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What's Inside?
From the Publisher A
Publisher Shelly Spence
Managing Editor
Joseph J. Airdo
Graphic Designer
Meaghan Mitchell
Contributing Writers
Joseph J. Airdo
Francine Coles
Shannon Severson
Photographers
Francine Coles
Loralei Lazurek
Advertising Sales
Cindi Calcinari
860-966-3271 cindi@imagesaz.com
Images Arizona P.O. Box 1416 Carefree, AZ. 85377 623-341-8221 shelly@imagesaz.com imagesarizona.com
As the desert landscape bursts into bloom, our March issue of Images Arizona celebrates the cultural richness and innovative spirit that define our Arizona communities.
This month’s issue is a testament to the diverse talents and experiences that make our region truly special. Our cover story, “Goal Getter,” introduces you to an extraordinary young athlete whose journey from medical challenges to Paralympic soccer stardom embodies the resilience and determination that flourish in our community. This inspiring tale reminds us that with perseverance and support, we can overcome any obstacle and achieve greatness.
Music lovers are in for a treat as we take you behind the scenes of Arizona Musicfest’s crown jewel event in “Orchestral Excellence.” Discover how this unique assembly of elite musicians transforms North Scottsdale into a classical music oasis each March, rivaling the nation’s finest orchestras.
As we welcome the warmer days, our photo essay “Into the Flames” offers a powerful reminder of the fierce beauty and potential dangers that come with our desert climate. Photographer Mark E. Anderson’s stunning images capture the raw power of Arizona’s wildfires, serving as both a visual spectacle and a call to vigilance.
Speaking of which, don’t miss our important sidebar on wildfire preparedness. “Fighting Fire with Forethought” provides crucial information on how to protect your property and community through the Firewise program — a timely read as we enter the drier months.
As you flip through these pages, I hope you’ll be inspired to embrace the spirit of renewal that spring brings to our desert home. Whether you’re cheering on local athletes, experiencing world-class music or simply enjoying the beauty of our landscape, there’s so much to celebrate in our communities this season.
Cheers,
Shelly Spence Publisher, Images Arizona
Photography by Loralei Lazurek
SARAH GRAHAM JEWELRY
With a constant stream of new designs flowing from her studio every year, Sarah Graham’s statement-making jewelry is exciting and elegant. By incorporating innovative materials with her exceptional design sense, she creates jewelry that is unlike anything else; organic, textural, with a muted palate that is subtly feminine, yet substantial; unique, yet universal in its appeal.
FFor one extraordinary week each March, North Scottsdale becomes the epicenter of orchestral excellence as Arizona Musicfest presents its crown jewel event — Festival Orchestra Week. Under the masterful direction of Robert Moody, this unique assembly of elite musicians from America’s premier orchestras transforms the desert into a classical music oasis.
“It’s like driving a Ferrari,” says Moody, who marks his 18th season as music director. “From the first rehearsal, this orchestra plays at a level significantly higher than most North American orchestras achieve in performance. That’s a bold statement, but it’s true.”
Writer Joseph J. Airdo // Photography Courtesy of Arizona Musicfest
Maestro Robert Moody, now in his 18th season as music director of Arizona Musicfest, brings his dynamic vision to the 2025 Festival Orchestra Week.
From the first rehearsal, this orchestra plays at a level significantly higher than most North American orchestras achieve in performance.
That’s a bold statement, but it’s true. Robert Moody
The concept behind the Festival Orchestra is brilliantly simple: Create an orchestral equivalent of an allstar game, featuring top players from America’s most prestigious ensembles. What began as an ambitious vision has evolved into one of classical music’s most compelling success stories.
“When I started almost 20 years ago, I knew just one player in the top 10 orchestras — a cellist from the Chicago Symphony I’d known in grad school,” Moody recalls. “We started reaching out to musicians from orchestras in cold-weather cities with a compelling pitch: good pay, great treatment, and average temperatures of 76 degrees and sunny.”
That winning formula has created what Moody describes as “an embarrassment of riches,” with players from major orchestras now actively seeking opportunities to perform with the ensemble.
Mozart’s Requiem
Sunday, March 23 // 2 p.m. // Pinnacle Presbyterian Church // 25150 N. Pima Road, Scottsdale // $86+
Mozart’s Requiem stands as one of classical music’s most poignant masterpieces, its profound emotional depths made even more compelling by the circumstances of its composition — as Mozart’s final, unfinished work. This March, Maestro Robert Moody leads the Festival Orchestra, Festival Chorus and guest soloists in a performance that carries deep personal resonance.
“This concert has deep personal significance for me,” Moody shares. “I lost my husband, Jimmy Jones, just over a year ago. Jimmy was the Festival Orchestra’s guest organist for nearly as long as I’ve been conducting the ensemble.”
Toccata Festiva, a powerful work for organ and orchestra by Samuel Barber, will open the program. The piece features outstanding local organist Dr. Ilona Kubiaczyk-Adler. Moody is dedicating the performance to Jones’ memory.
“Music helps — it really does,” Moody reflects. “I’ve told audiences countless times that music heals and brings people together. Now I’ve experienced the truth of those words more profoundly than I ever imagined possible.”
The afternoon also showcases the virtuosity of Henrik Heide, principal flutist of the Cincinnati Symphony Orchestra, performing Ibert’s Flute Concerto.
“Henrik is an absolutely phenomenal player,” Moody says. “His performance alone is worth the price of admission.”
This masterwork concert promises both artistic excellence and emotional resonance, demonstrating music’s unique power to honor, heal and inspire.
Tchaikovsky & Time for Three
Tuesday, March 25 // 7:30 p.m. // La Casa de Cristo Lutheran Church // 6300 E. Bell Road, Scottsdale // $56+
Innovation meets tradition as Arizona Musicfest presents a groundbreaking program pairing Tchaikovsky’s triumphant Fifth Symphony with a world premiere by one of classical music’s brightest contemporary voices. The evening features “Silicon Hymnal,” a new triple concerto by Grammy-winning composer Mason Bates, performed by the genre-defying string trio Time for Three.
“Mason was our composer-in-residence back around 2010, when we first commissioned a work from him,” Moody explains. “Since then, he’s won three Grammys, including one just days ago, and his second opera is opening the Metropolitan Opera’s season in New York next fall.”
The piece showcases Time for Three, themselves multiple Grammy winners, whose unique style blends classical virtuosity with contemporary innovation.
“What makes this concerto particularly special is how it incorporates electronica, with Mason using a laptop and drum pad in the percussion section to create sounds beyond what acoustic instruments can produce,” Moody says.
The program concludes with Tchaikovsky’s Fifth Symphony, demonstrating how masterworks of the past continue to resonate alongside cutting-edge contemporary compositions.
“I think what’s exciting about this program is how it might draw different audiences,” Moody reflects. “Some people will come for Tchaikovsky’s Fifth Symphony, one of the greatest works in the orchestral repertoire, while others will be curious about this innovative new piece.”
‘Star Wars’ Celebration
Friday, March 28 // 7:30 p.m. // La Casa de Cristo Lutheran Church // 6300 E. Bell Road, Scottsdale // $65+
The Force is strong with Arizona Musicfest as the Festival Orchestra presents an evening celebrating John Williams’ iconic scores from the “Star Wars” saga. This concert takes audiences on a musical journey through all nine films of the Skywalker saga, plus beloved themes from the expanded “Star Wars” universe.
“Star Wars has such a personal connection for so many people,” Moody says. “Being 57 now, I was just the right age to be completely captivated by that first release. I started practicing those themes on my cello constantly.”
Rather than relying on costumes or theatrical elements, this performance puts the focus squarely on the musical brilliance that has become inseparable from the “Star Wars” experience.
“‘Star Wars’ is the perfect example of how movies wouldn’t be half of what they are without their musical scores,” Moody explains. “John Williams’ compositions, along with those who contributed to later films and series, are absolutely essential to the experience.”
The program presents the music chronologically, from Episode I through Episode IX, incorporating memorable themes from spinoffs like “Solo,” “Rogue One” and “The Mandalorian.” A narrator helps guide the audience through this musical exploration of a galaxy far, far away.
“There’s something really special about letting this magnificent music stand on its own,” Moody reflects. “Just the pure power of a world-class orchestra bringing these beloved themes to life.”
Rachmaninoff & Copland
Sunday, March 30 // 2 p.m. // La Casa de Cristo Lutheran Church // 6300 E. Bell Road, Scottsdale // $56+ Festival Orchestra Week concludes with a powerful pairing of Russian romanticism and American spirit, featuring piano prodigy Maxim Lando performing Rachmaninoff’s monumental Third Piano Concerto alongside Copland’s quintessentially American Third Symphony.
