Animation Unlimited 超人氣動畫

KALEIDOSCOPE 五光十色

Animation Unlimited

超人氣動畫

France/Romania/Belgium 法國／羅馬尼亞／比利時 2019 | French | DCP/Online | Colour | 92min Director  Anca Damian Producer  Anca Damian, Ron Dyens, Tomas Leyers Scriptwriter  Anghel Damian Editor  Boubkar Benzabat Music  Pablo Pico Sound  Clément Badin Voice Cast  Lizzie Brocheré, Bruno Salomone Production  Aparte Film, Sacrebleu Productions, Mind Meets World Sales  Charades

Marona's Fantastic Tale L'Extraordinaire Voyage de Marona 小狗九的三宅一生

Empathy lies at the very heart of my film, and as we are in a contemporary tale, the peculiarity that I wish to bring to it is that which comes more from the dog than from human beings. Thanks to animation, we are going to be able to amplify this by playing on anthropomorphism, and thus question the notion of giving. The story thus deals, with emotion and lightness, with this anthropocentrism deeply rooted in our western culture. Between the lines, the destiny of Marona likewise questions the role of a pet – which in turn represents nature – in our modern societies, and more precisely its function within the family home. Through a story accessible to the very youngest, I wish to raise as well these questions of society. I think that under this fairy-tale packaging, it’s a film, which we need: It’s time to find once again empathy towards those around us. A dog enables us to once more appreciate the scale of human values, love, and responsibility towards those we love. The fact of being next to one another during our lives offers us a necessary reflection on the re-evaluation of our dreams, weaknesses, ambitions and limits, and even if this exchange is limited to the life expectancy of a dog which by nature is shorter than our own.

Anca Damian [導演的話]

同理心是影片重心，由於我拍的是當代故事，我希望本 片獨特之處是從狗而來，多於從人而來。幸虧是動畫， 可以透過擬人化增強這點，藉此詰問什麼是真正付出。

故事以富有感情又輕鬆活潑的手法，處理根植於西方文 化、一切以人類為中心的心態。言外之意，是借助小狗 瑪朗娜的遭遇，質疑那代表自然的寵物在現代社會所扮 演的角色。更確切地說，是探究寵物在家庭內到底起着 什麼作用。我也想藉着一個小朋友看得懂的故事，提出 這些社會問題。

在童話包裝下，這部電影是我們所需要的：是時候再次 對周圍有生之物有着同理之心。狗可使我們重新理解人 類的價值尺度、愛，以及愛的責任。既然在生活中大家 都彼此緊靠，我們就有必要重新反省，重新評估我們的 夢想、弱點、野心和限制，即使這種互相交流僅限於與 一頭天生比人類短命的小狗。

Anca DAMIAN was born in Cluj-Napoca, Romania in 1962. She received a Doctor’s degree in Film from the Academy of Theatre and Film Arts in Bucharest. Her live-action and animated features have screened at numerous festivals, including Busan, Locarno, and Karlovy Vary. 安加戴美安  1962 年生於羅馬尼亞克盧日納波卡市。畢業於布加勒斯特的戲劇及電影學 院，取得電影博士學位，曾任電影攝影師、紀錄片編導及監製。2008 年執導首部長片《交 錯約會》。導演作品曾在世界各大影展放映，包括釜山電影節、羅迦諾電影節等。 SELECTED FILMOGRAPHY 主要作品 2008 Crossing Dates 交錯約會 2011 Crulic – The Path to Beyond 兔子的日落大道 2013 A Very Unsettled Summer 夏天囉囉攣 2015 The Magic Mountain 唐吉訶德闖魔山 2019 Marona’s Fantastic Tale 小狗九的三宅一生

The Nose or the Conspiracy of Mavericks

鼻子，歌劇與史太林

Russia 俄羅斯 2020 | Russian | DCP/Online | Colour | 89min Director  Andrey Khrzhanovsky Producer  Andrey Khrzhanovsky Scriptwriter  Yury Arabov, Andrey Khrzhanovsky Cinematographer  Igor Skidan-Bosin Editor  Taissia Krugovykh, Ilya Tomashevich, Veronika Utkina Production Designer  Marina Azizyan, Alexandra Pavlova, Alexander Khramtsov, Varya Yakovleva Music  D.Shostakovitch, Rossini, Verdi Sound  Artem Fadeev Production/World Sales  SHAR Studio

