Architecture & Design February_April 2022

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Editor’s Letter BRANKO MILETIC

CONTRIBUTORS

Nathalie Craig Hamish Mcdonald Matthew Mcdonald Prue Miller Stephanie Stefanovic

of the bathroom was taken by Dylan James.

Contents PEOPLE 4

KITCHENS

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RESIDENTIAL STORY

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SUN SHADES

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BATHROOMS

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WATERPROOFING

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INSULATION

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PODCAST CORNER

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SHOWCASE

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JAMES GROSE INTERVIEW PROJECTS DULWICH HILL HOUSE

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NORFOLK APARTMENTS

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SPYGLASS HOUSE

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SALO

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Jarrod Reedie

attributed. The cover image and other exterior shots were by Matthew Mallett and the interior shot

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ASSISTANT EDITOR

CORRECTION In issue 4 vol 57 the cover image and images on pages 3, 77 and 78 were wrongly

CONTENTS

Branko Miletic editor@architectureanddesign.com.au

surrounding architectural design language, which has remained relatively untouched for decades.

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EDITOR

ON THE COVER Located in Burleigh Heads, the contemporary building is respectful of its ARCHITECTURE & DESIGN

After two years of this pandemic, strange things start becoming normal. Like home schooling and the blessing of not having to travel to work, thanks it must be said, in part to technology. Humans of course are not meant to be locked up indoors. After all, if that was the case, we would never have left those caves in Africa’s Rift Valley some 70,000 years ago and travelled to the far corners of the Earth. Oh, how times have changed. As a recent Tweet I saw pointed out, “Strange times for cats. First the dogs kept inside, now the humans. Must feel like they’ve won.” But for architects, this may seem like a bit of déjà vu. As an article in the New Yorker noted: Much of modernist architecture can be understood as a consequence of the fear of disease, a desire to eradicate dark rooms and dusty corners where bacteria lurk.” The article goes on to say that “Quarantine makes all nonessential workers more intimately acquainted with the confines of their homes. We know everything about them, especially their flaws: the lack of daylight in one room, the dirty floor in another, the need for an extra bathroom. Space is all we have to think about. For architects, it’s a soul-searching exercise, especially if you happen to live in a home you outfitted for yourself.” So, in architectural terms perhaps we’ve been preparing for this for some time, without really knowing it that is. However, design as we know, is not a static thing: it changes, blends, adapts, provokes and on occasions, consoles. Humans it seems, have been adapting since our long trek from Africa. Therefore, it’s of no surprise that amongst all the doom and gloom, there is optimism. As Pew Research found out, this experience will “enhance the quality of life for many families and workers as more flexibleworkplace arrangements become permanent and communities adjust to them”. And there is that word: Adjust. Which is the same as Adapt. There you have it, our designs and by extension, the way we achieve them, will have to adapt. As of course, will we. As for our furry friends, as a response to that Tweet noted: “That is to misunderstand the cat. They don’t want the humans and dogs to follow their lead. They want the houses to themselves.” I guess adapting is easier for some than for others.

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Appointments

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APPOINTMENTS

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NEW PERTH PRINCIPAL FOR HAMES SHARLEY

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ABOVE Michelle Cramer.

MICHELLE CRAMER JOINS GHD Urban designer and architect Michelle Cramer has been announced as GHD’s Future Communities Lead, which will see her play a major role in creating connected, resilient, productive and inspired communities. Joining GHD after holding senior cityshaping roles with Lendlease, Hames Sharley, Woods Bagot and the City of Sydney, Cramer recently worked on the Central Precinct Renewal Program with Transport for NSW. Cramer holds a passion for designing people-centric cities, particularly for children. She will draw on her deep urbanisation, placemaking and precinct delivery expertise in her ongoing work as a specialist advisor to UNICEF’s Child-Friendly Cities Initiative. Future Communities Global Leader, Jill Hannaford, says Michelle’s appointment adds significant strength to GHD’s capacity to help clients with community creation.

Hames Sharley has appointed Andrew Tang-Smith as Principal to it’s Perth studio, which will see the experienced architect lead design and collaboration across portfolios. With over a decade of experience and a proven track record of success, Tang-Smith will boost the studio’s design leadership with a balanced international and local lens. His portfolio spans a number of diverse projects, from design to delivery of master planning, heritage, multi-residential, commercial, major mixed-use, civic and aviation projects throughout Australia, China and Dubai. Back home, Tang-Smith’s impressive local portfolio includes Perth’s World Trade Centre proposal, Mill Green Precinct, Perth Airport’s Virgin Pier, as well as complex smaller projects like the Palace Heritage refurbishment and The Terraces luxury apartments in South Perth. Possessing exceptional attention to detail, a passion for creativity and an impressive list of awards, Tang-Smith is well placed to help lead the team on several cross-portfolio projects through 2021 and into the new year. BELOW Andrew Tang-Smith.

ABOVE Justin O’Neill, Meaghan Morice and Andrew Kimmins (Left to Right).

NEW PARTNERS APPOINTED AT O’NEILL ARCHITECTURE O’Neill Architecture hopes the recent appointment of two new Partners will boost its reputation as a practice that places people and relationships at the centre of its approach. The boutique practice has overseen the design and construction of a number of successful and acclaimed projects, notably The Eminence, located in Brisbane’s Fortitude Valley. Spanning across a range of industries, O’Neill endeavours to build relationships with its clients and cementing itself as a trusted partner who offers clients’ a full project management and development strategy service. While the building is the atypical assignment, Senior Partner Justin O’Neill (left) says the practice’s approach focuses on people. Joined by Meaghan Morice (centre) and Andrew Kimmins (right) who have been promoted internally to the role of Partner, O’Neill will now be assisted in the direction the practice takes. Morice says both her and Kimmins will endeavour to take a humanistic approach to the practice’s future direction.


WINES TOASTS TO SENIOR ASSOCIATE ROLE AT GRAY PUKSAND

ABOVE Gray Puksand.

Turner is currently within the midst of great change, looking to expand its operations into broader sectors including hospitality and build-to-rent, as well as focussing on designing for wellness post-pandemic. With these changes comes two new senior appointments in the form of Gemma Bainbrigge moving to Business Development Manager and part of the Senior Leadership Team, and Monique Franklin as Senior Associate, Head of Interiors. The practice has also internally promoted Claire Mallin and Carolina Álvarez Arellano to Associate Directors. Mallin and Álvarez have been at Turner for eight and ten years respectively, spearheading many of Turner’s most prestigious projects, including George & Allen Waterloo, West End Residences Glebe, AMG Sydney and 85 Macquarie Street Parramatta. Franklin brings sophisticated wellness, sustainability, and luxury insights from the Asia Pacific to the firm. As Senior Associate of Interiors, she will lead interior concept and development across the multi-residential, retail, hospitality, workplace, and mixed-use sectors.

I2C ARCHITECTURE ANNOUNCES GENERAL MANAGER, SCOTT PALMER AS EQUITY PARTNER

ABOVE Harvey Male, Valerie Mack and Phil Schoutrop (Left to Right).

ABOVE Scott Palmer and Anthony Merlin (Left to Right).

Architecture and design firm i2C Architects has added a new equity partner in Scott Palmer, Senior Associate and General Manager, to join the likes of Brian Jende, Anthony Merlin and Rod Rose, as owners of the business. Formed in 1999 by Brian and Anthony, and with Rose joining the ownership team in 2018, i2C Architects has been built from the ground up and today turns over $16 million annually with offices spanning Melbourne, Sydney, Brisbane and Perth. Responsible for managing i2C business activities and developing and implementing effective business strategies and programs, Palmer says the move to partner was a natural progression as he had always viewed himself as a business owner.

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Monique Franklin and Gemma Bainbrigge (Left to Right).

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ABOVE Claire Mallin, Carolina Álvarez Arellano,

ARM Architecture has announced the promotion of Philippe Naudin to the role of Principal, as the practice looks to boost it’s operations in Adelaide. Currently leading ARM’s Adelaide studio, Naudin brings eight years of experience in the realms of architecture and urban design. An Adelaide local, the architect is passionate about his home city and how design thinking and architecture can offer social and cultural expression to shape places and the people in them is front of mind for the new Principal. Naudin has spent six years leading the ARM Adelaide studio, working at Hames Sharley initially after graduating with a Master’s degree in Architecture from the University of Adelaide nearly a decade ago. Naudin is positioning ARM to radically transition the practice of Architecture in state. Combined with business development, Naudin’s promotion to Principal will allow the practice to expand its already educational project expertise to the state of South Australia and will allow for the expansion of public realm cultural civic works in the pipeline.

APPOINTMENTS

Buchan has announced a number of new appointments to its operations, signalling a major shift for the design studio. Three of the practice’s Principals have become key sector leaders, with Valerie Mack will take the helm of Interiors for the firm, while Harvey Male will assume Living and Phil Schoutrop will lead the Precinct sector (Retail/Mixed-Use). Buchan CEO Stephen Auld says the firm is moving to a common platform to ensure its expertise across Australia, New Zealand and China remains consistent.

ABOVE Philippe Naudin.

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MAJOR CHANGES SIGNALS SHIFT FOR BUCHAN

ARM ADELAIDE STUDIO LEADER RECEIVES PROMOTION

ARCHITECTURE & DESIGN

Gray Puksand has announced the acquisition of Greg Wines, with the new Senior Associate boosting the practice’s Queensland operations with the appointment. Wines brings 20 years’ experience in designing healthcare, commercial and tertiary education institutions. Particularly interested in biophilic design principles, the architect hopes he will be able to satisfy his curiosities at Gray Puksand. His focus on healthy buildings, coupled with the role of light within the built environment, has seen his work internationally published. Wines’ project experience includes work for the University of Queensland and Ramsay Health Care, Australia’s largest private healthcare provider.

TURNER PROMOTIONS MARK NEW ERA

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JAN-MAR 2022 / PEOPLE / ARCHITECTURE & DESIGN

ABOVE Top Left: The Garden House. Top Right: Innisfail, Wahronga from the Caroline Simpson collection. Bottom Left: Caroline Simpson Museum collection 6

“Our Beautiful Homes NSW Series 1”. Bottom Right: Union St House, a juxtaposition of eras that works like a perfect marriage of styles.


WORDS PRUE MILLER

ARCHITECTURE & DESIGN

In a world gone mad, the home has taken on another identity

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And yet in many ways, it didn’t change at all – from the European style that is. Small rooms of the well to do were filled to the brim with ornate detail despite being hugely incongruous to the circumstance, but people needed to hang on to the familiar. It was a boastful time in the growing cities, while in the rural areas conservative, isolated homes were more practical, and under less social influence. Open spaces created in timber, often elevated, with deep wrap-around verandas and a far sparser sense of decoration. An Australian vernacular began. Fast forward to the 1900s and another national mood swept the nation; post war optimism came with a flood of returning soldiers and waves of European migrants, and everybody wanted to build, to start again, to look forward not backward.

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the architectural beauty, and emotional security of mother England to the antipodean outlands. Michael Lech is the curator at the quite marvellous Caroline Simpson Museum in Sydney where researchers, and the just plain curious head to in search of our history of interior design. “A home has always meant security, however in a strange new country with new animals, new flora and fauna people were unsure,” observes Lech. “If you had a choice to remember where you came from, that was very comforting.” So, the style of England became the style of ‘out here’. “The general feeling is that they (colonial settlers) were houseproud. And as more people settled here, more skilled tradesman became available and the architecture began to change,” says Lech.

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“That’s a good question,” he says, and after a few beats he answers with genuine enthusiasm.“Joy.” It has always been thus. We have an emotional relationship with our homes; they are a reflection of where we are (and where we hope to be) as a society. The ebb and flow of good fortune and bad can be seen in our residential architecture. Free settlers and those trying their luck in the new land built what they could themselves from whatever they could lay their hands on; from wattle branches to oyster shells. Simple, uncluttered, utilitarian and home. A reflection of a harsh life where a low profile was the best option. For those with money and means, and with the luck of the 1850s goldfields on their side, the next wave of citizenry could afford to bring

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A renowned and erudite architect such as Andrew Maynard of Austin Maynard Architects has been asked so many questions over his career, you’d think it would be hard to stump him. Yet when asked the rather humble question ‘what makes a home?’ and the more than affable Maynard goes quiet.

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ABOVE Pictures courtesy Austin Maynard Architects.

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For six shillings, a lovely set of plans could be bought from a newspaper, a magazine, even Grace Brothers. You buy the land, you buy the plan – and often, with little experience but a true ‘give it a go’ enthusiasm, you built it yourself. Across the country simple homes with a timber frame and fibro sheeting was all that was needed to make the dreams and hopes of a generation come true. For a while. America, the uncouth uncle to Australia had become the next influence as the middle class emerged in the sprawling suburbs. Mid-century modern. As low slung as it was slick, it was a rebellion with Laminex accents. We became part of the global space age. The Australian home was breaking ties with traditional thinking left and right. We had hope and a rampant consumerism. Bulldoze the old, bring on the new. Mining resources assured us of a never-ending source of energy, excess imports were a source of pride and if all else failed, the farmers would keep the good times rolling. It was as if all of Australia was looking through a giant Stegbar Windowall, and what they saw was good. By the 2000s Australians were different, very different. Woken from the deep slumber of ignorance and irresponsibility consumers found a social and environmental conscience. A more critical society, a more questioning society, a more challenging society complete with an untethered voice of judgement thanks to social media. These home owners are again different. The oversized (some would say) homes of the 90s gave way to more socially responsible sized homes, with the renovation industry expanding exponentially. Reuse, recycle, reimagine – do not destroy in the name of progress. Green homes with wide open plan

living was what people were asking of their designers and architects. Then we had to learn an even more grim social concept. Living with a pandemic. Our worlds, more than ever before, were condensed to what became for many a claustrophobic space. And that space was home. A wave of economic and emotional turmoil unsettled home owners yet again. You would have expected that architectural briefs for homes would have followed the rest of industry which had sunk back into its shell, virtually dormant. But that wasn’t always the case. “Instead,” says Andrew Maynard “Everything took off.” “People learned to hate their homes,” says Maynard with a laugh born of astonishment. “This time [isolating in lockdown] highlighted what didn’t work in people’s homes. There was increased pressure with families living, working studying all under one roof and it was everyday things that aggravated people. We had a shifting relationship with our homes.” Architects across the board were put on the spot to help Australians find their smile; to create homes that could morph into office space, school rooms, exercise zones and oh yeah, a place in which to find peace and shelter from the raging storm outside the walls. Separation was one of the new requests, as well as the creation of designated work spaces. And there was a need to find a space to be alone. Just to sit, alone. Architects are now being asked to find a way to combine that pre-requisite of sustainability with a new range of changing human needs. Skylights, interior courtyards, bigger windows, and where possible greater access to gardens was expected in briefs, while hidden but equally important was the ability for independence – and survival.

