TrEElogy by ideale concepts

TREELOGY

&@ S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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CONCEPTS TEAM

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contacts, info & table of contents “ T R E E LO G Y ”

Public Ar t Proposal by : Davide Pan, Carlos Basanta, Ida Maria Pan as

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CONCEPTS TEAM

2025 East Pender Street Vancouver, BC V5L 1X1 CANADA w : w w w.idealeconcepts.com w w w.davidepan.com w w w.carlosbasanta.com e: ideale@me.com t: 604·569·2009 c: 604·561·2494 f: 604·940·9201 Public Ar t Competition launched by : City of Nor th Vancouver

table of contents index

CONTACTS - INFO .............................…………………….................................

TABLE OF CONTENTS ………...............………………….................................

STATEMENT OF INTENT .........………...................……….................................

02 / 03

MAPS & GEOGRAPHICAL POSITIONING .......……………….........................

04 / 05

LOCATION & PLACEMENT OF THE WORK ......……………….........................

THE WORKS : DRAWINGS, PHOTOS & DETAILS

“The Tree Than Gives & Gives #1” (2x4) .............................................. II. “The Tree Than Gives & Gives #2” (4x4) ……...................................... III. “The Tree Than Gives & Gives #3” (cylinder) ....................................... IV. “Lulu’s Love Seat” (Bench) ……...................…..................................... V. “Logrider”……...................................…………................................... VI. “Chronos” - Cut Out negative 1…........................................................ VII. “Physis” - Cut Out negative 2 …......................................................... VIII. “Humus” - Cut Out negative 3 ……........……..................................... IX. “TreePlus” - Cut Out positive 1…….........……..................................... X. “TreePlus” - Cut Out positive 2 ……………......................................... XI. “TreePlus” - Cut Out positive 3 …………............................................. XII. “Branches” ….…....................…………………....................................

NV O ffice of Cultural Affairs

#407 - 1200 Lonsdale Ave Nor th Vancouver, BC CANADA w : w w w.ar tsalivenor thshore.ca   e: Lori.Phillips@nvoca.ca t: 604·982·3893 with Consultant / Lanscape Architec ts: space2place design inc.

t: f: e: w:

308-318 Homer Street Vancouver, British Columbia 604•646•4110 604•646•4120 studio@space2place.com w w w.space2place.com

S P I R I T T R A I L S E C T I O N S 1 1 & 12

07 08 09 10 11 12 / 13 12 / 13 12 / 13 14 14 14 15

THE SKETCHES ………..........………...............………….................................

16 - 21

PRELIMINARY BUDGET & ESTIMATED TIMELINE …………………….............

MATERIALS, COLOURS & FINISHES ............…………….................................

CROSSWALKS - WHY NOT …………….......................….................................

VA N CO U V E R B C - J U LY 1 5 T H , 2 0 0 9

PUBLIC ART 2009-2010

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CONCEPTS TEAM

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s t a te m e n t o f i n te n t “ W HY W H O W H AT ”

notes research

The image is a cer tain type of conscience it is an act not only a thing it is conscience of something It ’s up to us to search for depth of conscience for a new ABC: a choice, a right, a duty in the present, for the present & for the future. (imp 2003)

ʘ ʘ

The real ar t of discover y is not in finding new land, but in seeing with new eyes. (M. Proust)

αβʊ

Good public ar t functions as an invitation to dialogue, not an inaccessible monologue.

WHO: Davide Pan, Sculptor

+ Carlos Basanta, Sculptor + Ida Maria Pan, Multidisciplinary A.

