E T A G E C H A N G E Y O U .
C H A N G E
T H E W A Y Y O U A G E .
THIRD THURSDAY ART
THURSDAY,
Perfect Pair Quail, 14” x 14”
FEATURING AMY LAY
Mixed Media Promises, 12” x 12”
At Sue Bickerdyke Interiors, we believe every room deserves its moment to shine – even the spaces you might least expect. Take the powder room, for instance. I love to think of it as your home’s jewelry box, a perfect setting for that touch of extravagance that makes guests smile.
Transforming a powder room into a conversation piece by incorporating Amy Lay’s delightfully spirited fox painting. The artwork captures a mischievous moment – a proud fox with a flourish of feathers – its personality reflecting playfully in sculptured mirror.
When designing these intimate spaces, I encourage clients to embrace their bold side. A floating vanity in striking turquoise, paired with swirling architectural light fixtures and coordinating hardware, demonstrates how a powder room can become an artistic statement. A space where you can layer luxurious finishes, playful artwork and dramatic lighting to create an unforgettable impression.
Visit our showroom to discover how we can help transform your spaces that reflects your unique style. Let’s create spaces that spark joy and conversation.
Publisher Shelly Spence
Managing Editor
Joseph J. Airdo
Graphic Designer
Meaghan Mitchell
Contributing Writers
Joseph J. Airdo
Francine Coles
Shannon Severson
Photographers
Francine Coles
Loralei Lazurek
Advertising Sales
Cindi Calcinari
860-966-3271 cindi@imagesaz.com
Images Arizona P.O. Box 1416
Carefree, AZ. 85377 623-341-8221
shelly@imagesaz.com imagesarizona.com
AAs we embrace the spirit of Valentine’s Day, this month’s issue of Images Arizona celebrates the many ways love enriches our lives and community.
Our cover story takes you on a touching journey through Arizona’s healthcare landscape, exploring the profound impact of therapeutic harp music. It’s a beautiful reminder of how art can heal and comfort.
We also introduce you this month to Dylan Capshaw, a young entrepreneur whose Stemistry cafes are flourishing across the Valley. His blend of artisanal coffee and hands-on floral design perfectly captures the creativity that thrives in our community.
For those seeking the perfect Valentine’s celebration, our “Love Notes” feature offers a delightful guide to romantic experiences across the North Valley. And for cozy nights in, we’ve included a mouthwatering recipe that’s sure to impress your sweetheart. Meanwhile, this month’s featured photographer, Adrienne McLeod, takes you on a breathtaking journey along the Arizona National Scenic Trail — a visual love letter to our beautiful state.
As you explore these pages, I hope you’ll be inspired to celebrate love in all its forms — whether through music, creativity, nature, or simply cherishing time with those who matter most.
With so much love,
Shelly Spence
Publisher, Images Arizona
IIn Phoenix’s evolving cultural landscape, where authentic experiences increasingly trump mere entertainment, M3F Festival stands as a testament to the transformative power of purposeful programming. What began as a modest teambuilding exercise for a local construction company has blossomed into North America’s most celebrated nonprofit music festival, delivering both world-class performances and meaningful community impact.
For its 2025 edition, returning March 7–8 to Steele Indian School Park, M3F presents its most ambitious vision yet. The festival’s dual mission crystallizes in a lineup that pairs prestigious headliners LCD Soundsystem and Justice with an array of emerging artists, while its charitable initiatives continue reshaping the Valley’s communities.
M3F stands as North America’s most celebrated nonprofit music festival, proving that world-class entertainment and social impact can share the same stage.
This marriage of musical excellence and social responsibility has generated more than $6 million in charitable contributions since the festival’s inception. Recent beneficiaries include Phoenix Children’s Hospital, where a $140,000 contribution supports music therapy programs, and Habitat for Humanity of Northern Arizona, which received $100,000 toward a new 40home development.
The festival’s evolution mirrors Phoenix’s own transformation into a sophisticated cultural destination. Through the M3F Fund, established in 2023, the organization has expanded its impact across four key pillars: community, education, arts and environment. This structured approach to philanthropy ensures that every ticket purchase reverberates far beyond the festival grounds.
The carefully curated 2025 lineup exemplifies M3F’s commitment to artistic excellence, featuring several notable Arizona debuts. Toronto’s genre-defying BADBADNOTGOOD and Australia’s electrifying Confidence Man join a roster that rewards musical sophistication and a spirit of discovery — hallmarks of the festival’s discerning audience.
Leading the charge are two acts that define contemporary musical innovation. LCD Soundsystem, fresh from an acclaimed Los Angeles residency and riding the momentum of their latest single “X-Ray Eyes,” brings its distinctive blend of New York cool and electronic innovation. The band’s influence spans underground and mainstream scenes, with anthems like “All My Friends” and “Dance Yrself Clean” serving as touchstones for a generation of music enthusiasts.
Equally compelling is the presence of Justice, the French electronic duo whose recent album “Hyperdrama” showcases collaborations with Tame Impala, Thundercat and Miguel. Their bass-heavy sound and dynamic performances have earned them a reputation for transforming festival grounds into pulsating, unified dance floors.
While the music commands attention, M3F’s year-round community initiatives reveal its deeper purpose. From last September’s bike drive to an innovative partnership with Cowtown S.K.A.T.E. — which introduces youth to both skateboarding and graphic design — the festival maintains a constant presence in Valley life. The festival has also joined forces with The Foster Alliance for its 2024 Fill Santa’s Sleigh event, collecting holiday gifts for foster youth.
This comprehensive approach to community impact sets M3F apart in an increasingly crowded festival landscape. While other events focus solely on entertainment, M3F has created a model where cultural excellence and social responsibility coexist and strengthen each other. The result is a festival that attracts not just music fans, but conscious consumers who understand that their entertainment choices can contribute to meaningful change.
As M3F approaches its third decade, it stands as a blueprint for how cultural events can evolve beyond mere entertainment to become vehicles for social impact. In doing so, it has helped establish Phoenix as a city where sophisticated cultural offerings and community consciousness go hand in hand.
m3ffest.com
M3F Festival 2025 March 7–8 See website for schedule
Alex Šepkus jewelry has been known for its distinct design, signature textures and microscopic details. Collected and coveted around the world, Alex Šepkus jewelry is recognized not only for its original and inimitable design, but also for the use of often unexpected stones and unique color combinations.
Writer Joseph J. Airdo
Feb. 13–23
SCOTTSDALE ARABIAN HORSE SHOW
The 70th annual show features nearly 2,000 Arabian and Half-Arabian horses competing across multiple classes, plus a shopping expo with 250+ vendors offering art, jewelry and equestrian equipment. $15; seniors and military $10; children under 12 free. Military Appreciation Day Feb. 18, Family Night Feb. 21. Shopping expo open daily from 10 a.m. WestWorld, 16601 N. Pima Road, Scottsdale. 480-515-1500; scottsdaleshow.com
Feb. 1
HUMAN NATURE
Arizona Musicfest presents Australia’s acclaimed vocal group performing Motown classics like “Dancing in the Street” and “Stop! In the Name of Love,” plus their own Australian pop hits. $54+. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-4228449; azmusicfest.org
Feb. 1
SCOTTSDALE PARADA DEL SOL HISTORIC PARADE & TRAIL’S END FESTIVAL
The Scottsdale Charros present the 71st annual Western parade featuring 150 entries including floats, horse riders, marching bands and stagecoaches. The parade begins at 10 a.m., followed by the Trail’s End Festival noon–4 p.m. with live entertainment, a kids’ zone, food trucks and Western activities throughout Old Town. Free. Parade route: Drinkwater Boulevard along Scottsdale Road to Brown Avenue and Indian School Road, Scottsdale. scottsdalewesternweek.com
Feb. 2 and March 1
CORVETTES AND COFFEE
Monthly gathering featuring more than 100 Corvettes spanning all generations, from classic C1s to modern C8s. Corvettes only. Free. 8–10 a.m. Carefree Outdoor Living, 36889 N. Tom Darlington Drive, Carefree.
Feb. 1–2
ARIZONA INDIAN FESTIVAL
Experience Arizona’s Indigenous cultures through traditional arts, crafts, food and entertainment. This intertribal event showcases cultural tourism and contemporary Native American communities. Free. Saturday 9 a.m.–6 p.m., Sunday 10 a.m.–4 p.m. Scottsdale Civic Center, 3939 N. Drinkwater Blvd., Scottsdale. arizonaindiantourism.org
Feb. 1–2
Lunar New Year Festival
Phoenix Chinese Week celebrates the Year of the Dragon with traditional performances, cultural displays and Asian cuisine. Features demonstrations of Chinese arts, children’s activities and cultural exhibits highlighting 5,000 years of heritage. Free. Steele Indian School Park, 300 E. Indian School Road, Phoenix. phoenixchineseweek.org
Feb. 1–March 30
ARIZONA RENAISSANCE FESTIVAL
Step back to the 16th century at this 50-acre medieval theme park featuring 16 stages of entertainment, jousting
tournaments, 200 artisan shops and period food and drink. Over 2,000 costumed characters bring the Village of Fairhaven to life. $36; children 5–12 $24; 4 and under free. 10 a.m.–6 p.m. Saturdays and Sundays. Arizona Renaissance Festival, 12601 E. Highway 60, Gold Canyon. 520-463-2600; arizona.renfestinfo.com
Feb. 3–9
WM PHOENIX OPEN
The PGA Tour’s most-attended tournament returns, featuring the legendary 16th hole stadium experience. Monday-Tuesday free; Wednesday-Thursday and Sunday $75; Friday–Saturday $125. See website for schedule of events and concerts. TPC Scottsdale, 17020 N. Hayden Road, Scottsdale. 602-870-0163; wmphoenixopen.com
Feb. 5
HS/HS HANGOUT
Connect with fellow homeschool teens at this monthly Desert Foothills Library meetup. Help shape future activities while meeting fellow teens. Free. No registration required. 12:30–1:30 p.m. Desert Foothills Library, 38443 N. School House Road, Cave Creek. 480488-2286; dfla.org
Feb. 7–8
CHAPTER 2 BOOKS’ MONTHLY SALE
Shop discounted books, media and puzzles at the North Valley’s largest used bookstore. Friday 9 a.m.–5 p.m. Saturday 10 a.m.–4 p.m. Chapter 2 Books at Desert Foothills Library, 38443 N. School House Road, Cave Creek. 480-488-2286; dfla.org
Feb. 10
‘NEW ORLEANS SONGBOOK: THE SPIRIT OF MARDI GRAS’
Arizona Musicfest presents Jazz at Lincoln Center celebrating the Crescent City’s musical legacy with pianist Luther S. Allison and vocalists Quiana Lynell and Milton Suggs. Features works by Jelly Roll Morton, Louis Armstrong and other New Orleans innovators. $43+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Feb. 11
GET LIT BOOK CLUB
Discuss “North Woods: A Novel” by Daniel Mason at this happy hour book club. Meets at local restaurants to support area businesses. Free. Registration required. 5–6:30 p.m.; discussion begins at 5:30 p.m. See website for restaurant location. 480-488-2286; dfla.org
Writer Joseph J. Airdo
Feb. 12
‘A SOCIAL HISTORY OF TEA’
Jo Gemmill of English Rose Tea Room presents tea’s social history while guests enjoy traditional service and finger foods. Includes vintage hat raffle and prize for best hat. Period dress encouraged. $50. Registration required. 3-5 p.m. Desert Foothills Library, 38443 N. School House Road, Cave Creek. 480-488-2286; dfla.org
Feb. 13
LIBRARY BOOK CLUB
Discuss “The Sun Also Rises” by Ernest Hemingway. Free. Registration required. 10 a.m.–noon. Desert Foothills Library, 38443 N. School House Road, Cave Creek. 480488-2286; dfla.org
Feb. 13–16
‘JUNIE B. JONES JR.’
