THE
COLOR ISSUE
I N K M a g a z i n e p re s e nt s
m ay
//
2 011
v o l u m e 11 i , i s s u e i i i
go bold by christopher wilocki, something new by molly bright hughes, bouquet by chloe scheffe, chicago girls by christopher wilocki, coachella 2011 by katie espinoza
featuring
+ more interviews, fashion, and photography
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STAFF Editor in Chief Founders Creative Director INK Homme Creative Director Photography Editor Fashion Editor Styling Editor Music Editor Film Department Head European Director
John Troxel Aaliyeh Astar, John Troxel, Mike Bailey-Gates Promise Newell Adam Gallagher Joy Newell Matt Feniger Victoria McBride Katie Espinoza Nicholas Naveda Rinaldi
Australian Ambassador
Oliver Forbes
Graphic Designer
Chloe Scheffe
Fashion Writers
Alexandria Mangrum, Molly Bright Hughes, Carolynn Williams, Jacobe Varela, Lindsay L, Liz Osban, Monica Merel, Taylor Bryant, Tracy Matthewson
Music Writers
Andrew Jillson, Becca Wilde, Kellie Ferguson, Skyler Madsen
Photographers
Alicia Vega, Chloe Scheffe, Chrissie White, Christopher Wilocki, Mike Bailey-Gates
Illustrator
Chelsey Scheffe
Stylist
Hannah Stack
It Girl
Molly Bright Hughes
CONTRIBUTORS Photographers
Anette Schive, Anna Dobos, Chloe Scheffe, Christopher Wilocki, Matt Feddersen, Matthew Burditt, Naomi Nishi, Sophie Ellen Lachowycz
Art Directors, Assistants
Benjamin Martin, Christine Xuan, DesirĂŠe Skalle, Ryan Timm, Taylor Wilder, Veronica Boswell, Victoria Berntzen
Stylists
Aliya Zaidi, Brandy Flint, Dana Hanegraaf, Deanna Palkowski for Lizbell Agency, Linda Nicolaysen, Matt Feniger, Rebecca Grace Sicari
Hair & Makeup
Angel Dorr, Eirik Thorsen, Kasia Fortuna, Mary Guthrie, Negar Hooshmand for Lizbell Agency and TRESemmĂŠ Hair Care, Rachael Bromage, Rose Okoye
Models
Alec Proeh @ FORD (Coverboy), Austin Proeh @ FORD (Coverboy), Dana @ FORD (Covergirl), Gina Negus, James and Gracie for Lizbell Agency, Jennifer Corcoran @ Seattle Models Guild, Maria Victoria @ Heartbreak, Max @ Chadwicks, Michelle von Mandel CORRECTIONS // In our Winter 2011 issue, hair and makeup was done by Rose Okoye in an editorial titled "See". In our April 2011 issue the makeup artist for the Sister Rogers shoot was Theresa Boicourt.
FEATURED CONTRIBUTORS Christopher Wilocki is an up and coming film Matt Feddersen is a Melbourne born and based
photographer based out of Chicago. His heart
photographer and serious traveller. Whenever he
belongs to travel photography, but he has
can he loves jetting off abroad or in his own
quickly found a passion for fashion and
head and then taking that journey and turn-
portraits. He finds his inspiration from
ing it into an image. Having graduated from
music and all of life's experiences. When
university last year he is looking forward to
without a camera he is looking for his next
starting his career as a photographer and
travel destination, mountain to climb or
discovering where that will take him.
triathlon to compete in.
More // www.mattfeddersen.com
More // christopherwilocki.blogspot.com
matt feddersen, photographer
christopher wilocki, photographer Rose Okoye is a makeup artist based in the Chicago-land area. With her playful use of color and unique perspective on beauty, Rose always provides an element of the unexpected to shoots. Her freelance company "RosyCheeks by Rose Leigh" provides all types of make-up services, from bridal to haute couture. More // www.modelmayhem.com/roseleigh6183
rose okoye, makeup artist
"HIS HEART BELONGS TO TRAVEL PHOTOGRAPHY, BUT HE HAS QUICKLY FOUND A PASSION FOR FASHION AND PORTRAITS." — Christopher Wilcoki
Joy Newell is a photographer based in the Los Angeles area. Self-taught since the age 12, she began photographing her close friends and family and quickly began contributing to online publications such as Prim and N.E.E.T. Writing music and making short films are her favorite pastimes aside from taking pictures. This Fall she will be continuing her photography studies at Art Center College of Design. More // www.joynewell.com
joy newell, photography editor
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CONTENTS
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ARTICLES 004 // Masthead 006 // Featured Contributors 009 // Letter from the Editor 010 // Editor's Picks 012 // Sucker Punch 013 // Gravitational Pull 014 // Turban Challenge
EDITORIALS
016 // Something New
020 // Bouquet
056 // Chicago Girls
026 // Fleur de Ballet
062 // Album Reviews
030 // Haut en Couleur
063 // Bands You Must Hear
036 // Go Bold
064 // Sonny Smith
048 // Shock and Awe
068 // Slowwave 074 // Coachella 2011 080 // Super is Destined for Cult-Status 119 // Shop INK
ON THE COVER Photography by Christopher Wilocki Modeled by Dana Taylor @ FORD
dress cynthia steffe, $425 at bloomingdale's bracelets natasha, $24 each at nordstrom
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FROM THE EDITOR DEAR READERS, Black, grey, and white. These shades seem to dominate my
the way to make it work. As Prada's Miuccia put it backstage at
wardrobe, so it's rare to see me in a hue found anywhere in
the show: “It's time to be bold!” What better way than to layer
the color wheel. My favorite color is gray, I firmly believe in the
on the color, skip the grays for the greens, replace solids with
mantra 'When in doubt wear black,' and I think white should
prints and make a bold bag your new best friend? There are
be worn as much as possible once the outside temperature has
great alternatives if you do not want to break the bank on that
reached seventy-five degrees. It's not that I hate color; I simply
blueberry-tinted Furla tote. Zara wins the award in my opinion,
don't like to wear it. Prada made me think twice about stripes
not only for providing us with a fresh and crisp collection, but
this season, and Jil Sander made me want to try color for my-
also giving us the color in an accessible and affordable dose!
self. I've made a goal for myself this Summer to incorporate more color into my everyday wardrobe, not just when I have to
Keep Creating,
(as in the above photo). But with my wardrobe problem to the side, this issue is a volume of hues, tints, and tones. At INK, we challenged ourselves to take on color, a feat which in many cases can go just plain wrong. I think that we got a lesson in color-mixing at S/S11 fashion week—even a crash course on
John Troxel // Editor in Chief
By John Troxel
EDITOR'S PICKS christopher wilocki photographs dana @ ford. photo by taylor wilder
inkm agonline.com page 10 m ay 2011 veronica bowell
my sister, lauren, wears a necklace by moorea seal
stylist dana hanegraaf fixes up dana @ ford. photo by taylor wilder
behind the scenes at ink's may covershoot. photo by chris wilocki
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dana @ ford in front of chris wilocki's lens. photo by taylor wilder
food runs! photo by taylor wilder
ellen @ factor in a dress by banana republic. photo by chris wilocki
veronica boswell in an lna tank
christopher wilocki photographs dana @ ford. photo by taylor wilder
By Victoria McBride
SUCKER PUNCH We all know that this Spring is all about color—so much so that we even named an issue after it. That is quite a feat, considering here at INK we are all about crisp whites and timeless grays. However, this season is a time to break out of neutrals. Just look at Prada, for example, to see bananas splashed across oversized tops. Peeking out behind Burberry's ever-present black leather are radiantly bright shift dresses. Even our beloved Michael Kors, known for his use of neutrals and white, added splashes of brilliant yellow to his collection. Now, although we love the use of head-to-toe fluorescence a la Christopher Kane, sometimes this just isn't practical for us. After all, old habits are hard to break. Here is what we suggest: rather than dousing oneself in blazing hues, punch it inkm agonline.com
up a little bit with fiery accessories. A Christian Dior statement necklace is set atop the perfect canvas when paired with a white tee. Stack bangles by Marc by Marc Jacobs halfway to an elbow. So long as the accessories are paired with something understated, have no fear of disappointing Coco Chanel.