“Our home will become our energy store,” says Maynard whose Garden House is a classic example of what people now desire. That project, a single fronted home in Melbourne, has a 17kw solar array, produces 100kw per day, has a 26kw Tesla battery, 15,000 litre underground water tank, heat pumps… the list of what can and is being done post Covid will become the norm not just for those with an ecological agenda, but those who feel the need for guarantees in an uncertain world. So, our homes now? They reflect our need for security, sustainability, and liveable isolation. Our homes have become our islands, that satisfy not what the Joneses next door think, but how we thrive on our own terms.

BELOW For six shillings, a lovely set of plans could be bought from a newspaper, a magazine, even Grace Brothers.


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JAN-MAR 2022 / PEOPLE / ARCHITECTURE & DESIGN

Grose point: Regardless of size, ‘a building is still a house’ WORDS HAMISH MCDONALD

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Noted for his pared-down approach using industrialised structures and fabrics, James Grose grew up in Bundaberg and pursued industrial design at the University of Gothenburg, Sweden, and worked as a graphic artist before completing his architecture degree at Sydney University in 1984. His Grose Bradley partnership with wife Nicola Bradley soon won acclaim for house projects, but after merging with Bligh Voller Nield in 1998, Grose worked on bigger projects including the Australian Embassy in Bangkok, the CSIRO Synergy Building, the Campus MLC in North Sydney, the Kinghorn Cancer Centre in East Sydney, NAB’s office in Melbourne’s Docklands, and the prize-winning ASB North Wharf in Auckland. Now 67, Grose explains to Hamish Mcdonald that however big, a building is still a house.


ARCHITECTURE & DESIGN

JG: In any profession that has to do with the creation of something – words, buildings or paintings – you don’t realise until in retrospect you’ve found a pathway that gets you to a point. Once I started talking publicly about my work, I realised that growing up in Bundaberg

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HM: The early houses used a lot of steel and corrugated iron, getting you noted as a pioneer of industrialised structures and materials. How did this come about?

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JG: With Glenn referring some clients, and with the building code not as prescriptive, you could be looser. Those early houses were like a glasshouse in the bush, very difficult to do now. I’m now towards the end of my career, but I’m also working on enormous projects, the most recent one a 70-storey residential tower in Sydney, with a team of younger architects. They’re all complaining about how we have to reduce the budget. I’m saying: Actually, the discipline of having to reduce, reduce, reduce and go to the core essence, produces a better result. You understand what is necessary and what isn’t. But if you’re doing a show-off house, it’s: Why don’t we do this in stone? In the old days you’d be doing it with plywood. Bigger houses with much bigger budgets aren’t about the essence of experience. They’re more about the client.

had shown me the economy of agricultural buildings. Sheds that house tractors and farm equipment were not anything other than what they needed to be. The idea of strip-down – How wide can you space the columns? How small can the beam be? – is to make the most economic building, and then you just clad it with a piece of corrugated steel. Corrugated steel is actually a beautiful material. The corrugations compressed into the material allow you to make the material span more. This material is designed for industrial purpose, and doesn’t come laden with the sort of social status of a piece of stone. It comes with the idea of getting something to do something within itself. The essence of span is within the material itself. One project when I was studying in Sweden, was to design a stretcher that could be thrown from a helicopter in a disaster area. It had to have the minimal structure and material possible to do its maximum task, to carry a human being, on something that has to be rolled up and thrown to the ground. Those lessons were about serving function as opposed to aesthetics. When I first studied architecture in the 1970s, we didn’t use the word design. It was reduced to research, analysis and synthesis to reach a solution. And that’s the way I have operated as an architect, all the way through. To design a building for the architecture faculty at Newcastle University on an incredibly small budget, all we did was adapt the idea of a factory.

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JAMES GROSE: Not that many perhaps, but I’ve certainly kept doing houses. With Grose Bradley, most of my houses were outside of Sydney, often with quite modest budgets, but for interesting people keen on an interesting building. One was the Newman house in Wollongong that really set my career up. I was quite close to Glenn Murcutt and it was a referral from Glenn – he attracts the kind of client who want buildings appropriate for their place and their climate. What I was able to explore in that Newman house led to all sorts of other buildings, especially in steel. But as you end up more “mainstream” the commissions change. Property prices rise, budgets rise, and the clients are different. The houses are no longer modest, but “substantial”. They’re city buildings, more about what they are in the street. Those first buildings were in the bush. People would say things like: How do you make a house like a tent? You could explore what it means to be an architect in Australia. Which is, to make a building that is the minimum enclosure you need, and maximises the experience of being part of what’s beyond. Some houses I’ve done recently are on extraordinary sites, but they are not modest and not the kind of house I’d want to live in.

HM: Was it easier being unconventional in those early days?

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HAMISH MCDONALD: Even when you were working with BVN on very big projects, you still tried to do two or three houses a year. Have you been able to keep that up?

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HM: You’ve said that you design a building from the inside out?

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JG: A lot comes from the 1970s in Australia, a very different time from the 2020s. I was eighteen or something when Whitlam was elected. All the optimism then as a young person set you on a trajectory of exploring new things, and you were searching for what it means to be an Australian architect. Now, it’s just a blanc-mange of globalisation. Habitat was a big word in the seventies – making buildings about people’s needs, not how the buildings looked. Richard Rogers was the quintessential architect of this kind of approach. He always used to say the building is not important – it’s what happens in the building, and around or in-between the buildings. So, to design from the inside out, you ask the people what they need to do inside, whether it’s a house, a factory, or an office. So, the façade, the way the building is clad, or made, reflects what’s happening inside. It’s a continuum between the human activity determining how the building would express itself within the context of where it is. If it’s standing alone in the city it could have a whole series of carrels where people can be in a very quiet position but also able to observe the city beyond. It’s as simple as that: the activity determines the enclosure. HM: You once said you like people to feel good inside a building, rather than remark: “Isn’t this a wonderful design.” JG: I learnt that when I started working on bigger projects. A person very influential on my career, Rosemary Kirkby, was working for Lend Lease and they had the MLC building, a 1950s 12-storey heritage building in North Sydney. She wanted to turn this into a contemporary human workplace, as opposed to a sort of production line. I got the job in a collaboration because she recognised that a commercial building needs all the attributes of a house, that it supports human activity inside the building. And so began the next stage of my career as well, understanding that not just commercial buildings but all buildings are effectively a house. They might be a very big house but nevertheless they have the conditions of a house, which are a dialogue between intimacy and public-ness, or retreat and the outside. So, when we’re designing a research building, I always start the discussion by saying: You know this is to design a house here, so how do you design a house for cancer research? It’s trying to reduce everything to a human scale, a human tactility, as opposed to, as often the case, an economic model, an equation of operating expenses over acquisition expenses.

HM: What do you make of the sprawl of suburban housing, and up and down the coast in sea-change towns? JG: The first project I worked upon where I understood the conundrum was when a collaboration between two developers, Lend Lease and Mirvac, were bidding for the Sydney Olympic village in the mid-1990s. They approached half a dozen young architects and said: We’re going to win by doing environmental houses. So, we did courtyard houses that faced north, all solar-powered, no air-conditioning, composting toilets, made out of recycled materials or rammed earth. Lend Lease and Mirvac won the bid. The first meeting afterwards, a lot of these architects in this room, and a Mirvac executive gets up and says: “You’ve done a wonderful job, we’ve won this competition, we’re going to build a fabulous village, but of course we’ll start again, we’re not going to build anything like the ones you’ve drawn. Now my architects in Mirvac will give you the plans we use, and let’s just make some alternations to make them better.” That’s what happened. You’d have to present your designs on Friday, and he’d take them home for the weekend, and you’d get them back on Monday with big red writing all over them, what not to do and what to do. Frank Lloyd Wright had taught us you can enter a house from the side, into a courtyard, and the front of the house could then address the whole garden, and the garden could be part of the house etc. But you’d get your plan back: No way! The front door has got to be in the centre of the front wall. Why? Because people want other people to see the quality of their front door. You’d say: That’s got nothing to do with the quality of living in the house. He’d say: People have got more concern about how their building looks. HM: And that’s the way it works generally with new suburbs? JG: People say they want to tackle this mass housing problem, and they end up doing the same thing. The economic equation just cannot stand up at the moment. People build those terrible buildings, minimum to the boundary, 600mm, so: it’s: wall, 600mm, fence, 600mm, another wall. You can have windows in those walls. But because they’re so close to each other they block all the breezes, so they’re all air conditioned. And they’re incredibly cheap, because they just mass produce them. If you go to them and say, we’d like to do one of these but I’d like to change – I don’t want to do that, I want to do that, or put tin on the roof – they say: No, no, you can’t do anything. You’ve got to have our product because it’s a production

line. The bricklayers come, then the electricians, the plumbers, and they’re doing Model X235 and everyone knows what it is. The government gives the land and doesn’t put in proper public transport. It’s a complete disaster. Whether it’s Labor or Liberal they’re focussed on all the wrong things as politicians. So, I blame the politicians. You’ve just got to look at the City of Sydney and what Clover Moore has managed to achieve – a city of densified neighbourhoods based on the notion that human communities are co-dependant, are interconnected and create a sense of belonging. The NSW government can intervene in development to provide an opportunity to make wonderful, sustainable human communities. But the vision of the government until now has not really been about creating green cities, but rather to enable developers with short term vision to propagate yet more opportunities for capitalisation with scant attention to the future. HM: The typical family sees the $350,000 package for the kind of house you’ve described, but they don’t see any alternative. Why? JG: Lots of architects have speculated about how to do this. Some have tried very hard to make an alternative industry of pre-fabricated houses or whatever. But the power of the developer-politician axis mitigates against this. The great cities of the world like Barcelona, even Buenos Aires, or Manhattan, are dense cities. I’m working on a building out in Sydney’s western suburbs, a 12-storeys, timber framed, Australian timber that externally will weather to grey, planting the facades to deal with sun penetration, all those sorts of things. But these are so few and far between. The Atlassian building will be a good thing, except that it’s not affordable to the ordinary developer. So, we have to find ways of making sustainability implicit in everything we do, and that’s a big challenge in itself. But that’s a much easier to overcome than suburbia. You need to change people’s fundamental views about what it is to live in their own house.

IMAGES Corrugated steel is actually a beautiful material. The corrugations compressed into the material allow you to make the material span more.


ARCHITECTURE & DESIGN / PEOPLE / JAN-MAR 2022

When I first studied architecture in the 1970s, we didn’t use the word design. It was reduced to research, analysis, and synthesis to reach a solution. And that’s the way I have operated as an architect, all the way through.

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JAN-MAR 2022

Small but superb: The Dulwich Hill House

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WORDS ARWEN SACHINWALLA PHOTOGRAPHY TOM FERGUSON

Alterations and additions to an existing federation style single residence in Dulwich Hill on a 300sqm site.


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The alterations are almost invisible from the street front only revealing themselves slowly as you walk through the residence.

IMAGES The residence shares a boundary with a leafy park which was a view they wanted to be able 18

to enjoy whilst still retaining their privacy.


REINFORCED STONE HARDSCAPE PRODUCTS MADE FROM AT LEAST

30%

RECYCLED MATERIAL

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JAN-MAR 2022 / PROJECTS / ARCHITECTURE & DESIGN

PROJECT DETAILS

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Project size 107 m2 Site size 309 m2 Year Completed 2021 Building levels 1 Project team Studio P Architecture & Interiors


AUSTRALIAN MADE PLYWOOD

Trust our Australian made plywood – Ecoply,® Plyfloor® and Formrite.® Made in Myrtleford, supporting local jobs. • Proven, durable and easy to work with • Ecoply & Plyfloor available H2S glueline treated against termites and H3 treated against rot & termites • EWPAA ‘Product certified’ for peace of mind • Manufactured from sustainably-grown plantation pine • Environmental Product Declaration for Green Star credits

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Disclaimer: While the products in this document possess the characteristics described, no representation is made that the products will be effective in all locations and circumstances. Much depends upon building design, construction practices and the environment in which the products are used. Products must be installed in accordance with Carter Holt Harvey recommendations, industry accepted guidelines and good building practice.

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Marrying the old to the new, Dulwich Hill Residence showcases the original building on the street front whilst bringing a contemporary edge to the alterations of the second half of the site. The alterations are almost invisible from the street front only revealing themselves slowly as you walk through the residence ending up and the stunning modern kitchen/dining space and multifunction outdoor area. The site shares a side boundary fence with a quaint and leafy park. Adding to the atmosphere of the outdoor area and helping you forget you are in the thick of the Inner West.

The clients are a working couple who travel often for work however they enjoy entertaining at home and often have their two young nephews stay over. The house had cracking walls, leaking roof and was overall becoming unliveable. The clients love the site however and wanted to create a space they could live comfortably in for years to come. The existing house was a 2 bed, 1 bath with a shower in the laundry and tight kitchen, they wished to retain elements however make them more usable, a bath was a must. Extra storage was also an important element as the original house had very little, not to mention their love of wine collecting meant

they needed suitable storage for their many beautiful bottles. The residence shares a boundary with a leafy park which was a view they wanted to be able to enjoy whilst still retaining their privacy.

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P R O M O T I O N F E AT U R E

CAROMA.COM.AU / A&D X CAROmA

indicated inadequate infection control training and insufficient supplies of personal protective equipment (PPE) throughout the sector. Incorporating infection control principles in the design of aged care facilities will make it easier for care providers to maintain high levels of hygiene. Below are some opportunities for architects and designers to improve infection control in aged care environments: • Designing comfortable rooms with private ensuites to reduce shared living areas and provide safe spaces for infectious cases to isolate. • Facility layouts will need to change to enable social distancing in communal areas, outdoor spaces and busy thoroughfares. • Provide staff changing and hygiene facilities, handwashing stations and accessible storage of PPE. • Protecting water supplies through disinfection, hygienic design and effective maintenance and cleaning procedures. • Specify easy-to-clean surfaces with antimicrobial protection.

• Incorporate touchfree technology such as sensor-operated taps to reduce surface-to-hand transmission. • Utilise smart bathroom solutions to analyse fixture usage and monitor hygiene levels in real-time.

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Infection control is one of the primary concerns when designing aged care facilities, the focus on which has only been heightened by the onset of the COVID-19 pandemic. Between April 2020 and April 2021, people in residential aged care facilities made up 75% of COVID-19 deaths in Australia, despite making up only 7% of total cases. The risks associated with infectious disease are heightened in the aged care sector for one main reason – residents are particularly vulnerable due to co-morbidities and advanced age. Beyond COVID-19, aged care facilities have also seen incidences of waterborne pathogens, bacteria, influenza and other diseases spread through resident communities. The built environment of aged care facilities is a major contributing factor to the spread of infectious disease. Aged care facilities are characterised by close living quarters, shared rooms and close communal areas. Staff members frequently assist multiple residents, potentially becoming a vector of disease between them. Recent reports have also

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Infection control in aged care design

Caroma LiveWell specialises in providing beautiful bathroom fixtures, including tapware, basins, rails, showers, and toilets that are designed to reduce challenges for the elderly, while ensuring easy cleaning and maximum hygiene. Working closely with health and aged care specialists, Caroma delivers innovative solutions that surpass current industry standards, with features that can help control the spread of infection.