WHY : We: Davide, Carlos and Ida, decided to join forces in the belief that possibly the merging of friendship, creative talents, expertise, practical technical knowledge, dexterity and experience could result in a less self centered creation: an artistic production of amplified strength. Most of the time “artists” create works for themselves, as a need to externalize their own vibrations without any consideration of the element “others”. An artistic work, per se, can be a very selfish thing. Public art (“public”, by definition: “Of, concerning, or affecting the community or the people”), in our opinion, should be the opposite of selfish. For us, the sole process of sharing our talents, the thoughts, the actions, the giving and the taking of ideas in order to bring about a result which focuses on “others”, makes even the conceiving part somehow “public”. A more open prospective, a desire to allow elasticity in the creative process - with the benefit of 3 points of view other than one wishes to be an attempt to approach the subject from a more social perspective. City’s public spaces are, especially in our days, a big part of everyone’s everyday living environment and we strongly feel that our focus and approach should be one of integrating art that is not only of spiritual impact utility but also of physical immediate utility: a community-based projects versus an exclusive & elite art production. Since Art has the ability to transcend the ordinary, transform the average and inspire thought, action and emotion we like to think of Public Art as an ideal medium to accomplish this and much more; a way of making our dreams come to life while beautifying our world, its public spaces and bringing art to the people. After reading the Call’s requirements, visiting, viewing, extensively photographing the Spirit Trail and the specific sections in object, we came up with some ideas & drawings and begun the brainstorming process. The key words we listed to keep in mind (a project’s abc) were and are:

a b c

accessibility bridging creative cross cultural diversity durable ecologically focused approach educational functional urban infrastructure heavy yet light integrated meet here memorable

nature open possible incorporation of seating public space safe sculptural sustainable unique vandal resistant structure visible from afar wayfinding element welcome whimsical and theatrical

S P I R I T T R A I L S E C T I O N S 1 1 & 12

We tried to focus on merging and bridging these interesting ingredients to attempt the creation of a unique and memorable recipe. As mentioned above, we feel that public art should capitalize on a shift towards accessible art for public consumption and focus on a message that speaks to ‘the people’ without presumptuousness, bridging earth and dreams in a tangible way: complex meanings synthesized in a simple alphabet of tangible elements. We have been working on small and large scale site specific creations and are strongly bound to and inspired by our surrounding environments and the impact created on both the environment itself and on the people who live it. Our approach to this project has been professional and heart felt, respecting the guidelines and requirements of the “call” and those of our own creative spirit. So... keeping all that in mind, we are and will be committed to dedicating our time, research and experience to study, design, develop, construct and install a one of a kind Spirit Trail Focal Point.

WHAT & HOW: (From theory into practice) The Fruit of this collaboration will be the creation of a series of poetic permanent sculptural forms able to live-now & live-on, both on site and in the memory (or photographs) of those who visit the trail. It wishes to be a carefully made intervention with consideration to the existing surroundings (roads, sidewalks, park, cross-walks, paving, trees, bike paths etc.) made with the care and the intent to harmonize and enhance the trail while opening a dialogue with its occasional and/or everyday users.

PUBLIC ART 2009-2010

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s t a te m e n t o f i n te n t “ W HY W H O W H AT ” Amongst ourselves we talked about history, about present, about future, art and its reflection in our lives. ... Looking for a common denominator, a sign, a form... trying to imagine a symbol(s) that we agreed would represent & summarize all the above mentioned and would work in the Spirit Trail context. Almost from the very beginning we all agreed it would involve trees. Then... the STAGES OF LIFE came to mind. We agreed that the free vibrations, or naturally harmonious relation to the fundamentals, could possibly all be “representable with a tree”... so we tried to translate “bridging, harmony, nature, light, past, present and future” into an object. A series of sculptural elements that could offer an occasion to create a moment of reflection, an enlarged presence of the present, the ideal opportunity to commemorate one’s past and plan the future. We felt closer to having reached a “concept” that could connect it all to past, present & future, to time, nature & earth. Our environment is in a constant state of flux, constantly altering the benchmarks for our actions., and we change with them. Some words we used as titles for the individual pieces reflected our thinking: ZOE The greek word that expresses the concept of life as perpetual re generation of the creating energies. CHRÓNOS – TIME Image of the cosmos, of the world of ideas, eternal, immutable and always resembling itself. PHÝSIS - NATURE / HUMUS - EARTH The tree is like the image of life in its totality: with this symbol primary vital functions are expressed (the vegetative growth) and the superior manifestations of the being (the vertebral column & the intellective and spiritual dimension of man). It represents the axes and the mystical centre of the world & the element of conjunction between the subterranean force (the roots), the reign of nature (the trunk) and the sidereal energies (the branches and leafy tops). For this reason it was considered sacred by almost all ancient peoples. We, immediately, connected our project to the trees, hence our title Treelogy, and to the number 3. Trees & the number 3 as an allegory to the ages of human life (childhood, youth & old age), set out in conformity with a tripartite pattern (going back to Edipus Enigma...). We thought and think of the 3 great partitions of terrenal life: the past (the truck with the roots) - history, the present (man - centre of the tree itself ), the future (the branches) and the connection to the concept of path and journey. This is way we conceived most of the sculptural works proposed composed of 3 parts representing such phases. Utilizing this symbol of cyclic renewal of nature thru the alternate phases of birth, growth and fecundity. ... IN OUR MINDS IT WORKS ! We agreed that the Spirit Trail, even if already rich of beautiful trees, would suit a series of sculptural elements which celebrated life thru the trees. hat better then an “trees” could carry a lot of weight, be an harmonious guiding & way finding element and an historically triumphal symbol?