Desert Foothills Theater presents this musical adaptation of Barbara Park’s beloved children’s books, following Junie B.’s adventures in first grade. See website for ticket prices. Thursday–Friday 7 p.m., Saturday-Sunday noon and 4 p.m. The Holland Center, 34250 N. 60th St., Scottsdale. 480-488-1981; dftheater.org
Feb. 13–March 2
GREATER PHOENIX JEWISH FILM FESTIVAL
The 28th annual festival presents international films with Jewish themes. See website for prices and schedule. Harkins Arrowhead Fountains 18, 16046 N. Arrowhead Fountains Center Drive, Peoria, and Harkins Shea 14, 7354 E. Shea Blvd., Scottsdale. gpjff.org
Feb. 14
THE TENORS
Arizona Musicfest presents an intimate Valentine’s Day concert with the award-winning vocal quartet performing classical, pop, rock and folk favorites with signature harmonies. $58+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Feb. 15–16
CELEBRATE HIP-HOP
The Musical Instrument Museum explores hip-hop culture through interactive DJ workshops and live breakdancing demonstrations by the Furious Styles Crew. Features hands-on activities and educational exhibits showcasing the genre’s history and influence. $20; discounts available for youth and members. 9 a.m.–5 p.m. Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org
Feb. 15–16
CHOCOLATE AFFAIRE
This annual celebration of all things chocolate features local vendors, sweet treats and family activities. Free. 10 a.m.–5 p.m. Glendale Civic Center, 5750 W. Glenn Drive, Glendale. 480-284-6033; thechocolateaffaire.com
Feb. 15–16
WORLD CHAMPIONSHIP HOOP DANCE CONTEST
The Heard Museum hosts over 100 Indigenous dancers competing in five age divisions, from Tiny Tots to Senior, for $25,000 in prizes. The event features Northern and Southern Drum Groups, food vendors and family activities. Gates open 8:30 a.m. (8:15 a.m. for members); competition begins 9 a.m. $26; discounts available for youth, students, seniors, members and American Indians. The Heard Museum, 2301 N. Central Ave., Phoenix. 602252-8840; heard.org
Feb. 17
’THE GREATEST LOVE OF ALL’
Arizona Musicfest presents Belinda Davids performing Whitney Houston’s greatest hits in this acclaimed tribute show. Program includes “I Will Always Love You,” “I Wanna Dance with Somebody” and other favorites. $43+. 2 p.m. and 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Feb. 18
BOOKS TO DIE FOR: A MURDER MYSTERY BOOK CLUB
Join a discussion of “Sacred Clowns” by Tony Hillerman. Light refreshments served. Free. Registration required. 4–5 p.m. Desert Foothills Library, 38443 N. School House Road, Cave Creek. 480-488-2286; dfla.org
Feb. 18
HISTORIC ARIZONIANS
Jim Sherbert explores the lives of four 19th-century figures who shaped Arizona’s development from territory to statehood. Part of the Americana Lecture Series. Free; donations welcome. Registration required. 4–5:30 p.m. The Holland Center, 34250 N. 60th St., Scottsdale. 480488-1090; hollandcenter.org
Feb. 19–May 4
‘JERSEY BOYS’
The Phoenix Theatre Company presents the Tony, Grammy and Olivier Award-winning musical about Frankie Valli and The Four Seasons’ rise from New Jersey obscurity to pop stardom. Features hits including “Sherry,” “Walk Like a Man” and “Can’t Take My Eyes Off You.” $59+. See website for showtimes. Hormel Theatre at The Phoenix Theatre Company, 1825 N. Central Ave., Phoenix. phoenixtheatre.com
Writer Joseph J. Airdo
Feb. 21–22
MICROSCOPIC MARVELS: ALEX SEPKUS JEWELRY SHOWCASE
Step into a sublime world where legendary jewelry designer Alex Sepkus’ microscopic details transform precious metals into ethereal masterpieces. An expert curator will guide you through the collection and explore possibilities for bespoke creations. Free. 10 a.m.–5 p.m. Grace Renee Gallery, Historic Spanish Village, 7212 E. Ho Hum Road, Carefree. 480-575-8080; gracereneegallery.com
Feb. 20
CAREFREE ART NIGHT
Local and regional artists showcase their work at participating galleries during this monthly celebration. Enjoy live music, refreshments, artist talks and demonstrations. Free. 4–7 p.m. See website for participating galleries and event map. visitcarefree.com/artnight
Feb. 20–March 30
DOMINIC BENHURA SOLO EXHIBITION
Internationally acclaimed Zimbabwean sculptor presents new works in stone, including his signature children series and wildlife pieces. Meet the artist during opening week. Free. Tuesday-Friday 10 a.m.–5 p.m., Saturday–Sunday 11 a.m.–5 p.m., Monday by appointment. ZUVA Gallery, Historic Spanish Village, 7211 E. Ho Hum Road, Suite 17, Carefree. zuvagallery.com
Feb. 21
ART AFFAIRE
The Finer Arts Gallery unveils its six-month gallery rotation featuring diverse works in painting, sculpture, photography, glass, wood, fiber, ceramics and jewelry. Styles range from Western to contemporary, including steampunk-inspired pieces. Free. 5–7 p.m. The Finer Arts Gallery, 6137 E. Cave Creek Road, Cave Creek. 480-4882923; thefinerartsgallery.com
Feb. 21–23
SCOTTSDALE NAVAJO RUG & JEWELRY SHOW & SALE
Seventy Navajo weavers will present 300 handwoven rugs at this annual show, which features jewelry, crafts and cultural demonstrations. VIP preview Friday ($50) includes Native music, hors d’oeuvres and raffle ticket, 5–8 p.m. Public show Saturday–Sunday, free, 10 a.m.–5 p.m. Weavers receive 100% of sales proceeds. Holland Center, 34250 N. 60th St., Scottsdale. hollandcenter.org
Feb. 22
‘COMING TOGETHER’ Arizona Musicfest presents Las Vegas headliner Frankie Moreno and acclaimed pianist-singer Tony DeSare performing Great American Songbook classics, rock ‘n’ roll and jazz standards. $43+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-4228449; azmusicfest.org
Feb. 22
JUBILATE VIOLIN ORCHESTRA
The conservatory’s all-ages string ensemble performs its annual concert supporting Kiwanis Marketplace. Free. 10–11:30 a.m. Kiwanis Marketplace, 6535 E.
Cave Creek Road, Cave Creek. jubilateconservatoryofmusic.org
Feb. 22
TOY BARN CARS & COFFEE
Monthly gathering featuring luxury and exotic cars plus gourmet refreshments and facility tours. Free. 7–10 a.m. The Toy Barn, 4504 E. Lone Mountain Road, Cave Creek. toybarnstorage.com
Feb. 22–March 2
SEDONA INTERNATIONAL FILM FESTIVAL
Named one of MovieMaker Magazine’s “25 Coolest Film Festivals in the World,” this nine-day celebration presents 150+ independent films from around the globe. Features filmmaker Q&As, industry panels, red-carpet events and VIP receptions. Platinum all-access pass $1,170, Gold priority pass $525; ticket packs available. See website for complete schedule and member discounts. Multiple venues, Sedona. 928-2821177; sedonafilmfestival.com
Feb. 23
SUNDAY SUNDIAL
COMMUNITY DRUM CIRCLE
Jubilate Conservatory hosts this interactive percussion event. Free. 2:30–3:30 p.m. Sanderson Lincoln Pavilion, 101 Easy St., Carefree. jubilateconservatoryofmusic.org
Feb. 24
MANDY PATINKIN: ‘BEING ALIVE’
Arizona Musicfest presents the Tony and Emmy Award winner performing Broadway favorites and American classics, accompanied by Adam Ben-David on piano. Program includes works by Sondheim, Berlin, Porter and Chapin. $65+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
Feb. 24
TEEN COOKING CLASS: DISNEY TREATS
A hands-on cooking class where teens (ages 12+) prepare Disney-inspired treats. Free. Registration required. 3:30–4:30 p.m. Desert Foothills Library, 38443 N. School House Road, Cave Creek. 480-488-2286; dfla.org
Feb. 28
TENTHING BRASS
Arizona Musicfest presents the acclaimed all-female Norwegian brass ensemble performing arrangements spanning Mozart to Bernstein. $43+. 7:30 p.m. Pinnacle Presbyterian Church, 25150 N. Pima Road, Scottsdale. 480-422-8449; azmusicfest.org
Feb. 28–March 2
BUGS BUNNY AT THE SYMPHONY
The Phoenix Symphony performs classic cartoon scores live while Looney Tunes favorites play on the big screen. Emmy Award-winning conductor George Daugherty leads beloved scenes including “What’s Opera, Doc?” and “The Rabbit of Seville.” Features five new animated shorts. $55+. Friday-Saturday 7:30 p.m., Sunday 2 p.m. Orpheum Theatre, 203 W. Adams St., Phoenix. 602-495-1999; phoenixsymphony.org
March 3
‘MY TRIBUTE TO TONY BENNETT’
Arizona Musicfest presents Michael Feinstein and the Carnegie Hall Big Band celebrating Bennett’s legacy through iconic hits including “Because of You,” “Rags to Riches” and “I Get a Kick Out of You.” Features multimedia elements. $65+. 7:30 p.m. Highlands Church, 9050 E. Pinnacle Peak Road, Scottsdale. 480-422-8449; azmusicfest.org
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IIn a quiet room at St. Joseph’s Hospital, science and soul converge in a remarkable moment. A baby’s persistent crying suddenly stops — the transformation takes exactly 31 seconds from the moment Jocelyn Obermeyer’s fingers touch her harp strings, her music precisely matching the infant’s distressed pitch.