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The aggressively passive Norfolk pine trees ARCHITECT LACHLAN SHEPHERD ARCHITECTS PHOTOGRAPHY NIC STEPHENS

Channelling the iconic Norfolk pine trees, Koichi Takada Architects’ latest mixed-use residential project is more sculpture than structure.


PROJECT CREDITS Architect Koichi Takada Architects Location Burleigh Heads, QLD Year Completed 2021 Photography Scott Burrows

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Located in Burleigh Heads, the contemporary building is respectful of its surrounding architectural design language, which has remained relatively untouched for decades. The ‘slabs’ that serve as balconies have been purposely overlapped in order to provide shade to the lower floors. Sliding slatted screening brings privacy from onlookers, while protecting from inclement weather. “Norfolk’s sculptural façade references the inner workings of the Norfolk pines, a natural icon in the Gold Coast region,” says Takada. “Just like their pine cones protect its seeds from bad weather and open when in ideal natural settings, Norfolk’s architecture can be adapted to protect residents from the elements or opened up to take in the 300 days of subtropical sunshine and stunning natural surroundings.” Exactly 10 storeys in height, the apartment building comprises fifteen apartments and two dual-level penthouses that each feature a private rooftop pool. Given the way the structure has been arranged, each floor is a salient object in its own right. Curved horizontal battens form a central spine that accentuate the sculpture-like qualities of the design. The ground level comprises a number of amenities for residents to utilise, including a gym, pool and sauna, which offer views of the surrounding coastline. Built to Passive House regulations, the layout of each apartment has been thoughtfully oriented to maximise passive solar design, while benefiting from cross ventilation and an influx of natural light. The rooftop terraces serve as the private quarters for two apartments, that comprise dining and entertainment areas, private lap pools, and a perimeter featuring a number of rich green plantations. Directly acknowledging the Burleigh Heads landscape, the textural palette of sand, water, trees and sky makes for a harmonious existence lived between the building and its environment. Natural timber floors further this earthy palette.

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“Norfolk’s sculptural façade references the inner workings of the Norfolk pines, a natural icon in the Gold Coast region...”

IMAGES The ground level comprises a number of amenities for residents to utilise, including a gym, pool and sauna, which 26

offer views of the surrounding coastline.

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Panoramic head and sill design maximises views

Accepts large double-glazed panels

Strong frames and robust design features

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A view to the future.


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I spy with my little eye….

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WORDS COLIN STRYDOM PHOTOGRAPHY SCOTT BURROWS PROJECTS /

Being located on steep, sloping block in an established neighbourhood where existing houses compromised the natural view, creating a unique design that offered million-dollar views without losing privacy or blocking the view of nearby neighbours was a key challenge of the project. Using natural slope of the site as inspiration, a modular design consisting of multiple self-contained living pods, set at different level, was orchestrated to create spectacular views in every room and strategic privacy. This design solution also facilitated the home’s multigenerational functionality as it enables multiple families to reside at the property while still enjoying the privacy and convenience that separate self-contained living areas provide. The upstairs level is fully self-contained and boasts a master

bedroom and full kitchenette while a selfcontained studio is located on the lower level. An expansive, multi-level outdoor entertaining area and pool connect the two and offer a communal public space for larger family gatherings. Personal touches were vital to the home’s interior design with the client requesting a space in remembrance of the owner’s late wife and the rooms referencing elements of their original family home in Brisbane. Being avid travellers, it was also requested that the house showcase the couple’s extensive travels with the walls of each room subsequently being adorned with items from their travel collection. The brief for the home’s exterior was modern elegance as the client wanted the façade to standout without being overly

extravagant. Neutral grey and white tones, polished concrete blocks, commercially rated cladding, modern geometric shapes, and large windows are therefore key features that give the home modern individuality and striking street appeal. The strategic use of screens and awnings add to this design and provide much-needed privacy without comprising on the grand views the split-level design affords. Architecturally designed gardens, created in collaboration with a local landscape architecture firm, work with the design of the house to continue to the luxury ‘retreat’ feel. Lush green lawns, dark grey retaining walls and a dry creek bed that runs the entire length of the property maximise the views while creating an enviable ‘Zen atmosphere’.

JAN-MAR 2022

Overlooking the Southern Great Barrier Reef and Great Keppel Island on Queensland’s Capricorn Coast, Spyglasses Residence is a multigenerational family retreat that boasts elegant architecture, luxury finishes, landscaped gardens and breathtaking views.

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Architect Design+Architecture Project size 360 m2 Site size 800 m2 Year Completed 2020 Building levels 2

The brief for the home’s exterior was modern elegance as the client wanted the façade to standout without being overly extravagant. IMAGES An expansive, multi-level outdoor entertaining area and pool connect 30

the two and offer a communal public space for larger family gatherings.

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W E

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Our new range of colour kitchen mixer taps come in two design styles, three function types: standard, pull out nozzle and pull down mixer tap with spray. AVAILABLE IN FIVE FASHIONABLE COLOUR FINISHES.

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For more kitchen inspiration visit caroma.com.au


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WORDS STEVEN CETRTEK PHOTOGRAPHY ANNE STROUD

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The bold form of SALO

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SALO sets itself apart from the typical inner Canberra streetscape but also sits politely among its neighbours. A bold monumental facade with subtle combination of concrete, brick, and panelling to create texture and form.

IMAGES The mid-level includes the living, dining, kitchen space that flows out to the terrace and yard and pool area. 33


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...palette boasts a sublime blend of natural stone and terrazzo inspired by mid-century/palm springs design...


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Architect Thursday Architecture Project size 283 Year Completed 2020

PROJECTS

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The entry is articulated by an open courtyard with a curved concrete wall adjacent to a large water feature. Inside, the home is defined by three subtle level changes to suit the topography. The lower level accommodates the master bed suite and formal lounge room. The mid-level includes the living, dining, kitchen space that flows out to the terrace and yard and pool area. The upper level accommodates the kids rooms and associated spaces. The internal materials palette boasts a sublime blend of natural stone and terrazzo inspired by mid-century / palm springs design and obsessive detailing. FOLLOW US for more projects like this

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Kitchen design reaffirms its place in the modern house

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WORDS NATHALIE CRAIG

The kitchen is the heart of a home, the place where the party inevitably ends up and the space that accommodates everything from culinary adventures to entertaining and socialising with family and friends.

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ABOVE & OPPOSITE Open plan kitchens are popular as people integrate them with the other living areas.


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BELOW “Bespoke kitchen design requires appliances that are built-in and operate in harmony with their environments, showcasing sleek aesthetics and

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reflecting personal cooking styles and preferences.”

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A well-designed kitchen that is as stylish as it is functional can truly make a home. Now, more than ever, clients are looking for open plan kitchens that are sleek and easy to clean. There is also a move towards built-in smart appliances and personalisation. Olya Yemchenko, Senior Brand Communications Manager at home appliances brand Gaggenau, says the design of a kitchen “is pinnacle to how a space is used and the overall functionality”. “Open plan kitchens are increasingly popular as many people opt to integrate it with the other living areas,” she says. To accommodate this “hunger for integrated”, Gaggenau has expanded its modern kitchen design offerings. “Bespoke kitchen design requires appliances that are built-in and operate in harmony with their environments, showcasing sleek aesthetics and reflecting personal cooking styles and preferences,” she adds. “Colours, cabinetry and splashbacks all contribute to the personal style of the kitchen but it’s important to take into consideration the large appliances that will feature, such as ovens, dishwashers and fridges”. These appliances are usually integrated within the cabinetry, so it’s crucial that the kitchen’s design and layout incorporate the style and size of each appliance. Gaggenau clients are seeking out kitchen appliances that offer a combination of different cooking methods such as Gaggenau’s Combi-Steam Oven. The latest models feature three standalone functionalities including a convection oven for traditional fan forced cooking and baking, the ability to combine hot air with different humidity levels and a steam oven with adjustable pressureless steam. It also has a fully automatic self-cleaning system, 13 heating methods, TFT touch display, sous-vide function, LED lights, full surface grill behind glass ceramic, core temperature probe, automatic programs and a handleless, automatic side door opening. Tony Tan, one of Australia’s most respected chefs and culinary teachers, says when he needs things done fast, it is ideal to have appliances that offer a combination of different cooking methods such as Gaggenau’s multifunctional Combi-Steam Oven. “My Gaggenau Combi-Steam Oven allows me to roast and to steam, achieving amazing results in a single appliance,” he says.


PICTURED ABOVE: Oven: BPK94733PT Compact oven: KSK99733PT Vacuum sealer drawer: KDK911423T Cooktop: IKE95471FB Rangehood: DVK6981HB

S L E E K, S E A M L E S S , S U P E R I O R M AT T E B L A C K


JAN-MAR 2022 / prActicAl ARCHITECTURE & DESIGN

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ABOVE Zip HydroTap is fast becoming a standard feature in luxury kitchens.

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Vastly expanding cooking options by combining humidity (steam) with convection (dry heat circulated by fans), this innovative appliance cooks more evenly while retaining the essential nutrients of your ingredients. Once found only in professional kitchens, the Combi-Steam Oven was introduced by Gaggenau into the private home 20 years ago. “It’s perfect for your kitchen design and you can create a space that is smart with excellent flow where every meal is a pleasure to cook,” Tan says. Other appliances in hot demand include Gaggenau’s Vario Cooling 400 series, an impressive collection of fully integrated, built-in, modular fridge-freezers and wine climate cabinets. “The progressive design of this range presents a statement in any kitchen, while maintaining integral professional capabilities,” Yemchenko says. The Vario 400 cooling series is the first modular system made from fully integrated built-in appliances. This means refrigerators, freezers, fridge-freezer combinations and wine cabinets can be combined in countless variations to form an elegant cooling wall. The final look can be completely personalised to

your client’s taste. They can choose stainless steel cladding, glass, or even have the refrigerator disappear behind their kitchen furniture. The doors can come with or without handles, but an assisted opening mechanism means a gentle push is all it takes to open them. Marketing, Strategy and Innovation Director at Zip Water, Mike Abbott agrees that sleek design and function remain a top priority for consumers when designing their dream kitchen. “Personalisation has also been a big trend, with people wanting to customise their kitchen to suit their personal tastes,” he says. Abbot says a perfect example of this in action is the Zip HydroTap which offers instant boiling, chilled and sparkling water at the touch of a button. The smart tap that gives homeowners the freedom to create preferred settings for energy modes and usage within a few touches using an optimised menu. It also has enhanced hygiene control thanks to the addition of SteriTouch on the new antimicrobial touchpad, providing an added layer of safety and protection by preventing the growth of bacteria. “Zip HydroTap also comes with seven options of finishes, including matte black and brushed rose gold. This combination of technology

and design provides the ultimate personalised experience,” Abbot says. The smart appliance has simple, intuitive controls including continuous flow to fill bottles. “Zip HydroTap is fast becoming a standard feature in luxury kitchens. All-in-one taps that deliver filtered boiling, chilled and sparkling, plus hot and cold water instantly are becoming a must-have item for many homeowners,” he says. “The right tap can instantly elevate a kitchen, providing a beautiful focal point in the heart of the home, adding another layer of decorative interest to the room”. When it comes to choosing the colour palette for kitchens ABI Interiors believes many homeowners are up for introducing some bolder colours. “As we spend more time indoors, adding colour to interior spaces is becoming popular to enhance mood and bring colours of nature indoors,” ABI Interiors Co-Founder Luli Farrell says. Abi Interiors specialises in high-end, statement tapware and has just released a new Aura Collection which stars their statement Elysian Kitchen Mixer in six new earth-toned colours that “merge art and function”.


INTRODUCING NEW HYDROTAP G5 TECHNOLOGY Enjoy pure-tasting boiling, chilled and sparkling water. With sleek design and slick function powered by our most advanced technology. A new optimised menu, the ability to select energy modes and enhanced hygiene with SteriTouch® antimicrobial protection. It’s not just water, it’s water at its best. Visit zipwater.com

PURE-TASTING | INSTANT | BOILING | CHILLED | SPARKLING

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ABOVE Photo by Tulcarion.

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“After spending so much time indoors, we realised we needed to find a way to integrate the natural and built world. Biophilic design helps build a bridge between those two states, and we wanted to contribute to that connection with this range,” Farrell explains. “In the Aura Collection, the combination of organic shapes and natural colours helps deliver a sense of nature into our spaces,” she said. “Fixtures can become art too. It’s a small detail that does not require an entire overhaul of your house while still making a lasting impact”. When it comes to selecting kitchen finishes, such as benchtops, it’s no surprise that in our post-covid world, the ability to sanitise a surface has never been more important. Independent distributor of timber and decorative surface materials Forest 1 has seen this reflected in recent kitchen renovations, with a growing number of Australians opting for easy to clean kitchen finishes, such as stone benchtops. “Though easy to clean, stone can be expensive to install and fix,” Forest 1’s Marketing Coordinator Mia Piotrowski explains. “Laminate has come a long way in the past few years, meaning more people are utilising this material throughout their home to create beautiful spaces”. Piotrowski says an great example of this is EGGER’s new PerfectSense Matt Laminate

and Panels which offers the latest in surface technology. EGGER PerfectSense Matt is resistant to stains, scratches, heat and chemicals, and is incredibly hygienic with its antibacterial surface property in accordance with ISO22196. “With minimal cleaning effort, EGGER PerfectSense provides users with a lowmaintenance solution, ensuring that a pristine finish is always achieved,” she says. PerfectSense reduces the need for cleaning with its superior fingerprint and smudge resistance, making it the perfect surface finish for the kitchen. “For designers and architects that look to achieve a dark aesthetic, the anti-fingerprint property of PerfectSense Matt is particularly advantageous, leaving fingerprints unseen while also withstanding coarser scratches”. The collection began with solid colours and now includes material reproductions, partly with a pearlescent effect that especially enhances matt decors. EGGER PerfectSense Matt offers nine decors as panels expanding to eleven in the laminate. Piotrowski also noted that design is no longer just about looks these days with more and more people incorporating sustainable products into their designs. With a mission to reduce its carbon footprint and minimise

waste, each EGGER PerfectSense core is made from 80 percent renewable resources, while 67 percent is composed of by-products within the sawmill industry. According to Caesarstone, another emerging kitchen trend in kitchen design is the rise of the alfresco kitchen. Caesarstone says people are designing spaces where the alfresco kitchen becomes a natural extension of the interior kitchen. To create an uninterrupted flow, customers are wanting to use similar materials and colour palettes for both cooking areas. To meet this desire Caesarstone has released an all-new outdoor quartz surface known as Caesarstone Outdoor. The new range means that the very same surface can be used for both interior and exterior kitchens. Caesarstone Outdoor relies on a newly developed resin to create a quartz surface with an unprecedented level of resistance to harsh weather conditions, enabling homeowners to seamlessly link indoor kitchens to alfresco kitchens, BBQ areas and poolside bars. Caesarstone says the initial release of three colours ensures most architectural styles and colour palettes are well served. The Palm Shade is a classic look of white marble; Clearskies a beautifully soft Beton grey and Midday emulates the tinted white of a concrete base.


