MISSION ILLUMINATE, INFORM, INSPIRE, IGNITE THE I AM FAMILY Creative Consultant/Puzzle Writer: Fleur Wheeler Youth Consultant/Model: Tiffany N. V. Duncan Marketing Representative: Cheddar George Youth Writer: Tulani James Feature Writer: Natalie Solomon Feature Writer: Ifarounke Deidre Prescod Feature Writer: Shanice Musgrave Feature Writer: Tammy Guy-Granderson Sex Educator: Onika Henry Holistic Health Writers: Kenya Gale & Dr. Caroline AlexisThomas Researcher/Writer Elder Issues: Katharine Inniss Neo-Natal Consultant: Dr. Marissa A. Callender Head Writer: Patricia Nicole Whiteman Assistant Editor: Shaun Biggart-Hutchinson Editor: Eutille E. Duncan FRONT AND BACK COVERS Roam The Mas Band 2017 Photographs contributed by Kimberly Roberts WAIZ D SCN COVER Photograph contributed by Kimberly Roberts GOLDEN OLDEN COVER & KEEPING IT REAL COVER Photographs by Arlene Massiah MALE BOX COVER Photograph contributed by Apex Grill & Bar ROOTS & CULTURE COVER Papa Bois, Herrera Cocoa Estate, Rock River, Moruga. Photograph by Lee-Anna Boyce, from her U.W.I Project: Preserving The Folk Characters of Trinidad & Tobago. Characters will be featured at Carifesta 2019 MY BROTHER’S KEEPER COVER Photograph by Clive A. Smith
MAGAZINE LAYOUT AND DESIGN Eutille E. Duncan
Dear R EDITO e Happy aders; R’S N and ble OTE. eventfu sse d N l on e f or man ew Year to y much p o y ever gr ositive growt of us. It bro u all. The pa h to th ateful st year u ght we e fo we enc w ourage r the interact I Am Magazin lcomed chan as an that wil g iv e y e e o s and fa u f eed mil to l bring positiv continue to back of our y. We rema ity to u in r help s s all. hape u eadership a As the nd s in a carniva directio a fittin l seaso g n n varied backdrop ag quickly app roache aspects ainst w sw us as w . h e explo So find your ich to examin e at I Am th re. favour o ite rea e culture in ught it ding sp all of it Thank ot and you s join wit h Eutille. E D un can Editor
CONTACT US: (868)-393-6725/(868)-707-3668/(868)-714-0924 Website: https//:iamagazinett.woodpress.com Email: iammagazinett@gmail.com Facebook: @iammagazinetrinbago
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Photograph by Clive A. Smith, St. Kitts
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IN DEFENCE OF THE CHILD.
CREATIV ITY COVE
IS A L
I NG H T L EGA
CREATIVITY COVE MY EXCITING FISHING TRIP by Tulani James I am 16 years old and attend Harmon School of Seventh Day Adventists. I like reading, writing stories and photography. Reading Nancy Drew and Enid Blyton books inspired me to write because I loved words and was fascinated by the way you could make them into sentences and then stories. There was a ‘charm’ in their words and whenever I read their books, I felt it. I wanted to feel that ‘charm’ all the time and create it for myself so I started writing and it is now something I just have to do. It is something that is a part of me. It was a ravishingly beautiful sun-kissed morning. The mild, warm breeze wrapped itself around me and engulfed my body. The sights and sounds of the seagulls briefly held my attention. As I continued my stroll along the shore, I pictured what it would be like to finally sail on the open sea. My dad had promised to assist us - my two friends Andree, Shantel and me in paying for the boat, if we raised two-thirds of the cost. We had been planning to go on a fishing trip and saving for it for months. We put all the cash we had among us together, pulled my dad out of his study and made our way to the jetty. We waited while he negotiated with the owner. Anxiously, we observed their discussion until eventually (it seemed like forever), he signaled to us. We drew near, paid the agreed sum and very soon, after all directions and guidelines were given and understood, we got into the red sailboat, hoisted sail and headed out to sea. We were not allowed to go very far out, but still, it was something. The water was placid, peaceful and playfully and excitedly we shouted, “Ship Ahoy!” and donned our eye patches and wrapped bandanas around our heads. This would be an adventure. Our very own ocean adventure! We dropped anchor as instructed, pulled the sail and spread out as best we could in the narrow space available. Our rods were small and as we tossed them out into the water, the ripples were just gentle. We hung our feet over the side waiting for a bite. We talked as we grew impatient, remembering some old school pranks and antics, enjoying many good laughs. Andree felt a tug on her line. She screamed, “I’ve got one!” Excitement was in the air. The two of us willing to help, grabbed onto the rod with her and began to pull. Bad idea. The over-tug on the line tossed the rod on the opposite side of the boat. That let us know we were not needed. It was a small catch. We went back to our rods, leaving her to it. There was a minor ‘fight’ between her and the catch. We heard many oohs and aahs. We didn’t
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budge but kept waiting on our lines. I got my binoculars, hung over the side of the boat and spied through. Everything was going smoothly until I saw something out in the water. “Danger ahead!” I pointed to a large fin-like object in the water.“Let’s get ready!” We watched and waited to see what it was. “It’s getting closer. Let’s just be still and quiet.” It slowly emerged from the water. I quickly recognized what it was, a Great White Shark! My friends all scrambled around the boat. We were going frantic. Just then, I remembered something I read in a book about sharks, if you hit them on the nose, the result would be something unpleasant and so deter them. It was time for some one-on-one hand to fin combat. Since I had watched all the Jaws movies, I grabbed a fishing rod and told the others to stay back. I’d be the one to save them from that blood hungry animal. Call me Tom Hanks, maybe even Rob Schneider. The shark was swimming around our boat so fast that I couldn’t get a clean hit. At that moment, Shantel slipped and cut herself on some fishing equipment. Blood was trickling down her arm as we rushed for the first aid kit. She took a piece of cloth and applied pressure to the wound to stop the bleeding, then unthinkingly but no doubt customarily threw it out of the boat. Talk about a recipe for disaster. Blood near a shark!!! We were in some deep waters, figuratively, of course. The shark drew closer and closer and my heart beat faster and faster. While my friends were tending to the injury, I quickly moved with the fishing rod and advanced towards the shark. It was about to throw itself onto the boat when I swung with power and hit the shark right on the nose. “Bulls eye!” I shouted with relief but great joy. The shark swam away, further out in the open water. As soon as we had recovered our composure, we headed back to the shore. The boat owner was waiting for us. Dad had gone somewhere; he’d told him to tell us he would be back shortly. I told him what had happened. He told me all children make up stories. I did not try to convince him, telling myself my dad would be different, but I knew I would never forget that day.
