Images Arizona (May 2024)

PHOTOGRAPHY ESSAY SAILING THE 7 CS

MOLTEN MASTERPIECES DESERT DREAMSCAPE

T h e a p p r o a c h a t t h e C e n t e r f o r I n t e g r a t i v e H e a l i n g &

W e l l n e s s i s p e r s o n a l i z e d a n d c o m b i n e s t h e b e s t e

l e m e n t s o f p r e v e n t a t i v e , r e g e n e r a t i v e , i n t e g r a t i v e , f u n c t i o n a l , a n d a n t i - a g i n g m e d i c i n e t o h e l p y o u a c h i e v e o p t i m a l h e a l t h .

Almeida, MD, ABOIM, ABNM, ABOM

Triple Board-Certified Physician

Founder | Medical Director

I n a s l i t t l e a s 3 m o n t h s w e c a n

h e l p y o u l o o k & f e e l 1 0 y e a r s

y o u n g e r , l o s e w e i g h t , p r e v e n t d i s e a s e , r e v e r s e c h r o n i c

c o n d i t i o n s , r e l i e v e p a i n ,

i n c r e a s e f u n c t i o n , a n d i m p r o v e q u a l i t y o f l i f e !

S E R V I C E S & P R O G R A M S

C o n c i e r g e A d u l t P r e v e n t a t i v e C a r e

I n t e g r a t i v e & F u n c t i o n a l M e d i c i n e

I n t e g r a t i v e C a n c e r C a r e

N u t r i t i o n & C u l i n a r y M e d i c i n e

A n t i - A g i n g M e d i c i n e

H o r m o n e B a l a n c e

W e i g h t L o s s

I V T h e r a p y

B i o - E n e r g y T h e r a p y

E x e r c i s e & F i t n e s s C o a c h i n g

Fabio

Cindy Almeida, CNC Master Holistic, Sports & Obesity Nutritional Counselor

owned and operated, Carefree Outdoor Living

a convenient resource for all your outdoor needs. The age of the outdoor room has arrived and Carefree Outdoor Living has firmly established itself as the go-to resource for innovative outdoor room

SUE KRZYSTON SOUTHWEST REALISM ARTIST

AMY LAY CONTEMPORARY WILDLIFE ARTIST

BRYCE PETTIT WILDLIFE BRONZE SCULPTOR

TREVOR SWANSON LANDSCAPE AND WILDLIFE ARTIST

MARI GIDDINGS & JOE AXTON MIXED MEDIA

JANE WORD LEATHER PILLOWS

THIRD THURSDAY,

MAY 16 FROM 4 TO 7 PM

Cherished Memories by Sue Krzyston, oil on canvas, 30” x 24”

What's Inside?

TABLE OF CONTENTS

MOLTEN MASTERPIECES

BLADE GLASSBLOWING

From the Publisher

Shelly Spence

Managing Editor

Joseph J. Airdo

Graphic Designer

Meaghan Mitchell

Contributing Writers

Joseph J. Airdo

Francine Coles

Shannon Severson

Photographers

Francine Coles

Loralei Lazurek

Cindi Calcinari

IInnovation has become the beating heart of our community, leading us to envision a brighter future with each new advancement. In this issue of Images Arizona, we dive headfirst into the ever-evolving landscape of science and technology, showcasing the pioneers, artists and innovators who continue to shape our understanding of the world around us.

This month’s featured artists, Stephen Gartner and Danielle Blade, have mastered the intricate art of glassblowing, showcasing their unique interpretation of natural elements found in bone, wood, vines, fossils and rock formations. Their collaboration, Gartner Blade, shines as a beacon of innovation and creativity and their work stands as a testament to the power of combining scientific precision with creative expression, producing stunning collections that continue to captivate and inspire.

This issue also includes peeks behind the scenes at Waymo, which continues to revolutionize what’s possible in the world of autonomous driving technology; D’Agostino Master Audio Systems, a Cave Creek company that has transformed high-end audio amplification with its award-winning, handcrafted amplifiers that exemplify the marriage of cutting-edge technology and artistry; and the Phoenix studio of multimedia artist Casey Farina, who blurs the boundaries between art and technology.

We hope these pages inspire you to embrace the boundless potential of science and technology, seek solace in the beauty of art and nature, and celebrate the remarkable individuals who work tirelessly to shape a brighter future for us all. Together, let us continue to create, innovate and make Arizona the shining example of progress and possibility.

Cheers!

Shelly Spence Publisher, Images Arizona magazine shelly@imagesaz.com 623-341-8221

Photography by Loralei Lazurek

Left: Cathy Hegman, Figure with Blue Bird, Acrylic on Canvas, 40” by 40”

Above: Martin Blundell. October Above Durango, Oil on Canvas, 48” by 48”

IIn the heart of the Berkshires, where nature’s grandeur serves as a constant muse, Stephen Gartner and Danielle Blade have forged a symbiotic creative partnership that transcends the boundaries of traditional glassblowing. Their studio, Gartner Blade, is a crucible where art and science converge, yielding exquisite glass sculptures that captivate the senses and ignite the imagination.

For Blade, a deep reverence for the natural world has been ingrained from an early age. Hailing from the Isle of Wight, she was born into a family steeped in the arts, with her father, Martin Evans, a renowned British glass artist.

“Growing up, the glass studio was a big part of my life,” she reminisces. “My father and brother are both glassblowers, so I spent a lot of time around glassblowing as a kid. I really wanted to be a part of it.”

Writer Joseph J. Airdo // Photography Courtesy of Gartner Blade

Glassblowing teaches you humility. It’s a demanding medium that constantly reminds you of the need to remain humble. Every time you think you’ve mastered a level of proficiency, there’s always another rung to climb.

Danielle Blade

The foundational techniques she has refined over the years were undoubtedly passed down from her father.

“I have always been proud of my father and his beautiful work,” Blade says. “That grounding in the basics of technique was incredibly valuable. To some extent, his design sense also helped me see things in a different way. His iterative approach to the creative process really stuck with me, and I wanted to incorporate that into my own work and become proficient at it.”

It was this early immersion that kindled Blade’s passion for the craft.

“Glassblowing took time to develop, but I enjoyed the process as a young child and found that I had a knack for it,” she explains. “Being an optimistic child, I took great pride in the challenge of becoming proficient in the art. It was something that developed over time, and I became very passionate about the results that can be achieved.”

Blade’s journey ultimately converged with that of Stephen Gartner, a talented musician from Phoenix. Their union birthed a creative synergy that has yielded a distinct and captivating aesthetic, one that seamlessly blends the practical with the sublime.

“When I first met Stephen, he was a torch worker, which is quite different from blown glass in terms of process, techniques and aesthetics,” shares Blade, noting that

Gartner worked as a production glass blower, as a glass instructor and as a glass studio gaffer — the top job in the world of glassblowing.

“By combining blown glass and torch work, we were able to create unique and beautiful pieces. The creative process is highly immersive. Stephen and I collaborate closely on new designs, and our differing approaches contribute to the richness of our work.”

Blade cites the example of a circle.

“We tend to approach it from opposite directions, which allows us to see the end result from diverse angles,” she explains. “When developing new designs or series, Stephen focuses on different aspects than I do.”

Their differing backgrounds and perspectives have proven to be a wellspring of innovation.

“Stephen’s engineering background gives him a more practical perspective, while my focus tends to be more on the visual aspects,” Blade says. “In our recent exploration of table lighting ideas, Stephen has been more concerned with structural elements, while my attention has been on the visual aspects.”

NATURE’S NEXUS

At the heart of Gartner Blade’s creations lies a deep reverence for the natural world, a wellspring of inspiration that permeates every aspect of their work.

“Our inspiration began with our shared fascination for found objects, which are often used for contemplation in both primitive and contemporary cultures,” Blade reveals. “Additionally, the desert Southwest has been a significant influence, especially with my love for travel and exploration of different environments.

“Natural rock formations and other aspects of the natural world inspire me and feature prominently in my work. I’m drawn to their beauty and desire to incorporate them into my home.”

This reverence for nature manifests in Gartner Blade’s collections, each a testament to the boundless creativity that arises from observing the world around us. The Strata series, for instance, draws inspiration from the intricate layers of geological formations, while the Coastal collection captures the serene hues of the ocean’s depths.

Explore the creative genius and scientific precision behind the breathtaking glass art of Stephen Gartner and Danielle Blade, the renowned duo of Gartner Blade.

Gartner Blade’s sales manager, Debbie Suchy, says that the duo’s collections are a testament to their passion for nature, with their Strata, Batik, Translucent Strata, Coastal and Agate series each drawing from different elements of the earth.

“Their dedication to incorporating Earth’s elements and natural beauty into their work is evident in each of their collections,” Suchy explains. “This approach creates a harmony akin to feng shui, where the elements of fire, water, earth and wind are all represented.”

The natural world not only serves as Blade’s muse but is an integral part of her daily existence.

“I am incredibly passionate about my surroundings,” she says. “I live in the Berkshires, a stunning location filled with beautiful gardens, woods, large mossy boulders and a captivating environment. It’s a place I deeply treasure.

“Every time I venture outside, I discover fascinating things. Nature often imitates art, or perhaps it’s the other way around. It’s a bit like the chicken-and-egg conundrum. The intricate details found in nature, even in seemingly simple things like an acorn or an anise, are truly remarkable. I find them utterly fascinating.”

These moments of connection with the natural world leave an indelible mark on her.

“When I walk and immerse myself in the outdoors, I am overwhelmed with gratitude,” Blade says. “I feel incredibly thankful to be in such a beautiful place.”

FROM SAND TO SCULPTURE

Beneath the breathtaking beauty of Gartner Blade’s creations lies a meticulous scientific process, a delicate

dance between the manipulation of raw materials and the harnessing of elemental forces.

“Glass is made from natural and abundant raw materials, such as quartz sand, soda ash and limestone,” Blade explains. “These materials are melted at high temperatures to form a new material: glass. Other natural elements and inorganic compounds are added to achieve the specific type of glass desired, typically to lower the melting point, increase viscosity, improve heat retention and improve clarity depending on the exact process to be used and the desired end result.”

The base glass used by Gartner Blade is the Kugler Clear Cullet, manufactured in Germany specifically for glassblowing and art glass processes.

“We melt the cullet at around 2,300 degrees and add color in the form of powdered glass and frit,” Blade elaborates, noting that the precise control over temperature and the introduction of specific compounds allows the artists to achieve the desired hues and textures that breathe life into their creations.

“At a high level, glass is simply melted silica sand which is chemically transformed. To make sand melt, you need to heat it to roughly 3,090 degrees, which is approximately the same temperature a space shuttle reaches as it reenters Earth’s atmosphere.

Yet, the true artistry lies in the duo’s ability to push the boundaries of traditional techniques.

“Stephen has successfully adapted many of the torch work techniques for use with hot glass, resulting in a unique sculpting process that is exclusive to our studio,” Blade reveals. “This has opened up a world of possibilities that are not commonly available to traditional offhand glassblowers.

“My training in Italian glassblowing techniques has also heavily influenced our approach. By blending sculpture and glassblowing, we push the boundaries of glass art, creating unique pieces that reflect our distinct aesthetic and vision.”

THE ART OF ALCHEMY

For Blade, the ultimate goal is to create works that invite exploration and contemplation, pieces that reveal new depths with every viewing angle.

“I aspire for viewers to be drawn into our pieces and encouraged to explore them further,” she muses. “Ideally, they’ll be curious to view the pieces from different angles, such as around the side, underneath, or over the top. I want people to discover new points of interest and find more than they anticipated, making the piece less predictable. It would be great if they notice connections between our current works and those we created in the past.”

This desire to evoke a sense of wonder and discovery is deeply rooted in Blade’s own connection to the natural world.

“Art can evoke a wide range of emotions, both positive and negative,” she reflects. “While some works may elicit unfavorable reactions, we humans crave stimulating experiences that stir our emotions. It can be as simple as noticing the shadows cast by a pigeon on the wall and being drawn to observe them more closely.”

Through their sculptures and home decor elements, Gartner Blade invites us to adorn our environments with pieces that reflect our identities, creating a sense of home and grounding us in our surroundings.

