Andy James
Jazz Chanteuse Andy James Puts Her Own
Unique and Hypnotic Spin on Classic Billy Joel
Tune “New York State of Mind”
To listen to the inimitable musical stylings of Jazz vocalist Andy James is to time travel back to a simpler time when an authentic chocolate egg cream was to be had at every corner drugstore, telephone booths decorated the countryside, FDR was president and romance and intrigue were more than mere word setups for the punchline to a bad joke. Instead, those words had currency and immediacy, much like the musical oeuvre of Andy herself.
With her new single New York State of Mind and her upcoming album Let Me See Your Heart, Andy James is having a heck of a summer, and she’s inviting all of us rascally audiophiles along for the sonorous ride. In the case of New York State of Mind, James is conducting a Master Class in precisely how to craft the perfect and ever-tricky cover song, a trick which has slipped up many-a-performer in the past. “I approached Billy Joel’s song with the utmost reverence and affection,” the Las Vegas-based music chanteuse told Vents recently in an in-depth interview. “And from there I added my own flourishes and style. We’re happy with the end-results.”
Ah, yes, the “we” in this particular successful cocktail would encompass James’ Svengali-like producer and Le Coq record label founder Piero Pata. With an unerring ear for capturing that special magic which comprises an Andy James tune, Piero hasn’t created anything from this unique and indelible music artist that wasn’t already there (Svengali comparisons to the side). Instead, he’s the talented cat with a golden ear behind such other impressive acts as John Patitucci, Chris Potter, and Rick Margitza who happened to capture proverbial lightning in the bottle when it comes to his teaming with James who is also a Le Coq recording artist. Sweetly, and almost mirroring a proverbial Big Band ballad which she herself might belt out, Piero is happily married to Andy.
When Vents caught up with Andy and Piero, both were planning the coming weeks leading up to the August 9 release of her fifth LP Let Me See Your Heart, of which her latest single New York State of Mind is off of. “We’re going on tour for about five weeks,” the Australian native reveals to us, rattling off an impressive venue list which would give even the hardiest musicians a slight pause. Clearly this is an artist who loves her fans and enjoys performing to every corner of the globe to deliver her unforgettable style of Jazz.
“I was a rather well-known Flamenco dancer back in Australia,” James reveals with her typical modesty. “So I’m used to performing for people and it brings me a real joy and comfort to bring my music to different people from all sorts of walks of life, especially in these troubled times.”
James and Piero excitedly rattle off the honor roll of phenomenal musicians whose distinct alchemy populates and supports Andy’s new LP. “We’ve got our piano bases covered with Jon Cowherd, and…” she begins before Piero jumps in to help with the awe-inspiring recitation. Before too long the musical duo are playing their own verbal namedropping version of Dueling Banjos, each one taking a deep breath as the other adds to the impressive list of contributors. It’s an endearing and sweet moment and this scribe can suddenly see and understand where the wellspring of inspiration for Andy James comes from when she sings about true and everlasting love.
“Oh, and there’s Nate Smith who does the drums..” Piero manages before Andy jumps in with her five cents.
“And we mustn’t forget our bassist Alex Acuna, John Beasley, John Patitucci…Who am I leaving out?” Andy looks to her partner in all things for a quick finishing assist.
“John Ellis, Ronnie Foster and Chico Pinheiro,” Piero concludes proudly.
A little more about the new album Let Me See Your Heart comes to light as we chew over the fat: “It’s an album which focuses on original songs as well as some real classic standards like Danny Boy, which is a favorite of mine,” Andy discloses of this unique smorgasbord of past and future evergreens. “But then we’ll do an original, some of which Piero and Jon Cowherd and I wrote and worked on together, and I can’t help but feel justifiably proud of the end results and just how timeless it all feels.”
About those original tunes which are to be found on the Let Me See Your Heart LP, fans of Andy’s prior albums are in store for a treat. Sliding this fresh wax onto the turntable reveals an emergency call from this storied singer put into the 1940’s for a new gem which could have easily been forged in the fires of that tumultuous and exotic decade. Ella Fitzgerlad-like in its sheer beauty of vocal arrangement, Let’s Talk of Love is the best new song which you’ve not yet heard; it’s a beauty. Further exploration of the freshly-minted album uncovers other ditties like the mesmerizing and bittersweet Let’s Try and the foot-tapping stylings of the album title track, Let Me See Your Heart. If the human heart ever had a bonafide map Dear and Constant Readers, this LP is it.
Washing down this scrumptious eleven-tune masterpiece is a unique (or “otherworldly” as the PR flacks rightly call it) take on the classic Dave Brubeck gem Take Five. It rightly illustrates how seamlessly Andy can shift from originals to the standards in the Jazz world we all know and love while adding her own signature. This vocal rendition also nicely compliments other covers on the LP such as the aforementioned Billy Joel classic New York State of Mind.
Before too long, it’s time for Andy James and Piero Pata to take their leave in preparation for their European summer tour which began this very month and will finally wrap up in Rome, Italy on August 10. But not before leaving Vents and our ever-lovin’ reading audience with a few last salient words before turning that corner on Times Past and heading into Woolworths or Rexall’s for that fabled chocolate egg cream.
“More than anything else,” Andy concludes with a far-away and wistful tone to her voice, “Piero and I just want the music which I perform to act as a balm on the souls of individuals during these difficult times. Wouldn’t that be nice?” she trails off, with one eye locked on the present and another focused on the past.
The Let Me See Your Heart LP from Jazz Vocalist Andy James will swing its way to all self-respecting record shops courtesy of Le Coq Records this August 9.
Aurora Iler
We’re very happy to have some time today with acclaimed actress, director and producer Aurora Iler; greetings and salutations Aurora and welcome to Vents Magazine! Before we meander down the Q&A celluloid pathway, how is the latter-part of 2024 treating you and yours?
Thank you for the warm welcome! 2024 has been really good for me so far, a year of growth and celebration. I also have some great things coming up that I am looking forward to.
Major kudos and accolades on no less than two upcoming short films! Starting at the tip-top, what can you tell our ever-inquisitive readers about Tears of Impermanence and how your character of Alice figures into the proceedings?
My Character Alice is the younger version of the lead of the film. My character is shown in flashback scenes to her childhood reflecting some of her life experiences.
Did you know as soon as director Ken-ji-Lee’s script for Terms of Impermanence crossed your professional desk that this was a production you wanted to be a part of?
Yes, I had been invited by a good friend Nicola Crisa to attend the screening of one of Ken-ji-lee’s films, where I was able to meet him. We all call him ‘Mr Chen’. But after getting a chance to quickly speak to him he said this film was going to be part of a series of films and he thinks there might be a part I would be perfect for. Not long after he sent me through the script and I put down a self tape. It wasn’t long until I found out I had secured the role.
Speaking of Ken-ji-Lee, what was it like working with this extraordinary talent while on the set of Terms of Impermanence? Is Mr. Lee, what some actors might refer to as ‘an actor’s director’?
It was fantastic working with Mr Chen and his team. He had a small team, but one that works together all the time and is very efficient and clear in their direction and goals.
You work with such a brilliant cadre of actors in Tears of Impermanence, including the likes of Ken-ji-Lee, Emily Crow and Penelope Thomas! What was it like exercising your own considerable acting chops alongside these thespians?
I am always grateful for the opportunity to work with other talented people in the industry, it’s always an opportunity to learn and grow. I didn’t always work side by side on set with some of those actors, but to know we are all working towards the same goal was a really good feeling. I can’t wait until we all get together to celebrate the release of the film!
The second short film which you have in the can is the rightly lauded and award-winning Grape and it marks your sophomore directing debut; congratulations! Can you talk about what inspired you to write, direct, act in and produce this little gem of a motion picture?
Yes, of course, thank you so much. In Australia we have 2 schools, Primary school from k-6, and high school 7-12. So I had just started High School and was incredibly shocked by the amount of kids who were vaping. It seemed like more kids were vaping then who were not, and when I would hear statistics on tv saying hoe many kids are or have vaped, those figures were not close to what I was seeing.
So because I had already made another short film, I decided to do it again. Writing Grape based on what I was seeing, hearing and experiencing at the start of my high school experience. I figured that it was my responsibility to try and do something about the issue instead of waiting for someone else to do it.
How was the experience of directing Grape similar to that of directing your freshman film Melon Head? How was it different?
The big difference was my confidence. When I directed Melon Head, I had never directed before. I was 11 years old and just about every person on set was older than me so I was not sure they would listen to me and follow my direction.
But everyone did and were really respectful of my vision and direction, providing their own tips and advice to guide me when I needed it.
Grape was alot easier, because the nerves were not so bad. Because I had done it before I could see myself as a director and I also had a great team beside me helping me to bring my newest vision to life.
That would be my advice to people, you think you are too young or too inexperienced to try something like this. But you are not, once you have done it, you are it. I was not a director and then I was.
You have such a wonderful cast in Grape! What was it like working with Nicola Crisa, Lawrence Ola among others in the film?
It was amazing working alongside them! I had worked with Nicola before on my first film and Mr Chens film, so I knew it was always a fun time on set with her. But this was my first time working with Lawrence, who I had wanted to work with for a while, so I was glad to have found the opportunity. He is professional, funny and warm, I really enjoyed working with Lawrence as my TV Dad.
I also worked with so many other incredible actors and actresses on this film and the film would not work without each of them playing their parts and supporting the message.
You won a coveted Young Artist Award for Best Performance in a Short Film for Grape; again, congrats! Have you been gratified to see that your efforts have been recognized by those in the film industry?
I am very proud, I was hoping for the film to be successful as that would mean my message got out there. But if I am honest it has done better than I even expected and I am so encouraged by that. It makes me want to do it all again.
Directing-wise, who are some of your heroes in the motion picture world?
Quentin Tarantino
Greta Gerwig
Steven Spielberg
Your first credited work in film came in the form of 2021’s Before We’re Gone. Any special memories of that freshman production?
Yes! Working on Before We’re Gone was my first ever film and my first ever lead role. On that production I worked with some amazing people who didn’t know it at the time but who were inspiring me to know I could create my own films about what was important to me one day. They were all the same age as my oldest brother and so I felt close to all of them. Some special memories from this production were playing in the playground with some crew while sets were being blocked.
I also remember one of the days we were filming in a place called a wallum. It is or was a large protected wetlands and conservation area, that my Character was trying to save. Our location day was a big whole day out there. I was getting tired towards the end of the day, I was 10, and I saw Natalie Dundas the films Cinematographer working as hard as she had at the beginning of the day, carrying around heavy equipment and barely taking a moment to rest, but still always being kind and trying to also help everyone else, I saw Lilli Corrias-Smith the films Director and writer staying calm and kind despite things not always going according to plan. They all worked together so well and stayed calm and on task, I really feel like it was the perfect first set for me to learn and see all the roles. I am so thankful to them. I would love to work with them again. I did end up being fortunate enough to work on another set with Natalie on Young Rock 2.
What’s coming up next for you as far as acting, writing, producing and directing?
I have written another film, but this time I wanted to ask more from myself. So I wrote a feature film, It’s called ‘My Inheritance’ and I hope to make it later this year. It’s a film about a teen girl who enters her first relationship and for better or worse she looks to the relationships of the people around her to determine what is normal and what is not.
I have one of the same producers and production managers on board already, Amy Toomey-Cook, I have worked with her on both my previous films and I love working with her. We are currently talking to some really incredible People and trying to fill some of the more important roles, and work on funding before we move forward with the next steps and get filming.
Kate-Lois Elliott
Photo Credit - Rachel Sherlock
We’re very happy to have some time today with awardnominated, acclaimed - and very funny - comedian, actor and writer Kate-Lois Elliott; greetings and salutations Kate and welcome to Vents Magazine! Before we stroll down the Q&A funny-lane, how is 2024 shaping up for you and yours?
Thanks for having me! 2024 so far has been pretty insane. I’m debuting at Edinburgh, working on some really exciting TV projects, getting married and buying my first house! It’s been chaotic (I think there’s a limit to how many separate to-do-lists one person can make) but I am very excited about all of it.
Major congratulations on your upcoming freshman involvement in Edinburgh Fringe which is set to run from August 2 through the 26th! For anyone that might have missed the memo, can you explain what Ed Fringe is all about and why it’s such an important part annually of so many people’s lives?
Yes, I guess I am a Freshman. Love that! Edinburgh Fringe is like the Olympics for up-and-coming comedians. People save up for years to ‘debut’ and come from all over the world. Once you’re there, it’s like a month long comedy gym. There’s a lot to see as well, whatever kind of show you’re after, just throw a rock and you’ll hit one.
Kudos and accolades for your Ed Fringe show debut of How To Belong Without Joining A Cult which is set to run from July 31-August 26. First things first: LOVE the show title! Can you give our ever-inquisitive readers the E! True Hollywood Story on the origins of this show and how your own family history plays into it?
I’ve always had a big aversion to group mentality, but I never knew where it came from. It wasn’t until I was in my 20s that I realised the very strict Christian ‘sect’ my mum had been brought up in was in fact a full blown secretive cult. That answered a lot of questions - it had obviously impacted the way I react to the world. I then started to look back at past experiences through a different lens. It turns out that a lot of things, when you really dig into them, are a bit culty.
Was it at all difficult to sort of pick and choose little vignettes from your family life for How To Belong Without Joining A Cult? And how does your family feel about the standup set? Have they checked it out yet?
I really care about the narrative of my shows, so the stories I use have to be relevant. My parents are cool with whatever I choose to talk about, but they tend to avoid seeing me perform as, more than anything, it just puts me off! Comedians talk about intimate details of their lives on stage - and no one wants their parents eyeballing them as they describe their sex life to a bunch of strangers!
From start to finish, how long did it take you to prepare the material for what became How To Belong Without Joining A Cult?
In many ways, I’ve been thinking about the show for way longer than it took to write. There was a time where I thought about cults a lot! Also, the show is about belonging and my first show, GENTRIF*CKED, was about finding your purpose. To feel like you belong, you also need a purpose.
What do you hope that Ed Fringe attendees take away after checking out How To Belong Without Joining A Cult?
They’ll have to come and see the show! I think it’s got a positive ending. I like it. If you’ve ever been in a group that felt a bit weird sometimes, there will be something to relate to.
As a comedian, how does it feel to have a show at the Edinburgh Fringe? Does this feel like a real professional pinnacle?
