VENTS Magazine 156th Issue

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Jordan Preston Carter

We’re super-excited to have some time today with a very talented and gifted young actor, Jordan Preston Carter; greetings and salutations Jordan and welcome to Vents Magazine! Before we charge down the proverbial Q&A haunted pathway, how is the latter-part of 2024 treating you and yours?

This year has definitely been challenging in certain aspects, however it has also been nothing short of new prospects and for the upcoming year I am excited to see what the future holds.

Major congratulations on your upcoming bravura turn in director Gary Dauberman’s adaptation of author Stephen King’s classic horror novel ‘Salem’s Lot which is set to premiere on HBO MAX this October 3! Starting at the top – and for anyone not in the know – can you explain what ‘Salem’s Lot is all about and how your character of ‘Mark Petrie’ figures into the proceedings?

Salem’s Lot is about an author named Ben Mears that returns to his home town for research only to find that his home town has been overrun by vicious vampires and even though Mark Petrie is new to the Lot he shows courage and determination to rid the Lot of the head vampire despite his small stature.

Did you know as soon as Gary’s script for ‘Salem’s Lot crossed your professional desk that this was a production you wanted to be a part of?

Well I’ve always wanted to be a part of a scary movie, so when I originally received the audition I was unaware of what it really was and how iconic this role would become for me.

Going into this production, how aware were you of Stephen King and his book ‘Salem’s Lot? Similarly, how familiar were you with the previous two screen adaptations of the novel by directors Tobe Hooper and Mikael Salomon?

I was familiar with Salem’s Lot the mini series and other adaptations that were done previously, however I definitely wanted to put my own personal spin on the character Mark Petrie.

In King’s novel, Mark Petrie is written as a true student of horror movies, someone who appreciates a good scare! In real life, would you count yourself as an avid horror movie fan?

Absolutely, I have been watching horror movies and was always fascinated with them since I was little.

What was it like collaborating with director and writer Gary Dauberman on ‘Salem’s Lot? Is he what some actors might call ‘an actor’s director’?

It was an absolute pleasure working with him! He has written and directed some of the most scariest movies to date. His unique style of directing made me feel accomplished and at ease around other seasoned actors.

Speaking of collaborations, what was it like exercising your own considerable acting chops on ‘Salem’s Lot alongside the likes of Lewis Pullman, Alfre Woodward, Makenzie Leigh and Spencer Treat Clark, among others?

Working along side these seasoned actors was quite the learning experience for me. Their mastery over their craft was truly inspiring to watch and to be a part of.

Though HBO MAX will be releasing ‘Salem’s Lot this October 3, the film actually wrapped production some time back. Has it been slightly frustrating to have to wait for a release of the movie when the early buzz on it, particularly from author Stephen King, has been so positive?

It has been been frustrating at times especially when at certain points if this movie even would make a release date but thankfully to Stephen King and everyone who fought for this movie to be released I can say that we the actors and everyone who put in all the hard work for such a long time it’s rewarding to see this movie see the light of day.

Can you give readers a hint or three as to what you have coming up after ‘Salem’s Lot? Are there any special projects we should keep our eyes out for?

As of right now I do have some other projects and things in the works but it’s too early to speak on them.

Your first credited on screen work came in the form of a 2016 episode pf Powers. Any special memories of that freshman production?

I was very young on that show and I just remember having fun and what it means to be a kid.

Final - SILLY! - Question: Favorite movie about vampires - Fright Night (1985), The Lost Boys, Brides of Dracula or Dracula (1931)?

Dracula (1931) was a favorite of mine.

Elysia Rotaru

We’re very excited to have some time today with acclaimed actress Elysia Rotaru; greetings and salutations Elysia and welcome to Vents Magazine! Before we meander down the proverbial celluloid Q&A pathway, how is the back-end of 2024 treating you and yours?

Hey! Thanks for having me, it’s an absolute pleasure to be here. Well, I do have to say that this year has been an interesting year… Been dealing with some major life curveballs of adulting that we’re still handling [laughs]. But I know that the last few months of the year are winding up to be pretty sweet. I mean fall is here, Halloween is just around the corner, I got a big birthday coming up in November and then of course the holidays are upon us, so I’m pretty stoked.

Major kudos and accolades on your bravura powerhouse of a performance in the Warner Bros. Animation Justice League: Crisis on Infinite Earths epic series! Starting at the top, can you explain for anyone not in the know what Crisis on Infinite Earths is all about and how your characters of Black Canary, Black Canary II, and Young Wonder Woman figure into the proceedings?

I’ve had the pleasure of being the voice of Black Canary for a couple of films already and when I got the call to come back for this film, I was beyond excited. You never know how it works in our world so when you get the call, it’s kind of like being a superhero, pun intended… So you gotta answer, step up and do your best. When I found out, I was playing two Black Canary’s in this final film. I was beyond thrilled. It’s such an iconic character and role and I’m so grateful to be able to have my voice live on these versions. And being asked to lend my voice to Young Wonder woman was super last minute- in the recording session for Black Canary actually. It was a lot of fun and another dream come true.

How familiar were you of the Marv Wolfman/George Perez/Jerry Ordway DC maxi-series of the same name which first hit comic book spinner racks back in 1985? Had you read these twelve seminal comic issues before undertaking the animated version of Crisis on Infinite Earths?

E: To be honest, not as familiar as I would like to be. As much as I love diving into the superhero world, there’s just so much material out there and I’ve never really been one to totally geek out on them, even though maybe I should…[laughs]...considering the line of work I’m in. With this business and the way things move quickly,

Photo Credit : George Duchannes Photography

I didn’t really have the time or the luxury to dive into those for back story reading to prep, but of course, when I was a little girl growing up, I always loved watching all the superhero shows and animations. Comic books though are a totally different beast.

You had previously essayed the voice of the original Black Canary back in 2021’s Justice Society: World War II. Did that performance go some way in informing how you handled the elder Canary in Crisis on Infinite Earths?

Definitely, as we had to bring her back for this project. But then I had to tap into bringing a little bit of a different voice to her daughter, so it was a lovely performance exercise to say the least.

Your director on Justice League: Crisis on Infinite Earths is the talented Jeff Wamester. What was your collaboration process like in working with Jeff on this epic animated undertaking? Is he what some actor’s might refer to as “an actor’s director”?

I would love to say that I worked with Jeff one on one, but that wasn’t the case. I actually worked with the wonderful and talented Wes Gleeson in the studio who helped guide the performance and the vocal prints that you hear. I do follow Jeff on Instagram though and hope to meet him in person one day, and thank him for these amazing opportunities. I always love watching the final product when it comes together.

Acting-wise, who inspires you?

Wow that’s a fully loaded question. I get so much inspiration from actors I admire that span decades, But if I had to name a fe (or a lot), I definitely love the work and careers of: Sophia Loren, Monica Bellucci, Halle Berry, Charlize Theron, Cate Blanchette, Penelope Cruz, Emily Blunt, Bryan Cranston, Javier Bardem… etc. I also look up to Margot Robbie. What she is doing as both an actor and as a producer with her company LuckyChap Entertainment is inspiring.

Major congrats on your recent turn as a producer for the short film Hell is a Teenage Girl which is currently making the rounds at film festivals around the ever-lovin’ globe! What’s Hell is a Teenage Girl about and what made you want to take on a producing moniker for it?

Thank you so much! I’m incredibly proud of our short film. It’s been in the works since 2017 with my production partner and best friend, Stephen Sawchuk, so that kind of answers your question about why I decided to work on this project [laughs]. But to dive a little deeper, it’s really because I love creating and working with people I adore. This project helped push me to step fully behind the camera as a producer, taking the lead there while supporting Stephen in his writing and directing. And in turn, he’s been guiding me as I step into my producer shoes.

The reviews we’ve received so far have been wonderful, and I really hope you and your readers get a chance to watch it too— whether it’s after the festival circuit or at one of the festivals in your town, if we make it there.

But to get you all hyped..HELL IS A TEENAGE GIRL is set in the small town of Springboro, where every Halloween, a masked serial killer terrorizes teenagers who break the ‘Rules of Horror’— don’t drink, don’t do drugs, and don’t have sex! At the center of it all is Parker Campbell, the Slasher’s estranged biological daughter, who’s on a life-or-death mission to make things right with the town, clear her family’s name and stop her father’s reign of terror once and for all.

Looking ahead, would you like to be more involved on the production-end of filmmaking, or do you envision a scenario where there’s room enough in your professional life for both?

Hell yes! That’s definitely the goal that I’m aiming towards these days; maintaining a career that’s a balance between producing, on camera performance and being in the voice booth. Who knows, maybe one day I’ll get the itch to direct a project as well…but that will be later down the line. Right now, there’s just so much to learn and dive into, but one thing for sure, that when I do something, I want to make sure that it aligns with me and I’m not just doing it for the sake of doing it you know? I want to make sure that it’s a wonderful collaborative experience for everyone involved and that the final product is going to be executed at a high caliber. And I want to make sure everyone involved is having a blast and a good time, myself included!

Your first credited on screen work came in the form of a 2008 episode of Psych. Any special memories of that freshman production?

E: I do remember laughing when I got the sides and my call sheet, but I didn’t have any lines. I was pretty much a glorified extra. I do remember it being a really positive experience though. The lead actors were lovely and everyone on site was friendly and supportive. But hey, it got me on screen with my first acting credit so I’m very grateful. You have to start somewhere!

Last year you also debuted your innovative podcast, YOU DID IT! What’s the E! True Hollywood Story on how one of the best new podcasts came to life? What inspired you to walk down this particular pathway?

Oh my God, you’re hilarious! So, as you may or may not know, I have a three-year-old now. I’ve always wanted to start a podcast, and after talking with some amazing people in the industry and getting their advice, the big takeaway was to have a niche. Right now, motherhood feels like mine right now, so I thought, why not? Even though I knew the subject matter was already supersaturated, I just decided to dive in and share my experiences.

When I launched the podcast, it was about passing on the things that worked for our family, because I was constantly getting questions from friends, peers, and even people who follow me on social media. I thought podcasting would be a great avenue to make that information available to everyone.

So, I gathered the troops – some of my closest friends that I trusted – that could give me some guidance. We put together a small team, less than five of us, and just went for it. And let me tell you, I learned so much about producing my own show! I’ll definitely take all those lessons into my next podcast adventure, and hopefully, the next one will be an even smoother, better-executed process. [laughs]

Final - SILLY! - Question: Favorite movie about the making of movies - The Player, Once Upon A Time In Hollywood, Living In Oblivion or Barton Fink?

E: Oh, those are a bunch of great movies. But there’s something epic about Once Upon a Time in Hollywood that I can’t get over. It probably has to be the breakdown scenes with Leonardo DiCaprio in his trailer. I laughed so hard because it was relatable, all actors have been there I’m sure. He did a fabulous job of showing all the wild s@$% that might happen during one’s process. Although I do have to say, I loved a bunch of scenes in The Player, like Tim Robbins in the mud bath. Too good. His performances are always strong and memorable!

Ewan Wood

We’re very happy to have some time today with actor Ewan Wood! Before we dive in, how has 2024 been for you?

It has been incredible. I was fortunate enough to have had the opportunity to work with some phenomenal actors and brilliant directors and of course had lots of fun along the way.

