You Should Be Blind to Watch TV for ensemble and electronics
commissioned by sonae 2013
Instrumentation: Flute Bass Clarinet in B Trombone 2 Percussionists Piano Violin Cello Electric Bass (5 strings) Electronics (electronics controller)
Percussion I: Marimba, Oil Drums (3 large garbage cans and some metal objects), 3 different Suspended Cymbals for improvisation parts and 1 Chinese Cymbal, 4 Gongs and “Percussion”: 2 Bongos, 2 Mini-Congas, 1 large Conga and 1 Bass Drum (all muted with a black blanket, in order to produce a muted sound similar to electronics), placed in front of the marimba in order to be possible to play both instruments at the same time
Bongos
Mini-Congas
Large Conga Bass Drum
Percussion II: Vibraphone, 2 Bongos, 5 Tom-toms (6’ to 12’- partial muted), Oil Drums (3 large garbage cans and some metal objects), 3 Suspended Cymbals (Splash, Crash and Chinese), 1 Gong
and Bass Drum Pedal
Score in C
Indications: For all instruments: ord.
= normal playing
l.v.
= let vibrate = crescendo from silence, or to silence = accelerando = ritardando = improvising over the given rhythm
= create a improvised loud and scratchy noise, changing every gesture, imitating the electronics noise = create a improvised loud and scratchy noise with the given note, changing every gesture, imitating the electronics noise
On
Off
indicate when there is a synchronization between the rhythmic part of the acoustic text and the rhythmic part of the electronic part
Accidents ( ) apply throughout entire measure, but not in octaves All the quartertones are related to the electronics spectrum
For wind instruments: pizz.
= tongue pizzicato
t.r.
= tongue ram = only air = wah-wah/plunger mute movement
For piano: pizz.
= pluck the strings inside the piano with a plectrum = play normally while muting the strings with the other hand
For strings: s.p.
= sul ponticello
s.t.
= sul tasto = play normally with arco martelato, while the left hand is muting all the strings, creating an unpitched percussive sound, merging the acoustic sound with the electronic sound = legno battuto on the strings over the fingerboard, while the left hand is muting all the strings, creating an unpitched percussive sound, merging the acoustic sound with the electronic sound = pizzicato while the left hand is muting all the strings, creating an unpitched percussive sound, merging the acoustic sound with the electronic sound
For Electric Bass: = movement of the wah-wah pedal palm mute
= the note is partially muted by the right hand lightly touching the string just before the bridge
th
The 5 string should be tuned to a lowed E
, with the exactly same pitch of the very first electronics file, on bar 2, which appears throughout the piece
The electric bass is processed by 2 analogue processor pedals: wah-wah and distortion. During the score there are indications when these effects are on or off. Other pedals can be added in order to maximize the character of the different parts. The sound is diffused by an amplifier close to the bassist.
Electronics: The electronics are only pre-recorded files triggered in real time Software required: Max/MSP Runtime, which can be downloaded for free at http://cycling74.com/downloads/runtime/ Each electronics event,
1 – 73 , is indicated by a rhythmic notation with a circled number above it. A musician (electronics controller) should be
on stage only for the electronic part, using any type of triggering device that can communicate with computer: MIDI keyboard, MIDI pad, ipad etc… The electronics controller should be able to see on stage the event numbers that he is triggering. For that purpose within the Max/MSP patch there’s an “eventdisplay” object that can be sent to an ipad, iphone or a display close to him The ensemble must be slightly amplified in order to merge the acoustic sound with the electronic sound Some audio monitors should be placed on stage in order for the musicians and conductor to listen properly the electronic sound On the Max/MSP patch’s folder there’s a “Read me” file that explains how does the patch and all the connections works
Stage
Audience Lighting: The piece must be performed in a completely dark room. Each musician should be individually illuminated by white lights and use lights on stands
Duration: 8 min
for more information contact igorcsilva.21@gmail.com
commissioned by SONAE
You Should Be Blind to Watch TV =120 Off
Igor C. Silva
for ensemble and electronics
A tempo with electronics
=120
On t.r.
flatt.
pizz.
t.r.
