VENTS Magazine 151th issue

Lana Parilla

We’re very happy to have some time today with acclaimed actress and musician Lana Parilla; greetings and salutations, Lana! Before we meander down the proverbial Q&A musical and celluloid pathway, how is the freshly minted New Year of 2024 treating you and yours?

It’s truthfully been a little tricky, not to be a downer, but I lost the love of my life -my dog, Lola, she passed away on January 14th, and that was very difficult for me. I fell into a little depression because she was with me for

16 years. I’m now trying to celebrate those years and honor how grateful I was to have her for that length of time. During that time, I was offered to do One of The Good Ones at the Pasadena Playhouse. My higher self knew that the way to help heal was to step into community and be surrounded by wonderful people who can be super supportive. It was like a calling for me. I knew that to help heal my broken heart, I had to do something creative and turn my pain into art. The play was a beautiful healing experience because it’s also a comedy. So, I was stepping into laughter and lightness, you know? It truly saved me.

Major congratulations on the upcoming April 12 release of your debut single You! Starting at the top, can you talk about what inspired you to record this gem of a ditty?

Any opportunity to create and explore a different area of art is always of interest to me! When this song came to me through Glovibes and Luciana, who are both very seasoned in this music world, and they asked me if I wanted to do this song, at first, I was like, “Oh God, I don’t know.” I wasn’t sure initially because you never know what the music necessarily is going to sound like. They gave me a little idea, but because I’m not as experienced as those two, it was harder for me to envision. Sometimes it’s just the lyrics - you’re sort of recording to the rhythm of the lyrics, but you don’t know what music is going to be attached to the track later. I just knew that I was in safe hands with Glovibes and Luciana. I had to trust my team and the creative process. Now we are here!

You features a guest appearance from on-point music artist Luciana. What was it like working with Luciana on this new tune?

Oh my god, she is a doll! I absolutely love her. She’s become a friend over the last five or six years now. Luciana is just so encouraging and so supportive. She helps me if I can’t hit a note; I listen to her because my ear is trained in music so I can mimic her note. I can sing along with her and she’ll kind of help me and then let me go. So, she’s been a great vocal coach for me and I’m so grateful to her.

Speaking of collaborations, who was your producer on You and what did the collaboration between artist and producer look like in the studio while working on the new tune?

Well, actually Luciana’s husband, Nick Clow, and Glovibes were the producers on the project. Nick is amazing. He’s a wonderful producer and he has an amazing voice. Nick and Luciana were both just so encouraging, and I knew Glovibes was going to deliver. In the actual recording room, it was Nick and Luciana, and they are always making music together, so I was in good hands with them too. They guided me every step of the way. I wouldn’t have done this, and it wouldn’t

have turned out the way the song did without them.

In your humble opinion, what differentiates You from the Distinguished Competition on the 2024 music scene?

I guess I’m just the unexpected artist! There’s a lot of music artists out there and that’s solely what they do. Then there are some actors turned musicians or vice versa, but I think what really makes me different is that house music is totally unexpected. No one expects me to step into the music world, especially in this genre, which is not necessarily my comfort zone, you know? This is also why being an actor really helps because stepping into a character and pretending you are someone else really does help me be able to sing freely in the way that I do.

In the wake of the release of You on April 12, can fans look forward to an EP or LP release from you before the end of ‘24?

I don’t know, we’ll see - that’s still a conversation that we still need to have!

Will there be an opportunity for music aficionados to catch you on the touring/performing circuit in the coming weeks and months?

Glovibes does a lot of performances and there’s been a couple of times when he wanted me to show up. We did Pride Weekend in LA for hundreds of people and that was a ton of fun. I know he’s trying to get Luciana and I to perform together soon. We are both so busy! Luciana is doing a lot of other projects, and my acting career pulls me away. You’ll just have to stay tuned to my social platforms. If you’re following me, I usually make announcements if I’m going to perform somewhere!

Switching gears to the activities you have going on as an actress, congrats on your leading role in Gloria Calderón Kellet’s theater production of One of the Good Ones at the Pasadena Playhouse this past March and April. Can you talk about what One of the Good Ones is about and how your character figures into the proceedings?

One of the Good Ones is about a Latin family and the daughter’s bringing home her white boyfriend to meet the family for the very first time. It’s sort of a comedic take on the movie, Guess Who’s Coming to Dinner. It’s written by Gloria Calderón Kellet, who is a leading voice in the Latin community as a showrunner that’s out here producing Latin content. Enrique, who’s played by Carlos Gomez, plays my patriarchal, old-school husband. He is working to overcome his closeminded learned ways of behaving and thinking, to continue having a relationship with his daughter. My character is a modern woman, even in her thinking. So, she’s much more accepting of the boyfriend. And so that’s like the fun sort of contrast, right? The story is about us pushing past our biases to accept this guy and support our daughter.

But that’s not the only trajectory for my character because she herself is also a white-looking Latina. It helps me relate to her as a character because as a white looking Latina, a lot of people don’t know who I am. There’s a speech in the play where she says “People say you’re ambiguous like that’s a compliment. I mean, what is that? That’s like saying you’re nothing and that sucks.” That’s kind of been what it’s like for

me in my career. No one really knows what I am. It serves me on some level because it opens up my casting, but at the same time, because I don’t “look Latina enough”, it’s closed the doors to playing a lot of those roles. I want the world to know that Latinas come in all shapes, sizes, and colors.

You’ve also co-star alongside Jennifer Lopez in the upcoming science fiction thriller Atlas, kudos, and major accolades! Can you tell our ever-inquisitive readers what Atlas is about?

This movie is action-packed! It’s set 150 years in the future where techno-sapiens have taken over the world and they’re trying to wipe out human existence. So, it’s terrifying! I hope to God that it doesn’t become our future. I want this movie to be a warning of sorts, like I want people to enjoy it because it’s a fascinating film and a fascinating concept, but I also hope that it inspires people to maybe pause and reflect on where we are headed. It’s so crazy! I ended up getting this role as Jennifer’s mother. At first, I thought “Wait a minute, how? She’s older than me!”, but then I understood that I play her mother in flashbacks. I was really honored that they chose me to play her mother. I’ve always loved her, being a Puerto Rican woman myself, and she’s like the most famous Puerto Rican out there. I also loved playing a scientist, a creator of human form AI. I went down this rabbit hole of learning about AI and science- it was just so educational.

Brad Peyton is the director of Atlas. What was it like working with Brad on this film? Is he what some actors might refer to as “an actor’s director”?

Yeah, he totally is. Brad is wonderful. I really love working with him. He’s super cool, very inclusive, and very collaborative. You can have these deep conversations with him about the subject matter and riff with him. It’s a lot of fun. Our first meeting was like an hour long and that doesn’t often happen with directors. I helped me feel like I was in good hands, and I could trust him. Brad is so experienced in the action world, especially sci-fi, and with the green stage and all that. So, I knew that this was going to be a fun project for me. My time on set was short and I would’ve loved to have been on the journey longer. Who knows, maybe it’ll be the beginning of a partnership down the road, and we will be doing something else together!

As an actress, you join a long and distinguished line of fellow thespians who have plied their talents on the musical side of things such as River Phoenix, Juliette Lewis, Kevin Costner, Russell Crowe, and Keanu Reeves. Do you have a preference between the two crafts, or is it a case of apples and oranges?

I think it’s more a case of apples and oranges. Listen, if I were a gifted vocal artist, I would lean more toward that. My prayers always include “Please gimme a better voice”, but I know that I’m an actor first and foremost! Maybe I can do both one day, like a biopic on a music artist, that could be fun for sort of explore.

Final - SILLY! - Question: Favorite movie about the making of movies- Once Upon A Time In Hollywood, Living In Oblivion, Barton Fink, The Player or Swimming With Sharks?

I would say Once Upon a Time in Hollywood, because of the ending. I think all of us wish that it were the ending in the real world. It was just such a tragic ending in reality. I thought Quentin Tarantino’s storytelling and how he changed the ending of what really happened in history was fantastic because we all expected to see one thing and didn’t. To surprise the audience in that way, I thought it was genius.

We’re very happy to have some time today with acclaimed R&B/ Soul chanteuseNicollette Sullivan; greetings and salutations, Nicollette! Before we meander down the Q&A musical pathway, how is the freshly-minted New Year treating you and yours?

Good, there’s been challenges and changes like always but I love my musical team and the people in my life keeping me grounded on this journey.

Major kudos and accolades on the upcoming April 19th release of your beautiful newsingle Broken! Starting at the tip-top, can you talk a little about what inspired you to record this gem of a ditty?

It’s inspired by some of those changes I mentioned that

I’m still processing. It was written from the heart which allowed me to get some things off my chest.

Who did the producing honors on Broken and what was the collaboration process like between artist and producer while in the studio working on the new track?

The track was produced by Shamanesque, Derock Goodwin and Kyle Ward. We wrote the track with musicians, we all collaborated, the song started out with a melody and keyboard line from musician Jesse R Loya, we then took that root idea and wrote full song.

