IDFA Daily #4 2016 (English)

International Section 23/24 nov 2016

Fisk hits the Forum Renowned Middle East correspondent Robert Fisk put in an appearance at the Forum on Tuesday for the pitch of ChineseCanadian director Yung Chang’s This Is Not A Movie, exploring journalism in the region through the veteran reporter’s 40-year career in the Arab world. By Melanie Goodfellow Fisk told documentary professionals gathered at the Compagnietheater that he had initially turned the project down when Chang and producers Allyson Luchak and Nelofer Pazira first got in touch with the idea. “When I was first asked to get involved I said ‘Absolutely not. I don’t do face-to-cameras, I don’t flap my hands around to make a point, I hate clichés, I am a journalist!” said Fisk.

“This was pretty pompous and hypocritical of me, because then I took a look at Yung and said, ‘This guy is fresh and new to the Middle East, he’s an innocent guy, unencumbered by the clichés of doves and hawks and terrorists and democracy’. So I said, ‘Look let’s have a go, but no face-to-camera. You put your camera over my shoulder. I’ll do my job as a correspondent and you do your job as a film director, but don’t interfere.’”

Man without a newspaper

Fisk added that the demise earlier this year of the print edition of The Independent – for which he has been the Middle Eastern correspondent for more than 30 years – had further boosted his desire to be involved.

“It dissolved around me. I am now the Middle East correspondent of The Independent website. I’ve still got the same job, same place, same assignment, same region – the Middle East – and many more readers, millions more.

I thought there is something interesting here – a man

Robert Fisk and Yung Chang at the Forum. Photo: Ruud Jonkers

without a newspaper, being filmed by a camera crew who can’t put cameras in my face,” said Fisk.

Rare access

Over the course of 40 years, during which time he has covered the massacres at the Palestinian refugee camps of Sabra and Chatila as well as both Gulf Wars, the US invasion of Afghanistan and the more recently the Syrian conflict, Fisk has built up rare access.

He was the only Western journalist to have interviewed Osama Bin Laden on three separate occasions. In the backdrop, he has often courted controversy for his refusal to take an unbiased, balanced approach to stories he is covering.

Frontlines

Fisk said he was planning to take Yung to places where many journalists no longer get to, such as the frontlines of Syria, from the Turkish border to the Golan Heights, and bring him into contact with people who normally do not either get access or give interviews to Western television.

In the process, the film will also look back at Fisk’s career as current day events resonate with stories he covered in the past.

Yung stressed that rather than being a biography about Fisk the film was more a study of the Middle East region and the need for responsible on-the-ground reporting in an age when journalists are obsessed with social media. “I have to say this is going to be a marriage made in heaven or a marriage made in hell, we’ll give it go,” he concluded.

Cross-media

The National Film Board of Canada has already put up 400,000 Canadian dollars, representing some 30% of the budget and at Tuesday’s pitch several broadcasters including Arte said they were interested in coming on board. Principal photography is due to start next summer for a late 2018, early 2019 delivery.

This Is Not A Movie was among 15 projects presented in the Forum’s Central Pitch section this year, three of which were cross-media productions for the first time.

Praise

Other popular projects pitched on Tuesday included Steven Bognar and Julia Reichert’s Chinese Factory: USA about an Ohio factory which is bought by a Chinese billionaire; Argentine director Lola Arias’s Veterans, a hybrid work combining a theatre play about a group of UK and Argentine veterans of the Falklands War who meet up thirty-five years after the conflict, and their real-life encounters.

Brazilian director Petra Costa also won praise for her upcoming work Impeachment exploring the events surrounding the removal of Brazil’s first female president Dilma Rousseff from office in 2016 on charges of corruption, particularly for the level of access to the subjects involved.

“The quality of the pitches this morning was very high.

There were some very strong projects and a lot of interest,” commented IDFA industry chief Adriek van Nieuwenhuyzen.

Docs for Sale Top 10 Stranger in Paradise 60 Plastic China 48 Burning Out 48 Amateurs in Space 45 Machines 44 The Grown-Ups 42 How to Meet a Mermaid 38 The Good Postman 37 Venus 36 La Chana 32

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Serial promise

The Promise, the new crime documentary from Markus Vetter and Karin Steinberger, seems bound for a very long afterlife. A new radio series is being developed that will take the story forward. (This is being done with NDR and the BBC is also in discussion to offer support.)

As Vetter has revealed at IDFA, the film is being made available in many different versions. It is also screening here in a 131-minute cut.

There is a 170-minute cut. Several broadcasters will be showing The Promise in series form, as either 2 x 90 or 3 x 60.

“Why did we do that?” the director asks himself of the multiple cuts of the film before answering that crime stories lend themselves to endless tweaking and revising. A two-hour documentary is often difficult to shoehorn into the schedules. It would make no sense to show a film as embroiled and complicated as The Promise in a 60-minute version – but 3 x 60 is an acceptable alternative. If that doesn’t work, Vetter and his team can offer a 6 x 30-minute version instead.

“Creatively, we could do more with the material and so we took advantage of that,” the German director said of the many different versions of The Promise now in circulation. The film explores the case of Jens Soering, the teenage son of a German diplomat who was convicted in a Virginia court of the murder of his lover Elizabeth Haysom’s parents. That was way

back in the mid-1980s. He has languished in an American prison ever since.

It is well over a decade since a German priest first approached Vetter’s co-director Steinberger to tell her that he thought Soering was innocent. Having watched 170 hours of the court material, Vetter has long believed in his subject’s innocence and is dismayed to see him still behind bars.

The German director doesn’t generally make “true crime” films. His earlier work includes several docs about Palestine and a film on the International Criminal Court. “When we met him [Soering] for the first time in prison in 2013, this interview with him was incredible.”

The interview, which lasted for several hours, forms the core of the documentary. (Since 2013, Soering hasn’t been permitted to give any further interviews.) Another key part of the story is the love letters between Soering and Haysom (who once likened herself to Lady Macbeth).

“These love letters are incredible. You can feel how two youngsters are competing with each other in expressing their love and their thoughts about their families; that they want the world to be a better place; that they want to be different from their families. It was a folie a deux and at the same time, a feverish love story.”

The heady romance came to a very abrupt end when the lovers were arrested in London for cheque fraud. They had “escaped” to the UK after the murders. “Suddenly, this love collapsed,” Vetter says. Soering and Haysom realised they would be on their own. “Both finally understood that it was the end of the road.” She betrayed him, cutting a deal with the prosecution. He stayed loyal to her, confessing to a murder that he almost certainly didn’t commit, only much later retracting his confession. By Geoffrey Macnab Read more at: www.idfa.nl/industry/daily/2016/background/serial-promise.aspx

dok.incubator turns 5

Single shot China

Prague-based dok.incubator celebrated its fifth birthday at IDFA on Monday night with some of the makers of the films it has helped complete since its launch in 2012.

By Melanie Goodfellow

Doc auteur Leonard Retel Helmrich talks about the upcoming focus on Dutch documentary at China’s Guangzhou International Documentary Film Festival (12-16 December). The focus will comprise a selection of recent Dutch films, including Touched by the Devil (Pieter van Huystee); A Boy’s Dream (Walter Grotenhuis and Cinta Forger); Young Wrestlers (Mete Gümürhan) and Morgan Knibbe’s Those Who Feel The Fire Burning, as well a co-production pitch session. Confirmed co-pro projects include Frank Scheffer’s He Duoling – The Painter from Chengdu. There will also be a number of industry and filmmaker workshops. The event is organised by the Netherlands Film Fund, EYE and IDFA.

“Up until now we’ve supported 44 films, one-third of which have ended up in IDFA. We’ve also had four films at Sundance and I promise you it will be more this year,” project director Andrea Prenghyová told the informal gathering in De Jaren.

Speaking afterwards, Prenghyová explained how the six-month post-production and marketing lab involving the producer, director and editor grew out of observaŽofie Strachotová, Andrea Culková (CZE), in front Tanja Georgieva (Ukraine), tions during a 20-year career Kaarle Aho (Finland), Andrea Prenghyová (head of dok.incubator) and making and supporting documen- Emmy Oost (Belgium). Photo: Nichon Glerum taries in Eastern Europe as well as pressure from a round of cuts and impossible efficiency attending festivals worldwide. drives.

“I saw a lot of films which had the elements to be great – The programme also supported Danish First good characters, stories and footage – but somehow fell Appearance titles Venus – exploring female sexualdown in the final stages,” she says. “Often, there were ity through interviews with one hundred women – small changes that could make these films much better. and Amazona, about a director’s attempt to understand I felt bad for the filmmakers who’d poured so much time the motivations of her mother who abandoned her and energy into the work. For the sake of a small shift, child to go and live in the Colombian jungle. the films could have been made so much better.”

Good Postman producer Kaarle Aho at Helsinki-based “The idea was to slow down the finishing of the film Making Movies Oy said he was reluctant to join the and get the director along with the producer and editor intiative at first, but did so at the behest of the director to dive into the film and really think about the story. and editor. The film was attached to editor Anne Fabini We also felt it was important for it to be practical rather whose advice, he says, changed the course of the film. than theoretical.”

“I didn’t want to go. I felt like I’d had too many of these In its current form, the film team attend three courses in my life. Also, it is three weeks and I didn’t seven-day sessions in Prague in the company of an exfeel able to commit to the time. The director insisted, so ternal editor and marketing teams. “We start with the I eventually agreed and in fact it was fantastic.” rough cut in the first session, followed by the fine cut in He recounts that the advice at the first session of the lab the second session; the third session is to bring the film convinced them to hold off launching the film earlier, onto the market,” she explains. even though they had invitations from film festivals on Titles supported by dok.incubator at IDFA this year the back of the rough cut. “We ended up with the same include Feature-Length Competition contenders story, but somehow we ended up with a much bigger Tonislav Hristov’s The Good Postman about a Bulgarian film with the help of dok.incubator. It forced us to take postman running for mayor in his small village on longer to finish the film and try stuff we wouldn’t have the border with Turkey, and Jérôme le Maire’s Burning Out about the doctors in a Parisian hospital under otherwise.”

R

etel Helmrich has twice won the top prize at IDFA, with Shape of the Moon in 2004 and Position Among the Stars in 2010, and will give a masterclass on Single Shot Cinema. “I will talk about the cinematographic power of camera movements and the dramatic impact of the long, single take,” he comments. “Single Shot Cinema is a filming method that re-interprets film language based on the technical developments and possibilities of filmmaking in the digital age.

What was once only possible with cranes and the Steadicam is now accessible to everybody. I will show how to intuitively move inside real life actions and between characters using smooth and flexible camera movements that express the drama, emotion, and vision of the camera operator. An important tool will be the SteadyWings and the Orbit camera rig, inventions especially made for the Single Shot Cinema methodology and using camera movements to narrate the shots.”

“With GZDOC being China’s sole state-level documentary film festival, it has become one of the most important platforms in Asia for documentary industry exchange,” Film Fund head Doreen Boonekamp commented before IDFA. “Aside from showing what the Dutch

documentary industry has to offer, it is an important market and a great opportunity to seek Chinese co-production partners.”

Retel Helmrich expresses his desire that the Dutch/China accord will offer international documentary filmmakers better freedom of movement in delivering their works.

“It is of course very interesting that there is a co-production treaty between the Netherlands and China now,” he continues, referencing the deal signed between the two countries in October 2015. “I myself once had to deal with the fact that there wasn’t yet a treaty between the Netherlands and China. That was for the film Broken Silence (1995) produced by Scarabeefilms. All the time during filming in China, our crew had to travel with a person from the Chinese government who was checking on them, that they would not film things that were not written in the script. If the treaty means that there will be more freedom in filming in China … then I think [it] will be a great benefit for documentary filmmakers.”

An additional series of post-GZDOC screenings will include Jan van den Burg’s Silent Land, Marijn Frank’s Need for Meat, Peter and Petra Lataster’s Awake in a Bad Dream and Strike a Pose

by Ester Gould and Reijer Zwaan.

By Nick Cunningham

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www. catndocs.com

Blasted illusions

Young Slovakian director Barbora Berezňáková was eight years old when an incident took place which scared and baffled her country.

This was in the mid-1990s, just as Slovakia split off from the Czech Republic in the “velvet divorce” and attempted to establish itself as a democratic, sovereign nation.

“On the news, there was a story of a guy’s car exploding on the street. He was dead,” Berezňáková recalls of an incident which happened close to where she lived and which she will examine in Never Happen, her debut feature doc.

The media treated the story as if this was some Mafia drug deal gone wrong. The early post-Soviet era was a very “wild time”. The country was adjusting to capitalism and there was a lot of violence and disruption. It seemed that the victim Róbert Remiáš was simply in the wrong place at the wrong time. The crime was never solved. The idea that the country’s leaders might have been involved seemed far-fetched in the extreme.

What Berezňáková realised (and what her film will show) is that Remiáš was a key figure in a lawsuit which appeared to implicate the prime minister, Vladimír Mečiar, in the kidnapping of President Kovac’s son. His friend Oskar, who had witnessed the kidnapping, was in hiding.

This in itself is extraordinary enough: a politician targeting a colleague from the same party in a criminal act in order to intimidate

and discredit him. The President’s son was eventually released, but was traumatised by his experience and doesn’t want to rake over it now.

Berezňáková’s father was a Slovakian intelligence office in this period. He was growing disillusioned with the machinations of the state.

So were a younger generation who had believed that, after Communism, this would be an era of freedom, opportunity and new tolerance.

“When I grew up, I had certain illusions about the world, some expectations,” the director reflects on her own state of mind in the 1990s. “To some extent this was caused by the post-revolutionary enthusiasm. Then I was confronted with the reality around me; how things should be and how things are.” In the documentary, Berezňáková will ask, twenty years on, just what “imprint” the kidnapping and the killing have left on Slovakian society.