Major congratulations on your upcoming role in the highly anticipated film The Best Christmas Pageant Ever which is set to entertain moviegoers when it premieres this November 8! Can you tell us more about the film and how your character Leroy Herdman fits in?

Thank you. This is a very meaningful film with a special message and I am so excited to introduce my character Leroy to everyone. Leroy is one of the Herdman kids who unexpectedly end up in their town’s Christmas pageant. Leroy is the instigator of the whole ‘going to church’ movement among the Herdman kids, basically because he heard they have food at church and Leroy loves his snacks!

Did you know as soon as you heard about The Best Christmas Pageant Ever that this is a film you wanted to be a part of?

At first glance I was not aware of the big story but I really enjoyed the script when I read it before my audition. It was only after I landed the role as Leroy, that I learned more about the importance of the story book and how Dallas had dreamed of making this film for 15 years.

What was it like working with director Dallas Jenkins?

Dallas is awesome! He has lots of energy and is very friendly, kind and patient! It was very cold when we were shooting in Winnipeg and he would always check in with us and keep us on track and motivated. In between takes you could find him doing push-ups in the corner, probably trying to stay warm!

You work with such a great cast of actors in The

Best Christmas Pageant Ever including the likes of Lauren Graham, Judy Greer and Elizabeth Tabish to name but a few! What was it like working alongside the cast?

Working with these amazing actors showed me that everyone has their own way of acting, and it’s cool to see all the different styles. They never take themselves too seriously, and even though they’ve been doing this for so long, they still love it and have so much fun. Plus, they’re super friendly and easy to talk to, which made everything even better!

What do you enjoy the most about acting?

It is kind of like being in a big playground where you can just let your imagination fly. You get to meet incredible people in the cast and crew, make good friends and most of all have fun doing something you are passionate about.

When you’re not acting, what do you enjoy doing for fun?

I enjoy hanging out with my friends, skateboarding and playing on PS5.

What’s next for you in terms of film and television after The Best Christmas Pageant Ever?

I have had an eventful year after we wrapped from The Best Christmas Pageant Ever. I have been lucky enough to work on two short films, which like this movie also have important stories to tell, I’ll be appearing in another feature film and most recently was part of a long running Canadian TV series.

Final – SILLY! - Question: Favorite Christmas movie – Home Alone, A Christmas Story, It’s A Wonderful Life or the original A Miracle On 34th Street?

If I can go outside the box, it’s Elf – Will Ferrell is so funny and belly laughs keep you warm during cold winter nights!

Adam Thomas Ziemba

We’re very excited to have some time today with acclaimed actor Adam Thomas Ziemba; greetings and salutations Adam and welcome to Vents Magazine! Before we jump down the celluloid Q&A rabbit hole, how is the latter part of 2024 treating you and your family?

Hello everyone! It’s great to be here—thank you for inviting me to your magazine. This year has been a lot of fun! I started first grade, so I’m excited to see my friends again and make new ones. Plus, my first movie just came out, which has kept me busy! I’ve been doing lots of interviews and promoting it.

Major congratulations on your bravura turn in the brandnew Prime Video feature film drama One Fast Move! Starting at the top, can you explain to our readers what One Fast Move is about and how your character of Leo figures into the proceedings?

One Fast Move is about Wes, an army soldier with a passion for racing motorcycles. After crashing one, he gets into trouble and is kicked out of the army. He is really, really, REALLY determined to make his dream of becoming a professional motorcycle racer come true, so he sets out to find his estranged dad, who just so happens to be a professional motorcycle racer himself. Along the way, Wes meets Camila (Maia Reficco) and her son Leo (that’s me!). Wes ends up falling in love with both Camila and Leo.

Did you know as soon as the script for One Fast Move crossed your professional desk that this was a production you wanted to be a part of?

I did really well on my audition; Mr. Kelly, the director, really liked me. I thought I was going to a callback, but it turned out I was there to meet all the producers and the director. I was so happy when I got the part! I really wanted to be in this movie because Leo is a lot like me, and I knew I could play him really well.

How are you similar to your character of Leo in One Fast Move? How are you different?

Leo and I are really similar because I’m also an army kid— my real dad is in the army. We’re both cute little boys who love to play. I like race cars and motorcycles too! The only difference is that my mommy is my real mom, while Maia is my mom only in the movie. So Leo and I are really the same person!

What was it like working with the likes of Edward James Olmos, Eric Dane and Maia Reficco in One Fast Move?

Mr. Edward was very nice to me on set, and at the red carpet premiere, he held my hand while we were taking pictures. Mr. Eric was also super nice; he called me McDreamy, and he’s McSteamy (a reference to Grey’s Anatomy). I worked with Maia the most, so we would always play around between takes and goof off in the shuttle on the way to the set. KJ was always nice to me too and even got me some toys. Austin North was great as well! During the fighting scene, they acted so well that I thought they were actually fighting,

and it scared me a bit. But Austin came over afterward and explained that it was just pretend and that they’re all friends. He made me feel better and not scared anymore!

Speaking of collaborations, what was your working experience like with the writer and director of One Fast Move, Kelly Blatz? Is Kelly what some actors might refer to as ‘an actor’s director’?

It was easy because I just had to be myself. I’m really good at following directions, so Kelly loved working with me. He told me that if I act how I feel, it will look good because it’s natural. Kelly also told my mom and dad that I was his dream choice for Leo and that he didn’t even look at anyone else’s audition tapes. I thought that was so cool!

How did you become interested in acting and who in the world of acting inspires your own craft?

My mom and my older sister Jessica are also actressES. One time, they were on the same show together as mother and daughter. When I saw them on TV, I thought “WOAH, that’s so cool!”

So, when I was four, my mom started submitting me for auditions, and I began booking roles very quickly.

When you’re not busy acting, what do you enjoy doing for fun?

When I’m not acting, I love spending time with my dad! We have a blast playing games like Minecraft and Among Us. We also like racing Hot Wheels cars and motorcycles, and create these crazy, exciting tracks for them. I also have other hobbies, I practice karate and I’m an orange belt. Karate helps me burn off some of the energy I have and learn selfdiscipline! I also play soccer. It’s a lot of fun and keeps me busy when I’m not in front of the camera.

Your first credited on screen work came in the form of a 2023 episode of Judgement. Any special memories of that freshman production?

I also played myself for that one – a kid! So, I was really just being myself, and work went smoothly. My line was to ask my mom to read a ‘Grumpy Monkey’ book. After filming, my real mom took me to a bookstore, and we got the actual ‘Grumpy Monkey’ book! My parents read it to me as a bedtime story. Two nice memories came from that role!

Closing our conversation out, can you give readers a hint or three as to what you have coming up next as far as acting goes?

I just filmed a commercial for Ashley Furniture, set to air a little later this year during the Black Friday season. We’re also waiting to hear back about new TV series, Judgment, with Sarah Shahi. I’ll be recurring as Max Quinn, so definitely keep an eye out for that! You can also keep up with me on Instagram: @AdamThomasZiemba

Thank you so much!

Grant Feely

Photo Credit - Tommy Flanagan

We’re super-excited to have some time today with acclaimed and fast-rising young actor Grant Feely; greetings and salutations Grant and welcome to Vents Magazine! Before we dive down the celluloid Q&A rabbit hole, how is the latter-half of 2024 treating you and yours?

The school year is going well. I’m taking tennis lessons and hope to try out for the school team. Acting has been slow, though, so I’m hoping it will pick up soon!

Major kudos and accolades on your recent bravura turn in the feature motion picture GUNNER! For anyone not in the know, can you explain what GUNNER is about and how your character figures into the proceedings?

Gunner is about a father (Lee Gunner played by Luke Hemsworth) who has spent the past year away from his life fighting with his special ops team. When he returns home, he wants to reconnect with his kids, so he takes them camping. While on that trip they stumble upon a drug operation run by the family of Morgan Freeman’s character. The two sons of Luke Hemsworth’s character get kidnapped, and he has to fight to save them. I’m one of the sons who gets kidnapped in the movie.

Did you know as soon as the GUNNER script from director Dimitri Logothetis and co-writer Gary Scott Thompson crossed your professional desk that this was a production you wanted to be a part of?

Yes, when I learned there was a movie with Morgan Freeman and Luke Hemsworth filming in my hometown (Birmingham, AL), I knew I wanted to be a part of it. The script was action packed and it looked like a fun role.

What was it like exercising your own considerable acting chops alongside such amazing actors as Morgan Freeman and Luke Hemsworth in GUNNER?

It’s so much easier to get into character and act alongside professionals who are prepared for their roles and know how to get into those roles so easily when the cameras start filming. Luke kept the mood light by cracking jokes when off camera but immediately switched gears when they shouted action.

Speaking of collaborations, what was your collaboration process like with director Dimitri Logothetis while working on GUNNER? Is Dimitri what some actors might refer to as ‘an actor’s director’?

He really is. Dimitri gave me the freedom to create my own character for Luke Gunner. He gave direction when I needed it but otherwise let me do my own thing.

You’ve got an upcoming major motion picture in the pipeline entitled The Movers; congrats! Can you tell us a little about what we can look forward to with this new film and which character you play?

The Movers is a psychological thriller. My character is the son of Jena Malone’s character. We come home to a robbery gone wrong and our characters wake up in a supernatural world between the living and the dead. We have to figure out how to make it out safely. I don’t want to give away more details than that!

What fascinates you the most about acting?

Being on set is my favorite part of acting. I enjoy the challenge of creating my own characters and meeting other actors. Crafty (the concessions on set) is also pretty fantastic.

When you’re not acting, what do you enjoy doing just for yourself?

I’m taking tennis lessons now and hope to play for my school team. I also enjoy playing video games with my friends.

You actually fulfilled my former childhood dream of portraying nigh iconic hero Luke Skywalker in Disney’s Obi Wan Kenobi series! How did you go about prepping for the role? Did you study Mark Hamill’s performances from past Star Wars films to inform your own performance?

The director for Obi Wan Kenobi, Deborah Chow, asked me not to watch any of the old Star Wars films. She wanted me to be a regular kid so that’s what I tried to do. No preparation at all!

Looking ahead, where would you like to see your acting career in the next ten years?

Do you have a big, overarching game plan?I really hope to be able to continue to act. It’s been amazing to have had the opportunities I have had, and I really hope I am lucky enough to do this as a lifelong career!

Mason Mecartea Mecartea

Photo CreditRob Hull

We’re very happy to have some time today with acclaimed actor and filmmaker Mason Mecartea; greetings and salutations Mason and welcome to Vents Magazine! Before we meander down the proverbial celluloid Q&A pathway, how is the latter-part of 2024 finding you and yours?

Thank you so much for having me! The latter part of 2024 is finding me well! It’s been a busy and adventurous year and I’m so happy that fall is finally kicking into gear. I’m so excited for cooler weather and for spooky season.

Major kudos and accolades on a very busy year for you! Starting at the tip-top, congrats on your recent directing turn in the 2024 short film Ax to Grind! Can you talk about what inspired you and Selena Turner to write this heartfelt story?

Ax to Grind was such a great time, and this is a cool story! Selena Turner and I met on a movie filming in Atlanta called ‘Popular Theory’ written and directed by Ali Scher. On the movie, Selena and I made fast friends and found that we both love writing. After pitching some ideas back and forth, we found that we wanted to write and act in a piece that works us more in the drama/thriller genre. We knocked out a couple drafts and went and had a 2 day shoot with our friends. The story is about a girl having to break off a strained relationship with one of her closest friends in order to move on from her troubled past and there’s a great twist at the end. I’m super happy with how it turned out!