The Nose or the Conspiracy of Mavericks is a sprawling but carefully controlled artistic study on the role of the artist, the audience and (as always) the nature of the oppression itself. It circumscribes the times and the rise of the Russian avant-garde scene, the Soviet Regime up to the Stalinist purges of intellectuals; it also feels like a cut-out, necessarily fragmented history of the artists who never really lived to enjoy their own fame – no wonder a big part of the film is in cut-outs, which impose a stylised, sometimes exuberant but also restrained movement. […] The Nose or the Conspiracy of Mavericks makes a plea for the artist in each one of us as rare gift to be defended from its oppressors; it portrays a meticulously constructed character stage, it uses music to its advantage, and works best as “total art” output – not downright experimental, and without the need to be radical. It is mostly atonal, and in a welcoming way.

Vassilis Kroustallis Zippy Frames [影評摘錄]

《鼻子，歌劇與史太林》看似結構龐雜，卻是小心經營 的一部藝術影片，探討藝術家的角色、觀眾的作用，以 及導演一貫關注的壓迫究竟是什麼。影片所表現的時代 覆蓋了俄國前衛藝術的興起，以及蘇聯政權的嬗變，直 至史太林清除知識分子為止；影片也像很多段剪得支離 破碎的藝術家事跡，這些人幾乎在生前都享不到應有的 盛譽──難怪片中大量出現剪紙般的圖案，由之形成的 風格化運動，時而奔放，時而克制。

影片為我們每個人心中的藝術家抱打不平，這是我們內 心一份稀有禮物，得善加保護，免遭壓迫者消滅。影片 刻劃出一個精心建構的角色舞台，充分利用了音樂的優 勢，作為「整體藝術」發揮得可謂淋漓盡致──雖非徹 頭徹尾的實驗之作，也毋須刻意顯得激進。音樂主要是 無調性，而且雅俗共賞。

Andrey KHRZHANOVSKY was born in Moscow, Russia in 1939. He graduated in 1962 from Gerasimov Institute of Cinematography (VGIK). His works are characterised by an interest in the history of Russian culture, including Once Upon a Time There Lived Kozyavin (66) and Room and a Half (08). He is also an educator, co-founding and teaching at School-Studio “SHAR”. 安德烈哥沙諾夫斯基  1939 年生於俄羅斯莫斯科，1962 年畢業於莫斯科國立 電影學院。執導的動畫作品多關於俄羅斯文化歷史，包括《從前有個科扎文》 (66)、《一個半房間》(08)等。他同時從事電影教育，創辦並任教於 SHAR 動畫 學院。 SELECTED FILMOGRAPHY 主要作品 1976 The House Built by Jack (short) 積克的房子（短片） 1985 The King’s Sandwich (short) 國王的三文治（短片） 1994 Lion with a Grey Beard (short) 灰鬍鬚獅子（短片） 2008 Room and a Half 一個半房間 2020 The Nose or the Conspiracy of Mavericks 鼻子，歌劇與史太林

Luginsky 鹿陽大暴走

日本 Japan 2020 | Japanese | DCP/Online | Colour | 63min Director  haiena Producer  haiena Scriptwriter  haiena Cinematographer  N/inco Editor  Jean-Pierre Fujii Production designer  Jean-Pierre Fujii Music  haiena Sound  haiena, Jean-Pierre Fujii Voice Cast  Otani Nobu, haiena, Mizuta Mao Cast  Yumi Production  J&H Films World Sales  PIA Film Festival

In a world where people belong to either the higher or lower, a citizen suffers from chronic hallucinations due to a motorcycle accident. He has lost his job on top of that and copes by drinking too much at various bars. At one of the places he stumbles upon, a dancehall called “The Yellow Flashback,” he drinks some bootleg liquor made from unknown ingredients, based on a recipe by a retired boxer named Luginsky. He becomes hooked on this bootleg, which exacerbates his chronic hallucinations and increasingly blurs the line between reality and illusion, causing him to experience an irrational turn of events repeatedly.