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Victoria McBride is INK's styling editor.
m ay 2011 photo courtesy of hermÈs via style.com. bags available for purchase at hermÈs.com
By Matt Feniger // Photography Chloe Scheffe
GRAVITATIONAL PULL What goes up must come down. While Isaac Newton didn’t exactly have hemlines in mind when writing the laws of gravity, the same law can be said for fashion's newest trend: maxi skirts. While once we may have stayed strictly to hot skirts, which have practically been the staple length of the last 40 years, long , flowy and sometimes tight skirts are here to stay—until the lawmakers of fashion get bored, that is. Let’s keep in mind of that moment where our mothers suggested that the hemline of our skirts was far too short and the skirt she suggested was too matronly and gave the unflattering impression that you went to school at a nuns convent. Let your mother rejoice! But need not fret. While there are some Little House on the Prairie influenced designs you can find designers like Oscar De Le Renta debuting velour maxi skirts while Rick Owens even debuted a fish-tail maxi skirt (think
While the laws of hemlines are plunging downward, we can look forward to maxi skirts flourishing into Spring and Summer styles and staying for Fall.
Matt Feniger is a fashion writer, editor and creator from New York City.
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ton, chiffon, pleated or sheer styles.
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Fall. For a more affordable style, opt for Urban Outfitters cot-
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mermaid) to accustom to his gaudy, dark collection this past
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By Alexa Mangrum // Photography Joy Newell
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TURBAN CHALLENGE AN URBAN TWIST ON THE ARABIAN CLASSIC Amongst the bold and brilliant hats showcased on the runways of Marc Jacobs and Jason Wu paying homage to the bohemian flair of the 70’s
towering piles of fabric popping bright in Technicolor. Translating with ease to the everyday, the sartorial styles
comes the second cousin of the group, turbans! Rampant and revived,
of ’40s and ’70s can kick back with everything from dresses
the modern twist on ancient Arabian Nights-inspired head
to jeans. Absolutely versatile, as on the runway, turbans may
wraps have been seen from Giorgio Armani to Prada campaigns
be found in an array of fabrics and prints suitable from day to
and on celebrity favorites such as Salma Hayek as well.
evening in a matter of minutes. Vibrant patterns pair fuse well
Cinematically born as the crown of Audrey Hepburn 1954
with more neutral shades for a fun and fashion-forward look.
classic Sabrina, the turban has continued to encapsulate
Yet, for those more comfortable with a casual approach to the
glamour and wanderlust no matter the era. More recently seen
piece, the turband (half headband, half turban) may be a more
in Sex and the City 2 as the crown of Carrie Bradshaw, Sarah
adoptable approach as the perfect cure to wind-tossed beach
Jessica Parker’s character, turbans span from statement to
hair, thrown on with a simple sundress.
accessory, spanning everywhere in between. Far from the more whimsical creations presented in Fall
While favored by the elite, turbanology is simple, easy ready-to-wear in the everyday. Don’t let your turban take
2010 by Charlotte Ronson, Lady Michelle Obama’s favored
control of your entire outfit; harem pants and slippers should
designer Jason Wu presented a statement of subtle for Spring
be left at home. Do DIY with a large, square scarf showcasing
2011. Wrapped softly in cobalt shades, the turban served as a
vivacious patterns and colors. Chic and effortless, turbans
toned down accessory to classic cashmere daywear. Perhaps
encapsulate the essence of Spring, bold and fresh.
the most diverse piece of Spring, from vintage-inspired headbands at Milly by Michelle Smith to Issa, the label of choice for royal bride-to-be Kate Middleton, turbans triumphed in
Alexa Mangrum is a freelance writer.
m ay 2011 page 15 inkm agonline.com creative director promise newell shows us how to wrap.
inkm agonline.com page 16 m ay 2011 go to ink's facebook page to see a video of molly giving us a tour of her room.
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SOMETHING NEW
There was this long, sparkling-gold vintage dress. It must have
(I mean, doesn’t everybody? I’m pretty sure it is in our nature
been about seven years ago, at an estate sale. It was just
to be evolving and fickle). I’m a rather emotional dresser, so
hanging there staring at me for what felt like an eternity,
consistency is more of less out of the question. I want to have
and I remember finally thinking, “This thing is crazy. I have
the option of being someone else tomorrow morning when I
to have it.” Well, it’s been seven years and I’ve worn it one
get dressed, if I feel like it. Outfitting yourself should be fun.
time. But every time I see that dress looking back at me from
An adventure. It’s wearing the skin of whoever you want to be
inside my closet, I fall in love with it all over again. And it has
that day—so long as you feel comfortable in it.
sort of been a shopping philosophy of mine ever since, that
It is a fairly standard trend to reintroduce color to your
when I see something that is absolutely bonkers or incredibly
wardrobe as the spring season arrives. But adding color to
stunning, I make up my mind that not taking said item home
your wardrobe does not have to mean literal blotches of
with me would be more sad than never wearing it. Now, I’m
print and intense hue. It can be the inclusion of something
not necessarily condoning filling your closets with ridiculous
different or unexpected. ‘Color’ does not even have to be the
items you will never use. But I do think there is something to
main course in your outfit or closet, but rather little additions
be said for purchasing items that you respond to emotionally.
flavor and spice. The important thing is to look for pieces
Not everything in your wardrobe needs to be so straight-laced
that awaken and refresh your current collection of clothing.
and on-trend and serious.
Perhaps you have had your eye on a sequined jacket or boldly
There is a certain level of style-branding I have noticed occurring in the fashion realm recently—people establishing
beaded necklace. I say go for it. It will do you a bit of good to don something new.
and creating a specific look that characterizes them. And that might work for those people; some people just know what they like. For me, I like something different every day
Molly Bright Hughes is a freelance writer and stylist living in California.
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By Molly Bright Hughes // Photography Joy Newell
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_ BOU QUEt
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Photography by Chloe Scheffe. Hair and makeup by Angel Dorr. Modeled by Jennifer Corcoran @ Seattle Models Guild
GO PASTEL eyes mac eyeshadow in beautiful iris lips nars lipgloss in wonder cheeks nars in torrid face mac mineralize finish skinfinish natural in light medium and studio sculpt foundation in nc20
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GO PRADA eyes mac pigment in silver and platinum brows mac eyeshadow in espresso lips mac lip erase in dim face mac mineralize finish skinfinish natural in light medium and studio sculpt foundation in nc20
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GO BOLD lips mac lipstick in show orchid and mac lipstick in ever hip cheeks nars in torrid face mac mineralize finish skinfinish natural in light medium and studio sculpt foundation in nc20
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GO NATURAL face mac mineralize finish skinfinish natural in light medium and studio sculpt foundation in nc20 eyes mac eyeshadow in nylon lips lipfusion color shine in fresh
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GO DIOR brows mac eyeshadow in espresso eyes tarina tarantino tokyo hardcore eye dream hypershadow liner stila stay all day waterproof liquid eye liner in black lips mac pro creme color base in madly magenta cheeks mac blush in fleur power mascara maybelline great lash in blackest black
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this page: dress topshop dress (as skirt) asos shoes model's own that page: dress gestuz leggings asos shoes aldo
Photography by Sophie Ellen Lachowycz, with assistance from Christine Xuan. Styling by Aliya Zaidi. Hair by Kasia Fortuna. Makeup by Rachael Bromage. Modeled by Gina Negus.