You also acted in Ax to Grind alongside your co-writer Selena Turner. As a director, do you find it difficult to direct and act in a scene simultaneously?

I think Acting and Directing on the same project can be a very big challenge for sure. I gave it my best shot and looking back on the film there is so much that I learned, for both positions, while shooting the short. At times it felt like I could never have my head 100% on one side or the other, but that’s why having an amazing crew is so integral in the process. My dear friend and fantastic DP, Guido Del Rosso, and I would have plenty of vision and pre-production discussions prior to filming. So Guido was my foundation while shooting to make sure that we always preserve the vision we discussed at the beginning. I learned that relationships can be key!

You produce and direct films under The Day Productions banner! Is this an arrangement which you’re contractually exclusive to?

The Day Productions started as a banner where I can reach new clients and collaborators for shorts, music videos, and any sort of video production work! I found that my other passion, next to Acting and performing, is Directing, Producing, or writing. In between Acting work, I love keeping busy with any sort of production work I can kickstart myself or collaborate on with other artists. The name, The Day, came from the first short film I ever made with my dad when I was 7, “The Day the Toys Came to Life.” It was the day I fell in love with movies and kinda changed my life. You can watch the short on my YouTube, it’s hilarious.

You’ve got a super-busy time ahead of you, with no less than four upcoming productions: What can you tell our ever-inquisitive reading audience about Bad Haircut, Wedding at Keestone, Jamie’s Crying and Terrifier 3?

Some very fun and entertaining projects are coming soon indeed! ‘Bad Haircut’ was Directed by Kyle Misak and filmed in Michigan last fall. The movie has an incredible cast and the script is so so good. ‘Jamie’s Crying’ is a short written and Directed by one of my dear friends and closest collaborators, Brice Hartwich, and both that and ‘Keestone’ are gonna bring in a lot of laughs. ‘Terrifier 3’ comes out October 11th and I couldn’t be more excited for people to see it! It lives up to the hype and is going to be such a blast for 80s horror fans world-wide. The

practical effects and makeup department is on a different level this time around, it’s amazing to watch how this team works and thinks so creatively outside the box with their storytelling. My character Cole has some very fun things to do and I’m so honored to be stepping into the franchise. I think people are really going to love it.

There are a lot of examples of directors who began their professional lives as actors before segueing completely into directing, including such notable examples as Sidney Lumet, Rob Reiner, Ron Howard and Sydney Pollack. Do you ever see a day when you might devote all of your energy and resources strictly to directing and editing?

I was just thinking about this recently! I think that I will always find myself Directing and Editing in between Acting projects. I just have faith and trust that whatever road is opening up at the time I will take it and run. I just love filmmaking and know that I want to be involved in any way. Acting is my passion but I just love it all.

Who are you inspired by, acting-wise? What about directing-wise?

Steven Spielberg will always be one of my favorite directors of all time. Watching Jaws and Jurassic Park at a young age made me truly fall in love with filmmaking. David Fincher, David Lynch… the list goes on! As for acting it’s almost impossible to narrow it down. I have always loved watching Brad Pitt, Christian Bale, Johnny Depp, Gary Oldman, Willem Dafoe… and so many more! Lately I’ve been obsessed with watching Austin Butler, Timothee Chalamet, and Robert Pattinson performances. They all are so incredible and I hope to work with them someday

You had a small yet memorable turn in the nigh pop culture sensation Stranger Things. What was that experience like for you?

Stranger Things was an insane experience. Absolutely one of my favorite TV shows ever made, I’ve had a poster of that show on my wall since season 1! I used to pray and journal that I would love to be on something LIKE Stranger Things, for years. Thank God for The Avenue Agency and casting for getting me in the room. The cast and crew were so welcoming and very down to earth. I remember chatting with the cast in between set-ups and playing some group games. It was so fun to hear their stories and hang out for the day. Every detail is considered when building these sets too. It’s like walking into a Time Machine and going back in time. That was a pretty amazing experience I’ll never forget.

Your first credited on screen work comes in the form of Hidden Blessings. Any special memories of that freshman production?

‘Hidden Blessings’ is written and directed by the incredible James Arnold Taylor and Matthew Buddy and I am so happy to have worked on this project. So many fond memories of that production. It’s a mockumentary so the film was calling for some Uber-realistic performances from its entire cast of characters. I remember there were so many scenes where I got to improvise quite a bit with James Arnold Taylor, who I am just a huge fan of, and just trying to stay as quick and sharp as he was. It was an honor to get to know that guy and everyone on the production.

Final - SILLY! - Question: Favorite movie about the making of movies - Living In Oblivion, The Player, Ed Wood, Barton Fink or Once Upon A Time In Hollywood?

This is a tough one, but I think I have to go with my personal favorite ‘Once Upon a Time In Hollywood’. It’s an incredible film with so many layers, you notice 100 new things every time you watch. Ed Wood is a close second. It has some amazing performances in that film as well! Martin Landau is the ultimate scene stealer.

Bardia Seiri

We’re very excited to be speaking today with acclaimed actor Bardia Seiri; greetings and salutations Bardia and welcome to Vents Magazine! Before we dive down the cinematic Q&A rabbit hole, how is 2024 treating you and yours?

2024 has definitely been an extremely exciting ride. With INCOMING soon to premiere, the anticipation has kept me excited and motivated.

Major congratulations on your upcoming feature film debut in the Netflix film Incoming which is set to premiere this coming August 23! Starting at the top, can you tell our ever-inquisitive readers what Incoming is about and how your character of Koosh figures into the proceedings?

INCOMING is about 4 new freshmen boys that have to navigate their way through the terrors and craziness as they attend their first high school party.

Did you know as soon as the opportunity to be a part of Incoming crossed your professional desk that this was a production you wanted to be a part of?

Definitely. I always loved party and coming of age movies like Superbad. So, when the opportunity was given to me, I took it and ran.

Incoming was directed by David and John Chernin. What was it like collaborating with this talented duo? Were they what some actors might refer to as “an actor’s director”?

Dave and John are an incredible brother duo. Coming from somebody who has a sibling, we definitely do not always come to agreements and resolutions. But, Dave and John were extremely professional and their idea of comedy is incredibly hilarious.

Speaking of collaborations, you exercise your own considerable acting chops alongside an equally amazing cast in Incoming in the form of fellow thespians Mason Thames, Ramon Reed, Raphael Alejandro, Bobby Cannavale, Kaitlin Olson and Scott Macarthur! What was it like stretching your acting wings with this mighty ensemble?

I definitely was the new fish in the bowl. So, when I was acting along side some of the most talented cast-mates I know of, It definitely kept me motivated and made me strive to reach their level.

Your first credited on-screen work came in the form of the 2015 short film Hidden. Any special memories of that freshman production?

Hidden, at that time, was a new experience for me and that to me was for one, exciting. But two, since it was my first movie project, I will have it in the back of my mind and cherish it forever.

You were a 2018 nominee for the Young Entertainer Awards for your turn as a guest star in Grey’s Anatomy; belated congratulations! How did that recognition from the entertainment industry affect you personally and professionally? Did it give you a form of encouragement that you might be on to a good thing with acting?

This recognition from the entertainment industry definitely motivated me to be even better than how I was then. It was also a new experience, so the memory will never leave my mind.

Who are you inspired by, acting-wise?

Definitely, Bill Hader. He is an incredible actor and director. He started as a comedian to writing and producing his own projects. And, I write and direct my own short films and projects, so that was a big factor of why he caught my eye.

Can you give fans and readers a hint or three as to what you have coming up after Incoming?

As of right now, I am putting all my focus and energy on INCOMING.

Any final thoughts you might like to leave readers with regarding the upcoming August 23 premiere of the motion picture Incoming?

If you’re watching a Dave and John project, get ready to be put on a rollercoaster of emotions.

Final - SILLY! - Question: Favorite movie about the making of movies - Once Upon A Time In Hollywood, Ed Wood, Barton Fink, or The Player?

100%, Once Upon A Time In Hollywood. I love movies about making movies, just as much as I love coming of age movies. And this movie really set my bar high.

Ginny Luke

We’re very happy to be speaking today with acclaimed electric violinist Ginny Luke; greetings and salutations Ginny and welcome to Vents Magazine! Before we meander down the proverbial Q&A musical pathway, how is the back-end of 2024 treating you and yours?

Thanks for having me! These last few months of 2024 are probably the most exciting time of this year for me - I just finished an arena tour with AJR, and my record is coming out! I’m stoked.

Major kudos and accolades on your eagerly-anticipated and freshly-minted debut solo vocal LP Devil at My Heels which is set to premiere this November 1! Starting at the tip-top, can you talk about what inspired this beautiful debut album?

I appreciate it. I’m so excited for the Devil at My Heels album to come out. It’s been a few years in the making. A few major things inspired the album: wanting to make the boldest electric violin record possible, wanting to speak out and be a loud voice for women, and wanting to feel powerful in writing it. The musical insapirations are Halestorm, Dorothy, K.Flay, Orianthi (who is featured on the album), Pvris, Lindsey Stirling, Jack White, Alicia Keys, and Gary Clark Jr.

Devil at My Heels was produced by the rightly lauded Dave Darling of Brian Setzer fame! What was it like collaborating with Dave on the album?

Dave Darling is a high-level producer, specializes in rock, knows how to get a record done and pull out great performances from his artists. He has great hook lines and a fantastic blues voice. Working with him stretched me vocally, and made me execute musically (violin, voice, piano, lyric writing, etc.) extremely quickly. He wrote one of my favorite lines on the whole album, “church of party I’m devout.”

We’re big admirers of the tune Yeah Yeah Yeah which is the second single off of the upcoming Devil at My Heels LP! Can you talk about what inspired this gem of a ditty?

Yeah yeah yeah!! Glad you dig it. I wanted to write a song that describes the specific vibe of feeling badass, untouchable, sassy and fearless. I came up with the concept listening to a demo guitarist/producer Lucas Sader made and tapped into a Charlie XCX brat mood, which later became a heavier Jack White feel, while retaining the sass in the lyrics. It features an insane drum fill played by Johannes Gritschacher, an electric violin / guitar battle with Nick Marbury, and Dmitry Gorodetsky playing heavy-ass bass.

In your humble opinion, what differentiates the Devil at My Heels album from the Distinguished Competition on the 2024 music scene?

It’s the only electric violin/vocal rock record that I’m aware of in 2024. I am uniquely in my lane on this album and it fully captures the “Ginny Luke” sound.

Devil at My Heels is being released via KZZ Music/Blue Élan Records. What makes KZZ Music/Blue Élan Records the perfect home for you and your music?

Kirk Pasich at KZZ Music/Blue Elan saw my talent and believed in it for the last five years. He is the supporter, instigator and artistic hand making this album happen. That’s why Devil at My Heels and my artistic voice has a home. I’m grateful to him and the whole KZZ Music/Blue Elan team.

In the wake of the November 1 release of Devil at My Heels, can fans look forward to catching you on the touring/performing circuit?

Can’t answer at this moment but will keep everyone posted! Who inspires you, musically-speaking?