[簡介]

因電單車事故而出現慢性幻覺症狀的主角鹿男，遊走於 一個把市民劃分成「高等市民」和「平民」兩個階級的 世界。禍不單行，身為「平民」的他還失掉工作，唯有 終日流連酒吧，喝個酩酊大醉。有次偶然跑到一家名叫 「黃色走馬燈」的舞場，喝了些違禁販賣的酒。這些酒 的成分不明，按照退休拳師路堅斯基的秘方調製而成。 他喝了之後神魂顛倒，欲罷不能，不但幻覺倍增，現實 與幻想的界線也愈來愈模糊不清，一再經歷曲折離奇的 荒誕事件。

haiena was born in Tokyo, Japan in 1977. He focused on writing post-modernist literature after graduating from a music school. He currently works as a beat-maker and does physical work on a per diem basis. Luginsky won the Cinema Fan Award at the PIA Film Festival 2020. haiena 1977 年生於日本東京。音樂專科學校畢業後，專注於後現代文學創作。目前他的 工作是創作節拍音樂，同時從事日薪體力勞動。《鹿陽大暴走》在 2020 年日本 PIA 電影節 贏得影迷獎。 SELECTED FILMOGRAPHY 主要作品 2020 Luginsky 鹿陽大暴走

World Animation 世界動畫精選

Dir: Karolina Kajetanowicz Poland 波蘭 2020 DCP Colour 4min

I See the Abyss

我看見森淵

Inspired by the work of Polish poet Bolesław Le mian, a visual poem about being alive and wanting the opposite. A man walks his dog into the dark forest. Thoughts and sensations are swirling in their heads, but they are unable to communicate them. They walk together, yet are isolated. [簡介] 受波蘭詩人萊希米安一首有關 存活、渴求相反之物的視覺詩啟發，在 這部作品中，男人和他的狗步入黑暗森 林；各種想法和感覺在他們腦海中縈繞 不散，卻無法宣之於口。他們並肩而行， 卻孤獨而存。

Karolina KAJETANOWICZ was born in Wroclaw, Poland in 1993. She is a student in the animation faculty at The Polish National Film, Television and Theatre School in Łód . She also works at the small independent studio Yellow Tapir Films as an animator. 嘉露蓮娜卡耶塔諾維奇  1933 年生於波蘭弗羅茨瓦夫。她就讀波蘭羅茲國立電影電視戲劇學院動畫系，在黃貘獨立影視工作 室任動畫師。

Dir: Dmitry Geller Russian 俄羅斯 2020 DCP Colour 13min

The Mistress of the Copper Mountain

銅山女王復仇記

In the Urals, there is a special culture – mining. And, like any culture, it has its own gods. In the Urals, this is the Mistress of the Copper Mountain. She manages the underground treasures, she is the keeper of the secrets of the mining professions. But she doesn’t open them to everyone, comprehension of secrets may cost lives. Every god requires his sacrifices. [簡介] 礦業是烏拉爾山一帶的特有文 化。而和任何文化一樣，它有自己的神 祇 ─「銅山女王」。她負責保管地下 寶藏，是礦業機密的守護者，並不會與 所有人分享那些奧秘。而了解秘密的代 價，可能是付上性命，畢竟神祇們都需 要祭品。

Dmitry GELLER was born in Yekaterinburg (Sverdlovsk), Russia in 1970. He studied at the Highest Courses for Script Writers and Film Directors in Moscow. Selected filmography: Hello from Kislovodsk (01), Man Meets Woman (14), The Mistress of the Copper Mountain (20). 迪米崔蓋勒  1970 年生於俄羅斯葉卡捷琳堡（今斯維爾德洛夫斯克），曾修讀莫斯科編導高階課程（HCFDS）。導演短片有 《來自基茲洛沃茨克的問候》(01)、《男女相逢》(14)、《銅山女王復仇記》(20)。

