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SHAPED BY SURROUNDINGS NARCISO PIU
ARIZONA NATIVE TRIBES PHOTO ESSAY
IDAKATHERINE GRAVER "ONE LIVED LIFE"
By Grace Hill
By Lara Piu
By Grace Hill
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Cover photo by Bryan Black
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COMMUNITY EVENTS
RECHARGING AT THE RANCH
By Grace Hill
By Shannon Severson
By Monica Longenbacker
I M AG E S A R I Z O N A . C OM June 2 017
GRILLED CAJUN SHRIMP
le! e u d s che nHou S e e ous m/Op H o en Op dale.c y a d tts Sun illSco m ind
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20 Acres. 8 Homes. 1 Designer. An enclave of homes designed by “Master of the Southwest” Bob Bacon, with interiors by Gail Archer. Windmill is a custom neighborhood of western ranch homes ranging from 3,500 to 5,200 square feet. Although every home bears a family resemblance, each features a Car Collector Garage Options – 1600 & 3600 sq ft
Creek
Rd
Pima Rd
Cave
unique floor plan and elevation, and is carefully located in relation to its neighbors. The uniqueness of the neighborhood has already attracted buyers who appreciate homes reflecting Bacon’s signature high levels of architectural artistry, quality, and careful attention to every detail. For a private tour, call Davis Driver at 480-788-0401.
Stagecoach Pass Rd Windmill Rd
Sales by RE/MAX Platinum Living
“Room to Dream” www.WindmillScottsdale.com June 2017
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PUBLISHER Shelly Spence
EDITOR/CONTRIBUTING WRITER Jenn Korducki Krenn Amanda Christmann
ART DIRECTOR/PUBLISHER’S ASSISTANT Jennifer Satterlee
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Watching the sun paint bright swaths of purples and oranges across the
GRAPHIC DESIGNER Ana Petrovic
STAFF WRITER Grace Hill
CONTRIBUTING WRITERS Beth Duckett Monica Longenbaker Kenneth LaFave Gregory Granillo Shannon Severson Katherine Braden Lara Piu
desert sky this morning, I couldn’t help but find myself breathing it all in. Mornings like this are reminders that I’m part of a continuing story of something much bigger than this lifetime. For thousands of years, the desert has awakened to sunrises like this. Generations who lived, loved and survived long before us took in the same morning stirrings. I love having the opportunity to share stories that reflect the moment in time for our community. We are part of something greater, and the accomplishments, struggles, arts, and events our writers and photographers capture are threads that connect us all. This month, in addition to so many other great stories, I am excited to
PHOTOGRAPHERS
share photo essays of Native American life from talented photographers
Bryan Black Loralei Lazurek Monica Longenbaker
Scott Baxter and Jerry Jacka. The subjects of their work are an integral
ADVERTISING SALES Loren Sheck
Images Arizona P.O. Box 1416 Carefree, AZ. 85377 623-341-8221 imagesarizona.com Submission of news for community section should be in to shelly@imagesaz.com by the 5th of the month prior to publication. Images Arizona is published by ImagesAZ Inc. Copyright © 2017 by ImagesAZ, Inc. All rights reserved. Reproduction, in whole or part, without permission is prohibited. The publisher is not responsible for the return of unsolicited material.
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part of our past and present, but more importantly, I love how each photograph captures the human spirit. Their work is breathtaking, and I hope you enjoy it as much as I do! Thank you, again, for being part of this incredible journey we’re on at Images Arizona. Every day is a beautiful adventure, and I am grateful to share it with you once again. Cheers, Shelly Spence Publisher, Images Arizona magazine shelly@imagesaz.com 623-341-8221
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Writer Grace Hill
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An artist’s creative outpouring often exhibits traces of the different environments in which he or she has lived. Just like any other person, the malleable mind takes shape from what the eyes have witnessed, the nostrils have inhaled, the taste buds have savored, and the fingertips have felt. This encourages the mind to create its own perception of the world. Because of this perception, art enthusiasts will find details, even if miniscule, that reflect each specific artist. This guarantees that no two pieces of art will ever be the same. Some artists, however, are not only shaped by their surroundings, but are also inspired by it. Narciso Piu is one of those artists. Born and raised in Roggiano Gravina, a town in the province of Cosenza of southern Italy, Piu was driven to express his appreciation for the beautiful Italian landscape that surrounded him. “My town, like many in Italy, was located on the top of a hill,” explains Piu. “When I was around 10 years old I began painting the hills and valleys of those picturesque landscapes. I wanted to thank God for the beauty that I saw.” Of course, as children grow into adults, they do not always pursue the passions of their youth. Thankfully, Piu had a strong desire to create just like the professional artists he appreciated. “Flame Keeper,” oil on canvas, 30”x38” June 2017
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Clockwise from top left: “Proud Warrior,” oil on canvas, 42”x40”; “Son of Sun,” oil on canvas, 30”x30”; “Dancer and Shawl,” oil on canvas, 30"x36"; “Moon Guardian,” oil on canvas, 40”x42”
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“When I was a kid, I would admire paintings. I thought that one day I might paint as well,” Piu says. “As soon as I could, I started training formally in art. I trained in pottery and fine arts at Istituto Statale D'arte in Italy and then at the School of Visual Arts in Manhattan once I immigrated to the United States.” That immigration occurred when Piu was 25 years old. He became an American citizen and took jobs working as a ceramic artist and cartoonist. It wasn’t long before his new home welcomed him fully. A prominent Manhattan-based newspaper advertising firm, Metro Graphics, noticed Piu’s artistic talents and offered him a job. This he accepted and continued for the remainder of his professional career. Not only did he remain, but he thrived. As the firm’s feature illustrator, he became one of the most published US newspaper artists during that period, and one of the last to illustrate advertisements by hand. After such a long and successful art career, Piu could have walked away from art altogether. But that was not the case. Piu’s desire to create was just as strong as the day he stood as a young boy before the hills and valleys of Roggiano Gravina. Now standing before a different landscape, Piu finds it just as conducive for creating. And, for him, the landscape isn’t quite so different. “We moved [to Anthem] from a community called Terravita in Scottsdale because I needed a bigger room to paint in and because we knew it would be a good place to retire,” says Piu. “Arizona has bright sunshine, light and shadow that I need when I paint. And it's also very similar to the climate and landscape that I grew up in.” Painting is the mode he now uses to express himself artistically, and it is what allows him to experiment with color. “My brother painted a water color painting and I decided that I could do one better than him. I knew that I could do something more interesting with the colors,” Piu recalls. “To this day I enjoy color, mixing warm colors with cold colors, and everything about it.” This fascination with color, along with the surroundings he’s become familiar with in America, motivated Piu to create another collection — a tribute to the aboriginal people of the United States. June 2017
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“Desert Princess,” oil on canvas, 42”x40”
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He says, “I was inspired by the vibrant colors of traditional Native American ceremonial garb and the character of Native American people.” With such a complex subject matter, Piu first set out to understand all facets of tribal costumes and roles. He read books, magazines and any other publication he could find. Eventually, he gathered the required information and began a collection of 22 oil on canvas paintings, ranging in size from 30 inches by 24 inches, to 50 inches by 38 inches. Regarding the style, he says, “For this collection, I knew that a modern, graphic interpretation would be best for these portraits. I also like to use colorful backgrounds in portraits and these subjects were perfect for that as well.” This beautiful collection — filled with rich colors, movement through shapes and forms, and images that reflect the strength, depth and culture of native tribes — has been well-received by the public, both internationally and locally. Collectors from New York to Milan have procured pieces from this collection. Additionally, a piece was also chosen by the former vice president of the Italian Football League and the Italian Football Federation (FIFA), Antonio Matarrese. The Mayo Clinic has also applauded his collection, featuring pieces in their 2011 Mayo Clinic calendar, the Scottsdale Mayo Clinic gallery and the Mayo Clinic Hospital art gallery. Because of that support, the late Andy Eisenberg, an important Heard Museum Guild leader and art collector, came across Piu’s work and was inspired to purchase a piece.
