Lotus Lamp, the Sequel 寶蓮燈三集 The Precious Lotus Lamp, Part Three

7:30pm

反建制的先鋒─桂治洪 Kuei Chih-hung, the Rebel in the System 放映時間表 Screening Schedule: 10/4 - 28/5 日期日期 Date

時間時間 Time

香港電影資料館電影院 Cinema, Hong Kong Film Archive

10/4 ( 日 Sun) 2:00pm

我要活下去 We Want to Live

5:00pm

雞鳴狗盜 Wonderful Partners

10/4 ( 日 Sun) 7:30pm 憤怒青年 The Delinquent

借新娘 A Borrowed Bride

15/4 ( 五 Fri)

奸情 Adultery

23/4 ( 六 Sat) 7:00pm 成記茶樓 The Teahouse

路 Road

1/5( 日 Sun) 4:30pm 臨村兇殺案／老爺車縱火案 The Deaf Mute Killer / Arson

16/4 ( 六 Sat) 2:00pm 7:00pm 17/4 ( 日 Sun) 2:00pm

22/4 ( 五 Fri)

5:00pm

海 Sea

7:30pm

烽火佳人 The Tormented Beauty

2:00pm

香港屋簷下 Under Hong Kong’s Roof k

4:30pm

大雷雨 Big Thunderstorm

7:30pm

家 Family

23/4 ( 六 Sat) 2:00pm 4:30pm 24/4 ( 日 Sun) 2:00pm 4:30pm 7:00pm 25/4 ( 一 Mon) 2:00pm 5:00pm 30/4 ( 六 Sat) 2:00pm

1/5 ( 日 Sun)

7/5 ( 六 Sat)

8/5 ( 日 Sun)

以上門票由 3 月 10 日起於城市電腦售票處發售

艷屍還魂記 A Beautiful Corpse Comes to Life 血紙人 The Bloody Paper-man k

桂治洪電影 The Films of Kuei Chih-hung

秋 Autumn

日期、時間 Date & Time：8/5 ( 日 Sun) 4:30pm

人倫 Human Relationships

5:00pm 2:00pm

千萬人家 A Home of a Million Gold

4:30pm

苦海明燈 A Son is Born

7:00pm

孤星血淚 An Orphan’s Tragedy

2:00pm

香城兇影 Murderer in Town

血染黃金 Blood Money

7:00pm

銀紙萬歲 Long Live Money 父母心 Parents’ Hearts

4:30pm

父與子 Story of Father and Son

7:00pm

兒女債 The More the Merrier

21/5 ( 六 Sat) 2:00pm 4:30pm 22/5 ( 日 Sun) 2:00pm 4:15pm 29/5 ( 日 Sun) 2:30pm 5:00pm

主持 Host：陳志華 Ernest Chan 講者 Speakers：甘國亮 Kam Kwok-leung、湯禎兆 Tong Ching-siu 地點 Venue: 香港電影資料館電影院 Cinema, Hong Kong Film Archive 粵語主講，免費入場 Conducted in Cantonese. Free admission. 本節目由香港國際電影節及香港電影資料館共同策劃 This programme is co-curated by the Hong Kong International Film Festival and Hong Kong Film Archive

香港電影資料館新書 Hong Kong Film Archive New Publications

錢 Money

4:30pm

7:00pm

座談會 Seminar

春 Spring

水滸傳：智取生辰綱 The Water Margin Booty Captured 西廂記 Romance at the West Chamber

4:30pm

Tickets available at URBTIX outlets from 10 Mar

富貴神仙 The Fairy

鬼屋疑雲 The House of Murders

15/5 ( 日 Sun) 2:00pm

22/5 ( 日 Sun) 7:00pm 邪完再邪 Hex after Hex 28/5 ( 六 Sat) 7:00pm 魔 The Boxer’s Omen 票價 Tickets: $30

