You should be blind to watch tv

You Should Be Blind to Watch TV for ensemble and electronics

commissioned by sonae 2013

Instrumentation: Flute Bass Clarinet in B Trombone 2 Percussionists Piano Violin Cello Electric Bass (5 strings) Electronics (electronics controller)

Percussion I: Marimba, Oil Drums (3 large garbage cans and some metal objects), 3 different Suspended Cymbals for improvisation parts and 1 Chinese Cymbal, 4 Gongs and “Percussion”: 2 Bongos, 2 Mini-Congas, 1 large Conga and 1 Bass Drum (all muted with a black blanket, in order to produce a muted sound similar to electronics), placed in front of the marimba in order to be possible to play both instruments at the same time

Bongos

Mini-Congas

Large Conga Bass Drum

Percussion II: Vibraphone, 2 Bongos, 5 Tom-toms (6’ to 12’- partial muted), Oil Drums (3 large garbage cans and some metal objects), 3 Suspended Cymbals (Splash, Crash and Chinese), 1 Gong

and Bass Drum Pedal

Score in C

Indications: For all instruments: ord.

= normal playing

l.v.

= let vibrate = crescendo from silence, or to silence = accelerando = ritardando = improvising over the given rhythm

= create a improvised loud and scratchy noise, changing every gesture, imitating the electronics noise = create a improvised loud and scratchy noise with the given note, changing every gesture, imitating the electronics noise

On

Off

indicate when there is a synchronization between the rhythmic part of the acoustic text and the rhythmic part of the electronic part

Accidents ( ) apply throughout entire measure, but not in octaves All the quartertones are related to the electronics spectrum

For wind instruments: pizz.

= tongue pizzicato

t.r.

= tongue ram = only air = wah-wah/plunger mute movement

For piano: pizz.

= pluck the strings inside the piano with a plectrum = play normally while muting the strings with the other hand

For strings: s.p.

= sul ponticello

s.t.

= sul tasto = play normally with arco martelato, while the left hand is muting all the strings, creating an unpitched percussive sound, merging the acoustic sound with the electronic sound = legno battuto on the strings over the fingerboard, while the left hand is muting all the strings, creating an unpitched percussive sound, merging the acoustic sound with the electronic sound = pizzicato while the left hand is muting all the strings, creating an unpitched percussive sound, merging the acoustic sound with the electronic sound

For Electric Bass: = movement of the wah-wah pedal palm mute

= the note is partially muted by the right hand lightly touching the string just before the bridge

th

The 5 string should be tuned to a lowed E

, with the exactly same pitch of the very first electronics file, on bar 2, which appears throughout the piece

The electric bass is processed by 2 analogue processor pedals: wah-wah and distortion. During the score there are indications when these effects are on or off. Other pedals can be added in order to maximize the character of the different parts. The sound is diffused by an amplifier close to the bassist.

Electronics: The electronics are only pre-recorded files triggered in real time Software required: Max/MSP Runtime, which can be downloaded for free at http://cycling74.com/downloads/runtime/ Each electronics event,

1 – 73 , is indicated by a rhythmic notation with a circled number above it. A musician (electronics controller) should be

on stage only for the electronic part, using any type of triggering device that can communicate with computer: MIDI keyboard, MIDI pad, ipad etc…

The electronics controller should be able to see on stage the event numbers that he is triggering. For that purpose within the Max/MSP patch there’s an “eventdisplay” object that can be sent to an ipad, iphone or a display close to him The ensemble must be slightly amplified in order to merge the acoustic sound with the electronic sound Some audio monitors should be placed on stage in order for the musicians and conductor to listen properly the electronic sound On the Max/MSP patch’s folder there’s a “Read me” file that explains how does the patch and all the connections works

Stage

Audience Lighting: The piece must be performed in a completely dark room. Each musician should be individually illuminated by white lights and use lights on stands

Duration: 8 min

for more information contact igorcsilva.21@gmail.com

commissioned by SONAE

You Should Be Blind to Watch TV =120 Off

Igor C. Silva

for ensemble and electronics

A tempo with electronics

=120

On t.r.

flatt.

pizz.

t.r.