“I could hear that he was crying in the key of F,” explains Obermeyer, executive director of the Therapeutic Harp Foundation. “When I matched that pitch with my harp, he followed the music down until he was completely peaceful.”
This scene, where an ancient instrument meets modern medicine, demonstrates the foundation’s research-backed approach to healing. The precise frequencies of harp music can influence everything from heart rate to oxygen levels — a scientific reality that plays out daily across Arizona’s healthcare landscape. As February hearts turn to thoughts of love and connection, THF’s work reveals how music — particularly the ethereal sounds of the harp — speaks directly to the heart, both metaphorically and literally.
The harp physically lies against us — it’s truly soul-to-soul, heart-to-heart music.
Jocelyn Obermeyer
“The
“The harp physically lies against us — it’s truly soul-to-soul, heart-to-heart music,” Obermeyer explains. “What’s inside us comes out through our playing, and in this therapeutic setting, you can really tell when it’s not authentic.”
Founded in 2000, THF stands as Arizona’s only therapeutic harp program, serving over 300,000 patients across more than 30 healthcare facilities. From premature infants in neonatal intensive care units to end-of-life hospice patients, the foundation’s skilled practitioners bring comfort through carefully calibrated musical interventions. The organization evolved from Hospice of the Valley’s Integrative Therapies program, which incorporates nontraditional healing arts with traditional medical treatment to sustain and improve individual well-being.
For Obermeyer, the journey to therapeutic harp music began with an unexpected spiritual calling. She had spent years as a principal of a Christian school, leading a life far removed from hospital corridors and healing harmonies.
“One of my parent volunteers got cancer and ended up in Gardner Home, which was one of Hospice of the Valley’s palliative care units,” she recalls. “A harpist came and played for her there, and she told me that she felt she could die in peace because her soul was relaxed and comforted.”
After the volunteer’s passing, Obermeyer experienced persistent dreams about playing the harp — an instrument she’d never previously considered. Her late husband responded by importing a beautiful instrument from Italy called the Salvi Ana.
“It was shipped to L.A. in pieces, assembled there, and then trucked to Phoenix where it needed a full month of tuning three times daily to acclimate,” she says.
That was just the beginning. A smaller harp named Lois, acquired through what Obermeyer describes as divine timing, became her companion for 18 years of service at Hospice of the Valley.
The harp’s association with matters of the heart spans millennia. While Cupid is best known for his bow and arrow, classical artists often depicted the Roman god of love wielding a harp — and for good reason. In ancient Egypt, the instrument served as a bridge between heaven and earth, used in ceremonies to facilitate both romantic connection and spiritual communion.
The harp’s unique resonance with the human body may explain its enduring connection to matters of the heart. Its ribcage-like shape mirrors our own anatomy, while its strings produce vibrations that match the frequency of human vocal cords. When embraced by the player, the harp’s vibrations reach the thymus gland in the chest, supporting the body’s immune system.
From David soothing King Saul’s troubled soul to modern therapeutic musicians bringing comfort to hospital rooms, the harp continues its ancient role as an instrument of healing and love.
“I thought, ‘Okay, whatever, I’ll just learn another instrument,’” she remembers. “But it evolved into my true passion: Being with people who are dying, creating what we call ‘the cradle of sound.’”
The therapeutic power of harp music extends far beyond its emotional impact. The harp’s wide pitch range creates vibrations that resonate with the entire human body, producing effects that science is increasingly validating. These vibrations can help regulate everything from heart rate and blood pressure to oxygen saturation levels.
“We’re experiencing frequencies that go beyond what our natural ears can detect, but our bodies can feel them,” Obermeyer notes.
Research has shown that therapeutic harp music is absorbed at the cellular level, affecting patients whether they’re deaf, sleeping or unconscious. Scientific studies have demonstrated that the sound resonance increases oxygen levels and promotes healing, while the vibrations correlate directly to the heart and brain, promoting physical, emotional, mental and spiritual well-being.
The foundation’s approach differs significantly from traditional music therapy. While both modalities serve vital roles in healthcare, THF’s practitioners work more intuitively, responding to each patient’s unique needs in the moment.
“We’re therapeutic musicians, not music therapists — there’s a key difference,” Obermeyer emphasizes. “Music therapists work with prescribed treatment plans and charts, and they do that work beautifully. We partner with them, but our approach is different. We enter each situation asking ourselves, ‘What’s meeting us today?’ We respond to what we hear, feel, see and intuit from our patients in that moment.”
The impact of this intuitive approach reveals itself in countless patient stories. One particularly moving example occurred during what was supposed to be a dinner date for Obermeyer.
“Around 8 p.m., St. Joe’s Hospital called,” she recalls. “They said a patient who had heard me playing earlier that day requested music because their loved one was near death.”
Ninety percent of therapeutic harp music is absorbed at the cellular level, affecting patients whether they’re deaf, sleeping or unconscious
The harp’s wide pitch range (low C at 32.703 Hz to high G at 3,136.0 Hz) creates vibrations that resonate with the entire human body
Scientific studies have shown therapeutic harp music can:
- Regulate skin temperature
- Enhance immune function
- Relax muscles
- Influence heart rate and blood pressure
- Improve oxygen saturation levels
- Aid in sleep
- Release endorphins
- Reduce disorientation during surgery recovery
In a study of 97,000 patients, 97% reported that harp music helped them relax during surgery recovery
Upon arriving at the ICU, she met a family — parents in their early 50s and their teenage daughter. The patient’s wife requested a specific song but couldn’t name it.
“I said ‘sure,’ having no idea which song she meant,” Obermeyer says. “She said, ‘You know, that one?’ I said yes, and ‘Amazing Grace’ came to me — that was the song she wanted to hear. The Holy Spirit just gave it to me.”
What followed was a profound moment of connection that would stay with Obermeyer for years to come.
“As I played and sang ‘Amazing Grace,’ something remarkable happened. Her husband was covered in tattoos, and she began studying them intently
— his arms, his chest, his neck — turning his arms over, taking in every detail. Years later, when my good friend who also had many tattoos was dying, I found myself doing the same thing — studying his tattoos, remembering that moment.”
The foundation’s origin story is equally compelling. Joyce Buekers, THF’s founder, discovered the healing power of the harp through her own recovery journey after a devastating car crash that left her struggling with cognitive changes.
“Every day I see evidence of how medicine and spirituality intersect,” Buekers reflects. “Doctors prescribe the harp to help them in critical situations — with patients, families, staff and volunteers.”
Today, THF’s impact extends far beyond traditional healthcare settings. The foundation’s eight-person team works with families affected by domestic violence, partners with Circle the City and other medical offices serving homeless populations, brings music education to disadvantaged schools and even plays for animals. Recent initiatives include partnerships with Native American communities through House of Jubilee and groundbreaking research with opioid-dependent infants at Banner Thunderbird.
“We took our baby harps up to the reservation,” Obermeyer shares. “We offered music classes for the children, and their parents joined in too. It was incredibly powerful — they’d never experienced anything like it before.”
The foundation’s work with memory care patients has yielded particularly remarkable results. In one instance, a seemingly nonresponsive patient suddenly became animated during a therapeutic music session.
“I remember one time when a doctor told me, ‘That lady hasn’t spoken in two months — whatever you’re doing, keep doing it,’” Obermeyer recalls. “She had not only corrected me on all the verses to ‘Amazing Grace’ but went on to share her life story as a former English teacher. She was completely lucid in that moment.”
Such transformative experiences have inspired THF’s vision for the future. As the foundation approaches its quarter-century mark, it seeks to expand these vital services while ensuring long-term sustainability. A Legacy Fund campaign aims to raise $5 million over the next two years, creating an endowment that will allow the foundation to continue its vital work for generations to come.
“I’d love to see us expand into more major medical hospitals,” Obermeyer says. “There are many group homes in our area, and I’d especially like to increase our presence in memory care facilities. The harp is incredibly effective for dementia patients. It brings such joy, both to them and to us.”
From ancient Egypt to modern Arizona, the harp has served as a bridge between physical and spiritual realms. In THF’s work, this timeless instrument becomes a powerful catalyst for healing, creating what Obermeyer calls “the cradle of sound” for those in need. The foundation’s therapeutic musicians provide comfort during life’s most intimate transitions, transforming medical spaces into sanctuaries of healing harmonies.
