Portfolio
朱筱琪 CHU, HSIAO-CHI
Journey
CHU, Hsiao-Chi Female 1987.09.29 hsiaochichu.tumblr.com
畢業於國立臺北藝術大學藝術與人文教育研究所，現為美術館館員及獨 立藝術工作者。近年執行展覽、出版、媒體公關及藝術教育專案策劃統 籌，並受邀至各藝術節擔任藝術家執行藝術計畫。 自2010年起擔任社區規劃師，執行多項社區規劃案，行走在城市間，對 城市、生活、文化相當感興趣，思考藝術與文化之間的新連結與觀點。 持續關注人權、文化、藝術等議題，如弱勢、榮民、移工議題，並積極 參與各類活動。並以民眾參與為導向，跨越年齡和種族，納入城市中的 環境、文化議題，與民眾共同合作共創藝術行動計畫。 Chu, Hsiao-Chi, an independent art project coordinator and writer. Graduated from Taipei National University of the Arts, Chu has considerable expertise in arts and culture studies, provoking new insights and initiating public engagement projects through observing people’s city and lifestyle. Since 2015, Chu has written two books talking about her travel of the World Heritage in Mongolia and the Middle East. More publication, including her art review and interview article could be found in art plus magazine and The News Lens.
Education
2012 - 2015 MA，國立臺北藝術大學 藝術與人文教育研究所 碩士論文：參與式藝術行動計畫之實踐與反思－ 以新屋藝家人為例 2005 - 2009 BA，私立東吳大學財務工程與精算數學系
Research Interests
Heritage Migration and Diaspora Anthropology and Sociology Art-based Research
PROFESSIONAL Always maintain a creative and progressive outlook on QUALITIES curating exhibition and participatory way for public which stimulates new ideas, display design, and art participatory project. Continuously pay attention to human rights, culture and art issues, across age and race, to plan/design public participatory program by people-oriented, which include the human rights, city’s environment, cultural issues, etc. SKILL
〔語言能力〕 母語為國語，台語和英語流利，通英語 (IELTS 6) 〔電腦軟體〕 Windows XP/ vista / 7 /10、Mac OS、Ubuntu Linux, Microsoft Office 2003~2010, SAS / R / SPSS, LINEAR / QSB, Abode Premium CS2~CC、Corel Draw X3
Education
2012 - 2015
2005 - 2009
Professional Experience
2015.05 -
MA，國立臺北藝術大學 藝術與人文教育研究所 碩士論文：參與式藝術行動計畫之實踐與反思－ 以新屋藝家人為例 BA，私立東吳大學財務工程與精算數學系
國立臺北教育大學北師美術館 館員 負責美術館展覽、媒體宣傳、出版相關業務