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fleur de ballet
this page: dress ted baker flower h&m shoes aldo that page: dress ted baker flower 2adorn shoes model's own
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HAUT EN COULEUR Photography by Anette Schive, with assistance from DesirĂŠe Skalle. Makeup and styling by Linda Nicolaysen, with assistance from Victoria Berntzen. Hair by Eirik Thorsen. Modeled by Maria Victoria @ Heartbreak
a pr il 2011 page 31 on the cover inkm agonline.com this page: trench opening ceremony that page: bathing suit hennes & mauritz
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Photography by Chris Wilocki, with assistance from Inna Kostukovsky. Styling by Dana Hanegraaf. Hair and makeup by Mary Guthrie. Modeled by Dana Taylor @ FORD. Illustrations by Chelsey Scheffe. Edited by John troxel, with assistance from Taylor Wilder
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A LOOKBOOK PUSHING COLOR, TEXTURE AND PATTERN ENSURES YOUR SUMMER WARDROBE IS IN LINE. (SOME CREATIVITY REQUIRED.)
this page: dress 3.1 phillip lim, $495 at shopbop.com sunglasses celine, $340 bag marc jacobs, $1,350 at bloomingdale's bracelets anthropologie, $58 each at anthropologie.com shoes vena cava, $328 at saks fifth avenue that page: sweater and shorts rag & bone, both $275 necklace kenneth jay lane, $82 at shopbop.com
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m ay 2011 page 41 on the cover inkm agonline.com dress l.a.m.b., $595 necklace lizzie fortunato jewels, $252 at shopbop.com shoes michael antonio, $64.90 at shopakira.com
m ay 2011 page 43 on the cover inkm agonline.com blouse aqua, $68 pants diane von furstenberg, $285 at bloomingdale's bracelet anthropologie, $28 at anthropologie.com shoes chinese laundry, $89.90 at shopakira.com
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SHOCK AND AWE Photography by Naomi Nishi, with assistance from Benjamin Martin. Styling by Matt Feniger. Modeled by Michelle von Mandel
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Photography by Christopher Wilocki, with assistance from Ryan Timm and Taylor Wilder. Directed and styled by John Troxel and Tori McBride. Hair and makeup by Rose Okoye
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INK MAGAZINE TURNS TWO! WE INVITED FIVE OF OUR PAST COVER GIRLS TO SIT FOR US AGAIN
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CHICAGO GIRLS
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on the cover
KARA MARSHALL SUMMER 2009
LYRIC LINCOLN AUTUMN 2009 Issue Highlights: Designer Kate Towers Puella Jewelry The Pulley twins Designer Romain Kremer
Issue Highlights: Chanachai Ohpanayikool Illustrator Mia Christopher Poetry by Monica Merel Custum gowns by John Troxel
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DANIELLE SHUE WINTER 2010
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Megan lewis spring 2010 Issue Highlights: Musicians Mo & Joel Art Basel Miami Designer Ann Yee Blogger Liz of Late Afternoon
Issue Highlights: The One Year Issue The Honey Trees Alexander McQueen tribute The Local Natives
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CLAUDIA AUTUMN 2010
BASKA & KEVIN SUMMER 2010 Issue Highlights: Rachel Gilbert Illustrations by Chelsey Scheffe Armor Jewelry Carolina of Fashion Squad
Issue Highlights: Outside Lands Festival Giglianne of If I Can Dream Yotam Solomon Photographer Mike Bailey-Gates Designer Wesley Nault Limecrime
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ELLEN WINTER 2011
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Issue Highlights: Delta Spirit The Joeffrey Ballet Deaf Poets Photographer Oliver Forbes
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ALYSSA AND VIVA.CITY.DANCE! MARCH 2011
MATT & KIM APRIL 2011 Issue Highlights: INK goes monthly INK Homme launches Film column launches Amelia Lindquist Behind-the-scenes at NYFW
Issue Highlights: Matt & Kim The Dodos Oberhofer Sister Rogers Yann Tiersen Beat Connection Summer Twins
ALBUM REVIEWS INK'S INTREPID DEPARTMENT HEAD AND MUSIC WRITERS BRING YOU THEIR TAKES ON RECENT RELEASES
EZRA FUMAN & THE HARPOONS MYSTERIOUS POWER
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You feel like you have stepped back
IAMX VOLATILE TIMES
in time after listening to Mysterious
Volatile Times, IAMX’s fourth studio
Power. Californians are wearing
album, is an impressive piece of
flowers in their hair, New Yorkers
synthpop. It’s loud and catchy and full
are trying to party at The Factory,
of beautiful melodies. Really, the best
and Bob Dylan is big on the radio. But
word for this album is just beautiful.
then you remember it is not 1969 but
The loud instrumentals coupled with
2011. Thankfully, this music gives us
Chris Corner’s passionate vocals cre-
the chance to experience the days of
ate a perfect harmony. Volatile Times
‘Peace and Love.’ And at least we have
is Corner’s fourth album as IAMX,
Ezra Furman, our modern-day Bob
and it shows a definite direction for
Dylan, to give us sweet-harmonica
his sound. This album explodes with
filled tunes. —Becca Wilde
an almost theatrical sound, but still follows in the same vein of dark, electronic synthpop that IAMX has become known for. —Andrew Jillson
Moment Bends is the 4th studio album released by Architecture In Helsinki,
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an Australian band best classified as indie-pop. The loss of band members over the years is apparent in this album, with tracks like “I Know Deep Down” and “That Beep” focusing more on being synth oriented as opposed to the plethora of instruments heard on previous albums like Fingers Crossed. However, Moment Bends also has its High” and “Escapee” stick true to the
TV ON THE RADIO NINE TYPES OF LIGHT
fuzzy, bubbly sounds of Architecture
Nine Types of Light finds a gentler, more
in Helsinki, while also expressing a
lovesick version of TV on the Radio on
more mature feel. This album has
display. Their albums usually include
CLOUD NOTHINGS CLOUD NOTHINGS
its hits and misses, but it is definitely
a handful of stunning stand-outs,
Cloud Nothings are often described
upbeat, and ensures listeners a good
with a good number of ambitious,
as garage pop-and I’d agree it’s a
time. —Kellie Ferguson
yet ultimately forgettable tracks.
fair placement. Dylan Baldi’s nasally
Nine Types of Light, the latest from
vocals are a cherry-on-top to their
Brooklyn’s babes, may lack the same
catchy bits. They’re the band that was
heights of their previous albums’
playing far too loud next door, and the
stand outs, but as a whole creates a
band that you didn’t mind hearing re-
more solid set of songs, equally tender
peatedly. Featured in SPIN, Pitchfork,
and hopeful. Like any of their best
and countless other media, they are
output, the album is packed with
proving that young ambitious punks
small, unexpected details that gradu-
can make even the softies fall in love.
ally reveal themselves, with plenty of
Cloud Nothings have been scampering
offbeat funk buried beneath.
about playing loads of shows on their
—Skyler Madsen
North American tour, and this is only
golden tracks. Songs like “Contact
the beginning. —Skyler Madsen
ALL ALBUM ART COURTESY OF THE ARTIST/S.
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ARCHITECTURE IN HELSINKI MOMENT BENDS
BANDS YOU MUST HEAR NIGHTBOX
Odd Future Wolf Gang Kill Them All is a hip-hop collective
Sebastien Grainger from Death From Above 1979 and Al-P of
from Los Angeles. OFWGKTA is loud, offensive, and violent,
MSTRKRFT produce Nightbox—an electric mix that is both
but insanely talented—like the soul of punk reincarnated in
pulsating as it is dance-groovy. As the story goes, the five first
hip-hop. The members of Odd Future’s age ranges from 17 to
met in secondary school in Ireland. The post-punk lads were
23. It is absolutely mind-blowing how much talent is coming
inspired to piece together an eclectic vibe and were ready to
from such a young group, both as lyricists and as producers.
