What's Inside?
From the Publisher A
Publisher Shelly Spence
Managing Editor
Joseph J. Airdo
Graphic Designer
Meaghan Mitchell
Contributing Writers
Joseph J. Airdo
Francine Coles
Shannon Severson
Photographers
Francine Coles
Loralei Lazurek
Advertising Sales
Cindi Calcinari
860-966-3271 cindi@imagesaz.com
Images Arizona P.O. Box 1416
Carefree, AZ. 85377 623-341-8221
shelly@imagesaz.com imagesarizona.com
As we embrace the spirit of Valentine’s Day, this month’s issue of Images Arizona celebrates the many ways love enriches our lives and community.
Our cover story invites you into the vibrant world of FLAIR, Anthem Country Club’s talented artist collective whose Valentine’s Day weekend exhibition promises to be a feast for the eyes and the heart. We also explore the profound impact of therapeutic harp music as a reminder of the healing power of art.
For those seeking the perfect Valentine’s celebration, our “Love Notes” feature offers a delightful guide to romantic experiences across the North Valley — including North Valley Chorale’s intimate cabaret that’s the perfect blend of song, champagne, and sweet treats to set your heart aflutter.
Meanwhile, this month’s featured photographer, Adrienne McLeod, takes you on a breathtaking journey along the Arizona National Scenic Trail — a visual love letter to our beautiful state. For cozy nights in, we’ve even included a mouthwatering recipe that’s sure to impress your sweetheart.
As you flip through these pages, I hope you’ll be inspired to celebrate love in all its forms — whether through art, music, nature, or simply cherishing time with those who matter most.
With so much love,
Shelly Spence Publisher, Images Arizona
Photography by Loralei Lazurek
HANDMADE IN NEW YORK
Alex Šepkus jewelry has been known for its distinct design, signature textures and microscopic details. Collected and coveted around the world, Alex Šepkus jewelry is recognized not only for its original and inimitable design, but also for the use of often unexpected stones and unique color combinations.
IIn Phoenix’s evolving cultural landscape, where authentic experiences increasingly trump mere entertainment, M3F Festival stands as a testament to the transformative power of purposeful programming. What began as a modest teambuilding exercise for a local construction company has blossomed into North America’s most celebrated nonprofit music festival, delivering both world-class performances and meaningful community impact.
For its 2025 edition, returning March 7–8 to Steele Indian School Park, M3F presents its most ambitious vision yet. The festival’s dual mission crystallizes in a lineup that pairs prestigious headliners LCD Soundsystem and Justice with an array of emerging artists, while its charitable initiatives continue reshaping the Valley’s communities.
Writer Joseph J. Airdo // Photography by Shelby Pine
M3F stands as North America’s most celebrated nonprofit music festival, proving that world-class entertainment and social impact can share the same stage.
This marriage of musical excellence and social responsibility has generated more than $6 million in charitable contributions since the festival’s inception. Recent beneficiaries include Phoenix Children’s Hospital, where a $140,000 contribution supports music therapy programs, and Habitat for Humanity of Northern Arizona, which received $100,000 toward a new 40home development.
The festival’s evolution mirrors Phoenix’s own transformation into a sophisticated cultural destination. Through the M3F Fund, established in 2023, the organization has expanded its impact across four key pillars: community, education, arts and environment. This structured approach to philanthropy ensures that every ticket purchase reverberates far beyond the festival grounds.
The carefully curated 2025 lineup exemplifies M3F’s commitment to artistic excellence, featuring several notable Arizona debuts. Toronto’s genre-defying BADBADNOTGOOD and Australia’s electrifying Confidence Man join a roster that rewards musical sophistication and a spirit of discovery — hallmarks of the festival’s discerning audience.
Leading the charge are two acts that define contemporary musical innovation. LCD Soundsystem, fresh from an acclaimed Los Angeles residency and riding the momentum of their latest single “X-Ray Eyes,” brings its distinctive blend of New York cool and electronic innovation. The band’s influence spans underground and mainstream scenes, with anthems like “All My Friends” and “Dance Yrself Clean” serving as touchstones for a generation of music enthusiasts.
Equally compelling is the presence of Justice, the French electronic duo whose recent album “Hyperdrama” showcases collaborations with Tame Impala, Thundercat and Miguel. Their bass-heavy sound and dynamic performances have earned them a reputation for transforming festival grounds into pulsating, unified dance floors.
While the music commands attention, M3F’s year-round community initiatives reveal its deeper purpose. From last September’s bike drive to an innovative partnership with Cowtown S.K.A.T.E. — which introduces youth to both skateboarding and graphic design — the festival maintains a constant presence in Valley life. The festival has also joined forces with The Foster Alliance for its 2024 Fill Santa’s Sleigh event, collecting holiday gifts for foster youth.
This comprehensive approach to community impact sets M3F apart in an increasingly crowded festival landscape. While other events focus solely on entertainment, M3F has created a model where cultural excellence and social responsibility coexist and strengthen each other. The result is a festival that attracts not just music fans, but conscious consumers who understand that their entertainment choices can contribute to meaningful change.
As M3F approaches its third decade, it stands as a blueprint for how cultural events can evolve beyond mere entertainment to become vehicles for social impact. In doing so, it has helped establish Phoenix as a city where sophisticated cultural offerings and community consciousness go hand in hand.
m3ffest.com
COMMUNITY February 2025
Writer Joseph J. Airdo
Feb. 13–23
SCOTTSDALE ARABIAN HORSE SHOW
The 70th annual show features nearly 2,000 Arabian and Half-Arabian horses competing across multiple classes, plus a shopping expo with 250+ vendors offering art, jewelry and equestrian equipment. $15; seniors and military $10; children under 12 free. Military Appreciation Day Feb. 18, Family Night Feb. 21. Shopping expo open daily from 10 a.m. WestWorld, 16601 N. Pima Road, Scottsdale. 480-515-1500; scottsdaleshow.com
Through Feb. 4
BLACK CANYON HERITAGE PARK VIRTUAL AUCTION
Support environmental education programs, bird and butterfly habitats, and youth activities through this online fundraising auction. Bid on various items benefiting the park’s initiatives. Free. See website for auction items and bidding. Black Canyon Heritage Park, 33955 Old Black Canyon Highway, Black Canyon City. 623-374-5282; blackcanyonheritagepark.org
Feb. 1
HUMAN NATURE
Arizona Musicfest presents Australia’s acclaimed vocal group performing Motown classics like “Dancing in the Street” and “Stop! In the Name of Love,” plus their own Australian pop hits. $54+. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-4228449; azmusicfest.org
Feb. 1
SCOTTSDALE PARADA DEL SOL HISTORIC PARADE & TRAIL’S END FESTIVAL
The Scottsdale Charros present the 71st annual Western parade featuring 150 entries including floats, horse riders, marching bands and stagecoaches. The parade begins at 10 a.m., followed by the Trail’s End Festival noon–4 p.m. with live entertainment, a kids’ zone, food trucks and Western activities throughout Old Town. Free. Parade route: Drinkwater Boulevard along Scottsdale Road to Brown Avenue and Indian School Road, Scottsdale. scottsdalewesternweek.com
Feb. 1–2
ARIZONA INDIAN FESTIVAL
Experience Arizona’s Indigenous cultures through traditional arts, crafts, food and entertainment. This intertribal event showcases cultural tourism and contemporary Native American communities. Free. Saturday 9 a.m.–6 p.m., Sunday 10 a.m.–4 p.m. Scottsdale Civic Center, 3939 N. Drinkwater Blvd., Scottsdale. arizonaindiantourism.org
Feb. 1–2
LUNAR NEW YEAR FESTIVAL
Phoenix Chinese Week celebrates the Year of the Dragon with traditional performances, cultural displays and Asian cuisine. Features demonstrations of Chinese arts, children’s activities and cultural exhibits highlighting 5,000 years of heritage. Free. Steele Indian School Park, 300 E. Indian School Road, Phoenix. phoenixchineseweek.org
Feb. 1–March 30
ARIZONA RENAISSANCE FESTIVAL
Step back to the 16th century at this 50-acre medieval theme park featuring 16 stages of entertainment, jousting tournaments, 200 artisan shops and period food and drink. Over 2,000 costumed characters bring the Village of Fairhaven to life. $36; children 5–12 $24; 4 and under free. 10 a.m.–6 p.m. Saturdays and Sundays. Arizona Renaissance Festival, 12601 E. Highway 60, Gold Canyon. 520-463-2600; arizona.renfestinfo.com
Feb. 3–9
WM PHOENIX OPEN
The PGA Tour’s most-attended tournament returns, featuring the legendary 16th hole stadium experience. Monday-Tuesday free; Wednesday-Thursday and Sunday $75; Friday–Saturday $125. See website for schedule of events and concerts. TPC Scottsdale, 17020 N. Hayden Road, Scottsdale. 602-870-0163; wmphoenixopen.com
Feb. 5–April 13
‘CHURCHILL’