“Being invited into people’s most sacred moments is a profound privilege,” Obermeyer reflects. “These families invite us into incredibly intimate spaces during their most vulnerable times. That invitation is sacred. Instead of sending flowers, people send us. It creates memories that last forever inside them.”
therapeuticharps.org
Writer Nancy Johnson // Therapeutic Harp Foundation
I regularly played therapeutic harp for a young man I’ll call “Stevie.” He suffered from complex, irreversible medical issues that gradually worsened. Confined to a specialized bed, he could no longer spend time outside as he once had.
His view of the outside world was limited, with only a few bushes and a parking lot visible from his window. Both sides of his bed were surrounded by medical equipment. A few photos lined the windowsill, and a paper butterfly was taped to the wall next to the TV.
One afternoon, after lamenting about being unable to go outside, Stevie paused. With hope in his eyes, he said, “But I can go places in my mind.”
His comment — and yearning to be outdoors — tugged at my heart. As I drove home, I decided to create a nature-themed song on the harp for him. Recalling the butterfly on his wall, I titled it “Butterfly Landing.”
When I played the butterfly song for Stevie, he’d close his eyes. I could see the tension ease in his face, and his restless body began to still. For just a little while, he could slip away from reality as he entered the imaginary world of the butterfly. He could go to a place in his mind that brought him comfort, peace and even a smile. Sometimes, he’d fall asleep to the music.
One season after returning from summer vacation, as I rolled my harp down the hallway to Stevie’s room, my heart sank. His room was empty. He had died following a medical emergency.
It was hard to lose Stevie, but I knew he was finally free — just like the butterfly.
I think of him when I play “Butterfly Landing” and when I play the harp outdoors. The butterfly song became a favorite for other patients, as it did for Stevie. Since then, I’ve composed other nature-themed pieces: “Mountain Trail,” “Wind in the Meadow” and “Sun Garden.”
Stevie, if I could say “thank you,” I would. You were an inspiration to me.
Tea’s influence extended far beyond the cup, revolutionizing multiple facets of society — from industrial innovation and fashion to architecture and women’s empowerment.
FFrom delicate china cups in Victorian drawing rooms to sturdy mugs on modern construction sites, the British have always found a way to enjoy their tea. This beloved drink, with a history spanning more than 2,000 years, has profoundly shaped culture, fashion, politics and productivity around the world.
The journey of tea from its Eastern origins to global phenomenon is a testament to its extraordinary influence on human civilization. While the Chinese Emperor Shen Nung’s legendary discovery may have begun as a fortuitous accident, tea’s subsequent impact on world history has been anything but accidental.
Tea’s arrival in Britain during the 1600s catalyzed unprecedented social transformation. What began as an exotic luxury for the wealthy evolved into Britain’s national drink, democratizing social interactions across class boundaries. Victorian drawing rooms became stages for elaborate ceremonies, while working-class families found solace in their daily “cuppa” — a ritual that persists from construction sites to corporate boardrooms.
Step back in time with British tea expert Jo Gemmill for an enchanting afternoon exploring tea’s remarkable journey through history. As owner of the English Rose Tea Room, Gemmill brings more than two decades of expertise to this special event at Desert Foothills Library on Wednesday, Feb. 12, where guests will enjoy a traditional tea service complete with delectable finger foods from 3–5 p.m.
Don your favorite vintage attire and join fellow tea enthusiasts for an afternoon of history, elegance and community. The $50 event includes a chance to win a special prize for best hat, plus entry into a vintage hat raffle. Period dress is encouraged, adding to the afternoon’s authentic charm.
dfla.org
Beyond the cup, tea revolutionized multiple facets of society. It spurred industrial innovation through the development of fine bone china, influenced fashion with specialized clothing and accessories, and even shaped architecture through the addition of tea rooms and gardens. The ritual of afternoon tea, popularized by the Duchess of Bedford in the 1840s, created a new social institution that endures today.
Perhaps most significantly, tea became a powerful catalyst for social change, particularly in women’s empowerment. Tea rooms provided respectable public spaces where women could gather independently, contributing to the growing women’s movement and the eventual achievement of women’s suffrage. Meanwhile, on the global stage, tea shaped international relations through the British East India Company’s monopoly, influenced military strategies in the Far East, and even sparked revolution through events like the Boston Tea Party.
Today, whether served in fine porcelain or a paper cup, tea maintains its power to bring people together. In our fast-paced digital age, the act of sharing tea provides a much-needed pause — a moment to connect, converse and find comfort in tradition. It remains a universal symbol of hospitality, a diplomatic tool and a thread that connects diverse cultures across the globe.
As we raise our cups today, we participate in a ritual that has shaped human society for over two millennia — one carefully brewed pot at a time.
carefreetea.com
FFrom the sunbaked sands of the Middle East to the Sonoran Desert’s majestic landscapes, the Arabian horse has galloped through millennia, captivating hearts with its grace and versatility. This February, the breed’s rich heritage converges with Scottsdale’s vibrant equestrian culture as the 70th Annual Scottsdale Arabian Horse Show — the world’s largest of its kind — transforms WestWorld into a dazzling celebration of equine elegance.
“The Scottsdale Arabian Horse Show is the heartbeat of the global Arabian horse community,” says Melissa Schalles, executive director of the Arabian Horse Association of Arizona, which holds the event. “It sets the tone for the entire show season and serves as a meeting place for enthusiasts from all over the world. It also provides an unparalleled platform for breeders, trainers and owners to showcase their horses on an international stage, advancing the breed and strengthening connections within the community.”
Cave Creek resident and professional trainer Julie Daniel has participated in the Scottsdale Arabian Horse Show for 25 years. She says the graceful Arabian breed is extremely versatile and is used
for every category of English and Western riding as well as halter, which is showing and judging horses purely for their beauty and composition.
The owner of Daniel Training Center and Apex Riding Academy, Daniel grew up in the world of Arabians under the tutelage of her mother, who was a trainer for many years in Michigan. From the start, she says, she knew this show was set apart from the rest of the shows that usually occur over a three-day stretch across the country.
“There is not a horse show where you can compete that fills the stands with spectators [like the Scottsdale Arabian Horse Show does],” she observes. “There’s just so much going on — there’s shopping and public outreach and the weather is fantastic unless it rains. Scottsdale has turned this into a mecca. It’s the closest thing to competing against the same horses as nationals. It’s a show we just wouldn’t miss even if it wasn’t in my own backyard.”
Daniel says the traditional pilgrimage to this mecca of all things Arabian horses extends to trainers and athletes across the country and even around the world. Her stable will have 22 horses in this year’s show; some of those horses are ridden by multiple family members in different events. Others, like a family from Germany, each have their own horses — the mother, father and daughter.
Behind the scenes, Daniel reveals that there are weeks of preparation to comfortably accommodate horses, riders and trainers. Full living areas are constructed with furniture, kitchens, dressing rooms and more. She says if one asks politely, they might be given a short tour.
“The public sees a small amount of this,” she says.
of Julie Daniel
“There’s a lot of hustle and bustle, but I wish the public knew that all of us are really open to taking people behind the scenes. We love sharing what we do.”
The Scottsdale Arabian Horse Show will welcome more than 2,100 horses that will compete for over $1 million in prize money. The 300,000 attendees from around the world are a boon to the Scottsdale economy and serve as a place for the Arabian horse community to connect and network.
“The local Arabian horse community has been the backbone of this event for 70 years,” says Schalles. “Their passion and dedication have not only shaped the Scottsdale show but have also made Scottsdale a global hub for Arabian horse enthusiasts. Local vendors and community businesses play a vital role in creating the vibrant atmosphere of the show. They provide services, products and hospitality that enhance the experience for attendees and showcase the best of what our area has to offer. Together, the local community and businesses embody the spirit of collaboration and excellence this event represents.”
Schalles emphasizes that, in addition to the unparalleled scale, prestige and atmosphere of the show, it’s truly a blend of high-stakes competition with family-friendly activities and interactive experiences.
Those who are curious about the equestrian world in general and the Arabian breed in particular can find plenty of ways to learn and partake. An immersive, educational experience will once again be offered where attendees can touch, ride, dress up and take pictures. As part of the 70th anniversary celebration, Schalles says there will be expanded immersive activities in the North Hall, new educational activities and a commemorative exhibition celebrating the vaunted history of the Scottsdale Arabian Horse Show.
“The event is more than a competition,” she explains. “It’s a celebration of the Arabian horse’s heritage, beauty and versatility. It includes competitors, breeders, vendors and spectators from around the world, all coming together to celebrate the beauty and versatility of the Arabian horse.”
scottsdaleshow.com
Checking out the Scottsdale Arabian Horse Show for the first time? Melissa Schalles, the show’s executive director, created an ideal itinerary: “It’s truly a day filled with excitement, education and unforgettable memories.”
Morning: Arrive early to watch the morning classes and experience the thrill of the competition.
Midday: Explore the interactive exhibits in the North Hall, participate in the Meet-a-Horse experience and enjoy the delicious food options from our local vendors.
Afternoon: Take a stroll through the barns to see the horses up close and meet the people who care for them.
Evening: As the sun sets, find a spot to enjoy one of the evening championships, where the best of the best compete for top honors. Don’t forget to visit the vendor areas for unique shopping opportunities.
TThe aroma of freshly brewed coffee mingles with the delicate scent of blooming flowers in an innovative café experience crafted by 18-year-old Dylan Capshaw. Stemistry, his brainchild, is not just a coffee shop or a florist — it’s a “flower bar and coffee lab” where community, creativity and entrepreneurship bloom in tandem. Capshaw, a freshman at Arizona State University, may look like any other college student, but behind his youthful exterior lies a seasoned entrepreneur who’s been cultivating success since middle school.
Stemistry’s sleek, modern aesthetic, with its wood and brass accents, perfectly aligns with the sophisticated tastes of the Valley’s discerning residents. The concept has quickly taken root in the local business landscape, offering a fresh take on the traditional cafe experience.
“We’re a welcoming space,” Capshaw says with a wide smile, gesturing around the 1,300-square-foot shop where the gentle whir of the espresso machine provides a soothing backdrop. “We want you to come and hang out here, have a meeting and get work done or hang out; there’s no rush in here at all.”