〔展覽〕前期製作規劃與統籌展覽計畫執行 2017作夢計畫Dreamin’ MoNTUE 2017.04.08 – 2017.05.07 葉名樺《一個人的美術館—寂靜敲門》 2017.05.19 - 2017.06.18 陳彥斌《嗨歌三百首masingkiay》 MED#161時光保物Touch and Time Open Studio 首部曲 ：MED#161 開放工作室 2016/07/30-2017/02/28 (Plaster Cast & Wood) 二部曲：穿針引線修本書 2017.03.22-2017.08.27 (Plaster Cast & Book) 三部曲：修光補影 2017.09.15-2018.05.27 (Plaster Cast & Film) 〔教育推廣〕One Piece Museum 百聞 · 不如「一件」館校合作計畫 2016.03.02-2016.06.30 台北市立金華國中《超凡入聖》 2016.04.21-2016.05.31 新北市中角國小《距離》 〔出版〕 執行編輯，《L’OUVRE 9 打開 羅浮宮九號》展覽圖錄，2017.02 執行編輯，《日本近代洋画大展》展覽圖錄，2017.10 〔媒體公關〕展覽媒體聯絡人，負責展覽相關媒體宣傳與撰稿事宜 《日本近代洋画大展》（2017.10-2018.01）、《L’OUVRE 9 打開 羅浮宮九號》（2015.11-2016.02）、《2017作夢計畫》（ 2017.04-06）、《第13屆台新藝術獎大展》（2015.05-2017.07 ）、《第14屆台新藝術獎大展》（2016.05-2016.07)、《無無眠 —蔡明亮大展》（2016.03-2016.04）等展覽
Professional Experience
2012.04~2012.12 城邦傳媒集團PChome電腦家庭集團 兼職編輯助理 負責撰寫T客邦網路平台之科技新聞 2011.09~2011.11 財團法人臺灣創意設計中心創意產業輔導組 專案人員 負責2011世界設計大展志工計畫，包含志工/實習生 訓練、官話教育活動 2010.07~2011.08 財團法人臺北市文化基金會藝術村營運部 教育推廣與營運管理組企劃專員 負責教育推廣與公眾服務，包含志工/實習生訓練、規 劃民眾教育推廣計畫；並協助藝術家執行藝術計畫
Research Experience
2012.09~2013.08 藝術與腦：利用磁振造影與腦磁圖探討長期藝術專業 訓練下神經網路連結之可塑性（研究助理）。國科會 整合型計畫，NSC 102-2420-H-010-005-MY3。 2012.10~2013.06 文化創意產業政策研究：表演藝術產業專題及產業研 究（研究助理），文化部
Community project
2013.09~2014.01 臺北市都市更新處 URS 補助案－ 玩聚場2013展覽計畫 專案執行 於萬華艋岬大道執行社區規畫案，包含社區工作坊、 紀錄片拍攝等及萬華林家策劃玩聚場2013展覽計畫 2012
臺北市儲備社區規劃師 晴光社區 實習組助教
Publication
共同作者，北藝大出版大系－世界遺產之旅系列叢書－蒙古篇，2015 共同作者，北藝大出版大系－世界遺產之旅系列叢書－以色列與巴勒斯 坦篇 (2018出版)
ESSAY
朱筱琪（2015）。〈身體的銘刻：「隱／引繪體」創作與實踐〉。載於 作者（張中諼等）。起身共舞•藝醫同行：改變界域的藝術人（頁 94-103）。臺北：國立臺北藝術大學。 朱筱琪 (2016)，〈新瓦屋「水琴窟」國際藝術家邀請展——靜心傾聽土 地的聲音〉，2016.12刊載於 art plus 第62期，50頁。 朱筱琪，〈眾人的新美術：日本近代洋画畫會的力量〉，2017.10.12刊 載於關鍵評論網，https://www.thenewslens.com/article/80391
WORK
疻 薩 翄 墯 Exhibition Coordinator 2017֢瓵懯向 Dreamin’ 2017.04~06
MoNTUE
—
翄墯玖䒍聅蔩記2017֢瓵懯向监 կ膏疻薩憒㴟䁆ᤈ牧۱珀獮ᗝ疻 薩墯猋憒㴟牏㬙疻现疻薩匍䁰䁆 ᤈ牐種獋䲆傶獋֖蔭ᄍ萬蔩疑ࣁ ݱᛔӞ㮆์ጱ疻๗獉牧褰茐碻樌 വᑏ牧獺蝨ڊ碝ጱ绚樌眤ਥ妿涢 膏樄硯ጱ㷢膏秇ୗ牧ֵ̿疻薩̀ 膏̿蔭ᄍܻ̀觊痀犋ݶ绚樌ጱ 秚胼ݳᘒ傶Ӟ牧咳疻ڊӞ䁰ၚጱ 疻薩ҁLive Exhibition҂ In charge of the 2017 Dreamin’ MoNTUE Exhibition Projects. In view of encouraging artists to dream outside the box, the MoNTUE launched the Dreamin’ MoNTUE initiative in 2015, consolidating resources and professional opportunities to present a stage for artists to create art to their hearts’ content.
Episode I 物 2017.04.08–2017.05.07 茆ݷ秌̽Ӟ㮆Ոጱ聅蔩 記—ਿ覌ළ槹̾ Ming-Hwa YEH's The
ইຎᛔ簁犋꧊݄藨蘷牧ኞ疰犋꧊݄藨蘷牐 ҆ 谎ے苟ҁJules Henri Poincaré҂
