VENTS Magazine 153rd Issue by Vents magazine

Joel

Smallbone of for KING + COUNTRY

We’re super-excited to be speaking today with acclaimed multi-GRAMMY winning duo Joel and Luke Smallbone who, collectively, are best known by their far-famed nom de plume for KING + COUNTRY; greetings and salutations you two and welcome to Vents Magazine! Joel, before we meander down the proverbial Q&A musical pathway, listening to the indelible musical stylings of for KING + COUNTRY we can hear the sweet refrains of Pop, Christian and perhaps even a dash of Country! For the newcomer to your music, how would you describe it?

Fascinating that you pull the word “country” into the mix. No one has ever said that before, but we do in fact have the word “country” in our band name, so it’s an appropriate question. If you could take the theatrical elements of a movie score, the rock melodic elements of U2, the harmonies of The Beatles, and the programming of Tears For Fears, I hope and pray you would end up with some sort of semblance of for KING + COUNTRY.

Joel, Unsung Hero was written by yourself and Richard Ramsey, while you did the directing honors; kudos and accolades! Was it at all difficult to attempt to take an objective approach in looking at this particular and very pivotal time in your family’s life?

Fortunately, I’ve made a life of partnering with my kin and my parents – the objectivity, compromise, and collaboration that’s required for such a film. It feels as though it’s been decades in the making. I will give credit where credit is due, so many of our family members were awfully kind in lending their voices and allowing us to tell a very gritty, guttural, honest version of what they walked through. The key was Richard Ramsey not being immersed in the story, and having an objective viewpoint, and then inviting the family in every step of the way to make sure we didn’t get too far off track. I’m very pleased to share that we are all intact, and our parents feel very loved and seen by the project.

It’s an ironic task being in the film, as well as casting the film, because you want to find the camaraderie and connection with each of these actors. It’s also worth recognizing that you were the one who invited them onto the screen with you. And I have to say, I was deeply proud every one of them. Not only proud, but inspired to continue to search for grounded and honest portrayals of these incredibly personal characters. I will offer that Marvel has no leg up on our multi-verse- me playing Dad’s role, an actor playing my role, Daisy Betts playing my mum, and John Locke himself playing my grandpa.

Joel, Unsung Hero was written by yourself and Richard Ramsey, while you did the directing honors; kudos and accolades! Was it at all difficult to attempt to take an

objective approach in looking at this particular and very pivotal time in your family’s life?

I would say The Inspired By Soundtrack was the most diverse and genre-divergent record we have ever made. Taking rock with Stryper, indie with Sleeping at Last, hip hop with Lecrae, country with Lee Brice and Hillary Scott from Lady A, and gospel with Michael W. Smith, Amy Grant, and our sister Rebecca St. James – and throwing them all into a melting pot was quite the experience. I do believe it will (and has) deeply indicated where for KING + COUNTRY will go next.

Each feature has its own flavor. I remember being on a film in Spain with Lecrae and standing in the hotel lobby, pulling out my phone and playing him a very early version of Stryper’s “To Hell with the Devil,” and geeking out together. I also remember sending Lee Brice (our fellow label mate) a voice memo, about this special song “Checking In” that we mutually really loved and appreciated. I recall a very full circle moment with Amy Grant, who is part of the reason why we are in the United States - of retracking a song from 30 years ago with “Lead Me On,” and putting our own for KING + COUNTRY spin on it. To answer your question directly, it was, no pun intended, an inspiration to create and recreate these songs with these great artists.

The short answer is absolutely ‘yes.’ We are hitting the road this fall in the United States in 30+ arenas for the for KING + COUNTRY “Unsung Hero Tour” where we will be playing a diverse set of your for KING + COUNTRY favorites, as well as some of our favorites from The Inspired By Soundtrack album. We may very well just play more music than we’ve ever played at a live show before, but we’ll have to wait and see.

Well, I’m sad to say there’s only one film on that list that I have seen, and that is Walk the Line (which I very much loved). So, the answer is simple for me. Johnny Cash and Reese Witherspoon have my heart.

Don Mike

We’re very happy to be speaking today with actor Don Mike; welcome to Vents Magazine! Before we dive in, how is 2024 treating you so far?

2024 has been great so far. I attended my first two major premieres, this year! One was for the “Ordinary Angels” feature film I was in, starring Hilary Swank and Alan Ritchson. The other, was for MGM Plus’ new “Hotel Cocaine” series, starring Danny Pino and Michael Chiklis.

Major congratulations on your role in the new MGM+ crime drama series Hotel Cocaine!

Starting at the top, can you explain to our readers what the show is about and how your character of Omar fits in?

Thank you! It’s about a Cuban exile in Miami named Roman Compte, who manages the Mutiny Hotel in the late 70s. It was known for entertaining famous guests, such as: John Lennon, Rick James, and Rod Sterling. There were also a plethora of corrupt cops, bankers, politicians, and cartel gang members that were frequent guests there. Roman is brought to bend his strict morals, in order to keep custody of his daughter, if he doesn’t cooperate with the DEA to entrap his drug-lord brother.

The character I play is Roman’s second incommand at the Mutiny, with the title of “Maître D’”, keeping things in check when Roman is away.

Did you know as soon as Hotel Cocaine crossed your desk that this was a production you wanted to be a part of?

Absolutely. Beside the fact that the project is from the same creators as “Narcos” and “Godfather of Harlem”, I don’t think any actor would pass up the opportunity, to live and work in the tropical paradise that is the Dominican Republic!

You work with such a talented group of actors in Hotel Cocaine, including the likes of Danny Pino and Michael Chiklis! What was it like working alongside the cast?

Probably the best experience I ever had! I’ve never worked with a cast that has been so generous with their time, space, and knowledge, both on and off set.

Hotel Cocaine is based off of a real-life hotel during the heady days of the 1970s and early 1980s. Did you do any research on the subject prior to filming, or did the script give you everything you really needed?

I did a little bit of research, but it didn’t really help with my character, as “Omar” isn’t based on a real person. It did give me an enticing taste, of what was to come!

What was your collaboration process like with the director of Hotel Cocaine, Guillermo Navarro? Is Guillermo what some actors might refer to as “an actor’s director”?

We didn’t interact much, which isn’t a bad thing, and isn’t uncommon. I was probably already doing what he wanted me to do, without much direction. In my experience, Guillermo is more of a visual and stylistic director. He’s very good at what he does, and he’s very specific about what he wants.

Acting-wise, who are you inspired by?

John Boyega, Calvin Harrison Jr, Wunmi Mosaku, LaKeith Stanfield.

Your first credited work onscreen came in the form of the 2016 short film It’s No Real Pleasure in Life. Any special memories of that production?

It was my first time on an indie film, that felt like a mid-high budget production. Almost the entire cast was comprised of new actors; the project’s creators were recent grads of Toronto Metropolitan University, but they had the workflow of seasoned industry pros.

Can you give fans a hint or three as to what you have coming up after Hotel Cocaine?

Nothing for now, but keep up with me on Instagram @xdonMike to be in the know!

Final - SILLY! - Question: Favorite movie about the making of movies - Once Upon A Time In Hollywood, Living In Oblivion, The Player, Barton Fink or Swimming With Sharks?

None of the above. I’ll drop an honorary mention: the “Coming to America” episode of “Movies That Made Us” docu-series (on Netflix).

Olivia Raine Atwood

Photo by Jake Atwood

We’re super-excited to have some time today with acclaimed comedienne, matchmaker, writer & fitness instructor Olivia Raine Atwood; greetings and salutations Olivia and welcome to Vents Magazine! Before we meander down the proverbial Q&A pathway, how is 2024 treating you and yours?

Oh my gosh hello! Thrilled to be chatting today. 2024 is going just swell. Though I have to say, I’m a big resolution girl and I’ve been falling a bit short. I was supposed to learn how to make one good meal, and so far I’m still just making pasta. What can I say. I love pasta. It’s so hard to mess up, and I basically burn the house down every time I touch the stove.

Major congratulations on your one woman show FAKING IT! Starting at the tip-top, can you give our ever-inquisitive readers the E! True Hollywood Story on the inspiration behind the new show? Did it take a long time to put it all together?

Talk about an E! True Hollywood Story…my show is about my time as an undercover patient in New York City hospitals, secretly evaluating the doctors and then writing reports for the medical schools about how the docs did. It’s 100% true. I held this job for many years when I was living in New York, and I loved it. I felt like a spy. I’ve been performing bits and pieces about my experiences for a few years, but it’s now developed into a full length hour of comedy.

For the new fans out there who are just now discovering you and your comedy, what can they expect and look forward to when attending one of the FAKING IT shows? What sort of madcap hijinks are they in store for?

Here’s a list in no particular order about things that arise in the show: vending machines, gerbils, football players, mathematics, small hands, dolphins, and burgers. My shows always weave different stories together into a big ole salad of stories, to mix a metaphor. I think the one note I get most consistently is that people laugh throughout my shows. There are very few lulls, and very many gerbils. Not on stage with me, per se. I just discuss gerbils. A lot. Or the appropriate amount. You’ll have to come and see for yourself.

Where will the FAKING IT tour be taking place? Can you give us a sense of the number of venues which will be hosting the show and tell us how we can go about snagging tickets?

Faking It has already hit one city: Denver, CO, and is currently underway at Hollywood Fringe in Los Angeles! We sold out in Denver and are having a rocking time so far in LA. There are two shows left in LA: June 29th and 30th, at 5:30 and 8:00pm respectively. I’ll be at the Madnani Theater in Hollywood. Then, the show launches in NYC in July and Edinburgh all of August! You can follow along on Instagram or my website to get up to date venue info and fun deets, like my pre-show playlist (I always listen to Sweet Victory from Spongebob before I go on stage).

Any chance that fans might get a FAKING IT televised special or even a comedy album release?

Go ahead, just speak my deepest dreams out loud! The ultimate goal would be either a special or an album or a book. I think this is extremely in the works, so stay tuned!

Who or what makes you laugh?