Flute
slap
slap
Bass Clarinet plunger mute
Trombone
Percussion with marimba mallets Percussion I
Percussion II
1 Electronics
Piano
=120 Off
A tempo with electronics
=120
On III IV
II
III IV
arco, jeté, s.p., flautando senza jeté
III IV
III IV
II
molto s.p.
jeté, s.p., flautando
senza jeté
molto s.p.
jeté, s.p., flautando
senza jeté
molto s.p.
Violin
II III
legno tratto
arco, jeté, s.p., flautando senza jeté
I
molto s.p.
II III
II III
I
Cello
palm mute
Electric Bass
(gliss. without striking the string)
/ 0
A Senza misura, Calm
2
Off
1
2
c. 4"
3
c. 5"
c. 8"
over blowing
6
t.r.
4
c. 8"
Improvise pizz., 1/2 sound, 1/2 air
1/2 sound, 1/3 air
Fl. changing dynamics between
Improvise B. Cl. changing dynamics between
and , not too dense
Tbn.
Gongs with vibraphone mallets
on rim. The fundamental should be subtly perceptible
Perc. I Gongs + Cymbals, Oil drums + Metal objects etc... with brushes or with the back side of the brushes
Improvise imitating electronics noise
Perc. II changing dynamics between
and , not too dense, with electronics
Elct.
Improvise pizz. l.v.
Pno.
sempre changing dynamics between
A Senza misura, Calm jeté, s.p., flautando
Off
senza jeté molto s.p.
1
Improvise molto flautando, senza vib.
2
3
Vln. changing dynamics between jeté, s.p., flautando
senza jeté
molto s.p.
and
Improvise molto flautando, senza vib.
Vc. changing dynamics between
and Improvise (solo) distortion + wah-wah
wah-wah ad libitum
I sounds one octave lower *
E. Bass * Scratching with a metal guitar slide on the I string
close to the pickups, in order to get the right pitch (E), while the left hand is muting all the strings
changing dynamics between
and
and , not too dense
4
and
A tempo
B A tempo with electronics =120
=120 over blowing
over blowing
ord.
11
C Senza misura, Calm
On
Off t.r.
air
1
3
c. 6"
flatt.
Fl.
slap
B. Cl.
Improvise (solo) wah-wah ad libitum
wah-wah mute
Tbn. changing dynamics between molto espressivo Percussion
Gongs
with marimba mallets
and
, very irregular
with metal mallet ord.
Perc. I Gongs + Cymbals, Oil drums + Metal objects etc...
Splash Cymbal
with brushes or with the back side of the brushes
with soft mallets
Improvise imitating electronics noise
Perc. II changing dynamics between
and , not too dense
2
Elct.
Pno.
pizz.
sempre
A tempo
C Senza misura, Calm
A tempo with electronics =120
=120
On
II
III IV
jeté, s.p., flautando
Off senza jeté
molto s.p.
1
Improvise molto flautando, senza vib.
Vln. changing dynamics between II III
I
jeté, s.p., flautando
senza jeté
molto s.p.
and
Improvise molto flautando, senza vib.
Vc. changing dynamics between palm mute clean
E. Bass
distortion + wah-wah
and
4
2
3
c. 7"
4
c. 4"
A tempo =120
c. 8"
flatt., 1/2 sound, 1/2 air bisbigliando
1/2 sound, 1/2 air
16
Fl.
B. Cl.
becoming more anxious
continuing improvising
interacting with electric bass
Tbn. changing dynamics between
and
changing dynamics between
and
very energetic, try to imitate the pre-recorded marimba on the electronics that will appear after this gesture
Marimba Perc. I subito
Chinese Cymbal with soft mallets
continuing improvising
Perc. II changing dynamics between
and
changing dynamics between
3
and
4
Elct.
pizz.