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IN DEFENCE OF THE CHILD. With Eutille E. Duncan and Shaun Biggart-Hutchinson Lo, children are an heritage of the LORD: and the fruit of the womb is his reward. As arrows are in the hand of a mighty man; so are children of the youth. Happy is the man that hath his quiver full of them: they shall not be ashamed, but they shall speak with the enemies in the gate. Psalm 127:3-5 KJV As the season of frolicking and revelry moves into full swing we need to be ever mindful of how we as parents/guardians handle the “heritage” and “reward” of the Lord. We take monumental steps to safeguard our cars, homes and other property, but are often blasé about the safety of those who should be invaluable to us: According to an article by Shane Superville in Trinidad and Tobago Newsday dated 4th August 2018, where he cites Ms Alana Wheeler Head of The Counter Trafficking Unit of the Ministry of National Security: “For the year 2018 we have already investigated four cases of child trafficking involving one male minor and three female minors. These victims range from ages 15 to 17 years. “ What is human trafficking you may ask and why should we be even bothered by it? Trafficking is defined as: “The recruitment, transportation, transfer, harbouring or receipt of persons by means of the threat of use of force or other forms of coercion, abduction, fraud, deception, the abuse of power, the abuse of a position of vulnerability or the giving or receiving of payment or benefits to achieve the consent of a person having control over another person, for the purpose of exploitation.” Prior to 2007 the government of Trinidad and Tobago did not recognize the phenomenon of human trafficking, in fact lawmakers rejected the notion that such a problem existed in this country, since then however the government has established robust measures to address the problem. Now Human Trafficking is a crime in Trinidad and Tobago punishable by law under the Trafficking in Persons Act. At a lecture entitled “Look Beneath the Surface - A Human Trafficking Presentation” on Saturday 2nd December 2017 at the University of Southern Caribbean Campus - Tobago, Rockley Vale Ms. Wheeler explored the means by which people – men, women, boys and girls – can be trafficked, mostly for sexual exploitation. She looked at the insidious dangers of social media in facilitating the practice and cited that globally 600 – 800 000 persons were trafficked per year in what is a lucrative business generating US $32 billion annually.
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So during this season of merriment let us not forget what is most important and strive to ensure the safety of our children, and that they do not fall prey to this ever growing scourge. Following are some safety tips released by The Children’s Authority in February 2017. These measures remain timely and relevant: • Encourage children to check in with you frequently when they are not at home • Closely monitor social media and cellular phone activity • Observe changes in your child’s behaviour which may reveal signs of abuse • Know your children’s friends and observe any new influences which may affect their behaviour • Older children should not be given the responsibility to supervise younger ones • When attending Carnival activities, provide young children with identification cards bearing their name, name of parent/guardian, address and telephone number (this should be placed on their person, e.g. pocket, pinned under shirt or around the wrist) • Do not serve alcoholic beverages to children • If children are attending camps, be aware of the adults supervising them, their contact information and request the itinerary of events • Monitor children at all times when at the beach or by the river. Never allow a child to go into the water alone • Regardless of age, parents and guardians should talk to children about safety rules If you suspect any crime against a child/children please go to the nearest police station or call the following numbers if resident in Trinidad and Tobago: The Children’s Authority Hotline Numbers: 996 / 800-2014 Child Line: 131 or 800-4321 Police: 999 Counter Trafficking Unit Hotline: 800-4288(800-4CTU)
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IS AH LEGAL THING with Eutille E. Duncan
CHAPTER 12:10 TRAFFICKING IN PERSONS ACT. An Act to give effect to the United Nations Protocol to Prevent, Suppress and Punish Trafficking in Persons. Especially Women and Children, Supplementing the United Nations Convention Against Transnational Organised Crime and for matters connected therewith or incidental thereto. (Assented to 9th June 2011, came into operation on 2nd January 2013.) For more information ie: to read the complete act vist http://rgd.legalaffairs.gov.tt/laws2/alphabetical_list/lawspdfs/12.10.pdf
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Photograph by Clive A. Smith, St. Kitts
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AYE, AYE, SENIORS CAN WRITE POETRY TOO!
EXPRESSIONS
THE LAST DAYS OF PTOLEMY GREY.
THE LAST DAYS OF PTOLEMY GREY. A REVIEW by Shaun Biggart-Hutchinson The Last Days of Ptolemy Grey by Walter Mosley Riverhead Books/Penguin Books 2010 ISBN – 978 – 1- 59448-772-9 Those caring for an elderly relative will empathise with the sensitively portrayed lead character in acclaimed author Walther Mosley’s novel. The lives of Mosley's three unorthodox central characters are shared through gripping storytelling in this compelling novel. But their stories, framed around an African American social history, are credible and engrossing. The undulating memory, physical deterioration and senility of the eponymous nonagenarian [his name will be familiar to students of Egyptology], forms the core of this touching story which is dramatised with compassion and sympathy. Grey’s soulmate is Robyn Small, an abused, streetwise adolescent encountered as the 90-year-old - isolated, lonely and a target for thieves, real and imagined - moves towards his natural demise. It’s the teenager who inspires the elder to reconnect with a world from which dementia ostracised him, revealing a complex, humane personality with a history and stories to share. The final member of the trio, long deceased Coydog McCann, Ptolemy’s childhood guide, is an immortal voice and influence and appears only in the memory of his protégé, guiding his recollections. In a series of perfectly linked episodes the protagonists complicated biographies are all explored. Mosley’s customary intricate dialogue delivers a gripping character study where love, trust and honesty signify true friendship whilst the unconventional hero prepares to make transition and join the ancestors. There are no chapters or distinct sections, just parallel tales, as the dying Grey nears his final days. The pace of this expertly crafted novel, laced with suspense and tension, never lets up as Mosley’s unconventional protagonist resolves the final puzzles of his life to ensure his legacy is assured.
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The award-winning writer’s technically skilful prose and gripping storytelling is always entertaining. This is the type of novel you want to reread immediately, the characters becoming close friends whose company you treasure. I hadn’t read a Walter Mosley novel for several years so thanks to Tobago Library Services whose Scarborough Library Facility - where I picked this up - is well stocked with the acclaimed authors books.