I’m a monster for a female comic who has written a book of essays or a memoir. Elna Baker, Jessi Klein, Rachel Dratch, Amy Schumer, Mindy Kaling. I’ve read Jessi Klein’s “You’ll Grow Out of It” like seven times. And “The New York Regional Mormon Singles Halloween Dance,” by Elna Baker, is also an all-time read for me. I can quote sections. My dream would be to have my book on the shelf with those hilarious lady stars, and have other people be cackling aloud as they read before bed.

Congrats on the success of your matchmaking service Liv’s Love Pool! How did Liv’s Love Pool come into being?

Thank you! It’s so crazy, it started as a joke during the pandemic. I was like oh la la la I’ll set my friends up to pass the time, and then it just snowballed. I just had my first engagement, actually — I’ll be attending a wedding of a couple I set up next spring! I basically fainted when I found out, honestly. It feels like so much power. Am I a love witch?

What distinguishes Liv’s Love Pool from other loveconnection services out there?

Liv’s Love Pool is bespoke and referral-based, and I really spend time with my clients. LLP isn’t about swiping or scrolling. I am meeting with you, working with you, and really helping to solve your unique dating pitfalls. It’s extremely fulfilling to work with clients and see firsthand as their love life improves. I’m thrilled when people stop working with me, because it means they found their person, or someone they’re super excited about.

You’re also a fitness enthusiast who teaches classes in both NY and LA. What lit the spark which inspired you to take on this particular passion?

Let me tell you, when I graduated college I had no idea what I was doing. One day, after trying to trap a fly in my apartment for like six hours and realizing I had nothing better to do than trap-and-release insects, I walked to SoulCycle and the rest is history. Turns out, exercise actually makes you feel kinda good. You guys hear about this endorphin thing? Those guys are actually pretty powerful. I had no idea. Now I’m hooked.

Any final thoughts you might like to leave readers with regarding your one woman show FAKING IT?

Theater is my favorite art form because of the community. Nothing, truly nothing, makes me happier than walking outside a theater and meeting people who have come to the show. If you’re in town in LA or Edinburgh, I’d love to meet you after a show and have a giggle!

David C. Smith

We’re very happy to be speaking today with the rightly lauded Founder and CEO of Plate Pros, David C. Smith; greetings and salutations David and welcome to Vents Magazine! Before we meander down the ever-immersive Q&A pathway, how is 2024 treating you and yours?

Thanks for having us! This year has come with its challenges, as any, but we’re excited about the new partnerships and technology we’ve been developing. The industry hasn’t fully recovered from the strikes, and we’re all feeling that, but there’s been a lot of progress for us and we’re excited to enter into an inevitable poststrike surge.

Major kudos and accolades on all of your success with Plate Pros! Starting at the tip-top - and for those who might be out of the loop - can you talk about what Plate Pros is all about and how it got started?

As a DP and Filmmaker first, I’d worked on many productions with a range of budgets and I started noticing that there wasn’t a great solution for filming car work. I started developing car process rigs in 2007 and since then I’ve been working to improve these systems while keeping up with the industry’s ever-changing atmosphere. Recently, we’ve seen a major shift as LED technology rapidly improves. Our mission is to provide the best quality product and service for high-end productions and independent works alike so that everyone can take advantage of the impressive leaps in technology that companies like Roe and Fuse Technical Group offer.

Plate Pros is the ‘Go-To’ in the entertainment industry. Can you list off some of the productions which Plate Pros has been an integral part of over the last handful of years?

Projects like the recent film, “Family Plan” with Mark Wahlberg are always exciting for us. Our team was actually on a road trip across the country, just like the characters in the film, to capture each different phase of this wild story. We’re able to take complexity out of driving work which allows for the creative process to be uninhibited by logistical constraints. Other recent works we’ve had a heavy hand in include 80+ pages of car work in “Daddio” with Sean Penn and Dakota Johnson, and capturing all the crowd work for the boxing matches in “Creed 2.”

How has your own time as a respected cinematographer informed the day-in and day-out of Plate Pros?

Our company motto is “Experience Matters.” Our team has worked on over 2000 film, television, and commercial productions, and our union and non-union crews are the most experienced photographic virtual environment specialists in the world. With that same sentiment, knowing the ins and outs of production from multiple perspectives gives us the ability to adapt and conform to each production’s needs with full confidence that we’re delivering the best possible image given the project’s requirements.

Congrats on the upcoming presence which you and Plate Pros will have at Cine Gear Expo this coming June 7-9! What can people expect to see from Plate Pros at this event, specifically as it applies to the Hands-On 360° Immersive Virtual Experience?

• We will be showcasing two new innovations: the Hands-On 360 Virtual Immersive Experience, and SimPlate, our company’s new line of simulated car process plates created entirely in procedurally generated CGI.

• Our 360 Virtual Immersive Experience features a booth made of and surrounded by LED lights. When guests walk into the booth, they can grab a giant controller and spin the world around them. The experience helps guests understand what 360 content really is, means, and feels like, and how it works in mapping to LED video walls for virtual production use. The SimPlate performs exactly as our pre-stitched array plates and can be used interchangeably on any virtual production or VFX workflow. They are available as 12k or 16k pre-stitched equirectangular 360-degree video files, both ProRes and NotchLC are available, and the plates can be customized for any season, weather, and time of day.

Cine Gear is unique and highly thought of because it offers artists and technicians the opportunity to discover state-ofthe-art technology and techniques including content. As the founder of Plate Pros, what does it mean to you personally and professionally to land a coveted spot at Cine Gear 2024?

Cinegear LA is one of the topmost events for industry professionals, and one of the elements we really enjoy is being able to reach audiences that might not otherwise be aware of the services we provide. At Cinegear we’re able to educate fellow filmmakers about how complex the plate process is while understanding that we make the steps to get there simple and painless.

Looking ahead, can you give us a hint or three as to what types of innovations we can expect from Plate Pros in three-five years time? Have you and your colleagues set particular goals for the company which you could, in part, share with readers?

As the industry naturally evolves and changes, we are in a continual cycle of testing the latest gear and software to see if any part of our processes can be improved. We recognize that we are a niche production service, but with that, we are proud to say that what we do provide has gone through rigorous testing on multiple fronts. In the LED market alone, we are seeing a need for higherresolution stitched plates, and are currently upgrading our library rig from a 12K equirectangular stitch to one that will allow us to shoot 16K footage. We are known for our bespoke rigs, so if there is a need from production that our current rigs cannot meet, we have the technical problem solving skill and fabrication capability to meet almost any request. Our goal as filmmakers is to find solutions that give our clients the best possible product.

Plate Pros has a big presence in the world of film, commercial projects and television. What upcoming films and TV work will folks be able to catch some of the seamless Plate Pros magic?

While we’re under strict NDA for some of our latest projects, you will be able to catch our plate work in many upcoming shows, blockbusters, and indie darlings like WOLFS, PRESUMED INNOCENT, DARK MATTER, THE PENGUIN, SHALLOW TALE, and DADDIO.

Phuong Kubacki

Photos Credit: Michael Franco

We’re very happy to have some time today with acclaimed actress Phuong Kubacki; greetings and salutations Phuong and welcome to Vents Magazine! Before we dive down the celluloid Q&A rabbit hole, how is 2024 treating you and yours?

Thank you for the warm welcome! 2024 has been wonderful so far. This year has gone by so fast, but lots of wonderful things are happening and I’m looking forward to seeing what the rest of the year will bring.

Major congratulations on your bravura turn in the new major motion picture The Bikeriders which is set to be released in theaters this June 21! Starting at the tip-top, can you explain for our ever-inquisitive readers what the story of The Bikeriders is about and how your character of Gail figures into the proceedings?

Absolutely! The Bikeriders is a film inspired by real characters from the book ‘The Bikeriders’ by Danny Lyon. The book features members of a Midwest motorcycle gang in the 1960’s. I play “Gail” who was the girlfriend of “Brucie”. He was one of the members of the motorcycle gang.

Did you know as soon as the script for The Bikeriders crossed your path that this was a production you wanted to be a part of?

I actually didn’t get the full script right away. I just got my audition sides and a small summary of the movie. It did, however, list that Jeff Nichols was directing and that Austin Butler, Jodie Comer, and Tom Hardy were starring in it. I’m a fan of all 4 and knew this would be an amazing project to be a part of.

Was it a simple and straightforward audition process to land the role of Gail in The Bikeriders, or was it a bit more complicated than that?

I would say that the audition was pretty straightforward. There were 2 scenes I had to tape and send in. I sent those in and forgot about it. Then a couple of weeks later, my agent messaged me saying I had a callback in person. Unfortunately, I was attending the Emmy’s that day and wasn’t available to go to it. I thought because of that, I would no longer be considered. I was wrong because they were able to reschedule the callback and at that time, they offered me the role.

Prior to accepting the role of Gail in The Bikeriders, were you at all familiar with the book it’s based off of from Danny Lyon?

I was not familiar with the book by Danny Lyon, but when I received the audition, I began researching it and was blown away by all of the beautiful photos. It was a fascinating time filled with such a cool style and vibe.

The film of The Bikeriders, like the book, is set during the 1960s. Did you do any off-script research on that fascinating era in preparation for your role as Gail?

I did do a little research on the era. I also worked with a dialect coach to make sure I got the Midwest accent they were looking for. There was a lot of time and effort put into the film by the production. I wanted to make sure I was honoring the era properly.

What was it like collaborating with writer and director Jeff Nichols on The Bikeriders? Is he what some actors might refer to as “an actor’s director”?

Jeff is absolutely “an actor’s director”. He is kind and collaborative. He also makes you feel comfortable and safe to make mistakes. I was incredibly impressed by his brilliance and respected how committed he was to his vision.

Speaking of collaborations, you work with such an amazing cast in The Bikeriders, including the likes of Damon Herriman, Jodie Comer, Austin Butler, Tom Hardy, Michael Shannon, Mike Faist, and Norman Reedus! What was it like exercising your own considerable acting chops alongside this talented lot of thespians?