photos of colour, energy and life shot along the Spirit Trail - JUNE 2009

Being aware that human life, human survival & human sense of esthetics derive and are, indissolubly, connected to nature - which provides, nurtures and inspires - we think and feel that celebrating plants with sculpture would enhances its poetic flavour of the trail. With a series of analogies and similarities we divided the trees in 3 parts. Parts that are attempting to place themselves in tune with the universe while trying to grasp the image, the reflection of its great “essence”. Hence the positive and negative cut outs, the game with reflections and steel buffed to a mirror finish. So to capture the energy and light of what was, what is and the forever becoming “instant”. We are confident that our collaboration can produce pieces of high emotional impact. Works capable of integrating - in an innovative way - art, history, man, manufacts and nature with the area’s lifestyle dynamics . We would be honored to be given the chance to set a tangible footprint of our own in the Spirit Trail while helping to celebrate its past and welcome its promising future.

bridging the the abstract with the tangible . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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m a p s & g e o gra p h i c a l p o s i t i o n i n g “XYZ”

S P I R I T T R A I L S E C T I O N S 1 1 & 12

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m a p s & g e o gra p h i c a l p o s i t i o n i n g “XYZ”

Sec. 11 & 12

City of North Vancouver Spirit Trail Route

S P I R I T T R A I L S E C T I O N S 1 1 & 12

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l o c a t i o n & p l a ce m e n t o f t h e wo r k “XYZ” 02 04 10

05 03

09 04

07 08

I V.

VI.

VII.

VIII.

XII.

S P I R I T T R A I L S E C T I O N S 1 1 & 12

III.

IX.

XII.

PUBLIC ART 2009-2010

“The Tree Than Gives & Gives #1” (2x4)

“The Tree Than Gives & Gives #2” (4x4)

“The Tree Than Gives & Gives #3” (cylinder)

“Lulu’s Love Seat” - (bench)

“Logrider”

“Chronos” - Cut Out negative 1

“Physis” - Cut Out negative 2

“Humus” - Cut Out negative 3

“TreePlus” - Cut Out positive 1

“TreePlus” - Cut Out positive 2

“TreePlus” - Cut Out positive 3

“Ramus” - Branches (multiples)

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d raw i n g s, p h o to s & d e t a i l s “ T H E T R E E T H AT G I V E S & G I V E S # 1 ”

DIMENSIONS

M AT E R I A L S

FINISH

height 11’/12’ max diameter 6’ diam. at base 12” weight +/-260 lb

stainless steel 2@4”x2”x5’x1/8”rectangular tubing stainless steel 2’x2’x1/2”plate for base hot rolled mild steel 14g. sheet mild steel 1”1/2 φ tubing mild steel 1” φ tubing mild steel 1/2” φ rod

#8 high buff polish on stainless/except base powder coating Tiger Drylac Candy Blue 49/43600 on mild steel

S P I R I T T R A I L S E C T I O N S 1 1 & 12

FA B R I C AT I O N

Studio Fabrication by Artist & Field Fabrication Details Piece will be fabricated and assembled in studio. All tree components will be a combination of stainless steel & mild steel to be cut, bent and welded. On site only the forming and pouring of concrete base with appropriate mounting bolts (as per drawings)

PUBLIC ART 2009-2010

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d raw i n g s, p h o to s & d e t a i l s “ T H E T R E E T H AT G I V E S & G I V E S # 2 ”

II.