7:00pm

14/5 ( 六 Sat) 2:00pm

7:00pm 萬人斬 Killer Constable 7:30pm 邪 Hex

毒丈夫 The Cruel Husband

危樓春曉 In the Face of Demolition

10/5 ( 二 Tue) 2:00pm

8/5 ( 日 Sun) 13/5 ( 五 Fri)

吸血婦 The Bloody Sucker

7:00pm

2/5 ( 一 Mon) 2:30pm

7:30pm 蛇殺手 The Killer Snakes

人 Humanity k 毒手 The Cruel Hand 金蘭姊妹 Sworn Sisters 紫薇園的秋天 Autumn Comes to Crape Myrtle Garden 天長地久 Eternal Love 牆 The Wall 春殘夢斷 Anna 愛 Love (Part 1) 愛 ( 續集 ) Love, the Sequel

票價 Tickets: $30

《文藝任務新聯求索》 The Mission: Sun Luen Film

$44 密切留意出版日期

「長鳳新」中的新聯影業公司，以提高粵語片水準、以電影改變社會人心為任，是香港左派文化陣線的一個據點。新聯擔負文藝和政治使命三十年，發展出獨特的形態及人事，而其作品，在政治前提下仍具成就，它的歷史不應抹滅。這本書是初步研究新聯的結集，希望歷史真實全面地傳承下去。本書將於三月發售。 The first book to focus on Sun Luen, a company that played a pivotal role in the development of post-war Hong Kong cinema. 香港電影資料館有售，有關其他銷售地點及本館各書刊，請參閱資料館網頁 www.filmarchive.gov.hk。 Available at the HKFA box office. For more information about other sales outlets and HKFA publications, please refer to its website.

以上門票由 3 月 10 日起於城市電腦售票處發售 Tickets available at URBTIX outlets from 10 Mar

查詢電話 Enquiry ﹕ (852) 2739 2139

k 免費放映，座位先到先得 Free screening. First-come-first-served.