It was incredibly....intimidating!!! I respect all of these actors so much and definitely felt some imposter syndrome, I’ll admit. However, watching all of these actors work taught me so many things. They all worked so differently individually but came together synergistically. I just sat back and tried to absorb as much as I could because it was truly a masterclass in acting. I was also surprised to hear some of the actors I would never think would be nervous were! This was truly an experience I could never forget.

What fascinates you the most about the craft of acting?

Acting to me is incredible because it can transport you into completely different people and into different eras. You can experience emotions you never would on a normal day and it can be extremely therapeutic.

Your first credited on-screen work came in the form of 2007’s The Kingdom. Any special memories of that freshman production?

Haha! Yes, I was an extra on The Kingdom starring Jamie Foxx!!! I was so excited and overwhelmed as I had never been on such a big production. I was playing an FBI agent who was supposed to busy doing things when Jamie Fox walked by. I wasn’t supposed to be paying attention to him when he walked by, but every time he walked by, I’d look because well....it was Jamie Foxx!!! The director cut a couple of times and told me to stop. In the movie, you can see me looking as he walked by because I couldn’t contain myself. I’d like to think I’ve come a long way from that day, but I still get really excited when working with certain actors. I’m just better at keeping it inside now.

Can you give us a hint or three as to what you have coming up after the June 21 premiere of The Bikeriders?

Yes! You can catch me on season 2 of the TV series Reasonable Doubt on Hulu on August 22. I’m also currently working on a feature film called ‘Eenie Meanie’ starring Samara Weaving, Steve Zahn, Randall Park, and Marshawn Lynch.

Final - SILLY! - Question: Favorite movie about the making of movies - Living In Oblivion, The Player, Barton Fink, Ed Wood or Once Upon A Time In Hollywood

Once Upon a Time in Hollywood!!!

Maryanne George

We’re happy to be speaking today with acclaimed and Grammy Award-winning artist Maryanne George; greetings and salutations, Maryanne and welcome to Vents Magazine! Before we dive into the Q&A musical mosh-pit, how would you opt to describe your indelible musical stylings to someone just discovering you?

Listening to your music, we hear the sweet strains of American Christian mixed beautifully with a little dash of Pop, but would you describe yourself as a Christian artist or a Pop artist, or would another moniker altogether be more appropriate?

Hi! I’m excited to be here. Thanks for having me! I would describe myself as an artist who loves Jesus, and explores faith in her songwriting, amongst other things. Everyday, I fight the urge to categorize all the music I make into different monikers, but I remind myself that I want to embrace having many diverse sounds within my artistry.

Major congratulations on your freshly-minted new single Labor which is set to premiere this May 10! Starting at the top, can you talk a little about what inspired this beautiful new anthem?

In October of 2021, I had my first child. I had her at a pretty busy time of my life. The group I was a part of, was picking up, and I was in the middle of touring. To say I was overwhelmed is an understatement. Yet, being a mother completely changed my outlook on life. I initially never wanted children, so having a child sparked a lot of curiosity within me. I acknowledged my need to deconstruct much of what I’ve been taught, and aimed to live as authentically as possible for her sake. Little did I know how much it would change me along the way.

Who did the producing honors on Labor and what did the collaboration process look like between artist and producer while working on the new track?

I worked with my friend and incredible producer Stephen Blake Kanicka! He and I caught a vibe pretty quickly, and work so well together. Feeling safe within the production process is important to me, and I felt very safe with Blake. I am pretty invested in the production process, and I warned him early on that I’m very hands on and have expectations for my work… and he warmly accepted my challenge! I am very meticulous about the sounds I hear in my head, and often struggle to communicate them to a producer. He was so patient with me throughout the entire process. I walked away from it feeling like this was the most “me” I’ve ever captured within a song.I credit that to Blake.

In your humble opinion, what differentiates Labor from the Distinguished Competition on the 2024 music scene?

Great question! When I was going through postpartum, I felt like there was a gap in the industry that focused on women, and their journey into matrescence. I wanted to create meaningful music that documented that process for myself and many other women going through the same thing. I aimed for honesty, even if it

was scary to say. I also have a background in classical music and wanted to hear more modern music that utilized classical sounds.

Who inspires you musically?

I am inspired by classical music, jazz and R&B. I also love singer-songwriter material. A few artists I listen to are Adele, Lianne La Havas, Cleo Sol, Daniel Caesar, Kehlani, and Matt Corby… just to name a few. I am also visually inspired and love spending time near the ocean.

In the wake of the May 10 release of Labor, can fans look forward to a possible EP or LP release from you later in 2024?

I am always working on new music… ;)

What does your touring/performing dance card look like on the eve of the release of the new single?

I’m continuing to tour throughout this year, stopping at a few different states along the way!

I am not outrightly performing Labor, as I am usually called to churches to lead worship, but I hope to have something in the works where I can tour and share some more of my singer- songwriter material… be on the lookout for that!

You were born in Queens, New York. How do those roots inform you as both an artist and as a person?

I grew up around a TON of diversity. I’ve learned to appreciate many different cultures and sounds over the years. I think that’s why I’m always interested in new music and new artists.

I enjoy asking questions and discovering the “why” behind different records, and I credit that to being exposed to a lot of diversity at a young age.

A lot of folks reading this might recognize you as being a part of the Grammy-winning collective Maverick City Music. Can you talk about how being a part of that phenomenon has influenced you as an artist?

I learned so much from MCM, but one of the most important lessons I learned was in the power of collaboration. I’ve seen how working together creates greater outcomes. I think we’re going to see an uptick in collaboration in the future. There is so much more beauty in doing things together!

At the end of the day, what do you hope listeners walk away with after giving many-a- spin to your incredible new single Labor?

I originally wrote this song as a memoir for my daughter. I wanted her to have something to hold onto; something that documented this pivotal moment in my life. But in the creation of it, I realized this song is really for anyone who has labored for something important in their life. I hope that they can lean into the change and find beauty in the outcome.

Sloan Hooks

We’re excited to be speaking today with acclaimed and trailblazing pop culture expert, celebrity investigative journalist & YouTube star extraordinaire Sloan Hooks; greetings and salutations Sloan and welcome to Vents Magazine! Before we dive down the pop culture Q&A rabbit hole, how is 2024 treating you and yours?

I am honored! Thank you for having me. 2024 has been an incredible year so far. The growth of my YouTube channel (@SLOANHOOKS) and podcast has been phenomenal, and I’m thrilled to continue covering new stories and exploring new ways to connect with my audience. My team and I have been working hard on some exciting projects, and I can’t wait to share them with everyone.

Starting at the tip-top, can you talk about how you landed on the pathway of creating your YouTube channel SLOAN? What’s the E! True Hollywood Story on the origins on the dishiest celebrity site on YouTube?

Creating my channel was a natural progression for me. I’ve always been interested in video creation and fascinated by pop culture and the stories behind the headlines, so mixing the two felt natural. Growing up surrounded by magazines and entertainment news, I developed an interest in understanding the dynamics of the entertainment industry. I started the channel in December 2019 as a way to share my insights and perspectives, and it quickly evolved into a platform for uncovering and discussing controversial topics that many outlets ignore.

Watching some of your content on the SLOAN YouTube channel, you cover the various and sundry stories which many outlets seem to simply ignore such as the interactions between celebs and their fans - good and bad - and the stuff that simply doesn’t make it into the standard Entertainment Tonight reports. Do you feel that you feed a genuine hunger from audiences that genuinely want to know about their favorite actors or musicians?

Absolutely. Like myself, my audience craves deeper, more nuanced stories about celebrities. Mainstream outlets often focus on surface-level gossip, but my viewers appreciate the in-depth analysis and the facade. They want to understand the human side of celebrities and the real impact of fame on their lives, which is what I strive to provide. There’s also a relatability aspect as well, ‘celebrities are just like us!’

Has there ever been a moment where you’ve wished that you’d gone after a story more or less aggressively? Are there certain criteria which SLOAN has which dictates whether a story does or does not run?

There are definitely moments where I reflect on my approach to certain stories. Balancing thorough investigation with sensitivity is crucial. Especially when covering vulnerable stories about the darker side of the industry. I have a set of criteria that includes the credibility of sources, the potential impact on those involved, and the public’s right to know. It’s a delicate balance, but my goal is always to present the truth responsibly.

Setting the Way Back Dial to the early days, have you always been a pop culture aficionado? What initially sparked your own interest in the world of actors, musicians and reality television stars?

Yes, I’ve been a pop culture enthusiast for as long as I can remember. Growing up in a household filled with entertainment magazines and TV shows, I was captivated by the big headlines, larger-than-life personalities and the stories behind them. This fascination only grew stronger over time, leading me to where I am now.

Has your work as a rightly lauded investigator and expert in the field of celebrity altered or changed how you initially looked at the pop landscape? Do you still hold the same affection for it that you had when you first fell in love with the topic?

My work has definitely given me a more complex understanding of the pop landscape and society in general. While I still have a deep affection for it, I am more aware of the challenges and darker aspects that come with fame. This perspective has only deepened my commitment to uncovering and sharing the truth with my audience in a respectful way.

Do you feel that there is a natural progression from the brilliant snark and tongue-in-cheek celebrity writings of defunct periodicals such as Movieline and Premiere Magazine and the work which you do for your own YouTube channel?

Absolutely. The snark and wit of those periodicals paved the way for a more critical and analytical approach to celebrity journalism. Influences like Wendy Williams, Andy Cohen, Harvey Levin, and more have taught me to express myself and to create space for conversation. I aim to continue that tradition by offering thoughtful, sometimes comedic, and of course well-researched content that goes beyond mere gossip.

Have you personally investigated a celebrity rumor which turns out to be less sensationalistic and more mundane than reported by other outlets?

Yes, quite often. Many times, sensational headlines are just that—sensational. Although I do think there’s still work in sensationalistic stories. There’s always still a lesson to be learned.

Why do so many talented individuals such as River Phoenix and Brad Renfro seemingly lose themselves in Hollywood? And do you feel that there should be more done for child actors to protect them from the vagaries of the industry?

