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IEN BOODAN
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*do not receive superscripts
the
quick brown fox jumps over
the lazy
dog running away
the quick brown fox jumps over the lazy dog running away
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If you wish to make an apple pie from scratch, you must first invent the universe. Carl Sagan, Cosmos (1980)
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AWARD
1 volunteer
ST. ROCH SECONDARY SCHOOL media & communication arts major
hobby
school
painting work
AFFILIATION
graphic design
astronomy
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1. brampton citizen's arts acclaim award 2. ontario technical skills competition silver: medal in graphic design 3. ontario scholar with high honours 4. university of waterloo merit entrance scholarship 5. canadian institute of steel construction design competition award of excellence a. b. c. d. e. f. g.
rochTV: bi-weekly in-school live news show DECA Ontario competition: apparel and accessories marketing cluster & advertising cluster technical director (lighting, audio, projection) for school play: "Aida" stage manager & technical director for school play: "Seussical" waterloo architecture student association: jr. events co-ordinator waterloo architecture photography collective + exhibition bridge - centre for architecture + design: author, photographer, general helper
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event photographer
CITY OF BRAMPTO
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bachelor of architectural studies
YOUR NAME HERE!
photography (dj) apple moses cg art
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starbucks intern 3d artist
YOUR NAME HERE!
ON
architectural assisstant CINEPLEX NORM LI
Designer & Artist I
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CS&P
Title
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Intro
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About Me
ien4bo@gmail.com toronto/cambridge i-en.ca
Architecture
Title (1: Ien Boodan Portfolio SS17) Intro (2,3; Personal Logo Explained, 4: Sawtooth (Shorthand) Guide, 6: Untitled (2017) & a pretty good quote) About Me (6,7: CV, Skills, Contact Information, Table of Contents in the style of inline Nutrition Facts, 6,7: tl;dr version (ed. ⅔)) Architecture (10,11: Title, 12-21 Intersectional Queer Place, 22-24 Gneissic Wall) 3D Art (26,27: Title, 28-35: Assorted Academic and Personal Works, 36-45: Norm Li Internship, 46,47: CS&P Internship) Photography (48,49: Title, 50-57: Personal and Academic Works as indicated) Thanks (56,57: The punchline to this joke of a portfolio, 58: “Thanks”)
3D Art
May Contain Soy (page 7)
Photography
Thanks
skills
computer 3ds max + vray + mental ray autocad+ revit rhinoceros + maxwell + vray + grasshopper + rhinoCAM photoshop illustrator indesign
education
university of waterloo school of architecture, bachelor of architectural studies (candidate) 09.14- present st. roch secondary school, media and communication arts major 08.10 - 06.14
modelling plaster foam + cnc mill plexi + thermoforming softwood + laser cutter 3d printing other working proficiency french strong attention to detail organized works well under tight deadlines strong communication and interpersonal skills team player
tl;dr
ien boodan (ien4bo@gmail.com)
awards
cisc architectural student design competition award of excellence 07.17 canadian institute of steel construction merit entrance scholarship 08.14 - university of waterloo ontario scholar with honours 06.14 - ontario ministry of education skills canada provincial silver medal: graphic design 05.14 - ontario technical skills competition brampton citizens arts acclaim award 05.13 - city of brampton
experience
architectural assisstant 05.17 - 08.16, cs&p architects (toronto, on)
intern 3D artist 08.16 - 12.16, norm li architectural graphics and illustrations (toronto, on)
barista 03.16 - 05.16, starbucks (mississauga, on)
cast member 03.14 - 05.16, cineplex entertainment (mississauga, on)
special events photographer 01.14 - 07.14, city of brampton (brampton, on)
stage manager and technical director for annual school play 04.13, 04.14; st. roch school secondary school (mississauga, on)
toronto / cambridge (i-en.ca)
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A
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INTERSECTIONA queer space is a deterritorialization of heteronormative society that actively acknowledges the “other” above the “normal”.
queer space is fragile and ephemeral
specific socioeconomic and cultural climates prevent the expression of queer identity. the creation of queer space becomes increasingly difficult under these circumstances.
queer space is and has been an appropriation of public space: × × × × × ×
parks libraries alleyways baths & public restrooms night clubs bus & train stations
queer spaces are disappearing as a result of gentrification under impetuous capitalism, a proliferation of ignorance and indifference, as well as governments and policing that are invasive and authoritative (page 12)
AL QUEER PLACE what role can architecture play in asserting these places?