“Throughout history, humans have adorned their bodies with meaningful objects, often as jewelry,” Blade says. “In a similar vein, I believe sculptural art can be used to adorn one’s environment in a deeply personal way. I personally find great joy in observing the various sculptures in my home and feel a strong connection to them.

“Ultimately, I believe art is a means of self-expression, allowing us to surround ourselves with objects that reflect our identities. It creates a sense of home, a space where we feel grounded and connected to our environment.”

Suchy adds that over the past 27 years that Gartner and Blade have been partners, their customer demographic has evolved to include not only art and glass collectors but also those seeking to create a special environment in their homes.

“Their distinctive glass designs, particularly the central banded style, set them apart from other glassmakers in the American-made glass movement,” Suchy says. “While their glass pieces are functional, they also serve as unique and special additions to home decor. Their exquisite lamps, chandeliers and pendants offer a distinct appeal, with each piece showcasing Danielle and Stephen’s commitment to craftsmanship and artistic vision.”

GLEAMING GLASSWORKS

While their creations may appear effortless, the path to mastery is one paved with constant challenges and neverending growth. For Blade, it is this very journey that has instilled in her a deep sense of humility and patience.

“Glassblowing is a demanding medium that constantly reminds you of the need to remain humble,” she explains. “Every time you think you’ve mastered a level of proficiency, there’s always another rung to climb. It’s a never-ending journey of learning and growth. The studio environment also requires a methodical approach. You have to wait until the next day to see the finished piece, and it may surprise you, either positively or negatively.

“This process reinforces the idea that one can never be arrogant, as the art constantly keeps you grounded. It’s crucial to be aware that you will likely never stop learning — and that’s something I hope never changes for me.”

As Gartner Blade’s exquisite creations adorn the spaces of Grace Renee Gallery in Carefree, they serve as a testament to the boundless potential that arises when art and science converge. From sculptural pieces that command attention in the center of a room to functional objects like lamps and bowls that bring an artistic flair to everyday living, each molten masterpiece is a fusion of raw materials and raw creativity, inviting us to explore the depths of our own emotions and connections to the natural world.

A premier destination for appreciators of fine art, Grace Renee Gallery’s curated collection of Gartner Blade’s work offers visitors a chance to experience the depth and breadth of the duo’s creative vision. From the mesmerizing patterns of the Strata and Agate series to the organic shapes of the Primitive collection, each piece beckons to be explored from multiple angles, revealing new layers of beauty with every turn.

For those seeking to adorn their environments with objects that transcend mere decoration, Gartner Blade offers a portal to a realm where beauty and wonder are forged in the fires of passion and precision.

Grace Renee Gallery

7212 E. Ho Hum Rd. #7 Carefree, AZ

gracereneegallery.com

SARAH GRAHAM JEWELRY

With a constant stream of new designs flowing from her studio every year, Sarah Graham’s statement-making jewelry is exciting and elegant. By incorporating innovative materials with her exceptional design sense, she creates jewelry that is unlike anything else; organic, textural, with a muted palate that is subtly feminine, yet substantial; unique, yet universal in its appeal. 7212 E. Ho Hum

# 7 | Carefree, AZ

Hours Tue.–Sat. 10 a.m.–5 p.m. and by appointment Sun. and Mon. 480.575.8080

COMMUNITY

May 2024

Writer Joseph J. Airdo

May 16

CAREFREE ART NIGHT

Embark on an artistic adventure at the enchanting Carefree Art Night. Stroll through the charming town nestled in the shadows of Black Mountain, immersing yourself in live music, delectable refreshments and breathtaking artwork.

Participating galleries open their doors, welcoming visitors to discover their next masterpiece. Experience the rich cultural tapestry that defines Carefree as you connect with local artists and explore the beauty of their creations. Free. 4–7 p.m. See website for participating galleries. carefree.org/third-thursday-art-night

Through May 14

PURGE YOUR PANTRY

Foothills Food Bank and Resource Center invites the community to donate pantry items while spring cleaning or before leaving Arizona for the summer. The goal is to collect 44,000 pounds of unopened food, cleaning supplies and personal hygiene items to keep shelves stocked this summer. See website for drop-off times or to schedule pickup for large donations. Foothills Food Bank and Resource Center, 6038 E. Hidden Valley Drive, Cave Creek. 480-488-1145; foothillsfoodbank.com

Through June 16

‘WHAT THE CONSTITUTION MEANS TO ME’

The Phoenix Theatre Company will present its production of “What the Constitution Means to Me,” a soul-stirring play of civic engagement that hilariously examines America’s fundamental document. See website for price and times. The Phoenix Theatre Company, 1825 N. Central Ave., Phoenix. 602-254-2151; phoenixtheatre.com

May 1–4

‘THE SCHOOL FOR LIES’

Immerse yourself in a comedic tale of love and deception as Southwest Shakespeare presents “The School for Lies.” This witty adaptation of Molière’s classic play by David Ives combines 17th-century charm with modern humor. $45+; student, educator and senior discounts available. See website for times. Taliesin West’s Music Pavilion, 12621 N. Frank Lloyd Wright Blvd., Scottsdale. 480-837-6777; southwestshakespeare.org

May 2–5

‘ALL BALANCHINE’

Witness the remarkable artistry of Ballet Arizona as it performs three ballets choreographed by the renowned George Balanchine, the “Father of American Ballet.” The production features “La Valse,” “Divertimento No. 15” and “Symphony in Three Movements,” accompanied by live music from The Phoenix Symphony. See website for times and prices. Symphony Hall, 75 N. Second St., Phoenix. balletaz.org

May 4

CAROLYN EYNON SINGERS AUDITIONS

Carolyn Eynon Singers, an auditioned community choir, is seeking talented sopranos, altos, tenors and basses to join its ensemble. 5–6 p.m. North Scottsdale United Methodist Church, 11735 N. Scottsdale Road, Scottsdale. cesingers.org

May 4

KENTUCKY DERBY PARTY

Holland Community Center will host a Kentucky Derby party during which attendees can enjoy the annual event

on the big screen. Dress in your Derby best and enjoy an afternoon of racing excitement, delicious food and drinks and fun activities that will transport you to Churchill Downs, if only for a few hours. $50. 2–5 p.m. Holland Community Center, 34250 N. 60th St., Scottsdale. 480-488-1090; hollandcenter.org

May 4 and June 8

COSANTI TILE-MAKING

Cosanti Originals will offer hands-on experiences, guiding guests through the tile-making and design process used by its artisans. Each session begins with a Cosanti tour, followed by hands-on activities: forming clay slabs, sizing, measuring and cutting tile pieces. Instructors will then demonstrate imprinting techniques. The day concludes with a photo session. Participants’ tiles will be fired, lightly glazed and shipped. $125. 10 a.m.–1 p.m. Cosanti Originals, 6433 E. Doubletree Ranch Road, Paradise Valley. 480-948-6145; cosanti.com

May 6

EVENING OF EXCELLENCE

The Kiwanis Club of Carefree will hold its 38th annual scholarship ceremony, honoring high school seniors for their achievements and presenting scholarship assistance for their continuing education. Keynote speaker Ryan Harris, a former NFL player and author of “Mindset for Mastery,” will share insights about reaching one’s full potential. The ceremony will also highlight the Kiwanis Club’s various initiatives, including the Kiwanis Marketplace Thrift Store, which supports scholarships and community projects. Free. 6 p.m. Cactus Shadows Fine Arts Center, 33606 N. 60th St., Scottsdale. kiwaniscarefree.org

May 9

LIBRARY BOOK CLUB

Desert Foothills Library will host a discussion of “Lessons in Chemistry” by Bonnie Garmus. Free. 10 a.m. RSVP. Desert Foothills Library, 38443 N. School House Road, Cave Creek. 480-488-2286; dfla.org

May 10 and 11

CHAPTER 2 BOOKS MONTHLY SALE

Discover a wide selection of gently used books, DVDs, music CDs, audiobooks and puzzles at the largest used bookstore in the North Valley, Chapter 2 Books. The monthly sale provides an opportunity to purchase items at even lower prices than the everyday bargain prices. Friday 9 a.m.–5 p.m. Saturday 10 a.m.–4 p.m. Chapter 2 Books at Desert Foothills Library, 38443 N. School House Road, Cave Creek. 480-488-2286; dfla.org

COMMUNITY

May 2024

Writer Joseph J. Airdo

May 16–June 25

‘JOURNEYS IN SPIRIT 2024’

The ‘Tis Art Center and Gallery, in partnership with the Museum of Indigenous People, will present an art exhibition celebrating the rich cultural heritage of indigenous communities. Featured mediums will include paintings, basketry, jewelry, photography, beadwork, ceramics and more. Free. See website for hours. ‘Tis Art Center & Gallery, 105 S. Cortez St., Prescott. 928-775-0223; tisartgallery.com

May 11

‘SONGS OF STAGE AND SCREEN’

Join the Carolyn Eynon Singers for an enchanting afternoon of “Songs of Stage and Screen,” featuring a delightful mix of music from Bernstein, Gershwin, Sondheim and Billy Joel, along with hit selections from “Fiddler on the Roof.” Enjoy this melodious celebration of classic stage and screen tunes, as well as the opportunity to explore the Arizona Jewish Historical Society’s fascinating exhibits. $30+; youth and student discounts available. 3 p.m. Arizona Jewish Historical Society, 122 E. Culver St., Phoenix. 602-241-7870; azjhs.org

May 11 and 12

CELEBRATE THE MUSIC OF ALICE COOPER

The Musical Instrument Museum will host an event that invites attendees to commemorate the musical legacy of Alice Cooper. $20; youth discounts available. 9 a.m.–5 p.m. Musical Instrument Museum, 4725 E. Mayo Blvd., Phoenix. 480-478-6000; mim.org

May 14

GET LIT BOOK CLUB

Desert Foothills Library will host a happy hour discussion of “Absolution” by Alice McDermott. Free. 5 p.m. RSVP. See website for location. 480-488-2286; dfla.org

May 15–June 1

‘THE FOUR SEASONS’

Experience the marriage of nature and art as Ballet Arizona presents ‘The Four Seasons’ at Desert Botanical Garden. Set to Vivaldi’s iconic score, this enchanting performance takes audiences on a journey through spring, summer, fall and winter against the backdrop of the stunning desert landscape and setting sun. See website for prices. Tuesdays–Saturdays 8 p.m. Desert Botanical Garden, 1201 N. Galvin Parkway, Phoenix. 602-3811096; balletaz.org

May 21

MURDER MYSTERY BOOK CLUB

Desert Foothills Library will host a discussion of “Hollow Beasts” by Alisa Lynn Valdes. Free. 4 p.m. RSVP. Desert Foothills Library, 38443 N. School House Road, Cave Creek. 480-488-2286; dfla.org

May 22–July 7

‘FIDDLER ON THE ROOF’

Enjoy the beloved classic, “Fiddler on the Roof,” presented by The Phoenix Theatre Company. This heartwarming tale follows Tevye, a Jewish milkman, as he navigates tradition and change in early 20th-century Russia. See website for price and times. The Phoenix Theatre Company, 1825 N. Central Ave., Phoenix. 602-254-2151; phoenixtheatre.com

May 27

MEMORIAL DAY CEREMONY

Join the Carefree community as it gathers for the annual Memorial Day ceremony. The event will include the presentation of colors, invocation prayer and keynote addresses to honor and remember the servicemen and women who died while serving our nation and those who remain missing in action. Free. 8 a.m. Cave Creek Memorial Cemetery, 36400 N. Pima Road, Carefree. carefree.org

June 3–7

DESERT HILLS BAND CAMP

Desert Hills Community School of Music is hosting a weeklong band camp for young musicians ages 11–16, providing an opportunity to develop musical skills through small and large ensemble playing, daily concerts by professional musicians and electives. $375+; scholarships available. 8:30 a.m.–12:30 p.m. Desert Hills Community School of Music, 34605 N. Tom Darlington Road, Scottsdale. deserthillsmusic.org/band-camp

FOOTHILLS CARING CORPS EMPOWERS AGING NEIGHBORS

Foothills Caring Corps, a prominent 501(c)(3) organization serving Carefree, Cave Creek and surrounding areas, commemorates 23 years of dedicated service to helping aging residents age in place with dignity, safety and independence. With a variety of essential services provided by its volunteer force, the organization has become an invaluable asset for community members wishing to remain in their homes. 480-488-1105; foothillscaringcorps.com

KIWANIS CLUB SEEKS PROJECT FUNDING PROPOSALS

The Kiwanis Club of Carefree is inviting organizations, businesses and individuals to submit funding requests for projects totaling $50,000 or more that serve children in the Cave Creek and Carefree communities. The deadline for submissions is June 1, 2024. kiwaniscarefree.org

VETERANS HERITAGE PROJECT EARNS SEAL OF CIVICS LITERACY

Veterans Heritage Project, a local nonprofit organization, has been awarded the Seal of Civics Literacy designation by the Arizona Department of Education. This distinction recognizes high school students who demonstrate outstanding proficiency in civics education. VHP’s character and civic education program, which encourages students to learn about history, citizenship, service and leadership by interviewing veterans and documenting their stories, is the first in Arizona to meet all four categories required for this accolade. The seal will be added to students' diplomas and transcripts, highlighting their civic knowledge and engagement. veteransheritage.org

AAccording to a recent National Health and Nutrition Examination Survey, nearly 50% of adults in the U.S. attempt to lose weight each year. Motivated by factors such as improving overall health, preventing diseases, improving physical fitness and self-esteem and simply doing so for the benefit of family members, losing weight is one of the greatest challenges our country faces today.