“get serious about rock 'n roll.” Whatever genre you care to
Look out for OFWGKTA; they are guaranteed to make a huge
argue, I assure you the gem will instantly twist your panties
impact on hip-hop. —Andrew Jillson
into fancy little knots. —Katie Espinoza
HEAVY HAWAII
JAMES VINCENT MCMORROW
Art Fag records in September of 2009. Since then, their beachy, psychedelic music has created a stir among fans of bands like Wavves and the Beach Boys. In fact, two of the band members originally played in a band called Fantastic Magic with Wavves’ front man, Nathan Williams. Heavy Hawaii’s first two albums, HH and Sleeping Bags, were well received and promise a bright future for this band’s unique twist on the beach-rock movement. —Kellie Ferguson
MIDLAKE Despite having formed in 1999 and selling out shows in Europe, Midlake remains a little unknown in the US. If you are looking for new summer tunes, be sure to listen to Midlake’s somber acoustics. Their forceful folk songs give a nod to the American music of our ancestors. —Becca Wilde
James Vincent McMorrow hails to us from Dulbin, Ireland with his debut album Early in the Morning. McMorrow only picked up the guitar at the age of 19 and since then has taught himself numerous other instruments to create rich, orchestral acoustic music. His songs have already started to appear in well-known shows such as Chuck and Grey’s Anatomy. —Becca Wilde
WISE BLOOD Old hip-hop tidbits, layers of melodic sensations, spiraling vocals, and transient beats that you could have sworn you’ve heard before, but never like this. One listen to Wise Blood and you’ll begin to wonder how many brilliant minds are at work on these tracks that seem to accompany an arrangement of sounds, samples, instruments, and vocals. To my surprise,
FUNERAL PARTY
and I’m certain yours as well, the songs are produced and
Indie band Funeral Party has made a splash on the music
people’s music and creating something of his very own, the
scene since their formation as a part of the “dance craze”
result is a grandiose sound that is both satisfying as it is
revival in East Los Angeles. Their first studio album, released
interesting. At only 21 years old, his work already begins to
in 2011, is called The Golden Age Of Nowhere, and has received
show true musical depth and maturity that seems to reflect
rave reviews from fans and critics alike. Check out their
that of one much wiser.
popular single, “Finale,” and prepare yourself for a pop-punk dance party. —Kellie Ferguson
GANG GANG DANCE An experimental art outfit, return this May with Eye Contact. Eclectic, warped, groove-laden tribal songs that sound as if they were made for a grimy dance club buried deep in a fairy tale forest. It almost shouldn’t work, but it always does. —Katie Espinoza
usually sung by one man: Chris Laufman. Taking other
Laufman is currently working in Pittsburgh to release his debut album for Dovecote. We can expect experimental mash ups that have you brain quite intrigued. Wise Blood’s compilation isn’t a Girl Talk mimic, instead it’s taking hip-hop to a level far beyond fathomable where no two tracks sound alike and where Laufman continues to lure us in with his mysterious tracks and catchy hooks. —Katie Espinozav
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San Diego band Heavy Hawaii released their debut record on
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OFWGKTA
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NOW. YES, NOW!
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SONNY SMITH
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OF SONNY AND THE SUNSETS By Skyler Madsen. Photography by Anna Dobos There is something in the water of the San Francisco Bay at the moment. A new group of musicians are cranking out tunes of sunny fuzz so effortlessly it is almost daunting, and the rest of the world is just now catching up. They’ve scoured the vinyl bins of Amoeba, and absorbed their knowledge to make something fresh. Among them is Sonny Smith, artist/ playwright/musician, and leader of Sonny and the Sunsets, aided by Kelley Stolz, Ryan Browne, and Tahlia Harbour. The Sunsets have just released their latest with Hit After Hit, on Fat Possum. The album branches out the Sunsets’ sound into new, louder territories to boogie in. It’s a blast of a record. I recently got to chat with Sonny about his new record and his multiple wild endeavors. Skyler Madsen: In March you toured Australia for, I believe, the first time. How was it?
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Sonny Smith: Fun. Exciting. Madsen: You have worked as a solo artist for a number of years; how did the current full-band incarnation as Sonny and the Sunsets come about? Smith: Ah, I don’t know. It is just-it’s not even not even that concrete now, always changing even a little bit, some years more than others. Madsen: I have been spinning your new album, Hit After Hit, for the last month, and it fits its name aptly. You are an extremely prolific individual, and seem to be consistently working on a new, exciting project. So, how does one Sonny Smith approach taking on something new? Smith: Ah, I don’t approach this stuff thinking too much about it. I just write these songs and make this stuff. Then after I write them, I start to organize them, put them over here or there—wherever I think they should go. Madsen: The Sandwitches make an appearance on the album. How long have you known them? It seems the San Francisco garage rock scene is a tight-knit bunch. Smith: I guess it is tight knit. Though I don’t know what the whole ‘garage rock’ label is. Are The Sandwitches garage? All the inkm agonline.com
stuff I make, is it garage? I don’t know about this garage rock garbage. Are Fresh & Onlys garage rock? Ty Segall? Nodzzz? This garage rock thing is a pretty limiting little moniker. Oh well... Madsen: ‘Garage rock’ tends to be used as a simple, sort of catch-all for anything remotely considered lo-fi. I can imagine it could become a suffocating label. I really need to remove
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that term from my vocabulary, but it gets thrown around so much it is, like, permanently embedded in my brain. Smith: Oh yeah, my answer was more directed outward, not to you particularly. No apologies necessary. Why don’t they
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just call this stuff rock 'n roll? That’s what it is anyway… Madsen: What is the story of your art installation meets recording endeavor, the 100 Records project? What inspired it? Smith: I guess I just wanted to make a bunch of songs. I wanted the levee to break on songwriting, let everything I could think be received, and it took a bunch of alter ego’s to let that happen... Madsen: What environments, or circumstances, are most opportune for you to write in? Smith: Alone, at a desk or in bed. Madsen: You are certainly a renaissance man, creating novels and short stories, poems, plays, songs, illustrations even. Aside from music, what would you say is your favorite medium to create in? Smith: Oh, it all has its moments. They’re all different; they’re all connected. I like the comic books, they’re humble modest things, small and done on copy machines and inside them is where I confess the most intimate stuff. I don’t know why. Whatever Sonny Smith does next, one thing is for certain— his creative force looks to have no signs of slowing down. If he keeps putting out records (or plays or comic books or anything else) as equally kickin’ as Hit After Hit, there will always be a reason to watch and listen.
Skyler Madsen is music writer based in Sacramento, CA.
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"I LIKE THE COMIC BOOKS; THEY'RE HUMBLE MODEST THINGS, SMALL AND DONE ON COPY MACHINES AND INSIDE THEM IS WHERE I CONFESS THE MOST INTIMATE STUFF"
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"SO ZACH HAD THE RING. THE ONE RING. AND HE TOOK IT TO BRANDON AND BRANDON BROUGHT HIS SWORD, AND IAN HIS AXE"
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SLOWWAVE By Chelsey Scheffe. Photography by Chloe Scheffe
L
ikened to the greatness that is Radiohead
hobbies or things that you really like to do?” And I said, “Well,
and the Doves, receiving such a diagnosis
I have a keyboard in the corner of my room.” So on Tuesdays
from the start is quite a compliment for
and Wednesdays, every night he would come to my house and
Slowwave and you’ll find that they live
we would play on that little keyboard. And then we had Myles
up to it. Drag Lake Sin, their first EP
start coming over and memorizing our songs because we
was released in late January and has
couldn’t record it. [all laugh] And then my life started getting,
already earned nods, watch-out-
you know, some good, positive motion. And Brandon was like,
fors, and please-dos from reviewers
“You know, maybe I could forget about being a pastor for a
within and outside the greater Seattle
while; this music is really cool.” And Myles was remembering
area. Brandon Hughes, Ian Hamilton,
the songs. But then we were like, we need someone to lead us.
Myles Hawthorne, and Zach Dimmick
And then Zach was running for student body president so we
make up the ensemble. Front man
went straight to the top and we hooked him. So we started
and vocalist Hughes has a smooth
playing shows and Zach would get up on stage and introduce
yet brooding voice, with an almost
us and then Myles would come up. He’d start singing our
disquieting quality. With the inclusion of textural synths,
songs, on the keyboard. And that’s how it happened.
autoharp, melodica, a Fender Rhodes piano, shimmering
HUGHES: That’s pretty accurate.
guitar, staggeringly intricate and precise beats and auxiliary
HAWTHORNE: No, exactly.
percussion, the entire album is a masterful debut release and
SCHEFFE: How would you attempt to categorize your sound,
blends so well that if you’re not paying attention, you might
regardless of outside opinion?
absorb it as one continuous narrative, weaving a poignant and
HUGHES: I always say electric guitar... and then I can’t figure
multifaceted story.
out what else to say after that.