DIMENSIONS

M AT E R I A L S

FINISH

FA B R I C AT I O N

height 11’ max diameter 6’ diam at base 12” weight 250 lb

stainless steel 4”x4”x5’x1/8”square tubing stainless steel 2’x2’x1/2”plate for base hot rolled mild steel 14 gage sheet mild steel 1”1/2 φ tubing mild steel 1” φ tubing mild steel 1/2” φ rod

#8 high buff polish on stainless/except base powder coating Tiger Drylac Candy Blue 49/43600 on mild steel

Studio Fabrication by Artist & Field Fabrication Details Piece will be fabricated & assembled in studio. All tree components will be a combination of stainless steel & mild steel to be cut, bent and welded. On site only the forming and pouring of concrete base with appropriate mounting bolts (as per drawings). Exact placement pending upon positioning of future overpass.

S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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d raw i n g s, p h o to s & d e t a i l s “ T H E T R E E T H AT G I V E S & G I V E S # 3 ”

III.

DIMENSIONS

M AT E R I A L S

FINISH

FA B R I C AT I O N

height 15’ max diameter 8’ diam at base 18” weight +/- 300 lb

#8 high buff polish on stainless/except base powder coating Tiger Drylac Candy Blue 49/43600 on mild steel

S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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d raw i n g s, p h o to s & d e t a i l s “ LU LU’S LO V E S E AT ”

I V.

DIMENSIONS

M AT E R I A L S

stainless steel 16g. sheet , #4 finish lenght 8’ stainless steel 2’x2’x1/2”plate for stump base height 6’ (max) width 20” (base stainless steel 2@2”x3/8”x12” for bench mount of trunk) seat 18”x16”x60” weight +/-320 lb

FINISH

#8 high buff polish on stainless/except base FA B R I C AT I O N

Studio Fabrication by Artist & Field Fabrication Details Piece will be fabricated & assembled in studio. All components will be of stainless steel to be cut, bent and welded. Heart will be visible on the trunk. No on site fabrication, only the forming & pouring of concrete base with appropriate mounting bolts (as per drawings).

S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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d raw i n g s, p h o to s & d e t a i l s “ LO G R I D E R ”

“Logrider ” - ideally placed where Moodyville originated w a n t s to b e a n i n te r p re t a t i ve re m i n d e r o f t h e s aw m i l l t h a t o n ce w a s.

DIMENSIONS

M AT E R I A L S

FINISH

FA B R I C AT I O N

lenght 9’ height 6’ width 6’ weight +/- 300 lb

mild steel 5”φ tubing mild steel 2 1/2” φ tubing mild steel 1 1/2” φ tubing stainless steel 3@ 1’x1’x3/8” for base mounts white cement

white cement with iron oxide patina/ rust brown color

Studio Fabrication by Artist & Field Fabrication Details Piece will be fabricated and assembled in studio. All components will be of mild steel to be cut, bent and welded. On site only the forming and pouring of concrete base with appropriate mounting bolts.

S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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d raw i n g s & d e t a i l s “C H R Ó N O S”, “ P HỶS I S”, “ H U M U S” ( T I M E,

N AT U R E ,

E A R T H )

VI.

VII.

The mirror finish on Chronos ....will allow the

VIII.

“instant” to be reflected

WORK

DIMENSIONS

VI.

thickness 1/2” stainless steel 1/2” plate #4 finish #8 high buff polish on stainless/except base height 7’ (84”) stainless steel 2’x2’x1/2”plate for base width 2’ weight +/-225 lb cor ten steel 1/2” plate cor-ten steel weathered finish/orange brown rust stainless steel 2’x2’x1/2”plate for base color, except base

Shop Fabrication by: Brenco Industries, Delta B.C. - water jet cutting and rolling of Cut Outs - cutting and drilling of stainless steel plates for mounting bases & by: Ebco Metal Finish, Richmond B.C. - all polishing of stainless steel to #8 high buff finish except bases Field Fabrication: only forming and pouring of concrete base with appropriate mounting bolts (as per drawings in sketches - future dwg).

thickness 1/2” height +/- 12” width 16 to 18”

Cort-ten Steel Cut out lettering will be placed adjacent to the individual panels.

