BEING
JUNE 2015 MUSIC FOR GOOD
AS AN
OCEAN Building through the struggle of love
BETWEEN THE BURIED AND ME Entering the Long Sleep
IWRESTLEDABEARONCE Hailing Heavy
THE ONGOING CONCEPT Starting from Scratch
MEWITHOUTYOU Writing in Character
HMMAGAZINE.COM VOLUME XXX NO. CXCI S INCE 1985 CELEBRATING 30 YEARS
The Used Sleepwave Make Them Suffer Incite The Whosoevers ‘Scary Close’ Brandon Rage
O
OPENING STATEMENTS
Photo by Brooke Long
6
HM • JUNE 2015
TABLE OF CONTENTS
LETTER FROM THE EDITOR 10
BRANDON RAGE BY DAVID STAGG
12
HM LIVE: SLEEPWAVE PHOTOS BY BROOKE LONG
20
DIGITAL TOUR BUS: SEASON ESSENTIALS BY JOSH WEIDLING
26
IN BRIEF: VICTORIAN HALLS BY MADELINE ROWE
30
COLUMNS
MATT FRANCIS 32 CAM SMITH 34
HM LIVE: THE USED PHOTOS BY BROOKE LONG
36
BOOKS: SCARY CLOSE BY DOUG VAN PELT
44
MOVIES: W3SIXTY5 BY JAMESON KETCHUM AND DAVID STAGG
46
7
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OPENING STATEMENTS
THE ONGOING CONCEPT When you think D.I.Y., you probably go more HGTV than MTV. The Idahoans in The Ongoing Concept might have something to say about that
BY JORDAN GONZALEZ
p. 48
MEWITHOUTYOU MewithoutYou vocalist Aaron Weiss started the band as a side project, but as it started to define a genre, Weiss found himself as defined and surefooted as ever. But with age and experience, his reflection is finding it’s not always so cut-and-dried
BY SEAN HUNCHERICK
p. 56
BETWEEN THE BURIED AND ME On their latest, an epic new concept album called Coma Ecliptic, the band is finding a new home in the long sleep
BY COLLIN SIMULA
p. 62
IWRESTLEDABEARONCE On the band’s heaviest album yet, iwrestledabearonce proves they can get as low as the best of them. We find out from vocalist Courtney LaPlante what led to the band chugging it down a notch
BY DAVID STAGG
p. 68
8
HM • JUNE 2015
On the band’s newest album, frontman Joel Quartuccio is learning how to bare his soul
BY SARAH DOS SANTOS
p. 80
Photo by Corinne Alexandra
BEING AS AN OCEAN
9
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OPENING STATEMENTS
Summer Lovin’ The only thing that makes us do crazier things than love is a summer festival I was never much for school, so I always looked forward to summer. Not only did summer mean no school, but it also meant two or three big time rock shows were coming to town. When I wasn’t in trouble or playing sports (to stay out of trouble), I loved being wide-eyed at the sheer wealth of bands at the shows. There were all of my favorites, but every smaller stage also offered the casual passerby the opportunity to listen to a new band. Just walking around in the summer Houston heat could kill a man, but finding a sound and a lyricism you connected with was more than EDITOR IN CHIEF
worth it.
DAVID STAGG
The festivals make us do crazy things. The biggest bands all end up on the same bills, and — when you’re an able young man or woman — you willingly stand all day among sweaty, sunblock-and-grease-exuding bodies, baking for
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COLLIN SIMULA
BROOKE LONG
NATHAN KEY
the love of live music. You spend $8 on bottled water; you eat $10 burgers. I’m older now and way more inclined to
CONTRIBUTING WRITERS
SARAH DOS SANTOS, JORDAN
watch from the shade, but I still love watching the unadul-
GONZALEZ, SEAN HUNCHERICK,
terated joy fans shower on their favorite artists despite
JAMESON KETCHUM, BEN RICKABY,
sickening weather conditions. The scope of festivals has changed; in another age, it
DOUG VAN PELT COLUMNISTS
MATT FRANCIS, CAM SMITH
was the only way you could see your favorite musicians. But with a new collective conscious in social media and the ever-present cell phone, they’ve become so much more.
DIGITAL TOUR BUS COVER PHOTO
JOSH WEIDLING CORINNE ALEXANDRA
The connectivity has allowed for niche festivals to flourish, finding new markets, new bands and allowing publicity from the attendees to drive interest. Festival season also has one other major benefit: sales.
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As touring is the primary revenue-generator for bands with 200 fans as it is for 2,000,000 fans, it’s a wonderful time for listeners to go support their favorite bands along the way. I’ve talked to festival-goers over the years, and there’s still the same sentiment: save up your cash, hit up a festival with a number of your favorite bands and buy a shirt from every one. For a smaller touring band, that can mean the difference between abandoning a tour and having enough
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money to make it to the next city. As we enter the season, I may not be able to be in front anymore, but God bless those of you that can. Enjoy the heat and stay hydrated. And don’t forget to grab some merch.
HM MAGAZINE (ISSN 1066-6923) ALL CONTENTS COPYRIGHT 2015 EXCEPT WHERE OTHERWISE NOTED. HM CONTENTS MAY NOT BE REPRODUCED IN ANY MANNER,
DAVID STAGG, EDITOR IN CHIEF DSTAGG@HMMAGAZINE.COM 10
HM • JUNE 2015
EITHER WHOLE OR IN PART, WITHOUT PRIOR PERMISSION. HM IS DEPENDENTLY OWNED AND OPERATED: PSALM 62
J
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BRANDON RAGE
HM • JUNE 2015
CLEAR THINK ING
He left a highly-coveted spot drumming for Motionless in White, left for dead, powerless to alcohol. What followed was an incredible series of events that caused Brandon Rage to see success in a completely different light BY DAVID STAGG PHOTOS BY BROOKE LONG
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BRANDON RAGE
“ T H E O N LY PLAN B IS TO REGROUP FOR PLAN A. That’s one of the things he says. It’s encouragement for the broken from Brandon Richter, commonly known by his “drummer name” Brandon Rage. Drinking since he was playing in clubs with bands at 14 years old, he couldn’t shake his addiction for more than seven years. Eventually, he was downing hard booze everyday and couldn’t physically handle being in Motionless in White anymore. His childhood dream of becoming the world’s biggest drummer looked bleak. He found himself dehydrated and weak, barely able to find change to get a Gatorade, barely able to walk to get it if he did. One day, he had had enough. He pleaded and found his inner peace — and his outer voice got louder and louder. 14
HM • JUNE 2015
I met him through Brooke Long, Director of Photography for this magazine. She met Richter while shooting his new band, A Skylit Drive, on location in Baltimore. It was a band he never planned on joining, having met vocalist Michael Jagmin on the tour circuit but connecting through a mutual love for fitness. The resuccetation of Richter’s life not only led him back into music, but gave him a higher purpose, one in which fame or industry success takes a back seat to helping others the same way he was helped. Editor David Stagg spoke with Richter to find out more about his new philosophy on life, one that’s given him new vigor and zest, how God fits into that picture and what a future of hope instead of death looks like.
Yeah, totally. Basically, I was in rehearsals for this
know or will be reading
you were talking about
to people.
getting sober, you implied
upcoming tour (that I’m
When I started to get a
actually on right now). I was
little older, I went through
return. Can you elabo-
talking to Kyle (Simmons)
the basic teenage things,
rate on what you mean?
— who is the bass player for
like experiences with alco-
In those dark moments, it
A Skylit Drive — hanging
hol and certain drugs, in
sounds like you’re talking
in his room. How I work,
high school and late middle
to someone. Was that a
sometimes, I just go off
school. I was still playing
commitment to yourself,
into telling people my story
drums, and, after a time, I
was it a commitment to
without even asking them.
was actually getting really
the universe?
It just kind of happens, and
good, playing with guys a
I get into this zone where I
lot older than I was.
getting
something
in
At the time, I was 21, I was living in an apartment
get really excited to share it.
I didn’t realize I was
my mom had owned —
I think it’s such a powerful
going to run into trouble
she was never really there
thing, such a powerful tool
with
I
— and, at the time, I had
most people don’t under-
mean, I was just doing what
been drinking for weeks
stand or use themselves.
everyone did. It was not
and weeks and weeks and
(Just before the video), I
a good thing for me, but I
weeks, all day. Hard booze.
was telling Kyle everything
continued to do it up until I
I was really, really sick. I
I (ended up) saying in the
was 21, and during the later
didn’t have much in the
video and explaining the
years — from when I was
house, no food, I wasn’t
steps of how I got to where I
like 19, 20, 21 — I wasn’t
eating, there weren’t any
was, being in the band with
really doing too much with
waters in there. I remember
him. It got really deep, and
my drumming. That was
I woke up really early in
he was really paying atten-
the first time in my life that
the morning, like 4 a.m.,
tion. ... I had never really
I didn’t really pursue my
and walked to Walmart to
explained the story to any-
dream, and I got lost away
get a Gatorade, and I had
body. That was a brand new
from the dream — there’s
to find change in the house
YouTube channel, and it’s
just no way I would have
just to get the Gatorade. I
definitely one of the high-
been able to do it in the con-
was so dehydrated. I felt
est viewed videos on there.
dition I was in, being so sick
like sh-t. Man, it was just a
It was a really good thing
with alcohol all the time.
bad, bad scary feeling to be
for me to be in the zone and
Once I hit 21 the addiction
in that situation, and I felt
on camera with that kind of
with alcohol got really bad
so bad for myself, in a way,
vibe behind it.
because I was finally legal.
because I allowed myself to
That’s when things went
get that way.
We’ll For the people that don’t
was. That’s what I exuded
get
into
alcohol
because,
that
downhill. I came to a cross-
The day I finally decided
story, but take me back to
roads, got hit with some
to stop, I was trying to drink
a little bit before.
big reality, and I made the
away a freaking month long
about you for the first time,
My dad started me when
decision to quit. But for the
hangover just to get to a
it’s YouTube videos that
I was really young. It just
sacrifice I was making —
normal state of mind. Like
you made after a show one
stuck with me. Then, as I
quitting drinking, which
most alcoholics, you drink
night after talking to some
grew up, everybody knew
was really hard for me — I
to feel better. I just wasn’t
fans that got us together
me
drummer.
wanted what I worked so
feeling better. The more I
on the phone. In the video,
Everyone was so stoked on
hard for to finally start
drank, the more sick I felt
you never really say what
it, and it’s like I had this
rolling. Then, when I made
on that day. That’s the day
you talked about with the
energy to affect people, and
the sacrifice and I actually
I actually said, “Okay, this
fans or what happened
they knew I was going to
stopped, that’s when things
is it.”
that incited an uncontrol-
be exactly who I said I was
completely shifted and all
What you were saying
lable force to post the vid-
going to be. Even complete
the doors started opening
was when I asked, okay, if
eos. Can we start there?
strangers would approach
for me.
I decide to get rid of this
Because I think that’d give
me after watching me play
a good background as to
— people knew that I was
I want to touch on some
in return. That deal was
why we’re even talking
going to be who I want-
of the things you specifi-
with the force of… some
right now to begin with.
ed to be. That’s just who I
cally said in there. When
could call it the universe,
as
the
bad habit, I want something
15
J
BRANDON RAGE
some could call it God, the
and one of the most pow-
never reach their potential.
what did I do? I made a 20
Creator. It was with whom-
erful things I’ve ever expe-
It’s all about your thoughts
minute video on what anxi-
ever created me and whom-
rienced in my life. ... It’s
and what you want. I mean,
ety is and how I overcame it.
ever was in charge; it was
the closest thing you can
you can really achieve any-
I made a video on paths you
the person I’ve always had a
get to not being a human
thing just by wanting it so
can take and how you can
connection with. Maybe it’s
with flesh. It’s something
bad and getting excited
go down the path of alcohol
the universe. I do believe in
completely surreal, but it’s
about it and knowing you’re
and partying and live that
God, and it was with that
reality. I say this a lot. My
on the right path.
life, or you can really tap
person. I said, “You see me
reality is most people’s fan-
struggling, you see me suf-
tasy, because most people
fering. You put me here for
aren’t really connected with
repeat back the way I
a purpose.” I knew what
what reality really is.
understand it. It’s like you
going
to
try
to
sober and be powerful. Use your resources.
want people to come with
When you talk to peo-
was a child, and this thing’s
Do you believe there’s a
you on your journey, but if
ple in your travels, what
really got a hold of me,
reward in that separation,
you say, “Hey, I want to go
do you hear is the big-
so if I quit this and I stop
that once you start to get
out and get what I want,”
gest fear that they have to
this bad habit, then I want
closer to the universe, as
it sounds like you’re self-
overcome?
what I’ve worked so hard
you call it, to understand-
ish, just, like, “Well don’t
The biggest thing for
for. Then I made the deci-
ing the supernatural, that
you care about other peo-
people is believing they
sion and I stopped. I laid in
it gives you an advantage
ple?”
can do something they
bed for a few days and, in
over those that don’t?
that purpose was when I
I feel like fear is a huge
want to do. We all come
don’t
thing with this kind of thing,
from very broken child-
that, when I finally started
think it’s an advantage, I
and people don’t understand
hoods. I mean, 95 percent
becoming my normal self
think it’s a privilege. I think
how easy it really is. I watch
of us come from divorced
again a couple weeks later,
everybody has to figure it
Will Smith documentaries
parents or alcoholic par-
I started seeing my angel
out for themselves. I’ve
and Jim Carrey almost every
ents or parents with drug
numbers, which I still see
always said I want to be
single day, and Jim Carrey
problems, so when we’re
today. It’s really crazy how
the biggest drummer in the
and Will Smith say some-
kids, we’re not really get-
numbers show up so unex-
world not to be famous but
thing so cool: Everyone is
ting the things we need
pectedly, but now it’s so real
to share my story with peo-
so fearful to go after what
to be these healthy adults
to me and it’s so apparent.
ple, to share my reality with
they want or simply just ask
with healthy self-esteems.
Because, as humans, we
people, how I can spread the
for what they want because
We
can’t see an angel saying,
knowledge of what’s really
they’re just too afraid. They
to our adulthood, and it
“Hey, you’re on the right
going on here on earth with
don’t believe they can do
affects us as adults and we
path.”
others. I was born with this
these things (or that) they
can’t make healthy deci-
mind and I knew I was born
don’t believe they deserve
sions because our emo-
What are angel numbers?
for big things, great things.
these things.
tions are so out of control.
Well, I just found out
I just didn’t realize the scale
I do this for everybody,
I think that’s what every-
myself. It’s kind of a new
of it until really just this
that’s always been my main
one struggles with, really,
thing for me, but, basically,
last year, six months. Even
goal. I want this to be for
not just kids.
angel numbers are a super-
when I was in Motionless in
people like some of the peo-
I try to do what I can for
natural way that the uni-
White, I kind of had a feel-
ple that I look up to have
people in person, but that’s
verse and creation is com-
ing I knew all these things,
done it for me. It’s all about
why I usually make the vid-
municating with you to let
but it was never as powerful
sharing, and this is a big
eos when I feel really strong
you know you’re doing the
and as strong as it is now.
world. This isn’t just me
about something. I’ll post
a way, detoxed. Then after
16
into what you want to do. Be I’m
Yeah,
totally.