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The gothic revival style structure that is Urban Grace
HAWTHORNE: We’ve talked about how it’s sort of a middle
page 70 m ay 2011
Church sits on an ominous slope just above downtown
ground between very digitally inspired, digitally done music
Tacoma, Washington with an uncharacteristic modern neon
and more traditional instrumentation.
sign jutting from it. Inside, and up several towering flights
HUGHES: We try really consciously to connect digital style
of stairs to the top, lies a hall lined with doors and creaking
music with the more traditional rock instrumentation because
old floor to ceiling wood. Here resides the Tacoma School of
we like both of those things.
the Arts’ new recording studio, which is open to local artists
HAMILTON: Well, doesn’t it simply just have a name?
and sound engineers and is home to several audio recording
DIMMICK: Electronic rock.
classes for the arts based high school, and now Slowwave. We
HAMILTON: Electronica?
crammed into a small room to have a dialogue below a large
DIMMICK: No.
and loud painting of Edgar Allen Poe, no doubt done by one of
HAMILTON: Rocktronica?
the students. Having encountered all of these men numerous
HAWTHORNE: I like that.
times before, let not the tone of their music misguide you with any preconceived notions of sullen and angsty young adults. CHELSEY SCHEFFE: If you would, please, fabricate a brief but unrealistically fantastical version of your band’s formation. MYLES HAWTHORNE: So Zach had the ring. The One Ring. And he took it to Brandon and Brandon brought in his sword, and Ian his axe. BRANDON HUGHES: Do you want to hear the real story? We’re not clever. ZACH DIMMICK: I think this is Ian’s job.
"IT'S SORT OF A MIDDLE GROUND BETWEEN VERY DIGITALLY INSPIRED, DIGITALLY DONE MUSIC AND MORE TRADITIONAL INSTRUMENTATION"
HUGHES: Ian, yeah you’re best at this. [thoughtful pause] So we did meet at school. What kind of school did we go to? HAWTHORNE: A school for dragon trainers, school for
HUGHES: That’s pretty good.
wizards...
HAWTHORNE: Rockmonitronica.
IAN HAMILTON: That’s absurd. [all laugh]
HAMILTON: That sounds so stupid.
HAWTHORNE: School for Jedi, a Jedi academy...
SCHEFFE: Is there a story behind the EP name, Drag Lake Sin?
HAMILTON: No, we all went to art school and volunteered in
HUGHES: I always thought of it as a very cinematic scene
youth group after school at a church. Brandon wanted to be a
where people were pulling up things out of an actual lake, that
pastor and I was always getting into trouble with drugs and
are haunting memories of past mistakes or decisions. It’s all
with crime and stuff like that. Zach wanted to be a teacher
about consequence. It’s all about unintended consequence and
and Myles wanted to be a cook. So Brandon was always trying
the odd things that it can make arise.
to steer me clear with the law and trying to get me out of
SCHEFFE: Is there an instrument you dream of learning and
trouble. And so one day he came over to my house and he said,
pulling into your arrangement?
“Ian, we need to find a way to get you out of this rotten rut.”
DIMMICK: Oh, never.
And I say, “Okay, Brandon.” And he said, “Do you have any
HUGHES: Never. No.
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"AND HE SAID, 'DO YOU HAVE ANY HOBBIES OR THINGS YOU REALLY LIKE TO DO?' AND I SAID, 'WELL, I HAVE A KEYBOARD'"
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HAWTHORNE: I want Timpanis. I actually do really want
HAMILTON: I’m wearing Brooks Brothers.
Timpanis. You know, my birthday’s coming up.
HUGHES: There you go. They make good shirts.
DIMMICK: Ah ha.
DIMMICK: Ian bought me three Brooks Brothers shirts for my
HUGHES: Harpsichord. Uh no...
birthday.
HAMILTON: Twelve-string bass. [all laugh]
HAMILTON: No, no, no, it was one of them.
HUGHES: We’re eternally discontent with the instruments we
DIMMICK: Oh. What were the other two?
have, I think. In recording and writing new songs, Zach and I
HAMILTON: Those were... [warily] J. Crew
have become almost completely estranged from the guitar.
HAWTHORNE: [pointing to his own] Is this Brooks Brothers?
DIMMICK: It’s just, it sucks that it’s so necessary.
HAMILTON: Yeah.
HUGHES: Yeah, it’s a tool that we have to use and we enjoy
HAWTHORNE: Ian dresses us.
using it when we can use it well but it’s definitely not a go-
DIMMICK: He’s our stylist.
to instrument any more. We kind have been making new
HUGHES: I have Ian’s coat. Yeah, we share a lot of clothes.
instruments.
Well, we share a lot of Ian’s clothes.
DIMMICK: I’ve been getting into keyboards and just making
SCHEFFE: When did you all begin picking up your respective
sounds on the computer and playing with the Midi keyboard.
instruments?
I think we’ll probably rediscover guitar soon and how to use it
HUGHES: I can very definitively say I started playing drums
differently. I do want to learn how to play bass clarinet.
in fourth grade for band. Hated band. I started playing drums
HAMILTON: Twelve-string bass.
because I didn’t want to learn how to read music but it turns
DIMMICK: Twelve-string bass clarinet.
out you still have to read music to play drums. And so I just
HAWTHORNE: The answer is yes, there are numerous not
constantly annoyed my band teacher with my playing by ear.
serious instruments that we want.
Then I got tired of drums really quick because I didn’t have
HAMILTON: Organic synth.
a drum set and so I got a bass guitar when I was thirteen
SCHEFFE: Seeing as you are all from the Pacific Northwest in
because I couldn’t play regular guitar. I tried to learn "Smells
which plaid is a rampant trend, would you ever consider it as a
Like Teen Spirit" and it was so infuriating. I probably spent
stage uniform? [all but Hughes wearing plaid]
about a week trying to play that guitar and I couldn’t get my
DIMMICK: Uh, it sort of has been. [laughs]
fingers to do chords. So I started bass. And then about a couple
HAWTHORNE: I’ve been trying not to wear plaid when we play
years after that I bought my first guitar.
so that we don’t all look the same.
DIMMICK: I started playing guitar probably like about 7th
HUGHES: I really have been picking the clothes that aren’t
grade. I mostly played Nirvana and White Stripes songs, had
dirty. I think that’s been plaid about half the time. These guys
that frustration with chords and everything and then didn’t
own more plaid than I do though. I only own about two plaid
really start taking it seriously until like...
shirts. This guy knows about shirts though. [points to Ian] What
HAWTHORNE: Last week.
kind of shirt is that?
DIMMICK: 9th grade-ish, probably. Which is about the time
HAMILTON: This is a flannel... shirt.
I got into keyboards and stuff too and just playing piano. My
HUGHES: It’s a flannel? What brand? What are you wearing?
mom had bought an upright piano we had in our apartment.
Who are you wearing?
I bothered everyone in the building with it. At all hours Then most recently, less than a year ago just got into actually
"i got a bass guitar when i was thirteen because i couldn't play regular guitar. i tried to learn 'smells like teen spirit' and it was so infuriating. i probably spent about a week trying to play that guitar and i couldn't get my fingers to do the chords. so i started bass"
creating sounds with a synthesizer. That’s taking over. HUGHES: My brother got me into that. See, my brother was really influential on me starting to play music. I basically started following him in his progression of music. He started playing guitar, and then I started playing guitar. He started playing keyboard and then I started playing keyboard. He would record demos and stuff all day and I’d just sit there and watch him. That’s kind of how I got into recording too. HAWTHORNE: I started playing drums, in band as well, at about the age of ten. And I actually took the time to learn how to read music. I got my first drum set when I was eleven and started doing lessons on the drum set outside of band. But I continued to do band and symphonic orchestra up until I graduated from high school. I had two very different streams of percussion going on at the same time for a while. HAMILTON: I didn’t start playing the bass guitar until I was pretty old. I must’ve been... fifteen. And when I went to SOTA [Tacoma School of the Arts] I just decided that I was going to be a music kid so I started playing a lot of—
HAMILTON: I don’t want to talk about shirts right now.
