Nature_Trace_Time // Concept Machine of Generative Form

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自然 軌跡 時序 Nature

Trace

當自然成為空間的現象與代理者

Time

When nature becomes an agent for phenomena and space

對於時間、空間與距離的概念從「工業時代」到現在的「電傳時代」的來臨已全然改變。當代最關注速度與社會文化之間關係的法國哲 學家保羅•維希留認為電傳世界取消了原本真實世界中「距離」之於人類感知的必要性。現時世界的後現代化以及回溯到工業革命 的大量生產製造,兩者之間的存在逐漸顯現出模糊不安定的邊界。我們對於速度的狂迷,卻難以在高速的移動過程中,發現其隱藏的 價值。在高速世界中脫軌,以另一種速度-- [失速] 的方法去追尋,或許是個契機。 The concept of time, space and distance has changed completely from the "industrial era" to the present "electronic age". The contemporary French philosopher Paul Virilio, who is most concerned about the relationship between speed and social culture, believes that the telex world has eliminated the need for "distance" in the real world to human perception. The current post-modernization of the world and the mass production that dates back to the industrial revolution, the existence of the two gradually shows a blurring and unstable border. Our madness to speed, but it is difficult to find its hidden value in the process of high-speed movement. Derailing in the high-speed world and pursuing it at another speed, [stall], may be just an opportunity searching for.

謝禎原/Chen-Yuan Hsieh

本設計透過觀察自然行為,將其生長與組織的機制進行再 釋。轉化過後 的自然機制,將透過四種時間特性,同步時序、歷時時序、瞬時時序、偶發 時序的操作,呈現以不同時序狀態 釋當代價值與工業化價值之間悄然 成形的邊界。將此概念機器介入實際空間,嘗試呈現出四種因應基地脈絡 與自然結合的建築空間類型。置入在台北市立美術館的建築類型,企圖呈 現出以紀念性質為主要的操作方向。基地位於美術館具有對外窗的其一 展示空間,建築在此希望以一種展示品的角色,提供速度中產生微觀的資 予觀看者。 Anchor points Setting

This design reinterprets the mechanisms of growth and organization by observing natural behavior. After the transformation, the natural mechanism will interpret the quietly formed boundary between contemporary value and industrialization value in different time series through four time characteristics,synchronous timing, duration timing, instantaneous timing, and occasional timing operation. Incorporating this concept machine into the real space, it attempts to present four types of building spaces that combine the basic context with nature. The type of building placed at the Taipei Fine Arts Museum is intended to present a commemorative nature. The base is located in the museum with a display space for the external window. The building hopes to provide microscopic information to the viewers in the role of a display.

Force Distribution

TOTEM 2.5D

Isometric Rendering

Main Structure

Main Structure

Medium Connecting

/Shortest- Path/ Medium Connecting-System

Iteration

/Optimization/ Medium Connecting-System

Isometric Rendering

Forming Graphic-[Partial explosive]

Casting / Xpoxy

Isometric Rendering

Trail recording

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Perspective Rendering

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序 時 發

Bo 01 ng ep St ndi i F \

Forming Graphic

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Iteration

01 __ 012 __ 0123 __ 01234 __


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