̽ਿ覌ළ槹̾蚎螂獋褩ྦྷጱ玀䁰珊匍牧ᒫӣ褩ྦྷ̽Ӟ㮆Ոጱ聅蔩 記҆ਿ覌ළ槹 ̾ฎ֢ߝ脒櫝玀䁰ෝ聅蔩記ጱٚ藯牧獺蝨痀ෝ薪 ᘏ㮆Ոጱ眤Ꭳ妿涢牐羳玀䁰ጱ窕㵕咳疻旉矦ᛗ疻纈绚樌ጱᑏ㵕 现薪ᘏ眤ݑ桅檔牧種稞疻薩薪ᘏ疥ݢ螡䢔加ᛔӞՈ蝱獈ک聅蔩記 绚樌牧ࣁਿ覌膏加蛪ԏӾᏳ藉獉ࣁ膏क़ࣁӮኴጱ秇美ዅऒ牐
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The Serene Gallery is the third phase of its precursor Nordic, a two-phase theatrical presentation. It’s about moving the theatrical stage to a museum to re-imagine and create a sensory experience unique to each viewer. Infused with the movements and scene changes from the theater, and suffused in the meandering in a museum and meditative ebb and flow of senses, viewers have the option of visiting the gallery space alone, and get in touch with the blurry grey area between the internal and external world in serenity and solitariness. ——• ਯ㯽粙Trailer物https://goo.gl/Afk9Vx •
疩薩砞殷 Brochure 物 https://goo.gl/Lbwn16ҁӾ҂https://goo.gl/Xa5WcpҁEng҂
• ਠ碉ᆙ粙Photos物Album 1牏Album 2 ——▒ 獺֢禊盢Conceptӕ茆ݷ秌 Ming-Hwa YEH ▒ 萬蔩疑Artistsӕ茆ݷ秌 Ming-Hwa YEH 牏茙胍ୋ Yu-Ting TUNG牏ม | SHENG牏蚓ܓቧ Adrianne CHIU ▒ ᄍ ڊPerformerӕ茆ݷ秌Ming-Hwa YEH牏Mark van Tongeren牏菕嘛疝 AKuan ▒ 獺֢觎㺔 Mentorsӕṛ狎ਡ Jun-Honn KAO牏珏䨗穂 Shu-Yi CHOU ▒ 玀䁰䯤֢ Dramaturgeӕ曋稗 Fu-Kuen TANG ——玖䒍聅蔩記Museum of National Taipei University of Education 磥讀硽ദ Professor Mun-Lee LIN 疻薩翄墯Exhibition Coordinatorӕ缢ባ Hsiao-Chi CHU 疻薩䁆ᤈExhibition Executorsӕஎ勾ቧPei-Lin HSU牏棗Ӟ匼Ihsuan CHUNG 甿誢磈翥蜉Media Relation and Editorӕ缢ባHsiao-Chi CHU 硽胍വ皞Education and Promotionӕ蚓盹I-Tian CHAO 牏ሴ੭Yin-Hsiang WANG 㾴褬Ԫ率International Affairsӕሴ舙ችRocean WANG 䋿聜ኞInternӕ檔ו膍Lea Jen CHEN牏 檔覊紲Ching Yu CHEN牏㴤䕕璂牏Yen Chun LIU
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Episode II 2017.05.19-2017.06.18 檔䕕්̽ࡣ稧ӣጯḒ masingkiay̾ Fangas Nayaw’s masingkiay
̽ࡣ稧ӣጯḒmasingkiay̾ኧ疩ᄍ檔䕕්ಅᒽ㴟牧種稞疻ᄍ䋿擅᪡ 脒ܻ࿆֘碢ጱᒧ蒈牏瑽浻牏蕕觽牏禼膚牏㰽ୗ缛碪ਧ玢虡牧蝡稞 ౯㮉ࣁ聅蔩記᯿碝蝨Ӟ㮆肞䨝ಅ牧疥螩藶薪唰蝱獈ܻ࿆֘碢ጱ ᐒԻ匍䁰牐㬵ک蝡㮆疑牧蝚螂ܻ࿆֘෭ଉ觶觬牧Ոෝ䁰ऒӾፘ 䌘扖牏獤ՁԻ而牧᯿碝妿涢ܻ࿆֘碢ጱग़زᶎᨩ牧犥现ෝ聅蔩記 Ӿ咳ኞ碝ጱᤈ傶牐 masingkiayҁᴨ聅承牧傶綻緞瑿牏ᐟ妿ጱ҂牐 ֦疥ฎ౯㮉ጱਮՈ牧蝚螂֢ਮጱᤈ凚牧౯㮉膏֦藨蘷牏Ի窕㪔獤 Ձ牐ෝ磪褖ጱ碻樌愊牧ݶو妿籧蝡ྦྷ裾Ꭸጱ橕狌牧ࣁ֦౯ 蛪Ӥ牏ࣁ聅蔩記ጱ绚樌Ӿ牧ኸӥኞၚ敍撪牐 ́౯㮉牧้妿綻ᇰ瑿牧Ӟ蚏牧ࣁ蝡愊牐͂ This present performance departs from the stereotypical indigenous symbols, totems, decorative accessories, music and dance, and rituals. We want to re-create an authentic aboriginal get-together in the museum, where people are welcome to visit our “home” to wine