Flute

slap

slap

Bass Clarinet plunger mute

Trombone

Percussion with marimba mallets Percussion I

Percussion II

1 Electronics

Piano

=120 Off

A tempo with electronics

=120

On III IV

II

III IV

arco, jeté, s.p., flautando senza jeté

III IV

III IV

II

molto s.p.

jeté, s.p., flautando

senza jeté

molto s.p.

jeté, s.p., flautando

senza jeté

molto s.p.

Violin

II III

legno tratto

arco, jeté, s.p., flautando senza jeté

I

molto s.p.

II III

II III

I

Cello

palm mute

Electric Bass

(gliss. without striking the string)

/ 0

A Senza misura, Calm

2

Off

1

2

c. 4"

3

c. 5"

c. 8"

over blowing

6

t.r.

4

c. 8"

Improvise pizz., 1/2 sound, 1/2 air

1/2 sound, 1/3 air

Fl. changing dynamics between

Improvise B. Cl. changing dynamics between

and , not too dense

Tbn.

Gongs with vibraphone mallets

on rim. The fundamental should be subtly perceptible

Perc. I Gongs + Cymbals, Oil drums + Metal objects etc... with brushes or with the back side of the brushes

Improvise imitating electronics noise

Perc. II changing dynamics between

and , not too dense, with electronics

Elct.

Improvise pizz. l.v.

Pno.

sempre changing dynamics between

A Senza misura, Calm jeté, s.p., flautando

Off

senza jeté molto s.p.

1

Improvise molto flautando, senza vib.

2

3

Vln. changing dynamics between jeté, s.p., flautando

senza jeté

molto s.p.

and

Improvise molto flautando, senza vib.

Vc. changing dynamics between

and Improvise (solo) distortion + wah-wah

wah-wah ad libitum

I sounds one octave lower *

E. Bass * Scratching with a metal guitar slide on the I string

close to the pickups, in order to get the right pitch (E), while the left hand is muting all the strings

changing dynamics between

and

and , not too dense

4

and

A tempo

B A tempo with electronics =120

=120 over blowing

over blowing

ord.

11

C Senza misura, Calm

On

Off t.r.

air

1

3

c. 6"

flatt.

Fl.

slap

B. Cl.

Improvise (solo) wah-wah ad libitum

wah-wah mute

Tbn. changing dynamics between molto espressivo Percussion

Gongs

with marimba mallets

and

, very irregular

with metal mallet ord.

Perc. I Gongs + Cymbals, Oil drums + Metal objects etc...

Splash Cymbal

with brushes or with the back side of the brushes

with soft mallets

Improvise imitating electronics noise

Perc. II changing dynamics between

and , not too dense

2

Elct.

Pno.

pizz.

sempre

A tempo

C Senza misura, Calm

A tempo with electronics =120

=120

On

II

III IV

jeté, s.p., flautando

Off senza jeté

molto s.p.

1

Improvise molto flautando, senza vib.

Vln. changing dynamics between II III

I

jeté, s.p., flautando

senza jeté

molto s.p.

and

Improvise molto flautando, senza vib.

Vc. changing dynamics between palm mute clean

E. Bass

distortion + wah-wah

and

4

2

3

c. 7"

4

c. 4"

A tempo =120

c. 8"

flatt., 1/2 sound, 1/2 air bisbigliando

1/2 sound, 1/2 air

16

Fl.

B. Cl.

becoming more anxious

continuing improvising

interacting with electric bass

Tbn. changing dynamics between

and

changing dynamics between

and

very energetic, try to imitate the pre-recorded marimba on the electronics that will appear after this gesture

Marimba Perc. I subito

Chinese Cymbal with soft mallets

continuing improvising

Perc. II changing dynamics between

and

changing dynamics between

3

and

4

Elct.

pizz.