In your humble opinion, what sets Broken apart from the Distinguished Competition on the 2024 music scene?

I think in my current projects we use more live instrumentation than MIDI stuff. I think it’s something that increasingly stands out these days.

Word ‘round industry campfire has it that hot on the heels of the April 19th release of your new single Broken, you have a forthcoming LP which is set for an August 16release; congratulations! Can you give fans and readers a hint or three as to what they can look forward to with this new album?

They’re gonna get more of my personal life, lol...at times it’s like reading my journal!

Who inspires you musically?

I’m a huge fan of Nina Simone, Ella Fitzgerald, Billie Holiday and Sade. Artists who ooze soul that I feel have a musical kinship with.

Your family has always been involved in music. How do they feel about all of yoursuccess?

They’re incredibly supportive in every way you can imagine.

In the wake of the release of Broken, can fans look forward to catching you on thetouring/performing circuit in the coming weeks and months?

I post all upcoming dates up on my social media.

How is the new single similar to some of your past music such as My Favorite Lie? Howis it different?

I feel like I’m coming more into my own and writing, singing and performing with more confidence.

When fashioning new music, what does your creative process generally tend tolook like? Is there method to the creative madness?

So typically we start with some instrumentation and a melody will pop into my head. I love the feeling of sinking into a melody untethered to words in that first step of the creative process. Then the lyrics start to take shape and we have a song.

Any final thoughts you might like to share with readers about your upcoming new single Broken?

I’m truly excited for everyone to hear something that’s a little more personal than I’m used to presenting, I hope it helps someone the way making it helped me.

Greg Hill

We’re super-excited to have some time today with acclaimed and award-winning actor Greg Hill who is currently turning heads with his bravura turn in the number one movie in North America, Civil War; greetings and salutations, Greg and congratulations on the huge opening weekend for Civil War! What do you think when you hear that a film you worked on has scored A24 its single biggest opening ever?

Thank you, I appreciate that, and thanks for having me. It’s pretty incredible! I just feel so lucky to have been able to be a part of it.

For anyone not in the know, can you explain what Civil War is about and how your character of Pete figures, into the proceedings?

There is a Civil War going on in the United States and the president is on his third term and he has disbanded the FBI. Kirsten Dunst and Wagner Moura’s characters are planning on traveling to Washington DC to interview and photograph the president. Stephen McKinley Henderson and Cailee Spaeny‘s character’s end up tagging along, and we watch as they travel along the back roads of America. Very early on into their journey they need to stop to refuel and my character, Pete is the first person they encounter (I am guarding the gas pumps.) They negotiate with me so that they can refuel. This kind of sets the tone of the film and as the journey unfolds, it becomes more intense and action packed. The film is incredibly moving though as well. It’s just a brilliant film from writer, Director Alex Garland.

Did you know as soon as you read Alex Garland’s incredible script for Civil War that this was a production you wanted to be a part of?

Absolutely. Yes! It’s very rare to have the honor of being able to work with someone like Alex Garland. When I got the call that I was going to meet with him to discuss the character and the possibility of working on the film it was a huge moment for me. The script was just so good. It is honestly one of the best things I have ever read.

You work with such an incredible ensemble in Civil War, including the likes of the ever-amazing Kirsten Dunst, Jesse Plemons, Wagner Moura, Cailee Spaeny and Nick Offerman. What was it like exercising your own considerable acting chops alongside these amazing thespians?

I mainly worked with Kirsten and Wagner and they are both unbelievable scene partners. Most of my dialogue was with Kirsten though and she’s got to be the best actor I’ve ever worked with. Alex let us rehearse a lot so that really got me out of my head and freed me up so that I was present in a way that I haven’t been before in other films. We shot it a while ago, but I remember thinking when I first met her that she was doing some, profound things with her character, and then when I saw the film, I just felt as though it was one of the greatest performances I had ever seen in my life and she definitely deserves to be nominated for every award imaginable. She is extremely kind and generous as well.

Speaking of collaborations, what was your collaboration process like with writer/director Alex Garland on Civil War? Is he what some actors might refer to as “an actor’s director”?

I think he really is an actors Director, just in the sense that he knows how to get great performances out of his actors. In my experience, it was just kind of getting us dialed in to where everything was so natural and real. He is a very generous person and very kind and so, I felt like I wanted to please him and when he gave me positive feedback, it just floored me and made me want to be as authentic to his story and my place in it as possible. He really is a genius. I wish that I could have worked more with him on this, but hopefully in the future, I’ll get a chance to again.

Is it presumptuous or perhaps lazy to draw some too-easy parallels between the story of Civil War and our own times?

At the end of the day, it is a movie. It is meant to be thoughtprovoking though, but I think really for me personally that’s not the point. I would never try to speak for any writer or director, but just speaking for myself, I walked away from the movie with more of an open mind about trying to understand peoples views that are different than my own. The film is so beautiful at points It brought me to tears. There is so much empathy that went into creating this masterful work I believe.

Acting-wise, who inspires you?

There are so many actors and so many people that inspire me. It was definitely inspiring to work with Kirsten.

I think I always go back to Frederick March, Brando, Montgomery Clift but also I’m just obsessed with Mickey Rourke as well.

There’s so many. Pacino, hell Patrick Swayze. In fact, Bodhi from the original point break played by Patrick Swayze is my favorite performance of all time.

Your first credited work in the entertainment industry came in the form of the 2003 music video PINK Feat. William Orbit: Feel Good Time. Any special memories of that freshman production?

Yes, that was actually when I was doing some modeling stuff. I know it’s impossible to believe that at one point when I was a young baby I was attractive but easier things have been harder to imagine. No, all kidding aside it was a great experience but around that time is when I knew that I wanted to really act. I didn’t really wanna run around anymore in these music videos I wanted to sink my teeth into a character. I wanted to live someone else’s life and feel what it was like and be able to express myself in some kind of way through that. It was a great introduction to what it was like to be on camera though and I met a lot of nice people. I’ve met so many nice people in my life.

You’ve got no less than two new intriguing-sounding films in the pipeline. What can you tell us about To Be You and They Listen?

With To Be You, I’m not really sure when that’s getting released. They Listen is a Blumhouse film written and directed by Chris Weitz. It will be my second film with Chris. The trailer should be dropping soon. I’m very excited about it. Chris is an amazing person.

At the end of the day, what do you hope audiences walk away with after checking out Civil War?

I hope this film brings people together and I think it is already doing that. I’ve heard a lot of people say that they’re more open to having a discussion. I hope we can all put aside our differences and try to ban together and unify for a greater good.

Final - SILLY! - Question: Favorite movie about the making of movies: Living In Oblivion, Barton Fink, The Player or Once Upon A Time In Hollywood?

I’d have to say, Barton Fink. When I saw that film it felt like my brain exploded. Thanks for reminding me of that film. I think I’m going to watch that tonight actually.

Kate Roman

We’re excited to be speaking today with awardwinning actress, dancer and singer Kate Roman. Kate before we get into it, how is 2024 treating you so far?

Hey, thanks for having me! 2024 has been off to an amazing start! I got to take a break from work and school and do some much needed traveling in January and March. Otherwise, I’ve been busy with The Next Step publicity and some other exciting stuff in the works! Overall, it’s been a lot of fun - feeling very grateful.

Congratulations on your role in the upcoming season of the fan favorite drama series The Next Step! Can you tell us more about the show and how your role as Ariana fits into this season?

Thank you! The Next Step is a television series about life at a dance studio. The ups, the downs, and the drama between team members as they compete at regional, national and international competitions. The show is in its ninth season and going strong with an incredible, loving and loyal fan base - they are really vocal and it’s amazing to be a part of it.

Ariana is a top dancer from the rival studio, Ultra Elite. In fact she was Dance Captain there, a highlycoveted role. At the end of season 8, Ultra Elite had just closed due to some issues so the dancers needed another studio to train at. Ariana is the younger sister of Presley, a dancer at The Next Step from seasons 6-8 (played by my real-life sister Emily Roman!).

In season 9, Ariana and a few of her teammates approach The Next Step and audition for A-Troupe which is made up of their best dancers. Ariana has a lot of layers and a beautiful story arc - so much happens! It was a very fulfilling role to play and I hope all the fans enjoy the ride with her.

What can the audiences look forward to with this season of The Next Step?

In a few words, it’s a really high-quality season. I am so proud of the work done on season 9, and I know the cast, writers/directors/showrunners/ crew are also. Lots of dance and drama as can be expected, some familiar themes and some new. You’ll have to tune in to find out the rest!

What was it like working with the cast of The Next Step?

The cast is like family, everyone is amazing and brings their own unique strengths. We are all so close and would be hanging out 24/7, even on our days off! I think the chemistry we had off screen really translates on screen. I have so much love and respect for everyone involved.

What has it been like collaborating with talented directors such as Mitchell T. Ness on The Next Step?

I am so fortunate I got to work with many amazing directors on the show, and I had the best experience working with Mitch! In my role I had time to discuss scenes with the directors and showrunners and it really helped to share each of our ideas for my character. Mitch has years of experience and is always looking out for the cast. He is easy to work with and also the funniest person ever, so I always looked forward to working with him!