“I first worked with Maxim when he was 14,” Moody says. “He’s only about 20 now, but he’s already performed with the Kirov Orchestra in Russia and the Philadelphia Orchestra. He’s a genuine prodigy.”
The program opens with Rachmaninoff’s Third Piano Concerto, famously featured in the Academy Award-winning film “Shine.” Known for its technical demands and emotional depth, the concerto represents the pinnacle of the Romantic piano repertoire.
Looking ahead to America’s upcoming 250th anniversary celebration, the concert concludes with Copland’s Third Symphony, which incorporates his iconic “Fanfare for the Common Man.”
“Copland wrote ‘Fanfare for the Common Man’ in 1942, shortly after Pearl Harbor, as part of the war effort to boost morale,” Moody explains. “Two years later, he composed his Third Symphony, structuring the entire work as a buildup to the finale, where he incorporates the complete ‘Fanfare’ into this amazing rhapsodic fourth movement.”
“When audiences realize we have musicians performing at this level right here in Scottsdale,” Moody adds, “it’s like putting a Ferrari into full throttle.”
“Now, players from major orchestras reach out to us: ‘Hey, I heard from my colleague who plays with you — if you ever need another violist from Philadelphia, let me know,’” he says.
The orchestra’s success stems not just from technical excellence but from a carefully cultivated collaborative spirit. Moody and his team specifically seek musicians who excel at working together, creating an environment that feels more like a family reunion than a typical orchestra gathering.
“Though the work is intense — about 150% of normal rehearsal and performance hours in just eight days — everyone maintains high spirits,” Moody says. “It feels like summer camp, or a family reunion of the greatest musicians in the country.”
This collaborative approach is essential, as these musicians must quickly develop the intimate musical connections that typically form over years of playing together.
“When you have an orchestra that plays at this level and is focused on genuine collaboration rather than holding back, it’s jaw-dropping to watch and hear,” Moody explains. “These are the LeBron Jameses of their craft. When players at that level come together with a collaborative spirit, it creates something extraordinary.”
The Festival Orchestra’s impact extends beyond its performances, contributing to Greater Scottsdale’s evolution as a cultural destination. Since Moody took the helm of the Orchestra, the region has experienced tremendous growth in both population and artistic sophistication.
“The metro area has grown exponentially since I first conducted the ensemble in 1998,” Moody reflects. “The whole region has exploded, bringing with it more diversity and broader musical interests.”
Under Moody’s leadership, the Festival Orchestra has embraced this evolution, offering programming that spans classical masterworks, contemporary compositions and film scores. This approach has helped build new audiences while maintaining the highest artistic standards.
“We’re musical explorers,” Moody says. “We’re always seeking ways music can evolve in the 21st century. And when you have an orchestra this phenomenal, it makes for quite a joyride.”
As Festival Orchestra Week 2025 approaches, it stands as a testament to the power of artistic vision, collaborative spirit and musical excellence. In bringing together some of the nation’s finest orchestral musicians, Arizona Musicfest has created more than just a series of symphonic concerts — it has established a cultural phenomenon that continues to elevate Greater Scottsdale’s position in the classical music world.
azmusicfest.org
COMMUNITY March 2025
Writer Joseph J. Airdo
Through March 30 IMAGINARIUM
This 3-acre illuminated wonderland features millions of LED lights creating enchanted forests, rose gardens and magical scenes. The walk-through experience includes infinity mirror rooms, photo opportunities, interactive activities and daily circus performances. The event spans both indoor and outdoor spaces with laser mazes, glow art and play areas. $24; children 3–12 and seniors 62+ $19; 2 and under free. See website for times. Superstition Springs Center, 6505 E. Southern Ave., Mesa. 725-272-2700; imaginarium360.com
Through
March 2
‘ARSENIC AND OLD LACE’
Starlight Community Theater presents this classic black comedy about a drama critic whose wedding plans are complicated by his murderous aunts and eccentric family. See website for ticket prices and showtimes. Starlight Community Theater, 1611 W. Whispering Wind Drive, Suite 9, Phoenix. starlightcommunitytheater.com
Through March 2
BUGS BUNNY AT THE SYMPHONY
The Phoenix Symphony performs classic cartoon scores live while Looney Tunes favorites play on the big screen. Emmy Award-winning conductor George Daugherty leads beloved scenes including “What’s Opera, Doc?” and “The Rabbit of Seville.” Features five new animated shorts. $55–$103. Friday-Saturday 7:30 p.m., Sunday 2 p.m. Orpheum Theatre, 203 W. Adams St., Phoenix. 602-4951999; phoenixsymphony.org
Through March 2
GREATER PHOENIX JEWISH FILM FESTIVAL
The 28th annual festival presents international films with Jewish themes. See website for prices and schedule. Harkins Arrowhead Fountains 18, 16046 N. Arrowhead Fountains Center Drive, Peoria; and Harkins Shea 14, 7354 E. Shea Blvd., Scottsdale. gpjff.org
Through
March 2
Maricopa County Home & Landscape Show
This mega home improvement event features more than 1,000 vendors showcasing products and services for indoor and outdoor living. The show includes landscaping displays, gardening workshops with UA Master Gardeners, live demonstrations, crafting sessions, and children’s activities. $10; seniors 55+ $5 Friday morning; children 4–12 $3; 3 and under free. 9 a.m.–5 p.m. State Farm Stadium, 1 Cardinals Drive, Glendale. maricopacountyhomeshows.com
Through March 2
SEDONA INTERNATIONAL FILM FESTIVAL
Named one of MovieMaker Magazine’s “25 Coolest Film Festivals in the World,” this nine-day celebration presents 150+ independent films from around the globe. The event features filmmaker Q&As, industry panels, red-carpet events and VIP receptions. See website for ticket prices and schedule. Multiple venues, Sedona. 928-282-1177; sedonafilmfestival.com
Through March 30
ARIZONA RENAISSANCE FESTIVAL
Step back to the 16th century at this 50-acre medieval theme park featuring 16 stages of entertainment, jousting
tournaments, 200 artisan shops and period food and drink. Over 2,000 costumed characters bring the Village of Fairhaven to life. $36; children 5–12 $24; 4 and under free. 10 a.m.–6 p.m. Saturdays and Sundays. Arizona Renaissance Festival, 12601 E. Highway 60, Gold Canyon. 520-463-2600; arizona.renfestinfo.com
Through April 13
‘CHURCHILL’
The Phoenix Theatre Company presents this one-man show set in 1963, as Winston Churchill reflects on his life following his honorary U.S. citizenship. The statesman shares memories of war, leadership and the influential women in his life, from wife Clementine to Queen Elizabeth II. $59+. See website for showtimes. Judith Hardes Theatre at The Phoenix Theatre Company, 1825 N. Central Ave., Phoenix. phoenixtheatre.com
Through April 30
BUBBLE PLANET
This immersive art experience features 10 themed environments celebrating bubbles and imagination. Visitors journey through LED-lit spaces, infinity rooms, virtual reality stations, and interactive installations including a bubble bath pit and giant bubble chamber. The hour-long experience includes hands-on activities and photo opportunities. $22.90; children 4–16 $17.90; 3 and under free. See website for times. Arizona Mills Mall, 5000 S. Arizona Mills Circle, Tempe. bubble-planet.com
Through May 4
‘JERSEY BOYS’
The Phoenix Theatre Company presents the Tony, Grammy and Olivier Award-winning musical about Frankie Valli and The Four Seasons’ rise from New Jersey obscurity to pop stardom. Features hits including “Sherry,” “Walk Like a Man” and “Can’t Take My Eyes Off You.” $59+. See website for showtimes. Hormel Theatre at The Phoenix Theatre Company, 1825 N. Central Ave., Phoenix. phoenixtheatre.com
March 1
ART D’CORE GALA: PRISM
Artlink’s 12th annual celebration of Arizona arts and culture transforms Biltmore Fashion Park into a prismatic wonderland. The evening features visual displays, live performances and culinary creations from local artists. Creative attire encouraged. Proceeds benefit Artlink’s community initiatives. See website for ticket prices. 7 p.m. Biltmore Fashion Park, 2502 E. Camelback Road, Phoenix. artlinkphx.org
COMMUNITY March 2025
Writer Joseph J. Airdo
March 15
ST. PATRICK’S DAY PARADE & FAIRE
Phoenix’s 42nd annual celebration features a downtown parade followed by festivities at Margaret T. Hance Park. The faire includes Irish music, step dancing, bagpipers, and traditional food and crafts. $15–$18; children under 12 free. Parade 10 a.m., faire 10 a.m.–5 p.m. Third Street and Margaret T. Hance Park, Phoenix. stpatricksdayphoenix.org
March 1
MELROSE ON 7TH AVENUE FAIR
This annual street festival celebrates Phoenix’s Melrose District with more than 200 local artisans, food trucks and live entertainment. The event includes a classic car show featuring vintage automobiles, a craft beer garden and activities for children. Free admission. 11 a.m.–5 p.m. Melrose District, Seventh Ave. and Indian School Road, Phoenix. instagram.com/melroseon7thavenue