Many experts define “successful weight loss” as a 10% reduction in body weight, maintained for at least a year — which, according to the Centers for Disease Control and Prevention, can improve your blood pressure, cholesterol and blood sugar levels. By this measure, according to a study published by The American Journal of Clinical Nutrition, only about 20% of people who try to lose weight are successful at doing so.

And keeping it off beyond that first year is even more difficult. According to a research review in Medical Clinics of North America, people tend to regain more than 50% of the weight they initially lost within two years. That figure increases to 80% within five years.

Needless to say, diet and exercise — although important and beneficial — may not be effective enough to achieve weight loss for many. Fortunately, The Center for Integrative Healing & Wellness offers a medical weight loss program that specializes in helping clients who have been unsuccessful with previous weight loss methods, or who have tried over and over to lose weight yet keep regaining all the pounds they have lost.

PERSONALIZED AND DOCTOR-SUPERVISED WEIGHT LOSS

Rather than relying on fad diets, calorie counting and endless exercise, The Center for Integrative Healing & Wellness’ medical weight loss program integrates FDA-approved medications with a natural and holistic approach to address the

Writer Joseph Airdo // Photography Courtesy of The Center for Integrative Healing & Wellness

Dr.

Almeida M.D. ABIOM, ABNM, ABOM Medical Director Center for Integrative Healing & Wellness

biological and physical issues that have led each client to this point. The Center provides this medication in an easy to use once a week injection pen that allows precise individualized dosing – no other weight loss program does this!

In addition to losing weight and keeping it off, The Center for Integrative Healing & Wellness’ medical weight loss program also provides clients with the tools they need to reduce the risk of coronary artery disease, stroke and type 2 diabetes as well as feel more energized and healthier. Clients also have the option to receive multivitamins and metabolism-boosting injections that assist in reducing stored fat and building lean muscle.

Client Benefits

l Monthly GLP-1a (Semaglutide – the active ingredient in Ozempic and Wygovy) Prescription and Management

l Initial Metabolic Lab Testing and Analysis

l Inbody Body Composition Analysis

l Quarterly Metabolism, Thyroid and Hormone Testing

l Customized Weight-Loss Plan / Nutritional Consultation

l Telemedicine Support and Messaging with Expert Medical Team (office visits optional)

l Discount access to:

l Bio-Energy and Hyperthermia Therapy

l NAD+ Therapy

THE MOST COMPREHENSIVE & EFFECTIVE WEIGHT LOSS PROGRAM AVAILABLE

The Center for Integrative Healing & Wellness’ medical weight loss program is designed to help clients be the healthiest they have ever been, in the best body that they have ever had. Regardless of the amount of weight one wants to lose, the spa-like clinic’s Integrative Nutrition Team monitors and guides each patient throughout the process of reaching their goal.

The clinic’s clients typically lose 15–20% or more of their body weight — an average of 53 pounds — in 6–12 months. Best of all, the program ensures that clients keep the weight they lost off for life. That is because, unlike other programs, The Center for Integrative Healing & Wellness’ medical weight loss program looks not only at scale weight but also takes into consideration body fat, muscle mass and water weight, which all affect one’s ultimate goal.

The Center for Integrative Healing & Wellness’ expert staff even works with clients after the completion of the program to help them maintain the mindset of keeping their bodies healthy and energized. Whether you need to lose just 10 to 20 pounds or more than 50 pounds to optimize your weight, contact The Center for Integrative Healing & Wellness to get a personalized assessment, start losing weight and take the first step to change your life today!

Fabio

Riparian Reflections

TThroughout the year, volunteers armed with cameras and a passion for conservation in Arizona embark on a treasure hunt like no other. Their mission: to capture the ever-changing landscapes of the Tonto National Forest’s riparian areas and contribute to the preservation of these precious water-dependent ecosystems.

The Riparian Photopoint Program, now managed by Friends of the Tonto National Forest, traces its roots back more than 35 years.

“It all began when the U.S. Forest Service hired its first riparian specialist,” explains Patti Fenner, executive director of Friends of the Tonto National Forest. “Recognizing the value in repeat photography, this specialist initiated a small-scale program involving U.S. Forest Service personnel who would take pictures and fill out forms with a map indicating the locations of each site.”

As GPS technology was not as widely available as it is today, personnel relied on marking trees with paint or using flags to identify locations — methods that were not very permanent. Soon, a woman who initially volunteered for the U.S. Forest Service became the driving force behind the Riparian Photopoint Program.

“Her dedication led to her being hired, with her primary focus being the program’s management and recruiting additional volunteers,” Fenner recounts. “Under her leadership, the program expanded with the participation of six to eight volunteers who returned annually to revisit sites and establish new ones.”

Writer Joseph J. Airdo // Photography Courtesy of Friends of the Tonto National Forest

Camp Creek Site No. 1

//

Photo by Joe Chavez

Riparian areas are fundamentally about water, which is undeniably one of the most critical resources in Arizona. Encouraging people to actively engage in the national forest’s activities fosters an understanding of the importance of these areas and what can be done to preserve them.

Patti Fenner

Over the years, the program has grown, with 30–40 volunteers playing an increasingly crucial role in documenting and monitoring the health of riparian areas.

“The specialists on the forest increasingly relied on these photographs, especially when conducting environmental analyses without the opportunity to visit remote sites,” Fenner notes. “The images provided valuable insights and helped inform decisions.”

When a range watershed staff member decided to discontinue the Riparian Photopoint Program a year before Fenner’s retirement, she was motivated to establish Friends of the Tonto National Forest as a nonprofit organization with the sole purpose of supporting the U.S. Forest Service at Tonto National Forest in carrying out projects that it might otherwise be unable to due to limited funding or staffing.

Thanks to dedicated conservation efforts, the oleander was successfully removed, as seen in a 2021 photo. The site has shown no signs of the plant's return, demonstrating the positive impact of ecological restoration initiatives on protecting native habitats and preserving the natural balance of local ecosystems.

“These projects range from desirable initiatives to essential tasks,” Fenner explains. “The Riparian Photopoint Program was our first undertaking because it was an essential initiative that staff wanted to preserve, despite the decision to discontinue it. Recognizing the importance of the program, we stepped in to keep it alive and made the photos publicly accessible on our website.”

PICTURE-PERFECT PRESERVATION

Each year, Friends of the Tonto National Forest consults with U.S. Forest Service staff to identify their priorities, as there are over 1,100 sites in Tonto National Forest — more than they could ever cover in a single year.

“By understanding their focus areas, such as monitoring the aftermath of a large fire or conducting studies in specific regions, we can prioritize those sites before visiting others,” Fenner explains.

Today, the Riparian Photopoint Program welcomes volunteers from all walks of life to participate in the unique citizen science project.

“Our participants come from diverse backgrounds and age groups,” Fenner shares. “We have retirees, young individuals and even families who join the program.”

One heartwarming example is a father-daughter duo that started when the daughter was in high school.

“Over the years, the daughter took on more responsibility, eventually leading their expeditions and submitting the photographs,” Fenner recounts. “Now, she is away at college.”

The program also boasts dedicated senior volunteers in their 80s, passionate hikers who eagerly overcome challenging terrain and share their excitement throughout the process.

“Our participants come from various professions, such as an REI employee and engineers,” Fenner adds. “Some of our volunteers are studying at semiconductor schools while devoting their free time to the program.”

To join, volunteers need only a camera or a smartphone capable of taking pictures and a willingness to explore the Tonto National Forest’s hidden gems.

“We offer a free downloadable app that provides the coordinates for all the sites and helps users identify their current location,” Fenner explains. “No formal education or experience is required to join the program. We provide all of the training needed in a 90-minute Zoom session.”

The popularity of the Riparian Photopoint Program can be attributed to the treasure hunt-like experience it offers.

At Arnett Creek site No. 16, a 2016 photo captured a volunteer standing beside an oleander plant, a popular landscaping choice in the Phoenix area. However, this nonnative plant species poses a threat to local ecosystems by displacing native flora and contributing toxicity through its leaves.

Arnett Creek

Arnett Creek Site No. 16 // Downstream // April 17, 2021

“We provide participants with coordinates and a packet containing photos taken during the last visit to each site, encouraging them to match the old images with the new ones they capture,” Fenner describes. “Many volunteers appreciate the opportunity to discover hidden gems within the forest and explore beautiful riparian areas that they might have otherwise overlooked. This engaging and enjoyable activity holds great value for the forest as well.”

Beyond the photographs, the Riparian Photopoint Program encourages volunteers to share their experiences and observations through storytelling.

“Incorporating the narrative aspect has been a valuable addition to our program,” Fenner emphasizes. “During training, I like to share the secrets of certain photo points, emphasizing the importance of storytelling in capturing the essence of each location.”

Volunteers are encouraged to take detailed notes, creating a more engaging and friendly experience for future participants. These stories, ranging from encounters with rare wildlife to observations of unauthorized activities, add depth to the program and foster a sense of community among volunteers.

“We have found that this approach adds depth to our initiative and makes it more appealing to those who join,” Fenner shares. “This is why we have started asking for more notes from our volunteers rather than solely relying on the photos themselves.”

FRAMING THE FUTURE

The Riparian Photopoint Program’s significance extends beyond the Tonto National Forest, as it plays a crucial role in protecting one of Arizona’s most precious resources: water.

“Riparian areas are fundamentally about water, which is undeniably one of the most critical resources in Arizona,” Fenner stresses. “Encouraging people to actively

These photos depict an area of Camp Creek site No. 5 that was designated as a cattle grazing exclusion zone in April 1996. Just a few months later, in September, the area showed signs of rejuvenation with the establishment of 3-foot-tall cottonwood and willow seedlings.

By 1998, these seedlings had grown into a dense and thriving riparian habitat. However, a severe drought struck central Arizona in 2002, leading to the demise of the riparian trees that had once flourished in Camp Creek.

In 2003, invasive annual grasses emerged during an unusually wet winter. These grasses perished the following summer, leaving behind a dense layer of fine, flammable fuels. Combined with the dead trees, the stage was set for a massive and intense forest fire. Consequently, the Cave Creek Complex Fire ravaged over 400,000 acres during the summer of 2005, forever altering the landscape of this once-thriving ecosystem.

engage in the forest’s activities fosters an understanding of the importance of these areas and what can be done to preserve them.”

By documenting changes in riparian areas over time, the program helps inform land management decisions and raises public awareness about the need for conservation.

“Our primary point of contact in the forest is the forest hydrologist,” Fenner explains. “She collects the previous and current photos for each site and conducts a brief analysis annually to identify potential issues such as overgrazing, which can be apparent in the photographs.”

The photographs can also help detect the presence of invasive plants like fountain grass, which commonly encroaches on riparian areas.