“I don’t see myself as a political person, but if you really want to think about the political context you are living in, then politics becomes a really important part of it,” she reflects. “Of course, these post-Communist countries were going through transformations politically and economically. State properties were being privatised.” Wherever there is “a lot of money and opportunity,” crime and corruption is likely to follow.

The filmmaker has been presenting the project here at IDFA, where she has also been attending the IDFAcademy. She has a Slovakian producer (Mario Homolka at Leon Productions) and is looking for co-producers.

Berezňáková studied film at the New York Film Academy. She is also active as a video artist.

Her installation Remembering ’90 was recently showcased at the Visegrad Film Festival in Cork. By Geoffrey Macnab

The Eagle Huntress

Oscar buzz

By Melanie Goodfellow

The final announcement for the 2017 Academy Awards nominations is still two months off, but buzz around which documentaries might make it into the final round of voting is already growing.

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total of 145 titles have been submitted to the documentary category, a number of which are playing at IDFA this year or have links with past editions.

Among the Oscar hopefuls is Kids & Docs title and IDFA Audience Award front-runner The Eagle Huntress, following a young Mongolian girl’s quest to become the first female eagle huntress, against the stunning backdrop of Mongolia’s Altai Mountains.

Los Angeles-based Sony Pictures Classics, which has a strong awards season campaign track record, snapped up multiple territories for the film, including North America,

following its premiere at the Sundance Film Festival this year. Director Otto Bell says the distributor is working hard to position it for a nomination. “We’ve done official screenings for the Academy and I screened for BAFTA as well ... They’re pushing it very much,” says Bell, who self-funded the film before first footage convinced Morgan Spurlock to come on board as an executive producer. “I’d love to see Simon Niblett be nominated in the cinematography category too, but I think it’s rare to be nominated for a documentary,” he adds.

Other IDFA titles generating Oscar buzz include cinematographer Kirsten Johnson’s Cameraperson in which she explores her role capturing reality through a stunning personal visual archive spanning 25-years.

Another awards season player in Amsterdam this year is Ezra Edelman with O.J.: Made in America, exploring race politics in the US

through the rise and fall of the legendary American football player O.J. Simpson.

Running at 468 minutes, it would be one of the longest nominated films in the history of the Academy Awards.

Other submitted titles with IDFA links this year include The First Monday in May, Shadow World, All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone, and Weiner. Dutch director Tom Fassaert’s A Family Affair, which opened the festival last year, is also a contender.

The nominations will be announced on January 24, 2017, and the Academy Awards ceremony will take place one month later, on February 27. In the meantime, the European Film Award nominations were announced on November 5. Nominees in the documentary category include 21 x New York; A Family Affair; Fire At Sea; Mr. Gaga; S is for Stanley and The Land of the Enlightened.

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Sealers – One Last Hunt

Trude Berge Ottersen and Gry Elisabeth Mortensen’s Sealers – One Last Hunt is in many ways a very brave film. Together with a team of seal hunters, they set sail into the freezing Arctic waters between Iceland and Greenland, encountering storms and polar bears along the way and getting trapped in pack ice. As importantly, it is a film in which they resist all temptation towards anti-hunt polemic (ignoring the advice of many distributors and buyers), and succeed instead in presenting a warm and moving study of a culture and way of life that is fast diminishing. The documentary, one could argue, is all the better for this editorial decision.

“A political dimension would make the film less special because this is a unique chance to be a part of the crew for one and a half hours – the other things you can read about and look up.

Here, the focus is on the friendship and the journey and the special bond and the nature experience,” stresses Mortensen.

The filmmakers do not shy away from showing the kill, although the moment of impact is deliberately blurred. “The hunters have so much respect for nature and the animals, and they do it with so much knowledge and in a respectful way. So we also wanted to film it this way, not brutally, so the audience could watch the film and see what it is all about without repulsing them,” says Berge Ottersen.

The sealing boat becomes a factory during the

two-month voyage, where the seal skins are removed and stored and the steaks and ribs (and flipper meat) are bagged up and frozen. Later, the fat is scraped from the skin for processing as oil. Between periods of shooting, the directors were fully operative crew members and contributed to all tasks. “We could not film every day, as there would be too much material and we had to do something else, and of course we wanted to learn how to hunt,” says Ottersen.

The footage they shot is at times stunning, whether from deck level or from the crow’s nest at the top of the ship’s mast. A rolling, temperamental sea is dramatic enough, but when we see crew members cross it by leaping from ice float to ice float, it is thrilling. Inside the ship, it is no less remarkable as the mariners are forced to stand at ludicrous angles to counteract the rolling and tilting of the vessel during a storm.

After two months in which firm friendships were made and when all telephonic and digital communication were rendered impossible, Berge Ottersen and Mortensen were left with profound feelings of longing and melancholy on their return to terra firma. “They call it the polar craving. If you have been out there once, you always want to go back. Because it is a special universe it sticks in you like nothing else.

They were the best two months of my life,” says Mortensen. “As the skipper says: when you go to the polar ice, your whole identity is erased and a new one rises.” Nick Cunningham IDFA Competition for First Appearance

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Honky Tonk Heaven: The Legend of the Broken Spoke

The Joy of Sound Panamanian director Ana Endara Mislov was “thinking about happiness” when she had the idea for her new documentary, The Joy of Sound, an international premiere in the mid-length competition.

DOCTV had just launched a call for filmmakers from Latin America to make documentaries and Endara was keen to apply for funding. “They wanted us to treat the subject of happiness. I was giving company to a friend of mine who was broken hearted,” the director remembers. This friend, who appears in the movie, had just ended a relationship. He was trying to console himself by listening to music played through his brand new pair of hi-fi speakers. A phrase came into Endara’s head … “la felicidad del sonido” (“the joy of sound”). This, she decided, would be her subject. The film would explore just how sound gives us pleasure – and also how it sometimes fills us with dismay.

Characters in the doc include a blind woman (“a sensory presence, she just absorbs sound”); a musician who is also a firefighter and lives to drive around in his car blasting music from his speakers; and a man launching his own pirate radio station. “They have this common obsession … this passion for sound,” the director says.

Making the film was a “very playful process.” She edited it with artist friend Jonathan Harker. Together, they looked to give the documentary “musical rhythm, emotional rhythm.”

Endara believes that documentary makers don’t pay enough attention to sound. “It’s also in life. We are very centred and driven by our visual sense. If you think about it, we get more information from sound than visuals … if you pay attention to sound and

to the soundscapes around you, you are somehow anchored to the present because you are not thinking about the past or the future.

You are in the moment. It is a really nice exercise.”

The director has some advice: if you’ve got a broken heart, listen to something to console yourself. Sound “can be good for the heart.”

Endara’s 2013 doc Majesty was in Docs for Sale. Joy of Sound, though, is her first film in competition at the festival. She studied at Cuba’s renowned Escuela Internacional de Cine y Television de San Antonio de Los Baños. “What took me to Cuba?

The chance to study film,” she answers her own question. (There is, as she points out, no film school in Panama.) After leaving Film School, she spent several years working in publicity until she received a grant to make her first documentary, Curundu (2007). “Earning a living from making documentaries in Panama is impossible,” she sighs. Nonetheless, there is now a national film fund in place (administered by the Ministry of Commerce and Industry) and prospects are looking up.

The Panamanian director has several other projects in development, among them one very intriguing animated project about the craze among Panamanians to get into the Guinness Book of Records. Called Panamazing, the film looks at the desire of Panamanians to prove to the outside world that their homeland is, indeed, amazing. Other projects are Memory Loop, about Señor Loop (one of the country’s greatest rock bands) and Flying Blind, about an elderly woman who turns her house into a museum celebrating her life and work. Geoffrey Macnab

By Melanie Goodfellow Her latest work Zaineb Hates The Snow is an affectionate, bittersweet portrait of a young girl uprooted from her native Tunisia to begin a new life in Canada shortly after the death of her father. The film was shot over a six-year period.

Ben Hania started filming Zaineb, the daughter of a cousin, shortly after her father’s death. “It was a difficult period. I wasn’t quite sure where it was going, but after three days of shooting I looked at my images and I knew I had something.”

The filmmaker decided to work on the project alongside other fiction features she was developing. “It can take a really long time to get a film off the ground, so I tend to have a number of projects at various stages of development on the go. I decided whenever I was blocked on the fiction projects, I would turn to Zaineb. It helped alleviate the frustration,” explains Ben Hania.

She also completed mockumentary Le Challet de Tunis, about an attempt to track down a man who was slashing women, and Beauty and the Dogs, her debut fiction feature about a girl trying to get justice after being raped by the police which is in post-production, at the same time as shooting the documentary.

As a result of the six-year arc, we see Zaineb develop from a bubbly,

The venue is the subject of Honky Tonk Heaven: The Legend of the Broken Spoke, the very affectionate new documentary from Brenda Greene Mitchell and Sam Wainwright Douglas (a European premiere in IDFA’s Music Documentary strand).

In the film, Jesse Dayton (a regular performer at the Spoke) suggests that a dance hall is where you go to dance with your wife, while a Honky Tonk is where you go to dance “with somebody else’s wife.” According to Mitchell, this isn’t entirely the case. “You dance with your own wife [at the Spoke]. That’s what it is all about … I think Jesse was just having fun.”

IDFA Competition for Mid-Length Documentary

Zaineb Hates the Snow Kaouther Ben Hania belongs to a generation of young Tunisian directors who have come into their own following the country’s 2011 popular uprising.

If you’re in Austin, Texas, and you want to listen to authentic country music, there is only one place to go – the Broken Spoke. This is the good ol’ fashioned dance hall where you can get cold beer, good whisky, some of the best fried chicken steak in town and the finest music to tap your feet to.

Arabic-speaking nine-year-old dealing with her father’s death and the curveball of her mother’s decision to hook up with an old flame living in Canada, to a moody yet good-natured teenager jumping between Quebecois and Canadian English to express herself. She has that bounce-back resilience of a child, but it is clear by the end that the ups and downs of her family life and the move from Tunisia to Canada are beginning to weigh heavily.

“It was like a little laboratory for me in more ways than one. I couldn’t really bring a crew – strangers – into the family home, so I had to both film and do the sound myself. It’s an artisanal film which I created scene by scene, all by myself,” says Ben Hania, who was supported by the IDFA Bertha Fund.

The work screens in Panorama at IDFA after a prize-winning run on the Arab film festival circuit. It recently won the Grand Prize at Tunisia’s Carthage Film Festival, as well as the best documentary prize at

the CineMed film festival in the Southern French city of Montpellier.

Ben Hania suggests it is the film’s mix of universal subjects like growing-up, adolescence and family combined with current themes such as the ‘recomposed family’ and immigration, that make it interesting to audiences. “I think people are really touched by the film. It’s very emotional. I was in tears myself sometimes when I was making it,” she adds. She is now mulling a fiction feature inspired by Zaineb and her relationship with her stepsister.

On the documentary front, she is developing a work about a Tunisian mother’s struggle to get her teenage daughters back after they became radicalised and followed ISIS militants to the group’s former Libyan stronghold of Sirte. Long-time collaborator Habib Attia of Tunis-based Cinetelefilms will produce.

Panorama

A Honky Tonk is an intimate, smoke-filled bar which has soul, atmosphere and plenty of live music. As real estate prices escalate in Austin, a boom town whose population has almost doubled over the last fifteen years, such venues are being forced out of existence by crippling property taxes. The Broken Spoke is one of the few still in business.

Run by James and Annette White, it has a history that stretches back over 50 years, to 1964. According to the filmmakers, it hasn’t changed in the slightest over those years. (“We ain’t changing nothing” is a sacred manta for owner James White.)

“It’s like walking into 1965. It’s a time capsule – a true time capsule with the dust on the pictures to prove it” Douglas suggests. “It’s like a living museum.”

Mitchell first visited the Spoke in the 1970s. Douglas has been visiting since his college days. “I actually had the idea nine or ten years before we started the documentary.

I was at the Broken Spoke dancing. I had that flash, at that moment, that this place has got to be documented” Mitchell remembers. She had been around long enough to see other venues she loved “taken down, destroyed” and replaced with apartment buildings or parking lots.

“That was the gut feeling, that this is special and we need to preserve it through film.” James White agreed and was fully supportive.

Honky Tonk Heaven premiered at SXSW in the company of many country singers. It also screened in Nashville, where it was warmly received. However, speaking to the filmmakers it is obvious that there is at the least a mild tension between the Texans and their near neighbours in Tennessee.

The Texans don’t accept that they’re second best.

Both directors “love” country music – and they love the Spoke. They argue it’s the only place in Austin – or in almost any other city in the State – in which the true spirit of Texas lives on. “Austin is so urban now. That’s why people, when they walk into the Spoke, they just start smiling. They feel as if they’ve found the real Texas,” Mitchell declares.

Geoffrey Macnab Music Documentary

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Too Black To Be French?

photo: Nadine Maas

French-Ivorian filmmaker and writer Isabelle Boni-Claverie is the granddaughter of one of France’s first black magistrates – Alphonse Boni, who left his native Ivory Coast to study law in the 1930s, when it was still a French colony.

Coeurope

As its clever title suggests, Giovanni Troilo’s Coeurope is an ode to Europe, but one firmly located in the Belgian city of Charleroi. Kaleidoscopic in form, the film is reminiscent of the evocative Amsterdam Global Village (Johan van der Keuken, 1996) and more recently Our City (Maria Tarantino, IDFA Panorama 2014).