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While his Native American collection enjoys its own success, it’s not the first time Piu’s art has been recognized, especially by his current community of Anthem. In 2006, during the Anthem Festival of Fine Arts, he earned the Ribbon of Excellence for one of his art pieces. And his oil on canvas painting, “Madonna and Child,” is on permanent display at the St. Rose Parish in Anthem. No matter where Piu makes his home, from Italy to Anthem, he finds inspiration. This translates into paintings that skillfully explore the diverse world in which we live. piuart.com
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COMMUNITY arts // announcements // culture Writer Grace Hill
JUNE 1-AUG. 20 HEARD MUSEUM PRESENTS FRIDA KAHLO & DIEGO RIVERA This exhibit showcases 33 works by the famed Mexican artists. Included are more than 50 photographs taken of the duo and clothing and jewelry representing Frida Kahlo. Check website for admission prices and hours. Heard Museum, 2301 North Central Ave., 602-252-8840, heard.org.
JUNE 3 DESERT FOOTHILLS GALLERY RECEPTION All are welcome to attend the Desert Foothills Gallery Hot Summer Show Reception. 4-5:30 p.m. Desert Foothills Library, 38443 N. Schoolhouse Rd., Cave Creek; 480-488-2286, desertfoothillslibrary.org.
JUNE 6-DEC. 31 SCOTTSDALE’S MUSEUM OF THE WEST: GRAND CANYON GRANDEUR
JUNE 6
This new exhibition features
SCOTTSDALE’S MUSEUM OF THE WEST PRESENTS JOHN COLEMAN
more than 50 artistic depictions
“Of Spirit and Flame,” an
of the Grand Canyon from the
ongoing show, includes more
Scottsdale Public Art presents
1850s to 1930s. Artists include
than 20 bronze sculptures
“Bird Cloud Island,” an art
Thomas Moran, Eanger Irving
by American West sculptor
installation by Koryn Woodward
Couse, Gustave Baumann and
and painter John Coleman.
Wasson, which will include a
Gunnar Widforss. See website
See website for admission
birdfeeder workshop for all ages.
for admission prices and hours.
prices and museum hours.
Free. 9-10 a.m. Gallery at the
Scottsdale’s Museum of the
Scottsdale’s Museum of the
Library, Scottsdale Civic Center,
West, 3830 N. Marshall Way,
West, 3830 N. Marshall Way,
3829 North Drinkwater Blvd.,
Scottsdale; 480-686-9539,
Scottsdale; 480-686-9539,
Scottsdale; scottsdalepublicart.org.
scottsdalemuseumwest.org.
scottsdalemuseumwest.org.
JUNE 5 BIRD FUN AT SCOTTSDALE CIVIC CENTER LIBRARY
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Fine Art
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JUNE 7 DESERT FOOTHILLS LIBRARY YOUTH EVENT Children 4 to 8 years are invited to a story time with local children’s author Sharon Ritt. Crafts will follow story time. Registration required. Free. 10:30 a.m. to noon. Desert Foothills Library, 38443 N. Schoolhouse Rd., Cave Creek; 480-488-2286, desertfoothillslibrary.org.
Photo courtesy Scottsdale's Museum of the West June 2017
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JUNE 12-JULY 14 REIGNING GRACE RANCH WILD AT HEART DAY CAMP Reigning Grace Ranch offers girls ages 8 to 15 horse care lessons, nature walks, arts and crafts, leadership training, self-esteem building, and more! 4 sessions remain. $500 per session. 9 a.m. to 3 p.m. Reigning Grace Ranch, 28614 N. 172nd St., Rio Verde; 480-4662154, azrgr.org/day-camp.
Events
JUNE 20-SEPT. 30, 2018 SCOTTDALE’S MUSEUM OF THE WEST EXHIBITS WESTERN FILM ART
JUNE 10
“The Rennard Strickland
FLAGSTAFF BEER TASTING FESTIVAL
Collection of Western Film History,” an inaugural
Returning for its 25th year,
exhibition, showcases the
Made in the Shade brings
world’s largest collection
craft beer tasting, food, beer
of Western film graphic
competition and live music to
art. Includes film posters,
the beautiful ponderosa pines.
lobby cards, and associated
Proceeds benefit Sun Sounds
ephemera and memorabilia
of Arizona. General admission
from the 1800s to the present.
$55 (includes souvenir tasting
See website for admission
mug and 24 sampling tickets).
prices and museum hours.
1-5 p.m. Coconino County
Scottsdale’s Museum of the
Fairgrounds, 2446 Fort Tuthill
West, 3830 N. Marshall Way,
Loop, Flagstaff; 928-779-1775, azbeer.com.
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Scottsdale; 480-686-9539, Photo courtesy English Rose Tea Room
I M AG E S A R I Z O N A . C OM June 2 017
scottsdalemuseumwest.org.
JUNE 23-25 TOMBSTONE’S BUFFALO SOLDIERS DAYS This June, head to Tombstone to salute the Buffalo Soldiers. Event includes street entertainment and a parade. Other events to be announced. Free. Allen Street in Tombstone, 520-266-5266, tombstonechamber.com.
JUNE 17 FATHER’S DAY TEA English Rose Tea Room hosts a daddy and daughter tea. Dads who bring in their daughters (or sons) will eat for free. Reservations requested. 10 a.m. to 5 p.m. 201 Easy St., Ste. 103, Carefree; 480-4884812, carefreetea.com. June 2017
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JUNE 18 BUTTERFLY WONDERLAND CELEBRATES FATHER’S DAY On this special day, fathers
Events
can enjoy Butterfly Wonderland with a $2 admission discount. 9 a.m. to 6 p.m. Butterfly Wonderland, 9500 E. Via de Ventura, Scottsdale; 480-8003000, butterflywonderland.com.
NVSO’S KOZACEK APPOINTED VERDE VALLEY SINFONIETTA CONDUCTOR During Verde Valley Sinfonietta’s “Starlight Serenade" event on April 15, Kevin Kozacek, founding director of North Valley Symphony Orchestra (NVSO), was appointed new director/ conductor for the Sinfonietta’s 2017/2018 season. Kozacek’s qualifications include former founding director of ProMusica Arizona Chorale & Orchestra; guest conductor of international orchestras; conducting fellow in US workshops; studying with celebrated conductors like Daniel O'Bryant, Lawrence Golan, Zvonimir Hacko, and more. He’ll continue his position at NVSO during the Sinfonietta directorship. Congratulations Kevin Kozacek!
EDUCATION AWARD PRESENTED TO QI SPUR CROSS TEACHER Ms. Sigrid, teacher at Quality Interactive Montessori Private School at Spur Cross, was presented with the 99.9 KEZ Taylor Morrison Excellence in Education award this past April. The award recognizes hard-working teachers who have made a difference in the classroom. Congratulations to Ms. Sigrid!
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HOLLAND COMMUNITY CENTER GIFT SHOP OPENS It’s time to shop at the Holland Community Center’s Sage Gift Shop. Merchandise is created by Arizona artists and includes affordable items like jewelry, etched glass, photography and more. A portion of the sales benefits Foothills Community Foundation. Opened MondayFriday from 8:30 a.m. to 5 p.m. Holland Community Center, 34250 N. 60th St., Bldg. B, Scottsdale; azfcf.org.