Hollywood can be a very demanding and isolating place, especially for young actors. This is part of the reason I specifically advocate for child stars and to push out legislation to protect them. The pressures of fame, lack of privacy, and the constant scrutiny can be overwhelming. There definitely needs to be more support systems in place for child actors, including better mental health resources and guidance on navigating the industry.

Speaking of natural progressions, major congrats on your freshlyminted Let’s Get Into It Podcast which is taking the world of entertainment by storm! Can you talk about what inspired the Let’s Get Into It Podcast?

Thank you! The podcast was a natural extension of my YouTube channel. It allows me to dive deeper into topics, have more in-depth discussions, and bring on guests to share their perspectives. I wanted a platform where we could have more extended conversations about the stories that matter.

Can you give readers and fans alike a hint or three as to what they can expect and look forward to with the Let’s Get Into It Podcast?

Listeners can expect a mix of interviews with industry insiders, deep dives into controversial topics, and behind-the-scenes looks at the entertainment industry. We’ll cover everything from celebrity scandals to broader issues like mental health and exploitation in Hollywood.

Aside from your own YouTube channel and the Let’s Get Into It podcast, what else do you have coming up on your dance card? Have you thought of perhaps writing a book on the entertainment industry?

Yes, a book is definitely something I will venture into at some point. Living in Los Angeles I’ve seen so much in the industry that is not covered by mainstream media. So, I will have plenty of interesting stories to reveal. I’m also working on producing documentaries and new series coming out this year. There’s so much more I want to explore and share with my audience.

Final - SILLY! - Question: Favorite movie about the making of movies - Living In Oblivion, The Player, Barton Fink, Once Upon A Time In Hollywood or The Big Picture?

That’s a tough one! I’d have to say Once Upon a Time in Hollywood. It plays homage to the industry and captures the essence of Hollywood with a mix of nostalgia and dark humor that I love.

Waylon Reavis

We’re super-excited to be speaking today with Waylon Reavis, acclaimed frontman of metal band extraordinaire A Killer’s Confession!

Greetings and salutations Waylon and welcome to Vents Magazine! Before we dive into the proverbial Q&A mosh-pit, could you introduce our ever-inquisitive readers to the entire amazing lineup of A Killer’s Confession?

Waylon Reavis- Singer

Jp Cross - bass

James Skritch- guitar

Kegan King - drums/percussion

Will Spodnik drums-percussion

Major congrats on the freshly-minted new single MARTYR! Starting at the top, can you talk about what inspired one of the very best new single releases of 2024?

I wanted to write something different. So I stepped outside of the box. Victim 1 as a whole is a concept album. Martyr is a very crucial piece in the story. It took a lot of time and hard work to conceptually make this song what it is now. I very much thank you on your compliment of what you think of the song.

Who did the producing honors on MARTYR and what did the collaboration between band and producer look like in the studio while fashioning and shaping the new song?

Martyr was produced and written by Dusty Boles musically. I wrote the vocals alongside Evan Mckeever and Nashville. It was a different experience because it was being done in Denver, Colorado while I was in Ohio and I received it and then transported it to Nashville. So it felt remote because we were all on zoom. It was a very different experience that I have ever done while writing, but I felt creatively It helped it grow and become what it is.

In your humble opinion, what differentiates MARTYR from the Distinguished Competition on the 2024 music scene?

We are our own sound. We do not look at other music as competition. We feel all music is different in its own way because everyone expresses themselves differently.

I feel martyr stands on its own in 2024 with its own sound but as an artist, I feel I must strive to create a sound all of my own and write something that when you hear it, you know it’s AKC.

A Killer’s Confession hails from the town which some argue kicked off rock and roll music (via the legendary Alan Freed), Cleveland, Ohio! How do these particular stomping grounds inform the sound and energy of A Killer’s Confession?

It’s Home … Cleveland made me the musician I am today. Cleveland is very particular about what they like. They are a very good crowd to judge what you are doing because they are honest and hard. My fans are like family to me, but within the same breath, they will let me know whether they like something or not.

Who are you inspired by, musically-speaking? Maryard James Keenan

How is MARTYR similar to past A Killer’s Confession tunes such as Tell Your Soul? How is it different?

Victim 1 is a new direction. I feel none of the music off This album is like any of my old stuff.

In the wake of the release of MARTYR, can fans look forward to a possible EP or LP release from A Killer’s Confession in ‘24?

Yes, the album will be released on September 12 2024

Victim 1. Presale for this album will start in July.

Word ‘round industry campfire has it that A Killer’s Confession will be rockin’ out this summer with such bands as Mudvayne, Il Nino, and Hyro The Hero! What can you reveal about these upcoming shows/tours?

It was an honor to tour with Mudvayne in May. I am currently on tour with I’ll nino. I have two more dates left, and then I am preparing to head out on tour with drowning pool. On the very first date with Mudvayne we revealed our new masks/look.

Any final thoughts you might like to share with fans and readers about the new single and everything else coming up from A Killer’s Confession?

I feel like a killers Confession is going in the right direction. The new album victim 1 is one of the best albums I’ve ever written in my entire life. We have changed direction and found a sound that suits us. Buckle up and enjoy the ride.

Aurora Cossio Hostess of the Month

We’re very excited to have some time today with acclaimed actress Aurora Cossio; greetings and salutations, Aurora! Before we meander down the proverbial Q&A celluloid pathway, how is the freshly minted New Year treating you and yours?

I have felt blessed by the wonderful way this new year has started. I feel immense gratitude to the public who has wonderfully welcomed the “Griselda” series.

Major congratulations for your star turn in the brand-new Netflix miniseries Griselda! Starting at the tip-top, can you explain for our ever-inquisitive readers what Griselda is about and how your character of Estela figures into the proceedings?

Griselda is the story of a Colombian woman who managed to position herself as the most powerful woman in the drug trafficking industry in Miami, leading a drug cartel where a woman was not allowed. Estella is a drug dealer who risks everything to be part of Griselda’s, closest circle. Eventually becoming her idol’s right hand.

Did you know as soon as the script for Griselda crossed your desk that this was a production you wanted to be a part of?

Days before the audition came, I was feeling very tired of fighting for this “Hollywood” dream and wanted to return to Rome, Italy where I was living before coming to Los Angeles. I felt frustrated and I talked to God, I asked him if for some reason he thought I should continue in Los Angeles pursuing my dream, to send me a sign and a couple of days later I received Griselda’s audition, I had no doubt that it was his sign.

Griselda being a biographical drama, did you do any research offscript, or was everything you really needed pretty much baked into the screenplay itself?

I watched some documentaries about Griselda to understand her world, but being Colombian it was a language for me, already known. Griselda’s story has already been told in film and television before, but never in the way the Director, writers, and producers wanted to tell it, masterfully humanizing the characters.

You work with such a brilliant cast in Griselda, including the likes of Sofía Vergara, Alberto Guerra, Martin Rodriguez, and Juliana Aidén Martinez among others. What was it like exercising your considerable acting chops alongside this group of thespians?

You don’t always have the opportunity to work with talented actors, when this happens it’s just like going to Disneyland, your inner child just wants to play and that happened to me. I used to stick my tongue out at Sofia while we were on set just to make her laugh.

Your director on Griselda is the insanely talented Andrés Baiz! What was your collaboration like in working with Andrés? Is he what some actors might refer to as “an actor’s director”?

A few years ago I saw a film by Andres Baiz “Cara Oculta” that I loved and I said to myself “I want to work with that Director.” I managed to contact him and told him, that happened at least 10 years ago. When I auditioned for Griselda I didn’t know I was going to work with Andres, it was one more wish fulfilled. Although it takes time and effort, dreams come true.

Griselda debuted at number one in a total of 89 countries, as well

as topped Netflix’s Global Weekly Top 10 - Congrats! What does it mean for you as an actress to have your work so embraced and admired by discerning film and television aficionados?

It means great satisfaction but it also implies great responsibility. Being a public figure is an opportunity to create awareness and hope in the world, at least that’s how I want to use my exposure to the world.

Who inspires your craft of acting?

Stanislavskij, Lee Strasberg, and Meisner have been great sources of inspiration, but living life fully has been even more so. With the above I mean that if you escape from life itself, if you escape from pain, sadness, and anger, you also miss out on experiencing happiness, joy, satisfaction, and so on. I understood that playing a character is living a life that you don’t know but where you navigate emotions already known and experienced in yourself, therefore when I play a character, I try not only to understand their motivations but also to live their emotions to the fullest.

Your first credited work as an actress came in the form of 2008’s Ti stramo: Ho voglia di un’ultima notte da manuale prima di trebaci sopra il cielo. Any special memories of that freshman production?

It was the first time I set foot on a movie set, it was everything I wanted and I completely felt like I belonged there. I remember them asking me back then what other movies I had made and they were surprised when I told them it was my movie. first time on a set.

Word around the industry campfire has it that you’re quite keen on producing a film based on your life story, which would be titled All for a Dream. What’s the latest on this potential feature film?

This project is in the writing phase and its main objective is to materialize into a personal dream that could inspire the dreams of others. I want to create hope in a world in which compassion, empathy, and love necessarily have to win because otherwise, this life would not be worth living. We all came to this world with a purpose, committing to it is an act of love with ourselves and with humanity itself. We need more people in this industry to raise awareness about the responsibility we have to positively impact the audience.

Aside from acting, you’re also the founder of the Good Morning Happiness brand; kudos! Can you explain what Good Morning Happiness is all about and what led you to create it?

Good morning Happiness, my project responded to a personal need. When I understood that laughing significantly improved the symptoms of my medical condition, I found laughter a vital resource in my existence. I began to study how the brain works in relation to emotions and the body. I am also a psychologist and delving into the universe of mental health gave me enough tools to help myself and with the program I am designing, I will now help others.

Final - SILLY! - Question: Favorite movie about the making of movies - Living In Oblivion, Once Upon A Time In Hollywood, The Player, or Barton Fink?