Images Arizona caught up with Capshaw at his third — and newest — location, a shop integrated into a high-end apartment community with a view of Papago Park’s sculptured beauty. It’s just a short jaunt from Papago, the Phoenix Zoo or
“I love coffee and I hate just driving through [to pick it up]. I like an experience and that’s what we’ve created at Stemistry. We have real mugs or glasses [for dining in] and we focus on more craft and quality going into our drinks.
Dylan Capshaw
the Desert Botanical Garden. Here at Roadrunner Apartments, residents and visitors convene to co-work or catch up with friends, enlivening all five senses: the scent of coffee and fresh flowers, the taste of proprietary coffee drinks, teas and a menu of meals made on-site, music playing unobtrusively, tasteful decor and space to work, play a round of cornhole on the patio or construct a custom floral arrangement.
“I love coffee and I hate just driving through [to pick it up],” Capshaw explains. “I like an experience and that’s what we’ve created at Stemistry. We have real mugs or glasses [for dining in] and we focus on more craft and quality going into our drinks.”
The drinks range from traditional hot or cold coffeehouse favorites to specialties from the “Latte Lab” and “Bubble Lab.” Floral flavors figure prominently in several of the choices — a rose or lavender latte sprinkled with edible flower petals, for instance. In the bubbles category, guests can build their own energy drink or Italian soda enhanced with botanical flavors like prickly pear, pineapple or peach. The delicate aroma of these floral-infused beverages adds another layer to Stemistry’s multisensory experience. The drink menu also includes teas and protein drinks.
The high-quality, ethically sourced coffee served at Stemistry is their own private label, roasted locally by the renowned Patrick O’Malley’s Infusion Coffee and Tea Crafters. Capshaw has plans to travel to Colombia with the company in order to learn more about sourcing and sustainability.
No cup of coffee or tea is complete without a tasty treat alongside. Stemistry has expanded its food menu options, with the widest array available at the Roadrunner Apartments location, where an on-site kitchen produces light bites such as breakfast and lunch sandwiches, flatbreads and a variety of tempting pastries.
Capshaw says his interest in flowers has intensified over the years, and he regularly brings in professional florists to train his staff. He’s worked with the Arizona Flower Market from his earliest business days and says the team there has become like family to him.
“Being hands-on with flowers, I have developed an interest in their origins and different purposes — some aromatic, some medicinal,” Capshaw notes, his enthusiasm evident. “I wanted to develop a system where someone with no knowledge of flowers can come in and work with them hands-on. Our staff is here to help with that.”
At Stemistry, flowers are sold by the stem, so customers can visit the “build your own bouquet bar” to create their own arrangement. The team on hand is there to assist, if needed, and will give tips on wrapping and extending the life of the bouquet.
“We get a lot of dates happening here,” Capshaw reveals. “Or people coming in to create a special arrangement for their significant others since it’s more special to create yourself. We wrap it in our branded wrap so it looks really nice and that’s another part of the experience we offer.”
The shops regularly offer classes where guests compose a seasonal arrangement — a bouquet, cornucopia at Thanksgiving or wreath at Christmas. A coffee drink and food item are included, and cost is $50 to $70 per person.
For Valentine’s Day, Capshaw says he decorates for the holiday and offers a special date package with coffee, dark chocolate, rose petals and nonalcoholic champagne for two, along with a bud vase of three or four roses for a romantic touch. He’s even working on a liquor license — something that can be a challenge since he’s just 18 — but would add to what his customers are able to enjoy on-site.
If in-person bouquet assembly isn’t in the cards and delivery is needed, he has partnered with Uber for free local delivery from any Stemistry location, and there are premade bouquets available.
Capshaw’s entrepreneurial journey started early, rooted in a desire to make a difference. Even before Stemistry, he had founded two nonprofits — For the Frontline and Capshaw Wildlife. His efforts earned him recognition from Nickelodeon and Time magazine as a nominee and finalist in their first-ever Kid of the Year competition in 2020.
The business truly grew from a small seed when schools shut down during COVID-19. He says he began listing several types of products on Etsy, but flowers really took off. He had no standing inventory and bought only what he could sell with zero waste.
“It was crazy,” he recalls. “For two years, the flower truck would deliver pallets of flowers each day. I’d sit in the garage after school packing all the orders — that was my life. We shipped to all 50 states and seven different countries. I was able to use all that seed money to invest in Stemistry.”
The leap to brick-and-mortar happened in March 2022 near his North Scottsdale home, but it took a bit of convincing on Capshaw’s part to get his mother to co-sign as a guarantor. He was a high school sophomore at the time, had never had a job, and didn’t even have his driver’s license. Undeterred, he created a thorough PowerPoint presentation outlining logistics, plans, his accumulated savings, and a list of pros and cons.
“My mom is a dentist and runs her own business,” he explains. “She’s helped me a lot in terms of managing employees and has been really
supportive. Finding a mentor in general is so important, and she has been that for me.”
His mother agreed to the plan, and Capshaw and his buddies did all the construction themselves in a former nail salon storefront, ordering needed items off Amazon since he couldn’t yet drive. He says the concept’s success was almost immediate, drawing customers to the unusual combination of coffee and flowers. He’d work early mornings, head off to high school classes and return to the shop right after school. He admits he probably had more absences than is standard, but says his teachers were supportive of his entrepreneurial spirit, and several of them still stay in touch, proud to see what he’s doing at such a young age, balancing the life of a college student with that of a business owner.
His youth was great for initial publicity but turned out to be a challenge in the hiring department. Capshaw says it was “almost impossible.” Potential employees were hesitant to work for a 16-year-old, but he did get some takers, including his very first employee — a college student who still works for Stemistry.
“Hiring can still be a struggle, but I have more credibility now,” he says with a smile.
That credibility has come with a lot of important lessons and hardearned success. Each of his locations has involved a different buildout process. First, the nail salon conversion, then his downtown location in Heritage Square, frequented by many of his fellow ASU students opened in a former barn that dates to 1899.
“We try to incorporate the history at that location,” Capshaw says. “We have drinks named after the original landowners there. I had to work with the city on that location because it’s a historic site. Everything took layers and layers of approval, so it was a lot harder, but I learned to work with red tape, and it has helped me.”
Here at Roadrunner Apartments, he started with an empty box without even electricity. He worked with the owner and had help from business attorneys, but an important partnership grew with the building’s developer. He says it gave him the chance to bring his vision to life.
“I could build exactly how I wanted to,” he says. “We were really able to bring in all our branding, our signature black and gold colors, and we got to make it fun — to really decorate the space how we wanted. This is our first shop that serves breakfast, lunch and dinner. That makes us a one-stop shop presence. We have regulars that we love here; we know the residents, their families, jobs and commitments. Each of our stores has a different community, and they all have regulars who are loyal to us day after day and year after year.”
The incorporation of Stemistry into a residential building has proved extremely popular with the real estate developer and could be a model for future Stemistry locations down the road.
For now, Capshaw says he’s intent on developing opportunities for connection and enjoyment at his current stores, including an upcoming flower subscription service. He’s also working on a degree in entrepreneurship and participating in his fraternity at ASU. He says he’s learned a lot about time management and hard work.
“I haven’t taken a profit [from the business],” he reveals. “If you get in business for the right reasons, you’ll eventually be successful. Being adaptive is really important, as is having a support system. Without supportive parents, I wouldn’t have been able to do anything.”
As Stemistry continues to flourish, it’s clear that Dylan Capshaw has planted more than just a business — he’s cultivated a unique experience that resonates with a diverse range of Valley residents, from college students to professionals. In this innovative space where coffee meets floristry, Capshaw is not just serving drinks and arranging flowers; he’s nurturing a new kind of gathering place that’s as fresh and vibrant as the bouquets on display.
stemistry.com
“Tombstone” // This creative composition from last year’s “The Reel Arizona” show paid homage to Arizona’s most famous Western through authentic Southwestern elements.
AA Moroccan spice market bursts to life in vibrant oranges and reds. Across the room, a serene arrangement of white orchids and delicate ferns captures the misty essence of Cairns, Australia. These creative interpretations of distant lands are just a glimpse of what awaits visitors at this year’s Scottsdale Garden Club Flower Show, where local floral artists are crafting botanical love letters to Scottsdale’s eight sister cities.
“When the idea was proposed to celebrate Scottsdale’s sister cities, I thought it was a brilliant way to partner with another local organization while giving our show an international perspective,” says Judy Kennedy, event chair. “Everyone was enthusiastic about the idea, and
the Sister Cities group was particularly excited since they’d never been involved with a flower show before.”
The biennial show, themed “New Directions: Celebrating Scottsdale’s Sister Cities,” transforms Mustang Library into a global garden March 1–2. Each arrangement tells a story of international friendship, from the sun-drenched landscapes of Alamos, Mexico, to the rolling hills of Killarney, Ireland.
Unlike traditional flower shows that simply display perfect blooms, this event combines horticultural expertise with creative storytelling.
“The Reel Arizona” show, this striking design interpreted the 1950 Western through bold angles and native plants.
“Broken Arrow” // At last year’s
It’s really about education, enjoyment and appreciating beauty. Judy Kennedy
“When people hear ‘flower show,’ they often think of something like a chrysanthemum show, where you’re just judging rows of individual flowers. But ours is so much more than that,” Kennedy explains. “We have multiple divisions that offer something for everyone – whether you’re interested in horticulture, design or crafts.”
The show’s artistic crafts section embraces a travel theme this year, featuring decorated backpacks, journals and travel hats adorned with botanical elements. In the design section, each arrangement must capture the essence of its assigned sister city while adhering to specific technical requirements. Some categories demand particular styles, such as the “spatial thrust” design incorporating two parallel elements.