March 1–2
DAISY MOUNTAIN ROCK AND MINERAL SHOW
The Daisy Mountain Rock & Mineral Club presents its annual show featuring rocks, crystals, fossils and handcrafted jewelry. Meet “Dr. Rock” for specimen identification, plus kids’ activities and raffles every 20 minutes. $6; seniors, veterans and students $4; children under 12 free with adult. Saturday 9 a.m.–5 p.m., Sunday 10 a.m.–4 p.m. Anthem School, 41020 N. Freedom Way, Anthem. dmrmc.com
March 1–2
GALBANI ITALIAN HERITAGE FESTIVAL OF PHOENIX
Heritage Square transforms into an Italian piazza featuring authentic cuisine, imported beverages and entertainment. The event includes an Italian marketplace, classic car and motorcycle displays, and family-friendly activities. $10+. 11 a.m. Heritage Square, E. Adams St. and N. Seventh St., Phoenix. italianfestivalphoenix.com
March 3
‘MY TRIBUTE TO TONY BENNETT’
Arizona Musicfest presents Michael Feinstein and the Carnegie Hall Big Band celebrating Bennett’s legacy through iconic hits including “Because of You,” “Rags to Riches” and “I Get a Kick Out of You.” Features multimedia elements. $65+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
March 6
BIG IDEAS FORUM
A discussion on “The Status on Brain-Computer Interface” explores recent developments in neurotechnology, from breakthroughs to ethical concerns. Free. 4:30–6 p.m. Anthem Civic Building, 3701 W. Anthem Way, Anthem. 305-302-7536; bigideasforum.info
March 7–8
M3F FESTIVAL
North America’s longest-running nonprofit music festival presents LCD Soundsystem, Justice and 30+ artists across multiple stages. All proceeds benefit local charities. Features indie, electronic, rock and hip-hop performances. See
website for ticket prices and schedule. Steele Indian School Park, 300 E. Indian School Road, Phoenix. m3ffest.com
March 8
‘A NIGHT AT THE CLASSICS’
North Valley Symphony Orchestra performs beloved works including Gershwin’s lively “Cuban Overture,” Faure’s haunting “Pavane,” Mozart’s spirited “Marriage of Figaro Overture,” and the dramatic “Symphony No. 4” by Tchaikovsky. $10; youth, student, senior and military discounts available. 7 p.m. North Canyon High School Auditorium, 1700 E. Union Hills Drive, Phoenix. northvalleysymphony.org
March 8
‘THE SIMON & GARFUNKEL STORY’
Arizona Musicfest presents this critically acclaimed concert-style theater show chronicling the journey of the world’s most successful music duo. Features a full live band performing hits like “Mrs. Robinson” and “Bridge Over Troubled Water” with state-of-the-art video projection. $58–$98. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. azmusicfest.org
March 8
‘TIMELESS CONTRIBUTIONS: A CELEBRATION OF WOMEN’S HISTORY’
Heritage Square presents a day of activities celebrating women in Arizona history. The event features “Sounds of Suffrage” theatrical performances in the Rosson House Museum, a lecture on the women of Heritage Square, historical costumes, lawn games and crafts. Regular museum tours are available in the afternoon. Free admission to grounds; theater performances and museum tours require tickets. 11 a.m.–3 p.m. Heritage Square, 602 E. Adams St., Phoenix. heritagesquarephx.org
March 11
AUGUSTIN HADELICH IN RECITAL
Arizona Musicfest presents the Grammy Award-winning violinist known for his phenomenal technique and insightful interpretations. Named Musical America’s “Instrumentalist of the Year” in 2018, Hadelich is recognized as one of today’s greatest violinists. $43–$87. 7:30 p.m. La Casa de Cristo Lutheran Church, 6300 E. Bell Road, Scottsdale. azmusicfest.org
March 14–16
‘SNOW WHITE’
Phoenix Ballet and Master Ballet Academy present this classic fairy tale ballet. The production features talented young dancers alongside professional performers in an enchanting retelling of the beloved story. See website for ticket prices and showtimes. Herberger Theater Center, 222 E. Monroe St., Phoenix. phoenixballet.org
COMMUNITY March 2025
Writer Joseph J. Airdo
March 20–23
ANTHEM DAYS
This annual community celebration features a business expo, carnival, live music, food vendors and kids’ activities. The weekend includes performances by Vixanne and Marble Heart, a Rotary beer garden and Sunday’s Egg Hunt Eggstravaganza with special needs accommodations. Free admission and parking; carnival and activity fees apply. Carnival Thursday–Friday 5–10 p.m., Saturday–Sunday noon–10 p.m.; expo Saturday-Sunday 10 a.m.–4 p.m. Anthem Community Park, 41703 N. Gavilan Peak Parkway, Anthem. anthemcouncil.com
March 15
‘LES MISÉRABLES SCHOOL EDITION’ AUDITIONS
Musical Theatre of Anthem holds auditions for youth ages 14–18 for this classic musical set in 19th-century France. Bring 16–32 bars of a musical theater song and accompaniment. $325 tuition and costume fee; scholarships available. 9 a.m. general auditions, 11 a.m. callbacks. Registration required. Musical Theatre of Anthem, 42201 N. 41st Drive, Suite B100, Anthem. musicaltheatreofanthem.org
March 15
‘A TOAST TO STEVE & EYDIE’
Arizona Musicfest celebrates the legendary duo with their son, Emmy-nominated composer David Lawrence, and Tony Award winner Debbie Gravitte. The Musicfest Pops Ensemble performs the couple’s original 30-piece orchestrations of American standards. $58–$98. 2 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. azmusicfest.org
March 15–16
ARIZONA ALOHA FESTIVAL
This celebration of Pacific Island cultures features traditional music, dance performances and cultural demonstrations. The lakeside event includes Hawaiian food vendors, craft demonstrations, children’s activities and educational programs in the Hale Mana’o (House of Knowledge). Free admission. 10 a.m.–5 p.m. Tempe Beach Park, 80 W. Rio Salado Parkway, Tempe. azalohafest.org
March 15–16
EXPERIENCE IRELAND
The Musical Instrument Museum showcases Irish musical heritage through its collection of historic instruments. Features performances by The American Rogues on March 16. Included with museum admission. 9 a.m.–5 p.m. The Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org
March 16
‘THE FOUR SEASONS’
Arizona Bach Festival presents Vivaldi’s masterwork performed by four distinguished violinists: Stephen Redfield, Jonathan Godfrey, Jonathan Swartz and Daniel Phillips. The program includes concertos featuring trumpeter Joe Burgstaller and bassoonist Albie Micklich. $45+. 3 p.m. All Saints’ Episcopal Church, 6300 N. Central Ave., Phoenix. arizonabachfestival.org
March 17
THE BARRICADE BOYS
Arizona Musicfest presents four West End stars performing hits from shows including “Les Misérables,” “Phantom of
the Opera” and “Wicked.” The show combines musical theater favorites with pop, rock and swing classics, featuring dance routines and dazzling performances. $58–$98. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. azmusicfest.org
March 21–22
ORGANIC ELEGANCE: SARAH GRAHAM JEWELRY EXHIBITION
Step into a world where bark textures and sea forms inspire revolutionary jewelry design. Meet celebrated artist Sarah Graham and explore how she transforms oxidized cobalt chrome and 18-karat gold into bold statements of natural beauty. Free. 10 a.m.–5 p.m. Grace Renee Gallery, Historic Spanish Village, 7212 E. Ho Hum Road, Carefree. 480-575-8080; gracereneegallery.com
March 22
‘ARIZONA GRAND GALA OF STARS’
Studio R Ballet presents a performance featuring renowned ballet stars alongside top students from around the state. Guest performers include Daniil Simkin, Iana Salenko, Joseph Gordon and Indiana Woodward, among others. $40–$175. 7 p.m. Orpheum Theatre, 203 W. Adams St., Phoenix. studiorballet.com
March 22
THE PIANO GUYS
Arizona Musicfest presents this international sensation known for bold compositions that transcend musical boundaries. The quartet blends classical with pop, rock and film scores, having earned six No. 1 debuts on Billboard’s Classical Albums chart. $79–$149. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. azmusicfest.org
March 22–23
SPIRITS
OF MEXICO FESTIVAL
This cultural celebration showcases the heritage of Mexico’s Nayarit region through traditional music, dance performances, cooking demonstrations and spirits tastings. The festival includes a marketplace, workshops and VIP experiences with guided tastings. $10+; children under 12 free. 11 a.m.–6 p.m. Heritage Square, 113 N. Sixth St., Phoenix. 623-204-4698; spiritsofmexicofestival.com
March
23
GEARS & BEERS: A CAR SHOW
Simple Machine Brewing Company hosts an afternoon of classic cars, craft beers and local vendors. A limited-edition package including a commemorative glass, long-sleeve shirt and two beers is available for $45. Free admission. Noon–4 p.m. Simple Machine Brewing Company, 701 W. Deer Valley Road, Suite 1, Phoenix. 480-529-3611; simplemachinebrewing.com
March 23
‘MOZART’S REQUIEM’
Arizona Musicfest presents Mozart’s final masterpiece featuring the Festival Orchestra, Festival Chorus and guest soloists. Includes Barber’s “Toccata Festiva” with organist Dr. Ilona Kubiaczyk-Adler and Ibert’s Flute Concerto with Henrik Heide. $86+. 2 p.m. Pinnacle Presbyterian Church, 25150 N. Pima Road, Scottsdale. azmusicfest.org
March 25
‘TCHAIKOVSKY & TIME FOR THREE’
Arizona Musicfest’s Festival Orchestra performs Tchaikovsky’s Fifth Symphony alongside the world premiere of Mason Bates’ “Silicon Hymnal,” featuring Grammy winners Time for Three. $56+. 7:30 p.m. La Casa de Cristo Lutheran Church, 6300 E. Bell Road, Scottsdale. azmusicfest.org
March 26–29
‘BEETLEJUICE JR.’