Pno.

2

3

4

A tempo =120

continuing improvising

Vln. changing dynamics between

and

changing dynamics between

and

and

changing dynamics between

and

and

changing dynamics between

and

continuing improvising

Vc. changing dynamics between Improvise interacting with trombone I sounds one octave lower

wah-wah ad libitum

Scratching with a metal guitar slide on the I string close to the pickups, in order to get the right pitch (Eb), while the left hand is muting all the strings

continuing improvising

E. Bass changing dynamics between changing dynamics between

and

D A tempo with electronics =120

5 aggressive!

On

20

t.r.

t.r.

Fl.

slap

aggressive!

with electronics slap

B. Cl. with electronics

aggressive!

Tbn. with electronics Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... aggressive! with brushes or with the back side of the mallets

Percussion

with marimba mallets

Percussion

with marimba mallets (ord.)

Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with brushes or with the back side of the vibraphone mallets

Perc. I with electronics Oil Drums (muted) Suspended Cymbals (muted) with brushes or with the back Metal objects (muted) etc... side of the vibraphone mallets

aggressive!

Perc. II with electronics

5

Elct.

Pno.

D A tempo with electronics =120 On III

IV

III IV

aggressive!

molto s.p.

Vln. with electronics II III

II III

aggressive!

molto s.p.

Vc. with electronics palm mute clean

E. Bass

aggressive!

palm mute

senza palm mute

palm mute

6

Off 25

t.r.

energetic

pizz.

t.r.

t.r.

Fl.

slap

energetic

slap

B. Cl.

Tbn.

Percussion

Marimba

with marimba mallets (ord.)

energetic

Perc. I Bongos with the back side of the vibraphone mallets

Perc. II

Elct.

energetic

Pno.

III IV

III IV

II

I jeté, s.p., flautando

senza jeté

molto s.p.

III IV

III IV

jeté molto s.p.

Off

Vln.

jeté, s.p., flautando senza jeté

molto s.p.

jeté, s.p., flautando

senza jeté

molto s.p.

jeté, s.p., flautando senza jeté

energetic

molto s.p.

Vc. molto spiccato

molto spiccato distortion + wah-wah

E. Bass

poco accel.

On

Senza misura

Off

c. 10"

E A tempo with electronics =120

7

On

30

Fl.

B. Cl.

flatt.

Tbn.

Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with brushes or with the back side of the vibraphone mallets

Perc. I

Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with brushes or with the back side of the vibraphone mallets

Bongos with the back side of the mallets

Splash Cymbal Gongs with the back side of the vibraphone mallets (ord.)

with medium hard vibraphone mallets

Perc. II

6

7

8

Elct.

Pno.

poco accel.

On

E A tempo with electronics =120

Off

Senza misura

On

Vln.

pizz.

Vc. Improvise (solo) energetic and tense wah-wah ad libitum, very energetic (palm mute)

sounds one octave lower

becoming more anxious

II

clean

III

E. Bass

glis

Scratching with a metal guitar slide on the II string close to the pickups, in order to get the right pitch (F), while the left hand is muting all the strings

s.

changing dynamics between

and

, very irregular

Percussion

always with marimba mallets (ord.)

8

34

1/2 sound, 1/2 air flatt.

air

1/2 sound, 1/2 air flatt.

air

Fl.

B. Cl.

Tbn.

Perc. I with electronics Vibraphone

always with vibraphone mallets

Perc. II

Elct.

Pno.

jeté, s.p., flautando

senza jeté

molto s.p.

jeté, s.p., flautando

senza jeté

molto s.p.

jeté, s.p., flautando senza jeté

jeté, s.p., molto s.p. flautando senza jeté

Improvise

Vln. changing dynamic between and very irregular jeté, s.p., flautando

Vc.

palm mute

E. Bass

senza jeté

molto s.p.

jeté, s.p., flautando

senza jeté

molto s.p.

jeté, s.p., flautando senza jeté

molto s.p.

jeté, s.p., flautando senza jeté

,

9 air

1/2 sound, 1/2 air flatt.