Of course, I’m proud of my show, and doing Edinburgh is something I’ve been thinking about since I started comedy in 2019! I’ve been told it can get pretty intense, but when I was there last year doing a WIP (work in progress), I found a lake on the walk back to my accommodation, which is perfect for a post-show celebration tinny and/or cry. Ideal.
These are pretty strange and divisive times. Is it difficult to bring the funny in such a sensitive era?
It’s difficult to get right but I don’t want to shy away from exploring complex subjects, otherwise, I just think ‘Why would I be writing a show and telling a story in the first place?’.
Beyond Ed Fringe, what plans do you have for How To Belong Without Joining A Cult? Can we look forward to a live LP of the show, or perhaps a televised special?
Ooh I would love a TV special.
Any chance that we can expect you to take How To Belong Without Joining A Cult to other corners of the globe like North America?
Taking the show to the US is definitely something that’s been discussed and when the right opportunity comes, I would love to do that. I’ve gigged a bit in Los Angeles - crowds there are really similar to London audiences, I felt right at home. I’d also love to take the show to mainland Europe and Australia.
Any final thoughts you might like to share with readers about Ed Fringe and How To Belong Without Joining A Cult?
If you can’t make it to Edinburgh, but are in the UK this summer, I’ll be doing a bunch of previews south of the border over the next few months. Come along!
30th May, Fierce Beer, Manchester 3rd June, Camden Comedy Club, London 11th July, Tunbridge Wells Fringe, Kent 13th July, 2Northdown, London 14th July, Joke n Mirrors, Bristol
Ed Fringe: 31st July - 26th August at 4pm (excludes 19th August)
Gilded Balloon, Patter House: TICKETS
Tom Nowicki
We’re excited to be speaking today with acclaimed actor Tom Nowicki. Greetings and salutations, Tom, and welcome to Vents Magazine! Before diving into the Q&A cinematic rabbit hole, how is 2024 treating you and yours?
Well, before we go too far, are you sure you’ve got the right Tom Nowicki? As far as I know, no one has ever acclaimed me before. There’s another actor on IMDb named Tommy Nowicki; maybe you’re looking for him?
Major kudos and accolades on your upcoming bravura turn-in Apple TV’s “Bad Monkey,” slated to premiere on August 14! Starting at the top, can you explain to our ever-inquisitive readers what “Bad Monkey” is about and how your character, Captain Keith Fitzpatrick, figures into the proceedings?
“Bad Monkey” is about a Key West police detective, Andrew Yancy, played by Vince Vaughn, who gets demoted to Restaurant Inspector after he makes a few magnificently bad decisions in his love life. Captain Fitzpatrick is a fourth-generation Conch descended from a long and distinguished line of smugglers, and his day job is running a charter fishing boat for tourists. He and Yancy are close pals and drinking buddies, which is how things work in the Keys. One sunny day, the Captain finds something strange and very bad out on the water, which winds up literally in Yancy’s lap, and off we go. Murder, mayhem, and the raping of Paradise follow. It’s a comedy.
Did you know as soon as the script for “Bad Monkey” crossed your professional desk that this was a production you wanted to be a part of?
When I read that Apple and Bill Lawrence were adapting “Bad Monkey,” I just fell to my knees and started praying. And here we are!
Before “Bad Monkey,” the series entered your life, had you been aware of the 2013 novel by Carl Hiaasen on which the show is based?
Ha! I’ve been a huge fan of Carl Hiaasen since his first novel, “Tourist Season,” back in the 80s. I’ve read everything he’s written for adults at least twice, and if they really can get AI to make brains live forever, I want his to be at the head of the line.
Along with your acting in the ten episodes of “Bad Monkey,” you also provide narration for the series. Is there a specific art to narrating an on-screen story, and do you see it as an extension of your work as an actor?
Captain Fitzpatrick only appears on screen in a few episodes, but the narration runs from the very beginning through to the end. And yes, there is a real art to it, which I honestly didn’t have a full handle on when we started recording. I am very grateful to Bill, Matt Tarses, and Kip Kellog (the post supervisor) for their faith that I could pull it off and for their skill and patience in directing me through it. Those guys are great at making television, and they can talk to actors like it’s their native tongue.
Anyway, the art of it is, obviously, you only have your voice to use, and you have to find just the right few places to underline what you’re saying to make your point without doing too much and sounding like a caricature or clashing with the actors’ work on camera. That’s as much technical as organic, and finding that reading takes a lot of trying. But trying all the nuances is how I like to work anyway; fortunately, Bill, Matt, and Kip work that way, too, and I learned a lot from them in that studio. And then there was the writing: some of the lines they gave me were so damn funny I needed about ten takes to read them without howling and ten more to make them fit. And yes, I’d be willing to do it again, but only after “Bad Monkey” runs its course. I’m weirdly monogamous.
You work with such a brilliant ensemble in “Bad Monkey,” including the likes of industry icons Vince Vaughn, Amina Massai, Meredith Hagner, Natalie Martinez, Ronald Peet, Zach Braff, and Michelle Monaghan! What was it like exercising your own formidable acting chops alongside this fantastic lot of thespians?
It’s a great ensemble, absolutely. My on-camera scenes are primarily with Vince Vaughn. I haven’t worked with many comedy giants, and I’m fairly sure most of them didn’t think I was very funny, so I was a bit intimidated. But Vince was very easy to play with. He has an extensive improv background, and I’ve done a bit of it too (I was a wrestler for a few years, among other misadventures), and it teaches you to open up and pay attention to each other in the scene, even when you’re staying close to the script. Getting Vince Vaughn’s full attention is pretty stimulating,
it turns out. I think we got all we could out of those scenes. Of course, the writing was ridiculously good; that didn’t hurt.
Speaking of collaborations, what was it like collaborating with the talented directors of “Bad Monkey,”which included Marcos Siega, Colin Bucksey, Erica Dunton, Liz Friedlander, and Sam Jones? What did each one respectively bring to the creative table?
Marcos directed all of my on-camera episodes. He has a very light touch with actors and trusts you to bring your best. He sets things up and steps out of the way, letting the work unfold and coaxing changes out of you instead of dictating them. It’s a pretty good method, especially when you’re filming on a boat in the blazing sun miles out in the Caribbean. But he also has a keen eye for the happily weird, which is kind of a way of life in the Keys and an important tone for the show. He encouraged the Captain to let his freak flag fly just a bit.
One of your first credited on-screen performances came in the form of the 1984 film “Harry & Son.” Do you have any special memories of that freshman production?
Well, Paul Newman was a god. Period. But he was also my first acting hero. I studied his films like they were the chapters in my Bible. Then, somehow, he casts me in my first film role. It was beyond a dream. There are so many things to share; we could do the whole interview about Paul, and we probably should. He shaped my work more in those few weeks than any director I’ve acted for, and he shaped my heart a bit, too. Anyway, “Harry and Son” was shot in Ft Lauderdale, and I live in Orlando, about 200 miles away. For some reason, I don’t clearly remember; instead of driving down there the night before my first day of shooting, I decided to stop and stay the night with a friend in West Palm Beach. It’s only about 35 miles north, so I figured I’d get up a little earlier to drive in.
Of course, that morning, my car wouldn’t start. My friend didn’t own a car, only a bicycle. This was decades before cell phones. I had to take a cab to the bus station, a bus to Ft Lauderdale, and another cab to the set. By the time I got there, I was almost three hours late.
The location was a parking garage in downtown. As I was sprinting from the cab toward the entrance, I saw Paul walking up the ramp toward me, alone, pinning me with those eyes. And I’m thinking, “This is where it ends, my career before it even begins. The biggest star in Hollywood is going to tear me to pieces here on a city street in South Florida.” I stopped walking, hung my head, and waited for what I had coming to me.
The next thing I knew, Paul pulled me into a tight hug. “Tom, man, are you okay? You had us all so worried. Tell you what; take a minute, catch your breath, and let’s get down to the set. We had already rehearsed the scene so we could set the camera. I’m gonna walk your blocking; you watch through the viewfinder and tell me if there’s anything you need me to change. We’re kinda behind this morning, so let’s do this first, then get you into hair and makeup. Glad you’re here, man...”
Apparently, my friend had reached my agent by phone, who got a message to production. They knew what had happened, but that shouldn’t have let me off the hook. My stupidity had cost them who knows how much money and aggravation.
But Paul had chosen to respond with generosity, which was the most important lesson I learned from him. He could have killed any hope I had right there, but instead, he made a shaky kid feel like a respected colleague who’d had a bad moment and whose
contribution to the film would be worth overlooking. Instead of crushing me, he made me feel like I belonged among the stars. Sure, it was partly practical; my performance would have undoubtedly been terrible if he’d given me what I had coming, and he’d have that problem to deal with in his movie. But I learned over the weeks of working with him that generosity, creative, collaborative, and personal generosity were his nature and method.
He has a reputation for being distant and aloof, and maybe some of that was wired in from being such a huge star. But at least on the set, he was a big beating open heart. That growled sometimes, okay, but still…
When you’re not turning Hollywood on its proverbial ear with your acting performances, you can be found working with Hip Dog Canine Hydrotherapy. What is Hip Dog Canine Hydrotherapy all about, and what makes you such a passionate advocate for it?
Or we could do the whole interview about HipDog! We do swim therapy for injured and disabled dogs. It started with Cosmo, Kristina’s Brittany Spaniel, who lost a front leg in a car accident. I was flying home after shooting the pilot for LA Confidential; someone had left a copy of Whole Dog Journal in the seat pocket. The issue was about this new thing called “canine hydrotherapy,” a way to rebuild strength and fitness in dogs challenged by moving around. Kristina had a pool, so we took the training to help Cosmo, but once we were there at the school, we realized it would be pretty selfish not to share it.
We never expected it to become a formal thing, but here we are 20-plus years later, swimming 40 to 50 dogs a week. It’sbreathtaking how something as simple as swimming can get dogs whose lives were going the wrong way back on their feet and happy again. There hasn’t been a day in the pool that wasn’t the best use of my time.
Can you give readers a hint or three as to what’s coming up for you after Bad Monkey?
First, I’ll be on my knees again, praying for another season of Bad Monkey. Also, there’s some serious talk about reviving Roller Jam, an apocalyptic version of roller derby that ran for four seasons in the late 90s. I played Kenneth Loge III, the right-wing billionaire owner of the World Skating League who was out to reform America’s Immoral Ways through good, clean, televised entertainment (Roller Derby? Right...think wrestling but with way more fit, frisky young women doing nasty things to each other). I also played Loge’s two triplet brothers, Lenny and Benny, as well as our late mother, Druscilla. The show was mostly improv, and we shot it in front of live audiences.
Anyway, it was endless fun shooting that show. I hope we get another chance!
Final - SILLY! - Question: Favorite movies about the making of movies: Living In Oblivion, The Big Picture, Barton Fink, The Player, Swimming With Sharks, or Once Upon A Time In Hollywood?
Wow. That’s not easy. But I’m saying The Player because Robert Altman gets Hollywood to laugh at itself just by being itself. Was anyone on the A-list at that time who wasn’t in that movie getting teased by a genius? Living In Oblivion is a close second for the same reason: Tom DiCillo got some true believers in indie cinema to skewer themselves and the beautiful hopelessness of making movies for love (my world, for the most part...)
PHOTO CREDIT - LESLIE HASSLER
Peder Lindell
We’re very happy to have some time today with acclaimed actor Peder Lindell; greetings and salutations Peder and welcome to Vents Magazine! Before we meander down the proverbial Q&A celluloid pathway, how is 2024 treating you and yours?
It has been treating me very well! It has been busy, but the kind of busy that gives you energy and excitement for whats next, and there’s some really cool stuff coming your way! 2024 is a year of new beginnings for me and I could not be happier to have the chance to give you a peak into my life and Morgie’s!
Major congratulations on your upcoming bravura turn in Disney’s Descendants: The Rise of Red which is set for a July 12, 2024 release! For anyone not in the know about this extremely popular film franchise, can you explain the premise of the story and how your character of Morgie figures into the proceedings?
Descendant’s The Rise of Red is a musical, time travel, adventure, fantasy film that sequels the iconic franchise. We follow Red and Chloe as they travel back in time to save the future, which is where you meet me (Morgie) with Auradon’s/Merlin Academy’s newest crew of VK’s!
Did you know as soon as Descendants: The Rise of Red crossed your professional desk that this was a production you wanted to be a part of?
As soon as I discovered I had the opportunity to be a part of the Descendant’s franchise, there was no doubt in my mind as to whether I would accept or not. I worked professionally in musical theater and opera throughout my childhood, so when a movie musical script presented itself, I went straight to my bucket list and crossed off the top item.
Going into Descendants: The Rise of Red, how aware were you of the previous chapters in this popular franchise?
Very aware! I recall enjoying the previous movies with my sister when they aired on Disney Channel. I remember watching them and wishing I had the opportunity to be a part of them; I knew I was right for them, but I never could have guessed that I would get the chance.
What was your collaboration process like with Descendants: The Rise of Red director Jennifer Phang? Is she what some actors might refer to as “an actor’s director”?
Jen was a pleasure to work with! She most definitely cares about us actors and we all appreciated that. What I admired the most about her was how much she cared for connecting with us and making sure we were able to have a comfortable, safe space to create this wonderful movie. She’s very down to earth.
Speaking of collaborations, what was it like to work with a cast which included such heavyweights as China Anne McClain, Joshua Colley, and Rita Ora?
They were all wonderful to work with! This cast didn’t hesitate to surprise me with talent. Lovely people and lovely actors!
You have a long and rich history as a stage actor. Do you have a preference between motion pictures and doing live theater, or is it a case of apples and oranges?
In the case of acting I really don’t have a preference as to what medium I am acting through, it is the craft that I truly love, the performance. There is something special and unique about a live audience that you feel while performing stage, but I love screen equally. My future most definitely entails a mix of both stage and screen!
Who are you inspired by, acting-wise?
I grew up acting, watching, and working with several actors who truly helped shape my acting for what it is today; they ignited my career. Tyler Michaels, Wendy Lehr, Dean Holt, Reed Sigmund, and Autumn Ness are among those. Wendy Lehr gave me my first professional opportunity. Tyler Michaels has to be one the greatest stage actors I have had the pleasure of learning from. Reed, Dean, and Autumn, were some of the first actors I watched perform, (when I was Tiny!!) and inspired the child inside of me!
Your first credited on-screen work as an actor comes in the form of 2020’s short film Out of My Hands. Any special memories of that freshman production?