Dir: Jean Lecointre France 法國 2020 DCP Colour 9min

À La Mode 慌失失潮兵

In a kingdom tormented by fashion crazes, a queen and her court must always keep up with the new trends. If not, an abominable monster will consume them: the Ridicule. But with the arrival of a disarmingly natural cowboy, this nation of fashion victims laughs, and a simple question arises: what if the Ridicule isn’t what we think? [簡介] 在一個受時尚詛咒的國度，那 裏的女王及其屬下必須時常緊貼潮流， 不然便會招致猛獸「嘲笑」的來襲。但 隨着一位生性自然的牛仔到來，這個備 受時尚殘害的地方都舉國開懷地笑了， 一個簡單的問題也浮現︰「嘲笑」會否 非如我們所想？

Jean LECOINTRE graduated from the Paris École Supérieure des Arts graphiques. He created his own collages for the press, publishing companies and TV, and turned to animation with Turkish Delights (03). 尚黎關特  畢業於巴黎國立高等平面設計藝術學院，後為不同報章、出版社及電視台製作拼貼作品，2003 年起投入動畫製作。

World Animation 世界動畫精選

Dir: Huang Yun-Hsien, Liao Pei-Yu 導演：黃勻弦、廖珮妤 Mandarin 國語 2020 DCP Colour 19min

Little Hilly 山川壯麗

A good vision is everyone’s want, but it is rare for a real individual, society, or country to be able to have a voice. We all yearn for our voices to be recognised and understood, and even when we are free to speak, we are not necessarily able to speak what we really want, what invisible forces prevent us from saying what is in our hearts?…

Huang Yun-Hsien, Liao Pei-Yu [導演的話] 美好願景人人嚮往，但現 實的個人、社會、國家無法發聲的情況 所在多有。尤其身為多元背景下的台灣 人對此處境應該不陌生。我們都渴望自 己的聲音被認同和被理解，但即使在可 以自由發言的狀態下也很難達成，到底 是什麼隱形的力量抑止我們說出心中的 話呢？……

HUANG Yun-Hsien was born in Changhua, Taiwan in 1982. Sian believes that the stop-motion animation and dough-crafting both emphasise on the unique hand-made spirit. Selected filmography: Where Am I Going? (18), Little Hilly (20). 黃勻弦 1982 年生於台灣彰化，她相信定格動畫及搓麵工藝，都是手工精神的體現。導演作品有《當 一個人》(18)、《山 川壯麗》(20)等。

LIAO Pei-Yu is a stop-motion animator, puppet designer and builder, and graffiti artist from Taiwan. She specialises in clay animation. 廖珮妤  是台灣偶動畫師、角色設計製偶師，並從事塗鴉創作，專研黏土動畫。

Dir: Reza Riahi France 法國 2020 DCP Colour 15min

Navozande, the Musician

瑟落天涯

My arrival in France allowed me to take a step back from my own country… I realised how much I wanted to share our history. The history of a repressed and yet still hopeful people who are trying to free themselves from political regimes or violent occupations imposed upon them…I think it is important to take a close look at the consequences it can have on a life.

Reza Riahi [導演的話] 人在法國，令我能遠距離 觀察故鄉，然後發現自己有多想分享我 們的歷史。那是一群被壓迫、但仍抱有 希望的人，孜孜不倦地嘗試擺脫政權的 掌控、或加諸他們身上的暴行。我認為 極有需要仔細審視這一切對人們生活的 影響。

Reza RIAHI was born in Tehran in 1987. He studied Fine Arts in Iran and was later professionally trained at the Ecole de la Poudrière in Bourg-Les-Valences. He was the artistic director on The Breadwinner (17), which was nominated at the Oscars. 雷扎里亞希  1987 年生於德黑蘭，受訓於法國瓦朗斯堡普狄業學院。他是《持家小木蘭》(17) 的美術指導，該片獲提名奧斯 卡最佳動畫。