Feelwood: Better than you imagine.

All our shown and mentioned decors are reproductions. © 2021 Forest One Pty. Ltd. ForestOne® is a trademark owned by Forest One Pty. Ltd. All Rights Reserved.

Egger Decorative Collection 2020 – 22

Feelwood opens up new possibilities for you and seduces with the perfect coordination of texture and decor. Thanks to the decor and material combination, Feelwood is available on almost all core boards, laminates and edging. With matching end-grain or accent edging you can create even more naturalness or a special eye-catcher. Featured decor: H1180 ST37 Natural Halifax Oak. Order your sample via www.forest1.com. Distributed in Australia by ForestOne®.

» Discover Feelwood here www.egger.com/feelwood


LEFT For designers and architects that look to achieve a dark aesthetic, the anti-fingerprint property of PerfectSense Matt is particularly advantageous, leaving fingerprints unseen while

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also withstanding coarser scratches.

As with all other Caesarstone surfaces, Caesarstone Outdoor requires no sealing and is highly durable, being non-porous, stain resistant and scratch resistant. In addition, Caesarstone Outdoor is UV resistant so will not fade. Another plus is ease of maintenance, simply clean with soap and water. According to Caesrstone, independent testing has revealed that this new surface outperforms the more traditional outdoor

materials such as granite, ceramic, concrete and stainless steel in terms of performance and resistance to weathering. Another major trend Caesarstone has seen in kitchen design is the evolution of the island bench. Island benches are now often designed with multiple levels so that they become truly multi-functional and offer maximum storage to keep the kitchen clutter free. This also means homeowners can cut much or all the

wall cabinetry in the rest of the kitchen to keep things sleek and minimalist. On-trend kitchens may look simpler and more refined than ever before but behind the sleek, stylish, and deceptively simple open plan facade, you’ll uncover an impressive range of built-in smart appliances offering personalisation and functionality on a level never seen before in the home kitchen.

SUPPLIERS Gaggenau gaggenau.com.au Zip Water architectureanddesign.com.au/suppliers/zip-industries ABI International architectureanddesign.com.au/suppliers/abi-interiors 44

ForestOne architectureanddesign.com.au/suppliers/forestone Caesarstone architectureanddesign.com.au/suppliers/caesarstone


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WORDS STEPHANIE STEFANOVIC

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A trick of the light: Using shade to optimise sunlight in residential design

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Biologically speaking, light equals life. As the main energy source for all living beings, to say light is crucial would be an understatement. Therefore, it makes sense that throughout history, light has always played a central role in architectural design. From The Pentagon in Rome to Cambodia’s Angkor Wat temple, there are countless examples of breathtaking architecture that has been designed to celebrate the power of light.

IMAGE Photo by Wonderlane on Unsplash.


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LEFT & OPPOSITE One of the unique challenges Australian architects must face is how to tame increasingly harsh UV rays – a symptom of an ever-warming climate – without compromising the

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aesthetic beauty of a light-filled home.

Australian architecture is no exception. As a country that enjoys some of the most annual sunlight hours in the world, there is no shortage of light to work with. That being said, one of the unique challenges Australian architects must face is how to tame increasingly harsh UV rays – a symptom of an ever-warming climate – without compromising the aesthetic beauty of a lightfilled home. Thankfully, the options are many and varied, with the range of light optimising solutions growing more advanced by the day. CURTAINS AND BLINDS

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This one seems obvious. Too much glare? Close the blinds! But can curtains and blinds actually be a sophisticated and functional way to optimise light in a home? One recent example is Ascot Residence, a multi-storey home in sunny Brisbane. The design utilises a combination of curtains, blinds and shutters to address the challenges of Brisbane’s hot and humid climate while prioritising privacy and aesthetics. On the ground floor, sheer linen curtains were used, placed on recessed tracks that allow them to be moved around the perimeter of the room. The recessed tracks integrate seamlessly as a shadowline in the ceiling, maintaining a clean and minimalist look while giving the client the flexibility they need in a room that is surrounded with windows and sliding. In this case, wave sheers were the ideal

solution as they provide privacy while still allowing natural light into the room. The sheer curtains were also combined with Verosol’s Wire Guided external blinds to maximise performance and temperature regulation. On the first floor, a combination of solutions was used. In the hallway, SilverScreen blinds were used to protect the upstairs living areas from the hot western sun. According to Verosol, the benefit of using SilverScreen blinds is that they are made with metallised fabric, essentially fabric backed with aluminium, which reflects UV rays. This means the blinds help keep heat in when it’s cold and keep it out when it’s hot. They also have superior temperature regulation compared to total blockout blinds, while still letting the light in and maintaining outward views. To optimise the light even further, Verosol used motorised battery powered blinds, paired with the Somfy Connexoon automation system to ensure the blinds go down at the ideal time of day to protect the home from the sun’s heat. In the bathroom, polyresin shutters were used with the intention of balancing privacy, sunlight and ventilation. According to Verosol, the shutters are made of moisture-resistant materials, making them durable even when installed in wet areas such as over the bathtub (as was done in Ascot Residence), or in humid climates in general. On the balcony, Verosol’s Wire Guided external blinds were used once again to keep the heat out while creating a practical

and more versatile outdoor area for entertaining. External blinds were used throughout the design to address the designers’ main concern, which was Brisbane’s hot climate. According to the designers, external blinds can stop UV rays before they hit the glass of your windows and can generate heat. This makes them an ideal solution for clients looking to reduce their energy bills. GLASS Window coverings are certainly one way to beat the heat, but that begs the question: what about the window itself? For residential designs which place high importance on outward views, is there anything we can do to minimise heat while maximising outlook? According to Viridian Glass, there are such solutions. One example is Viridian’s LightBridge next double-glazed units, which consist of two panes of glass separated by a non-conductive spacer bar and filled with argon gas. Benefits include temperature and sound insulation that cannot be matched by standard glass, and in particular the ability to design structures with windows up to two-and-a-half times bigger than traditional windows, without sacrificing performance. These windows also maintain the appearance of clear glass with the performance of a grey glass, which is ideal for clients who prefer a more transparent look.


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More than ever, residential designs are embracing the concept of indooroutdoor living.

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The Rack Arm System is quite flexible in its installation, and can be used on windows and facades, pergola roofs and walls, skylights and glass roofs. One of the key benefits, according to Horiso, is that the tilting slats provide the optimal amount of daylight, minimising the need for artificial lighting and the excessive use of air conditioning. This is because they maintain effective airflow and help reduce overall solar heat gain. One recent example of the system’s use is in a new residential duplex development in Sydney, where the client sought a seamless louvre shading system that would integrate with the building’s facade while providing solar shading, glare control and privacy. As per the request of the owners, the first home was fitted with motorised louvres, controlled by remote. The second home took things a step further by choosing a home automation system controlled by a C-Bus home control system. The result was an aesthetically pleasing and functional sun control solution for the entire structure, which matched the facade seamlessly when closed.

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It wouldn’t be an Aussie design if there was no emphasis on outdoor living. More than ever, residential designs are embracing the concept of indoor-outdoor living: paying tribute to our beautiful natural environment while extending the living space of the home. Key to this is the use of awnings and louvres in outdoor spaces – ensuring protection from harsh UV rays and inclement weather while still embracing sunlight and airflow. In terms of awnings and louvres, perhaps the first name that comes to mind is Vergola. An Australian classic, a Vergola is an opening and closing louvre roof system that uses Colorbond steel paired with a unique doubleskinned design that provides superior thermal insulation and sound reduction compared to single-skinned materials such as aluminium. This roof system includes state-of-the-art rain sensors, plus Bluetooth technology that allows the user to control the opening and closing of the louvres from their mobile device. One recent example of the roof’s use is in a residential build in the northern Sydney suburb of Clareville. According to Vergola, the brief was for a functional covered outdoor space that wouldn’t block natural light from entering the home’s interior. The client also required a well-ventilated space that would be suited to outdoor entertaining all year round. To achieve this, an open-close

Vergola was installed in the space. The roof maximises sunlight, creating a lighter, warmer environment in the cooler months, while keeping the space free of direct sunlight during the peak of summer. The result is a functional, flexible outdoor space where the client has complete control over the level of sunlight. For those looking for a more ‘moveable’ roofing option, another good solution is markilux’s Folding Arm Awnings, which are retractable and extendable awnings built on two folding arms that extend out to cantilever the roof over a patio or balcony. According to markilux, while moveable, the Folding Arm Awnings are also highly durable and provide resistance from extreme weather – shielding outdoor spaces from rain while providing a UV protection factor of up to SPF 50+. Finally, it is worth mentioning rack arm louvres, a sun control solution that has been growing in popularity of late due to its aesthetic appeal paired with a high level of privacy and sun protection. One such example is Horiso’s Rack Arm System, which is a customisable louvre shading system that is suitable for internal or external use, and can be made to almost any shape (even a circle). The system uses fixed yet operable support arms which hold aluminium/timber interlocking or overlapping slats that tilt from 0 to 90 degrees via manual, motorised or automated control.

ARCHITECTURE & DESIGN

AWNINGS AND LOUVRES

OPPOSITE One of the unique challenges Australian architects must face is how to tame increasingly harsh UV rays – a symptom of an ever-warming climate – without compromising the aesthetic beauty of a light-filled home. Photo by Ziga Plahutar.

SUPPLIERS Horiso architectureanddesign.com.au/suppliers/horiso markilux Australia architectureanddesign.com.au/suppliers/markilux-australia Verosol architectureanddesign.com.au/suppliers/tilt-industrial-design Vergola architectureanddesign.com.au/suppliers/vergola-nsw Viridian Glass architectureanddesign.com.au/suppliers/viridian

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Bathroom design ages with style and grace

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WORDS NATHALIE CRAIG

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As Australia’s ageing population opts to stay living in their own homes for longer, there has been an increase in the need for stylish, independent living aids for residential bathrooms. While functionality is of course key, designers and manufacturers are realising the importance of making sure aesthetics are not sacrificed in the process.

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For Filippo Parisi, who is the Managing Director of luxury bathroom design and supply company PARISI, creating beautiful products for accessible bathrooms is a passion. Since PARISI’s inception, Filippo’s personal connection to caring for ageing relatives led him to create specialised products which not only look beautiful but also provide the extra support needed when caring for people who want to remain living independently. “Beautifully designed collections marry with purposeful accessible products created for the Australian market. With Italian style at the forefront, clients can have Italian sanitaryware

created by award winning Italian designers and our PARISI Design Team,” he says. At PARISI, they have noticed more and more clients choosing higher toilets to assist with mobility as well as clients looking to gradually update their bathrooms with grab rails and other support items in styles and colours to match their tastes. PARISI’s accessible products are available in on trend colours, like ‘fucile’ which is a gun metal grey PVD finish on stainless steel. “Our stainless steel ranges blend harmoniously with PARISI brushed nickel

tapware and showers,” PARISI’s Chief Operating Officer Franco Parisi says. “The colour palette can be seamlessly carried throughout from tapware to grab rails and showers as well as the comfort provided with luxury Pressalit seats for our Ellisse Ambulant toilets,” he says. PARISI also supplies colour matched door hardware, hinges, handles and accessories as well as large format porcelain tiles by Fondovalle. Con-Serv is another bathroom manufacturer and supplier ensuring ageing homeowners no longer need to compromise on style.


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...contemporary styles with discreet modifications which blend seamlessly into the bathroom to promote comfort and independence...

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“As Australia’s ageing population is staying home longer, we have noticed an increase in the need for independent living aids that will complement a homeowners décor. When it comes to home safety, customers want uncompromised quality that blends seamlessly into their home,” Con-Serv’s Marketing and Communications Manager Crissie O’Dea says. Over the past 12 months, Con-Serv has seen matte black grow in popularity in the residential bathroom market. “This comes as no surprise to us. Matte black bathroom fittings not only look sleek and smart, but they complement a variety of colours and styles in the home. Whether a bathroom is traditional white, has neutral earth tones or plays with a modern colour palette, matte black fittings will add a level of sophistication and wow factor to any room,” O’Dea says. She also commented that matte black fittings are surprisingly easy to look after, only needing the occasional wipe with a micro cloth and warm, soapy water to keep the fittings looking at their best. They are also superb at hiding water stains and dust marks. Con-Serv introduced a range of matte black grab rails for accessible bathrooms which was so successful that they expanded the range to include matte black grab rails for showers, shower seats, toilet assist backrests and a WELS 4-Star shower range.

“All Con-Serv grab rails, grab rail showers and fold away shower seats offer users commercial quality and functionality, in a stylish finish that will complement the home,” O’Dea says. Con-Serv matte black grab rails are available in a variety of length and styles. Straight grab rails range in size from 200mm to 1200mm and can be installed vertically or horizontally to meet the users needs. Utilising Con-Serv’s unique Hygienic Seal fitting system, ConServ grab rails offer superior antimicrobial protection and support loads in excess of 112kg. O’Dea says Con-Serv has worked extensively with Occupational Therapists to develop their range, so users won’t have to make compromises when selecting the right support aids for their home. “All Con-Serv grab rails are made from stainless steel with quality brass fittings and come with a lifetime warranty. Con-Serv also offers a range of bathroom accessories and domestic showers to complement their healthcare range so customers can mix and match the range to meet their individual needs,” she says. Senior Brand Manager at Caroma LiveWell, Michael Collins agrees that there is a growing desire for improved aesthetics when it comes to accessibility solutions for residential bathrooms. “While functional attributes will always be first and foremost, aesthetics provide the biggest opportunity for improvement,” he says.

“Improved aesthetics can play a large role in reducing mental health challenges by providing a more homely and welcoming environment”. Caroma Care Solutions’ Opal collection uses contemporary styles with discreet modifications which blend seamlessly into the bathroom to promote comfort and independence. Discreet design features such as raised height toilet pans and integrated shelf space on basins are just some of the simple additions offered to reduce challenges for the elderly and make the bathroom a more comfortable and practical space. Featuring smooth, rounded contours and clean lines, the Opal Collection will fit effortlessly into any bathroom, while ensuring easy cleaning, for maximum hygiene. The streamlined rimless design of the modern Opal Cleanflush toilet makes cleaning of the toilet very easy. The toilet also has a longer projection on the pan allowing more space for carers to assist if needed and commode chair use. The easy height pan also makes it easier on the knees reducing the wear and tear over time. Caroma also offers an Opal Colour range which allows people to coordinate care specific fixtures with modern interior design finishes. The tapware, grab rails, showers and accessories are all available in stylish chrome, brushed nickel and matte black. “They’re all-round stunning designs with attention to detail on how people use our products,” Collins says.