So many! I actually shot the entire film with a sprained ankle, so the shoot process was pretty rigorous, on top of us filming it in the desert in the Badlands. In some of the scenes you can see me limping - which was real! In hindsight I think it helped with the character.
Can you give readers a hint or three as to what you have coming up after Descendants: The Rise of Red?
I just got confirmed for a lead on a horror/thriller yesterday, can’t say the name just yet, but fun stuff is coming! I also play Gus in the short film Scraps which should be in your hands super soon! The full length feature of that script is set to film next summer.
Final - SILLY! - Question: Favorite movie about the making of movies - Living In Oblivion, The Player, Barton Fink, Once Upon A Time In Hollywood, Ed Wood or Swimming With Sharks?
Once Upon A Time In Hollywood for sure!! Who doesn’t love Tarantino!
Crystal Yau
We’re very happy to be speaking today with transformative life coach Crystal Yau; greetings and salutations Crystal and welcome to Vents Magazine! Before we meander down the Q&A pathway, how is 2024 treating you and yours?
We’re doing wonderfully thank you for asking :) The thing about doing wonderfully is that we don’t take it for granted, and we want only to spread the joy and love. Understand me? That’s an understanding that we are all perfectly happy happy in the moonlit night of surrendership, which is the call I ask you to take. Amen. That’s the understanding of love itself! So take this into consideration: we love you!
Starting at the tip-top, and for anyone not in the know, can you explain what it is you do and offer as a life coach?
I offer the following services: quantum leaping life coaching, music + life coaching mix, art + life coaching mix, trauma informed life coaching, psychic readings, astrology, tarot, neuro-linguistic programming + hypnosis, Kingdom of Heaven communicator, the way life coaching (transcendental meditation teacher), shamanic healing, and reiki + crystal healing.
I help people with depression, anxiety, sadness, shyness, the undisciplined mind, and any other issues you may have or may not know you have. The three of cups is the card I just pulled for you and instead of wasting time on being sad, realize the truth about you: that you are the one to know things that will help shape the future.
Do you feel that anyone could benefit by having a life coach in their corner during difficult transitions in their own lives?
Yes yes! Hundred percent. I have a life coach right now myself and it’s almost for no apparent reason but I learn more than I do from other sources of things because the session is personalized. In any way, even if not so difficult, we know the truth about life coaching because of love itself - that it is really really true to everything beautiful in the way of nature itself. And so within the state of mind of happiness, we can always benefit from a life coach who understands loving intention as the only true factor in all of this. So understand this: my mind is willpower in and of itself and can shape and bend reality so we quantum leap into the brightest future of all time. Amen and namaste to you, muah.
How is what you do as a life coach different from what the Distinguished Competition offers?
The only thing left to do is wonder with curious eyeballs who we are in the moonlight? The answer to the call is you: you are perfect within a dream, and that helps me know you. The thing is that we are all connected through love,
and I understand this wholly and fully. And so with that being said, who am I? xoxo, Gossip Shaman
In this sometimes kooky day and age, do you feel that oft-times that folks might be too quick to pull the trigger on seeking out pharmaceutical answers to their problems versus looking for a more natural and holistic approach?
Everybody is different and has different needs so to it’s hard to say. Get to know yourself before seeking out anyone in the first place! And if you do, understand that you are the one to change things for yourself. So ask yourself, am I the problem? Because the answer is yes, and so ask yourself this: do you want to understand yourself now or later? Because life goes on and the Ascension takes time to stop but no time to pave the way to the future. Amen and namaste.
Do you feel that past life traumas can affect people negatively attempting to go forward in their lives?
Yes, trauma is everywhere. I’m here to understand trauma as a state of mind where nobody dives deep enough into their little wounds, so yes, but the truth is that we attempt to go forward in our lives with attention, grace, care, love, and joy -- but we can’t -- thanks to trauma. So in the end, a little care and love can propel you forward into the state of mind of happiness itself.
What led you down the pathway of being one of the most respected life coaches on the 2024 landscape?
Has helping others always been a passion for you? What led me down this pathway is the courage to tell the truth. Helping others has always been a passion of mine and instead of working through issues, I push them through it with the lovingness of a mother or father who always knows the truth harder because of God.
What advice would you give to someone who is struggling with making significant changes in their life?
Don’t worry so much, all is well. Relax into the state of being where everything becomes silence. That’s the testimonial of love itself, swinging around on a swing of love itself is you, and so relax about what you’re worried about, and relax into it with such Grace that even your past self stumbles around with wonder. The truth is that poetic-ness is a way of life, and if you’re struggling, just go to a place where you’re not, and as often as you can, too. This is not to say drug out and numb out, but in the end, there is more to the poem, and it’s us. That’s not to say you’ll be my client, but us as in the world, who actually does love and support you. The ending of a hard time is here, celebrate before you reach there, and you will get there faster. The truth being that nobody can take away from you what you take from yourself, and so loving intention becomes a mess... amen and Namaste.
Michael Day
We’re super-excited to be speaking today with acclaimed writer, director, and producer Michael Day; greetings and salutations Michael and welcome to Vents Magazine! Before we meander down the proverbial Q&A celluloid pathway, how is 2024 treating you and yours?
2024 has been fantastic so far. I’ve been fortunate to stay busy with two films set for release in 2025. The first is Stranglehold, featuring Ashley Benson, Jake Lacy, Justin Long, and Ron Perlman. The second is Midnight, starring Rosario Dawson, Milla Jovovich, and Alexandra Shipp. Both projects are fun, action thrillers that I know audiences are going to love. We’ve just wrapped filming and are diving into the postproduction phase now.
Major kudos and accolades on your feature film directorial debut in the new dark comedy thriller Clawfoot which can currently be seen by discerning cinephiles via streaming on all major VOD/rental platforms! Can you tell our ever-inquisitive readers what Clawfoot is about and what drew you to screenwriter April Wolfe’s story?
Clawfoot centers on a housewife who faces psychological torment from a cunning contractor, escalating into a thrilling game of wits with some truly surprising twists. What captivated me about Clawfoot was the simplicity of the narrative and the depth of the characters. From the moment I read April Wolfe’s script, I was hooked. The writing is sharp, and the characters are intriguing. The film’s dark, dry humor and clever twists make it a truly engaging experience.
You work with such a talented cast in Clawfoot, including the likes of Francesca Eastwood, Olivia Culpo, Nestor Carbonell and Milo Gibson! What was it like as a first time director working with this amazing ensemble of actors?
Working with such a talented ensemble was initially quite intimidating. I was definitely nervous before our first meeting. However, once we got started, it quickly became clear that we were on the same page. They grasped the film’s tone and my vision right away and were incredibly collaborative. It truly felt like a team effort. I couldn’t have asked for a better cast for my directorial debut. Their patience and support were invaluable, and I’m deeply grateful for their contribution to the project.
The legendary Alfred Hitchcock had a hand inspiration-wise for you in directing Clawfoot. Can you talk about what makes Hitchcock such a seminal figure not only for you, but for a whole swath of directors?
Alfred Hitchcock is renowned as the master of suspense, and his influence is profound for many directors, including myself. His ability to create tension with a minimalist approach in confined settings is remarkable. For Clawfoot, Hitchcock’s films served as a significant source of inspiration, especially given the film’s contained nature and its darkly comedic elements. I’ve always admired Hitchcock’s skill in blending suspense with a touch of humor, and it was a privilege to explore a similar tone in this project.
Did you have the luxury on Clawfoot of a lengthy rehearsal time with your actors, or did everyone sort of discover their characters during the actual filming of the movie?
Unfortunately, we didn’t have the luxury of a lengthy rehearsal period. We met once or twice to discuss the script, the characters, and the overall tone, but we didn’t do formal rehearsals. Instead, we focused on having deep discussions about each character’s approach. Thankfully, we were quickly aligned in our vision, which made the process smoother. On filming days, it was exciting to see the characters come to life for the first time. Despite the limited rehearsal time, everything fell into place perfectly, and I couldn’t have asked for better performances.
You have yet another film called Fog of War starring John Cusack, Brianna Hildebrand and Jake Abel which you have directed and which is set for a winter of 2024 release; congrats again! What can you tell us about this sophomore feature film?
Fog of War is quite different from Clawfoot as it’s a WWII espionage thriller, which presented unique challenges. Working within a specific historical time period required a meticulous approach to ensure accuracy. The film’s setting and characters are deeply influenced by real historical events, so a lot of research was necessary to capture the era authentically.
We had to ensure that the details of the period—from the dialogue and costumes to the settings and historical context—were meticulously accurate while still crafting a gripping narrative. Additionally, creating tension and drama within a historical framework meant that we had to carefully weave real events into our fictional story without disrupting the film’s flow.
This project definitely pushed me as a director. The constraints of adhering to historical facts while aiming for a fresh and engaging take made the process both demanding and rewarding. I’m really proud of how it turned out and am eager to share it with audiences.
We’re pretty big Cusack fans - both Joan and John! - here at Vents HQ! What was your experience in working with such an iconic actor in the upcoming Fog of War?
Working with John Cusack on Fog of War was an incredible experience. Observing his approach to character development and scene work was eye-opening and profoundly educational for me as a director. John’s dedication to the craft is remarkable—he genuinely cares about the film and strives to ensure that everyone involved is contributing to the best of their abilities. He’s also very collaborative, working closely with the rest of the cast and offering invaluable support. It was one of those moments where you have to pinch yourself to believe it’s real. I learned a great deal from him and feel very fortunate to have had the opportunity.
As we noted at the top, along with being a talented director you’re also a skilled producer! Do you have a preference between acting or producing, or is it a matter of apples and oranges?
I definitely prefer directing over producing. Directing is such a creative and exhilarating process—it’s incredibly rewarding to collaborate with talented people and bring a vision to life. The rush of seeing a story unfold on screen is hard to describe. That said, I still enjoy producing; it’s a different process that involves a distinct skill set. Having the opportunity to switch between directing and producing keeps things fresh and allows me to stay engaged with both aspects of filmmaking.
Looking ahead, can you give readers a hint or three as to what you have coming up in all realms of the entertainment industry?
As I mentioned, Fog of War is set for release later this year, and I’m really looking forward to sharing it. In addition to that, I’ve been involved in producing several indie films that should be exciting to unveil. With those projects wrapped up, I’m now shifting my focus to directing. I’m currently reviewing a few scripts that I’m enthusiastic about, with plans to begin production on a new project in early 2025.
Final - SILLY! - Question: Favorite movie about the making of movies - Living In Oblivion, The Player, Swimming With Sharks, Once Upon A Time In Hollywood, The Big Picture, Barton Fink or Ed Wood?
Once Upon a Time in Hollywood is my favorite movie about making movies. As a huge Quentin Tarantino fan who had the chance to work on Django Unchained, I saw firsthand how dedicated he is to his craft and how much he cares about his films. It’s truly a love letter to filmmakers and a wonderful film with an incredibly talented cast. That said, The Playeris a close second for me. It was the first film I saw that explored the world of filmmaking, and it has a special place in my heart.
Anna Redman
We’re very happy to have some time today with entrepreneur, former Bachelor contestant and rightly lauded Tik Tok influencer Anna Redman; greetings and salutations Anna and welcome to Vents Magazine! Before we charge down the proverbial Q&A rabbit hole, how is 2024 treating you and yours?
2024 has been fantastic! It’s been a balancing act of exciting new challenges and fun times. I launched my new business, Subtle Haus, traveled extensively, and worked on some incredible projects — all while capturing every moment and maintaining my “creator hustle.” This year, my Gemini nature is truly shining through!
Major kudos and accolades on your creator-friendly new brand Subtle Haus! Can you talk with our ever-inquisitive readers about what Subtle Haus is all about?
Subtle Haus is a co-working space tailored for those seeking a more creative workplace. Our 5,000 square feet of expertly designed space includes unique perks like a podcast studio, getting ready room, photography studio, and multiple meeting rooms. Members enjoy unlimited access to these amenities and receive two complimentary 30-minute sessions with our in-haus photography — a perk our members absolutely love!
According to member feedback, our space has been transformative, especially for small business owners who have been able to elevate their ventures thanks to Subtle Haus. Our memberships are ideal for professionals in any field who desire a dynamic and inspiring place to work, small business owners in need of high-quality photography, creators ready to move beyond their home studios, and anyone seeking a creative community in Chicago.
What inspired you to create Subtle Haus? Was this an idea which had been percolating with you for some time?
Subtle Haus is the culmination of all my creative experiences. After college, I worked as a copywriter at a creative advertising agency, where I thrived in the collaborative environment and took advantage of the office’s amazing perks, which we could also use for our side-hustles. Eventually, I went freelance and began working for myself. While I loved the freedom to work from anywhere, I missed the amenities of my old creative office and the inspiring presence of other creative people. I wanted to create a space where others could experience that same sense of community and access to high-end resources like photography studios and sound equipment— amenities that would cost thousands to rent individually.
Last year, I was finally in a position to invest in this dream that had been close to my heart for some time. That’s how Subtle Haus was born—a space designed to foster creativity, collaboration, and a supportive community.
In your humble opinion, what differentiates Subtle Haus from the Distinguished Competition?
Since we are a hybrid of a work space, studio space, and membership club — there is really nothing else like it!
Going forward, where do you see Subtle Haus in three years time? Do you have plans to grow it in a variety of different ways?
While we are currently focused on the Chicago market, I envision Subtle Haus expanding to multiple locations in the future. I want Subtle Haus to be renowned for its impact on the creative industry and its role in nurturing talent.
Most importantly, I am excited about the potential to support diverse businesses and help individuals realize their dreams. Seeing the variety of ventures we can help grow and the people we can empower is what truly drives me.
You hail from the beautiful state of Minnesota. How do those roots inform you as a creator/artist and as a person?
I think the mid-west mindset will always be ingrained in me. This mindset is one of hard work and helping others — which I think is not only apparent in all that we do with Subtle Haus but also on my socials! All I want when people go on my social media page is to either help them in some way - if that’s giving them an idea of how to style a top or where to get happy hour in Chicago - or spread some joy through my weird sense of humor.
I also love going back home to Minnesota. It is a really social place that will always be close to my heart.
You recently raised some much-needed money for the Chicago Women’s Shelter; thank you! Can you talk about how you became involved with the Shelter and what giving back to this needed institution means to you personally?
Absolutely! In addition to our day-to-day membership activities at Subtle Haus, we also host special events. One idea that came from our community was a closet sale, which I thought would be a fantastic way to bring people into our space while offering some amazing deals on clothes. Given our limited space, we decided to use tickets for the event. I wanted the proceeds to go to a worthy cause, making this event even more impactful. What could be better than shopping great deals while supporting a fantastic cause?