The Next Step has been nothing short of a phenomenon. What do you think it is about this particular series which resounds so well with fans and critics alike?

Dance is a global phenomenon and millions of kids around the world are involved at some level. It’s so relatable to kids and teens who grew up taking dance classes at their local dance studio, whether that be recreational level or training for professional competitions. The Next Step is inspiring, entertaining, and offers some life lessons along the way. The cast every season has been

incredible each in their own way, and the team of producers the past 10 years have always put their everything into making it happen. A big shout-out to the fans for being so vocal with their admiration and support - without them we wouldn’t be here!

What fascinates you the most about dancing? And does your love of dance sort of feed into your passion for acting?

Dance is the only thing in the world that perfectly combines athleticism and artistry, that’s what fascinates me most. You can challenge yourself physically to do the coolest tricks, but then get creative mentally to tell your story. My love for dance certainly feeds into my passion for actingboth beautiful outlets to share my art. I like how in acting I’m more focussed on letting go of trying to control everything and allowing whatever happens in the moment to dictate what happens next. They are similar and different at the same time which I love.

As an actor, your first credited role came in the form of 2020’s Feel the Beat. Any special memories of that production?

This was my first Netflix project and it was a lot of fun! The cast was mainly kids and I made a lot of new friends. It was my first view into a large-scale production and I learned so much. It was so cool to combine my love for dance and acting on screen. A special memory was getting to work with deaf actress Shaylee Mansfield. I learned some basic ASL and was so inspired by her. She’s so sweet and talented! Definitely a memorable experience.

Aside from the upcoming ninth season of The Next Step, what else does 2024 hold in store for you? Any other projects you’d like your fans to know about?

I have some things in the works but I’m sorry I can’t reveal anything yet. Follow my socials and I’ll be sure to share when the time is right!

Any final thoughts you might like to share with readers about the new season of The Next Step?

It’s a fabulous ride! There’s something special that I think really sets this season apart. We all poured our hearts into making it, and I hope you all love it!

INSTAGRAM.COM/K8ROMANAN

Alexis Molnar

We’re very happy to have some time today with acclaimed and award-winning actress Alexis Molnar; greetings and salutations, Alexis! Before we dive into the celluloid Q&A rabbit hole, how is 2024 treating you and yours?

Thank you for having me! 2024 has been productive and is treating me as graciously as I allow it to.

Major congratulations on your upcoming bravura turn in the freshlyminted Netflix sixpart miniseries Eric which is set to premiere this May 30! Starting from the tip-top, can you tell our ever-inquisitive readers what Eric is about and how your character of Raya figures into the proceedings?

Thank you, it is a wonderfully special project to have been part of. Eric is the story of a father trying to find his missing son in 1980’s NYC - I would say at the heart, it’s about grief, the depths of value in relationships, and confronting the “monsters” that might be closer than you’d think. Without giving anything away, my character, Raya, is a streetwise drug addict who lives in the subway tunnels of NYC amongst other Mole People. Eric tackles many various subjects that socioeconomically we are still dealing with in present day.

Did you know as soon as the script for Eric crossed your desk that this was a production you wanted to be a part of?

When the audition for Raya came in, I was eager to get a tape sent because she is a more dangerous character than most. Like any audition, once it’s been submitted to casting - I leave it up to fate. Once I was asked for a callback, I was able to read earlier versions of the first two episodes for more context and immediately knew then from Abi [Morgan]’s writing that this was something I would be so lucky to be considered for. It was so compelling, I begged to see if I could be sent the whole series!

You work with such an amazing cast in Eric, including the likes of Benedict Cumberbatch, Gaby Hoffman, McKinley Belcher and Dan Fogler, among many other acting stalwarts. What was it like exercising your own considerable acting chops alongside this talented ensemble?

I won’t lie, it was a bit unbelievable when I saw my name among the likes of so many brilliant artists, both cast and crew alike, whom I respect and admire so much for their craft as well as humanity. The experience of acting alongside such a talented ensemble was in many ways a dream come true. I was able to learn immensely from my colleagues while also knowing I was trusted with this intense role for a reason.

Speaking of collaborations, your director in Eric is the insanely talented Lucy Forbes. What was it like working with Lucy on Eric? Is she what some actors might call “an actor’s director”?

I would say Lucy Forbes is the director of all directors. While yes, I would call her an “actor’s director” to answer to the question directlyLucy has this incredible way of communicating with every department on set in order to deliver something incredible. There was never a moment where I didn’t feel safe or trusting - my first day on set in the makeup trailer, I expressed my nerves to Lucy about wanting to do a good job with a character as scheming as Raya, and was met with nothing but encouragement and warmth. At the end of shooting that day, I told her that the experience was already so welcoming and that she is brilliant to work with. Her answer to me was, “I don’t allow assholes on my set.” She is a top notch artist, and I respect the hell out of her. Working with Lucy is nothing but a joy, and I hope to do it again at any point in the future.

What fascinates you the most about the craft of acting?

I think what personally fascinates me is the imultaneous ability to be able to transform into someone completely different than yourself

while still being able to communicate truth and sincerity. I love to story-tell, I love to move people emotionally (whether in a sad, scary, funny, etc. way), and unfortunately have a flair for the dramatics. My favorite actors are the ones who are able to create such vivid, deep, grotesque, and insanely grounded stories and characters. I would love to run the spectrum of playing all “types” of roles, though I have more fun with the demanding and intense ones.

Your first credited on screen work came in the form of the 2009 short film I Am. Any special memories of that freshman production?

I believe I was 13 or 14, and it was a short film that debuted in the local NJ film festival - also created by a student film director. I was able to attend my first film festival at that time and thought boldly that making my own art in that way was another creative path to pursue.

You’ve made a name for yourself both on screen and on the stage. As an actress, which do you prefer between those two styles of acting? Or is it a case of apples and oranges?

I do think both stage and screen acting are sacred in their own rite. Since I was brought up and trained in theatre, I will always have a sincere and soft spot in my heart for it. However, as I have gotten older - I have transitioned to being more accustomed to film and television acting. That’s not to say I still don’t want to do stage, but I would much rather be in a straight play over a musical as that’s more the acting I would like to do. I keep singing for cabaret and karaoke! I think both mediums of acting deserve respect and I do enjoy doing both.

You won the 2013 CT Critics Circle Award for Outstanding debut for your turn as Lottie Adams in Harbor; belated congrats! How did that early recognition inform your craft as an actress?

Thank you! It was a very cool thing to achieve, and definitely gave 17 year old me a big head, haha! Awards both mean everything and nothing at the same time - the recognition is honorable and anyone would love to achieve a tangible accolade for their craft, while it also is a bonus for simply doing the best work that you could’ve possibly done at that time. For receiving an award like that at the time, it definitely solidified my feeling as a legitimate actor while not even being a legal adult yet.

Word ‘round industry campfire has it that you’re currently working on your own short horror film which is entitled BOYHOARDER and in which you star and also produce; major kudos! Can you talk a little about what viewers can expect from this new film? And are you an avowed horror movie aficionado?

Thank you! BOYHOARDER is a punk rock short horror film that was completed in 2022 about what makes a fan fanatic. Directed by Gabrielle Carrubba, with original music by my co star Liza Anne + music partner Kyle Ryan, and produced by Kerri Mandelbaum of Kerri Inc. Viewers can expect a bloody, campy story about the dangers of idolatry, and playing on the concept of who is the real psychopath. We played a bunch of film festival circuits across the country and in Toronto, and are currently working on pitching our short with the hopes of funding for a feature or for a current home for the short. I would absolutely say that horror is my favorite genre of film to consume, I love to be scared and challenged at the same time - and want to both continue to make and be in them.

Final - SILLY! - Question: Favorite movie about the making of movies - Living In Oblivion, Once Upon A Time In Hollywood, The Player, Swimming With Sharks or Barton Fink?

Out of this selection, definitely The Player and brava to Altman for making such a masterpiece, though immediately my choice was For Your Consideration by Christopher Guest.

Charlot Daysh

We’re very happy to have some time today with acclaimed actress Charlot Daysh! Before we start, how has the year been treating you so far?

It’s been great so far, thank you! I am getting married this summer, so there’s been a lot of wedding planning on the agenda!

Major congratulations on your new film Cry Of Silence, which is set to premiere on May 1 on Hollywood Suite and Prime Video! Can you tell us more about what Cry Of Silence is about and how your role fits in with the film?

Thank you very much! “Cry of Silence” is an action-packed thriller, with lots of twists and turns. The film was shot in St. Mary’s, Ontario, and was directed by Allen Kool and written by Robin Kool. They are such a lovely couple and a real powerhouse duo in the industry. The movie tells the story of a young married couple who settle into their new life together in a community terrorized by a serial killer. I play the character of Margaret (Maggie) Klassen, who is forced to face the demons of her past to fight for her life back. Portraying Maggie has been a truly rewarding experience, and I am honored to bring such a powerful female lead to life on screen.