I would say Living In Oblivion, it’s funny! Lol.

Krotos Studio

We’re super-excited to be speaking to the fine folks at Krotos; greetings and salutations and welcome to Vents Magazine! Starting at the tip-top, and for the uninitiated out there, can you explain what Krotos specializes in?

Thanks for having us and, of course, we can. Krotos is on a mission to change the way people work with sound. Our AIpowered software allows all content creators, professionals and hobbyists alike to perform and customize sounds easily, saving hours of editing time and allowing them to focus on creativity while injecting more fun into the process. In short, do more of the stuff you love and less of the stuff you don’t, making your imagination a reality.

Major congratulations on the recent unveiling of a groundbreaking update to your highly regarded product, Krotos Studio, at NAMM 2024: Quick FX! Have you been surprised by how immediate and positive the reaction has been to Quick FX?

It’s been wonderful but, to be honest, not surprising. We love what we do internally and with a team of industry experts, we always go about solving our own problems when it comes to sound. We figure if it solves our problems, it will solve a lot of other peoples too and that has been the response we’ve got. We love this industry and always want to give back, so it fills us with pride when that love is reciprocated!

How “user friendly” is Krotos Studio and the Quick FX section? Before someone uses the technology, is it research intensive, or is it relatively simple for even a beginner to use?

Very intuitive, we’ve seen this first hand at both NAMM and NAB this year, people immediately understand from just seconds of viewing a demo. We recently hired someone without sound or video editing experience and part of our onboarding process was for them to create a piece of content using the software. Now… We don’t think this will be winning any awards soon but it was pretty good. We asked them how long it took them and it took them just a couple of minutes. Before Krotos Studio, there is a good chance they wouldn’t have known where to start with this process and would take hours if not days.

Krotos Studio has been described as an “all-in-one” sound library and SFX performance engine. Is Krotos a pioneer in this particular field as far as what you offer?

Yes. There are a few in the realm especially in the AI space but where we differ is the way we use AI and how we maintain our quality. We’re seeing a lot of practices around IP ethicality and ownership currently, which we don’t want to partake in for various reasons. All the sounds you hear in the Krotos Studio software have been created in-house by sound

designers at the top of their trade, this allows our AI models to train themselves on the richest of sounds. So in that way, we are pretty alone in this particular field.

What’s the E! True Hollywood Story secret origin on how Krotos Studio was conceived?

From humble beginnings to global leader! Our founder Orfeas was studying in Edinburgh, when he had his eureka moment, trying to solve his own problems he was facing when working towards his degree in sound design, making monster sounds. He found the process of editing monster sounds tedious and time consuming and he made a software called Dehumaniser which changes your voice into a Hollywood quality monster sound in real time. He gave it away for free and it took off. The best ideas come from those solving their own problems.

What differentiates Krotos Studio from the Distinguished Competition on the sound library and SFX performance engine landscape?

When it comes to the holy trinity of quality, cost and time, they say you will always have to make a sacrifice somewhere. With Krotos Studio, this isn’t the case. Improved workflow, no endless scrolling, searching for that sound. High quality, and easy to perform. Without the eye-watering prices involved in the more manual side of design.

Maintain high quality sounds whilst saving time and money. That’s our differentiator and we’re pretty proud of it!

What other types of innovative solutions does Krotos offer in post-production sound design?

Krotos offers innovative sound design solutions for postproduction through various products:

Dehumaniser: A vocal processor ideal for creating unique sound effects, featuring creature voices and dialogue modifications.

Weaponiser: A versatile tool for designing and performing sound effects, capable of layering up to 80 audio files and offering a range of presets for various effects like weapons, footsteps, and cinematic transitions.

Reformer Pro: This technology transforms pre-recorded audio into performable sound effects in real-time, revitalizing existing sound libraries and adding textures.

Igniter: Specialized in vehicle sound design, Igniter allows for the performance and automation of complex vehicle sounds in digital audio workstations, available in three editions.

Concept: An intuitive synthesizer that simplifies sound design, allowing modulation and customization of sound patches with an easy-to-use interface.

Krotos also offers bundled sound libraries and plugins that provide comprehensive tools and resources for sound designers and audio professionals, optimizing their creative workflow and offering substantial savings.

Krotos Studio is a beacon in the world of AI-driven functionality and intuitive design and is an example of the positives AI can bring to the table when used correctly. Has it been a difficult battle to combat some of the negative press on AI and open people’s eyes to the good which this technology can do?

100% and we’re fully aligned with the industry on this. We believe technology should be used as a power of good and

fuel creativity rather than replace it. The AI we incorporate is of a very high ethical standard and it is something we are constantly monitoring and getting customer feedback on. At the end of the day, technology is nothing without humans and that is part of our mantra when it comes to building tech, we’re customerobsessed before anything else. Our job as industry leaders in technology is to help the creative community understand this and educate them on it in the process. One of our company values is transparency, so we are an open book in regards to this. We use AI to reduce the path from your imagination to the actual result and imagination can’t be replaced by AI.

Looking into the ever-murky Magic 8 Ball, where do you see the Krotos brand as well as Krotos Studio in three years? What about in ten years?

To become an industry leader and allow all content to sound better. When you think about sound, you think Krotos. Continuing to build industry-leading products that solve problems for our community but are also beautiful and exciting to use. We will always exist to fuel creativity with the ultimate mission of making imagination a reality. Expect to see more moves into other creative spaces, music is something we are constantly exploring, so watch this space!

What is the one thing which is most important for people to know about Krotos Studio?

The customer experience! It will transform your content through the power of sound that affects your emotions. It will make everything you do stand out and you will enjoy the process of using it. It’s fun and sounds great.

Empire Springs

We’re super-excited to have some time today with rightly acclaimed Progressive Metal band extraordinaire Empire Springs; greetings and salutations and welcome to Vents Magazine! Before we dive into the Q&A mosh-pit, could you each say ‘hi’ and introduce yourselves to our ever-inquisitive reading audience?

Hello from Michael, Brett, Chadwick, and Ethan! Thank you so much for having us!

Major kudos and accolades on your freshly-minted new single GOLDEN which is turning heads and burning up record charts even as we speak! Brett, what’s the VH1Behind the Music origin story of one of the very best new singles of 2024?

This song was written during the lockdown of 2020. The working title was “Changing Colors” because I wrote it during a time where I felt like so many aspects of my life were changing so rapidly.

Michael, what was it like collaborating with producers John Douglass and Eric Guenther on GOLDEN?

Was there a lot of creative give-and-take while in the studio fashioning and shaping the new tune? We always have such a great time with John and Eric. They both have the perfect mix of discernment, competence, artistic direction, and humor. Truly the best producers to work with.

Chadwick, in your humble opinion what differentiates GOLDEN from the Distinguished Competition on the 2024 music scene?

The keyboards! Not a lot of bands in our scene have a dedicated keyboard player so we really tried to lean into that for this release.

Ethan, simultaneous to the release of the new single, a companion music video for GOLDEN has also been released; congrats! Was Empire Springs heavily involved in the behind-the-scenes production of the new music video?

Yes! We filmed at a local venue/studio in town called LCY and it was a lot of fun working with Jordan Hudecz on set.

Brett, word ‘round industry campfire has it that Empire Springs is furiously hard at work on the six-track LP, Attrition, which is slated for release in April 2025; congrats again! Can you give fans a hint or three as to what they can expect and look forward to with this eagerly awaited follow-up to your 2022 debut LP, The Luminescence?

Definitely -- this release was much more song-focused rather than our previous record which was more album-focused. I wanted all of these songs to stand alone in their own right, and along with that I feel like we experimented with a more metalcore approach to the songwriting and production.

Michael, what does the touring/performing dance card look like for Empire Springs in the coming weeks and months?

We are actually taking this time to write even more music. However, we are also in the process of planning our next shows and tours for the fall. More to be announced soon.

Chadwick, Empire Springs hails from the beautiful city of Birmingham, Alabama. How do those particular stomping grounds inform the sound and energy of the band?

Most of us met while attending college in Birmingham, and we are pretty active in the local show community here in town. It’s a great city!

A question for all of you: Who are you inspired by, musically-speaking?

Brett: I think I speak for all of us when I say that we have a variety of influences across the board but we tend to converge on bands like Loathe, The Contortionist, and Erra.

Ethan, any final thoughts you might like to share with readers regarding the new Empire Springs single GOLDEN and its companion music video?

We were extremely proud of how the production of the song came out, shoutout to our producer John Douglass! We feel the song has a lot to offer and we hope that people connect with it in a meaningful way.

Late Slip

We’re very excited to have some time today with Chelsea Nenni from retro-pop band Late Slip; greetings and salutations and welcome to Vents Magazine! Before we stroll down the proverbial Q&A musical pathway, could you say ‘hi’ and introduce yourself to our ever-inquisitive readers?

Hi! I’m Chelsea and I sing, play guitar, and write songs for Late Slip. Thanks for inviting me to chat today. 

Major kudos and accolades on the debut album from Late Slip, I Love You which is set to drop this coming June 7! What’s the VH1-Behind the Music origin story on one of the very best LP releases of 2024? How did I Love You come into being?

Thank you so much! I’m excited to share this album with everyone. I Love You is made up ofa few staples from our live set that deserved to be recorded and some new tunes I wrote over the past couple years that really took shape in the studio.

The producer on I Love You is the ever-phenomenal Lewis Pesacov. What was it like for Late Slip to collaborate with Lewis on this debut LP?

Oh man, Lewis is the best! We first collaborated on the Reelin’ EP (2020) and so our working relationship was in a perfect place to build this full-length album together. We definitely share a retro sensibility that makes recording together easy!

In your humble opinion, what differentiates I Love You from the Distinguished Competition on the 2024 music scene?

In a sea of all the amazing music coming out this year, I Love You is probably different than anything else you’ll hear! I say that because our music weaves a bunch of styles and influences to create something sparkly and new.

I Love You is being released via Party Mermaid Records. What makes Party Mermaid the perfect home for Late Slip and their music?