Musically, in addition to the artists I mentioned above, I’m inspired by Linda Perry for nailing hitting truth on the nose with every song she writes, Onree Gill, my mentor and producer, guitar players Nita Strauss and Sophie Lloyd, a cool artist named Upsahl, Palaye Royale, Patrice Rushen, and legendary artist Nita Strauss, and electric violinists Chuck Bontrager and Tracy Silverman.

Devil at My Heels features some notable and powerhouse appearances by such musical luminaries as Nili Brosh on Burn and Orianthi on the LP’s title track. What was it like working alongside these extraordinarily talented artists?

Working with Orianthi and Nili Brosh were my favorite parts of making the album, besides tracking with my band. They’re both such incredibly unique, badass women, who are also virtuosos at their instruments, in such incredible ways. I felt grateful working with them, I felt musically supported, I felt understood. Their badassery perfectly articulates the whole point of the record-leading as a woman, commanding and projecting a unique stylistic sound, being a high level musician and enjoying life and being bold in life however you want to. Orianthi specifically inspired me growing up in being a unique artist that sings and is a virtuoso on her instrument, and in establishing a unique solo sound of her own while playing with other artists. Orianthi delivers her musical ideas so tastefully while keeping the spirit of rebellion and edge. Nili Brosh is fierce in her playing and her phrasing and tone and was the perfect complement on the Deep Purple cover of “Burn.” Just the way she moves through the world is fearless and you can hear it in her playing. These are all qualities I want myself and my listeners to feel when they hear the album.

Any final thoughts you might like to share with our everinquisitive readers regarding your upcoming LP Devil at My Heels?

If you like rock, if you like catchy songs, if you like hearing storytelling in songs, if you like hearing strings on a record, if you like hearing a dynamic and powerful voice, if you like undeniable solos, if you like feeling powerful, then you will dig this record.

Bo Mitchell Host of the Month

We’re very excited to have some time today with rightly acclaimed actor and entrepreneur, Bo Mitchelle; greetings and salutations Bo and a hearty welcome to Vents Magazine! Before we dive down the proverbial celluloid rabbit hole, how is the latter part of ’24 treating you and yours?

Haha! Great to be here for sure! I appreciate you asking me. “Life is good you know what I mean” that’s a future quote.

Major kudos and accolades on your bravura turn in the upcoming feature motion picture THE LINEwhich debuts in theatres this October 18th! Starting at the tip-top, can you explain what THE LINE is about and how your character of Mitch figures into the proceedings?

I graciously accept the bravura description. The Line is out! You can find tickets at the theaters near you! The Line is about the questioning of tradition told through the troublesome culture of fraternities. It follows a few young men as they make choices they have to live with forever. My character Mitch is a troubled young man that struggles to keep up with the expectations of his family and society. Through that pressure, he finds himself instigating a lot of trouble for himself and his brothers.

Did you know as soon as the screenplay for THE LINE from writers Ethan Berger, Zack Purdo and Alex Russek crossed your professional desk that this was a production you wanted to be apart of?

100% yes! I feel like it was a part of my life’s work to tell this character’s story. I had been tracking the production for about five years before the chance to do a chemistry read came along. Thanks to some support from Lewis Pullman and Lije Sarki, I was given a chance. A 20-minute Zoom chemistry turned into a 4-hour session with me, Alex, Ethan and other producers. We had fun on that call and shot the film a few months later.

Speaking of Ethan Berger, not only was he a writer on THE LINE, but he also served as the film’s producer. What was it like collaborating with Ethan on this challenging film?

Ethan does it all man! He’s also our valiant leader of a director. It was his first time directing, but you couldn’t tell. He changed my view on the art of acting, and if he asked, I’d gladly follow him into the depths of Mordor.

While we’re on the subject of collaborations, you have a doozy of a cast to collaborate with and work off of for THE LINE, including the likes of Alex Wolff, Lewis Pullman, Halle Bailey, Austin Abrams, Angus Cloud, Denise Richards, and the legendary John Malkovick! What was it like to exercise your own considerable acting chops alongside this stellar ensemble?

It was a true pleasure. It’s always fun to bounce your energy off of others. Everyone was so dedicated. Alex and I were delivering the same performances off-camera when we shot OTS, as if it was our close-up. Crying and laughing in character, full 100% energy. Working very passionately like that with others is so enchanting.

Along those lines, what was it like for you to work with an actor who left us way too soon, the late and legendary Angus Cloud on THE LINE?

Tough in hindsight, you know… You always wish you had more time with them but be thankful for the time you had. Angus and I come from similar backgrounds, despite being from opposite sides of the country. That sparked a closeness and chemistry with us. He reminded me of a childhood friend, and his outlook on life always brought good times. He was on trajectory to be a ground-breaking phenom. I will remember him as that, but the saddest thing is the times he’ll miss with his family, and my heart goes out to his mother, sisters, and childhood friends. RIP ANG.

You caught the attention of the public at large with your incredible recurring work as ‘Brucks’ in the smash pop-culture Netflix sensation, Cobra Kai; congrats again! What has it been like for you to be a part of such a seminal series, especially as it prepares to say ‘goodbye’ to audiences at the conclusion of its sixth season?

Haha Brucks! Thank you for the kind words. Awe man, it’s bittersweet. That cast and crew were like a family. So tight knit, but I’m keeping in touch with them and that’s been great. I, personally, am thankful I have been lucky enough to walk into a couple of cult classics throughout my career, this being one of them. I’ll never forget how supportive Jon, Josh, and Hayden were with my ideas I brought to the character. Truly thankful.

Can you give our ever-inquisitive reading audience a hint or three as to what they can expect and look forward to from Cobra Kai as it wraps up its six-season run? We have huge odds laid down here at Vents HQ that Johnny (William Zabka) and Ali (Elisabeth Shue) will ultimately make their way back together in the finale! How off base are we?

Haha, man I wish I could help ya out. I’m just gonna have to join in the betting. Throughout the past few seasons, they have gotten even tighter with the scripts and protection of the story’s integrity. My guess is as good as yours!

Along with your acting, you’re also a respected philanthropist and entrepreneur! Can you talk about some of what you have done in the past such as your nonprofit which you established in 2016? And what do you have on the burner coming up?

I’d love to chat about that! The non-profit, Home for Skateboarding, is working in tandem with some advocate groups in SC to create safe spaces to skate in rural areas and that’s always exciting to see things come to life. I’m currently developing a business with a childhood friend that will focus on “Business Incubation”. Our goal is to help people by passing on knowledge and networks to startups and aspiring entrepreneurs so they can reach their goals and dreams. That entity is called MVP Group. Finally, I’m developing micro-communities in my hometown to provide sustainable, affordable, luxury living spaces to help the transition of living classes and providing opportunities for travelling professionals.

What do you have coming up acting-wise in the near future? Can you give fans and readers alike a hint or three as to what special projects they may want to keep their eyes open for?

For sure! Number one is obviously THE LINE in theatres now! Secondly, check out SWEET DREAMS and COBRA KAI on streaming. Finally, follow me on Instagram @BoRyderMitchell and TikTok @BoMitchellTV to keep up with all my upcoming projects.

Who are some of the actors and actresses whose craft you respect and admire?

Well, I’d shout out John’s work on our film, THE LINE. He brought so many notes to the cast on the mornings he works with us on developing and in blocking rehearsals. He also had the frame sizes of every lens memorized and used that position his character. It was splendid to watch up-close.

Final – SILLY! – Question: Favorite movie about the making of movies – Living in Oblivion, Once Upon A Time In Hollywood, The Player, Barton Fink, Hollywood Shuffle or Swimming with Sharks?

Haha amazing wonder question. I just recently re-watched Once Upon A Time in Hollywood. It was so good, but I’ll give you a silly answer. My fav is “Surfs Up”. It was just such a funny movie for me and still is. My relation is they did the ‘reality tv crew” gambit and, in my opinion, have done it the best. Thanks for having me!

Ezra Richardson

Photo credit: Katie Parker Photogrpahy Stylist: Nicole Omuteku

We’re happy to have some time today with acclaimed actor Ezra Richardson; greetings and salutations Ezra and welcome to Vents Magazine! Before we meander down the celluloid Q&A pathway, how is the latter part of 2024 treating you and yours?

It’s been treating me good! Summer was an incredible time hanging out with friends. I started school recently. So far, the year has been going well. It is definitely hard to say “goodbye” to summer, but I’m getting into the swing of things. Recently, I have been getting really excited for Average Joe to release in theaters.

Major congratulations on your bravura turn in the upcoming major motion picture Average Joe which is set for an October 11 debut! Starting at the top, can you explain what Average Joe is about and how your character of Joey figures into the proceedings?

Average Joe is the real-life story of Coach Joe Kennedy, who fought for freedom of speech & religious freedoms for everyone. Joe was not the perfect person for this fight, but the movie does an excellent job explaining why he had the backbone & tenacity to see this case through. We encounter 3 different ages of Joe throughout the film. Joey as a kid, who often found himself in a fight trying to figure out where he fit in life. Joe was a Marine who fought for & defended our country. And Joe as a football coach, who ended up fighting for all our rights. I play the youngest Joe in this trifecta. To understand Joe’s younger years gives you a greater appreciation for where he ended up. He experienced so many hard things as a kid, which could have resulted in a lifetime of giving up. Instead, it built a strength within him to stand up for what he believes in.

Did you know as soon as the script for Average Joe from screenwriter Stephanie Katz crossed your professional desk that this was a production you wanted to be a part of?

When I first read the audition for Average Joe, something immediately stood out to me. It was evident it had depth. I read over the story with one of my family members and we both thought it was compelling. At the time, the actor’s strike was still going on and everything was slow. On the way to the audition, I started praying about acting and how it might all work out. I left the audition feeling good and then for the next two months, I just forgot about it, which is what we are taught to do… move on until the next opportunity arises or you get a callback.

Once I found out that I booked the role, I was incredibly excited. I’m so grateful that I got to work on Average Joe!

What was it like exercising your own considerable acting chops on the set for Average Joe alongside such talented actors as Eric Close and Amy Acker?

I loved working on set, and it was a blessing to be surrounded by such talented people. I was not in any scenes with Amy or Eric, since I am the youngest version of Joe, but I met both of them. I had a great conversation with Eric one day over lunch. We talked about acting and what all goes into it, as well as what I want to do with acting in the future. Eric has been acting for a long time, but if you look at any of his early work, he looks exactly the same. He needs to share that secret with me so I can have a long career, as well. I didn’t see any of Amy’s scenes prior to the trailer release, but I was blown away by her talent once I saw her in action portraying Denise Kennedy.

Speaking of collaborations, what was it like collaborating with Average Joe director Harold Cronk? Is Harold what some actors might refer to as ‘an actor’s director’?

I loved every part of working with Harold. It was clear how passionate he is about making movies. He was always encouraging and positive

on set, but he also knew how to get things done. Before we started shooting the movie, Harold invited me to a local pool hall (I have a scene playing pool) to get to know each other & talk about the role. We discussed the character and how I could best portray Joe as a kid. Harold felt it was important that the audience understand how tough Joe’s childhood was in order to appreciate how unlikely a candidate he was for this to be his story.

Because this project is a true story, it is hard to let actors create much of the character’s persona, so in this particular project, I wouldn’t classify Harold as an ‘actors director’. On the other hand, I believe that Harold cast me in this role because he thought I already embodied some of Joes’ qualities. Harold is a really good artist. He draws a lot of the scenes prior to filming. He drew me before he ever saw me. Legit, the drawing looks exactly like me.