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Roses In Bloom. Photograph by Clive A. Smith, St. Kitts
AYE, AYE, SENIORS CAN WRITE POETRY TOO! A REVIEW. by Shaun Biggart-Hutchinson Aye, Aye, Seniors Can Write Poetry Too! By Golden Members Poetry Club published under the patronage of Tobago Library Services Eutille Duncan Publishing ISBN - 9 7817 2769 128 3
A sharp rainfall at Scarborough’s historic Fort King George on Sunday 27th January, 2019 did not dampen the enthusiasm of an audience celebrating the launch of recently published anthology – Aye, Aye, Seniors Can Write Poetry Too! Authored by the Golden Members Poetry Club and published under the patronage of Tobago Library Services by independent Tobago based Eutille Duncan Publishing this beautifully packaged collection is an important addition to the body of Tobagonian literature. Joining the audience at Fort King George were special guests international opera soprano Anne Fridal, Tobago House of Assembly Presiding Officer Dr. Denise Tsoifatt-Angus and Feature Speaker Amon Saba Saakana. Each applauded the originality of the collection, paid tribute to the quality of the poems and congratulated the authors. Initially founded as a 6 week initiative in 2016 the Poetry Club has been led since that time by Patricia-Nicole Whiteman. Still buzzing after last week’s launch she remarked: “When I saw the large turn out at our Book Celebration and the seniors sitting on gold chairs holding their
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book in their hands, I felt fulfilled because the Most High God granted me my desire". There was another motive for bringing the poems to the page. Ms Whiteman fondly recalled the late Mr Euton Jarvis, who passed away suddenly two years ago. “That prompted me to stop working on my own book and start on the seniors’. I wanted no one else to depart this life without seeing and holding the fruit of their labour. In between our live shows - Poetry In Motion 2017-Nostalgia 2017 and Poetry Plus 2018 - ideas kept coming.” And those ideas are now archived in this collection. Reminiscing on the wisdom of an elderly relative, an aunt or uncle, grandma or grandpa - a parent perhaps who dispenses folk guidance through ol’ time knowledge, sayings and aphorisms - this volume does that same thing in the form of poetic verses and stanzas which share the combined experience of the 9 authors. Highlighting the many achievements since the Club’s founding the Delaford born, Scarborough resident, emphasised that: “changing, even in a small way, peoples’ misconceptions of poetry is a major achievement” as well as the recognition that “there is no one prescribed format for the rules to follow and that the prose, format and style and genre [of poetry] are open to any interpretation”. Illustrating this observation, and as if to prove the assertion, the collection offers several literary devices to entertaining effect – metaphor, analogy, alliteration, rhyme, rhythm, wordplay and evocative turns of phrase. Diverse in style – concise reflections join longer and discursive poems all equally rich in content - the collection’s innovative and creative verses and evocative poetry summarise the authors’ wisdom chronicling thoughts which educate as much as they describe. Many are serene and reflective. Others speak in dialogue, lively dialect and nation language conjuring strong images - echoing long acclaimed Caribbean oral literature. All explore each of the books 5 themes - Self-Portraits, Festivals and Fashion, Food for the Soul, Food for the Body, Love, Life and Laughter and Death. Anthony McKenna’s artwork captures the spirit of these themes with vibrant images of Tobago life, along with Arlene Massiah’s photography of the poets’ public performances. The books enlightening glossary is also an important record of customs, food, drink and horticulture. Eutille Duncan, who edited the anthology as well as overseeing publication in her role as head of Eutille Duncan Publishing, remarked: “I feel honoured and privileged to have been a part of such an historic project. The seniors are an awe inspiring and vibrant group. My life has been irrevocably changed through knowing them.” The title of the book is accurate. Seniors can and do.
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EXPRESSIONS AH WE CULTURE by Natalie Solomon Fisherman Fete, Sunday School and Best Village, Is ah part ah we culture, we Tobago Heritage. It in we blood flowing from our fore-parents, And we celebrate them through the years, from generation to generation. Ah we culture make up of a number of African slaves, Who on their way from Africa to America in Tobago some stayed. And give us the Salaka and the reel and jig, And invoking the ancestors and the dead accompanied by Tambrin music. Ah we culture have the Tobago African based folk traditions, It has Speech Bands and the Charlotteville Harvest Festivals cocoa dance. Ah we culture have the Tobago Jazz Experience, It has Folklore, agricultural superstitions and Bush Medicine.
Douen, Herrera Cocoa Estate, Rock River, Moruga. Photograph by Lee-Anna Boyce, from her U.W.I project: Preserving The Folk Characters of Trinidad & Tobago.
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Character will be featured at Carifesta 2019
SPIRITUAL VIBRATIONS
SEXUAL SENSE
BABY TALK
BEAUTY IS AS BEAUTY DOES
BEAUTY IS AS BEAUTY DOES? by Eutille E. Duncan As a young girl when my mother noticed me preening in front of the mirror she would regale me with several sayings as an opening to lessons on morality and good conduct. One of her favourites was:"'beauty is as beauty does;' it is not enough to focus only on your outward appearance." "Yes Mother� I would reply with barely hidden teenage disdain as I steeled myself up for whatever lecture was bound to follow and be rounded out with:"always remember true beauty is internal, strive for that." On what seemed like a very ordinary day in January 2017 unbeknownst to me 'true undiluted beauty' was about to walk into my door in the person of Patricia Nicole Whiteman. She had come to the office sent by a friend who had told her about the local magazine that I and other volunteers produced. By the end of our hour-long conversation she had also volunteered her services. As she walked down the driveway I noticed that she drifted a little as though it were difficult to navigate the path, but it took a few months before circumstances led her to confide an amazing truth to me. She suffered from not one but two physically painful degenerative eye conditions she had already gone completely blind in one eye and was losing vision daily in the other. Due to her condition she had resigned her position as a Diabetic Foot Technician with the Division of Health and Social Services where she cared for the feet of the elderly and people with diabetes in Tobago. Giving up the job she loved coupled with being forced to relinquish her role as primary parent in the lives of her three daughters upon the repeated insistent advice of doctors, led to a period of deep depression. She was doled out a monthly public assistance cheque and shoved aside to quietly and unobtrusively live out her days. However, with a strength of character born of the beauty that my mother had lectured about in days past, Patricia Nicole gathered herself together and subsequently established not one but two voluntary groups in 2016. The William and Catharine Romeo Reading Hour where she strives to ensure that children have fulfilling and enriching life experiences, while honing their reading skills, and the Closet Poets where she facilitates the exposure of unknown and unpublished poets. So when she found out about a six week course being held by Tobago Library Services that required a volunteer to support seniors in writing poetry she jumped at the chance. It was around this point that the public assistance given to her was revoked on the pretext that the volume of her voluntary work belied her medical condition.
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. Patricia's response to this move:"while God continues to bless me with sight I will do as much as I can for as many as I can. They can keep their money if the criterion is to stop doing what I'm doing. 'The earth is the Lord's and the fullness thereof'."
As teacher/facilitator of the senior's poetry club Patricia was given permission by the then sitting Librarian III Ms. Helen Johnson to extend the class beyond the initial six weeks’ time frame. Patricia, realizing that the class brought genuine fulfillment to the seniors, seized the opportunity. During the middle of 2017 she asked me if I would help her to publish a book. Knowing that she had several collections of poetry, enough for three anthologies, I thought:"finally she is doing something just for her". She then proceeded to apprise me of her desire to see the senior poets have their work published before they passed away. Caught up in her guileless intensity I could only respond:"may I meet the seniors?". Upon meeting these forces of nature, the rushing river that is L. Leila Deonarine flowing along and gathering varied experiences, the immovable mountain that is Joycelyn Horsford standing strong in the face of personal tragedy that would crumble others to dust, the nurturing earth that is Vera Sebro-Roberts caring for children and grand children and all she encountered with unconditional love, the thunder that is Natalie Solomon unafraid to speak up and speak out uncomfortable truths, the gentle morning breeze that is Patsy Stewart bringing peace and comfort with her presence, the warm sunny day that is Louis Vilain with gentlemanly grace and unfailing positivity, the whirlwind that is Paulina Woods enveloping all with her vibrant unstoppable energy, I could only say:"let's see what we can do."