VII. & VII

WORDS

M AT E R I A L S

cor ten steel 1/2” plate

S P I R I T T R A I L S E C T I O N S 1 1 & 12

FINISH

FA B R I C AT I O N

cor-ten steel weathered finish/orange brown rust color

PUBLIC ART 2009-2010

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CONCEPTS TEAM

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d raw i n g s, p h o to s & d e t a i l s “C H R Ó N O S”, “ P HỶS I S”, “ H U M U S” ( T I M E , N AT U R E , E A R T H ) 06

= Pro p o s e d p l a ce m e n t o f Pa n e l s

S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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d raw i n g s, p h o to s & d e t a i l s “ T R E E P LU S U N O ”, “ T R E E P LU S D U E ”, “ T R E E P LU S T R E ”

IX.

XI.

WORK

DIMENSIONS

M AT E R I A L S

FINISH

FA B R I C AT I O N

IX.

height of tree 5’ tot. height w/stand 11’ max width 20” thichkness tree 1/2” weight +/-100 lb

stainless steel 1/2” plate #4 finish stainless steel 2’x2’x1/2”plate for base mild steel 5”φ tubing

#8 high buff polish on stainless/except base powder coating Tiger Drylac Candy Blue 49/43600 on mild steel tubing

cor ten steel 1/2” plate stainless steel 2’x2’x1/2”plate for base mild steel 5”φ tubing

cor ten steel weathered finish/orange brown rust color

Shop Fabrication by: Brenco Industries, Delta B.C. - water jet cutting positive result of removed insert from other 3 panels. - cutting and drilling of stainless steel form for mounting on bases & by: Ebco Metal Finish, Richmond B.C. - n. IX all polishing of stainless steel to #8 high buff finish except bases Field Fabrication: only forming and pouring of concrete base with appropriate mounting bolts (as per drawings in sketches - future dwg).

X. & XI

S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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d raw i n g s, p h o to s & d e t a i l s B R A N C H E S O N S TO N E S “ R A M U S”

XII.

S t a i n l e s s s te e l, re f l e c t i ve ( m i r ro r p o l i s e h d ) , s t u d i o f a b r i c a te d b ra n c h e s w i l l b e a n c h o re d - h e re & t h e re o n t h e b e a u t i f u l l a rg e s to n e s e x i s t i n g a l o n g t h e t r a i l.

DIMENSIONS

M AT E R I A L S

FINISH

FA B R I C AT I O N

lenght +/-3’” diameter 2 to 4” weight +/- 20 lb

stainless steel 16g. sheet , #4 finish stainless stell 1/2” φ rod for mounting pins

#8 high buff polish on stainless except mounting pins

Studio Fabrication by Artist & Field Fabrication Details Pieces will be fabricated and assembled in studio. All tree components will be of stainless steel to be cut, bent & welded. On site only the drilling and anchoring & gluing (Hilti Hit) of mounting pins.

S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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s k e tc h e s & d raw i n g s “ T R E E S”, “ B R A N C H E S”, “ B E N C H E S”

S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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s k e tc h e s & d raw i n g s “ T R E E S”, “ B R A N C H E S”, “ B E N C H E S”. . .

S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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s k e tc h e s & d raw i n g s “ T R E E S”, “ B R A N C H E S”, “ B E N C H E S”. . .

S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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s k e tc h e s & d raw i n g s “ T R E E S”, “ B R A N C H E S”, “ B E N C H E S”. . .

S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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S K E T C H E S , D R AW I N G S & P H O T O S O F M O D E L S

S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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S K E T C H E S , D R AW I N G S & P H O T O S O F M O D E L S

S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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p re l i m i n a r y b u d g e t & e s t i m a te d t i m e l i m e â&#x20AC;&#x153; T R E E LO G Y â&#x20AC;? PRELIMINARY OVERALL PRICING SCHEDULE

ITEM

DESCRIPTION

E S T I M AT E D T I M E L I N E F O R FA B R I C AT I O N & I N S TA L L AT I O N O F T H E W O R K

AMOUNT

1.0

Artist fee

21,150.oo

1.1

Fabrication of the Art

24,720.oo

1.2

Studio Fees

3,000.oo

1.3

Materials

1.4

Transportation & Installation of the Artwork

3,000.oo

1.5

Insurance

1,500.oo

1.6

Other (Assistants $4,000 + Contingency $5,000)

5,000.oo

70,500.oo

S U B TOTA L 1.7

Goods and Services Tax (GST)

1.8

Proposed Price (all taxes included)

$ TOTA L

12,130.oo

4,500.oo $ 75,000.oo

I F Y O U R E Q U I R E A M O R E D E TA I L E D B U D G E T B R E A K D O W N PLEASE LET US KNOW!