Who are some of the actors who have inspired your own craft?

Heath Ledger, Cristian Bale, Tom Hanks, Kevin Costner, Robin Williams, and Denzel Washington, to name a few. I like all these actors because of their versatility. They play the truth in most of their roles & I love that. Each one of them deeply commits to whatever character they’re playing. Those three qualities are a few of the most important in acting, in my opinion. My hope is to develop those attributes to enhance my craft/acting.

When not acting, what do you enjoy doing just for yourself?

I enjoy hanging out with my friends and playing basketball with them. You can find me exploring our city with my friends. I like cooking for my family or for myself. Some of my favorite activities are snowboarding, wakeboarding, basketball, baseball, and skateboarding, but I enjoy almost all sports… both playing and spectating. In general, you can find me somewhere being active in a variety of ways.

You were born and raised in Birmingham, Alabama. How do those particular stomping grounds inform you as both an actor and as a person?

Alabama is a great place to grow up. We have plenty of outdoor activity options, beautiful scenery, intense college football & proximity to the Gulf Coast beaches.

Birmingham has some great professional connections with Hollywood. My coach, Meg Duesner started Acting Out Academy here in Birmingham years ago. She and her team do a fantastic job of developing local talent & connecting them with key talent agencies & management. In that way, Birmingham has provided me so many helpful resources.

Can you give fans and readers a hint or three as to what you have coming up acting-wise in the near future?

Currently, I’m continuing to develop my acting in class & with my coaches. There have been some fun auditions that have come through, but we’ll all have to wait & see what transpires. In the meantime, I hope to learn more about the art and the industry of moviemaking. Overall, I want to advance my craft. My goal is to bring something unique to every future project I am a part of.

Any final thoughts you might like to share with readers about your upcoming major motion picture Average Joe?

I hope everybody heads to theaters to see Average Joe on October 11th. It has something for everyone… humor, drama, romance. Maybe the movie will inspire you to make a difference, as well.

Milcania Diaz-Rojas

We’re very happy to have some time today with acclaimed actress Milcania Diaz-Rojas! Before we dive in, how has 2024 been for you so far?

2024 has been a year full of blessings. I feel like I have been celebrating many milestones in my career, from graduating the CBC Actors Conservatory, to writing my first short film, and having a premiere at TIFF- it has felt very eventful. There were some low points of course like anyone else, but I have found moments of genuine joy surrounded by friends and family and as I experienced a few of my own firsts, I got to experience a bunch of firsts with my daughter, like taking her to the Zoo for the first time, or her first swimming classes, and our first vacation together to Dominican-Republic. This year has been nothing short of exceptional.

Congratulations on the premiere of 40 Acres at this year’s Toronto International Film Festival! Can you tell us more about the film and how your character Dawn fits in?

The film is a post Apocalyptic thriller, and is set in a future where the government has fallen apart, there is a lack of resources and because there is a shortage of food the most valuable asset to have is farmland. The story follows the Freeman family on their 40 Acre farm, led by Hailey Freeman, an exmilitary soldier who has trained her children to shoot whoever trespasses on sight. I play Dawn, who is the love interest of Emmanuel Freeman, the eldest son of the group who is finding his way and has his own reservations about what might be out there beyond their property line. Everything changes when Dawn shows up just outside the Freeman property, Emmanuel recognizes her and decides that instead of killing her, he will take her in, holding her hostage to get answers.

What was it about 40 Acres that made you decide that this was a production you had to be a part of?

When you get an audition you don’t always have a full picture of what the whole story is, but from the jump I knew this was a

great character and story that I wanted to be a part of, so when I got the callback and got a chance to read the script, I remember thinking to myself, wow, this is a beautiful story, and it’s perfectly aligned with the stories I want to tell in my career. Whenever you read a script that really moves you, it’s always a treat, because great storytelling that has heart is a commodity. What drew me most to the script was the emphasis on family. The story touches on many themes, especially coming from a post pandemic life ourselves, there’s so much that we can dive into but the story follows the mother of a family, who we can see really does everything she can to protect her own, and when my character comes in, she really is just speaking for help for her family and community.

What was it like working with director R.T. Thorne? Is he what some might call “an actor’s director”?

R.T. Is an artist, a visionary, and beyond all that he is the kindest soul. Immediately in the director’s meeting, with the notes that were given, and the way in which they were given with so much grace I knew that this was going to be a great ride. What stayed with me from my zoom audition was that after we were done, he thanked me for sharing my art. Some directors will focus more on story, others may focus more on technical aspects of directing, or give you technical notes, but a director who appreciates, understands, and respects the art of the craft as actors will always get the deepest work out of people. He is definitely an “actor’s director” and he has a very zen energy which is always great to have in the midst of the chaos that is movie making with all its moving pieces.

What was it like working alongside the cast in the film including Danielle Deadwyler, and Michael Greyeyes?

Danielle and Michael are powerhouses, it was so great to be able to work with them. It’s kind of crazy even now to think about it, I was definitely taking notes. They had great chemistry, and genuinely came locked in and did beautiful work. Michael is so humble, and he was so kind, and really was just an open heart. Some of the cast came in a bit sooner and we had a few rehearsals and stunt training so we were able to get to know each other before getting to work together on set. Danielle came in right before shooting, and came in focussed, but by the end of the shoot she really shared some great career advice with me. Most of my scenes in the film were with Kataem, so we got to spend a bunch of time together. I love to run the lines of the scenes a lot, either by myself or with my scene partner if they’re willing or there’s an opportunity for it, and he was always down for that. We all started off with a family style dinner together, and I think the beauty about being out in Sudbury shooting together, is that you really do get to bond and in that 2 month period grow as a family together, the cast and the crew- even if it’s just for that season.

As we mentioned, 40 Acres recently made its world premiere at the 2024 Toronto International Film Festival! How did it feel to have a film which you and your fellow cast worked so hard on make its debut at such a respected film festival?

I didn’t really know what to expect, I kind of just took it as it came, but it did feel very special. It was pretty surreal to be watching the film for the first time, and also be hearing everyone else in the theatre’s reactions simultaneously, and see what moments really hit for everyone. It felt great that the film we all poured our time and love into was being received so well. I think that what has felt the most special is that so many of my peers, and people in my city that I’ve known for a long time who haven’t had the chance to see my work or haven’t seen my work for years were able to

come out to support, and were able to see how I’ve evolved as an artist. I think it will be even more special when all my friends and family are able to see it next year when it’s in theatres, because the tickets sold out so quickly at the premiere.

What do you have coming up next? Is there anything we should keep our eyes open for?

I had a chance to write and star in the short film, “Zury” produced by the Canadian Film Centre during my time in the CBC Actors Conservatory, which is currently doing film festival runs and doing quite well. Right now, I am in the development stages of making that into a feature film, so that will be something to look out for. “40 Acres”, should be out in theatres in 2025, God willing. I also had the chance to play the lead ‘Kai’ in the upcoming feature film “Fat Lady Sriracha”, a dark comedy which was written and directed by the late Reeyaz Habib. The release date is still not confirmed.

Who inspires you? Are there any actors – past or present – who you feel have set the bar high and challenge you to up your own game?

I really admire Denzel Washington, by the way he carries himself in his work and outside of work. I admire his faith and feel like he is always dropping gems of great advice. I think he is such a talented artist, and has a great range of work. I have always admired Zoe Saldana, I remember when I watched Zoe as the lead of Colombiana and how inspired I was to see the representation of a latina of colour leading a film and portrayed as this badass, ruthless character and seeing myself doing that. I feel like Zendaya’s career has evolved so beautifully and she is so talented. I love watching Gina Rodriguez’ work, Sandra Bullock, Viola, Michelle Yeoh, Gina Torres, Lupita, Danielle Deadwyler, Olunike Adeliyi, Tessa Thompson- Jeez the list goes on. I also think Michael B. Jordan is super talented. I love watching Bryan Cranston work, and Jackie Chan has been one of my favourite actors, for like my whole life.

In 2024, you wrote the short film Zury which Thyrone Tommy directed. Is this something you enjoy doing, writing for film, and can we look forward to more writing from you in the future?

Yes, I remember feeling so vulnerable while writing Zury since it was my first time putting my writing out there, (besides little YouTube sketches when I was younger), but after putting it out there it really felt that much more rewarding to see your vision for something come to life, and also be more involved in the entire process through production, writing, and starring in the short. Zury is actually based off of a feature film I started writing in 2023, and I am currently developing that script into a feature film. Although I still feel like writing is new for me, I feel like storytelling isn’t, so it has been a fun challenge for me to begin writing, and I feel very inspired to continue. I feel supported by my community who has been there to give me great advice through this journey like Thyrone Tommy, and Glenn Taylor. I do plan to continue writing, and want to get into some production and directing down the line.

Your first credited on screen work came in the form of the 2016 short film Girls & Roses. Any special memories of that freshman production?

What a throwback, there was so much ease at that time. I was really just starting out, and didn’t feel any pressure to be anything, or be “great”. I was just following my instincts and it was really just about having fun creating. We did a lot of fun shorts at that time. I was always around people who were throwing ideas around, so we just kept that creative spirit going.

YASSiN & Sean Terrio

We’re very happy to have some time today with acclaimed and genre-defying musical duo YASSiN & Sean Terrio; greetings and salutations to you two and welcome to Vents Magazine! Before we dive into the Q&A mosh-pit, how is the latter-part of 2024 treating the both of you?

A YASSiN - Happy to get to chat with you! The last chunk of 2024 has been a DREAM. Took a whole lot of work in the early half of the year, but things have been paying off beautifully. We played some amazing shows in the last few months, and now I’m literally chatting with you from a winery in Italy. Could not be better haha!

B) Sean of YASSiN & Sean Terrio- I am happily staycationing at my estate (parents house) in the wilds of Southern Ontario (Oakville). We put in a big spring and summer of gigs and had a ton of cool new experiences, so we are happy to take to gas off the pedal for a short respite. But we’ll be back at it in no time, doing all the things.

Major congratulations on your freshly-minted debut album Just Try which is set to drop this coming October 18! YASSiN, what’s the VH1Behind the Music origin story on one of the very best new LP’s of ‘24?

A) Haha, love this reference! This album’s story really began right when Sean & I met. It has always been our dream to make an album, not an album full of singles but an ALBUM ALBUM. One that sticks with you for years and you can go back to listen to and remember a specific time in your life. In the early days of our duo when we really only had our song Take My Time out, we started playing live shows, and quickly realized we needed more songs as it was a BIG struggle to fill an hour long performance. LUCKILY, Over the last two years the universe seemed to keep handing Sean & I melodies and chords! It wasn’t long until we had a full hour and a half worth of original jams. The idea of “maybe we have an album here” started popping up, but it was really when we rediscovered the title track “Just Try” in a random Pro Tools session that we knew we had a body of work to share. Just Try (the song) was a short little untitled demo that Sean & I made when we just started working together. I had gotten a new synth plug in and I wanted to try it out. I started playing the chords you hear in the song today and Sean improved a melody and pretty much 99% of the lyrics you hear in the song as well. It all was done in maybe 10 minutes and then we closed the session and forgot about it for over a year. It didn’t feel like anything special then, just a cool little synth tester. So fast forward over a year later… When we get stuck creatively on a song, we often will open up an old session to refresh our ears

and get re-inspired. So we just happened to open this untitled session to find Just Try and when we heard it after all that time and experience we both felt like it perfectly described what we are trying to do with our music. It connected with us so deeply we knew it had to be the album track, and the way you hear it now is almost exactly the demo we made all that time ago. I just added some strings and vocal stacks. Although it sounds so different from anything else on the record, it is our origin story, and we are deeply proud of it!