Since this was a female-focused event, I chose to donate the proceeds to the Chicago Women’s Shelter, an organization that has done incredible work helping women and children in need. Growing up, my mother worked (and still does) for a non-profit, so I understand how much donations mean to these charities.
I hope Subtle Haus can continue to host these fun, community-driven events that give back to our Chicago community.
As we noted at the top, you’re a card-carrying Bachelor alum. How did participating in this show alter the trajectory of your life? Did it allow for opportunities you might not otherwise have had?
Being on the show can catapult you into this world of content creation-if you want it to and know how to harness it. Since my background was in creative work, it was easy for me to turn on my story telling and content creation gears to make the most out of the opportunity.
I think if I never ended up going on the show, I would have still ended up being a content creator, but going on the show definitely lit a fire under my butt to start creating better content!
I also met my current partner from the Bachelor world. So everything seems pretty serendipitous.
Can you give fans and readers a hint or three as to what you have coming up in the future? Is there anything they should keep their collective ears and eyes out for?
Knowing myself and how I work, as soon as I come up with an idea or project there is no hiding it! So if you want to see what else myself or my business does please feel free to follow us on Instagram and TikTok! IG: @Subtle.haus & @Anna_redman TikTok: @ AnnaRedman
Any final thoughts you might like to share with readers about Subtle Haus?
Thanks so much for having me and letting me spread the word about my business! If any reader would like to book a tour of Subtle Haus to see if it’s a good fit they can email us at inquiries@subtlehaus.com or book online at subtlehaus.com !
Rachel Boudwin
Photo Credit - Stephanie Girard
We’re happy to be speaking today with acclaimed actress and writer Rachel Boudwin; greetings and salutations Rachel and welcome to Vents Magazine! Before we dive into the Q&A celluloid rabbit hole, how is 2024 treating you and yours?
Thank you so much for having me! I’m not gonna lie, 2024 has had its struggles but things are definitely looking up! After almost two years, I couldn’t be more excited for Boot Camp to come out. This cast and crew has worked so hard and I can’t wait to celebrate with them.
Major kudos and accolades on your upcoming star turn in the new motion picture Boot Camp which is set to premiere this August 2 on movie screens as well as on Prime Video, Apple TV and On Demand!
For anyone not in the know, can you explain what Boot Camp is about and how your character of Whitney Carmichael figures into the proceedings?
Of course! Boot Camp follows the story of Whitney Carmichael on a journey of self discovery and love. At the beginning of the film, Whitney is just about to graduate and is planning on skipping out on Prom--as she has done with most social settings in her life--but it isn’t until her childhood crush Jonah invites her as his last minute date. Though hesitant of Jonah’s ex-girlfriend and her best friend turned enemy, Whitney decides to end high school on a high. Unfortunately, her worst fears come true at the dance, leaving her humiliated and defeated. On top of this, her older sister is getting married at the country club that Jonah is working at for the summer. With her self confidence at an all time low, Whitney decides to take charge of her own life and enroll in a body empowerment camp in hopes of coming back as the new and improved Whitney Carmichael just in time for her sister’s wedding. While at Camp Laussel, she finds her worst enemy Willow and her mother who just so happens to be the head of the camp. During her time there, Whitney’s life starts to complicate even more when she falls for her personal trainer, Axel. Throughout her story, Whitney learns how to love herself, her new friends, and old enemies.
Did you know as soon as soon as the script from Gemma Holdway and Gina Musa crossed your professional desk that Boot Camp was a production you wanted to be a part of?
Absolutely. Whitney was one of the first and only character descriptions I completely saw myself in. She was written with flaws, empathy, and humor. After I got through the first round of auditions and got to read the script, I remember reaching the last couple of lines and crying. I felt like it was my own story written down in front me. I wanted it so bad but I knew the odds were completely against me. A few months prior, I had just signed with my first agent and this project was only my fifth audition with her. To book the lead of this film, having never even been on a union set before, was a one in a billion chance. But I’m forever grateful for this team taking a chance on me. To be in a film like this has been a dream of mine since I was five years old and I can truly say that she would be jumping for joy right about now.
How aware of the Wattpad iteration of Boot Camp were you before signing on to play Whitney?
Ironically, I didn’t learn of the story until after I booked the part. Which I think actually took off a lot of the pressure of going through auditions and callbacks because I just saw Whitney as myself. And then of course, it wasn’t hard to see why Gina Musa’s wattpad novel had 27 million readers relating to the same character as I did. After reading it, all I wanted to do was pay tribute to Gina and the fans of the book. Playing a character on screen who originated from a book was a dream come true and a tall task. The night before filming, I remember calling my dad on the phone and telling him how nervous I was and how I was feeling the weight of so many people counting on me. But he told me, “you saw yourself in Whitney from the start. Whatever you’re feeling, channel it into her.” So from that day forward I just told myself the cliché yet painfully true saying, “just be yourself”.
What was your collaboration process like with Boot Camp director Mackenzie Munro? Is Mackenzie what some actors might refer to as “an actor’s director”?
Mackenzie Munro is my hero. I could not have asked for a better director. It was somewhat new for both of us but she conducted herself in such a way that put ease on all the cast and crew. I look up to her in so many ways but especially as a young woman in this industry. Mack had a background in acting as well and knew exactly where I was coming from. Before we started shooting we had a conversation about how we both liked to work and every day she exceeded my expectations by treating this project with the utmost care. She felt like a big sister to me and still does. We both saw ourselves in Whitney and wanted her story to be told right. So I knew that even if I was unsure about myself, I could trust her.
Speaking of collaborations, what was it like exercising your own considerable actingchops alongside such talented Boot Camp co-stars as Drew Ray Tanner, Rachel Boyd and Emmanuelle Chriqui?
I cannot stress enough how much they were a dream cast to work with. First of all, I was so nervous to see who was playing Willow’s mom that I didn’t even want to know until the day before shooting with her. Yet I was still star struck. My brother and I would watch Entourage all the time in high school so it was a pinch me moment. Emmanuelle was one of the most gracious actors I think I’ll ever work with. She was calm, classy and respectful of everyone. To work on scenes with her and bounce off ideas was definitely a highlight of this project.
Like any girl in my position, I was excited and a nervous wreck to work with Drew. But from the start he brought the humor and ease to set every day. He has been in this industry a long time and is accomplished in his own right but has always made me feel like we were in this together. He was ready to dive deeper into scenes and bring his all. Drew has this amazing ability to channel that inner kid in all of us, the kid that wanted to be an actor in the first place. He has a long career ahead of him and I can’t wait to see where he goes.
Rachel Boyd, I could say a million things about this girl. Looking back on these past two years my friendship with her and the cast has been the highlight of this experience. We both came to shoot in Vancouver from other cities so we ended up spending a lot of free time together in hotels and exploring the city with Anisha. Since day one we clicked and pretending to hate her was the most acting I did in this entire film. It’s an incredible thing to meet someone at the start of their career and know they’re gonna achieve amazing things. No matter what she was always there for me, on and off set. She is as much a fantastic actor as she is a friend.
Who inspires you, acting-wise?
Jennifer Lawrence has been an idol of mine ever since the hunger games. I relate to her now as much as I did when I was a young girl. The power, vulnerability and charisma she embodies is something I hope to achieve one day.
And as cheesy as it sounds, the cast of Boot Camp inspired me every day to do better. Watching Drew, Rachel and Anisha put all of their energy and skills into their characters was inspiring to watch and made me want to be just as dedicated as they were.
You’re also a respected writer, having written and edited the 2020 video Aftershock as well as having written the 2021 television miniseries The Feminine Side; kudos again!
What do you respond to when it comes to writing, and can fans look forward to more writing projects from you in the future?
I’ve always loved writing since I was a kid. Whether its writing about my own experiences or stories I feel need to be told. As an actor in this industry there’s only so much input you can have but one day I’d like to have more of a hand in the projects that I put out. Not only writing, but I’d love to produce and direct. Watching Mackenzie work has inspired me even more to explore all the creative roles I can.
Your first credited on-screen work came in the form of the 2018 TV miniseries B-Role.
Any special memories of that freshman production?
When I first moved to LA in 2018, I lived in temporary housing for a bit. Luckily I met other creatives there and that’s how I got to be apart of that project. I had a very small but fun role of a girl who auditions and ends up crying. I remember someone on set saying, “is she really crying?” Yes. Yes I was. And the main reason I was able to do it was because I was incredibly nervous.
Can you give our ever-inquisitive readers a hint or three as to what else you have coming up in the future as far as film and television work goes?
I wish I could say more but as of right now, I plan on acting for a long while. I’m extremely lucky that I got to play a character so close to myself like Whitney. Now I feel like I can branch out and play all different kinds of roles and genres. At the end of the day, I just love movies.
Any final thoughts you might like to share regarding the forthcoming major motion picture Boot Camp?
Filming Boot Camp was the best time of my life and it was just as fun to make as it is to watch. This movie means so much to the people that made it and I hope it shows! See you soon campers!!
Olivia Lunny Host of the Month
We’re very excited to have some time today with acclaimed pop chanteuse and singer/ songwriter extraordinaire, Olivia Lunny; greetings and salutations Olivia and welcome to Vents Magazine! Before we meander down the Q&A musical pathway, how is 2024 treating you and yours?
What an intro! Thank you so much for the kind words. 2024 has been such a beautiful year so far. I’ve been in hibernation mode since January writing almost everyday working on this new album.. it’s almost done and I am SO READY to share it with everyone.!
Major kudos and accolades on your recently finished and very successful tours with Loreen and Ellie Goulding! How do you feel these shows went over and what was it like to share a bill with some amazingly talented music artists?
It was such an honor to share the stage with such powerful, talented woman! I’ve truly been the biggest Ellie fan since day 1, it was a huge full circle moment opening for one of my hero’s was the biggest dream come true. It was also so inspiring to watch Loreen on stage every single night. I definitely took notes and aspire to one day have stage presence as magical as hers!
For anyone who has not had the good enough fortune to catch you on the touring/performing circuit, what sort of shows do you put on?
Do you attempt to capture the exact sounds of your studio recordings, or do you go creatively offscript and add a twist or a variation to your music catalog? With songwriting being at the core of my artistry, maintaining an organic element in my live show has always been super important to me. My goal with a live performance is to take the audience on a journey. From up-tempo pop bops to raw acoustic moments, My biggest hope is fans can leave my shows feeling connected and inspired!
We’re big admirers of your latest EP offering HEARTBREAK ON REPEAT. This felt like such a beautiful and personal note from you to us, the fans, set to music. What inspired this gorgeous slice of musical heaven?.
This EP was inspired by my move to Los Angeles and the beautiful chaos that came with it. The Title track “Heartbreak on Repeat” explores the empowering feeling of independence and freedom whereas “secrets” is an introspective ballad and an honest look at my inner dialogue.
Who did the producing honors on HEARTBREAK ON REPEAT and what did the collaboration process between artist and producer look like in the studio while working on it?
AJ Healey My long-time collaborative executively produced the EP and co-wrote every song with me. Julia Ross and Ferris are also incredible writers and peers I got to write “Heartbreak on Repeat” with! Most songs start with an initial voice memo or idea I bring to the studio, then the magic we call a song slowly appears through random trial and error!
Who are you inspired by, musically-speaking?
I Grew up listening to tons of Fleetwood Mac, the Eagles, Norah Jones etc. The early-on exposure to these artists subconsciously drew me to the guitar and were huge inspirations behind the first songs I ever wrote at 13.
Musically, what’s coming up for you during the remainder of 2024? Might fans want to keep their eagle-eyes out for an LP release?
I’m beyond excited to be wrapping up a full length album. This has been years in the making and its truly my best most in-depth work yet.. stay tuned!
As a singer and songwriter, which generally comes first for you: The lyrics or the music?
The lyrics are always the driving force for me in the songwriting process however when It’s just me and a guitar, the chords/melodies/lyrics are usually simultaneous.
You hail from the beautiful stomping grounds of Winnipeg. How do those particular roots inform you and the music you create?
Winnipeg has the most incredible music scene and group of songwriters and artists. Growing up in this City led me to have a very folkie/indie initial sound. To this day those singer/songwriter roots remain in my music and I’m forever grateful to be from a place as grass roots and amazing as Winnipeg Manitoba.
With two tours already wrapped, can fans expect to see more of you on the touring/performing circuit before 2024 calls it a day?
So many exciting shows and performances coming up in the fall.. stay tuned!
At the end of the day, what do you hope folks walk away with after they slip on your latest EP HEARTBREAK ON REPEAT or check you out on tour?
My goal has always been to create music that can be the soundtrack to people’s lives. Whether the songs inspire people to dance, or even bring them to tears, My hope is for people to find comfort in my shared experience/emotions. At the end of the day, we’re all navigating this thing called life and music will always be the connecting factor between us all! X
TBH BIBI
We’re very excited to have some time today with acclaimed artist and musician TBH BIBI; greetings and salutations TBH and welcome to Vents Magazine! Before we dive into the Q&A mosh-pit, how would you describe your indelible musical stylings to folks just now discovering you? Listening to your debut single, we can hear the sweet underpinnings of both pop-punk and alternative, but would you consider yourself a ‘punk’ or ‘alternative’ artist per se?
I usually just call myself an alternative artist, I’m very much inspired by those elements of music and I strive to make music for the alternative community however I don’t want to limit what kind of music I make. Music is so versatile, and I would love to explore all elements of it.
Speaking of that aforementioned debut single, major kudos and accolades on your freshly-minted premiere single I Don’t Care which just dropped on July 26! Starting at the tip-top, can you talk about what inspired one of the very best debut singles that we’ve heard in donkey’s years?
Thank you so much! That really means a lot. If I’m honest, there’s a lot of different ideas that I combined into this song as it was the first one I wrote in this style. It’s an aggressive song, filled with maybe a little too much confidence. I wanted to embody going against an awful person in your life with the same tactics they used against you and regaining your individuality, even if it’s not always the most healthy way.
Who did the producing honors on I Don’t Care and what did the collaboration process between artist and producer look like while in the studio fashioning and shaping the new single?
Lizi from Lizi and the Kids. Working with her was a dream, she just understood the sound and the style I wanted to go for instantly. I had written the song a few months prior and as soon as I started singing it for her, she created a catchy, punchy melody and I knew that was it. She was so helpful because of course, she’s more experienced than I am, and she did a fantastic job with helping me bring the song to life.