“Through this analysis, the forest hydrologist aims to determine the factors that land managers can influence to maintain the health of the riparian ecosystem,” Fenner adds.

As the Riparian Photopoint Program continues to thrive under the guidance of Friends of the Tonto National Forest, it serves as a powerful reminder of the importance of citizen science in protecting Arizona’s precious natural resources. By engaging volunteers in the documentation and monitoring of riparian areas, the program not only collects valuable data but also cultivates a deep appreciation for these vital ecosystems.

“Some of our longtime volunteers have adopted specific sites and make annual visits, allowing them to develop a deeper understanding of the changes occurring in these locations,” Fenner shares. “By nurturing this connection, volunteers are more likely to notice important details and advocate for necessary improvements.”

Through the lens of a camera and the power of storytelling, the Riparian Photopoint Program invites Arizonans to become active participants in the conservation of their state’s natural wonders, ensuring that these riparian treasures will endure for generations to come.

“By engaging people in this way, we hope to cultivate a sense of involvement and ownership in the forest’s conservation,” Fenner concludes. “Encouraging visitors to actively observe, reflect on and report their findings ensures they feel invested in the forest’s future.”

friendsofthetonto.org/projects/riparian-photopoint-program

Camp Creek Site No. 5 // Upstream // June 16, 1998

Camp Creek Site No. 5 // Upstream // Aug. 9, 2005

THIRD THURSDAY MAY 16 FROM 4-7PM

CANYONS

Did you know that the Grand Canyon creates its own weather?

Due to its immense size and depth, temperature and air pressure differences between the top and bottom of the canyon can create unique weather patterns, including sudden changes in wind direction and speed and even isolated thunderstorms.

WWhile discussing ideas for this month’s photo essay, Flagstaff-based landscape and wildlife photographer Eric Flatt posed a thoughtprovoking question: “Have you heard about the quintessential elements that define Arizona, famously known as the five Cs?”

For those who need a refresher, Arizona’s original five Cs were engraved on its state seal when it achieved statehood, representing cattle, citrus, climate, copper and cotton.

“These pillars served as the foundation for the state’s early economy, with a strong emphasis on agriculture, ranching and mining,” Flatt explains. “Even today, they continue to significantly influence Arizona’s economic landscape and cultural identity.”

However, Flatt believes there’s more to Arizona’s identity than these five elements alone. He proposes an expansion of this iconic list to include two more quintessentially Arizonan features.

“Allow me to advocate for expanding this list to include canyons and cacti,” he asserts.

“After all, Arizona boasts the awe-inspiring Grand Canyon and many cactus varieties that adorn the state’s landscape. These two additions enrich the list and encapsulate the distinctive essence of Arizona’s geography and natural allure.”

In this month’s photo essay, Flatt takes us on a visual journey through Arizona’s seven Cs, offering a captivating exploration of the state’s diverse landscapes and rich cultural heritage. Each image, masterfully captured, invites us to reflect on the enduring influence of these seven elements and their profound impact on Arizona’s identity.

Join us as we dive into the heart of Arizona’s past, present and future through the lens of Flatt’s evocative photography, which brings the state’s seven Cs to life with striking beauty and depth. Through his keen eye and artistic vision, Flatt reminds us of the importance of preserving Arizona’s unique cultural and natural treasures for generations to come.

Writer Joseph J. Airdo // Photography by Eric Flatt

“CACTI

The iconic saguaro cactus, which can grow to an impressive height of over 40 feet, has a unique and extensive root system. Despite the cactus’s towering height, most of its roots are only 4–6 inches deep, and they can extend as far from the plant as it is tall, helping the saguaro gather and store water in Arizona’s arid desert environment.

“CITRUS

The citrus realm encompasses a variety of fruits, such as oranges, lemons, grapefruits and more. There is nothing quite like the aroma of orange blossoms in the spring or the exquisite taste of freshly picked oranges.

Eric Flatt

CLIMATE

Arizona has three distinct regions: plateau, mountain and desert. Each boasts unique geographical features, wildlife, natural resources and climatic conditions. Within a two-hour drive, you can go from the arid expanses of the Sonoran Desert to the lofty peaks of mountain ranges.

Eric Flatt

COPPER

Since 1910, Arizona has been the nation’s leading producer of copper. A whopping 68% of all the copper produced in the U.S. comes from our state.

Eric Flatt

COTTON

Cotton cultivation has a rich history spanning more than a millennium, tracing back to the Hohokam and Akimel O’odham in central Arizona and the Hopi and other Puebloan communities in northern Arizona. Currently, Maricopa and Pinal counties are prime cottongrowing regions, offering the ideal long and warm growing seasons.

Eric Flatt

About the Photographer

CATTLE

Arizona’s cattle date back to 1690 when Spanish settlers introduced the first cows. The state’s vast rangelands, managed by the federal government, span about 11.5 million acres and provide essential grazing grounds for livestock.

Eric Flatt

Eric Flatt, affectionately known as “E” among friends, is a Flagstaff-based photographer with a deep passion for capturing the raw beauty of nature through his lens. Specializing in landscape and wildlife photography, Flatt has a keen eye for detail and an unwavering commitment to authenticity.

“I immerse myself in nature’s tonic by capturing images of textured landscapes below moody skies and stealthily pursuing wildlife in their remote habitats,” Flatt says, highlighting his dedication to exploring the diverse elements of the natural world.

In an era dominated by AI-generated images and heavy editing, Flatt takes pride in keeping his work as true to life as possible.

“What you see in my images is what you see in nature,” he explains.

This commitment to realism allows viewers to fully appreciate the beauty of the landscapes and wildlife he captures.

Flatt’s journey to obtain the perfect shot often involves navigating challenging terrain, whether it’s “four-wheeling on gnarly dirt roads, hiking into remote wilderness areas or finding solace awaiting perfect light.” He believes these experiences add depth and character to his work, allowing him to share the beauty of the natural world with others.

To those admiring his photographs, Flatt encourages them to fully immerse themselves in the images and embrace the sense of wonder they evoke.

“Get lost in the images, let your eyes dance and your mind wanderlust,” he says. “Enjoy the journey!”

AAudio amplification has come a long way since its first iteration in 1906, when Lee de Forest created a triode vacuum tube that would play a crucial role in the invention of the very first AM radio. Amplifiers are used to increase the power of a signal, and the best amplifiers massively boost that power while minimizing the heat and feedback that naturally arise from the process.

The peak of audio amplification in the 21st century is happening right here in Arizona — in Cave Creek, to be exact.

Dan D’Agostino, who has been an innovator in the space since the late 1970s, oversees every aspect of the design and manufacture of extremely high-quality, high-powered amplifiers at Dan D’Agostino Master Audio Systems, the award-winning company he founded in 2011.

Always innovating, a new all-in-one amplifier, Pendulum, has just been introduced at entrylevel pricing, widening the path for audiophiles to join the D’Agostino brand’s ecosystem.

Dan’s wife, Petra, who has a background in luxury media and marketing, is integral to every nonengineering element of the business. The couple made Arizona their home in 2013.

“We’re a good team,” Petra says with a smile. “He thinks of what to make, and I work on the looks. We made an agreement that we don’t get involved in each other’s [areas of expertise].”

It’s a family endeavor with Petra’s son, Alex Wilde, a project management expert, serving as the company’s vice president.

Writer Shannon Severson // Photography by Loralei Lazurek

From their Cave Creek headquarters, Dan and Petra D’Agostino have brought Arizona to the forefront of high-end audio.

JAZZ AND GENES

Dan grew up in Niagara Falls, New York. His father, a confirmed audiophile and talented machinist, had a huge influence on him.

“I’ve always loved music,” Dan says. “I love Jazz — John Coltrane, Art Farmer, Freddie Hubbard, Johnny Hartman, Frank Sinatra and Bill Evans [are some favorites].”

He recalls a build-your-own speakers kit he watched his father construct, all housed in a Baltic Birch cabinet made by a family friend.

“He built that and bought a receiver at a company called Lafayette Radio in Syosset, New York,” Dan recalls. “It had two integrated amps and a turntable, and we played it all the time. It became really fun for me because I’d never heard music on a big system. My friends would bring over 45s, and we would listen to Elvis Presley.”

Via a “circuitous route through the Navy,” Dan graduated from the University of California, Berkeley, with a degree in electrical engineering and immediately entered the workforce in that industry, doing consulting work and repairing audio components. His deep knowledge, heart for innovation and love for music inspired him to design an industry-changing advancement in 1979: the Krell KSA-100 amplifier, for which he is well-known.

“I had studied the industry and noticed there was a big hole for this kind of product,” Dan explains. “The biggest amplifier at the time was a Class A 25-watt, and that was the only type available. I built a 100-watt for a reasonable price and displayed it at the Consumer Electronics Show in 1980. I came home with 45 orders, but I’d never manufactured the product. I started with those orders and went from there.”

Everything we do reflects that energy and that path. We may spread the product line out, we may distribute more horizontally, but our overall goal is to make beautiful, greatsounding products that people like to hear. Dan D’Agostino

Dan D'Agostino is the brilliant engineer and designer behind some of the world’s finest amplifiers.

STYLE AND SUBSTANCE

Dan learned a lot from that startup and launched D’Agostino Master Audio Systems out of his Connecticut home in 2010. Petra brought her experience into the mix, as did Wilde, and Dan’s designs changed the game with the unmistakable appearance for which the company’s amplifiers are known. The three did everything from parts sourcing and procurement to working with their network of dealers and distributors around the world.

D’Agostino amplifiers are simply gorgeous. They’re sleek and sexy with a mix of futurism and nostalgia. Their copper heat sinks, silver or black aluminum chassis, and gorgeous copper and glass meters — some with exposed movement like the inner mechanism of a fine wristwatch — make for a product that owners don’t want to hide in a cupboard.

“We have a very famous client who was designing his home movie theater in California,” Dan reveals. “He loved the look of our amplifiers and bought 28 of them. He had a cabinet made with glass doors so they could be displayed.”

But how do they sound? In a word: divine. The absolutely pure nature of these amplifiers’ output is such that one could close one’s eyes and believe the singer and instrumentalists were right there in the room. It’s a goosebumps-allover experience that envelops the listener.

D’Agostino engages multiple senses for a remarkable listening experience — sound, sight and even touch. Just spinning the primary dial on the front of the unit is satisfyingly smooth. All the external beauty conceals an incredibly intricate and powerful internal system.

Dan D'Agostino Master Audio Systems is a family endeavor with Petra’s son, Alex Wilde

(on left), a project management expert, serving as the company’s vice president.

“We wanted something different,” Dan says. “[Petra] was very instrumental in how the product looks; she always thought that most audio equipment was not very attractive, and that’s true. So, when we founded this company, we wanted to make something that people liked the look of but also had all the attributes of some of the other products I had designed. I’ve always been a car fan, and the meter gauge is kind of romantic from the ‘50s era, but the way it [presents] is kind of like an early Bugatti. All the gauges [extend from] the dashboard like that.”

The car comparisons continue as the amplifiers, consisting entirely of domestically sourced components, are often characterized as the “Ferrari” of audio equipment.

Petra says that, with copper being their signature color, it fits well with Arizona’s copper mines of their new home state.

“My parents lived in Arizona, and we thought we might just live here for a year or two,” she recalls. “We fell in love with Cave Creek. We brought a few employees with us and then kept hiring people here.”

The company also fosters close relationships with dealers, inviting them from all over the world to enjoy the charms of Cave Creek, hosting them for a meal of Dan’s famous homemade pizza and living room listening sessions in their home, outdoor recreation adventures in the desert and training on the product.

“It’s easier to sell something when you really know about it,” Petra explains. “You can see it’s handmade, the time that goes into it, and the

quality of the product. [The dealers] have a class at the factory where they learn to solder, they can pick up a heat sink, and we explain how the pieces go into a volume controller. When a customer comes in, they can say [from experience] why our product is better than the others because they really understand.”

Here in Arizona, interested buyers visit LMC Home Entertainment Ltd. in Scottsdale or Tempe where Mike Ware, the company’s “Dealer of the Year,” helps customers design the system they need from top to bottom.

BRAND PERFECTION

D’Agostino Master Audio Systems now occupies its third factory location in the Carefree and Cave Creek area and will be expanding soon. The relatively small footprint of their facility is a hive of activity.