and dine with us—enjoy Taiwan Beer, PaolytaB alcoholic energy drink, rice wine, and of course, our special aboriginal cocktails, and strike up a good conversation over some peanuts, glutinous rice (hakhak), pickled pork (siraw), and betel nuts (‘icep). What else can we feel from “people”? masingkiay (Amis, meaning mad, neurotic). You will be our guests. As a guest, we want to get to know you through conversations and sharing. During a limited period of time, whether long or short, you and I will together leave a trace of life inside the museum. “We, fanatics, were once together, here.” ——– • 疩薩砞殷Brochure物 https://goo.gl/e2uGwtҁӾ҂
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https://goo.gl/nJl8HkҁEnglish҂ • ਯ㯽Ꭸ粙Trailer物 https://youtu.be/I0L3PpypXOk https://youtu.be/REsf64ffXS8 ҁᎨ粙ೌ硢物皰㳓ฬ(Godplaysyou films) ҂ • ਠ碉ᆙ粙Photos物Album ——▒ 獺֢禊盢磈ᒽ疻Ո Concept & Curator ӕ檔䕕 ් Fangas Nayaw ▒ 玕觎㺔 Mentorӕ睲 ۛ牨ဩۘ ݪFaidaw Fagod ▒ 瞁玀䯤֢Dramaturgӕ檔 犿璂 Betty Yichun CHEN ▒ 疻䁰戔懯Exhibition Designӕ皘ᶪ㻊 Yin-Chiao LIAO ▒ 獺֢ۗቘAssistantӕ缢 狦 Hsiao-Chian LIN ▒ 籗ط戔懯 Lighting Design ӕ狵ப承 Gubing ▒ 猟硢 Photographyӕ 㸎䋊翨 Ogawa 犥现̽ࡣ稧ӣጯḒ̾㷢膏ᘏ牏 獊誢碢Ո现粬獨ࡱ搊 and all the participants, tribal people and special guests in “masingkiay” ຣزKwonduwa牏ሴ猈 Siyang Sawawan牏ն變•ᴨ ᫊牏襁膠Liay牏ၴ簁 Aulai‧Tjivuljavus牏ڡຣ笠牏 磷ਈ猵Sra Manpo Ciwidian牏珏ฏݷHali牏٧ Yabungnolay牏磫ԽSafulo Kincyang牏硵ইLo'ad Lungac牏猈谍 Ingcilu‧Miko‧Sapiyat牏რᐣAnsiyang‧Markakazuwan牏藠笰Lifux牏舰 䛂襄Usay牏狵ப承Gubing牏皰眻紋Sako‧Afu牏礷ე苉Cangrah牏᮳பᗼ
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Yukan Suyan牏茆ᐙ讆Kanas牏砥錉•ྎ艫牏笳ྋਡMalang Dapic牏蟞勾 Laha‧Temu牏蚅௮礖Muni Ramulane牏濜粿Ipun‧kanasaw牏諎疑狎 Sakinu Patjidres牏嬄Maya’ a Taboeh Hayawan ——玖䒍聅蔩記Museum of National Taipei University of Education 磥讀硽ദ Professor Mun-Lee LIN 疻薩翄墯Exhibition Coordinatorӕ缢ባ Hsiao-Chi CHU 疻薩䁆ᤈExhibition Executorsӕஎ勾ቧPei-Lin HSU牏棗Ӟ匼Ihsuan CHUNG 甿誢磈翥蜉Media Relation and Editorӕ缢ባHsiao-Chi CHU 硽胍വ皞Education and Promotionӕ蚓盹I-Tian CHAO 牏ሴ੭YinHsiang WANG 㾴褬Ԫ率International Affairsӕሴ舙ችRocean WANG 䋿聜ኞInternӕ檔ו膍Lea Jen CHEN牏檔覊紲Ching Yu CHEN牏㴤䕕 璂牏Yen Chun LIU
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MED#161碻ط狒ᇔ樄硯