In your humble opinion, what differentiates I Don’t Care from the Distinguished Competition on the 2024 music scene?
That’s a hard question, there is so much talent out there and I find it difficult to compare myself to them. I feel I am a complete noob at all things music, it’s always been a huge passion of mine, but this is my first time being in the music sphere. I think ‘I Don’t Care’ in particular has this nostalgia around it of the 2000s pop punk scene that’s having a resurgence right now and I would love to be a part of that scene.
Who do you look to in the world of music as part and parcel of your inspiration?
It’s hard to pinpoint a few because there are so many inspirations that I have. I think specifically for ‘I Don’t Care’ -Fall Out Boy, Paramore, Green Day and maybe some Avril Lavigne. But in general, my inspirations come from all realms of music, especially metal and rock.
In the wake of the release of your debut single, can fans look forward to more music releases from you before the year is out, perhaps in the form of an EP or LP release?
I honestly don’t know! I have been writing a new song which I’m loving at the moment however I cannot say specifics of when it will be out or if it will be. The music industry is very unreliable so I tend not to want to rely on it! However, making music is a huge passion of mine and I hope to release more music soon.
What does your touring/performing dance card look like in the coming weeks and months?
I have not planned any performances, although it is something I would absolutely love to do because one of the most important parts of music for me is the performing aspect. So, if I’m able too, I absolutely will.
What does your creative methodology generally tend to look like when working on new music? Is there rhyme and reason to the creative madness, or is it a bit more freeform than all of that?
It’s hard to say, writing music has always been an emotional release for me, I just started to share it, but it’s always been there. Lyricism is inspired by a multitude of things however it’s usually a form of expression. I find it difficult to express my emotions in what is deemed a normal way, so writing lyrics is extremely helpful for me. Melodies just appear, there’s no better way to put it. I believe there is some rhyme or reason to the madness but sometimes it’s better to just let yourself write without care.
Music runs deep in your family, with a strong current of punk running through your veins! Speaking of influences, how influential has your family been in stoking and tending to your own love and passion for music?
The music in my household growing up definately shaped my love for it. My mom and dad have two very different tastes in music, so it has lead me to explore a wide variety of music which I’ve been so grateful for as I believe that all elements of it have probably influenced me one way or another.
At the end of the day, what do you hope listeners walk away with after giving many-a-spin to your incredible debut single I Don’t Care?
I hope people see the music for what it really is, feel good, slightly cocky, pop punk fun! I hope people are interested in what I have to say and how I say it and that people will support me in future endeavours as making music is an absolute dream.
Video:www.youtube.com/watch?v=aVM8xonBgKQ
Spotify: I Dont Care - Single by TBH BIBI | Spotify Follow @tbh_bibi on TikTok
Leanna Crawford
We’re very happy to have some time today with acclaimed Christian singer and songwriter Leanna Crawford; greetings and salutations Leanna and welcome to Vents Magazine! Before we meander down the Q&A pathway, how is 2024 treating you and yours?
Thank you so much for having me! 2024 has been sweet so far. Between working on the album, live shows, and everything else this year has kept me busy but I’m extremely grateful.
Major congratulations on the upcoming July 19 release of your eagerly anticipated debut album Still Waters! Starting at the tip-top, can you talk a little about all the things which went into inspiring one of the best debut albums in recent memory?
Thank you so much! That means a ton. This has been such a special project for me and because it’s my first full-length album it makes it extra sweet. I’ve been dreaming about putting out a full-length record for a long time, so putting all the pieces together feels years in the making, but really, it’s mostly been the last two years. Most of these songs were written more recently in the last year or two but some I’ve had waiting in the wings for a while, and I love that they are all on this project together!
I have wanted to put out a full-length album for years now so this record is a dream come true for me. I usually write what I’m going through, and this project was no exception. In these songs you’ll hear me praising God and praying in my hardest moments. There are joyful songs like Looking For You and songs from some of the most painful moments in my life like Honest. Oftentimes, my songs are inspired from writing in my journal, so this album feels like a collection of entries from over the years. Overall, it paints a picture of the journey I have been on for the past few years all wrapped up into one raw, authentic record.
Who did the producing honors on Still Waters and what did the collaboration between artist and producer look like in the studio while fashioning and shaping the new LP?
I’m really grateful to work with many incredibly gifted people. As you go through the list of songs on this record, you’ll see several different producers and writers; each one brings something unique to the table. Everyone has their own way of creating and sometimes there’s a lot of back and forth to get a song to where we all feel it needs to land. Recording vocals is also different with every producer and I love that piece of the process too!
How is Still Waters similar to some of your past music such as the 2020 EP Truth I’m Standing On? How is it different?
My 2020 self-titled EP was the first project I released with my record label, so it’s definitely special to me, but I hope listeners who’ve heard my 2020 EP hear a lot of growth in the sound and also the songwriting. I’ve learned a lot since then, not only about my craft but also in my own personal journey. I’ve doubted a lot and questioned if I should really be doing this music thing, and God has been faithful the whole time. I think you’ll hear a girl finding her way through lots of ups and downs, but still clinging to the hope of Jesus.
Still Waters is doing something quite unique in that 100% of net proceeds from the pre-orders on the LP will be donated to charity; what a wonderful gesture! How did you hit upon
this great and altruistic idea?
I’ve been a fan of Charity Water and their mission for a long time. I’ve been looking for ways to partner with them and with the album title as “Still Waters” it felt like the perfect moment to partner! They’ve helped millions of people all over the world receive clean water and they continue to serve millions more. Their mission is that everyone would have clean water. A beautiful mission and so after the heart of Jesus. Love the work they do, and I love being able to give back in a small way!
In your humble opinion, what differentiates Still Waters from the Distinguished Competition on the 2024 music scene?
There are a ton of great records out this year by some amazing artists and songwriters!
For a long time, I thought that I needed to be someone else for people to want to listen to me, but I think the unique thing about this record is that it’s my own. God has a unique story for me to tell just like he has a unique story for each of us to tell. These songs are about my story and my walk with Jesus. And I love being able to share my testimony through songs!
Still Waters is being released via Provident/Sony Music. What makes Provident Sony music the best home for you and your music?
They signed me back in 2019 and have been a great home for me. They’ve got behind my wild ideas and helped make many of my dreams a reality! The people make it special there and it’s been an honor to call Provident home. I couldn’t do it without them and so many other members of my team that go unnamed. I’m definitely not a one-woman show and I’m grateful for that!
In the wake of the July 19 release of your debut LP, can fans look forward to catching you on the touring/performing circuit?
I’ve been mostly focusing on this record, but I am looking forward to getting on the road more and sharing this music live in the near future! We are always updating my website with new dates being added all the time. I did a mini tour of album release shows the week of the album and we had SO much fun that I may try to put together more of those in the future… :)
As a singer and songwriter, which generally tends to come to you first: The music or the lyrics?
It’s a bit of both! I’m recording my ideas and writing them down, so I don’t forget them. But I would say it’s usually the lyrics/thoughts first and then music later! I mix it up a lot too which makes it fun!
At the end of the day, what do you hope listeners walk away with after giving many-a-spin to your beautiful debut album Still Waters?
I’m praying that whoever hears it would be encouraged and reminded how much their Heavenly Father loves them. I’m praying that the songs speak to the hearts of those that hear them and that people listening wouldn’t feel alone, but that God would use the songs to make them feel seen and loved.
SWAGGERMOUTH
We’re super-excited to be speaking today with acclaimed rock group SWAGGERMOUTH; greetings and salutations gang and welcome to Vents Magazine! Before we dive into the Q&A mosh-pit, could you all say ‘hi’ and introduce yourselves to our ever-inquisitive readers?
Thanks for having us Vents Magazine and hello everyone! This is Jason Ebs, the lead singer & guitarist from the band SWAGGERMOUTH, which is the brainchild of me and my wife, Janea Chadwick Ebs. We are a Vegas based band with a sound ranging from “Controlled Chaos” to “Slammin’ Pop”. We like to have fun while we rock & roll, everybody’s pretty chill and likes to work hard. We have a diverse background, with members from New Jersey/Pennsylvania, Santa Barbara, Kansas, West Virginia, and Argentina. We’re a 5 piece band with with drummer Billy Kesner, keyboardist Borgi (Dave Borgini), and bassist Joseph Nile.
Major kudos and accolades on your freshly-minted debut album NEVER SHUT UP which is set to premiere this coming September 18! Jason, can you talk about what inspired this debut LP?
‘NEVER SHUT UP’was inspired by life with all of it’s ups and downs and all the craziness that was going on in our country. We started writing and recording the album back in 2015-ish with Chris Slade.At the time we had a band with Slade called ECOTONIC and we were in the studio recording tracks for our third album when he was asked to re-join AC/DC once again for the Rock or Bust tour. Staying the course, we kept writing & recording, with me laying drums on other songs in his absence. Then Covid hit and Slade was stuck overseas in England while Janea and I were hunkered down, so we made good use of the time by really digging in and we finished this record.
Meanwhile, Janea and I had been tossing around the name SWAGGERMOUTH, so once the record was nearing completion we decided to change the name and put the band together around it. All the crazyness in the world inspired the writing of the songs, from immigration issues to covid lies to egomaniacle governmental leadership to following your dreams and that voice inside.
Following up a bit on that last question, NEVER SHUT UP was co-written by Chris Slade (AC/DC)--who also recorded drums on most tracks—alongside both you and Janea. What does Chris bring to the creative table in your opinion that no one else does?
“Slade brings with him a wealth of creativity and experience that only comes from playing with the legends that he has – like Jimmy Page, Paul Rogers, David Gilmore, Manfred Man, AC/DC, Gary Moore, Tom Jones, Olivia Newton John, and the list goes on and on! His signature drum feel and vibe adds an amazing foundation to our songs, and he has a knack for melodic phrasing and lyrics as well. There were times during our writing and rehearsals when I would think “holy shit, I’m filling the same role that Jimmy Page filled”! It was very humbling at times to be in that position and was something that I never took for granted. The funny thing is, we started hanging more as friends at a pub in Burbank where I used to play, so I it never really hit me until we were already working together. At some point I went back an watched AC/DC Live at Donnington and the magnitude of it all started to sink in. It was really cute, Janea said “OMG, that’s Slade?”
Who did the producing honors on NEVER SHUT UP and what did the collaboration process between band and producer look like in the studio while fashioning and shaping the LP?
I actually had the honor of recording, mixing, and producing the record myself. I played all the guitars, bass, and some of the keys and drums on much of the album. Janea is always amazing to write with, and she’s so soulful and is really great at expressing her thoughts into lyrics and melody. Slade was always a pleasure to record, and we’d go back and forth with suggestions and ideas. Additional keyboards were layed by Michael T Ross during the COVID lockdown. I would send the songs over to him and he would record his ideas and then send them back to me. I’d then sort through the parts and select what to use, he’s extremely creative so it was always an adventure.
I’ve always enjoyed playing multiple instruments and also the technical side
of the recording process, using my ears as my guide as I find the parts & mixes of the songs that I heard in my head. Even as a kid, I remember creatively finding ways to overdub and layer parts going from cassette to cassette. I’ve been building a studio for many years, one piece at time, so when it came down to doing this record I was able to be self sufficient as I had what I needed to get the job done.
This album was very DIY & recorded at Ebsworthy Sounds Studios in the three houses we’ve lived in here in Las Vegas. I converted each house to get the job done. The first one was a converted garage that I created in the heat of summer when we first arrived in Vegas. I felt like a madman, actually questioning my sanity as I set up my studio in 115 degree heat! The second house was in a large, spacious living roomwhich had super high vaulted ceilings with great acoustics. I got the basic tracks and initial mixes done in those two studio conversions.
The third location was at the studio house that Janea and I recently bought from the band Imagine Dragons, which has a totally professional studio built into it. It’s the studio home where they recorded “Radioactive” and their initial hit records. I believe that the KILLERS also recorded an album here as well. It’s really amazing to have a pro studio situation inside our house now, and it was the perfect place to properly finish mixing and mastering the record! I named it “Dragon Castle Studios,” paying homage to the former owners while giving a nod to my Father who said “Son, congratulations on your castle”. I can’t wait to get started on the next record and really start to utilize it! I’ve done a few sessions for people in here, and the room sounds amazing.
What differentiates NEVER SHUT UP from the Distinguished Competition on the 2024 music scene?
I think what differentiates NEVER SHUT UP from other releases is it’s sonic diversity and musical variety. Each song sounds different and unique, but still sounds like SWAGGERMOUTH. I think that specialness comes from the connection between Janea and me being not only band mates but also husband and wife. We’ve never chased the carrot or tried to sound like anyone else, we just write what’s in our heads and hearts. The record goes from what Slade calls “Controlled Chaos” to what I’ve dubbed “Slammin’ Pop,”covering topics from immigration (“Human Rage”) to political unrest (“Sign of the Times”) to personal loss (“Into The Heavens”) to going for your dreams (“Let It Roll”&“Brass Ring”). Together, Janea and I cover the male/female dynamic, so the yin and yang are both represented.
We’re big fans of the tune Sign Of The Times which is off of the upcoming NEVER SHUT UP album! What’s the VH1-Behind the Music origin story on this gem of a ditty?
Well, thank you so much and I’m glad that “Sign Of The Times” resonated with you so much! As you may have guessed, this song was inspired by the leadership in the USA over COVID 19 and the behavior of a commander and chief that was supposed to have our wonderful countries’ best interest in mind instead of his own agenda. I couldn’t take it anymore and I had to put it into song. The fact that the insanity is circling around again is terrifying to me. Our Democracy is seriously in jeapordy, as lies are re-labled as truths and insanity is normalized behind a cloak of devisiveness. This is why I called the record ‘NEVER SHUT UP.’
We are Americans and currently have the freedom of choice and to use our voice -- but it’s getting very scary to speak our truths, and this fragile freedom could easily be stripped from us as morality erodes into emotion. America is such a young experiment, and frankly I think that our Founding Fathers are rolling over in their graves as mentioned in my lyric. Tell a lie often enough and it becomes truth, and there are so many lies being repeated that it makes my head spin and my heart ache. As a Veteran of the US Army, the whole thing makes me sick to my stomach, as nobody affiliated with our great USA should be a “dictator only on day one”. We as Americans, and as people, need to band together and see the actual truth before it’s too late. Let’s all use our vote wisely as if our Freedoms depend on it...
What does the touring/performing dance card look like for SWAGGERMOUTH in the coming weeks and months?