Pno.
2
3
4
A tempo =120
continuing improvising
Vln. changing dynamics between
and
changing dynamics between
and
and
changing dynamics between
and
and
changing dynamics between
and
continuing improvising
Vc. changing dynamics between Improvise interacting with trombone I sounds one octave lower
wah-wah ad libitum
Scratching with a metal guitar slide on the I string close to the pickups, in order to get the right pitch (Eb), while the left hand is muting all the strings
continuing improvising
E. Bass changing dynamics between changing dynamics between
and
D A tempo with electronics =120
5 aggressive!
On
20
t.r.
t.r.
Fl.
slap
aggressive!
with electronics slap
B. Cl. with electronics
aggressive!
Tbn. with electronics Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... aggressive! with brushes or with the back side of the mallets
Percussion
with marimba mallets
Percussion
with marimba mallets (ord.)
Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with brushes or with the back side of the vibraphone mallets
Perc. I with electronics Oil Drums (muted) Suspended Cymbals (muted) with brushes or with the back Metal objects (muted) etc... side of the vibraphone mallets
aggressive!
Perc. II with electronics
5
Elct.
Pno.
D A tempo with electronics =120 On III
IV
III IV
aggressive!
molto s.p.
Vln. with electronics II III
II III
aggressive!
molto s.p.
Vc. with electronics palm mute clean
E. Bass
aggressive!
palm mute
senza palm mute
palm mute
6
Off 25
t.r.
energetic
pizz.
t.r.
t.r.
Fl.
slap
energetic
slap
B. Cl.
Tbn.
Percussion
Marimba
with marimba mallets (ord.)
energetic
Perc. I Bongos with the back side of the vibraphone mallets
Perc. II
Elct.
energetic
Pno.
III IV
III IV
II
I jeté, s.p., flautando
senza jeté
molto s.p.
III IV
III IV
jeté molto s.p.
Off
Vln.
jeté, s.p., flautando senza jeté
molto s.p.
jeté, s.p., flautando
senza jeté
molto s.p.
jeté, s.p., flautando senza jeté
energetic
molto s.p.
Vc. molto spiccato
molto spiccato distortion + wah-wah
E. Bass
poco accel. On
Senza misura
Off
c. 10"
E A tempo with electronics =120
7
On
30
Fl.
B. Cl.
flatt.
Tbn.
Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with brushes or with the back side of the vibraphone mallets
Perc. I
Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with brushes or with the back side of the vibraphone mallets
Bongos with the back side of the mallets
Splash Cymbal Gongs with the back side of the vibraphone mallets (ord.)
with medium hard vibraphone mallets
Perc. II
6
7
8
Elct.
Pno.
poco accel. On
E A tempo with electronics =120
Off
Senza misura
On
Vln.
pizz.
Vc. Improvise (solo) energetic and tense wah-wah ad libitum, very energetic (palm mute)
sounds one octave lower
becoming more anxious
II
clean
III
E. Bass
glis
Scratching with a metal guitar slide on the II string close to the pickups, in order to get the right pitch (F), while the left hand is muting all the strings
s.
changing dynamics between
and
, very irregular
Percussion
always with marimba mallets (ord.)
8
34
1/2 sound, 1/2 air flatt.
air
1/2 sound, 1/2 air flatt.
air
Fl.
B. Cl.
Tbn.
Perc. I with electronics Vibraphone
always with vibraphone mallets
Perc. II
Elct.
Pno.
jeté, s.p., flautando
senza jeté
molto s.p.
jeté, s.p., flautando
senza jeté
molto s.p.
jeté, s.p., flautando senza jeté
jeté, s.p., molto s.p. flautando senza jeté
Improvise
Vln. changing dynamic between and very irregular jeté, s.p., flautando
Vc.
palm mute
E. Bass
senza jeté
molto s.p.
jeté, s.p., flautando
senza jeté
molto s.p.
jeté, s.p., flautando senza jeté
molto s.p.
jeté, s.p., flautando senza jeté
,
9 air
1/2 sound, 1/2 air flatt.