In the film, Troilo discovers the essence of the city through exploration of its underbelly. We meet a patriarchal rag-andbone man who removes and sells contents belonging to the recently deceased. We encounter a dominatrix who sodomises men using a variety of dildos sized to meet all needs. An adolescent boy is proud of his newly acquired facial scar, gained by throwing himself through a plate glass window after an argument with his dad.

A highly camp, ageing rocker performs karaoke at home, while an equally camp seller of marital aids shows off his wares to parties of women (and their young kids) in their homes. This group of characters may be lowlifes to some, but to Troilo they are worthy of any ballad.

“For me, it is an ode to the city, but also an ode to Europe,” he confirms. “Charleroi in a way represents Europe nowadays. It is this post-industrial city that grew up during the start of [modern] Europe, but which also suffers from all the problems we know across Europe, like unemployment, the decline of heavy industry, immigration and also nowadays the connection to the terrorist attacks in Paris and Brussels.”

“But it is also an ode d’amour,” he adds. “It’s

not just a negative view of the city, it is also an aspect that you like and love and appreciate, which is why I wanted to make a contemporary portrait and grasp the atmosphere in all its grim and positive aspects, and its sense of hope. From the ruins, hope for the future can be found.”

Hailing from Friuli in northern Italy, Troilo has close associations with Charleroi. His grandfather moved there in 1955 to work in the mining industry as part of the Belgian/ Italian WWII reparation agreement. Many uncles and aunts, nephews and nieces, still live there.

Coeurope is the middle part of a triptych in praise of Charleroi in all its grime and beauty. In 2015, Troilo won the World Photo Press Photo contest for his twelve-photo The Dark Heart of Europe series, but was later stripped of the prize after one of the pictures was deemed to have been taken outside Charleroi. “It was very tough and personally very upsetting because I suffered many different attacks, both politically and from journalists who tried to accuse me, but in that way it was also a good experience because I learned about the power of images. In trying to censor or limit the circulation of the photos, you discover that more people saw them in the end, across the world. It was very bizarre.

It looked like a deliberate communication strategy, but it never was.”

The third part of the Charleroi/Europe trilogy will be a feature film, which Troilo hopes to deliver in 2019.

Nick Cunningham IDFA Competition for Mid-Length Documentary

In 1937, he married a white French woman, Rose-Marie Galou. The union, one of France’s first mixed marriages, was so controversial the ceremony took place in the dead of night. Some 80 years later, Boni-Claverie explores what it means to be black in France today, examining how racism in the country is intertwined with its colonial past.

Her perspective is unusual. Brought up in Paris by her aunt Danielle Boni-Claverie, a former journalist and today prominent Ivory Coast politician, and her adopted father jurist George Claverie, she grew up in a wealthy, privileged environment.

Early on in the film, she reveals she used to holiday with Netherlands monarch King Willem-Alexander, showing a snap of them on a boat together as children.

But this background did not protect her from discrimination. She recalls being mortified after she was cast in the role of Balthazar in the school nativity play because she was black. “This is a subject which has affected me directly throughout my life, and something I have reflected on for a long time,” says Boni-Claverie.

“There’s this belief, in France at least, that race discrimination is in some way a class issue and that as people of colour rise up the social ladder they no longer come up against discrimination. But my personal experiences show this is not the case,” she says.

“Even when you come from a privileged background like me, you’re discriminated against because you’re perceived first and foremost as black, which gives you an inferior status in the French imagination.”

The catalyst for the film came in 2011 after she helped mobilise public protests on the Champs-Elysées in Paris against perfume-maker Jean-Paul Guerlain when he made racist comments on a prime-time news show. She ended up getting involved in negotiations with parent company the LVMH group to introduce measures promoting diversity.

“At the end of this process, it seemed to me the best way for me to engage in this issue was as an artist and through my creativity, and that’s how the film came about,” explains Boni-Claverie.

Alongside recalling her own personal journey and that of her grandparents, Boni-Claverie looks at the wider context of France, its colonial past and the situation today. She intercuts the film with a series of sometimes shocking testimonies from young black French citizens, subtitled ‘You Know You’re Black When...’. They range from a waitress who recalls being insulted by a party of far-right National Front members to a man who was spat at when he offered his seat to an elderly lady on a bus.

The film first aired in France in the summer of 2015 but the global expansion of the Black Lives Matter movement, as well as the rise of racist sentiment across Europe and the US – which is impacting long-time ethnic minority citizens as well as new arrivals – keeps its relevance fresh for domestic and international audiences today.

With that in mind, Paris-based documentary sales specialist Wide House recently acquired international rights and expects it to sell well to broadcasters worldwide.

Melanie Goodfellow

Hotel Sunrise Maria Rumanova’s mid-length contender Hotel Sunrise, which world premiered at IDFA on Friday, grew out of her graduation film at the Academy of Performing Arts in Bratislava.

An evocative, compellingly poetic exploration of the lives of a motley collection of characters in run-down Slovak border town Čierna nad Tisou, the film has more than a touch of the slow cinema presented in this year’s Quiet Eye programme.

It was the location and its ‘faded glory’ that first appealed to the director. Formerly an important rail freight terminal serving the Soviet Union, the town and its inhabitants now seem mired in post-Soviet gloom. Young people hang about drab high-rise flats, humming techno tunes. Flocks of crows circle overhead, cawing menacingly. Halfempty trains roll indifferently by. Smuggling and other illegal activities are commonplace. The hotel of the title, where the locals once relaxed and partied, is now a ramshackle, graffiti-covered shell. Rumanova’s aim with her film was not, however, to focus on the socio-economic malaise.

“I find that a lot of ‘social’ films I see are too focussed on telling the story,” she comments. “I wanted to focus more on the emotional life than on the social conditions. A good documentary should provide the viewers with the space to think about these things for themselves. I try to find an equal balance between a poetic approach and the story. Although they are in a difficult situation, the characters in my film are not so busy with this. They are busy with real problems, like relationships and love. The important things.

In the film, and in life.”

“I spent six months scouting there, and the characters just popped out at me,” Rumanova recollects. “Viktor was the first one I picked. But I found his character too dark and pessimistic, so I started looking for a more positive counterbalance. Then I found Peter, the fat guy. The third character was the smuggler, Janči – the one with the big family.”

“In the beginning, we filmed a lot of talking heads. I knew I wouldn’t use this, but it was a good way of getting the characters used to the camera.

We filmed for about three years. The first year we mostly observed – after that, we knew how they react, how they feel when we are there, and I felt able to direct them a little more, or get them to re-enact certain things. I never told them what to say, but I did set up some situations – for example, I might suggest to one character, maybe you can bring up this topic. So I kind of knew what might happen.”

All of the people who appear in the film have seen it, and are happy with how they are portrayed, Rumanova says. “They were afraid that they would be shown as caricatures. They were surprised that they are shown how they are. This to me was the biggest compliment – that I didn’t make them into something else.”

Rumanova is currently in the early stages of development on a new documentary project dealing with the Slovak justice system. “They have now come up with a new idea where people convicted of a crime can make a choice between prison and a few years of psychotherapy. The working title is (Con)sequences. I am currently scouting for characters. But I already have permission to film from the authorities”, she says. Mark Baker IDFA Competition for Mid-Length Documentary

Program TUSCHINSKI TUSCHINSKI 1 1

Wednesday 23 November

TUSCHINSKI TUSCHINSKI 2 2

TUSCHINSKI TUSCHINSKI 3 3

TUSCHINSKI TUSCHINSKI 4 4

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EYEEYE CINEMA CINEMA 1

PODIUM PODIUM MOZAÏEK MOZAÏEK

9:00 9:00

1

9:00 9:00

10:00 10:00

10:00 10:00

A Quiet A Quiet Place Place 10:30 10:30

DutchDutch Competition, Competition, 81’ 81’

TurnTurn Over Over the the Stones Stones Nir Dvortchin Nir Dvortchin

Raymond Raymond Depardon Depardon Masters Masters , 83’ , 83’

12:15 12:15

Student Student Competition, Competition, 29’ 29’

11:30 11:30

OlgaOlga Kravets Kravets

Tonislav Tonislav Hristov Hristov

It’s Getting It’s Getting Dark Dark

TheThe Good Good Postman Postman

Mid-Length Mid-Length Competition, Competition, 48’ 48’

Feature-Length Feature-Length Competition, Competition, 82’ 82’

SergeiSergei Loznitsa Loznitsa Retrospective Retrospective , 17’ , 17’

Ana Ana Endara Endara

Mid-Length Mid-Length Competition, Competition, 61’ 61’

MattMatt Tyrnauer Tyrnauer

13:45 13:45

withwith Extended Extended Q&AQ&A

First Appearance First Appearance Competition, Competition, 98’ 98’

Morgan Morgan Spurlock Spurlock

Mid-Length Mid-Length Competition, Competition, 56’ 56’

14:00 14:00

Jérôme Jérôme le Maire le Maire

16:00 16:00

16:30 16:30

and journalist and journalist HansHans Maarten Maarten van den van Brink den Brink and director and director DavidDavid Borenstein Borenstein about about the the Chinese Chinese real estate real estate boom. boom.

See See pagepage 116 116

Singing Singing withwith Angry Angry BirdBird Hyewon Hyewon Jee Jee Panorama Panorama , 88’ , 88’

Jiu-liang Jiu-liang Wang Wang

19:15 19:15

Taggart Taggart Siegel, Siegel, Jon Betz Jon Betz

21:00 21:00

17:30 17:30

Laetitia Laetitia Schoofs Schoofs

PetraPetra Lataster-Czisch, Lataster-Czisch, PeterPeter Lataster Lataster

Fallen Fallen Flowers Flowers Thick Thick Leaves Leaves

MissMiss Kiet’s Kiet’s Children Children

Mid-Length Mid-Length Competition, Competition, 57’ 57’

22:30 22:30

Panorama Panorama , 14’ , 14’

Forever Forever PurePure

On the On the Bridge Bridge of of Death Death andand LifeLife Lola Lola Jia Liu Jia Liu

TheThe Return Return

Zahavi Zahavi Sanjavi Sanjavi

Mid-Length Mid-Length Competition, Competition, 54’ 54’

MayaMaya Zinshtein Zinshtein

90’ 90’ Dutch Dutch Competition, Competition,

AfterAfter the screening, the screening, Gerhard Gerhard Busch Busch (VPRO (VPRO Cinema) Cinema) discusses discus the making the making of the offilm the with film with

director CocoCoco Schrijber.

Schrijber.

17:00 17:00director

17:15 17:15

TheThe Pearl Pearl of Africa of Africa

17:30 17:30

Zaatari Zaatari Djinn Djinn

Catherine Catherine van Campen van Campen DutchDutch Competition, Competition, 80’ 80’

Jonny Jonny von Wallström von Wallström

17:45 17:45

Panorama Panorama , 75’ , 75’

17:30 17:30

Dil Leyla Dil Leyla

Asli Özarslan Asli Özarslan

Shingal, Shingal, Where Where Are Are You?You?

Student Student Competition, Competition, 72’ 72’

Angelos Angelos RallisRallis Panorama Panorama , 103’ , 103’

18:00 18:00

Are Are X X 18:00 18:00We We

Stephen Stephen KijakKijak

MusicMusic Documentary Documentary , 93’ , 93’

Feature-Length Feature-Length Competition, Competition, 103’ 103’

19:15 19:15

Gringo: Gringo: TheThe Dangerous Dangerous LifeLife of John of John McAfee McAfee

Kesang Kesang Tseten Tseten Panorama Panorama , 84’ , 84’

Paradocs Paradocs , 7’ , 7’

TheThe Opposition Opposition

Samira Samira Elagoz Elagoz

Panorama Panorama , 76’ , 76’

Valeria Valeria BruniBruni Tedeschi, Tedeschi, YannYann Coridian Coridian

Panorama Panorama , 15’ , 15’

Dmitrii Dmitrii Kalashnikov Kalashnikov

Masters Masters , 98’ , 98’

20:00 20:00

20:15 20:15

TheThe Beast Beast Is Still Is Still Alive Alive

20:30 20:30

MinaMina Mileva, Mileva, Vesela Vesela Kazakova Kazakova

20:30 20:30

Peshmerga Peshmerga

Panorama Panorama , 90’ , 90’

Shot!

Shot!