Episode I 物2016.07.30-2017.02.28
ૡ֢ਰḒӣ蟂ใ Touch and Time Open Studio
Plaster Cast & Wood Conservation Exhibition Episode II 物2017.03.22-2017.08.27 Plaster Cast & Book Conservation Exhibition Episode III物2017.09.15-2018.05.27
2016~2018
Plaster Cast & Film Conservation Exhibition
翄墯MED#161碻ط狒ᇔ樄硯ૡ֢ਰḒӣ蟂ใ牧種傶Ӟ羬ڜᇔ狒 ਂ狕虁疻薩牧۱珀疻薩墯猋牏ᒽ疻膏憒㴟䁆ᤈ牧疻薩Ԁ蝫ग़䰬甿 膏ᇔ牧癲覿薪唰蚎蝱ଘଉ犋䌘क़樄硯ጱᇔ狕虁ਰ牧蝚螂疻 薩硼Ԫ膏匍䁰狕虁䒍㵕牧啻薹ᇔ狒ਂ姘虁ጱ禊盢牧Ӟ缆ᇔ ই֜觓苉ٚ匍牐 MED #161 Touch and Time Open Studio was an exhibition that gathered a series of cultural relics chronicling the trajectory of the times and the traces of human life. The exhibition created a new set of exhibition vocabularies҆live open studio of conversation, to make public deliver the concept of historic beauty and cultural preservation through working with conservators.
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萬蔩懯向 SOLO EXHIBITION / ART PROJECTS
蝚螂萬蔩懯向牧࿆唰ๅ藨蘷ᛔ૩ኞၚ牏ᛔ૩ࢿ瑿牧㪔ᘍ๚㬵牧׀ኞ ၚ碝ጱమ猟 I have executed several participatory art projects from 2013, and continuously pay attention to people’s memories, daily life, humanity and public affairs. Try to provoke people’s reflextion by experimental art projects.
疑碢肻猟懯向 Family Portrait in Mongolia 2016~
Photographer: Tohin Wong, Hsiao-Chi, Chu Artificial Odor / Ոૡ膊ޱ 缢ባ牏蘛 20141101~20131130
•疻薩碻樌物 •疻薩瑿讨物礂䱋435萬粬玟碝ၹ記 •翕ᒊ物http://artificialodor.tumblr.com/ • ਠ碉懯向ԏፘ粙 蛪誢眤Ꭳ牧ࡧ牧蝡ฎӞ㮆盄櫞አਁ薹藯ጱԪ眐 ᩻Ԓ碻樌膏绚 樌牧者ฎࣁ犋ݶጱࢥ姘讨Ӥ眤کݑፘ犲ฎ礓圵蘷 蝡㮆懯向ฎ ࣁᎸ绗ಅ碻牧磪Ӟ璤抓樄ত咳మ… 犖ྋࢩ傶吚碻牧犖硊ᗝԧӞ碉 ଙ牧ਙ樄তݟ琉ᛔ૩
匍ࣁฎ㮆ݝ胼አἲৼጱӮኴ牧 犋胼肯牏犋胼፡牏ๅ犋胼藯… ྯ㮆Ո螂෭ৼ㪔覍ࣁ螂ᛔ૩ጱ෭ৼ
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蛪誢膏ஞ覄者ฎᤩ切֘ګ ݝ磪ࣁဂ覌碻 䨝మک磧眤㵕ጱԪᇔమဩ 琘憽脲ҁolfactory brain) ฎ穥ޱ獤ৼ蝢螂ጱ瑿ො牧ࣁ螲翣羬翄ӥො ጱ皃㮆᯿ᥝ腁誢犖᮷蚤琘憽脲磪橕蝫牧ࢩ傶犢㮉矒ګ茐Ո觊磧ܻ ত胼ጱᤈ傶物 磸Ռ໐物ᓕቘݱ圵眐姼牐䚴盨膏盳䛽牧ཿ磭膏訴 訊眤缛缛牐 ၹ泷蝅物ᓕቘ裾๗懿䛂牧ࢧ䛂螂ஃ眐ह牧绚樌眤ݑ牐 ӥ憙ӯ物ጱ睆磭悳㵕牧ኞ裾筕ᔰ艰凟茹ጱ獤ဥ牐脣Ӥ腁ᔰጱ 獤ဥ矒ګҁ蝱硭砫蝐҂牧脲ጱ懱 ௳蒂ቘӾஞ牐 脲ӥ璎誢物ഩᓕݱ圵獉獤ဥ筕ᔰ牧 ฎय़脲ጱ者ݪ犤牐 ҁڊ蒂物http:// goo.gl/coET9K҂ 琘憽蝫奾茐౯㮉ጱ眤ݑ膏眐眤Ꭳ憽牧 磪ݢ胼䨝ࢩ傶Ӟ㮆ޱ螇牧ᘒ切ڊ 战ग़᩻᩼碻樌ጱ懿䛂牧犋㻌ݝฎ硯 誫牏朰硯瓟ಪ牧ๅ胼硯ӥஞ㬵ᶎ䌘 ᛔ૩牐 ྯ㮆Ո᮷磪ᛔ૩ᆧ盿ጱޱ 螇 犖ݝ磪ࣁᮎޱ螇ӥ胼媣媲ኞ ၚ… ౯手瑽አἲৼ݄眤ݑኞၚ 樄 তᆛ樄牧ဂ亥 穥ޱ犖褰ԏფ…ڊ ͇碝股͈ •ᛔኧ碻䁭 http://news.ltn.com.tw/ news/local/paper/831539 •硰य़य़䋊䁭 http:// uonlineblog.blogspot.com/ 2014/12/blog-post_75.htmlhttp:// zh.scribd.com/doc/ 249456618/1583-PDF
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20141025~20141228 碝萬疑Ո萬蔩ᤈ㵕懯 向物̽犔茐笴膴牧矐 檺૭݄̾匍瑿蕕ᗝ