private closet
balcony
bedroom washroom
back yard
corridor
living room
mosque
retaurant library art gallery
forest
architecture maps buildings’ functions
homeless youth resource centre sexual health clinic performance space
plaza
bar
street
public
private
elevation offers an axis of privacy
public
enclosed
open
open
nightclub
enclosed
kitchen front yard
the street mediates public engagement
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bedroom closet balcony front yard
performance space bar living room
washroom back yard
kitchen plaza
restaurant
art gallery
street
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nightclub
library
forest corridor
mosque
sexual health clinic
homeless youth resource centre
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fig. 1.0 1 ground plan showing public progam
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fig. 1.1 - bath house
fig. 1.2 - gym and periphery of forest
fig. 1.3 - cafe
fig. 1.4 - art galley
fig. 1.6 - mosque
fig. 1.5 - drag/performance bar
fig. 1.6 - sexual & mental health clinics
fig. 1.7 - cruising forest
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fig. 2 1 isometric section of structure
single units double units family units offices public realm
fig. 3 1 exterior eleation looking west
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fig. 4 1 section through ground retail, offices, and residential units
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fig. 5 1 exterior rendering of plaza
fig. 6 1 exterior rendering of forest
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.gneissic\\WALL
A FOUR DIMENSIONAL PROJECTION OF BEDROCK FORMATIONS ON S ▷ THE BUILDING EMERGES FROM THE LANDSCAPE
∟ AN EXTRUSION OF THE BEDROCK
▷ IT WEAVES IN AND OUT OF THE LANDSCAPE, FRAMING MOSS AND TREES
∟ VARYING INDOOR AND OUTDOOR CONDITIONS
▷ EXTRUSIONS VARY IN HEIGHT
∟ ACCOMMODATE PASSIVE ACTIVITIES:
▷ ▷ ▷ ▷
EATING SLEEPING STORING / DISPLAYING OBJECTS SITTING
▷ SPACES BETWEEN THE EXTRUDED WALLS ALLOW VARYING SOCIAL CONDITIONS:
▷ OPEN COURTYARDS FOR GATHER AND CELEBRATION; ▷ HIDDEN NOOKS FOR MEDITATION OR CONVERSATION.
▷ INTENDED PROGRAM: ▷ MENTAL HEALTH RETREAT ▷ ADDITIONAL DATA:
▷ LOCATION ▷ BUILT AREA ▷ MAX HEIGHT ∟ INTERIOR ∟ EXTERIOR ▷ STRUCTURE ▷ VOLUME ▷ UNITS
FRENCH RIVER, ON, CANADA 2735M² 3.00M 14.35M REINFORCED CONCRETE 5371M³ 34
fig. 8 1 elevation looking south (page 22)
L
SITE
fig. 7 1 ground plan
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fig. 9 1 study of curved, mirrored exterior glass distorting surrounding landscape
fig. 10 1 1:50 model of undulating wall deforming to be a seat, a bed, and a bedroom
fig. 11 1 1:500 conceptual model of an architectural form emerging from bedrock (page 24)
fig. 12 1 gneissic wall as post-crisis mental health retreat
fig. 13 1 gneissic wall as a post-disaster refuge
fig. 14 1 gneissic wall as a post-apocalyptic ruin (page 25)
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fig. 15.1, 15.2 1 untitled personal project, summer 2017
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fig. 16.1, 16 .2 1 untitled personal project, summer 2017
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fig. 17, 18 1 conceptual renderings - acsa steel competition “museum� - summer 2017
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fig. 19 1 exterior rendering - high line in ruin - design studio - summer 2016
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fig. 20 1 interior rendering for BRC - norm li internship - fall 2016
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fig. 21 1 exterior rendering - norm li internship - fall 2016
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fig. 22 1 interior rendering - norm li internship - fall 2016
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fig. 23 1 interior rendering - norm li internship - fall 2016
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fig. 24 ~ 27 1 low poly context buildings - norm li internship - fall 2016
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fig. 28 1 exterior rendering - cs&p architects - summer 2017
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fig. 29.1 1 untitled from “cast� series exploration of viscosity and duration
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fig. 29.2 1 untitled from “cast� series
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fig. 30.1 1 “visitors” from “walden; or, life in the woods” visual essay in response to thoreau’s same-titled work
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fig. 30.2 1 “the pond in winter” from “walden; or, life in the woods”
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fig. 31.1 1 untitled from “chromatic renaissance� series experiments with transparency, contrast, and proximity
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fig. 31.2 1 “a danish girl named bibi” from “chromatic renaissance” series
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fig. 32 1 “mike alder” from “octopus” series homage to ren hang (1987 - 2017)
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fig. 33 1 untitled from “distortions� series exploration of reflectivity, visual-continuity, and anatomy
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fig. 34
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