Dir: Artur Hanaj Poland 波蘭 2020 DCP Colour 12min

Three Jumps to Happiness Trzy Skoki do Szcz cia 快樂三步曲

[This is] a black comedy describing one evening in the lives of several animals. A couple of turtles, a bear and a personal monkey trainer want to find their will to consciously manage their lives. The story follows the Aesopian tradition of narration by means of an animal fairy tale on the level of contemporary existential problems and attempts at understanding between the characters. [簡介]（這是一部）黑色喜劇，圍繞幾 隻動物一晚的生活展開。一對龜、一隻 熊、一隻猴子私人教練試圖重拾掌控自 己意識和意欲。故事以伊索寓言式敘述 傳統為基調，嘗試在當代存在危機的層 面上，透過動物童話故事來了解角色間 的張力。

Artur HANAJ graduated from the Film School in Łód , Poland, specialising in animated film and special effects. His works contain mostly stop-motion animation and motion design. Selected filmography: Invigilo (15), REM (17), Three Jumps to Happiness (20). 阿圖哈耐爾  畢業於波蘭羅茲電影學院，專研動畫電影及特效。他的作品多涉及定格動畫製作及動態設計。導演作品有《覺醒》 (15)、《REM》(17)、《快樂三步曲》(20)等。

World Animation for Adults 成人動畫精選

Dir: Alexandra Ramires Portugal/France 葡萄牙／法國 2020 DCP 11min Tie Elo 皮骨和合大法

Tie is a kind of parable about the ability we have to adapt to others and the world around us. With a dark environment, and bizarre characters, it’s a film with an optimistic view of the world where the power of cooperation overcomes any handicap. Interview with Alexandra Ramires The New Current [導演訪問] 影片可說是個寓言，指出 我們有能力去適應他人及周遭世界的變 化。本片在幽暗環境拍攝，充滿怪異角 色，對前景卻是一片樂觀，深信彼此合 作定可克服任何障礙。

Alexandra RAMIRES graduated from the faculty of Fine Arts at the University of Lisbon in 2010. Drop By Drop (17) is her first film, co-directed with Laura Gonçalves. Tie is her debut as a solo director. 阿歷山大萊米爾  2010 年畢業於里斯本大學藝術系，《皮骨和合大法》是她個人導演的首部動畫短片。

Dir: Sara Hirner,

Rosemary Vasquez-Brown Australia 澳洲 2020 DCP 4min

GNT

三個女人一個博出位

GNT was inspired by real conversations between young women, and the lengths we will go to, in order to validate our most vulgar curiosities and insecurities. It frames the contradictions of female friendship, through Glenn, Nikki and Tammy’s dynamic, often antagonistic co-dependency. Sara Hirner and Rosemary Vasquez-Brown [導演的話] 影片靈感來自年輕女性的真 實對話，以及我們如何花費唇舌，好證 實我們具有最庸俗的好奇心和不安感， 都是理所當然。格蓮、妮基和譚美，三 人一見面就會盡情抒發，經常針鋒相對， 其實誰也離不開誰，精闢勾勒出女性友 情的恩恩怨怨。

Sara HIRNER is an artist, 2D animator and graphic designer based in Australia. 莎拉軒娜  來自澳洲，為藝術家、2D 動畫設計師和平面設計師。

Rosemary VASQUEZ-BROWN is a 2D animator, designer and illustrator based in Australia. 羅絲瑪莉華昆斯布朗  來自澳洲，為 2D 動畫設計師、設計師和插畫家。

Dir: Park Jee-youn South Korea 南韓 2020 DCP 10min

Ghosts 失魂公寓

I try to portray the daily lives of two lovers who have lost something in life and become ghosts with experimental images and videos.

Park Jee-youn [導演的話] 我想用實驗性的影像和錄 像，刻劃一對愛侶的日常生活，他們的 生命已失去寄託，變成鬼魂。

PARK Jee-youn was born in GyeongNam, South Korea in 1974. She graduated from Jinju Health College of Health Administration, and now works as the Art Director of Studio “Nowornever”. Selected filmography: Instant Memory (05), Skin and Mind (18), Ghosts (20). 朴志緣  1974 年生於南韓慶尚南道，畢業於晉州保健大學，現為 Nowornever 工作室藝術總監。導演作品有《即時記憶》(05)、 《皮與腦》(18)、《失魂公寓》(20)等。