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影片索引 Index of Films

Bachelor Mountain 光棍

Dance Town 獨舞城

Help!!! 辣手回春

Balangay 非人島

Day When the Sun Was Lost, The 太陽消失的那天

107

Hex 邪

Ballast 三角錯

Days of Evil Women, The 惡女之季節

107

Hex after Hex 邪完再邪

Belkibolang 耶加達小夜曲

107

Deaf Mute Killer, The 臨村兇殺案

Hi, Fidelity 出軌的女人

beside(s,) happiness 幸褔的旁邊

Deep in the Woods 慾望盛放的森林

Hi-So 上流社會

Beyond 哭泣的假面

106

Delinquent, The 憤怒青年

Home for Christmas 聖誕回家

Detective Dee and the Mystery of the Phantom Flame 狄仁傑之通天帝國

101

Homework 家家家課

Honey 蛋奶蜜三部曲之蜂蜜

Honey PuPu 消失打看

104

Hong Kong Academy for Performing Arts Selection 香港演藝學院學生作品選

Online Booking 網上訂票 From 26/2/2011 起

Black Venus 黑色維納斯

Bleak Night 青春夜行

www.hkiff.org.hk

111

Blood Money 血染黃金

Devil's Double, The 惡魔的替身

Bloody Sucker, The 吸血婦

Devils on the Doorstep 鬼子來了

Book of the Dead, The 死者之書

Ditch, The 夾邊溝

Boxer's Omen, The 魔

Doctor's Day Off 本日休診

104

107

Hong Kong Baptist University Selection 香港浸會大學學生作品選

Boxing Gym 拳擊會

Don't Go Breaking My Heart 單身男女

105

Hong Kong Design Institute Selection 香港知專設計學院學生作品選

105

Hong Kong Polytechnic University Selection, The 香港理工大學學生作品選

112 103

103

16 Years of ifva Animation Programme 2 ifva動畫作品十六年精選節目二：「感動」

...but Film is My Mistress 電影情婦

100

Bread and Alley, The 麵包與小巷

Drunkard, The 酒徒

102

10 on Ten 10重拾

Brother and Sister 不要哭我，阿根廷

Drunkard's Paradise 醉漢天堂

Buddha Mountain 觀音山

Easy Money 街外錢

hospitalité 歡待

22nd of May 五二二大事件

Buenos Aires Zero Degree 布宜諾斯艾利斯‧攝氏零度

Edge, The 世界盡頭的列車

Hotel Blackcat 黑貓大旅社

Aardvark 看不見的深淵

Bunraku 復仇三chok俠

Elite Squad 2 - The Enemy Within 精銳暴隊2：內鬼

How I Ended This Summer 這個夏天真太冷

ABC Africa 童心一二三

15,75

Amour Fou, L' 狂戀聖羅蘭

How Much Does Your Building Weigh, Mr. Foster? 科士打有幾堅

E-Love 伊戀

And Life Goes On... 春風吹又生

Essential Killing 極地逃殺

112

101

Human Relationships 人倫

Animal Kingdom 野獸家族

111

Anna 春殘夢斷

Another Sky 牧羊人的天空

ANPO: Art X War 反安保：藝術之戰

Anti Gas Skin 防毒面罩殺人狂

Are We Really So Far From the Madhouse? 我們離瘋人院究竟有多遠?

41 35 102

114

16 Years of ifva Animation Programme 1 ifva動畫作品十六年精選節目一：「動感」

Cameraman: The Life and Work of Jack Cardiff 攝影大師積卡迪夫

Carancho ER禿鷹

110

Eternal Love 天長地久

Human Resources Manager, The 人事經理補鑊之旅

Carlos 豺狼卡洛斯（足本）

Eternity 永恆

Humpday 忽然搭錯基

Cat in Paris, A 貓的一生

109

Family 家

I Saw the Devil 我，看見惡魔

19,102 Certified Copy 似是有緣人

Far Shore, The 遠岸戀人

I Wish I Knew 海上傳奇

Chantrapas 無歌之歌

Fat Choi Spirit 嚦咕嚦咕新年財

If I Want to Whistle, I Whistle 逆風少年越獄記

Chico and Rita 戀戀節拍夏灣拿

First Love 初戀

Illusionist, The 幻象師

Chongqing Blues 日照重慶

Fit Fit到病

Images from the Playground 樂園影像

Armadillo 子彈橫飛維和路

Christening, The 末路兄弟

102

Five 伍

Incendies 母親的告白

107

Arson 老爺車縱火案

Christmas Day, The 聖誕日

Four Times, The 四時之樂：人‧羊‧樹‧煤

Inside Job 呃錢帝國

ATTENBERG 性教育奇觀

Cirkus Columbia 瘋狂的馬戲

Fourth Portrait, The 第四張畫

109

In the Face of Demolition 危樓春曉

Aurora 破曉

105

City University of Hong Kong Selection 香港城市大學學生作品選

Frozen River 冰河劫

Jess + Moss 生煙草之味

Autobiography of Nicolae Ceausescu, The 壽西斯古自傳

101

Close-Up 大寫特寫

Good Man, A Good Day, A 好人好日

Journals of Musan, The 寡佬非人日記

109

Autumn 秋

Coffee and Cigarettes 咖啡與煙

Good Morning to the World!! 世界早安

Joyce Wieland Shorts Programme 哉絲韋蘭短片選

Autumn (Harud) 喀什米爾之秋

Come Rain Come Shine 分手又如何

Half of Oscar 半個奧斯卡

Julia's Eyes 盲女凶間

111

Autumn Comes to Crape Myrtle Garden 紫薇園的秋天

Cool It 冷眼真相

Hanoi Little Girl 河內女孩

34,83

Kaboom 砰！

Avant Garde Programme I 前衛短片選輯（一）

Cure 金不換

Happy Together 春光乍洩

Kawamoto's Shorts Programme I 川本喜八郎短片集 (一)