•֢ݳᐒᗭ物碝॰ଞ㱾瑼 •匍瑿蕕ᗝ碻樌物10์20෭10物00~12物00 •匍瑿蕕ᗝ瑿讨物碝暱૭ •疻薩෭๗物10/28~12/28
亮蔭Sur.layer㿁褧ҁ 䨗虦牏缢ባ҂
૭Ӥᤩֵܨᰂ痀荠ᗛ֘牧አஞ㰆肯Ֆݢ肯ک窕窱窱牐ࣁ亮蔭 㿁褧ጱ䨗虦膏缢ባ膫裾ጱ̿瞲䠁̀ӥ牧碝॰ଞ㱾瑼ੜ๏ 蝡ࢧᥝ犔茐笴膴牧Ӟ ݶ矐檺૭ӥጱӮኴ牐 萬蔩疑๗战ৼ㮉蝚螂 獺֢牧䌘螇᪠ӥጱӮ ኴ蝱ᤈమ猟牧玱絑ह 蔫ኞ膏ኞ眲藨蘷牐種क़牧 萬蔩疑ৼ㮉㵕ಋ蕣 ֢ݱ圵缏誢笴椷牧౮ 傶覿Ո㮉ᤈ蚎૭ጱ ᇔկ牧犖蕣֢Lࣳ褺य 碂㬙૭牧ၚ玕扗绚樌 ጱ萬蔩牐犡ॠ螭磪ܖ ໘瑼ጱ懿ᘏ䟖我珌牦य़ 疑ے盠褰茐亮蔭现碝॰ ଞ㱾瑼ጱ脻ྍӞݶ矐 檺݄މ牦 犡෭ਠ౮膏 ੜ๏㮉(碝॰ଞ㱾 瑼)羊֢ߝጱਞ蕕牧 ࣁ碝૭愊(蜱碝 暱獍ಅ盅)牧磪43ඪ笴 磭椷ྋℂ愊ٛࢿڊ㬵牧 ੜ㮉咳䠁మ猟ێ牧ࣁ ᘍӤ膏ӥጱ絑ह牧 磪䌘ᛔ૩疑ጱ懿䛂牧磪 犤ᛔ૩茐蝈ጱԪᇔ牧咳 䠁ࣁྯ㮆椷ݗጱ瑽猟Ӥ牧 ࣁ椷蛪㳷ฎኧ獉ஞ䌘缏 誢ᇔկጱ獺֢牐10/
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28~12/28 稭蜰य़ੜ๏ӞوݶՁ碝暱ᐒ玟ጱၚێ膏萬蔩牧磪7 奲萬蔩疑吚瑿࿆唰ᐒᗭጱ֢ݳ獺! ๅग़窞௳(碝萬疑Ո物萬 蔩ᤈ㵕懯向)物https://www.facebook.com/artshinwu?fref=ts 碝股 •Ӿ瓷蝢懱ᐒ物 http://www.cna.com.tw/postwrite/Detail/ 158176.aspx#.VETw8PmSyne •໘瑼玕ੴ物 http://www.tyccc.gov.tw/news/dispatch/upt.asp? p0=2394
玱و嬝ॊ——疑懯向 2014 萬蔩疑牧吩ݳว 薪҆碻դጱ萬蔩䋿 擅牧岄玖礂䱋牏ӣ痾 2014 Artist, Bodily Folds: A Crossgenerational Artistic Practice, 435 art Zone, Taipei
胼మ猟蛪誢膏萬蔩ԏ樌ጱ姴ੂ橕狌㻟牫ኧ㾴缏岄玖萬蔩य़䋊萬蔩 膏Ո硽胍Ꮈ绗ಅ珂ણᣟۗቘ硽ദಅ癲覿ጱᎸ绗ኞ牧稲妿Ӟ䋊๗ 膏ӣ痾岄玖禛虄㾴࿆ԏ疑֖م覮䜗玱و嬝ॊጱ̿㷢膏ୗ獺֢̀牧 ᴻ蝚螂萬蔩翄碉嬝ॊ㮉ጱኞ硲Ԫ牧㪔皤ڊ種̿吩ݳว薪҆ 碻դጱ萬蔩䋿擅̀ԏ疻薩懯向牐̿吩ݳว薪҆碻դጱ萬蔩䋿擅̀
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疥ෝ2014ଙ9์1෭ک9์28෭ࣁ碝玖૱礂䱋435萬粬玟绚樌疻 樄牧螩藶࿆唰Ӟ蚏眤ݑ笴萢ࣁ覮䜗玱و嬝ॊஞӾ䌘ෝ疑暱牏覇ช 膏Ո褬㵕ጱ㽷ஃ牦 稞̿吩ݳว薪҆碻դጱ萬蔩䋿擅̀ኧ萬蔩膏Ո硽胍Ꮈ绗ಅ 膏聅蔩䋊羬嘛ॊ紑狕聜̿蛪誢ว薪̀ጱݶ䋊加缏憒㴟牧㷢疻Ꮈ绗 ኞ犥蛪誢憽疗牏蛪誢妿涢Ԋᛗ蛪誢Ꭳ蘷ጱ橕ဳ牧咳疻ڊ膏覮䜗玱 و嬝ॊ㮉碻դ萬蔩䋿擅ጱԆ數牧㪔狅種珊匍ࢥڊ奲犋ݶጱ萬蔩 硽胍䋿擅㷢膏疻薩懯向牧獤獨傶物藥扅䒚牏蘛膏泷ጱ̿訇 礰Ӥጱ蛪誢扮̀牏嚝英牏聖毂扅牏檔碟姘膏笳ጱ̿稲ݥԏ क़҆蚎螂ኸ綫ᶪ獺֢懯㴟̀牏螾勾膏ᰂጱ̿碇蛪誢褺य 疑ੜॴ҆薪ᶪ苄萆覿ԏ虡ԏ碟̀膏缢ባ牏觎扅ባ膏皰 ጱ̿褲/媑誢̀牐࿆唰ݢ犥蝚螂疻薩硼Ԫ牧矐ᔱᎸ绗ኞ㮉ই ֜ࣁ萬蔩䋿擅螂纷Ӿ䋊聜稲ݥ牏褺य橕狌牧犖稭蜰Ӟݶ㷢膏疻薩 ๗樌ಅ膐旰ጱૡ֢࣑牧ݶو吩ݳ蛪誢妿涢膏ኞ眐眤牐 ̽/褲媑誢̾ 缢ባ牏觎扅ባ牏皰粗粗 2013~2014 •
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֕粗粗狅膑禼薪፡盃๚㬵 㪔Ӭই種䁎穂 櫒簁౯㮉Ӟ樄তک禛疑 •
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֕ࣁ螂纷Ӿ 侅侅粗粗ጱኞ玢懿 •
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犖战፡کጱฎἓጮ牧֕誢涢ጱฎ •
ᜋጱ… ࣁ蝡稞獺֢懯向Ӿ牧蝽ک磧य़ጱ ࢯ讨讨獤獨磪物粗粗ጱ蛪誢制丆膏碻樌ਞ矎牏䌘ෝ萬蔩獺֢ጱ矑 ݑଶ膏藨Ꭳ牏᪠纷斃螐牧斃櫞ग़稞膏粗粗懵抷牏盅媲㺔氂…蝡犚
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ֵ懯向ࣁ䁆ᤈጱ螂纷Ӿᘒ磪ಅ藲碉牧蝡犖虏౯㮉᯿碝ᘍ獺֢ 膏Ոԏ樌ጱ橕狌牧ࣁ橕ဳጱ捍氂膏Ո牏ᐒ䨝牏絑ह磪ಅ橕狌碻牧 扗ই֜蝱獈膏ು櫝犖ฎ౯㮉扗䋊聜ጱ牐 薪讨ጱ癩吖膏ኞ妿涢ጱ癩吖牧虏౯㮉蝡稞蝚螂Ӟ㮆盄墋㻌ጱො ୗ疥粗粗ጱኞ旉玕ڊ㬵牧虏ๅग़薪ᘏ牏磪岉蚕ጱ࿆唰፡ک牧蝡 犖౮傶犋ݝฎ䌘ෝ粗粗牏౯㮉牧Ԋᛗෝ稲ݥၒ窕ӾጱӞ㮆玢懿牐 ̿褲媑誢̀牧犋ݝฎ̿褲媑̀牧ᘒ侅侅ጱ旉౮粗粗̿疩̀౯㮉牧 ౯㮉̿疩̀粗粗牧ፘԆਮ誢ጱ橕狌牧౮ԧ̿媑誢̀牐蝡㮆 制眲牧犖疥萞ኧ疻薩牏ڊ粚ᘒ媣媲皤媲ӥ݄牐
玱و嬝ॊ——疑懯向 2018 櫞࿆螣叨物ᮎ犚ᤩ螣 盛ጱ窕犜ᤈ磷