HUGHES: Wait, you didn’t start playing music until you were
HUGHES: Who are you wearing? What type of plaid is it?
at school? // Continued on P. 118
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"MY MOM HAD BOUGHT AN UPRIGHT PIANO WE HAD IN OUR APARTMENT. I BOTHERED EVERYONE IN THE BUILDING WITH IT. AT ALL HOURS"
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COACHELLA 2011 COME AS YOU ARE
page 74 m ay 2011
By Katie Espinoza April 15th had arrived and all I could summon in my head during a
they couldn’t cope with the heat. Smart creation seeing as
time of panic was how I could successfully sneak into the un-sneak
Coachella’s low was 96 degrees. I wasn’t the only one falling
able grounds. I thought about darting through the sensor bars
into the wristband predicament and let me tell you, Coachella
and trying my luck at outrunning the volunteers. Maybe I
attendees who had spent hundreds on tickets and were not
could loose them amidst the thousands of people making their
allowed in because of technical difficulties were not so jolly.
way in? With a VIP wristband tightly fastened around my
Coachella Music Festival that went from April 15th
wrist, I approach the moment I was hoping would never occur-
through the 17th made its fair share of changes this year with
the light glared red as they tried to scan my wristband; in
expanding the grounds, adding on more bands to the set list,
another words, my anxious self was not getting in. I attempted
and redesigning this year’s wristbands that were shipped
to make friends with the guards by making them aware that
instead of given at the venue. And all attendants can proudly
constructing a wristband that resembled the ones that were
declare they experienced the year that Coachella sold out in
issued, was nearly impossible. The unknowledgeable staff sent
record time—124 hours.
me every which way to solve my dilemma, and after an hour
The polo grounds that housed palm trees, vendors with
and a half of me going from Lot 5 to Lot 11 talking to various
delicious snacks, stages, a Ferris wheel, interactive artwork,
people about my situation and how it could be settled, I was
and enough direct sunlight to cure the world of a vitamin D
not only concerned but also quite peeved. I needed to get in,
deficiency, became a sonic wonderland. Although my must-
and I needed to do so ASAP.
see band itinerary had been written with i’s dotted and
After some finagling and “help” from Coachella’s staff, my
t’s crossed, the six stages (Coachella Main Stage, Outdoor
last attempt came and a miracle ensued—the light scanned
Theater, Gobi, Mojave, Sahara, and Oasis) that were sprawled
green and I, my friend, was in. These high tech bracelets
in front of me, suddenly erased all planned intentions. The
fashioned quite the fiasco as the microchips that were built
music booming from every direction, men in dresses, women
in decided not to work. According to customer service,
in practically nothing, mobs scattering every which way,
m ay 2011 page 75 on the cover
was iced with fine seating, a luxurious bar, and interesting
of bands that all sounded incredible, had spun my brain cells
folk what I really wanted was the authentic get-down-sweaty-
into twists and turns.
dirty-being-pushed-and-shoved, demanding-for-room-
This year more than any other, I felt I had teleported to
somewhat-grungy-beer-garden, getting-lost-and-tossed-in-a-
Woodstock in 1969—this was all the rage and it felt historical.
huge-crowd Coachella experience. Being separated from the
The question of ‘what do I do first?’ seemed to be reoccurring
stages and eccentric people was not my complete ideal. After
all weekend. I settled on the fact that the first thing I had to
all, Coachella was not about staying clean and tidy.
do was finally see the VIP experience I had heard so much
Three days of bruises, dark circles, sleep deprivation,
about. I made my way from the Coachella Main Stage on over
sunburns, and dirty feet later and here are my Coachella band
to the arena practically galloping with hopes of running into
highlights. I couldn’t possibly encompass all the madness or
some celebrity crushes. I walk in and cruise my way into a
bands that took place that weekend; and in no way can the
classy array of canopies, fountains, flowers, wooden benches
review do the weekend justice. 70,000 people attended and
that were draped with midnight black cloth, a cabana bar, and
178 acts took the stage. Not only were there some of the best
heaps of fine-looking (rich) individuals. This was a dramatic
names in the industry performing, but they were also record
change from the not-so-green grounds that hadn’t an inch of
signings at the ZIA tent by Robyn, Cee Lo Green, Cold War
shade in sight. I swear the temperature cooled off and things
Kids, Cold Cave, Erykah Badu, Two Door Cinema Club, Sleigh
got a little classier on the opposite side of the chain link fence.
Bells, Cults, Wiz Khalifa, Gayngs, and Foals to only name a
Polo shirts, floor length sun dresses, big sun hats, oversized
small few. Any way you looked at it, Coachella ruled.
glasses, wooden wedges, tousled hair, and sun kissed skin made VIP a place with flair. After perusing my way through and seeing my fair share of celebrity sightings, I come to the conclusion that while VIP
For those curious about some of the stellar acts and how they got down, here are some quick highlights of band performances that had my brows raised and blood pressure peaking.
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people screaming, a mirage of trippy artwork, and a booklet
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THE DRUMS
COLD WAR KI DS
A band that quite impressively sounded exactly like they do
Good to see these guys are still orchestrating some sick jams.
when you play their record. They played all the hits from their
The crowd was definitely feeling the band’s energy and having
recent album The Drums (2010) such as “Surfing,” “Best Friend,”
never seen them live, they reignited the craving I once had
and “Forever.” Jonathan Pierce’s flashy arm pumps along with
for them. A band that you may have forgotten about but after
his fancy footwork made the experience an entertaining one
their set at Coachella, you were dying to cue later on the iPod.
to view. Saw this guy backstage and his energy and originality
LAURYN HILL
are hard to beat.
CEE LO GREEN
Simply beautiful. This lady has still got it! Not only was she
Screaming his “Fuck you” song at the top of your lungs has
that many relaxed to and soaked up the sun with.
never been so fun. Playing new tracks and old such as “Crazy” had a crowd reaching thousands gathered. Cee Lo is a great
SLEIGH BELLS
performer that has some serious pipes.
Screeching vocals, sweat, fist pumping, and thrashing never
TAME IMPALA
felt or sounded so good. I unfortunately missed them last year
Wish I would have seen some more energy from these guys
this year. Lead singer Alexis Krauss instantly made my list of
but their tracks from their semi-recent album, Innerspeaker,
badass chicks. Listening to Sleigh Bells does not do their live
was right on key. I love their take on psychedelic rock and
performance justice. Hands down one of the best sets of the
while their stage presence might not be off the hook, you can’t
weekend. If you haven’t seen them live, do it. But if your ears
deny the incredible talent.
are a little sensitive, perhaps some ear protection might be
bringing in some soul love to Coachella but she was the artist
at Coachella but was so thrilled they were going to be back
m ay 2011 page 77 on the cover
hear Mariachi music leaking from the Mojave stage. Their
THE BLACK KEYS
songs were spicy, catchy, and authentic. I was hooked and they
Dan Auerbach (vocals/guitar) and Patrick Carney (drummer/
horns, Spanish guitar, and trumpets made for a cultured
producer) had everyone on the tips of their toes with hands
Saturday. Hips were swayin’ and people creating a salsa line
raised and hair flinging. The Black Keys were just as impressive
really started the day off right.
as their tracks make them out to be. Who knew a two-man band could house enough energy to fill a mile’s radius. These
DELTA SPIRIT
boys are pure rock and serious mayhem. An excellent headliner
Despite having some technical difficulties right from the start
and an act I’m glad I can see I’ve got to see live.
(the bassist Jonathon Jameson’s bass wasn’t working) they
KINGS OF LEON
continued to put on a show filled with passion and soul. After
I was caught by utter surprise when I heard “Fans” from their
bass, Jonathan was back on and the show continued flawlessly.
2007 album Because of the Times playing. Being a fan of their hold
These guys never fail at delivering a jaw dropping show. People
productions, I was glad to hear some favorites come through
who had never heard them before left speechless and amazed.
the mics. They didn’t disappoint their newer fan base as they preformed “Sex on Fire” and “Use Somebody” but they also
RYE RYE
didn’t let down their loyal fan base from years back either.
Not only are her dance moves off the hook, but her rhymes are
MARIACHI EL BRONX
ill. Nicki Minaj—watch out. Everyone got ghetto and honestly
To be honest, I had no idea who they were until I—half dazed
whopping 30 minutes. Rye Rye can sure put on a show and her
from the lack of sleep—sloshed on over at 12:00pm only to
smile stretching from ear to ear the entire time she played,
instantly jumped on the “must download list.” The French
a while of frantically trying to figure out the issue with the
she quickly became one of my favorite female rappers in a
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nice, because yes, she shrills.