39

t.r.

t.r.

Fl.

slap

slap

B. Cl.

Tbn.

Gongs

(with marimba mallets) metalic sound with very soft fundamental and more high partials

Perc. I Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc...

Tom-toms

(with vibraphone mallets)

scratch very fast, imitating the electronics noise

Perc. II with elect.

Elct.

Pno.

molto s.p.!!

I molto s.p.

molto s.p.!!

III IV

III IV

Vln. with elect.

with elect. jetĂŠ, s.p., flautando senza jetĂŠ

molto s.p.

molto s.p.!!

II

molto s.p.

II III

very fast, short and noisy glissando, imitating the electronics noise

II III

molto s.p.!!

Vc. with elect.

E. Bass

with elect.

10

44

1/2 sound, 1/2 air flatt.

air

1/2 sound, 1/2 air flatt.

air pizz.

t.r.

t.r.

Fl.

slap

B. Cl.

Tbn.

Gongs

Percussion

(with marimba mallets) metalic sound with very soft fundamental and more high partials

(with marimba mallets)

Perc. I

Vibraphone

Tom-toms

(with vibraphone mallets)

Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc...

Perc. II with elect.

with elect.

Elct.

Pno.

jeté, s.p., flautando senza jeté

molto s.p.

jeté, s.p., flautando

molto s.p. senza jeté

molto s.p.!! ord.

molto s.p.!!

III IV

molto s.p.

Vln. with elect.

with elect. jeté, s.p., flautando senza jeté

molto s.p.

jeté, s.p., flautando

molto s.p. senza jeté

molto s.p.!!

molto s.p.!!

scratchy

molto s.p.!!

molto s.p.

Vc. with elect.

E. Bass

with elect.

11 1/2 sound, 1/2 air 49

t.r.

air

t.r.

Fl.

slap

B. Cl.

slap

Tbn.

Gongs (with marimba mallets) metalic sound with very soft fundamental and more high partials

Percussion

Percussion

Perc. I

Vibraphone

Vibraphone

Tom-toms

(with vibraphone mallets)

Perc. II

Elct.

Pno.

molto s.p.!!

III IV

jeté, s.p., flautando senza jeté

molto s.p.!! molto s.p.

III IV

jeté, s.p., flautando senza jeté

molto s.p.

jeté, s.p., flautando senza jeté

molto s.p.

ord.

Vln. with elect.

III

molto s.p.!!

with elect.

molto spiccato jeté, s.p., flautando senza jeté

molto s.p.

II III

molto s.p.!!

Vc. with elect.

E. Bass

molto spiccato

with elect.

ord.

molto s.p.

12

F

Off ord.

54

Off

On

On

pizz.

1/2 sound, 1/2 air

Fl.

B. Cl. flatt.

Tbn.

Marimba

Marimba

Percussion

Percussion

Perc. I

Bongos

Vibraphone

(with vibraphone mallets)

Bongos

Vibraphone

Perc. II

10

9 Elct.

Pno.

F

Off

On

Off molto s.p.

ord.

On molto s.p.

Vln. molto spiaccato molto s.p.

Vc.

E. Bass

jeté, s.p., flautando senza jeté

molto s.p.

jeté, s.p., flautando

senza jeté

1/3 sound, 2/3 air

13

Off 60

1/2 sound, 1/2 air

ord.

On

Off

On

Fl.

B. Cl.

Tbn.

Marimba

Percussion

Perc. I Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets

Tom-toms (with vibraphone mallets)

Bongos

Vibraphone

Perc. II

11

12

Elct.

Pno.

Off

On

Off

On molto s.p.

Vln.

jetĂŠ, s.p., flautando

Vc.