TheThe PsychoPsychoSpiritual Spiritual Mantra Mantra of Rock of Ro

Bernard-Henri Bernard-Henri LévyLévy Best ofBest Fests of, 92’ Fests, 92’

First Appearance First Appearance Competition, Competition, 67’ 67’

Barnaby Barnaby Clay Clay

Documentary Documentary , 98’ , 98’ 21:00 21:00MusicMusic

21:30 21:30

Ashim Ashim Ahluwalia Ahluwalia

A Young A Young GirlGirl in in HerHer Nineties Nineties

Geoffrey Geoffrey Feinberg Feinberg

TheThe Road Road Movie Movie

Events Events in ain Cloud a Cloud Chamber Chamber

21:45 21:45

TheThe Hanging Hanging

Hollie Hollie FiferFifer

21:00 21:00

Nanette Nanette Burstein Burstein

20:00 20:00

20:15 20:15

19:00 19:00

19:15 19:15

Trembling Trembling Mountain Mountain

Life,Life, Animated Animated

Paradocs Paradocs , 20’ , 20’

21:45 21:45

Roger Roger RossRoss Williams Williams

Welcome Welcome Rikun Rikun Zhu Zhu

Best ofBest Fests of, 91’ Fests, 91’

22:15 22:15

Paradocs Paradocs , 63’ , 63’

Prison Prison Sisters Sisters

NimaNima Sarvestani Sarvestani Masters Masters , 90’ , 90’

Roger Roger RossRoss Williams Williams Panorama Panorama , 14’ , 14’

Best ofBest Fests of, 85’ Fests, 85’

TheThe Father, Father, the the SonSon andand the the HolyHoly Jihad Jihad

22:15 22:15

TheThe ManMan Without Without a Mask a Mask

Best ofBest Fests of, 85’ Fests, 85’

Panorama Panorama , 98’ , 98’

Feature-Length Feature-Length Competition, Competition, 71’ 71’

Feature-Length Feature-Length Competition, Competition, Dutch Dutch Assembling Assembling RealityReality , 115’ , 115’ Competition, Competition,

Maarit Maarit Suomi-Väänänen Suomi-Väänänen

Reber Reber Dosky Dosky

Coco Schrijber Schrijber 16:00 16:00Coco Feature-Length Feature-Length Competition, Competition,

Welcome Welcome to the to the Heavenly Heavenly Earth Earth

Neasa Neasa Ní Chianáin Ní Chianáin

Yezidi Yezidi GirlsGirls

22:00 22:00

VPRO VPRO Extra Extra HowHow to Meet to Meet a Mermaid a Mermaid

16:00 16:00

In Loco In Loco Parentis Parentis

21:15 21:15

Remo Remo Scherrer Scherrer Knutte Knutte Wester Wester

Fanny Fanny Tondre Tondre

17:30 17:30

Paradocs Paradocs , 65’ , 65’

21:15 21:15

15:30 15:30

Panorama Panorama , 80’ , 80’

Panorama Panorama , 55’ , 55’

Minispectacles Minispectacles Albuquerque Albuquerque Straight Straight

Marcela Marcela Zamora Zamora Chamorro Chamorro

15:00 15:00

OlgaOlga Delane Delane

17:00 17:00

19:45 19:45

TheThe Offended Offended

Whatever Whatever the the Weather Weather

22:00 22:00

Siberian Siberian LoveLove

Judith Judith de Leeuw de Leeuw

Best ofBest Fests of, 82’ Fests, 82’

Craigslist Craigslist Allstars Allstars

A Bastard A Bastard Child Child

Masters Masters , 91’ , 91’

KeithKeith Maitland Maitland

Panorama Panorama , 88’ , 88’

Panorama Panorama , 83’ , 83’

Student Student Competition, Competition, 11’ 11’

Rachel Rachel Grady, Grady, HeidiHeidi Ewing Ewing

Tower Tower

Bo Jiao Bo Jiao

19:45 19:45

14:00 14:00 15:00 15:00

Norman Norman Lear: Lear: JustJust Another Another Version Version of You of You

16:15 16:15

My My Father Father andand My My Mother Mother

Fests of, 94’ Fests, 94’ 20:00 20:00Best ofBest

First Appearance First Appearance Competition, Competition, 100’ 100’

15:15 15:15

First Appearance First Appearance Competition, Competition, 81’ 81’

DutchDutch Competition, Competition, 85’ 85’

19:30 19:30

Screening Screening followed followed by a talk by a talk withwith IsoldeIsolde Hallensleben, Hallensleben, SachaSacha de Boer de Boer and several and several guests guests at the attable. the table.

See page See page 120 120

Masters Masters , 94’ , 94’

Jian Fan Jian Fan

Feature-Length Feature-Length Competition, Competition, 88’ 88’

MusicMusic Documentary Documentary , 96’ , 96’

Panorama Panorama , 70’ , 70’

CarloCarlo Guillermo Guillermo ProtoProto

Homo Homo Sapiens Sapiens

Plastic Plastic China China

18:30 18:30

Gogita’s Gogita’s NewNew LifeLife Levan Koguashvili Koguashvili Oxfam Oxfam Novib Novib Selection: Selection:Levan Feature-Length Feature-Length Competition, Competition, 72’ 72’ Seed: Seed: TheThe Untold Untold Story Story

Resurrecting Resurrecting Hassan Hassan

Nikolaus Nikolaus Geyrhalter Geyrhalter

18:45 18:45

19:00 19:00

Chairun Chairun NissaNissa

13:30 13:30

What What We We Have Have Made Made

17:30 17:30

18:00 18:00

Paul Paul Fegan Fegan

MusicMusic Documentary Documentary , 77’ , 77’

15:15 15:15

StillStill Tomorrow Tomorrow

Walking Walking in the in the Opposite Direction Direction 13:00 13:00Opposite MarcMarc Waltman Waltman

CutsCuts

14:30 14:30

Kaouther Kaouther Ben Hania Ben Hania Panorama Panorama , 94’ , 94’

Where Where You’re You’re Meant Meant to Be to Be

Masters Masters , 89’ , 89’

15:15 15:15

Best ofBest Fests of, 91’ Fests, 91’

Zaineb Zaineb Hates Hates the the Snow Snow

12:45 12:45

RatsRats

Feature-Length Feature-Length Competition, Competition, 85’ 85’

Deborah Deborah Esquenazi Esquenazi

16:45 16:45

12:00 12:00 13:00 13:00

Burning Burning OutOut

Southwest Southwest of Salem: of Salem: TheThe Story Story of the of the SanSan Antonio Antonio FourFour

Student Student Competition, Competition, 66’ 66’

Panorama Panorama , 56’ , 56’

13:15 13:15

IDFA Competition IDFA Competition for Kids for&Kids Docs&, 82’ Docs, 82’

LoveTrue LoveTrue

11:00 11:00

Aniela Aniela Astrid Astrid Gabryel Gabryel

Masters Masters , 114’ , 114’

13:15 13:15

IDFA Competition IDFA Competition for Kids for&Kids Docs&, 4’ Docs, 4’

When When WillWill ThisThis Wind Wind StopStop

Olivier Olivier Jourdain Jourdain

Masters Masters , 76’ , 76’

AlexAlex Gibney Gibney

AnnaAnna KochKoch

15:00 15:00

16:00 16:00

Followed Followed by anbyin-depth an in-depth

ZeroZero Days Days

TheThe B-Side: B-Side: ElsaElsa Dorfman’s Dorfman’s Portrait Portrait 11:45 11:45 Photography Photography Sacred Sacred Water Water ErrolErrol Morris Morris

Panorama Panorama , 17’ , 17’

1Minute 1Minute Nature Nature

Followed Followed by anbyin-depth an in-depth In cooperation In cooperation withwith The School The School conversation conversation between between host host of Life. of Life.

Katinka Katinka BaehrBaehr and director and director Mohamed Mohamed Siam.Siam.

See page See page 116 116

conversation between between writer writer 17:00 17:00conversation

12:00 12:00

Woman Woman andand the the Glacier Glacier Audrius Stonys Stonys Sealers Sealers – One – One LastLast Hunt HuntAudrius

WinWin

by Fall

by Fall

14:45 14:45

11:15 11:15

First Appearance First Appearance Competition, Competition, 82’ 82’

SergeiSergei Loznitsa Loznitsa Retrospective Retrospective , 20’ , 20’

Stefanie Stefanie Visjager, Visjager, Katinka Katinka Baehr Baehr

Fests of, 97’ Fests, 97’ 14:00 14:00Best ofBest

Whose Whose Country?

Country?

11:00 11:00

Amazona Amazona

12:15 12:15

Trude Trude Berge Berge Ottersen, Ottersen, Gry Gry Elisabeth Elisabeth Mortensen Mortensen

TheThe Joy Joy of Sound of Sound

Student Student Competition, Competition, 53’ 53’

11:00 11:00

ClareClare Weiskopf Weiskopf

Sergei Sergei Loznitsa Loznitsa

13:00 13:00

Citizen Citizen Jane: Jane: Battle Battle for the for the CityCity

TheThe OldOld Jewish Jewish Cemetery Cemetery

Xavier Xavier Marrades Marrades

13:15 13:15

13:30 13:30

Sergei Sergei Loznitsa Loznitsa

10:00 10:00

Coco Coco Cabasa Cabasa

Best ofBest Fests of, 71’ Fests, 71’

Cucli Cucli

Best ofBest Fests of, 84’ Fests, 84’

13:00 13:00

withwith Extended Extended Q&AQ&A

KlaraKlara Til Til

First Appearance First Appearance Competition, Competition, 93’ 93’

Susanne Susanne Regina Regina Meures Meures

Dream Dream Empire Empire

10:00 10:00

Tamar Tamar Tal-Anati Tal-Anati

Shalom Shalom Italia Italia

Areum Areum

Raving Raving IranIran

15:00 15:00

10:00 10:00

Sergei Sergei Loznitsa Loznitsa , 21’ , 21’

Reflections.

Reflections.

Director’s Director’s CutCut

Areum Areum Parkkang Parkkang

11:00 11:00

11:00 11:0011:15 11:15 France France

12:00 12:00

1 0:00 1 0:00

Letter Letter

Sjoerd Sjoerd Oostrik Oostrik

A Greek A Greek Winter Winter

Panorama Panorama , 120’ , 120’

Ingeborg Ingeborg Jansen Jansen

DutchDutch Competition, Competition, 70’ 70’

SiteSite of Sites of Sites

23:00 23:00

22:00 22:00

Stéphane Stéphane Malterre Malterre

22:30 22:30

23:00 23:00

Natalia Natalia Cabral, Cabral, OriolOriol Estrada Estrada Mid-Length Mid-Length Competition, Competition, 61’ 61’

24:00 24:00

1:001:00

1:001:00

TUSCHINSKI 1 EYE TUSCHINSKI 2 EYE CINEMA EYE 1 CINEMA 1 CINEMA EYE 2 CINEMA

PODIUM MOZAÏEK

9:00

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GROND BRAKKE BRAKKE GROND BRAKKE TUSCHINSKI 3 GROND TUSCHINSKI 4GROND MELKWEG TUSCHINSKIMELKWEG 5 KETELHUIS TUSCHINSKI 6 2BRAKKE KETELHUIS EXPOZAAL EXPOZAALRODE ZAAL RODE ZAAL RABOZAAL RABOZAAL

WOENSDAG WOENSDAG23 23NOVEMBER NOVEMBER

9:00 9:00

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11:00

11:00 11:0011:15 France

Raymond Depardon Masters, 83’

12:00

12:00 12:00 12:45

13:00

11:30

Nir Dvortchin

11:30

Raving Iran

Walking in the Walking in the Opposite Opposite Direction 13:00 13:00Direction Marc Waltman Marc Waltman

Masters, 122’

16:00

17:00

18:00

14:00

Mid-Length Competition, 61’

14:00

Kids & Docs Kids & Docs Competition 2Competition 2

14:30 Children’s documentaries: Children’s documentaries:

Dream Empire After the screening, After Gerhard the screening, Gerhard 16:45 16:45 16:45 Extended Busch (VPROwith Cinema) Busch discusses (VPRO Q&A Cinema) discusses Nowhere Zaineb to Hide Nowhere Hates to theHide Snow 17:00 17:00 Followed by an in-depth the making of thethe filmmaking with of theZaradasht film with Ahmed Kaouther Zaradasht Ben Hania Ahmed The Borneo Case The Borneo Case between writer director Cococonversation Schrijber. director Coco Schrijber.

17:00 17:00 Feature-Length Competition, Panorama Feature-Length , 94’86’ Competition, 86’

18:00

We Are X 18:00 18:00

Stephen Kijak

Stephen Kijak

19:15

19:15 19:15

All These Sleepless Gogita’s All These NewSleepless Life19:30 19:30 Koguashvili Nights LevanNights Oxfam Novib Selection: Abandoned Land Abandoned Land 19:45 Feature-Length Competition, Marczak 72’ with Extended with Q&A Extended Q&A Seed: The UntoldMichal StoryMarczak Michal Paradocs, 100’ Paradocs, 100’ The With Offended Taggart Siegel, Jon Betz With an introduction byanElsintroduction by Els

20:00 20:00 20:00Best of Fests, 94’

Screening followed by a talk 20:30 with Isolde Hallensleben, Shot! The Sacha PsychoShot!

The de Boer andPsychoseveral Spiritual Mantra Spiritual Mantra of Rock guests at of theRock table.

Barnaby Clay Barnaby See page 120 Clay

20:30

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21:00

Music Documentary 21:00 21:00 , 98’Music Documentary, 98’

21:45

22:00

22:00 22:00

22:30

Forever Pure

Maya Zinshtein

23:00

Woman and the Glacier Audrius Stonys 13:00 Mid-Length Competition, 56’

14:00

IDFA Competition for Kids & Docs, 4’

Jérôme le Maire

21:15

Gilles Laurent Panorama, 73’

Panorama, 73’

Whatever the Weather Remo Scherrer

14:00

21:45 Student Competition, 11’

21:45

21:45

Bo Jiao

Panorama, 88’

19:45

Wolvesmouth andWolvesmouth Raised by and Raised by Lola Jia Liu Panorama, 98’ Krump.

Krump.

13:1513:00

Where You’re Meant to Be

16:00

16:15

Tower

Neasa Ní Chianáin

19:00 Competition, 103’ Feature-Length

Ditteke MensinkDitteke Mensink

20:00

Masters, 94’

15:1515:00

Plastic China

21:00

Events in a Cloud 21:15 Chamber Sugar & Spice Sugar & Spice Ashim Ahluwalia

15:15

Masters, 91’

16:00 17:00

What We Have Made

17:00

Fanny Tondre

Feature-Length Competition, 71’

Petra Lataster-Czisch, Peter Lataster

21:00

The Opposition

Mi Mi Lwin

21:15

IDFA in De Balie: IDFA in De Balie: 21:30 Death in the Terminal Death in the Terminal Life, Animated Additionally to Death Additionally in the to Death in the

Roger Ross Williams A Young Girl in Passage –Welcome Terminal we will discuss A Boatmovie Passage – A Boatmovie Terminal we will discuss Best of Fests, 91’ Rikun Zhu ‘surveillance and the aesthetics’ and the Her Nineties Jascha de Wilde, Jascha Ben Hendriks de Wilde, Ben Hendriks ‘surveillance aesthetics’ Paradocs, 63’ Valeria Bruni Tedeschi, Dutch Competition, 55’Dutch Competition, 55’ Yann Coridian

22:00

Best of Fests, 85’

22:00 22:15 dreadful intimacydreadful of security intimacy of security camera images. camera images.