VOLUNTEERS NEEDED AT KIWANIS THRIFT STORE The Kiwanis Club of Carefree needs volunteers to help run the Kiwanis Marketplace Thrift Store. Duties include customer assistance, greeter, cashier, sorting, pricing, stocking and more. To apply, visit or call the the thrift store. Store hours: 9 a.m. to 1 p.m., Wednesday-Saturday. Kiwanis Marketplace Thrift Store, 6535 E. Cave Creek Rd., Cave Creek; 480-488-7169, kiwaniscarefree.org.
DESERT FOOTHILLS LIBRARY SEEKS VOLUNTEERS Valley residents are encouraged to volunteer at Desert Foothills Library. Positions include full-training, fixed schedules, and shifts in the library and Chapter 2 Books store. Volunteers typically work three- to fourhour shifts. Apply by calling the library. Desert Foothills Library, 38443 N. Schoolhouse Rd., Cave Creek; 480-488-2286, dfla.org.
Photo courtesy Butterfly Wonderland June 2017
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DESERT FOOTHILLS LIBRARY SUMMER READING PROGRAM The library invites readers of all ages to join their summer reading program, “Build a Better World.” Participants earn one point for each minute of reading. Points provide opportunities to win tablets, gift cards, mystery prizes and more. Register online through July 31. Desert Foothills Library, 38443 N. Schoolhouse Rd., Cave Creek; 480-488-2286, dfla.org.
PEDIATRIC BRAIN FOUNDATION FUNDRAISER The Little Sunshine’s Playhouse and Preschool is raising funds for the Pediatric Brain Foundation, a nonprofit organization providing financial support to children suffering from neurological disorders. The first benefitting family of
Experience WEARABLE ART AND MORE AT GALLERY ANDREA
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this organization is the Faucett family, whose son Le’Kai was diagnosed with Shaken Baby Syndrome. To donate, visit pediatricbrainfoundation.org and use the referral “Le’Kai.”
LOCAL ACTOR PRODUCES ITALIAN CHILDREN’S SHOW “Ciao Bambolini – Italy for
In June, Gallery Andrea will
Kids,” an entertaining and
feature abstract artist Jessie
educational show produced,
Banaszak. Additionally, Andrea
directed and created by
de Kerpely-Zak and Andrea
local actor Michael Tassoni
Zakrzewski, the mother and
of Tassoni Media, teaches
daughter team behind the
children about Italian language,
gallery, have created a line of
music, art, food and culture.
wearable floral fashion, custom
The show will feature Tassoni
made from their artwork.
and original music and
Gallery Andrea, 7019 E. Main
graphics. Digital streaming
St., Scottsdale; 480-481-2530,
now available on Amazon and
artandrea.com.
ciaobambolini.com.
ANDAZ SCOTTSDALE RESORT & SPA RECEIVES TOP RECOGNITION Congratulations to Andaz Scottsdale Resort & Spa on being included on Condé Nast Traveler magazine’s 21st annual Hot List. This list includes the best, new hotels worldwide, and includes only 22 from the United States. Andaz Scottsdale Resort & Spa, a mid-century inspired resort, opened at the end of 2016 and is located in Paradise Valley. scottsdale.andaz.hyatt.com.
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Photo courtesy Gallery Andrea June 2017
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Writer Grace Hill Photographers Scott Baxter and Jerry Jacka
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As the sixth largest state, totaling 113,998 square miles, Arizona provides an extensive terrain to explore and admire. However, the land’s richness comes from more than the juxtaposition of desert and mountain landscapes. It also exists in the people of the land – the native tribes of Arizona.
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Photographer Scott Baxter June 2017
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Tribe Diversity Arizona is home to one of the largest native tribe populations in the country. Currently, 22 tribes are federally recognized throughout the state. Two of the largest reservations in the United States can be found in Arizona: the Navajo Nation, located across Arizona, New Mexico and Utah, and the Tohono O’odham Nation, located in south central Arizona.
Photographer Scott Baxter
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Scott Baxter Hometown: Hartford, Connecticut Current: Paradise Valley; Arizona resident since 1982 Photography experience: Self-employed professional photographer since 1986. Experience in commercial, editorial and corporate photography. Last five years focusing on fine art photography. Regular contributor to Arizona Highways with work featured in The New York Times; Cowboys & Indians; American Cowboy; Western Horseman; and Men’s Journal. One of his works is part of the permanent collection at Phoenix Art Museum. His book, “100 Years 100 Ranchers,” is available for purchase on his website.
Photographer Scott Baxter
Experience photographing native tribes: “Just starting at it. I’m kind of known more for my Western work of ranchers and cowboys, but in 2013 Arizona Highways had me photograph a cover based on cowboys and Indians. They brought in a gentleman named Jones Benally, who’s very well-known. He’s a very famous hoop dancer and Navajo medicine man. I then met his family and subsequently did some photography of him and his son. I’ve been working with them for a few years now. That’s where I kind of set out.” Thoughts on capturing the essence of the human spirit in a photo: “I do things like talk to them about what is important to them, and places that are important. I kind of allow the subject to take me to those places, so to speak. It allows me to attach some sort of reverence to the photograph, not just for myself, but more importantly for the subject. When you are trying to get somebody to really let their guard down, it’s kind of a little bit of a dance you have to do with the subject. It’s easier if you work with them instead of directing them. To be patient. There’s a moment there that you know is correct.” scottbaxterphotographer.com
Photographer Scott Baxter
June 2017
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Celebrations With so many native cultures located in Arizona, people living in or visiting here have countless opportunities to observe the non-religious ceremonies performed by different tribes. One traditional gathering, often called a pow wow, brings members of tribes together for a time of dancing and singing, enjoying friendships new and old, and preserving their heritage and culture. Non-tribal guests are sometimes invited to experience these pow wows first-hand. This opportunity allows for a deeper understanding and appreciation.
Š Jerry Jacka Photography
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Jerry Jacka Hometown: a small ranch north of Phoenix in the New River area Current: historic ranch near Heber Photography Experience: “My photographic career spans more than 60 years. I have 15 books to my credit and my photos have appeared in Arizona Highways magazine, National Geographic, TimeLife and many other publications.” Purpose behind photographing native tribes: “Raised in an area that was once inhabited by the Hohokam culture, I developed an early interest in all Native Americans. Because of that interest, I naturally turned my camera toward the people and their art – an art that I love and a people that I admire and respect.” Advice on respecting native tribes through photography: “Sensitivity to the morés and traditions of the people is of the utmost importance. One must always ask permission before photographing anyone and must never violate restrictions that prevent photography. Remember that their homes are just that — their homes; not some museum exhibit built for you to explore or photograph.” Thoughts on capturing the essence of the human spirit in a photo: “There is beauty in everyone and I attempt to capture that ‘special something’ in each person. If the subject is relaxed, perhaps doing something natural to him or her — carving a kachina, weaving a rug, or harvesting the corn, that ‘something special’ shines through.” jerryjackaphotography.com
June 2017
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Š Jerry Jacka Photography
Š Jerry Jacka Photography
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I M AG E S A R I Z O N A . C OM June 2 017
Art Throughout history, native peoples have been regular contributors to the world of art. They have created and continue to create beautiful and intricate pieces of pottery, paintings, wood carvings, basket weavings and much more. Often, these pieces of art come from a place of tradition, worship and daily life. A common theme reflected in their art is an appreciation and understanding of the natural world, and because of this they frequently incorporate colors, elements and images found in nature.
Historical Sites Since many native tribes of Arizona have lived here long before Arizona even had a name, the state features amazing historical sites. In northern Arizona, the Wupatki National Monument preserves Citadel and Wupatki pueblos. The Palatki and Honanki sites feature cliff dwellings in the red rocks near Sedona. And the Tuzigoot National Monument, located just north of Cottonwood, preserves a 2- to 3-story pueblo ruin. These are just a few of the many monuments and ruins scattered across Arizona.