Well, we’re very excited! SWAGGERMOUTH is making our debut as a band at Kickstands at Sturgis 2024 on August 7th and 8th! We are preparing for the release of NEVER SHUT UP on September 18th and also filming footage for our third single release from our travels to accompany it. We’re setting up shows and really targeting 2025, so we are in the planning stages. We can’t wait to get out there and see you all in person!
A question for all of you: Who are you inspired by, musically-speaking?
Janea and my musical inspirations are many, as we both had significantly older brothers and sisters who influenced us. My favorite band as a kid was KISS, so it was a very full circle moment when I ended up singing with Peter Criss on the “Bad Boys of KISS” Tours with Ace Frehley’s band! My influences
are very diverse as I listened to bands like Van Halen, Boston, Led Zeppelin, AC/DC, Iron Maiden, Judas Priest, Kansas, Foo Fighters, Peter Frampton, Pink Floyd, Devo, OURS, Heart, CSN, and so many others. Joni Mitchell was Janea’s inspiration, and she loved the singer songwriters of that era. Borgi was influenced by Keith Emerson, Megadeth, and classical music. Joseph was influenced by Metallica and punk music. And Billy...well, he just was a sponge and loved it all!
How did SWAGGERMOUTH come together to form the tight and powerful band which we hear on the NEVER SHUT UP album? What’s the secret origin of the band?
SWAGGERMOUTH formed very easily actually! As I mentioned, Janea and I had the concept for the band for quite awhile, and when it came time to put the band together it happened organically and serindiptously.
I called Billy Kesner, as I had played in a band called Well Lit with him prior to Covid closing everything down. I was playing fretless bass,which I absolutely LOVE! I liked his vibe and playing, and he was never afraid to dig in to the specifics of the music. He was my first call, and he came by and jammed and it felt good. I told him that I was looking to put together a five-piece with keyboards, and he said “I’ve got the guy, he’s my new favorite”. He called Dave Borgini and put me on the phone with him; he couldn’t make that same day as it was short notice, but came by the next day and we all jammed together. To me, he was the perfect character, standing 6’7” and looked like a mad scientist behind his multi leveled keyboard stands with an Argentinian accent! I loved what heard and almost immediately dubbed him “Borgi”.
A day or two later Billy called me and said that he thought he found the guy for bass, a guy, Joe, who he’d just done a gig with. So I called Joe and filled him in, and he came by a few days later and jammed with the budding band. It felt really good, and I thought to myself “this was the easiest band audition ever”. I had all these plans on how I was gonna hold auditions and everything, but instead things just fell into place with very little effort. Joe has a very articulate nature, so I dubbed him Joseph Nile, which I felt really matched his professor-like personality!
I’ve found that the path of least resistance is often a blessing in life that leads to the best outcomes, and this is a prime example!
NEVER SHUT UP is being released via Rock Avenue Records USA. What makes Rock Avenue the perfect home for SWAGGERMOUTH and their unique brand of music?
What I like about Rock Avenue Records USA is that they really believe in SWAGGERMOUTH and trust our vision, direction, and decisions. For instance, they were very supportive with the record and gave me the freedom to make it sound the way that I wanted. When I delivered it to them, they were blown away and I think that this set a prescidence for them to trust our decisions about things, knowing that we’ll deliver quality content.
When it came to shooting our music videos and upcoming “Never Shut Up” mini documentary, they gave us free reign to use our vision and make the decisions for our videos, giving a little input here and there if they felt the urge.
We have a great rapport with them so far and we look forward to the future with them. And they seem to really have our best interest in mind, which is pretty rare in this business.
Any final thoughts you might like to share with readers about SWAGGERMOUTH’s upcoming debut album NEVER SHUT UP?
Yes, our final thoughts support the title of the album – NEVER SHUT UP! Never be afraid to speak your mind and seek the truth. We are the United States of America, and we need to remain that way – United and Free to say and be what we want to in this precious lifetime. We must be “one smarter” and see things as they actually are, not what we are told, and try our best to be good human beings to ourselves and to others. Go for your dreams, but not at the expense of others. I don’t mean to be preachy, but this is imperative for to continue on as we are – after all, “United” is in the name of our Country!
And as you listen to our debut sonic soundscape, we hope that it moves you, and that it makes you think in ways that you may have not in the past. Life is about growth, and I think it’s important to keep growing throughout our lives and seek self improvement.
Thanks so much Vents Magazine, and I thank you all for listening...come find us on the socials! Hope to see you out on the road...
www.SWAGGERMOUTH.com www.facebook.com/swaggermouth www.instagram.com/swaggermouth www.tiktok.com/swaggermouth www.x.com/swaggermouth
KEEANA KE E
Major kudos and accolades on your freshly-minted new single TIK TOK! Starting at the tip-top, can you talk about what inspired one of the very best tunes of ‘24?
Thank you so much!!! I LOVE this song and I hope that my listeners will not only dance to it and sing along with the hook (Tik Tik Tok…Tik Tik Tok…) but also get the message and get inspired, every time they listen to it, to stay true to themselves and not let others discourage them and affect their vision.
In the first verse I am referring to a partner who is “in the closet” and try to encourage them to come out and stay with me without being scared and afraid, letting them know that I have been waiting a long time and time is ticking and doesn’t wait for anyone… With my second verse I am encouraging you to be yourself and letting you know that I am there for you. With the open arms I am there to support you and be by your side.
I encourage listeners to stop procrastinating and not let other people’s opinions affect them. Because you are happy only when you stay honest with yourself. When you let YOUR heart decide what you do and who and with who to be despite other people’s expectations.
I was inspired by my own feelings and emotions, by what I personally want to hear and feel every day when I wake up. I wanna be inspired and know that I am not alone. That we should be there for each other and support each other through some rough times of uncertainty.
Who did the producing honors on TIK TOK and what did the collaboration between artist and producer look like in the studio while fashioning and shaping this gem of a ditty?
On this particular song I worked remotely with the incredibly talented beatmaker Dedov. He custom made a beat for me that I have received and immediately started writing.
“TIK TOK” by far is the fastest song I’ve ever written. I wrote it in about an hour from top to bottom as soon as I heard the beat for the first time. Melody and lyrics were written by me and later recorded with my favorite engineer Davix in Los Angeles.
In your humble opinion, what differentiates TIK TOK from the Distinguished Competition on the current-day music scene?
I think one of the main reasons my music is different is my upbringing and experience living in different countries and me NOT following the traditional rules in music. I do not have any high musical education and am strictly relying on personal taste and inner feeling when writing my songs. It’s right when it “feels” right. It’s good when it makes you ”feel” good. A good song is not always a perfectly structured piece with the smartest, complicated lyrics, but one that flows and connects to you when you hear it.
I love letting myself come up with all sorts of different melodies and ideas letting my creativity flow freely blending different genres together. That is how I came out with my own music genre - Exotic Pop, where I blend Pop, Soul, Rnb, Reggae, Reggaeton and Afrobeat together.
You’re Lativian-born and are now based out of the Big Apple itself, New York City! How do those specific stomping grounds inform you and the music which you create?
I feel EMPOWERED and I want to empower my listeners! In the most powerful country and the city of New York, where dreams come true and one can work towards reaching even the most impossible goals! If you can think it - you can do it! I believe it’s incredible to live among the incredibly driven people who go towards their dreams undoubtedly and are less likely to give up before they succeed than in any other state! It’s a great feeling and it’s in the air in New York City! It’s like you just go outside and everyone around you is a dreamer and hustles towards their goals 24/7. It’s the city that never sleeps and won’t let you either. I feel more inspired and more driven every
day living in this beautiful, exciting and never stopping city. As they say “If you can make it in New York, you can make it anywhere” and I believe this is true. As hard as it is, it is also incredibly exciting to be moving towards your dreams and ideas in the New York City State of Mind.
Who are you inspired by, musically-speaking?
My idols are the 90’s Divas - Whitney Houston, Mariah Carey, Celine Dion and Beyonce and Sia. They are my true inspiration and people who will always inspire me to keep working on improving my vocal technique and performance skills. They are the singers who set a great example for how to perform with every emotion and with everything that we have, for how to connect with the audience and make listeners experience what you have to say even via recorded versions of your songs.
You’re a highly respected singer and songwriter. When working on a new tune, which generally comes first for you: The lyrics or the music?
Thank you so much! When working on a new song, in 99% of the times, I come up with the melodies first then write the lyrics according to the feel and emotion of the melody. I think the melody will itself inspire the lyrics and the topic which to write about.
In the wake of the release of the new single, can fans look forward to a possible EP or LP release from you before the end of the year?
Being an independent artist, I strongly believe that it’s better for me to keep releasing singles for now, coz that lets my followers receive a new song more often. Albums take a lot of time and without a record label support it can be years to put an album together. Currently, I am very happy and super excited because I have been working on a lot of new music throughout the year and my followers can be expecting a new song every month now.
What does your touring/performing dance card look like in the coming weeks and months?
I love to be on stage and perform live coz there’s no better feeling to connect with the audience in person. It’s magical and nothing can replace that. I will be attending The Dinah Shore this year and hope to meet and connect with the new people and members of my LGBTQ+ community. It’s going to be a 33rd Anniversary of Dinah and I believe another absolutely unforgettable experience.
For all the performance updates I encourage my listeners to connect with me on social media (@KEEANAKEE) where I post daily about all my new music releases and live shows.
Simultaneous to the release of the new single, you also released a companion music video for TIK TOK! Did you have as much fun making this music video as we did in watching it?
Oh my god, I was in paradise…I feel like I have transported back in time and was a part of a real Universal Studios movie haha, which I hope the video can do to the viewers as well - transporting them into the golden hour’s sunset in a historical old town of Antibes in the South of France. I was enjoying every second of making that video. Joined by the incredible nomadic Brazilian capoeira dancers and musicians. Like a real movie…
Any final thoughts you might like to share with our ever-inquisitive readers about your new single TIK TOK?
“TIK TOK” is available on all your favorite streaming and music video platforms. I hope you feel the positive vibes and my support for you and for everything you do in life. Never give up! Go towards your goals and try to surround yourself with people who support you and if you haven’t met them yet, be your own biggest fan. I’m sending you my love through my new song “TIK TOK.
We’re happy to have some time today with acclaimed outlaw country music artist Tony Martinez; greetings and salutations Tony and welcome to Vents Magazine! Before we amble down the proverbial Q&A musical pathway, how did the firsthalf of 2024 treat you and yours?
Pretty good for the most part! I found out I’m going to be a dad for the first time, so that’s awesome! My album is coming out, and it seems all my dreams are coming true. That’s another cool thing for sure. But with the good comes the bad, you know...My mother was recently hospitalized and is going through a very tough time. I just hope she can pull through what’s going on with her and be here to see her granddaughter be born and her firstborn child (me) finally get to where he’s been going his whole life. I have faith she’ll pull through. You’ve got to! But yeah, other than that, pretty great!
Major congratulations on your freshly-minted debut full-length album Everywhere West which is set to drop this August 16! Starting at the top, can you talk about what inspired one of the very best album releases of 2024?
Very best album releases of 2024?! Alright! That feels good! Haha. Well, I’ve been wanting to make an album like this my whole life. I called it Everywhere West because that was my dad’s band name. He and his band were my very first musical influences. At four years old, I remember like it was yesterday; I was watching them play, and I asked myself, “How do these five different people playing five different instruments come together and make one sound?” I told myself right then and there that’s what I was going to do for the rest of my life. So, for my debut album, I wanted to pay homage to my father, my biggest hero, and my best friend. Everywhere West is also the title track of the album written by my father decades ago, and I wanted to keep my father’s dream alive through myself and let him know it isn’t over.
Tony Martinez
Can you introduce our ever-inquisitive readers to the amazing musicians who lent their musical alchemy to the Everywhere West LP?
Absolutely! I play most of the guitars and sing most of my own harmonies. Just getting that out of the way real quick. On bass guitar, I have the best of the best in Alex Lyon. He and I met while playing for Whitey Morgan. We toured together for a very long time, and there just wasn’t anyone else for the job. He’s my brother. On drums, we’ve got Louis “Flip” Winfield. Yelawolf brought him in, and it was like, “Yeah, duh!” He’s absolutely remarkable. On all things keys-related, we have none other than Lynyrd Skynyrd’s Peter Keys. He and I met when Wolf and I tracked my song “Lonely Has A New Name” at Blackbird years ago, and he’s been a brother ever since. I had to have him. On steel guitars, we have three different fellas. We’ve got Eddie Lange, who plays with countless folks here in Nashville, Cowboy Eddie Long, who was Jamey Johnson’s guy for many, many years and a dear friend, and James Pennebaker, who also played the fiddle on the first track of the album. Lap steel was done by Richie Owens on that same track. We’ve got THE Mike Hartnett on a few tracks playing some guitars. He played that badass acoustic riff on Yelawolf’s “Till It’s Gone,” so it was great to have him in there with us. Another guest on guitar that came in was the great Stacy Mitchhart, who plays regularly in Printers Alley at Bourbon St. Blues. He tore up the end of “Won’t Say No To You” on slide guitar. That was a lot of fun! On the title track “Everywhere West,” I wanted mariachitype violins and string sounds, so I got the wonderful Dayna Bee, who, unbeknownst to me, had just finished her mariachi classes at UCLA. The timing couldn’t have been better! As for the trumpets and trombone I wanted, I was having trouble finding the right person for the job. Then, one fateful night, I hopped in an Uber to head home from lower Broadway here in Nashville. Somehow, the conversation came up that I needed horns, and my Uber driver
was none other than the Mavericks’ own Lorenzo Molina Ruiz! He came in a few days later and knocked it out of the park! You can’t make this stuff up! On cello for “Back To The Wall,” we got the late, great Lindsey Smith-Trostle, who has been on numerous tracks of Wolf’s. Unfortunately, she never got the chance to hear her amazing work on this record. Thank you, Lindsey! You did a wonderful job! We also had the world-renowned McCrary sisters grace this album with their amazing family harmonies, along with the uber-talented Reeves Brothers. Wolf even sang a lot of harmonies on this album! Flip and I did all the percussion, and that’s about it. I also would like to give an honorable mention to the impeccable ear and knowledge of our engineer, Mr. Jason Mott. He knocked it out of the park. That about wraps it up!
Everywhere West was co-produced by yourself and rightly lauded rapper, singer, songwriter and record producer Yelawolf. What was it like collaborating with Yelawolf on the production end of things for the new LP?
