E T A G E C H A N G E Y O U .
C H A N G E
T H E W A Y Y O U A G E .
Effortless Elegance
THE ART OF LUXURIOUS LIVING
At Sue Bickerdyke Interiors, we believe true luxury lies in the thoughtful layering of refined details. When my client requested a sophisticated yet relaxing bedroom environment, I knew each element would need to whisper elegance while embracing comfort.
The foundation begins with life’s essential luxury — a premium comfort mattress paired with carefully selected sleep pillows. Against this canvas, a custom-tufted bed in rich, leather-look upholstery creates a commanding presence, while tone-on-tone herringbone-striped wallpaper adds subtle sophistication to the walls.
Every layer tells a story of considered design. Luminous glass lamps in serene blue echo the room’s accent hues, while the bedding suite showcases exquisite attention to detail — from faux fur Euro shams to frame-embroidered cream pillows with precise contrast welting. A statement accent pillow in blue, adorned with cream banding, crowns the arrangement, while a sumptuous faux fur throw stands ready for chilly desert evenings.
The finishing touch? A luxurious bench in rich velvet, its open handles adding both function and refinement. Visit our showroom to discover how we can transform your bedroom into a sanctuary of effortless elegance, where every detail contributes to an atmosphere of sophisticated comfort.
SUE
S ANDERSON LINCOLN S ANDERSON LINCOLN
“The Tradition Continues” is a triptych. It is composed of three paintings that could individually be displayed. However, the blanket, tones and shadows from one painting have been continued into the next to create an overall composition. Krzyston found it to be an exciting challenge to compose a large statement piece by incorporating the three separate paintings.
SUE KRZYSTON SOUTHWEST REALISM ARTIST
AMY LAY CONTEMPORARY WILDLIFE ARTIST
BRYCE PETTIT WILDLIFE BRONZE SCULPTOR
TREVOR SWANSON LANDSCAPE AND WILDLIFE ARTIST
MARI GIDDINGS & JOE AXTON MIXED MEDIA
JANE WORD LEATHER PILLOWS
SUE KRZYSTON Artist
THURSDAY,
AMY LAY Sonoran Desert, 30” x 40”
TREVOR SWANSON Quintet in Bloom,
AXTON-GIDDINGS Phases, 30” x 65”
BRYCE PETTIT Quail Family, life size
What's Inside?
From the Publisher
Publisher Shelly Spence
Managing Editor
Joseph J. Airdo
Graphic Designer
Meaghan Mitchell
Contributing Writers
Joseph J. Airdo
Francine Coles
Shannon Severson
Photographers
Francine Coles
Loralei Lazurek
Advertising Sales
Cindi Calcinari 860-966-3271 cindi@imagesaz.com
Images Arizona P.O. Box 1416
Carefree, AZ. 85377 623-341-8221 shelly@imagesaz.com imagesarizona.com
AAs we cruise into the new year, there’s an unmistakable rumble of excitement in the air. January in Arizona isn’t just about resolutions and fresh starts; it’s also a time when our state becomes the epicenter of the automotive world. From the roar of engines at Barrett-Jackson to the gleam of chrome under our desert sun, this month celebrates our enduring love affair with the automobile.
This issue of Images Arizona is a visual feast for car enthusiasts and art lovers alike. Our cover story showcases the stunning work of photographer Michael Rosenzweig, who captures the essence of Arizona’s car culture against the backdrop of our dramatic landscapes. Through his lens, we see how our year-round perfect weather and breathtaking scenery create the ideal canvas for automotive artistry, from pristine classics to beloved daily drivers.
We also explore the vibrant car culture that thrives in our community. From charitable initiatives to exclusive collections, our feature on cars and coffee events showcases how these gatherings are more than just about admiring beautiful machines — they’re about building connections and driving positive change in our community.
For history buffs and nostalgia seekers, our roundup of Arizona’s automotive museums offers a fascinating journey through time. From Route 66 relics to miniature marvels, these collections preserve the machines and memories that have shaped our state’s rich motoring heritage.
Art and automobiles collide in our profile of Phoenix artist Mark Vinci, whose innovative sculptures transform crushed car parts into sophisticated wall art. It’s a testament to the enduring allure of automotive design and the creative spirit of our local artists.
Here’s to a year filled with new adventures, open roads and the endless possibilities that lie ahead.
Happy New Year, and happy driving!
Shelly Spence
Publisher, Images Arizona
Photography by Loralei Lazurek
WWith 50 concerts featuring distinguished artists and celebrity performers, Arizona Musicfest’s upcoming season stands as its most ambitious yet. The landmark series cements the organization’s status as a cultural cornerstone of North Scottsdale while delivering unprecedented variety to its devoted audience.
“This season marks transformative growth for Arizona Musicfest,” notes Allan Naplan, executive and producing director. “From new artists making their Arizona Musicfest debuts to return engagements of beloved audience favorites, we’re creating extraordinary experiences that make our community of donors and patrons proud.”
The star-studded lineup includes one of music’s most vibrant and iconic performers, Lyle Lovett; Broadway legend Mandy Patinkin; and audience favorite Michael Feinstein, who returns to honor his friend Tony Bennett in a concert featuring the Carnegie Hall Big Band. Broadway sensation Sutton Foster makes her highly anticipated debut, while Pink Martini celebrates its 30th anniversary tour on the Arizona Musicfest stage.
Writer Joseph J. Airdo // Photography Courtesy of Arizona Musicfest
Texas Tenors
The season’s programming reflects Arizona Musicfest’s commitment to diverse musical experiences.
“As a nonprofit organization, we’re deeply committed to delivering performances that resonate with our community’s sophisticated and varied cultural appetite,” Naplan explains. “Each season, we carefully curate a blend of classical masterworks, contemporary artists and beloved entertainers that showcase musical excellence across genres.”
By popular demand, the season welcomes back The Barricade Boys, the lauded stars of London’s West End who previously wowed audiences with their high-energy performance featuring some of the greatest hits of pop, rock, swing and musical theater. Michael Cavanaugh also returns with a new concert experience celebrating the music of the world’s great singer-songwriters.
“It has been thrilling to witness how Arizona Musicfest’s success and expanded offerings have transformed North Scottsdale’s cultural landscape,” Naplan says. “Over the past decade, our dramatic growth has not only elevated the area’s cultural character but has also generated significant economic impact for our community.”
That impact also resonates beyond the concert hall.
“You can see this most visibly on concert nights, when local restaurants overflow with patrons enjoying pre-performance dining,” explains Naplan, noting that the City of Scottsdale’s Tourism Development Committee and City Council recently recognized the nonprofit organization’s vital role in attracting visitors to the area.
This momentum has inspired bold new initiatives, including an expansion of the Musicfest footprint.
“We’re particularly excited to introduce concert performances, this April, at the Herberger Theater in downtown Phoenix,” Naplan says. “This venue expansion allows us to introduce Musicfest’s signature artistry and high-caliber performances to new audiences while maintaining our strong core presence in North Scottsdale.”
As one of Scottsdale’s premier cultural institutions, Arizona Musicfest continues to enhance the quality of life for both residents and visitors.
“Our success stems directly from our unwavering commitment to both artistic excellence and community service,” Naplan says. “We’ve built our reputation on consistently delivering performances and programs that meet the highest standards.”
azmusicfest.org
Feb. 10 // 7:30 p.m. // Highlands Church // 9050 E. Pinnacle Peak Road, Scottsdale // $43+
On Monday, Feb. 10, Jazz at Lincoln Center Presents brings the soul of New Orleans and the spirit of Mardi Gras to North Scottsdale in this vibrant celebration of the Crescent City’s musical legacy. The program showcases the brilliance of composers who defined and transformed jazz, from pioneers Jelly Roll Morton and Louis Armstrong to modern masters Ellis Marsalis and James Black.
Under the direction of pianist Luther S. Allison, alongside vocalists Quiana Lynell and Milton Suggs, this extraordinary ensemble captures the innovative spirit and timeless appeal of America’s most musical city. The performance promises an immersive journey through New Orleans’ rich cultural heritage, demonstrating why the city remains a pinnacle of musical innovation and inspiration.
“We are thrilled to continue our partnership with Jazz at Lincoln Center Presents, bringing their outstanding musicians to Arizona Musicfest,” Naplan says. “As America’s preeminent jazz institution, Lincoln Center showcases a remarkable roster of both legendary performers and rising stars.”
Jazz at Lincoln Center Presents: New Orleans Songbook — The Spirit of Mardi Gras
Frankie Moreno & Tony DeSare: Coming Together
Feb. 22 // 7:30 p.m. // Highlands Church // 9050 E. Pinnacle Peak Road, Scottsdale // $43+
On Saturday, Feb. 22, two of today’s most dynamic performers join forces for an electrifying evening of music.
Five-time Las Vegas “Headliner of the Year” Frankie Moreno teams up with acclaimed singer-songwriter and pianist Tony DeSare for a high-energy showcase spanning the Great American Songbook to rock ‘n’ roll and beyond.
Both celebrated for their masterful piano skills and magnetic stage presence, Moreno and DeSare bring their unique chemistry to this special collaboration. The performance promises a playful musical conversation between two artists at the height of their powers, each bringing his distinctive interpretations to beloved classics and contemporary hits alike.
“When Frankie and Tony share our stage, audiences will experience an extraordinary showcase of artistry, flair and electric musical chemistry,” Naplan says. “As individual performers, these dynamic singer-pianists have commanded some of the world’s most prestigious venues. Together, their combined talents promise to deliver one of the most memorable and riveting performances of our season.”
Augustin Hadelich In Recital
March 11 // 7:30 p.m. // La Casa de Cristo Church // 6300 E. Bell Road, Scottsdale // $43+
On Tuesday, March 11, one of classical music’s most compelling artists takes the Arizona Musicfest stage. Grammy Award winner Augustin Hadelich, celebrated worldwide for his phenomenal technique and insightful interpretations, will bring his masterful artistry to an intimate solo recital that promises to showcase his signature ravishing tone.
A dual American-German citizen born in Italy, Hadelich has established himself among the great violinists of our time. Named Musical America’s “Instrumentalist of the Year” in 2018, he appears regularly with the world’s foremost orchestras and on the most prestigious stages. His acclaimed recordings demonstrate remarkable versatility across the violin repertoire.
“Arizona Musicfest takes enormous pride in our rich history of presenting classical music’s greatest artists, and Augustin Hadelich brilliantly continues this distinguished tradition,” Naplan says. “Recognized as one of today’s premier violin virtuosos, his appearance in an intimate solo recital represents a true coup for our classical concert programming.”
“
It has been thrilling to witness how Arizona Musicfest’s success and expanded offerings have transformed North Scottsdale’s cultural landscape. Allan Naplan
The Piano Guys
March 22 // 2 p.m. and 7:30 p.m. // Highlands Church 9050 E. Pinnacle Peak Road, Scottsdale // $79+
On Saturday, March 22, global sensation The Piano Guys will bring their genre-defying artistry to Arizona Musicfest for two performances. Since their humble beginnings in a southern Utah piano shop, this powerhouse quartet—Jon Schmidt (pianist, songwriter), Steven Sharp Nelson (cellist, songwriter), Paul Anderson (producer, videographer), and Al van der Beek (music producer, songwriter)—has revolutionized instrumental music.
Their bold compositions transcend traditional boundaries, seamlessly blending classical with pop, rock and film scores. With six No. 1 debuts on Billboard’s Top Classical Albums chart, over 2 billion global streams and more than 2.3 billion YouTube views, The Piano Guys have built a devoted worldwide following through their innovative arrangements and captivating performances.
“I’ve been eager to bring The Piano Guys to Arizona Musicfest, as they’ve consistently sold out their prior performances across the Valley and around the world,” Naplan says. “While they have a massive global following, I realize some in our community may be discovering them for the first time. They’re unlike anything you’ve seen before.”
A Toast to Steve & Eydie
March 15 // 2 p.m. // Highlands Church // 9050 E. Pinnacle Peak Road, Scottsdale // $58+
On Saturday, March 15, Arizona Musicfest celebrates the extraordinary legacy of Steve Lawrence and Eydie Gormé, the beloved duo who personified the staying power of the Great American Songbook. Their son, Emmy-nominated composer David Lawrence, joins forces with Tony Award winner Debbie Gravitte for this special afternoon of nostalgia and musical excellence.