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The Golden Members Poetry Club at Nostalgia 2017, from left to right; Vera Sebro-Roberts, Paulina Woods, Louis Vilain, Patricia Nicole Whiteman, Natalie Solomon, Patsy Stewart, L. Leila Deonarine, Joycelyn Horsford. Photograph by Arlene Massiah
For the next year and more Patricia Nicole worked tirelessly to compile the anthology that would become "Aye, Aye, Seniors Can Write Poetry Too! "There were days when her vision would cloud and she would become anxious that her sight would fail before the work was completed. There were days when she would experience severe pain and discomfort and in that quiet dignified way of hers would simply say:"we will have to move a bit slower today, it is not one of my better days". But through it all her resolve never wavered, never flagged, never failed, spurred on by her genuine love, and respect for her elders. And in a world where many of us possessing perfect or near perfect vision can only see the best ways to fulfill our selfish ambitions and hurt, suppress and destroy our fellow man, the unselfish, unparalleled, distilled, pure beauty of soul and spirit that is Patricia Nicole Whiteman gives hope for the redemption of humanity.
Patricia Nicole Whiteman at Book Celebration for Aye, Aye Seniors Can Write Poetry Too! Holding gift from the senior authors. Photograph by Ken Mapp
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SEXUAL SENSE. with Onika Henry B.A., M.Ed. Human Sexuality, CSC
SEXUALITY AND THE ARTS IN LEARNING AND HEALING I remember reading somewhere, some time ago, that Pablo Picasso said: “Sex and Art are the same thing.” Personally, I’m not quite sure what he meant, but it seems that the legend of artists having high sexual desires refuses to die. One of my theories about this legend is that it exists because for many people sex has become so forlorn, cheapened or unromantic that they believe only artistically creative types can really give that soulfully deep sexual connection, meaning, exploration and performance. It’s only a theory, but it’s an interesting one! (I am also a Theatre ARTIST by the way*insert wide cheeky grin here*). The association of sex with the arts or artistes is not a new concept, but apart from the idea of artists having high sex drives, people are often surprised - and confused - when I say that I’ve used theatre arts to teach science or math. The prevailing notion is that artistic events and activities in education are only for ice-breakers, bonding activities and for fun – they are not often thought of as intellectual or healing activities in and of themselves. But note that one’s attention will follow emotion, and the arts often stimulate the emotional areas, thereby creating natural pathways for remembering and connecting information. Sexuality certainly stimulates many emotional responses, so clearly the arts fit nicely in this domain. So now, can you image what arts-based sexuality learning and healing looks like? I’m sure you’re thinking: tons of fun and play, lots of catharsis, and maybe even the discovery of unknown skills (not necessarily erotic, but then that’s quite acceptable too *insert another wide grin here*). Expressive and creative modalities, include all forms and elements of the arts: movement/dance, drama/theatre, drawing/painting, sound/ music, expressive writing, storytelling, poetry, ritual and other related forms and activities. Each of these provides opportunities to practice skills and behaviours, as well as to explore attitudes and feelings. Creativity, when used in education and healing, is the practice and ability to reframe, re-work and re-present views, problems and perspectives in novel and innovative ways. So while artistic endeavours are involved, it is not about creating works of art or beauty (though that may very well be an unavoidable, and indirect or secondary result of the process). In fact, many skilled visual artists are deliberately asked to draw or paint with their non-dominant hand, so that the focus is on the intent to educate or heal, and not on aesthetics. Using the arts allows you to take responsibility for and an active role
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in your growth, to empathize with ‘the other,’ and keeps your focus on the issue much longer than conventional talk-only methods. It allows you to see practical and emotional issues, helps you to imagine what will happen to you, and also allows you to imagine and practice how you might change an outcome in a situation. This is a wonderful way to deal with sexual decision-making, and couples’ communication and negotiation. For those who have experienced sexual violence or trauma, the arts, particularly visual journaling, creating mandalas, creative writing and movement or dance, can be indirect, non-invasive and nonconfrontational ways of helping persons to: A - Access emotions R - Release them through imagery and other artistic forms T - Transform stress and pain to assist the body and mind in its own ability to promote wellness This acronym (A.R.T.), developed by art therapist Barbara Ganim, is used as a guide to create art-based learning and self-awareness activities, that incorporate visual art along with movement/dance, creative writing and story-telling, drama and music. The first stage involves accessing emotions through body-centered awareness and guided visualisation, about things such as the unresolved issues from sexual trauma, body dysphoria, a cheating partner, infertility etc. The next stage or step involves releasing these emotions through an artistic medium, such as drawing, painting, sculpture, mask-making, writing, dance/ movement or sound and music. The third stage involves transforming the image or artistic work in stage two, into a new one that expresses the way one would like to feel or respond as a way of managing or
Onika Henry M.Ed. Human Sexuality TOBAGO-BASED SEX EDUCATOR AND SEX COACH (CSC): CONSULTS, DESIGNS PRESENTATIONS, PROVIDES WORKSHOPS, TRAINING AND PSYCHO-EDUCATIONAL COUNSELLING, ADDRESSES SEXUAL HEALTH CONCERNS.
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Contact: (868)-381-3049 Email:ohenrybusiness@gmail.com www.onikahenry.com
dealing with a stressful or painful situation or one of ill health. This final stage is not meant to solve the issue, but rather, it is a way to help one reframe and adopt a new perspective that is encouraging and empowering. This work produces tangle forms that persons can see and touch, which chronicles their healing and growth. When the expressive and creative modalities (visual and performing arts) are applied in educational and therapeutic contexts, it is not meant merely to be watched. This art is meant to and expected to change how we engage with the real world; it is expected to change one’s perception of reality. When used sagaciously it can enrich one’s learning and healing experiences in profound ways.
Roam The Mas Band 2017. Photograph contributed by Kimberly Roberts
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SPIRITUAL VIBRATIONS with Ifarounke Deidre Prescod Researcher and author of Letters From Nigeria : Reflections of An Ifa Initiate. Ifarounke Deidre Prescod spent four years living among the Yoruba people of Nigeria, Africa researching their socio-cultural and religious practices. This experience left her with a heightened awareness of the connectivity of all humanity and the need for balance of the different aspects of our being.