吚碻傶嘦狒य़瞙ኧ覮㾴䜗ט籧㬵ݣጱ嬝ॊ蛪犩牧ܻ傶ݣ傀硰 ಅ蜑ԏ̿玱و嬝ॊኞ叨斔疩ಅ̀ጱ岄玖ӣ痾禛࿆ԏ疑౮ԧ蝡ᗭ嬝 ॊ螪ݻᛔኧጱ緳劁牐ࣁ疑玟磪Ӟ蒂̿疑ݥਰ̀牧愊毣ݱୗᇔկ疻 纈牧挻ڊ吚碻玱و嬝ॊෝ覮㾴㷢䜗膏ಭॷݣ傀ጱ妿螂牧犥现ݣ玖 ӣ痾禛࿆ԏ疑ጱ稲ݥ牧蝡ฎᤩਥොٍ匍玕Ӭ珊匍ጱ者誢妿涢牪֕ 䌘ෝኞෝ1920ଙդጱ玱و嬝ॊ㮉牧ℂಯ䜗牏獉䜗ک盅㬵㬵ݣጱ獖 䜗碻դ牧奰ٌӞኞ᮷ၚࣁ䜗凗ጱ褞现㾴Ꮘ疑犜ጱ獺㰁ԏӾ牧犢 㮉ጱ褸誢懿䛂犖战膏ਥොጱ稲ݥ礓圵纷ଶӤፘݳ牧֕㶴礓圵纷ଶ Ӥ磪ಅ蚣櫝牐ইݶ૬ۦේ盓ἓᛣ牧̿ԋጱ屷碻ಅ̀牏̿癨 य़ጱ櫞࿆籧̀犲Ԓ犖౮傶玱و嬝ॊኞ叨斔疩ಅ磧ڡጱ̿橕棎 ਁ̀牐 ྯ稞ࢧ我牧者䨝Ꭳ粗粗櫝Ӯጱ窞௳牧準ၚጱ稲ݥ瞱媲犋䥁獚襉牐 ࢩ種牧4ଙ盅ٚ蝱獈ݣ玖ӣ痾禛࿆ԏ疑膏粗粗㮉㵕碻牧᯿碝೬蚏 䌘ෝ̿懿䛂̀牏̿螣叨̀牏̿Ո̀牏̿稲̀ݥጱ綡㺔牧ᘒ硰ஃ
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ஃই֜ࣁ㾴碢Ԇ嬝膏㮆Ո懿䛂樌牧蒂ቘ蝡觊ጱ̿櫞࿆螣叨̀ ҁRefugee Heritage҂牧ᘍ̿ࢧშ懿䛂̀䌘ෝ̿櫞࿆螣叨̀膏嬝 ॊ㮉̿ኞਂࣁ̀ጱ嬝牐痀ෝ粗粗㮉ጱ̿觬挻疑䨗̀牏̿臺ࢸ 疑䨗̀牏̿猟疑䨗̀牏̿מի疑䨗̀缛牧蝚螂Ӟ犚ᒧ蒈ই物 ਁ牏䨗罕牏מ獢牏ݱୗ夵盢ߝ缛牧琉蚏牏㯽螈膏獟肞懿䛂膏眐眤 㬵㱪ਂ螂݄牧犥種啻薹懿䛂牏蛪犩牏ኞԏ樌ጱ蕦褾橕狌牐蝚螂 蝡犚懿䛂᯿यݣ玖ӣ痾禛࿆ԏ疑ԏ獍و䌘扖绚樌牏ਧ֖ෝ㾴碢Ԇ 嬝膏䜗凗姘ӥጱ̿櫞࿆螣叨̀ҁRefugee Heritage҂牧㪔褸誢懿 䛂ୌ䯤癲㬵碝ጱኞਂࣁጱ㰷꧊牐
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ᐒ玟憒㴟礯 Communitybased Project
Artist Assistant of Julie Chou (珏覄臨) in Treasure Hill Artist Village,Taipei. Coordinate with villagers, volunteers, and interns, and with artist finish the public art - Hsiang Long Tu Ju (ᐣ谍ݺቐ).
̽ᐣ谍ݺቐ̾䌌萢癣㾴 褬褬Hsiang Long Tu Ju in Treasure Hill Artist Village 2009~2010
Taipei City Community Planner Training - Eco-Farm and 䌌绸 ҁReuse of Disused Spaces҂planning and regression of Treasure Hill Village. 䌌萢疑瑼ᐒ玟ၚ㵕Ӿஞ 憒㴟Community Develop Planing in Treasure Hill Artist Village Member of planing project 2010~2011
Leading the “碿ط䋿聜奲” to rethink and plan how to regress the Qingguang Commercial Zone.
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碿ط䋿聜奲ᐒ玟憒㴟 Community Planing in Qingguang Commercial Zone Teaching Assistant of Taipei City Community Planners Training 2013
岄玖૱᮷૱ๅ碝蒂 URS 愆ۗ礯҆ሻ肞䁰2013疻
ෝ苭苉膶痚य़螇䁆ᤈᐒ玟憒向礯牧۱珀ᐒ玟ૡ֢࣑牏夵袅粙ೌ硢 缛牧㪔ෝ苭苉疑ᒽ㴟ሻ肞䁰2013疻薩懯向
薩懯向 䌕礯䁆ᤈ “Playtogether 2013” Installation Exhibition Project Planning and Execution 2013.09~2014.01
Taipei City Urban Regeneration Office made their investment in an innovative way, by sponsoring “Playtogether” project in hosting exhibitions in staging exhibitions. Though the exhibitions were only for a short period, we were able to build up a platform that manages community events. By holding events, the space will open up for both residents and visitors to gain new experiences and share ideas together.