39
t.r.
t.r.
Fl.
slap
slap
B. Cl.
Tbn.
Gongs
(with marimba mallets) metalic sound with very soft fundamental and more high partials
Perc. I Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc...
Tom-toms
(with vibraphone mallets)
scratch very fast, imitating the electronics noise
Perc. II with elect.
Elct.
Pno.
molto s.p.!!
I molto s.p.
molto s.p.!! III IV
III IV
Vln. with elect.
with elect. jetĂŠ, s.p., flautando senza jetĂŠ
molto s.p.
molto s.p.!!
II
molto s.p.
II III
very fast, short and noisy glissando, imitating the electronics noise
II III
molto s.p.!!
Vc. with elect.
E. Bass
with elect.
10
44
1/2 sound, 1/2 air flatt.
air
1/2 sound, 1/2 air flatt.
air pizz.
t.r.
t.r.
Fl.
slap
B. Cl.
Tbn.
Gongs
Percussion
(with marimba mallets) metalic sound with very soft fundamental and more high partials
(with marimba mallets)
Perc. I
Vibraphone
Tom-toms
(with vibraphone mallets)
Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc...
Perc. II with elect.
with elect.
Elct.
Pno.
jeté, s.p., flautando senza jeté
molto s.p.
jeté, s.p., flautando
molto s.p. senza jeté
molto s.p.!! ord.
molto s.p.!! III IV
molto s.p.
Vln. with elect.
with elect. jeté, s.p., flautando senza jeté
molto s.p.
jeté, s.p., flautando
molto s.p. senza jeté
molto s.p.!!
molto s.p.!!
scratchy
molto s.p.!!
molto s.p.
Vc. with elect.
E. Bass
with elect.
11 1/2 sound, 1/2 air 49
t.r.
air
t.r.
Fl.
slap
B. Cl.
slap
Tbn.
Gongs (with marimba mallets) metalic sound with very soft fundamental and more high partials
Percussion
Percussion
Perc. I
Vibraphone
Vibraphone
Tom-toms
(with vibraphone mallets)
Perc. II
Elct.
Pno.
molto s.p.!! III IV
jeté, s.p., flautando senza jeté
molto s.p.!! molto s.p.
III IV
jeté, s.p., flautando senza jeté
molto s.p.
jeté, s.p., flautando senza jeté
molto s.p.
ord.
Vln. with elect. III
molto s.p.!!
with elect.
molto spiccato jeté, s.p., flautando senza jeté
molto s.p.
II III
molto s.p.!!
Vc. with elect.
E. Bass
molto spiccato
with elect.
ord.
molto s.p.
12
F
Off ord.
54
Off
On
On
pizz. 1/2 sound, 1/2 air
Fl.
B. Cl. flatt.
Tbn.
Marimba
Marimba
Percussion
Percussion
Perc. I
Bongos
Vibraphone
(with vibraphone mallets)
Bongos
Vibraphone
Perc. II
10
9 Elct.
Pno.
F
Off
On
Off molto s.p.
ord.
On molto s.p.
Vln. molto spiaccato molto s.p.
Vc.
E. Bass
jeté, s.p., flautando senza jeté
molto s.p.
jeté, s.p., flautando
senza jeté
1/3 sound, 2/3 air
13
Off 60
1/2 sound, 1/2 air
ord.
On
Off
On
Fl.
B. Cl.
Tbn.
Marimba
Percussion
Perc. I Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets
Tom-toms (with vibraphone mallets)
Bongos
Vibraphone
Perc. II
11
12
Elct.
Pno.
Off
On
Off
On molto s.p.
Vln.
jetĂŠ, s.p., flautando
Vc.
E. Bass
senza jetĂŠ
molto s.p.
ord.