I
bring
that
baggage
right thing and that you’re
I definitely think it’s a
trying to steal everyone’s
it all over my social media
on the right path. It’s a
privilege to be where I am
dream. Everyone has their
so whomever wants to can
really easy thing to look for,
at. Life is supposed to be
choice, but my main goal has
watch it, if they’ll allow me
and it’s basically just com-
something that’s so awe-
always been to help people.
to share what I know with
municating with something
some, and we’re supposed
In Motionless in White, I
that can’t be seen. When
to get what we want. I feel
started branching out, and
you truly tap into it, and
like most people feel like
I had some fear and anxiety
When I hear you speak
you believe it and see it for
we’re not supposed to get
and I overcame that, even
about your interactions at
what it is, it’s really one of
what we want out of life,
though I deal with it every-
shows, it reminds me of
the most amazing things I
like life is supposed to be
day. I know millions of peo-
how, in the Bible, it says
think I’ve ever experienced
negative. Therefore, they
ple struggle with anxiety so
we’re not all called to do
HM • JUNE 2015
them.
“LIFE IS SUPPOSED TO BE SOMETHING THAT’S SO AWESOME, AND WE’RE SUPPOSED TO GET WHAT WE WA N T. I F E E L LIKE MOST PEOPLE FEEL LIKE WE’RE NOT SUPPOSED TO GET WHAT WE WANT OUT OF LIFE, LIKE LIFE IS SUPPOSED TO BE NEGATIVE.
J
BRANDON RAGE
the same thing. Some are
I was a child. I have put a
so many great chapters in
hands, some are feet, some
lot of time into this and
my story, all so vital, so
are arms, some are legs.
there is a lot of thought
important. It’s almost like
Whereas you don’t get to
and effort behind it. But
it was all part of the plan.
spend in-depth time with
for other people, they need
You’re going to be an alco-
every person you meet,
to know what they want to
holic. You’re going to be that
but if you can be a light or
do. They have to believe in
and you’re going to tell peo-
an inspiration in the time
what they want to do. They
ple about it because every-
you get with them, it could
need to be good at it.
body struggles with that.
have been your job to move
Once you find what your
them through to that next
life purpose is, you have to
moment. Do you believe in
get rid of all your bad habits
that?
You can’t give it up.
I n de pe n de n t
Do you believe there
you negatively. You have to
was a plan, that there is
every day because of the way
be able to let go of those.
a plan?
people have responded to
You have to think pow-
Absolutely. Yeah. I mean,
what I do. I definitely think
erfully. A great tool I use
there is definitely a plan
I have something about me
almost every day is music. I
that was written. My buddy
to where I can affect people,
use it to meditate, and I put
Paul, the treadmill guy, he
because not everyone can
my body and my mind in a
tells me all the time that
just go talk to people and
certain state that’s in align-
your story has been writ-
affect them. ... I’m building
ment with the universe and
ten.
slowly but surely. There’s
my ultimate purpose.
were on the phone talking
Most
recently,
we
a good chance this is part
I ask for what I want
about powerful signs and
of my purpose here, along
every day. I write it down
the car right in front of
with music. I feel like it’s
on paper and I store it away.
me said “Rage” on it. It’s
getting stronger and I’m
I believe I’m going to be
like a Mitsubishi, a cer-
getting more recognition,
what I’m going to be, and I
tain type of car, but some
which is really cool to see
don’t take no for an answer.
of the numbers and letters
and I’m really happy.
I use this energy and this
fell off the model of the
For my immediate future,
power pulling me to believe
car, and all that was left
I mean, obviously, trust is
I’m going to be this person.
was “Rage.” It’s these little
like one of the main things
Then things happen.
things that guide you. I had to stop drinking, otherwise
don’t know what’s going
What changes did you
I wouldn’t be where I am. I
to happen. All I can do is
make to react differently
mean, I could drink it all off
believe it’s going to happen
for the tough moments?
and I probably would die.
and have faith in it. Leave
I think I have the same
the rest to what’s guiding
problem most people have.
me. Leave the rest to the
We think the drinking itself
universe and the one who
is success because, when
Oh yeah. We all have
created me. I’ll do my part.
you’re drinking and when
choices. We have a choice.
They’ll do theirs.
you’re drunk, nothing mat-
I can’t tell you how many
ters on that high. That’s
friends I have lost from not
why people would rather use
drinking — because they
Do you believe you had a choice in all of this?
term
infrastructure?
drugs and alcohol as success
weren’t really my friends.
Living
day-to-day
is
because they feel amazing
You know what I mean? I
completely different than
without the true success
watched
all
what you have to do to win
(underneath). You can buy
change
simple
in the long run.
success. You can buy the best
I
feeling in the world.
I wasn’t going to the bar.
I think the first step is to
18
BY BRANDON RICHTER
and your vices that affect
What about your long-
changed
my my
friends because lifestyle.
start thinking about what
Not everybody can do it.
You know, I just changed
you want to do with your
Everyone is so afraid to stop
my life. I wanted success. I
life. (You have to) really
doing it. When you do it,
want to go where I want to
believe in your purpose.
you choose the outcome.
go. I didn’t want to be stuck
I’ve been doing this since
That was huge for me. I did
anymore.
HM • JUNE 2015
Tattooed Been Through and Called for Purpose
No one can stop drinking.
I believe it more and more
I would say because you
THE 100-WORD BOOK REVIEW
The book’s subtitle, “Helping Men and Women of the New Generation Find Their Purpose in Life,” is quite a mouthful, somewhat representative of the whole book. He dedicates it to the “lost souls in need of something more,” seemingly written for both the reader and the author. Throughout the 15 chapters, Richter scatters light-hearted stories of memories and mistakes with flashes of dos and don’ts he believes can guide the audience to purpose. Readers should take this book with a grain of salt; he does provide some guidelines for finding a purpose, but any actual help is lost in choppy chapters. — MADELINE ROWE
“I THINK I HAVE THE SAME PROBLEM MOST PEOPLE HAVE. WE THINK THE DRINKING ITSELF IS SUCCESS BECAUSE, WHEN YOU’RE DRINKING AND WHEN YOU’RE DRUNK, NOTHING MAT TERS ON THAT HIGH. 19
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LIVE AT WEBSTER HALL NEW YORK, NEW YORK PHOTOS BY BROOKE LONG
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DIGITALTOURBUS.COM
Touring year-round can be complete turmoil if you’re not properly prepared for the hot and cold — literally. This month, road doggers share their tips on handling any condition TOURED UP BY JOSH WEIDLING
Joshua Weidling is the Founder and C.E.O of Digital Tour Bus, an online entertainment venture he started in his early 20s. Every month, he finds out more about what it’s like to make a living making music.
INCITE FB.COM/INCITEBAND @INCITEBAND WINTER The most important things I bring for winter would be my long johns and my beanie cap. I won’t leave home without them. I’ve worn the same pairs forever — I hate new clothes! I prefer old, beat-up stuff; it’s always better and more comfortable. But come summer, they’re useless. You try wearing those in the summer. You would melt The summer tour is always hot and the fewer clothes the better, especially living in Arizona.
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HM • JUNE 2015
SUMMER Something I use for summer tours is my skateboard, obviously the skateboard would suck in the snow. On tour, a skateboard helps so much to get around the cities and do some sight-seeing, plus it’s great exercise. In the winter, you’re basically trapped in the venues.
Photo, lower right, by Andrew Garza
Seasoned Veterans
MAKE THEM SUFFER FB.COM/MAKETHEMSUFFERAU @MTSTWEETS
WINTER “A Magic the Gathering card deck and collection is extremely useful for touring in winter, especially when you’re greasy and pimply from eating service station bratwursts. It makes you feel right at home when you’re in a sprinter van with no windows, summoning creatures in the dark.”
SHATTERED SUN FB.COM/SHATTEREDSUNBAND @SHATTEREDSUN
WINTER I can say it’s completely necessary to bring a jacket, thick blanket, socks and long sleeve shirts to sleep in. The vehicle you’re traveling or even sleeping in will get very cold overnight, especially at the floor of the van. My feet get cold easily, so I like to keep socks on a lot of the time. The blanket is a no-brainer; you need to cover yourself from the elements. The jacket is also a no-brainer, (but) not a thinly knit jacket you wear when it’s chilly. I mean something that will keep you warm outside for a good amount of time. You’re going to be in and out of various places and the last thing you need holding you back from what you need to do is a sh-tty jacket not keeping you warm. SUMMER The equivalent of this would be doing the opposite, keeping cool. Loose fitting clothes that breathe easily, sandals, a thin blanket (a sheet will work just as well) and avoid wearing long sleeves and pants (only for stage clothes purpose). It’s imperative you don’t overheat yourself, especially if you’re doing a summer tour full of festivals. You’re going to be outside at least 85 percent of the time.
SUMMER “Unfortunately, Magic the Gathering is completely useless in the summer, as you will have no neckbeard to accompany your dark sorcery. No, the sun is out and shining and it’s time to make friends. A great and sociable activity for the van in summer is a gaming console, such as an Xbox, accompanied by popular games like Call of Duty or FIFA, so all the filthy casuals can play, too. Every time we tour Australia, in Melbourne, we play a FIFA tournament at our guitarist Monty’s house. I believe Nick won the tournament last year. All the members of MTS love that game and play it relentlessly, but to what end? I’ve lost all interest in the band’s attempts at the game after watching Chris be taken down by C.J. from Thy Art is Murder, bringing both dishonor to his team, Arsenal and the rest of us here in Make Them Suffer. Shame on you, Chris. I award you no points, and may God have mercy on your soul.”
— SEAN HARMANIS 27
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DIGITALTOURBUS.COM
KNUCKLE PUCK FB.COM/KNUCKLEPUCKIL @KNUCKLEPUCKIL WINTER “An essential winter touring item that every person needs I cannot stress enough is a good pair of winter boots. There hasn’t been a winter tour we’ve done where I haven’t had some type of boot with me. Loading in through the snow is a real pain if you’re wearing Vans or Nikes. I highly, highly suggest getting a pair of L.L. Bean boots. They keep your feet dry, warm and no snow or rain or any type of water can get inside the boot because the tongue is actually connected to the rest of the boot. Last November, we played in Cleveland and it legitimately snowed, like, 6-8 inches that day. Having my boots truly made a difference with loading in and loading out.” SUMMER “You don’t really need boots for summer touring, mainly because you don’t have to truck it through thick snow and whatnot. For summer time, the equivalent of a pair of boots would probably be some type of waterproof windbreaker. When it’s pouring outside in the summer, simply wearing a hoodie doesn’t cut it. You need something that will keep you dry and comfortable. I highly, highly suggest picking up a Patagonia or Northface windbreaker. Those work really well.”
— KEVIN MAIDA 28
HM • JUNE 2015
BROADSIDE FB.COM/BROADSIDEVA @BROADSIDEVA WINTER “The first thing that came to my mind that is useful for winter tours but pointless for summer tours are socks or feet warmers. I am someone who normally does not wear socks, but I learned very quickly on our first winter tour they are a necessity. In the summer time, it’s hot enough as is, and, usually, socks can get lost very easily in the dark abyss that is a touring van.” SUMMER “For the summer, this thing called the Solar Shower is super useful. It’s a bag you fill up with water and let the sun warm it up. You can hang it on anything, and it has a spout as a shower head. Baby powder is another necessity for summer that’s not really needed for a winter tour. It is great for keeping areas fresh and dry. Being that I do not wear socks, being on tour without baby powder can get pretty nasty for anyone in the van and I learned that lesson on one of our first tours. Now I never leave home without it!”
— ANDREW DUNTON
IN BRIEF
BY MADELINE ROWE PHOTO BY STEVEN FADELLIN
VICTORIAN HALLS GENRE THEATRICAL
ROCK LOCATION CHICAGO, IL
“IF YOU THINK YOU CAN DO BETTER, YOU PROBABLY CAN. AND I THINK WE DID.” — VICTORIAN HALLS VOCALIST SEAN LENART
HOW DID YOU GUYS COME TO BE
try listening with fresh ears.
YOUR AUDIENCE?
your creativity, you also need
VICTORIAN HALLS?
The biggest difference is there
We’re certainly not trying to
a certain level of authentic-
It feels like a great moniker
was a real focus on the song.
be melodramatic or anything.
ity. I think we collectively
for an art piece. Maybe that’s a
We knew we would represent
It just felt all-encompassing.
learned how much work really
grandiose way of putting it...
it differently track by track —
To me, the sound of the word
goes into a record the first
which was also intentional —
and the meaning of the word,
time around, and how the lit-
WHEN LISTENING TO THE ALBUM,
but we wanted to make sure its
feel contradictory.
tle, seemingly insignificant
I GOT SOME PANIC! AT THE DISCO
roots were strong: melody and
FROM A FEW OF THE TRACKS. WAS
lyrics. We also rewrote half-
WITH HYPERALGESIA BEING YOUR
substantially. If you think you
THIS INTENTIONAL? THE ALBUM
way through when we deter-
SECOND ALBUM, WERE THERE
can do better, you probably
HAS SO MUCH MORE. WHAT ELSE
mined certain elements were
SOME MISTAKES YOU GUYS
can. And I think we did.
WENT INTO WRITING THE SONGS?
lacking the desired growth.
LEARNED FROM IN
adjustments can compound
MAKING YOUR FIRST
I like (Panic!), but no. That was definitely unintentional. It’s
THE TITLE OF THE ALBUM,
ALBUM?
strange; I thought our first
HYPERALGESIA, IS DEFINED AS
Yes! We learned
GET IN TOUCH WITH VICTORIAN HALLS
album had some of those ele-
HAVING AN INCREASED SEN-
a record needs
FB.COM/VICTORIANHALLS
ments, but on the new record
SITIVITY TO PAIN. IS THIS BORN
dynamics. And,
YOUTUBE.COM/VICTORIANHALLS
I really can’t hear it. I must be
FROM PERSONAL EXPERIENCE,
while you don’t
TWITTER.COM/VICTORIANHALLS
missing something. I should
OR WAS THIS A STATEMENT FOR
want to handcuff
J
COLUMNS
Photo by Charlie Magovern/Neon Tommy
California Here We Come The allure of the West Coast siren has millions of people singing its praises — but surviving there is a different story LIFE IN STEREO BY MATT FRANCIS
I’ve never known a land more idealized
sci-fi scripts at home and storyboarding them at
than California. It’s like the Promised Land of
school, making movies with my younger sister
the Americas, and the way some 21st Century
and enrolling in a small, Christian, liberal arts
Americans interpret the Bible as speaking to
college with a meager communications depart-
their own time and culture, this may very well
ment. They called it “Film Studies,” a combination
be Gospel. I was the worst mix of bi-polar, star-
of radio, broadcasting and some film criticism,
ry-eyed-meets-crippling-depression,
which, oddly enough, paralleled the Youth Pastor
white,
lower-middle-class kid from the Midwest; I was an obvious target for California idealism.
Matt Francis is a filmmaker/media designer out of Virginia Beach and the drummer for Feral Conservatives, an indie rock band. You can check out his website at mfrancisfilm.com.
32
HM • JUNE 2015
and Worship Arts degrees because PowerPoint. One of the top selling points that steered me
It seemed like mass media had an agenda to sell
from Hollywood and to an overpriced college in
me on the mythos of California, everyone from
Michigan was the college’s Hollywood semester
The Mamas and The Papas to my Xbox snow-
program, where you do a semester of intensive
boarding game to, well, especially Hollywood.
study in Los Angeles and intern in the industry.
Everything could be fixed by traveling 2,406
So after $60,000 worth of debt, a few general
miles to a distant land of perfectly sculpted peo-
liberal arts courses and my heart freshly broken
ple, sunny days, movies sets and the Pacific
from an 18-month failed relationship, I final-
Coast Highway. And if I couldn’t get there, I
ly set off for the land of milk and honey and
could always go to the mall and buy surf-inspired
movies.
designer fashion, you know, for when I wasn’t pretending to be a skater.