I’m proud to say that Party Mermaid Records is my own indie label! In 2020, I founded Party Mermaid with Rachel David and Jules Batterman, two of my friends from the LA music scene. It’s been so rad to develop our presence over the years and I’m proud to present I Love You on the label.

Listening to I Love You, we can hear the sweet refrains or traces of other amazing and timeless artists such as Duane Eddy, Buddy Holly, Brenda Lee and Eddie Cochran, along with a little Dick Dale thrown in for good measure! How instrumental were some of these past musical alchemists in informing the sound of Late Slip for this LP?

Those references are so spot on – you totally get it!! All the artists you mentioned (and so many more) were coursing through my veins while writing and recording this album.

On the heels of the June 7 release of I Love You, can fans look forward to catching Late Slip on the touring/ performing circuit?

We have such a fun summer ahead! On June 7th, we have a release show and party planned at Sleepwalk in Brooklyn. Then, on July 21st, we get to play Rock! Away! Music Fest, our favorite summer music festival in Rockaway Beach. On August 14th, we’ll be playing a rooftop party at Our Wicked Lady in Brooklyn. So, it’s going to be a very New York City couple of months, since this is officially the best time of year here.

As a singer/songwriter, which generally comes first for you: The music or the lyrics?

Ooh, that’s a great question! I think my official answer would be the lyrics. Many times, I write the lyrics and the melody at the same time, but in certain instances I’ve written all the lyrics for a song first and then put them to music after. It really depends!

Late Slip is based out of Brooklyn, NY. How do those particular stomping grounds inform the sound and energy of the band?

I think that New York City’s energy (which literally emanates from the ground) and the music history here definitely lends itself to Late Slip’s music. Even our choice to cover “Heart of Glass” is a nod to Blondie and all the great bands that have come before us. <3

The first single off of the I Love You LP is the gorgeous track New York City. What made this tune the perfect choice of song to kick off the I Love You party?

Aw, thank you. Honestly, it was so cool because I wrote this song during a period of separation from NYC and I’m convinced that recording it was what helped manifest my move back to the city. So, it felt like the perfect first single to share off the new album, commemorating the year I got to come back.

Any final thoughts you might like to share with readers regarding the June 7 release of the debut Late Slip album, I Love You?

I’m honestly just so thankful for everyone’s support!I hope that you love listening to the album even half as much as we loved making it. And, if you’re a vinyl nerd like me, you can grab the first pressing of I Love You on 12” vinyl via Late Slip’s Bandcamp shop.

Talkradio

Hi, welcome to VENTS! How have you been?

Hi all, thx so much for this opportunity. Aside from a horrible flu, I’ve been great!

What can you tell us about the title and meaning behind your most recent release?

While I was writing the latest album, I kept thinking about the choices I’d made throughout the years to get me to this point. The thing is, I was forced to make some pretty horrible choices over the previous 15 years or so. Choices most people shouldn’t have to make. Choices that meant I had to put myself in difficult positions for some time (positions I’d rather not have been in) to eventually get to a good position. Still, the fact that I was finally happy with how things had turned out meant that I couldn’t really stay angry at things that had happened in the past. Ok, not everything is perfect. For that to be the case, I would have to be able to quit my day job and support myself with my music, which is not possible. Everything else, though, is as good as it can be, so my positives far outweigh that one negative. In the end, it’s about choices. We all have to make them.

How was the recording and writing process?

I have to be in a certain mood/mindset to write, which is hard to describe. The first thing that happens is a melody turns up in my head. I start by humming it into my phone’s voice recorder. If I listen to it the next day and I still think it has potential, I go to my little studio here at home, record it on a track in Pro Tools, then work on the instrumental tracks, starting with the guitars. Although I work the drums out last, they obviously get recorded first when I’m ready to do the proper demo. Lyrically, I’ve always written about some experience, whether it was recent or from the past. I can easily spend an entire day working on a song without noticing. Sadly, I don’t often get whole days because I have a day job.

Once I’ve finished the demo, I call my studio contact and upload all the finished songs so they can have a listen. I’ve always given the studio the songs ahead of time because I think it allows the producer to fully understand what we’re going to be recording, so we both know exactly what we need to do before we even start.

When I get in there and start recording, everything is played as it was on my demo. I don’t hand my demo in until I am 100% confident that it’s what I will be recording. The only things that may vary are drum fills and guitar solos. Sometimes, in the moment, what I improvise can turn out better than what I had previously.

I’ve been told by every studio I’ve recorded with that they haven’t seen anyone record the way I do or in such a short amount of time. I finish an entire album in 9 days, even though I play and sing everything. I’m sure it’s not that big an achievement. It’s just about being organised.

Where did you find the inspiration for the song and lyrics?

It’s always about something that happens to me or has happened to me. I just write about what I know, whether it’s some life lesson I learnt the hard way or just something that pissed me off recently.

Will you be hitting the road this year?

Given I’m the only one in this project, no. I still gig regularly in an acoustic duo, but not as Talkradio. I just play covers live.

What else is happening next in your world?

I’ve already started writing for my next recording. Once five songs are finished, I’ll be back in the studio. With some luck it will be later this year, but I would say next year to be safe.

Haben

We’re happy to have some time today with acclaimed R&B/Pop singer and songwriter Haben; greetings and salutations Haben and welcome to Vents Magazine! Before we meander down the Q&A musical pathway, how is 2024 treating you and yours?

2024 has been pretty good to me so far! It’s been unpredictable in the best way so I’m looking forward to seeing what the rest of the year has in store.

Major congratulations on the super-successful What I Didn’t Tell You North American Tour with Coco Jones! For anyone reading this that wasn’t fortunate enough to attend one of the shows on the tour, or perhaps who has never seen you perform live, what sort of show should they look forward to and expect when checking you out on the performing circuit?

Thanks so much. The set I did for that tour was all unreleased music so I got a chance to test songs out & have fun with the crowds. Moving forward, people can expect more vocal moments, more energy, and of course a set of songs you can stream!

What were some of the highlights for you personally on the What I Didn’t Tell You North American Tour?

There were so many highlights. From the experience living in a tour bus to meeting new people at each stop. But because it was my first time performing in years, there was something so unforgettable about people reacting to my set. It can be daunting to perform music that only you’ve heard, but each city really came through, brought their own vibes, and gave me moments to remember. I’m grateful for that.

Kudos and accolades on the long-awaited sophomore EP! Can you talk about what inspired the new EP?

Thank you! It’s funny because this EP almost feels like it fell together. There wasn’t an overarching inspiration. I spent so much time making individual songs without seriously considering them in project form. It was only after sitting down and hearing my favorite records that it became clear which songs worked well together. It was a pleasant surprise.

How is the new EP similar to your freshman effort, The End? How is it different?

I would say I’ve been highly invested and involved every step of the way for both projects. I get to touch things up, re-record, and re-write. I get to engineer my vocals where I can get away with it. At the same time, creating this EP was a lighter experience than the first. So much of my environment changed during the making of it that I found myself in a different headspace. I’m naturally a very careful creator. I don’t complete songs if I’m not sure about them. But this time around I got to try balancing that out a bit, loosening up without sacrificing quality, stepping out of my comfort zone, collaborating more, and just seeing what happens.

For your money, what’s the most powerful song off of the new EP? Do you have a personal favorite?

There’s a slower song on the project and it makes me feel like I’m going through a breakup every time I play it. And then there’s a song called Telepathy that’s been my favorite this month.

Who was your producer on the new EP and what did the collaboration between artist and producer look like while in the studio working on the new material?

I actually had many producers all through this project. With new producers, we would almost always create/write songs from scratch. It gave us a sense of teamwork and connection. I also did a couple of songs with a producer named Wicks, that I’ve worked with since I was 11 years old. When we work, it’s a very comfortable zone and we both feel free to pursue ideas without judgment.

Who inspires you, musically-speaking?

My biggest musical inspirations are Beyonce, Rihanna, and Coldplay. I’ve also been deeply impacted by Mariah Carey, Michael Jackson, and Whitney Houston.

How did your amazing performance alongside your sisters back in 2009’s America’s Got Talent affect the trajectory of your music career? Did it open a lot of doors for you?

America’s Got Talent was a turning point in my music career. At the time, it was the most viewed season they had ever had, so the support we received really pushed us to rehearse harder & book more shows & catch the eye of some major labels. We were doing around 60 shows a year while being full time students. It was definitely a ride.

1You were born in Seattle, Washington and now hang your hat in Los Angeles. How do those particular roots and your new stomping grounds inform you as both an artist and as a person?

The community that I had in Washington throughout my childhood was so stable. It created a space where I could believe in my work and express myself comfortably through music. There’s a freedom I’ve experienced in the music scene in the Seattle area that encourages experimentation. That’s exactly what I needed growing up. In LA, because the entertainment industry roots run so deep here, there’s an organized and seasoned system for everything. I do love that. It feels like there is so much to learn here and so many professionals to connect with.

What does your touring/performing dance card look like in the coming weeks and months?

I’m pushing to join another tour in the coming months. I really want to level up my performances and create a great set well in advance. It feels good to be prepared so that’s what I’ll be working on.

Outside of the new EP, should fans keep their eyes peeled for even more music from you in ‘24?

Good question. I’m all about music right now, so that would be a goal for me. I’ve kept a lot of songs to myself over the years and I don’t want to do too much of that anymore. Of course, I’m always going to be intentional about releasing so we’ll just have to see.

Any final thoughts you might like to leave readers with regarding your new music and what they can expect from you in the future?

I’m just so excited for y’all to hear what I’ve been working on. It’s a great feeling because I love these records and they’re almost ready. Hope I get to perform them for you soon!

InTheosis

We’re very excited to have a little time today with acclaimed band InTheosis; greetings and salutations gang, and a hearty welcome to Vents Magazine! Before we jump down the musical Q&A rabbit hole, could the two of you say ‘hi’ and introduce yourselves to our ever-curious reading audience?

Jon: Hi all, I’m Jon Reichardt - instrumentalist and producer for InTheosis.