E. Bass

senza jetĂŠ

molto s.p.

ord.

14

Off 66

1/3 pizz. sound, 1/2 sound, 1/2 air 2/3 air

On

t.r.

ord.

Fl.

bisbigliando

B. Cl. very fast wah-wah

Tbn. Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets

Marimba Percussion Perc. I

Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets

Vibraphone

Tom-toms (with vibraphone mallets)

Perc. II

13 Elct.

Pno.

Off III IV

ord.

On

ord.

molto s.p.

Vln.

molto s.p.

Vc.

E. Bass

molto spiccato jeté, s.p., flautando senza jeté

molto s.p.

jeté, s.p., flautandosenza jeté

jeté, s.p., flautando

senza jeté

72

pizz.

1/2 sound, 1/2 air

Off

1/3 sound, 2/3 air

On

G

15

Off

ord.

Fl.

B. Cl.

flatt.

Tbn.

Percussion

with marimba mallets (ord.)

Marimba Perc. I

Vibraphone

Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets

Tom-toms

with vibraphone mallets (ord.)

(with vibraphone mallets)

Bongos with vibraphone mallets (ord.)

Perc. II

14

Elct.

Pno.

jeté, s.p., flautando

Off senza jeté

molto s.p.

Vln.

jété, s.p., flautando

Vc.

E. Bass

jété, s.p., flautando senza jeté senza jeté

molto s.p.

On

G

Off

Vibraphone

16

On

78

pizz.

1/2 sound, 1/2 air

1/3 sound, 2/3 air

ord.

Fl.

B. Cl.

flatt.

Tbn.

Percussion Perc. I

Tom-toms

with vibraphone mallets

Perc. II subito

15

Elct.

Pno.

On

Improvise

Vln. changing dynamic between

molto s.p.

Vc. molto spiccato

E. Bass

and

, very irregular

ord.

17

Off 83

On

ord.

Fl.

B. Cl.

Tbn.

Marimba

Percussion

Perc. I

Vibraphone Perc- II

16

Elct.

Pno.

Off ord.

Improvise

On

Vln. changing dynamic between and , very irregular arco, jetĂŠ, s.p., flautando senza jetĂŠ

Vc.

senza palm mute

E. Bass

palm mute

molto s.p.

18 flatt.

ord.

flatt.

89

Off

H

ord.

On

Fl.

B. Cl.

flatt.

Tbn.

Marimba

Percussion

Perc. I Tom-toms

Vibraphone

(with vibraphone mallets)

Perc. II

17 Elct.

Pno.

H Off ord.

On jeté, s.p., senza jeté

molto s.p.

jeté, s.p., senza jeté

molto s.p.

jeté, s.p., senza jeté

molto s.p.

jeté, s.p., senza jeté

molto s.p.

Vln.

arco, jeté, s.p., flautando senza jeté

Vc.

E. Bass

ord.

19

Off

bisbigliando

On

94

Fl.

bisbigliando

B. Cl.

flatt.

Tbn.

Marimba Percussion Perc. I Bongos

Vibraphone

(with vibraphone mallets)

Perc. II

18

Elct.

Pno.

Off ord.

jeté, s.p., senza jeté

On jeté, s.p., senza jeté

molto s.p.

jeté, s.p., senza jeté

jeté, s.p., senza jeté

molto s.p.

jeté, s.p., senza jeté

ord.

molto s.p.

Vln.

jeté, s.p., senza jeté

molto s.p.

molto s.p. ord.

Vc.

E. Bass

20

On flatt.

Off 99

flatt.

ord.

Fl.

B. Cl.

flatt.

wah-wah ad libitum, fast

Tbn.

Marimba

Percussion

Perc. I

Vibraphone

Bongos (with vibraphone mallets)

Perc. II

19

Elct.

Pno.

jeté, s.p., senza jeté

molto s.p.

On

Off ord.

molto s.p.

Vln.

jeté, s.p., senza jeté

Vc.