Sean, in your humble opinion what differentiates the forthcoming Just Try LP from the Distinguished Competition on the current day misc scene?

A) Sean, best known for singing in YASSiN & Sean Terrio- Humbly, I’d be forced to say that Just Try brings to the table a modernclassic sound; what you may already recognize with some new vibes. I think it’s a strong representation of about 53% of our true power levels, namely how dynamic we want to be with our sound. It is who we have been in this first, wonderful leg of the journey, and I’m eager to realize our evolving sounds as the years experience more time.

YASSiN, you handled the producing honors on the Just Try album alongside JUNO Award-winning producer Kevin Dietz! What was it like collaborating with Kevin on the debut album?

A) Kevin and I have actually been working together for over a decade now! When I was 17 or 18 I booked a session at Metal Works Studios and he was the head engineer at the time assigned to my session. I am 30 now, and we’ve been working together ever since. When we met, I knew nothing about recording and producing and he basically taught me everything I know about the studio and recording. The beautiful thing about working with someone for this long is you develop a creative short hand and a specific comfort while in the studio which I feel is so important to push the sound forward and to be open to new ideas. Kev, Sean, and I have that and more as friends and creative partners. Our studio sessions are full of laughs, nonsense, and luckily quite a few jams. I am stoked to be able to work with a legend like Kevin, and it is a gift to not only work with people who make you want to be better at what you do, but to have those folks be some of your best friends.

Sean, we’re big admirers of the gem of a ditty Happy It Exists which can be found front-and-center on the new Just Try LP! What’s the scoop behind this tune?

A) Singer [Sean] of YASSiN & Sean Terrio- Yeah this one is fun, we’re pretty stoked with how it turned out. It all began a few kilometers away, in BC, post-gig, heading back to White Rock from the North Vancouver Shipyards. So, there I am, all tuckered out in the back seat with YASSiN and his betrothed manning the helm. I start penning down some words about some of their relationship up until that point, which now sounds creepy. Anyways, I sat on those lyrics for a few months until one day, at rehearsal, YASSiN was playing some chords that came to him in a dream (totally) and I spilled the beans on the whole lyrics thing. Snap, crackle, pop, we had some magic, and just jammed out the rest of what the song would become.

YASSiN, in the wake of the October 18 release of the Just Try LP, can fans look forward to catching you and Sean on the touring/performing circuit?

A) We just came off a Summer of an insane amount of shows and I gotta say, our band is getting VERY TIGHT. I am stoked to announce more shows, especially now that our American fan base is growing so much. But first thing is first…We are planning

a very BIG, ver EPIC holiday show which we will be announcing soon…I can tell you the date is December 20th and it is in Toronto AND YOU’RE INVITED…Stay tuned for that, then in the new year we will be playing everywhere we can!

Sean, both you and YASSiN hail from Oakville, Ontario! How do those particular stomping grounds inform the sound and energy of your music?

A) YASSiN & Sean Terrio’s, Sean- That’s a great question, one of the best. Everyone always says you have the best questions. I think there are quite a few parallels between how I’ve felt about making music the past few years and how I might tell a story about Oakville. It’s a real nice suburban neighborhood. A relatively calm yet sizeable place where you can easily grow up in a bubble; things are good here. It seems like a very nice, normal place, and is, as we’ve established, so it might be unassuming for wild things to happen. In a similar way, I’ve always toed the line on feeling “there might be something more to me or for me” and “oh, big dreams are for other people”.

So, with every little baby step over the past few years, moving forward in a journey such as this, I’ve felt this duality and had to remind myself that, “Hey; you’re from a place, like everyone else, and you’re just doing things, as everyone else does. Now do it”.

YASSiN, who are some of the musical inspirations which you and Sean hold dear?

A) Sean & I love so much music of so many different genres. For me, I grew up obsessing over Billy Joel, The Beatles, Bruce Springsteen, Linkin Park, Eminem, Jay Z, System of a Down, Blink 182…etc haha. I’ve said this before, but we were raised in the Limewire generation, so we had access to everything all the time and for music lovers such as us, it was great! I’m sure Sean would have a similarly diverse list of metal, R&B, Soul, funk, country & pop. Having said that, if I had to pick one right now, I’d say Meat Loaf. Just because I am listening to Paradise By The Dashboard Light right now and it ROCKS.

Sean, when working on new material, do both you and YASSiN contribute equally?

A) It depends; I think the further we’ve gotten, the more collaborative things have been. Nowadays, one of us will come to the other with an idea of sorts, then start to hash it out together. In the beginning, YASSiN had a good handful of good, fleshedout tunes so it was clear how we were going to start. YASSiN has also been in the game longer with a wealth of knowledge and experience, so I am fortunate enough to take the role of the learner and observer in a lot of situations. As we increase our true power levels through rigorous jamming and a regimented schedule of hanging out, we will continue to grow on our journey as students of the game.

YASSiN, any final words you might like to leave our everinquisitive reading audience with regarding your incredible debut album Just Try?

A) All I can say is, this album is our dream, and it is a dream to be able to finally share it with you. I hope it brings you joy and a little peace while you listen to it. Thank you for taking time to read this, taking time to stream the album and we hope you tag along with us on this journey!

Instagram: @yassinandseanterrio

TikTok: @yassinandseanterrio

Facebook: @yassinandseanterrio

Zahna

We’re super-excited to have some time today with acclaimed alternative music artist Zahna; greetings and salutations Zahna and welcome to Vents Magazine! Before we dive into the Q&A mosh-pit, how is the latter-part of 2024 treating you and yours?

Hi Vents! Life is strange!! I’m going through grief this year, but also dreams came true. I knew one day they always would, but I realize life has a way of challenging you to fight with everything inside you. I’m so grateful to be here!

Major kudos and accolades on all of the very exciting things going on for you professionally! Starting at the top, congratulations on your new label home at XOVR Records! What makes XOVR the perfect home for you and your music?

I’ve been waiting for a deal like XOVR my entire life. I feel so valued there. My creativity and ideas are so easy to convey and are supported so well! I know they share my values and we couldn’t be more compatible.

Congratulations again for your freshman single from XOVR Records, “Pile Of Pills”! Can you talk about what inspired one of the very best singles of ‘24?

I appreciate the praise for the song! “Pile of Pills” is based on my experience as a chronically ill and immunosuppressed individual during the COVID-19 pandemic. I received a kidney transplant in 2019 and I’ve been fighting for my life ever since! The song sheds light on the poverty and chronic illness cycle that plagues so many in this nation.

In your humble opinion, what differentiates Pile Of Pills from the Distinguished Competition on the current day music scene?

I didn’t set out to be distinguished, I just wanted to write out my desperation and depression, lol! But I guess it’s interesting how dark and real the topic of the song is for certain people. I’m not sure if many people talk about the realities of equating money to life when it comes to paying medical bills while your body is debilitated. I just want people to find freedom and I hope I adequately communicated this struggle in this song. It was such a lonely place.

Who did the producing honors on “Pile Of Pills” and what did the collaboration between artist and producer look like while in the studio fashioning and shaping the new tune?

Cory Brunnemann is my co-writer and producer for this track. We actually wrote this track in his studio in San Antonio in 2021, and I came to the studio ready to rage with the idea of the song when it was still a baby lyric sheet and a voice memo. I remember giving Cory these riff ideas and the intro. Cory wrote the first singing line of the chorus and

we were then off to the races! We got the song mixed and mastered by Kellen McGregor of Memphis May Fire. I never thought it would see the light of day but I couldn’t have asked for a better timing or team to release the song finally in 2024!

We absolutely love the companion music video for “Pile Of Pills”! How involved were you in the behind-the-scenes production of this gem of a music video?

I wrote the music video storyline shortly after receiving the final master back. I felt so passionate that it was such an important story to tell and would reach the people who see themselves as the main character of the music video. I had a few meetings trying to green light the project, but could never afford producing with the budget I had as an independent artist. I’m so glad the XOVR deal came through, or else the video might’ve never happened!

Who inspires you, musically-speaking?

Currently, some bands that inspire me are Nevertel, Exploring Birdsong, Netta, and One OK Rock!

In the wake of the release of your new single, can fans look forward to a possible EP or LP release from you before the end of ‘24?

I have a new album I’m turning in to the label in January 2025! You can expect to see some singles beginning Spring 2025! A new single that I’m featured on will be releasing this October!

What does your touring/performing dance card look like in the coming weeks and months?

I have too much to do for my new album launch so no events until further notice. We are trying to make this new album BIG!

Over the years, you’ve given back to fellow artists by acting as something of a mentor to them and their own musical endeavors. Why is this important for you to Do?

I help because I love music, and I know how hard it is for artists out here! Voice is my passion, and I’m very blessed to say I get to do it all full-time whether it’s instructing or coaching singing, co-writing with bands, studio work, or some other creative endeavor!

Any final thoughts you might like to share with readers and fans about your new single “Pile Of Pills”?

It’s such an honor to share this art and it be received like this. Check out the music video and get ready for my new album!!

Death Doula

1.) We’re super excited to be speaking today with acclaimed art rock band Death Doula; greetings and salutations gang and welcome to Vents Magazine! Before we dive into the Q&A mosh-pit, could you all say ‘hi’ and introduce yourselves to our ever-inquisitive readers?

Hi, I’m Kyle. I play baritone guitar. I’m 6’1 and an aquarius. my birthday is feb

2. and, Keith here too. I play bass and synths. I’m as tall as Kyle but less aquarius.

Hey folks, it’s Kerry here. Lead singer, guitarist, lyricist, and major Aquarius. Though I’m just a little shorter than Kyle and Keith.

2.) Major kudos and accolades on your freshly-minted debut album Love Spells! Kerry, can you talk about what inspired one of the very best LP releases of 2024?

Kerry: Omg thank you for such a huge compliment! Most of these songs are about my relationship with Kyle, my partner. But, you know, life is full os surprises and left turns. My maternal grandmother died and I wrote Dory Joins Alfred about it. And the wealth disparity in Portland and at large really pisses me off, and I wrote Entanglements about it. I tend toward abstraction and both of those songs are examples. But sometimes direct lyrics are the best way to demonstrate a point, and I’d say Dirty Shirt is a good example of straight up saying how I felt at the time.

3.) Kyle, Love Spells was recorded by rightly lauded Adam Lee and mixed by the superlative Bob Cheek! What was it like for the members of Death Doula to work with these two musical visionaries?

Kyle: Working with Adam and Bob gave us a space to think more instinctually and emotionally in how we related to the music, instead of having to think about technicality or the physics of sound. Adam’s microphone capture is so good, I never had to worry about whether or not the recordings would be ‘accurate’ to our live sound, I was able to focus purely on creating music. And the mixes from Bob came back so fast, like 48 hours later, sounding better than I could’ve imagined.

Kerry : Yeah, Adam Lee actually mixed Disembark and The Witness, and both of those mixes are so beyond scrumptious.