Peter: Hey! I´m Peter Espevoll - Norwegian singer, composer, producer. Doing a wide variety of fun stuff, like InTheosis, Extol and Hrada.

Kudos and congrats on the debut single of InTheosis, Mysteria! Peter, can you walk us through how this gem of a tune came into being? What inspired one of the best tracks to hit the airwaves in 2024?

Peter: Thank you for your kind words! This was I guess the first song Jon and I started working on together. One day early January this year, I woke up with an idea for a new song from Jon on my phone. It was an instrumental version of Mysteria, with that insanely lovely intro riff..! I immediately loved the idea and dove straight into working on vocals and lyrics. The lyrics are (as often with my lyrics) quite personal, and dealing with anxiety.

Jon, before we delve further into the present day, could you talk about the formation of InTheosis? How did you and Peter connect and ultimately form the band?

We met at a mutual friend’s bucks party in Drammen, Norway. We were doing a pub crawl and Peter and I connected over music and some similar things we’ve had to face in our lives. Then I drank too much and lost my phone. Peter kindly helped me backtrack to each pub and find it. Fast forward 6 years or so and Peter asked me to help out with some production for his other project Hrada. We gelled creatively and continued to collaborate, which inevitably led to InTheosis.

Peter, for all of the new fans out there, how would you describe the musical stylings of InTheosis? What genre of music do you feel the band falls under?

Peter: You´re asking a soon 45 year old dude, that has lost the overview of everything metal.. But in my opinion this is super catchy, hard hitting, melodic, progressive pop metal. Jon would probably put it in other and more correct terms, lol...

Jon, as a renowned producer in your own right, is it safe to assume that you did the producing honors on Mysteria? And, if so, what are the pros to serving as your own producer?

For the most part, yeah, but all of it was very collaborative and Peter took the reigns with vocal production. I built his vocal chains on the back-end as I mixed the song but the vocal arrangements are his. Being your own producer is a bit like ‘choose your own adventure’ as you’re not looking for another professional to help you best express your art. You can take the songs wherever you feel they need to go stylistically and sonically, but you also need to know your limitations.

A question for the both of you: Who are you inspired by, musically-speaking?

Jon: everyone from Karnivool, Deftones and Korn to Mutemath, John Mayer, early Coldplay and countless other artists. Movie score composers like Hans Zimmer and Danny Elfman. I’ve also been loving the wave of djent and metalcore that’s come through for the last decade or so - Periphery, Tesseract, Spiritbox, Sleep Token to name a few.

Peter: That past years a lot of my main inspiration has come from the non-metal world. I´m really into a lot of movie score composers like Elfman, Zimmer, Riviera and Djawadi (and a whole bunch others!)

Of harder music I love Jesse Zuretti and lately I´ve found myself nodding my head uninterrupted to stuff like Sleep Token, Architects and VOLA.

We´ve actually assembled a Spotify Playlist with some inspirations for Mysteria. Feel free to include it (or not)

https://open.spotify.com/playlist/3OD7Y5d3JkdehPGi9 WL2WI?si=109b916ea3ed4be2&nd=1&dlsi=5b44b4a03d0 14bca

Peter, in the wake of the release of Mysteria, can you give fans a hint or three as to what other musical goodies they can expect and look forward to from InTheosis in 2024?

Peter: For sure! We will release our second single in not very many weeks..! (Release date coming soon!) The song is called Purge(d) and will hit hard! After that, hopefully there wont be long until single number three will be released. A super catchy pop metal song, ripe for the pop metal charts! Can´t wait to get those two out there!

Jon, InTheosis has roots firmly set in both Norway and Australia. How do those seemingly disparate roots inform the sound and energy of the band?

Scandinavia has long been known for producing excellent heavy music but Australia is really catching up in my opinion (not to dismiss older bands like AC/DC). Bands like Karnivool, Northlane and Thornhill amongst many others show that there’s a real current metal culture that’s alive and well. I guess in this sense it’s been relatively easy to connect and make music on a similar wavelength. Also, I grew up in Sweden as a kid so there are shared cultural qualities and values too.

Peter, what does the InTheosis touring/performing dance card look like in the coming weeks and months?

Peter: We dont have anything planned as of yet, and Jon and I live on the opposite sides of the globe, so it might turn out to be a bit difficult. But who knows what the future holds..

Jon, any final thoughts you might like to leave readers with regarding the new single Mysteria?

Thanks for listening first and foremost! Also, expect more heavy, dynamic music to come.

The Chuck Norris Experiment

Hi guys, welcome to VENTS! How have you been?

Hey VENTS! Thank you! We have been just doing just awesome!

What can you tell us about the title and meaning behind your most recent release?

Our brand-new album “20” will be released on June 27 and the title is simply a show off and a celebration of our 20-year anniversary as a band.

How was the recording and writing process?

It was a different process for us this time, the first five songs took two years to get ready, while the last six songs took us about a month to write, rehearse and record. This time we wrote more as a band than ever before, and I think you an hear that, it’s a little more playful, if playful is a word you can use to describe death-punk-action-hard-rock.

Where did you guys find the inspiration for the song and lyrics?

I pick up inspiration in small details everywhere, it could be a phrase in a movie or TV show, a chord change in a song or tasting a new beer for the first time. We don’t try to say anything important, or take stand in our music, we simply aim to have fun and hopefully that fun can be rubbed of to someone through our songs.

Will you be hitting the road this year?

Yes! We have been doing some Swedish shows this year, and we will tour Spain for the first time this autumn. And there are some shows in the UK and US in the works too. So, keep your eyes open, we will be around your neighbourhood soon!

What else is happening next in your world?

Right now, we got full focus on getting the album out and showing it to the world. But we have already started writing our next album, which will be a heavier and darker story if we continue the path we started. The first songs are ready, and they are bloody cool!

It will not take three years for the next album to pop, we aim to have it out in a year.

Thank you very much for having us!! www.chucknorrisexperiment.com

Sinsation

Hi guys, welcome to VENTS! How have you been?

Greetings amazing VENTS Magazine! We really appreciate you having us on. We are doing great! Enjoying the SoCal weather and staying really busy pushing our latest release….Sinsation Nation

What can you tell us about the title and meaning behind your most recent release?

Thank you for asking. We are really proud of this release. Number one is Sodeh Records crushed it on the rollout and promotion. It has been the most fluid release we have done so far. Also this single is a love letter to our fans written in vampire blood. We wanted to write a song that exemplifies our love for our fans, friends and fiends throughout the world. We are one… Sinsation Nation

Sinsation Nation https://bfan.link/sinsation-nation

How was the recording and writing process?

The writing process was pretty simple. Sammy wrote the music and it passed the shred test with the rest of the band. We moulded and shaped it with some hooks and McKiller and Sado added the secret sauce….The lyrics. As far as the recording process we made the leap and recorded everything in house. Sado created a solid mix and then we sent it to Emmett at Beagle Studios in Santa Barbara for mixing and mastering. That’s the key to killer recordings, you can record in house, but never skimp on mix/master. Hire the best in the business for that.

Where did you guys find the inspiration for the song and lyrics?

Sammy has been wanting to write a song called Sinsation Nation for a while and this was the perfect time to do it. We wanted something catchy with hooks and depth, but also a vampire anthem for our coven to chant and sing. The inspiration comes from our fans and from the endless universe of light and darkness. Also from our love of California, the ocean, and all things vampiric. Blood, fangs and sexy vampires prevail!!

Will you be hitting the road this year?

Our next big show will be at The Whiskey A Go Go in Hollywood with Burning Witches in October. We played with them last year and this year will be even better and more crushing than the last. We will keep you updated on socials, please like and follow.

https://www.instagram.com/sinsation_official/ https://www.facebook.com/sinsationvampires/

What else is happening next in your world?

We are working on our most ambitious track and video yet. Think Vampires versus Zombies….Who will win? It’s called Zombie Nightmare on Sodeh Records. We are also working with our sponsors to create some incredible content and we will be booking shows and festivals very soon. Thank you for having us VENTS Magazine!! You rule! Lets do it again sometime. Also thanks to Sodeh Records, our sponsors and especially our fans…..Sinsation Nation.

Hi guys, welcome to VENTS! How have you been?

Thank you for having us. We’re thrilled to be here and eager to get started.

What can you tell us about the title and meaning behind your most recent release?

“Melt with Me” is about embracing and nurturing your inner child rather than mourning your childhood, ensuring you never lose touch with your true self. This song has been in development for the past three years, and we have finally found the direction we want to take.

How was the recording and writing process?

Over the past few years, we’ve worked on several versions of this song, but we frequently encountered obstacles that made us question whether we wanted to release it or if we even enjoyed it. we’re happy to announce that we finally overcame those challenges, and the song is now available on all streaming platforms.

Where did you guys find the inspiration for the song and lyrics?

Our previous guitarist, Liam, originally conceived the idea for the song back in 2020/21. While we’re not sure

what influenced him, it became clear as we worked on it that the song needed to be completed. Ollie dedicated about a year to refining the lyrics, and we produced around ten demos with subtle variations. Once Ollie discovered the story he wanted to tell, he knew exactly what direction to take.

Will you be hitting the road this year?

We have a few shows remaining this year, but we’re always eager for more opportunities. If you’re looking to book a dedicated and hardworking metal band, we won’t disappoint.

June 28th: The Rutland, Chesterfield

July 12th: Old Pint Pot, Salford

July 29th: Aatma, Manchester City Centre

November 29th: The Rutland, Chesterfield

What else is happening next in your world?

While we promote our new song “Melt With Me,” we’re also excited to announce that our next release, “Portrait,” is scheduled for August. This track ventures into a new territory for us, blending elements of pop with our signature metal sound. We aim to end the year with several new releases and look forward to an active 2025 filled with numerous shows and tours.

Thank you again for having us

Irian Darkwood

Hi guys, welcome to VENTS! How have you been?

Fine thanks, I hope you’re doing well.

What can you tell us about the title and meaning behind your most recent release?