Accompanied by the 30-piece Musicfest Pops Ensemble performing the duo’s original orchestrations, Lawrence and Gravitte bring fresh energy to America’s most treasured standards. The program captures the humor, style and undeniable chemistry that made Steve and Eydie a constant presence on television, stage and recordings throughout the ‘50s, ‘60s and ‘70s.
“We’re creating a special nostalgic afternoon at Arizona Musicfest when their son David Lawrence joins Tony Award-winner Debbie Gravitte,” Naplan says. “Adding a personal touch, David will share intimate recollections of his famous parents while performing their biggest hits with our Musicfest Pops Ensemble.”
STEPHEN WEBSTER’S 40-YEAR JEWELRY REVOLUTION
Thursday, Jan. 30, from 4–8 p.m.
Immerse yourself in four decades of revolutionary jewelry design. Meet celebrated designer Stephen Webster by appointment throughout the day, followed by an evening celebration showcasing his journey from apprentice to celebrity jeweler. View iconic pieces worn by Elizabeth Taylor, Madonna and Ozzy Osbourne.
COMMUNITY
January 2025
Writer Joseph J. Airdo
Jan. 4
NEIL BERG’S ‘THE ‘60S: PEACE, LOVE & ROCK N’ ROLL’
Hit songs from the Beach Boys, Beatles, Rolling Stones, Janis Joplin and Jimi Hendrix come alive in this musical celebration of the 1960s. $54–$92. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Through Jan. 11
’MERYL MCMASTER: BLOODLINE’
The Heard Museum presents 48 large-scale photographs by Canadian artist Meryl McMaster exploring Indigenous heritage, identity and memory through her mixed Plains Cree, Dutch and British ancestry. Exhibition includes two new video-based works. $26; youth, student, senior, member and American Indian discounts available. Tuesday-Sunday, 10 a.m.–4 p.m. Heard Museum, 2301 N. Central Ave., Phoenix. 602-252-8840; heard.org
Through Jan. 26
’SEUSSICAL THE MUSICAL’
The Phoenix Theatre Company brings Dr. Seuss’ beloved characters to life in this whimsical musical featuring Horton the Elephant, the Cat in the Hat and more. See website for ticket prices and showtimes. Recommended for ages 3 and up. Hormel Theatre at The Phoenix Theatre Company, 1825 N. Central Ave., Phoenix. 602-254-2151; phoenixtheatre.com
Jan. 6–18
AMERICAN LEGION AUXILIARY RUMMAGE SALE DONATIONS
The American Legion Auxiliary seeks donations of gently used items for its fifth annual rummage sale benefiting veterans’ programs. Drop-off times: Mondays (Jan. 6, 13), Wednesdays (Jan. 8, 15) and Saturdays (Jan. 11, 18), 10 a.m.–2 p.m. American Legion Post 34, 6272 E. Cave Creek Road, Cave Creek. facebook.com/groups/azpost34.org
Jan. 8
HS/HS HANGOUT
High school homeschoolers can connect and socialize at Desert Foothills Library’s monthly meetup. Help shape future activities while meeting fellow teens. Free. No registration required. 12:30–1:30 p.m. Desert Foothills Library, 38443 N. School House Road, Cave Creek. 480488-2286; dfla.org
Jan. 9
LIBRARY BOOK CLUB
Join an open discussion of “The Wager” by David Grann at Desert Foothills Library’s monthly book club. All are welcome. Free. Registration required. 10 a.m.–noon. Desert Foothills Library, 38443 N. School House Road, Cave Creek. 480-488-2286; dfla.org
Jan. 10–12
MARICOPA COUNTY HOME & GARDEN SHOW
Arizona’s largest home expo features more than 1,000 vendor booths showcasing home improvement products,
decor and landscaping. Includes tiny home tours, plant pavilion, food samples, kids’ activities and gardening workshops. $5; seniors 55+ $2 Friday 10 a.m.–1 p.m.; children 4–12 $2; free admission Friday and Sunday 3-5 p.m. 10 a.m.–5 p.m. Arizona State Fairgrounds, 1826 W. McDowell Road, Phoenix. 602-485-1691; maricopacountyhomeshows.com
Jan. 10–12
CAVE CREEK FINE ART & WINE FESTIVAL
Local and regional artists showcase sculptures, ceramics, paintings, jewelry, photography and boutique clothing at this outdoor festival. Wine tastings available Saturday and Sunday from 11 a.m. to 5 p.m., benefiting Horses Help charity. Live music and festival fare throughout the event. Free admission; wine tasting tickets available through Arizona Wine Festivals. 10 a.m.–5 p.m. Stagecoach Village, 7100 E. Cave Creek Road, Cave Creek. vermillionpromotions.com
Jan. 11–12
ARIZONA WEDDING SHOW
More than 200 wedding vendors and experts showcase everything from gowns and catering to unique services. Features fashion shows, giveaways and chances to win wedding packages. LGBTQ+ friendly event with LGBT Weddings-approved vendors. $12–$18; children under 10 free with paid adult. 8:30 a.m.–3 p.m. Phoenix Convention Center, 33 S. Third St., Phoenix. arizonaweddingshow.com
Jan. 13–May 24
JUBILATE CONSERVATORY SPRING SEMESTER
This 18-week semester offers private lessons and group classes in strings, voice, percussion and winds. Programs include the tuition-free Jubilate Violin Orchestra and youth programs like “Music from the Heart” and “Littles on Fiddles” (ages 3-5). See website for complete class listings and registration details. Desert Foothills Library, 38443 N. School House Road, Cave Creek. jubilateconservatoryofmusic.org
Jan. 14
GET LIT BOOK CLUB
This unconventional happy hour book club discusses “The Guernsey Literary and Potato Peel Pie Society” by Mary Ann Shaffer. Meets at local restaurants to support area businesses. Free. Registration required. 5–6:30 p.m.; discussion begins at 5:30 p.m. See website for restaurant location. 480-488-2286; dfla.org
COMMUNITY
January 2025
Writer Joseph J. Airdo
Jan.
16
’SONORAN SOL’ SCULPTURE UNVEILING
Join the Sonoran Arts League for the unveiling of “Sonoran Sol,” a collaborative totem sculpture created by eight league artists: Marilyn and Terry Alexander, Eileen Pettit, Sylvia Fugmann Brongo, Robin Ray, Jenifer Oberle, Jeanne Anne Baughman, and Carol Fleming Marks and Larry Marks. This new public artwork celebrates the creative partnership between local artists and the town of Carefree. Free. 3 p.m. Sanderson Lincoln Pavilion, 101 Easy St., followed by reception at Sonoran Arts League Gallery, 7275 E. Easy St., Carefree. sonoranartsleague.org
Jan. 16
NEW WEST VISIONS: CONTEMPORARY WESTERN ART SHOWCASE
Experience a fresh take on Western art with works by Maura Allen, Kenneth Pekoe, Julie Sneed and Michael Swearingin. This exhibition reimagines traditional Western themes through a contemporary lens. Free. 4–7 p.m. Grace Renee Gallery, Historic Spanish Village, 7212 E. Ho Hum Road, Carefree. 480-575-8080; gracereneegallery.com
Jan. 16
CAREFREE ART NIGHT
Stroll through Carefree’s vibrant art scene during this monthly celebration. Participating galleries showcase diverse artwork from local and regional artists. Enjoy live music, refreshments, artist talks and demonstrations as you explore the creative spirit that defines Carefree. This cherished event offers a unique opportunity to connect with artists and discover new works across various media and styles. Free. 4–7 p.m. See website for participating galleries and event map. visitcarefree.com/artnight
Jan. 16–17
’THE PLAY THAT GOES WRONG’ AUDITIONS
Desert Foothills Theater seeks adult performers (18+) for this Olivier Award-winning comedy about a disaster-prone amateur theater production. Callbacks Jan. 18 if needed. Sign up for audition slots between 6 p.m. and 9 p.m. either evening. Video submissions accepted. Holland Center, 34250 N. 60th St., Scottsdale. 480-488-1981; dftheater.org
Jan. 18
PINK MARTINI
This genre-defying “little orchestra” celebrates its 30th anniversary with Brazilian sambas, Parisian cafe songs, retro jazz and pop classics. $65–$129. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Jan. 18–19
CELEBRATE THE MUSIC OF HAWAII
The Musical Instrument Museum’s two-day celebration showcases Hawaii’s rich musical traditions through live performances, cultural demonstrations and educational exhibits showcasing Hawaiian instruments, dance and song. $20; discounts available for youth and members. 9 a.m.–5 p.m. Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org
Jan. 18–26
BARRETT-JACKSON SCOTTSDALE AUCTION
“The World’s Greatest Collector Car Auctions” returns, featuring rare vehicles, celebrity appearances, thrill rides from top automakers and an extensive exhibitor marketplace. See website for schedule and ticket prices. WestWorld of Scottsdale, 16601 N. Pima Road, Scottsdale. 480-421-6694; barrett-jackson.com
Jan. 19
WINTER YOUNG MUSICIANS CONCERT
Arizona Musicfest showcases top young classical talent from across the state in this annual performance celebrating emerging artists. $28.50. 1 p.m. Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480422-8449; azmusicfest.org
Jan. 21
ANDREW JACKSON
Former business executive Jim Sherbert explores the presidency of Andrew Jackson, comparing the socialpolitical climate of 1828 to today. Part of The Holland Center’s Americana series. Free; donations welcome. Registration required. 4-5:30 p.m. Holland Center, 34250 N. 60th St., Scottsdale. 480-488-1090; hollandcenter.org
Jan. 21
BOOKS TO DIE FOR: A MURDER
MYSTERY BOOK CLUB
Mystery lovers gather to discuss “The Nine Taylors” by Dorothy Sayers at this monthly book club. Light refreshments served. Free. Registration required. 4–5 p.m. Desert Foothills Library, 38443 N. School House Road, Cave Creek. 480-488-2286; dfla.org
Jan. 22
’AUTUMN’
The Phoenix Symphony presents works inspired by fall, featuring Vivaldi’s “Autumn” from “The Four Seasons” and Piazzolla’s “Otoño,” plus pieces by Mahler and Wagner. Features conductor Alex Amsel and violinist Rolf Haas. See website for ticket prices. 11 a.m. Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 602495-1999; phoenixsymphony.org
Jan. 24–25
AMERICAN LEGION AUXILIARY RUMMAGE SALE
The American Legion Auxiliary’s fifth annual fundraiser offers gently used items to benefit veterans in need. Sale spans the hall, patio and parking lot. 8 a.m.–3 p.m. American Legion Post 34, 6272 E. Cave Creek Road, Cave Creek. facebook.com/groups/azpost34.org
COMMUNITY
January 2025
Writer Joseph J. Airdo
Jan. 30–Feb. 1
STEPHEN WEBSTER: ICONS ONLY — 40-YEAR RETROSPECTIVE
View four decades of Stephen Webster’s revolutionary jewelry design, featuring archived pieces worn by Elizabeth Taylor, Madonna and Ozzy Osbourne. Meet the designer by appointment during the day Jan. 30, 10 a.m.–4 p.m., followed by celebration 4–8 p.m. Exhibition continues Jan. 31 and Feb. 1, 10 a.m.–5 p.m. Grace Renee Gallery, Historic Spanish Village, 7212 E. Ho Hum Road, Carefree. 480-575-8080; gracereneegallery.com
Jan. 24–26
ARIZONA BALLOON CLASSIC
Watch colorful hot air balloons fill the morning sky and evening Desert Glows (Friday-Saturday). Features tethered balloon rides, BMX stunt shows, family fun zone, live entertainment and Street Foodfest. Morning ascensions free, 7–9 a.m. daily. Afternoon/evening activities $22; seniors $18; active military, veterans and children under 12 free. Noon–9 p.m. Friday-Saturday, morning only Sunday. Free parking. Goodyear Ballpark, 1933 S. Ballpark Way, Goodyear. abcfest.com
Jan. 24–26
’THE TRAILBLAZING MUSIC OF JONI MITCHELL, CAROLE KING AND CARLY SIMON’
The Phoenix Symphony celebrates three legendary singersongwriters with orchestral arrangements of hits including “Both Sides Now,” “You’ve Got a Friend” and “You’re So Vain.” Features conductor Ted Sperling with vocalists Morgan James, Bryonha Marie and Melody Betts. Friday–Saturday 7:30 p.m., Sunday 2 p.m. See website for ticket prices. Orpheum Theatre, 203 W. Adams St., Phoenix. 602-495-1999; phoenixsymphony.org
Jan. 25
DRIVE ELECTRIC ARIZONA
Get behind the wheel of an electric vehicle at this handson demonstration event. Experienced EV owners will showcase various models and offer test drives while sharing insights about performance, cost benefits and ownership experience. Free. Registration required. 11 a.m.–3 p.m. Desert Foothills Library, 38443 N. School House Road, Cave Creek. 480-488-2286; dfla.org