Boulder Creek High School presents this adaptation of the Tony Awardnominated Broadway musical, bringing together theater students and cheerleaders in an unprecedented collaboration. The story follows teenager Lydia Deetz as she encounters ghosts and a mischievous demon in her new home. $10. 7 p.m. Boulder Creek High School Fine Arts Auditorium, 40404 N. Gavilan Peak Parkway, Anthem. bit.ly/42OorYb
March 27–30
‘SPRING MIX’
Ballet Arizona presents a program of contemporary ballets featuring works from both emerging and celebrated choreographers. The performance includes Christopher Wheeldon’s “Within the Golden Hour,” a world premiere by Nayon Iovino, and Robert Bondara’s “Take Me With You” set to music by Radiohead. See website for ticket prices and showtimes. Orpheum Theatre, 203 W. Adams St., Phoenix. 602-381-1096; balletaz.org
March 27–April 6
‘DISNEY’S THE LITTLE MERMAID JR.’
Musical Theatre of Anthem presents this adaptation of the Broadway production and Disney film, featuring a cast of performers ages 6–18. The show follows Ariel’s journey as she dreams of life above the sea. $25. See website for showtimes. Musical Theatre of Anthem, 42201 N. 41st Drive, Suite B100, Anthem. musicaltheatreofanthem.org
March 27–April 6
PHOENIX FILM FESTIVAL
The festival celebrates its 25th anniversary with more than 250 films from around the globe. Events include the Party Pavilion, Industry Night, Film Prom and Kids Day. See website for film schedule and ticket prices. Harkins Scottsdale 101, 7000 E. Mayo Blvd., Phoenix. 480-5133195; phoenixfilmfestival.com
COMMUNITY March 2025
Writer Joseph J. Airdo
ROSIE’S HOUSE RECEIVES
$10,000 GRANT
Rosie’s House, a free after-school music and leadership program, has been awarded a $10,000 grant from Thunderbirds Charities. The funding will support musical instruction for more than 650 under-resourced youth in the Phoenix metro area during the 2024–2025 program year, covering costs for instruments, books and classroom instruction. This grant allows Rosie’s House to continue providing tuition-free music education that fosters creativity, discipline and confidence in students from pre-K through 12th grade. rosieshouse.org
March 28
‘STAR WARS CELEBRATION’
The Festival Orchestra presents John Williams’ iconic scores from all nine films of the “Star Wars” saga, plus themes from the expanded “Star Wars” universe. $65+. 7:30 p.m. La Casa de Cristo Lutheran Church, 6300 E. Bell Road, Scottsdale. azmusicfest.org
March 29
ANTHEM CARS AND COFFEE
Classic and modern vehicles fill this monthly car show, complemented by coffee, food vendors and community fellowship. Free. 8–11 a.m. Outlets North Phoenix, 4250 W. Anthem Way, Phoenix. anthemcarsandcoffee.com
March 29
‘CREATION’
ProMusica Arizona presents the Arizona premiere of Dan Forrest’s oratorio “Creation,” a 72-minute masterpiece inspired by Haydn’s work. Featuring choir, orchestra and soloists, the performance showcases unique percussion and diverse musical styles. $30; senior, military, student and youth discounts available. 3:30 p.m. All Saints Lutheran Church, 15649 N. Seventh St., Phoenix. promusicaaz.org
March 29
MARTIN AUTO MUSEUM CAR SHOW
The Martin Auto Museum hosts a car show featuring hundreds of vehicles alongside the museum’s collection of 170+ classic cars and automotive memorabilia. The event includes live music and vendors. Free show admission; museum entry $15, seniors $12, children $5. 7 a.m.–1 p.m. Martin Auto Museum, 4320 W. Thunderbird Road, Phoenix. martinautomuseum.org
March 30
MTA FUNDRAISER BENEFIT
Musical Theatre of Anthem hosts its annual fundraiser featuring live entertainment, a meal by By the Bucket, and raffle and auction prizes. The event will also include the announcement of the upcoming season. Sponsorship opportunities and auction donations are welcome. $100. Noon. Chateau Luxe, 1175 E. Lone Cactus Drive, Phoenix. musicaltheatreofanthem.networkforgood.com
March 31
CHRIS BOTTI
Arizona Musicfest welcomes back the Grammy Awardwinning trumpeter and composer for an evening of contemporary jazz. Known for collaborations with artists like Sting, Andrea Bocelli and Tony Bennett, Botti’s crystalline sound has made him the nation’s largest-selling instrumental artist. $65–$129. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. azmusicfest.org
DDaniela Cardim, a visionary with a passport stamped by the world’s most prestigious ballet companies, recently joined Ballet Arizona as its first female artistic director, succeeding Ib Anderson’s 24-year tenure. She brings more than 20 years of career experience and a passion for developing young choreographers and students, presenting local and international productions to the delight of discerning ballet audiences.
This month, she will oversee Ballet Arizona’s Spring Mix, a showcase of diverse contemporary choreography with three pieces set to a range of musical scores — Ezio Bosso, classical Antonio Vivaldi, a live contemporary composition by Phoenix’s Thomas Mark Breadon, Jr. performed live with his Mill Ave. Chamber Players, and alternative band Radiohead.
Writer Shannon Severson
Daniela Cardim, Ballet Arizona’s artistic director, brings a wealth of international experience to her role. Her vision for the company includes preserving classical works while introducing innovative contemporary pieces. // Photo by Yebo Photography
The presentation reflects the three pillars of Cardim’s artistic vision: Continuing the classical canon of beloved story ballets like “Swan Lake” and “The Nutcracker”; premiering new choreographic works for Arizona audiences, both American and foreign; and serving as a creative hub.
“A company is only vibrant when there is creation,” Cardim explains. “I want to create a choreography lab for our dancers who want to become choreographers — to give them time to create new works. What makes us unique is what we create.”
Cardim’s earliest international opportunity was a scholarship at age 17 to train with the Académie de Dance Classique Princesse Grace in Monaco. She returned to her home country of Brazil and began her professional career with the Ballet of Municipal Theatre of Rio de Janeiro at 19 years old, quickly earning solo roles at center stage. She went on to dance and eventually choreograph at the renowned Dutch National Ballet and quickly drew recognition in Europe and beyond.