The Phoenix Theatre Company presents this one-man show set in 1963, as Winston Churchill reflects on his life following his honorary U.S. citizenship. The statesman shares memories of war, leadership and the influential women in his life, from wife Clementine to Queen Elizabeth II. $59+. See website for showtimes. Judith Hardes Theatre at The Phoenix Theatre Company, 1825 N. Central Ave., Phoenix. phoenixtheatre.com
Feb. 6
BIG IDEAS FORUM
Delve into “The Origin of Consciousness” through a recorded interview with scientists David Chalmers and Anil Seth. Moderated by Brian Greene, the discussion explores the mysteries of consciousness and its potential manifestation in AI. Free. 4:30–6 p.m. Anthem Civic Building, 3701 W. Anthem Way, Anthem. 305-302-7536; bigideasforum.info
Feb. 7–23
‘THE AFRICAN COMPANY PRESENTS RICHARD III’
Black Theatre Troupe presents Carlyle Brown’s drama about America’s first Black theater company and their groundbreaking 1821 Shakespeare production. Director Chanel Bragg leads a cast featuring Roosevelt Watts Jr., Tanner J. Conley and Cynnita Agent in this true story of artistic resistance. $50. See website for showtimes. Helen K. Mason Performing Arts Center, 1333 E. Washington St., Phoenix. 602-258-8128; blacktheatretroupe.org
COMMUNITY February 2025
Writer Joseph J. Airdo
Feb. 14–15
‘LOVE IS IN THE AIR’
North Valley Chorale presents its third annual Valentine’s dessert cabaret featuring romantic favorites from doo-wop to Broadway, accompanied by champagne and gourmet desserts. The intimate bistrostyle setting showcases ensemble numbers, solos and small group performances. See website for ticket prices. Friday 7 p.m., Saturday 3 p.m. and 7 p.m. Phoenix Boys Choir Building, 1131 E. Missouri Ave., Phoenix. 623-252-1746; northvalleychorale.org
Feb. 10
‘NEW ORLEANS SONGBOOK: THE SPIRIT OF MARDI GRAS’
Arizona Musicfest presents Jazz at Lincoln Center celebrating the Crescent City’s musical legacy with pianist Luther S. Allison and vocalists Quiana Lynell and Milton Suggs. Features works by Jelly Roll Morton, Louis Armstrong and other New Orleans innovators. $43+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Feb. 13–16
‘FRIDA’
Ballet Arizona premieres “Frida,” choreographed by Annabelle Lopez Ochoa with Peter Salem’s score, bringing the Mexican painter’s world to life through dance. See website for ticket prices and showtimes. Symphony Hall, 75 N. Second St., Phoenix. 602-381-1096; balletaz.org
Feb. 13–March 2
GREATER PHOENIX JEWISH FILM FESTIVAL
The 28th annual festival presents international films with Jewish themes. See website for prices and schedule. Harkins Arrowhead Fountains 18, 16046 N. Arrowhead Fountains Center Drive, Peoria, and Harkins Shea 14, 7354 E. Shea Blvd., Scottsdale. gpjff.org
Feb. 14
THE TENORS
Arizona Musicfest presents an intimate Valentine’s Day concert with the award-winning vocal quartet performing classical, pop, rock and folk favorites with signature harmonies. $58+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Feb. 14–16
‘FLAIR IS IN THE AIR’
The Finest Local Artists in Residence present their annual exhibition featuring original oils, acrylics and watercolors. Special Saturday reception includes chocolate bar and cocktails, 5–7 p.m. Raffle drawing Sunday for handpainted bench. Free. Friday–Saturday noon–7 p.m., Sunday 10 a.m.–2 p.m. Persimmon Clubhouse at Anthem Golf & Country Club, 2708 W. Anthem Club Drive, Anthem. anthemgolf.com
Feb. 15
STUDIO CABARET
Arizona Opera’s emerging artists, selected from 550+ applicants, present an intimate evening of musical theater, American Songbook classics and opera favorites. $50+.
7 p.m. Roma and Raymond Wittcoff Black Box Theater at Arizona Opera Center, 1636 N. Central Ave., Phoenix. azopera.org
Feb. 15–16
CELEBRATE HIP-HOP
The Musical Instrument Museum explores hip-hop culture through interactive DJ workshops and live breakdancing demonstrations by the Furious Styles Crew. Features handson activities and educational exhibits showcasing the genre’s history and influence. $20; discounts available for youth and members. 9 a.m.–5 p.m. Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org
Feb. 15–16
CHOCOLATE AFFAIRE
This annual celebration of all things chocolate features local vendors, sweet treats and family activities. Free. 10 a.m.–5 p.m. Glendale Civic Center, 5750 W. Glenn Drive, Glendale. 480-284-6033; thechocolateaffaire.com
Feb. 15–16
WORLD CHAMPIONSHIP HOOP DANCE CONTEST
The Heard Museum hosts over 100 Indigenous dancers competing in five age divisions, from Tiny Tots to Senior, for $25,000 in prizes. The event features Northern and Southern Drum Groups, food vendors and family activities. Gates open 8:30 a.m. (8:15 a.m. for members); competition begins 9 a.m. $26; discounts available for youth, students, seniors, members and American Indians. The Heard Museum, 2301 N. Central Ave., Phoenix. 602-252-8840; heard.org
Feb. 17
’THE GREATEST LOVE OF ALL’
Arizona Musicfest presents Belinda Davids performing Whitney Houston’s greatest hits in this acclaimed tribute show. Program includes “I Will Always Love You,” “I Wanna Dance with Somebody” and other favorites. $43+. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Feb. 19–May 4
‘JERSEY BOYS’
The Phoenix Theatre Company presents the Tony, Grammy and Olivier Award-winning musical about Frankie Valli and The Four Seasons’ rise from New Jersey obscurity to pop stardom. Features hits including “Sherry,” “Walk Like a Man” and “Can’t Take My Eyes Off You.” $59+. See website for showtimes. Hormel Theatre at The Phoenix Theatre Company, 1825 N. Central Ave., Phoenix. phoenixtheatre.com
COMMUNITY February 2025
Writer Joseph J. Airdo
Feb. 21–22
MICROSCOPIC MARVELS: ALEX
SEPKUS JEWELRY SHOWCASE
Step into a sublime world where legendary jewelry designer Alex Sepkus’ microscopic details transform precious metals into ethereal masterpieces. An expert curator will guide you through the collection and explore possibilities for bespoke creations. Free. 10 a.m.–5 p.m. Grace Renee Gallery, Historic Spanish Village, 7212 E. Ho Hum Road, Carefree. 480-575-8080; gracereneegallery.com
Feb. 20–23
‘LITTLE SHOP OF HORRORS’
Musical Theatre of Anthem’s teen ensemble presents this darkly comic musical about a hapless florist and his mysterious plant. Award-winning production team includes Director Melissa Davis, Choreographer Sherry Henderson and Vocal Director Cris Wo. $30. Thursday–Friday 7 p.m., Saturday 3 p.m. and 7 p.m., Sunday noon and 4 p.m. Musical Theatre of Anthem, 42201 N. 41st Drive, Suite B100, Anthem. musicaltheatreofanthem.org
Feb. 21–March 2
‘ARSENIC AND OLD LACE’
Starlight Community Theater presents this classic black comedy about a drama critic whose wedding plans are complicated by his murderous aunts and eccentric family. See website for ticket prices and showtimes. Starlight Community Theater, 1611 W. Whispering Wind Drive, Suite 9, Phoenix. starlightcommunitytheater.com
Feb. 22
ANTHEM CARS AND COFFEE
Classic and modern vehicles fill this monthly car show, complemented by coffee, food vendors and community fellowship. Free. 8–11 a.m. Outlets North Phoenix, 4250 W. Anthem Way, Phoenix. anthemcarsandcoffee.com
Feb. 22
‘COMING TOGETHER’
Arizona Musicfest presents Las Vegas headliner Frankie Moreno and acclaimed pianist-singer Tony DeSare performing Great American Songbook classics, rock ‘n’ roll and jazz standards. $43+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-4228449; azmusicfest.org
Feb. 22
MARTIN AUTO MUSEUM CAR SHOW
Features hundreds of vehicles alongside the museum’s collection of 170+ classic cars and automotive memorabilia. Live music and vendors. Free show admission; museum entry $15, seniors $12, children $5. 7 a.m.–1 p.m. Martin Auto Museum, 4320 W. Thunderbird Road, Phoenix. martinautomuseum.org
Feb. 22
‘A NIGHT IN TUSCANY’
North Valley Symphony Orchestra hosts an Italianthemed fundraising gala featuring live music, magic shows and dancing. The evening includes an Italian feast
from Butcher Block Catering, a silent auction and one drink ticket. Additional beverages available for purchase. $125. 5–9 p.m. Hope Barn and Gardens, 26525 N. 19th Ave., Phoenix. northvalleysymphony.org
Feb. 22–March 2
SEDONA INTERNATIONAL FILM FESTIVAL
Named one of MovieMaker Magazine’s “25 Coolest Film Festivals in the World,” this nine-day celebration presents 150+ independent films from around the globe. Features filmmaker Q&As, industry panels, red-carpet events and VIP receptions. Platinum all-access pass $1,170, Gold priority pass $525; ticket packs available. See website for complete schedule and member discounts. Multiple venues, Sedona. 928-2821177; sedonafilmfestival.com
Feb. 24
MANDY PATINKIN: ‘BEING ALIVE’
Arizona Musicfest presents the Tony and Emmy Award winner performing Broadway favorites and American classics, accompanied by Adam Ben-David on piano. Program includes works by Sondheim, Berlin, Porter and Chapin. $65+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Feb. 28
TENTHING BRASS
Arizona Musicfest presents the acclaimed all-female Norwegian brass ensemble performing arrangements spanning Mozart to Bernstein. $43+. 7:30 p.m. Pinnacle Presbyterian Church, 25150 N. Pima Road, Scottsdale. 480-422-8449; azmusicfest.org
March
1–2
DAISY MOUNTAIN ROCK AND MINERAL
SHOW
The Daisy Mountain Rock & Mineral Club presents its annual show featuring rocks, crystals, fossils and handcrafted jewelry. Meet “Dr. Rock” for specimen identification, plus kids’ activities and raffles every 20 minutes. $6; seniors, veterans and students $4; children under 12 free with adult.