Jan. 25
‘MICHAEL CAVANAUGH: THE MUSIC OF THE GREAT SINGER-SONGWRITERS’
Arizona Musicfest presents Tony and Grammy nominee Michael Cavanaugh performing hits by Paul Simon, Don McLean, Neil Diamond, James Taylor and more. $54–$92. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Jan. 25
PHXART AMPLIFIED
Phoenix Art Museum presents its fourth audiovisual experience featuring bands from Arizona, Mexico and the Southwest. Includes food vendors, specialty cocktails and art programming throughout the galleries. $50; seniors $40; youth $20; members $30; children under 5 free. 10 a.m.–10 p.m. Phoenix Art Museum, 1625 N. Central Ave., Phoenix. phxart.org
Jan. 25
’RESISTANCE AND UNITY: WOMEN RISE’
MusicaNova Orchestra celebrates women in classical music with works by Reena Esmail, Victoria Yagling and others, featuring cellist Rhonda Rider. Program includes Vaughan Williams’ “Fantasia on a Theme by Thomas Tallis.” 6 p.m. See website for ticket prices. Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-750-9466; musicanovaaz.com
Jan. 25–26
ARIZONA BAO AND DUMPLING & FRIED CHICKEN AND WINGS FESTIVALS
Sample diverse offerings from local vendors, including dumplings, steamed buns, fried chicken and wings, at this seventh annual double-header event. Features anime merchandise, art vendors and live music. Different vendors each day. Free parking. Children 12 and under free. 11 a.m.–5 p.m. Centennial Plaza Park, 8401 W. Monroe St., Peoria. phoenixfoodfestivals.com
Jan. 25–26
’LA BOHÈME’
Arizona Opera presents Puccini’s beloved tale of young artists in Paris. Saturday 7:30 p.m., Sunday 2 p.m. See website for ticket prices. Symphony Hall, 75 N. Second St., Phoenix. 602-266-7464; azopera.org
Jan. 27
SUTTON FOSTER
Arizona Musicfest presents two-time Tony Award winner Sutton Foster in a special Broadway concert. The star of “The Music Man,” “Thoroughly Modern Millie” and “Anything Goes” showcases her vocal artistry and charm. $65–$129. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-4228449; azmusicfest.org
Jan. 28
’NAVAJO CODE TALKERS’
Navajo Nation Poet Laureate Laura Tohe, daughter of a Code Talker, shares the story of these World War II Marine heroes who developed an unbreakable code using the Navajo language. Learn about their service, challenges and delayed recognition. Free. Registration required. 6–7 p.m. Holland Center, 34250 N. 60th St., Scottsdale. 480-488-1090; hollandcenter.org
Jan. 29
CAVE CREEK STATE OF THE TOWN ADDRESS
Join town officials for Cave Creek’s annual State of the Town presentation highlighting accomplishments, challenges and future plans for the community. Free. No registration required. 10–11:30 a.m. Desert Foothills Library, 38443 N. School House Road, Cave Creek. 480-488-2286; dfla.org
Jan. 29
TEEN COOKING CLASS: LUNAR NEW YEAR EDITION
Young chefs ages 12 and up learn about Asian cuisine and cultural traditions while preparing festive Lunar New Year dishes. Learn the history behind popular recipes while creating tasty treats. Free. Registration required. 3:30–4:30 p.m.
Desert Foothills Library, 38443 N. School House Road, Cave Creek. 480-4882286; dfla.org
COMMUNITY
January 2025
Writer Joseph J. Airdo
CAVE
CREEK MUSEUM VOLUNTEER SPOTLIGHT: PAUL DIEFENDERFER
For over 16 years, Paul Diefenderfer has helped bring Cave Creek’s mining history to life. The owner of Desert Rat Forge, Diefenderfer joined the museum’s “Dream Team” in 2008 after spotting mining equipment being transported from the Golden Reef Mine. His expertise proved invaluable in restoring the museum’s historic 10-stamp mill, a five-year project requiring extensive ironwork, concrete and electrical knowledge. Beyond the mill, Diefenderfer established the museum’s working blacksmith shop, where he regularly demonstrates traditional techniques, and contributed to numerous exhibits including the popular Arizona Gold Mining Experience. His dedication exemplifies the volunteer spirit that powers the museum’s mission of preserving local mining heritage. The Cave Creek Museum is located at 6140 E. Skyline Drive. 480-488-2764; cavecreekmuseum.org
Jan. 30
THE FABULOUS FIVE FEATURING NICOLE PESCE & FRIENDS
Arizona Musicfest presents Valley favorite Nicole Pesce joining forces with We3 and piano duo Stephanie Trick and Paolo Alderighi for an evening of jazz, swing, ragtime and blues. $54–$76. 4 p.m. and 7:30 p.m. Pinnacle Presbyterian Church, 25150 N. Pima Road, Scottsdale. 480-422-8449; azmusicfest.org
Feb. 1
HUMAN NATURE: BACK TO THE
SOUNDS OF MOTOWN
Arizona Musicfest presents Australia’s acclaimed vocal group performing Motown classics like “Dancing in the Street” and “Stop! In the Name of Love,” plus their own Australian pop hits. $54–$92. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Feb.
1
SCOTTSDALE PARADA DEL SOL HISTORIC PARADE & TRAIL’S END FESTIVAL
The Scottsdale Charros present the 71st annual Western parade featuring 150 entries including floats, horse riders, marching bands and stagecoaches. The parade begins at 10 a.m., followed by the Trail’s End Festival noon–4 p.m. with live entertainment, a kids’ zone, food trucks and Western activities throughout Old Town. Free. Parade route: Drinkwater Boulevard along Scottsdale Road to Brown Avenue and Indian School Road, Scottsdale. scottsdalewesternweek.com
Feb. 1–March 30
ARIZONA RENAISSANCE FESTIVAL
Step back to the 16th century at this 50-acre medieval theme park featuring 16 stages of entertainment, jousting tournaments, 200 artisan shops and period food and drink. Over 2,000 costumed characters bring the Village of Fairhaven to life. $36; children 5–12 $24; 4 and under free. 10 a.m.–6 p.m. Saturdays and Sundays. Arizona Renaissance Festival, 12601 E. Highway 60, Gold Canyon. 520-463-2600; arizona.renfestinfo.com
LOCAL PHYSICIAN LAUNCHES ONLINE HEALTHY DESSERT BAKERY
Carefree-based Detox Desserts has expanded its superfood product line with an online bakery offering handcrafted, healthconscious treats. Founded by Dr. Alexis McNeil, a naturopathic medical doctor, it’s Arizona’s first physician-created bakery, specializing in gluten-free, sugar-free, vegan and low-carb desserts. The company’s proprietary “Sweet Swaps” ingredients, based on Mediterranean diet principles, replace traditional baking staples with protein-rich, plant-based alternatives. All products are clinically tested to maintain low blood sugar and insulin levels while delivering traditional dessert flavors. Available for pickup or delivery. 480-510-3752; detoxdesserts.com
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EExperience the epitome of Sonoran Desert living in this breathtaking 6,960-square-foot masterpiece, thoughtfully designed by award-winning architect Bob Bacon. As the first of eight exclusive residences in the prestigious gated Windmill neighborhood, this spectacular 4-bedroom, 4.5-bath home with separate 2-bedroom casita commands an impressive 3.4-acre lot at the coveted Scottsdale-Carefree border.
Known as the Bowman House, this architectural triumph seamlessly combines warmth with spacious elegance. The gourmet kitchen stands as a testament to culinary excellence, featuring stunning quartzite countertops and premium appliances including a Wolf dual-fuel range, dual Asko dishwashers and dual Sub-Zero refrigerators — ensuring that entertaining is elevated to an art form.
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Karen Baldwin
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480-694-0098
karen@desertmountainaz.com
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With more than 25 years of experience in north Scottsdale real estate since 1995, Karen Baldwin brings unparalleled expertise to luxury property transactions. Her background in custom home design, including two Golden Nugget award-winning projects, provides clients with invaluable insights into architectural quality and design potential. As a Certified International Property Specialist and longtime Desert Mountain resident, Karen offers intimate knowledge of the community’s history, club operations and design review process. Her consistent ranking among top sales executives reflects her dedication to matching discerning clients with their perfect desert home.
TThe communities of Carefree and Cave Creek have cultivated a distinctive automotive culture that perfectly balances luxury with a laid-back desert lifestyle. Here, cars and coffee events aren’t measured merely by the number of vehicles they attract but by the authentic connections they foster and the unique experiences they create.
The region’s gatherings reflect the area’s sophisticated yet unpretentious character. At Corvettes and Coffee, America’s sports car legacy comes alive as enthusiasts share stories spanning seven decades of Chevrolet innovation. The Toy Barn transforms vehicle storage into an art form, offering a premium morning experience complete with artisanal coffee and gourmet breakfast. Meanwhile, Alpio’s at Troon blends nostalgia with philanthropy, creating an atmosphere where classic Americana meets modern charitable giving.
What makes these events special isn’t just their picturesque settings or the impressive machines on
display — it’s the intimate scale and personal touches that set them apart. Whether you’re discussing C1 Corvettes over fresh coffee, exploring the Toy Barn’s state-of-the-art facilities, or contributing to Alpio’s community initiatives, each gathering offers its own unique interpretation of the automotive lifestyle.
These aren’t just car shows; they’re celebrations of the distinctive character that makes the Carefree-Cave Creek area special. Here, automotive enthusiasm meshes seamlessly with the region’s appreciation for fine living, creating monthly gatherings that feel less like events and more like reunions of friends who share a passion for exceptional automobiles.
As dawn breaks over the desert landscape each weekend, these carefully curated gatherings remind us why this corner of the Valley has become a destination for those who appreciate both fine automobiles and the finer things in life.
Writer Joseph J. Airdo
CORVETTES AND COFFEE
In the shadow of Black Mountain, a monthly gathering celebrates America’s most iconic sports car. Corvettes and Coffee, hosted at Carefree Outdoor Living in the Carefree Bashas’ Marketplace, has evolved from a casual meetup of a few enthusiasts into a first Sunday celebration that regularly draws more than 100 Corvettes and 150 passionate owners.
“What started as just a few Corvette enthusiasts meeting for Sunday morning coffee has grown into a monthly gathering that now attracts more than 100 beautiful Corvettes,” reflects David McMenamin, who co-hosts the event with venue owners Jimmy and Valerie Sheehan. “While the cars are spectacular, it’s really the people and conversations that make this event special.”
As the North Valley’s only dedicated Corvettes and Coffee event, this gathering stands apart in its focused appreciation of Chevrolet’s flagship sports car. The display typically spans the entire Corvette lineage, from classic C1 models (1953) through the latest C8 iterations (2024), creating a living timeline of American automotive innovation.
“As the only dedicated Corvettes and Coffee event in the North Valley, we’ve created something special here,”
McMenamin explains. “We’re a close-knit group of Corvette enthusiasts who share a genuine passion for these iconic American sports cars. What makes it particularly special is seeing how each owner treasures their Corvette and loves sharing its story with fellow enthusiasts.”
The setting itself adds to the event’s appeal.
“We couldn’t ask for a better location,” McMenamin notes. “The backdrop of Black Mountain provides stunning views for our gatherings, and with several great restaurants just steps away, attendees can easily extend their morning into brunch or lunch.”