The Man Without a Mask Roger Ross Williams Panorama, 14’

23:00

IDFA Forum IDFA Forum Closing DrinksClosing Drinks 17:30

DAILY SERVICES DAILY SERVICES

NH Carlton Puccini NH Carlton 9:00 – Puccini 21:00 9:00 – 21:00 IDFA Writing Room IDFA Writing Room

NH Carlton Rossini NH Carlton 10:00 –Rossini 17:00 10:00 – 17:00

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1:001:00

1:00

1:00

Walk-in consultancies Walk-in consultancies

The Hanging

20:15 ArtiFeinberg et Amicitiae Arti10:00 et Amicitiae – 22:00 10:00 – 22:00 Geoffrey

IDFA Forum Closing IDFA Forum DrinksClosing Drinks

18:00

Arti et Dangerous Amicitiae Arti–et17:00 Amicitiae - 18:00 – 17:00 - 18:00 Gringo: The Sale Happy Docs for Hour Sale Happy Hour Life ofDocs Johnfor McAfee

Docs for Sale &Docs IDFAfor Forum Sale & passholders IDFA Forum passholders

20:00

Awardsthe Ceremony The Father, SonAwards Ceremony The Holy highly Jihad anticipated The highly IDFA Awards anticipated Ceremony IDFA Awards will start Ceremony at will start at and the

8:30Malterre p.m. As of 10:00 8:30p.m. p.m.we Ascan of 10:00 toastp.m. to the wewinners. can toast to the winners.22:00 Stéphane

By invitation Panorama , 120’

22:30 DOCLAB EXPO: DOCLAB ELASTIC EXPO: REALITY ELASTIC REALITY A Greek Winter

Masters, 90’

Brakke GrondBrakke 9:00 – 23:00 Grond – 23:00 Ingeborg9:00 Jansen Dutch Competition, 70’

By invitation

Stadsschouwburg Stadsschouwburg Grote Zaal – 22:00 Grote Zaal – 22:00 DocumentaryDocumentary Ball Ball

How does it feel to How have does someone it feel to follow haveyou someone in the follow you in the A night full of entertainment, A night full of music entertainment, and drinks to music cele-and drinks to cele- 23:00 physical world, instead physical of just world, oninstead social media? of justOr onto social media? Or to brate documentary brate & the documentary award winners & the ofaward IDFA 2016. winners of IDFA 2016. look for love with look yourfor nose, loverather with than your nose, swiping rather profile than swiping profile By invitation By invitation pictures on Tinder? pictures What would on Tinder? a computer What would brain asay computer brain say when it secretly takes whena itpeek secretly at your takes instagram a peek atpictures? your instagram pictures?

De Jaren CaféDe – 22:00 Jaren Café – 22:00 Trigger your senses Trigger and experience your sensesthirty and experience of the world's thirty of the world's IDFA Lounge IDFA Lounge best interactive documentaries, best interactivevirtual documentaries, reality experiences virtual reality experiences DJ duo Mr. & Mrs.DJ Koot duocome Mr. &with Mrs.their Kootsuitcase come with full their suitcase full 24:00 and physical installations and physical in theinstallations ten-day DocLab: in theElastic ten-day DocLab: Elastic of indie-7”s, but are ofalso indie-7”s, specialists but are in also 80’s specialists hits and in 80’s hits and Reality exhibition.Reality Some installations exhibition. Some have installations varying opening have varying opening funky breaks. As afunky couplebreaks. they host As aacouple stringthey of nights host ainstring of nights in Amsterdam bars. Amsterdam bars. hours (11:00 – 21:00). hours On-site (11:00reservation – 21:00). On-site may bereservation required. may be required.

Admission FreeAdmission Free

Feature-Length Competition, Dutch Competition, 90’

After the screening, Gerhard Busch (VPRO Cinema) discusses the making of the film with director Coco Schrijber.

18:00

We Are X

Stephen Kijak

Nanette Burstein Hosted

by NPO Sales, Hosted EYE International,

by NPO Sales,Films EYE International, Transit, Autlook Films Transit, Autlook

21:45

Nima Sarvestani

Coco Schrijber

19:00

Lévy a meeting/screening room for small groups roomof forupsmall to 15groups of up to 15 Dmitrii Kalashnikov a meeting/screening All IDFA guests areAllinvited IDFA guests toBernard-Henri meet areand invited exchange to meet ideas andatexchange ideas at Best of Fests, 92’ First Appearance Competition,people.

67’ can be people. Reservations Reservations made at the can Industry be made Desk. at the Industry Desk. the daily Guests Meet the daily Guests Guests cocktail Meet hour.

Guests cocktail hour.

21:00 Additionally, six viewing Additionally, boothssixare viewing available booths for holders are available for holders For all passholders For all passholders of a Press Pass at Docs of a Press for Sale.

PassBoth at Docs services for Sale. are located Both services in are located in Arti et Amicitiae. Arti et Amicitiae.

Stadsschouwburg Stadsschouwburg Grote Zaal – 20:30 Grote Zaal – 20:30

Prison Sisters

VPRO Extra How to Meet a Mermaid

IDFA Forum passholders IDFA Forum onlypassholders only

The Beast Is Still Alive Zuiderkerk – Zuiderkerk 18:00 20:30 – 18:00 Meeting Room Meeting with screening Room with facilities screening facilities Mina Mileva, Vesela Kazakova Peshmerga All accredited All accredited have thePanorama opportunity guests, 90’ havetothe reserve opportunity to reserveGuests Meet Guests Meet The Road Movieguests Guests

22:15

15:30

Music Documentary, 93’

Supported by DOCTV. Supported by DOCTV.

Panorama, 15’

International Documentary Film Festival Amsterdam

WOENSDAG WOENSDAG WOENSDAG 2323NOVEMBER NOVEMBER 23 NOVEMBER

Compagnie Café Compagnie – 17:00 Café – 17:00

Walk in and book Walk your one-on-one in and book consultancy. your one-on-one consultancy.

Masters, 98’ 20:00 Filmsales, CAT&Docs Filmsales, and RiseCAT&Docs and Shine.and Rise and Shine.

Natalia Cabral, Oriol Estrada

24:00

17:00

Workspace for all Workspace accredited guests. for all accredited Wifi connection guests.and Wifi connection and computers available. computers available.

19:15

Site of Sites 23:00

24:00

By invitation By invitation

17:15

Zuiderkerk 12:45 – 12:45 The Pearl of Africa– Zuiderkerk 17:30 Jonny von Wallström IDFA Forum passholders IDFA Forum onlypassholders only IDFA Forum Lunch IDFA Forum Lunch Zaatari Djinn Dil Leyla 17:45 Panorama , 75’ Hosted by the Netherlands Hosted byFilm the Özarslan Netherlands Fund.

Film Fund.

Catherine van Campen Asli Shingal, Where Are You? IDFA Forum passholders IDFA Forum only passholders Dutch Competition, 80’ Student Competition,only 72’

Mid-Length Competition, 61’

24:00 24:00 24:00

15:00

SOCIAL EVENTS SOCIAL EVENTS

17:00 Compagnie 17:00 – CaféCompagnie – Café

Additionally to National Additionally Bird to National Bird we will19:00 discuss ‘surveillance we will discuss ‘surveillance 19:15 aesthetics’ and the aesthetics’ bird’s eyeand the bird’s eye Trembling Mountain view of military drones. view of military drones.

Kesang Tseten Panorama, 84’

14:00

Book your one-on-one Book consulyour one-on-one consulOlga Delane tancy with Cecilietancy Bolvinkel with CeciliePanorama Bolvinkel , 80’ (EDN), Jessica Edwards (EDN), Jessica Edwards (BRITDOC), Sandi DuBowski (BRITDOC), Sandi DuBowski 16:00 Foyer Compagnie Upstairs Foyer – 08:30 Upstairs – 08:30 (BRITDOC's Good (BRITDOC's Pitch), Milton Good Pitch),Compagnie Milton Tabbot (IFP) and Sue Tabbot Turley (IFP) and Sue Turley Welcome to the 16:00 IDFA Forum Producer’s IDFA Forum Breakfast Producer’s Breakfast (ro*co Films Productions) (ro*co Films at the Productions) at the Heavenly Earth An informal setting Anto informal meet producers, setting toadvanced meet producers, sign-upadvanced sign-up Industry Judith deDesk.

Leeuw Industry Desk. required. Hosted by required.

Future Hosted Logic and bythe Future ArabLogic Fundand forthe Arab Fund for For all passholders For all passholders Arts and Culture. Arts and Culture.

Panorama , 55’

Panorama, 103’

20:00 20:15

Marc Waltman

Music Documentary, 96’

PreregisteredPreregistered15:00 consultanciesconsultanciesSiberian Love

(upon registration*) (upon registration*)

18:30

21:1521:00

Book your group round Book your tablegroup round table meeting at the Industry meeting desk. at the Industry desk.

Angelos Rallis

18:00

Feature-Length Competition, Dutch Competition, Assembling Reality, 115’

Walking in the Opposite Direction

Meet the Experts Meet the Experts For all passholders For all passholders (upon registration*) (upon registration*)

Rachel Grady, Heidi Ewing

Panorama, 76’

Paradocs, 20’ Student Competition, 16’ Student Competition, 16’

Best of Fests, 85’

First Appearance Competition, 100’

Norman Lear: Just Another Version of You

Hollie Fifer

Craigslist Allstars

23:00 23:00

Carlo Guillermo Proto

13:00

Chairun Nissa 13:30, 70’ NH Carlton 13:30 CarusoNH Carlton Caruso Panorama

14:45 NH Carlton 14:45 Paganini NH Carlton Paganini

IDFA in De Balie: IDFA in De Balie: National Bird National Bird

The Claim, theThe Claim, the 19:00 Search for Stolen Search for Stolen Art from WWII Art from WWII

Mi Mi Lwin

Resurrecting Hassan

Music Documentary, 77’

14:00

18:30

In Loco Parentis

Reber Dosky

13:30

Paul Fegan

First Appearance Competition, 81’

Paradocs, 7’

12:00

Cuts

13:15

Rats

Jiu-liang Wang

18:30 19:00

For all passholders For all passholders (upon registration*) (upon registration*)

12:45

Nikolaus Geyrhalter

18:00

21:15

Mid-Length Competition, 54’

Sacred Water Panorama, 56’

Homo Sapiens 15:00

Maarit Suomi-Väänänen

21:45

11:45

Olivier Jourdain

Masters, 76’

Aniela Astrid Gabryel and Anaïs Clanet (Wide and Anaïs House) Clanetspecific (Wide House) questions.specific questions.

Student 66’ at the Competition, Industry Desk. at the Industry Desk.

Docs for Sale passholders Docs for Sale onlypassholders only

13:00

Feature-Length Competition, 85’

Minispectacles Dutch Competition, 91’Dutch Competition, 91’ Albuquerque Straight

Paradocs, 65’

Zahavi Sanjavi

Errol Morris

Alex Gibney

Miss Kiet’s Children

21:15

The Return

Zero Days

17:30

Samira Elagoz

Panorama, 14’

12:00

12:00

The B-Side: Elsa Dorfman’s Portrait Photography

14:30

17:00

Yezidi Girls

AmericanAShorts American Shorts Tempestad Tempestad 22:00 Bastard Child Compilation Knutte of short Compilation films of short Tatiana filmsHuezo Tatiana Huezo Wester On the Bridge of Fests, 105’ Best of Fests, 105’ about contemporary about USA. contemporary USA. Mid-Length Competition, 57’Best of With: The Ride of their With:Lives, The Ride of their Lives, Death and Life

Turley (ro*co FilmsTurley Productions), (ro*co Films Productions), Register for short Register meetingsfor short meetings

When Will This Jessica Edwards (BRITDOC) Jessica Edwards or (BRITDOC) or professionals with various with various for professionals for11:00 Wind Wendy Stop Bernfeld (Rights WendyStuff) Bernfeld (Rights Stuff) advice on generaladvice matters onand general matters and

11:15

Clare Weiskopf

Best of Fests, 82’

Best of Fests, 91’

Gilles Laurent

Amazona 11:00

Keith Maitland

Deborah Esquenazi

Abandoned Land Abandoned Land

11:00

Masters, 89’

Burning Out

The Story of the San Antonio Four

Marcela Zamora Chamorro Rientjes (Green Film Rientjes Making) (Green Film Making) Panorama, 83’ and a conversation and with a conversation special with special guests. guests.

Shalom Italiawill Coco Cabasa 10:00 PreregisteredPreregistered Industry Session: Industry Session: regular pitches regular be held pitches will in an be intimate held setting in anfor intimate setting for Tamar Tal-Anati Klara Til in an intimate setting in anfor intimate setting an audience for of potential an audience of potential consultanciesconsultancies10:30 Arti et Amicitiae Marketing Documentaries Marketing Documentaries 10:30 Arti et Amicitiae Best of Fests, 71’ Student Competition, 53’ an audience of potential an audience of potential financiers. financiers.

Book your one-on-one Book your one-on-one in the Age of Social in theMedia Age of Social Media financiers. financiers.

Sale Meet Docs for Sale Meet consultancy with consultancy Maria Paola withDocs Mariafor Paola

By Mathiasonly Noschis.

BySee Mathias page 125 Noschis.