4.) Kerry, we’re big admirers of the tune Poet For Hire which is the second song on the new Love Spells LP! What’s the inside story on this gem of a ditty?

Kerry: The lyrics for Poet for Hire were written while driving, as so many of my poems are. It’s sort of about lusting after someone, and taming it momentarily but knowing it’ll return, knowing it’s about to consume you. Feeling so good when they pay you attention, but knowing that there’s a comedown on the other side. It’s all a bit abstract, but I like it that way.

5.) Keith, in your humble opinion what differentiates the Love Spells album from the Distinguished Competition on the 2024 music scene?

Doula

Keith: Idk about a competition but here’s what I’ll say. There’s too much music and it’s too hard to reach people. This music is a place you can go. And you can feel and touch something real as fuck. It’ll connect you to something you may not even know you’re looking for. Love, pain, anticipation, optimism, heartbreak, hope. It all bleeds through and sticks to you.

6.) A question for all of you: Who are you inspired by musically-speaking?

Keith: For me coming up in SF and LA in the late 90s and 00s kind of reinforced a course set earlier going to Lollapalooza ‘91 in FL and seeing Jane’s Addiction, Siouxsie and the Banshees, Nine Inch Nails. Outsider music. I don’t think I’ve really deviated much. Playing and seeing shows at the Bottom of the Hill in SF and Silverlake Lounge in LA was very impactful. Those clubs were my playlists…introduced me to everything good. Tarentel, 90-Day Men, Autolux, Failure, Silversun Pickups, Film School. I’m still 100% in that orbit.

Kerry: I’ve always been so inspired by PJ Harvey, and her new album doesn’t disappoint. Kyle, Keith and I actually saw her live last week here in Portland, and it was fantastic. So inspiring. She has such a forward thinking ear and an absolutely unique sound. Always pushing boundaries and creating new ideas no one else is on. And she’s a tremendous singer, technically. I also fall back on 90s stuff a ton like the Cranberries, Tori Amos, Deftones, Jeff Buckley, Sonic Youth, Blonde Redhead, Hole, Alanis, NIN, the Pumpkins. That’s the stuff that really got me into music when I was young, and it still feels like the best stuff out there. I also stan Caroline Polachek, FKA Twigs, Eartheater, and MUNA. I love the combination of really well honed songwriting, insanely skilled voices, and sick beats and synths.

Kyle: Lately I’ve been inspired by Armand Hammer and pretty much everything billy woods puts out, the soundtrack to Challengers by Trent Reznor & Atticus Ross, this new band from NYC called fcukers, old 70s stuff like JJ Cale and the Stones, many pieces by Arvo Part, and a much slept on record by Mary Margaret O’hara called Miss America.

7.) Keith, in the wake of the release of the Love Spells LP, can fans look forward to catching Death Doula on the touring/performing circuit?

Keith: Yes for sure. Portland, Seattle, Bend, Astoria, Eugene. Down the west coast in the new year.

8.) Kyle, what’s the VH1-Behind the Music secret origin story on how Death Doula came into being?

Kyle: During the pandemic I moved to the rural Oregon Coast to ‘get away from it all’ and do some work on myself. Kerry’s parents just so happen to live in the area and we met by chance when she came to visit them. At first she wasn’t that into me, but I persuaded her to come by my bedroom studio to collaborate and we bonded instantly and fell in love. As far as meeting Keith and Adam, we posted craigslist ads!

Keith: Casual encounters to be specific.

9.) Keith, Death Doula hails from the beautiful burg of Portland, Oregon! How do these Pacific Northwest stomping grounds inform the sound and energy of the band?

Keith: Well like Kyle mentioned, I think being here exposed us to people who ended up shaping the record like Adam Lee and Jackpot. You’re recording and it’s hard to miss the Elliott Smith and Thermals and Built to Spill stuff on the walls. That penetrates at least subconsciously…if nothing else as a bar of quality. There’s a sick pic of Kathy from the Thermals in the the bathroom…burned in my head while I’m tracking. She is such a badass. Then you see like Janet Weiss at Stumptown or Sarah Lund & Jose Medeles at Revival Drums or Stephen Malkmus in the drop-off line at school. Which is weird as fuck. Portland is in this record.

10.) Adam, any final thoughts you might like to share with fans and readers alike on the debut LP from Death Doula, Love Spells?

Keith: We’re grateful for this music and for each other and for all of the help we got along the way and for all of the people that are coming out to see us. We feel really fortunate and can’t wait to see you in the crowd.

Mike Griot (BLUES People)

We’re super-excited to have some time today with acclaimed BLUES People bandleader, career bassist as well as successful festival producer extraordinaire Mike Griot; greetings and salutations Mike and welcome to Vents Magazine! Before we dive into the Q&A mosh-pit, could you introduce our ever-inquisitive readers to the members of the BLUES People?

Of course! We have Kelton Cooper on vocals and guitar...GeneLake on drums... Ron Thompson on Organ and keyboards...and yours truly on bass.

What’s the VH1-Behind the Music origin story on how the BLUES People came into being? What led to the formation of one of the best Blues groups on the music scene?

LEAD SINGER/GUITARIST KELTON COOPER AND BASSIST MIKE GRIOT MET AS TEENAGERS IN RIVAL BANDS IN ORANGE, NJ… JUST A STONE’S THROW FROM NYC. COOPER AND GRIOT SHARED EARLY STAGES AT LOCAL TALENT SHOWS. HUNGRY TO PLAY THE MUSIC OF THE TIME, THESE INSPIRED TEENAGERS TOOK EVERY OPPORTUNITY TO PLAY THEIR INSTRUMENTS FOR ANY WHO WOULD LISTEN. WHETHER IT WAS A FRIEND’S BASEMENT, GARAGE OR BACKYARD — THESE TWO TALENTS LITERALLY LOADED THEIR EQUIPMENT IN SHOPPING CARTS (IF NECESSARY) TO THE NEXT PLACE THEY COULD PLAY AND EXPLORE THEIR MUSIC.

MANY YERS LATER -- HAVING SEPARATELY AMASSED YEARS OF PRO TOURING CREDITS, RECORDING SESSIONS AND COLLABORATIONS WITH A LITERAL “WHO’S WHO” IN ENTERTAINMENT (INCLUDING KOOL & THE GANG, SUE FOLEY, LAURYN HILL, MICHAEL HILL’S BLUES MOB AND JOANNE SHAW TAYLOR) -- COOPER AND GRIOT FOUND THEMSELVES BACK TOGETHER AGAIN. VETERAN DRUMMER GENE LAKE (DAVID SANBORN/BOZ SCAGGS/JOSH SMITH) SUGGESTED COOPER SHOULD DO AN ORIGINAL PROJECT. UPON PRESENTING THIS TO GRIOT, GRIOT AGREED, STATING “IF WE BECOME A COVER BAND, LOSE MY NUMBER”! THIS PROVED TO BE THE CATALYST FOR BAND’S BIRTH LEAD SINGER/GUITARIST KELTON COOPER AND I MET ASTEENAGERS IN RIVAL BANDS IN ORANGE, NJ… JUST A STONE’S THROW FROM MIDTOWN MANHATTAN. LIKE MANY KIDS, WE PLAYED AT LOCAL TALENT SHOWS. WE WERE HUNGRY FOR THE MUSIC… AND TOOK EVERY OPPORTUNITY TO PLAY OUR INSTRUMENTS FOR ANYONE WHO WOULD LISTEN. WHETHER IT WAS A FRIEND’S BASEMENT, GARAGE OR BACKYARD — WE LITERALLY LOADED OUR EQUIPMENT IN SHOPPING CARTS (IF NECESSARY) TO THE NEXT PLACE WE COULD PLAY AND EXPLORE THEIR MUSIC… AND STAY OUT OF TROUBLE!

MANY YEARS LATER -- AFTERDECADES OF PRO TOURING, RECORDING SESSIONS AND COLLABORATIONS WITH A LITERAL “WHO’S WHO” IN ENTERTAINMENT (INCLUDING KOOL & THE GANG, SUE FOLEY, LAURYN HILL, MICHAEL HILL’S BLUES MOB

Photo credit: BLUES MILITIA

AND JOANNE SHAW TAYLOR) -- WE FOUND OURSELVES BACK TOGETHER AGAIN. OUR NYC COLLEAGUE --VETERAN DRUMMER GENE LAKE (DAVID SANBORN/BOZ SCAGGS/JOSH SMITH) -- SUGGESTED COOPER SHOULD DO AN ORIGINAL PROJECT. I AGREED, STATING “IF WE BECOME A COVER BAND, LOSE MY NUMBER”! I ACTUALLY WASN’T JOKING; IT WAS TIME TO SURE UP OUR LEGACY. WHEN COVID SHUT DOWN THE MUSIC INDUSTRY, WE DID WHAT MANY DID: WRITE AND RECORD. WITH ACCESS TO MULTIPLE STUDIOS, WE BEGAN CRAFTING OUR “NYC/NORTH JERSEY BLUES SOUND” - WHILE SHARING STORIES OF OUR LIFE AND STRUGGLES. OUR WORK TOGETHER HAS RESULTED IN OUR 2024 DEBUT ALBUM: “THE SKIN I’M IN”.

Major and belated congratulations on the release of the BLUES People album The Skin I’m In! Starting at the top can you talk about what inspired one of the very best LP releases of 2024?

A couple of things. First of all, our many decades of supporting other great artist suggested to us that if we were going to have a legacy, it wouldn’t be fully realized by playing other people’s music. There was no way that we could have all the years of touring and recording for others... and leave ourselves out. We have so many stories to tell, and I think it’s time we did just that. Secondly, and most importantly, we felt like the Blues as our ancestral music needed us! Sort of like when a family member calls you to help out, you react right away and do your best. Hopefully, this is embodied in our debut.

Were you surprised by the immediate and warm reaction The Skin I’m In received by way of industry awards, nominations and recognition?

Flattered and proud for sure...but we kind of felt we were onto something while we were recording the project during the pandemic. Of course, there’s no way of knowing whether the people will actually like what you’re doing -- and we really didn’t try and anticipate what people would like. We knew we were strong musically, but I felt like authentic storytelling has always been at the heart of the Blues... and if we stuck to that, the people would feel it. It seems as though that’s what’s happening to us now … and we’re very grateful and excited for the future.

In your humble opinion, what differentiates The Skin I’m In LP from the Distinguished Competition on the 2024 music scene?

I actually believe it’s where we’re from! We experienced a bit of this when we went to compete at the international Blues Challenge in Memphis last January. It was apparent to us through conversations with fans and others that they were quite shocked that four guys from the New York area sounded the way we sounded. It was a curious reaction for us; all we were doing was telling our stories and playing our music... plain and simple. Somehow, I don’t think they expectedus to sound the way we sound -- given where we are from. I’m not quite sure I understand that... but I didn’t spend a lot of time analyzing it. All I knew was that wherever we played, the people responded well.

Word ‘round industry campfire has it that the BLUES People will be very much in-demand on the touring/performing circuit beginning this coming October 13! Can you give readers a sneak preview as to what the tour itinerary looks like for the group?

We basically have a bunch of dates throughout New York and New Jersey until January. So essentially, we will be in the northeast until we arrive at the International Blues Challenge in Memphis on January 7th. It’ll be good to continue to tighten up our set in anticipation of making a great showing in Memphis. We made it to the semifinals last time... and we’re looking tobest that result this year. Wish us luck!