This combination of specialized focus and welcoming atmosphere reflects the broader car culture of the region.
“The North Valley car community is truly special,” McMenamin adds. “Not only do we have incredible collections — with some enthusiasts owning more than 25 vehicles — but we also have amazing people who share a genuine passion for automotive culture. What makes our community remarkable is how it brings together great cars, knowledgeable collectors, and engaging conversations, all focused on preserving and celebrating car culture for future generations.”
Photos by Rob Mains Photography
ALPIO’S AT TROON CARS & COFFEE
Where classic Americana meets modern car culture, Alpio’s at Troon Cars & Coffee has created something truly distinctive in the North Valley’s automotive landscape. Hosted in a venue that feels like stepping into a 1950s time capsule, complete with lifesize Rat Pack mannequins, vintage gas pumps and military aircraft models suspended from the ceiling, this monthly gathering draws an impressive crowd of 750–800 car enthusiasts.
But it’s not just the unique setting that sets this event apart — it’s the spirit of giving that permeates every gathering.
“What makes us unique is our commitment to giving back,” explains Alpio Barbara, the venue’s founder. “Through our tip jar donations and matching funds program, we’ve raised over $550,000 for St. Vincent de Paul’s dental facility over the past seven years. Before that, we also proudly supported Phoenix Children’s Hospital.”
The event itself, held every second Saturday from 6 to 9 a.m., offers a welcoming atmosphere enhanced by complimentary coffee and doughnut holes — serving between 400 and 600 cups and up to 30 dozen pastries each gathering. Breakfast burritos are available for a small donation, with proceeds supporting their charitable initiatives.
Barbara, a successful entrepreneur who was named Tire Dealer of the Year by Modern Tire Dealer magazine in 2016, brings the same passion for excellence to these gatherings that made his Redwood General Tire in California so successful.
“Our mission is to help those in need who are less fortunate than we are,” he reflects. “We’re blessed with so much, and it’s important to remember that not everyone has the same opportunities. That’s why giving back is at the heart of everything we do here.”
This commitment to community service extends beyond the monthly gatherings.
“What truly sets us apart is our commitment to community service throughout the year,” Barbara notes. “We organize three major charitable drives. In June, our water drive collected more than 2,500 bottles for those in need during the hot Arizona summer. Our November turkey drive brought in 52 turkeys plus $13,000 in donations to help families during Thanksgiving. December’s toy drive resulted in nearly $120,000 in contributions to St. Vincent de Paul, bringing joy to countless children.”
Barbara’s pride in his community is evident as he concludes, “I’m incredibly proud of our car enthusiasts. They don’t just show up for the cars — they show up to support our community all year long. Their generosity makes a real difference in people’s lives.”
TOY BARN CARS & COFFEE
Luxury meets community at The Toy Barn’s fourth Saturday monthly cars and coffee gathering in Cave Creek, where the lines between high-end vehicle storage and social hub blur beautifully. This isn’t just another parking lot meetup — it’s a carefully curated morning experience that draws 150–300 attendees to a state-of-the-art facility designed specifically for automotive enthusiasts.
“Our cars and coffee gatherings stand apart through our unique approach, where we seamlessly blend luxury amenities with genuine community connection,” explains Paul Phillips, owner of The Toy Barn. “Since day one, our focus has been on creating exceptional experiences that not only celebrate amazing vehicles but also provide a space where automotive dreams come to life.”
The event’s upscale atmosphere is evident in every detail, from the pristine clubhouse setting to the carefully considered amenities. Attendees enjoy complimentary gourmet offerings including chef Gabe’s breakfast burritos, Picket Fence homemade pastries and craft coffee from Brew Avenue’s barista bar. This attention to detail creates an environment that matches the caliber of vehicles on display, which range from high-performance machines and muscle cars to rare exotics, including impressive collections of Porsches, Ferraris and Corvettes.
“At our events, we maintain the same meticulous attention to detail and premium quality our community has come to expect,” Phillips notes. “Each gathering offers the perfect combination of exclusive vehicles, luxury amenities and genuine connections among enthusiasts.”
The Cave Creek location particularly exemplifies The Toy Barn’s vision for combining luxury storage with community engagement. During each gathering, visitors can tour the clubhouse and explore the garage open house, getting a firsthand look at what makes The Toy Barn different from traditional storage facilities.
“Our cars and coffee events perfectly align with our original vision,” Phillips reflects. “As the Valley’s car culture grows, we’re seeing incredible enthusiasm for our unique approach to bringing the automotive community together in an upscale setting.”
Experience
Corvettes and Coffee
First Sunday of each month, September–May // 8–10 a.m. Carefree Outdoor Living // 36889 N. Tom Darlington Drive, Carefree Free // Corvettes only
Alpio’s at Troon Cars & Coffee
Second Saturday of every month // 6–9 a.m.
Alpio’s at Troon // 10452 E. Jomax Road, Scottsdale Free // alpiosattroon.com
Toy Barn Cars & Coffee
Fourth Saturday of every month // 7–10 a.m.
The Toy Barn // 4504 E. Lone Mountain Road, Cave Creek // Free toybarnstorage.com/cars-coffee
IIn Mark Vinci’s Phoenix studio, crushed car parts — including pieces of a Mini Cooper — transform into sophisticated wall sculptures. It’s a far cry from the pristine automobiles on his Sicilian grandfather’s New Jersey car dealership lot, where his parents would often drop off their rambunctious son for an afternoon of supervision.
Young Mark would spend hours in his grandfather’s car, rolling windows up and down while 1960s pop music from New York City’s WABC-AM filled the air. Though his tendency to doodle during class often got him into trouble at school, these afternoons with Grandpa Tony, who was “entertained to entertain” his artistic grandson, became cherished memories that would influence his creative path for decades to come.
SHIFTING GEARS
Despite his classroom antics, Vinci’s artistic talent couldn’t be ignored. His second grade teacher recognized his potential and entered him in an archdiocesewide art contest, where he won first place.
“It was a scene of the western U.S., though I’d never been,” Vinci recalls. “A landscape, kind of minimal with cirrus clouds. My only references at the time were National Geographic, ‘Bonanza’ and Disney. I’d love to see it again. My parents recognized my talent. I took some courses in art, but I was a lazy kid. If it was an assignment, I wasn’t interested.”
Writer Shannon Severson // Photography by Loralei Lazurek
Mark Vinci in his Phoenix studio, where crushed automotive parts await transformation into sophisticated wall sculptures.
He was always most interested in comic illustration, but when he reflects on his life, cars — especially unusual ones — have always been a touchpoint. His high school art teacher, Harry Minzer, took note of Vinci’s very first assignment — a black-and-white drawing of a motorcycle. Minzer became a mentor and prompted Vinci to pursue art in college.
After earning a fine arts degree in design from Kutztown University in Pennsylvania, Vinci launched a career in advertising in Atlanta, where his parents had relocated.
His first boss headed a small but dynamic three-person Atlanta advertising agency — creating groundbreaking campaigns for clients like FedEx and Daniel Construction. Vinci’s work there earned him his first industry award.
Then, he met Peter Hudson, the art director of Atlanta magazine, who would become both a close friend and transformative mentor, challenging Vinci’s artistic conventions and expanding his creative horizons.
My work is dynamic visual abstraction about urban movement... snippets and fragments framed and defined by the cityscape, quickly forgotten, yet leaving a residual imprint that is an unconscious distillation of our collective experience. Mark Vinci
“It was one of the cooler offices I’d ever been in,” Vinci recalls, his voice still animated by the memory. “He had all this artwork on his walls. It was by people who weren’t necessarily mainstream illustrators. They were innovators — Brad Holland, Marshall Arisman. He didn’t hire people doing photorealistic imagery. He wanted more painterly artists. He’d call them and say, ‘I have an article; do whatever you want for it.’ They had freedom. Peter won awards for this approach.”
Hudson was also a motorcycle enthusiast, but his taste ran to European performance racing brands like Ducati, Moto Guzzi and Vincent Black Shadow — a far cry from the Harleys, Triumphs and Hondas that Vinci knew. The two bonded over their shared passion for motorcycles and cars, with Hudson eventually selling Vinci his first Citroen.
“He broke my New Jersey provincialism,” Vinci muses. “He didn’t dismiss it, but he opened all these windows. He was very much about the creative process. When he asked to see my portfolio, he said, ‘Your life must suck. You’re creative. You have skills beyond just pasting stuff down.’ That was a big deal for me, especially as a 21-year-old.”
In the ensuing years, Vinci continued to explore different views of illustration, including offbeat European comics, and pushed himself creatively by attending the
School of Visual Arts in New York City under Arisman to hone his life-drawing skills. He’d met his now-wife, Cat, in Atlanta — an opposites-attract love story. He admired her calm nature, extensive travel experience and deep knowledge of fine art, printmaking and photography.
“She’s chill and I’m not,” he says with a laugh. “She’s white bread and I’m not. She knew everything about fine art. I [met her and] thought — not only is she cute, she knows everything!”
The couple alternated between New York City and Atlanta, building impressive careers — Vinci at CBS and CNN, Cat at CNN and MTV. During this time, Vinci found himself at the forefront of the analog-to-digital revolution, creating sports graphics under Don Sperling, the legendary founder of NBA Entertainment.
DESERT ACCELERATION
The Vincis’ journey eventually led them to Phoenix in the mid-1980s, a landscape that had already captured Mark’s artistic imagination during earlier visits. The move proved fortuitous — he soon won three consecutive Emmy Awards for broadcast graphics at KTVK-TV, then an ABC affiliate, while immersing himself fully in the Southwestern environment he had long admired.
Today, the couple occupies a light-filled Ralph Haver-designed home where they both create and display their art. They have lived in Phoenix for 30 years this time around. It’s a long way from that car lot in Newark, New Jersey, but some things never change. Vinci remains affable, energetic, quick-witted and bold, full of stories and ideas. With more than 40 years of creative accomplishment under his belt, he continues drawing, painting, designing and experimenting with his talents.
In 2001, Vinci’s career reached a significant milestone when he was awarded the prestigious Pollock-Krasner Foundation grant for his vivid abstractionist landscapes, which drew influence from fellow New York artists Franz Kline and Willem de Kooning. The triumph was short-lived — he received the grant just five days before Sept. 11, when the art world ground to a halt.
Pink Martini featuring China Forbes 1/18
The Piano Guys 3/22
Augustin Hadelich 3/11
The Barricade Boys 3/17
Sutton Foster 1/27
Tribute to Whitney Houston 2/17
Chris Botti 3/31
Michael Feinstein: My Tribute to Tony Bennett 3/3
This market disruption added new challenges to an already transitional period in Vinci’s life. After leaving television graphics in 1998, he embraced various occupations, including working as a chauffeur for Blue Star Transportation. His passengers ranged from politicians attending the annual McCain Sedona Forum to celebrities like Michael Jordan and Michael Eisner. He also drove trucks, worked construction and took on other jobs that kept him moving while he continued to develop his artistic vision.
“I was already painting the driving environment,” Vinci reflects, “but I knew there was something more radical waiting to emerge.”
That radical transformation arrived during a routine drive, setting the stage for Vinci’s most innovative work yet.
CRASH COURSE IN CREATIVITY
One day, while driving with Cat and their son, Vincent, Vinci noticed a spot in the road that had been overstriped. The sight triggered a memory of Tom Sachs’ art exhibition — a slot car track arranged in a huge New York City gallery, complete with replicas of iconic buildings and the grid of famous streets and avenues. Only the cars and tracks were in color; the rest was crafted in white foam core.
“I thought to myself — what if I got a car and smashed it into things?” he recalls. “What if I put a car piece on the wall and scraped it back and forth? What if I start to use the materials that I see while I drive to make the artwork — like billboard paper and striping material?”
He began mapping out ideas and tracked down the road-striping company, United Rentals. He approached them about spraying items he would bring on days when they serviced their sprayer trucks.
“I got a call some weeks later,” he recalls. “They said to come Saturday at 7 a.m. I stood out there and we sprayed all this stuff. I had ideas — I started asking how the sprayers worked — how wide could they spray and could they splatter?”