Saturday 9 a.m.–5 p.m., Sunday 10 a.m.–4 p.m. Anthem School, 41020 N. Freedom Way, Anthem. dmrmc.com
March 3
‘MY TRIBUTE TO TONY BENNETT’
Arizona Musicfest presents Michael Feinstein and the Carnegie Hall Big Band celebrating Bennett’s legacy through iconic hits including “Because of You,” “Rags to Riches” and “I Get a Kick Out of You.” Features multimedia elements. $65+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
CHAMBER NAMES NEW LEADERSHIP
FOR 2025
Sawana Grimmett takes the helm as Anthem Area Chamber of Commerce director, joining newly elected board President Scott Yath of Better Vision Eye Care. Grimmett, founder of Salt Spa Wellness Collaborative and former chamber board president, brings seven years of leadership experience. New initiatives and member survey results will guide 2025 programming. anthemareachamber.org
Cupid’s Chorus North Valley Chorale Presents Cabaret of Love
TThe lights dim, and champagne glasses clink as anticipation fills the air. The first notes of a familiar love song float through the room, and something magical happens — the audience begins to sing along, their voices blending with those of the performers on stage.
This enchanting scene isn’t from a Broadway musical or a Hollywood rom-com. It’s a real moment from “Love is in the Air,” the North Valley Chorale’s annual Valentine’s cabaret, which has quickly become one of the Valley’s most cherished romantic traditions.
“I remember being delightfully surprised when the audience spontaneously broke into song along with the performers!” recalls Eleanor Johnson, artistic director of North Valley Chorale. “Many of the songs we present are popular favorites that our audience knows by heart.”
Now in its third year, this unique event transforms the Phoenix Boys Choir building into an intimate bistro setting, where audiences are treated to a night of romantic melodies, champagne and gourmet desserts. It’s a Valentine’s celebration that goes beyond the typical dinner-and-a-movie date, offering couples and friends alike a chance to immerse themselves in the language of love — music.
The show’s popularity has exceeded all expectations since Johnson first dreamed up the Valentine’s cabaret
in 2023. The demand is such that this year’s production has expanded to three performances.
“The response from our past audiences has been overwhelming — they’ve practically demanded we continue these shows each year!” Johnson says. “By early December, we had already sold one-third of our available seats for 2025.”
It’s easy to understand the enthusiasm. Each February, dedicated volunteers transform the Phoenix Boys Choir building into an intimate bistro setting where about 100 guests enjoy champagne and gourmet desserts while being serenaded with love songs spanning multiple genres and eras.
The transformation begins hours before each performance, as strings of twinkling lights are carefully arranged and tables are dressed in elegant linens. The attention to detail extends to every aspect of the experience, from the carefully curated dessert menu to the sophisticated champagne service.
“Our wonderful volunteers have worked magic with the lighting in the Great Hall,” Johnson explains.
“Karen Thomson and Margaret Neno coordinate a dedicated team who turn our everyday rehearsal space into a sophisticated cabaret. Once we add the
Writer Joseph J. Airdo // Photography Courtesy of North Valley Chorale
The audience sits quite close to the performers, almost at the same level. Our singers weave through the room as they enter and exit between numbers, creating these lovely personal interactions you just don’t experience in a traditional concert hall. Eleanor Johnson
champagne service and gourmet desserts, you truly feel transported.”
The programming offers something for every romantic sensibility. The 2025 repertoire ranges from doo-wop classics to Elvis Presley’s “Can’t Help Falling in Love,” from “My Funny Valentine” to selections from “Mamma Mia.” The carefully crafted program takes audiences on an emotional journey through the many facets of love, from playful infatuation to deep, lasting commitment. This variety showcases the 60-member chorale’s versatility through full ensemble numbers, solos, duets and small group performances.
“It’s a wonderfully intimate setting — the audience sits quite close to the performers, almost at the same level,” Johnson notes. “Our singers weave through the room as they enter and exit between numbers, creating these lovely personal interactions you just don’t experience in a traditional concert hall.”
The cabaret format provides unique opportunities for choir members to shine.
“I wanted to create opportunities for our talented singers who may not be quite ready to tackle solo parts in works like Handel’s ‘Messiah’ or Bach’s ‘Magnificat,’” Johnson explains. “The intimate setting provides the perfect atmosphere for these performers to shine.”
The format has proven so successful that several choir members who first performed
solos at “Love is in the Air” have gone on to take leading roles in the chorale’s major concert productions.
Creating such a polished production requires months of preparation. Johnson begins previewing music well in advance, working closely with colleagues Shannon Barrett and Carolyn Nyland on repertoire selection and presentation. The trio spends countless hours reviewing potential songs, considering not just their musical merit but how they’ll fit into the overall flow of the evening.
The choir incorporates choreography — an exciting challenge for many members — and adapts to performing with recorded tracks rather than its usual live orchestral accompaniment.
Whether celebrating with a significant other or enjoying an evening out with friends, “Love is in the Air” offers a uniquely enchanting Valentine’s Day experience. The combination of intimate atmosphere, professional performances and delectable refreshments has created something rare: a new Valentine’s Day tradition that feels both fresh and timeless.
As Johnson puts it, “Between the heartfelt entertainment, intimate venue, delectable treats and champagne, you can’t help but feel the love in the air. After all, that’s what Valentine’s Day is all about.”
northvalleychorale.org
‘Love is in the Air’ Feb. 14–15 // Friday 7 p.m. // Saturday 3 p.m. and 7 p.m. Phoenix Boys Choir Building // 1131 E. Missouri Ave., Phoenix See website for prices // 623-252-1746 // northvalleychorale.org
Passage 21 - Roosevelt Lake Sunrise (April 2023)
Writer Joseph J. Airdo // Photography by Adrienne McLeod
IIn the predawn chill of a February morning in 2020, Adrienne McLeod stood at the Mexican border, camera in hand, ready to embark on what would become a transformative journey along the Arizona National Scenic Trail. That first night, as fierce winds collapsed her tarp tent, she couldn’t have known that this moment would mark the beginning of an extraordinary photographic odyssey spanning nearly 800 miles of Arizona’s most dramatic landscapes.
“The Arizona Trail is different for everyone — it’s both hard and amazing. It’s all about extremes: hot and cold, up and down, city and remote wilderness,” McLeod reflects, her words carrying the weight of countless miles and memorable moments captured through her lens.
From the sun-scorched borderlands to the snow-dusted peaks of the Mazatzal Mountains, McLeod’s journey has documented one of the most biodiverse regions in North America. Her photographs reveal a state of striking contrasts — where saguarostudded deserts give way to alpine meadows, and where dramatic landscapes unfold beneath star-filled skies.