IF DE PRIEST COULD PLAY WHO IS ME? REALLY! Carnival season is here and as a nation we delve, enjoying the various cultural art forms that over time have become part of our culture. Internationally the word Carnival produces images ranging from half naked people to masqueraders frolicking in the streets and though aspects of Carnival are now synonymous with vulgarity the festival was born from religious ritual with Carnival a precursor to devout prayer and supplication. In Trinidad and Tobago we have personalized our carnival festivities, in addition to the gifted artistry of the costumes and the general revelry of participants, we have added calypso and the music of the steel drums, both indigenous to us. As per our National Carnival Commission's website: "Carnival in Trinidad and Tobago is celebrated before the commencement of the Lenten season. From 1783 for half a century, the French developed their Carnival which was noted to be a season of gay and elegant festivities extending from Christmas to Ash Wednesday...... The Africans started to participate in the festivities from 1833 after the Emancipation Bill was passed. (Andrew Carr, "Carnival—from David Frost Introduces Trinidad and Tobago, London: Andre Deutsch, c1975) Carnival is traditionally celebrated in countries with a large Catholic population and in Trinidad and Tobago we have taken the festival to a different level, it is 'in our blood' a part of our identity and whether you participate or not, when in Trinidad and Tobago your life is impacted by the celebration. The origin of the word carnival is debated some say farewell to meat some say farewell to flesh. To my mind 'same difference', but it signified not only the last days when one could eat meat before the fasting
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of lent but encouraged us to acknowledge that our physical selves have different needs to its spiritual counterpart. Devotees also gorged themselves feasting on all the food and drink taboos that were to be observed during the Lenten Period. "The only thing that is constant is change" - Heralitus. The culture of a people, includes language, religion, foods, social habits, music and arts etc. and as we have witnessed culture is not static. It has morphed and will continue to do so. No doubt there are some who tenaciously hold on to aspects of tradition but how does the individual successfully protect his or her personal beliefs, be they moral or spiritual? For as we have seen piety can lead to profanity if one is not vigilant. Carnival has a cathartic effect, the elaborate costumes and masks allow people to temporarily forget their everyday troubles and individuality in exchange for merriment and bacchanal. This ritual was performed in order to 'offer up' as it were our carnal aspects and vices: gluttony, lust, greed etc. Carnival ends on the Tuesday before Ash Wednesday. Ash Wednesday begins a 40 day period of fasting, mourning and repentance. The Lenten period is really 6 weeks 46 days but Sundays are a time of reprieve and not included in the fasting. Carnival and Lent are two parts of the same ritual. Let us not at this point dwell on whether we believe the Monday Mud Mas, photograph by Tiffany Duncan doctrine of the Catholics, or any other way of life for that matter. It is not about being judgmental as regards the choices of others as they look for methods to balance their physical and spiritual needs. It is about acknowledging that even with the best intentions things can go awry when we do not remain true to the whys, hows and whens of our actions. More importantly it is an opportunity to examine what resonates personally and whether we are 'staying the course' in managing our spiritual health. As we say locally "when yuh neighbor house on fire, wet yours". And this particular fire has been burning for a while. Are we to throw our hands up in despair and just go with the flow as human behavior becomes more base? Or are we being called to pay
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closer attention to the role that tradition and culture plays in all aspects of our lives (physical, mental and spiritual)? It is when entertaining such thoughts that it is profoundly clear that while dependant on our social structure we are incapable of molding it to our will but we can to some extent create our personal world where we consciously adopt methods that support and reflect our journey of becoming our future selves. Being mindful that overindulgence can be just as detrimental as starvation. It seems that it has become unfashionable to actively seek to be a better person (more balanced) and the rituals and tools that were once used by the Catholics to assist them were subverted and further our collective demise. We can place blame at the feet of the church, the government, parents and guardians, siblings, peer pressure, social and financial status and the list goes on, but in the final analysis we are responsible for making informed choices in the development of self and dependants. Multiple people could participate in the same event and each come away with a different experience depending on their understanding and adherence to the rules of engagement. As per the original intent of Carnival the ritual is incomplete without the period of fasting, supplication and introspection. The key, to my mind, lies in examining our personal belief system and determining whether we are practicing what we believe. For as seen in the case of Carnival foreign influence can erode and change the face of what we believe at our core. Regardless of our spiritual practice there is a lesson to be learned as we observe the erosion of values in our society, we need to be vigilant in protecting, nurturing and pruning our beliefs as they evolve, constantly on the look out for foreign thought patterns and habits that will takeover to the extent of us becoming unrecognizable from the original blueprint we envisioned. Foreign influence comes from loved ones, associates, the media, the World Wide Web etc., in addition special attention needs to be placed on our personal thoughts and inherent inclinations that do not serve us, they too need to be monitored, being always mindful of what we incorporate into our general psyche and why. Carnival was not meant to be a permanent mentality nor an isolated state, it was balanced with Lent and among other things Carnival facilitated the need to unwind physically and mentally and Lent gave rise to an atmosphere that was conducive to the spiritual self, a time of abstinence, communication with spirit and quietude.
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Monday Mud Mas, photograph by Tiffany Duncan
The Catholic priest could 'play mas' because it is a part of his holy mass. I could only play unscathed if I play within the confines of the intended rules or literally become the 'burnt offering' in another man's sacrifice.
BABY TALK with Dr. Marissa A. Callender DNP, CNM
YOUR BABY WILL HAVE PERIODS OF WAKEFULNESS AND SLEEP. Sleeping patterns are not consistent for a newborn, and cannot be changed by the parent. It is ideal for mom to rest whenever the baby sleeps. Between 4 and 8 weeks, the baby may sleep longer (5 to 8 hours) and miss 1 or 2 night feedings. This is normal. Not all babies will sleep through the night within the first year or two of life. In fact, it is not normal for your baby to sleep through the night in the first couple of months, especially if breastfeeding. Breast milk is easier for babies to digest, and stays in the stomach for less time than formula. WHEN
YOUR
BABY
IS
AWAKE,
HE
WILL
GO
THROUGH STAGES OF ACTIVITY:
Quiet and alert – minimal movement, eyes are wide open, face appears bright and happy Active – moves arms and legs smoothly, eyes are usually open, might smile, might make sounds Drowsy – movement will vary, eyes could be open or closed, usually no facial movement, might smile, might make sounds Crying – increased body movements, eyes open or closed, may grimace, hands are fisted TEMPERAMENT Your new little one will take some time getting used to the world. Remember, this is all a new experience for him. Tips to remember: Newborns usually sleep about 16 or more hours per day Newborns spend about 2-11% of their time crying Often babies will have a period of the day when they are fussier (usually the afternoon or evening) Your mood can affect his mood. If you are anxious, your baby may be fussier
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Although they can’t talk, babies can give us clues to how they are feeling. An infant who is comfortable and ready to engage with you will often turn to face you and look peaceful. CO-SLEEPING: Infants should not co-sleep in the same bed as adults. Sleeping in the same bed as your baby is dangerous for them. Babies who co-sleep are twice as likely to die of Sudden Infant Death Syndrome. Infant deaths due to co-sleeping are preventable! Babies should sleep in their own firm bed, in the same room as the parents.
Photograph by Arlene Massiah
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Kimberly Roberts Taymo Alter Ego Carnival Band The Trilogy Revelation
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ARE YOU READY FOR THE INTROSPECTION?
INSIDE SCOPE: A MAN’S POINT OF VIEW
FLIP SIDE: A WOMAN’S VIEWPOINT
ARE YOU READY FOR THE INTROSPECTION? by Eutille E. Duncan Xavier Edwards, twenty-six year old Tobagonian singer/songwriter and father of one, did me the honour of having a chat with me atop the deck of the Apex Bar and Grill where he was the featured performer at the monthly Next Chapter Open Mic event, on Sunday 6th January 2019. As we stood below the starlight in the cool night breeze the well mannered, self assured Xavier led me down a path of deep introspection with a flow of words which belied his age and life experience‌ Eutille Duncan: Goodnight Xavier. Xavier Edwards: Good night Eutille. ED: How are you? XE: Grateful, grateful at this moment! ED: I've always wanted to know what made you decide that music was your life?