E. Bass

molto s.p. ord.

Off

accel.

ord.

104

Fl.

B. Cl.

flatt.

Tbn.

Marimba

Perc. I

Bongos

(with vibraphone mallets)

Vibraphone

Perc. II

Elct.

Pno.

Off Vln.

Vc.

E. Bass

accel.

21

22

On

I A tempo, Energetic =84

110

Off

t.r.

t.r.

Fl.

B. Cl.

flatt.

Tbn.

Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets

Percussion

Marimba

with marimba mallets (ord.)

Percussion

Marimba

Perc. I Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets

Tom-toms

(with marimba mallets)

Tom-toms

with vibraphone mallets (ord.)

Perc. II

20

22

21

Elct.

Pno.

I A tempo, Energetic =84 s.p., jeté II

On

Off

jeté

s.p., jeté

arco, jeté pizz.

Vln. simile

s.p., jeté

ord. senza jeté

Vc. simile senza palm mute

E. Bass simile

s.p., jeté

jeté senza jeté

(ord.)

jeté senza jeté

jeté senza jeté

23

On

Off t.r.

115

t.r.

t.r.

Fl.

B. Cl.

Tbn.

Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets

Percussion

Marimba

with marimba mallets (ord.)

Percussion

Marimba

Perc. I

Vibraphone

Vibraphone

Tom-toms

Perc. II

23

24

25

26

27

28

29

30

Elct.

Pno.

On

Off jeté

jeté

senza jeté

senza jeté

Vln.

jeté senza jeté

Vc.

palm mute

E. Bass

senza palm mute

jeté senza jeté

jeté senza jeté

jeté senza jeté

31

24

120

t.r.

t.r.

accel.

J

flatt.

1/2 sound, 1/2 air

=96 pizz.

Fl.

flatt.

B. Cl. poco marcato flatt.

Tbn.

Marimba Percussion Perc. I poco marcato poco staccato

Bongos with the back side of the vibraphone mallets

Tom-toms

with vibraphone mallets (ord.)

Perc. II

32

34

33

Elct.

Pno.

poco marcato, poco staccato

jeté

senza jeté

accel.

molto s.p.

J

=96 Improvise

Vln. changing dynamics between

and

, very irregular

and

, very irregular

molto s.p. jeté senza jeté

Improvise

jeté senza jeté

Vc. changing dynamics between

E. Bass poco marcato, poco staccato

poco marcato poco staccato

25

=96

=84 124

t.r.

pizz.

t.r.

=96

=84 t.r.

t.r.

pizz.

t.r.

Fl.

B. Cl.

Tbn.

Percussion

Marimba

Marimba

Percussion

Perc. I poco marcato

always with vibraphone mallets (ord.)

poco marcato

Chinese Cymbal

Chinese Cymbal Bongos

Tom-toms

Tom-toms

Tom-toms

Perc. II

35

36

37

38

39

40

41

42

Elct.

Pno.

=96

=84 jeté

=96

=84

senza jeté

jeté

senza jeté

jeté

senza jeté

Vln.

jeté senza jeté

Vc.

E. Bass

jeté senza jeté

jeté senza jeté

jeté senza jeté

jeté senza jeté

26

129

pizz.

t.r.

Fl. poco marcato poco staccato

B. Cl. poco marcato poco staccato

Tbn.

Percussion

Marimba

Perc. I subito Tom-toms

Vibraphone

Vibraphone

Perc. II poco marcato poco staccato

43

44

Elct.

poco marcato poco staccato

Pno.

pizz. (ord.)

Vln. poco marcato poco staccato pizz. (ord.)

arco

Vc.

palm mute

E. Bass

=92 135

poco rall.

27 t.r.

t.r.

t.r.

t.r.

Fl.