“A company is only vibrant when there is creation. I want to create a choreography lab for our dancers who want to become choreographers — to give them time to create new works. What makes us unique is what we create. Daniela Cardim
Artistic Director Daniela Cardim leads a ballet rehearsal at Ballet Arizona. Seated crosslegged, she directs with focused intensity as dancers are reflected in the studio mirror behind her, showcasing her hands-on leadership style. // Photo by Deborah Jaffe
Ballet Arizona dancers perform a duet from Christopher Wheeldon’s “Within the Golden Hour.” This piece is part of the company's Spring Mix program, which features a diverse range of contemporary choreography. // Photos
’Akelarre’: A World Premiere
Ballet Arizona’s resident choreographer Nayon Iovino’s production makes its global debut in Spring Mix. This performance is described as powerful, evolving and transforming.
“‘Akelarre’ is a contemporary ballet based on the theme of fear,” Iovino explains. “It will have an eerie and supernatural atmosphere. I wanted to play with the idea of the ‘first witch’ and how it would look for us in this age. I played with the idea that the first magic ever cast was a man putting a spell on himself to become a woman. That helped serve as a guide for developing this ballet—it also makes the supernatural more tangible somehow.”
Artistic Director Daniela Cardim’s vision of collaboration with local artists is fulfilled in this ballet set to the live music of Phoenix composer Thomas Breadon Jr. and his Mill Ave. Chamber Players wind quartet.
“It’s the first time we have had a composer create a piece of music just for us,” Cardim says. “I’m so proud. I gave Nayon a little seed and he ran with it.”
Ballet Arizona audiences will be familiar with Iovino’s choreography from last season’s hugely popular premiere of “Moving Movies.”
Two
Courtesy of Ballet Arizona
“I learned immensely during that time,” Cardim recalls. “There was a varied repertoire of Balanchine, English and French productions — all sorts of styles. I started choreographing and I was given many opportunities.”
Cardim retired from dancing in 2010 and moved to the United Kingdom, where she earned her Bachelor of Arts in arts management and joined the New English Ballet Theatre, progressing to assistant director.
“It was a period when I gained experience not only on the artistic side, but also working as a manager and leader,” Cardim recalls.
During her time in the U.K., she mentored young choreographers at The Royal Ballet School, taught students in England and Sweden, and choreographed in New York, Brazil, the Netherlands, the United Kingdom, Australia and Poland.
After more than a decade in England, she decided to move with the goal of being an artistic director.
“Sometimes it’s like an intuition,” she says. “I felt my next opportunity was on this side of the ocean. I applied and it felt right from the beginning.”
This side of the ocean — Phoenix, to be exact — was a community and culture where Cardim decided to make a life. The bright, sunny days are a nice change from the U.K., and she says everything “just clicked”
Ballet Arizona’s Artistic Director Daniela Cardim observes dancers during a rehearsal. Her attention to detail and commitment to excellence ensure that each performance meets the company’s high standards.
// Photos by Rosalie O’Connor
’Take
Me With You’: Radiohead Meets Ballet
Artistic Director Daniela Cardim brings this innovative piece by Polish choreographer Robert Bondara, who also designed the costumes, to Ballet Arizona.
“I saw his work when I was choreographing for West Australian Ballet,” she recalls. “I thought it was the coolest ballet. The best word to describe it is ‘cool.’ It’s on pointe but pushing the edge of contemporary dance.”
Set to the music of alternative rock band Radiohead, the captivating piece has been welcomed by audiences since its 2016 debut at the Poznan Opera Ballet in Poznan, Poland. Bondara’s award-winning work has been recognized in international competitions, and he has been a guest choreographer in Europe, Russia, China, Japan, Australia and the United States.
’Within the Golden Hour’
Celebrated English choreographer Christopher Wheeldon, renowned for his work with both the Royal Ballet and New York City Ballet, originally choreographed this piece for the San Francisco Ballet’s New World Festival in 2008. Now, Ballet Arizona brings this mesmerizing work to Phoenix audiences.
The one-act ballet features seven movements, each vignette inspired by its accompanying music. The performance blends intricate ensembles and duets to the expressive scores of Ezio Bosso and Antonio Vivaldi, taking on a dreamlike quality with simple sets and costumes in muted hues.
Wheeldon has described his work as “a kind of synthesis between using the classical ballet technique ... and finding other dance forms to inspire a new, interesting way of looking at the ballet step.”
Prior to joining Ballet Arizona, Daniela Cardim choreographed for international companies. Here, she directs a rehearsal for her creation “Stabat Mater” at Poznan Opera Ballet, showcasing her ability to blend emotion with precise technique. // Photo by Magda Osko
with leadership and the dancers, who function much like a family with backgrounds from across the globe but bonded by dance. She was impressed with the company’s robust community engagement program.
“That’s a massive part of what a ballet organization’s mission should be,” Cardim says emphatically. “We need to build an audience for tomorrow, and we need to give young people the opportunity to understand. An essential part of any arts organization is keeping the light of the art form alive.”
Audiences have matched Cardim’s enthusiasm, and she notes Phoenicians’ expressive response to performances, which has been encouraging and indicative of a job well done.
“Here, they stand up and clap and cheer,” she says with a smile. “They are enjoying the performances and not watching with a cynical eye.”
Cardim eagerly anticipates the concluding performances of this season and looks forward to what is on the horizon for 2025–2026.
“It’s really exciting and I can’t wait for people to experience new things,” she says, hinting at the next chapter in the bright future of Ballet Arizona and its new leadership in the hands of Cardim’s visionary talent.
balletaz.com
A vehicle fire sparked the Bush Fire on June 13, 2020, near the intersection of Bush Highway and State Route 87 in the Tonto National Forest. The humancaused blaze would become one of the five largest fires in Arizona history, consuming 193,455 acres before containment on July 6.
Writer Joseph J. Airdo // Photography by Mark E. Anderson
BBeautiful and terrible — two extreme emotions of equal intensity pulling in opposite directions. This is how photographer Mark E. Anderson describes his first encounter with wildfire imagery, a tension that would eventually draw him deep into the heart of Arizona’s most devastating natural phenomena. As Los Angeles has grappled with an unprecedented surge of wildfires since the beginning of this year, Anderson’s powerful photographs remind us that these fierce displays of nature’s might are both awesome and humbling.
Standing in what he calls “the belly of the beast,” Anderson has witnessed extraordinary moments that few will ever see: entire trees igniting in instant infernos, flames reaching 150 feet into the desert sky, and even saguaro cacti exploding in the intense heat. Yet his approach to documenting these events goes beyond mere spectacle. Through his lens, we witness both destruction and the promise of renewal, a cycle as old as the Southwest itself.
Anderson’s journey into wildfire photography began unexpectedly at a brush fire along the Gila River in Kearny, Arizona. What started as curiosity has evolved into a mission to document these increasingly frequent natural disasters with respect and purpose. His images, largely untouched in post-processing, tell stories of nature’s raw power, firefighters’ unwavering courage and the resilience of both landscapes and communities in the aftermath of devastation.
In this collection of photographs, Anderson invites us to witness Arizona’s wildfires from a perspective few ever experience. His work challenges us to consider our relationship with fire — a force that has shaped the Southwest’s landscapes for millennia and continues to transform them today, often accelerated by human activity and changing climate patterns. These images serve as both a window into nature’s fury and a reminder of our responsibility to protect the wild places we call home.
The Telegraph Fire burns near Superior, Arizona, in June 2021. The human-caused blaze would become Arizona’s largest wildfire that year, scorching 180,757 acres across Pinal and Gila counties and destroying 51 structures before being fully contained on July 3. Multiple communities were evacuated, including Miami, Top-ofthe-World and Dripping Springs.
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Nature has always been my playground, so seeing it destroyed brings deep sorrow. Yet, as someone who processes the world visually, I’m struck by the unusual beauty. Mark E. Anderson
Smoke
rises from Sweetwater Wetlands Park during a scheduled burn on Oct. 18, 2023. The morning operation, conducted between 9:30 and 11:30 a.m., provided valuable training for wildland firefighters while addressing environmental management needs.
“The wilderness is my healing ground — I spend as many nights as possible out there. But I follow my own strict criteria for fires, with the most important being: Can I extinguish it myself if something goes wrong? If I’m not completely sure, no fire gets lit. It’s that simple.Mark E. Anderson
A controlled burn transforms the landscape at Sweetwater Wetlands Park on Oct. 18, 2023. This annual collaboration between the Tucson Fire Department and Tucson Water maintains the health of this important urban wetland ecosystem.