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really gave off good vibes to the crowd. I can’t wait to see
grounds quieter. You felt like you had entered a space land and
where she ends up next.
were about to be abducted. You got sucked in. Everyone stood
THE KILLS
in amazement as the anticipation multiplied and once the light
Not enough words can describe how incredible this duo is. A
crowd with some hypnotic tracks and ambient vibes.
dark show that had me not only zoned but also ready to throw on some skintight black jeans and grunge-out. Magic and bliss
ARCADE FIRE
all around and the show just radiated style.
By far one of the best acts at Coachella. Not only did they
MUMFORD & SONS
play all their hits from Funeral and Suburbs, but also delivered
There were so many people at this show that the closest I
and scream along. If you haven’t already, watch the video
could get was what seemed to be a mile away. Even though
for “Ready to Start” and that’s only a taste of craziness that
these lads have gained incredible amounts of fame in such a
assumed. As if their show wasn’t cool enough, hundreds of
short time, they humbly thanked the crowd and claimed this
huge plastic balls that were glowing different colors spilled
was the biggest gig they have ever preformed. This was folk on
out on top of the crowd. I don’t think I’ve ever witnessed
a whole new level and you could feel the tracks in your chest.
something so magical. It was a bubble dreamland and you felt
A show you just may have wanted to cry tears of joy at.
that life just couldn’t get any cooler.
ANIMAL COLLECTIVE
FOSTER THE PEOPLE
Animal Collective took the main stage and really made an
Lead singer and multi-instrumentalist, Mark Foster, became
entrance that was unforgettable. The stage went into a full board
the Coachella heartthrob. Girls got vicious once this act took
five-minute light show and I don’t think I heard the Coachella
stage and I had two large women attempt to bump me out
show concluded, Animal Collective headed out and stunned the
so much intensity and spirit that you couldn’t help but flail
COACHELLA BY THE NUMBERS —Percentage of tickets sold in California —Percentage of tickets sold in the USA —Percentage of tickets sold in Canada —Percentage of tickets sold in Mexico —Percentage of tickets sold in Australia —Percentage of tickets sold in Europe —Percentage of tickets sold in the UK
of the way with their swinging hips just so they could get a
for Kanye to arrive. Of course he didn’t arrive on time, but he
closer look. With that aside, their singles “Pumped Up Kicks,”
sure made up for it by having 20-plus ballet dancers on stage
“Helena Beat,” and “Houdini” had everyone fired up. They’ve
with him and by being elevated in the middle of the crowd.
mastered their live production and all I kept wishing was the
He really gave his all on stage and made the performance a
show would last longer.
theatrical thrill. He played tracks from College Dropout, 808 and
THE STROKES
Heartbreak, and My Beautiful Dark Twisted Fantasy. No hit single
A much better experience than last as I was able to
was left undone. A show you could only dream about. At Coachella anything goes. Whether that means wearing
actually inhale while watching the show. Julian filled the
pasties for clothing, or being an Australian man in a wedding
times between switching songs with hilariously sarcastic
dress, bringing a white board that says “smile if you touch
commentary. Playing tracks from their old albums as well
yourself,” or screaming "COOAACHHEELLA" at the top of your
as from Angles, everyone was dying to see the reunion. An
lungs while running barefoot and wasted. You don’t need to
amazing show that I had a little too much fun at (pretty sure
bring your manners, you won’t need your quiet indoor voice,
the girl in back of me was annoyed at my hair flipping and
heck—you don’t even need clothes. When you’re at Coachella
moshing). The Strokes are just as good live as they are blasted
you have formed a community, a common bond, and
on a sunny day.
memories that last a lifetime. You witness the unfathomable
KANYE WEST
and dance and sweat harder than you thought your body could
Kanye makes an incredible entrance. Either this man loves
go nuts. Coachella 2012, may you come quickly.
handle. All rules go out the window and everyone is ready to
soaking up the glory of being a rap god, or he’s amused at seeing the expressions on people’s faces when he does some insane shit. Everyone had sweaty palms as they waited with suspense
Katie Espinoza is INK's Music Editor.
page 79
PERU —Countries with one ticket sold KUWAIT POLAND VENEZUELA
on the cover
—Percentage of tickets sold in Asia
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—Percentage of tickets sold in South America
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55.03 33.49 6.09 2.84 1.98 1.60 1.15 .50 .10
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By Nicholas Naveda // Illustration Chris de la Rosa, Mark Roe
SUPER IS DESTINED FOR CULT-STATUS
these moments pinned to his bedroom wall, just to ensure
“Don’t deal drugs!”
that he starts everyday on a good note and with forward
“Don’t molest kids!”
motion. He’s an endearing guy, and it’s exactly what makes
These are the types of orders Frank D’Arbo (Rainn Wilson)
Super work, regardless of its over-the-top premise and
gives to criminals before he splits their foreheads and beats
execution. Rainn Wilson gives his best performance to date
them lifeless with his hefty and unmerciful weapon of
and has proven that he has the chops to take on serious work.
choice—a monkey wrench. But Frank isn’t just walking the
With his dark indie drama Hesher coming out in June, it looks
streets in his normal clothes, serving up justice and essentially
like he’s making a conscious effort to break out beyond our
committing murders that he feels are justified; he’s established
established ideas about him. Ellen Page also successfully manages to make us like her
a superhero identity as Crimson Bolt, which includes a across the chest of his respective costume. It sounds similar to
anti-Juno role. She plays Boltie, sidekick to Frank’s Crimson
other subversive superhero films of this type like the incredible
Bolt. She’s nerdy, sweet, and pretty insane to some degree.
Kick-Ass, but surely James Gunn was aware of what he was up
When they finally get to the crime fighting, she ends up having
against. While Super is tonally all over the place, and for the
a real knack for sadistically taking down criminals. Boltie
most part unfocused, the brutally violent and vulgar superhero
blows people up with pipe bombs and stabs them to death with
film is unlike anything else within the genre and will certainly
homemade Wolverine claws, all while laughing obnoxiously. Yet
gain a respectable cult-status over time.
somehow, some way, all of this works. When the carnage finds
Frank’s wife Sarah (Liv Tyler) has just left him for Jacques
its way to the screen and our heroes unmercifully create an
(Kevin Bacon), a thinned out, cocky drug-dealer with an un-
impressive body count with ghetto-rigged superhero weapons,
missable gold tooth. Frank associates what happened to him with
we root for them, laughing the entire time. James Gunn’s directorial debut Slither was a hilarious
everything evil in the world and feels that he has a duty to fight crime and punish those responsible for taking Sarah away from
throwback to B-movie horror, and it was very nicely shot. Super
him—which essentially unleashes the identity of Crimson Bolt.
is such an incredible stylistic departure because it mimics
He later teams up with Libby (Ellen Page), a comic book-obsessed
more of a low-budget documentary style, which perfectly
psychopath who shares the same driving passion as Frank—to
seems to reflect the imbalanced and jarring nature of Frank’s
take down bad guys and serve up justice, even if it means slitting
inner struggle and insanity. It’s hard to determine what’s
their throats with Wolverine-like claws and setting them on fire.
going to happen at any time because each moment is more
The premise is a bit of a stretch and Gunn has really put a lot of
shocking than the next, and the unstable camerawork adds
faith in his actors to make this material funny and entertaining,
to this tension that ultimately creates a very gritty narrative
while still staying true to the gratuitously gory and violent nature
that dives into surprisingly dark territory. Super has been met
of the story. And in large part he succeeds.
with mostly mixed reviews from critics, and with good reason.