In order to come up with a 7 line Preliminary Budget we have made a detail breakdown piece by piece, material per material, and work hour by work hour. Calculating everything from the initial prep time to the gathering of materials, the fabrication (both in studio and outsourced), the finishing & the installation. As per our calculations, our per piece breakdown, resulted in an approximate total of 412 work hours for fabrication of all the pieces. 412 hours - mostly of out own labour - equals, approximately, to 10 weeks, or 2.5 months. We are proposing a considerable amount of sculptures for such a little time but we are well trained in getting things done on time and with small budgets. As mentioned above, and as reported on the individual pages describing the proposed works, please find here below, the names of the companies which would be aiding in the fabrication and finishing of some on the sculptures. 5. STUDIO/FIELD FABRICATION (a) Studio Fabrication by Artist Pieces 1,2,3,4,5,7,8,9,10 will be fabricated and assembled in studio. All tree components will be a combination of stainless steel and mild steel to be cut,bent and welded. (b) Shop Fabrication By: Brenco Industries, Delta B.C. - water jet cutting and rolling of Cut Outs 6,7,8,9 - cutting and rolling of stainless steel plate for 4/Bench - cutting and drilling of stainless steel plates for mounting bases By: Ebco Metal Finish, Richmond B.C. - all polishing of stainless steel to #8 high buff finish except bases By: Hudson Plating Co. ,Burnaby B.C. - all powder coating on fabricated mild steel components (c) Field Fabrication N/A (d) Field Fabrication _ forming and pouring of concrete base with appropriate mounting bolts (as per drawings)

MAINTENANCE & CLEANING PROVISIONS

All work is designed and fabricated to require no maintenance. Stainless steel might require In order to come up with occasional cleaning with a simple cloth and Windex.

S P I R I T T R A I L S E C T I O N S 1 1 & 12

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m a te r i a l s, co l o u r s & f i n i s h e s “ T R E E LO G Y ”

S TA I N L E S S S T E E L

Stainless Steel No.8 or True#8 mirroris the most reflective mirror finish on the market.The look is that of a glass mirror.Sometimes reffered to as a nondirectional mirror finish. CO R -T E N S T E E L

Weathering steel, best-known under the trademark COR-TEN steel, is a group of steel alloys which were developed to obviate the need for painting, and form a stable rust-like appearance if exposed to the weather for several years. The primary alloying addition in weathering steel is 2% copper. P O W D E R C O AT I N G

Powder coating is a type of coating that is applied as a free-flowing, dry powder. The main difference between a conventional liquid paint and a powder coating is that the powder coating does not require a solvent to keep the binder and filler parts in a liquid suspension form. The coating is typically applied electrostatically and is then cured under heat to allow it to flow and form a “skin.” The powder may be a thermoplastic or a thermoset polymer. It is usually used to create a hard finish that is tougher than conventional paint. Powder coating is mainly used for coating of metals, such as “whiteware”, aluminium extrusions, and automobile and bicycle parts. CONCRETE IMAGES CLOCK WISE

- Mirror surface - Cor-ten Steel - Mild Steel - Cor-ten steel: aging samples - Tiger Drylac Powder Coating Candy Blue 49/43600 - Caliper Studio Project - Reflection of vegetation on mirror finish steel - Cement - concrete block - 465px IKB 191 - Klein Blue - Center Image: EN-10216-Seamless-Stainless-Steel-Tubes-for-Pressure-Purposes-1-2-8-

S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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CONCEPTS TEAM

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c ro s s w a l k s w hy n o t “ T R E E LO G Y ”

S P I R I T T R A I L S E C T I O N S 1 1 & 12

PUBLIC ART 2009-2010

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CONCEPTS TEAM

PA G 024 1 / 24 22