Did you know as soon as the script crossed your desk that this was a production you wanted to be a part of?

Absolutely! The storyline, characters, and overall vision of the film immediately captured my attention. I found the character of Margaret Klassen deeply intriguing, and I was eager to dive into her story and bring her to life on screen. From the very beginning of the process, I felt a sense of excitement and enthusiasm. I just had this feeling that this could be something truly special.

What was your collaboration process like in working with Cry Of Silence director Allen Kool? Is he what some actors might refer to as “an actor’s director”?

Allen is a talented, ambitious, and dedicated director. His passion for filmmaking was evident in the way he approached every aspect of the project, and his commitment to excellence inspired everyone on set. Allen’s directing style can certainly be described as that of an “actor’s director.” He is deeply invested in the performances of his actors and worked closely with each of us to help us deliver our best work.

You work with such a great cast in Cry Of Silence, what was it like working alongside them?

Working alongside the cast of “Cry of Silence” was an incredible experience. I felt extremely fortunate to collaborate with such a talented, dedicated, and supportive group of actors. Acting is always easier when you have great co-stars, and I truly valued the trust and teamwork we shared on set. I recommended Felipe Aukai for the part of Frank Classen, who plays my husband in the movie, because I knew he would do a fantastic job, and I am so happy he ended up getting it. His dedication to his craft is truly inspiring. I also had the pleasure of working with Devynn Sewell, who plays my daughter Katie in the film. This was Devynn’s first acting role, and I was so impressed by her professionalism and talent. She approached her role with focus, patience, and a sweetness that was truly endearing.

What do you hope audiences walk away with after watching Cry of Silence?

“Cry of Silence” delves into the theme of overcoming adversity, showcasing not only individual resilience but also the power of a community uniting. I ultimately hope that this film leaves viewers not only entertained and inspired but also reflective, prompting them to consider their own sources of strength and resilience. Additionally, I hope the film inspires a desire for more powerful female leads in cinema, encouraging the industry to continue showcasing diverse and compelling female characters.

Who has been an influence on your own acting? Who inspires you?

My acting journey has been shaped by a multitude of influences and inspirations. Firstly, my parents and grandparents played a pivotal role in my development as an actor. Their unwavering belief in me and encouragement to pursue my passions instilled in me a genuine self-belief that I could achieve anything I set my mind to. During my early years in musical theatre, I had the privilege of learning from the remarkable performance duo Bente and Oli Harestad Haukass. Their guidance and mentorship were instrumental in shaping my skills and passion for acting. Additionally, I have been fortunate to work with talented acting teachers in Norway, the US, and Canada, who have all contributed to honing my craft. Movies like ‘The Sound of Music,’ ‘Mary Poppins,’ ‘Matilda,’ ‘ET,’ and ‘Annie’ were also some early inspirations that ignited my desire to create and perform. I loved making short films with my parent’s home video camera and putting on shows with my younger brothers. In terms of actors, Norwegian actors like Liv Ullmann, Aksel Hennie, Ingrid Bolsø Berdal, Renate Reinsve, and Kristofer Hivju, who have made a significant impact internationally, certainly are sources of inspiration for me. On an international scale, Margot Robbie is someone I deeply admire for her versatility as both an actor and a producer. Her proactive approach to her career, creating opportunities for herself, is incredibly inspiring. Meryl Streep is another actor who has always inspired me. Her dedication to her craft, work ethic, and ability to embody any character with such authenticity are qualities I aspire to emulate. Julie Andrews holds a special place in my heart for the powerful impact she had on me as a child with her many incredible performances.

What led you on the pathway towards wanting to be an actress? Is there an E! True Hollywood secret origin story about your beginnings you could share with us?

I’ve been fascinated by performance art for as long as I can remember. As a child, I was naturally drawn to music and acting, dancing and singing before I could even walk or talk. When I was 4.5 years old, I watched a musical with my grandmother, it left me mesmerized and ignited a passion within me. I rushed to the stage, eager to get my poster signed and ask if I could perform with them. Despite being told that the audition age limit was 6, my determination caught the attention of the director, and they kindly gave me a chance to audition. I got a part and continued to perform with the same theatre company every year for almost a decade.

You have two other films set for release in 2024, one of them being Stealing Vows. What can you tell readers about this?

“Stealing Vows,” directed by Bobby Singh, follows the story of four colleagues in the wedding business, each facing a pivotal moment in their careers. When an opportunity arises for one of them to seek revenge on a former partner, it sets off a series of clever crimes that could provide a lifeline for a drug-addicted wedding emcee, a gambling chef, a timid decorator, and a talented photographer, allowing them to break free from their difficult circumstances. In the film, I portray “Natasha,” a glamorous and renowned singer who captivates audiences with her enchanting performance at a luxurious reception.

Your first credited on-screen work came in the form of 2012’s television series Bjerga Hotell. Any special memories of that freshman production?

This series centers around the happenings and staff at the fictional Bjerga Hotel. With its quirky characters and humorous situations, the show offers a delightful and entertaining watch. The series was created by Rune Bjerga, one of my hometown’s finest comedians. We naturally had a great time on set with lots of laughs. In the series, I played Cindy, a folk dancer who auditions for a performance opportunity at the hotel.

Final - SILLY! - Question: Favorite movie about the making of movies - Living In Oblivion, Once Upon A Time In Hollywood, Barton Fink, The Player, or Ed Wood?

Once Upon A Time in Hollywood!

Photo Credit : Sara Kardooni

Erniel Baez

We’re super-excited to be speaking today with actor Erniel Baez! Before we dive in, how is 2024 treating you?

Hello, thank you for having me! 2024 has been a great year so far. I’ve been able to work on great projects, with great people! I look forward to what’s to come.

Congratulations on your role in the upcoming new MGM+ crime drama series Hotel Cocaine! For anyone not yet in the know, can you tell us what Hotel Cocaine is about and how your character of Ray Dorado fits in?

Hotel Cocaine tells the story of Roman Compte, a Cuban exile and the general manager of the Hotel Mutiny, which is the glamorous epicenter of the late ‘70s and early ‘80s Miami cocaine scene. Ray Dorado is a wealthy bank owner, with dubious ties and happens to be a regular customer at the Mutiny Club.

Did you know as soon as that first script for Hotel Cocaine crossed over your desk that this was a production you wanted to be a part of?

Absolutely! The minute I came across the script and synopsis of this show, I knew right away that this is a project that would make me feel right at home. I love the époque where it’s taking place and the entire world around it. It gave me an opportunity to play a character that has the same Cuban background as myself. It also enabled me to play an individual with many facets. It’s safe to say that there were many things that attracted me to the project!

What sort of research did you do in preparation for your role in Hotel Cocaine?

I read and watched everything I could about the time period this story takes place in and on the Mutiny Hotel. Through my research, I was able to come across information on the real person that was the main inspiration behind my character so that was very helpful. It gave me insight on how he dressed and behaved in real life which allowed me to have a much clearer understanding of his psyche.

What was it like working alongside your co-stars like Danny Pino, Michael Chiklis, Yul Vazquez and Mark Feurestein?

Truly Wonderful! Anytime you get a chance to work alongside such talented and experienced individuals, it’s a gift. I learned a lot from all of them, particularly from the way they carried themselves and made sure that every single person on set felt welcomed at all times. Thanks to their example, we truly ended up becoming a family and created bonds that will last forever.

Speaking of collaborations, what was it like collaborating with the directors of Hotel Cocaine, Guillermo Navarro,

Fernando Rovzar and Sara Seligman? Were they what some actor’s might refer to as “an actor’s director”?

They were all fantastic. From an actor’s perspective, it was an interesting experience because I got to witness three different perspectives and ways of working. We were very fortunate to have had such great visionaries behind the camera. And obviously the opportunity to work with someone like Guillermo who is a master of the visual medium, was an honor. I would work with any of them again in a heartbeat!

You have another series you’re a part of called Cross where you play a character called Alejandro Galvan. What can you tell us about this production?

The series is based on the best-selling crime mystery novel written by James Patterson. My character goes by the nickname “Jando”, and he is the coroner on the show who helps Cross with his cases. I’m not really sure what I’m allowed to say yet, but I just saw online yesterday that even though Season 1 hasn’t aired yet, they already got picked up for Season 2! So that’s pretty exciting.

What fascinates you the most about acting?

What fascinates me the most about acting is the opportunity it offers to be able to hold up a mirror on life, with all its endless complexities, and the chance it offers the actor to explore a large array of realities. Unfortunately, life tends to be too short for us to partake in all of our interests, and accomplish all the dreams our imagination can come up with. Through acting, we get a chance to fulfill many if not most of those interests. And of course we can’t forget the impact it can have on people around the world no matter their background or beliefs when it is done at its best.

Your first credited on-screen work came in the form of a 2015 episode of 19-2. Any special memories of that production?

It was my first time being able to act on screen, so I was really just excited to be there. I remember it was a very cold Montreal winter morning. But for me, it was as if it were 30 degrees out. I was filled with enthusiasm, because it was the beginning of what I hoped would be a long and successful career.