“Arizona is one of the most biodiverse places in the country — or anywhere, really,” McLeod explains. “There are hundreds of bird species, a wide variety of environments at different elevations: deserts, rivers, mountains, grasslands, a huge pine forest, and even alpine areas. If you hike the Arizona Trail, you can see all of these.”
The trail itself serves as a living testament to Arizona’s heritage, particularly poignant as the state approaches its 113th anniversary of statehood this February. Through McLeod’s photographs, viewers witness the changing moods of the landscape — from the ethereal fog hanging over Roosevelt Lake to the dramatic temperature swings in the Grand Canyon, where October days can range from 32 degrees at the rim to over 100 degrees at the canyon floor.
As McLeod approaches the completion of her 800-mile journey, having documented everything from desert wildflowers to unexpected blizzards, her photographs stand as both art and invitation.
“I hope viewers will see and appreciate the beauty of Arizona and the Arizona Trail specifically,” she says. “I want people to go outside, connect with nature and develop a sense of protectiveness toward it. People have a big impact on nature, and we need to be better stewards for the future.”
“
Being on the Arizona Trail means being off the beaten path, and I think that in itself allows for more unique photos. Adrienne McLeod
Passage 20 - Flowers in Four Peaks (April 2023)
Passage 31 - Greater Horned Lizard (June 2024)
Passage 34 - Sunset Over Mt. Humphreys (June 2024)
Passage 34 - Mt. Humphreys Aspen Grove (June 2024)
“
Look around to see the little details that others may miss, and you’ll see what makes Arizona great. Adrienne McLeod
Passage 1 - Stellers Jay (May 2020)
Passage 2 - Arizona Sister (May 2020)
Passage 34 - Mt. Humphreys Sunset (June 2024)
“The Arizona Trail is different for everyone — it’s both hard and amazing. It’s all about extremes: hot and cold, up and down, city and remote wilderness. Adrienne McLeod
Passage 38 - Footbridge Grand Canyon (October 2024)
Passage 10 - Molino Basin Campsite (October 2021)
About the Photographer
For Adrienne McLeod, the path to becoming a distinguished outdoor photographer began in a high school classroom, where she approached her teacher with the ambitious idea of starting a photography club. Armed with her mother’s old Nikon camera and an insatiable curiosity about the natural world, she laid the foundation for what would become a lifelong pursuit of capturing Arizona’s wild beauty.
“I just loved art and wanted to expand my horizons a little bit,” McLeod recalls of those early days. “I did not know too much about it, but my teacher was pretty familiar with the process. So we got a few students together, started a club and began learning all of the technical details of photography.”
What started as a casual hobby has evolved into a serious artistic pursuit, particularly over the past eight years. McLeod’s approach to photography is refreshingly unconventional — less focused on technical perfection and more on capturing the raw emotion and beauty of a moment.
Her work on the Arizona Trail has deepened both her artistic vision and her connection to the state’s diverse landscapes. As an employee of Garmin International, she brings a unique perspective to her trail photography, always ensuring she has her GPS within reach — a practical approach that allows her to venture further and capture more remote locations safely.
Growing up in Tucson instilled in McLeod a deep appreciation for Arizona’s natural wonders. While Seven Falls holds a special place in her heart, and locations like Ramsey Canyon Preserve and Sweetwater Wetlands provide rich opportunities for wildlife photography, she maintains that her favorite trail is always the one she is hiking at any given moment.
This philosophy of finding beauty in the present moment shines through in her work, whether she’s documenting the delicate interplay of light and shadow in the Mazatzal Mountains or capturing the dramatic seasonal changes along the trail’s 800-mile span. Through her lens, McLeod doesn’t just document the trail — she invites viewers to develop their own connection with Arizona’s natural heritage.
adriennemcleod.com
Passage 16 - Gila River Canyons Spine (April 2022)
Passage 19 - Roosevelt Lake Bridge (March 2023)
Passage 39 - Fall Aspens (October 2024)
UUnder carefully positioned lights at the Daisy Mountain Rock & Mineral Show, a century-old piece of native copper gleams with timeless beauty — one of thousands of specimens transforming Anthem School into a geological wonderland each spring. From raw minerals to expertly crafted displays, this carefully curated collection exemplifies how a grassroots community initiative has evolved into one of Arizona’s premier mineral exhibitions, drawing enthusiasts and casual observers alike to explore Earth’s hidden treasures.
“What child doesn’t grow up with either a rock collection or a shell collection?” muses show chair Claudia Marek, her eyes bright with enthusiasm. “It’s truly remarkable how this hobby can be shared by everyone, from age 4 to 94.”
This philosophy of inclusive education combined with sophisticated collecting has transformed what began as small library gatherings into one of Arizona’s most distinctive geological exhibitions. Now entering its 10th year, the show has become a cornerstone of Anthem’s cultural landscape, drawing more than 2,000 visitors annually to explore everything from investment-grade specimens to interactive educational displays.
For Marek, whose journey into the world of mineral collecting began in childhood, the show represents the culmination of a lifelong passion.
Writer Joseph J. Airdo // Photography by Stan Celestian
Azurite (Bisbee)
“As a young person, I was fortunate to have an uncle who took us on rock hunting trips,” she recalls. “Not only was it thrilling to find beautiful specimens, but it was also wonderful to explore remote areas and experience the stunning landscapes of our country.”
That same spirit of discovery drove the show’s founding members, whose early efforts laid the groundwork for today’s successful exhibition.
“We started small, meeting in the county library at Boulder Creek High School,” Marek explains. “In those early days, we passed a hat after meetings just to cover the room rental!”
The founding group, which included retired geologists and educators Herb Jacobson, Robert Salter, Keith Martin and Jay Yett, along with passionate rockhounds Dan Janko, Ed Winbourne and Joan Jamtass, united in their mission to share geological expertise with the community. Their dedication would prove instrumental in shaping the organization’s future.
From dramatic amethyst cathedrals as statement pieces to artfully arranged crystal clusters that complement modern decor, these specimens add both elegance and a distinctive natural element to luxury homes. Claudia Marek
Quartz (Date Creek)
That mission has expanded dramatically over the years, with the organization growing to include more than 300 members from across the Phoenix metropolitan area — from Mesa to Litchfield Park and from Black Canyon City to South Phoenix. This remarkable expansion necessitated several moves, from the original library location through a brief stint at St. Rose Catholic Church, before the organization finally found its permanent home at the Anthem Civic Center.
“Today, we’re a thriving organization that occupies four meeting rooms on the first Tuesday of each month,” Marek explains. “Our evening programming includes wire wrapping classes, board meetings, our kids program, and our regular club meeting with guest speakers who present either in person or via Zoom from across the country.”
The show’s evolution from modest beginnings to cultural touchstone has enabled significant community contributions beyond its educational mission.
“The show’s proceeds fund two annual scholarships, our monthly operations, community events and various educational programs,” Marek notes.
Among the organization’s most popular initiatives are its weekly field trips throughout Arizona, which provide members with unique opportunities for discovery and exploration.
“These expeditions take us off road to remote locations that few people ever get to experience — places where valuable minerals were first discovered in the most unexpected settings,” Marek shares.
While many mineral shows focus primarily on sales and trading, the educational component of the Daisy Mountain show sets it apart from typical exhibitions. At the heart of this commitment to learning is the state’s largest Kids Corner, where young geologists participate in interactive games and leave with mineralcrafted prizes. The show’s crown jewel of education is its innovative Egg Crate Project, which provides budding collectors with approximately 50 carefully selected specimens, each accompanied by QR code-linked identification guides — a technological twist on traditional collecting that supports geological education through high school years.
“No other rock club in Arizona offers anything comparable to our ‘Egg Crate Project’ or our Kids Corner activities,” Marek proudly states. “It’s the perfect setup — children stay engaged and educated while parents enjoy a relaxed shopping experience!”
Beyond these youth-focused initiatives, the show caters to collectors of all experience levels through “Dr. Rock,” the resident geologist who provides complimentary identification services for visitors’ specimens, offering expert insights into their geological treasures.
Arizona’s rich geological heritage provides an ideal backdrop for such a comprehensive show, with the state’s diverse geological formations offering countless opportunities for discovery and collection.
Wulfenite (Red Cloud)
Malachite (Bisbee)
Chrysocolla (Ray Mine)
“Arizona’s geological history holds fascinating surprises,” Marek explains. “For instance, the Luke Salt Body beneath part of Glendale is a massive formation measuring 9 miles long, 6 miles wide, and up to 10,000 feet thick. What many don’t realize is that Arizona once had lakefront property!”