Clearly delineated workstations for engineering and design, assembly, circuit board building, material supplies, testing and listening are staffed with talented workers who are dedicated to perfection.

“Everything has to be perfect,” Petra points out. “If something has a small scratch, we can’t use it. It’s a huge effort.”

“Huge” describes both the endeavor to build these high-end pieces here in the U.S. and the size of the largest amplifier in their product line, christened “Relentless,” which weighs 585 pounds and took two years to develop from concept to finished product; each unit takes one person two to four weeks to build. Their smaller “Momentum” product takes an entire week to construct —

each tiny circuit soldered by hand, each element carefully installed and tested time and again. Momentum was their very first amplifier, and it still sells at a brisk pace today.

As one might well imagine, D’Agostino Master Audio has an extremely loyal following and, aside from the quality of their amplifiers, much of that is owed to the company’s commitment to serving and retaining existing clients. Planned obsolescence is not a thing at D’Agostino Master Audio Systems.

“We build things that can be repaired,” Dan explains. “If you buy something from us and we come out with a new version of it, you can send it to us, and we will upgrade it. We take them apart, put in all new circuitry, test it and send it back. So now they have the exact same sound as the people out there who bought the newest version. This does two things: It gets rid of buyer’s remorse and makes people feel like they have some stake in their investment; pride in [ownership].”

As a result, very few units make it to the resale market and, if they do, they sell in a flash. That also helps keep the value of the brand high.

International clients, particularly those who own the largest-sized systems, contract with the company to have a top-flight D’Agostino engineer come perform the upgrades on-site.

The upgrades, refinement of engineering and circuitry, and relationships the company has built continue to contribute to the growth of D’Agostino Master Audio Systems. Petra and Dan say they have learned to keep their focus on meeting and exceeding expectations, even when it takes extra time.

“Everything we do reflects that energy and that path,” Dan says. “We may spread the product line out, we may distribute more horizontally, but our overall goal is to make beautiful, great-sounding products that people like to hear.”

dandagostino.com

AArizona, and the Valley of the Sun in particular, is not reputed to have four seasons. We are roughly confined to two seasons — what other states might consider cool fall temperatures alternating with scorching, oven-level heat. We’re also a state with unparalleled sunsets, natural beauty and talented artists and performers.

From May 15 to June 1, Ballet Arizona will bring together the best elements of life in the Grand Canyon State in a performance of Antonio Vivaldi’s “The Four Seasons” at Desert Botanical Garden.

The production, choreographed by celebrated artistic director Ib Andersen, takes the audience on a balletic journey through the seasons with the sky as proscenium and a scrim formed by the Papago Buttes and desert flora.

“This score has to be one of the most celebrated in the classical canon, and it is proving to be as fun as it is challenging to choreograph [for] our dancers,” Andersen says. “There is so much depth and so many layers to this piece. It is actually 12 different movements, and it changes constantly and dramatically. This piece will be a visual feast full of exquisite energy that can only be enhanced by the outdoor desert landscape.”

The beauty of the garden, and especially the backdrop provided by the Papago Buttes, provides the perfect outdoor stage for the magic that Ballet Arizona creates each year. I think it’s a match made in heaven and the results are divine. Ken Schutz

The company’s 30 professional dancers from around the world are adorned in beautiful costumes hand-painted by Andersen, designed and produced in partnership with costume director Leonor Texeira. The pieces highlight the grace and athleticism of the dancers and are enhanced as the lighting changes with each season.

CABRIOLES AND CACTI

Guests can arrive about 45 minutes before the familiar strains of the violins that begin the “Spring” concerto echo amid the spreading branches of the palo verde trees and may purchase a picnic dinner to enjoy while the dancers warm up on stage.

Seating is divided into stadium risers, standard and premium table seating that is closest to the stage. It’s a casual, summery setting that is certainly a departure from the company’s home stage at Phoenix Symphony Hall downtown. It’s also one of the most popular performances of the year and tends to sell out quickly.

Averi Gutierrez, the director of marketing for Ballet Arizona, says the performance start times each night are dictated not by the clock but by nature.

“We start just when the sunset kisses the horizon,” she says. “It’s an event that is uniquely Arizonan and cannot be replicated anywhere else in the country because of the uniqueness of the desert landscape. It’s the perfect marriage between art and nature.”

Ballet Arizona’s partnership with Desert Botanical Garden was first envisioned by Ballet Arizona board member emerita Carol Schilling and Desert Botanical Garden executive director Ken Schutz. Bringing arts experiences to the garden for its members has been a strategic priority for Schutz.

“The Garden and Ballet have been collaborating on the project for 12 years now and the results just keep getting

Writer Shannon Severson // Photography by Andrew Brigade, Digital Perceptions

The beauty of the desert landscape complements the poetry in motion of Ballet Arizona.

better,” Schutz says. “The beauty of the garden, and especially the backdrop provided by the Papago Buttes, provides the perfect outdoor stage for the magic that Ballet Arizona creates each year. I think it’s a match made in heaven and the results are divine.”

Audiences agree, and the feedback that Ballet Arizona has received has been glowing.

“The location of the stage and time of day was absolutely perfect — obviously chosen on purpose,” said one guest. “The sunset silhouetting the mountains with a crescent moon just hovering above was a magical backdrop to the... spotlight-intensified trees and cacti. The layers of nighttime sky, mountains, trees and performers were incandescent; truly magical.”

The dancers’ skill must contend with a few challenges of an outdoor performance.

“It’s an adventure for [the dancers] just as much as it is for the audience members,” says Gutierrez. “Dancing outdoors, dealing with the wind [while] landing on point, the environment and staging. It’s an opportunity to experience ballet in a new way [for the dancers and the audience].”

The popularity of these outdoor performances is something Ballet Arizona has seized on to create outreach to audiences that may not have ever considered setting foot inside a grand performance hall.

“Ballet Under the Stars” is a series of performances that take place in public venues around the Valley each September. Admission is free and presented by the Diane and Bruce Halle Foundation. The company’s professional dancers

Dancers leap and twirl as the desert sun dips below the Papago Buttes.

Omundson

Ballet dancers adorned in exquisite costumes hand-painted by artistic director Ib Andersen bring Vivaldi's “The Four Seasons” to life against the desert backdrop.

give audiences a sneak peek at each upcoming season with a medley of classical and contemporary performances that can be experienced during the season.

“Ballet Under the Stars is a fantastic opportunity for folks who are new to ballet as well as longtime ballet lovers to come together as a community and enjoy a free performance,” says Claire Schmaltz, Ballet Arizona’s community engagement manager.

A special performance is added each night featuring the young participants in Ballet Arizona’s Class Act program. In each host city, the initiative gives elementary students from one school the opportunity to pair up with the professionals. They learn ballet steps, choose music and create a completely unique work over the course of three hours before the stage lights come up, much to the delight of their parents and audience in attendance.

“Children arrive in tutus and dance the night away. Families have entire picnics before and during the performance, and the performance is always stunning, showing the full breadth of what Ballet Arizona can do. It’s the perfect community builder for anyone and everyone who is looking for an opportunity to relish the Arizona landscape right in their own cities.”

POETIC PERFORMANCE

At the Desert Botanical Garden performances, the landscape becomes a main character in the production. The spiky ocotillo

and flourishing foliage of Mexican bird of paradise catch the light and shadows as the dancers spin and leap. Spring, summer, fall and winter take human form as the audience is swept up in rapt attention.

Ballet is often described as “poetry in motion,” and the description is particularly apt for a musical score like “The Four Seasons.” The Italian composer Antonio Vivaldi, who wrote the well-known group of four violin concertos in 1720, published them in Amsterdam in 1725 with a set of accompanying poems that many believe were written by him.

It’s a glimpse into what Vivaldi was trying to communicate and is written onto the pages of music. The seasonal scores are divided into three movements each, separated by tempos: fast, slow, fast. They echo the meter of a sonnet.

As the dancers jeté onto the stage, the sun dips low and stars begin to twinkle overhead. Audiences see Vivaldi’s words in motion:

“Spring has arrived with joy Welcomed by the birds with happy songs, And the brooks, amidst gentle breezes, Murmur sweetly as they flow.”

While we may not physically experience all four seasons here in the desert, we have glorious opportunities like this one — enjoying the arts surrounded by our unforgettable sunsets and natural environment.

balletaz.org

‘The Four Seasons’ May 15–June 1 | 8 p.m. | Desert Botanical Garden 1201 N. Galvin Pkwy, Phoenix | $60+ | balletaz.org

Vivaldi’s “Spring” comes alive through the artistic vision of choreographer Ib Andersen.

The grace of Ballet Arizona’s dancers is enhanced by the shadows of cacti and ocotillo.

Desert flora provides a natural stage for the talents of Ballet Arizona’s performers.

IIn an unassuming art studio in Phoenix, algorithmic processes whir into motion, translating streams of data into abstract visualizations that ebb, flow and metamorphose across digital canvases. For multimedia artist Casey Farina, this automated choreography of light and sound isn’t just a showcase of leadingedge technology — it’s a portal into new frontiers of creative expression.

By harnessing the unpredictable potential of generative systems, Farina sculpts audiovisual worlds that beckon viewers to not just observe, but sometimes also participate.

“I create audiovisual artwork with generative algorithms,” he describes. “I’ve always been fascinated by setting up a series of rules or conditions in a computer and then running that process over and over to observe the results. My work focuses on transcoding digital information between sound and image.”

Farina’s work epitomizes how Arizona, with its blossoming arts scene and technology corridors, has emerged as a vital hub for artists synthesizing code with free-flowing creativity. At the vanguard of this innovative movement, he crafts dynamic experiences that expand how we experience and contextualize art itself.

Writer Joseph J. Airdo // Photography by David Guerrero, Pixel Thick Productions

Dive into the pioneering multimedia works of Phoenix artist Casey Farina, who harnesses generative algorithms and explores concepts like randomness and indeterminacy to sculpt immersive, interactive audiovisual experiences.

COMPUTATIONAL CREATIVITY

Although Farina’s creative process leverages cuttingedge tools, his inspiration harks back to pioneering 20th-century artists and composers who challenged conventions.

“My artistic path is somewhat unconventional,” he explains. “I started primarily as a musician, earning both my undergraduate and master’s degrees in music. Over time, these elements gradually merged and accumulated along my artistic path.”

An early exposure to the visual programming environment Max/MSP/Jitter, which represents code as interactive diagrams instead of text, kicked off his fascination with generative art. It was an audiovisual demo linking the radical indeterminist philosophies of John Cage with the chaotic tonal experiments of researcher John Chowning’s frequency modulation synthesis that revealed deeper possibilities.

“Chowning’s FM techniques exhibit wild, unpredictable results when creating new sounds — not unlike incorporating randomness and relinquishing total control,” Farina describes. “In this computer example, frequency modulation was combined with indeterminacy, or relinquishing control. Instead of manually adjusting parameters, the computer-generated random numbers and the output were curated.”

By setting initial conditions but then ceding authorship to autonomous computer processes, Farina brings those avant-garde concepts into a contemporary framework.

“My recent show ‘Possibility Spaces’ reflected this theme of engaging indeterminacy, shaping the process and curating its output,” he says. “My algorithmic practice produces audiovisual artworks composed of entities that move and produce sound. As these entities interact with each other in unexpected ways I am looking for “emergent behavior” or “happy accidents” that are aesthetically compelling.”

I search for unexpected and intriguing outcomes, or ‘happy accidents’ as I like to call them.

INTERACTIVE INNOVATIONS

While Farina’s generative processes automate aspects of image and sound generation, his role transforms into an active curator and composer of the results. His works even sometimes incorporate interactive elements that enable each participant’s indirect influence to alter the experience.

In 2020, Scottsdale Arts invited Farina to showcase two of his innovative works — “Across the Divide” and “Keeping Time” — during Canal Convergence, an annual temporary outdoor exhibition of innovative, large-scale public art installations by local, national and international artists.

He returned to the event the following year with another installation: “Time Stream.” Jennifer Gill, deputy director at Scottsdale Arts’ Canal Convergence, describes the artwork as having been an interactive digital environment that provided an instant reaction to the viewer’s movements in the digital sphere.