Lost Heart is a song I wrote because in October, I thought I was going to lose the love of my life, and the horrible feelings I felt, thankfully, I didn’t lose him, but, I felt the feelings around it, people might identify with this, so I write a poem, and with the help if a lyricist, Lost Heart was ‘born’

How was the recording and writing process?

It had it’s ups and downs, it took me a while to be able to ding this without bursting into tears to be honest because it hit me in the feels so hard, but, overall, it was a really great experience, and I’m so happy we have this song now.

Where did you guys find the inspiration for the song and lyrics?

Again, it was the feelings I felt when I thought I was going to lose the love of my life, I took that and made Lost Heart.

Will you be hitting the road this year?

I’m not really sure what’s going to happen just yet, but hopefully, I will be doing live gigs in the near future.

What else is happening next in your world?

Lots of songs in the works, hopefully getting out and doing live gigs, we have a song lined up for release after Lost Heart that is a modern take on an old song, so an original cover if that makes sense, it’s original lyrics but sort of a cover tune

Peanut Butter Mosquito (A.K.A. PBM)

We’re super-excited to be speaking today with Tom, from the acclaimed seven-member horn-driven pop-rock band Peanut Butter Mosquito (or ‘PBM’ if you’re inclined to acronyms); greetings and salutations Tom and welcome to Vents Magazine! Before we meander down the proverbial Q&A musical pathway, could you all say ‘hi’ and introduce yourselves to our ever-inquisitive readers?

Of course, hey everyone, I’m Tom, one of the co-founders of PBM, a horndriven rock band out of Grosse Pointe, MI. I am a full time high-school/ middle-school band director in the Grosse Pointe Public School System where I teach music to roughly 200 students each and every day. This is a dream career for me given that nearly 30 years ago Nate and I met in the band room at Cousino High School. Had it not been for public school band class, I wouldn’t be interviewing with you today. Outside of teaching I am married to my wife, Jenna and we have four amazing kids.

Major kudos and accolades for your freshly-minted new single When I Die! Can you talk about what the VH1-Behind the Music origin story is for one of the very best singles of 2024?

This song takes a stab at the overuse and overabundance of technology in everyday life. As a teacher I witness this first hand with kids and their cellphones. We live in a world where we have all this information in the world readily available at our finger-tips, however as a result of being face down in a screen we miss out on the real world right in front of us. This song is a charge for society to wake up!

Tom,Peanut Butter Mosquito is nigh legendary to any card-carrying audiophile out there worth their salt! That being said, were there any challenges the band faced after a nearly 20-year hiatus from the industry? Was it easy for PBM to sort of slide back into things after so many moons?

Amazingly no! We have been together for so long that coming back into the fold was almost like we never left. We started with a gig or two and they went great. At that point we were rehearsing newer music and getting into the studio seemed like the next logical step. This studio experience was unique, however, as it was the first time we were in full creative control. We went in and experimented with different sounds and styles, added additional tracks and instruments to fill up the sound, and ultimately wound up with what you are hearing now. I would say the process went so smooth that we can’t wait to get in and record the next three or four tracks we are sitting on!

How is When I Diesimilar to such past Peanut Butter Mosquito music as 2006’s singles Password or Mark Met Jen? How is it different?

Most of our music is based on real life observations. When I Die takes on technology, Mark Met Jen is an observation on teen/early twenty romance/heartbreak. When I Die, is more edgy. I think that comes from our getting older and having stronger opinions on things based on having more life experience then we had 20 years ago.

Who did the producing honors on When I Die and what did the collaboration between PBM and producer look like in the studio while shaping and fashioning the new tune?

Initially we hooked up with our good friend Doug Austin who Nate and I both knew from our time working for Apple. Doug, a music engineer/ percussionist, has a home studio in his basement and having taken such a lengthy break we were not ready to go full throttle. We hooked up with Doug, recording five tracks, and started the process of getting back out into the music scene. What we quickly determined was that the tracks were excellent, however we needed a bit more polish. After some looking around, we met Erik Maluchnik from The Tempermill in Ferndale, MI. We immediately hit it off with him and booked the time to rerecord “When I Die”. It was the right move as the finished product was incredible. Erik referred us to Third Man Records and a dude named War for mastering. Once again we were floored. We will without question utilize Erik and War going forward as they get what we are looking for, and wouldn’t settle for anything other than our best.

In your humble opinion what differentiates When I Die from the Distinguished Competition on the 2024 music landscape?

“When I Die” is a return to catchy lyrics and melody, which in my opinion has been vastly absent in much of the music that is popular today. We want the chorus to be an earwork that you hear once and can’t shake out of your head. We are confident that we achieved just that!

In the wake of the release of the new single, can fans look forward to catching Peanut Butter Mosquito on the touring/performing circuit in the coming weeks and months?

We are always looking to hop on bills with other groups. Part of being absent from the music scene for 20 years means that we have to work to rebuild our brand and a newer following of fans. We are always updating our calendar on our website www.pbmosquito.com

While we do not have intentions of touring currently, we are always open minded for the right opportunity to bring our music out to the masses!

With When I Die now out and about in the world, should fans keep their eyes and ears open for more music from PBM as 2024 marches on?

Absolutely! One thing we learned about ourselves is that our newer material is much more sophisticated than a lot of the old stuff. We are already working on mixing and mastering two more songs we hope to release by end of August, and have no doubt that we will be back into the rehearsal space and studio with even more material in late 2024/early 2025.

We love the Ska/Big Band energy of Peanut Butter Mosquito. Which artists in those respective genres of music have inspired you over the years?

This is such a loaded question! When we were getting started we were heavily influenced by the big band resurgence along with Ska. Mighty MightyBosstones or Royal Crown Revue, Brian Setzer Orchestra was big at that point as well. Reel Big Fish and Goldfinger are some others. Our biggest influence are bands like Green Day, Barenaked Ladies, and OingoBoingo.

Tom, Any final thoughts you might like to share with readers about the triumphant return of Peanut Butter Mosquito as well as the band’s new single When I Die?

It is the best song we have EVER written and if you like it as much as we do, come see us live and check out our other music. We are thrilled to be back in the Detroit music scene.

Sebastian

We’re very excited to have some time today with acclaimed alternative music artist Sebastian; greetings and salutations Sebastian and welcome to Vents Magazine! Before we get too far down the Q&A musical rabbit hole, we described your indelible musical stylings at the top as “alternative.” Is that a good musical moniker to hang on you, or would you opt for perhaps another title? Listening to you, we can hear the sweet refrains of rock and roll, grunge, and rhythm and blues as well!

Alternative is the perfect word to describe my music.

Major congratulations on the freshly-minted release of your freshman studio album Under the Moon! Starting at the tip-top, can you talk about what inspired one of the best LP releases of 2024?

Under the Moon is very much about relationships of the complex variety. The specific influences from my life come in the form of toxic relationships mainly. On one hand it’s painful, but on the other hand it’s great material to write about.

Who did the producing honors on Under the Moon and what did the collaboration between artist and producer look like in the studio while working on the LP?

My boy Billy Gerrity produced most of the tracks on the album and to give you an idea of what the two of us look like working together in the studio, picture Deadpool and Wolverine making music together.

We’re big admirers of the sophomore track on Under the Moon, Ishtar! What’s the story behind this gem of a ditty?

Ishtar came about when I decided one night that I wanted to write a song depicting the perfect woman and how I would treat said woman should we become involved. It’s actually the only song on the album that isn’t about a woman I know personally. I’ve always been big into spirituality and the different cultures of the world, so I knew pretty early on that I wanted to write a song about my favorite historical deity, Ishtar.

Everything she represents, lust, sex, love to an extent, are all the themes I wanted to make the music on Under the Moon about.

Alongside the release of Under the Moon, a companion music video for Goth Girl at Bar has also been released; kudos and accolades! What was it like filming the music video for super-talented director Michael Allen?

Mike Allen’s great to work with. I would say since first meeting him we’ve become much closer and I can say that he’s just a great guy overall. Throughout the process of making the music video, he would listen to my ideas and the scenes I was seeing in my head and made sure to give life to the vision I had for the video. I can’t say enough about him, he’s the man.

In your humble opinion, what differentiates Under the Moon from the Distinguished Competition on the 2024 music scene?

Truthfully, my young and contemporary views of romance and the specific experiences I’ve had in my life that have shaped them are what make my music unique and stand on its own. Under the Moon is very much about the moments of life that come in the nighttime. Whether it be good, bad, or sad, I feel that I was able to capture the essence of various emotions that we’ve all felt on one night or another.

In the wake of the release of Under the Moon, can fans look forward to catching you on the touring/performing circuit in the coming weeks and months?

I’m currently working on putting some live performances on the schedule, but it’s too early for me to say anything specific. I would definitely love to go on tour at some point in time.

Who are you inspired by, musically-speaking?

Adam Levine, Mick Jagger, The Weeknd, Billie Eilish, Eddie Vedder, Oli Sykes, Olivia Rodrigo, Michael Jackson

In another life before music, you were an acclaimed child actor. What made you segue from acting to music and how has that acting experience informed your activities as an acclaimed music artist?

Interestingly, although I began life in the spotlight as an actor, music is always what I wanted to do with my life. From my earliest memories I dreamed of becoming a rockstar and I never lost that connection with music even while taking up acting as my primary focus in life for a while there. I just kept writing songs and of course it takes that many songs before you finally start being able to write good songs. In that way, I see my time acting as a necessary stage in my development as both a songwriter and a performer. Don’t get me wrong, I love everything about acting, but music will always be my first love.

Any final thoughts you might like to share with our ever-inquisitive readers about your amazing album Under the Moon?

The creation of Under the Moon has taught me so much about being a music artist and connecting with fans of my music is something that brings me an unparalleled amount of joy. I’ve always thought that if I can make an emotional connection with even just one person through my music, then I’ve made a positive impact in the world. No matter what you’re going through, listen to Under the Moon and know that you’re not alone. Life has its low moments in every aspect, but these are only to help highlight the highs even more and allow you to cherish them.

Steven Tyler,