The crew, accustomed to driving in straight lines, found themselves caught up in Vinci’s creative enthusiasm. One of those experimental pieces now hangs in United Rentals’ Connecticut headquarters.
“During this same period, I began collage work using discarded billboard paper,” he explains. “I’d use an X-Acto knife to cut them into thousands of pieces and rearrange them to mimic motion blur and interpret the color streaks.”
The ideas flowed like cars on a fast-moving highway.
Inspired by abstract expressionist John Chamberlain, known for crushing car parts into massive, freestanding sculptures, Vinci began his own exploration of automotive materials. He assembled a network of collaborators: auto body shops for wrecked car parts, a friend who owned a paving company and another who built hot rods with access to grinding and welding equipment.
“I’d ask for the most smashed-up car parts, then have them acid-washed,” he says. “I set an appointment with the paving company at a site where they were
putting in a new Taco Bell in the West Valley. I brought the parts and had the guy run them over, then I’d stack them and have him run over them again and again. He said, ‘This is the best!’
“I brought the pieces back to my studio, cut them into chunks with a grinder cutting blade and started moving items around intuitively, taking pictures of my progress. When the composition felt right, I’d weld them together at my friend’s hot rod shop and have them powder coated.”
FULL THROTTLE FORWARD
The resulting works, which have caught the attention of serious collectors throughout the Southwest, are masterfully executed and deliberately open to interpretation. Each piece, ranging from intimate wall sculptures to dramatic large-scale installations, pulses with dynamic energy, inviting viewers to discover their own narratives within the transformed automotive elements.
Vinci continues to explore the crushed car parts series — now highly sought after by both automotive enthusiasts and fine art collectors — while simultaneously returning to more traditional, intuitive forms of painting, reawakening techniques that had lain dormant for years.
“Yes, it’s a satisfying process, but at the same time, there’s an area of creativity that I feel like I’ve let go,” he shares. “That is the more traditional form of painting. I want to bring that back as something I continue to explore. Now I mix abstraction with illustration, always working to capture movement in the pieces.”
Vinci’s current paintings on canvas, which often feature iconic cars such as Ferraris and Porsches alongside abstracted cityscapes, strike a delicate balance between meticulous technique and spontaneous inspiration. His dynamic brushstrokes and elastic use of color capture the essence of movement itself.
Today, Vinci’s artistic journey has come full circle. From those childhood afternoons in his grandfather’s dealership to his current studio where crushed metal transforms into sophisticated wall sculptures, he continues to push the boundaries between automotive culture and fine art. His work stands as a testament to the endless possibilities that emerge when industrial materials meet creative vision — a perfect embodiment of Arizona’s innovative spirit.
markvinciart.com
TThe smell of chemicals and the sound of hammering metal first drew me into the world of jewelry making. It was 1976, and I had just started at Medway College of Design in Rochester, Kent — the original Rochester, mind you. My high school career adviser had suggested I become a boilermaker at Chatham Dockyard, which appealed to me about as much as entering the undertaking business. Instead, I’d enrolled in fashion design, inspired by my musical hero David Bowie’s art school background.
But fate had other plans. After a lesson or two among the sewing machines and drama of fashion classes (quite a shock for someone fresh from an all-boys school), I found myself wandering the corridors. That’s when I discovered students crafting pieces that looked like treasure, and I was instantly hooked. Within a week, I had switched to jewelry and silversmithing, beginning a journey that would lead me from apprentice to “jeweler to the stars.”
Those early days were pure punk rock meets precious metals. While other preapprentices studied basic math and English, I had permission to bring in my Bowie and Roxy Music records, the soundtrack to my
Writer Stephen Webster
A model showcases Stephen Webster's bold, avant-garde jewelry designs, exemplifying his signature blend of traditional craftsmanship and edgy aesthetics.
“
I took a peek inside and discovered a world I could never have imagined. There were students hammering pieces of white metal, accompanied by flames, grime and the smell of chemicals... I was hooked. Stephen Webster
Stephen Webster receives recognition from His Majesty King Charles III, a testament to his contributions to British jewelry design and craftsmanship.
ABOUT STEPHEN WEBSTER
British jewelry designer Stephen Webster has been crafting fine jewelry for over four decades. Known as the “Rock ‘n’ Roll Jeweler,” Webster revolutionized the industry by combining traditional craftsmanship with edgy, contemporary design. His signature collections, including Crystal Haze and Thorn, have adorned celebrities from Elizabeth Taylor to Machine Gun Kelly. Webster’s pieces are distinguished by their bold use of colored gemstones, innovative techniques and unconventional motifs. He was awarded an MBE (Member of the Order of the British Empire) in 2013 for his services to training and skills in the British jewelry industry.
education in the power of a hammer, flame and piercing saw. This fusion of rebellion and craftsmanship would become my signature — though I didn’t know it yet.
The pre-apprenticeship course was almost purely practical, focusing on the fundamentals of metalworking. I learned to appreciate the nuanced techniques held within each tool — how a slight adjustment in hammer pressure could transform a piece, how the careful control of flame could mean the difference between perfection and disaster. These lessons would prove invaluable throughout my career, even as my designs pushed further into uncharted territory.
My formal apprenticeship took me to London’s historic Hatton Garden, where I learned the traditional art of chain-making at Saunders & Shepherd, a 150-year-old company. The area itself had a fascinating history, becoming “Hatton Garden” in the 16th century when Queen Elizabeth I bestowed the title and estate to one of her courtiers — apparently a very good dancer — much to the dismay of the bishop of Ely, the previous landlord.
But repetition breeds restlessness, and chain-making is exactly what it sounds like: repetitive. By that time, I was aware of jewelry being made that was more progressive than the traditional designs I was replicating day in and day out.
At 19, sporting a decidedly punk aesthetic, I plucked up the courage and knocked on
the door of a really modern jewelry shop called John Donald on Cheapside (anything but cheap), a street leading up to St. Paul’s Cathedral. John himself answered and, confronted by a punky-looking 19-year-old, was a little taken aback. Right there on the doorstep, I asked if he had any jobs for a really good jeweler, halfway through his apprenticeship. To my utter surprise, he said yes and doubled my salary from 25 pounds to 50 pounds a week.
Each day meant a new design challenge, new materials, new possibilities. Donald was part of a revolutionary group of jewelry designers, including Andrew Grima, Gerda Flöckinger, and Wendy Ramshaw, who had broken free from the rigid constraints of post-Victorian fine jewelry. Their work, inspired by nature, architecture and space, showed me what was possible when tradition met innovation.
After leaving John Donald, I ventured out on my own, taking on work that often fell below my capabilities but paid the rent. A breakthrough came when DeBeers commissioned me to design and make a piece for the owner of the winning horse at the King George VI and Queen Elizabeth Stakes trophy race at Royal Ascot. The commission came with an invitation to race day, where my girlfriend and I reveled in the champagne and canapés — a glimpse of the luxury world I would later inhabit.
The real adventure began when a Canadian shop owner offered me a position in Banff, Alberta. Having never been on a plane, I found myself landing in minus 30 degrees Celsius weather, wondering where on Earth we’d sell jewelry in this snow-covered wilderness. My Aunt Peg had bought me my first winter coat for the trip, but nothing could have prepared me for that cold. The morning after my arrival, I woke to a bright blue sky and snow-covered mountains, convinced I’d been kidnapped. Instead, my new boss took me skiing — a smart move that sealed the deal.
Mike, my new boss and a geologist with a passion for minerals and gems, had moved from Ottawa to Banff to set up a rock and mineral store. He saw an opportunity to include jewelry for the Japanese and American tourists. As far
Stephen Webster's innovative designs showcase his mastery of both traditional and avant-garde jewelry styles.
Stephen Webster's Crystal Haze
Stephen Webster's Full Bleed
as he was concerned, he would give me the rocks and the shop, and I would do the rest. Great, except I wasn’t really a designer. I could draw, though, so with a baptism by fire, I got stuck in.
Very quickly, confronted by gems I had never heard of — tanzanite, tourmaline, tsavorite, and best of all kunzite — I started to apply my making skills to the rocks in front of me and, with a wing and a prayer, came up with the goods. At least goods enough for the après-ski crowd. Soon, I had recruited three other British jewelers from my old art school, building a small empire in the Rockies. But when it snowed on my birthday — Aug. 13 — I knew it was time for a change.
After a brief, unsuccessful return to London, where my new style wasn’t well received, Mike called again. He’d sold the Banff business and was moving to Santa Barbara. Would I join him? California definitely wouldn’t snow on my birthday, so I agreed.
We hit Montecito running, and within months, something extraordinary happened: Elizabeth Taylor bought one of my cocktail rings. My mom back home didn’t believe me when I called to tell her — she had worshipped Liz as one of the original Hollywood icons. Throughout my four years in Santa Barbara, I created pieces for an impressive roster of clients: the Douglas family, Goldie Hawn, Oprah. It was the ‘80s, gold was king, and color reigned. I loved it.
Returning to London with my then-wife, I was determined to create pieces that reflected my roots and personal style rather than the California aesthetic I’d mastered. The transition wasn’t immediate—fine jewelry moves at a snail’s pace — but experimentation led to innovation. I developed Crystal Haze, a technique of layering clear faceted quartz over opaque colored stones like turquoise, agates or obsidian. The effect was spectacular.
After a while, I thought I was onto something. I was asked to give a talk at the prestigious Baselworld watch and jewelry show in Switzerland. Despite a long waiting list, I was offered a booth for the following year. There, I premiered Crystal Haze along with other designs that featured diamonds and gold but with the unlikely inspiration of tattoo imagery and thorns. It wasn’t exactly what the establishment of fine jewelry circles might naturally embrace — and they didn’t. I sold nothing.
Undeterred, because my wife, Assia, loved it, I took a booth at The Couture Show in Phoenix. To call it a booth is Realtor talk for what was a table in the cupboard under the
stairs. Despite the lack of visibility, a certain David Yurman found me and asked who I was. I told him, and he said I had the best jewelry he’d seen in years. Very quickly, my table became the busiest spot at the show, and I won the Editor’s Choice for Best in Show. My brother David and I had to head straight back to London to start recruiting jewelers.
Shortly after that initial trade success, I got the opportunity of a lifetime — a chance to present my work to Madonna, then the most famous woman on the planet. After a couple of stiff gins, I knocked on her door. As I waited in the lobby, I smelled burning and saw wisps of smoke coming up the stairs. Madonna appeared through the smoke — a proper rock star entrance, I thought — only to announce, “I’m sorry, I just burned the toast.” That icebreaker led to a decade-long wave of success in the new designer jeweler movement.
The Crystal Haze collection became a phenomenon, redefining what fine jewelry could be. It wasn’t just about the innovative stone-cutting technique; it was about challenging the established norms of the industry. We were creating pieces that spoke to a new generation of jewelry lovers — those who wanted their accessories to make a statement beyond mere luxury.
Our determination to push boundaries while maintaining impeccable craftsmanship caught the attention of the fashion world. From making Madonna and Guy Ritchie’s wedding rings to designing for Pink, Christina Aguilera, Natalie Imbruglia and, most recently, Machine Gun Kelly and Megan Fox, we’ve maintained our position at the intersection of fine jewelry and rock ‘n’ roll. Each piece tells a story of rebellion and refinement, punk attitude and precise execution.
Stephen Webster, the "Rock 'n' Roll Jeweler," has revolutionized the fine jewelry industry over his four-decade career.
Christina Aguilera wears Stephen Webster's designs, illustrating his enduring appeal among music and fashion icons.
The journey hasn’t always been smooth. The fine jewelry industry can be notoriously resistant to change, and there were plenty of skeptics along the way. But that resistance only fueled our creativity. Together with my wife, Assia, and my brother, David, we’ve built something truly unique. Their unwavering support and business acumen have been as crucial to our success as my designs. We’ve weathered economic storms, changing tastes and industry upheavals by staying true to our core philosophy: exceptional craftsmanship with an edge.
Our determination, attitude, humor and rock aesthetic, combined with impeccable craftsmanship and passion, have shaped the brand that we’ve built over almost five decades. Seven years ago, Amy Webster joined Assia, David and me in the business as art director, bringing fresh perspectives while honoring our rebellious heritage. Nika, our youngest, has served an apprenticeship on the bench and just started her own jewelry repair and alteration business. The rebellion continues, but now it spans generations.
