Igor C. Silva
Acid/!" Para Viola solo / For Solo Viola
Encomenda da Antena 2 / RTP Para o Prémio Jovens Músicos 2012
DIREITOS RESERVADOS ALL RIGHTS RESERVED
AvA MUSICAL EDITIONS
Título/Title Acid/!” Para Viola Solo Autor/Author Igor C. Silva Editor/Publisher
AvA Musical Editions Rua de Campolide, Nº 29, 6º D 1070-026 Lisboa Tel./ Fax. 213 875 087 - Tm. 967 074 349 Email: admin@editions-ava.com Supervisão técnica/Technical supervision José Lourenço Nuno Fernandes Concepção da capa/Designer Carolina Búzio Realização da capa/Cover Design Nuno Fernandes Impresso em Portugal/Printed in Portugal Manograf, Acabamentos Gráficos, Lda 1ª Edição em Fevereiro de 2012 Ref. AvA: ava120830 ISMN: 979-0-707734 -45-2 Depósito legal nº 340379/12 Todos os direitos reservados. A reprodução total ou parcial desta publicação, por qualquer meio, não autorizada por escrito pelo editor, AvA Musical Editions, info@editions-ava.com, é ilícita e passível de procedimento judicial nos termos da lei. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of AvA Musical Editions, info@editions-ava.com www.editions-ava.com
AvA Musical Editions ©2012
Acid/!” offers a possibility of a certain freedom in its musical interpretation. In addition to the significant autonomy it provides the performer, it also allows various possibilities of improvisation, making the musician an integral part of the creative process. This allows each performer to use this piece as a way of bringing his own sensitivity and creativity to the music, significantly releasing him from the score. It creates an organic and energetic universe, where the joy of improvisation and the act of creating/performing is the main goal. Acid/!” oferece uma possibilidade de libertação da interpretação musical. É concedida não só uma grande autonomia expressiva ao intérprete, como também várias possibilidades de improvisação, tornando assim o próprio músico parte integrante do processo criativo. Desta forma cada intérprete apodera-se da obra como forma de expor a sua sensibilidade e criatividade, libertando-se parcialmente da partitura, criando um universo orgânico e enérgico, onde o gozo pela improvisação e pelo acto de criar/tocar é o objectivo principal.
Indications:
ord.
= ordinary bow position
s.p
= sul ponticello = molto sul ponticello. The overtones produced have to be more dominant than the fundamental pitch
molto s.p. s.t.
circular bowing
= sul tasto = changing the bow position between the indicated location (s.p., s.t., etc…) = crescendo from silence, or decrescendo to silence
= rhythmically flexible
= repeat, improvising according to the indications
All accidentals (
= make the sound gradually more distorted (but always with some definite pitch) by increasing the bow pressure. The point of maximum distortion should be very short, making the gesture a momentary alteration of timbre.
) apply throughout entire measures, but not for octaves
Duration: 4’
Commissioned by Antena2 / RTP for Prémio Jovens Músicos
Acid/!" for viola
With energy (e=192)
f
III
poco s.p.
c. 4"
p
ord. 4
f
sffz
molto s.p.
9
ppp
Igor C. Silva c. 8"
ppp
Example
poco s.p.
molto s.p.
Changing dymamics between pp and mp ad libitum
Repeat in tempo, energetically, changing the accents ad libitum
sfz
circular bowing
circular bowing
c. 6" molto s.p. s.p.
ord.
p p
sffz
c. 8" ord.
pp
molto s.p.
p
sfffz
ord.
pp
pp c. 10"
Changing dymamics between pp and mp ad libitum
Repeat in tempo, energetically, changing the accents ad libitum
f ord.
10
mp
f
16
mf
p sfz
c. 7"
Changing dymamics between pp and mp ad libitum
23
sffz
p spiccato
s.p.
mp
p
Repeat in tempo, energetically, changing the order of the motives ad libitum
www.editions-ava.com
ord.
molto cresc.
ava120830
AvA Musical Editions Š2012
2
24
mf
with very light bow pressure s.p.
pp
mp
Senza misura
c. 6"
molto s.p.
p
Changing dymamics between pp and mp ad libitum pp
Improvise freely, spontaneously and impulsively, using artificial harmonic glissandos
(c. 6")
arco ord. pizz. sfz mp f
ppp
fff
p
mp
f
mf
f
molto spiccato
c. 7"
molto spiccato mp mf
s.p.
35
sfz
A tempo
violent!
30
ord.
Changing dymamics between pp and mp ad libitum
molto cresc.
Repeat in tempo, energetically, changing the order of the motives ad libitum
p spiccato
p spiccato
38
5
mf
mf
44
p spiccato
3
mp f
50
mp f molto spiccato
with very light bow pressure molto s.p.
56
pp
c. 6"
pp subito
mf
pizz. arco G f p spiccato sfz
molto s.t. rall.
molto s.p. pp
ava120830
Senza misura
molto spiccato
sfz
c. 5"
Changing dymamics between pp and f ad libitum
freely, spontaneously pp Improvise and impulsively, using artificial harmonic glissandos
c. 6"
s.p.
ord.
sfffz
mp
ppp
sfz
3
Senza misura
ord.
A tempo
60
5
f molto spiccato
63
ppp
64
sfz
pp
f
mp
pp
II
mf
c. 6"
molto s.p.
pp
mp
c. 2"
sfffz
pp c. 7"
c. 3"
sfz
circular bowing
poco s.p.
p
molto s.p.
ppp
Changing dymamics between pp and mp ad libitum
Repeat in tempo, energetically, changing the accents ad libitum
67
ord.
molto spiccato
f
5
(c. 8")
ord.
f
c. 8"
c. 4"
sffz
71
Changing dymamics between pp and ff ad libitum Improvise freely, spontaneously and impulsively, using artificial harmonic glissandos
A tempo
ord.
with very light bow pressure s.p.
poco s.p. s.p.
ord.
sfffz
mp
circular bowing
molto s.p.
ppp
p
sfz
p
Changing dymamics between pp and mp ad libitum
Repeat in tempo, energetically, changing the accents ad libitum
mp
c. 5" s.p.
ord.
Changing dymamics between pp and mp ad libitum
molto cresc.
Repeat in tempo, energetically, changing the order of the motives ad libitum
75
mf
mp molto spiccato
(c. 5") 80
s.p.
Changing dymamics between pp and mp ad libitum
f
mp
f
sfz
c. 5"
p
Repeat in tempo, energetically, changing the order of the motives ad libitum
mp ord.
molto cresc.
ava120830
mf
mp molto spiccato
f
c. 4"
4
84
sfz
mf
p
f
molto cresc.
Repeat in tempo, energetically, changing the order of the motives ad libitum
c. 4"
89
sfz
mf
p
f
Repeat in tempo, energetically, changing the order of the motives ad libitum
6
93
p subito
7
5
G 3
f
3
mp
f
c. 7"
ff sempre
Repeat in tempo, energetically, changing the order of the motives ad libitum
97 p subito
ff
c. 8"
106 mp
extremely energetic, agressive and nearly out of control!!
poco s.p.
circular bowing
molto s.p.
molto s.p.
p
fff
mf
molto cresc.
accel. with very light bow pressure arco poco s.p.
Repeat, changing the order of the motives
violent!
c. 10" rall.
molto s.p.
s.p.
110
pp legato
pizz. c. 2" sfffz
sfffz
Repeat in tempo, energetically, changing the accents ad libitum
Calm, Senza misura
violent!
f
molto s.p.
p
II
pp
ava120830
G
ord.
s.p.
fff (possibile) AvA Musical Editions Š2012