Working with Wolf on this album was incredible and easy. We met on lower Broadway in 2013 and became instant brothers. He’s like a big brother to me; he’s family. So when it was finally time, we jumped in, and everything just had this organic flow. He’d have an idea in one room, and I’d have an idea in the other room, and we’d go running to each other, and it was the same idea! Haha. I learned so much from him during the making of this album and still am! He was the first person who could ever wrangle me in and make me listen. I’m a multi-instrumentalist and guitar picker, and I had a tendency to do too much. He taught me how to “keep it simple, stupid” and give the songs space where it was needed. After initial tracking and overdubbing, he let me take the reins on finishing up the songs. Then, he’d come in, listen, and make changes where needed. He is an amazing producer, and working with him on this was a huge blessing in my life. I can’t wait for the next one.
In your humble opinion, what differentiates Everywhere West from the distinguished competition on the 2024 music scene?
Well, I’ve never really viewed music as a competition. There are so many great, real artists breaking out these days. I think what differentiates this album from others is that it’s truly me. Every song has a different vibe. It’s genre-bending. I have so many different influences from all types of music, and this album is just a culmination of them coming through me naturally. It’s honest and genuine. It’s about real-life stuff.
We’re big admirers of the lead single off of the Everywhere West LP, “Crazy”! What made “Crazy”the perfect choice to serve as lead single on the new album? Do you feel it tonally represents what listeners will hear on your debut album?
Thank you! We decided to drop “Crazy” first because: 1. It hitspretty hard for a first single. 2. It’s featuring Wolf, and he just dropped his huge double album War Story, so it was kind of a no-brainer. Like I said, every song on this album is different, so it also serves as a teaser of what’s to come on August 16th.
Did you have as much fun making the music video for “Crazy” as we did in watching it?
I don’t know how much fun y’all had watching it, but if it was anywhere close to the fun I had making it, then y’all had one hell of a great time! It was super fun getting to act a little bit, you know. From the scenes like dragging Kym Priess out of the bar after she throws her drink in the other girl’s face to when she jumps on my back at the very end! I had no idea that was going to happen! Our director, Patrick Tohill, had set that up with her without my knowledge, so what you see is a 100% real reaction from me. Haha. My sides were sore for like three days! Very strong legs that Kym gal has. Glad y’all enjoyed it!
Everywhere West is being released via Slumerican. What makes Slumerican the perfect home for you and your music?
I’ve been doing this for quite a long time. I’ve had meetings with record executives here in Nashville, among other opportunities, but I’ve always been kind of a wild child, if you will, and most likely scared some of them away. I was raised by a hard-working honky-tonkin’ son of a gun, and a lot of that was ingrained in me from a very young age. From growing up in trailer parks and always constantly on the move, I’m just not your average bear in that sense, but I don’t give up on my dreams. Never have, never will. Wolf saw that in me, and he embraced who I am and what I do. He didn’t turn tail and run away like the others. He grabbed me, told me I was enough, and the rest is history.
In the wake of the August 16 release date for Everywhere West, can fans look forward to catching you on the touring/performing circuit?
Oh yeah! Absolutely! We’ve got quite a few irons in the fire as far as who I’m going out on the road with in the near future, but I will be out on the road doing my thing as much as possible to promote this album and gain as many fans as possible!
Who are you inspired by, musically-speaking?
Like I mentioned before, first and foremost my father, Rick Martinez, but I grew up listening to the Beatles, Sons of the Pioneers, Waylon Jennings, Merle Haggard, Johnny Cash, Queen, Pink Floyd, Fleetwood Mac, etc. All kinds of bluegrass, punk rock, heavy metal, and R&B. I mean, the list goes on and on. If it’s good, it’s good, you know. I’m a firm believer in the two kinds of music, and no, it’s not country and western...it’s good and bad.
You were born and raised in Colorado and Phoenix and are now based in Nashville. How do those seemingly disparate roots inform you and the music which you make?
I’m not quite sure geography has anything to do with who I am musically. I mean, I moved from Colorado to Arizona during winter break in the 6th grade. I got my first guitar at two years old and really got serious about it around six years old. I could always sing. I never had to learn how to do that. So while I was teaching myself guitar after a few lessons from Dad, I was learning what he played and what he, my mother, and big brother listened to, so it was purely environmental. Then in Arizona, when I was a bit older and started listening to things my peers were into that I also liked, I learned that too. I would then take everything I learned by ear and start morphing it into my own stuff and my own songs. I was always trying to form a band in every new school I went to, and I always did! Fast forward to when I moved to Nashville in September of 2012, I was pretty much who I am today. I have honed my craft a little more since moving here, though. There are just so many great musicians, singers, and writers here who have become friends and family over the years, and they’ve all been an inspiration in one way or another, and that has definitely had an effect on my music. So I’d say it’s not the places, it’s the people you surround yourself with in those places
Any final thoughts you might like to share with fans about your upcoming debut album Everywhere West?
I just can’t wait for everyone to listen to it, and I hope that it can help people get through their tough times and accompany them in their good times. It was made with love, and I certainly hope they can feel that love. Thank y’all!
Photo Credit - Edward Crowe
Modi Rosenfeld
Comedian Modi Rosenfeld Brings the Laughs and Tickles Funny-Bones with Debut Special
“Modi: Know Your Audience”
A wizened old soul once declared that ‘laughter is the best medicine.’ If that is indeed true - and we here at Vents HQ happen to feel strongly that it is! - then fans of comedy have hit their one-stop shopping destination with Modi Rosenfeld, a self-described observational comic who has rightly earned raves from major outlets for his comedic chops. Said ‘chops’ offer both a distinctly Jewish outlook on the wonky world we all inhabit, while also never losing sight of the universal ups and downs we all share regardless of ethnicity or religion and which anyone with a funny bone will crack a grin and emit a chuckle for. To hit even one of those marks is talent. To land both all at once? That’s sheer talent and master comedic timing and observation, ladies and gents.
On the eve of the release of Modi Rosenfeld’s 800 LB Gorilla comedy special entitled Modi: Know Your Audience (you can check out the full trailer right here!), we sat down with the busy comic to pick his brain about all things stand-up, podcast and physical media which have been percolating in our Q&A hopper for quite some time. End result? We feel that if you’re not already a card-carrying fan of Modi’s penchant to hit both the big and subtle laughs, you’ll definitely be signing up as a fan after you check out our fun and candid conversation!
Vents: We’re excited to be speaking today with comedian and actor extraordinaire Modi Rosenfeld; greetings and salutations Modi and welcome to Vents Magazine!
Modi Rosenfeld: Thank you for having me; I’m happy to be here and I’m looking forward to talking with you and your readers!
Vents: Major congratulations on what’s been a very actionpacked year for you! Starting at the top, kudos on your recent smash hit debut special from 800 LB Gorilla Media which is entitled Modi: Know Your Audience! From start to finish, how long did your freshman outing take to put together? Leading into it, was there a lot of prep time for finding or discovering the right material?
Modi Rosenfeld: It basically took a year to put it all together. We taped for a year and then we toured it for a year after we taped it. You always wish you could tape it again during the tour, but you can’t. The material is a little timely because we discuss COVID, and the material is obviously before October 7. It’s an event which is for Jews and non-Jews. For non-Jews, it’s a portal into the Jewish world of laughter and comedy. For people who are Jews, it’s like ‘Yeah, this guy, we get him on another level that other people don’t get him on and we feel special about that.’
Vents: You note how your comedy really resounds for the Jewish audience, but you also observed that your comedy transcends traditional labels or identity politics, too; it’s very universal at the end of the day. It seems like you’re very adept at finding those oddball things which universally unite all of us, regardless of race, sexuality and the like. Are many of your observations and comedy drawn from your own life and that of close family and friends? How much of your own personal life do you mine for your own material?
Modi Rosenfeld: I’m an observation comic. I don’t sit down at a computer and write jokes. Things happen and I say to my friends or my husband, I see a laugh and I go, ‘Oh. okay.’ From there I work on it with taglines and such and take all of the fat out and make it into a bit. That’s how the bits come together and it’s obviously material-wise things from the characters that I meet out in the world and life experiences such as being married to a Millennial. It’s all things that I describe to people so that someone who is not married to a Millennial would understand. It’s all through my eyes, which are the eyes of a proud Jew. My comedy is layered on a bunch of things that are me.
Vents: We noted that 800 LB Gorilla are the ringmasters of this debut special from you -
Modi Rosenfeld: They were collaborating partners. They helped shoot and they put it up on their site for distribution, and now it’s on YouTube for everyone to watch. It’s available for anyone interested in seeing it. And if you can see it and enjoy it, make sure you help somebody who you think might enjoy it who may not be too savvy with the computer-side of things. In other words, if you have a grandmother or a mom or dad who aren’t tech savvy, help them log on and watch it. You’ll see that you can enjoy watching it with them even.
Vents: Not to beat the 800 LB Gorilla so to speak, but what makes the folks over at 800 LB the perfect collaborator? Do they seem to get you and your comedy in ways which other labels who deal in comedy just do not?
Modi Rosenfeld: We got together. We were introduced and we connected and the timing and the pricing and everything else really worked out. I saw the work they did and I was happy with it and so we got together for Know Your Audience. We connected. You know, when you’re working with the right people, you can really feel it and that’s what happened here.
Vents: For all of us analog hounds out there, will Know Your Audience receive any type of vinyl, cd, dvd or Blu-ray release in the near future? Would that be a more of a perfect and ideal world sort of thing in this digital and streaming era?
Modi Rosenfeld: You know it’s so funny, because I’ve been going through all of my old cd’s and dvd’s. People now of a younger generation have no idea about them: ‘How do we watch these?’ (laughs) Someone told me that they were listening to a cd of some of my standup and I was like, ‘How did you find it? Where were you listening to it at?’ They said to me: ‘We bought a used car with a cd player and that’s how we heard your cd.’ (laughs) Otherwise, where would you listen to a cd now? Even computers don’t have anything for them anymore.
Vents: Some of us who are longer in the tooth are definitely fighting the tide now, aren’t we?
Modi Rosenfeld: I think god put Millennials on earth to help the older generations work out technology (laughs). When I get DM’d telling me ‘I went to my grandmother and I put your special on YouTube for her to watch and I was able to watch it with her,’ that sort of thing makes me so happy. That makes my
day, that sharing of laughter from across generations, and a comedy special is something which you can use as a vehicle for that.
Vents: Speaking of all things Know Your Audience, you just wrapped the Know Your Audience tour. Congrats again! How did that tour go and do you have more performances lined up in the coming weeks and months?
Modi Rosenfeld: We have a few shows now which we’re calling The Summer Series. We just did two shows last night in the Hamptons. We did two beautiful shows at the WestHampton Performing Arts Center, and tomorrow we’re in Raleigh, North Carolina. The day after that, we’re in Nashville, and then we’re doing Atlantic City on Saturday night. And then after all of that, we’re set to some pretty hardcore touring. We’re going to Australia for three shows in Melbourne as well as a show in Sydney. And then we come back and then go to Israel; we are in full gear!
Vents: Do you ever do so much touring that you wind up feeling a bit discombobulated? Does it ever get surreal at times jumping from one venue stop to the next? Or do you hit a point where you’re firing on all cylinders and you’re in a sort of comedic groove?
Modi Rosenfeld: I love being in the groove; there’s nothing I love more. First of all because the material is gelling together. Right now with all of the new material that I’m working on, I’m making all kinds of edits and revisions to the jokes and adding things and taking things out and having fun with it. That’s when you generally get into that groove where you’re like, ‘Oh, that bit is finished now so now it’s on to something else.’ It’s a part of the fun of it. And listen, the traveling isn’t that horrible because I do travel with my husband who is also my manager and producer, so I’m not alone in a motel room. I’m not eating alone, I’m not going to the gym alone. We’re going to good places and we’re staying in nice hotels. It’s rough, but it’s the best of the rough.
Vents: Who are some of your heroes in the world of stand-up comedy?
Modi Rosenfeld: As far as past comedians go, I’m always talking about how much I love Alan King. And if you know who Alan King is, then you’re long in the tooth (laughs). But I love his comic cadence and his timing. I’m also a huge Jackie Mason fan and his ability to showcase the world through Jewish eyes. So who else from back in the day stands out for me? Listen, George Carlin is amazing…As for today’s comics, I love John Mulaney and Jim Morton and Dave Patel who are good friends and great comedians…Their comedy and the reactions from fans to them shows just how much this world wants to laugh.
Vents: Along with being a talented and very funny comedian, you’re also an accomplished actor, having appeared in such productions as Waiting For Woody
Allen, The Sopranos, Crashing, CSI: NY, and Madam Secretary. What do you look for when you’re considering a specific part? Does it necessarily have to be comedic, or are you excited about playing all types of emotions such as drama and suspense?
Modi Rosenfeld: Most of the stuff with acting that I’ve gotten were super-specific to my particular type. As far as The Sopranos goes, when I auditioned for that, I think I got it right when I walked in thanks to the manner in which I delivered my line. Madam Secretary was an Israeli guy who is super-opinionated, so that wasn’t a big stretch for me, you know what I mean? (laughs) It’s not like I’ve had to go into Method Acting for the specific roles I’ve been lucky enough to get. In Crashing, I was basically playing myself. The role was literally me, so it was great. Most of the stuff which is happening now, we’re working with the production company to do more shows and as far as acting goes, there is more to come on that. In the meanwhile, we have the tour and we have the special out.
Vents: I don’t want our interview to have come and gone without singing the praises of your podcast And Here’s Modi! Can you give readers the E! True Hollywood Story on how this podcast came into being and introduce them to all of the very funny people involved in helping you bring it to life?
Modi Rosenfeld: So with comedy now, people need to know the comic. You can’t just go up because then it’s like ‘Who is this guy?’ And if they do like you and they want to know more about you, a podcast is a great way to introduce yourself to a wide audience. I’m so used to performing at events where they’re raising money for something horrible - like they’ll show a movie and they’ll try and get everybody’s hearts so that they’ll donate more. They’ll show a movie with some guy with a disease or some child missing something and then literally right after the woman introducing me will be like…’And here’s Modi!’ (laughs) So that’s where the name for the podcast came from.