“Fresh and/or dried materials may be used as specified for the design — basically anything that was once living,” Kennedy notes. “Something unique to National Garden Clubs is that if you’re using fresh plant material, you can’t
Alamos, Mexico
The colonial city is surrounded by tropical deciduous forest, featuring native flowering trees like the stunning yellow-blossomed amapa (Handroanthus chrysanthus).
Cairns, Australia
Home to the Cairns Botanic Gardens, showcasing one of the best exhibitions of tropical plants in Australia, including rare specimens from Queensland’s tropical rainforests.
Haikou, China
Famous for its “Coconut City” nickname, Haikou’s landscape is dotted with coconut palms and features the celebrated Haikou Orchid World garden.
Interlaken, Switzerland
Nestled between lakes Thun and Brienz, the city’s Alpine meadows burst with edelweiss, gentian and alpine roses during the summer months.
Killarney, Ireland
Known for its ancient oak and yew woodlands within Killarney National Park, where rare species like the Killarney fern (Trichomanes speciosum) thrive.
Kingston, Ontario, Canada
The “Limestone City” maintains beautiful public gardens, including the botanical gardens at Queen’s University, featuring native Canadian flora.
Marrakech, Morocco
The city’s famous Majorelle Garden showcases exotic desert plants, including rare varieties of cactuses, bougainvilleas and date palms, amid iconic cobalt blue architecture.
Uasin Gishu, Kenya
Located in Kenya’s breadbasket region, this area features indigenous African flora, including the sacred mugumo (fig) tree and vibrant wildflowers of the savanna.
alter it by spraying or changing its color. However, in the craft section, there’s more flexibility — people often dry their plant material first, which then allows them to modify it however they’d like.”
The Garden Club’s 40 members are aiming for 100% participation, with members encouraged to enter multiple categories. Along with local participants, four garden clubs from Chandler, Tempe, Tucson and Chandler will contribute designs, bringing the expected total to 50 to 55 participants. This broad participation makes the show a true celebration of both international and regional connections.
Judging follows strict criteria established by the National Garden Club.
“The judges use a detailed scoring sheet where points are awarded in different categories,” Kennedy explains. “You get points for how well you interpret the theme, whether you followed all the requirements, your creative approach, your use of color, and technical aspects like whether the arrangement has a sense of rhythm and balance.”
Beyond the visual feast, educational exhibits will showcase how many plants found in Scottsdale also grow in its sister cities. The Scottsdale Sister Cities Association will present information about its cultural exchange programs, which include musical performances and educational initiatives.
“I think we’re really showcasing how Scottsdale reaches out to these sister cities through various exchanges — concerts, youth programs and cultural trips,” says Kennedy. “When you travel with Sister Cities, you receive VIP treatment because you’re representing Scottsdale, rather than just traveling as an individual tourist.”
The show also features a popular youth division, where local students create their own interpretations of the international theme.
“Everyone just lights up when they see what the kids create — their entries are so delightful that we sometimes want to give them all blue ribbons!” Kennedy shares.
For those interested in participating or learning more about garden club activities, Kennedy recommends visiting the Arizona Garden Clubs website. The organization encompasses 16 clubs throughout Arizona and will host the Pacific Region Convention in Tempe in April, welcoming garden club members from eight Pacific states.
“It’s really about education, enjoyment and appreciating beauty,” Kennedy reflects. “I want people to see both the artistry of our local gardeners and how we’re connected to these wonderful cities around the world.”
scottsdalegc.org azgardenclubs.com
Scottsdale Garden Club Flower Show
March 1–2
Noon–5 p.m. Saturday
1–4 p.m. Sunday Mustang Library
10101 N. 90th St., Scottsdale Free admission // scottsdalegc.org
IIn the heart of Carefree’s Historic Spanish Village, a remarkable artistic homecoming is about to unfold. Internationally acclaimed Zimbabwean sculptor Dominic Benhura, whose works grace collections from Hartsfield-Jackson Atlanta International Airport to the Nelson Mandela Foundation, returns to ZUVA Gallery for his eighth solo exhibition — a testament to a partnership spanning nearly three decades.
“I very much look forward to my return to ZUVA and the desert,” says Benhura, whose distinctive style has captivated collectors worldwide. “This is my finest collection of work to date.”
Working in natural springstone from Zimbabwe, the organic feel of the hand-sculpted stone really resonates here. Peter Kadada
The exhibition marks a creative evolution for the artist, featuring his signature sculptures of children alongside a new series of African wildlife pieces.
“His ‘Lioness’ sculpture is particularly striking,” says Peter Kadada, owner of ZUVA Gallery, “sharing similarities with the mountain lions of Arizona, which Dominic has observed during his past visits here.”
Benhura’s journey with ZUVA Gallery began in 1996, when the gallery first opened its doors. What started as a professional relationship has blossomed into a profound friendship that has helped shape both the artist’s career and Arizona’s art landscape. A pivotal moment came in 2002 when ZUVA Gallery and Benhura presented work to Nelson Mandela, catapulting the artist to global recognition.
The sculptor’s connection to Arizona runs deep, with his works finding particular resonance among local collectors who appreciate the versatility of the pieces for both indoor and outdoor display.
“The hand-sculpted stone has a tactile quality that really speaks to people
here,” Kadada explains. “Collectors have found creative ways to incorporate his larger pieces into their landscaping, particularly appealing in Arizona where indoor and outdoor living spaces often blend seamlessly.”
Working exclusively in springstone from his native Zimbabwe, Benhura has developed a distinctive sculpting style that sets him apart in the contemporary art world. His unique approach — focusing on form and movement rather than facial features — gives his work universal appeal. This artistic choice stems from personal experience: Raised as an orphan, he has dedicated his career to celebrating children and family bonds, themes that have particularly resonated with Arizona collectors over the years.
The success of this enduring partnership between artist and gallery has transformed lives on both continents. Through his exhibitions at ZUVA Gallery and other international venues, Benhura has provided unprecedented educational opportunities for his five children, all of whom have earned university degrees in Europe and South Africa. It’s an achievement that mirrors the artist’s own journey from a small Zimbabwean village to international acclaim.
His commitment to nurturing talent extends beyond his own family. In 1994, Benhura founded Dominic Benhura Studios, an artist-forward community in Zimbabwe focused on discovery, development and sustainability. The studio hosts some of the finest sculptors on the continent, fostering dialogue and professional exchange while empowering artists with both creative and financial knowledge.
“We work side by side, debate, share ideas and common costs, and pull for one another like family,” Benhura says of his studio community.
This collaborative spirit extends to ZUVA Gallery, where he regularly sculpts on-site during his Arizona visits, allowing collectors and art enthusiasts to witness his creative process firsthand.
Adding to his legacy in Arizona, Benhura will present a major sculpture to the town of Carefree during his visit. The work will be unveiled in a ceremony with Mayor John Crane at the Carefree Desert Gardens at 4 p.m. Thursday, Feb. 20, marking a significant addition to the town’s public art collection. Following the unveiling, Crane will give the opening address at ZUVA Gallery’s exhibition reception.
For art enthusiasts and collectors, this exhibition offers multiple opportunities to engage with the artist and his work. In addition to the opening reception, Benhura will conduct a special walkthrough of ZUVA Gallery and its sculpture garden at 11 a.m. Saturday, Feb. 22. His presence promises to add another chapter to a remarkable story that bridges continents and cultures through the universal language of art.
zuvagallery.com
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Writer Joseph J. Airdo // Photography by Adrienne McLeod
IIn the predawn chill of a February morning in 2020, Adrienne McLeod stood at the Mexican border, camera in hand, ready to embark on what would become a transformative journey along the Arizona National Scenic Trail. That first night, as fierce winds collapsed her tarp tent, she couldn’t have known that this moment would mark the beginning of an extraordinary photographic odyssey spanning nearly 800 miles of Arizona’s most dramatic landscapes.
“The Arizona Trail is different for everyone — it’s both hard and amazing. It’s all about extremes: hot and cold, up and down, city and remote wilderness,” McLeod reflects, her words carrying the weight of countless miles and memorable moments captured through her lens.
From the sun-scorched borderlands to the snow-dusted peaks of the Mazatzal Mountains, McLeod’s journey has documented one of the most biodiverse regions in North America. Her photographs reveal a state of striking contrasts — where saguarostudded deserts give way to alpine meadows, and where dramatic landscapes unfold beneath star-filled skies.
“Arizona is one of the most biodiverse places in the country — or anywhere, really,” McLeod explains. “There are hundreds of bird species, a wide variety of environments at different elevations: deserts, rivers, mountains, grasslands, a huge pine forest, and even alpine areas. If you hike the Arizona Trail, you can see all of these.”
The trail itself serves as a living testament to Arizona’s heritage, particularly poignant as the state approaches its 113th anniversary of statehood this February. Through McLeod’s photographs, viewers witness the changing moods of the landscape — from the ethereal fog hanging over Roosevelt Lake to the dramatic temperature swings in the Grand Canyon, where October days can range from 32 degrees at the rim to over 100 degrees at the canyon floor.
As McLeod approaches the completion of her 800-mile journey, having documented everything from desert wildflowers to unexpected blizzards, her photographs stand as both art and invitation.
“I hope viewers will see and appreciate the beauty of Arizona and the Arizona Trail specifically,” she says. “I want people to go outside, connect with nature and develop a sense of protectiveness toward it. People have a big impact on nature, and we need to be better stewards for the future.”
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Being on the Arizona Trail means being off the beaten path, and I think that in itself allows for more unique photos. Adrienne McLeod
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Look around to see the little details that others may miss, and you’ll see what makes Arizona great. Adrienne McLeod
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The Arizona Trail is different for everyone — it’s both hard and amazing. It’s all about extremes: hot and cold, up and down, city and remote wilderness. Adrienne McLeod
For Adrienne McLeod, the path to becoming a distinguished outdoor photographer began in a high school classroom, where she approached her teacher with the ambitious idea of starting a photography club. Armed with her mother’s old Nikon camera and an insatiable curiosity about the natural world, she laid the foundation for what would become a lifelong pursuit of capturing Arizona’s wild beauty.