This was supposed to be the most comprehensive semester of my college career. This was sup-
And it only took me about 21 years to get there.
posed to be the foot-in-the-door to Hollywood.
After reenacting the Back to the Future 3 train
Like much of overpriced higher-education, it was
scene with my neighbor one too many times, I
essentially a Community College course about
quickly set my sights — career path, when the
movies that happened to take place in the city
American education system asked me to declare
where movies are made. For instance, said film
my life’s work — on being a Hollywood director.
school decided we couldn’t handle live audio.
(Hollywood screenwriter was my backup.) The
They had some flimsy reasoning in that we need-
execution of this plan was three fold: writing
ed to learn how to tell a story first without the
crutch of sound, as film is a visual
at home in Los Angeles —
medium, which essentially results in
ignoring that fact the artist
40-50 fourth-year film students run-
is from Jersey. Still, the band
ning around Los Angeles making silent
found fresh ears in a used
films.
bin in L.A. A rebrand. A bar-
But besides the disappointment in
gain second chance.
the program, I could see the super-
There’s nothing like a
ficial appeal to the land. Their fast
fresh start, so I had decided
food seemed better, and they had some
to contact for the first time.
awesome record stores. One time I
I could reinvent myself. Ever
think I saw Ryan Gosling leaving a
an introvert, I could show
parking garage, and my friend Stacie
up in L.A. as someone with
and I swore we saw Will Ferrell at an
something to say. Having
In ’n’ Out Burger. I had a stipend from
left
the school, really them just allotting
glasses, what if I could be
a portion of our tuition back to us in
average looking? All I had
weekly increments. I don’t remember
to do was stand out amongst
how much it was, but it was meager
a bunch of other film stu-
by any standards, much less enough
dents. Easy, right?
behind
my
bookish
to keep up with the cost of living in
By the end of my time
Los Angeles. In a typical week, it was
there, I had effectively been
an even split between groceries at the
sidelined from the entire
Mexican dollar store, Del Taco and
program. Bear in mind this
Amoeba Records’ used CD section.
was an amateur program
THERE’S A BUOYANCY TO THE OUTING WITH PERFECTLY FUNCTIONAL PIANO CHOPS MORE VAUDEVILLE THAN CHOPIN, WITH ALL THE WHIMSY OF A MERE PERFUNCTORY VOCALIST STRIVING FOR EQUAL GROUND WITH HIS PLAYING AND SONGWRITING.
Used CDs typically went for just $2
under the guise of prestige
(or buy four, get one free), and, after
and banking on confusion
scrounging up some known titles, I
with the Los An geles Film
would grab one or two based on the
School. I was elected to
cover alone. One had a giant squirrel
direct one of the final projects, but
home school said I couldn’t walk for
on the cover having just decapitat-
then deemed too “un-teachable” by
upcoming graduation without paying
ed a businessman. It became one of
the “Executive Producers” — seri-
an additional seven grand — money I
my favorite Hollywood record store
ously, that’s what they made us call
didn’t have. I ended up taking out the
purchases: Hide, Run Away, the debut
the professors. I was at odds with the
worst loan of my life.
album from B.C. Camplight. It per-
Assistant Director on the shoot, who
I left California. I returned to
fectly encapsulated the Hollywood
also happened to have a personal
Michigan. It seemed fitting that the
allure. B.C. Camplight struck me as
relationship with one such Executive
flight from Michigan to Los Angeles
everything L.A. should be, or, more
Producer. For a program that prided
is only four hours there with the time
so, amounted to. It was piano-based
itself on being a microcosm of the
difference; the return trip back ends
pop (confused more than once for Ben
Hollywood studio system, I was fired
up being eight hours. Even the plane
Folds), but on further inspection, an
in a matter unbefitting of any cre-
was too tired to make up the time. I
obvious imitation. There are two great
ative protocol: They took me off the
leaned my head against the window.
songs and about eight that are forget-
final project just so that I wouldn’t be
“Hide, run away” was right; it was good
table but completely charming, mak-
graded on the work. Instead, I think I
advice. I had some amazing times in
ing for a wholly infectious disk that
was given a B for participating in three
Los Angeles — ignorant of my tuition
makes for a pleasant sunny-day revis-
quarters of the semester. Maybe that
bill — but it was an imitation. I went
it. Not much beyond that.
makes perfect sense. The machine ate
to California dreaming. I checked off
up the visionary, to forever be waylaid
every box of some giant American media
as an example.
check list. And now, every time I cite my
There’s a buoyancy to the outing with perfectly functional piano chops more vaudeville than Chopin, with
I was decapitated and my head was
college major to (mostly) well-meaning
all the whimsy of a mere perfunctory
eaten by a giant squirrel. I was left in
acquaintances and they feel the need to
vocalist striving for equal ground with
a bathtub in my completely overpriced
tell me how their grandchild is making
his playing and songwriting. Couple
apartment, soaking my wounds and
it in Hollywood or some friend of the
that with frequent duets from a bored
ego. Is the bigger joke the program or
family is a grip on some major movie
female vocalist (she sounds like she’s
describing myself as a visionary? The
set, I can always nod and remember that
checking her phone the whole time),
last strike came when I was checking
my soul is still intact. Wounded, but
and you have an album that feels right
my email in the computer lab, and my
intact. I’m a used-bin soul.
33
J
COLUMNS
Photo by Bob Mical / austere
Insane Expectations Playing the same town three times to three different results makes coming back for a fourth sound a little crazy. But for being in a band, it doesn’t just sound that way: Crazy is a way of life ALMOST THERE BY CAM SMITH
Cam Smith is the lead vocalist of Porterville, CA’s Hotel Books. Smith also travels as a spoken-word poet and public speaker.
34
HM • JUNE 2015
In my life, multiple people have told me that
to us. The vocal-
the definition of insanity is trying the same thing
ist of that band, a
over and over, hoping to have a different result.
16-year-old named
When I looked this up in a dictionary, I found
Mikey, told us he
it to be definition number three of six. If I have
was one of those
learned one thing about being in a band, it’s that
three
it takes a fairly high level of insanity to keep with
members from our
the vision that led to creating the band in the first
first visit months
place.
before,
audience
and
he
I don’t think insanity is some sort of missing
loved our sound so
piece that will guide one to success, but I do think
he started his own
more insanity is necessary for an artist than for
band. Because his
most people. Maybe I am wrong to make such
band playing, they
an assumption because my band has not met the
invited two other
same type of financial success of others bands
bands from an hour
working just as hard, but seeing your ventures
away.
and ideas fall apart in your band’s journey are just
printed out show posters and had posted them all
as important and as valuable as the ones that do
over town. The first band traveled an hour north
work out. I know from my own experience that
to be there, the second band was Mikey’s band,
playing the same dead end town over and over
the third band traveled an hour south and Hotel
can lead to disappointment (over and over), but
Books played last.
Mikey
had
if I reframe my thinking, it could also lead to
By the time doors opened, there were 17 people
my band becoming a building block in a small
there. By the time the first band began, there
town’s emerging music community. When we
were 45 people in the room. Being a two-piece
first started playing in a particular town in Texas,
band at the time, it was very quick for us to set
we played for three people. The promoter did not
up. We went on by 7:45 p.m. and there were over
show up, the two booked local bands did not show
80 people enjoying the show. As with most shows,
up. There was no PA system, just a man with a key
the local bands before us encouraged everyone to
who opened the doors.
stay for the touring bands. Right before the last
We were offered to return to that same town
opening band played their last song, the vocalist
three months later, and instead of abandon the
announced they would all be staying for Hotel
ideo, we chose to come back. This time, the pro-
Books and told everyone to stay for at least one
moter showed up in an effort to make up for the
song. All three bands had merchandise, but all
bad experience he left us with last time. There
three encouraged their fans to buy merchandise
was one local band from who had a similar vibe
from us since we were on tour. Both bands, who
AS WE PACKED UP TO LEAVE, THE PROMOTER STIFFED US ON PAY. I ASKED HIM WHAT HAPPENED TO MIKEY. HE TOLD US HE HAD GONE TO COLLEGE AND MOVED AWAY. HE SAID THAT EVER SINCE MIKEY LEFT, THE SHOWS HAD FALLEN APART.
traveled an hour each, gave us their pay. After the
than three hours hanging them. He said Mikey
amazing show, we went on with our tour and con-
did something that anyone could do. The only
tinued to keep in touch with that same promoter.
reason it was Mikey and no one else was because
Four months later, we returned to the same
Mikey chose to do so.
town for a show, and the same guy was running
A year later, I saw him again at a show, and he
the promotions. There were two local bands, both
said that he promoted 15 shows in a row at that
metal. The promoter was an hour late and did not
place, all to which no one came. He told me he
answer his phone all day. By the time we played,
kept with it until the day he moved, and he never
there were nine audience members; Mikey was
stopped promoting because he knew someday the
not one of them.
right person would come and have the influence
As we packed up to leave, the promoter stiffed
to bring more.
us on pay. I asked him what happened to Mikey.
Mikey built a community. Anyone can change
He told us he had gone to college and moved away.
their town, anyone can inspire their friends and
He said that ever since Mikey left, the shows had
classmates to participate in a night of fun and
fallen apart. He said Mikey was playing in three
music. Anyone can make touring bands eternally
bands, that none of them were even very good,
grateful for an unexpected and healthy night. The
but he always played. He said Mikey would spend
only thing it takes is a bit of passion, selfless work
no more than $20 to make posters and no more
and a little bit of insanity.
35
HM LIVE
THE USED Live at The Fillmore Silver Spring, Maryland Photos by Brooke Long
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HM • JUNE 2015
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HM LIVE
HM LIVE
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BOOKS
Photo by Patrick / lordkhan
Intimate Knowledge The engaging and forward-thinking author Donald Miller returns to nonfiction with a discussion on intimacy in ‘Scary Close’ REVIEW BY DOUG VAN PELT SCARY CLOSE
By Donald Miller T hom a s N e l s on
I always look forward to
discerning and compassionate
ings we all have will never be
reading a new book by Donald
folks that’ve been through it
fulfilled on this side of heaven.
Miller because I’m bound to
all.
Even knowing Christ and His
laugh, feel better about myself
Reading through the book
sufficiency leaves us with less
entertained
didn’t give me the one-on-one
than heaven (full complete-
by some good storytelling. I
attention I was hoping for, but
ness), less than the Garden
approached his latest, Scary
it definitely got my mind to
experience. We’re stuck in a
Close, with some additional
wander around personal com-
fallen world. Even though we
interest, however, as the early
pleteness and wholeness. Are
have God’s sufficient grace to
hype was that this book was
we trying to complete ourselves
live with, we’re still not going
about intimacy and relation-
with another person? Do we
to eliminate the longing for the
ships, something Miller said in
validate our existence or value
restoration of all things.
an interview on the uber-popu-
based
person’s
Betsy and Donald sure seem
lar Bad Christian podcast. I fig-
thoughts, opinions or affec-
to have a great relationship. We
ured I could use some advice on
tions of us? It’s easy to diag-
always knew he didn’t exact-
the subject, since my post-di-
nose all of us as having some
ly have his head together, but
vorce reality put me back into
codependency issues because
Betsy sure seems to. By Miller’s
the dating pool. In all fairness,
even knowing the truth and
own pen, it appears that Betsy
I also didn’t want a narrative
walking in it doesn’t prevent
is the most awesome of the
on how Don met, courted and
stumbling into the subtle trap
beloved pair. His insight into
married Betsy. I didn’t want to
of looking to another source for
putting another person first is
hear how wonderful their new
affirmation.
described with a lot of the wit
and
always
be
life is together. I got neither.
44
HM • JUNE 2015
on
another
I was touched by Miller’s
we all came to love reading Blue
In the book, we learn Miller
story about how he and his
Like Jazz, but dang if the dude
checked into a rehab place
now-wife Betsy freaked out
isn’t a lot more together these
designed for “stuck creatives”
over half the congregants that
days; his missteps and crazy
where codependency is probed
attended their wedding when
thoughts are a lot fewer and far
with a light of truth, ultimate-
he announced, “Betsy and I
between. His points are clear
ly educating us as to what a
do not complete each other.”
without being heavy-handed.
healthy
could
He said the look on their faces
I’m guessing he’s either show-
(should?) be. The place is called
revealed a lot of them felt
ing restraint or still uncovering
Onsite, and it sounds like many
like they were about to hear
and discovering more of the
treatment facilities in that
an announcement and reasons
material he’s covering here.
people are forced into intense a
why the wedding was being
self-examination of sorts, but
called off. He explained both he
Donald Miller’s middle name,
it is all carefully coached by
and his wife realized the long-
but in Scary Close, I’m most
relationship
Transparency
is
surely
amazed with the transparency of Paul Young
The major gift of Miller’s writing has always
(author of The Shack), whose story is shared in
been about “being real,” and he’s been able to
its pages. It’s a story of adultery and how Young
learn and teach us more on subjects within new
walked through rebuilding trust with his wife
contexts as he learns himself. It makes the feel-
and children following its discovery. Talk about
ings and stories more accessible, especially to
vulnerability! It’s fairly intense what the couple
those of us who struggle with the very things
went through, sharing with each child in their
he writes about. I still don’t know what’s wrong
family over time, not rushing with the young
with my on-again/off-again relationship with the
ones, only revealing the issues after prayerfully
Texas lady I’ve been seeing, but I did glean wis-
assessing that tje kids were ready. Not all of them
dom and encouragement to pursue God’s wisdom
responded easily or with grace.
and trust, starting with letting go more.
45
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MOVIES
The Beginning of an Era The Whosoevers kept the cameras rolling for the first year of the organization’s inception, giving us a glimpse into its poignant start BY JAMESON KETCHUM AND DAVID STAGG W3SIXTY5
“What do they even do?”
publicly to the effort. In real-
Lobert (Hookers 4 Jesus) and
It is a common sentiment
ity, the founding trio wanted
heavy music kings The Chariot
when (yet another) movement
another venue to share more
all started to share their sto-
begins filling our social media
about their testimonies.
ries, all on equal footing with
feeds. It feels like there are a
It really started when Ries
lot of sincere, well-meaning and
met Sandoval in 2008 at C1rca
good intentions amongst these
Footwear. The two ended up
Whosoevers from its incep-
various nonprofits and hashtags,
hitting it off with the idea that
tion through the first 365 days
but what is really at their core?
an organization could foster a
of that journey. The trio of
What do they even do?
safe culture based in their own
Sandoval, Welch and Ries kept
faith and art, but outside of
the cameras rolling all across
Sandoval,
any band, something everyone
the country in that first year,
Korn guitarist Brian “Head”
could be a part of. After add-
giving us a behind-the-dreads
Welch and public speaker Ryan
ing Welch, their mission was
look at a ministry whose foun-
Ries, gets that question a lot.
written: share a gospel root-
dation embodies taking the
One of their captains, Ries, is
ed in John 3:16: “Whosoever
gospel to dark corners a lot of
no stranger to answering ques-
believes in me...”, and, as their
humans tend to avoid. The film
tions like, “Is it a band?” After
respective bands traveled the
lacks a bit of substance, choos-
all, the logo was proudly worn
globe, they would share their
ing to highlight the sensation-
all over his partner in crime,
testimonies at a groundroots
al stories longer without much
Sandoval, and, having con-
level, on stage, in classrooms,
meat, rather than expanding
quered MTV and rock airplay,
in foreign countries, anywhere
more on who these guys really
“a band” would make sense
that would have them.
are and why we should be lis-
The Whosoevers, led by P.O.D. frontman
Starring Ryan Ries, Sonny Sandoval, Brian “Head” Welch I n de pe n de n t
46
HM • JUNE 2015
Sonny
their audiences. This
movie
follows
The
as a side project. Possibly with
The Whosoevers began to
Welch, since he was proudly
enlist others to help the cause.