Any final thoughts you might like to share with readers about Hotel Cocaine or any projects you’re working on?

I’m extremely excited for everyone to get a chance to see the final result of Hotel Cocaine. It was made with so much love and authenticity! From the little bits and pieces I’ve had a chance to see, I can say that it looks amazing and viewers can expect a thrilling, wild and colorful ride down Miami lane.

Rib Hillis Host of the Month

We’re super-excited to be speaking today with acclaimed actor Rib Hillis; greetings and salutations, Rib! Before we dive down the celluloid Q&A rabbit hole, how is the freshly-minted New Year treating you and yours?

Hello, VENTS! Thank you for having me. I’m thrilled to be here and share some insights into my work and life. The New Year has been great so far. I’m grateful for my family, my friends, and my fans who support me and keep me motivated.

Major congratulations on your star-turn in the new INSP Network Western series The Tall Tales of Jim Bridger! Starting at the top, can you explain what the series is all about and how your titular character of Jim Bridger figures into the proceedings?

Thank you, it has been a dream role and experience playing Jim Bridger in INSP Network’s The Tall Tales of Jim Bridger. The show is set in the 1800s out on what was then the frontier and it follows the life of the title character, Jim Bridger and his companions. This

was an era when there were no American settlements or towns out in what is now modern-day Wyoming and Montana. Each day these frontiersmen, and women, had to use their wits, skill, and luck to survive. Jim was a legendary mountain man, renowned for his knowledge of the landscape, his ability to survive and telling tall tales. Each episode has Jim telling one of his famous stories to his fellow companions. We flash back to see the story firsthand and learn the particular moral of each episode.

Did you know as soon as the script for The Tall Tales of Jim Bridger crossed your path that this was a production you wanted to be a part of?

I knew before I even read the script, just from the title! I have spent a fair amount of time up in Montana over the years and I was very familiar with Jim Bridger and his exploits. I love the Montana wilderness and lifestyle, being outdoors, hiking mountains, hunting, and challenging yourself against nature. So, when I saw they were making a show about the legendary Jim Bridger I knew right away that I wanted to be a part of it.

You work with such a brilliant cast in The Tall Tales of Jim Bridger, including the likes of Hailey Rutledge and Tyler Noble, among many others. What was it like exercising your own considerable acting chops alongside this accomplished lot of thespians?

I like to say I have the greatest job in the world. It’s like being front row for the greatest play you could imagine, watching these incredible actors do their thing, only you are also a part of that play. I was amazed and challenged every day working with our incredible cast. We would get new cast members each week. We shot two episodes per week. They would come ready to give their all in their roles. I had to make sure I was up to the challenge, ready to meet them and play off of them. It was a really incredible synergy working with everyone and pushing each other to bring out the best performance. It was the most rewarding experience of my career so far.

What was your onset collaboration like with The Tall Tales of Jim Bridger writer and director Paul Epstein? Is Paul what some actors might refer to as “an actor’s director”?

Working with Paul was incredible. I really have to credit him with bringing out the performances you see on screen, not just mine, but the entire cast. As a director, he was able to communicate with all of us the vision he had for the show, making sure our performances were as grounded and real as possible, while being entertaining. Paul is a one-of-a-kind director and a joy to work with.

Any chance that fans of The Tall Tales of Jim Bridger might have a second season to look forward to? Would you be up for a sophomore year? Or is Jim Bridger meant to be more of a standalone one-shot series?

I can’t reveal too much, but I can say that there is a possibility of a second season of The Tall Tales of Jim Bridger. The show has a lot of potential and a lot of stories to tell, and I would love to continue playing Jim Bridger and sharing his adventures with the audience. However, I also think that the show works well as a standalone series, with a satisfying arc and a conclusive ending each episode. Either way, I’m proud of what we’ve accomplished and I hope the fans enjoy it as much as we did.

Acting-wise, who inspires your own craft?

There are so many incredible actors out there to get inspired by. I find it is not just the on-screen performances that I am inspired by, but also how a particular actor goes about their craft. I recently heard Tom Cruise talking about how he just ‘loves to work,’ and how he rarely takes a vacation because for him being on set is better than any vacation, the work is what is fun for him. I relate to that. I would rather be on set working, collaborating with others, than anywhere else. I have heard Christian Bale talking about how he prepares for a role, immersing himself in it so thoroughly that if the director came on set the first day and said ‘just make it up’, he would be able to improvise as the character for the first couple of days. I love that, being so committed to a character that you don’t need the script. Daniel Day Lewis is an actor who famously stays in character while filming, preferring to stay in that world, as that person. I totally understand this mentality. When I am on set, I tend to not have a lot of small talk about things like what you’re going to have for dinner or where’s your favorite vacation spot. I find it more interesting and helpful to talk about what it would have been like for Jim Bridger and his companions to survive back then, how did they live, what was it like, etc. Trying to stay in character and really let yourself live in that world, that is the goal.

You’ve got a pretty full dance card as far as film work in 2024: Powder Pup, Valleyheart, Mama Bear, the short film How to Disappear, Reminisce, and Tenants are all waiting in the wings! Can you briefly describe what each of these productions is about?

I’m very excited about the projects I have lined up for 2024. Here’s a brief summary of each one:

Powder Pup is a fun family film about a teenage boy and his dad (me) who move from California up to Montana. My son isn’t too happy about the move, so I get him a dog in the hopes to cheer him up. Turns out the dog can snowboard! We had a blast making this movie up in Montana on a small family-owned ski mountain called Showdown. We spent weeks on the mountain, snowboarding and filming. And the dog, he can actually snowboard. You will have to

see it to believe it!

Valleyheart is set in Los Angeles and is a gritty drama about a woman trying to survive life in the darker side of LA. I enjoyed playing a darker character here.

Mama Bear is about a young mother protecting her daughters from a dangerous cult and its maniacal leader. I get to play the maniacal cult leader, which was so fun!

How to Disappear is the story of a young runaway girl who finds herself in danger of being trafficked by a woman who takes her in. The young girl has an imaginary friend, a cowboy character from a book she reads, who comes to life and guides her through the danger. I play the cowboy. This is a darkly powerful film.

Reminisce is about a man who loses his wife in a car accident and is trying to cope with his loss and grief. My talented wife, Jessica Morris, plays the wife. I play a doctor who must tell the husband the bad news. It was great to be on set with my wife.

Tenants is a horror anthology about a young woman who finds herself in an alternate dimension where her sister is still alive, in her own dimension her sister is dead. She desperately tries to talk to her sister, but doing this jeopardizes the entire universe. It takes place in a specific apartment building and involves all the tenants of the building as they experience the chaos of cross-dimensionality. I play a dark figure seeking out the woman.

Your first credited work as an actor came in the form of the nearly legendary soap opera General Hospital. Any special memories of that freshman production?

Yes, I was one of the original cast members for the General Hospital spin-off, Port Charles. It was my first real big acting job, I had only been in Los Angeles for a little over a year. It was a great learning ground that taught me how to work with multiple cameras as well as process lots of dialogue and do it week in/week out. I am grateful for the experience. Soap fans are the most loyal fans on earth and I still get messages about my days on General Hospital.

You wrote, produced, and starred in the action film Kill Shot which all discerning fans can check out digitally! Can we look forward to seeing you write and produce more in the future and - hey! - what about a possible directing gig down the line?

I definitely plan to write and produce more content. We had a blast making Kill Shot, my partner Ari Novak and I. It was a true passion project. I prefer wearing many hats on set, not just actor. Being a producer keeps me hyper-focused and involved in every aspect of a shoot. It is hard work, but I find it more rewarding. As for directing, I am looking for a project that I can wear that hat on. I have something in the works and will share about it as we get further along.

At the end of the day, what do you hope viewers walk away with after a viewing of your new series The Tall Tales of Jim Bridger?

My hope is that viewers will walk away from The Tall Tales of Jim Bridger with a sense of awe and appreciation for the history and beauty of the American West, and for the courage and spirit of the people who explored and settled it. I also hope that they will be entertained and inspired by the stories of Jim Bridger, who was a remarkable and fascinating man...a true American legend.

Final - SILLY! - Question: Favorite movie about the making of movies - Living In Oblivion, Barton Fink, The Player, Swimming With Sharks or Once Upon A Time In Hollywood?

That’s a tough question because I love all those movies. But if I had to pick one, I would say Once Upon A Time In Hollywood. I think it’s a brilliant and nostalgic homage to the golden age of Hollywood, and it has some of the best performances and scenes I’ve ever seen. Plus, it’s set in my hometown of Los Angeles, so I have a personal connection to it.

Thank you for this opportunity to talk to you and your readers. I hope you enjoy The Tall Tales of Jim Bridger and my other projects. Stay safe and healthy, and keep watching my social media @ribhillis for news on new projects!

Image Credit : Adam Reed

Laura Hunter Drago

Photo by Jessica Robles

We’re super-excited to have some time today with acclaimed and award-winning film producer, screenwriter and actress Laura Hunter Drago; greetings and salutations and welcome to Vents Magazine, Laura! Before we meander down the proverbial pop culture pathway, how is 2024 treating you and yours?