“This use of technology combined with the color, form and movement of the piece created a sense of not just joy and awe for participants but also curiosity,” Gill explains. “From here, people could choose to continue to engage with the piece and discover its deeper meaning relating to time and the ‘butterfly effect.’”

She adds that combining immersive technologies with layers of artistic expression and meaning made for an exemplary installation for Canal Convergence, which she notes serves as an inclusive entry point into the art world that welcomes people of all ages, genders and backgrounds.

“By combining his abstract visual language with projection and interactive technology, Casey’s work successfully opens the door to the public in both a fun and thoughtful way,” says Gill, underscoring how participatory technology is one of the core components that makes Canal Convergence such a unique and engaging experience.

“These types of technologies allow artists to engage the public in a truly unique way, creating powerful memories and experiences that can stimulate the mind and reframe the definition of art itself. Casey’s exploration of randomness and indeterminacy through abstract forms and movement speaks to an exceptional interpretation of our event themes, presenting a new perspective with each iteration he participated in.”

Crucially, Farina rejects the notion of imparting any singular message or intentional meaning into his works.

“When I create art, I don’t approach it with a specific message in mind,” he says. “The traditional artist-audience relationship, where artists create art and people simply observe it, doesn’t fully resonate with me. While I understand the complexities of this dynamic, I believe that the richness of individual experiences and interpretations transcends any singular message or explanation I could provide.”

ARTISTIC ASSISTANCE

As artificial intelligence capabilities accelerate, new creative prospects and philosophical quandaries have emerged regarding computational co-creation. Farina has actively explored the roles AI could play, from generating images based on text prompts to automating programming tasks, and remains optimistic about AI’s creative potential when integrated thoughtfully by human artists.

“In the art world, those using AI as a tool in a larger process create the most interesting work,” says Farina, adding that he has found applications like Stable Diffusion useful for rapidly prototyping code. “I can now generate syntactically correct code for specific tasks, with only minor adjustments needed. This has significantly increased my productivity.”

Ultimately, Farina believes AI’s ascendance won’t replace human artistic expression but will become another tool in the creative arsenal

A series of frames from Farina’s “Traversal” series of video sculptures.

of artists exploring new mediums — an extension of the generative processes he currently wields.

“Stephen Wolfram’s work, particularly his book ‘A New Kind of Science,’ has greatly influenced my recent work,” Farina shares. “His research into cellular automata, which produce emergent behavior from simple rules, inspired me to develop meta systems that generate multiple layers of complexity.”

“Cellular automata, often visualized as black and white grids, can create patterns found in nature, such as those on turtle shells or conch shells. However, the mechanism behind the manifestation of patterns in the real world is still unknown. In exploring cellular automata rules, Wolfram discovered irreducible phenomena, which are unpredictable and lack traditional scientific shortcuts. The manifestation of art, rather than just the idea, is still necessary, and there’s no shortcut to creating art by simply typing a prompt into an AI. I believe the artistic process is irreducible.”

At the intersection of human ingenuity and computational prowess, Farina’s pioneering multimedia works reveal shimmering new aesthetic realms. By sculpting audiovisual experiences that unfurl based on systematized rules yet allow space for randomness, evolution and personal connection, his artistic practice manifests an ethos of perpetual curiosity and openness to possibility itself.

As his portfolio continues to evolve and inspire, Farina welcomes commissions and purchase inquiries via email at caseyfarina@gmail.com.

caseyfarina.com

IIn the vast expanse of our Sonoran Desert, a battle is being waged by a largely unseen enemy. Invasive plant species, introduced by humans and spreading rapidly, threaten to upset the delicate balance of this fragile ecosystem. Leading the charge against these invaders is the Central Arizona Conservation Alliance and its community-driven initiative, Desert Defenders.

Founded in 2012, CAZCA is an initiative of the Desert Botanical Garden. Its mission is to conserve open spaces and natural areas in central Arizona for current and future generations.

“These areas are crucial for the ecosystem, local economy and overall sustainability of life in the desert,” says Challie Facemire, CAZCA’s program director. “Parks and open spaces with thriving native plant life aid in aquifer recharge, heat mitigation and provide recreational opportunities for people to enjoy.”

Of course, there are also the economic benefits of these natural areas.

Malta Star Thistle — long-lived winter annual from Eurasia that forms monocultures rapidly depleting soil moisture, with sharp spines at the base, deeply lobed whitish leaves and yellow flowers.

Photo by Marco Folini

Writer Joseph J. Airdo

Community involvement is key to preventing the spread of invasive species, as many of these plants originate from or enter urban areas. Challie

Facemire

“The unique beauty of the Sonoran Desert attracts tourists who come to hike in places like Camelback Mountain and the Phoenix Mountain Preserve,” Facemire explains. “By conserving these open spaces, CAZCA aims to preserve their ecological, recreational, economic, health and community benefits for the region.”

FIGHTING FLORA FOES

Invasive plants pose one of the most significant threats to the health of the Sonoran Desert. Species like buffelgrass, fountain grass, stinknet and red brome create monocultures, displacing native plants and reducing habitats for local fauna.

“Native plants have deeper root structures that contribute to aquifer recharge, while invasive plants may negatively impact water resources,” explains Facemire, noting that many invasive plants are also highly fireprone, increasing the risk of severe damage in ecosystems not adapted to fire.

“When a fire occurs in an area dominated by invasive plants, it spreads more easily, posing a threat to structures and property. Additionally, in the aftermath of a fire, invasive plant species often regenerate more rapidly than native flora, which can increase the risk of recurrent wildfires within the affected region.”

Juanita Armstrong, a natural resource specialist at Maricopa County Parks and Recreation, notes that invasive species have played a significant role in our community’s recent wildfires.

“The Cave Creek Complex Wildfire back in the 1990s was fueled by red brome and

Fountain Grass — perennial bunchgrass from Africa used in urban landscaping, with upright purplish stems, slender green leaves and a showy purplish bottlebrush inflorescence up to 15 inches long.

Photo by Yasuko Hirata

likely schismus (Mediterranean grass),” she explains. “Stinknet, red brome and Mediterranean grass fueled [2020’s] East Desert and Ocotillo fires, [while last summer’s] Diamond Fire [in north Scottsdale near McDowell Mountain Regional Park] was red brome and schismus alone.”

Facemire adds that buffelgrass, introduced to Arizona in the 1930s for erosion control and cattle forage, has become a particularly significant concern as it spreads quickly and greatly increases risks associated with wildfires. This has prompted innovative projects like the 2019 Buffelgrass Blues Project, created by then CAZCA engagement coordinator Annia Quiroz, which used environmentally friendly blue chalk paint to highlight the invasive grass on Piestewa Peak, raising public awareness and encouraging its removal.

To combat these threats, CAZCA launched Desert Defenders, a collaborative community science program dedicated to identifying, mapping and removing invasive species in local parks and preserves. Volunteers use apps to map invasive plants, enabling managers and volunteers to take action and organize removal events.

“Community involvement is key to preventing the spread of invasive species, as many of these plants originate from or enter urban areas,” says Facemire, emphasizing the importance of volunteer efforts.

“By removing invasive species from neighborhoods, residents can help prevent their spread into nearby preserves and open spaces.

“The Maricopa County Parks and Recreation Department relies on

a large volunteer group at each park, and the McDowell Sonoran Conservancy also has volunteers working in the McDowell Sonoran Preserve. The McDowell Sonoran Conservancy’s team educates new volunteers, teaches them how to perform the work and gets them started.”

The combined efforts of volunteers and organizations like the McDowell Sonoran Conservancy and Maricopa County Parks and Recreation have made a significant impact on the control of invasive species in the Sonoran Desert. Through research and hands-on removal, they have successfully removed invasive species from vast areas, including portions of the McDowell Sonoran Preserve and several regional parks.

“While exact numbers may be difficult to determine, their work over the past decade has been extensive and remarkable, covering acres upon acres of invasive plants,” Facemire notes. “These collaborative efforts demonstrate the power of community involvement in protecting and preserving the fragile desert ecosystem.”

INVASIVE INTERVENTION

Removing invasive plants from the Sonoran Desert is a challenging and ongoing task. The goal is to protect the native ecosystem and its inhabitants, ensuring that the desert remains enjoyable for visitors. Mapping areas with invasive plants helps managers plan removal days, but the methods vary based on the plant species and infestation severity.

“When the infestation is severe, land managers may use herbicides to control the invasive plants,” Facemire explains. “For volunteer-

Sahara Mustard — short-lived winter annual from Africa and Asia that invades disturbed areas, producing butterfly-shaped yellow flowers on bolting stems after forming basal rosettes.

Photo Courtesy of Joshua Tree National Park

Stinknet — 5-inch- to 2-foot-tall winter annual from Africa spreading quickly across Phoenix, with round “globe” flowers, an upright form and severe allergenic properties.

Photo by Annia Quiroz

Salt Cedar — trees that, introduced from Eurasia and Africa, grow 20–25 feet tall with a feathery, grayishgreen appearance, producing bright pink flower clusters and prolifically dispersing tiny wind-borne seeds.

Photo by Drew Avery

led efforts, invasive grasses like stinknet and buffelgrass are often pulled by hand. Buffelgrass can be more challenging to remove because of its ability to regrow from root nodes, requiring extra care to ensure complete removal.”

Recent advancements in technology have also aided in the fight against invasive grasses. In a pilot project at Apache Junction Park, drones were used to spot-treat buffelgrass from above, avoiding other plants and reducing the need for manual labor. This method allows for more efficient treatment of hard-to-reach areas and can save time and energy for both volunteers and staff.

“Community involvement is still the most crucial component,” says Facemire, noting that in the case of Apache Junction Park, the neighborhood helped identify the invasive grasses, which enabled the effective deployment of the drones. “By working together and utilizing technology, we can better protect our ecosystems from the harmful impacts of invasive species.”

Facemire adds that community members have a unique opportunity to contribute to the preservation of our beautiful desert landscape. By educating ourselves about invasive species, participating in volunteer efforts, and being mindful of our own yards and hiking practices, we can all play a part in protecting the Sonoran Desert for generations to come.

“One big thing people can do to help stop the spread of invasive species is clean their boots before and after a hike, make sure their pets are clean if they are going along, and clean out car tires before and after,” Facemire advises. “This helps stop the transport of seeds.”

CAZA’s program director reflects on her own journey in understanding the challenges posed by invasive species in Arizona.

“Through my degree program, I gained knowledge about invasive species and their detrimental effects on ecosystems,” Facemire explains. “However, diving into the specific challenges of Arizona has provided a deeper understanding of the local issues.

“Learning about the various methods of invasive species removal, including both manual and technological approaches, has given me insight into the hard work and dedication required for this task. I’ve come to appreciate the efforts of volunteers and those who actively participate in the preservation of the environment.”

The battle against invasive species in the Sonoran Desert is far from over, but with the dedication of organizations like CAZCA and the power of community collaboration, we can make a difference. By uniting in our efforts to protect this fragile ecosystem, we ensure that the beauty and wonder of the desert will endure for generations to come.

“Connecting with individuals who share a passion for combating invasive species has been a rewarding experience,” Facemire says. “Meeting these incredible people has allowed me to gain valuable perspectives and knowledge, while also recognizing the importance of collaborative efforts in protecting our natural world.”

cazca.org/project/desert-defenders

Photos by Juanita Armstrong

Echoes of Valor

IIn the quiet suburb of Glen Ellyn, Illinois, a young man named John Bruce Capel was making his mark on the world, one athletic achievement at a time. Known simply as “Bruce” to his friends and family, he was a standout in baseball and football at Glenbard High School, known for his courage and character, both on and off the field.

“He lived around the corner from the high school football coach, Bill Duchon, who watched him grow up as an athlete and young man,” recounts Lisa Jones, Capel’s niece. “He was recruited to play at a lot of Division I universities, but he had always dreamed of playing at the University of Illinois.”

It was on the gridiron at Illinois where Capel truly shone, playing alongside football legend Dick Butkus.

“They roomed together on away games,” Jones shares. “Bruce recovered the game-changing fumble during the Rose Bowl [in 1964] and they went on to win the game.”