14
Off 66
1/3 pizz. sound, 1/2 sound, 1/2 air 2/3 air
On
t.r.
ord.
Fl.
bisbigliando
B. Cl. very fast wah-wah
Tbn. Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets
Marimba Percussion Perc. I
Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets
Vibraphone
Tom-toms (with vibraphone mallets)
Perc. II
13 Elct.
Pno.
Off III IV
ord.
On
ord.
molto s.p.
Vln.
molto s.p.
Vc.
E. Bass
molto spiccato jeté, s.p., flautando senza jeté
molto s.p.
jeté, s.p., flautandosenza jeté
jeté, s.p., flautando
senza jeté
72
pizz. 1/2 sound, 1/2 air
Off
1/3 sound, 2/3 air
On
G
15
Off
ord.
Fl.
B. Cl.
flatt.
Tbn.
Percussion
with marimba mallets (ord.)
Marimba Perc. I
Vibraphone
Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets
Tom-toms
with vibraphone mallets (ord.)
(with vibraphone mallets)
Bongos with vibraphone mallets (ord.)
Perc. II
14
Elct.
Pno.
jeté, s.p., flautando
Off senza jeté
molto s.p.
Vln.
jété, s.p., flautando
Vc.
E. Bass
jété, s.p., flautando senza jeté senza jeté
molto s.p.
On
G
Off
Vibraphone
16
On
78
pizz. 1/2 sound, 1/2 air
1/3 sound, 2/3 air
ord.
Fl.
B. Cl.
flatt.
Tbn.
Percussion Perc. I
Tom-toms
with vibraphone mallets
Perc. II subito
15
Elct.
Pno.
On
Improvise
Vln. changing dynamic between
molto s.p.
Vc. molto spiccato
E. Bass
and
, very irregular
ord.
17
Off 83
On
ord.
Fl.
B. Cl.
Tbn.
Marimba
Percussion
Perc. I
Vibraphone Perc- II
16
Elct.
Pno.
Off ord.
Improvise
On
Vln. changing dynamic between and , very irregular arco, jetĂŠ, s.p., flautando senza jetĂŠ
Vc.
senza palm mute
E. Bass
palm mute
molto s.p.
18 flatt.
ord.
flatt.
89
Off
H
ord.
On
Fl.
B. Cl.
flatt.
Tbn.
Marimba
Percussion
Perc. I Tom-toms
Vibraphone
(with vibraphone mallets)
Perc. II
17 Elct.
Pno.
H Off ord.
On jeté, s.p., senza jeté
molto s.p.
jeté, s.p., senza jeté
molto s.p.
jeté, s.p., senza jeté
molto s.p.
jeté, s.p., senza jeté
molto s.p.
Vln.
arco, jeté, s.p., flautando senza jeté
Vc.
E. Bass
ord.
19
Off
bisbigliando
On
94
Fl.
bisbigliando
B. Cl.
flatt.
Tbn.
Marimba Percussion Perc. I Bongos
Vibraphone
(with vibraphone mallets)
Perc. II
18
Elct.
Pno.
Off ord.
jeté, s.p., senza jeté
On jeté, s.p., senza jeté
molto s.p.
jeté, s.p., senza jeté
jeté, s.p., senza jeté
molto s.p.
jeté, s.p., senza jeté
ord.
molto s.p.
Vln.
jeté, s.p., senza jeté
molto s.p.
molto s.p. ord.
Vc.
E. Bass
20
On flatt.
Off 99
flatt.
ord.
Fl.
B. Cl.
flatt.
wah-wah ad libitum, fast
Tbn.
Marimba
Percussion
Perc. I
Vibraphone
Bongos (with vibraphone mallets)
Perc. II
19
Elct.
Pno.
jeté, s.p., senza jeté
molto s.p.
On
Off ord.
molto s.p.
Vln.
jeté, s.p., senza jeté
Vc.
E. Bass
molto s.p. ord.
Off
accel.
ord. 104
Fl.