The Picadilla Fire burned 71 acres in the Tonto National Forest on Feb. 9, 2025. Visible from State Route 87, the blaze in Picadilla Wash was contained by fire crews including three engines and the Mesa Hotshots, with support from the Maricopa County Sheriff’s Office Lake Patrol and Arizona Department of Public Safety.
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Fire is regenerative — from the ashes, new life always emerges. While it’s sad that the old growth takes decades to return, there’s immediate renewal, too. The first leaves that sprout are more vibrant, the wildflowers more brilliant. Nature shows us hope.Mark E. Anderson
The Bush Fire burns northeast of Phoenix in the Tonto National Forest during June 2020. Starting with zero containment and minimal control, the fire would eventually scorch 193,455 acres over three weeks, requiring a Type 2 incident management team to coordinate the massive firefighting response.
By June 16, 2020, the Bush Fire had grown to 64,500 acres, making it the largest wildfire in the United States at that time. Communities including Tonto Basin and Punkin Center were evacuated as more than 400 firefighters battled the flames with helicopters, engines, bulldozers and aircraft.
About the Photographer
For Mark E. Anderson, photography is more than just capturing images — it’s a spiritual journey that brings him closer to his faith. Whether he’s documenting the raw power of wildfires or the serene beauty of desert landscapes, Anderson finds himself drawing nearer to the divine.
“As a believer in Jesus, I feel closest to Him when I’m out in this vast, beautiful world He created,” he says. “It humbles me. Out there, I gain true perspective on life.”
An endless explorer at heart, Anderson spends countless hours researching and discovering new territories to photograph. His process often begins with virtual reconnaissance, using tools like Google Earth to scout potential locations. He can spend hours digitally flying over unexplored territories, searching for hidden gems worth visiting with his camera. This methodical approach, combined with his willingness to venture off the beaten path, has allowed him to capture some of Arizona’s most striking and lesserknown vistas.
As an FAA-certified Part 107 drone pilot, Anderson brings both ground-level and aerial perspectives to his work. Yet regardless of his vantage point, his philosophy remains steadfast: show things exactly as they are. His images come largely unedited and untouched, reflecting his commitment to authenticity.
“While there are talented artists working with AI and heavy editing, my goal is different,” Anderson explains. “I want to show people what I actually witnessed, what they could see with their own eyes if they were there.”
This dedication to truth in imagery, combined with his explorer’s spirit and deep spiritual connection to the landscape, makes Anderson’s work a powerful testament to the natural beauty of the Southwest. Through his lens, we’re invited to see the world as he does — a vast canvas of divine creation, waiting to be discovered and shared. markeandersonphotography.com
Documenting the Flames
Want to hear more of Mark E. Anderson’s extraordinary stories from the fire lines? Scan this QR code with your phone or search for Images Arizona on Spotify to listen to our in-depth exploration of his experiences documenting Arizona’s wildfires.
The Tucson Fire Department and Tucson Water conduct their annual controlled burn at Sweetwater Wetlands Park on Oct. 18, 2023. The carefully managed fire helps control invasive vegetation and reduce mosquito populations in this vital urban ecosystem.
Fighting Fire with Forethought
WWildfire preparedness isn’t just about responding when smoke is in the air — it’s about taking action before fire threatens your home. Rural Metro Fire and Arizona Foothills 911 encourage homeowners to become part of the Firewise movement, a national program that’s gaining traction in our region.
“Properly prepared homes give firefighters a better and safer environment to protect the property,” explains Shawn Gilleland, public information officer for Rural Metro Fire and Arizona Foothills 911. “Homeowners who take the time to maintain their property in accordance with Firewise protocol stand a greater chance of having their home survive a wildfire.”
The key is identifying what can “carry” fire to your home. Common fuel sources include dead grasses like globe chamomile and buffalo grass, fallen mesquite branches and their understory, and non-native trees. These can create “ladder fuels” that elevate fire from the ground to your home’s eaves or roofline. Homes positioned uphill face greater risk, as fire burns faster uphill. Wind channels and common wind directions also influence fire behavior and should factor into your prevention strategy.
A professional Firewise assessment will identify areas where debris accumulates: rooftops, gutters, corners around the house, and spots where blowing embers
A lightning strike ignited the Superstition Fire on Aug. 20, 2020, in the Tonto National Forest. The blaze would ultimately consume 9,643 acres of the rugged wilderness area, threatening nearby communities including
Writer Joseph J. Airdo // Photography by Mark E. Anderson
Gold Canyon, Apache Junction and Canyon Lake.
Properly prepared homes give firefighters a better and safer environment to protect the property. Homeowners who take the time to maintain their property in accordance with Firewise protocol stand a greater chance of having their home survive a wildfire.
Shawn Gilleland
could settle and smolder. Often-overlooked entry points include exterior attic vents, where large-gauge screens may allow ember penetration. Adding small-gauge metal mesh screens provides crucial protection. Another vulnerability: weep holes at the base of exterior walls. While stucco resists burning, heat infiltrating these holes can ignite insulation and materials behind the wall.
PREVENTION STEPS INCLUDE:
• Creating a 5-foot zone around your home free of flammable materials
• Storing patio furniture when not in use
• Moving firewood stacks 30 feet from structures
• Keeping ornamental plants well-watered
• Regularly clearing debris from roofs and gutters
This approach is already showing promise locally. Rural Metro recently helped two Rio Verde communities achieve Firewise recognition, and the program has just launched in Carefree. California has passed legislation requiring insurance companies to recognize Firewise communities for policy discounts — a model Arizona may follow.
Want to protect your property? Schedule a Firewise assessment through Rural Metro Fire or your local fire agency to identify specific risks and solutions for your home.
azfoothills911.com
The human-caused Sunset Fire ignited along Interstate 17 between Black Canyon City and Cordes Junction on May 31, 2020. The blaze burned 3,964 acres and forced the temporary closure of I-17 in both directions before being contained June 1.
Shawn Gilleland, right, public information officer for Rural Metro Fire, stands with Sunny Parker, president and CEO of Arizona Foothills 911. Together, they champion the Firewise program, educating homeowners about wildfire preparedness and promoting community-wide fire safety initiatives.
UUnder the warm Spanish sun last November, Gavin Kohner marked his birthday in extraordinary fashion — stepping onto the field in U.S. national team colors for his Paralympic soccer debut against Australia. Just days later, the North Valley native would score his first international goal against Germany, adding another remarkable chapter to a story that began with doctors telling his parents he might never run.
Now, as he approaches graduation from Clemson University with an accounting degree, the 22-year-old Paralympic soccer standout embodies what can happen when athletic skill, relentless effort and unwavering family support converge.
Writer Shannon Severson
Gavin Kohner stands tall, embodying the strength and determination that have propelled him from a challenging diagnosis to Paralympic soccer success. His journey is a testament to the power of perseverance and the indomitable human spirit. // Photo by Tim Berridge
The negativity, I guess you could call it, helped me push myself as much as I could to the best of my ability. Gavin Kohner “
As an infant, Gavin’s parents, Gena and Tim, noticed he was using only one side of his body as he learned to crawl. They also saw his incredibly determined personality. A neurologist diagnosed Gavin with cerebral palsy, a group of neurological conditions that impacts balance, movement and posture and the most common motor disability among American children. He warned the new parents that their firstborn son would never run and would struggle even to walk.
“No. He’ll run,” Gena recalls Tim telling the doctor. “I remember being in the elevator afterward, and we were both upset, but Tim said, ‘He’s going to run. He’s going to walk.’”
They decided not to accept the doctor’s prognosis.
The Kohners did everything they could for Gavin — leg and arm braces, trips to Germany for stem cell treatments and multiple surgeries. One of his surgeries at Rady Children’s Hospital-San Diego lengthened the Achilles tendon in his right leg and repositioned a calf tendon to straighten his right foot, giving him a proper heel-toe strike when walking and running. Before the surgery, he had the privilege of meeting football star Tim Tebow. It bolstered Gavin for surgical recovery and countless hours in physical therapy to regain full movement.
Gavin doesn’t remember his earliest years or his parents’ initial explanation of his diagnosis, but he recalls an early awareness that his body wasn’t doing what he wanted it to do.
“First of all, when I found out [my diagnosis], it hit me hard,” Gavin reveals. “I remember having to get braces for my leg and braces for my arms. I always knew I was a little different than the others.”
There were times when kids were cruel, and Gavin did his best to hide the hurt, knowing people were oblivious to what was affecting him. But with time, he says, he’s gotten better at accepting who he is.
Another early memory that speaks to Gavin’s innate strength of spirit is his intent to prove everyone wrong.