XE: It wasn't as much a decision per se; it was more a calling I responded to. I remember being about thirteen years old and telling Daddy that I want to rap. He was like: "Wha'?!?" But as I started to really go into my inner world and ask myself the questions -"Who am I?","Why am I here on this planet?" music really stood out to me as something that I not only wanted but [also] needed to feel complete. Wade [Ruth] who hosted here tonight, was real instrumental because Xav he encouraged me to start writing. In a very spiritual way Zion my 3 year old son was instrumental because tracing back the timeline I only really started to write three years ago upon his conception. Also being born into the Edwards family with the musical background‌it was a divine sequence of events that led me here; that is why I say it's 'a calling' that I eventually recognized and remembered why I am here. ED: How do you define your music? XE: The term I use for it is Hip Hop Soul, a fusion of hip hop, jazz and soul. I I liked a lot of hip hop music growing up; my grandfather used to play a lot of jazz, and soul doesn't speak to the genre in a musical sense, but in a spiritual one; in that it connects with the innermost part of our selves so that it would inspire change or at least lead to some introspection.
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ED: What is the most profound thing you have ever experienced in performing? XE: I would have to say tonight; being surrounded by so many people that I love in such an intimate space where I can see each and every face [my aunt was here with her entire family, my uncle was here, some dear friends]. This space, this actual space is the Open Mic [that] was created for artistes just looking for an avenue to express. Usually I host but it was nice to be able to be featured and to be around the family we built over the past two years it was impactful being in the midst of all that. ED: Who or what is your source of inspiration? XE: I will have to say life. There is only one life, only one underlying part of the human experience some people call it God, some people call it Allah, some people call it Universe, but that underlying part of every moment, that ever present essence is the greatest source of inspiration, because it is there in every moment, so even the challenges can be a source of inspiration, if you're aware of the ever constant presence of the Almighty for as long as you have breath.
vier Edwards performing live at the Apex Bar and Grill.
ED: what would like to leave with young people like yourself, who would
want to step into this arena? XE: The greatest advice is to breathe, breathe deeply. Deep breaths inspire deep thoughts; breathe deeply so you can know who you are. And with every breath be mindful that is the grace of God you're inhaling. The Next Chapter takes place on the first and third Sunday of each month at Apex Bar and Grill, Genie Plaza, corner of Kilgwyn Bay Road and Store Bay Local Road [bottom of Stumpy’s by-pass road] Canaan.
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INSIDE SCOPE: A MAN’S POINT OF VIEW If you see your significant other wining/dancing seductively with another man. How will you feel and what would you do? I’ll be normal, but I’m not with her anymore. Ryan Wills, age 32 Tobago I will walk away. Striker, age 29 Whim Village, Tobago If is ah house party I’ll ask if daiz d horna man, if iz a fete—nothing. Tramaine Duncan, age 34 Brooklyn, New York I will ask who is he? But then again that is how everyone dance for CARNIVAL! Vernon Bacchus, age 39 Spring Garden, Tobago. I won’t do anything about it. I will just pull her aside and talk to her in an orderly fashion. And say I don’t like what you are doing and it’s a disrespect to me. Marc Morgan, age 21 Trinidad. First of all if I see it I will have to believe it. But I won’t take it no how I’ll just move on and find another gyul. Nigel Barriteau, age 20 Tobago Yuh maaaaaad!?! Wine on who? Yuh crazy? Sirkarl Franklin, age Mason Hall, Tobago
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Honestly I doubt I will have a girlfriend who will do that, but it is honestly her choice to what she does with herself and her body, the most I can do is express to her my annoyance in it and tell her clearly if she wants the guy go for it, but just know I ain’t coming back for her. Orville Allicock, age 20 Mason Hall, Tobago I go feel disrespected, bit upset, me ain’t doing nun sit in my corner and have my drink. Horn is a part of life yes. Kelon Duncan, age 23 UWI, Jamaica I wud look at her surprised, the look alone should make her feel some type ah way, she may try 2 explain n I may not really wanna hear. Kern Johnson Mason Hall, Tobago Normal and nothing. Tshervy Cunningham, age 20 Tobago I would do nothing. Saoul George age 32 Morvant, Trinidad. I would feel disrespected but I don’t know what I would do. Nick Fabien age 24 UWI, Jamaica.
I surely will feel uncomfortable. Not sure what I will do, but whatever I do it won’t be scandalous. Whithfield Turner Mason Hall, Tobago. I would probably feel insecure and mad at her, especially if she look like she enjoying herself with that negga...I would walk over there grab her and bring her home...etc. Jay Morison, age 20 Les Coteaux, Tobago. I will argue the point if that is “the one” and she just messed up in that moment. I will argue the point bring it to she attention let she know what is the timing let she know what is code and the next time bye, bye. Outside. Zemo Roberts, age 23 Crown Point, Tobago. Well, well, well, all I going and do is find a bumper to wine on too! Is Carnival. Me ain’t toting no feelings at the end of the day I know she coming home with me. Daniel Davis, age 22 Canaan, Tobago. I would leave her! She just ‘wined’ out any inheritance that was in my power to give. Max James, age 59 Belle Garden, Tobago.
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Definitely not hurt. Just would say she is having a good time. Che George, age 28 Morvant, Trinidad. How would I feel? Hmmm...I would be upset...Probably really pissed off…, but I won’t show it… But based on my state of mind at the time I would do one of three things: 1. either go take her away from him and talk to her about it in a stern way. 2. Return the favour 3. Leave her right there with him and go home...he could have her after that since its clearly “our” woman. Jediael Walters Cypress Gardens, Trinidad. I would go over there and congratulate her, then walk away. Then run up and kick down har bomboclarrt! Kevin, age 22 Kingston, Jamaica Well I’ll feel weird about the situation, and if we agreed on doing whatever then I’ll be normal, if not I’ll just monitor the scene and move to suit. Danzel Cordner, age 23 Tobago
FLIP SIDE: A WOMAN’S VIEWPOINT. If you see your significant other wining/dancing seductively with another woman. How will you feel and what would you do? Grab him by his collar and drag him out...no conversation needed he knows what he did. Shinelle Gibbs, age 20 Les Coteaux, Tobago I would create a scene Jade Miller, age 45 Edinburgh 500, Trinidad
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It would be bachannal! Cheddar George, age 45 Morvant Trinidad Not in front of my face. Yuh mad or what? Ah mad to leave him in the party with she! Tiffany Duncan, age 20 Plymouth Road, Tobago
Roam The Mas Band 2017. Photograph contributed by Kimberly Roberts
IL D U G ERS 18 T I R OW T 20 G S A E B F TO NG I D A RE
EX PO
ART T OBAG O 201 8
E IN R U T CUL AGO N O , HTS M IN TOB G U O TH FO R L A I S OC
RIDDIM NATION COMES ALIVE
EXPO ART TOBAGO 2018 by Shaun Biggart-Hutchinson Shaw Park Cultural Complex often feels like a white elephant. This impressive and architecturally distinct structure, with Signal Hill, Lambeau and verdant Tobagonian landscape in its sights, seems underused. This was not the case for the final days of November and early December however as the venue hosted Expo Art Tobago 2018. Set over two floors of the spacious venue this first of its kind event in Tobago is the twin island republic’s largest ever art display featuring both permanent pieces and several brought to Tobago for Expo Art 2018.