Avant Garde Programme II 前衛短片選輯（二）

Curling 冰上滾石

Heaven's Story 天堂物語

Kawamoto's Shorts Programme II 川本喜八郎短片集 (二)

107

Killer Constable 萬人斬

Mysteries of Lisbon 里斯本密語

Ruhr 魯爾區

Too Many Ways to be No. 1 一個字頭的誕生

106

Killer Snakes, The 蛇殺手

Nader and Simin, A Separation 伊朗式分居

Running on Karma 大隻佬

100

Traveller, The 小旅人

Kooky 小熊曲奇大冒險

Neds 格拉斯哥墮落少年

Sacrifice 趙氏孤兒

Travelling Circus 馬戲團

La Dolce Vita 露滴牡丹開

Needing You... 孤男寡女

Screaming Man, A 失魂游泳池

Trial of Andres Bonifacio, The 革命之父受難記

Last Circus, The 殺戮小丑

new world 新世界

Tuesday, After Christmas 聖誕後的星期二

Last Romance 流金歲月（修復版）

Norberto's Deadline 羅拔圖的死線

Self Referential Traverse: Zeitgeist and Engagement 超錯膠警大電影

Turin Horse, The 都靈老馬

Leap Year 性女的閏年

Nostalgia for the Light 星空塵土

Senior Year 告別校園時

Turquaze 難為愛情定分界

Life in Suitcases, A 流亡三部曲（精華版）

Oceans 洋洋大觀

Shattered 老唐頭

102

Twenty Cigarettes 二十支煙

Light Thief, The 盜光皇帝

October 十月的神蹟

Shirin 雪馨

Two Escobars, The 足球有毒

Little Ghostly Adventures of the Tofu Boy 豆富小僧（3D）

Oki's Movie 玉熙的映畫

Short Film Competition Programme I 國際短片競賽節目（一）

Unjust, The 無義之城

Littlerock 迷失小石鎮

Old Dog 老狗

Short Film Competition Programme II 國際短片競賽節目（二）

Useful Life, A 電影就在街角

Longest Nite, The 暗花

Old Donkey, The 老驢頭

Short Film Competition Programme III 國際短片競賽節目（三）

Vampire 吸血達人

Love (Part 1) 愛

Once a Gangster 飛砂風中轉

Short Film Competition Programme IV 國際短片競賽節目（四）

Viva Riva! 剛果風雲

Love Addiction 80後速愛物語

One Nation, Two Cities 一國雙城

Shrikes, The 伯勞鳥

111

Wall, The 牆

Love Letter 情書

Orion, The 天堂無路

Silent Souls 河上的幽靈

Warriors of Qiugang, The 仇崗衛士

Love, the Sequel 愛(續集)