The film does finally answer
triumphing The Whosoevers
Lacy Sturm, the popular former
that all-too-common question
gear, too, attaching his name
frontwoman of Flyleaf, Annie
“What do they even do?” while
tening to them.
hopefully sparking mean-
on stage and off. As a doc-
ingful conversation.
umentary itself, the film
In addition to the music
is a bit disjointed in struc-
world, the film highlights
ture. It doesn’t feel linear;
various
sports
rather, it feels more like
athletes as they share their
it’s lacking a storyline or a
testimonies and how The
main point. It does succeed
Whosoevers has personally
in informing the audience
impacted their lives. There
as to why guys famous for
are a number of mov-
screaming
ing scenes of prayer, and
ing are talking on stage
some of the confessions
instead. Overall, watch-
amongst the youth are
ing these men — men who
especially poignant. Even
created music most 20-to-
shared sentiments from
30 somethings still deep-
the crew traveling with The
ly engage with today — is
Whosoevers are highlight-
a treat, to see them still
ed, refreshingly highlight-
evolve and develop their
ing these guys are the same
own faith and outreach.
extreme
or
perform-
Clockwise from upper left: Founder Ryan Ries at a speaking event, Brian “Head” Welch sharing his testimony as part of his set, Welch preaching at a music festival, Ries sharing his story with a youth at a skate park
47
American Made
The Ongoing Concept TAKES DIY TO A NEW LEVEL WITH THEIR LATEST,
Handmade By Jordan Gonzalez
Idaho’s The Ongoing Concept broke new ground for heavy music with their 2013 freshman album, Saloon, which fused metalcore with an anything-goes attitude, including a country-western vibe channeled from the home town radio stations. It was a fascinating album, and now the four-piece band from the tiny town of Rathdrum, Idaho will be releasing a hybrid album of sorts, one created with combining the progressive mindset of an indie album mixed with the security and resources of a label. While that label, Solid State, was totally on board with the idea, it could have been shot down by any number of others: The band not only decided to shoot their own music videos at home; not only record, mix and master it at home; but the band also handmade their own instruments, even as far as cutting down the trees for the lumber.
they did once make some drums from a template kit. But thanks to Google, YouTube and some precious time — about two months worth — they were able accomplish the tedious task. Scholz, who describes himself as a perfectionist, would have it no other way. It’s always been their style. “I’ve always felt like I do better in the comfort of my home, getting my work done,” Scholz said. I caught up with Scholz to talk more about the true grassroots aspect of the album, what inspires their music and how they got into heavy music in a town that embraces country and classic rock.
Although they were raised in a culture of D.I.Y., Scholz said none of the band members had any experience making guitars, even though
My first reaction to The Ongoing Concept was, “Wow.” I really enjoyed Saloon when it first came out. I was really curious to
more work done. I felt like to do it all here... It might not happen next time, but I just felt like it worked out really well here.
see what your second album was going to be. There was just a lot of unique aspects to the album. I would like to start off with
Let’s talk about the homemade instruments. That is just so
the homemade aspect. If I understand correctly, the album was
cool to me. First of all, where’d you learn how to do that? And
recorded in your home with homemade instruments and your
how long did it take to make all the instruments?
own homemade album art.
We honestly have no background with making them. We just
Yeah. Everything was done here in our house. You know, all the
looked up tutorials on YouTube or Google. A lot of it was thinking
instruments were made here and we recorded it and mixed the mas-
about how you would accomplish something like that. We’ve been
ters here. And the artwork, the picture was not done at our house, but
building stuff. We built our own guitar cabs.
in a place like a mile from our house with that tree. It was all kind of done here. I’ve always felt like I do better in the comfort of my home. I get
50
HM • JUNE 2015
We built a drum set, in the past. Not actually building the wood, but we had (got it together) and put all the hardware on it. But we’d never actually built (the whole thing). It’s this style of a drum
ing part aside for a
it. Let’s give up on the home-
conditioning. I love the way they
few days to work on
made instrument aspect of
look right now with them not
writing the music
this.” Or did you always know
being stained or finished. But
for the album. And
you were going to persevere
we’re going to put some hard-
then we would stop
through that?
ening wood protection on them
writing music and
Oh, there were definitely a few
to make sure they won’t break
work on the instru-
times. There were a few times
while they’re in the trailer,
ments, so it was
where it just... With microwav-
bouncing around.
just kind of this
ing the wood. I didn’t actual-
Yeah, that’s what they’re going
tradeoff. It kind of
ly think it would work. It just
to go towards now. At some point
doubled our time. It
became really hard. The other
we’ll probably hang them up
would’ve taken half
thing was, we were working with
somewhere in our storage space,
as long to do it.
pine. I’d go to every single forum,
you know? Hang out and bring
And another hic-
everything you could think of,
them out again. But for this next
cup was just the
and type in “building a tree out
tour and possibly the next year
microwaving of the
of pine,” and you won’t find a
or so they’ll definitely be on the
wood.
single thing about anyone say-
road with us.
ing, “Oh, pine is the best wood Oh, yeah. I saw that.
to use for making a drum set or
And do you direct your own
building a guitar.” It’s just not
music videos as well? I remem-
It’s not a very fast
good wood. There were a lot of
ber seeing something about
process. It takes a
times where I was like, “We’re
that. Is that true?
very long time and
doing this with pine, aren’t we?
Yeah. I’ve done all my own
we had to be very
This is going to suck.” Then the
music videos. I’ve just had way
careful doing 20 or
whole thing would happen and
too many problems with people
30
the wood would crack, and it was
in the past. This isn’t putting
just really discouraging.
down any director or anything.
second
inter-
vals because, you know,
the
wood
But at the same time, I knew we
this
what I want, and I’m a bit of a
very hot level and
far, and there was no turning
perfectionist. Sometimes people
it could start on
back. We just kind of had to get
have a hard time working with
fire. You just have
through it.
me because I’m already capable
to
be
there
had
already
gotten
I just feel like I have a vision of
is heating up to a
the
A lot of money was involved,
of doing it myself, and so there’s
whole entire time.
too. I had been renting this whole
a very fine line between me let-
You can’t just leave
camera gear, and kind of making
ting go of the reigns and saying,
it alone because I
a documentary. That stuff adds
Just get off, let me do it. I am
don’t want to start
up, you know? Renting a house.
capable of doing this myself. I
my house on fire.
And you’ve already told the land-
don’t know why I’m paying you
lord you’re doing this, and they
to do this. You are good at what
time.
give you the budget money with
you do, but... Yeah, I don’t know.
It didn’t really do
the expectation that that’s what
That might sound a little bit pre-
anything, but just
the money’s going towards. You
tentious to say that, but...
the whole garage
just can’t really back down once
was
smoke.
you start. That was kind of what
smoke.
kept us going.
It actually happened
Dense
one
in
I see what you’re saying, though.
Luckily it stopped
I just have a vision. And some
set where you connect pieces of
before it actually started on fire,
Sure. What do you think
of our music videos are very
wood together to build a circle.
but I came out into the garage
you’re going to do with the
cinematically based. Especially
We’d never done that before. We
and I’m like, “Okay. Well, I guess
instruments
[inaudible 10:10], for example. I
used a lot of tutorials and had to
we’re going to have to not leave
going to still use them?
do a lot of trial and error.
the garage when we’re doing
The whole process took prob-
this. This is way too unsafe.”
now?
Are
you
wrote that song in the beginning
Oh, yeah. They’re actually
with that exact music video in
coming on the road with us for
my head, and I think I recreat-
this next tour.
ed it exactly how it was in my
ably two months. It would’ve
That process took a very long
taken a lot less, but there were
time, and there’s just so many
a lot of little hiccups along the
little things that took up pre-
Awesome!
me to portray and explain that
way. We were writing at the
cious time. It took about two
I was hoping to build another
to a director. You know, if I’m
same time, so pre-production
months all around.
set, because I’m a little weary
able to do it, I’ve been doing it
of bringing them on the road;
since I was like 10 years old. Even
was happening. It’s hard to focus
head. I think it’s really hard for
on one thing because you’ve got
Was there ever a time where
I’m afraid they might break. But
with my parents. I don’t know,
other projects. You set the build-
you were like, “Alright, forget
we’re going to try to do some
I’ve just been like this for a long
51
52
HM • JUNE 2015
“I knew we had already
GOTTEN THIS FAR, AND THERE WAS NO TURNING BACK.” — Dawson Scholz 53
time. It just doesn’t seem very
a gimmick having a banjo in a
lyrics how they are, people are
“Falling” is the insinuation of
impossible. It seems very capable
song, but I think, when I initially
going to start asking, “Why are
“Goodbye, So Long My Love”
for me to do it myself.
wrote it, it was like, “I feel like
the lyrics that way? Are you guys
from our previous album. It’s
this song has would be really cool
atheists? Are you guys just sell-
been an ongoing song concept
How does the rest of the
if there was an instrument in
ing your soul to the devil?”
throughout our music. I don’t
band — which, two of them
here that was different. I think it
I wanted those questions to be
know. It’s just about a guy, his
are your brothers, right? — feel
would really be a clash with how
asked, because I feel like peo-
first goodbye song. “Goodbye”
about that? Are they cool with
crazy the song is.” I didn’t have
ple are too quick to make judge-
was about a guy and his life and
it, or does everyone pitch in?
a banjo, I just figured I feel like
ments. They’re too quick to read
how she was dying and she didn’t
Yeah. They all kind of have
a banjo or something like that
or hear something and automat-
believe in God and he does and
their part. We’ve basically been
would really hit home and make
ically assume something about
he didn’t feel like he was going
doing stuff ourselves for so
it kind of have this folky vibe.
the band.
long they’ve kind of just been...
Especially at the end. It’s like
I’ve just got an issue with it.
like a continuation of his life
What’s the word I’m looking
that ending part. It had noth-
Especially with social media.
after that has all happened. It’s
for? They’ve kind of just been
ing but guitar and tambourine. I
I see it way too often. I knew
tied in with the very first song
brought into it, and it’s like sec-
can’t remember what all was in
people were going to instantly
that was handmade. The whole
ond nature to them. They don’t
there, I just felt like there need-
assume things. The funniest part
beginning, it’s all connected. I
really deny doing it ourselves. It
ed to be something else, and so
about that song is, it’s not about
thought it’d be really cool to do
almost seems weird to bring in
the banjo seemed to be some-
any one of us. Honestly it’s just
something that connected the
an outside source, because we’re
thing that would work. I added it
about that guitar player. It was
albums in that way.
all brothers, you know? Even our
because it felt right.
Robert Johnson, I believe? He’s
bass player. I’ve known him,
to see her again. This song is
That’s usually how we approach
a guitar player that, back in the
“Melody” is a song about writer’s block, to be honest.
it is, does the song feels right
day, claimed that he sold his soul
It feels like whenever some-
with that type of instrument?
to the devil. It’s actually from
one else from another party is
Why not try it, and if it doesn’t
the movie Oh Brother, Where Art
brought in to our band, whether
work, it doesn’t work. There’s
Thou?
it’s recording us or doing or even
really no any boundaries with
doing merch for us, we always
music. Especially these days. I
Oh, yeah?
feel like it’s like an intrusion.
just kind of go with whatever.
Yeah, it was Robert Johnson.
I feel like you (can) get trapped
He obviously didn’t sell his soul
in this same style of music and
basically, my whole life.
We’re so close that it just feels
Awesome. It’s just one of those songs. I know a million songwriters that did a song about writer’s block. It’s not really new.
like we’ve brought on another
Did your label ever have
to the devil, but he claimed
work. You keep writing songs
member of the band to portray
any issues with some of these
he did. And now he is a legend
that sound very similar to each
who we are, and it’s like second
stranger
For
because of it. And it was basi-
other, because they’re all kind of
nature for us to just expect to
instance the idea of making
cally a lie he had to tell, and
the same type of music. They’re
do everything ourselves because
your own instruments? Did
he got away with it. It was just
all heavy. They all have the same
that’s how we’ve been doing it
they ever question that? Were
a gimmick he played. Telling
song structure.
for long.
they worried about that?
everyone he sold his soul to the
I just broke away from writing
They definitely gave us free
devil spread through the coun-
music for our album, and then
reign. I think they accepted we
try, and it’s interesting how, if he
it ended up being on our album,
do what we want, basically.
hadn’t said something like that,
which is really funny. It’s just a
Let’s get into some of the music, too. You guys always
instruments?
have had some strange instru-
They’ve always been total-
he probably would’ve been a lot
song about writer’s block. I think
ment combinations. Where did
ly cool with what we’re doing.
less known. If not, he probably
it’s really cool because it real-
the idea to mix banjos and the
They’ve never had any issues,
would’ve never been known at
ly showcases this huge, roomy
Western style of music in with
and (they were) really stoked
all.
drum sound we got from those
heavier music? Is that some-
with what we’ve been doing with
The song is not about us. It’s
homemade drums. That’s one of
thing that you had planned
this new album, so it’s been real-
just about a guy named Robert
my favorite parts of the whole
from the beginning, or did
ly good.
Johnson back in the 1930s that
album, is how dynamic that song
claimed to have sold his soul to
is at the very end.
that just kind of happen while you started writing and taking music more seriously?
That’s great. Let’s talk about
the devil. If I could add my opinion
a couple of specific songs. cou-
now, I’ll say it was probably
“Soul.” The lyrics were very
ple other songs, too. Like
one of my favorite as well. It
intense. The song overall was
“Falling,” for instance. And
was a good song. I definitely
I guess we never really think
pretty intense. Is that a per-
“Melody.” Those two songs
enjoyed that one.
those instruments are the only
sonal song, inspired by some-
had such drastically differ-
It’s kind of like a break in
thing that can be used, so we are
thing?
ent styles, musically. If you
the middle, do you know what
I don’t know. We never really
One that stuck out to me was
felt bound to just being a band of guitar, bass, drums, vocals.
Let’s
talk
about
a
always are open-minded about
Yeah. We wrote this song for a
want to get into what inspired
I mean? It gives the listeners a
adding something to the song to
few reasons. We wrote it because
the musical side of those two
bit of a break, but I feel like it’s
make it better.
we wanted people to be talking
songs?
a much more mature stance, a
about it. I knew if I wrote the
I’ll
People probably think we’re
54
HM • JUNE 2015
start
with
“Falling.”
more poppy song for our style. I
feel like “Melody” is strong and
not lose enough energy I can’t
the only place we’ve ever been
one of the better songs of the
say my parts.
able to play shows. Because Coeur
Not really. It was definitely a
I feel like there’s a pretty good
d’Alene is like the city, we’re just a
country station town. Not really a lot of metal bands are out here.
album itself.
balance between Parker and I
suburb of it. Coeur d’Alene is like
I haven’t seen y’all live yet,
really pulling in on playing the
the big city here, where we live.
but I’ve heard you’re pretty
music correctly, making sure it
There’s just no shows.
popular.