As I prepare for our 40-year retrospective at Grace Renee Gallery this January, I can’t help but smile at that punky 19-year-old who dared to knock on John Donald’s door. He had no idea where that courage would lead — but I’m grateful he took the risk. There are still a few chapters yet to be told in this story, and I’m excited to see where they lead.
Experience
Stephen Webster: Icons Only — 40-Year Retrospective
Meet the Designer: Jan. 30, 10 a.m.–4 p.m. (by appointment) // Celebration: Jan. 30, 4–8 p.m. // Exhibition: Jan. 31–Feb. 1, 10 a.m.–5 p.m. // Grace Renee Gallery Historic Spanish Village // 7212 E. Ho Hum Road, Carefree // 480-575-8080 // gracereneegallery.com
Voltage & Velocity Cave Creek’s First EV Showcase Puts Luxury in the Driver’s Seat
FFor many North Valley residents, the journey to sustainable transportation begins with curiosity. On Saturday, Jan. 25, Desert Foothills Library will host the region’s first rural electric vehicle showcase, featuring an impressive lineup of luxury EVs that prove going green doesn’t mean compromising on performance or prestige.
“There are many benefits to owning an EV that are quite compelling for North Valley residents,” says John Martinson, president of the Valley of the Sun Electric Vehicle Association. “EVs are more fun to drive, require little or no maintenance beyond replacing tires, and reduce air pollution.”
The event marks a significant milestone in Cave Creek’s evolution toward sustainable transportation. With a
curated 3.9-mile test drive route through scenic roads, attendees will experience firsthand the instant torque and smooth acceleration that make electric vehicles increasingly attractive to luxury car enthusiasts.
The Desert Foothills Library serves as an ideal venue for this groundbreaking event, featuring a spacious parking lot and carefully planned test-drive route.
“The library has a receptive audience and leadership interested in presenting unique experiences,” Martinson says. “There is a large, separate parking lot that makes it easy to set up and safely conduct both a ride-anddrive and display of electric vehicles, along with a good, safe route of right turns for guests to drive.”
Writer Joseph J. Airdo // Photography Courtesy of Drive Electric Arizona
The immediate ‘wow’ effect of EVs is their acceleration. No matter which one you’re looking at or test driving, they all share an electric powertrain with instant torque that is unmatched by an internal combustion-powered vehicle.
John Martinson
The showcase features an impressive roster of vehicles, from the Arizona-made Lucid Air to the rugged Ford F-150 Lightning. Attendees can test drive several luxury models while viewing the latest innovations like the GMC Hummer EV and Tesla Cybertruck.
The luxury EV landscape has evolved dramatically in recent years, with options expanding exponentially.
“As recently as 10 years ago, there were only two models of EVs on the market,” Martinson notes.“Today, there are dozens of different models from many different manufacturers.”
Traditional luxury automakers like Audi, BMW, Cadillac, Genesis, Mercedes-Benz, Porsche and even RollsRoyce have entered the market alongside electric-only manufacturers such as Arizona’s own Lucid Motors, Polestar, Rivian and Tesla. This diversity of options ensures that buyers can find vehicles that match both their lifestyle needs and aesthetic preferences.
This expansion of options arrives at an opportune time for the region.
“I live in North Scottsdale just south of Black Mountain, and I have seen a significant increase in EVs, especially from Pinnacle Peak to Carefree and Cave Creek, with inroads to New River and Anthem,” Martinson observes.
The area is particularly well-suited for EV adoption. Single-family homes often feature solar panels that can make charging virtually cost-free, and owners can install wall-mounted Level 2 EV chargers in their garages for
convenient overnight charging. This home charging capability transforms the refueling experience from a routine errand into a seamless part of daily life.
The new generation of electric trucks has captured the attention of active lifestyle enthusiasts in the area.
“There are many new electric trucks on the market that are huge fun off-road and can tow boats and horse trailers up to 11,000 pounds,” Martinson explains. “We’re seeing a growing trend toward these powerful EVs in the North Valley area.”
The event begins with an optional networking breakfast at Local Jonny’s Tavern & Cafe, where attendees can connect with experienced EV owners before heading to the library for test drives. These owners stand ready to address common questions about battery longevity, charging station availability and comparative fuel costs.
“Our electric vehicle owners, who live with EVs every day, are an invaluable resource,” Martinson explains. “They’re ready to answer any questions about the real-world experience of electric vehicle ownership.”
This firsthand knowledge proves particularly valuable for those navigating the transition to electric vehicles for the first time. For luxury vehicle owners considering the switch to electric, the showcase presents a unique opportunity to explore high-end options.
“If you like smooth power delivery, instant torque, up-to-date technology, passenger comfort and prestige, a luxury electric vehicle is worth serious consideration,” Martinson advises.
With many models offering ranges between 350 and 400 miles, and the Lucid Air GT achieving over 500 miles on a single charge, range anxiety is becoming a concern of the past. In fact, Martinson and his wife recently drove their 2023 Tesla Model X from Scottsdale to St. John’s Newfoundland and back — an 11,000-mile journey — with plenty of charging stations and no issues.
As North Valley residents prepare to experience these innovations firsthand at Desert Foothills Library, one thing becomes clear: the future of luxury transportation isn't just electric — it's already here.
valleyofthesuneva.org
WWhile other children read comic books, Don Murray immersed himself in car magazines. That early fascination has evolved into one of Arizona’s most significant automotive collections, spanning from the 22nd Ferrari ever built to rare Porsches that command both the track and collectors’ attention.
“These cars are like art,” Murray explains, gesturing toward his 1963 Ferrari 400 Superamerica. “It’s all hand-built, every one different and bespoke to whoever the owner was. The details of how beautifully they are built cannot be duplicated today.”
Writer Joseph J. Airdo // Photography by Loralei Lazurek
Whisper Rock resident Don Murray stands among his extraordinary collection in North Phoenix. His assemblage includes the 22nd Ferrari road car ever built and rare Porsches that command both the track and collectors' attention.
Don Murray “
These cars are like art. The details of how beautifully they are built cannot be duplicated today.
That Superamerica holds special significance as Murray’s first Ferrari acquisition. Originally ordered by Nelson Rockefeller in silver with a red interior, the car arrived in a rich shade called Amarone — a happy accident that began Murray’s journey into the upper echelons of car collecting.
Murray’s path to becoming one of Arizona’s premier collectors began with a modest purchase in 1970 — a ‘55 Chevy with a small V8 and manual transmission. His passion for highperformance vehicles soon led him to Porsche, starting with a 1960 912. That first German sports car sparked a succession of purchases: another 912, then a 911, followed by the 1972 911E Targa that would cement his love for the marque.
That early passion for Porsche evolved into one of the most significant private collections in the Southwest. At its heart is a 1950 Ferrari 166, the 22nd road car ever produced by the legendary automaker.
“The dark blue one is Touringbodied,” Murray explains, pointing out its historical significance, before gesturing to a 1951 model beside it that showcases Ferrari’s rapid evolution. “That car has maybe 110 horsepower. This car had 265 horsepower when it raced. And this one, even though it’s bigger, is actually lighter.”
When Murray relocated from Laguna Beach in 2019, he brought 45 cars to Arizona, settling in North Scottsdale’s exclusive Whisper Rock community. The collection has grown since then, flourishing in the state’s dry climate and vibrant car culture. The Valley’s automotive scene keeps collectors engaged, with multiple shows happening most weekends.
Among the collection’s crown jewels is a 1955 Porsche RS Spyder, still wearing its original French racing blue paint.
“This was a Paris show car,” Murray notes. “After the show was over, it was a race car for about 2 1/2 to three years. It did very well. It won a Formula Two race and placed in about 25% of the races it entered — which is really good back then because they broke down a lot in the early ‘50s.”
Each car in Murray’s collection tells its own story. A diminutive AustinHealey Sebring Sprite speaks of racing glory, having been piloted by legendary driver Bruce McLaren. A 1956 Ferrari 250 GT Speciale, one of only four built that year, was created for a member of the Agnelli family as “a wolf in sheep’s clothing,” featuring Tour de France running gear beneath its elegant Pininfarina coachwork.
This January, several pieces from Murray’s collection will grace the Arizona Concours d’Elegance at the
newly renovated Scottsdale Civic Center. Chuck Stanford Jr., co-chairman of the event, sees the concours as more than just a car show.
“The concours was formed in 2013 when three car enthusiasts got together and decided Arizona needed one,” Stanford explains. “We were determined to create an opportunity to showcase extraordinary cars in a beautiful environment, allowing people to see vehicles they’d never encountered before.”
The event’s partnership with Scottsdale Arts has transformed the traditional car show format into something extraordinary.
“We’re not just displaying cars in rows,” Stanford emphasizes. “We create artistic configurations that allow people to appreciate each vehicle in relation to the venue’s artistic nature. These aren’t just cars — they’re rolling works of art.”
Murray sees these mechanical masterpieces as more than just vehicles.
“In 2019, the Phoenix Art Museum had a fabulous ‘Cars as Art’ show,” he notes. “The first fine art museum to do this was in Boston, featuring Ralph Lauren’s collection. When that exhibition finished, the Louvre requested it.”
This artistic appreciation extends to Murray’s philosophy about collecting.
“People generally collect cars they loved as children,” he observes. “As they become more sophisticated, they start liking other cars because they’re so beautiful.”
He points to changing tastes across generations: “In the ‘90s, Duesenbergs weren’t worth much, but today they’re skyrocketing because that generation of collectors is now interested in them.”
Murray’s advice for aspiring collectors reflects years of experience.
“Read as much as you can about what you’re interested in collecting,” he says. “Talk to knowledgeable, honest people — that’s the most important thing. Always do a pre-purchase inspection with a knowledgeable expert before you buy anything with big money.”
Most importantly, Murray believes in sharing these mechanical masterpieces.
“These cars are meant to be shared,” he insists. “It’s like someone buying a unique piece of art and sticking it in a safe where nobody can see it. When I’m gone, these cars will still be around, owned by people who appreciate, love and cherish them.”
The Arizona Concours d’Elegance provides the perfect venue for such sharing. As a nonprofit event, it benefits both the arts and Make-A-Wish Arizona.
“We share proceeds with Scottsdale Arts to support local artists and arts programs,” Stanford notes. “In our first four years alone, we helped Make-A-Wish raise approximately $300,000.”
For both Murray and Stanford, the future of car collecting in Arizona looks bright.
“The concours has potential to become even more significant,” Murray suggests. “Like the Amelia Island Concours that Bill Warner started — when you’re there, you hear so many different languages being spoken, with Europeans flocking to it every year. Scottsdale has the opportunity to develop into something similar.”
The journey to that international recognition is already well underway. Stanford notes that orchestrating such a prestigious event comes with unique challenges.
“We need vehicles people have never seen before — like prewar European cars or early Ferraris. For perspective, we have the 47th Ferrari ever built and the 18th Porsche ever produced.”
Murray’s collection helps meet that high standard. His 1969 Ferrari Dino, considered one of the most beautiful cars ever made, exemplifies the perfect proportions that defined an era. Nearby sits an unrestored 1969 Daytona, its original paint showing the patina of time.
“We want to keep it that way,” Murray explains. “We like it unrestored.”
Murray’s collection also includes unexpected treasures, like a DKW delivery van powered by a humble three-cylinder, twostroke motorcycle engine generating just 28 horsepower.
“Alois Ruf said he remembers these coming up the hill toward their shop,” Murray recalls with a smile. “He said you’d hear putt, putt, putt, putt, putt. But they were very usable back then.”
Such diversity reflects Murray’s appreciation for automotive
Through his Deer Valley-based Mesa Concours Cars, Don Murray helps others build their own collections. His philosophy emphasizes the importance of preserving automotive history for future generations.
history in all its forms. Through Mesa Concours Cars, his Deer Valley-based company in North Phoenix, he helps others build their own collections.
“Integrity is vital in this business,” he emphasizes. “Whether acquiring cars for clients or ourselves, we’re driven by a passion for exquisite automobiles.”