Gavin Kohner extends his hand to a teammate, exemplifying the spirit of camaraderie that defines the U.S. Paralympic Soccer Team. // Photo by Tim Berridge
“Doctors would tell me, ‘You won’t be able to walk past a certain age,’ or ‘You won’t be able to do this as well as the others,’” he says. “So hearing that kind of gave me a motivation to come back the next time and say, ‘See? I did this. Now give me another task so I can prove you wrong.’
“The negativity, I guess you could call it, helped me push myself as much as I could to the best of my ability.”
Gavin began playing soccer on the elementary school playground, then joined Christ’s Church of the Valley recreational league in his hometown of Peoria and later joined the Real Salt Lake Arizona club team based in Scottsdale. He always played alongside his peers.
Though no one else in his immediate family played soccer, Gavin’s father, Tim, was a lifelong athlete with 25 years of football coaching experience in the Valley. He could see the effort his young son put into every action, always with a smile on his face.
“I coached him in figuring out how to utilize his skills,” Tim says. “Soccer was the best avenue for his leg. Over time, that same strength and determination that got him to crawl, then walk, then run, then play carried him into college and playing for the U.S. Paralympic Soccer Team. He has grit, drive and discipline.”
Undeterred by the rain, Gavin Kohner charges down the field against the Irish Paralympic soccer team. His determination shines through the wet conditions, showcasing the unwavering spirit that has defined his international soccer career. // Photo by Tim Berridge
Tim says that being around high-performing athletes throughout his life was a good match for Gavin’s own pursuit of athleticism, and while he was proud to help his son achieve to the best of his ability, an athletic scholarship wasn’t the goal.
“Coaching is helping kids, regardless of setbacks, to work through challenges and excel,” he says. “I wanted to teach him discipline, teamwork, getting yourself back up and learning how to win and lose. Our faith is at the center of all that. Whatever the case may be, you want the best for your child. You hope you’ve prepared them for the world and hope they use their character traits to find the right path. It’s the power of prayer. I thank God that Gavin has seen the value of hard work.”
His life and health have taken twists and turns as, despite his strength and talent, he is prone to injuries that sideline him occasionally.
“I push myself,” Gavin says. “I can’t say it’s hindered me, but my muscles are tighter. I have to think about stretching more. On the field, CP can mess with my balance, so I have to be strategic about direction. My reaction time is a little slower on my right side. I definitely have to prioritize my health more than the average person, but movement is medicine. If I’m not on the field, I’m in the gym.”
Gavin has never viewed himself as “disabled,” so when a nurse at San Diego Children’s Hospital recommended that he attend a youth talent identification camp for Paralympic soccer in Chula Vista, California, he balked.
“At first, I didn’t want to be a part of it,” he recalls. “I didn’t want to be classified as disabled.”
After his eighth-grade year, Gavin decided to give it a shot. His family contacted the coach, Stuart Sharp, and submitted game footage. He was accepted and gained new perspective.
“The cool part was meeting people like me,” Gavin says. “There were people with cerebral palsy, traumatic brain injuries and strokes. Once I got there, I didn’t see them as disabled.”
Paralympic soccer has a slightly different format than standard soccer, utilizing seven instead of 11 players per
Gavin Kohner shares a moment with his mother, Gena, whose unwavering support and advocacy helped shape his journey from diagnosis to athletic achievement. // Photo Courtesy of Gena Kohner
Gavin Kohner stands with his father, Tim, whose 25 years of coaching experience and steadfast belief in his son’s abilities helped pave the way for Gavin’s soccer success. // Photo Courtesy of Gena Kohner
side with a slightly smaller field and slightly narrower goals, but Gavin says there is no shortage of running and constant motion.
His perspective evolved further when he was invited to attend a fall camp for the men’s team, where he was the youngest attendee by 5 years.
“Some had played semi-pro ball or played in college,” Gavin recalls. “There were military veterans and people who had experienced brain injuries. Some had to relearn how to play soccer.”
Tim also saw the change in his son after these encounters and supported Gavin’s travels to another camp in Florida at age 14.
“One of the biggest blessings of the Paralympic team is being surrounded by likeminded people who deal with the same issues and problems,” Tim says. “Sending him off was scary at first, but the positive outweighed the negative. He could see how these 25-yearolds deal with cerebral palsy; that it’s OK to goof off and be different and call yourself different. They clown on each other like in any locker room. It’s OK to be lighthearted. That’s what guys do, regardless.”
Inspired by Coach Sharp, Gavin knew he wanted to attend Clemson University, and it was the only college to which he applied, which Gena admits was a little nerve-wracking.
Game Changer: Inside Paralympic Soccer
Paralympic soccer made its debut at the 1984 New York Paralympics. Today, more than 60 countries field national teams, making it one of the fastest-growing Paralympic sports worldwide. While the spirit of the game remains the same as traditional soccer, Paralympic soccer features several key adaptations:
• Teams field 7 players (versus traditional soccer’s 11)
• Matches run 60 minutes (two 30-minute halves)
• Pitch dimensions: 75% of standard field size
• Specialized goal size: 5 x 2 meters
• All players have neurological conditions affecting movement
• Classification system ensures competitive balance
A young Gavin Kohner winds up for a powerful kick, his eyes locked on the ball. Even in his early years, Gavin’s determination to overcome the challenges of cerebral palsy was evident in every play. // Photo Courtesy of Gena Kohner
A young Gavin Kohner (front row, far left) poses with his youth soccer team. These early experiences with team sports helped build the foundation for his future success in Paralympic soccer. // Photo Courtesy of Gena Kohner
“At the time, Clemson had just begun the partnership with U.S. Paralympic Soccer, and the staff flew to Arizona to meet with us and tell us about the program,” Gena says. “We had four years [remaining in high school]. Gavin was dead set on it.”
At Northwest Christian High School, Gavin scored 12 goals in 13 games, finishing second in scoring and assists on a team that went nearly undefeated. Clemson University offered him a scholarship, which he enthusiastically accepted.
He says he loves being a Tiger and has made lifelong friends inside and outside of the Paralympic soccer program. The accounting major with a minor in finance is now applying for graduate school while continuing to travel and train with his team and looks forward to the team’s brand-new U.S. Soccer training center in Fayetteville, Georgia, slated for completion in 2026.
In 2017, he was named to the team as a “pool” player in development, but in November, he joined the team in Spain to compete in the International Federation of Cerebral Palsy Football World Cup.
Tim and Gena traveled to watch him make his team debut on his birthday against Australia. A few days later, he scored his first goal against Germany. It was a special moment for the entire family.
Even as a young man looking forward to the big things in life, Gavin also has a perspective wise beyond his years when looking back on all he’s been through.
“Growing up, I’d think, ‘Why, God?’” he recounts. “’Why give this to me?’ Not that I like to question, but it’s natural. Looking back, I wouldn’t change a thing if I had the choice. I wouldn’t have had the amazing experiences I’ve had.”
Gavin’s next goal is making the roster for the Copa America competition in Uruguay this November. He’s embraced U.S. Soccer’s “adapt and thrive” motto and looks forward to mentoring kids with cerebral palsy who also want the chance to play. In soccer and in life, Gavin’s driving down the field, meeting and exceeding his goals.
IIn the spring of 2001, three local filmmakers dared to dream that Phoenix could host a world-class film festival. Today, that dream draws Oscar-worthy films, Academy Awardwinning studios and more than 20,000 cinema enthusiasts to the Valley each year.
As the Phoenix Film Festival prepares to raise the curtain on its silver anniversary celebration this spring, it stands as a testament to how a passionate community can transform a modest cultural seed into a flourishing artistic powerhouse.
At the heart of this transformation story is Jason Carney, who witnessed the festival’s earliest days and rose from volunteer to executive director.
“Back then, I honestly had no idea what a film festival even was,” Carney says. “My friend Greg Hall, who was the festival’s program director, invited me to volunteer — and I was instantly hooked.”
Writer Joseph J. Airdo // Photography Courtesy of the Phoenix Film Festival
Jason Carney “
The original vision really came from our founder, Chris LaMont, who firmly believed Phoenix deserved a worldclass film festival. Looking back, he was absolutely right.
The festival’s evolution reflects a remarkable journey of persistence and vision. From a weekend event showing a handful of independent films, it has earned coveted spots on MovieMaker magazine’s “25 Coolest Film Festivals” list and “Top 50 Worth the Entry Fee” rankings. Its reputation as one of the “20 Great Film Festivals for First-Time Moviemakers” underscores its commitment to nurturing emerging talent.