You know, I don’t know. I honestly don’t even know how we got
rowdy. Let’s talk about your
sounds on time and all the notes
We grew up listening to bands
into this. It’s really hard. A lot of
approach to the live show and
are being hit, and then T.J. and
we really enjoyed. There’s a
little things that happened to get
what you like to do in a live
Kyle are much more prone to go
few bands around our area that
us to where we are now. And hon-
show.
a little crazier than us because
played the same type of music
estly, I think this area brought
I think we all have different
they either aren’t playing the
that we did. There’s definitely a
home the whole handmade idea.
ideas as far as the band members
guitar at the same time. Or
scene here in Coeur d’Alene, but
We’re not a rich family, but
go. We want to bring something
because the bass player doesn’t
the real shows that happened
we’re not a poor family either.
that isn’t the same.
really have to play all the notes
actually happened in Spokane,
We’re just kind of in this sub-
I don’t really like going to
right, because, I mean, let’s face
Washington, which is like 30
urban family, middle class kind
shows that much. I look at going
it: No one really cares about the
minutes west of us, across the
of state. You know? People are
to shows these days as going
bass players. (I’m kidding.)
border into Washington. There’s
accustomed to building things
a lot bigger scene there.
themselves, one of those D.I.Y.-
back to your job when you’re on
There’s a certain jive in the
your day off. I honestly don’t
band we all kind of fulfill. It’s
We’re kind of a sheltered area.
type things. Whether it be some
like shows. But that’s different
very important to keep the songs
There’s not a lot going on. We
redneck thing for your boat or
when there’s a band that comes
sounding good at the same time
were a bit naive to the world.
stitching — just random things.
through that is going to inspire
as going super crazy. We don’t
We’ve always been that way. We
People are just into that here. I
me or that’s going to leave a
want to be the same every show,
really didn’t know how we were
think that sparked our interest
mark. I’ve always brought up
so we try to go for that.
going to get it to work. We real-
in going to do it ourselves.
bands, like The Chariot, that
ly didn’t know much, especially
do something that’s never the
Mix it up, right?
six, seven years ago when the
What music are you listen-
same, even if they play the same
Yeah, definitely.
Internet wasn’t nearly as crazy
ing to right now? Anybody in
as it is now. We really had no
particular?
six songs in a 30-minute timeslot for a year straight. Every night
I noticed y’all were from
sense, especially here, of how
Oh, man. This question is
there would be something dif-
Rathdrum, Idaho. It seems like
you would actually go on tour,
always hard. I’ve found myself
ferent about their set that you
a small town, way up north, far
how you would go about pro-
writing like the bands that I’m
could take away and go, “Wow.
away from a lot of big cities.
moting your music the right way
listening to at the time, so I
I was not expecting that. That
How did life in a small town
so that people would see it. It
ended up just stopping listen-
was a completely different set,”
like that influence what you do
was all a learning game. We were
ing to music all together. I actu-
even though they played all the
today as musicians? And how
probably one of the slower bands
ally told my band, “If you lit-
same songs.
was it like? How did you get
to figure it out.
erally play ‘Uptown Funk’ one
So we’ve just always been cen-
into concerts and music?
more freaking time, I’m going to
tered on that fact. There’s a very
Yeah. It’s actually funny. We’ve
I wanted to get your per-
punch you in the face.” That song
fine line between going crazy
only played maybe four actual
spective on how it was growing
is ruining my writing ability. I
and playing your music right.
legit shows in Idaho in our entire
up in a town like that, which, I
hate that song! I kind of stopped
I’ve always been more prone to
lives. They’ve all been in Boise,
think it’s safe to assume, the
listening to music after writing
just being at that line where I’m
which is like eight hours south,
hardcore and metal genres
my album. I’ve just been driving
still playing the songs right, but
and it’s the capital of Idaho. That’s
probably
with no music now.
weren’t
the
most
55
THE
E V O LV I N G
E D U C AT I O N
OF
M E W I T H O U T YO U A a r o n We i s s h e l p e d f o rg e a g e n r e , a man once so sure of his future a n d h i s p a t h . N o w, o n t h e e v e o f h i s b a n d ’s m o s t r e c e n t r e l e a s e , Pale Horses, he admits a lot of that
confidence
BY
SEAN
is
changing
HUNCHERICK
P H O T O B Y A M I E S A N TAV I C C A
Uncertainty is diff icult to accept and far more challenging to admit. There are some beliefs you adapt as a child and are fearful to ever question. Yo u d o n’t w a n t t o d o u b t w h a t y o u’v e b e e n taught, regardless of what the rest of the w o r l d i s s a y i n g. B u t i t i s n’t e a s y. T h e y o k e once easy and light becomes uncertain and e x h a u s t i n g t o c a r r y. M e w i t h o u tYo u’s v o c a l i s t a n d l y r i c i s t , A a r o n We i s s , i s a l l t o o f a m i l i a r w i t h u n c e r t a i n t y. T h e s a m e m a n w h o , t e n y e a r s ago, eagerly preached to crowds and led Bible studies at shows, now f inds himself introverted and humble in his beliefs. This i s n’t a l w a y s e a s y – i t f e e l s e m p o w e r i n g t o have answers and weak to have questions.
You guys have had some
when we’re touring, everybody
interesting opening slots on
has agreed to it specifically. We
tours. Last year you were on
already screened out the bands
a cruise with Tegan and Sara
that wouldn’t work really well.
But, instead of fearing diff icult questions and religious contradictions, he has adopted the freeing habit of challenging beliefs he once thought unchallengeable. “I am less afraid these days to question a n y o f m y b e l i e f s ,” We i s s e x p l a i n s i n h i s consistently calm voice, “ because the ones that feel most true are not harmed by my q u e s t i o n i n g.” The songwriter shows this clearly througho u t t h e b a n d ’s n e w a l b u m , P a l e H o r s e s . A s with the lyrics on previous albums , Pale Horses provides an honest ref lection of We i s s’ e m o t i o n s a n d s t r u g g l e s . W h a t e v e r was in him came out in the songwriting – praises, doubts and songs with animal names included.
the noise they’re making. That makes sense. But that’s just the first record. The second record we played in
Then what would you listen to?
and Paramore. What have been
We tour with a wide range of
its entirety last year on tour.
Usually something very relax-
some of the strangest opening
bands, from pop-punk to really
Every record since then is more
ing. Classical music, I guess. I
slots you’ve had at a show or
heavy hardcore to pop music. All
indicative of what our tastes
like Chopin, Bach, Beethoven.
festival?
across the spectrum. We can tai-
are like and the direction we’ve
lor our set to accommodate the
headed more recently. All those
different styles of music we’re
songs are fair game to be incor-
No one surprising. Just some
playing with. We can play more
porated into what we’re doing
of the most famous guys. You can
That you opened for.
melodic songs for some bands
now on tour.
put it on and go about your day.
Aw, what can I say? I wouldn’t
and
Well… strangest? That have opened for us?
aggressive
songs
when
want to hurt anyone’s feelings,
opening for a heavier band. Does
you know?
that make sense?
That’s fair. How about biggest genre disconnect?
I’ve heard of them.
It’s not demanding a lot of attenOn this previous tour, what
tion of you and, like I said, it’s
did you guys find yourselves
good for covering up the sound of
listening to in the van?
the neighbors.
Yeah, it does. You guys are
Well, I got to admit: We don’t
And I like the absence of lyr-
one of the handful of bands
have a stereo system in our vehi-
ics; I think it’s easier to go about
Well when we’ve played at fes-
that changes your set fre-
cle. If we listen to music, it’s
doing something else with my
tivals in the past, they’re pretty
quently. Are there any songs
done individually. I don’t have
full attention and not being dis-
eclectic. There will be all kinds of
you have retired altogether?
any kind of music listening
tracted.
performers that play. Sometimes
Not formally. There are songs
device, so I don’t have any music
there are some strange mis-
we haven’t played in a long time
with me on tour. As for the other
matches — we’ve had hip-hop
and don’t have in the rotation
guys, I don’t know.
bands go on after us or bands
to bring back. Those are songs
that felt explicitly Christian (or)
mostly from our first album
praise and worship music. I’m
Lyrics are such an interesting thing. Prepping for this interview, I tried listening to
find
your new album a few times
and, even more so, our previous
yourself listening to music at
while typing out questions.
sure they’re great for a lot of
EP we wrote when we were so
home?
Because
people’s taste but didn’t fit real
much younger and so different in
No. No, not really. If the neigh-
filled with lyrics, I couldn’t do
well with what we were doing. So
terms of our tastes and where we
bors are fighting or playing their
both. I wonder if the fact that
sometimes the festivals are more
were at in our lives. They don’t
music really loud, sometimes I’ll
you don’t listen to much music
unorthodox parings. But usually
make as much sense now.
turn on some music to drown out
explains why MewithoutYou
58
HM • JUNE 2015
Interesting.
Do
you
MewithoutYou
is
anyone
ing down around the time of
I don’t think that’s the only
one was an elephant and one was
else. You have a very specific
the It’s All Crazy, It’s All False.
factor. Through studying at grad
a peacock. In that way, it felt like
sound. If you don’t listen to
(Members)
discon-
school, I have also been repeat-
a story with different characters
music on the road, what do you
nected. It looked like the band
edly confronted with many dif-
that represented some part of
find yourself doing between
was about done.
ferent views and perpetually
my brain, but they had different
It’s hard to say. I think around
challenged or questioned all my
names and different little color-
I listen to the other guys in
the time we put out It’s All Crazy…,
beliefs and learned to let go of
ful images to hide behind.
the band. They’re all pretty
there were a lot of personal fac-
things I have held onto. That’s
In this case, with our newest
entertaining and interesting. I
tors in our individual lives that
difficult, too, to continuously
album, I think, more than ever,
like the way they interact and
were taking all of our energy and
uproot the things you find com-
I tried to let all the characters in
joke with each other. (I like) the
causing problems. That album
fort in and continuously ques-
my brain come out and be seen
things that they talk about. I try
came together in sort of a hodge-
tion them and continuously try
and be available, without putting
to pay attention to them. And,
podge way. Nobody felt too con-
to go deeper and understand
them in the different charac-
of course, looking at the scenery
nected to each other or to the...
more fully basic things about the
ters’ voices. This is part of what
through the window, watching
I shouldn’t say nobody, but that
world.
I believe, and this is part of what
the trees and the sky.
was more the sentiment with
The album, Pale Horses, com-
I think and part of who I am.
that album than any other album
ing out — especially more than
It might contradict something
I can think of.
the last albums — the imagery
that’s in the next song, but that’s
doesn’t
sound
like
shows?
I don’t know if there is any one thing I do regularly. I don’t
seemed
have a routine; I just take it one
When we decided to put out
in the lyrics partly comes from
who I am in some ways, so con-
day at a time. Sometimes I try
the next album, a few of us had
your Abrahmamic views, but
flicted and contradicted.
to get some schoolwork done,
worked through our personal
on this album, it comes more
I have that certainty, that sense
sometimes I’m doing little bus
problems and were doing better
from a questioning (point of
of religion in my Abrahamic
projects – trying to maintain or
as individuals.
view). Can you talk about that
roots, as you noticed. It is still
a little bit more?
very much there. I still want very
improve the bus. I enjoy doing
I wouldn’t say that’s true of myself. I actually felt happiest
I tried to be as honest as I
much want for the album to be
And sometimes someone will
at any point in my life when we
could, and I think in the past I’ve
one of praise, that’s character-
put on a movie. Usually it’s our
were recording It’s All Crazy...,
tried. I would say with our first
ized by praise and gratitude and
friend Mike who tours with us.
but I think I was the exception.
handful of albums, I tried to put
faith and worship and love and
He puts them on and I watch
Some of the other guys were
forth an image. I’m always doing
uplifting things.
them sometimes.
going through some really hard
that, probably always trying to
At the same time, there’s this
things that affected the band.
put forth an image, even right
whole dark side I’ve struggled
that on the road.
You mentioned that some-
And maybe it’s because of the
now that’s happening. Certainly,
with, and how much to let out
times you do schoolwork. Are
nature of my happiness. I was
our newest album is no excep-
and how much to show people.
you in grad school right now?
very intensely focused on my
tion. I can’t say it’s just this pure
Do we have other doubts or ques-
spiritual journey and religious
unadulterated expression of who
tions or even animosities toward
beliefs and practices maybe more
I am or any kind of honest out-
certain
What are you studying?
so than any other time in my life.
pouring. No, it’s all carefully
That’s all part of the package for
My program is called Urban
Yes. Grad school.
aspects
of
religion?
So I felt very intensely connected
constructed and edited and reed-
me. It’s not a matter of me losing
Temple
with that, (but) the other guys,
ited and captured via countless
my faith in any way, it’s just part
University in north Philadelphia.
maybe not so much. It kind of
takes and trying to get just the
of expressing an ever-changing
alienated me from everyone else
right sound.
faith and trying to do so holis-
Education.
I’m
at
Do you still teach there?
as I recall.
fall semester when I stopped to
tically.
that is inherent to putting out
Not this year. I have for the past four years, up until this past
There’s all this artificiality
Do you find yourself in a happier place, personally?
studio albums — at least in my
I think that’s what people
experience, the way I’ve always
need to hear, too. The idea
focus on the band again. For a
No, I don’t think so. About five
done it. It’s definitely not entire-
that you can truly seek God
while, it felt like the band was
years ago, my father died and
ly honest. But, more so with this
but still doubt and have ques-
slowing down. I was prioritiz-
that was a turning point for me
album, I’ve tried to incite what-
tions about God’s character. I
ing schoolwork. I was a full-
as far as my overall sense of
ever was in me to come out. Not
appreciate that a lot about the
time student and teaching at
happiness. I felt very devastat-
so much to just try to present a
album.
Temple, trying to do the band in
ed for about a year after that
single coherent view of the world
It’s much lighter for me that
the empty space between those
and found it hard to care about
or a vision of myself or what I
way. I don’t have to carry around
other responsibilities.
much of anything. Then I began
believe, which is more or less
this set of ideas that then every-
Now I’m finished with my
to get used to his absence and
what I did for the first three or
thing else that contradicts that
course work at Temple and I’ve
come up with new ways of feel-
four albums.
becomes an enemy or becomes
stopped teaching, so we can pri-
ing connected with him, but I
oritize the band once again. That’s awesome. It seemed like
the
band
was
wind-
Pale
a threat in some way. It’s a lot
don’t think I ever fully recovered
Horses, Ten Stories, I think I tried
lighter of a journey when I don’t
a sense of, I don’t know, maybe
to incorporate all different views,
carry those things and I stay
the lightheartedness or happi-
but I also did it with some differ-
open and eager for whatever
ness that I felt before then.
ent characters. One was a tiger,
comes today to replace whatev-
In
the
album
before
59
er I accepted yesterday. Maybe
consider mercy and compassion
some extent, and limited, and
based on things that we’ve read
yesterday’s beliefs or practices
and forgiveness to be forms of
so not entirely to be trusted. I
or that we’ve been told.
were appropriate for yesterday,
weakness or to be foolish, yet,
try to let go of those things and
but maybe today there’s a deeper
no matter how many times I
live more like a child, where I
place that we can go to.
consider that, I still find that
try to maintain a sense of won-
Do you think you did this earlier in your music career?