The Arizona Concours d’Elegance shares that commitment to excellence.
“We maintain a pool of 100 judges worldwide, matching experts to specific marques,” Stanford explains. “You need someone who understands that a particular model from 1955 might be worth $6 million and knows exactly why.”
This attention to detail extends to the event’s presentation. With just 1 1/2 hours on Sunday morning to position 100 cars in their precise locations, the setup requires careful choreography.
“It’s not just about getting the cars in place,” Stanford notes. “It’s about creating an experience that celebrates both automotive and artistic excellence.”
That celebration of excellence has found its natural home in Arizona, where the climate preserves these mechanical masterpieces as perfectly as any museum.
“The dry climate here is easy on metal,” Murray observes. “We have an infatuation for automobiles here in Arizona, both new and old. I really believe that we have some of the best cars in the entire country.”
mesaconcours.com
Experience
Arizona Concours d’Elegance
Jan. 18–20 // 9 a.m.–4:30 p.m. // Scottsdale Civic Center // 3939 N. Drinkwater Blvd., Scottsdale // $95+ // arizonaconcours.org
Writer Joseph J. Airdo // Photography by Michael Rosenzweig
IIn the soft light of an Arizona sunrise, a vintage Corvette gleams against a backdrop of russet desert mountains, its chrome catching the golden-hour glow. This is where automotive culture meets fine art — in the spaces between metal and mountain, in reflections that capture both machine and landscape, in compositions that reveal the soul of both car and country.
Arizona’s unique environment creates an automotive photographer’s paradise. The state’s preservationfriendly climate keeps classic cars pristine long past their years, while year-round show seasons and dramatic natural backdrops create unprecedented photographic opportunities. From dawn shoots in the Sonoran Desert to twilight captures in downtown Scottsdale, each image celebrates both the vehicles and their environment.
Here, every vehicle tells a story. A Honda Civic catches perfect light in a parking lot, revealing unexpected beauty. A restored muscle car gleams against red rocks. A Jeep traverses rugged terrain, demonstrating the raw power of automotive engineering. From rare classics to daily drivers, each photograph transcends simple documentation to reveal the sculptural beauty inherent in automotive design.
Our state’s diverse automotive culture provides endless inspiration. Monthly gatherings at Rock Point Church draw hundreds of vehicles, from meticulously restored classics to modified modern machines. Downtown shows in Florence and Prescott offer historic architecture as a backdrop, while off-road adventures into the wilderness showcase vehicles conquering Arizona’s rugged terrain. Each setting presents its own photographic challenges and opportunities.
Photographer Michael Rosenzweig captures the intimate relationship between Arizona’s car culture and its breathtaking landscapes. Through careful composition and masterful timing, his images tell stories of mechanical beauty, human craftsmanship and the enduring allure of the American Southwest — where chrome meets cactus and engineering meets art. In these photographs, we see more than just vehicles; we witness the convergence of human ingenuity and natural splendor, each frame a testament to Arizona’s unique automotive heritage.
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When you’re not used to off-roading, you don’t realize what these vehicles can do. Those situations make for some spectacular Jeep photos. Michael Rosenzweig
Some of these cars have fascinating histories. Owners will spend 15 to 20 minutes telling you about their restoration process or their family’s history with the vehicle.Michael Rosenzweig
Between the year-round shows, the Route 66 heritage and the incredible preservation conditions, Arizona has an amazing car culture. Michael Rosenzweig
About the Photographer
Michael Rosenzweig’s journey into automotive photography began in 1987 while in high school with a curiosity for cameras and a passion for cars. What started with slide film and weeklong waits to see results has evolved into a sophisticated digital craft that marries his technical expertise with artistic vision.
As a software engineer specializing in AI technology, Rosenzweig brings a unique perspective to his photography. His technical background enhances his understanding of digital imaging, while his artistic eye seeks out the perfect composition.
The transition from New England to Arizona marked a turning point in Rosenzweig’s photographic journey. The state’s dramatic landscapes and year-round car culture provided new creative opportunities. His portfolio expanded beyond automotive work to include wildlife photography, particularly the wild horses of the Salt River and Arizona’s diverse bird population.
His approach to automotive photography is refreshingly democratic. Whether shooting a rare classic or a modified daily driver, Rosenzweig seeks out the unique character in every vehicle.
“Not everyone is driving a ‘63 Corvette Split Window or a Lamborghini,” he explains. “But everybody has a story about their car and people love sharing those stories — especially car lovers.”
When not photographing at car shows or dawn meetups, Rosenzweig can often be found exploring Arizona’s backroads in his “photo Jeep,” seeking pristine landscapes for his environmental automotive portraits. His work celebrates both the mechanical precision of automotive design and the raw beauty of the Southwest, creating images that resonate with car enthusiasts and art lovers alike.
Through his lens, Arizona’s automotive culture comes alive — one frame, one story, one carefully composed image at a time.
mdrimages.com
Cultural Crescendo MIM’s Concert Series Celebrates Musical Diversity
GGrammy winners, living legends and rising stars will grace the stage of the Musical Instrument Museum’s intimate 300-seat theater during its winter-spring concert series. With nearly 60 performances spanning the musical universe, from beloved pop icons to groundbreaking contemporary artists, the series reinforces MIM’s reputation as a premier cultural destination.
“This winter-spring concert series is one of our biggest, most dynamic and eclectic offerings yet,” says Andrew Walesch, artistic director of the MIM Music Theater.
The series features an impressive roster of debuts and returning favorites. Billy F. Gibbons of legendary
blues-rock band ZZ Top makes his MIM debut, while virtuoso guitarist Tommy Emmanuel returns to the intimate venue for the first time in nearly 15 years. The season welcomes the Grammy-winning gospel quintet the Blind Boys of Alabama and celebrates the return of the National Medal of Arts recipient Preservation Hall Jazz Band.
The diverse lineup continues with 1960s pop group Herman’s Hermits starring Peter Noone and awardwinning saxophonist and singer Vanessa Collier. Making their MIM debuts are Grammy-winning jazz bassist Endea Owens with her band, The Cookout, and the long-running, award-winning Irish folk group Dervish. Golden Globe-nominated performer
Writer Joseph J. Airdo // Photography Courtesy of the Musical Instrument Museum
Andrew Walesch “
The intimate vibe makes every show feel like you’re in the artist’s living room.
Lucie Arnaz and the Grammy-winning bluegrass ensemble Del McCoury Band round out a season that exemplifies MIM’s commitment to musical diversity.
While the lineup speaks to MIM’s programming excellence, the venue itself creates an unparalleled concert experience.
“The intimate vibe makes every show feel like you’re in the artist’s living room,” Walesch explains. “Being inside the world’s only global musical instrument museum is the cherry on top. By presenting artists from around the world and across genres, we’re creating a platform for cultural exchange and appreciation, where everyone can enjoy the magic of music.”
For those new to the venue, Walesch offers an enticing invitation: “If you haven’t been to the MIM Music Theater, you’re missing out on an experience that can’t be put into words. Whether you’re a lifelong music fan or just looking for a fun night out, our theater offers something for everyone. Come once, and I guarantee you’ll want to return.”
mim.org
Discover the world’s finest Artists and Craftsmen at Arizona’s premier Art & Wine Festivals. Enjoy live music, delicious food, and superb wine tastings from dozens of local wineries. Free admission.
Cave Creek Fine Art & Wine Festival
January 10-12
Kierland Fine Art & Wine Festival
February 1-2
Tubac Festival of the Arts
February 5-9
Wigwam Festival of Fine Art
February 15-16
Stagecoach Village Fine Art & Wine Festival
March 7-9
Sonoran Arts Festival March 21-23
SanTan Village Art & Wine Festival
March 29-30
Prescott Mother's Day Festival
May 10-11
Jason Napier
Ghost-Note
esperanza spalding
Jan. 7 // 6:30 p.m. and 8:30 p.m. // $80.50+
On Tuesday, Jan. 7, a virtuosic presence in contemporary jazz takes the MIM stage for two performances. Five-time Grammy winner esperanza spalding transcends traditional musical boundaries with her innovative approach to composition and performance. The acclaimed bassist and vocalist, who has performed at venues ranging from the Nobel Prize ceremony to the White House, brings her groundbreaking artistry to MIM fresh off her 2025 Grammy nomination for best jazz vocal album.
Known for weaving together jazz, improvisation, poetry and social consciousness, spalding has collaborated with luminaries including Herbie Hancock, Prince and Stevie Wonder. Her work extends beyond performance into education, activism and community building, reflecting a deep commitment to both artistic excellence and social change.
“Her virtuosic bass playing, poetic lyrics and mesmerizing voice combine with a magnetic stage presence to make every performance an unforgettable experience,” Walesch says.
Feb. 24 // 7 p.m. // $33.50+
On Monday, Feb. 24, New Orleans brass band meets Mardi Gras Indian tradition as the Grammy-nominated Cha Wa brings its vibrant cultural fusion to MIM. Following two Grammy-nominated albums — 2018’s “Spyboy” and 2021’s “My People” — the ensemble continues to energize audiences with its dynamic blend of street culture and musical innovation.
Rooted in a tradition dating to the late 1800s when African American men first marched in Native American dress through New Orleans streets, Cha Wa carries forward a heritage that has influenced the city’s greatest musicians, from The Meters to the Marsalis family.
March 26 // 7 p.m. // $59.50+
Grammy-winning Snarky Puppy percussion duo Robert Searight and Nate Werth lead Ghost-Note into the future of funk on Wednesday, March 26. Fresh off the release of their new album, “Mustard n’ Onions,” the ensemble pushes boundaries with an expansive roster of next-level musicians whose collective credits include Prince, Erykah Badu and Kendrick Lamar.
Building on foundations laid by James Brown and Sly and the Family Stone, Ghost-Note infuses its sound with Afrobeat, hip-hop and psychedelia. The group’s previous albums, “Fortified” and “Swagism,” both topped the iTunes jazz charts, establishing Ghost-Note as a formidable force in contemporary fusion.
“Ghost-Note delivers a high-energy, genre-blending experience, masterfully fusing funk, EDM, hip-hop, jazz and rock,” Walesch says. “The ensemble creates electrifying performances that push funk music into bold new territory.”
“Cha Wa delivers an irresistible fusion of New Orleans brass, traditional Mardi Gras Indian chants and infectious funk grooves,” Walesch says. “Their concert promises a dynamic celebration where centuries-old traditions meet modern musical innovation.”
Cha Wa
Rickie Lee Jones
Feb. 6–7 // 7:30 p.m. // $69.50+
Two-time Grammy winner Rickie Lee Jones brings her masterful interpretations of the Great American Songbook to MIM for two nights, Feb. 6 and 7. Her latest album, “Pieces of Treasure,” nominated for the 2024 Grammy for best traditional pop vocal album, reunites Jones with legendary producer Russ Titelman, who co-produced her meteoric 1978 debut.
Throughout her illustrious career, Jones has demonstrated extraordinary range, from her star-making hits to celebrated jazz recordings including “Girl at Her Volcano” and “Pop Pop.” Her ability to deconstruct and reimagine popular songs has earned her acclaim across genres.
“Rickie Lee Jones possesses a rare gift for deconstructing popular songs and evoking raw emotions in her performances,” Walesch says. “With a Grammy-winning career spanning jazz, pop, and the Great American Songbook, her concert promises a soulful and musically rich experience.”
Sheila E. and the E-Train
Jan. 24 // 6:30 p.m. // $69.50+
Fresh off the release of her first salsa album, “Bailar,” percussion icon Sheila E. brings her electrifying E-Train to MIM on Friday, Jan. 24. The Grammy-nominated singer-songwriter, whose hits include “The Glamorous Life” and “A Love Bizarre,” has built a trailblazing career collaborating with legends from Prince to Gloria Estefan.
The daughter of legendary jazz percussionist Pete Escovedo and goddaughter of Tito Puente, Sheila E. carries forward a rich musical legacy while continually pushing boundaries. Her fearless multiinstrumental talents have earned her performances alongside pioneering artists including Marvin Gaye, Diana Ross and Beyoncé.
“Join Sheila E. and the E-Train for a high-energy show featuring dynamic Latin grooves, soulful ballads and the unmatched percussion skills of a true legend,” Walesch says.