W E

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Create your

CARE AND STYLE COMBINED FOR INDEPENDENT LIVING

LEARN MORE ABOUT THE OPAL RANGE BRUSHED NICKEL

MATTE BLACK

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Senior Marketing Officer at Galvin Engineering, Corina Dreosso says some key design elements of bathrooms that allow people to live longer at home include an increase in natural light and the accentuation of colours to assist with wayfinding and modernise décor. “Colour coding of toilet seats assists with visual contrasting for better orientation for the visually impaired. Coloured contrasts facilitate orientation and enable intuitive use. If only the functional elements are coloured, they are highlighted and their function is clearly illustrated,” she says. “If the functional elements are also in a colour contrasting with the surroundings, they also become easy to perceive for people with impaired vision”. To support elderly clients in their homes Galvin Engineering offers stylish, high quality European design folding support arms and shower chairs. These aids provide elderly

users with knee and hip impairment greater accessibility to address and dismount the WC fixture. They can also integrate nurse call style assisted living aids. Galvin Engineering also offers anti-scald products like CliniLever Single Lever Mixer or CliniMix Lead Safe Thermostatic Progressive Mixer. CliniLever Shower Set for independent showering or Galvin Assist Hand Shower Kit with innovative ClevaCare shower arm for assisted showering. They have an extensive range of grab rails (including stainless steel, colour and fold down options. Meanwhile, products like the HEWI Dementia Wall Hung Wash Basin are specifically designed for people living with Dementia. Stormtech says when designing bathrooms for residents who plan to age in place, accessibility and ease-of-mobility are crucial. Traditional drainage solutions in the bathroom can present one of the biggest

barriers to universal access. This is because step-downs, uneven floor surfaces, and high gradient falls are among the most dangerous and pervasive hazards for vulnerable residents. Stormtech’s drainage solutions, on the other hand, are specially designed to eliminate the access and mobility constraints of traditional centralised drainage systems whilst making an stunning architectural statement. Their linear drainage is a c utting-edge drainage solution that delivers level-plane (i.e. flush with the ground surface), ‘zero step down’ drainage. Unlike conventional drainage solutions, lineal designs conform to the strict accessibility requirements of the AS1428, whilst maintaining excellent drainage flow. Design and Development Manager at Autoflo Karl Baxter believes the secret to designing beautiful and functional bathrooms for ageing residents is to pair


LEFT Stormtech’s drainage solutions, are specially designed to eliminate the access and mobility constraints of traditional centralised drainage systems whilst making a an architectural statement.

ARCHITECTURE & DESIGN / pracTicaL / JAN-MAR 2022

with a sense of style which aligns with the tastes of the clientele and does not introduce the sense or feeling of sterility; retaining the feel and look of home. According to Baxter, Autoflo’s touch free sensor taps are ideal for elderly thanks to their ease and longevity of use. They are also very hygienic with the water flow activated by the presence of hands in the hand washing area. The tap is also ideal for those with dexterity and mobility limitations who may have trouble reaching and manually operating taps. Baxter says when given custom finishes, these sensor taps “exude style and sophistication”.“They’re extremely simple to install and take up minimal space taken up beneath basins – which well suits aged clientele who may have minimal space available from downsizing,” he says. The taps feature automatic flushing 72 hours after last usage.

“This is useful for situations where residents may be away from home for a period of time, ensuring there is no water sitting stagnant in tapware”. “Additionally, when units are battery powered, should the power be starting to run low, within the sensor window a red led will flash alerting the user that it is time to change the battery – 6V lithium batteries are used which can last up to four years vs around six months for competing products using AA or AAA batteries”. “The pairing of practicality with style means beautiful bathroom interiors, without compromising on functionality for all”. Ultimately, those designing, and manufacturing bathroom products have realised that there is now a big demand for stylish designs that accommodate the needs of ageing clients. Well-thought through bathroom design contributes to the wellbeing of ageing Australians while supporting and encouraging their independence.

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ABOVE While functionality is of course key, designers and manufacturers are realising the importance of making sure aesthetics are not sacrificed in the process. Photo by CreativaStudio.

SUPPLIERS PARISI architectureanddesign.com.au/suppliers/parisi Con-Serv architectureanddesign.com.au/suppliers/con-serv-corporation-australia Caroma architectureanddesign.com.au/suppliers/caroma Galvin Engineering architectureanddesign.com.au/suppliers/galvin-engineering 62

Stormtech architectureanddesign.com.au/suppliers/stormtech Autoflo architectureanddesign.com.au/suppliers/autoflo


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Designing Out Accessibility Barriers Linear drains are typically level-plane and designed without the access and mobility constraints of traditional centralised drainage. They eliminate the need for shower hobs, require only a single fall towards the drain on the floor, and provide superior drainage, enabling self-sufficient access for mobilitychallenged occupants around drainage areas. A threshold drain eliminates the need for a stepdown and enables a seamless transition between internal and external areas. Integrated into the doortrack, a threshold drain prevents

water seeping indoors while enabling uninhibited movement by all users through the doorway.

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Drainage Areas and Fall Prevention Bathroom falls are among the most common accidents in the home. Uneven floor surfaces, and high gradient falls are common features in bathroom drainage areas. Traditional centralised

drainage calls for multiple slopes in the shower, creating unevenness on the shower surface. Traditional drainage is also prone to ponding, which can make floors slippery. As land block sizes get smaller most, if not all, new builds have a strong focus on an outdoor area. Any lip at the door sill or step down at the transition from inside to outside can also pose a safety hazard and should be designed out where possible.

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A study by the Australian Housing & Urban Research Institute found that approximately 80 per cent of Australians over 55 want to “age in place”, which refers to living in their own home as they age rather than entering an aged care facility. A key component to successfully ageing in place is ensuring the home itself is designed to accommodate how the process of aging impacts a person’s mobility and mental ability. Removing safety hazards and obstructions that may limit access for mobility-challenged individuals is paramount. Poorly-designed drainage can make bathrooms and thresholds difficult to navigate for people with limited mobility, especially if they require a walker or wheelchair, and introduce trip hazards that are difficult to remove at a later stage.

A&D X STORmTEcH

Ageing in Place Gracefully: The Importance of Drainage Design Stormtech Linear and Threshold Drains As Australia’s premier drainage manufacturer and supplier, Stormtech is committed to delivering superior lineal drainage solutions that meet the needs of today’s residential market. The Stormtech range includes linear bathroom solutions and threshold drainage systems that enable the creation of safe, accessible homes that support the growing demand for ageing in place.

DOWNLOAD THE WHITEPAPER bit.ly/Stormtech_22Q1

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Making waterproofing easier WORDS MATT MCDONALD

Always a time-consuming and painstaking task, waterproofing is also something you want to get right the first.

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IMAGE Photography by Doralin Tunas.


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Episode 83: Professor Oya Demirbilek on how co-design & technology are changing designs for ageing in place. Oya Demirbilek is a Professor of Industrial Design at UNSW Built Environment, where she held various positions. She was the Built Environment Associate Dean of Education, leading the curriculum development and enhancing students and academic staff’s experience (2013-17).

podcast.architectureanddesign.com.au


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...the good news is that, because of the introduction of the latest generation of waterproofing products, the job is now easier than it’s ever been.

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OPPOSITE Photography by Doralin Tunas.

The Wedi Shower System, a German-made waterproofing system available from Beaumont Tiles, cuts the four days traditionally required to complete sheeting, screeding and waterproofing down to just four hours. As such, it represents something of a game changer for waterproofing applications, significantly cutting labour time and overall costs. Australian Codemark certified and the system promises to significantly expand the design possibilities for showers, baths, and other wet areas. Because it doesn’t involve the application

JAN-MAR 2022

The Weldtec waterproofing membrane range from Ardex Australia includes sheet applied products that are made of synthetic rubber and therefore able to resist ageing, while remaining flexible enough to accommodate structural movements. Designed for simple installation by Ardex-trained contractors, these products are suitable for use everywhere from rooftops to basements. They feature laps and seams that are heat-welded and can be relied upon to provide a guaranteed watertight system.

Featuring a high-performance lining that is the first of its type available in Australia, Gtek Barrier ensures superior waterproofing performance in wet and high humidity areas, such as bathrooms and laundries. Ideal for use on walling and as a substrate under tiles, it is also resistant to abrasion and therefore suitable for use in high traffic areas that are not tiled. With a core similar to standard wet area plasterboard, Gtek Barrier’s key differentiator is the celluloic glass fibre scrim that lines its front and back. Orange in colour and therefore easy to identify, this high-performance liner features recessed edges. Available in two thicknesses (10 mm and 13 mm) it repels moisture, while at the same time preventing other materials, such as paint or adhesives, from adhering to it. A lightweight product, Gteck barrier is installed using the same techniques used to install standard wet area plaster boards. However, it is easier to cut and fasten than those traditional alternatives. It has a 35kg/m² tile carry weight capacity and a low absorption core. This eliminates the probability of water wicking, and therefore prevents the possibility of damage to supporting structure and wall finishes.

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Products in the range include: • Ardex WPM 1500 – A high performance below ground tanking waterproofing membrane suitable for geothermal conditions, tanking foundations, basements, and all other below ground waterproofing. • Ardex WPM 750 - A safe and secure under tile waterproofing solution suitable for use with under tile heating systems. • Ardex Root Repell – A versatile weldable waterproofing membrane that features a root inhibitor and is therefore perfect for planter boxes, retaining walls and living roofs. • Ardex WPM 712 / WPM 715 – A high quality, heat-welded waterproofing membrane designed for use in exposed areas, this system has properties that ensure it resists ageing when exposed to heat, sunlight and ozone. • Ardex WPM 1000 - A high performance, easy-to-install waterproofing membrane suitable for tanking, rooftops, decks, under tiles, pavers, pond linings, and cavity door flashings.

of waterproof roll-on or sheet membranes, the issue of unexpected cracks and pinholes (as experienced in those traditional systems) is eliminated. Completely waterproof, the Wedi Shower System also eliminates the associated problems of mould and mildew. Its blue XPS closed cell foam core remains fully functional even in cases where it is inadvertently damaged. Wedi waterproof building boards can be used as an underlay and they represent an suitable substrate for tile or stone. In such applications, they provide a pre-sloped flat surface and can be relied upon to form a solid bond with tile and stone adhesives.

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Weldtec waterproofing membranes resist tearing and flex-cracking, can be directly tiled, directly screeded, and flood tested just one hour after installation. They form a continuous and consistent membrane thickness that is compliant to relevant Australian Standards.

ARCHITECTURE & DESIGN

Waterproofing is important. Though it accounts for only a fraction of the total cost of residential construction projects, if not done correctly, it can result in significant repair costs (and associated headaches). Whether discussing internal applications and the waterproofing of wet areas (like bathrooms, kitchens, laundries, and so on) or external applications (and the waterproofing of roofs, external walls, balconies, gutters, foundations, etc.), the consequences of not ensuring this task is completed correctly are hardly worth contemplating. To be specific, the problems associated with inadequate waterproofing include the promotion of mould and mildew, rising damp, swelling walls, rotting timber, and structural damage. All serious and difficultto-rectify problems, they also represent cost burdens (both financial and in terms of health and safety). All considered, the message to specifiers is simple. When it comes to waterproofing, get it right the first time. Ensure that your bath areas, laundries, taps, drains, roofs, and balconies are correctly attended to and adhere to NCC requirements. The good news is that, because of the introduction of the latest generation of waterproofing products, the job is now easier than it’s ever been.

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TREMCO Available from Tremco, Alphaguard BIO is a waterproofing system designed specifically with roofing restoration jobs in mind. A composite system, tested to AS4654.1 and compliant with the external waterproofing regulations of the NCC, it cures to form a seamless, monolithic membrane over a range of roofing materials. Significantly, given that it is specifically recommended for roofing restoration work, Alphaguard BIO can also be applied over existing membranes. This simplifies the restoration process, while minimising disruption to homeowners and delivering an additional 20 years of life to their roofs. Alphaguard BIO is a 100% solids polyurethane-based technology that can be applied over existing waterproofing systems, including liquid or sheet membranes, and torch on applications. A flexible system, it allows for an alternative specification which is primer, base coat, Permafab reinforced fibre sheet and top coat. This specification increases the resistance to potential tearing or damage. The fact that is made of solid materials means that the thickness of the membrane remains consistent from the time of application until after it is fully cured. Discrepancies are avoided and customers always know exactly what they are paying for. On top of that, this waterproofing system it’s highly durable and UV resistant. It’s white top coat ensures it reflects a significant amount of solar energy and is therefore compliant with Section J1.3(b) of NCC 2019. GRIPSET Gripset BRW-PFN is a self-adhesive butyl rubber sheet membrane with a sealing edge that is suitable for the waterproofing of internal and external wet areas. It features

a high strength needle punched fabric facing and a fibre Reinforced Butyl rubber backing. The latter ensures effective waterproofing performance as well as impressive resistance to vibration, flexing, and other movement. As such, Gripset BRW-PFN outperforms liquid membranes when used in similar applications. And, because it forms an instant seal as soon as it is applied to the intended surface, it minimises downtime and maximises cost efficiency. Once this seal is established, it can be finished over with the finish of choice – including everything from adhesives, membranes, and coatings, to screeds, mortars, renders, and other approved decorative finishes. Gripset BRW-PFN delivers reliable performance across a wide temperature range (- 30°C to 80°C) and is compatible for use as a multi-layered system with BRW HD. Suitable substrates include glazed surfaces, marble, granite, ceramics, soft and rigid plastics, PVC, DPC films, primed or dense concrete, compressed CFC sheeting, galvanised iron, zincalume, copper, aluminium, timber sheeting, structural floor sheeting; and existing coatings such as epoxy, polishes, paint surfaces. FOSROC Fosroc’s Nitoproof range of above ground and wet room liquid membranes includes solvent-based polyurethanes, water-based polyurethanes and acrylic options. The liquid product range includes spray and hand applied products. The sprayapplied Polyurea range, Polyurea WHE110 (hybrid polyurea) and Polyurea WPE110 (pure polyurea) are certified and compliant to AS4654.1 (external above ground) and AS4020:2018 (potable water) respectively. Meanwhile the hand-applied Nitoproof systems offer flexible solutions in both one part moisture cure and two-part alternatives. These

products are compliant and certified to AS4654.1 and AS4020:2018, providing a broad selection of solutions whether the finish is to be tiled, paved or exposed. The company also offers spray applied Polyurea WHE110, as well as self-adhesive and torch on sheet membranes such as Proofex 3100 and the new Proofex Torchseal range; hand and spray applied liquid solutions; and cold and hot applied sheet membranes. Fosroc also offers a variety of primers for use with its waterproofing systems (noting that choice, in these terms, depends upon the type and nature of the substrate and the technology of the membrane being used). RHINO LININGS Spray applied and totally seamless, Rhino Linings waterproofing membranes are suitable for a broad range of applications across the construction and industrial sectors. Able to bond with virtually any other surface, to transcend multiple substrates, and eliminate potential weaknesses associated with other joined membrane products, they are amongst the most reliable products of their type available. A product that combines maximum slip resistance with excellent protection against impact, abrasion and corrosion, Rhino Tuff Stuff can carry a range of finishes from light to heavy, though for residential applications the lighter finishes are more commonly chosen. Applied as a thicker membrane than comparable products, it also outperforms those alternatives in terms of slip resistance, vibration absorption, and noise absorption. When cured, it creates a monolithic seamless coating, and is able to conform to any shape and size over substrates of any dimensions and materials including all metals, concrete, wood and fibreglass, encouraging their independence.