I think there’s a danger there,
mercy and compassion are the
der and curiosity than a list of
I definitely felt more certain
too. If you’re just constantly
more beautiful qualities. So, it
things I can explain and tell peo-
about a lot of beliefs earlier in
accepting every new idea that
doesn’t do me any harm. In fact,
ple about.
our career and felt like I had a
comes your way, you could very
it strengthens my trust in those
That’s been a big shift for
lot more to offer people. I was
easily fall for a lot of harmful
qualities, that I’m not afraid to
me. There used to be a time I
not only willing but I was eager
ideas, trying out many destruc-
question them.
would really enjoy spending
to answer people’s questions and
tive practices that could get
If you question those ide-
hours talking to people, tell-
talk with them about God. In
you hurt or killed or addicted to
als — or any number of things
ing them all kinds of things
some ways, I respect the way
things and all that. I certain-
we’re told about what’s true from
about God. After the shows or
I was because I felt I was more
ly don’t want to espouse peo-
various religions or trends or
at Bible studies I would lead. Or
courageous or more passionate.
ple to just go and try different
political organizations — if you
at festivals, I’d give these talks
Today it feels more that I’m cau-
things every day and not worry
question them and they remain
or
ses-
tious, and I’m a little bit more
about the consequences. I think
solid, then I think that’s a stron-
sions. People would bring ques-
shy and reserved and introvert-
there’s still a place for caution
ger foundation than having ideas
tions to me and I would have
ed. That can be difficult, because
and reserve and wisdom and
we cling to dogmatically because
answers for them about God and
sometimes people will come to
intelligence, but I also think it’s
we’ve been told them or because
about things. Looking at them
me expecting that maybe we
important for me to stay flexi-
we once believed them and that
now, I can’t imagine where I’d
talked before, maybe they saw
ble and to stay open and to stay
has worked for us in the past.
be claiming to know what I was
me at a show and I was carrying
talking about.
on afterwards about all my ideas.
humble and to recognize the
question-and-answer
Now I don’t feel as inclined to
Was there a point in your
limits of what I know.
life where you were scared to How do you find the bal-
question these things?
I think oftentimes people assume they know God, they
do that. I’m a little less outgoing and a little less confident.
ance between being flexible
I think I still am, in some
truly have the answers and
I don’t know if that’s a good
in belief and keeping some
ways. I couldn’t tell you things
they can give them. It’s a lot
thing, if it’s a good direction that
beliefs that you want to keep?
I’m specifically afraid to ques-
more humbling to admit, real-
I’ve gone in, but that’s where I
I think the balance for me tips
tion, because I try to go right
ly, when you’re talking about
find myself. Maybe one day I’ll
very far in the direction of flex-
down the list and question any
God, there’s no way on Earth
go back the other way and I’ll be
ibility. For me, if anything, I err
old thing that I feel like I cling to.
to know a fraction of what we
out preaching again, but I don’t
more — or try to err more to
I also feel like there’s bound to be
think we do.
think it’s going to be today.
that side, insofar as I think any
things I’m blind to that I believe
I guess there’s a certain power
Maybe that’s not too true,
questioning of beliefs that I’ve
so wholeheartedly or so funda-
that comes in claiming to know
because I feel like, even as I’m
done... I haven’t seemed to do
mentally I wouldn’t even know
things, and it feels good to have
talking to you, there are still
any harm in terms of the beliefs
how to begin questioning them.
answers for people or be able to
things now I believe are true and
that I question again and again
Things about what we perceive
tell them what’s right and what’s
are good ways to be. In some ways,
and found that they remain to
to be true, and the trustworthi-
wrong, and who’s going to go to
I feel like I’m preaching in sub-
be solid.
ness of our perceptions, and the
heaven and who’s not. Those are
tler ways by just talking to you,
Let me rephrase that, because
trustworthiness of our reason
really important issues, that if
because I have the understanding
that was kind of jumbled. I’m
and our emotions, and things
you claim to know the answers to
that we are doing an interview
less afraid these days to question
we’ve experienced and are vali-
these questions or claim to know
for a magazine. I think, “People
any of my beliefs, because the
dated in our beliefs. Those things
the truth about them, it can be
are going to read it, what are they
ones that I have questioned and
I wouldn’t really know how to
very empowering.
going to think? How will they
I find to be most true are not
even begin questioning. They’re
You can hold people’s atten-
think of me?” How will it affect
harmed by my questioning.
just so essential to how I experi-
tion by telling them things that
their lives if I say A versus B? If
ence the world.
are very important to them. “I
I had more humility, I probably
To
give
you
an
example,
I may question the virtue of
Even then, I try. I try to call
know how you can get your soul
wouldn’t agree to do an interview.
forgiveness and mercy, which
into question everything I take
into heaven when you die, or go
I’d probably be more asking you
is, of course, very important
in with my senses and what I take
to hell.” These really big ideas.
the questions, but that’s just not
in Christianity. I might say,
to be reality and “the world.”
People who think there’s such
the way we set this up.
“Well, no, maybe it’s better to
Certainly any ideas I have about
a thing as heaven or hell are
keep tabs on the wrongs that
God or truth or love or eternal
going to be interested in, “Okay,
people do. Maybe you could be
things I have to call into ques-
how do I get into one and not
taken advantage of if you for-
tion, because I assume, almost as
the other?” I think it can be a
(Pause) I don’t quite know how
give people. Maybe mercy is for
a point of faith, that whatever I
dangerous thing to start throw-
to answer that. My sense of belief
the weak.” I can consider those
have come to believe about those
ing around our ideas about those
has changed so much that I could
other views, ones that would
things is bound to be false to
places and those concepts, just
tell you things I do and I value
60
HM • JUNE 2015
What are some of the things you do strongly believe now?
“THIS
IS
PA R T
OF
W H AT
I
BELIEVE,
AND
THIS
I S PA R T O F W H AT I T H I N K A N D PA R T O F W H O I AM. IT
MIGHT
CONTRADIC T
SOMETHING
T H AT ’ S
I N T H E N E X T S O N G , B U T T H AT ’ S W H O I A M I N S O M E WAY S , S O C O N F L I C T E D A N D C O N T R A D I C T E D .”
and I care about and I intend on
way of necessarily communicat-
ambiguity. I like the idea that
quently a color and an animal,
and I’m committed to. For exam-
ing truth, or at least I don’t have
people will come and bring their
so yellow spider, pale horse,
ple, I am married now and I’m
the way of doing that. In a sense,
own ideas to a song, and take away
blue hens, which gets me to
very serious about being faith-
there’s nothing I can say verbally
from that same song totally dif-
wonder: What is your personal
ful to my wife as a husband. I
that I believe, but you can tell the
ferent things. I think that is an
favorite animal and color at
feel very strongly about not run-
things I’m committed to by what
interesting thing that happens.
the moment?
ning around and cheating on my
I do with my days. Of course,
wife, and not flirting with other
you’d have to come spend a little
I think that’s a wonderful
groundhog, because I just saw
women or anything like that. I
more time with me to get a feel-
thing. I think through that you
one yesterday. It was so funny
would want to try to be faithful
ing of that.
can talk about magic lanterns
and fat and chubby and oafish
and android whales and every-
how it moved around, really
thing else and see what people
boldly. I got about ten feet away
take from it.
from it before it scurried away.
to her. That’s important to me. Does that mean that I believe
Exactly. And not through an
that’s the only way to be in a
interview. It would be through
relationship? I don’t know if
how you treat people on a daily
it’s a matter of belief, it’s just a
basis and everything else.
commitment of mine I’ve always
Yes.
felt as long as I can remember.
At the moment I might say a
Sure. The line about android
My lifelong favorite animal is
whales is a reference to my
a rabbit, there’s no doubt about
nephew, Harvey. He had a dream
that. As far as a pet, I’m a cat
about robots and whales, some-
lover. My wife and I have a cou-
Whenever I thought about being
Kind of contradicting that to
thing about robots and whales.
ple of cats. I like having them
in a relationship, I always cared
a degree, what are some things
I put that in there as a nod to
around. All things considered, I
about that, and about being hon-
you do want to try to commu-
him and to my wife. Again, just
think they’re my favorite animal
est, which is a form of truthful-
nicate through (the lyrics to)
liking the imagery and find-
to have around. Bunnies are the
ness.
Pale Horses?
ing a way after the fact to fit it
cutest, but they’re also very skit-
As far as things I believe very
I tried to see my voice as just an
into the song, “Oh, this is how
tish. The ones I’ve had, at least,
strongly, they are also basic.
instrument, just like the guitars
it makes sense in the context of
were hard to even pick up and
They’re all very basic about the
and drums. I just make sounds,
the song. It’s some kind dystopi-
hold, because they’re so afraid,
goodness of love and about the
and typically singers do that by
an future where all the real live
whereas cats are more relaxed
beauty of love and about the real-
using words and through the
whales have died and now we
and relaxing.
ity of love and about the impor-
language that they speak. There
have to build whales.” There’s
With the songs, it’s just a little
tance of compassion. Those are
are exceptions to that, but I find
a lot of almost science fiction,
catchier to just give it a color and
good things, and that goodness
myself in the position where I
world gone wrong, technology
an animal. At some point, we did
is real. Love is real. My life goes
have to put words together to
and progress, nuclear meltdowns
it enough it started to become
better when I remember that,
play my instrument.
and all that.
like, “Okay, this is a thing. I’m
and when I pray and when I give
I would be okay if somebody
If I want to come clean, I’d say
thanks to God. Even if I don’t
didn’t take anything away from
yeah, that image itself wasn’t
have a strong idea about who God
Pale Horses in terms of ideas on
even from my imagination, it
is, I still benefit from getting on
it. I would be very happy if some-
was just totally ripping off my
I think it’s fun. Any chance
my knees and giving thanks and
body didn’t take anything away
nephew, who I think was two
of a song about purple platy-
asking for forgiveness.
from it.
years old at the time. You know,
pus?
going to keep it going because it’s kind of our thing.”
There’s not much solid belief
Whenever there was a word
people might think that’s a nice
Not in the immediate future,
in there, it’s just, like I said,
or phrase that left an idea open
image or is a really meaningful
no. I will take the question into
things I do and I experience,
to considerably different ways
lyric, but in a sense it’s just
consideration once we part ways.
even without understanding. To
of interpreting it, I tend to go
silly.
They’re just such conspicuous
some extent, with beliefs, it feels
with that phrasing as compared
like I have to formulate them
to another way that might even
into words and express them to
sound nicer but was less ambig-
career, (you have always) talk-
I’m more inclined toward subtle-
you. I don’t trust in words as a
uous. I appreciate it, enjoy the
ed about animals. There’s fre-
ty these days.
words, they might attract too Throughout
your
entire
much attention to themselves.
61
On a sprawling and engaging new concept album,
Between the Buried and Me
wants to put you to sleep. HM talks with vocalist Tommy Rogers about the writing process behind ‘Coma Ecliptic’ and why he took his characters on a search through past lives, all while asleep By Collin Simula Photos By Justin Reich
62
HM • JUNE 2015
63
How are things going in the
When I started getting into the vocals... My main thing as a
BTBAM camp?
ally, I always expect the worst. I
and Me, which I enjoyed. I always
know it’s different.
write solo stuff on the road, but BTBAM stuff has to be done
Good. Real good. I’m at home
vocalist is writing for the part,
right now, taking it easy before
writing for the song. What needs
That and metal fans in gen-
the record comes out and we
to happen, happens, and a lot
eral are notoriously particular.
start touring again and all that.
of the music didn’t call for the
Yeah. But it’s been great. And
Yeah, everything’s good man.
heavy stuff. It’s not that I was
the way we’ve slowly progressed
You have described Coma
like, “I’m not going to scream.”
into what we are today, I think
Ecliptic as a “rock opera.”
There were even parts where I
fans expect it. Fans don’t want
What’s the big concept here?
had screaming that didn’t work,
the same thing over and over.
It’s a fairly simple concept.
super
and vice-versa; there were parts
That’s one thing that’s inter-
It’s about a guy who goes into a
pumped. Very few people have
where I had singing where I
esting with us: When you get a
self-induced coma to travel to
heard it, so I’m glad people are
changed to screaming because it
new record, you don’t know what
past lives he’s lived. Each song
finally get a chance to hear it.
didn’t work. I feel like a lot of the
every song is going to sound like.
deals with a different past life.
That’s one of the first things —
music just called for something
As a fan of music myself, I enjoy
They are very bizarre concepts,
you get done with a record and
different. I took it as a chance to
when I get a new record and I
and he’s trying to find some-
you like it, but you get so anx-
write differently than I normally
don’t know if it’s going to be
thing different from his own
ious for the rest of the world to
do and try something new on
like the one before it. The fans
world. In the end, he realizes
hear it.
my end. I think I learned more
appreciate that and expect that.
he’s just been in a coma most of
I had a chance to listen to the record. Digging it. Thanks
man!
I’m
before I actually start working on solo stuff.
his life and none of this stuff was
about my voice on this record
real. That’s the gist of it.
than I have in a really long time.
You guys are gearing up to
Doing this as long as we have—
tour with Haken, the British
I wanted to create something
Yeah. (Laughs) I honestly for-
over a decade—it’s nice to be put
prog band. Do you look at that
that could easily stand across a
get about it sometimes, “Oh,
in that situation, like “hey, I’m
as a chance to gain some new
whole record and have the free-
yeah, we have a new record com-
still learning.” I’m still figuring
fans outside of the metalcore
dom to create stories within sto-
ing out.”
things out about the band and
scene that you guys came up
ries. That’s why I enjoy the “past
myself. And I think we all were in
in?
lives” idea, because I could create
You end up finishing it and then sitting for months on it.
It’s an interesting record. On
that boat with this record.
first listen, it still definitely
I hope so. In some way or
all these disparate stories. When
another, we try to do that on
I’ve written concept records in
has that Between the Buried
Your vocals do sound really
every tour. In Europe, especially,
the past, it’s easy to get stuck.
and Me sound, but it’s quite
strong, like you pushed your-
we’re kind of behind, so I really
You want to branch out but you
a bit more melodic. Not just
self on this one.
hope we can gain some new fans.
can’t. This concept allowed me
musically, but vocally you’re
I appreciate it. It was a lot of
They are a great band, we’ve lis-
to be able to branch out. If one
singing about 90 percent of
work (laughs). It didn’t come eas-
tened to them for years, and it’s
song was a little heavier and the
the time. Was that a stylistic
ily for me. With writing it, it was
going to be cool to finally get on
theme didn’t feel right, I could
choice or was that just the nat-
just such a different record, I
the road with them.
create a story that would fit the
ural progression of the band?
took a totally different approach.
It was really natural for us.
It was time consuming, but I
mood for that song. Speaking
of
the
more
melodic nature of Coma Ecliptic,
So, essentially, each song on
records, we don’t discuss what’s
Like you were saying earlier,
with the music getting more
the record is a chapter of sorts
going to happen. We go off and
we were really worried it wasn’t
expansive and melodic, are
in the bigger story?
write a lot on our own, and we get
going to sound like Between the
you seeing any overlap with
together after a little while and
Buried and Me. Once we got into
the writing process of your
see where everyones heads are,
a song or two, we knew it was is
solo material?
see what the vibe is around what
different but it still sounds like
No... no. I’m not the only one
idea? What mindset do you
everyone is writing.
Normally, when we start writing
think it came out really well.
Yeah. What was the genesis of the
us, and we were totally comfort-
with something on the side in
need to get into to write these
But from the start, I think we
able with that. This sounds like
this band, and we never work
concept stories rather than
were just in a different place.
us, a new version of us, which is
on our side projects at the same
personal lyrics?
The music was more melodic —
what we wanted from day one.
time as working on Between
Well, the way I write when it
the Buried and Me stuff. When
comes to concepts is really get-
something is going on, that’s the
ting into the music. I want every-
focus, what we’re writing for. I
thing to work with the music.
It was great. It was better than
wrote the last solo record on the
Almost like a backward film
I thought, honestly. Me, person-
road with Between the Buried
score — the music is done, but I
like you were saying — and we just went with that. It felt right. It felt natural to us. The writing process went really quick and smooth.
