MArch Portfolio

Page 1

portfolio indrit alushani



contents

resume riverdale community centre typologies dufferin redux stacking client work


education masters of architecture

2011 - present uiversity of toronto

honours bachelor’s of arts

2007 - 2011 university of toronto

competitions superstudio t.o.

winner of a school competiotion

2012-2013 university of toronto

c.t.b.u.h

2011-2012 toronto, canada

iidex/neocon canada

2010 toronto, canada

rec-line competition

2008 toronto, canada

council on tall buildings and urban habitat 2012 competition participant

participant

winner of the competition

skills english french

languages written/spoken

italian albanian

revit architecture 3d studio max rhinoceros auto cad 2011 photoshop illustrator indesign after effects

technical

audio


employment tutor helped selected students in improving their technical skills worked in various architectural related softwares such as: rhino 3d, adobe suite, auto cad

work-study position assisted the director of the bachelor of arts, architectural studies program with administartive tasks

2011 - present university of toronto

2010 - 2011 university of toronto

client in the department

summer student employment and social services

2008 - 2011 city of toronto

created promotional posters for various community events

extra curricular vice-president bachelor of arts architecture studies society

2010 - 2011 university of toronto

assisted in the development of certain events: master of landscape architecture program lecture portfolio seminar open house

president albanian student union created various events with traditional themes: folkloric dance pot luck with traditional dishes promoted local business as sponsors: o’gradys utsu

2010 - 2011 university of toronto


An Extended Centre These obvious but remarkably resistant q uestions s tem from a conviction t hat a rchitecture is not constituted of buildings or sites but arises from the studied relationship of t he two and form an awareness that site is r eceived a s an a rchitectural construct, even if unconciously. Using a community centre as a point of departure, this project seeks to d evelop a n architecture that recognizes the potential condition of the institution as b oth an e xtension of the city and as a bounded entity that possesses a unique identity.

sketches

diagrams

photos

technical drawings

visualizations, renderings


riverdale community centre


The s ite is l ocated o n the western edge o f Riverdale Park West at the point where Carlton Street ends just south of R iverdale Farm. N otably west b y the abrupt t ermination of row houses along

07

Carlton Street and to the east by a 20 m eter d rop to t he e dge o f Bayview A venue. A n existing staircase and pathway on the site connects to a p edestrian b ridge that crosses the Don Valley Parkway providing access to the Don Valley trail system below and to

the Riverdale P ark on t he east side of the valley.


The initial gesture in order to integrate the community centre within the site

08


Initial form of the building. Continuous path that d irects movement.

Division of interior spaces

09

Division of components into programatic elements

Introduction of stairs and ramps to better accomodate slope conditions

Overall programatic elements as well as circulatory elements

Exterior cladding


Section indicating a uniform height in b ricks a s they a re layered to form exterior walls

Exterior d etail showing h ow custom s ize bricks a re arranged to create a pixelated wall

Window c onditions created by clusters of empty space in the absence of bricks

10


site plan excluding building

11


-12

1 0

3

6

1

-6

-3

0

300 6

3 0 2

12


13


Scale 1 : 300 03

61

5

Lower Level Plan Accompanied with a grid system for columns

14


Scale 1 : 300 03

61

5

Upper level plan

From l eft, v iew of t he b uilding from the street. Second i mage., v iew of t he b uilding from the park

15


Model Showing how the layers of bricks are arranged in a manner to accomodate for natural lighting

Roof o f main hallway i s stepped in order to accomodate movable panels for natural ventilation

16


A Mix of Typologies

point tower

bar/slab

courtyard

road

attractor points


typologies


Desdner Bank

Westhafen Tower Frankfurt

Empire State Building

Toronto Dominion Tower

SINGLE CORE

DOUBLE CORE FLAT

MODULAR

SHAFT-PODIUM

core

circulation

main structure podium m 30 m 58

278m

12m

ComponentsC

19

m 85

irculation

Access Points (Gr. Level)

Structure


County of London

Finsbury MBCB

MAISONETTE

INTERNAL CORRIDORD

rasilia “Superblock”

IRECT ACCESS - TWIN

Roehampton

BALCONY ACCESS

circulation

core main structure balconies

12m

m

16m

65

ComponentsC

irculation

Access Points (Gr. Level)

Structure

20


Hart House Courtyard

Munk Centre

Sir Daniel Wilson Residence

Wetmore Hall

SYMMETRICAL

PROGRAMATICM

ULTI-DIRECTIONAL

UNIDIRECTIONAL

vegetation

circulation

built Forms

30

m

Main Components

21

m

22

CirculationA

ccess Points (Gr. Floor)S

tructure


Dalton RoadW

STRAIGHT

vegetation

almer Road

WINDING

Spadina Rd - Ave

Bedford Road

WIDENED

INTERSECTING

circulation

built forms

Main ComponentsC

irculationA

ccess Points (Gr. Floor)

Structure

22


+

Typologies placed side by side -scale comparison

23

Addition of a tower to allow for movement in both directions courtyard stretched

Addition of a third tower to see how light is affected. New passage created additional courtyard placed at podium

Two additional towers placed. Overall rotation in X-shape

Towers oriented in four directions, facing one another. Floors plates also extended to support courtyards


By looking at the overall composition of the hybrid.

Courtyards are bridging access between towers.

Light investigation. The upper courtyards recaive more light, as well cavities have been created in order to allow light for lower courtyards.

24


+

Typologies placed side by side -scale analysis

Population of road with mode bar buildings, different length. They have all derived from one module.

25

Arranging a few blocks from their points of access with the road.