June 2017
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© Jerry Jacka Photography
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To understand the history of Arizona, one must also understand the history, diversity and complexity of the native people who have lived here for many generations. However, access to any aspect of their life should be done with respect and gratitude. What may seem like “normal� behaviors by non-tribal members, might offend a Native American. Coming to them with a desire to openly learn the culture will ensure that all involved will leave with a greater appreciation for one another.
June 2017
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Writer Lara Piu
Enjoy Fifth Annual Flagstaff Blues and Brews Festival Continental Country Club Driving Range 5200 Old Walnut Canyon Road, Flagstaff Saturday, June 10 11 a.m.–9 p.m. $35 flagstaffblues.com
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As if soaring temperatures aren’t enough incentive to leave town, Flagstaff is all-the-more more enticing this month as it hosts the Blues and Brews Festival. Held June 10 from 11 a.m. to 9 p.m. at the Continental Country Club Driving Range on 5200 Old Walnut Canyon Road, the festival returns with a full, fun-filled day of music, beer, food, entertainment for kids, arts and crafts vendors and more. “Flagstaff Blues and Brews is an annual music festival held in June in beautiful Flagstaff,” event producer Jennifer Grogan says. “We are excited that we get to continue to bring in Grammy-winning artists and that we grow our event year after year.” Ten bands, including Soul Summit, Mother Road Trio, Sistahs Too, Harlis Sweetwater Band, Chubby Carrier and the Bayou Swamp Band, and Victor Wainwright and the Wild Roots are slated to perform. “I am looking forward to seeing our awardwinning lineup,” Jennifer adds. “We have some amazing artists who will grace our stage and put on an incredible event.”
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Now in their third musical decade, brothers Luther and Cody Dickinson of North Mississippi Allstars will headline the festival. Luther is also the lead guitarist for the Black Crowes. “The blues is not children’s music,” Luther says. “We get better at it the older we get. We’re so fortunate to be able to do it.”
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Known for its Southern and rock blues sounds, North Mississippi Allstars has received multiple Grammy nominations, appeared on shows like “Late Night with Conan O’Brien,” and was temporarily the house band for “Last Call with Carson Daly.” In addition to musical entertainment, the festival will offer a large selection of domestic beers for $6, ciders for $6, wine for $8 and microbrews for $7-8. Look for craft selections like Mother Road Tower Station, Four Peaks American Pale Ale, Mudshark Full Moon Belgian Style White Ale, Lumberyard Red Ale, Barrio Blonde Ale, Mother Road Lost Highway Black Ale, Oak Creek Brewing Nut Brown Ale, Odell 90 Shilling, Four Peaks Sun Bru Kolsch Style Ale, Prescott Brewing Ponderosa IPA, and Odell Loose Leaf Session Ale. A food area will feature a wide range of vendors like Sally’s BBQ, Hot Bamboo, Pearson’s Cajun, 3 in the Tress, and El Capitan. There will also be a kids’ area with coloring and bounce houses, more than 20 arts and crafts vendors, free hydration stations and free re-entry. Attendees can bring in one sealed bottle with up to 32 ounces of water. Jennifer also recommends a hat, sunscreen, lawn chairs, an umbrella lower than three feet, dancing shoes and a good attitude. “Enjoy yourself,” she advises. “Flagstaff Blues and Brews does all we can to make guests feel comfortable and we want them to have a good time.” flagstaffblues.com
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Writer Shannon Severson Photographer Bryan Black
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In an area rimmed by the Gila River and Estrella Mountains and surrounded by small family farms and ranches, Crow’s Dairy sits on five acres in southern Buckeye. Along with the Crow family and a robust variety of chickens, turkeys, peacocks, and farm dogs, approximately 350 long-eared Nubian dairy goats call this special place home. A staff of seven helps keep the operation running smoothly. Both Rhonda and Wendell Crow grew up in Arizona dairy farm families and were well-versed in the production of cows’ milk, but after three generations, they made the switch to goats in 2008 and have been growing their business consistently ever since. They chose the Nubian breed for its sweet, high-fat content milk, but a lot of research has gone into the choices they’ve made. “In 2006, we sold our cows and took a two-year ‘cheese vacation,’” says Wendell. “We traveled to the east and west coasts and made appointments at dairies and cheese plants. I wasn’t interested in goats’ milk cheese at first because I’d had several experiences with bad-tasting cheese and milk, but my wife wanted to milk goats for a long time. We came across a couple of goat farms that I really liked, and that made all the difference. “Goats are smaller and they’re a lot easier on you when you’re old,” he adds with a smile. Small though the goats may be, there’s still a lot of hard work and dedication that goes into each curd, and it has paid off in recognition by Arizona's top chefs. Crow’s Dairy cheese first caught the taste buds of Chef Chris Bianco of Pizzeria Bianco fame, and word quickly spread from there. Wendell says he directly provides product to over 70 restaurants in the Phoenix and Scottsdale area, with distributors serving dozens more in fartherflung regions like Sedona, Tucson and even Denver. Whole Foods often carries half gallons of his rich, vat-pasteurized goats’ milk, usually in summer when milk output is at its highest. “It’s like drinking a meal,” says Wendell. “Growing up on a dairy farm, I never thought anything could beat the taste of cows’ milk, but goats’ milk is absolutely delicious.” Chefs at top restaurants and resorts clamor for Crow’s Dairy products, snapping them up as fast as they’re made. The range of products includes chèvre (natural, peppercorn, or butter pecan), Feta (natural or
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peppercorn), cheese curds, and quark, a German-style, strained, fresh cheese similar to thick yogurt made with a buttermilk culture. The freshness keeps them coming back, as Chèvre is often just two hours from farm to table. Winter is the busiest time on the farm. Summer is another matter, as snowbirds fly north and the market shrinks a bit. “I love snowbirds,” says Wendell. “I don’t mind the traffic at all. I joke that they feed on cheese! But once it hits 100, they head back. I like to hear about late season snow storms in the rest of the country, because then they stay longer.” Crow’s Dairy chèvre is buttery and smooth, with a slight tang. The taste is miles ahead of any similar product found on standard grocery store shelves. Much of the secret lies in how the goats are raised and how their milk is processed — with great care. Every goat has a name and each is closely monitored for health and well-being. The herd happily reproduces at a good clip, with four sets of quadruplets so far this season. While other farms remove kids from their mothers almost immediately, Crow’s kids stay with their mothers until weaning.