For anyone who has not seen a live show from the BLUES People, what should a first timer expect and look forward to when attending one of these upcoming venue performances?

This is where we have the most fun! There are some folks who actually have listened to our debut album and been impressed... but when they come to see us play that album live,the look on their faces is hilarious! There are just certain things that even the best albums can’t convey; the audience needs to be entertained visually as well as sonically. We have worked into our set a lot of narrative storytelling and audience participation. This is in the true spirit of the entertainment business: remembering that audiences need to be entertained. We try different things on stage, and no two shows are exactly alike. One thing is for certain: we love the live gig … and it probably shows. There’s nothing like performing with your friends on a high level and recruiting as many people as you can in a musical journey. Pied Piperstepaside!(lol)

Who are some of the musicians who have inspired the BLUES People?

Although I don’t want to speak for each member of the band, I will say that all four of us have been inspired individually by some of the greats. We are all students of this music and we operate intentionally with a healthy respect for who came before us. As for me, I have to say that performing and touring the world for over 2 decades with Michael Hill’s Blues Mob really shaped my playing and informed my Blues vocabulary. Michael is a true student of the Blues and a very high level practitioner. His work for the last 50 years gave me the inspiration and confidence to pick up the baton for the New York area Blues community and take a stab at this thing that we all love. For that, I’m forever grateful. As a matter of fact, Michael Hill co-wrote one of the songs on our debut album... The tune Smoke and Mirrors. It’s a really special track!

When the BLUES People come together to create new material, is there someone specifically who takes the lead creative-wise, or is it a bit more freeform than all of that?

We call it “passing the football”. Simply put: our debut album was created in a very special way and with a very unique process. Although one would expect us to start playing grooves togetheron our instruments, I intentionally discouraged that. It could have been the assumption that once we pick up our instruments, we could always drop into something really cool... something that would feel good pretty quickly. This time, however, I started to focus on the stories as being most important. Instead of us grabbing our instruments, I handed out pencil and legal pad paper. That’s right: old school! In any event, I sat back and asked“what do we want to talk about”? At that point I instructed the guys to jot down some notes about a topic or subject we agreed upon. It could be lyrics or just words or poems... it didn’t matter. The idea was to start with the text and the subject of our story and share notes. If a person got stuck, they would simply pass their creativity to the next person who would in essence “receive the football”. It was nowthere turn to add their creation... then pass it to someone else. It worked beautifully!

Any final thoughts you might want to leave fans and readers with regarding the BLUES People and all their upcoming activities?

We are super grateful to all of our fans along this journey... and we’d like to thank everyone who believes in us and our music. The North Jersey Blues Society and Christy Benvenutti have been a huge help along the way... and we’re also very excited about working with Doug Deutsch who’s handling our publicity and Michelle Castiglia who’s handling our global and national radio. All in all, we’re ready to return to IBC Memphis in January and pour our hearts out!

Michael Webster

Hi guys, welcome to VENTS! How have you been?

All good! Very busy as of late, but it’s great to be able to keep doing music and what I love.

What can you tell us about the title and meaning behind your most recent release?

My last release was “a northern perspective” - an EP I released nearly two years ago. I’ve been working on a bunch of new stuff lately, but this one really means a lot to me, there’s so many tracks in here that are some of my favourites. The title is actually a Coronation Street quote, a little joke between me and one of my old musical pals - but it’s also apt for my life, being from Preston.

How was the recording and writing process?

I really love producing and recording my own music. There’s so much freedom, and to be able to craft something to how you want it to be, how it should sound, bringing so many elements together to create something - it’s fantastic.

Where did you guys find the inspiration for the song and lyrics?

A lot of my songs are written from my own perspective (get it? the title!), and about how I feel towards situations, experiences that I have within my life. So many of these songs just flow at timesthere’s so many different things that I want to write about.

Will you be hitting the road this year?

I’ve got a load of shows in the works! Not only me performing, but lots of stuff that I’m putting on through my label Bread Records. You can find it all at www.breadrecords.co.uk/events!

What else is happening next in your world?

I’m currently working on a bunch of music with other artists, recording and producing their music - and I’m hoping to get back on it with my own stuff too. Lots of stuff coming up, live shows, music, the works!

Fire The Humans

Hi guys, welcome to VENTS! How have you been?

Life is perfect.

What can you tell us about the title and meaning behind your most recent release?

‘CLEVER’ is the new single that drops on 10/31. It was inspired by a comment my son made on the current status of dating and the revolving door of flirtation through social media. Ultimately, how a compliment from someone you’re dating is no longer as important as it used to be. There are 500 people on social media telling you how gorgeous you are. Another 500 waiting in the wings to take your spot. This song is about those ladies that take advantage of playing both sides and know what they’re doing.

How was the recording and writing process?

I originally wrote the chorus melody and then the verses. When I can’t get a chorus out of my head, I know I have to record it. I took those melodies, verses and words to my producer, John, who began building the foundation of the music bed.

Where did you guys find the inspiration for the song and lyrics?

Again, from a comment that was made about the current age we live in and how relationships are being made. Women hear 1,000 times a day how beautiful they are from a post they make at some random place. They no longer feel that energy when a man walks up and takes his chance and providing you that compliment. Women no longer need it. Some women even enjoy the game and play both sides, starting that revolving door. That’s ’CLEVER’.

Will you be hitting the road this year?

2024 I’ll be in the studio finishing up projects, but 2025 I plan to hit the road and get some shows out there. I want to see people singing these songs.

What else is happening next in your world?

Currently, just promoting the new single ‘CLEVER’ and sharing it with the world. I’m excited to hear what people think. Next is just planning shows and living an incredible life. God is good. Thanks for having me.

Dusty Bonez

Hi guys, welcome to VENTS! How have you been?

I have been great...staying busy and enjoying life!

What can you tell us about the title and meaning behind your most recent release?

My new single “Back To Start” drops this Friday, Oct. 18th. It is a song about people trying to cope with the weight of a world that seems to be going crazy and the emotional challenge of that. Longing for a simpler time, a longing to start over or go back to start.

How was the recording and writing process?

It was a song the was kind of in flux unfinished and last fall I was heading to Nashville to record with award winning producer, Kene “Ghost” Bell and he told me to have an extra song just in case we have extra time.

So, I finished it days before I left for Nashville and it just came together. I recorded it at the famous Castle Studio and had a world class group of session players with just amazing resume of legendary artists and the whole process was quite frankly like an amazing dream.

Where did you guys find the inspiration for the song and lyrics?

I mainly got the idea from seeing young people on tiktok and the way they were coping with all the crazy stuff going on. I wanted the bridge to tell them, that God still cares about them and how they are feeling and that He can give them a new start.

Will you be hitting the road this year?

I am mostly a weekend warrior and I travel most weekends out of the year playing somewhere. I’ll be slowing down a bit through the winter and hitting it hard early 2025.

What else is happening next in your world?

I have a handful of singles behind this one as I am fighting to finish this album.

Eloah

Hi guys, welcome to VENTS! How have you been?

Where did you guys find the inspiration for the song and lyrics?

Hello everyone, thank you, we have been great – and very busy writing, playing and recording music!

What can you tell us about the title and meaning behind your most recent release?

Our latest release is entitled “The Book of Pain.” This collection of 17 songs delves into various dimensions of emotional pain, fear, and anxiety. Each track emerges from intense emotional experiences that demanded recognition, expression, and eventual release. Through the creative process, these difficult emotions were transformed into powerful sources of inspiration. “Serendipity,” for example, captures the deep ache of missing a loved one, highlighting the inability to mitigate that pain – only to experience it will finally allow you to move past it. Yet, the album concludes with “We Shall Rise,” offering a hopeful outlook, underscoring the need to eventually rise above the suffering. Together, these songs stand as a testament to the transformative power of confronting and embracing emotional struggle.

How was the recording and writing process?

The production of this album was an incredibly exciting experience. It features tracks written at different stages of my life, some penned years ago, others more recently, yet all revolve around the theme of emotional pain. We recorded most of the songs over the past two years, with one exception: the voice of my late friend Jörg Horner in “Golden Summer (Girl to Adore)” was recorded over twenty years ago. The recording sessions, which took place in both the Netherlands and Austria, went as smoothly as ever.

The inspiration for my music largely stems from personal experiences, particularly those related to emotional suffering. My songwriting process usually begins with me picking up my guitar and playing around with different chords or riffs. Every now and then, I stumble upon something that resonates deeply with how I’m feeling at that moment, then I quickly grab pen and paper and start writing lyrics, which tend to flow naturally with the music. After the initial inspiration, I rehearse the song repeatedly, fine-tuning the melody, lyrics, and chord progressions until everything feels cohesive and no further changes are needed. Once this “unplugged” version is complete, I bring it to the band. We then discuss how to evolve it into a full-band arrangement—deciding what kind of drums or percussion would fit, the addition of backing vocals, the bass line, electric guitar parts, and viola, violin or saxophone where appropriate. From there, we work collaboratively, piecing it all together until the song feels like a unified whole that everyone is happy with. That’s when we know the song is truly finished.

Will you be hitting the road this year?

We are currently busy recording our next album, which will be a spiritual hymn / gospel album (in contrast to our current release, which is a hard rock album), which we aim to release in 2025. At the moment we are discussing possible gigs after that album is finished.

What else is happening next in your world?

We’re excited to announce that we’ve recently welcomed a new band member, Zarja Medved, an incredibly talented violinist with a classical music background. She’ll also be bringing her skills on the electric violin to our next album.

MAGEFA

Hi guys, welcome to VENTS! How have you been?

Hi, I am Kevin Grams, vocalist, guitar player and songwriter of MAGEFA. Thanks for having me and rhe band. We’re all fine. Nico (guitar) recently become a father and I did in the beginning of the year. Therefore lots of challenges to master but we got through mighty fine. All in all a good year for all of us.

What can you tell us about the title and meaning behind your most recent release?

‘Bombs Over Europe’ is a song about the war in Ukraine and the potential of russia using a nuclear solution.

Where human rights are no longer active, we as musicians have to say things like that very loud. The lyrics were in fact to explicit so we had nearly no chance to get it published. Gladly, on October 20th it will be finally released.

How was the recording and writing process?

The writing process was as much of every time. I wrote a foundation of the song and we all adapted the song to be ours. As we finished the instrument parts I wrote the lyrics onto it. We recorded in the Presskopp Studio with Michael Heiliger where we also have the privilege to have our rehearsal room. It was also the first recording with Nico and Andreas (bass guitar) and it was as smooth as possible.

Where did you guys find the inspiration for the song and lyrics?

As I write the groundwork and the lyrics I have to say my inspiration comes from life itself coping with rage and hate.

Another part of the inspiration is the passion of making and hearing music. We have a great time writing and we want listeners and concert visitors to have a great time with our music as well.

Will you be hitting the road this year?

With 2024 being nearly over we look back at a fantastic year with a tour abroad in the UK. We are looking forward to 2025 where we already have a couple of dates for our friends of extreme metal and plan to do a release tour of an upcoming piece.

What else is happening next in your world?

We are currently in the songwriting phase leading to a LP late 2025. For any upcoming information make sure to follow us on social media and always have some spare money for new merchandise coming up.

Http://linktr.ee/magefa/ Http://magefa.com/

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