SUPPLIERS Ardex architectureanddesign.com.au/suppliers/ardex-australia Beaumont Tiles architectureanddesign.com.au/suppliers/beaumont-tiles GTEK [BGC Plasterboard] architectureanddesign.com.au/suppliers/bgc-plasterboard Tremco architectureanddesign.com.au/suppliers/tremco Gripset gripset.com 70

Fosroc architectureanddesign.com.au/suppliers/dulux Rhino Linings architectureanddesign.com.au/suppliers/rhino-linings-australasia-pty-ltd



OPPOSITE Photo by MediaProduction.

WORDS MATT MCDONALD

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The best insulation solutions for you and the planet

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Considering its demonstrated ability to significantly improve the thermal efficiency of residential applications, insulation is one of the more obvious parts of the climate change solution, as well as a sure way to save on energy bills.

While it has become clear in recent years that the global construction sector contributes significantly to carbon emissions and will have to change significantly over the next decade to play its part in ensuring we meet net zero carbon emissions targets, it has also become clear that some aspects of this overall task are simpler to achieve than others. In the ‘difficult to achieve’ category we can place things like cement manufacturing, a process that according to some estimates, produces more greenhouse emissions than any other industrial activity; while in the ‘simple’ category it makes sense to place things like rejecting aluminium as much as possible and installing thermal insulation in our homes. After all, in the case of cement, we are talking about a material that is not easy to replace on a global scale and whose manufacturing process will take time to change, whereas in the case of aluminium, there are several alternatives

available for most applications in which it is commonly used. Similarly in the case of thermal insulation, quality products already exist and their benefits are well documented. As the Climate Council has pointed out, 40 percent of heat is lost through buildings’ ceilings and roofs, 24 percent is lost through their walls, and 10 percent is lost through their ceilings. And, according to the Victorian Government, insulation is a simple way to cut these figures. Used appropriately, it can reduce energy usage and its associated cost by 40 - 50 percent. In other words, insulation is an obvious and worthwhile choice for anybody interested in helping address the climate change problem. On top of that, it is a sure-fire way to save on energy costs. With all this in mind, here is a selection of some of the latest (and the best) products of this type for residential applications, along with their suppliers.


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ABOVE Pink Partition insulation from Fletcher Insulation is designed for use in metal framed partitions, wall systems and ceilings.

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FLETCHER INSULATION Pink Partition insulation from Fletcher Insulation is designed for use in metal framed partitions, wall systems and ceilings. Extremely effective in terms of both thermal and acoustic performance, the range encompasses multiple densities, thicknesses and dimensions to suit steel framed studs and to satisfy a broad range of building requirements. Pink Partition is made from a next generation Fibre Bio-Soluble (FBS-1) formulation, which is safe to handle, soft to the touch, and easy to work with. It is made in Australia, which means it is well-suited to local conditions. Considering the limited transport requirements associated with local production, this also means that compression of the product is minimised. Pink Partition has a characteristic rigid composition, which makes friction fitting possible and therefore reduces installation time and labour costs. In addition, this ensures the product will not slump within the cavity, which is significant because in cases where insulation does slump in this way effectiveness

is compromised and the acoustic and thermal benefits are diminished. Beyond that, another benefit of Pink Partition insulation is that it helps architects, designers and builders satisfy National Construction Code requirements in terms of energy efficiency, and acoustic performance. Non-combustible, it meets AS1530.1 and does not contribute additional fuel loading to buildings in which it is installed. ALSPEC Thermal breaks are materials of low thermal conductivity that are placed in an assembly (e.g. a window, balcony, or glass door) in order to reduce the flow of thermal energy between conductive materials. Their purpose is to prevent heat leaving the building. Alspec’s Thermaframe systems are high performance energy efficient window, door and framing products that incorporate the latest European polyamide thermal break technology (known as Technoform) in order to improve thermal efficiency. Boasting some of the lowest U-Value’s available in Australia (as low as Uw1.7),

these systems also have glazing pockets up to 32mm, which means they can accept a huge range of insulated glass units. Though not well-known here in Australia, in Europe polyamide has been a material of choice for such applications for more than 30 years. With this range of products, Alspec has combined this proven material with Australian design principles to deliver a system that rates highly in terms of both energy ratings and ease of installation. Technoform Polyamide Strips, as used in Thermaframe systems, are made of fiberglass reinforced polyamide with glass fibers that are oriented in three directions to optimise structural performance. It has been designed to accommodate high-performance double-glazed units, and in so doing, to help maximise the performance of building envelopes. The Thermaframe products that incorporate Technoform include thermally broken awning/ casement windows, flush glazed thermally broken framing, centre pocket thermally broken framing, and thermally broken 50mm commercial doors.


Futurity CARPET TILES

Recycle Renew Relove The DESSO Futurity carpet tile collection is an ode to our beautiful Earth and its precious resources, and an invitation to let the raw materials speak for themselves. An irregular textured aesthetic - raw and untamed - allows for true statement flooring. Its colour palette of four shades – comprising two lighter bases with darker pattern, and two darker bases with lighter pattern, reflects the raw, unpolished and unpredictable characteristics of this novel kind of nature. A rough texture perfectly suited to an urban setting, outspoken and loud to make a statement. tarkett.com.au


With its three product solutions, Isokorb, Sconnex and Isolink, Laros is able to supply thermal breaks to deal with thermal bridges on balconies; to ensure the thermal separation of reinforced concrete walls and columns; and to enable to the energy-efficient fastening of core-insulated concrete façades and rainscreen cladding façades. All products have all relevant approvals for structural loading, fire resistance and thermal insulation values pre-calculated. They come complete with detailed planning literature and software to enhance certainty in construction and to provide peace of mind for the lifetime of the building. Used in a broad range of applications, including many concrete and steel structure houses, all Schöck thermal breaks are

independently certified by the Passivehouse Institute in Germany for use in ultra-efficient buildings in any climate zone. Available in Australia from Laros, they ensure the thermal separation of components like balconies, while supporting heavy structural loading. In this way, these components no longer count as part of the heated volume of the thermal building envelope and heat losses or gains are greatly reduced. FOAMEX Available from Foamex, Styrotherm is a thermal insulation product made from Styroboard XPS, an extruded polystyrene that provides higher long-term R-values and better thermal performance than expanded polystyrene and many other insulation materials.

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ABOVE Styrotherm is also 100 percent recyclable and HCFC free.

A lightweight, highly compressed and durable product, Styrotherm delivers a complete slab solution with slab edge insulation, and therefore helps prevent thermal bridging around the perimeter of a house. In addition, according to the supplier, it can be used under residential concrete slabs to provide additional insulation benefits. Styrotherm’s density and closed cell structure mean that it is practically impervious to water, dimensionally stable and organically inert. As such, Styrotherm sheets are suitable for use in moist environments with no loss in thermal resistance, and no effect on dimensional stability. Australian-made, lightweight and easy to handle, Styrotherm is also 100 percent recyclable and HCFC free. KPA rating to suit any project, it combines high compressive strength with durable, sturdy construction and is therefore suitable for long lasting applications.


BONDOR

ARCHITECTURE & DESIGN / PRActIcAL / JAN-MAR 2022

Bondor offers thermally insulated roofing and walling products in three globally recognised core options including PIR, Mineral Wool and EPS-FR. Each provides specific performance criteria to suit individual project requirements. All Insulated Sandwich Panel (ISPs), these products comprise an insulating core sandwiched between Bluescope steel for walling applications, and a ribbed profile on one side to channel the rainwater in roofing applications. The company’s roofing brands – Insulroof, Solarspan, Metecnospan and Econoclad – provide thermal performance and rapid installation without compromising on design expression. Meanwhile, Bondor’s wall systems are lightweight and require only minimal structural support (and in some cases are actually self-supporting). Added to the fact that they are available with very long spans, this equates to a simple design phase, faster installation and a better performing building envelope for the life of the building. The wall systems include Equitilt and MetecnoInspire, which are architectural insulated façade wall systems that are lightweight, durable, and ideal for creating long lasting and creative structures; as well as Flameguard, a non-combustible and fire-rated walling product with a non-ozone depleting mineral wool core, encased in BlueScope Steel pre-finished in Colorbond. According to the company, there are several factors that set these products apart. Light weight and quick to build, they also deliver thermal performance levels that are not possible using traditional built-up systems. In addition, all are three-in-one panels. They comprise a roof sheet, insulation and ceiling sheet in a single compact unit. As such, they replace the traditional approach of built-up systems using individual products (roofing, insulation and ceiling products). The structural nature of the products also means there is no need for trusses. Therefore, the panels can achieve long spans and are able to open up living space very effectively. Because the insulating material is held in place and the panels lock together with airtight joints, it does not suffer from crumbling, sagging or gaps, as is sometimes the case with traditional approaches to insulation. Replacing three individual products with one also means a better outcome for the environment with less site waste and few site deliveries to manage.

ABOVE Photo by gipi23.

SUPPLIERS Fletcher Insulation architectureanddesign.com.au/suppliers/fletcher-insulation Alspec architectureanddesign.com.au/suppliers/alspec Laros architectureanddesign.com.au/suppliers/laros-technologies Foamex architectureanddesign.com.au/suppliers/foamex-group Bondor architectureanddesign.com.au/suppliers/bondor

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The advantages of high performance solid aluminium cladding In the residential sector, traditional cladding materials such as timber and brick remain popular with architects and designers. However, increasingly stringent building regulations and an environmentally-conscious clientele has put the spotlight on alternative solutions, particularly low weight and energy-efficient exterior panels, that are better suited to Australia’s harsh climate. Even among the more popular cladding options, such as timber, fibre cement, brick and steel, there are few cladding materials that can match solid aluminium for its broad range of architectural benefits. As it provides a unique balance of performance, usability and aesthetics, aluminium is an excellent cladding material for residential applications. This material’s strengths provide almost limitless design possibilities for contemporary Australian homes, and makes it possible to create structures that cannot be made from wood, brick or steel. The key advantages of aluminium cladding are as follows: • Design versatility. One of the easiest materials to bend or fabricate with, aluminium can be extruded to almost

any shape, and is available in a range of shapes, colours and finishes. Ease of installation. Leading cladding products are simply interlocked and tightened, then simply fixed on site with no specialist installers required. Strength-to-weight ratio. Aluminium is about one-third the weight of steel, allowing building elements to be made thicker while still reducing weight. Fire resistance. Aluminium is an inherently non-combustible material, enabling solid aluminium cladding to meet the fire performance requirements of the NCC. Environmentally-friendly. Aluminium is considered the “green” metal for its longevity, low weight and the fact it is 100% recyclable. Corrosion resistance and durability. Aluminium has a natural oxide coating that provides an effective protective layer against weather elements. Low maintenance. Periodic cleaning is required, but this is relatively minimal compared to the regular treatment required to maintain other traditional cladding materials.

ProCladTM LINEAR: Aluminium Facade Systems (powered by Alspec) Australian owned, designed and manufactured by Aluminium Facade Systems, ProCladTM LINEAR is an intelligent aluminium interlocking facade system that is 100% non-combustible and provides a modern and aestheticallypleasing element to any facade. Available in an extensive selection of colours and finishes, the range consists of four different profiles (Empire, Urban, Manor and Walsh), each with a unique look and supplied as a complete system with components for fixing and corner details.

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Talking Architecture & Design Launched in 2017 as part of the Architecture & Design publishing and news network, Talking Architecture & Design podcast interviews industry leaders, innovators, personalities and a range of industry movers and shakers. With no subject that is off-limits, we talk to those that not only make change happen, but also those that turn that change into industry norms and trends. In this issue we are featuring our Residential podcast series, proudly partnered by Caroma.

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Residential: Looking at the issues affecting the design and rebuild of our residential structures and all that is needed to design the most liveable and sustainable homes possible.

EPISODE 98: CAROMA INDUSTRIAL DESIGNERS LUKE DI MICHIEL & ANDY GRIGOR TALK TOILET DESIGN, TECHNOLOGY, WATER SAVINGS AND SUSTAINABILITY

EPISODE 96: HAROLD PERKS ON THE SHIFT TO BUILD-TO-RENT MODELS OF RESIDENTIAL DESIGN

EPISODE 95: HARVEY MALE, BUCHAN’S LIVING SECTOR LEADER TALKS ABOUT THE SECRETS BEHIND BUILD-TO-RENT

Caroma Senior Industrial Designer Luke di Michiel (Left) is at the forefront of product design and innovation, contributing to numerous award-winning products for GWA Bathrooms and Kitchens and their leading Caroma brand. Andy Grigor, (Right), the Head of Design and Innovation at GWA for the Caroma, Methven, Clark and Dorf brands has lead the design and innovation team for Methven since 2016 and GWA/Caroma design team since 2020, bringing with him a wealth of design and product development experience.

As a registered Architect for over 18 years, he has experience in mixed-use master planning, commercial, retail, high-end residential design, warehouse and hospitality architecture. His passion for carefully considered urban fabric regularly sees him working at the complex intersection between urban design and architecture. In this episode, Perks talks about the move to build-to-rent models of residential design and how the pandemic and home affordability are combining to facilitate this shift in urban development.

In this episode, Male talks about how buildings work and how to balance commercial viability while also delivering environmental and community benefits. Harvey Male’s expertise lies in architectural and masterplan design and project coordination of cultural and civic projects, medium to large scale residential, hotel, commercial, bespoke mixed-use and retail projects, and uses this vast experience to explain the secrets behind successful build-to-rent strategies.

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Top Episodes (All time)

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EPISODE 1: Talking with Robin Mellon, CEO of Australia’s Supply Chain Sustainability School - 4,821

EPISODE 94: DR SHANE GEHA ON WHAT IS REALLY DRIVING THE HOUSING AFFORDABILITY CRISIS AND WHAT WE CAN DO ABOUT IT

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EPISODE 62: Dr. Steve Cummings from Caroma talks about the importance of designing for dignity in aged-care - 1,860 EPISODE 63: Chris McCue from Carr on New Brutalism, Biophilic design and his new project at Brunswick Yard - 1,789

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Robert Puksand is the founding Partner of national architectural firm Gray Puksand who works across a variety of project types including masterplanning, commercial and retail projects. In each case, he brings a deep philosophy and understanding of architecture. This preoccupation with strategy in design allows him to deliver an outcome highly sought by clients. In this wide-ranging interview, he talks about trauma induced design, post-pandemic and what kind of design legacy he would like to leave his children.

EPISODE 2: Talking with Helen Lochhead, president-elect of the Australian Institute of Architects - 1,869

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Dr Geha is one of the leading rezoning experts in New South Wales. His focus is working closely with clients on property uplift strategy and implementation and has worked on multiple rezoning projects including some of the largest land use changes in both size and value in Sydney and New South Wales. In this exclusive interview, he explains what is really driving our unprecedented real estate boom and what we can do about our ever-growing housing affordability crisis.