The state’s geological timeline extends far beyond human comprehension, as Marek notes: “Arizona’s oldest rocks, the Vishnu Basement Rocks, can be found at the bottom of the Grand Canyon. These ancient formations date back 1.75 billion years, offering a window into Earth’s distant past.”
This remarkable geological diversity manifests itself in the specimens on display throughout the show.
“The large specimens are truly fascinating because of how they form,” Marek explains. “They grow within vugs — natural cavities or gaps in the rock — and the size of these spaces directly determines how large the crystals can become, provided the right conditions exist. It’s like nature’s own jewelry box, where time and perfect conditions create these magnificent formations.”
For serious collectors, this year’s show promises an exceptional selection of investment-worthy specimens, including impressive native copper formations and what many consider the world’s finest peridot from San Carlos, Arizona. Last year’s show demonstrated the caliber of specimens available and the enthusiasm they generate among collectors.
“A gentleman purchased an extraordinary piece of Arizona petrified wood — the colors were simply spectacular,” Marek shares. “I’ll never forget his expression as he left the show; he was absolutely beaming from ear to ear. That same show, we had several magnificent amethyst cathedrals find new homes as well.”
Malachite (Bisbee)
The market for such specimens has undergone significant changes in recent years, reflecting broader economic trends and increased interest in mineral collecting.
“Specimen prices have increased significantly since COVID-19,” Marek explains, “with many pieces now selling for two to three times their pre-pandemic values.”
Despite these market shifts, the show maintains its commitment to accessibility through careful vendor curation and diverse price points. The selection of more than 45 vendors represents a deliberate balance of specialties and offerings.
“As our advertising efforts expand and attendance grows, we carefully add vendors to match that growth,” Marek explains. “We want our vendors to have successful sales that encourage them to return, while ensuring our customers enjoy a diverse selection that meets their needs.”
This thoughtful approach to growth and organization has created a show that stands apart from larger exhibitions.
“While we may be smaller than some shows, we’re proud of our intimate scale and careful curation,” Marek emphasizes. “It’s truly a community effort, with 120 dedicated club members working across 18 different committees to create this special event.”
The show’s influence extends beyond traditional collecting circles, particularly in the realm of interior design, where mineral specimens increasingly are featured as sophisticated decorative elements.
“Many rock and mineral specimens possess naturally stunning colors and striking formations that make them fascinating display pieces,” Marek observes. “We’re seeing more homeowners incorporating these natural treasures into their interior design — from dramatic amethyst cathedrals as statement pieces to artfully arranged crystal clusters that complement modern decor.”
Fluorite (Wickenburg)
The exhibition’s diverse offerings include remarkable fossil specimens, which present their own unique appeal and challenges.
“Despite how abundant certain organisms may have been millions of years ago, it’s incredibly rare to find fully intact fossils today,” Marek explains. “The preservation process requires very specific environmental conditions — a delicate balance that makes each complete specimen we discover truly special.”
For those inspired to begin their own collections, the show provides an ideal starting point, with specimens available across all price points and sizes.
“I recommend starting with thumbnail-sized specimens before investing in larger, more expensive pieces,” Marek advises. “This approach helps new collectors develop their eye and understanding of quality.”
Looking toward the future, Marek sees the rock and mineral hobby continuing to grow, driven by its unique ability to connect people with the natural world.
“In today’s world, it offers a wonderful escape from the daily onslaught of negative news and events,” she reflects. “Rock hounding gives us a hands-on way to experience the excitement of scientific discovery.”
This sentiment resonates particularly strongly in Anthem, where the show has evolved into more than just an annual event — it stands as a celebration of scientific curiosity, community engagement and the enduring appeal of Earth’s natural treasures.
dmrmc.com
ART & WINE FESTIVALS
Discover the world’s finest Artists and Craftsmen at Arizona’s premier Art & Wine Festivals. Enjoy live music, delicious food, and superb wine tastings from dozens of local wineries. Free admission.
Kierland Fine Art & Wine Festival
February 1-2
Tubac Festival of the Arts
February 5-9
Wigwam Festival of Fine Art
February 15-16
Stagecoach Village Fine Art & Wine Festival
March 7-9
Sonoran Arts Festival
March 21-23
SanTan Village Art & Wine Festival
March 29-30
Prescott Mother's Day Festival
May 10-11
Love Notes Your Guide to Valentine's Season Offerings
TThe North Valley’s cultural calendar blossoms with romantic offerings this February, from intimate concerts to artisanal celebrations. Whether your ideal Valentine’s celebration involves classical masterworks, Broadway favorites or culinary delights, these carefully curated events promise memorable experiences for couples and culture enthusiasts alike.
The season of romance begins Feb. 2 when the Women’s Orchestra of Arizona presents “Feel the Love” at North Scottsdale United Methodist Church. This free afternoon concert features Mozart’s spirited “Marriage of Figaro Overture” and Schumann’s passionate “Symphony No. 4,” setting the tone for the month ahead.
On Feb. 9, acclaimed pianist Nicole Pesce joins the Scottsdale Philharmonic for “Melodies of Love and Romance” at La Casa de Cristo Lutheran Church. The program weaves together works by Borodin, Beethoven and Wagner, culminating in Liszt’s dreamy “Liebestraum No. 3.” Tickets start at $20, with free admission for students and military members.
For those planning a romantic getaway, Atria in Flagstaff offers an unforgettable dining experience throughout the month. James Beard Award semifinalist and “Chopped Grill Masters” chef Rochelle Daniel presents a hyper-seasonal menu featuring fine seafood, hearty steaks, and housemade pastas. The exclusive Chef’s Counter Experience provides an intimate front-
Writer Joseph J. Airdo
Culinary artistry meets seasonal flavors in Chef Rochelle Daniel's exquisite creations at Atria in Flagstaff.
row seat to the kitchen’s magic, perfect for couples looking to elevate their Valentine’s celebration.
Valentine’s Day itself offers sophisticated options closer to home. The award-winning Tenors bring their signature harmonies to Highlands Church, performing an intimate evening of classical, pop, rock and folk favorites. Meanwhile, North Valley Chorale transforms the Phoenix Boys Choir building into an elegant cabaret for its third annual “Love is in the Air” celebration, where champagne and gourmet desserts complement a program ranging from doo-wop to Broadway classics.
The weekend brings more romantic delights as the Chocolate Affaire returns to Glendale Civic Center Feb. 15-16, celebrating the food of love with local vendors, sweet treats and family activities. This beloved annual tradition offers free admission.
On Feb. 16, violin virtuoso Steven Moeckel joins the Scottsdale Symphonic Orchestra at the Scottsdale Center for the Performing Arts for “East Meets West: A Love Story.” The cross-cultural program features the enchanting “Butterfly Lovers Concerto,” Verdi’s dramatic “La Forza del Destino” overture and Tchaikovsky’s passionate “Romeo and Juliet.” Tickets start at $10.
The romantic offerings conclude Feb. 17 at Highlands Church when Arizona Musicfest presents “The Greatest Love of All.” Acclaimed vocalist Belinda Davids pays tribute to Whitney Houston’s legendary songbook, performing beloved ballads including “I Will Always Love You” and “I Wanna Dance with Somebody” in two shows (2 p.m. and 7:30 p.m.). Tickets start at $43.
From classical masterworks to contemporary favorites and culinary delights, these events showcase Arizona’s vibrant cultural scene while offering distinctive ways to celebrate the season of love. Early reservations are recommended for ticketed events and dining experiences, as Valentine’s offerings often book quickly.
Experience
‘Feel the Love’
Feb. 2 // 3 p.m. // North Scottsdale United Methodist Church // 11735 N. Scottsdale Road, Scottsdale // Free // womens-orchestraarizona.org
‘Melodies of Love and Romance’
Feb. 9 // 4 p.m. // La Casa de Cristo Lutheran Church // 6300 E. Bell Road, Scottsdale // $20+; free for students and armed services members // scottsdalephilharmonic.com
Chef’s Counter Experience
Reservations required // Tuesdays–Thursdays 4:30–8:30 p.m., Fridays–Saturdays 4:30–9:30 p.m. // Atria // 103 N. Leroux St., Flagstaff // See website for menu options and prices // 928-440-4377 // atriarestaurant.com
The Tenors
Feb. 14 // 7:30 p.m. // Highlands Church // 9050 E. Pinnacle Peak Road, Scottsdale // $58+ // 480-422-8449 // azmusicfest.org
‘Love is in the Air’
Feb. 14–15 // Friday 7 p.m., Saturday 3 p.m. and 7 p.m. // Phoenix Boys Choir Building // 1131 E. Missouri Ave., Phoenix // See website for prices // 623-252-1746 // northvalleychorale.org
Chocolate Affaire
Feb. 15–16 // 10 a.m.–5 p.m. // Glendale Civic Center // 5750 W. Glenn Drive, Glendale // Free // 480-284-6033 // thechocolateaffaire.com
‘East Meets West: A Love Story’
Feb. 16 // 4 p.m. // Scottsdale Center for the Performing Arts // 7380 E. Second St., Scottsdale // $10+ // scottsdalesymphonicorchestra.org
‘The Greatest Love of All’
Feb. 17 // 2 p.m. and 7:30 p.m. // Highlands Church // 9050 E. Pinnacle Peak Road, Scottsdale // $43+ // 480-422-8449 // azmusicfest.org
Belinda Davids channels
Whitney Houston's spirit in "The Greatest Love of All," presented by Arizona Musicfest.