“I just loved art and wanted to expand my horizons a little bit,” McLeod recalls of those early days. “I did not know too much about it, but my teacher was pretty familiar with the process. So we got a few students together, started a club and began learning all of the technical details of photography.”
What started as a casual hobby has evolved into a serious artistic pursuit, particularly over the past eight years. McLeod’s approach to photography is refreshingly unconventional — less focused on technical perfection and more on capturing the raw emotion and beauty of a moment.
Her work on the Arizona Trail has deepened both her artistic vision and her connection to the state’s diverse landscapes. As an employee of Garmin International, she brings a unique perspective to her trail photography, always ensuring she has her GPS within reach — a practical approach that allows her to venture further and capture more remote locations safely.
Growing up in Tucson instilled in McLeod a deep appreciation for Arizona’s natural wonders. While Seven Falls holds a special place in her heart, and locations like Ramsey Canyon Preserve and Sweetwater Wetlands provide rich opportunities for wildlife photography, she maintains that her favorite trail is always the one she is hiking at any given moment.
This philosophy of finding beauty in the present moment shines through in her work, whether she’s documenting the delicate interplay of light and shadow in the Mazatzal Mountains or capturing the dramatic seasonal changes along the trail’s 800-mile span. Through her lens, McLeod doesn’t just document the trail — she invites viewers to develop their own connection with Arizona’s natural heritage.
adriennemcleod.com
TThe North Valley’s cultural calendar blossoms with romantic offerings this February, from intimate concerts to artisanal celebrations. Whether your ideal Valentine’s celebration involves classical masterworks, Broadway favorites or culinary delights, these carefully curated events promise memorable experiences for couples and culture enthusiasts alike.
The season of romance begins Feb. 2 when the Women’s Orchestra of Arizona presents “Feel the Love” at North Scottsdale United Methodist Church. This free afternoon concert features Mozart’s spirited “Marriage of Figaro Overture” and Schumann’s passionate “Symphony No. 4,” setting the tone for the month ahead.
On Feb. 9, acclaimed pianist Nicole Pesce joins the Scottsdale Philharmonic for “Melodies of Love and Romance” at La Casa de Cristo Lutheran Church. The program weaves together works by Borodin, Beethoven and Wagner, culminating in Liszt’s dreamy “Liebestraum No. 3.” Tickets start at $20, with free admission for students and military members.
For those planning a romantic getaway, Atria in Flagstaff offers an unforgettable dining experience throughout the month. James Beard Award semifinalist and “Chopped Grill Masters” chef Rochelle Daniel presents a hyper-seasonal menu featuring fine seafood, hearty steaks, and housemade pastas. The exclusive Chef’s Counter Experience provides an intimate front-row seat to the kitchen’s magic, perfect for couples looking to elevate their Valentine’s celebration.
Valentine’s Day itself offers sophisticated options closer to home. The award-winning Tenors bring their signature harmonies to Highlands Church, performing an intimate evening of classical, pop, rock and folk favorites. Meanwhile, North Valley Chorale
Discover the world’s finest Artists and Craftsmen at Arizona’s premier Art & Wine Festivals. Enjoy live music, delicious food, and superb wine tastings from dozens of local wineries. Free admission.
Kierland Fine Art & Wine Festival
February 1-2
Tubac Festival of the Arts
February 5-9
Wigwam Festival of Fine Art
February 15-16
Stagecoach Village Fine Art & Wine Festival
March 7-9
Sonoran Arts Festival
March 21-23
SanTan Village Art & Wine Festival
March 29-30
Prescott Mother's Day Festival
May 10-11
transforms the Phoenix Boys Choir building into an elegant cabaret for its third annual “Love is in the Air” celebration, where champagne and gourmet desserts complement a program ranging from doo-wop to Broadway classics.
The weekend brings more romantic delights as the Chocolate Affaire returns to Glendale Civic Center Feb. 15-16, celebrating the food of love with local vendors, sweet treats and family activities. This beloved annual tradition offers free admission.
On Feb. 16, violin virtuoso Steven Moeckel joins the Scottsdale Symphonic Orchestra at the Scottsdale Center for the Performing Arts for “East Meets West: A Love Story.” The cross-cultural program features the enchanting “Butterfly Lovers Concerto,” Verdi’s dramatic “La Forza del Destino” overture and Tchaikovsky’s passionate “Romeo and Juliet.” Tickets start at $10.
The romantic offerings conclude Feb. 17 at Highlands Church when Arizona Musicfest presents “The Greatest Love of All.” Acclaimed vocalist Belinda Davids pays tribute to Whitney Houston’s legendary songbook, performing beloved ballads including “I Will Always Love You” and “I Wanna Dance with Somebody” in two shows (2 p.m. and 7:30 p.m.). Tickets start at $43.
From classical masterworks to contemporary favorites and culinary delights, these events showcase Arizona’s vibrant cultural scene while offering distinctive ways to celebrate the season of love. Early reservations are recommended for ticketed events and dining experiences, as Valentine’s offerings often book quickly.
‘Feel the Love’
Feb. 2 // 3 p.m. // North Scottsdale United Methodist Church // 11735 N. Scottsdale Road, Scottsdale // Free // womens-orchestraarizona.org
‘Melodies of Love and Romance’
Feb. 9 // 4 p.m. // La Casa de Cristo Lutheran Church // 6300 E. Bell Road, Scottsdale // $20+; free for students and armed services members // scottsdalephilharmonic.com
Chef’s Counter Experience
Reservations required // Tuesdays–Thursdays 4:30–8:30 p.m., Fridays–Saturdays 4:30–9:30 p.m. // Atria // 103 N. Leroux St., Flagstaff // See website for menu options and prices // 928-440-4377 // atriarestaurant.com
The Tenors
Feb. 14 // 7:30 p.m. // Highlands Church // 9050 E. Pinnacle Peak Road, Scottsdale // $58+ // 480-422-8449 // azmusicfest.org
‘Love is in the Air’
Feb. 14–15 // Friday 7 p.m., Saturday 3 p.m. and 7 p.m. // Phoenix Boys Choir Building // 1131 E. Missouri Ave., Phoenix // See website for prices // 623-252-1746 // northvalleychorale.org
Chocolate Affaire
Feb. 15–16 // 10 a.m.–5 p.m. // Glendale Civic Center // 5750 W. Glenn Drive, Glendale // Free // 480-284-6033 // thechocolateaffaire.com
‘East Meets West: A Love Story’
Feb. 16 // 4 p.m. // Scottsdale Center for the Performing Arts // 7380 E. Second St., Scottsdale // $10+ // scottsdalesymphonicorchestra.org
‘The Greatest Love of All’
Feb. 17 // 2 p.m. and 7:30 p.m. // Highlands Church // 9050 E. Pinnacle Peak Road, Scottsdale // $43+ // 480-422-8449 // azmusicfest.org
AAt dawn in the Navajo Nation, Rena Robertson settles before her upright loom, offering prayers before her hands begin their daily dance with wool and tradition. Born in Hardrock in the Big Mountain Area, Robertson carries forward the legacy of the Edge Water clan (born for Rock Gap, Táb ah’ há — Tse clóshghizhni clan). Like the intricate patterns she weaves, her life story is a tapestry of cultural preservation, artistic innovation and unwavering dedication to a craft that has sustained her people for generations.
“I first started weaving when I was around 5 or 6 years old,” Robertson recalls, her voice warm with memory. “My mother would set aside small pieces of wool that didn’t match her other colors for me and my sisters. She would set up small looms for us and have us start with stripes. We learned to make straight lines, not wiggly ones. Once we mastered that, she would graduate us to small flat designs, then square designs. Our skills progressed step by step from there.”
Those early lessons at her mother’s side laid the foundation for what would become not just Robertson’s artistic expression, but her way of life. Her mother taught her to respect the weaving and to live in gratitude as a weaver. Now,
The image processes through my mind, then my heart, flows down my arms to my hands, and finally onto the loom.
Rena Robertson
as the featured weaver at the 3rd annual Scottsdale Navajo Rug & Jewelry Show & Sale, she’s preparing to share her masterful techniques and cultural insights with Valley residents.
The show, taking place Feb. 21–23 at the Holland Center in Scottsdale, showcases 300 traditional handwoven Navajo rugs created by 70 weavers. The event began after Laurie and Tim Walsh purchased one of Robertson's rugs and made it their mission to create a venue where Navajo weavers could sell their work.
Now in its third year, the show has grown significantly since its 2023 inception, welcoming 1,700 attendees last year and rivaling the total sales of some of the program's most successful shows in other states. It's a rare opportunity for collectors and art enthusiasts to not only purchase authentic pieces but also to witness the living tradition of Navajo weaving.
What sets Navajo weaving apart is both its technique and spiritual foundation. Unlike Western weaving methods, the Navajo approach requires unique preparation and sacred intention.
Traditional Navajo rugs often incorporate symbolic elements that tell stories or represent aspects of the natural world. Common motifs include:
Spirit Line: A thin line extending from the pattern to the rug’s edge, representing the connection between weaver and creation
Storm Pattern: Features four corners representing the four sacred mountains
Two Grey Hills: Known for intricate geometric patterns in natural wool colors
Tree of Life: Depicts a cornstalk or yucca plant with birds, representing growth and harmony
Wedge Weave: A distinctive technique creating raised ridges in diagonal patterns
“We use what’s called an upright loom, and we don’t typically string it while it’s in place,” Robertson explains. “Instead, we prepare the strings separately before attaching them to the loom. Another unique aspect is the spiritual element. Navajo weavers often pray and sing for their weaving tools and their sheep. This spiritual connection sets our textiles apart from others.”
The technique has been refined over generations, with each weaver adding his or her own innovations while maintaining traditional methods. Robertson notes that the tight weave characteristic of Navajo rugs gives each design both structure and durability.
The process begins long before the first thread is woven. Robertson harvests her own natural dyes during the fall months, when plants offer their richest colors.