B. Cl.
flatt.
Tbn.
Marimba
Perc. I
Bongos
(with vibraphone mallets)
Vibraphone
Perc. II
Elct.
Pno.
Off Vln.
Vc.
E. Bass
accel.
21
22
On
I A tempo, Energetic =84
110
Off
t.r.
t.r.
Fl.
B. Cl.
flatt.
Tbn.
Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets
Percussion
Marimba
with marimba mallets (ord.)
Percussion
Marimba
Perc. I Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets
Tom-toms
(with marimba mallets)
Tom-toms
with vibraphone mallets (ord.)
Perc. II
20
22
21
Elct.
Pno.
I A tempo, Energetic =84 s.p., jeté II
On
Off
jeté
s.p., jeté
arco, jeté pizz.
Vln. simile
s.p., jeté
ord. senza jeté
Vc. simile senza palm mute
E. Bass simile
s.p., jeté
jeté senza jeté
(ord.)
jeté senza jeté
jeté senza jeté
23
On
Off t.r.
115
t.r.
t.r.
Fl.
B. Cl.
Tbn.
Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets
Percussion
Marimba
with marimba mallets (ord.)
Percussion
Marimba
Perc. I
Vibraphone
Vibraphone
Tom-toms
Perc. II
23
24
25
26
27
28
29
30
Elct.
Pno.
On
Off jeté
jeté
senza jeté
senza jeté
Vln.
jeté senza jeté
Vc.
palm mute
E. Bass
senza palm mute
jeté senza jeté
jeté senza jeté
jeté senza jeté
31
24
120
t.r.
t.r.
accel.
J
flatt. 1/2 sound, 1/2 air
=96 pizz.
Fl.
flatt.
B. Cl. poco marcato flatt.
Tbn.
Marimba Percussion Perc. I poco marcato poco staccato
Bongos with the back side of the vibraphone mallets
Tom-toms
with vibraphone mallets (ord.)
Perc. II
32
34
33
Elct.
Pno.
poco marcato, poco staccato
jeté
senza jeté
accel.
molto s.p.
J
=96 Improvise
Vln. changing dynamics between
and
, very irregular
and
, very irregular
molto s.p. jeté senza jeté
Improvise
jeté senza jeté
Vc. changing dynamics between
E. Bass poco marcato, poco staccato
poco marcato poco staccato
25
=96
=84 124
t.r.
pizz.
t.r.
=96
=84 t.r.
t.r.
pizz.
t.r.
Fl.
B. Cl.
Tbn.
Percussion
Marimba
Marimba
Percussion
Perc. I poco marcato
always with vibraphone mallets (ord.)
poco marcato
Chinese Cymbal
Chinese Cymbal Bongos
Tom-toms
Tom-toms
Tom-toms
Perc. II
35
36
37
38
39
40
41
42
Elct.
Pno.
=96
=84 jeté
=96
=84
senza jeté
jeté
senza jeté
jeté
senza jeté
Vln.
jeté senza jeté
Vc.
E. Bass
jeté senza jeté
jeté senza jeté
jeté senza jeté
jeté senza jeté
26
129
pizz.
t.r.
Fl. poco marcato poco staccato
B. Cl. poco marcato poco staccato
Tbn.
Percussion
Marimba
Perc. I subito Tom-toms
Vibraphone
Vibraphone
Perc. II poco marcato poco staccato
43
44
Elct.
poco marcato poco staccato
Pno.
pizz. (ord.)
Vln. poco marcato poco staccato pizz. (ord.)
arco
Vc.
palm mute
E. Bass
=92 135
poco rall.
27 t.r.
t.r.
t.r.
t.r.
Fl.
B. Cl.
Tbn. poco marcato poco staccato
Gongs Percussion (with marimba mallets )
(with marimba mallets) metalic sound. The fundamental should be perceptible
Percussion
Gongs
Percussion
Gongs
Percussion
Gongs
Perc. I
1/2
Crash Cymbal
simile
Perc. II
45
46
47
48
49
50
51
52
53
Elct.