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HM • JUNE 2015
How was the fan reaction to (the first single)?
need to write a movie. And that’s
out, we really tried to convey the
it. I’m super proud of what we’ve
kind of how I do it. I visualize
story, which we did with pho-
done. I know a lot of musicians
what should be happening in the
tography this time, rather than
hate on earlier material, but I
moment and the moods that are
artwork. It was great. We had
think everything was made for a
created in that moment. The first
a photographer and artist that
reason, and I’m stoked on every-
few weeks or months of the writ-
we’re close with go in the mid-
thing we’ve done.
ing process, I do a sketch of sorts.
dle of the desert and take these
I kind of chart out what’s going
photos. They were super hands-
It’s easy to hate on previ-
to happen during each moment
on. We worked very closely with
ous material if you put out the
before I write the story.
them. We’re trying to have a
same record over and over.
Almost
like
writing
a
really cohesive package we’re
Right. Like, “I’m doing a bet-
presenting with this record, and
ter version of that now.” When
“We were really worried it wasn’t going to sound like Between the Buried and Me. Once we got into a song or two, we knew it was is different but it still sounds like us, and we were totally comfortable with that.”
hopefully that helps with the
I listen to Alaska, it feels like
In a way, yeah. The thing is,
story even more. I’m really blown
the same band, but it also feels
recorded that one in five days,
you spend all this time com-
away without the layout — even
like different music to me. And
live in the studio. Its so much
ing up with the story, but there
though it’s not a movie, I think it
I know a lot of people feel like
different than now, but was such
isn’t a whole lot of dialogue. So,
really tells the story well.
that. But we’re not doing a new
a great experience. We learned
version of Alaska. It is an evo-
so much. It might not be the best
screenplay.
sometimes, you have a lot more to say than you can, which is
I know every band says that
lution of that sound. We’re the
record ever, but it’s awesome. It
hard. Especially with this record
their new record is their best
same dudes. I still enjoy all of
represents that timeframe, when
being more melodic, I tend to
one yet, but do you think that
that stuff.
we were young and didn’t give a
write less lyrics when I’m sing-
Coma Ecliptic is the culmination
ing rather than screaming. There
of everything that BTBAM has
Totally. A week ago I was
were moments when I was like,
been doing so far, packaging it
listening to your self-titled
“Man, this song is finishing up
together better than you ever
record from 2002 and com-
and I still haven’t gotten this
have?
pared to Coma Ecliptic — wow,
sh-t about anything.
thing across. I need to find a way
Like you said, it is cheesy to
to make that happen.” That was
say. I think every record is that
an obstacle I kept coming across
way. If you aren’t getting to that
with this record, in particular.
point with every record, you
But in looking at your cat-
aren’t doing it right, just like
alog as an evolution, you can
what a shift. (Laughs) Yeah.
Has the band ever enter-
any job. You’re working toward
appreciate all of the records
tained the idea of doing The
something. With every record,
for what they are, even if they
Wall-style visuals to go along
we grow as people and musi-
sound different.
with the concept?
cians, and hopefully that shows.
Yeah, and when you listen to
I think that’d be awesome, but
I’m very proud of this record.
that stuff you remember where
that’s a matter of money and
It is my favorite record we’ve
you were. When I listen to that
resources. If we had the money,
done, but it’s also new. I love
self-titled record, I remember
I’d love to (laughs). Maybe one day
everything we’ve done so far,
leaving the studio and driving
we can do something like that.
and everything we’ve done was
two hours to go to work the next
perfect for the moment we did
morning. Never sleeping. We
With the design of the lay-
65
66
HM • JUNE 2015
“A lot of the music just called for something different. I took it as a chance to write differently than I normally do and try something new on my end.�
67
Why so serious? By David Stagg Photos by Jason Mageau No other band likes to have as much fun with their music as iwrestledabearonce. So why are they so concerned?
Courtney LaPlante makes you want to keep talking to her. She’s charming, her demeanor inviting and engaging. I called her 15 minutes late — mainly because I thought she was supposed to call me — and she let me have it: “I was sitting here, waiting by the phone,” she poured on. “You made me wait.” I extended my deepest apologies. “You’re a smart man,” she joked. She couldn’t keep up the facade very long, her nature more lighthearted. She’s full of active energy, something the leader of a band known for their energetic songs needs to be. That band, iwrestledabearonce, is about to release Hail Mary, their fourth fulllength release, though it’s the second for LaPlante. She replaced former frontwoman Krysta Cameron in 2012 when she left to pursue a family. The energy on Hail Mary is there, but it’s a significantly denser energy. Their debut album, It’s All Happening, ended up at No. 1 on the Billboard Heatseekers chart partly on its techinical prowess, spastic songwriting and genre exploration. But, as happens when the life of a band rolls on, IWABO now rests on a sole founding member — guitarist Steven Bradley — but for the current release, the songwriting got heavier. Really heavy. The grooves last longer. While the music may not sound exactly the same, it has the identity and fingerprints of IWABO; just like their debut album, it’s another way one of the more entertaining acts in the genre reminds us they exist on their own terms. We’re just along for the ride.
for this? (Laughs) Yeah! Sure. Okay, cool. These are supposed to be for when you first meet somebody, so here you go. First one: “Who was the last person you talked to on the phone, and who do you talk to most on the phone?” Not counting me. The last person I talked to on the phone was... I just did an interview like an hour ago, but the last person I talked to on the phone, a personal call, was on Monday. My dad was picking me up from the airport in Atlanta, and he surprised me that my grandparents had driven down from Massachusetts to hang out with me. Oh my God! I don’t live in Alabama, I was just coming here to visit my dad,
Just kidding!
and I had a mental breakdown on the phone, crying. Well that’s a really good answer.
They’re doing more than al right, and their lat est album prove s it
I think the person I talk to the most on the phone is probably my mom. She lives in the same city as me. I talk to her the most on the phone because we live 40 minutes away from each other so we’re always organizing when to hang out. She’s a crazy hundred-mile ultra marathon runner. I am just starting out running, so I talk to the poor lady for an hour, at least once a week, trying to get tips from her (laughs). Your mother sounds like an inspiration to live up to. She’s an inspiration to live up
rather live in a place that was
I’m with you on that. I live in
to because she’s turning 50 and
always very hot, or a place that
Houston, so I’m familiar with
she looks like she’s 25. Everyone
was always very cold?”
the mugginess, and I would
in my band stares at her and likes
Oh no. Well, I don’t know
her pictures on Instagram inap-
because my dad lives in Alabama.
take that over snow and ice
propriately, a little too much.
The closest airport is Atlanta. I
I live in Canada, but I live
lived in Alabama for ten years,
on the West Coast so it’s never
any day of the week.
Most people want to get to
(Laughs) This one kind of
and I really didn’t like the mug-
snowed this year, as an exam-
know you a little bit, so I found
is close because you just said
giness. I think if I had to pick,
ple. Yeah, I think I’d rather it
these cards that my wife and I
you were in Atlanta, I know
though, I would pick always hot.
be always hot and then have to
have that are like “Get to Know
you said you didn’t live there,
At least you have an air condi-
have air conditioning and spend
You” questions. Are you down
but this card says: “Would you
tioner.
a bunch of money on air condi-
70
HM • JUNE 2015
tioning. Given your chosen profession, you’ll likely be hotter
Okay, you have to give me…
God was the day that God didn’t
semi-answered, I got to meet
like childhood as in not a teen-
answer my prayers that the fric-
somebody that was in Space Jam.
ager yet?
kin’ Looney Tunes squad would
most of the days and sweaty
come out of my TV with Michael
There’s still time on the
is
Jordan and be my friends. I did
table. A lot of those guys are
want some water and some ice
intended to be — like, I played
meet Charles Barkley once. Wait.
still alive.
after that. It’s probably better
with X-men, that kind of era.
Twice
most of the time. You probably
that way. Yeah, exactly. One more: “Who were your childhood idols?”
I
think
the
question
I’ll make my rounds.
You know what? It was everybody at Space Jam. (Laughs) The day I stopped believing in
for
I don’t know what I can
Houston, so he’s been around
Oh
yeah?
promise you in regards to the
this town a lot.
Looney Tunes, though.
Yeah,
but
He
my
played
prayer
was
Yeah, so that was like my big
71
72
HM • JUNE 2015
73
thing when I was little. The first
started playing metal. I was his
a Manchester
CD I ever bought was the Space Jam
singer.
United fan.
soundtrack, when I was, like, 8.
We started out in a band and we were more like Rage Against
My
dad
That’s so definitive of an
the Machine with a girl singing.
was born in
era, I guess is the best way to
Then, as he started to like heavi-
Brighton,
put it.
er, more extreme music, I also
which is on
had to adapt, and he was show-
the Southern
ing me heavier, more extreme
s ide
Well then, tell me a little bit
music, so it went from that to
England, and
about what happened between
System of a Down to Between the
there’s
Space Jam and now your music
Buried and Me to Meshuggah. He
professiona l
career, as a junior higher,
keep having this need for heavier
football team
through high school and into
and heavier music. I never set
in that city.
your musical life. How did your
out to be in a metal band, I just
His dad, as I
relationship with becoming
set out to make rock music with
understand
the vocalist for a metal band
my brother. Then we both dis-
it, was in the
come about?
covered our love for metal music
Royal
together.
so they didn’t
Yes, exactly.
It’s really weird. I grew up
of no
Navy
spend as much
in Alabama, right. I went to a
time
“The day I stopped believing in God was the day that God didn’t answer my prayers that the frickin’ Looney Tunes squad would come out of my TV with Michael Jordan and be my friends. I did meet Charles Barkley once. Wait. Twice.”
hooting
very average school in Jackson,
That’s a fantastic story, are
Alabama, and I was always very
you and your brother still very
and hollering
high-achieving. I wanted to be
close?
and
getting
into
trouble at
everything. I wanted to make
Yeah, I was in a band with him
the highest grades but also be
for about six years. That’s the
down
the prom queen and also be the
band that I left to join this band.
pubs much. He
the
had a differ-
fastest person on my track team and be a cheerleader and be
Don’t tell me that story yet. I
ent relationship with it, but he
The job that I left to go join
President of Student Council. I
have one more question I want
understood the value of being
my band? She worked there, too.
think I was Vice President of the
to ask before we get to that
a part of a larger competitive
She ran the place I worked. We
F.F.A. Society. It’s like I wanted
story. F.F.A. For people that
organization, I think like your
worked together for three years
to be everything, but I also would
don’t know, that’s the Future
parents did. Keeping us busy,
(laughs).
only try out for these things if
Farmers of America.
so otherwise we don’t get in to
I knew I was going to win. You know what I mean? So I only
(In a Southern accent) Future Farmers of America.
trouble. (Laughs) You’re going to be a hooligan!
tried out for Homecoming if I
That’s an awesome success story. Yeah, she’s awesome. She’s very driven.
knew I would win. Then I put my
As a Texan, I’m familiar. Do
name out there. I was one of
you ever say that elsewhere in
Exactly. And he was exactly
those over-achieving kids who
the country and people look at
right so I played soccer non-
was really scared.
you like, What?
stop. That’s awesome.
Now tell me about your relationship with iwrestledabearonce. You got more and
It was a really small town, so
Yes. They don’t know that here
I think what my destiny was to
in Canada. I don’t even know
be that kid who was the best at
why I say that, then. I should say,
Do you feel like you got your
everything and then went to col-
“Oh, I might be able to be presi-
drive from your mother? Do
lege and realized they were not a
dent of something at my school.”
you think she encouraged you
special snowflake and that just
I do still have my F.F.A. jacket,
to be the best you could and
remember my brother saying,
because, “I’m pretty but I also
you know. The corduroy jacket
that was you figuring that out?
“Okay, I’m about to show you the
love Dragon Ball Z, I’m so quirky
you get.
doesn’t matter.
Yeah, my mom was a teacher at
band an inspiration to you and your brother? Yeah,
we
loved
them.
I
coolest sh-t you’ve ever heard.”
my school, so she was my mom
and different,” and then realize, get over yourself. High school
more into metal; was that
I was never actually in the club; it was just prevalent. I
and she was my science teacher and she was my track coach.
It is, when you first hear it. It really is. He showed me on MySpace,
was too busy playing soccer.
What?
It only gets you so far. Right.
My dad came from England,
During certain times of the
and then we were huge fans. I
And then when I was 15, I was
so when I went to high school
year, I would be with her for
added them all on Facebook and
taken away from there because
here, F.F.A. was somewhat
the entire day and then go home
every once in a while, I’d be like,
of my mom. I moved to Canada,
foreign to all of us. I had to
with her.
“I love you guys!” I never met
and I always liked playing guitar
learn about it all.
and stuff, and I taught my little
What was your soccer team?
brother how to play guitar, and
Michael, in my band, his par-
he got way better than me and
ents are British so he has to be
74
HM • JUNE 2015
them and they never really talkAnd now you still spend time with her? Yeah, and we get along so well.
ed to me, but I was always a big fan. We were big, big fans. We never got to see them live,
because they never came out
we didn’t both have girl vocalists,
I hadn’t done any vocals in
where, like Europe, America,
to my little island I lived on in
no one would compare us. But we
probably four months.
Asia and Australia. “Okay, I’ll
Canada. Then I was at work,
had interesting styles, so they
just going about my business,
were aware of me. They probably
That was my next question,
and I got a call — I think Jason
had been like, “You know, if we
how long the separation had
(Mageau), the band’s manager
ever need somebody... Ahe’s a
been from your previous band
called. He was like, “Hey, so their
cool lady.”
and this moment and how it
singer quit, do you want to finish Warped Tour with us?” And I was
do that!”
went. (Laughs) If something ever
You were lucky in that you were in a position to say yes. Yeah, it just clicked. I was kind of weirded out. I just went on a bus
They were like, “Go, go for it.” It
with 20 dudes. They were shar-
was my brother and my boyfriend.
ing a bus with the band Vanna. I
I went out there the next day.
They were very supportive. They
get to my friend, the guy’s house
I flew out the first flight, five
never said, “No, no no.” They were
in Muskogee, Oklahoma, and he
in the morning to Oklahoma
more like, “She might join the
was having this giant pool party
where they had the day off for
band, but, if anything, it’s going
with all these dudes and they’re
the Fourth of July. And then
to help all of us with exposure, so
all sunburned and everyone has
Oh no, they were like, we just
I met them. We didn’t prac-
go! Run!” They weren’t mad when
these face tattoos. Everyone in
need you to finish Warped Tour.
tice or anything, they just let
I joined, because they were really
Vanna has face tattoos and I don’t
This was literally the second
me go on their tour bus: “So
proud of me.
even know which guys are in my
their singer quit. They already
you can just turn up our songs
It was after a few days, and
knew of me because the band I
really loud on the tour bus and
then the guys were like, “Do you
was in was a regional band, and
scream to break in your voice.
want to go on a world tour with us
there’s not a ton of girls that sing
Then, hopefully, you sound
and be our singer?” They already
(Laughs)
and scream like that. In a way, if
ok ay
had a world tour booked, every-
Yeah, and I had no idea what
like, yeah! When do you want me to start? He’s like, “Now. Can you leave now?” Were you told it would be interim?
goes down...
tomorrow.”
Because
band and which guys aren’t in my band. They all look the same!