EPISODE 90: ROBERT PUKSAND ON POST-PANDEMIC DESIGN, THE CHANGING NATURE OF THE PROFESSION & WHAT KIND OF DESIGN LEGACY HE WOULD LIKE TO LEAVE

TA L K I N G A R C H I T E C T U R E & D E S I G N P O D C A S T

EPISODE 52: Koichi Takada talks about sustainable design and how COVID-19 has forever changed how we work, live and design our buildings - 2,330

Top Apps (Last 5 Episodes) APPLE PODCAST

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For more information on our podcasts, go to: podcast.architectureanddesign.com.au

Visit podcast.architectureandesign.com.au for the full list of podcast episodes or search for us on your usual podcast platforms. If you would like to be interviewed on Talking Architecture & Design, send an email to podcast@architectureanddesign.com.au

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Toilet Talk with Luke di Michiel and Andy Grigor from Caroma Modern bathrooms serve myriad purposes in our residences. From addressing our physical needs to supporting our mental health hygiene and contributing to our emotional wellbeing, they offer an invaluable place of respite from the rest of our busy dwellings and the outside world. And as the role of the bathroom evolves, so do the spatial solutions within it, bringing to life the results of significant research, ever-changing insights and technological advancements. Luke di Michiel and Andy Grigor are Industrial Designers for Caroma and with a combined wealth of experience spanning product design, innovation, and research and development, they sit at the forefront of pioneering design where the multifaceted bathroom space is concerned. “I think it highlights that for us as a society the role and value of the house and that space does extend beyond what previously was a few essential rooms,” says Luke. “People have higher expectations now, and that includes places like the bathrooms, laundries and butler’s kitchens. They want their vision to be realised right throughout the house. No room gets left out when we talk about the expectations across the interior design, bathroom, and product selection throughout the house.” So what are some of the key trends that are defining the present and informing the

future of bathroom design? “Ageing in place and being able to get older with dignity are certainly key aspects that shape bathroom design, as we move forward with an ageing population,” says Luke. “As they age, people are reluctant to settle for the products that have been available in the past and it’s a really exciting opportunity for us, at Caroma, in terms of presenting products that have all those functional characteristics, but also deliver on contemporary trends and styles of bathroom design and products. We’ve been able to pioneer modern grab rails and assistive supports that look very contemporary, but offer those valuable qualities that people will need as they age. So I think we’re really shifting that approach from being considered purely as a product to looking at it as universal design.” Another big one - and one Caroma have firmly in their sights - is toilet technology. In Australia smart and tech-enabled toilets are yet to take off in the way they have in other places, like Japan. “But the tech is there,” says Andy. “And there are two ends of the development spectrum. On one side is the full biometric, wellness toilet, and on the other is the one that solves a genuine problem, like cleaning and smell, for example - and cleaning is obviously one of those ones that’s high on our agenda,” he says. “But in terms of high-tech, there are now toilets

containing multiple sensors that claim to track mental and physical status and then provide recommendations about your health. And we can’t ignore that. But if we look at that spectrum of development, for now we’re taking a very pragmatic approach to solve genuine problems. But watch this space!” And as Caroma continues towards this bright, tech-and-design-focused future, they’re well placed to keep pushing the envelope in bringing trail-blazing and useful solutions to market. “Caroma has always had a really hands-on approach from a design perspective, and we have incredible design and prototyping capabilities in-house,” says Luke. “That allows us to open up that conversation; we can take the product and engage with key industry partners for feedback and iterate based on their responses. We’ve always had the approach of ‘how could this be improved?’ and I think it’s that method, combined with our technical abilities, that allow us to really uncover the points where that true innovation can be found.” IMAGES Luke di Michiel (Left) and Andy Gigor (Right).

LISTEN TO PODCAST EPISODE 98 bit.ly/Caroma_Podcast98


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Welcome to the Architecture & Design

Product Directory ARCHITECTURE & DESIGN / PRODUCTS

PRODUCT CODES To find out more about a specific featured product please scan the QR code or use the unique product code provided on each module and follow these 4 simple steps:

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TONALITY: MAINTENANCE-FREE TERRACOTTA AND CERAMIC FACADE SYSTEMS Tonality® combines 150 years of ceramic tradition with innovative German system technology for exceptionally strong facade tiles with rapid install. Tonality’s ultra-fast ‘Lift & Lock’ installation requires no clips, gaskets or sealants, making it a truly economical choice. Avoid the cost and time of less efficient, more labour-intensive cladding alternatives. The Keralis® sinter firing process produces a sealed surface that resists weathering, dirt, stains and graffiti, keeping your facade vibrant and maintenance-free for decades to come.

Enquiries: 137175 networkarchitectural.com.au NA1039

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ARCHITECTURE & DESIGN

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More than 50 standard colours plus a choice of standard surface finishes allow design freedom for even the most ambitious project. Custom colours also available.

SELECT RANGE: BI-FOLD WINDOWS & DOORS A premium solution for those seeking superior functionality and style in the alfresco area of their home. The Carinya Select Top and Bottom Bi-Fold System features flat sill options for smooth accessibility and optional mid rails with multi-point locking in a range of opening configurations. For a modern designer look, the Carinya Bi-Fold extrusions are a consistent 85mm wide face on both the stiles and rails. This allows a balanced visual face and allows a vast array of hardware lock options. Combined with commercial grade spigots, these door panels are superior in strength and performance. The Bottom rolling Bi-Fold system features the innovative F2/F3 Centor Bottom rolling hardware which overcomes the requirement for any structural beam as needed in a top hung Bi Fold system. This is ideal for the new or renovation market that want an Alfresco style opening without the additional cost of a structural beam. The Top rolling Bi-Fold system features the Alspec commercial grade E2A Centor rolling hardware which has been used and proven over time in commercial projects.

Enquiries: 1300 ALSPEC (1300 257 732) carinyawindows.com.au CR4245 86

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SEAMLESS ADDITION TO ANY DESIGN We want your clients to have an oven that they don’t need a manual to use, our range of double, compact, pyrolytic, and steam ovens have been designed with brilliant simplicity in mind. We want to assist in making your client’s dishes taste delicious every time, but we also want to make cooking to be effortless for them. With intuitive features such as the Smart food probe which alerts you when food reaches the desired core temperature and switches the oven off giving the perfect final result or our Intuitive Oven Interface (IOI™), which allows you to simply go from left to right to start cooking. You first select your cooking function, your temperature, a cooking time, then press ok. With the range coming in finishes of dark or natural stainless and full of intuitive features, an Electrolux oven will be a seamless addition to any project.

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ARCHITECTURE & DESIGN

Enquiries: electrolux.com.au/laundry /washing-machines/

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At the heart of every Invisi-Gard security screen and security door is our high tensile 316 marine grade stainless steel mesh. The grade 316 mesh used in Invisi-Gard sets the world standard in terms of its quality, precision, and longevity.

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Invisi-Gard is the premium security screen solution by Alspec – an Australian owned, market leader for over 45 years in the design of innovative aluminium systems to the architectural, residential, industrial, and home improvement markets.

PRODUCTS

INVISI-GARD: ALWAYS STANDING GUARD

Invisi-Gard security doors and screens are without question the best investment for your family’s safety. They are also the best investment for the look and value of your home. We put our Invisi-Gard range through tough conditions in independent testing facilities to ensure our products are tested to not just meet but exceed Australian Standards.

Enquiries: 1300 INVISI (1300 468474) invisi-gard.com.au IN0136

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HARDIE™ FINE TEXTURE CLADDING Hardie™ Fine Texture Cladding is the latest innovation from James Hardie. The pre-textured fibre cement panel is connected to each other with shiplap joints, bringing subtle shadow lines and a gentle vertical rhythm to the facade. The surface has a texture reminiscent of fine render which diffuses light to give a matte finish.

Enquiries: 13 11 03 Jameshardie.com.au JH6945

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Hardie™ Fine Texture Cladding offers architects and designers more creative freedom to explore the possibilities of lightweight construction and considered joint detailing. Individual panels are supported by a range of corner and junction accessories by James Hardie, specially designed to streamline the installation process and deliver a consistent, quality finish upholding the integrity of the design.

PROMATECT ® XS – NEXT GENERATION HYBRID BOARD FOR STEEL Soon to be available in Australia PROMATECT®-XS is an innovative high performing fire protective board, specifically designed for the fire protection of steel elements such as columns, beams and hollow sections, when high fire protection performance is required. PROMATECT®-XS is based Promat’s unique next generation hybrid board technology, which has best in class thickness for the fire rating of steel structures. Tested and assessed to AS1530.4 & AS4100, PROMATECT®-XS is strong, highly moisture resistant and has improved workability compared to traditional steel encasement products.

Enquiries: 1800 PROMAT (776 628) promat.com PA1056 88

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BEAUTIFUL CURVES AND LIGHT REFLECTIONS WITH FINECOTE Create a classic render finish with Finecote by Rockcote. Our smoothest and most subtle finish in the Coloured Render Range. The fine texture is brought to life by light reflective particles of luminescent sand contained in the formula. Finecote allow you to create a consistent, seamless and natural looking finish. Rockcote pure acrylic Coloured Renders offer a timeless and beautiful quality that painted surfaces simply cannot achieve. With an extensive range of textures and colours a Rockcote Coloured Render system can be tailored to your substrate and desired aesthetics. Rockcote specialise in advanced high build coating systems that take inspiration from the past, to create innovative solutions for today. With more than 40 years’ experience, Rockcote is recognised as an industry leader in the development and manufacture of pre-bagged renders, coloured renders, high performance membrane coatings and Eco-friendly paints.

RE1416

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ARCHITECTURE & DESIGN

Enquiries: 1300 736 668 rockcote.com.au/inspirations /woorak-house

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NATA tested to AS2047, the BT90 is certified with the following:

JAN-MAR 2022

A thermally-broken 90mm frame and the option for double or triple glazing allows the BT90 louvre to achieve U values under 2.5 making Section J compliance a reality.

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The BT90 architectural glass louvre system sets the benchmark for Australian louvre performance.

PRODUCTS

BT90 THERMALLY BROKEN IGU LOUVRE SYSTEM

· Spans of up to 1740mm wide · Resistance to water penetration up to 800Pa · Approved for use in air conditioned buildings passing both positive and negative air leakage. · Acoustic performance with Rw values as high as Rw42 · Uw values as low as 2.35 The use of IGU’s with fully drained and thermally broken frames allows the BT90 to achieve performance not possible with single glazing.

Enquiries: 1300 327 200 ebsa.com.au EP0536

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TEMPERSHIELD - PREMIUM BENT & FLAT TOUGHENED GLASS Glasshape® offer a comprehensive portfolio of fully certified internal and external specialist architectural toughened glass. For commercial or residential settings, and compatibility with security, thermal and decorative glazing, TemperShield is a versatile premium glass product, backed by a company with more than 35 years international experience. Glasshape® has the capabilities to bend its Glass in many different ways, shapes and sizes; providing a limitless array of options for custom curves. We are proud to offer a toughened and laminated solution that can also be curved to your specifications.

Enquiries: 1800 042 716 glasshape.com/tempershield/ GL2115

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PRODUCTS

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Our on-site digital measure service utilises the latest scanning hardware to produce electronic templates with unmatched accuracy, doing away with the need for the cumbersome and time consuming measure, production, transportation and storage of physical templates; ideal for bent toughened glass projects.

NEWTECHWOOD’S COMPOSITE CLADDING, HIGH-END TIMBER LOOK WITHOUT MAINTENANCE NewTechWood’s Composite timber cladding is a perfect, sustainable choice for a visually stunning architectural addition to any residential or commercial project. With its high-end timber look and a 25-year warranty, NewTechWood Composite Cladding provides a great alternative to timber. But unlike timber, NewTechWood boards do not require any oiling, sanding or painting and always look as beautiful as the day they were installed. Both cladding ranges — Castellation and Shadowline are a fully finished product, offered with complementing end trims and accessories for the finished project. NewTechWood boards are made of 60% recycled dense wood fibre mixed with 40% high-grade recycled plastics (HDPE), fully capped with a durable and robust polymer shield. The 360 degrees shield provide a moisture barrier and protects the boards against fading, splitting or rotting, making them more durable than wood and many other competing composite products.

Enquiries: info@urbandirectwholesale.com.au newtechwood.com.au UD9843 90

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CAROMA OPAL COLLECTION Introducing the Opal Collection, a comprehensive and versatile range, specifically designed to enhance your independence in the bathroom without having to compromise on style. Discreet design features such as raised height toilet pans and integrated shelf space on basins are just some of the simple additions offered to reduce challenges for the elderly and make the bathroom a more comfortable and practical space. Featuring smooth, rounded contours and clean lines, the Opal Collection will fit effortlessly into any bathroom, while ensuring easy cleaning, for maximum hygiene. It’s the trusted Collection for all bathrooms designed with wellbeing in mind.

CA1158

architectureanddesign.com.au

ARCHITECTURE & DESIGN

Enquiries: 13 14 16 caroma.com.au

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Production of the NeXTimber range will begin in 2023 but our locally based technical support team is ready to help you now. Engaging NeXTimber early in a project can help maximise opportunities for efficiencies and savings in time, materials and costs.

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NeXTimber® by Timberlink manufactures Australian made Cross Laminated Timber (CLT) panels from certified plantation radiata pine and offer a renewable, sustainable and low carbon solution for commercial, residential, and public projects; used on their own or in conjunction with traditional building materials.

PRODUCTS

NEXTIMBER ® BY TIMBERLINK. AUSTRALIANMADE CROSS LAMINATED TIMBER (CLT)

The NeXTimber range will be produced at a purposebuilt manufacturing plant being constructed adjacent to Timberlink’s world class timber manufacturing facility in Tarpeena, South Australia.

Enquiries: info@nextimber.com.au nextimber.com.au NE1159

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ABB-FREE@HOME ®: MAKING HOME AUTOMATION EASIER THAN EVER

PROCLAD LINEAR: THE FUTURE OF RESIDENTIAL CLADDING

Simply smart. ABB-free@home® transforms the house or the apartment into an intelligent home. Whether blinds, lights, heating, air conditioning, door communication or scenes. Easy to remote control via a switch on the wall, with the laptop or with the smartphone.

ProClad™ LINEAR is an intelligent aluminium interlocking facade system proudly Australian-made from the raw material to the finished product. The range consists of four different profiles in various sizes and finishes which can be customised to suit any project.

AF1657 architectureanddesign.com.au

BINQ ARCHETTO SERIES: LIFT-SLIDE DOOR

THERMALINE M2M, MADE TO MEASURE COOKING SUITES

European Design and Engineered, BINQ’s Lift-slide doors are locally hand crafted from 68mm thick timber profiles, which creates a glazing rebate of up to 32mm, achieves uValues as low as 1.5 & SHGC’s as low .58, and suitable for Passive House requirements.

The Electrolux Professional premium cooking range. Swiss design since 1871. Production, precision and tradition for 150 years.

EP1741 architectureanddesign.com.au

BI2137 architectureanddesign.com.au

Each cooking suite is designed according to the Chefs’ requirements making thermaline the choice for many five-star hotels and fine dining restaurants around the globe.