A Symphony of Nostalgia Bugs Bunny Brings Classical Flair to the Orpheum
TThe familiar strains of Wagner’s “Ride of the Valkyries” fill the historic Orpheum Theatre, but instead of Brunnhilde’s battle cry, the audience collectively murmurs a different refrain: “Kill da wabbit.” Such is the enduring power of a wise-cracking rabbit in white tie and tails, who introduced generations of Americans to classical music not through concert halls, but through Saturday morning cartoons.
“Many of us first experienced classical music from watching these iconic Looney Tunes cartoons as children, sitting in front of the television on Saturday mornings,” says Emmy Award-winning conductor George Daugherty, creator of “Bugs Bunny at the Symphony.“
Now celebrating its 30th anniversary, this groundbreaking production pairs classic Warner Bros. cartoons with live orchestral accompaniment, bringing beloved characters like Bugs Bunny, Elmer Fudd and Daffy Duck to the historic Orpheum Theatre Feb. 28–March 2.
“The Phoenix Symphony is proud to be a resident organization at the historic Orpheum Theatre,” says a symphony representative. “We can characterize the Phoenix Symphony, the Orpheum Theatre, and Bugs Bunny with elegance, grace, and proud grandeur — all while remaining approachable and relatable!”
The program features iconic shorts like “What’s
Writer Joseph J. Airdo // Photography by Chris Lee Photography
Many of us first experienced classical music from watching these
iconic Looney
Tunes cartoons as children.
George Daugherty
Opera, Doc?” and “The Rabbit of Seville,” where Warner Bros. composers Carl Stalling and Milt Franklyn masterfully adapted classical works by Wagner, Rossini and other composers into perfectly synchronized cartoon scores.
“When people experience these cartoons with a live orchestra playing the original scores, they appreciate the music in a much more visceral and immersive way,” Daugherty says. “The music is so much bigger and ‘in your face’ in our concert, and the way the orchestra and music integrate and interact with the characters and cartoons on the big screen is brilliantly obvious.”
The genius of composers Stalling and Franklyn lies in their ability to weave classical masterpieces into the fabric of animated storytelling. Take “The Rabbit of Seville,” for instance, where Rossini’s famous overture becomes the backdrop for Bugs Bunny’s comedic barbershop antics.
“It’s quite amusing — we play the original ‘Barber of Seville’ overture at the beginning of our concert, without animation,” Daugherty explains. “But the audience laughs during this ‘animationless’ overture at the precise moments where funny things happen in the animated ‘The Rabbit of Seville.’ That’s how deeply this music is ingrained in our collective psyche.”
For this 30th anniversary edition, Warner Bros. has added five new animated shorts to the program,
including three stunning 3D Wile E. Coyote and Road Runner cartoons scored by contemporary film composer Christopher Lennertz.
“These cartoons bring down the house because our audiences have never seen them before,” Daugherty says. “We also have two more new additions: ‘Dynamite Dance,’ a delightful ballet between Bugs and Elmer set to the rollicking ‘Dance of the Hours’ finale, and ‘Wet Cement,’ a fresh Elmer and Daffy Looney Tune.”
The cultural impact of these cartoons extends far beyond mere entertainment. As Daugherty notes, certain classical pieces have become inextricably linked with their animated interpretations.
“If you just sang those notes to people on the street, most would sing back ‘Kill da wabbit’ rather than intoning Wagner,” he says, referring to the famous adaptation of “Ride of the Valkyries” in “What’s Opera, Doc?”
The historic Orpheum Theatre provides the perfect backdrop for this unique blend of high culture and popular entertainment. Built in 1929, the recently renovated venue offers modern amenities while maintaining its vintage charm, creating an immersive experience that can’t be replicated at home.
“The cartoons and music are truly brilliant, captivating audiences of all ages with their artistic excellence, stunning animation, grand orchestrations and timeless comedic moments,” the symphony representative says. “These classic shorts remain as engaging and masterful today as when they were first created decades ago.”
A highlight of the concert is experiencing the Looney Tunes on the big screen, as they were originally intended for movie theaters, not television or small digital devices. The combination of live orchestral performance and full cinematic presentation creates a uniquely immersive experience that bridges generations.
The production has reached more than 3 million people worldwide, often serving as many audience members’ first orchestral experience.
“This aligns perfectly with our ongoing mission: to bring the power of live music to Phoenix and all of Arizona in a relatable and amazing experience,” the symphony representative adds.
bugsbunnyatthesymphony.net
IIn a quiet room at St. Joseph’s Hospital, science and soul converge in a remarkable moment. A baby’s persistent crying suddenly stops — the transformation takes exactly 31 seconds from the moment Jocelyn Obermeyer’s fingers touch her harp strings, her music precisely matching the infant’s distressed pitch.
“I could hear that he was crying in the key of F,” explains Obermeyer, executive director of the Therapeutic Harp Foundation. “When I matched that pitch with my harp, he followed the music down until he was completely peaceful.”
This scene, where an ancient instrument meets modern medicine, demonstrates the foundation’s research-backed approach to healing. The precise frequencies of harp music can influence everything from heart rate to oxygen levels — a scientific reality that plays out daily across Arizona’s healthcare landscape. As February hearts turn to thoughts of love and connection, THF’s work reveals how music — particularly the ethereal sounds of the harp — speaks directly to the heart, both metaphorically and literally.
Writer Joseph J. Airdo // Photography by Loralei Lazurek
Jocelyn Obermeyer, executive director of the Therapeutic Harp Foundation, brings healing harmonies to healthcare settings across Arizona.
Jocelyn Obermeyer “
The harp physically lies against us — it’s truly soul-to-soul, heart-to-heart music.
“The
cradle of
sound” — Jocelyn Obermeyer demonstrates how the harp’s vibrations resonate with the human body, creating therapeutic effects that science increasingly validates.
“The harp physically lies against us — it’s truly soul-to-soul, heart-to-heart music,” Obermeyer explains. “What’s inside us comes out through our playing, and in this therapeutic setting, you can really tell when it’s not authentic.”
Founded in 2000, THF stands as Arizona’s only therapeutic harp program, serving over 300,000 patients across more than 30 healthcare facilities. From premature infants in neonatal intensive care units to end-of-life hospice patients, the foundation’s skilled practitioners bring comfort through carefully calibrated musical interventions. The organization evolved from Hospice of the Valley’s Integrative Therapies program, which incorporates nontraditional healing arts with traditional medical treatment to sustain and improve individual well-being.
For Obermeyer, the journey to therapeutic harp music began with an unexpected spiritual calling. She had spent years as a principal of a Christian school, leading a life far removed from hospital corridors and healing harmonies.
“One of my parent volunteers got cancer and ended up in Gardner Home, which was one of Hospice of the Valley’s palliative care units,” she recalls. “A harpist came and played for her there, and she told me that she felt she could die in peace because her soul was relaxed and comforted.”
After the volunteer’s passing, Obermeyer experienced persistent dreams about playing the harp — an instrument she’d never previously considered. Her late husband responded by importing a beautiful instrument from Italy called the Salvi Ana.
“It was shipped to L.A. in pieces, assembled there, and then trucked to Phoenix where it needed a full month of tuning three times daily to acclimate,” she says.
That was just the beginning. A smaller harp named Lois, acquired through what Obermeyer describes as divine timing, became her companion for 18 years of service at Hospice of the Valley.
“I thought, ‘Okay, whatever, I’ll just learn another instrument,’” she remembers. “But it evolved into my true passion: Being with people who are dying, creating what we call ‘the cradle of sound.’”
Ancient Resonance
The harp’s association with matters of the heart spans millennia. While Cupid is best known for his bow and arrow, classical artists often depicted the Roman god of love wielding a harp — and for good reason. In ancient Egypt, the instrument served as a bridge between heaven and earth, used in ceremonies to facilitate both romantic connection and spiritual communion.