A pivotal moment came in 2004 when the festival found its permanent home at Harkins Theatres Scottsdale 101, establishing itself as a cultural anchor in the North Valley.
“When we relocated the festival to Harkins Theatres Scottsdale 101, this area had limited cultural attractions,” Carney says. “Since then, we’ve been thrilled to see the community grow with additions like the Musical Instrument Museum just 2 miles away. The expanding arts scene has really enriched this part of the Valley.”
Festival Highlight: ‘Seance’
After captivating Phoenix audiences with her directorial debut in 2023, filmmaker Vivian Kerr returns to the festival with her spellbinding sophomore feature, venturing into new creative territory with a Victorian gothic thriller.
“‘Séance’ is a spooky, Victorian gothic thriller set in the 1890s and my first foray into the horror space,” Kerr says. “For fans of ‘The Haunting’ and ‘The Innocents,’ we’re referencing those 1960s horror films and exploring themes of grief and adultery.”
The psychological period piece follows novelist Emma Strand and her second husband, Albert, on what becomes an increasingly unsettling seaside vacation, forcing them to confront both supernatural possibilities and very human temptations.
“The Phoenix audiences are incredibly enthusiastic and knowledgeable movie lovers,” Kerr says. “I can’t wait to share our Hitchcockian period piece with them!”
The festival’s growth accelerated with its expansion to an 11-day format, a decision that dramatically increased its impact and reach.
“Expanding to 11 days marked a transformative moment for the festival,” Carney says. “This growth wasn’t just about adding more dates to the calendar — it allowed us to nearly double our programming, bringing in more films, more filmmakers, and more opportunities for our audience to engage with independent cinema.”
Through its educational initiatives, including free panel discussions and workshops, the festival has become a launching pad for careers and a catalyst for creative collaboration.
“We provide local filmmakers the opportunity to screen their work alongside both independent films from around the world and potential Oscar contenders from major distributors like A24, Apple Original Films, Searchlight Pictures and Magnolia Pictures,” Carney says. “This level of exposure inspires local talent to elevate their craft and aim for inclusion in the festival.”
Success stories from the festival underscore its impact on the broader film community.
Festival Highlight: ‘Going Postal: The Legacy Untold’
In a testament to Arizona’s growing influence in gaming culture, co-directors Tad Sallee and Jason Sikorsky uncovered an untold piece of industry history in their own backyard. Their feature-length documentary chronicles how Tucsonbased Running With Scissors challenged gaming conventions with its controversial “Postal” franchise.
“As filmmakers and gaming enthusiasts, we set out to explore a compelling industry story, leading us to Running
With Scissors — right in our then-home of Tucson, Arizona,” Sallee says.
Through unprecedented access to founders Vince Desi and Mike J., the film reveals the human story behind the headlines.
“What began as curiosity became a five-year adventure filled with wild stories, unexpected twists and a deep appreciation for the underdog spirit,” Sallee says.
Festival Highlight: ‘Waltzing with Brando’
In 1969, while preparing for two of cinema’s most iconic roles, Marlon Brando embarked on an environmental mission decades ahead of its time. This ambitious biographical drama, starring Billy Zane as the legendary actor, chronicles his passionate attempt to create the world’s first ecologically perfect retreat on a remote island in Tahiti.
“This film is a testament to visionary thinking and the courage to defy convention,” producer Doug Dearth says.
“We’re proud to share a film that celebrates the relentless pursuit of a dream.”
Shot in Tetiaroa, where Brando’s original vision took shape, the film pairs his environmental activism with his creative peak, offering audiences a fresh perspective on the iconic star.
“We look forward to sharing it with an audience that values bold, thoughtful storytelling,” Dearth says.
Festival Highlight: ‘Jess Plus None’
In her feature directorial debut, Mandy Fabian crafts a romantic comedy that dares to break convention. When a reluctant maid of honor faces an off-the-grid wedding in the woods, complete with an ex-girlfriend and judgmental college friends, the story evolves beyond typical genre expectations into an authentic exploration of self-discovery.
“I think it’s a great time for people to come together in a theater and laugh at a comedy, one that celebrates friendship and love stories, however flawed they might be,” Fabian says.
For the filmmaker, premiering at the Phoenix Film Festival’s milestone year holds special significance.
“I’ve had my eye on the Phoenix Film Festival for years as a shorts filmmaker, so now to be showing my first feature film for the 25th anniversary year of the festival feels really rewarding,” she says. “Without festivals, I don’t know how indie filmmakers like me would get to experience that.”
Festival Highlight: ‘Trifole’
After winning best world cinema directing at Phoenix Film Festival 2022, Gabriele Fabbro returns with a deeply personal story set in Italy’s renowned truffle-hunting region. The film, featuring 90-year-old screen legend Umberto Orsini, explores the delicate relationship between a struggling truffle hunter and his London-based granddaughter, with help from an endearing canine companion named Birba.
“I have a very personal connection to the festival because the day we won, my grandfather passed away, and this new film ‘Trifole’ is deeply inspired by him,” Fabbro says.
The project’s origins are intimately tied to the festival itself.
“It does feel like the very first conception for this story happened at the Phoenix Film Festival,” Fabbro says.
“Therefore, it will be very special to be back this year.”
“One of my favorite success stories involves director Ben Proudfoot,” Carney says. “Ben screened a feature documentary at our festival, where he met producer Josh Rosenberg, who had another film showing that year. That chance meeting at the Phoenix Film Festival ultimately contributed to Ben founding Breakwater Studios, which has since won two Academy Awards for best documentary short film.”
To commemorate its silver anniversary, the festival has curated a special lineup that bridges past and future: screenings of memorable films from previous years, the return of fan-favorite merchandise and the release of a commemorative coffee table book showcasing 25 years of festival poster art.
“Our vision is to keep expanding beyond traditional film programming through initiatives like More Than Movies, which integrates various art forms into the festival experience,” Carney says. “We’re also focused on growing our Community Spotlight Program and continually enhancing the experience for both our audience and filmmakers.”
phoenixfilmfestival.com
Experience
RECIPE
Italian Ricotta Cookies
Writer and Photographer Francine Coles
These delicate Italian cookies showcase the perfect balance of lemon and vanilla, with whole milk ricotta lending an ethereal lightness to each bite. Finished with a gossamer-thin glaze and festive sprinkles, these versatile treats can be decorated to suit any holiday or celebration.
Yield: 60 cookies
Ingredients:
1 stick (4 ounces) butter, softened
1 cup sugar
1 lemon, zested
1 cup whole-milk ricotta cheese
1 large egg
1 teaspoon pure vanilla extract
2 1/4 cups all-purpose flour
1/2 teaspoon baking soda
1 teaspoon baking powder
Glaze
1 cup powdered sugar
2 tablespoons lemon juice, milk or water
1/2 teaspoon vanilla extract
Rainbow sprinkles or colored sprinkles of choice
Directions:
To prepare the cookies: Preheat the oven to 350 degrees. Line two baking sheets with parchment paper.
In the bowl of an electric mixer fitted with the paddle attachment, beat the butter, sugar and lemon zest over medium speed until fluffy and lightened in color. Add the egg and vanilla; continue beating until well combined. Stir in the ricotta and mix over medium speed until combined. Scrape the bowl with a spatula.
Add the flour, baking soda and baking powder. Stir on low just until fully combined.
Using a teaspoon or small cookie scoop, portion the dough onto the prepared cookie sheets, leaving 1 inch of space between each cookie.
Bake one sheet at a time on the center rack for 11 to 12 minutes, until bottoms are golden brown and tops appear light but dry.
Let cookies rest on the baking sheet for 2 minutes, then transfer to a wire rack to cool completely.
To glaze the cookies: In a bowl, whisk together the powdered sugar, liquid of choice and vanilla until smooth. The glaze should have the consistency of heavy cream. (Note: Lemon juice will provide a pronounced citrus flavor; milk or water will yield a neutral sweetness.)
Place parchment paper under the wire rack to catch drips. Dip the top of each cookie into the glaze and return to the rack. Immediately top with sprinkles before the glaze sets.
Storage: Keep in an airtight container at room temperature for up to three days. Do not refrigerate. Cookies may be frozen for up to three months.
The Piano Guys
Toast to Steve & Eydie 3/15
Augustin Hadelich 3/11
Festival Orchestra: Tchaikovsky & Time for Three 3/25
Barricade Boys
Chris Botti 3/31
Michael Feinstein: My Tribute to Tony Bennett 3/3
Frank & Stacey D.