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“We’ve found our kids do so much better when they can be with their moms,” Wendell says. After weaning, the animals are fed unlimited non-GMO alfalfa hay and grain, and aren’t treated with growth hormones or prophylactic antibiotics. Bucks are kept separate from does, except during breeding (Wendell says the presence of bucks can give the milk and cheese a seriously unpleasant funk). Indeed, the goats on the farm are friendly and curious, playful and well-fed. They don’t hesitate to file into the small milking barn, complete with a disco ball and a vintage sign from Rhonda’s favorite (but now closed) Tolleson Tamale Shop — a birthday gift from Wendell. Every goat is milked twice daily and produces about a gallon of milk. Each gallon of milk produces two pounds of cheese. The cheese-making process is equally careful. Preserving the delicate cellular structure of the cheese is crucial to a high quality end product. Small vats gently circulate and then pasteurize the milk at the lowest possible temperature. For chèvre, cheese-maker and jack-of-all-trades around the farm, Michael Elizondo, adds powdered culture imported from France. After it ripens, plantbased rennet is added, and the resulting curd is scooped into
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linen bags and hung on hooks to drain the whey. Nothing is wasted, as a local hog farmer uses the whey to feed her animals. After about 16 hours, the end result is packed into tubs and arranged on shelves in the dairy’s large, chilly walk-in refrigerator, which Wendell says is his favorite thing he’s built in Arizona. Then, it’s ready to be shipped to hungry diners around the state and beyond. Making feta and quark isn’t much different. “I can make all kinds of different cheeses using the same cultures and the same rennet, just with different times, amounts and temperatures,” says Wendell. Wendell explains that it’s not a standard work week schedule, as milking times, kidding season, and tending cheese processing times dictate hours. Crow’s Dairy produces close to 200 pounds of cheese every day and demand is constantly growing. “We joke that we are the only nonaward-winning cheese,” says Wendell. “We’ve never entered a contest. We are rewarded by orders from our customers.” In the future, Wendell hopes to convert his little-used freezer to a cheese cave and plans to start producing aged goat cheeses, particularly to keep business going through the slower summer season. Whatever he and Rhonda do, there is sure to be a market for it, as the small but mighty Crow’s Dairy brand has earned the respect of top chefs and customers at farmers’ markets, including Tempe Farmers Market and Uptown Market, and high-end specialty shops, including Brix Wine in Scottsdale, French Grocery, and Duck and Decanter in Phoenix. The popularity of this rare breed of small-batch artisan creations is gaining notoriety far and wide. crowsdairy.com June 2017
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Writer Shannon Severson Photographer Bryan Black
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Ed Mell’s naturalistic landscapes are transportive masterworks that capture the sweeping vistas of the Southwest’s mountains, mesas, and monuments and the billowing clouds that soar above them. From his landscapes and figurative paintings to his bronze sculptures, Mell’s use of angle, light and shadow infuse his subjects with dramatic power and inspire a sense of awe. It’s a perspective that first came about after the Phoenix native had ventured far afield to New York City in pursuit of a career in advertising, but an experience on a Hopi reservation soon made him realize his heart — and his home — were right back here in the Grand Canyon State.
“Chiseled Light," oil on linen, 22" x 28"
Mell’s Coronado district studio sits just a few blocks from where he grew up. His gallery, which opened April 2015, is nearby in what used to be a small neighborhood grocery store. Gallery director Ken Richardson manages it with the participation of Mell’s wife, Rose Marie. It’s also the same area where he raised his two sons, Taylor and Carson. Taylor is an artist currently living in Phoenix and Carson is a television writer and illustrator living in Los Angeles with a soon-to-hit-the-small-screen animated series for TBS. They grew up coming to Mell’s studio after school, soaking up the knowledge and camaraderie of their father and his fellow artists. Mell himself spent his childhood immersed in art. In those days, he was always drawing and discovered his passion for the automobile, something that remains today as he is an avid car collector.
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“In high school, I wanted to be a car designer,” says Mell. “Even in grade school I was drawing cars. It’s sort of a symbol of freedom, of the future, especially in the 1950s. Some of the artwork for concept cars was just off the charts. I have one or two pieces I’ve collected. Consequently, a lot of the cars I’ve owned match my aesthetic.” After attending Phoenix Junior College, Mell attended Art Center College of Design in Los Angeles, where he studied to become an art director. “I was able to get a good technical background,” says Mell. “Color theory, illustration, graphic design — all of the things I think are important, and I still draw on them.” Mell landed jobs with Young and Rubicam, and with Kenyon Eckhardt in New York City, working on high-profile accounts and living at the speed of big city life. “I saw people living the dream in New York, but it wasn’t my dream,” says Mell. When a friend asked if he’d like to teach in a summer arts program on a Hopi reservation in northern Arizona, Mell jumped at the
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“Showers at Sundown", oil on linen, 40" x 80" “Showers at Sundown," oil on linen, 40" x 80"
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chance. In 1971, he spent the first of two summers teaching in the program. “It was a nice escape,” says Mell. “I went from New York City to a village of 200 atop a mesa. The Hopi reservation and Monument Valley were new to me. There were so many things I hadn’t experienced until I came back. That was a big influence.” By 1973, Mell had permanently moved back to Phoenix and began painting in oil. His graphic design background is revealed in his early work (though he still creates modernist pieces today) and it tends toward the minimalistic, with more muted colors and strong angles. He soon met a legendary helicopter pilot who would afford him the chance to gain a perspective of the land that few have had the opportunity to see and it would change his future. Jerry Foster was a larger-than-life helicopter reporter for Channel 12 (KPNX)
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“Needless to say, there were moments of terror and bliss,” says Mell. “I was viewing the scenery with so much adrenaline running through. I was very fortunate. A lot of those things you can’t do anymore in a helicopter. There was such a degree of excitement that, when I returned, I tried to tap into that in some way.” The excitement and drama in Mell’s work has attracted a slew of avid collectors across the United States and around the world.
"Bloom of the Desert," oil on canvas, 30" x 30"
news and, after Mell threw out the hint that a helicopter offered the ideal vantage point for an artist, Foster offered a four-day trip. The only instructions were to pack light and to meet atop the KPNX building. His adventure with Foster took him to the top of San Francisco Peak, to several of the formations in Sedona, then down into the Grand Canyon when it was still legal to land there. Next, they flew to Marble Canyon, all the way to Lake Powell. The views were spectacular and, for Mell, it cemented a direction for his art.
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His pieces often begin as a series of miniature paintings. From those, he may create several canvas studies, combining elements that he likes from the smaller pieces to become an average-sized painting. Sometimes collectors ask for larger pieces. He just completed a 40-inch by 80-inch painting depicting a monsoonal downpour across a landscape of red rock monuments. A small run of about one lithograph per year is issued with a master lithographer out of Texas. The colors and the feel of the original shine through. Beyond the breathtaking landscapes, Mell is also known for his depictions of flowers — often cactus blooms, figurative studies of people and animals, and bronze sculptures, which he began creating in 1985. His sculptures feature the same angular elements as his paintings and are similarly full of movement, with palpable energy.