See page 125 IDFA Forum passholders IDFA Forum onlypassholders Lussana (CreativeLussana Europe),(Creative Sue the Europe), Sue the Professionals Professionals IDFA Forum passholders IDFA Forum onlypassholders only Admission for allAdmission passholders for all11:00 passholders

Morgan Spurlock

1Minute Nature

My Father and My Mother

1

2 Youth pitches and 2 Youth 5 pitches and 4 Projects 5 will be pitched 4 Projects will be pitched

10:00

Masters, 114’

First Appearance Competition, 98’

18:45 Admission for allAdmission passholders for all passholders

19:30

nri Lévy

Trude Berge Ottersen, Gry Elisabeth Mortensen

17:30 17:30 17:30 Brakke Grond 17:30 RodeBrakke Zaal Grond Rode Zaal With an introduction WithbyanElsintroduction

by Els Singing with Angry Bird Fallen Flowers Rientjes (Green Film Rientjes Making) (Green Film Making) VICE Pitch Award VICE Pitch Award Hyewon and a conversation and with aJee conversation special Thewith VICEspecial documentary The VICE pitch documentary pitch Thick Leaves Panorama , 88’ guests. guests. at IDFA offers filmmakers at IDFA offers the filmmakers the Laetitia Schoofs Dutch Competition, 85’ chance to pitch their chance besttoideas pitch their best ideas The Borneo Case The Borneo Case to the experiencedtocrew the experienced at crew at Dylan Williams, Erik Dylan Pauser Williams, Erik Pauser VICE. See page 121VICE. See page 121 Masters, 78’ Masters, 78’

We Are X

19:00 19:00

12:00

with Extendedwith Q&AExtended Q&A

and journalist Hans Maarten van den Brink and director David Borenstein about the Chinese real estate boom. See page18:00 116

EYE CINEMA

9:00

Panorama, 17’

Win by Fall Delicate Balance Delicate Balance 1Minute Nature, Che!, 1Minute RocknrolNature, Che!, Rocknrol14:45 Anna Koch López García López lers, Jesser and thelers, Sugarcane, Jesser and theGuillermo Sugarcane,GarcíaGuillermo Whose Country? Panorama IDFAGrond Competition for Kids Grond & Docs, 82’ 15:00 Brakke 15:00 RodeBrakke Zaal Rode Zaal , 81’ 15:00 Panorama, 81’ Naomi’s Secret, Spotlight Naomi’sonSecret, Spotlight on withfilms Extended Q&A Merna 135’. These Merna are 135’. These films are LoveTrue 15:00 15:00 Industry Talk: Shifting Industry Talk: Shifting 15:15 Followed bywill aninin-depth subtitled in English subtitled and beEnglish and will beIn cooperation with The School Perspectives Perspectives Still Tomorrow conversation between hostduring of Life.

15:30 15:30 dubbed in Dutch live dubbed during in Dutch live Gatekeepers fromGatekeepers different from different Jian Fan Katinka and director thisBaehr screening.

VPRO Extra VPRO Extra this screening. countries discuss countries practice and discuss practice andFeature-Length Competition, 88’ Mohamed Siam. See page 116 How to Meet How to Meet policy around16:00 representation policy around representation a Mermaid a Mermaid and inclusion. Seeand page inclusion.

123 See page 123 Southwest offor Salem: Coco Schrijber Coco Schrijber 16:00 16:00 Admission for allAdmission passholders all passholders Feature-Length Competition, Feature-Length Competition, 90’ Dutch Competition, 90’ 16:30 Dutch Competition,

PODIUM

IDFA Forum Round IDFA Forum Round IDFA Forum Round IDFA Forum Round Table Pitch Table Pitch Table Pitch Table Pitch 10:00 10:00 10:00 NH Carlton 10:00 Paganini NH Carlton 10:00 Paganini NH Carlton10:00 Verdi & Vivaldi NH Carlton Verdi & Vivaldi

Xavier Marrades

Stefanie Visjager, Katinka Baehr

14:30

12 DE MUNT 13 INDUSTRY OFFICE ARTI ET AMICITIAE INDUSTRY OFFICE ARTI ET AMICITIAE MOZAÏEK

By invitation By invitation

First Appearance Competition, 82’

Cucli

Sealers – One Last Hunt

13:45

DE MUNT

IDFA Forum Producer’s IDFA Forum Producer’s Breakfast Breakfast

9:00

Sergei Loznitsa Retrospective, 20’

Admission for allAdmission passholders for all passholders 13:00

Ana Endara

11:00

The Old Jewish Cemetery

12:15

Moderated by Claire Moderated Aguilar. by Claire Aguilar.

See page 126 See page 126

The Joy of Sound

Sergei Loznitsa

Sergei Loznitsa

In Conversation In Conversation with Steve James with Steve James

13:15

Music Documentary, 93’ Music Documentary, 93’

19:00

Masters, 122’

Best of Fests, 84’

Citizen Jane: Battle for the City

15:00

Sergei Loznitsa Retrospective, 17’

Mid-Length Competition, Daniel Gordon Daniel Gordon48’

Susanne Regina Meures

12:45

Matt Tyrnauer

Reflections.

Director’s Cut

First Appearance Competition, 93’

Conscience Conscience 11:45 The Good Postman 11:45 Dark It’s Getting Vladimir Denisenko Vladimir Denisenko Tonislav Hristov OlgaHillsborough Kravets Hillsborough 12:00 Brakke Grond 12:00 Rode Brakke Zaal Grond Sergei Loznitsa's Top 10Sergei , 78’ Loznitsa's Top 10, 78’ Feature-Length Competition, 82’ Rode Zaal 12:15

14:00 14:00Best of Fests, 97’

Areum

11:30

Student Competition, 29’

Music Documentary , 96’ Music Documentary, 96’ 13:30

14:00

Sergei Loznitsa, 21’

Areum Parkkang

Turn Over the Stones

10COMPAGNIE DECOMPAGNIE MUNT 11

08:30 Compagnie08:30 Foyer Upstairs Compagnie Foyer Upstairs

10:00

Letter 10:30 11:00

DEDEBALIE MUNT GROTE ZAALGROTE ZAAL

09:30 Compagnie 09:30 – Zuilenzaal Compagnie 09:30 – Zuilenzaal Compagnie 09:30 – Kleine Compagnie Zaal – Kleine Zaal

A Quiet Place Sjoerd Oostrik

DE MUNT DE 9 BALIE

9:00

10:00

10:00 10:00

Dutch Competition, 81’

n

tion, 72’

24:00 24:00

Admission FreeAdmission Free

1:00

20:30

Shot! The PsychoSpiritual Mantra of Rock Barnaby Clay

Music Documentary, 98’

Program TUSCHINSKI TUSCHINSKI 1 1

Thursday 24 November

TUSCHINSKI TUSCHINSKI 2 2

TUSCHINSKI TUSCHINSKI 3 3

TUSCHINSKI TUSCHINSKI 4 4

TUSCHINSKI TUSCHINSKI 5 5

TUSCHINSKI TUSCHINSKI 66

DE MUNT DE MUNT 9

9

DE MUNT DE MUNT 10 10

DE MUNT DE MUNT 11

11

DE MUNT DE MUNT 12 12

DE MUNT DE MUNT 13 13

EYEEYE CINEMA CINEMA 1

PODIUM PODIUM MOZAÏEK MOZAÏEK

9:00 9:00

9:00 9:00

10:00 10:00

10:00 10:00

Vittorio Vittorio De Seta De Seta

Cuban Cuban Shorts Shorts

Burning Burning OutOut 11:00 11:00 Jérôme Jérôme le Maire le Maire B-Side: B-Side: 11:00 11:00TheThe Feature-Length Feature-Length Competition, Competition, 85’ 85’ ElsaElsa Dorfman’s Dorfman’s Portrait Portrait Photography Photography

Compilation Compilation of short of short filmsfilms about about CubaCuba in transition. in transition.

With:With: Motriz, Motriz, House House for Sale, for Sale, ConnecConnec-11:00 11:00 tion and tion Great and Great Muy Muy Bien.Bien.

SergeiSergei Loznitsa's Loznitsa's Top 10Top , 20’10, 20’

On Call On Call

A Little A Little Monastery Monastery in Tuscany in Tuscany

Best ofBest Fests of, 97’ Fests, 97’

SergeiSergei Loznitsa's Loznitsa's Top 10Top , 54’10, 54’

10:45 10:45

TheThe Opposition Opposition Hollie Hollie FiferFifer

MusicMusic Documentary Documentary , 105’ , 105’

Hotel Hotel Sunrise Sunrise

Introduced Introduced

by Barbara

by Barbara Visser.

Visser.

Maria Maria Rumanova Rumanova

12:00 12:00

11:00 11:00

Amateurs Amateurs in Space in Space Feature-Length Feature-Length Competition, Competition, 90’ 90’

Mohamed Mohamed Jabaly Jabaly

Compilation Compilation of short of short filmsfilms 13:15 about about classical classical music. music.

With:With: 13:15 The Pit, TheRight Pit, Right Side of Side Cello of Cello and and Welcome Welcome to the to the Joe’s Joe’s Violin.

Violin.

Heavenly Heavenly Earth Earth Judith Judith de Leeuw de Leeuw

Masters Masters , 122’ , 122’

Panorama Panorama , 78’ , 78’

Panorama Panorama , 55’ , 55’

Introduced Introduced

by Kees

by Kees van Kooten. van Kooten.

14:00 14:00

KidsKids & Docs & Docs Competition Competition 2 2

13:15 13:15

Children’s Children’s documentaries: documentaries: 1Minute 1Minute Nature, Nature, Che!,Che!, RocknrolRocknrollers, Jesser lers, Jesser and the andSugarcane, the Sugarcane, 14:00 Naomi’s Naomi’s Secret, Secret, Spotlight Spotlight on on 14:00 Merna Merna 135’ 135’ Gaza Gaza SurfSurf ClubClub Philip Philip Gnadt, Gnadt, Mickey Mickey Yamine Yamine

Houston, Houston, We We Have Have a Problem! a Problem!

ZigaZiga Virc Virc

Contemporary Contemporary Color Color

Best ofBest Fests of, 88’ Fests, 88’

13:15 13:15

13:15 13:15

Guido Guido Hendrikx Hendrikx

Sabine Sabine Krayenbühl, Krayenbühl, ZevaZeva Oelbaum Oelbaum

Stranger Stranger in Paradise in Paradise 13:45 13:45

Turner Turner Ross,Ross, Bill Ross Bill Ross

Sho(r)t Sho(r)t in America in America

Citizen Citizen Jane: Jane: Battle Battle for the for the CityCity

Compilation Compilation of short of short filmsfilms about about contemporary contemporary USA.USA. Andrew Andrew Becker, Becker, Daniel Daniel Mehrer Mehrer With:With: The Ride The Ride of their of their Lives,Lives, Best ofBest Fests of, 82’ Fests, 82’ Wolvesmouth, Wolvesmouth, Raised Raised

by Krump

by Krump and Minispectacles and Minispectacles Albuquerque Albuquerque Straight.

Straight.

Santoalla Santoalla

Frank Frank Zappa Zappa in in His His Own Own Words Words Thorsten Thorsten Schütte Schütte

MusicMusic Documentary Documentary , 90’ , 90’

17:00 17:00

MattMatt Tyrnauer Tyrnauer

Swingin’ Swingin’ Shorts Shorts My My Father Father andand My My Mother Mother Bo Jiao Bo Jiao

Masters Masters , 117’ , 117’

16:00 16:00

Rodnye Rodnye (Close (Close Relations) Relations)

17:45 17:45

Masters Masters , 112’ , 112’

Close Close TiesTies

18:00 18:00

ZofiaZofia Kowalewska Kowalewska

18:15 18:15

PeterPeter Entell Entell

Feature-Length Feature-Length Competition, Competition, 108’ 108’

Giovanni Giovanni TroiloTroilo

Mid-Length Mid-Length Competition, Competition, 61’ 61’

18:30 18:30

Liberation Liberation DayDay

MusicMusic Documentary Documentary , 100’ , 100’

A compilation A compilation of shorts of shorts and and 20:15 20:15 multimedia multimedia projects projects that that would would nevernever havehave existed existed without without the the Tempestad Tempestad internet. internet.

Tatiana Tatiana Huezo Huezo

Jan Ijäs Jan Ijäs

20:30 20:30

Silent Silent Wilderness Wilderness Mathijs Mathijs Vleugels Vleugels Panorama Panorama , 60’ , 60’

Progress Progress vs Regress vs Regress

Singing Singing withwith Angry Angry BirdBird

Paradocs Paradocs , 54’ , 54’

Panorama Panorama , 88’ , 88’

Melanie Melanie Bonajo Bonajo

Hyewon Hyewon Jee Jee

21:00 21:00

Jian Fan Jian Fan

YouYou Have Have No Idea No Idea HowHow Much Much I Love I Love YouYou

Machines Machines Rahul Rahul Jain Jain

Feature-Length Feature-Length Competition, Competition, , 71’ , 71’ Assembling Assembling RealityReality

Burning Out

11:00

B-Side: 11:00 11:00The 11:15 11:15

Elsa Dorfman’s The Cinema Travellers The CinemaPortrait Travellers Photography Shirley Abraham, Shirley Abraham,

Jérôme le Maire

I dimenticati

Vittorio De Seta

11:45

12:00 12:00

Compilation of short films about Cuba in transition. With: Motriz, House for Sale, Connection and Great Muy Bien.