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疻薩翥蜉磈甿誢獍橕
Editor, Exhibition Brochure & Media Relation PR
疻薩甿誢肥妏Ո牧揗揣疻薩ፘ橕甿誢ਯ㯽膏疻薩ڊ粚ߝ翥蜉 ̽෭蜱դ၇ኮय़疻̾ҁ2017.10-2018.01҂牏̽L’OUVRE 9 樄 嬄ၶ䋠Ԝ蒈̾ҁ2015.11-2016.02҂牏̽2017֢瓵懯向̾ ҁ2017.04-06҂牏̽ᒫ13䌵ݣ碝萬蔩糫य़疻̾ ҁ2015.05-2017.07҂牏̽ᒫ14䌵ݣ碝萬蔩糫य़疻̾ ҁ2016.05-2016.07)牏̽篷篷፦—莞ก犝य़疻̾ ҁ2016.03-2016.04҂缛疻薩 • 2017.10.07-2018.01.07 Yōga: Modern Western Paintings of Japan • 2017.04.07-2017.06.18
2017 Dreamin’ MoNTUE
• 2016.05.19 - 2016.07.17 The14th Taishin Arts Award Exhibition • 2016.03.23-2016.04.24 No No Sleep at MoNTUE ҆Tsai MingLiang Solo Exhibition • 2015.11.27-2016.02.28 L’OURVE 9 • 2015.05.30-2017.07.26 The13th Taishin Arts Award Exhibition
ڊ粚 PUBLICATION
• ֢ᘏ牧玖萬य़ڊ粚य़羬҆Ӯኴ螣叨ԏ碟羬ڜ玵䨗҆茹ݘ缰牧 2015 • ֢ᘏ牧玖萬य़ڊ粚य़羬҆Ӯኴ螣叨ԏ碟羬ڜ玵䨗҆犥ᜋڜ膏૬ ۦේ缰ҁ2018ڊ粚) • 䁆ᤈ翥蜉牧̽L’OUVRE 9 樄 2017.02
嬄ၶ䋠Ԝ蒈̾疻薩瑽袅牧
• 䁆ᤈ翥蜉牧̽෭蜱դ၇ኮय़疻̾疻薩瑽袅牧2017,10
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• Co-author, Travel of the World Heritage—Mongolia, Taipei National University of the Arts, 2015 • Co-author, Travel of the World Heritage—Middle East, Taipei National University of the Arts, 2018 (Forthcoming, 2018) • Executive editor, Exhibition Catalogue : L’OUVRE 9, 2017.02, Yōga: Modern Western Paintings of Japan, 2017,10
䌕 ESSAY
• Chu, Hsiao- Chiҁ2015҂,̻蛪誢ጱ柵ڰ物̿褲҈媑誢̀獺֢ 膏䋿擅̼, published on authors (皰Ӿ拝缛), 蚏蛪و膚爤萬蠴ݶ ᤈ物硬虋ኴऒጱ萬蔩Ոҁp.94-103҂牐Taipei: Taipei University of the Arts • Chu, Hsiao- Chi (2016)牧̻碝絮̿紧绳̀㾴褬萬蔩疑螩藶 疻——覌ஞ㰆肯ࢿ瑿ጱ肨ᶪ̼牧2016.12 published on art plus Vol. 62牧p. 50. • Chu, Hsiao- Chi牧̻唰Ոጱ碝聅蔩物෭蜱դ၇ኮ向䨝ጱێ
䁭疩 Report
ᰁ̼牧2017.10.12 published on The News Lens, https:// www.thenewslens.com/article/80391
• ԭሱ牏ሴ臿紋牧葦檚ጱ̿襁肨̀癲ࢧ疑牦牧2014葦㾴褬 ᒏ ሻ ℄ 牧 2 0 1 4 / 0 8 / 1 6 牧 h t t p : / / w w w. y i c f f f . t w / 2 0 1 4 / m / press_detail.php?id=235 • 檔覨疍牧̻ݣ玖᮷䨝̼ߝ̿̀ޱኞၚ Ոૡ膊ޱ疻ਂ懿䛂牧 The Liberty Times牧2014.11.19牧http://news.ltn.com.tw/news/ local/paper/831539 • Ӿ瓷蝢懱ᐒ牧碝萬疑Ո萬蔩ᤈ㵕樄᪒Ḓူ蕕ᗝᤈ㵕10์20෭ ጭ䁰牧̿萬ᒏ̀蝨૭碝穢瑻牧2014.10.17牧http:// www.cna.com.tw/postwrite/Detail/158176.aspx#.WbkZYYpx2kY • 嬄ਞ螈牧萬蔩疑癲覿 ໘瑼㵕㹓籧蝨萬蔩穢瑻牧ਮ疑襎憙ݣ牧 2014.10.29牧http://web.pts.org.tw/hakka/news/detail.php? id=116326 • 㳓ቧ牧ਂݱୗ穥̴ޱ盃ਮݶ矮膑懿䛂牧य़䋊䁭牧 2014.12.4牧http://uonlineblog.blogspot.com/2014/12/blogpost_75.html • 礂䱋435萬粬玟牧ᴲኞՈ牧碝玖૱萬蝿牧2015/05/14牧http:// ntcag.ctu.com.tw/玕plus/ᴲኞՈ
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