Two of his sculptures that can be viewed locally are “Jack Knife,” derived from one of his paintings, which sits at the center of Old Town Scottsdale’s Main Street Arts District, and “Rising Phoenix,” which occupies Cesar Chavez Plaza outside Phoenix’s old City Hall. A large copy was also gifted to Phoenix’s sister city, Hermosillo, Mexico. A new thrill was seeing his art come alive on stage as the backdrop for the world premiere of composer Craig Bohmler’s “Riders of the Purple Sage” by Arizona Opera. The project was the first of its kind, and Mell completed the series of paintings that were used as guides for set designers. The scenery in the adaption of Zane Grey’s novel went from diorama to massive set, with a background LED screen and 28-foot-high foreground pieces of Surprise Canyon in a scene that slid on and off set via massive cables. A documentary about the process is forthcoming and there are plans for the wildly successful show to travel to other venues in the future. “The set designers are real pros,” says Mell. “It was a very fun and satisfying and experience. I’ve never been involved in a standing ovation before, but they called me out on stage to join them for the curtain call.” It was a new experience, but certainly won’t be the last. For his part, Mell continues to paint, sculpt, enjoy road trips, classic car shows, and time with family — doing what he loves in the place he’s (almost) always lived: Phoenix. edmellgallery.com
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Writer Shannon Severson Photography courtesy Flying E Ranch
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The romanticization of the Wild West is long and storied, and while much of the Western lifestyle has disappeared over the years, the ideal lives on in cultural vernacular, both in the United States and abroad. Since the 1880s, dude ranches have entertained city slickers, giving them a hearty dose of ranch life, and the movement truly came of age in the 1920s, considered the golden age of the industry. At Wickenburg’s Flying E Ranch, the old days of personalized hospitality have never gone away. It’s a uniquely authentic experience that feels more like visiting family than checking into a hotel as another face in the crowd. Flying E was founded in 1946 when native Oregonian Lee Eyerly purchased 3,000 acres and constructed the original eight guest rooms, kitchen and dining room, Oregon-style barn and a 3,200-foot airstrip for use by both owner and guests (now a horse pasture). The ranch’s signature brand, an “E” with wings, is still in use today, designed by Eyerly to represent
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his name and his love of flying. That airstrip is what attracted George and Vi Wellik, the California couple who first fell in love with it as recurrent guests, and then purchased the ranch from Eyerly in 1952. George and Vi eventually expanded the land and ran the operation together from 1960 until George’s death in 1983, with Vi carrying on until her death in 2004. The Wellik Foundation still owns the 19,000-acre ranch (which also functions as a 120-head cattle operation), but day-to-day work is now under the attentive purview of Andrea (“Ande”) and Steve Taylor. The love Ande and Steve feel for the ranch goes back to the 1960s. The couple first met at Wickenburg High School and, due to their involvement in local equestrian programs, Ande became friends with the Welliks’ daughter, Wendy. When the Taylors decided to marry, it was Vi who hosted the bridal shower on the ranch, and Wendy was the maid of honor in the wedding ceremony. Shortly after, Steve left for Vietnam and Vi offered Ande a job as a server in the dining room. Little did she
know that someday, she and Steve would end up back on the ranch, working together and now celebrating 45 years of marriage. “Vi was an amazing lady,” Ande says. “She was very particular about how her guests were treated, how things were done and how clean things were. I had first-hand experience with what her expectations were. I feel an obligation to the Wellik family to carry on their traditions.” My family had the opportunity to spend a long weekend at the Flying E. For us, it was three generations enjoying horseback riding, swimming, hiking and home-cooked meals — a welcome respite from life in the big city. Our adventure began with a warm welcome and property tour from Ande and the ranch staff before we settled into our unfussy, yet comfortable accommodations. With just 15 rooms and two family houses, the limited number of people on any given day allows guests to quickly get acquainted as they dine, ride and socialize together. The children all became fast friends that weekend, playing hide-and-seek, garden chess, swimming in the heated pool, petting Taffy the resident ranch dog or taking advantage of the well-stocked game room. They were also the first ones to discover the always-full cookie jar in the dining room, where a guest log is posted with names, hometowns and how many times each guest visited the ranch. During our weekend, guests hailed from across the United States and the United Kingdom. One of our fellow “dudes” was celebrating her 22nd stay, and that’s not as uncommon as it may sound. “I give guests special pins to commemorate every five visits,” says Ande. “Most of our guests average between 15 and 25 visits. That’s a testament to what Vi began. This year, I will give away three 50-visit pins.” Flying E feels worlds away from civilization. The wide open space is punctuated only by picturesque mountains and cacti. Morning sunrises highlight the serene beauty of the desert, and evenings give way to dark skies bursting with bright stars. The quiet is punctuated by the occasional chirping bird, scuttling lizard or perhaps the laughter of guests playing pingpong or a competitive round of horseshoes. The only difficulty is holding on to the stress of life beyond what’s directly in front of you. June 2017
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“We see families coming here to rest and recharge,” says Ande. “I think that’s what I enjoy most with our guests. I see them come in and they’re so wound up, and after two days they’re much more relaxed. In our society, tranquility is so lost. For us here at the ranch, we have to leave time for people to take time. It's about recharging for a little while. You can't just keep going at 100 percent all the time. Even a Tesla needs to be recharged!"
Steve donned his Air Force uniform. Each veteran was asked to stand and be honored for their service, and dinner was followed by a crowd-pleasing ice cream sundae bar. The next night, several birthdays were celebrated with singing, candles, the best cheesecake I’ve ever tasted and gifts that Ande chose with each person’s preferences in mind, wrapped with cowboy-themed paper and twine.
That first afternoon, horses were saddled up and ready for our first trail ride led by our wrangler, Brandon. Flying E gathers pertinent information about each rider in advance before assigning a horse for the duration of their stay. Our ride across flatlands and to the top of several impressive hills afforded breathtaking views in every direction. This lazy pace suited my husband, son and me just fine. My daughters were up for a little more adventure, with my eldest being ready to do some trotting on her second ride later that day. The attentive and exceedingly accommodating staff overheard my youngest saying she wanted to learn to trot and so found a way to grant her wish, arranging a private lesson with Brandon. Needless to say, she was over the moon.
One of the highlights of our trip was the Saturday morning trail ride to a generous, campfire-cooked, outdoor breakfast spread. Those who weren’t up to being on horseback were able to walk or hitch a ride out to the spot where fluffy biscuits were served from the large cast-iron Dutch ovens they were baked in, having been buried in the ground and heaped with hot coals. Massive spatterware tin pitchers of coffee were kept warm over coals, and the meal was followed by a spirited cow patty tossing competition — with prizes for the winners!
Each night, adults can gather for a cocktail hour in the BYOB saloon, where mixers are provided. The deck out back has an idyllic view of the cattle pens, a rodeo ring and the brilliant Arizona sunset. When the dinner bell rings, we all dutifully (and eagerly) moseyed over to the dining room for delicious meals (included in the room rate), then found our seats at long, attractively-set tables. The friendly staff was ready to refill drinks or, in the morning, take orders for made-to-order breakfasts. Each evening had something special to it. On Veteran's Day,
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The Flying E has plenty to do throughout each season, which spans November to April: cattle penning, square dancing, BB gun competitions, special cowgirl weekends and casino night on New Year’s Eve, but the only obligation is to enjoy yourself. From young children to elderly grandparents, there's something for everyone, and that draws a very loyal clientele. “It’s been a gift to be here,” says Ande. “We’ve met so many amazing people from all walks of life, just genuine people. It’s not like we have guests; we have family.” flyingeranch.com
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A picture tells a thousand words, but for artist IdaKatherine Graver, it is a thousand dots that tell a life story. After quietly working in the background for the last four years, she’s re-emerged in the public eye with her new acrylic-on-wood fine art collection, “One Lived Life.” “Things feel ready,” IdaKatherine says. “When I moved the pieces out of this studio world, I could hear one say, ‘I’m so glad to be leaving this room.’” Each piece tells the story of a person’s journey through IdaKatherine’s unique means — layers upon layers of dots. She meticulously places them alongside other painted shapes; it’s her way of making sense of the world. “I’m always looking for why are we here,” IdaKatherine says. “I need there to be meaning in life. I’m not comfortable without meaning.” In February she unveiled “One Lived Life” in the Studios at Bentley Projects exhibition area, where she also has a working space. She moved into the approximately 350-square-foot vaulted celling art studio in April 2014 to create larger-than-life pieces for the series. Today, some of her pieces measure up to 8-feet by 8-feet. Many of them took more than six months to create. So far, there are six in the new series, which IdaKatherine says is a taste of what’s to come. She creates the dots by laying wood planks flat on sawhorses. This allows her to drop each dot with precise intention. “Dots, to me, are a way of looking at time and space, so it’s always like a moment or a time,” she says, explaining the meaning behind the colors. “Color is my mother tongue. The golden ones are a more abundant, joyful, peaceful moment, and the dark ones are more of an effort, the unknown, and the difficult. I don’t really have a science for it, but it’s my language.”
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Writer Lara Piu Photography Bryan Black and John Dowd of Clutch Photos
In Background "Heaven and Earth," mixed media, 8' x 12' June 2017
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Left:"One Lived Life #3," mixed media, 96" x 96" Right: "Refugee From Aleppo," mixed media, 96" x 96" Bottom: "Lucas," mixed media, 44" x 68"
Each piece in the series depicts the good, the bad and the ugly of life, and IdaKatherine’s interpretation is magical. Stories of happy lives, difficult ones and even the life of Emily Dickinson are told. The bottom of each painting represents the conditions a person was born into; the mid section represents the person; and everything upward and outward from that is the person’s interaction with the universe. IdaKatherine explains, “I feel like everything we do creates something unseen,” she says. “In America we’re moving so fast that we’re not feeling that anymore. I think that everything that someone does makes part of the universe.” In one piece, “A Well Lived Life,” she follows a life born unto fertile ground, community, health and abundance. In this piece, the subject has made the most of their time on earth, she explains. “They’ve had a lot of good fortune and they’ve created something that looks something like this.”