Thanks so much for having me! 2024 has been great so far, I’m definitely looking forward to warmer weather as we get into spring and summer though!

Major kudos and accolades on your award-winning The Crime at Camp Ashwood podcast which just celebrated its season finale! For anyone not in the know, can you explain what this mesmerizing mystery podcast is all about?

Sure, The Crime at Camp Ashwood is an audio fiction podcast series about a woman who is trying to solve the twenty-year-old cold case of her best friend’s murder. The show is set at a summer camp in North Carolina, so there’s also a lot of traditional camp ghost stories mixed in with the twists and turns of the cold case.

What’s the E! True Hollywood Story on how The Crime at Camp Ashwood became a bonafide reality? Was this a story which you were percolating on for a while before starting up the podcast?

This was a little bit of a weird project for me in that it sort of just came out of me, where usually I do spend a lot more time “percolating!” I was a huge summer camper myself as a kid, and I had always wanted to write a story set in the camp that I went to because that location holds strong memories for me. Of course, my personal summer camp experiences were lovely and definitely didn’t involve any crime! But most of my writing is in the mystery & thriller genres and I really enjoy building stories that keep people on the edge of their seats, which I hope this one does.

Was The Crime at Camp Ashwood always intended to be a podcast?

Listening to it, I can absolutely also picture it as either a television series and/or a feature film! It’s funny because I primarily consider myself a film screenwriter, but this series was always intended as a podcast. I’ve been diving into audio fiction in the past few years, since the pandemic, and knew that there’s an audience for projects like this. With the film industry being in a bit of a slowdown after last year’s strikes I wanted to write something that I knew I could get made and produce. It’s been really fun to engage with our audience as they listen and piece together the answer to the show’s central mystery. We have had interest from people in either a TV show or a feature, though, which would be awesome! I would love to see it on screen, especially if it could be produced in a place like North Carolina where the show is set because that’s such a beautiful part of the world.

What has it been like working alongside such a talented ensemble of actresses such as Hally Smith, Meisha Brooks, and Deborah Lee Smith on The Crime at Camp Ashwood?

Oh, I’m obsessed with our cast members. Deborah and I are very good friends, so it has been really fun to work on a project together and she does a great job playing Ashwood’s resident ghost story telling counselor. Hally and Meisha, who play Sadie and Veronica, were both people I found through traditional auditions, and I think they’re both so talented. I feel very lucky that I found them and they had the time to do the show. Would not be surprised at all to see a lot more from them soon! I also play the character of Margot in the show. I used to be an actress, though I’m not really auditioning anymore and am much more focused on writing and directing projects. So, this was a fun way for me to keep one toe in the acting world and to get to work with such awesome people at the same time.

As the creator, writer, actress and director on The Crime at Camp Ashwood, has there ever been a moment where the story has taken a surprise turn which, even as the writer, you had not expected? Or has the entire mystery been quite well planned and plotted out from the outset?

I had a pretty solid outline of the story and knew the major twists from the start, which I think was important on a project like this. Where some of the more surprising elements came in were the moments in between that larger mystery. While the show is very focused on solving the cold case, to me the real theme of the series is about friendship and the way we can sometimes write a story about someone in our heads that isn’t necessarily the full picture of things. The characters in the show follow a journey of learning where they were wrong in their assumptions about someone, and how that impacted this cold case. So, playing with the in-between moments where we expand on that them has been the most fun for me as a writer.

The Crime at Camp Ashwood won the coveted 2023 Austin Film Festival Fiction Podcast Script Award major congratulations! Can you talk about what all of this welldeserved recognition means to you?

Thank you! I’m endlessly appreciative of it, and I’m such a big fan of AFF in general so to win there was really special for me. I fell in love with writing a couple of years ago, but sometimes feel like I started a bit “late” in this side of the industry, so having the validation of something like that is incredibly meaningful to me.

The Crime at Camp Ashwood reminds me in the best of ways of such serialized television shows as LOST and Yellow Jackets. Were either of these shows an inspiration for the podcast?

Oh man, those are two of my favorite shows so I appreciate any comparison! I think Yellow Jackets has been an influence in a lot of my writing simply because that is exactly the type of show I’m into as a viewer. I also think this has elements of shows like Pretty Little Liars and Veronica Mars. I am a huge fan of any mystery show with female-focused stories, so all of that has been inspirational to me.

Are you a fan of the podcast genre and, if so, which podcasts do you count as favorites?

It’s funny that because I’ve been deep in the editing of Ashwood for the last year that I haven’t had as much time to listen, but when I have I’m sort of a genre jumper on shows and don’t always listen to mysteries. I’ve been really into Amy Poehler’s shows recently, The Chris Chatman Do-Over is hilarious. I’ve also been a guest on quite a few interview-style shows, so I will end up listening to subsequent episodes after mine airs and that’s always fun. I did a show called Retro Movie Roundtable a few months ago, they rewatch older movies and talk about them in-depth. That was a really fun one.

What’s next on your creative dance card now? Can you give readers a hint or three as to where they can catch you next?

I’m always juggling a few projects, but I think that next up for me is a short film that I wrote which I’m also planning to direct this summer. It’s another thriller with a twist, so I’m excited to get that off the ground. After that, I’m hoping to make a feature film in my home state of Virginia at some point soon!

At the end of the day, what do you hope listeners walk away with after checking out your riveting podcast The Crime at Camp Ashwood?

I do think the crux of the show is about the strength of friendships that we have when we’re young, and how much they shape us into who we become as adults. I think we end up being the keepers of each other’s histories and narratives, and that what we do with those stories is incredibly important. So, I hope that the show makes people think about those longstanding relationships with people they love, and how they can best honor them.

And I also just hope that people enjoy the twists the story has to offer, and to see if they can solve the mystery before our characters do!

Daniel Augustin

Photo credit: Diana Ragland

Stylist : Shelli Bradley

MUA: Rejae Clopton

We’re very happy to have some time today with acclaimed actress Ayaamii Sledge; greetings and salutations, Ayaamii and welcome to Vents Magazine! Before we meander down the celluloid Q&A pathway, how is 2024 treating you and yours?

Hi Vent Magazine, thank you so much for having me, 2024 is treating me AMAZING!!!

Major congratulations on your bravura-turn in the upcoming feature motion picture Don’t Tell Mom The Babysitter’s Dead which is set to premiere in theaters this April 12! For anyone not in the know and who may never have seen the original film, can you tell us what Don’t Tell Mom The Babysitter’s Dead is about and how your character of Melissa figures into the proceedings?

DTMTBD is about a teenage girl who was planning an awesome trip before she went off to college with a friend, but her plans were deleted when her mother had a nervous breakdown, and she had to go away on a retreat. Now, the teenage girl had to take care of her siblings because the sitter her mom hired to assist died. The character I played, Melissa, was smart, a problem solver, a gamer, and watched true crime. Without Melissa, I am not sure how the siblings were going to deal with the dead babysitter.

Did you know as soon as the script for Don’t Tell Mom The Babysitter’s Dead crossed your desk that this was a production you wanted to be a part of?

Yes, because it was different from any other role I played. I also love True Crime and Melissa was all into true crime that’s how she was able to assist her siblings in getting rid of the body

Going into Don’t Tell Mom The Babysitter’s Dead, how aware of the original 1991 film were you? Did you make a point of watching it prior to filming?

My Mother was excited to see the script and she was very well aware of the movie so she was able to tell me about it; however, I wanted to complete the movie prior to watching the 1991 DTMTBD because I wanted to have my interpretation of the character.

What was your collaboration process like with Don’t Tell Mom The Babysitter’s Dead director Wade Allain-Marcus? Is Wade what some actors might refer to as “an actor’s director”?

Mr. Wade Allain-Marcus was the best director I have worked with, he was able to give direct direction but at the same time ask how “I would deliver the line” or “how would you say it that is natural to you” Mr. Wade was able to allow us to use our creativity. I think the fact that he was an actor helped us to benefit from his understanding of being on the other side of filming, he understood what it means to be an actor so he had grace and patience with everyone.

Speaking of collaborations, what was it like exercising your own considerable acting chops alongside your Don’t Tell Mom The Babysitter’s Dead co-stars such as Simone Joy Jones, Nicole Richie, June Squibb, and Jermaine Fowler?

I had the pleasure of working closely with Simone Joy Jones because she is my big sister (the best big sister ever). She has been in this business as a young actress, so she was able to make me comfortable and confident and encouraged me during my scenes. As a lead actress on DTMTBD, Simone created a family environment for all of the siblings; you can see the family dynamic in the movie. When I say Nicole Richie I honestly cannot believe it was her, it’s funny because I was just watching prior to booking the movie The Simple Life on Youtube and TikTok so when I saw her in real time I was so excited I could not sit still, my mother on the move Ms. Pat had to tell Nicole “please come say Hi to Ayaamii, she is about to lose her mind” that was one of the most amazing moments for me on set, my set mom was looking out for me lol Thank you Ms. Pat! Like I said we were seriously like a true family!!!!