110

Orphan's Tragedy, An 孤星血淚

Single Man 光棍兒

Waste Land 荒原藝術

Lumpinee 小泰豆打擂台

Outbound 暴走女24小時

Solitude of Prime Numbers, The 質數的孤寂

27,41

Wasted on the Young 90後殘酷物語

Machete Maidens Unleashed! 剝削電影駐菲大本營

Pack, The 妹腎探母夜叉

Special Treatment 高鐘女王

112

109

We Want to Live 我要活下去

Mad Detective 神探

110

Parents' Hearts 父母心

Spring 春

What I Love the Most 兩個攀攀的心

Madame X 妖X俠

Peace 完全和平手冊

Stool Pigeon, The 綫人

109

When Hainan Meets Teochew 當海南遇上潮州

Majority 堡童的初戀

Peace Hotel 和平飯店

Story of Father and Son 父與子

When Love Comes 當愛來的時候

Man from Nowhere, The 殺手代父

Peddler, The 全城熱拍誇啦啦

Story of the Luc Couple, The 阿力夫婦

When the Tenth Month Comes 當十月到來

Man with a Movie Camera 帶攝影機的人

Piercing I 刺痛我

Strange Case of Angelica, The 再生奇緣

100

Where is the Friend’s Home? 踏破鐵鞋無覓處

Man with No Name 無名者

Pina 翩娜（3D）

Submarine 愛情潛水

White-Eye Bird, The 小青鳥

Milocrorze - A Love Story 愛瘋三次元

Pink Saris 粉紅一姐

Sun Beaten Path, The 太陽總在左邊

Wild Field, The 荒原

Miss Nhung 絨小姐

Position Among the Stars 還看稀星點點

Surviving Life 夢中見

101

109

Wind Will Carry Us, The 風再起時

Modern People 現代人

Post Mortem 屍檔案

Sworn Sisters 金蘭姊妹

Winter Days 冬之日

Money 錢

Potiche 讓師奶飛

Tabloid 犀利姐小小報

101

Winter Vacation 寒假

More the Merrier, The 兒女債

Psychohydrography 水遊記

Taste of Cherry 櫻桃的滋味

27,34

107

Winter’s Bone 凍死骨

Morgen 明天偷渡會更好

Punished 報應

Teahouse, The 成記茶樓

Womb 是夫也是子

Mosquito Net, The 蚊帳之家

4,7

Quattro Hong Kong 2 香港四重奏II

Tears of Gaza 加薩淚

102

World Animation I 世界動畫精選（一）

Mrs. Tu Hau 四厚姐

Radish and the Carrot, The 白蘿蔔與紅蘿蔔

Ten 10

World Animation II 世界動畫精選（二）

Mummy: The Night of Counting the Years, The 木乃伊

Reason over Passion 情理大地

Tender Son - The Frankenstein Project 科學怪童

Written by 再生號

Return Ticket 到阜陽六百里

Think Global, Act Rural 自耕救地球

Wu Yen 鍾無艷

Righteousness 正義派

Three 仨

101

Year Without a Summer 無夏之年

Road 路

Through the Olive Trees 橄欖樹下的情人

Together 在一起

Yulu 語路

Zephyr 逆女西風

38 27 44 6 35 31 110 38 26 110 11 76 32 82 46 16 88 22 80 95 98 111 110 87 45 95 88

111

Murderer in Town 香城兇影

My Joy 我快樂你大鑊

My Left Eye Sees Ghosts 我左眼見到鬼

48 99 112 37

Rubber 轆地魔

115

HKFA-IFF-BF-ADV-08-OP.pdf 2011/2/9 4:14:12 PM

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Pablo Picasso

GLIMPSE TOPICS METROPOLIS LIFE [blend] [brew] [sip] [spot] [spa] [health] [nutrition] [sport] [links] ART & CULTURE [film] [music] [music] [comics] [shelf] [decor] [gallery] [exhibition] [event] MACHINES [watch news] [time] [dslr] [desktop] [cellphone] [hi-fidelity] [wheels] [yacht] FEATURE SPECIAL PEOPLE TRAVEL COLUMNS [i.t.] [books] [city flaneur] [intellectual] [global issue] [london eye] [inspiration] [japan & korea] [hong kong style] [planet] [politics in cinema] [letter] [branding] [money talkie] MICHELLE’s DIARY PICKS

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Autumn 喀什米爾之秋

A Screaming Man 失魂游泳池

Winter’s Bone 凍死骨

The Human Resources Manager

Dance Town 獨舞城

The Light Thief 盜光皇帝

Majority 堡童的初戀

Curling 冰上滾石

Return Ticket 到阜陽六百里

Bleak Night 青春夜行

Senior Year 告別校園時

Brother and Sister 不要哭我，阿根廷

人事經理補鑊之旅

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第35屆香港國際電影節 The 35th HKIFF

吉祥物皮影仔大使楊千嬅

Mascot “Puppet Kid” Ambassador Miriam Yeung 身為今年電影節的大使，楊千嬅說來她看電影節的經驗：「記得當初看電影節時，我正在當護士，那時的朋友都很喜歡看電影。電影節有很多不同類型的電影，我不是買了很多票，有時陪朋友看，有時是去識新朋友。最難忘是有次看到一部關於行為藝術的電影（《生痛病死》，22屆），主角重複做一個斬自己的動作，相當殘忍，當時想不通為何他要自殘，但身為護士，又會感受到是怎樣的痛，導演是想表達人的痛苦，很奇妙和深刻，電影節就是一個啟發自己思考的地方。」