On Call

A Little Monastery in Tuscany

Best of Fests, 97’

Sergei Loznitsa's Top 10, 54’

Otar Iosseliani

Alice Diop

11:15

Irene Taylor Brodsky Irene Taylor Brodsky Best of Fests, 114’

Hotel Sunrise

Maria Rumanova

Mid-Length Competition, 49’

Student Competition, 66’ Student Competition, 66’

Come Back Free

13:00 13:0013:15 The 13:30 Passing Years 13:30 John Albert Jansen The Grown-Ups The Grown-Ups Panorama, 78’

14:00 14:00

Compilation of short films about classical music. With: The Pit, Right Side of Cello and Joe’s Violin.

Hillsborough Daniel Gordon Masters, 122’

Maite Alberdi Maite Alberdi Introduced

by Kees van14:00 Kooten.

Feature-Length Competition, Feature-Length 80’ Competition, 80’

14:00

Reset

Reset

14:00

14:00

Beauties of the Beauties Night of the Night

Music Documentary, 90’

15:45

Santoalla

Best of Fests, 82’

Panorama, 55’

17:00

17:00

Dziga Vertov

Lullaby

Dziga Vertov

The Settlers The Settlers Shimon Dotan Shimon Dotan Best of Fests, 110’

19:00 19:00

18:45

Bo Jiao

20:00 20:00 20:00 20:45

20:45

The War ShowThe War Show 21:15

Andreas Dalsgaard, Andreas Dalsgaard, Obaidah Zytoon Obaidah Zytoon21:15

Best of Fests, 100’ Wrong Elements Wrong Elements

Jonathan Littell Jonathan Littell Best of Fests, 133’21:45 Best of Fests, 133’

Mapplethorpe: Look at the Pictures

22:00 22:00Fenton Bailey, Randy Barbato Best of Fests, 108’

Introduced by Erwin Olaf.

Best of Fests, 100’

France

EYE CINEMA

10:00

11:00

11:00

The Rolling 11:00 Stones Olé Olé Olé!: A Trip Across Latin America Paul Dugdale

Music Documentary, 105’

12:00

12:00

13:00

13:1513:00

11:00

Amateurs in Space 11:30

Ambulance

Feature-Length Competition, 90’

Mohamed Jabaly

11:45

Walking in the Opposite Direction

Best of Fests, 78’

11:00

11:15

Max Kestner

Hissein Habré, a Chadian Tragedy

1

11:15

The Cinema Travellers Shirley Abraham, Amit Madheshiya

Mahamat Saleh Haroun

Best of Fests, 96’

Masters, 82’

12:00

Marc Waltman

Music Documentary, 96’

14:00

Gaza Surf Club

14:00

Philip Gnadt, Mickey Yamine

Contemporary Color

Best of Fests, 88’

13:15

Guido Hendrikx

Sabine Krayenbühl, Zeva Oelbaum

14:00

Site of Sites

Best of Fests, 75’

20:00

Mid-Length Competition, 61’

Close Ties

Zofia Kowalewska

Paradocs, 23’

Student Competition, 19’

Coeurope

21:30

18:00

22:45

Mid-Length Competition, 61’

21:30

Time Capsule Jan Ijäs

19:00

20:00

21:00

Rahul Jain

Feature-Length Competition, Assembling Reality, 71’

21:30

You Have No Idea How Much I Love You Pawel Lozinski

Feature-Length Competition, 80’

1:001:00

18:00

Peter Entell

18:30

Music Documentary A film and a talk about A filmdance, and a talk about dance, , 100’ 19:00 choosing to be free, choosing (erotic)to be free, (erotic) power, and being power, a woman and– being in a woman – in Tunisia and the Netherlands.

Tunisia and the Netherlands.

SOCIAL EVENTS SOCIAL EVENTS

Carlo Guillermo Proto

18:30

On the Bridge of Death and Life Lola Jia Liu

Panorama, 98’

23:00

1:00

1:00

Guests Meet Guests Meet Guests

18:00

A Letter to Nelson For all passholders For all passholders Mandela

18:15

The Settlers Shimon Dotan

All IDFA guests areAllinvited IDFA guests to meet areand invited exchange to meet ideas andatexchange ideas at the daily Guests Meet the daily Guests Guests cocktail Meet hour, Guests supported cocktailbyhour, supported by 19:00Life.

Inside a Chinese Life.

Inside a Chinese

Best of Fests, 110’

19:00

Next to playing percussion Next to playing in afrobeat-band percussion Jungle in afrobeat-band By Jungle By

20:15Night, Tien Son searches Night, Tien the globe Son searches for a funky the selection globe for a funky selection20:00

Music Documentary, 93’

music from all over of music the world. from all Expect over the African, world.

Latin Expect and African, Latin and Frameof394 groovy world music groovy like you world never music heard likebefore. you never heard before.

Rich Williamson

21:00

21:00

The Borneo Case

21:15

Dylan Williams, Erik Pauser Masters, 78’

22:00

Those Who Jump

Estephan Wagner, Moritz Siebert, Abou Bakar Sidibé

Long Live Benjamin Jimm Lasser, Biff Butler 23:00 Mid-Length Competition, 60’

24:00

First Appearance Competition, De Jaren Café100’ De – 18:00 Jaren Café – 18:00

Khalo Matabane

Panorama, 30’

Admission FreeAdmission Free

Death in the Terminal Tali Shemesh, Asaf Sudry Mid-Length Competition, 52’

21:00 21:30

DAILY SERVICES DAILYIs SERVICES The Giant Falling

Rehad Desai 9:00 – 21:00 NH Carlton Puccini NH Carlton 9:00 – Puccini 21:00 Panorama, Shifting Perspectives, 77’

IDFA Writing Room 22:15IDFA Writing Room

Brakke GrondBrakke 9:00 – 23:00 Grond 9:00 – 23:00

Wrong Elements Best of Fests, 133’

22:00

Panorama , 22’ Carlton Rossini NH NH Carlton 10:00 –Rossini 17:00 10:00 – 17:00

Bolingo.

Walk-in consultancies Walk-in consultancies How does it feel to How have does someone it feel to follow haveyou someone in the follow you in the Forest The Walk inof andLove book Walk your one-on-one in and book consultancy. your one-on-one consultancy.

23:00 physical world, instead physical of just world, oninstead social media? of justOr onto social media?Alejandro Or to G. Salgado look for love with look yourfor nose, loverather with than your nose, swiping rather profile than swiping profileCompetition, 55’ Mid-Length Arti10:00 et Amicitiae – 20:00 10:00 – 20:00 pictures on Tinder? pictures What would on Tinder? a computer What would brain asay computer brain sayArti et Amicitiae when it secretly takes whena itpeek secretly at your takes instagram a peek atpictures? your instagram pictures?

Meeting Room Meeting with screening Room with facilities screening facilities All accredited guests All accredited have the opportunity guests havetothe reserve opportunity to reserve Trigger your senses Trigger and experience your sensesthirty and experience of the world's thirty of the world's a meeting/screening a meeting/screening room for small groups roomof forupsmall to 15groups of up to 15 24:00 best interactive documentaries, best interactivevirtual documentaries, reality experiences virtual reality experiences people. Reservations people. can be Reservations made at the can Industry be made Desk. at the Industry Desk. and physical installations and physical in theinstallations ten-day DocLab: in theElastic ten-day DocLab: Elastic Additionally, six viewing Additionally, boothssixare viewing available booths for holders are available for holders Reality exhibition.Reality Some installations exhibition. Some have installations varying opening have varying opening of a Press Pass at Docs of a Press for Sale.

PassBoth at Docs services for Sale. are located Both services in are located in hours (11:00 – 21:00). hours On-site (11:00reservation – 21:00). On-site may bereservation required. may be required.

Arti et Amicitiae. Arti et Amicitiae.

Admission FreeAdmission Free

21:15

Jonathan Littell

Workspace for all Workspace accredited guests. for all accredited Wifi connection guests.and Wifi connection and

4.1 Miles

computers available. computers available.

DOCLAB EXPO: DOCLAB ELASTIC EXPO: REALITY ELASTIC REALITY Daphne Matziaraki

Best of Fests, 80’

24:00

17:00

IDFA Lounge IDFA Lounge

Stephen Kijak

Through dance, love, Through fierceness dance, love, fierceness and respect, LGBTQ-youths and respect, LGBTQ-youths create and claim their create place andin claim their place in this 22:00 world. Fierce, this fierce, world. fierce!

Fierce, fierce, fierce!

22:45

Best of Fests, 89’

De Jaren CaféDe – 22:00 Jaren Café – 22:00, 85’ Shifting Perspectives

19:45

The Man from Mo’Wax Matthew Jones IDFA in De Balie: IDFA in De Balie: Music Documentary, 108’ Kiki Kiki 21:1521:00

Ferne Pearlstein

First Appearance Competition, Shifting Perspectives, 64’

Resurrecting Docs for Hassan Sale &Docs IDFAfor Forum Sale & passholders IDFA Forum passholders

We Are X

20:00

The Last Laugh

Hosted by NPO Sales, Hosted EYE International,

by NPO Sales,Films EYE International, Transit, Autlook Films Transit, Autlook

Masters, 90’

International Documentary Film Festival Amsterdam

DONDERDAG DONDERDAG DONDERDAG 24 24 NOVEMBER NOVEMBER 24 NOVEMBER

Inadelso Cossa

16:00

17:45Filmsales, CAT&Docs Filmsales, and RiseCAT&Docs and Shine.and Rise and Shine.

Steve James

Like18:00 Dew in the Sun

Panorama, 88’

A Memory in Three Acts

Docs for Sale Happy Docs for Hour Sale Happy Hour

Abacus: Small Enough to Jail

Hyewon Jee

Melanie Bonajo

16:00

Arti et Amicitiae Arti–et17:00 Amicitiae - 18:00 – 17:00 - 18:00

Singing with Angry Bird

Progress vs Regress Paradocs, 54’

First Appearance Competition, 90’

Lucija Stojevic

17:00

20:30

Paradocs, 21’

15:45

Andrei Dascalescu

La Chana

Music Documentary, 82’

IDFA in De Balie: IDFA in De Balie: Liberation Day Coco Cabasa Coco Cabasa Morten Traavik, Ugis Olte

Still Tomorrow perform new workperform reflecting new onwork reflecting on 22:00 the film. Includingthe a Q&A film.with Including a Q&A withJian Fan Feature-Length Competition, 88’ Miguel Peres22:30 dos Santos.

Miguel Peres dos Santos.

Machines

Planeta Petrila 16:15

James Payne

18:30 18:30 Feature-Length Competition, 108’

22:00 Dutchartists Competition, 70’Dutch Competition, 70’ Several spoken word Several artists spoken will word will

Sho(r)t in Japan

Shifting Perspectives, 69’

15:30

Best of Fests, 78’

Far Western

Feature-Length Competition, 80’

15:00

Living with Giants 16:00

16:00

Maite Alberdi

14:00

Raoul Peck

Panorama, 83’

17:00

Woorden Worden Woorden Worden A Greek Winter A Greek Winter Ingeborg Jansen Ingeborg Jansen Zinnen: VoicesZinnen: Voices

Masters, 83’

Sébastien Rist, Aude Leroux-Lévesque

Masters, 117’

Giovanni Troilo

Dutchartists Competition, Several spoken word Several artists spoken will word will 85’Dutch Competition, 85’ perform new workperform reflecting new work reflecting 20:00 on the film. on the film.

21:30

22:00

Marcus Vetter, Karin Steinberger

The Promise

17:30

A compilation of shorts and Invention Invention multimedia projects that would 20:15 Introduced by visual Introduced artist by visual artist never have existed without the Tempestad Sarah van Sonsbeeck, Sarah who van Sonsbeeck, who 20:30 internet.

Tatiana Huezo discusses theBest power discusses of silence, the power of silence,Silent Wilderness of Fests, 105’ and followed by aand Q&A followed with by a Q&A with Mathijs Vleugels Panorama, 60’ director Mark Lewis. director See Mark Lewis. See page 108 page 108 21:15

France

15:15

The Grown-Ups Lumumba: Death of a Prophet

Prison Sisters

15:1515:00

13:30 14:00

Nima Sarvestani

Natalia Cabral, Oriol Estrada

19:00 19:00 19:00 Smoke Villevoye Woorden Roy Worden Woorden Worden Fallen FlowersFallen Flowers , 45’ Zinnen: A Paradocs TripZinnen: to A TripThick to Leaves Thick Leaves the Country the Country Laetitia Schoofs Laetitia Schoofs

19:45

Panorama, 95’

14:15

Music Documentary, 96’

13:00

Letters from Baghdad

First Appearance Competition, Dutch Competition, 72’

Turner Ross, Bill Ross

Panorama, 14’

November December

Rem

Compilation of shorts about Japan. With: Uzu and Gatekeeper.

Ziga Virc

13:15

Stranger in Paradise 13:45

17:45

19:00

20:00

Houston, We Have a Problem!

Roger Ross Williams

24:00 24:00 24:00

1:00

PODIUM MOZAÏEK

10:00

The Man Without 16:00 a Mask

18:15

Raymond Depardon Raymond Depardon Masters, 83’

12OTHER VENUES DE MUNTVENUES 13OTHER VENUES OTHER

10:00

16:00

Masters, 112’

19:00

DocLab Shorts

DE MUNT

9:00

15:30

Vitaly Mansky

Swingin’ Shorts

Tomas Koolhaas Tomas Koolhaas

Sergei Loznitsa's Top 10Sergei , 62’ Loznitsa's Top 10, 62’ Best of Fests, 75’

ives, 85’

11

9:00

Citizen Jane: Battle

Panorama , 88’ 18:45

Yakov Poselsky Yakov Poselsky

bane

Panorama, 90’

Bruno Jorge

13 Days. Industrial 13 Days. Industrial 19:00 Party Process Party ProcessRem

DE MUNT

9:00

15:00

Rodnye (Close Relations)

17:30

Compilation of three energetic shorts. With: The Hanging, The Man Without a Mask and Rocknrollers.