Which actors and actresses inspire your own craft?

As a child watching Jessie, I was inspired by Sky Jackson and as I grew older I followed Zendaya.

Your first credited on-screen work came in the form of the 2018 short film Yellow Balloon. Any special memories of that freshman production?

Yellow Balloon was a project that I hold close to my heart. As a 3-year-old, I have always had the desire to serve the homeless community and I would always tell my parents “I want to build homes and communities where the homeless can stay.” When I had the opportunity to play a role that can sit and have a simple conversation with a homeless veteran, I was excited and motivated to show my passion to be kind and loving.

When you’re not acting, what do you enjoy doing just for yourself?

I love watching movies, being on TikTok for fashion tips, cooking recipes, or just watching makeup tutorials (I am not allowed to wear a lot of makeup but I take notes on tips so when I am allowed I know what I need).

Any future projects from you in the pipeline which astute fans and readers may want to keep an eye out for?

I am working on the Upshaws that’s on Netflix. I have auditioned for AMAZING roles so if the project is for me you will be seeing me soon. For now, I need everyone to go watch Don’t Tell Mom The Babysitter’s Dead, you will not be disappointed!!!!

At the end of the day, what do you hope moviegoers walk away with after watching the upcoming motion picture Don’t Tell Mom The Babysitter’s Dead?

I would like the Moviegoers to see the dynamic of the family, see how different the siblings are but know they took care of each other and came together in order to survive without a parent. It also shows the updated version of the classic 1991 movie but at the same time gives respect to the original movie. I also love the Black culture interpretation done by the writer Chuck Hayward. The movie is Innovative, educational, and funny.

FELDSPAR

We’re very happy to be speaking today with acclaimed rock band extraordinaire FELDSPAR; greetings and salutations, gang! Before we dive into the proverbial Q&A mosh-pit, could you all say ‘hi’ to our everinquisitive readers and introduce yourselves?

Hi, we are Feldspar. Godless folk two blocks from the pope.

Major kudos and accolades on your amazing new single Cobblestones which is set to premiere in late May! Andrew, can you talk a little about what inspired one of the best singles of 2024?

Cobblestones describes the contradictions of living in our city, Rome. An aesthetically beautiful city that also conceals a dark history of corruption and greed. Romans live this contrast daily. The Vatican and the government are intertwined in a constant power play that permeates through the city and influences people’s lives. We love Roma, but at the same time we know that it can be a struggle to live here

Stefano, the producing honors on Cobblestones fell to the highly respected Nick Terry. What was it like collaborating with Nick in the studio while working on the new music?

Working with Nick has been fantastic. Having someone so competent, especially with such a significant background, has been an asset from every perspective. Beyond that, he’s the kind of producer who immediately understands what you want and always puts you at ease with any decision.

Riccardo, in your humble opinion, what differentiates Cobblestones from the Distinguished Competition on the 2024 music landscape?

Cobblestones’ musically has a 90’s rock backbone within a modern Hardcore body, which makes it accessible and memorable. However, what truly makes it unique is the visual storytelling of Italy and its capital, Rome, today. It’s a city beloved and visited every day by millions of visitors who often miss the

intimate reality of the city. ‘Cobblestones’, both the song and especially its video, immortalize all of this for anyone who wants to understand what it means to be “Godless folk two blocks from the pope.” That said, I hope it’s the audience who truly embraces it.

Anna, Feldspar recently signed with TTK Records; congratulations! What makes TTK the perfect home for Feldspar and their indelible music stylings?

Signing with TTK was the most natural thing in the world. We’ve been friends for a long time, and they’re doing fantastic work with dozens of bands from all over the world. Some of them are getting incredible feedback. So, TTK is our home, and we thank Enrico and his entire team for welcoming us with such enthusiasm.

Manlio, how involved behind-the-scenes were the members of Feldspar when it came time to shoot the music video for Cobblestones?

The video was directed by Roberto ‘Saku’ Cinardi, a highly renowned music video director in Italy who has directed many successful videos (including Lacuna Coil, etc.). We entrusted him knowing we were in good hands. That said, we wanted the video to reflect reality and the people around us. So, we involved our entire scene ourselves, suggesting locations and actively participating in every phase.

Luca, Feldspar hails from the beautiful city of Rome, Italy! How do those particular stomping grounds inform the sound and energy of the band?

In a music project, the surrounding environment can minimally influence or even serve as the driving force. In our case, it’s the latter. Everything that embodies Feldspar is a response to the context in which it operates. Feldspar isn’t a closed-off, separate project but rather a collective that lives within the city, connecting it with the world through the countless collaborations and experiences of its band members. In essence, it’s a project born to narrate and showcase this special universe that is contemporary Rome, nestled in the shadow of the Colosseum. In this sense, it’s a project rooted in local street culture.

Andrew, word ‘round industry campfire has it that Feldspar is set to release their debut album this fall - Major kudos! Can you give fans and readers a hint or three as to what they can expect from this eagerly anticipated LP?

I was asked to join the band after the songs for the album had already been written by Stefano and

Riccardo and when I first heard them I was floored by how good they are. The songs are powerful and direct, but at the same time orginal and catchy. I would describe the sound of the album as a blend of classic hardcore with heavy rock riffs thrown in the mix and with a strong melodic feel throughout. The contrast between Riccardo and Anna’s voices is very cool. Their voices sound great together.. We are very excited about the album and can’t wait for it to drop this Fall.

Stefano, what makes Cobblestones the perfect choice as the lead single off of the upcoming LP? Do you feel that tonally it represents the rest of the album?

I would say that ‘Cobblestones’ represents the synthesis between the most energetic and aggressive episodes with the more melodic and cinematic ones. However, we didn’t choose it for that reason. ‘Cobblestones’ is the perfect calling card for the band. It tells who we are, where we come from, what we face every day, and the people who are by our side. This chorus is also well reflected by the Rome oh Rome choir that punctuates the entire piece, giving it the characteristic of an anthem.

Riccardo, who did the lush and beautiful artwork for Cobblestones?

The artwork was done by Chris Wilson, from Kingston, PA. Chris also designed the band’s logo, along with other projects that will be released later, and of course, the album cover. We’re big fans of his work with other bands like Scowl, Mindforce, Combust, Gel, etc. His interpretation of the classic hardcore visual universe is incredible, and he’s a master at finding combinations of colors that are both powerful and evocative. The work he’sdone for usisepic!

A question for all of you: Who inspires you musically?

We’re massive music fans so our tastes are very wide range and include loads of rock music from all eras, a bunch of hip-hop, European black metal, thrash and much more…and oh Anna wants us to underlying her love for the London musicals scene she grewup in. Of course, hardcore punk has always been a huge influence. Classics such as Minor Threat, Bad Brains and Youth of Today, but also the current hardcore scene is vibrant and alive. BandslikeMindforce, Angel Dust, Scowl are great.

Sarah Potenza

We’re very happy to have some time today with acclaimed vocal tour de force powerhouse Sarah Potenza; greetings and salutations Sarah and welcome to Vents Magazine! Before we dive into the proverbial Q&A moshpit, how is 2024 treating you and yours?

Hi, 2024 has been really wonderful so far. I am really feeling blessed and joyful.

Major kudos and accolades on your freshly-minted single Need You Now which is set to wow audiences the world over when it premieres this May 8! Starting at the tip-top, what inspired you to put your own indelible spin on Lady A’s well-known hit?

I have always loved this song, but hearing Dave’s take on it, I immediately wanted to sing it. It seemed so fierce and

the sadness transformed into power.

You knock it out of the park with Need You Now; congrats! What’s the secret to creating a successful cover version of a well-known song? Do you have to walk a line between tipping your hat to the original while also sort of making it your own?

I don’t know if there’s a secret, but I like to mix it up. I think covering a song should be a remake. You need to bring you to the song. Not just sing it as written. You need to bring your perspective, your pain, your joy, your life.

Your producer on Need You Now is the celebrated Grammy Award-Winning Dave Audé! What was it like for you to collaborate with Dave on the new single?

It’s been really wonderful. Dave and I have so much fun together. We really just enjoy creating music together and I think that’s a big part of it. My voice is perfect for the style of music he makes, so it’s a great fit.

Need You Now is being released via Audacious Records. What makes Audacious the perfect home for you and your music?

Well it’s a true collab between Dave and I, so putting it out on his label is the perfect fit.

In your humble opinion, what differentiates Need You Now from the Distinguished Competition on the 2024 music scene?

I think this song is fun and meaningful at the same time, and it will connect with people.

In the wake of the May 8 release of the new single, can fans look forward to a possible EP or LP release from you in ’24?

Dave and I plan on releasing more remakes and some originals this year!

What does your touring/performing dance card look like in the coming weeks and months? Word ‘round industry

campfire has it that you might be pretty booked up for April and May of this year!

Yeah I am out in the UK as we speak with Post Modern Jukebox, and I have a lot on my plate for sure this spring and summer.