“Prickly pear produces a very light pink,” she says. “Sage creates a deep, rich green — not bright, but intense. There are also tall bushes that look like oversized rabbit grass. These produce yellow dyes. Some of these plants are available in my homeland, but I must travel to find others.”
The timing of this harvest is crucial, tied to both practical necessity and cultural wisdom.
“In spring, even if you find a beautiful purple flower, it won’t dye the wool well,” Robertson explains. “Spring plants are full of water and lack strong pigments. In fall, when plants are preparing for dormancy — what we call ‘plants going to sleep’ — their colors are most intense.”
It takes about a week just to prepare for weaving, with the dyeing process carefully timed to capture nature’s richest hues. The intensity of each color can be controlled through the dyeing process. “The first dip gives a deep color,” Robertson explains, “and as you continue using the same water, the color becomes lighter with each dip. This way, you can achieve a range from very deep to very light shades.”
For Robertson, weaving is both an art form and an economic necessity. She weaves four to six hours daily throughout the year, creating pieces that support her family and maintain her independence.
“It’s my way of life and my primary source of income,” she says. “I don’t receive any government assistance, so I rely entirely on my weaving to support myself, my children and sometimes my grandchildren. I live in an area without running water, so I have to haul water or pay someone with a larger truck to bring it for me.”
This reality echoes the traditional trading practices of her grandmother’s generation.
“They would weave for months at a time,” Robertson remembers. “Around October, they would load their rugs into wagons and make a weeklong round trip to Tuba City. They’d trade their rugs for food to last through the winter.”
Among the pieces Robertson will bring to this year’s show is a design that demonstrates how Navajo weaving can tell powerful stories of both personal and cultural significance. The piece is inspired by the legendary weaver Larry Yazzie’s “Blue Canyon” style, though Robertson’s approach remains deeply personal, drawing inspiration from both tradition and innovation.
“Larry created this rug design to express that his heart wasn’t whole anymore,” she explains, referencing the 1970s Navajo-Hopi land dispute that resulted in widespread relocation. “The rug’s three distinct sections — earth tones at the bottom, prominent red in the middle, and blue sky above — represented the broken hearts of the relocated Navajo. Instead of one unified design, he used three different patterns to symbolize this fragmentation.”
Today, Robertson collaborates with her husband, Martin Whitehair (Rock Gap, born for the Salt Clan, Tsé deeshgizhníí — ‘Áshiihíí), an artist who brings his own creative perspective to their work.
“Sometimes when I’m choosing colors, he’ll suggest ways to create faded effects or make colors brighter, just like he does with his paints and colored pencils,” she says. “He’s taught me a lot about color theory. We’ve woven landscapes together, and now we’re working on ocean scenes.”
The couple’s artistic partnership extends to their five children, all of whom weave. Three have chosen to make it their profession, carrying forward this vital cultural legacy.
“I passed this knowledge to my children because I wanted them to learn and, in turn, pass it on to their children,” Robertson says. “Beyond that, I’m not certain how far back our family’s weaving tradition goes, but my mother used to say that other women she considered grandmothers would also share their knowledge. Our goal is to keep the weaving tradition alive for as long as we possibly can.”
At this year’s show, Robertson will demonstrate a particularly intricate technique: the two-face rug.
“It’s not commonly seen at the show,” she explains. “A two-face rug has completely different designs on each side of the rug. It’s like having two rugs in one.”
She enjoys these demonstrations, taking time to educate visitors about the weaving process.
“Even if the questions might seem simple to me, I always answer them with patience and kindness,” Robertson notes. “It’s a way to share our culture and art with others.”
The event begins with a VIP preview night on Feb. 21, offering attendees first choice of the rugs while enjoying Native music, weaver talks, hors d’oeuvres and a chance to win a hand-woven rug through the evening’s raffle. The show opens to the public Feb. 22–23, with free admission.
All proceeds go directly to the weavers, supporting both their artistry and livelihood through the Adopt-A-NativeElder Program, which has spent more than three decades reducing extreme poverty among traditional elders living on the Navajo Reservation. What began as a grassroots effort in the 1980s now serves around 800 elders through food deliveries, medical supplies, firewood and other essential resources.
Robertson’s connection to the program began through her mother, Sarah Robertson, who received food assistance through the program.
“They serve Navajo elders, providing food and necessities for the winter,” Robertson explains. “During what they call ‘food runs,’ I noticed that Linda Myers, who runs the program, was also buying rugs. My mother received food from the program, and that’s how I initially got involved.”
The program has evolved to embrace modern marketing methods while maintaining traditional values. Robertson appreciates this evolution.
“Linda has access to the internet, which I’m still learning about despite my children and grandchildren trying to teach me,” she says with a laugh. “She uses this to sell rugs for me online. This has greatly affected my life by providing a way to sell my rugs and earn income to support myself here on the reservation.”
The program’s support has been particularly meaningful — it helped Robertson put her only son through college without any student debt, a proud achievement for the weaver.
There aren’t many weavers left, and consequently, not many rugs being made. Yet through events like this and programs like Adopt-A-Native-Elder, these sacred traditions endure. Each rug tells a story — of family, of survival, of artistic evolution and cultural preservation. As Elder Ruth Benally described the program’s food boxes, they arrive “like miracles from the sky.” For Robertson and other weavers, the program offers similar sustenance for their artistic traditions.
For Robertson, every piece she creates is more than just a beautiful object. It’s a thread connecting past to present, mother to child, artist to community.
“When I travel, I observe my surroundings carefully,” she says. “If something catches my eye, I internalize it. The image processes through my mind, then my heart, flows down my arms to my hands, and finally onto the loom. I prepare my loom with only prayers, never working from premade designs.”
In this way, each rug becomes not just a masterwork of technique but a living piece of Navajo culture, woven with prayers and sustained by tradition while embracing contemporary vision. Robertson’s rugs, like those of the generations before her, are both functional art and cultural testimony.
“These rugs are meant to be used, not just displayed,” she emphasizes. “They’re not delicate art pieces that you have to keep dust-free. Their beauty lies in their functionality and durability.”
It’s this combination of practicality and artistry, of ancient wisdom and modern innovation, that Robertson hopes to share with visitors to the show, weaving together past and present one thread at a time.
anelder.org
Manhattan’s Soul in the Desert
FFor those seeking an authentic taste of New York-style Italian cuisine in the heart of Carefree, Giordano’s Trattoria Romana continues to deliver an exceptional dining experience that transports guests to a classic Manhattan trattoria. Having just celebrated its 20th anniversary on New Year’s Eve, this beloved establishment has become a cornerstone of Carefree’s dining scene.
The restaurant’s intimate setting provides the perfect backdrop for exploring an extensive menu of Italian classics, each prepared with meticulous attention to detail. Owner Adele Giordano has cultivated a dining atmosphere that strikes the perfect balance between refined and relaxed, where exceptional service meets comfortable elegance.
Wintertime brings out some of the kitchen's most celebrated specials, including its signature variations of osso buco featuring tender pork or lamb shanks, braised to perfection. The restaurant's cioppino frutti di mare offers a warming embrace on cool desert evenings, featuring a generous medley of fresh seafood in a rich, flavorful broth.
House specialties that have earned a devoted following include the eggplant rollatini, in which delicate slices of eggplant are
rolled with a sublime cheese filling and baked under a blanket of mozzarella and marinara sauce. The kitchen’s versatility shines through its preparation options for both chicken and veal dishes — whether it’s the rich, wine-kissed Marsala, the bright and citrusy piccata, or the indulgent Gorgonzola with its creamy mushroom sauce.
First-time visitors would do well to begin their experience with the restaurant’s expertly prepared antipasti. The baked clams, served in a bright lemon sauce, and the traditional bruschetta, topped with fresh tomatoes and basil, offer perfect preludes to the main event.
As one of Carefree’s most sought-after dining destinations, advance reservations through OpenTable are essential, particularly during the peak winter season. The restaurant’s combination of authentic Italian cuisine, attentive service and intimate atmosphere continues to make it a standout in the local dining scene.
Giordano’s Trattoria Romana 7275
giordanostrattoriaromana.com
The restaurant’s intimate setting provides the perfect backdrop for exploring an extensive menu of Italian classics.
Directions:
Yield: 4 servings
4 (1 1/2-inch-thick) bone-in pork chops
1 teaspoon kosher salt, plus more to taste
Freshly cracked black pepper
2 tablespoons extra-virgin olive oil
6 tablespoons salted butter
2 pounds cremini mushrooms, ends trimmed, halved
3 garlic cloves, minced
1 cup dry white wine
2 tablespoons fresh thyme, minced
1 cup heavy cream
1 tablespoon Dijon mustard
1 lemon, halved
2 tablespoons fresh chives or thyme
This elegant one-skillet dinner pairs perfectly seared pork chops with a luxurious mushroom cream sauce. The combination of dry white wine, fresh herbs and Dijon mustard creates a sophisticated yet comforting dish that’s ideal for a romantic Valentine’s Day dinner or any special winter evening.
To prepare the pork chops: Pat the pork chops dry with paper towels. Season with the salt and pepper.
Heat the olive oil in a large, heavy-bottom skillet over high heat. Once the oil just begins smoking, working in batches, add the pork chops. Cook, undisturbed, for 3 minutes, then flip and continue cooking for another 3 minutes. Continue cooking this way, flipping the pork, until the internal temperature reads 160 degrees, about 15 minutes total. Transfer the pork chops to a serving platter and cover with foil to keep warm. Repeat with remaining pork chops.
To make the sauce: Reduce the heat to medium and add the butter to the pan. Once melted, add the mushrooms and stir until softened and browned, about 5 minutes. Add the garlic and cook for 1 more minute. Stir in the wine and thyme, then bring to a simmer. Cook until the liquid is reduced by about half, 5 minutes. Stir in the heavy cream and mustard until combined, and simmer until the sauce is thick enough to coat the back of a wooden spoon, about 4 more minutes. Taste and season with salt and pepper.
Return the pork to the skillet, spooning the sauce over it to coat. Squeeze fresh lemon juice over the top and garnish with chives or thyme. Divide among four plates.