75
was going on. I went in there and everyone was drunk because they were all stressed out and everyone was sunburned from being on Warped Tour and being in the pool all day. I just gave them all a hug and and told them, We’re going to get through this, guys. Mildred the Dog was there and she cuddled me because I was stressed out. And the next day, I was going out and doing the show. Was the world tour with Vanna? They were on the American
and
the
European leg of it, so I became really close with them. I did my first three tours with iwrestledabearonce (Warped Tour,
Europe
and
America), and Vanna was there the whole time. I got really close to those dudes because they also were there helping me. They told me, Hey, I know you’re probably freaking out right now because your whole life’s about to change, but it’s okay. It’s like they were like my dad when I was going through puberty: “You’re going through some changes. Davey (Muise, vocalist for Vanna) was a replacement singer, so he was very great to me. He knew what I was going through. the actual album yet. I’ve lis-
super charged, a little frenetic,
an ear and to give you some
tened
but it doesn’t really give you
advice.
probably almost as long as you
That’s great for him to lend
Oh yeah. I owe him so much.
to
iwrestledabearone
have. The single itself sounded leaner, almost a heavier sound
Let’s talk about Hail Mary for
than I’ve heard from the band
a second. I’ve only heard the
before. It’s almost like the fat
first single; I haven’t heard
was stripped away. Still raw,
76
HM • JUNE 2015
punishing. Yeah, that’s the best way to describe that song. That’s per-
the breaks that— It doesn’t feel like jazz breaks
fect what you just said. It punishes you.
are coming or something.
Also, I’d say — this is a sneak not
peek — that song is probably
there. Even the riffs are more
the least technical song on the
Right,
they’re
just
“It’s like I wanted to be everything, but I also would only try out for these things if I knew I was going to win.”
album. I’d say as far as instru-
ing more for the broader fan
Personally, I love heavy, but
release, to be like a kick in the
ments, that one is our least tech-
base. If you’re going to do that,
I wanted to hear what you
balls (laughs).
nical song I think. I’m excited to
that’s fine, but I feel like in an
thought about that.
show the other songs (laughs).
era where bands like Chon and
You know, I’ve been really
Polyphia are selling albums
bored with everything I hear.
That’s probably the least gui-
That song is heavy, but it’s definitely
not
the
heaviest.
The major note I made was
and with iwrestledabearonce’s
I’ve just been so bored. It’s like
tar-driven song on the album, as
that in the landscape of music,
history, that you would decide
nothing has any balls to it. I
far as lead guitar work. (IWABO
it sounds like people are writ-
to go so heavy with the album.
want this song, the song that we
bassist) Michael (Martin) and
77
(guitarist) Steven (Bradley) out-
on you, or were you allowed
on the music on some
did themselves. Me and Michael
the freedom to help guide it?
headphones and dis-
went home after recording was
Are you mainly doing lyrics? Is
appear?
done, but I’m pretty sure Steven
that your goal here?
Yeah. I do that and
and Michael took a nap for a
The nice thing is that even
I go on a jog. I’ve been
week straight after they recorded
though the band I was in had a
training for half mara-
because they were probably just
lot of growing to do, IWABO still
thons so I write on my
mentally and physically drained.
got a sense of what I was about
runs. A lot of my runs
through my old band. We wrote
are really long. They’re
For the record, that’s your
some kickass stuff. I definitely
like two hours long.
guitarist and drummer, correct?
had a lot of room for improve-
We have three Michaels in our
ment, but I think they felt really
I ran a half marathon
confident I could write songs, I
last year and it almost
could write the melodies and the
killed me.
band. Which one here?
rhythms and I could write the
We have young Michael; he
lyrics.
Oh
that’s
amazing,
though. I’m cool with it.
is our new guitar player. He’s
That’s like my own little world.
Mine’s in June, and I’ve
my boyfriend. Then we have
They’re not a part of that world.
already run that dis-
Michael Martin, we call him
I go in my room and I write stuff
tance, so I’ll be fine.
Ricky, Rickshaw. He’s the bass
and I come in and that’s where
player. Then we have Mikey
the guys might say, “Hey, maybe
I have a brand new
Montgomery. We have young
you could do your rhythm this
respect for anyone that
Michael, Mikey and we have
way.” They give me guidance in
runs
Ricky (laughs). They’re all named
that way as far as what I’m actu-
miles at a time.
Michael. It’s a total sh-t show.
ally recording, but for my part,
It’s really hard. I don’t
I go in my own direction. They
think I’ll ever want to do
go in their own direction with
more than this. It’s so
writing the music, and we have
time consuming to train
to pray we meet up in the middle
for. I’m trying to train in
somewhere. So far, it works.
rural Alabama right now. I
Ricky is one of the founders, correct? Ricky and Mikey aren’t technically the founders of the band, but
more
than
six
I feel like it’s weird to say they’re
Late for Nothing, I guess late
went on my long run yes-
not founders because the band
2013, was the last one we did, and
terday. I was going to run
started with (former vocalist)
that one was really cool. I had
11 miles, and I got through
Krysta (Cameron), (former guitar-
complete control, but this one
six. I had to call Michael
ist) John Ganey and Steven. They
was even cooler because I didn’t
— he’s here, too, visiting
got big enough and they needed
have anything to prove anymore.
my family, young Michael — and have him come pick
to tour, so they got random people in their band that didn’t really
You can let loose.
me up because I was out
work out. Ricky and Mikey, they
Yeah, I don’t care if people
in the middle of nowhere
haven’t been in it since the very
don’t like it because I don’t have
and there were so many
beginning, but they’re the found-
to prove anything. I already
damn stray dogs that live
ing members in my eyes.
proved myself. It’s a nice feeling
on farms chasing me and
of relief. It’s nice not to have
stuff.
I don’t mean to derail your
that anxiety or care what people
original statement, I just was
think because you made it for
trying to give reference to the
your own selfish creativity. It’s
family tree, if you will.
an awesome feeling.
Yeah, I always just lie and sat they’re original members.
When you wrote Hail Mary, what were you thinking about?
(Laughs) It’s definitely easier. Who’ll Wikipedia that?
“The nice thing is that even though the band I was in had a lot of growing to do, IWABO still got a sense of what I was about through my old band. We wrote some kickass stuff. I definitely had a lot of room for improvement, but I think they felt really confident I could write songs, I could write the melodies and the rhythms and I could write the lyrics.
How about this, then: What’s You were straight out of a horror movie.
your favorite fried food? Is it chicken or is it going to be like a jalapeno popper?
Yeah, it was scary. I had to run
I don’t know. I’m a vegetarian
around with sticks and rocks so
now, but I grew up (in Alabama)
I could throw them at the dogs.
not being a vegetarian, so it might be like fried catfish and
The feeling the song gave you — not lyrically, but the over-
Really, you’re just trying to
hush puppies. Tonight we’re
all feeling of the song — led
put yourself in the mindset of
going to Cooter Brown’s Rib
to themes of dread and heavi-
the album.
House out here, and I’m going to eat ten hush puppies.
Yeah. Screw that.
ness and darkness and evilness.
If I could have written the
They were in the sh-t. They
That’s kind of what my lyrics
album here, when the dogs were
reflected.
chasing me, it would have been
Hell yeah you are! You’re
even scarier. I need to go on a six
going to eat ten of those damn
mile run today. It’s not going to
hush puppies.
were there. When you entered the pic-
You call it going off into your
ture, did they press a direction
little room, I guess you just put
78
HM • JUNE 2015
happen.
Then I’m just going to lay down.
The many sides of the ocean By Sarah Dos Santos Photos by Corinne Alexandra
ON THE LATEST ALBUM FROM BEING AS AN OCEAN, FRONTMAN JOEL QUARTUCCIO IS AT HIS REALEST
81
I was first introduced to the sound of Being as an Ocean while interning at HM Magazine. They had just released their second fulllength album, How We Both Wondrously Perish. I heard the introduction of “Death’s Great Black Wing Scrapes the Air” and I was sold. Their sound has all the elements a post-hardcore fan would appreciate; the spoken-word style reminds me of Dan Smith (Listener), and the screams remind me of Counterparts and Hundredth. The lyrics are heartfelt and delivered in a variety of ways, from screams and poems through spoken-word style and melodies. The steady two-step drum beats are complimented by smooth instrumental melodies, which are fronted by incredible clean vocals. All the different sounds blend together in a way I’d never heard before.
A week later we tried to give it another go; he had recently returned home to the United States. Our interview was scheduled for late afternoon, but this time, no sign of Quartuccio. I didn’t know he had returned from his tour, yet. After about an hour, I decided I would take a peek at my emails. David Stagg, HM’s Editor, had sent a message saying Quartuccio might be sleeping off the bangover, a sleep well-deserved for a band so dedicated to touring. That same dedication made carving out time to write their newest record, a self-titled effort from InVogue Records, difficult. “Now, having the finished product,” he would tell me later, “it almost feels like a dream that it’s done.”
I was mentally prepared for the interview a number of times, but trying to arrange a time to speak with Quartuccio was quite the mission. Quartuccio — the warm, friendly frontman of BaaO with an epic beard — has been touring with his band all over the world. The first time I got a hold of him, he was sitting on a rooftop in Vienna, Austria, late at night. He couldn’t get a good connection indoors so he decided to climb onto the roof. I couldn’t help but laugh as he explained his predicament. I imagine his view was spectacular that night as we introduced ourselves. That setting might have been the perfect environment for our interview. What an experience it must be to travel the world, different city every night, sharing a bit about your story while looking across the night lights of Vienna. I imagined the challenges he might have faced while traveling and the frustrations with the various qualities of accommodations and transportation. I was impressed with his determination to have this interview, even though it was during the end of the tour and the connection sucked. He was exhausted. It may have been just as well; Fate intervened and the connection was so pitiful, among a broken call, we agreed to try it again another time.
Hey Joel, how have you been?
We’ve been on tour for the past
I’ve been good. It’s nice to be at
three months in Southeast Asia,
home. I was traveling yesterday,
Australia, the U.K., Europe and
flying back, but yeah, feels nice
now I’m back home in San Diego.
to be back.
It’s nice to have a little break.
You flew in from your world tour, is that right?
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HM • JUNE 2015
Yeah, I can imagine. That sounds like a very hectic tour.
It was good, but it had its trials.
new song every night to promote the album and get people talking about it.
This is all to announce your new album?
Did you have good reactions?
Yeah, it was a bunch of sup-
I thought we had a really good
port tours, except for Southeast
reaction. I was happy with it. It
Asia, but yeah, we were playing a
was cool because I was doing a
I can speak to on that subject.
free merch thing: The person I
record, because you are taking
choosing to forgive for ourselves.
saw come over the barrier the
your artistic ambition forward
A lot of the album is about
I think, even aside from the
most times in that song (got free
but you’re also confident in the
forgiving the things that make
idea or belief in a God, we have
merch). We knew no one would
support you’ve gained from
us human. Everyone has things
to look at what’s more basic in
know (the song), and we did it
previous work. You can take
in them — whether you want to
just taking care of each other as
to keep up the energy and help
those risks.
call it darkness or a soft syn-
human beings. That, I think, was
In essence, that’s a big part of
onym for evil — where there
part of Christ’s message as well.
it, being confident in that fact.
is that humanity; these things
Heaven can be here on earth,
Before the whole tour, what
... The second album was differ-
that make us imperfect. We all
it’s available to us. But we have
got you guys so amped up for
ent from the first, so very much
have them but they vary. I think
to help it come along and create
the album? Was it different
for us: There’s a new produc-
it’s extremely important in the
it with each other, you know?
this time around?
er, there’s a new member. We
human experience to forgive
There can be harmony, it just has
It wasn’t necessarily different
were given hope because of the
those things that take our power
to be expressed as love to each
other than the fact that we had
reception of it. So it gave us the
away to become better people:
other and to treat each other
a little bit more of a time crunch,
license, at least in my mind, and
guilt, shame, etc. I think both
with respect and, with that love,
with how often we tour and
the confidence to continue on
love and forgiveness are massive
things can change in the world.
things like that — specifically
and do what came naturally.
weapons for justice, both in per-
people get into it. It was fun!
sonal relationships and in public.
Being a loving, forgiving
music. There was a little more
It’s nice to see you have
So like it’s like a universal
person to others, sometimes
stress with that part, but we feel
confidence moving forward.
rule; the golden rule: “Do onto
that’s the best way to have
it all came together really well.
When you’re writing, you’re
others as you would have them
harmony with people who are
We were amped on writing it and
writing from the experiences
do onto you.” And the other uni-
different from you and who
recording it. And now, having the
that have happened to you, the
versal rule, don’t be an A-hole.
believe differently than you.
finished product, it almost feels
things that have changed, the
like a dream that it’s done.
stories that you’ve been told,
(Laughs) It is simple. That
understand we all have strug-
and these are the things that
whole concept comes from a
gles and relate to each other
The last album was really
are growing you and maturing
man who lived just over 2000
and that ultimately is what’s
loved; a lot of people really
you into new artists, different
years ago: Jesus. You don’t
going to bring harmony and
enjoyed it. Did you feel pres-
from the last album.
have control of what people do
bring peace, right?
taking the time to write out the
You just treat people well and
people
to you and you don’t have con-
I do believe that. Free of judge-
of fans or the label in making
change constantly, so the music
trol of what they say or what
ment and living in that perpetual
this new album?
people make should change as
they think. All you can control
state of forgiving. You can never
well. Or else, it’s just a carbon
is what you do about it; how
be offended; you can only learn
copy.
you react. I like the style you
from other people.
sured to meet the expectations
I was trying to write from a place of honesty, and the
Yeah,
totally,
and
took on that concept with the
thoughts did cross my mind, but
Even learning how to be ver-
those were the thoughts I had to
One thing I wanted to touch
track… and this is me assum-
throw away. I love and appreci-
on is this theme of forgiveness
ing Jesus’ life is your founda-
ate our fans so much, but I know
and trampling over struggle
tion and inspiration, based on
if I start writing things I think
(through) love, which is pre-
reading into your lyrics. Can
people want, I’m not being hon-
sented in the lead single from
you confirm that?
est with myself. This album was
your album, “Little Richie.”
Well, my foundation for writ-
what’s ahead for you guys?
important to me, so, at least on
Do you believe forgiveness
ing the things I do… I can’t take
You’re going to be on the line
my end, I tried to remain honest
and love have a greater ability
my personal experience with
up for Vans Warped Tour?
with where I was in my expres-
to improve our character and
God out of it. But like —
sion.
inspire people instead of this
There is the hope the album is well received. You hope people
popular concept of seeking justice for ourselves?
sus how not to be (laughs). Exactly, exactly. I also wanted to find out
Yes. There’s nothing more exciting
You want to make it universal?
than
Warped
Tour.
We’re excited to start it and support doing it.
like what you make. But, in the
Absolutely. I think there’s a
Well, take my band mates:
end, you make it for the plea-
different kind of social justice
Even though not all of them
Yeah, and you probably don’t
sure of it, the escape we found in
that’s encouraged when we are
share the same foundation or
even want to think about it
making music, and for playing
pre-emptive and take care of
belief or opinion, they are very
right now after a world tour.
it for our lives and all that stuff.
each other before things arise
gracious with me in letting me
True. I’m very much in my own
where we have to react. I think
express something I believe to
mindset, and I know that when
That shows how you guys
there’s something empowering
be part of the new experience for
the time comes, I’m going to
have all grown since the last
between choosing to love and
myself, and (I’m) the only person
thoroughly enjoy it.
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HM • JUNE 2015
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V
FROM THE HM VAULT
ISSUE NO. 119 MAY/JUNE 2006 “We’ve been mega-blessed,” Underoath drummer and vocalist Aaron Gillespie says. “We do what we do. We do what we know how to do, you know? We don’t really try to dress up on stage. When you try, people know you’re trying, and it doesn’t last very long. We want to make music kids can relate with. We’re people who’ve come a long way. We’re definitely just a bunch of screw-up kids that have been given a second chance.”
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