B. Cl.

Tbn. poco marcato poco staccato

Gongs Percussion (with marimba mallets )

(with marimba mallets) metalic sound. The fundamental should be perceptible

Percussion

Gongs

Percussion

Gongs

Percussion

Gongs

Perc. I

1/2

Crash Cymbal

simile

Perc. II

45

46

47

48

49

50

51

52

53

Elct.

Pno.

=92 poco rall.

jeté

jeté

senza jeté

jeté

jeté senza jeté

senza jeté

senza jeté

Vln. simile senza jeté

senza jeté jeté

jeté

Vc. simile senza palm mute

E. Bass simile

senza jeté jeté

senza jeté jeté

28

K 138

A tempo with electronics =84

1

Off

c. 7"

Improvise

On

t.r.

Senza misura, Very Energetic and psychedelic pizz.

Fl.

ord.

changing dynamics between Improvise

and

slap

B. Cl.

ord.

changing dynamics between

and

Tbn.

Percussion

Gongs

Percussion

Percussion Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc...

Improvise with snare drum sticks

Chinese Cymbal

Perc. I changing dynamics between

and

Tom-toms Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc...

Improvise with snare drum sticks

Bass Drum Pedal Perc. II

changing dynamics between

54

55

and

56

Elct.

Pno.

K A tempo with electronics =84 jeté senza jeté

On

1

Off

Senza misura, Very Energetic and psychedelic Improvise jeté

Vln.

ord.

changing dynamics between Improvise

senza jeté jeté

and

jeté

Vc.

ord.

changing dynamics between palm mute

1/2 Improvise palm mute

and wah-wah + distortion

wah-wah ad libitum, very energetic

E. Bass Scratching the strings with a metal guitar slide

changing dynamics between

and

29

2

c. 10"

142

On

L A tempo =84

A tempo with electronics =84

Off t.r.

Fl.

B. Cl.

Improvise slap

Tbn.

ord.

molto cresc. changing dynamics between

and

Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... (with snare drum sticks)

Percussion

Percussion (with snare drum sticks)

Perc. I molto cresc.

Crash Cymbal ord.

Bass Drum Pedal

right hand: snare drum stick left hand: mutes the cymbal

wtih electric bass and piano

Splash Cymbal

Perc. II Bass Drum Pedal

marcato

Bass Drum Pedal

57

Elct.

Improvise wtih electric bass and percussion

molto cresc.

Pno.

changing dynamics between

2

molto cresc.

and , very irregular and impulsive

L A tempo =84

marcato

On

A tempo with electronics =84

Off

scratchy

Vln.

scratchy

Vc.

clean

palm mute

senza palm mute wtih percussion and piano

E. Bass marcato

M

30

On

1

Off

Senza misura, Very Energetic and psychedelic

c. 5"

2

Improvise

146

c. 4"

A tempo flatt.

pizz.

Fl.

ord.

changing dynamics between Improvise

and

slap

B. Cl.

ord.

changing dynamics between and Improvise wah-wah ad libitum, very energetic

very fast wah-wah

Tbn. changing dynamics between

Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc...

molto crescendo

and

Percussion Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with snare drum sticks

Gongs

with snare drum sticks

Improvise

Perc. I Tom-toms Oil Drums (muted) changing dynamics Suspended Cymbals (muted) Metal objects (muted) etc... Improvise with snare drum sticks

between

and

changing dynamics between

and

Chinese Cymbal

Perc. II

58

59

Elct.

Improvise

Pno.

changing dynamics between

M On

1

Off

and

Senza misura, Very Energetic and psychedelic

2

Improvise

A tempo scratchy

Vln. changing dynamics between Improvise

and scratchy

jetĂŠ

Vc.

ord.

palm mute

1/2 palm mute

changing dynamics between and Improvise Scratching the strings with a metal guitar slide wah-wah + distortion wah-wah ad libitum, very energetic

sounds one octave lower

E. Bass changing dynamics between

and

clean

A tempo with electronics 150

On

31

Off

N

Off

On

t.r.

t.r.

1/2 sound, 1/2 air

Fl.