The harp’s unique resonance with the human body may explain its enduring connection to matters of the heart. Its ribcage-like shape mirrors our own anatomy, while its strings produce vibrations that match the frequency of human vocal cords. When embraced by the player, the harp’s vibrations reach the thymus gland in the chest, supporting the body’s immune system.
From David soothing King Saul’s troubled soul to modern therapeutic musicians bringing comfort to hospital rooms, the harp continues its ancient role as an instrument of healing and love.
The therapeutic power of harp music extends far beyond its emotional impact. The harp’s wide pitch range creates vibrations that resonate with the entire human body, producing effects that science is increasingly validating. These vibrations can help regulate everything from heart rate and blood pressure to oxygen saturation levels.
“We’re experiencing frequencies that go beyond what our natural ears can detect, but our bodies can feel them,” Obermeyer notes.
Research has shown that therapeutic harp music is absorbed at the cellular level, affecting patients whether they’re deaf, sleeping or unconscious. Scientific studies have demonstrated that the sound resonance increases oxygen levels and promotes healing, while the vibrations correlate directly to the heart and brain, promoting physical, emotional, mental and spiritual well-being.
The foundation’s approach differs significantly from traditional music therapy. While both modalities serve vital roles in healthcare, THF’s practitioners work more intuitively, responding to each patient’s unique needs in the moment.
“We’re therapeutic musicians, not music therapists — there’s a key difference,” Obermeyer emphasizes. “Music therapists work with prescribed treatment plans and charts, and they do that work beautifully. We partner with them, but our approach is different. We enter each situation asking ourselves, ‘What’s meeting us today?’ We respond to what we hear, feel, see and intuit from our patients in that moment.”
The impact of this intuitive approach reveals itself in countless patient stories. One particularly moving example occurred during what was supposed to be a dinner date for Obermeyer.
“Around 8 p.m., St. Joe’s Hospital called,” she recalls. “They said a patient who had heard me playing earlier that day requested music because their loved one was near death.”
Upon arriving at the ICU, she met a family — parents in their early 50s and their teenage daughter. The patient’s wife requested a specific song but couldn’t name it.
“I said ‘sure,’ having no idea which song she meant,” Obermeyer says. “She said, ‘You know, that one?’ I said yes, and ‘Amazing Grace’ came to me — that was the song she wanted to hear. The Holy Spirit just gave it to me.”
What followed was a profound moment of connection that would stay with Obermeyer for years to come.
“As I played and sang ‘Amazing Grace,’ something remarkable happened. Her husband was covered in tattoos, and she began studying them intently — his arms, his chest, his neck — turning his arms over, taking in every detail. Years later, when my good friend who also had many tattoos was dying, I found myself doing the same thing — studying his tattoos, remembering that moment.”
Healing Frequencies
Ninety percent of therapeutic harp music is absorbed at the cellular level, affecting patients whether they’re deaf, sleeping or unconscious
The harp’s wide pitch range (low C at 32.703 Hz to high G at 3,136.0 Hz) creates vibrations that resonate with the entire human body
Scientific studies have shown therapeutic harp music can:
- Regulate skin temperature
- Enhance immune function
- Relax muscles
- Influence heart rate and blood pressure
- Improve oxygen saturation levels
- Aid in sleep
- Release endorphins
- Reduce disorientation during surgery recovery
In a study of 97,000 patients, 97% reported that harp music helped them relax during surgery recovery
The foundation’s origin story is equally compelling. Joyce Buekers, THF’s founder, discovered the healing power of the harp through her own recovery journey after a devastating car crash that left her struggling with cognitive changes.
“Every day I see evidence of how medicine and spirituality intersect,” Buekers reflects. “Doctors prescribe the harp to help them in critical situations — with patients, families, staff and volunteers.”
Today, THF’s impact extends far beyond traditional healthcare settings. The foundation’s eight-person team works with families affected by domestic violence, partners with Circle the City and other medical offices serving homeless populations, brings music education to disadvantaged schools and even plays for animals. Recent initiatives include partnerships with Native American communities through House of Jubilee and groundbreaking research with opioiddependent infants at Banner Thunderbird.
“We took our baby harps up to the reservation,” Obermeyer shares. “We offered music classes for the children, and their parents joined in too. It was incredibly powerful — they’d never experienced anything like it before.”
The foundation’s work with memory care patients has yielded particularly remarkable results. In one instance, a seemingly nonresponsive patient suddenly became animated during a therapeutic music session.
“I remember one time when a doctor told me, ‘That lady hasn’t spoken in two months — whatever you’re doing, keep doing it,’” Obermeyer recalls. “She had not only corrected me on all the verses to ‘Amazing Grace’ but went on to share her life story as a former English teacher. She was completely lucid in that moment.”
Such transformative experiences have inspired THF’s vision for the future. As the foundation approaches its quarter-century mark, it seeks to expand these vital services while ensuring long-term sustainability. A Legacy Fund campaign aims to raise $5 million over the next two years, creating an endowment that will allow the foundation to continue its vital work for generations to come.
“I’d love to see us expand into more major medical hospitals,” Obermeyer says. “There are many group homes in our area, and I’d especially like to increase our presence in memory care facilities. The harp is incredibly effective for dementia patients. It brings such joy, both to them and to us.”
From ancient Egypt to modern Arizona, the harp has served as a bridge between physical and spiritual realms. In THF’s work, this timeless instrument becomes a powerful catalyst for healing, creating what Obermeyer calls “the cradle of sound” for those in need. The foundation’s therapeutic musicians provide comfort during life’s most intimate transitions, transforming medical spaces into sanctuaries of healing harmonies.
“Being invited into people’s most sacred moments is a profound privilege,” Obermeyer reflects. “These families invite us into incredibly intimate spaces during their most vulnerable times. That invitation is sacred. Instead of sending flowers, people send us. It creates memories that last forever inside them.”
therapeuticharps.org
From school principal to therapeutic musician, Jocelyn Obermeyer’s unexpected journey led her to become a pioneer in Arizona’s therapeutic harp movement.
Jocelyn Obermeyer’s harp, imported from Italy and requiring a month of daily tuning to acclimate to Arizona’s climate, has touched thousands of lives across the Valley.
Butterfly Landing
Writer Nancy Johnson // Therapeutic Harp Foundation
I regularly played therapeutic harp for a young man I’ll call “Stevie.” He suffered from complex, irreversible medical issues that gradually worsened. Confined to a specialized bed, he could no longer spend time outside as he once had.
His view of the outside world was limited, with only a few bushes and a parking lot visible from his window. Both sides of his bed were surrounded by medical equipment. A few photos lined the windowsill, and a paper butterfly was taped to the wall next to the TV.
One afternoon, after lamenting about being unable to go outside, Stevie paused. With hope in his eyes, he said, “But I can go places in my mind.”
His comment — and yearning to be outdoors — tugged at my heart. As I drove home, I decided to create a nature-themed song on the harp for him. Recalling the butterfly on his wall, I titled it “Butterfly Landing.”
When I played the butterfly song for Stevie, he’d close his eyes. I could see the tension ease in his face, and his restless body began to still. For just a little while, he could slip away from reality as he entered the imaginary world of the butterfly. He could go to a place in his mind that brought him comfort, peace and even a smile. Sometimes, he’d fall asleep to the music.
One season after returning from summer vacation, as I rolled my harp down the hallway to Stevie’s room, my heart sank. His room was empty. He had died following a medical emergency.
It was hard to lose Stevie, but I knew he was finally free — just like the butterfly.
I think of him when I play “Butterfly Landing” and when I play the harp outdoors. The butterfly song became a favorite for other patients, as it did for Stevie. Since then, I’ve composed other nature-themed pieces: “Mountain Trail,” “Wind in the Meadow” and “Sun Garden.”
Stevie, if I could say “thank you,” I would. You were an inspiration to me.
FFor mixed media artist Cathy Rae, creativity flows like a desert wash — sometimes in gentle trickles, other times in rushing torrents, but always carving deeper channels of artistic expression.
“My art has evolved significantly since joining FLAIR,” says Rae, referring to the Finest Local Artists in Residence collective at Anthem Country Club. “The support of FLAIR members has bolstered my confidence and encouraged me to take artistic risks.”
This Valentine’s Day weekend, Rae joins her fellow FLAIR artists for their annual exhibition, aptly themed “FLAIR is in the Air.” The show represents a departure from tradition, moving from its usual April timeframe to celebrate the season of love — and for good reason.
“Art is one of the most exquisite gifts one can give,” Rae reflects. “It endures a lifetime, carrying with it the power to be passed down through generations, each piece imbued with cherished memories. Every time the recipient gazes upon it, the artwork serves as a tangible reminder of the giver’s love and thoughtfulness.”