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ELEMENT MK2

ARCHITECTURE & DESIGN

VISIONINK: DIGITAL CERAMIC INK PRINTED GLASS

Element is Real Flame’s best-selling range of high efficiency gas space heaters. Element is available in single and double-sided configurations, and in a range of sizes to suit all applications. With new sizes and sleeker aesthetics, the Element range is sure to include the perfect option for you.

The VisionInk digital ceramic ink glass printer is the most advanced and versatile machine available for printed glass. Combined with our glass curving capabilities it is ideal for both external and internal architectural and transportation glass applications, together with stunning Point of Sale (POS) displays. RF2605 architectureanddesign.com.au

GL1418 architectureanddesign.com.au

ECOPACT: LOW CARBON AND CARBON NEUTRAL CONCRETE

MULTITAP ®3N1: APARTMENT LIVING SOLUTIONS

ECOPact is Holcim Australia's low carbon concrete brand.

The InsinkErator Multitap 3N1 tap range offers style and convenience to help simplify your life in the kitchen. Designed and manufactured in Italy, the Multitap 3N1 offers instant filtered steaming hot water as well as regular hot and cold water, all out of the same tap. Available in 3 modern designs and finishes.

ECOPact can reduce embodied carbon by 30% to 60% compared to the Australian National Life Cycle Inventory Database basecase. It is manufactured by replacing a percentage of standard cement with alternative materials. HA1754 architectureanddesign.com.au 92

IN7848 architectureanddesign.com.au


FIREPLY X

DUPLO: DOUBLE CAR PARK STACKER The Duplo car stacker series is ideal for outdoor installations such as in gardens or tight access front and rear yards. Duplo allows you to double up areas as parking spaces or hide vehicles completely underground, keeping the residential space free of clutter.

LE0220 architectureanddesign.com.au

MV3500 architectureanddesign.com.au

MITSUBISHI ALPOLIC™ NC (NON-COMBUSTIBLE) ALUMINIUM CLADDING

MAXI DECO

Mitsubishi ALPOLIC™ NC (NonCombustible) was introduced solely for the Australian construction market, and has the best possible safety rating with the Insurance Council of Australia.

NA1128 architectureanddesign.com.au

Scientifically proven to be the safest aluminium façade product in real life fire tests around the world.

ARCHITECTURE & DESIGN

Scalloped timber meets plywood allows Maxi Deco to bring a soft, whimsical, touch to your interiors. Celebrating the lines of material inherent in plywood, Maxi Deco will bring that extra sense of depth, texture and, well, pizazz to your project. Available in four stunning colours as standard or any of the 18 Maxi colours by request. MA1934 architectureanddesign.com.au

Fireply X® is a versatile, prefinished and ready-to-install plywood, compliant with the increasingly rigorous relevant Australian Standards relating to fire safety. With the focus of solving major design and compliance challenges, Fireply X® is available in a range of perforated options, as well as eight on-trend colours – all certified as Fire Hazard Group 2.

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Soundlag™ is a high-performance composite acoustic pipe lag, consisting of reinforced foil-faced, flexible vinyl barrier bonded to a decoupling layer. Ideal for both pipe and duct lagging applications, Soundlag is designed to reduce wastewater noise break-out.

PT2351 architectureanddesign.com.au

JAN-MAR 2022

Axia has a modern and minimalist aesthetic featuring a lever-less handle design. Designed in Australia by Phoenix’s in-house team, Axia has won the prestigious Red Dot including ‘Best of the Best’ in 2020, Good Design Awards and iF Design awards for innovation and cutting-edge design.

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SOUNDLAG™

PRODUCTS

AXIA TAPWARE

PY1653 architectureanddesign.com.au

RXON XL SLABS

COST EFFECTIVE CURED INPLACE PIPE (CIPP) SOLUTIONS

RXON XL slabs allow designers to create seamless spaces while their versatility enable wide application across walls, floors, and furnishing elements such as bathroom vanities, kitchen benchtops and tables for both residential & commercial environments.

Features · AS/NZS 4020:2018 potable water certified · Rehabilitates pipes · Cures fast with mild 48.8°C heat · Repairs pipes from 50.8mm to 2590.8mm in diameter · Effectively lines pipes & drains with a 90° bend RL2101 architectureanddesign.com.au

· ASTM F-1216 compliant

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SANIFOS 610

TUFFMESH ALUMINIUM

The Sanifos 610GR is a packaged pumping station suitable for single dwelling residential or commercial use. It is an efficient solution where gravity reliant sewerage is not possible due to limited site access and site constraints such as property sloping away from the sewer or storm water infrastructure.

An expanded aluminium with a diamond pattern 50% heavier to stop possums, vermin and birds. Specifications:

SA1010 architectureanddesign.com.au

· 20 year material warranty · AS4020 Drinking water rated · Australian standard AS3959-1999 · Suitable to BAL 29 CSIRO tested flammability index of zero ST1032 architectureanddesign.com.au

SS1108 architectureanddesign.com.au

Select Staging Concepts’ unique Australian design eliminates pinch points, heavy lifting and the need for more than one person to operate the DIVA Fold & Roll. Each Fold & Roll podium may be used singularly or join multiple Fold & Roll units simply & safely together in a variety of size and shape configurations.

VIVID 202

SF2519 architectureanddesign.com.au

Available in 202 solid, saturated colours across 6 colour families, Vivid 202 is the largest stocked colour carpet tile offering in Australia and New Zealand. Use the range to creatively mix and match between collections, explore bespoke layouts or customise in 10 Shapes® by Signature. Carpet tiles are also GreenTag Green Rate Level A certified to support your project’s sustainability.

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PRODUCTS

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JAN-MAR 2022

DIVA FOLD & ROLL STAGE SYSTEM

· Akzo Nobel D1010 powder coating

ARCHITECTURE & DESIGN

REFRESH YOUR HOME THIS SUMMER Solatube Whole House fan pulls cool, fresh outdoor air into living spaces through the windows, and pushes hot stale indoor air through your roof cavity and out the vents. It doesn’t recirculate air (as with air-conditioning) it provides natural fresh air throughout the home. SA2550 architectureanddesign.com.au

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DECK SUPPORT SYSTEM FOR RAISED FLOORS OVER THE EXISTING SURFACES

UD2553 architectureanddesign.com.au

StructurAL® is the ideal solution for constructing decks over solid surfaces, waterproof membranes, or renovating existing tiled or concrete floors. The combination of height-adjustable deck pedestal and aluminium joists is the superior solution for deck subframes than conventional timber structures.

CAESARSTONE WHITELIGHT COLLECTION

WASHING MACHINES BY ELECTROLUX

Empira White, from the Caesarstone Whitelight Collection, is a sophisticated marble-inspired quartz surface that features a pure white base authentically overlaid with deep, almost black veins in random sweeps, creating a dramatic interplay between light and dark.

Our washer range is designed to have features that give your client's clothes a longer life for a sustainable future. With lower temperature washes, steam refresh, specialised wool, and silk programs, and AutoDose for correct detergent dosage their garments are newer for longer.

EL1048 architectureanddesign.com.au


VITRACORE G2 BONDED ALUMINIUM PANELS - THE SMARTER CHOICE

SISALATION ® VAPAWRAP ® PERMEABLE METAL ROOF SARKING SOLUTIONS

Vitracore G2 is the most stringently tested product of its kind and exceeds the performance of solid aluminium products when it comes to oil-canning, weatherproofing and combustibility.

Managing condensation in standard pitched metal roofs in residential houses with Sisalation® Vapawrap® Vapour Permeable Metal Roof sarking solutions. Two solutions for the comfort of occupants in temperate and cold climates.

FA1019 architectureanddesign.com.au

FI1405 architectureanddesign.com.au

CLEVERDECK XTREME COMPOSITE TIMBER DECKING

Glassworks’ Loȳ-366® is a low-E glass which delivers the ideal balance of solar control and clarity for more natural light and reduced glare. Not to mention superior thermal insulation for year-round comfort and energy savings. GA1224 architectureanddesign.com.au

ARCHITECTURE & DESIGN

FU1013 architectureanddesign.com.au

CleverDeck Xtreme capped composite timber decking is wrapped in a co-extruded, super tough, protective shell making it effectively maintenance-free. The boards are fade, scratch and abrasion-resistant, virtually waterproof and BAL-29 rated. Supplied in up to 7 colours with grooved edges for concealed fixing via a range of clips/screws.

LOȳ-366 ® + NEAT ™ = INSULATING, SOLAR CONTROL GLASS WITH AN EASY CLEAN COATING

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IC1025 architectureanddesign.com.au

IA0704 architectureanddesign.com.au

LAUXES GRATES GOLD CLASS: ONE-OF-A-KIND DRAINAGE

SINIAT OPT-IN CARBON NEUTRAL PROGRAM The opt-in program is available for a range of plasterboard and metal products. Specifiers and contractors can reduce their building’s upfront carbon emissions to meet the requirements of Green Star ratings tools.

Gold STI – a highly anticipated addition to Lauxes Grates tile insert range of linear grates. Now available in a matte gold finish, the anodised aluminium drainage solution will upgrade the practicality and aesthetics of any property.

LG1436 architectureanddesign.com.au

This wall bed includes a comfortable 3 seat sofa, underneath storage, bookcase with the option of an interchangeable left or right chaise. Available in double and queen in a range of finishes.

JAN-MAR 2022

FIBA-DEK is produced by EPD (Environmental Product Declaration) accredited INNOWOOD, that includes stringent life cycle assessments that are on top of the inherent superior material performance that INNOWOOD is renowned for.

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The GHOST smart bed is the ultimate multifunctional bed and sofa system that gives you comfort both day and night.

PRODUCTS

THE GHOST SMART BED BY INTERFAR

FIBA-DEK A TRULY SUSTAINABLE AND ENVIRONMENTALLY FRIENDLY PRODUCT

SI1435 architectureanddesign.com.au

Siniat provided carbon neutral certified plasterboard to South Australia’s first energy efficient 10 Star Home, designed by SUHO. 95


VA1101 architectureanddesign.com.au

GLOBAL LEADERS IN SOLAR CONTROL SOLUTIONS

FREESTANDING COOKERS FROM WESTINGHOUSE

SilverScreen by Verosol. Verosol’s ground breaking SilverScreen roller blind fabrics reflect up to 85% of solar radiation. To ensure wellbeing, creativity & productivity are maintained, it’s essential to create an environment with good visual & occupant comfort. This is achieved when daylight exposure, unspoiled viewing out and heat & glare control are in balance.

Westinghouse Freestanding Cookers are ideal for kitchens that prefer their cooktop and oven in one appliance, with finish options of dark or natural stainless steel and white it will seamlessly fit into your client’s chosen kitchen aesthetic. With an option of gas or ceramic cooktop, Westinghouse freestanding cookers are built in Adelaide.

WE1001 architectureanddesign.com.au

HA1334 architectureanddesign.com.au

Large format, floor to ceiling sliding door units make statements and provide visual clarity in a room. The new generation TopLine XL sliding door fitting from Hettich is the key to creating storage units and wardrobes with a focus on exquisite design. The system sets new standards in practical convenience and failsafe, straightforward installation.

CORRASSURE: CORROSION PREVENTION IN COMMERCIAL AND MULTI-DWELLING CONSTRUCTION RemedyAP have taken the durability lessons learned in heavy industry and packaged them into a set of systems and procedures for the general and civil construction industry to help protect everyone in the supply chain from the early onset of corrosion. RA0346 architectureanddesign.com.au

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PRODUCTS

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JAN-MAR 2022

FIRST CLASS SLIDING DOORS: TOPLINE XL FROM HETTICH

LAMAXA L50 LOUVRE ROOF

ARCHITECTURE & DESIGN

BOSCH HYDRONIC HEATING BOILERS Their boilers have been used for over 100 years throughout the world and provide superior quality and durability. Bosch produce over 1.5 million boilers every year and Bosch boilers are the only hydronic heating systems approved by the National Asthma Council’s Sensitive Choice program. BH4939 architectureanddesign.com.au

SF1227 architectureanddesign.com.au

SOUNDPROOF BOOTHS

DURAGRIP PLUS: SLIP RESISTANT NON-SLIP SEALER FOR ALL FLOOR TYPES

Bureau Booths create premium quality, high tech soundproof booths to give you space to get work done. From zoom meetings and phone calls to recording and podcasting, a soundproof booth is the perfect modular solution for any workplace.

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The internationally award-winning Lamaxa L50 louvre roof creates the perfect space for all year round use and now available at Shade Factor. Through German precision engineering, the Lamaxa L50 by Warema features discreet motor integration and a push rod system to pivot the slats up to 135 degrees. Once closed, the slats lock together to form a waterproof canopy.

DuraGrip Plus Anti-Slip Sealer can provide increased slip resistance to most floor surfaces, allowing property owners/managers to meet NCC, BCA and OH&S requirements.

GG1117 architectureanddesign.com.au

DuraGrip Plus non-slip sealer can achieve P3, P4 and P5 slip ratings, making it ideal for a large range of applications.


WHEREVER YOU BUILD. LYSAGHT IS HERE. For over 100 years Lysaght has been helping create great Australian homes. Shaped from COLORBOND® steel the LYSAGHT® range of roofing, walling and rainwater products can help you create the home of your dreams wherever you build. LYSAGHT®, COLORBOND®, BlueScope, the BlueScope brand mark, ® product and product brand names are registered trademarks and ™ product and product brand names are trademarks of BlueScope Steel Limited.© BlueScope Steel Limited December 2021 ABN 16 000 011 058. All rights reserved.

LYSAGHT. THE PROFESSIONALS’ CHOICE.


The buildings of tomorrow. The Sustainable Buildings Research Centre (SBRC) was the first building in Australia fully accredited under the Living Building Challenge (LBC), as well as being the Illawarra’s first six-star Green Star Building. The LBC is arguably the highest built environment sustainability accreditation in the world today with its ambition to encourage buildings to be net zero energy and water, to connect more readily with the natural environment, and provide comfortable and restorative places to live and work. The SBRC not only embodies sustainable design, but is a ‘living’ laboratory for improving building and material design. The ‘high-bay’ roof is divided into two discrete sections using COLORBOND® steel in the colour Surfmist® and COLORBOND® Coolmax® steel. These materials were chosen for their high solar reflectance (low absorptance) and ability to improve the thermal performance of a building. The building also meets the high standards demanded by the material and waste requirements of the LBC with the BlueScope materials used being manufactured locally and incorporating recycled content. BlueScope is also committed to sustainable sourcing practices that create, protect and build long term environmental, social and economic value. The COLORBOND® steel Environmental Product Declaration is available at steel.com.au/epd. For information about specifying BlueScope products, please visit steelselect.com.au or call our technical team on 1800 753 658.

Architect: Cox Richardson Architects. Project: Sustainable Buildings Research Centre. Location: Fairy Meadow, New South Wales. COLORBOND®, Coolmax®, BlueScope the BlueScope brand mark and ® colour names are registered trade marks of BlueScope Steel Limited. © 2020 BlueScope Steel Limited ABN 16 000 011 058. All rights reserved.


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