His talent and dedication were unmatched, earning him Academic All-American honorable mention and the admiration of his coaches, who marveled at his friendly demeanor and unwavering spirit.

After graduating, Capel’s path took an unexpected turn when he was commissioned as a second lieutenant in the Marine Corps and sent to The Basic School at Quantico, Virginia. There, he continued to excel as a linebacker on the football team, leaving a lasting impression on his coaches and teammates.

Writer Joseph J. Airdo

Carefree’s Memorial Day Ceremony

// Photo by Herb Hitchon

Our community truly appreciates and respects the sacrifices of our veterans, recognizing that their service has enabled us to enjoy the freedoms and opportunities we have today. John Crane

“I have met several of his coaches, and they have all told me that they commented, ‘Why haven’t we heard of this guy? He is such a good football player,’” Jones recalls. “Bruce’s response was, ‘I played opposite Butkus in college, basically in his shadow.’”

Tragically, Capel’s promising future was cut short in May 1966 when he was killed in action while leading a patrol that was ambushed by Viet Cong forces in Vietnam, just six weeks after his arrival.

“They came under Viet Cong fire and because Bruce was so tall when he stood up to assess the situation, the Viet Cong shot him in the head,” Jones says solemnly. “I believe only two of his platoon survived that day.”

His sacrifice, however, has not been forgotten. In Glen Ellyn, the Bruce Capel Hitters Club Award continues to inspire young football players to embody the courage and character that defined Capel’s life.

“To this day, the Glenbard West High School football team is nationally ranked and called ‘The Hitters,’ and my uncle was ‘The Original Hitter,’” Jones proudly notes. “He truly is a hometown hero of Glen Ellyn.”

HEROIC HIGHLIGHTS

Capel’s story is just one of many that emanate from the hallowed grounds of Quantico, where a remarkable group of athlete Marines trained and played together before being called to serve in Vietnam. These 12 men — hailing from diverse backgrounds but united by

their athletic prowess and unwavering dedication to duty — would go on to make the ultimate sacrifice, leaving behind a legacy of valor and sacrifice that continues to resonate today.

Gridiron greats who once graced Quantico’s fields made their mark through coaching and combat leadership. Capt. Ronald Howard Brown, a two-year letterman at Montana State University, transitioned from the trenches to mentoring as the offensive line coach for the Quantico staff team in 1965. Tragically, he was killed near Hue City in 1968 while heroically leading a convoy ambushed by superior North Vietnamese forces. Brown’s nephew remembers him as a larger-than-life figure who balanced professionalism with making football fun.

Joining Brown from the football ranks was Capt. Walter Judson Spainhour Jr., an All-American quarterback from the University of North Carolina. After undergoing elite training at Quantico, including reconnaissance and ranger courses, Spainhour reaffirmed his devotion through a letter home before making the ultimate sacrifice while leading his platoon during 1966’s Operation Deckhouse IV, earning a posthumous Silver Star.

The esteemed ranks of the Naval Academy proved a fertile ground for valor. First Lt. Thomas James Holden was a three-sport star at Annapolis known for his prankster spirit, earning recognition like the Most Valuable Defensive Player award at the 1964 Cotton Bowl. His grit and determination as an offensive lineman and linebacker with the Quantico team were immortalized through a posthumous Silver Star.

Classmate Capt. John Lee Prichard etched his name among Annapolis’ legendary athletes, starring in football and track. After transitioning to various coaching roles, Prichard displayed exceptional courage leading assaults against entrenched North Vietnamese forces in the battle for Khe Sanh in 1968, earning him the Silver Star and Bronze Star with valor before succumbing to wounds.

Another Marine who traced his athletic roots to Annapolis, Col. Robert Norman Smith, had carved an impressive path as a three-sport letterman and class president at Wyoming Seminary before the Naval Academy. His athletic prowess extended to the gridiron and throwing circles of the Quantico teams in the late 1940s. Smith’s unwavering leadership took him to the skies, but on an ill-fated 1969 reconnaissance mission over Vietnam, his aircraft disappeared without a trace, though his daughter’s solemn journey decades later honored his enduring legacy.

The quarterback ranks included Second Lt. Paul Frederick Cobb, known as Freddie, whose enthusiasm and leadership

Second Lt. John Bruce Capel // Photo Courtesy of Lisa Jones

Carefree’s Memorial Day Ceremony // Photos by Herb Hitchon

at Virginia Tech outshone any philosophical differences with coaches. At Quantico, Freddie showcased his abilities and inspirational tactics as the starting quarterback, which carried over to his courageous actions during Operation Allen Brook in 1968, rallying his men against intense enemy fire to earn a posthumous Navy Cross.

Second Lt. Paul Martin McGrath confronted skeptics of his size at Villanova, making a name for himself on the Quantico gridiron with a memorable tackle despite never playing for the Wildcats. The disappointment gave way to pride when McGrath’s poignant farewell letter, addressed “To Whom It May Concern,” received a posthumous reading in Congress after he fell as a member of the Basic School class with the highest casualty rate since the Korean War.

The trails and fields revealed athletic excellence in their own right. Second Lt. Tyrone Sidney Pannell was a Manhattan College track star, setting hurdle records and earning accolades at major meets before being commissioned as a Marine. While stationed at Quantico, he added his name to the base’s athletic lore before being killed in action while leading a patrol in Vietnam in 1967. His legacy lives on through honors like a namesake trophy at the Quantico Marine Track Competition and portrayals of the letters he penned home to his daughter in the book and film “Dear America.”

Representing the long-distance ranks, Capt. Willard Dale Marshall, a 1961 Naval Academy graduate, competed on the Navy track team before undergoing language training and serving as an interrogator and translator in Vietnam. He displayed heroic actions when his patrol was ambushed in 1968, posthumously earning the Bronze Star and forging an extraordinary bond with a former enemy who returned his poncho to his son decades later.

In Hawaii, Second Lt. Gene Smedley McMullen presaged his athletic skill, excelling in football, basketball and track at the prestigious Punahou School before starring on the gridiron at Penn State. Though his quiet demeanor earned him the nickname “Long Gene,” he found his warrior ethos through training at Quantico and artillery assignments prior to being killed by enemy fire in 1966 while serving as a forward observer.

These men, once teammates and brothers-in-arms, now stand as enduring symbols of the costs of war and the enduring bonds forged in service to our nation.

MEMORIAL MOMENTS

On Monday, May 27, as the Carefree community gathers for its annual Memorial Day ceremony at Cave Creek Memorial Cemetary, the stories of fallen heroes will take center stage.

”I believe our town’s values deeply resonate with both Veterans Day and Memorial Day,” says Carefree Mayor John Crane. “Our community truly appreciates and respects the sacrifices of our veterans, recognizing that their service has enabled us to enjoy the freedoms and opportunities we have today. Events like these are an important way for us to come together, honor our veterans and show our gratitude for all that they’ve done.”

The Quantico Marine athletes were an extraordinary group whose athletic abilities were matched only by their courage and dedication to service.

“What is so incredibly cool to me, and I just learned in the last few years, is that these 12 athletes were world-class athletes,” Jones marvels. “The track guys were truly some of the fastest men in the world. They held national and world records that still stand today in some of the relays. They were Olympians who represented our country and won gold medals. The football and basketball players could have played in the NFL and NBA, but they chose a different path for their athletics ... and ultimately died defending their country.”

As Carefree’s ceremony unfolds, with the presentation of the colors, an invocation prayer and keynote addresses, the echoes of these 12 Quantico Marine athletes will reverberate through the hearts and minds of all in attendance.

For Jones, ensuring these remarkable men are never forgotten is a profound duty.

“These veterans were spouses, parents, sons, daughters, aunts, uncles and friends who served our nation with honor, and we must remember them and their contribution to our country,” she says resolutely.

As “Taps” plays and the community observes a moment of reverent silence, the lives and legacies of the many selfless servicemembers who were killed in action or remain missing, including these 12 Quantico Marine athletes, will be celebrated — reminders of the profound costs of freedom and the enduring impact of courage in the face of adversity. Their stories, once echoing on the fields of Quantico, will resonate eternally as a testament to the unbreakable spirit of the U.S. Marine Corps.

Carefree’s Memorial Day Ceremony // Photos by Herb Hitchon

Reimagine Elegance

FROM ORDINARY TO EXTRAORDINARY

PRE-REDESIGN

RUBY PARURE REDESIGN STORY

Ruby and Diamond Earrings

2 Oval Red Ruby (8.23 ctw) set with 14 diamonds (4.38 ctw) set in platinum

Ruby and Diamond Bracelet

20 oval shape rubies (21.12 ctw) and and 20 cushion cut rubies (6.13 ctw) and 20 marquis shape diamonds (8.10 ctw) set in platinum

Ruby and Diamond Ring

Emerald cut ruby (3.01 ctw) set with two emerald cut rubies (.82 ctw) and 14 diamonds (1.77 ctw) set in platinum scalloped halo ring

Created by David Gross for Grace Renee Gallery

AAs the scorching summer sun casts its glow over the Sonoran Desert, an exciting adventure unfolds within the walls of Desert Foothills Library. With a theme that resonates like a siren’s call, “Adventure Begins at Your Library,” the nonprofit organization’s annual summer reading program promises to ignite a passion for reading and exploration like never before.

“Desert Foothills Library participates in the summer reading program through Maricopa County Reads, which is supported by the Arizona State Library, Archives and Public Records, a division of the Secretary of State,” explains Dawn Treude, the library’s youth and teen librarian. “The goal is to provide a free and inclusive program for all ages that encourages literacy and discovery through active participation at the library.”

Desert Foothills Library’s summer reading program is an inclusive celebration that transcends age boundaries. Through an interactive website, participants can create unique avatars, log their reading minutes and unlock a world of challenges and secret codes, earning coveted badges along the way.

“For younger children, we also provide a physical game board to track minutes,” Treude adds. “While you can only select one library for collecting your prizes, you can attend events all over the Valley. Every day of the week something fun is happening somewhere!”

Writer Joseph J. Airdo

Photo by Ying Ge on Unsplash

Children and teens are ready for the break summer provides from the busy school year, but that doesn’t mean learning has to stop.

The library is a great place for informal learning. Dawn Treude

READING REVELRY

At Desert Foothills Library, the summer reading program transforms into an immersive experience, offering a plethora of unique activities and events tailored to captivate readers of all ages.

“For youth, we have an outdoor foam party and an adventurous look at venomous and poisonous live reptiles,” shares Treude, detailing the diverse offerings. “For teens, we’re making sushi rod puppets and hosting a K-pop dance workshop. Mixed in are classic hands-on arts and crafts, musical guests and traditional storytimes. Adults will continue to have many wellness options, arts and crafts and informative programs like our ‘The Beatles Next: The Solo Years.’”

Treude’s infectious enthusiasm is evident as she describes the library’s commitment to catering to diverse interests and reading levels.

“Collection development is one of my favorite aspects of my job as youth

Summer Sizzler:

Saddle Up for a Cinematic Adventure!

Join Images Arizona’s summer book club as we delve into Michael Blake’s captivating new book, “John Ford and the Cavalry Trilogy: The Making of Three Classic John Ford-John Wayne Films.” Discover the untold stories behind John Ford's iconic films and his collaboration with John Wayne, all set against the breathtaking backdrop of Monument Valley. This must-read for film enthusiasts and lovers of the American West explores the fascinating world of Ford’s legendary cavalry trilogy and the impact it had on the Western genre. Get a head start on this riveting read, so you’re ready to dive into our discussion in Images Arizona’s June issue.

Photo by Seven Shooter on Unsplash

Photo by Link Hoang on Unsplash

and teen librarian here at Desert Foothills Library,” she says. “I have ordered more than 300 new books, so our shelves are well-stocked for the program. We have everything from board books to leveled readers to picture and chapter books. Our graphic novel and manga sections are growing too. And I am always welcome to purchase suggestions. It’s important that any library collection reflects the interests and needs of its community.”

For those who embark on the literary adventure, a treasure trove of prizes and incentives awaits.