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Framed in a gold altar-like structure is “Lucas,” a darker story. It walks through the life of IdaKatherine’s oldest son’s best friend. He was someone they loved very much who was hard-hit by mental illness.
“He was so golden, and all of a sudden it was taken away,” she remembers. “Because of his circumstances, he knew people from all over the world, but as he was sick, people pulled away because they were not comfortable with [his mental illness]. I think his world got quite small.” Although his life ended in suicide, the piece shows how Lucas had a tremendous impact. “When he died, he had the most amazing service. People came from all over the world. [The service] took 10 hours. I’ve seen a great change in the world as a result of his death; his essence spread over many people.”
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Top: "Holiday," mixed media, 54" x 22" Left: "One Lived Life #3," mixed media, 96" x 96"
I've never made one single decision that would let me be a banker.
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Not one.
Another story of struggle is told in “A Refugee from Aleppo,” I which IdaKatherine paints a person living in the war-torn country. At the bottom is the beautiful Arab culture, and their good and not-so-good ideas, she explains. It tells the story of the Sunni, the Shia and the individual, and their effort to survive. “It’s still quite a beautiful life,” she explains. “I feel like we should be celebrating the courage of the people of Aleppo.” The “One Lived Life” collection is perhaps a natural succession to IdaKatherine’s earlier series, “Heaven and Earth,” “Divine Anatomy” and “The Way Things Work,” which also explore life and living themes. “I’m always wanting to make sense of things from a distance, although I cannot understand them right now. There’s kind of a motion. I think over time things are better. It’s slow, but I feel like it’s working toward better. “ IdaKatherine has first-hand experience with generational improvements. Her mother, also a brilliant artist, struggled greatly to find artist peers, but IdaKatherine was able to trade babysitting time with neighborhood moms, which allowed her to be an artist and raise her and her husband’s three sons. “That was a big blessing,” IdaKatherine says. In fact, both of her parents were formally trained artists; her father attended Cranbrook Academy of Art in Michigan and her mother attended Pratt Institute’s School of Art in New York. After graduating, her parents moved to southeastern Texas where they created a spacious art studio and foundry. They rubbed off on IdaKatherine, who’s been painting since near-birth. Her father has a cast of her first piece, a fish she drew in the sand at 18 months old. He made canvas her childhood toy. “When we were bored, he would say, “Oh! Well, I will set up a still life and you can do contour drawing,” she jokes. “We didn’t take many vacations, but when we did, we went to museums.” As an adult, IdaKatherine desired a more typical life and considered becoming a banker, but like the dots in her paintings, her life choices were intentional, resulting in the path she’s on today. “I've never made one single decision that would let me be a banker. Not one.” idakatherinegraver.com June 2017
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Tucked in the heart of Papago Park’s ancient rocks is Arizona Heritage Center, where you can travel through time, gain a new appreciation of Arizona’s natural resources and enjoy desert views as you wander the grounds. Home to Centennial Museum, the center celebrates more than 100 years of central Arizona history through its exhibits and programs. Now through early next year, it’s also home to the Phoenix Phabulous History Mural, a series of indoor murals that thoughtfully and creatively tell the story of Phoenix. “The Arizona Heritage Center at Papago Park is excited to welcome both patrons and new visitors to see the Phoenix Phabulous exhibition as part of the center’s vast collection of photos and displays telling the story of our Valley’s people and their dreams,” AZ Heritage Center director Tawn Downs says. “The local mural artists engaged with this collection are excited to meet the public and share their stories during five hosted presentations.”
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Writer Lara Piu
Using large painted murals — 16 in total — the installation breaks the local history down into nine time frames, depicting the early Hohokam period through Phoenix’s imaginary future. The collection was launched by native Phoenician and business leader Carole Poore in 2013. To date, the murals have traveled to more than 12 Valley public gallery spaces. With Hugo Medina as curator, they were created by 16 local artists, including Angel Diaz, Damian Jim, Katharine Leigh Simpson and Justin Queal. The artists combined major time periods with Phoenix events, landmarks, leaders, issues and urban legends, many of which are also reflected in other museum displays. “The collection reflects commitment by talented local artists to learn about, and then illustrate the unique and dramatic story of Phoenix,” Poore says. “The murals create opportunities to show the fortitude it took to create a desert community, and our storytellers share fascinating personal stories about their connections to our city and aspirations for its future.”
A mural created by artist Darrin ArmijoWardle offers a glimpse into the life of the city’s founding pioneers, water stewardship, and perseverance to build a community while surviving hot weather and periods of drought and floods. Other murals feature the introduction of air conditioning, a shift from agriculture to industry after World War II, the development of Phoenix’s high-rises, the city’s emergence as a key player in the Southwest Metropolis, and the city’s higher education, bioscience and urban core revitalizations. As part of the installation, the center will host a storytelling series that will feature authors, local artists, historians and Arizona celebrities. Several other special events and exhibits are also planned this year: July 13: Sonoran Silver Exhibition: An exhibit celebrating the 25th anniversary of the McDowell Sonoran Conservancy. Learn about this beautiful natural treasure through photos and displays. October: Footprints on the Desert:Frank Lloyd Wright in Arizona: An exhibition featuring Frank Lloyd Wright’s life and work in Arizona, and his lasting legacy. Exhibition developed in collaboration with the Frank Lloyd Wright Foundation. October: Spirits and Spirits Festival: An outdoor festival featuring distilled spirits and a variety of spooky spiritthemed entertainment. Food trucks, local distillers, wineries and craft breweries, ghost stories and more! January 18, 2018: Phoenix Phabulous: Closing reception featuring Phoenix News Celebrities. arizonahistoricalsociety.org
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Writer Grace Hill
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The sky lights up as dazzling fireworks fly high and bright, while onlookers voice their merriment with oohs and aahs. With a boom, bang and pop, Fourth of July once again brings family and friends together to not only celebrate the joy of summertime, but more importantly, to commemorate our nation’s independence and freedom. Here are some of the coolest Fourth of July celebrations around the Valley. Dress in your best red, white and blue attire and watch the fireworks soar above!
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July 1
Frontier Town’s Fourth on the First Located in Cave Creek, guests will get a Western Fourth of July experience with mechanical bull riding; live entertainment provided by Redneck Revolution and The Saints of Las Vegas; and food like tasty street tacos, delicious margaritas, sugary cotton candy and more. Children will also enjoy cooling off at the splash area. The night comes to an exciting finish with a fireworks display at 9 p.m. Free admission. 4 p.m. Frontier Town, 6245 E. Cave Creek Rd., 480-488-9129, frontiertownaz.com.
July 3
Anthem Independence Day Celebration This Fourth of July festival, going strong for 18 years, brings 20,000 people to the event each year. Spread throughout the Anthem Community Park, all sorts of fun will ensue, including wet and dry rides, inflatables, dancing and more. Guests can bring food and non-alcoholic beverages or purchase items at the food court and rotary beer garden. The night ends with a national anthem performance and fireworks show. Free; $15 wristband required for inflatables and rides. 6-10 p.m. Anthem Community Park, 41703 N. Gavilan Peak Pkwy., 623-7426050, onlineatanthem.com/independence-day.