Sculpture by Luise Kimme
A trio of Ronald Rodney’s sculptures greeted visitors as they entered the imposing Cultural Complex where the work of acclaimed artists Michel Jean Cazabon, Luise K i m m i e , Nazim Baksh and others f e a t u r e alongside the work of 100 plus creatives – students, professionals and experienced practi-
tioners. Eclectic in style, content and artistic medium scenes depicting Trinbagonian life, abstract and impressionistic pieces, portraiture, impressions of Tobago’s agriculture, flora and fauna, sea and landscapes, culture and traditions, fishing, carnival characters, architecture and scenery made for a comprehensive exhibition.
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Ca en
Carvings, paintings, sculpture and mechanical art were all displayed throughout the ground floor, no space was wasted and every nook, every cranny, corridors and foyer, halls, the Heritage Library, walls and floor were decorated with paintings and sculptures. The first floor is dominated by artisanal clothes and jewellery, crafts, beads, tshirt printing and knitting joined by a large installation of colourful freestanding tubular objects alongside the wood turned utilitarian and ornamental pieces of Evan Samuel -in varied sizes and shapes. Helmed by local artist and programme
Sculpture by Luise Kimme
coordinator Martin Superville of the Tobago Visual Arts Association Expo Art Tobago2018 exhibited in one place the distinct art of the painters, sculptors, designers and other creatives working in Trinidad and Tobago. There were also interactive sessions and talks by artists making this a must-visit event which will surely fulfil the stated ambition of embedding Tobago as a destination on the itinerary of arts aficionados.
arving by Joseph Bachus ntitled 'Father and Son' Pan Jazz by Wilcox Morris
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TOBAGO WRITERS GUILD READING FEST 2018 by Shaun Biggart-Hutchinson
‘So much things to say’ sang The Tuff Gong Bob Marley on the Exodus album of 1977. And this sentiment perfectly captured the spirit of the Tobago Writers Guild Reading Fest held last November at the Itsy Bitsy Theatre and Museum in Bethany,Mount Pleasant, Tobago. The Reading Fest is one of several organised by the Guild. At its Literary Affair literature lovers get the opportunity to hear Guild members and others read from their work and perform monologues and other pieces. The Next Chapter is the monthly event Holistic Health Author and Poet where the lively L. Leila Deonarine and youth oriPhotograph by Shaun Biggart –Hutchinson entated and vibrant spoken word genre is promoted and developed. Held at the Apex Bar and Grill where the art of liming is a speciality it’s at The Next Chapter where writers, writers to be, poets and orators get to share their work in an encouraging and supportive atmosphere and the mic is open to deliver new pieces and works in progress. TWG founding member, ex Guild President and radio personality Laureen Burris Phillip remarked that: ‘The Reading Fest is an informal function that we established to accommodate supporters and audience members of the Literary Affair who would always be begging to read their work. If there is a large number of patrons wishing to perform, Guild members stand down. It is really for our guests; Guild members fill in where necessary’.
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Poet Nathaniel Locorish Photograph by Shaun
Established in 2008 the Tobago Writers Guild, since that time, has assisted, advised and encouraged Tobago’s writers and helped to strengthen the island’s literary heritage and our literature scene. Many of the island’s writers’ poets, spoken word artists, commentators and observers of Tobagonian, Caribbean and global affairs and culture are active in the Tobago Writers Guild. Several have published their books in the last 12 months. Others already have many publications to their names. The Reading Fest has now become an important date in Tobago’s literary calendar. Hosted by the Itsy Bitsy Folk Theatre and Museum run by husband and wife team Richard and An- Poet, Singer/Song Writer, Clothing Designer nette Alfred, the venue has for sev- Carron Jonas eral years welcomed Photograph by Shaun Biggart–Hutchinson guests to the event at the spacious venue. President of the Tobago Writers Guild Rodney Piggott explained why the Fest is so important: ‘The Reading Fest is another tool of the Tobago Writers Guild. This annual event was started several years ago, and furthers the mission of The Guild, which is to develop and nurture a literary arts culture in Tobago.’ Piggott’s description of a developing literary culture was demonstrated fully by the monologues, short stories and poems embodying and reflecting on the whole spectrum of human emotions - sorrow, joy, humour, frustration, anger, love, spirituality and more. With the Theatre’s auditorium adorned in colourful fabric and giant, expressive, vibrant art a captivated audience listened intently to school children, young people, published and unpublished writers share their work, or read from favourite pieces. Calypso, dance and good food in a friendly atmosphere also kept the appreciative audience entranced and this event is indeed a vital date on the literary calendar.
Biggart–Hutchinson
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The Tobago Writers Guild meets on the third weekend of each month at Scarborough Methodist Primary School. See Facebook for details.
THOUGHTS, ON CULTURE IN SOCIAL FORM IN TOBAGO by Shaun Biggart-Hutchinson Human culture has never been static. As with any location in the world, in the Caribbean the genesis and evolution and development of cultural life has no start or end date. It’s infinite. One thing is without any doubt however. That is that Caribbean culture did not emerge when Europeans arrived in the region. It was long preceded by the ancient cultures of the indigenous peoples of the islands of the Caribbean, and the land mass known now as Central and South America. Grafted on to this foundation are centuries long cultural practices derived from the indigenous people’s resistance to colonisation, the struggle against enslavement and the efforts to establish independent nations. The culture and traditions of Africa, the Indian sub-continent, China and West Asia [commonly referred to as the Middle East] are significant. Equally the languages and mores of whichever European power was ascendant in the battle to establish supremacy in the Caribbean also played a vital and crucial part. French, Portuguese, Spanish, Dutch and English [including the obscure Courlanders in Tobago] – all have history in the region. So Caribbean culture generally, and Tobagonian/Trinbagonian culture in particular, didn’t begin in the 1960s and it’s a process which has not concluded. In Tobago specifically, examples and expressions are witnessed at the many events of the Annual Heritage Festival. The genres of cultural creativity also includes agriculture, food and drink production, visual arts and crafts, technology, literature and writing, photography, performing arts, research and documentary, videography and film, fabrication and design and fashion and probably many others.
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These elements only touch the surface though and any survey of cultural forms in Tobago must include exploration of music production [contemporary and traditional], drumming, culinary arts, fashion, traditional and heritage activities, drama, theatre, sculpture, painting, fine art, literature/creative writing, blogs, vlogs, poetry and spoken word, speech band, folk music and popular music, folktales and oral/ storytelling traditions, Moko Jumbie, stick fighting, Kalinda, tamboo bamboo bands, steel pan, Kaiso, Calypso tents, Steel Bands, ol’ time wedding, Bele dance, Speech Bands, crab and goat races and probably countless other cultural practices. In this sense then it is crystal clear that cultural expression in Tobago is strong and consolidated. Several issues need to be considered. Amongst them, the necessity of continuously exploring Tobago’s solid cultural foundation and ensuring the diverse cultural practices can be nourished, cultivated and groomed.
