Porto Academy 2016 :: Graça Correia 'Correia Ragazzi'

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Graça Correia Correia / Ragazzi


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Graรงa Correia David Ottosson Joana Tomaz Adele Pinna Alexandra Burecu Adele Pinna Alexandra Burecu Alice Sanllustro Annamaria Santarcangelo Anna Kowalik Asia Barnocchi Brad Wetherall Catarina Branco Frantiska Podzimkova Hรกkon Sveinbjornsson Katarina Hubeny Mariana de Paola Mariantonietta Pepe Susana Ribeiro Teodora Stefanova Thomas Abela

2016 www.portoacademy.info





Graça Correia challenged the students to design a house at a site close to the Faculty of Architecture. The goal was for the students to explore their relationship with the site, which has a unique topography and dramatic view, characteristic of Porto. The development of the project requires a study of how form relates to the city – and, specifically for Porto, how the “house” relates to the hill. The house wants to see (or not see) the territory it is given. The section is essential to understanding this relationship, and the aim is for the section to be a final drawing representative of the core “idea” behind the design. For architects, a house is a laboratory where one can study solutions that can later be applied in larger projects. It is a way to develop specific solutions that can become answers to the universal problems that emerge in any work. A house represents a kind of attachment to a place – it’s built on a site and will itself will became a site. “The idea is at the site, even more than in the mind” (A.SIZA) is a central concept at FAUP since many years back – “for those who know how to look” – some add. And in fact, transforming an idea – an attitude towards a site – into a built work, is what architecture is about, whatever the scale. Therefore, to build a house is an adventure that requires patience, guts and enthusiasm. Writing about houses, Gonçalo M. Tavares offers two stories – “Window”, in O senhor Calvino and “Spoon” by Samuel Beckett – that tell us how architecture can influence our perception of the world. Our challenge is to use these thoughts when de- signing a House as a Site, from a Site as a House.


Points of Departure - Porto’s Vocabulary


Points of Departure - Composition



Points of Departure - Searching for simplicity



Translation





Adele Pinna




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Alexandra Burecu







Alice Sanllustro







Annamaria Santarcangelo







Anna Kowalik




PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

RODUCED BY AN AUTODESK EDUCATIONAL PRODUCT


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Asia Barnocchi







Brad Wetherall







Catarina Branco







Frantiska Podzimkova





rooftop view



Hรกkon Sveinbjornsson




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BB 13.95


A

B



Katarina Hubeny







Mariana de Paola







Mariantonietta Pepe







Susana Ribeiro







Teodora Stefanova







Thomas Abela







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