July 3
Cave Creek’s 3rd of July Fireworks Extravaganza Another great Western Independence Day celebration showcases the largest fireworks display in Cave Creek. This family-friendly event, hosted by Harold’s Corral, Roadhouse and the Buffalo Chip, features live music by Crown Kings and Hillbilly Deluxe; kids’ activities; and food and drink specials at all three restaurants. Free and reserved seating is available to watch the fireworks. Discounted room rates at the Carefree Resort & Conference Center encourage guests to stay overnight and explore the town. Free admission. 5 p.m. Harold’s Corral, 6895 E. Cave Creek Rd., 480-488-1906, haroldscorral. com; Roadhouse, 6900 E. Cave Creek Rd., 480-488-3300, hideawayroadhouse.com; Buffalo Chip Saloon, 6811 E Cave Creek Rd., 480-488-9118, buffalochipsaloon.com.
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July 4
Fabulous Phoenix 4th One of the largest fireworks displays in the metro Phoenix area will once again shine brightly over the 100,000 plus spectators watching below. The free, familyfriendly event includes live performances, interactive exhibits, arts and crafts, a classic car display, rides, inflatables, water spray zone and more. Guests will also enjoy delicious festival-style food and beverages as they watch the fireworks. Free. 5-10 p.m. Steele Indian School Park, 300 E. Indian School Rd., 602-2626011, phoenix.gov.
July 4
Fourth at the Fountain New this year, all holiday entertainment will be free to allow the whole community to attend. Included in the entertainment is music by DJ Steve Grosse, games and prizes. Guests are encouraged to bring chairs, blankets and picnic baskets for a relaxing Fourth of July celebration. Some sweet treats will also be available for purchase. At 9 p.m., a beautiful fireworks display over the lake will end the evening. Free. 6-10 p.m. Fountain Park, 12925 N. Saguaro Blvd., 480816-5185, experiencefountainhills.org.
July 4
Scottsdale’s 4th of July Celebration at WestWorld This Fourth of July celebration will keep guests cool in the 300,000-square-foot fully air-conditioned venue. The event features a remarkable list of entertainment, including a kids’ zone; Stunt Master's BMX show; All-Star Stunt Dogs Challenge by Stunt Dog Productions; a bull riding rodeo presented by Dirty Money Cattle Company; and pony rides and petting zoo from Carter's Farm. Guests will also enjoy food and drinks and a magnificent fireworks display at 9 p.m. See website for ticket prices. 3-9:30 p.m. WestWorld of Scottsdale, 16601 N. Pima Rd., scottsdale4th.com, westworldaz.com.
July 4
Tempe Town Lake Festival This 66th annual Independence Day celebration showcases some of the best fireworks in the Valley and will launch to the beat of music from the Mill Avenue Bridge. Singer Kianna Martine will perform the national anthem followed by country songs. Soul and pop singer Levi Rebel will also perform. The event includes a flyover, rides, rock climbing walls, inflatables and more. An extensive food court will feature hamburgers, hot dogs, Macayo’s Depot Cantina, BBQ, fry bread, snow cones, ice cream, drinks and more. 5-10:45 p.m. Tempe Beach Park, 480-350-5189, tempe4th.com.
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Call now for a free, no-obligation estimate
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f you haven’t heard of Q-to-U BBQ, then you haven’t yet experienced the newest barbeque in town.
With a determination to serve barbeque their way, owners David and Karyn Rosol opened Q-to-U BBQ in July of 2010. Since then, they have perfected the skills they obtained from years of barbeque competitions. While what they have learned can only be tasted, delicious slow-smoked barbecue is what you can expect. That process begins with a selection of the finest ingredients. Then, with patience and love, David and Karyn, along with their two sons, prepare pulled pork, pulled chicken and beef brisket that will make you realize you’ve been doing barbeque all wrong. On their menu, you’ll also find appetizers from pulled pork nachos to fried mac & cheese, and specialty items like smoked Polish
sausage stuffed with cheese. But don’t think you’ll come in for just a quick bite to eat. With menu items like “Loosen Your Belt” and “Unbutton Your Pants,” you know they mean business. Chillin’ and grillin’ are the best parts of summer, except, at Q-To-UBBQ, the only thing required of you is to relax and eat. The grillin’ work is left to the pros. Q-to-U BBQ is open Tuesday through Saturday, 11 a.m. to 8:30 p.m., and Sundays 12:30 to 6 p.m. They are closed Mondays. Q-to-U BBQ 4705 E. Carefree Hwy. #101 Cave Creek, 85331 480-664-4198 q-to-u-bbq.com
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SP OTLI GHT
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DINING GUIDE
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Writer and photographer Monica Longenbaker
Grilled Cajun Shrimp Foil Packets Yield: 4 servings
This easy summer dinner packs all of the delicious flavors of a Cajun shrimp boil into a convenient packet. Succulent shrimp, sausage, corn on the cob, and tender red potatoes are seasoned and packaged in foil. Once prepped, they cook on the grill in less than 15 minutes, making for a quick weeknight meal and even quicker clean-up. Be sure to serve with a side of crusty bread to soak up all of the flavorful juices.
Ingredients: 1 pound medium shrimp, peeled and deveined 2 smoked sausage links (about 6 ounces), sliced ¼” thick 2 ears of corn, cut into 1” thick pieces 8 baby red potatoes, sliced into ¼” half moons 2 large garlic cloves, minced 8 lemon wedges, halved 1 teaspoon Cajun or Old Bay seasoning 4 tablespoons butter salt and pepper to taste 2 tablespoons parsley, chopped (optional) 8 pieces heavy duty foil, about 12”x12” Directions: Preheat a grill or oven to 400°F. Layer two 12”x12” pieces of foil together. Repeat with the remaining foil pieces. Divide the ingredients by four and layer them onto foil in the following order: red potatoes, sausage, corn, shrimp, minced garlic, lemons, ¼ teaspoon Cajun or Old Bay seasoning (or to taste), butter. Season to taste with salt and pepper (depending on whether your spice blend contains salt). Fold together two ends of the foil and roll tightly to create a seam. Then fold the other two corners and roll towards the center to create a packet. Place the foil packets onto the grill or into the oven for 12-15 minutes or until shrimp is cooked through and the potatoes are tender. Be very careful when opening the packets as the steam inside will be very HOT! Garnish with parsley and serve immediately with a side of warm, crusty bread.
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North Scottsdale-Carefree Office 34305 N. Scottsdale Road Scottsdale, AZ 85266
P. 480-488-2400 $789,000 Custom Home in Desert Springs - North Scottsdale Patio, Pool & Great Outdoor Spaces Katie Atkison 602-769-1910
Sandy Comacchio, CRS Certified Residential Specialist • A professional designation of residential specialty from the National Association of Realtors, the highest in the industry. • Only a small percent of all REALTORS have completed the required education and earned this designation. • A CRS has professional affiliation with thousands of other real estate professionals on the local and national level.
480-440-6706
Near Schools: 6 Bed/6 Bath, Media - Office - 6 car Garage Gated Custom Debbie O. 480-375-1522 CarefreeProperty.com
Gorgeous Lots - Great Prices! 2 acres: $155K,194K, 209K, 210K 5 acres: $ 250K+ Debbie O. 480-375-1522 CarefreeProperty.com
Reduced! Best value on Black Mtn. Perfectly sited in private canyon with city light views! Arlene 480-239-7130 or Laura 480-560-1730
Priced to sell - warm & inviting w/ fine finishes in serene setting with views & privacy. No steps! Arlene 480-239-7130 or Laura 480-560-1730
Live where others vacation! Luxurious Transitional Remodel
Incredible Views
$2,485,000
Bob Bacon 4300 SF Custom $2,147,000 Pat Scheckner Estancia Elevated View Lot, 2 BR 2BA Guest House 480-628-9482
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The Boulders Community 480-488-7550 Bouldersrealestate.com for complete market information.