Removal of external faรงade of building. Working with structural systems. Also investigation of stacking as well as bridging between buildings

Branching off the road in [S] and [N] directions. Bars work in modules hence the further blocks have been augmented in height

Introduction of faรงades as well as arrangements of buildings. Composition of one module


It is evident that the geometry of the road dictates the arrangement of buildings. Horizontal and narrow plan

A perspective of bar- road relationship

Overall perspective with built form and faรงade system

26


+ + Attractor points work similar to nodes in that they magnetize a given element, in this case movement

Addition of cores into the view

27

Introducing the courtyard to this idea. We can see how the movement will turn out.

Floor plates as well as faรงade


+ + Less attractor points in this case as the road contains less branching

It becomes more evident that movement is guided by the access points throughout the built forms

A perspective view from the houses everything is guided by lines that represent movement throughout the built forms

28


diagrams

Superstudio

massing

A development o f new p roposals for the Dufferin Mall site, looking also at its surrounding neighborhood, Dufferin Grove. Toronto will serve as the superstudio’s testing ground f or i deas about how a rchitecture, l andscape architecture and urban design together can conspire to r eformulate an already compelling site within the city. Focusing o n a design for t he r efevelopment of the Dufferin Mall/Duffering grove.

G

ground level

S

site context

technical drawings

visualizations


dufferin redux


Anchor Stores Main Circulation Small Retailers

Initially the mall is broken into its functional and spatial components with respect to the ideology of the mall

The idea of the design is to bring all the elements in a vertical direction

Once the program is re-stacked in a manner that main circulation is below, the anchor stores above and the smaller retailers above all

Recreational Masses

The idea is to stack more program on top, leaving no additional footprint to the site

31

Mall

The massing is readjusted in hierarchies in the form of a pyramid

Once this massing is obtained, the surface area is reduced and more program and built area is raised upward


Open Space Massing

Assigned site

The tower is then placed within the perimeter of the site for scale comparison

Built Area

The site is divided into 35% built and 65% open space the advantage of this design is to provide more open space to the public

Recreational

Massing Rearranged

Commercial Residential

Overall form of the tower

Program distribution throughout the built form. The aim is to design more residential spaces

32


G Commercial

Recreational

Parking spaces slope underground

Flow of movement in the new mall area

33

Paths in the new mall area

Entrance into the tower from ground plane


S

Arrows indicate the main paths within the site. Strategies in connecting certain residential areas with open spaces and the park

New site with paths, roads vary in thickness

Allocation of program within open spaces. Black indicates parking spaces and red indicates open spaces such as recreational and parks

Flow of movement within the extents of dufferin st. college st. and other adjacent main roads

34


70TH FLOOR TOP OF THE BUILDING NIGHT CLUB AND DESIGNER STORES

4

65TH FLOOR END OF RESIDENTIAL AREAS AND BEGINING OF COMMERCIAL AREAS

50TH FLOOR RECREATIONAL AREA FOR RESIDENTS ENDS MORE RESIDENTIAL AREAS ABOVE

40

42ND FLOOR RESIDENTIAL AREA ENDS RECREATIONAL AREA FOR RESIDENTS BEGINS

30TH FLOOR RECREATIONAL AREA ENDS RESIDENTIAL AREA BEGINS

35 25TH FLOOR OFFICE AREA ENDS RECREATIONAL AREA BEGINS

13TH FLOOR OFFICE AREABEGINS 12TH FLOOR MALL AREA ENDS

GROUND

35


30 35

25 20

27.5

5

10

N

25

Scale 1 : 500 05

10

25

36


Ground leve, Mall area stores are pushed at the sides and access is created around them. Central area left open for recreation

37


Commercial

Residential Recreational Parking

Section s o ing programatic distribution in building and site

Public 35 % Private 40% Semi-Public 25%

Commercial 28% Residential 45% Recreational 10%

Open Space 65% Built Space 35%

Parking 1000 Residential 130, 000m Commercial 50, 000m

38


Nolli plan at ground level 1:1000

39


By constructing a monumental tower there is not only less building footprint but is also creates an environment of mix use program. Luxurious towers have always been regarded as landmarks in a way or another They bring in more revenue to the area

View of new tower from the intersection of Coratia Sreet and Dufferin. By looking at the size of people highlited in red, the tower seems grand and monolithic

40


Stacking

diagrams The project entails a series of experimentations and iterations that would begin with an abstract form and concludes into a potential built form.

technical drawings

visualizations


stacking


43


11

12

N

Scale 1 : 100 02

15

Plan 1 The way the structure is conceived is through the zig-zags from the traditional japanese paintings

44


1.

6

Scale 1 : 100

N 02

15

North Elevation The cladding of the structure is seen as it follows the trajectory of the path moving in the z-axis

45


West Elevation The columns are revealed as they are seen from this side

1.5

46


Plan First level stairs reaching into the second level

N

Scale 1 : 100 02

47

15


hidden visible column

Plan Second level going into the third

48


N

Scale 1 : 100 02

49

15


50


Perspective view from south east. The stairs create a grand unity by converging into singularity

Due to it’s open nature the building can serve as a pavillion for warmer climates

51


Concept of the model. Although the structure seems light in nature, the ability of columns to withstand loads makes it stronger

52


Form and Texture

The client asked to provide a series of line drawings i n order to show w here the cuts of t he s tone w ould lie. The shape was that of a seashell.

A series of renderings would show the texture of s tone t he o rnament w ould be carved i nto as w ell as a f ew creative scenarios where the shell would be used.

technical drawings

visualizations, renderings


client work


BACK ELEVATION

55


BACK ELEVATION

56


PERSPECTIVE

57


PERSPECTIVE

58


TOP

59


TOP

60


SHELL LAMP

61


SHELL BAG

62


POST CARD

63


SHELL CANOPY

64




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