When we started And Here’s Modi we were like, ‘Let’s just wait and see and see how it all goes.’ And suddenly we’re at over a hundred episodes. We’re not groundbreaking or anything like that. We’re not giving you the political opinion of what’s happening out there. We’re just letting you know what’s going on. I’m so honored and privileged to be performing in Jewish communities all over the world. We just sit down and recap and give our thoughts and opinions and have laughs. I’m incredibly fortunate to have as my co-host on the podcast Periel Aschenbrand who, when I get too Jewish, she brings it back down a little bit (laughs). Our guests are our friends and people that we love. They’re not on the show just to be on, you know what I mean? People tell us that they love And Here’s Modi. It’s not a ‘vote this way’ or ‘vote that way.’ We leave all of that stuff at the door and really try to give listeners a fun and not stressful space.
Vents: It’s what you might call a ‘peppermint patty on your soul.’
Modi Rosenfeld: Yes, I like that a lot.
Kelly Zirbes
We’re super-excited to be speaking today with Kelly Zirbes, the leader of the acclaimed Americana band and SoCal staple Kelly’s Lot; greetings and salutations Kelly and welcome to Vents Magazine! Before we dive into the Q&A mosh-pit, can you introduce our ever-inquisitive readers to the musical alchemists that make up Kelly’s Lot?
Perry Robertson - Recorded, Produced and Mixed
Album Mastering - Mike Milchner
Dolby Atmos Mix - Fred Paragano
Additional Engineering by Doug Pettibone
Band Members and what they played on THE BLUES REMIND ME
Kelly Zirbes - Vocals
Perry Robertson - Acoustic Guitar and Dobro
Matt Mcfadden - Electric and Upright Acoustic Bass
Mike Sauer - Drums
Rob Zucca - Guitar
Mo Beeks - Keys, Vocals
Bill Johnston - Tenor and Baritone Sax
Aviva Maloney - Alto Sax and Flute
Gary Bivona - Flugle Horn
Frank Hinojosa - Harp
Special Guests on THE BLUES REMIND ME
Paulie Cerra - Tenor and Alto Sax
Tomislav Goluban - Harp
Didier Reyes - Trumpet
Chip Tingle - Trombone
Art Mendoza - Drums
Major kudos and accolades on celebrating thirty years of the creation of Kelly’s Lot as well as the upcoming July 12 release of the new album The Blues Remind Me! How did the new LP come about? Was it always intended to see release during the thirtieth anniversary of the band?
We definitely wanted to create a Blues album with all the instruments that are part of the Kelly’s Lot DUO and Big Band to celebrate 30 years of doing both. The main guitar on this album is an acoustic to honor that side of our music and we knew it had to include Horns and Harp. But the single we recorded last year with Mo Beeks was the inspiration. His keyboard magic drove us to a strong Piano and Organ direction. We love lead electric guitars but have done that throughout the years and wanted to change it up a bit.
The ever-talented Perry Robertson has produced and recorded most of Kelly’s Lot music over the years! What was it like collaborating with Perry in the studio while fashioning and shaping The Blues Remind Me LP? After all of these years, do the two of you share a shorthand as far as the music goes?
Perry is a JOY to work with because he knows what he wants and I trust that. I question him every once in a while but we usually find our way back to how he wants it. He respects my songwriting and voice much more than I do so he treats it with love and tries to make it the best it can be. Writing songs with him evolved quickly into listening to him create riffs on the guitar and beds of music. I would hear a melody and sing out a sentence or two. That usually became the song. A lot of the times I would be cooking a meal, my favorite process.
In your humble opinion, what differentiates The Blues Remind Me album from the Distinguished Competition on the 2024 music scene?
We chose to use acoustic guitar and piano on the majority of this album to create an organic but electric sound that would feel timeless. I don’t like to compare myself to anyone but I’m very satisfied with this choice.
We’re big admirers of the new gem of a ditty It Ain’t Always which is off of the upcoming The Blues Remind Me LP. What’s the VH1Behind the Music origin story on how this tune came about?
With all the craziness in the world and the serious messages in a lot of our songs it was a way to present the idea of just being together and happy.
How is The Blues Remind Me album similar to some of the past music from Kelly’s Lot such as Bittersweet or Come to This? How is it different?
The process and the key players are mostly what makes it similar and the difference is probably our playing together for so many years. Becoming like a family with all those advantages and struggles has helped shape the music into a story each of us can tell more deeply.
Who do you count as your major influences, musically-speaking?
I was heavily inspired by Cat Stevens and my mother’s late night listening to old standards and the Blues. I ended up writing the Blues with a positive spin a lot like Cat Stevens did with his music. Perry is from Texas and was influenced by all that wealth of the Texas sounds. We are a group of mature players with decades of influences that has made for a goulash of styles. Really too much to list and are rarely left with an empty bucket of ideas.
In the wake of the July 12 release of The Blues Remind Me LP, can fans look forward to catching Kelly’s Lot on the touring/ performing circuit?
Yes we are expanding our touring more every year. Main stops this year are Texas, Croatia and Ireland. East coast in the works.
Looking back over the years and all of the music, does it seem hard to believe that Kelly’s Lot has not only stuck around, but thrived and creatively grown in some beautifully unexpected ways? How do you explain the longevity and popularity of the group?
The relationships in the band, the connection with the audiences, the FUN we have playing together and of course the songwriting that keeps Perry and I connected and SANE!
Any final thoughts you might like to share with fans about the upcoming Kelly’s Lot album The Blues Remind Me?
You can always find yourself in my songs because I write them about you. The people I meet, learn about and even disagree with. Look for YOU in my lyrics and always celebrate the chance to feel through music.
No Skull
Hi guys, welcome to VENTS! How have you been?
Hey! Thanks so much for having us! Been pretty good, summer time in Michigan is always fun. My wife is a teacher so it’s especially fun for me when she’s on summer vacation. Lots of biking and outdoor partying. I like to drink beer outside and get completely destroyed by mosquitos, it’s the best!
What can you tell us about the title and meaning behind your most recent release?
Well, the title is, as is most of the album, a reference to the Dark Tower series by Stephen King. In the series there is a field of red roses called “the red fields of none”. Each rose in the field is like an entire world and to me it represents the infinite possibilities of life and the choices you make, which is what the album is kind of about.
How was the recording and writing process?
The writing / recording process was really fun. In 2021 No Skull had a line up change which saw me (Ryan) move from guitar to bass but still singing, putting my longtime friend Jason on guitar and we recruited a guy who played in bands around town that we really liked named Dave on drums. I had demoed about 10 songs in 2020 during the pandemic lockdowns and we learned them with this new line up. We took a couple months to polish them up and try them out at some shows before we stepped into the studio. For the 6 main songs we tracked the live instruments in one session and did the effects and vocals later. Between the time when we started learning the songs and when we finally recorded, I created about 15 alternate versions of the songs using various alternate instrumentation such as drum machines, synthesizers, samples and loops, various percussion and lots of guitar and vocal layering. Once I had a basic structure recorded, I’d ask Jason and Dave to add some layers. Dave played drums and percussion as well as bass on a few tracks and Jason did some great guitar work and played a sitar guitar he made on a couple tracks. We also had a few friends guest on some of those tracks. Two of those alt version tracks made it on the LP and 3 others made it on the EP.
We will eventually release the other tracks in some form or another. Once we had everything tracked mixed we did release 2 singles (“The Gone World” and “Wrong Eyes”) and an EP titled “Wide Earth” with cover art my Dad drew! We also released a video for the single for “Wrong Eyes” our friend Phil who is also my partner in our (very small) record label Madlantis Records where we release the majority of our material.
Where did you guys find the inspiration for the song and lyrics?
Im a huge reader and a giant Stephen King fan, especially of his Dark Tower series. The lyrical content is directly inspired by the language and mythology from that series. The over all loose concept in the lyrics are also hugely inspired by the storyline of the books but is not a direct interpretation of them. The music was influenced by quite a few things I was listening to at the time including Sleep – The Sciences, Steve Hackett – Voyage of the Acolyte, Melvins – Bullhead, Pink Floyd – Meddle, Smashing Pumpkins – Siamese Dream and Rush – 2112 among tons of other stuff but, I know those albums were haunting me during that time.
Will you be hitting the road this year?
We might be getting out there this fall, but as of now we don’t have a lot planned for touring, just a few shows around Michigan.
What else is happening next in your world?
The biggest thing for us will be our plan to return to DIY handmade merch of all kinds. We really want to focus more of our effort on the art side of album making instead of the repetitive grind. We hope to screen print our own shirts and patches, album covers of all kinds and anything else we come up with, doing home recordings and producing all physical releases in short runs. Better for us financially and storage wise and less waste in general. Musically our plan is to finish up some new tunes we’ve been working on as well as finish up some of the tracks from the ‘Fields’ sessions and maybe release some of those this winter. We have been kicking around the idea of making some videos for any upcoming singles we record, which has the potential to be real fun.
Melt-Banana
We’re super-excited to be speaking today with acclaimed Tokyo-based Noise-Rockers extraordinaire, MELT-BANANA; greetings and salutations gang and welcome to Vents Magazine! Before we charge down the proverbial Q&A rabbit hole, could the both of you say ‘hi’ and introduce yourselves to our ever-inquisitive reading audience?
Yako: Hi, my name is Yako. I’m the vocalist for Melt Banana. Agata: Hi, my name is Agata. I play guitar in Melt Banana. We’re a two-piece band.
Major congratulations on the freshly-minted new single Flipside which is burning up record charts even as we speak! Yako, can you talk with us about what inspired this gem of a ditty?
Yako: Thank you! “Flipside” is actually the first song from our new album “3+5” that we performed live, so we decided it would be the first one to release. In addition to the guitar and bass, it features synthesizer noise, which is a new element for us. The intertwining lines of the bass, guitar, and synth create a really fun and wavy sound, don’t you think?
Agata, who did the producing honors on Flipside and what did the collaboration between band and producer look like in the studio while fashioning and shaping this and other tunes?
Agata: We’ve been recording our own music since our third album. “3+5” was also recorded by ourselves, so we didn’t have a producer. If we had to name one, it would be us. We produced it ourselves, which means we did it exactly the way we wanted.
Yako, hot on the heels of the June 26 release of the new single Flipside, MELT-BANANA has an eagerly-awaited eighth album entitled 3+5 which is poised for an August 23 release; major kudos and accolades! Can you give fans a hint or three as to what they can expect and look forward to with the new LP?
Yako: Some of the new songs, including “Flipside,” have already been played live, so some fans might have heard them. But there are also tracks that we haven’t performed live yet, so we hope you’ll look forward to those. Each song on the album is one we really love.
Agata, how is the 3+5 LP similar to some of your past albums such as 2007’s Bambi’s Dilemma or 2013’s Fetch? How is it different?
Agata: To us, it’s a completely different work, but if I had to point out similarities, it would be that it’s still the same Melt-Banana. The fast rhythms, Yako’s vocals, and my guitar are all there. “3+5” has more synth sounds and some guitar parts are arranged to sound like
synths, so that approach is different from before. However, as the creators, it’s hard for us to pinpoint exactly what makes it different. We don’t create our music by writing proposals and explaining ideas to investors, so our process isn’t that logical. But from our own perspective, “3+5” is clearly different from “Bambi’s Dilemma” or “Fetch.”
A question for the both of you: Who inspires you, musicallyspeaking?
Yako: There’s not really a specific person. But I think we’re naturally influenced a lot by the artists we’ve performed with or seen live. For example, this year, we toured the U.S. with Tomato Flower, Babybaby_Explores, The Flying Luttenbachers, and Squid Pisser. We listened to their music every day, so I think we were naturally influenced by them. And, we toured with Mr. Bungle and Melvins in the 90s, and because we were young at that time, I think we were greatly influenced by them.
Agata: I don’t have anyone specific either. Our basic way of creating music is by playing our instruments and gradually shaping what we find interesting. But, as Yako said, we’re influenced by friends’ bands a lot. We often check out what our friends and their bands are doing on social media, and I think we get a lot of influence from there.
Yako, in the wake of the release of all of this amazing new music, can fans look forward to checking out MELT-BANANA on the touring/performing circuit in the coming weeks and months?
Yako: Starting at the end of August, we’ll be touring the UK for a month. After that, we’ll play some shows in Japan and then wrap up for the year. We haven’t set our plans for next year yet, but since we’ve only played some of the songs from “3+5” in the US, we’d love to go back to the US next year.
Agata, in your humble opinion what differentiates the new single Flipside and the upcoming LP 3+5 from the Distinguished Competition on the 2024 music scene?
Agata: We shaped “3+5” based on what we found fun, so I’m not really sure how it differs from other bands. I haven’t listened to other bands’ music in 2024 and thought about how it’s different from ours. But if I weren’t a member of Melt-Banana and were just a listener, I think I would really like “3+5.” So, at least for people with similar musical tastes as mine, it’s definitely great music.
Yako, 3+5 is being released via MELT-BANANA’s own A-Zap label. How did A-Zap come about as a recording label?
Yako: After releasing our second album through Skin Graft Records in Chicago, we were looking for another record label but couldn’t find one that fit. So, with the help of Revolver USA in San Francisco, we decided to create our own label. At first, we thought about releasing music from other Japanese bands as well, but we ended up being so busy with our own work that we only released Melt-Banana’s music.
Agata, at the end of the day what do you hope listeners walk away with after giving many-a-listen to both the new single Flipside as well as the upcoming LP 3+5?
Agata: Basically, I hope people enjoy listening to it. For those who create something, whether it’s music or any other type of work, I hope it inspires new perspectives and ideas. And if even one song from “3+5” stays in a listener’s memory and connects with a special moment or emotion in their life, that would be amazing.
VAYA
Hi guys, welcome to VENTS! How have you been?
Hello my name is VAYA. I am doing good thank you.
What can you tell us about the title and meaning behind your most recent release?
Let’s speak about MANAKEL 66
MANAKEL is an Angel from the Kabbalah, and resonated for me as the Angel of Freedom. He appeared into a very heavy chapter of my life because I am finishing a hard divorce and custody children. I was looking for the BPM of the next song and by tapping on my app the BMP always showed as 66. So as we know that Angels speak through numbers I did my researches and it is how it started. And this Angel opened a door on other ones:)
How was the recording and writing process?
Very fluid and easy as always.
Where did you guys find the inspiration for the song and lyrics?
Ask God He may answer that question:)
Will you be hitting the road this year?
Maybe.
What else is happening next in your world?
We are doing a next Music Video this full moon of July. Then I am hardly working on another Angel called VEHUIAH and I feel that this one will bring me again to Japan for the production and I will be very happy to meet my team there again. And I feel writing more something as a book very soon.
All My Best
VAYA https://vaya.am/ https://www.instagram.com/vaya.spirit/