B. Cl.

flatt.

Tbn.

Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc...

Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the marimba mallets

Percussion (with snare drum sticks)

Percussion

with marimba mallets (ord.)

Perc. I

Bass Drum Pedal

Splash Cymbal

Perc. II Bass Drum Pedal

Bass Drum Pedal

60

61

Elct.

Pno.

A tempo with electronics On

N

Off

On

Off

arco, ord.

molto s.p.

Vln.

molto s.p.

arco, ord.

Vc.

palm mute

E. Bass

senza palm mute

palm mute

senza palm mute

O

32

On

Off ord.

155

Improvise

Fl. changing dynamics between

and

, briefly and

and

, briefly and

and

, briefly and

Improvise B. Cl. changing dynamics between Improvise Tbn. Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets

Percussion

changing dynamics between

with the back side of the marimba mallets (ord.)

Energetic with groove

Improvise over the rhythm in tempo

Perc. I

Energetic with groove

Perc. II

62 Elct.

Energetic with groove

Pno.

O On

Off Improvise

Vln. changing dynamics between Improvise

and

, briefly and

changing dynamics between

and

, briefly and

Vc.

palm mute

E. Bass

Energetic with groove

senza palm mute

33

161

Fl.

B. Cl.

Tbn.

Perc. I

Perc. II

Elct.

Pno.

Vln.

Vc.

E. Bass

34 ord.

166

t.r.

flatt.

t.r.

t.r.

Fl. molto marcato

B. Cl. plunger mute flatt.

Tbn. molto marcato

Perc. I

Splash Cymbal

Chinese Cymbal

Chinese Cymbal

Perc. II Bass Drum

63

64

65

66

Elct.

Pno.

scratchy

jeté

senza jeté

jeté

jeté

Vln. simile scratchy

jeté senza jeté

jeté senza jeté

Vc. simile

E. Bass simile

jeté senza jeté

35

171

P

t.r.

On

t.r.

t.r.

Fl.

B. Cl. plunger ad libitum but never completely open

1/2

Tbn.

Marimba Percussion

Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets

Marimba Percussion

Gongs

(with marimba mallets) metalic sound. The fundamental with marimba mallets (ord.) should be perceptible

Percussion

Marimba

Perc. I Splash Cymbal

Chinese Cymbal

Chinese Cymbal

with vibraphone mallets

Perc. II Bass Drum Pedal

67

68

69

70

72

71

Elct.

Pno.

scratchy!!

jeté

senza jeté

jeté

P

On jeté

senza jeté

Vln.

scratchy!!

jeté senza jeté

jeté senza jeté

jeté senza jeté

Vc.

palm mute

E. Bass

senza palm mute

jeté senza jeté

pizz.

36

175

Fl.

B. Cl.

plunger ad libitum but never completely open

Tbn.

Percussion

Gongs

Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets

Percussion with marimba mallets (ord.)

Gongs

Gongs

Perc. I

Perc. II

Elct.

Pno.

jeté jeté

senza jeté

senza jeté

Vln.

jeté senza jeté

jeté senza jeté

Vc.

palm mute

E. Bass

senza palm mute

jeté senza jeté

37

Q

obsessive!

178

violent!!

Fl. molto marcato obsessive!

violent!!

B. Cl. molto marcato obsessive!

plunger ad libitum but never completely open

violent!! open

Tbn. molto marcato Percussion

obsessive!

Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets

violent!!

Perc. I

Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets

violent!!

Large Metal Object, very loud!! (completed muted) with vibraphone mallet (ord.)

obsessive!

Perc. II (Bass Drum) molto marcato Bass Drum Pedal

73

Elct.

obsessive!

Pno.

violent!!

molto marcato

molto marcato

Q

obsessive!

violent!!

Vln. molto marcato obsessive!

violent!!

Vc. molto marcato violent!!

obsessive!

1/2 palm mute

E. Bass molto marcato

senza palm mute slap!