World Animation for Adults 成人動畫精選

©NFB and Beryl Productions International

Dir: Joanna Quinn, Les Mills UK/ Canada 英國／加拿大 2021 DCP 16min

Affairs of the Art

愛癲事家庭

Beryl started as a very one-dimensional character in a comic strip I did at college. […] Audiences seemed to really like the character, and she enabled us to say things about women and society because she’s a typical, normally invisible middle-aged woman. Interview with Joanna Quinn and Les Mills [導演訪問] Beryl 最初是我在大學創作 的漫畫當中一個直腸直肚的角色。後來 觀眾似乎真的很喜歡這角色，她的遭遇 可以讓我們道出女性和社會的一些問 題，因為她是那種典型的、通常在電影 看不見的中年婦女。

Joanna QUINN was born in Birmingham, England. She studied in Graphic Design at Middlesex University, it was there that she adapted her drawing abilities to produce animated films. Selected filmography: Girls Night Out (87), Wife of Bath (98), Affairs of the Art (21). 祖安娜昆  生於英國伯明翰。她在密德薩斯大學攻讀平面設計，期間製作動畫。導演作品有《女孩夜生活》(87)、《浴池之妻》 (98)、《愛癲事家庭》(21) 等。

Les MILLS was born in Cardiff, Wales. He worked as the Course Director in Film and Animation Production at the Film School of the University of Wales, Newport. Selected filmography: Girls Night Out (87), Wife of Bath (98), Affairs of the Art (21). 歷士米斯  生於威爾士首都卡迪夫。他曾在紐波特的威爾士大學電影學院擔任電影暨動畫製作課程主任。導演作品有《女孩夜 生活》(87)、《浴池之妻》(98)、《愛癲事家庭》(21) 等 。

Dir: Hara Shoko Germany 德國 2020 DCP 15min

Just a Guy

男人啫

There are a lot of movies and documentaries about Richard Ramirez. […] None of those stories are about love. The sweet tenderness of love – and the harsh reality of a condemned rapist and serial killer. Is love a feeling so strong that it will conquer and overcome even the worst of us? [簡介] 八十年代美國加州夜行殺手李 察拉米雷斯的事跡，已被拍成很多電影 和紀錄片。但沒有一個是關於愛情的故 事，可以道出那甜蜜溫柔的愛情，還有 這個被判刑的強姦犯兼連環殺手的殘酷 現實。愛是否一種強烈感情，強烈得可 以征服並戰勝我們當中最壞的一個人？

HARA Shoko was born in Okayama, Japan in 1988. Currently she is teaching Motion Graphics at the Duale Hochschule Baden-Württemberg Ravensburg. Selected filmography: Abita (12), What They Believe (16), Just a Guy (20). 原彰子  1988 年生於日本岡山市。目前她在德國巴登符騰堡大學拉芬斯堡分校講授動態圖像設計。導演作品有《福島少女阿 碧泰》(12)、《他們的信念》(16)、《男人啫》(20) 等。

Dir: Joder von Rotz Switzerland 瑞士 2020 DCP 8min

Little Miss Fate

命運小姐鳥

I have created a character who tries to explore destiny. […] When trying to influence the world, Little Miss Fate is surprised by the complexity of the system and her belief in self-determined destiny is questioned. Joder von Rotz [導演的話] 我創造了一個嘗試探索命運 的角色。命運小姐正要設法影響世界時， 驚覺世界的體系極之複雜，雖然一貫相 信命運由人自決，心中也興起疑問。

Joder von ROTZ was born in Kerns, Switzerland in 1987. Apprenticeship as structural draftsman. Little Miss Fate is his solo directorial debut. Selected filmography: Bier im Tier (co-dir, 12), M.T.E.O.D. (co-dir, 19), Little Miss Fate (20). 祖達馮羅斯  1987 年生於瑞士克恩斯。受過結構繪圖的學徒訓練。《命運小姐鳥》是他首部獨立執導的短片。導演作品有《動 物之啤酒》(合導，12)、《M.T.E.O.D》(合導，19)、《命運小姐鳥》(20) 等。