HKIFF ambassador Miriam Yeung recalls her experience at the festival: “My first HKIFF experience dates back to the days when I was working as a nurse. Many of my friends were film buffs. The festival shows a variety of films, although I used to only watch a few. It’s a great occasion for connecting with old friends and meeting new ones. I remember watching this striking movie (Sick: The Life and Death of Bob Flanagan, Supermasochist, 22nd HKIFF) about a performance artist who keeps slashing himself. It’s so brutal that I can hardly understand the idea behind it, but as a nurse, I know what the pain must feel like. The director has come up with an expression of human suffering that’s both subtle and incisive. It’s precisely moments of inspiration like this that defines the HKIFF.”

楊千嬅為皮影仔畫上禮服。 Miriam furnishes Puppet Kid with a smart tuxedo.

設計者：許誠毅（為夢工場動畫製作的《蟻哥正傳》及《史力加》等電影擔任人物設計與動畫指導） Designer: Raman Hui (the character designer and lead animator of DreamWorks Animation’s Antz and Shrek) 許誠毅說：「我希望為電影節設計一個角色，不單可以代表電影，還應該帶有香港和中國的特色。皮影仔的靈感源自中國古代的皮影戲，擁有逾二千年的歷史。不過我希望皮影仔可以更可愛，而且更富現代感，所以我把那些特別濃厚的中式花紋都拿掉了，成了現在的皮影仔。」 Raman explains, “I am very happy to have designed this character for the Hong Kong International Film Festival. It not only symbolizes the film industry, but is also related to Chinese tradition and culture. The ‘Puppet Kid’ is inspired by the ancient shadow puppet show, which dates back over 2000 years and is a forerunner of the cinema. For today’s audiences however, I created a cute and modern ‘Puppet Kid’.”

賽馬會電影學堂提供為期三年的教育活動，由香港國際電影節協會主辦，香港賽馬會慈善信託基金捐助。活動宗旨為提高香港年輕人的電影素養，透過觀賞及理解電影，加強學生和教師的創意、獨立思考及終身學習的能力。 The Jockey Club Cine Academy (JCCA), a 3-year film education programme presented by The Hong Kong International Film Festival Society (HKIFFS) and funded by The Hong Kong Jockey Club Charities Trust, aims to foster film literacy among the youths in Hong Kong.

欲報名參加以下的活動或知道更多詳情，請瀏覽：http://jcca.hkiff.org For registration or more details on the programmes below, please check: http://jcca.hkiff.org

香港名家講座 Face to Face 香港名家講座請得本屆電影節的焦點影人韋家輝出席，分享他對電影、藝術和創意獨到的見解。各參加者均可獲贈韋家輝專題特刊一本。此項活動以粵語進行，費用全免，現已接受登記，額滿即止。日期：2011年4月4日時間：下午2時30分地點：香港文化中心大劇院 Face to Face invites Wai Ka-fai, the Filmmaker in Focus of the 35th HKIFF, to share his insights on films, art and creativity. A complimentary publication on Wai Ka-fai will also be offered to all participants. Face to Face is free of charge on a first-come-first-serve basis. It is now open for registration. Date: 4 April 2011 Time: 2:30pm Location: Hong Kong Cultural Centre Grand Theatre