TThe story of Arizona’s automotive heritage runs deeper than its legendary highways and desert proving grounds. Tucked into communities across the state, 10 remarkable museums preserve not just vehicles but the dreams, innovations and personal stories that drove them forward.
These institutions range from intimate family collections to world-class facilities. Along Route 66, visitors explore both the Mother Road’s evolution and the world’s first museum dedicated to electric vehicles. In Phoenix, championship racing machines maintain their racing-ready condition, while in Tucson, generations of family history intertwine with automotive preservation.
Each museum offers its own distinctive journey through time. Some celebrate the artistic vision of custom designers; others document the evolution of American manufacturing; and a few maintain their collections in running condition — keeping history alive through the rumble of engines and the timeless appeal of chrome and steel.
Writer Joseph J. Airdo
Penske Racing Museum
Arizona Route 66 Museum
Penske Racing Museum
ARIZONA ROUTE 66 MUSEUM
Arizona’s automotive heritage begins where America’s most famous highway carved its path through the state. The Arizona Route 66 Museum, housed in Kingman’s Historic Powerhouse, offers visitors a unique two-for-one experience: a journey through the Mother Road’s evolution and the world’s first museum dedicated solely to electric vehicles.
“The Arizona Route 66 Museum is the only Route 66 museum that tells the chronological story of Route 66,” explains Josh Noble of the Kingman Office of Tourism. “From Native American trade routes to wagon roads, from railroad to automobile, visitors experience the complete evolution of this iconic pathway.”
The museum’s exhibits are undergoing a complete overhaul, scheduled for completion in mid-2025 to coincide with Route 66’s centennial celebration. Meanwhile, the attached Route 66 Electric Vehicle Museum continues to draw technology enthusiasts with its extensive collection spanning more than 100 years of EV history.
“There are other car museums that have an EV or two on display,” Noble notes, “but as of yet no others that even have a complete display dedicated to EVs.”
Recent additions include a 2008 Tesla Roadster II, identical to the one famously launched into space by SpaceX. Looking ahead to 2025, the museum is expanding its hours to accommodate growing interest. Currently open daily from 9 a.m. to 4 p.m., the facility will transition to 8 a.m. to 5 p.m. operations in early 2025.
Arizona Route 66 Museum
120 W. Andy Devine Ave., Kingman Adults: $10, seniors: $6, children under 12: free with paying adult 928-753-9889 // mohavemuseum.org
FRANKLIN AUTO MUSEUM
Tucked away in a historic adobe home in Tucson, the Franklin Auto Museum preserves a unique chapter of automotive innovation. The museum showcases a meticulously curated collection of 25 to 27 classic Franklin automobiles, providing a comprehensive look at the company’s distinctive air-cooled production history.
“We offer a full spectrum of exhibits about the Franklin automobile plus other cars of local history,” says museum director Bourke Runton. “The collection has many custom-body classic Franklins restored to world-class quality.”
Among the museum’s treasures are two remarkable time capsules. “We have the two lowest-mileage original cars remaining,” Runton notes, “a 1910 and a 1924 just as they left the factory.”
Recent additions to the collection include a 1915 Saxon roadster. The facility has undergone infrastructure improvements, including plumbing restoration. Guided tours, available on a walk-in basis when possible, offer what Runton describes as “multilevel interpretation of automotive history to meet the interest level of the visitors.”
Franklin Auto Museum
1405 E. Kleindale Road, Tucson
Wednesday–Saturday: 10 a.m.–4 p.m. (through May 2)
Adults: $12, seniors (62+): $10 // franklinmuseum.org
JWJ CYCLES MUSEUM
In San Manuel, a unique motorcycle museum tells the story of a family’s lifelong passion for two-wheeled adventure. JWJ Cycles — named for founder Jack Traweek, his brother Warren, and Jill, the late wife of Jack’s son, Parrish — houses approximately 100 motorcycles, each with its own tale to tell.
“We honor the legacy of brothers Jack and Warren through a collection of around 100 motorcycles, including their early bikes, riding gear and photographs,” explains Parrish Traweek, who maintains the collection. “Unique pieces like our Pulse Autocycle and Russian Minsk make our collection especially distinctive.”
The museum serves as more than just a display space.
“We’re more than a museum — we’re a hub for riders,” Traweek says. “Visitors can stage rides from our facility, stay overnight, and participate in our regular events. We preserve motorcycle history while creating new riding opportunities.”
This combination of historical preservation and active riding culture makes JWJ Cycles unique among automotive museums. Visitors can explore the collection, then take advantage of unlimited local desert trails and nearby dining options.
JWJ Cycles Museum // San Manuel // Open by appointment Free admission // 520-664-4812 // jwjcycles.com
Franklin Auto Museum
Franklin Auto Museum
JWJ Cycles Museum
PENSKE RACING MUSEUM
The Penske Racing Museum isn’t just a display of historic race cars — it’s a living collection of motorsports excellence. What sets this facility apart is its status as a “running museum,” where each historic race car is maintained in operating condition.
“The collection at the Penske Racing Museum showcases the history of one of the most successful teams in all of motorsports,” explains museum director Patrick J. Hozza. “What makes our museum special is that it’s a running museum — we maintain our race cars in operating condition, preserving these incredible machines as they were meant to be.”
Among the museum’s more than 100 vehicles are several legendary pieces, including the 1974 Porsche that Mark Donohue drove to victory in the first IROC at Riverside, and Danny Sullivan’s 1985 March IndyCar, famous for its “spin and win” victory at that year’s Indianapolis 500. Also on display is Team Penske’s first in-house designed and built Formula One car from 1974. A unique feature pairs each of their 20 Indianapolis 500-winning cars with the corresponding pace car from that year’s race.
Visitors can enhance their experience at the Turn 4 Cafe, located on the museum’s second floor, where Penske Racing’s winning trophies are displayed. The mezzanine offers views of the test track and Land Rover off-road course.
Penske Racing Museum // 7191 E. Chauncey Lane, Phoenix Monday–Saturday: 10 a.m.–4 p.m., Sunday: 12–5 p.m. Free admission // penskeautomall.com
ROLLING THRU TIME AUTO MUSEUM
Family heritage drives the collection at Rolling Thru Time Auto Museum in Tucson, where approximately 225 vehicles tell stories spanning four generations and more than half a century of collecting.
“The family has been involved with Ace Hardware for 80 years,” says curator Joe Findysz, “and this store exhibits all the treasures that have been saved over the years. When people come into the museum, one of the most favorite exhibits is the old-time Ace Hardware store that sits in the middle of the museum.”
The museum’s attractions include a Model T assembly line, Caterpillar tractor collection, working machine shop, paint shop, mechanics shop, and a popular firetruck room. Among the most personal exhibits is Findysz’s first car — a 1924 Model T roadster he purchased at age 14.
Beyond its role as a museum, the facility serves as a community gathering space, hosting monthly car club meetings, field trips and special events ranging from ceremonies to baby showers. Each vehicle on display includes family photos, connecting visitors to the personal stories behind the machines.
Rolling Thru Time Auto Museum // 4750 S. Park Ave., Tucson
Thursday–Saturday: 10 a.m.–5 p.m. (last admission 4 p.m.)
Adults: $12, seniors/first responders/students: $10, Children 6–12: $6, under 5: free // rttmuseum.com
Penske Racing Museum
Rolling Thru Time Auto Museum
Tucson Auto Museum
Tucson Auto Museum
TUCSON AUTO MUSEUM
The Tucson Auto Museum is embarking on an exciting new chapter. In late January or early February 2025, the museum will hold the grand opening of its expanded facility in Sabino Canyon, featuring not just an enhanced automotive collection but also unique entertainment spaces.
Among the new attractions will be “The Batcave,” showcasing two Batmobiles and rare Batman memorabilia, and a state-of-the-art broadcast and podcast studio available for community rental. The museum’s collection of more than 75 classic cars and automobilia will be displayed in a significantly larger space designed to enhance the visitor experience.
The museum’s commitment to being a “living” collection continues in the new location, with all vehicles maintained in roadworthy condition. The collection includes a Model T, a 1929 Duesenberg Model J, a one-of-a-kind 1948 KurtisOmohundro Comet, a 1957 Dual-Ghia, and several vehicles with Hollywood histories, having appeared in shows like “Mannix,” “Charlie’s Angels” and “Batman.”
The new facility will also serve as an event venue, with an elegant event room available for group rentals, making it an ideal space for gatherings, celebrations and corporate functions.
Tucson Auto Museum
4825 N. Sabino Canyon Road, Tucson Opening early 2025: Wednesday-Sunday: 10 a.m.–4 p.m. (last admission 3 p.m.)
Adults: $14, seniors/military/students: $12, children 12 and under: $8 tucsonautomuseum.org
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Take a virtual tour through more of Arizona’s automotive treasures at imagesaz.com/wheels-of-time
DINING GUIDE
Venues Cafe
AAs Venues Cafe enters its 15th year as one of Carefree’s most cherished dining destinations, this beloved establishment continues to evolve while maintaining the warm, welcoming atmosphere that has made it a local institution. Recent renovations have enhanced the restaurant’s commitment to guest comfort, while its celebrated menu of comfort cuisine with Southwestern flair remains delightfully consistent.
The restaurant’s thoughtful updates include state-of-theart, ADA-compliant facilities and a beautifully refinished 25-person bar, where the rich wood tones complement the venue’s signature aesthetic of copper, stone, and natural textures. The inviting 50-person patio, added in 2022, continues to offer an ideal setting for enjoying Carefree’s perfect winter weather.
Each evening at Venues brings its own special allure. Tuesdays transform into an elevated burger night, with complimentary house wine or beer accompanying any of their handcrafted burgers. Breaking from tradition, Venues offers “Wacky Wednesday” with $4 street tacos and $6 margaritas — a refreshing midweek treat. Thursday evenings entice wine enthusiasts with half-price bottles when paired with two
entrees, while Fridays feature the perennially popular all-youcan-eat fish and chips.
Saturday evenings showcase what many consider the crown jewel of Venues’ offerings: a perfectly prepared 12-ounce prime rib dinner complete with two sides. This weekly special has earned such a following that reservations are strongly recommended to avoid disappointment, as the chef regularly sells out.
Situated adjacent to the iconic Carefree Sundial and across from the town center park, Venues Cafe continues to strike the perfect balance between upscale dining and comfortable casualness. Whether you’re a longtime regular or first-time visitor, you’ll find yourself embraced by the restaurant’s genuine hospitality and satisfied by its thoughtfully prepared cuisine.
The inviting 50-person patio, added in 2022, continues to offer an ideal setting for enjoying Carefree’s perfect winter weather.
Winter Fireside Old Fashioned
Writer and Photographer Francine Coles
This sophisticated winter cocktail elevates the classic Old Fashioned with an unexpected touch of nostalgia: housemade toasted marshmallow and cinnamon simple syrup. It showcases a delicious blend of bourbon, cognac, aged rum and creme de cacao, and is finished with orange bitters and a perfectly charred marshmallow garnish — an elegant reminder of fireside gatherings on crisp Arizona evenings.
Directions:
Yield: 2 servings
Ingredients:
2 tablespoons bourbon
2 tablespoons cognac
2 tablespoons aged rum
4 teaspoons creme de cacao
4 teaspoons toasted marshmallowcinnamon syrup (recipe follows)
3 drops orange bitters
2 large craft ice cubes
2 toasted marshmallow and orange twists, for garnish
Toasted Marshmallow-Cinnamon Syrup:
8 toasted marshmallows (about 1 cup)
3/4 cup sugar
1 cup water
2 cinnamon sticks
To make the syrup: In a small saucepan, combine all ingredients over low heat until marshmallows and sugar dissolve completely. Remove from heat and allow to infuse for up to five hours. Strain through cheesecloth. Store in an airtight container; syrup will keep in the refrigerator for up to five days.
To make the cocktail: Place all ingredients except garnishes in a mixing glass filled with ice and stir until well-chilled, about 30 seconds. Strain into glasses, each containing a large ice cube. Express orange twist over each cocktail and garnish with toasted marshmallows. thefancypantskitchen.com
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