Pno.
=92 poco rall.
jeté
jeté
senza jeté
jeté
jeté senza jeté
senza jeté
senza jeté
Vln. simile senza jeté
senza jeté jeté
jeté
Vc. simile senza palm mute
E. Bass simile
senza jeté jeté
senza jeté jeté
28
K 138
A tempo with electronics =84
1
Off
c. 7"
Improvise
On
t.r.
Senza misura, Very Energetic and psychedelic pizz.
Fl.
ord.
changing dynamics between Improvise
and
slap
B. Cl.
ord.
changing dynamics between
and
Tbn.
Percussion
Gongs
Percussion
Percussion Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... Improvise with snare drum sticks
Chinese Cymbal
Perc. I changing dynamics between
and
Tom-toms Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... Improvise with snare drum sticks
Bass Drum Pedal Perc. II
changing dynamics between
54
55
and
56
Elct.
Pno.
K A tempo with electronics =84 jeté senza jeté
On
1
Off
Senza misura, Very Energetic and psychedelic Improvise jeté
Vln.
ord.
changing dynamics between Improvise
senza jeté jeté
and
jeté
Vc.
ord.
changing dynamics between palm mute
1/2 Improvise palm mute
and wah-wah + distortion
wah-wah ad libitum, very energetic
E. Bass Scratching the strings with a metal guitar slide
changing dynamics between
and
29
2
c. 10"
142
On
L A tempo =84
A tempo with electronics =84
Off t.r.
Fl.
B. Cl.
Improvise slap
Tbn.
ord.
molto cresc. changing dynamics between
and
Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... (with snare drum sticks)
Percussion
Percussion (with snare drum sticks)
Perc. I molto cresc. Crash Cymbal ord.
Bass Drum Pedal
right hand: snare drum stick left hand: mutes the cymbal
wtih electric bass and piano
Splash Cymbal
Perc. II Bass Drum Pedal
marcato
Bass Drum Pedal
57
Elct.
Improvise wtih electric bass and percussion
molto cresc.
Pno.
changing dynamics between
2
molto cresc.
and , very irregular and impulsive
L A tempo =84
marcato
On
A tempo with electronics =84
Off
scratchy
Vln.
scratchy
Vc.
clean
palm mute
senza palm mute wtih percussion and piano
E. Bass marcato
M
30
On
1
Off
Senza misura, Very Energetic and psychedelic
c. 5"
2
Improvise
146
c. 4"
A tempo flatt.
pizz.
Fl.
ord.
changing dynamics between Improvise
and
slap
B. Cl.
ord.
changing dynamics between and Improvise wah-wah ad libitum, very energetic
very fast wah-wah
Tbn. changing dynamics between
Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc...
molto crescendo
and
Percussion Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with snare drum sticks
Gongs
with snare drum sticks
Improvise
Perc. I Tom-toms Oil Drums (muted) changing dynamics Suspended Cymbals (muted) Metal objects (muted) etc... Improvise with snare drum sticks
between
and
changing dynamics between
and
Chinese Cymbal
Perc. II
58
59
Elct.
Improvise
Pno.
changing dynamics between
M On
1
Off
and
Senza misura, Very Energetic and psychedelic
2
Improvise
A tempo scratchy
Vln. changing dynamics between Improvise
and scratchy
jetĂŠ
Vc.
ord.
palm mute
1/2 palm mute
changing dynamics between and Improvise Scratching the strings with a metal guitar slide wah-wah + distortion wah-wah ad libitum, very energetic
sounds one octave lower
E. Bass changing dynamics between
and
clean
A tempo with electronics 150
On
31
Off
N
Off
On
t.r.
t.r.
1/2 sound, 1/2 air
Fl.
B. Cl.
flatt.
Tbn.
Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc...
Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the marimba mallets
Percussion (with snare drum sticks)
Percussion
with marimba mallets (ord.)
Perc. I
Bass Drum Pedal
Splash Cymbal
Perc. II Bass Drum Pedal
Bass Drum Pedal
60
61
Elct.
Pno.
A tempo with electronics On
N
Off
On
Off
arco, ord.
molto s.p.
Vln.
molto s.p.
arco, ord.
Vc.
palm mute
E. Bass
senza palm mute
palm mute
senza palm mute
O
32
On
Off ord.
155
Improvise
Fl. changing dynamics between
and
, briefly and
and
, briefly and
and
, briefly and
Improvise B. Cl. changing dynamics between Improvise Tbn. Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets
Percussion
changing dynamics between
with the back side of the marimba mallets (ord.) Energetic with groove
Improvise over the rhythm in tempo
Perc. I
Energetic with groove
Perc. II
62 Elct.
Energetic with groove
Pno.
O On
Off Improvise
Vln. changing dynamics between Improvise
and
, briefly and
changing dynamics between
and
, briefly and
Vc.
palm mute
E. Bass
Energetic with groove
senza palm mute
33
161
Fl.
B. Cl.
Tbn.
Perc. I
Perc. II
Elct.
Pno.
Vln.
Vc.
E. Bass
34 ord. 166
t.r.
flatt.
t.r.
t.r.
Fl. molto marcato
B. Cl. plunger mute flatt.
Tbn. molto marcato
Perc. I
Splash Cymbal
Chinese Cymbal
Chinese Cymbal
Perc. II Bass Drum
63
64
65
66
Elct.
Pno.
scratchy
jeté
senza jeté
jeté
jeté
Vln. simile scratchy
jeté senza jeté
jeté senza jeté
Vc. simile
E. Bass simile
jeté senza jeté
35
171
P
t.r.
On
t.r.
t.r.
Fl.
B. Cl. plunger ad libitum but never completely open
1/2
Tbn.
Marimba Percussion
Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets
Marimba Percussion
Gongs
(with marimba mallets) metalic sound. The fundamental with marimba mallets (ord.) should be perceptible
Percussion
Marimba
Perc. I Splash Cymbal
Chinese Cymbal
Chinese Cymbal
with vibraphone mallets
Perc. II Bass Drum Pedal
67
68
69
70
72
71
Elct.
Pno.
scratchy!!
jeté
senza jeté
jeté
P
On jeté
senza jeté
Vln.
scratchy!!
jeté senza jeté
jeté senza jeté
jeté senza jeté
Vc.
palm mute
E. Bass
senza palm mute
jeté senza jeté
pizz.
36
175
Fl.
B. Cl.
plunger ad libitum but never completely open
Tbn.
Percussion
Gongs
Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets
Percussion with marimba mallets (ord.)
Gongs
Gongs
Perc. I
Perc. II
Elct.
Pno.
jeté jeté
senza jeté
senza jeté
Vln.
jeté senza jeté
jeté senza jeté
Vc.
palm mute
E. Bass
senza palm mute
jeté senza jeté
37
Q
obsessive!
178
violent!!
Fl. molto marcato obsessive!
violent!!
B. Cl. molto marcato obsessive!
plunger ad libitum but never completely open
violent!! open
Tbn. molto marcato Percussion
obsessive!
Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets
violent!!
Perc. I
Oil Drums (muted) Suspended Cymbals (muted) Metal objects (muted) etc... with the back side of the mallets
violent!! Large Metal Object, very loud!! (completed muted) with vibraphone mallet (ord.)
obsessive!
Perc. II (Bass Drum) molto marcato Bass Drum Pedal
73
Elct.
obsessive!
Pno.
violent!!
molto marcato
molto marcato
Q
obsessive!
violent!!
Vln. molto marcato obsessive!
violent!!
Vc. molto marcato violent!!
obsessive!
1/2 palm mute
E. Bass molto marcato
senza palm mute slap!