As a respected singer and songwriter, which generally comes first for you: The lyrics or the music?

Um.... I like to write to tracks so the music comes first.

Many confirmed and card-carrying fans of you and your music were first introduced to you via your appearances on The Voice and America’s Got Talent. How instrumental were those appearances in opening some usually pretty hard-to-open doors in the music industry?

Those shows deff gave me a leg up. They gave me opportunities that changed my life. In fact PMJ came to me via AGT.

At the end of the day, what do you hope listeners walk away with after giving many–a-spin to your incredible new single Need You Now?

I hope the song helps them release some heartache and pain, and I hope they dance!

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Tae Riley (A.K.A. YSB Tril)

We’re super-excited to have some time today with acclaimed music artist Tae Riley who is perhaps best known by his far-famed nom de plume YSB Tril; greetings and salutations and welcome to Vents Magazine, Tae! Before we dive into the Q&A mosh-pit, how would you describe your music to a new fan? Listening to your indelible and unique stylings, we hear glorious rap beats intermingled with some amazing hip-hop stylings!

I would describe my music as anthemic, and energetic. Definitely the type of music that makes you wanna get up and move.

Major kudos and accolades on your incredibly successful Halfway Hollywood tour which should be wrapping up by the time fans are reading this! For anyone who has not yet had the opportunity to see you put on a live show, what should they expect?

Thank you! for anyone who’s never came to a show it’s definitely great vibes. everybody who comes out usually reciprocates the energy pretty well, it’s just everybody having a good time.

Peering into the Magic 8 Ball, what do you have coming up musically in 2024? Should fans keep their eyes open for a possible EP or LP release?

Possibly could expect an EP, right now i’m focused on singles and trying to be consistent but i wouldn’t count it out.

With the Halfway Hollywood tour pulling up stakes and wrapping up, will you be doing the touring/performing circuit a bit more as 2024 marches on?

Definitely, that’s the plan. I love performing and i love the face to face interactions with the people who support me it feels so nice to have to in person V.S. through a phone screen.

Who inspires you musically?

I pull inspiration musically from everywhere, honestly in many different genres. Some of the main ones from hip-hop though are Lil Wayne of course, Drake, Kanye, Future & Juice WRLD.

How have you used your own talent and sheer will-power in conjunction with technology

to carve out your own niche in the music industry?

Over the years i’ve just been super determined to make things happen. If you can create an opportunity so you can let the talent speak, that is probably your dream situation as an artist. Over the years by doing that, i’ve slowly built an audience that we genuinely care about eachother. its deeper than just the music.

You hail from Clayton, North Carolina. How do those roots inform you as not only an artist, but also as a person?

Being from North Carolina, it’s super rooted into southern culture and that definitely played a part in my love for hip-hop in the first place. Also, it definitely ties into me as a person as well. Southern hospitality is a huge thing out there

We’re big fans of your 2022 gem of a tune BRAND NEW. What’s the story behind this rousing anthem and how you came to record it?

I know everybody wants to hear some crazy story behind this song, but to be honest, it was just another song i recorded in the studio one night when I was making ‘STARSTRUCK 2’. I just sent it to Jasper later and it was a wrap. I can say though, when i made it i knew it was gonna be one of the ones from that project for sure

When you’re working on new material, what does your creative process generally tend to look like? Is there rhyme and reason to the creative madness?

Always the beat first, i listen to beats sometimes for an hour before i even find one i like, I’m super picky. Then i load it up and i’ll lay down some melody takes just to get a vibe and when i get something that sounds good, I just put words to it

Looking ahead, where do you see yourself in five years? Do you have an ultimate game plan, or is it a bit more organic than all of that?

Definitely see myself in a better position. There’s no ultimate gameplan, life changes too much an things don’t go how you want them to a lot of times. I prefer to take everything day by day and step by step

Darren Mulligan (We Are Messengers)

We’re very happy to have some time today with the frontman for acclaimed Christian Contemporary band extraordinaire, We Are Messengers; greetings and salutations, Darren! Before we meander down the proverbial Q&A musical pathway, could you introduce the members of We Are Messengers to our everinquisitive readers?

Thank you for having me. The band consists of Darren, lead vocals/guitar, Dru Keys/MD BGV’s, Tanner bass guitar, Kenaniah Drums and Thad Lead guitar/bgv’s

Major congratulations on your upcoming fourth We Are Messengers album Where the Joy Iswhich is set

to premiere this April 5! Starting at the tip-top, can you talk a little with us about what inspired this beautiful new LP?

The whole record is based on this beautiful journey I’ve had with Jesus these past few years. I decided that chasing happiness wasn’t working in my life and that I wanted to find this rest that Jesus promises in Matthew 11 28-30. It turns out that joy is available even for an Irishman whose heart can be turned to melancholy and heartache. I’ve realized that joy is not found in stuff, success or achievements but it is the steady presence of God in my life even in the dead of night when the monsters come. I wanted this

record to be the soundtrack to others who are taking a walk with Jesus and learning to live in the joy.

In your humble opinion, what differentiates Where the Joy Is from the Distinguished Competition on the 2024 music landscape?

I think there are some incredible records around this year but I’m really proud of what we’ve done and believe it stands up to anything. This is a bombastic, anthemic record with such a driven, live tracked rock sound which has been influenced by many of my fav artists like Bleachers, Springsteen and the Killers but at the core its counter cultural. Modern Western culture is obsessed with more, having more, being more and ultimately building your own kingdom through strength and power but “where the joy is” calls us all to take a walk with Jesus, give our lives away and be satisfied with the incredible communion we can have with Jesus.

Who was the producer on Where the Joy Is and what did the collaboration between band and producer look like in the studio while working on the new album?

Kyle Williams and Jeff Pardo produced this record and we knew that it had to echo the passion and hopefulness of the joy I have been living in so we made sure to track everything as organically as possible and always keeping it true to what I was feeling in these songs. It was a breeze of an album to make, we all knew what it needed to be and thankfully it sounds just like my head and my heart. I love where it landed.

Speaking of collaborations, Where the Joy Is features bravura collaborations with newcomer Ben Fuller and labelmate, Blanca. What was it like working alongside these two talented wunderkinds?

I really think that feature artists should be walking through or have come through the feelings and emotions the song is trying to capture and articulate. Both Ben and Blanca have extraordinary talent but what makes both these tracks special is that Ben truly has found rest in Jesus and Blanca really has put her hope in Jesus having walked through heartache and loss. I’m so thankful that they came alongside me and these songs are so much better for their involvement.

Where the Joy Is is being released via Curb Records. What makes Curb the perfect home for We Are Messengers and their indelible musical stylings?

Curb has been so good to us over the years and has always allowed me to have real artistic freedom while giving us the tools and support to make this music and get it out into the world. My A&R guy Joseph Prielozny is a legend and adds so much to the creative process. He’s the best in the business.

Who inspires you musically?

My goodness, my influences are all over the place. Classic artists like Springsteen, U2, Coldplay, Johnny

Cash, Nirvana and Soundgarden along with contemporary loves like Foy Vance, Bleachers, The Killers, Chris Stapleton and Teddy Swimms make up much of my playlist. I love story tellers and I’m drawn to bands I can believe in, bands with a cause. I especially love artists who don’t pretend and keep it authentic.

In the wake of the April 5 release of your beautiful new album, can fans look forward to catching We Are Messengers on the touring/performing circuit?

Absolutely, we’ll be right in the middle of the US leg of our ‘Where The Joy Is Tour’ which has already been to New Zealand and Australia. We’ll be taking that to the UK, South Africa and Europe before the year ends.

You co-wrote Where the Joy Is alongside some of the very best talents in the music industry, including the likes of Jeff Pardo, Jordan Sapp, Ethan Hulse, Hank Bentley, and Kyle Williams. What do each of these very distinct wordsmiths bring to the We Are Messengers table?

All of these guys are stand up men, they don’t compromise, dumb down or cheat the honesty of what we are creating. Yes they are each extraordinarily talented but the real gift to me is that they take what I’m trying to communicate and give it a clarity and pointedness that makes it accessible to the listener. I want these songs to find homes in people’s hearts and we don’t need any barriers to that. I’m so grateful to partner with these guys and others who have made this record my favorite yet.

Where the Joy Is marks the fourth album release from We Are Messengers; congrats and kudos! How is the new album similar to some of the past music from the group? How is it different?

I hope it carries that signature honesty and authenticity all of our records have so far and that it continues to have the ear hooks, and melodic signatures the band has been known for. I think where it differs from previous records is that it has a dynamic, consistent anthemic force to it that really begs the listener to roll the windows down and let go. The album definitely has a more consistent theme which is carried throughout the record. I think it sounds just like the title which is harder to do than it would seem.

Any final thoughts you might like to share with fans and readers about the upcoming April 5 LP Where the Joy Is?

I’m just so very thankful that we have this incredible audience who stays with us throughout the chaos of life and who has found comfort and hope in what we’ve created. This record is the most fun, hopeful one we’ve made yet and I hope it becomes the soundtrack to our peoples walk with Jesus.