電影節導賞團 Festival Tours 電影節導賞團於每年香港國際電影節期間舉行，由資深影評人、學者或電影人帶領參加者欣賞電影節的電影。於放映前作背景介紹，放映後作分析講解，探討電影的內容、形式和風格，以至其出現的社會及歷史脈絡。電影節導賞團共20組，每組約有10至15名參加者，觀賞共5場放映。電影節導賞團為免費活動，現已接受登記，額滿即止。 Guided by veteran film critics and scholars, Festival Tours is for film buffs who want to learn more about contemporary world cinema through experiencing HKIFF films. Featuring discussions on film aesthetics and cultural contexts, the Festival Tours consist of 20 groups, with each group comprising of 10-15 participants attending 5 different HKIFF screenings. Festival Tours is free of charge on a firstcome-first serve basis. It is now open for registration.

國際大師班 Master Class 透過國際大師班，參加者有機會向世界知名的導演賈樟柯取經，體驗與國際級電影人交流的難忘機會。此項活動以普通話進行，設現場即時英語及粵語傳譯。費用全免，現已接受登記，額滿即止。日期：2011年3月21日時間：下午2時30分地點：香港國際會議展覽中心會議室S221 Featuring world-class filmmaker Jia Zhangke, Master Class offers an unforgettable opportunity of a lifetime to interact with this distinguished filmmaker. The seminar will be conducted in Putonghua with simultaneous interpretation in English and Cantonese. Master Class is free of charge on a firstcome-first-serve basis. It is now open for registration. Date: 21 March 2011 Time: 2:30pm Location: HKCEC Meeting Room S221

教師工作坊 Educators Workshop 教師工作坊是香港首個專為教師而設的免費電影素養基礎課程，教授利用活動影像作為教學工具。此工作坊每年舉辦兩次，為兩組不同的教育工作者提供一個為期12節的課程，隔週六舉行。為期六個月的組別（A）已於1月開課。組別（B）將於7月至12月期間上課，現已公開接受報名! Educators Workshop is Hong Kong’s first series of workshops for educators to learn the basics of film literacy. The programme consists of 12 lectures, held twice a year for two different groups of educators. Class A is held from January – June and Class B July – December. Sessions are conducted on a bi-weekly basis. Class B is now open for application!

青年義工團 Youth Volunteer Programme 青年義工團是一個難得的機會，讓青少年為電影文化界出一分力，透過參與節目策劃、接待嘉賓、市場推廣或活動管理等相關工作，體驗各種藝術行政的實戰技巧。獲甄選的青年義工可全方位體驗及參與香港國際電影節及夏日國際電影節等多采多姿的大型國際性電影活動。有興趣者，請密切留意6月的新一輪甄選。 The Youth Volunteer Programme is a rare opportunity for the youths in Hong Kong to contribute to the arts community and to hone an extensive scope of skills ranging from programming and marketing to hospitality and event management. Apply for our programme in June if you are interested in working for Asia’s leading film events, the HKIFF and the Summer International Film Festival (SIFF).

大專學生作品展 Joint Universities Programme 大專學生作品展為香港大學生提供獨一無二的平台，讓他們的作品得以衝出校園，展示給香港國際電影節觀眾欣賞。(詳情請閱109-10頁。) Joint Universities Programme is a unique platform for student films from Hong Kong’s universities to be shown beyond their academic setting to the audiences of the annual HKIFF. (See p.109-110 for details.)

國際短片競賽 Short Film Competition 國際短片競賽透過積極的參與、互動與認可，支持和鼓勵短片創作。約20部不同類型的短片（15分鐘或以下）將被挑選入圍角逐獎項，並由電影人、影評人及策展人組成的國際評審團選出大獎及評審團獎的得主。獲選短片將於香港國際電影節期間展出。(詳情請閱12-13頁。) Short Film Competition is an international competition for aspiring filmmakers to showcase their works and to receive critical recognition. Around twenty films of various genres are selected for screening at the annual HKIFF, with each running for less than 15 minutes. A jury made up of three renowned personalities will select the winners of the Grand Prize and the Jury Prize. (See p.12-13 for details.)

主辦 Presenter

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