“This year, we have prizes from Arizona State Parks, Peter Piper Pizza and Raising Cane’s in addition to the free book you earn upon completion of the program,” reveals Treude, noting that readers can also receive small prizes at registration as well as the 250-, 500-, 750- and 1,000-minute marks. “All of those who complete the program will be entered in our raffle for special prizes. This year we have two Playaway Launchpad tablets that are preloaded with educational games for kids and brain games for adults.”

SKIPPING THE ‘SUMMER SLIDE’

Beyond the allure of prizes and activities, Desert Foothills Library’s summer reading program serves a crucial role in combating the dreaded “summer slide” — the phenomenon where students’ reading skills can stagnate or even regress during the summer break.

“Children and teens are ready for the break summer provides from the busy school year, but that doesn’t mean learning has to stop,” Treude asserts. “The library is a great place for informal learning. One of the

benefits of the summer reading program is that you meet new people and try new things.”

The program is also extremely effective at nurturing lifelong readers.

“By emphasizing reading for pleasure, young people have the agency to self-select books that interest them,” Treude says. “This builds confidence and independence. The more engaged they are with what they’re reading, the more they read.”

PAGES OF POSSIBILITY

While the librarians and staff play a pivotal role in guiding participants, Treude highlights their broader mission.

“A library provides access to quality materials and services to its patrons,” she explains. “The role of librarians and staff is to ensure everyone feels welcome in our building while using those services. We are here to answer your questions, help you find a book and, thanks to our amazing intern, Ross, teach you how to better utilize your personal technology.”

However, the true strength of this initiative lies in the community’s involvement. From dedicated volunteers who staff the popular used bookstore, Chapter 2 Books, to the generous book donations that fuel the library’s operations, Desert Foothills Library’s summer reading program is a collaborative effort that relies on the collective spirit of Cave Creek and its surrounding communities.

“Desert Foothills Library is the only privately funded public library in Maricopa County,” says Treude, noting that the nonprofit organization also accepts direct donations.

As the summer solstice approaches, Desert Foothills Library stands ready to embark on a literary odyssey unlike any other. With a diverse array of activities, enticing incentives and an unwavering commitment to fostering a love for reading, this oasis of knowledge beckons readers of all ages to join in the adventure.

“Involvement in our library comes in many forms as we offer over 100 programs per month,” Treude concludes. “From gigging out with our ukulele jam session or being creative with our Craft ‘n Chats to joining a book group, signing up for our Literate Foodies events held in our demo kitchen or finding that inner peace with tai chi, there is something for everyone at Desert Foothills Library.”

dfla.org

Photo by Guzel Maksutova on Unsplash

Photo by Prew Perales on Unsplash

IIn 1941, author and illustrator John R. Neill’s book “The Scalawagons of Oz” told the fantastical story of how the Wizard of Oz invented self-driving cars for every citizen of that magical land. Phoenix may be a far cry from the Land of Oz, but the metro area is host to a grand experiment in autonomous vehicles: Waymo.

The company is based in San Francisco but chose the greater Phoenix metro area to launch its early rider program in the East Valley back in 2017 and rolled out the world’s first — and now the world’s largest — commercial autonomous ride-hailing service to the public in 2020. Other service areas include San Francisco, Los Angeles, and a test program in Austin, Texas.

Today, Waymo operates its all-electric fleet of Jaguar I-PACE vehicles across 225 square miles in the region, quadrupling its original test area. It now offers limited service at Sky Harbor Airport’s terminals 3 and 4, with expansion plans in the works. Travelers can take Waymo to and from the airport’s PHX Sky Train stations at 24th and 44th streets without restriction.

Kerry Brennan, a Phoenix-based product and customer research manager at Waymo, says Phoenix was chosen for its quickly growing, diverse population

Writer Shannon Severson // Photography Courtesy of Waymo

We see Waymo (and our all-electric fleet) as providing an exciting option to further empower people looking for more sustainable mobility options. In the Phoenix area, you can take Waymo to popular hikes like the Phoenix Mountain Preserve or Camelback Mountain’s Echo Canyon Trail and avoid dealing with limited parking or a hot car.

Kerry

Brennan

and its unique transportation needs, including college students, commuters, retirees and the population’s dependence on automobiles. The sunny weather is also a boon, though Waymo’s autonomous cars can now drive in monsoon rain.

“The Phoenix area offers everything we need to continue building safe and reliable autonomous driving technology,” Brennan says. “A large area with both broad suburban stretches and complex city streets, the Valley is also an innovation-focused region that shares our vision of improving mobility for all, so it was a natural fit for us to kick off our service here.”

Brennan points out that Waymo’s Phoenix electric vehicle fleet is powered by 100% renewable electricity and can deliver four times more zero-emission miles per year, per car. The company encourages people to combine their Waymo use with other sustainable modes of transit like walking, biking and public transportation. She says the company has even heard from riders that access to Waymo has allowed them to either get rid of their personal car or downsize to become a one-car family.

“We see Waymo (and our all-electric fleet) as providing an exciting option to further empower people looking for more sustainable mobility options,” she says. “In the Phoenix area, you can take Waymo to popular hikes like the Phoenix Mountain Preserve or [Camelback Mountain’s] Echo Canyon [Trail] and avoid dealing with limited parking or a hot car.”

CATCH A (SELF-DRIVING) CAB

Riders start by downloading the app within the service area. Pickup and destination points are entered, and the user is shown the price and duration of the ride as well as how long they can expect to wait for the

The sleek, aerodynamic design of Waymo's all-electric Jaguar I-PACE vehicles seamlessly blends form and function.

A Waymo self-driving electric car navigates city streets, providing a glimpse into the future of urban transportation.

The unassuming exterior of a Waymo car belies the cutting-edge autonomous technology that powers its self-driving capabilities.

vehicle’s arrival. Prices are comparable to other ride-sharing services like Uber or Lyft — albeit without the need to tip a driver — and costs increase during periods of high demand.

Another difference: Waymos currently use only surface streets, not freeways, so that should be factored into expected travel time. That said, Waymo is operating fully autonomously on Phoenix freeways and intends to expand its freeway service to Phoenix riders in the future.

The Waymo arrives with the rider’s initials displayed on a small screen atop the roof of the car. The app is used to unlock the car and pop the trunk, if needed. Hop inside, and a calming voice greets the rider by name with encouragement to fasten seatbelts and enjoy the ride. A touchscreen allows riders to play music, see representations of vehicles, bicycles and pedestrians around them, request a speedy pullover or contact Waymo support if needed.

It’s important to note that Waymo rides don’t guarantee exact pickup and drop-off points. The app will display an approximate location where riders should stand and wait for the vehicle but users may need to walk around searching for where the car has deemed to be a safe area to pull over. This is especially relevant in locations like shopping centers or crowded downtown streets. The same fluctuation applies when the ride concludes. These aspects are part of participating as a tech “pioneer” as the product is continually being improved.

Brennan says the response has been overwhelmingly positive, and riders quickly become comfortable and enjoy having the car to themselves to take phone calls, interact with their friends, or listen to their favorite music.

The touchscreen inside a Waymo vehicle provides riders with information about their surroundings and control over the experience.

The minimalist interior of a Waymo vehicle, free from traditional driver controls, offers a glimpse into the future of transportation.

“Like any new technology, some people are naturally skeptical about what they haven’t yet experienced,” Brennan says. “Our research shows as more people are exposed to the technology — whether that means seeing the Waymo vehicles driving safely alongside them on the road or taking a ride themselves — acceptance continues to increase.”

FAST LANE TO THE FUTURE

Brennan says Waymo will continue to take a deliberate, methodical approach to expanding its capabilities within current service areas without compromising local needs, with an eye toward making a positive impact on local transportation infrastructure and mobility. The company is also looking to test new markets in a “thoughtful and meaningful way.”

At the top of Waymo’s priority list is safety. The company’s fleet has now logged millions of miles on public roads, with data showing that the Waymo driver is significantly safer than human drivers.

This combination of efficiency, availability, public buy-in and sustainability will certainly continue to change the way Phoenix residents get around town and perhaps even the physical landscape of its neighborhoods.

“The average personal vehicle is parked 95% of the time. We hope that Waymo can help more people feel like they don’t have to own a car in order to get comfortably where they want to go. And with less need for parking, we’d love to see more shade trees around town in its place.”

DINING GUIDE

Venues Cafe

AAs the May sunshine casts a warm glow over Carefree, there’s no better time to experience one of the town’s most beloved dining destinations, Venues Café. Celebrating more than 13 years of culinary excellence, this charming eatery continues to delight patrons with its welcoming atmosphere, friendly service and delicious cuisine.

Situated just across from the picturesque Carefree Town Center, Venues Café is the perfect spot to indulge in contemporary American dishes with a comforting twist. The rustic interior, adorned with rich textures of brick, copper, wood and stone, exudes warmth and coziness, while the beautiful patio offers a delightful al fresco dining experience amidst the town’s natural beauty.

Lunch, happy hour and dinner are all fantastic times to visit Venues Café, with each offering a variety of mouthwatering options and enticing specials. Treat your taste buds to tasty small plates, such as deviled eggs with bacon jam, or savor $3 street tacos during Wacky Wednesdays, complemented by refreshing $5 margaritas.

Each Tuesday is Burger Night, where you can enjoy a complimentary glass of beer or house wine with the purchase

of any of Venues’ delectable burgers. On Fridays, indulge in all-you-can-eat fish and chips, a favorite among locals and visitors alike.

For a more upscale dining experience, the chef’s succulent prime rib dinners on Saturdays are guaranteed to impress. You can even enhance your meal with a selection from the well-stocked wine cellar, showcasing an array of vintages to pair perfectly with your chosen dish.

On Thursdays, make your dining experience even more memorable by indulging in 50% off bottles of wine with the purchase of any two entrées. Meanwhile, Sundays are made for brunch at Venues Café, featuring a scrumptious assortment of dishes and bottomless champagne mimosas for just $15 with the purchase of any brunch item.

No matter the occasion, Venues Café ensures a delightful dining experience that will leave you craving more. Reserve your table today and discover why this Carefree gem has captured the hearts and palates of locals and visitors alike.

Scandalous Brownies

Makes: 25–30 Brownies

Directions:

Ingredients:

For the Chocolate Chip Cookie Crust:

3/4 cup butter, room temperature

1/2 cup sugar

1/2 cup brown sugar

1 teaspoon vanilla extract

1 1/2 cups flour

1/4 teaspoon kosher salt

1 1/2 cups mini chocolate chips

For the Salted Caramel Sauce:

1 cup sugar

1/3 cup butter

1/2 cup heavy cream, warmed

1 teaspoon sea salt

For the Brownies:

1 cup Heath bits, divided

18 Oreo cookies

3/4 cup butter, melted

3/4 cup sugar

3/4 cup brown sugar

2 eggs

1 teaspoon vanilla extract

3/4 cup flour

1/2 cup cocoa powder, sifted

1/2 teaspoon baking powder

1/4 teaspoon kosher salt

Preheat oven to 350°F. Line the bottom of a 13x9-inch baking pan with parchment paper.

These Scandalous Brownies, originally known as Slutty Brownies, are a layered dessert featuring chocolate chip cookie crust, salted caramel sauce, Heath bits, Oreo cookies and fudgy brownies. These indulgent treats will satisfy even the most intense sweet cravings!

For the chocolate chip cookie crust, cream butter, sugar and brown sugar using an electric mixer on medium speed. Add vanilla extract, then mix in flour, salt and mini chocolate chips on low speed. Press the mixture into the bottom of the prepared pan.

For the caramel sauce, melt sugar in a medium, heavy-bottomed saucepan over medium heat. Whisk until completely melted, then let the sugar cook to a deep amber color without whisking. Add butter, then remove from heat and stir in cream and sea salt.

Pour 1/2 cup caramel sauce over the chocolate chip cookie crust, sprinkle 1/2 cup Heath bits over caramel and place Oreos on top.

To prepare the brownie batter, whisk together melted butter, sugar, and brown sugar in a large bowl. Add eggs and vanilla extract, then mix in flour, cocoa powder, baking powder and salt. Spread batter over Oreos and top with remaining 1/2 cup Heath bits.

Bake for 25 minutes, then let cool completely before refrigerating for 1 hour for easier cutting.

Writer and Photographer Francine Coles

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