The evolution of FLAIR itself mirrors the artistic journeys of its members. What began as informal gatherings in members’ casitas has blossomed into a vibrant collective of approximately 24 talented artists. While some longtime members have returned to their families outside
Writer Joseph J. Airdo // Photography by Loralei Lazurek
In her Anthem studio, Cathy Rae explores the intersection of desert aesthetics and mixed media artistry, creating pieces that reveal their beauty upon closer inspection.
“
Art is one of the most exquisite gifts one can give. It endures a lifetime, carrying with it the power to be passed down through generations. Cathy Rae
Arizona in recent years, the group continuously welcomes new artists drawn by the inspiring local landscape and the promise of creative community.
For Rae, that sense of community emerged through an unexpected encounter.
“Shortly after moving to Anthem, I sought new connections and ways to contribute,” she recalls. “During a golf outing at the Anthem Country Club, where I was assigned to deliver water to participants, I was paired with Linda Smith, a longtime FLAIR member. As we chatted, we discovered our shared passion for art. She told me about the painting group, and the rest, as they say, is history.”
The centerpiece of this year’s exhibition is a hand-painted bench, a collaborative masterpiece that embodies the group’s creative spirit. The project, proposed during October’s meeting by FLAIR Director Deb Manne, elevates the group’s traditional raffle offering from themed gift baskets to a functional piece of art. Rae contributed intricate designs to the bench’s lizard motif, enhancing its texture and visual appeal.
“The bench is a vibrant tapestry of shapes, patterns, colors and textures, all harmonizing to create an exquisite result,” she explains. “It perfectly mirrors the community spirit of our FLAIR group. Each of us brings something unique to the collective, which is the key to our success.”
The collaborative nature of the bench project offered Rae a refreshing counterpoint to her usual solitary creative process.
“I relish the give-and-take process and find joy in allowing other artists to make decisions that influence the final result,” she says. “It was fascinating to observe how quickly decisions could be made based on gut feelings or intuition — quite a contrast to my typically slow, deliberate process.”
For Rae, who relocated to Arizona after retiring from teaching in Pennsylvania, the desert landscape has become a profound source of inspiration.
“The beauty of the West had captivated me during summer visits to my daughter and her family in Phoenix,” she says. “Despite the intense heat, my passion for the area never faded—or perhaps more accurately, never wilted. Upon retirement, I eagerly anticipated spending winter days basking in the sun rather than hiding from snow, sleet and freezing temperatures back East. Now, after seven years here, I can’t imagine living anywhere else.”
Her artistic journey, however, began long before her Arizona chapter.
“My appreciation for art deepened through art history courses in college, but creativity has always been an integral part of my life,” Rae explains. “Over the years, it has manifested in various forms— from crafting and selling handmade cards to reimagining interiors while flipping homes. The pandemic sparked a renewed interest in painting, which has since evolved into my current passion: mixed media collage.”
Her artistic style, which she describes as a “gritty, grungy aesthetic,” draws directly from Arizona’s rugged environment. Working primarily in mixed media collage, Rae incorporates an eclectic array of materials — vintage papers, dried botanicals, hand-painted monoprints, textiles, fibers, and even wood and metal — into her pieces.
“My art has to be beautiful, though not in the conventional sense of ‘pretty,’” she notes. “Viewers can appreciate my work from afar, taking in the overall composition, but it truly comes alive upon closer inspection. It’s in this intimate viewing that one discovers the myriad small treasures interwoven in unexpected ways, evoking a profound emotional response.”
Her creative process remains highly intuitive and spontaneous.
“While I may begin with a general concept, I remain open to the possibilities that emerge as materials interact,” Rae says. “There’s no set formula for my work; each piece evolves uniquely. I tend to work more slowly than many artists, savoring the natural progression of each creation. You might be familiar with Bob Ross’ concept of ‘happy accidents’ in painting. In my art, these serendipitous moments abound, gently guided toward perfection by an artist’s vision and grateful, creative hands.”
For the Valentine’s weekend show, Rae is preparing a diverse collection showcasing her experimental style, including a large abstract landscape, several smaller landscape pieces and works incorporating unconventional materials from books.
“If time permits, I hope to include some assemblages too,” she adds. “It’s going to be a real sampler of my artistic range!”
The exhibition promises more than just visual delights. Original artwork in oils, acrylics and watercolors will fill the Persimmon Clubhouse, alongside artisan greeting cards perfect for Valentine’s Day giving. Saturday evening features a special chocolate bar event, where visitors can indulge in fruit and other delectable items while mingling with the artists over cocktails from the cash bar.
“What could be more fitting for Valentine’s weekend?” Manne asks. “It’s a departure from our usual charcuterie board and no-host
Working intuitively with materials ranging from vintage books to desert botanicals, Cathy Rae crafts mixed media pieces that challenge traditional definitions of beauty.
bar, but we wanted to embrace the Valentine’s theme fully — after all, who doesn’t love chocolate?”
The Saturday evening reception runs from 5 to 7 p.m., offering the perfect prelude to Valentine’s weekend dinner plans.
The painted bench will be raffled off Sunday afternoon, offering one lucky winner the chance to own a piece of FLAIR’s collaborative artistry. Raffle tickets will be available throughout the three-day event, with the drawing held Sunday at 2 p.m. The winner need not be present to claim the prize.
“I hope the winner discovers joy in owning the bench and appreciates how all the artistic elements harmonize,” Rae says. “I’m confident that our community spirit will radiate through the piece, becoming evident to everyone who views it.”
FLAIR’s impact extends beyond the exhibition walls.
“Visitors are often pleasantly surprised to discover the wealth of artistic talent residing in Anthem,” Rae observes. “They’re eager to learn more about our artists, our group, and the vibrant
artistic culture that thrives not just in Anthem, but throughout the greater Phoenix area. FLAIR members serve as excellent ambassadors for this rich artistic community.”
The group’s weekly Monday meetings at the Anthem Civic Center have become a cornerstone for artistic growth and friendship.
“FLAIR serves as a vibrant forum for artists at all stages of their journey — from novices to seasoned professionals,” Rae explains. “We provide a supportive environment that encourages experimentation, problemsolving, continuous learning, and celebration of our artistic achievements.
“The art show offers a unique opportunity to experience beauty and thought-provoking ideas in an exquisite setting. Viewing artistic creations is always enriching, but it becomes truly magical when you have the chance to meet and converse with the artists themselves. This interaction creates a joyful and enlightening experience for both viewer and creator. Art, at its core, is a shared experience.”
FLAIR artists gather around their collaborative masterpiece — a hand-painted bench featuring Southwestern motifs — which will be raffled during their Valentine's Day weekend exhibition. // Photo Courtesy of Finest Local Artists in Residence
Pork Chops with Mushroom Cream Sauce
Directions:
Yield: 4 servings
Ingredients:
4 (1 1/2-inch-thick) bone-in pork chops
1 teaspoon kosher salt, plus more to taste
Freshly cracked black pepper
2 tablespoons extra-virgin olive oil
6 tablespoons salted butter
2 pounds cremini mushrooms, ends trimmed, halved
3 garlic cloves, minced
1 cup dry white wine
2 tablespoons fresh thyme, minced
1 cup heavy cream
1 tablespoon Dijon mustard
1 lemon, halved
2 tablespoons fresh chives or thyme
This elegant one-skillet dinner pairs perfectly seared pork chops with a luxurious mushroom cream sauce. The combination of dry white wine, fresh herbs and Dijon mustard creates a sophisticated yet comforting dish that’s ideal for a romantic Valentine’s Day dinner or any special winter evening.
To prepare the pork chops: Pat the pork chops dry with paper towels. Season with the salt and pepper.
Heat the olive oil in a large, heavy-bottom skillet over high heat. Once the oil just begins smoking, working in batches, add the pork chops. Cook, undisturbed, for 3 minutes, then flip and continue cooking for another 3 minutes. Continue cooking this way, flipping the pork, until the internal temperature reads 160 degrees, about 15 minutes total. Transfer the pork chops to a serving platter and cover with foil to keep warm. Repeat with remaining pork chops.
To make the sauce: Reduce the heat to medium and add the butter to the pan. Once melted, add the mushrooms and stir until softened and browned, about 5 minutes. Add the garlic and cook for 1 more minute. Stir in the wine and thyme, then bring to a simmer. Cook until the liquid is reduced by about half, 5 minutes. Stir in the heavy cream and mustard until combined, and simmer until the sauce is thick enough to coat the back of a wooden spoon, about 4 more minutes. Taste and season with salt and pepper.
Return the pork to the skillet, spooning the sauce over it to coat. Squeeze fresh lemon juice over the top and garnish with chives or thyme. Divide among four plates.
Writer and Photographer Francine Coles
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