My Father and My Mother

10

Masters, 90’

Compilation of short films for the City 16:00 16:00 about contemporary USA. Matt Tyrnauer Best of Fests, 97’ With: The Ride of theirThe Lives,Quiet Eye:The Quiet Eye: Wolvesmouth, Raised by Krump Carl Honoré Keynote Keynote Carl Honoré 16:30 16:30 and Minispectacles Albuquerque Carl Honoré, ambassador Carl Honoré, for ambassador for Straight.

All Governments All Governments Lie: Lie:Movement, the Slow the gives Slow Movement, a gives a keynote entitled “In keynote Praiseentitled of “In Praise of Truth, Deception, Truth, and Deception, and Slowness,” Slowness,” by drinks. followed by drinks. the Spirit of I.F. the Stone Spirit of I.F. Stone followed beFree obtained ticketsatcan be obtained at Fred Peabody Fred Peabody Free tickets can 17:15 www.idfa.nl. See page www.idfa.nl.

108 See page 108 Best of Fests, 92’ Best of Fests, 92’

18:00 18:15

DEDEBALIE MUNT GROTE ZAALGROTE ZAAL

Best of Fests, 87’

Mina Mileva, Vesela Kazakova

Sho(r)t in America

Sergei Loznitsa's Top 10Sergei , 58’ Loznitsa's Top 10, 58’

23:00 23:00

Judith de Leeuw

Andrew Becker, Daniel Mehrer

Lullaby

17:00 17:00

21:00 21:00 21:15

Children’s documentaries: 1Minute Nature, Che!, Rocknrollers, Jesser and the Sugarcane, Naomi’s Secret, Spotlight on Merna 135’

The Beast Is Still Alive 15:45

Best of Fests, 110’

Welcome to the Heavenly Earth

15:00

The Last Laugh The Last Laugh 16:00 Ferne Pearlstein Ferne Pearlstein Eat That Question 16:00 Best of16:00 Fests, 89’ Best of Fests, 89’ Frank Zappa in His Own Words

18:15 18:00 18:00

Kids & Docs Competition 2

13:15

Best of Fests, 110’

Thorsten Schütte

23:00

23:00 23:00

Alejandro Alejandro G. Salgado G. Salgado

Mid-Length Competition, 51’

13:00

Alban Teurlai, Alban Teurlai, Maria José Cuevas Maria José Cuevas Thierry Demaizière Thierry Demaizière Best of Fests, 91’ Best of Fests, 91’

15:00 15:00 15:45

22:00

Panorama Panorama , 22’ , 22’

Ksenia Okhapkina

Music Shorts

13:00

15:30

ng Perspectives, 77’

Daphne Daphne Matziaraki Matziaraki

4.1 Miles 4.1 Miles

Bolingo.

Bolingo.

TheThe Forest Forest of Love of Love

DE MUNT DE 9 BALIE

11:45

Best of Fests, 114’

Aniela Astrid Gabryel Aniela Astrid Gabryel

Best of Fests, 110’

Is Falling

Best ofBest Fests of, 133’ Fests, 133’

22:00 22:00

Sergei Loznitsa's Top 10, 20’

10:45 11:00

The Opposition Hollie Fifer Beware the Slenderman Beware the Slenderman Panorama, 76’

Feature-Length Competition,11:15 85’

When Will This When Will This Introduced by BarbaraWind Visser. Stop Wind Stop

ives, 69’

21:00

Best ofBest Fests of, 80’ Fests, 80’

Mid-Length Mid-Length Competition, Competition, 60’ 60’

10:00

Cuban Shorts

12:45

19:00

22:15 22:15

Mid-Length Mid-Length Competition, Competition, 55’ 55’

10:15

, 76’of Fests, 96’ Best of Fests, 96’Masters Best

o Nelson

Panorama, Panorama, Shifting Shifting Perspectives Perspectives , 77’ , 77’

Those Those Who Who Jump Jump

JimmJimm Lasser, Lasser, Biff Butler Biff Butler

Feature-Length Feature-Length Competition, Competition, 80’ 80’

Jonathan Jonathan Littell Littell

Rehad Rehad DesaiDesai

Estephan Estephan Wagner, Wagner, Moritz Moritz Siebert, Siebert, AbouAbou Bakar Bakar Sidibé Sidibé

22:45 22:45

21:00 21:0021:15 21:15 Wrong Wrong Elements Elements

21:30 21:30

TheThe Giant Giant Is Falling Is Falling

Long Long LiveLive Benjamin Benjamin

Pawel Pawel Lozinski Lozinski

DONDERDAG DONDERDAG24 24NOVEMBER NOVEMBER

ErrolAmit Morris 11:45 Amit Madheshiya Madheshiya

18:00

Feature-Length Feature-Length Competition, Competition, 88’ 88’

GROND BRAKKE BRAKKE GROND BRAKKE TUSCHINSKI 3 GROND TUSCHINSKI 4GROND TUSCHINSKI 5 KETELHUIS TUSCHINSKI 6 2BRAKKE TOLHUISTUIN TOLHUISTUIN KETELHUIS EXPOZAAL EXPOZAALRODE ZAAL RODE ZAAL

10:45

17:00

Masters Masters , 78’ , 78’

1:001:00

10:00 10:00

Competition, ives, 64’

Death Death in the in the Terminal Terminal

Tali Shemesh, Tali Shemesh, AsafAsaf Sudry Sudry Mid-Length Competition, Competition, 52’ 52’ Dylan Dylan Williams, Williams, Erik Pauser Erik Pauser Mid-Length

1:001:00

10:00

sa

TheThe Borneo Borneo CaseCase

22:00 22:00

StillStill Tomorrow Tomorrow 22:30 22:30

Panorama Panorama , 30’ , 30’

21:00 21:00

TheThe ManMan from from Mo’Wax Mo’Wax

22:00 22:00

Compilation Compilation of shorts of shorts about about Japan.

Japan.

With:With: Uzu and Uzu and Gatekeeper.

Gatekeeper.

22:45 22:45

Frame Frame 394394

Rich Rich Williamson Williamson

MusicMusic Documentary Documentary , 108’ , 108’

Sho(r)t Sho(r)t in Japan in Japan

20:00 20:00

20:15 20:15

24:00 24:00

9:00 9:00

ys in Three Acts 16:00

Shifting Shifting Perspectives Perspectives , 85’ , 85’

Matthew Matthew JonesJones

22:00 22:00

19:00 19:00

Khalo Khalo Matabane Matabane

MusicMusic Documentary Documentary , 93’ , 93’

20:30 20:30

Paradocs Paradocs , 21’ , 21’

Best ofBest Fests of, 110’ Fests, 110’

A Letter A Letter to Nelson to Nelson Mandela Mandela

24:00 24:00

9:00

15:00

Shimon Shimon Dotan Dotan

Panorama Panorama , 98’ , 98’

Stephen Stephen KijakKijak

Time Time Capsule Capsule

TheThe Settlers Settlers

19:00 19:00

Lola Lola Jia Liu Jia Liu

We We Are Are X X

20:00 20:00

18:15 18:00 18:0018:15

First Appearance First Appearance Competition, Competition, 100’ 100’

On the On the Bridge Bridge of of Death Death andand LifeLife

19:45 19:45

DocLab DocLab Shorts Shorts

TUSCHINSKI 1 EYE TUSCHINSKI 2 EYE CINEMA EYE 1 CINEMA 1 CINEMA EYE 2 CINEMA

14:00

CarloCarlo Guillermo Guillermo ProtoProto

18:30 18:30

Morten Morten Traavik, Traavik, UgisUgis Olte Olte

21:45 21:45

: Death het

Resurrecting Resurrecting Hassan Hassan

Masters Masters , 90’ , 90’

Paradocs Paradocs , 45’ , 45’

21:00 21:00

13:00

17:45 17:45

SteveSteve James James

LikeLike DewDew in the in the SunSun

Student Student Competition, Competition, 19’ 19’

November November December December Coeurope Coeurope

Best ofBest Fests of, 105’ Fests, 105’

12:00

FerneFerne Pearlstein Pearlstein

First Appearance First Appearance Competition, Competition, , 64’ , 64’ Shifting Shifting Perspectives Perspectives

17:00 17:00

Abacus: Abacus: Small Small Enough Enough to Jail to Jail

19:45 19:45

11:00

TheThe LastLast Laugh Laugh

16:00 16:00Best ofBest Fests of, 89’ Fests, 89’

17:30 17:30

Vitaly Vitaly Mansky Mansky

19:00 19:00

23:00 23:00

A Memory A Memory in Three in Three ActsActs Inadelso Inadelso Cossa Cossa

Panorama Panorama , 83’ , 83’

Roy Villevoye Roy Villevoye

Introduced Introduced

by Erwin

by Erwin Olaf.Olaf.

15:45 15:45 16:00 16:00

Mid-Length Mid-Length Competition, Competition, 61’ 61’

Smoke Smoke

Best ofBest Fests of, 108’ Fests, 108’

First Appearance First Appearance Competition, Competition, 90’ 90’

Natalia Natalia Cabral, Cabral, OriolOriol Estrada Estrada

Paradocs Paradocs , 23’ , 23’

22:00 22:00Fenton Fenton Bailey, Bailey, Randy Randy Barbato Barbato

Andrei Andrei Dascalescu Dascalescu

Lucija Lucija Stojevic Stojevic

SiteSite of Sites of Sites

Bruno Bruno JorgeJorge

Mapplethorpe: Mapplethorpe: Look Look at the at the Pictures Pictures

Shifting Shifting Perspectives Perspectives , 69’ , 69’

La Chana La Chana

MusicMusic Documentary Documentary , 82’ , 82’

Panorama Panorama , 14’ , 14’

Panorama Panorama , 88’ , 88’

20:00 20:00

Raoul Raoul PeckPeck

Planeta Planeta Petrila Petrila 16:15 16:15

James James Payne Payne

Feature-Length Feature-Length Competition, Competition, 80’ 80’

15:30 15:30

Best ofBest Fests of, 78’ Fests, 78’

Far Western Far Western

Maite Maite Alberdi Alberdi

14:00 14:00

15:00 15:00

Living Living withwith Giants Giants 16:00 16:00

Roger Roger RossRoss Williams Williams

Compilation Compilation of three of three energetic energetic shorts. shorts.

With:With: The Hanging, The Hanging, The Man The Man Without Without a Mask a Mask and and Rocknrollers.

Rocknrollers.

18:00 18:00

18:00 18:00

Sébastien Sébastien Rist, Rist, AudeAude Leroux-Lévesque Leroux-Lévesque

TheThe ManMan Without Without a Mask a Mask

Best ofBest Fests of, 97’ Fests, 97’

17:15 17:15 17:30 17:30

15:15 15:15

Marcus Marcus Vetter, Vetter, KarinKarin Steinberger Steinberger

TheThe Grown-Ups Grown-Ups Lumumba: Lumumba: Death Death of aof Prophet a Prophet

Prison Prison Sisters Sisters

15:15 15:15

TheThe Promise Promise

15:30 15:30

Panorama Panorama , 90’ , 90’

13:30 13:30 14:00 14:00

Masters Masters , 90’ , 90’

MinaMina Mileva, Mileva, Vesela Vesela Kazakova Kazakova

15:30 15:30

Panorama Panorama , 95’ , 95’

14:15 14:15

MusicMusic Documentary Documentary , 96’ , 96’

13:00 13:00

Letters Letters from from Baghdad Baghdad

First Appearance First Appearance Competition, Competition, 72’ 72’ Dutch Dutch Competition, Competition,

NimaNima Sarvestani Sarvestani

TheThe Beast Beast Is Still Is Still Alive Alive

15:00 15:00 15:45 15:45

12:00 12:00

MusicMusic Documentary Documentary , 96’ , 96’

Best ofBest Fests of, 87’ Fests, 87’

16:00 16:00

Best ofBest Fests of, 96’ Fests, 96’

Masters Masters , 82’ , 82’

Mid-Length Mid-Length Competition, Competition, 51’ 51’

13:00 13:00

15:00 15:00

ThatThat Question Question - 16:00 16:00Eat Eat

Shirley Shirley Abraham, Abraham, AmitAmit Madheshiya Madheshiya

Mahamat Mahamat SalehSaleh Haroun Haroun

Ksenia Ksenia Okhapkina Okhapkina

Music Music Shorts Shorts

Daniel Daniel Gordon Gordon

11:45 11:45

MarcMarc Waltman Waltman

Come Come Back Back FreeFree

12:45 12:45

Hillsborough Hillsborough

Hissein Hissein Habré, Habré, a Chadian a Chadian Tragedy Tragedy

Walking Walking in the in the Opposite Opposite Direction Direction

Best ofBest Fests of, 78’ Fests, 78’

11:00 11:0011:15 11:15 TheThe Cinema Cinema Travellers Travellers

11:15 11:15

MaxMax Kestner Kestner

Mid-Length Mid-Length Competition, Competition, 49’ 49’

13:00 13:00

JohnJohn Albert Albert Jansen Jansen

TheThe Rolling Rolling Stones Stones Olé Olé Olé Olé Olé!: Olé!: A Trip A Trip 11:30 Across Across Latin Latin America America 11:30 Ambulance Ambulance Paul Paul Dugdale Dugdale

11:45 11:45

Masters Masters , 76’ , 76’

13:00 13:0013:15 13:15 TheThe Passing Passing Years Years

11:00 11:00

OtarOtar Iosseliani Iosseliani

AliceAlice DiopDiop

Panorama Panorama , 76’ , 76’

ErrolErrol Morris Morris

10:00 10:00

I dimenticati I dimenticati

10:15 10:15 10:45 10:45

PODIUM MOZAÏEK

1

1:00