Top: Salaka Feast, Tobago Heritage Festival Left: Traditional Dirt Oven at Charlotteville, Tobago Photographs by Patricia Nicole Whiteman
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RIDDIM NATION COMES ALIVE by Shaun Biggart-Hutchinson The drum was the centrepiece and focus of the Riddim Nation Collective’s Mind, Body and Soul event in the natural surroundings of the Courland/Turtle Beach Heritage Park in early November. Several tents offered organic, natural products, tasty food and drinks, as well as advice on nutrition, sexual, mental and physical wellbeing and other ingredients for a holistically healthy lifestyle. The tenor pan and iron, keyboards, 8 drums and 6 percussionists provided the mesmerising backbeat and rhythmic accompaniment to this informative, expertly organised, friendly and exhilarating showcase. Well informed and expert talks on sexual health and on self defence also enhanced the packed programme. Physical fitness is vital to wellbeing too and the warm ups guided by Blaise InFitness, Delecia Dance Academy and Ameika Dance Fitness Tobago, and the standout Riddim Burnout accompanied by Dominic Williams and his Unity Drummers hit the spot. The drum - itself a symbol of the Riddim Nation - is vital to the history, culture and history of resistance of the African Diaspora and the complicated but definitely stamina and endurance enhancing workout/sweat to the rhythm of the Unity Drummers was exhilarating. Keeping pace with the drumology called for coordination by participants, with individual determination. Not for the faint hearted though. Speaking on behalf of the Collective Reynel Clarke explained the idea behind the occasion in this way: ‘Mind, Body & Soul was born out of a need to reshape the face of entertainment in Tobago. The Mind, Body & Soul Wellness Village boasts of its uniqueness as the first of its kind in the world, encouraging healthy fun and inspiring its villagers to bring to life their fullest potential.’ Riddim Nation Collective embodies spirit, passion and enthusiasm and each of these intangible but vital attributes permeated the captivating Wellness Village atmosphere. Anticipating a positive 2019 for the Riddim Nation Collective Ms Clarke outlined the plans for the organisation’s second annual concert, ‘Riddim Nation’, in late April and themed Modern Afrika. Describing what to expect she said the display of local dance, drumming and chanting combined with visual and literary arts talent will give a modern interpretation of Trinidad and Tobago’s African heritage and add variety to the Tobago Jazz Experience. Looking further ahead the wellknown broad caster said that Mind, Body and Soul Wellness Village would return in the last quarter of 2019.
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Dominic Williams and the Unity Drummers
TO WHOM IT MAY CONCERN
INSPIRATION INLET
THANK YOU
CHILLAX CORNER
TO WHOM IT MAY CONCERN: In recent times there have been many news reports, social media pod casts, videos etc. featuring the lewd-violent-immoral behaviour of primary and secondary school children and even some school teachers. This for me signals a disturbing decline in the education systems within our nation. How we arrived at this place appears to be unclear. Some persons blame the teachers, some blame the parents, some blame the government, while others believe that we need to return to the principles of olden days. Below is a reproduction of the original contract given to teachers in 1923, which they were required to sign before they could be employed:
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It may seem laughable and extreme in our more modern and free thinking times But it speaks to a period in our history where responsibility and accountability by those whom we entrusted our children to was not a casual matter. Maybe a return to this type of accountability in society as a whole would see an upswing not only in the moral standards in our education system, but a decline in the negative aspects of our modern society such as; violent crimes, corruption, unethical and immoral attitudes and behaviours.
JUST SOME FOOD FOR THOUGHT. I Remain Yours Respectfully Eutille E. Duncan
Going Back To School. Photographs by Tiffany Duncan
If you have concerns you would like to express or topics you would like to see discussed please CONTACT US: (868)-393-6725/(868)-707-3668/(868)-714-0924 Website: https//:iamagazinett.woodpress.com Email: iammagazinett@gmail.com Facebook: @iammagazinetrinbago
INSPIRATION INLET with Tammy Guy-Granderson
HUMILITY AND PRAYER Why the hearts of men are becoming so desperately sick, unrepentant and wicked is because men have turned their backs on God’s greatest commandment; to love one another just as He loves us and so sent His only Son to die and redeem us from a life lost in sin. Men today have turned their backs on the sacrifice Jesus made on the cross for us all and have returned to a selfish, disrespectful, cruel and evil way of life. Today some have no respect another's property or self, the country’s statistics on crimes like robbery and murder are staggering. The avenues to deal with such issues themselves’ are at the point of giving up. My people we cannot depend on the government to make the change. We the citizens of Trinidad and Tobago must turn our hearts back to the Creator and humble ourselves under the hands of the Almighty God. Only then will the change come through Christ Jesus. Let us pray together for a change: Lord our nation is taken over by a spirit of wickedness please intervene on our behalf and bring us back to a place of stability. Amen
If my people, which are called by my name, shall humble themselves, and pray, and seek my face, and turn from their wicked ways; then will I hear from heaven, and will forgive their sin, and will heal their land 2 Chronicles 7:14 (KJV)
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The Golden Members Poetry Club wishes to extend a heartfelt thank you to all those who helped to make their Book Celebration on 27th January, 2019 a success and to all those who played an active role in helping them to fulfill life long dreams. A sincere thank you to Venecia Murray-Campell a true emissary of the Most High God. Thank you to Kimberly Roberts and Lee-Anna Boyce for their contributions to this issue. From the entire I Am magazine team. Deepest gratitude to Kenya Gale for all of her tireless work in building the I Am website.
If would like to publicly thank someone please CONTACT US: (868)-393-6725/(868)-707-3668/(868)-714-0924 Website: https//:iamagazinett.woodpress.com Email: iammagazinett@gmail.com Facebook: @iammagazinetrinbago
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CHILLAX CORNER IS A CULTURE THING WORD SCRAMBLE 1. LNICRAVA
C____________________________
2. RITSAT
A____________________________
3. ADAMR
D____________________________
4. OFELLORK
F____________________________
5. SPOP BIAA
P ____________
6. SEOTUCM
C____________________________
7. LCYSOPA
C ____________________________
8. ESAGT
S____________________________
9. OPRSP
P____________________________
10. SCAORT
A____________________________
11. ADENC
D____________________________
12. CSAO
S____________________________
13. SMA MCPA
M_____________
14. GSNI
S____________________________
15. MITNABR
T____________________________
16. GRHITEAE
H___________________________
17. EFET
F___________________________
18. MRDU
D___________________________
19. DSATE EBNL S_____________ 20. EAREALHRS
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B____________
C___________
B___________
R__________________________
MUMAH USED FUH SEH This segment is inspired by my mother whom used sayings to admonish us as children. One, one drop does full bucket Meaning: great things are accomplished a little at a time. Ashes cold puppy lay down Meaning: when persons become old they are often disrespected by the young. All unfair games must play over. Meaning: No matter what in the end justice will prevail.
QUIZ THE WIZ 1.) How many sons did Jesse king David’s father have? 2.) What was the name of Moses’ older sister? 3.) What was the name of the first man? 4.) How many sons did Jacob/Israel have? 5.) “The Lord is My Shepherd I shall not want”...are the opening words to wich Psalm in the Bible?
ANSWERS 1. Eight. 2. Miriam. 3. Adam 4.Twelve 5. Psalm 23
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