Rainn Wilson is the driving force behind this film. It’s
It’s completely gratuitous in everything that can be associated
a lot heavier and more dramatic than anything else he’s
with bad taste, but that’s just part of its charm. It feels more
done, especially since he has become type-casted as Dwight
like an obscure midnight movie that frequently runs for a
Schrute from NBC’s The Office. All of his goofy sensibilities
weekend at a vintage movie theater. And while all of the gore,
and deadpan one-liners are present throughout, but many
violence and unhinged foul language are all in good fun; there
poignant character details rest below his typical persona and
is a very moving human story beneath all of it. The ending
occasionally find their way to the surface in very surprising
of the film can be interpreted in a few ways, but it elicits
ways. In Super, his character is nerdy and somewhat hopeless,
both extreme pathos and an unnerving eeriness, which is a
but that’s what makes him worth rooting for. In a brief
perfect way to end this ultimately uneven and inspired dark
montage we see that no girls liked him in school, his father
comedy that needs to be seen in a crowded theater with fellow
beat him, and he was an overweight wallflower during his
moviegoers who are willing to play along.
entire adolescence. He’s only proud of two moments in his life:
1) when he married Sarah and 2) when he firmly directed a police officer to the whereabouts of a criminal who ran past him and into a convenient store. He keeps illustrations of
Nicholas Naveda is a screenwriter, filmmaker and writer from Los Angeles.
a pr il 2011
overtly vicious character in what can be considered a very
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homemade red jumpsuit, pull-over mask and iron-on bolt logo
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“Don’t steal!”
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H inkm agonline.com
AND SO IT GOES.
HOMME INK Homme presents
m ay
//
2 011
volume i, issue ii
one, two by john troxel, max by matt feddersen, come on, skinny love by matthew burditt + more interviews, fashion, and photography
featuring
CONTENTS
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EDITORIALS 086 // Max 094 // Come On, Skinny Love 102 // One, Two
ON THE COVER Photography by John Troxel Modeled by Alex and Austin Proeh @ FORD
DEAR READERS, Flipping through Jil Sanders' SS11 menswear collection is like being a kid in a candy store again. Not only is the cut and tailoring of each look perfect, but the color is reminiscent of a bag of Jolly Ranchers. Expensive Jolly Ranchers. INK took the cue from color this season, and I encourage you to look through some of the S/S11 menswear lookbooks—the use of bold, vibrant, color was phenomenal. Whether it is a full-on monochromatic ensemble (one color head to toe), or color-blocking with multiple tones... take a look and take the leap. And, as always, INK Homme is a work in progress, an exciting development. We learn something new everyday, and are undergoing big changes. We appreciate all our reader's feedback and support, and we're excited to share with you new content that is coming soon! Keep Creating,
John Troxel // Editor in Chief
m ay 2011 page 85 inkm agonline.com
FROM THE EDITOR
inkm agonline.com page 86 m ay 2011 jacket jack london all other clothing stylist's own
m ay 2011 on the cover
page 87
Photography by Matt Feddersen. Styling by Rebecca Grace Sicari. Modeled by Max @ Chadwicks
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MAX
this page: hat peter werth all other clothing stylist's own that page: jacket jack london all other clothing stylist's own
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on the cover
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m ay 2011 page 91 on the cover inkm agonline.com this page: shirt country road tie jack london all other clothing stylist's own that page: jacket jack london all other clothing stylist's own
shirt saxony all other clothing stylist's own
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on the cover
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this page: on james, t-shirt diesel, holt renfrew blazer rag & bone pants carlie wong suspenders mandula on gracie, sweater oak & fort dress mandula rings and leg chain amaly that page: on james, shorts prada, holt renfrew backpack herschel on gracie, dress the row shoes acne rings amaly
Photography by Matthew Burditt. Styling by Deanna Palkowski for Lizbell Agency. Hair and Makeup by Negar Hooshmand for Lizbell Agency and TRESemmĂŠ Hair Care. Modeled by James and Gracie @ Lizbell Agency
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come on, skinny love
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m ay 2011 page 97 on the cover inkm agonline.com jeans balmain, holt renfrew shirt alternative apparel bullet necklace amaly
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m ay 2011 page 101 on the cover inkm agonline.com on james, jeans naked and famous, holt renfrew shirt alternative apparel sweater alexander wang, holt renfrew blazer carlie wong shoes tom, little burgundy on gracie, bathing suit anna kosturova dress shirt oak & fort wedges jeffery campbell, little burgundy cross necklace length & width pike necklace sleep standing up rings amaly
yellow burnout tee next level, $20 turquois melrose 2 jean urban behavior, $50 royal blue raw cut vneck tee true fit, $18 medium washed gere jean projek raw, $100
Photography by John Troxel, with assistance from Veronica Boswell. Styled by Brandy Flint. Hair & Makeup by Rose Okoye. Modeled by Alex and Austin Proeh @ FORD. All clothing provided by Futurgarb
m ay 2011 page 103 on the cover
KEEP IT CASUAL WITH the SPOT-ON UNIFORM OF a WORN-IN TEE AND WASHED JEANS
inkm agonline.com
ONE, TWO
mineral washed vneck tees true fit, $23 each medium washed gere jean projek raw, $100 light washed dane jean buffalo, $170 sunglasses stylist's own
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on the cover
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m ay 2011 page 107 on the cover inkm agonline.com this and that page: black tank stylist's own light gray evan jean buffalo, $145 black burnout tee next level, $20 dark gray h really jean five four clothing, $160
this and that page: black tank stylist's own light gray evan jean buffalo, $145 black burnout tee next level, $20 dark gray h really jean five four clothing, $160
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on the cover
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yellow burnout tee next level, $20 inkm agonline.com
on the cover
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m ay 2011 page 115 on the cover inkm agonline.com this page: red raw cut v-neck tee true fit, $18 black trek jean indigo star, $80 that page: white tank stylist's own checkered bebe jean cecico town, $45
mineral washed vneck tees true fit, $23 each medium washed gere jean projek raw, $100 light washed dane jean buffalo, $170 sunglasses stylist's own
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on the cover
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these guys. It’s my favorite drug. HAMILTON: I would mix coffee with other drugs.
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MORE SLOWWAVE
HAWTHORNE: [laughs] Have you not seen the Learn To Fly
HAMILTON: No, I played beforehand but I didn’t go for music.
HAMILTON: Yeah but you like it watery.
HUGHES: What’d you go for?
HUGHES: No, I don’t. I just don’t like silt in my coffee.
HAMILTON: I went for drawing and stuff.
DIMMICK: I get emotional with coffee. I can’t have it before we
HUGHES: Oh, I didn’t know that.
play shows.
HAMILTON: But then I didn’t want to do that. So anyway, I got
HAWTHORNE: Yeah, no coffee or alcohol before shows,
into playing bass cause I didn’t want to play guitar 'cause it
making us the worst band to party with beforehand.
was too difficult.
HUGHES: Yeah, if you just play one note wrong, you’re playing
SCHEFFE: So then I want to ask about your name. What does
a whole different song. Our songs are one note. [pause] We
it mean?
need to fight on stage more.
HAWTHORNE: It was the only name that wasn’t already taken
DIMMICK: No, we don’t.
on Myspace.
SCHEFFE: What’s something imperative or random that
HUGHES: I like the connotation of it. The etherial aspect of it
readers should know about Slowwave?
being dream-based.
HAWTHORNE: Ian Hamilton is a struggling comedian who
HAWTHORNE: Slowwave sleep is a very interesting—
once crashed a borrowed motoscooter into a parked car after
HUGHES: I’ve done a lot of reading up on it.
not graduating.
HAWTHORNE: Yeah. How it’s—I mean it’s not REM sleep and
SCHEFFE: How do you feel about that, Ian? [all laugh]
you can dream [laughs]—we’re not R.E.M—and you can dream
HUGHES: Well he’s got a few jokes about it, I think.
during it but they become very strange and hard to control.
HAMILTON: I, yeah. I feel okay about it. You know. I’m over it.
HUGHES: And we liked the way it looked. That was like a big
HAWTHORNE: [poking at Zach’s shirt] You’ve got like, airholes.
factor actually. I don’t like when band names look clunky. This
DIMMICK: I think you just touched my armpit. That’s nice.
one looked better than the rest of them. You should see the
HUGHES: Imperative facts. I don’t know, does anybody care
ones we didn’t use.
about us enough to know imperative facts? [all laugh]
SCHEFFE: Can or do you all perform vocally?
HUGHES: I think we pretty much covered everything.
HAWTHORNE: Can we? Probably. Do we? No.
HAMILTON: Brandon is single. [all laugh]
DIMMICK: Ian, can you?
SCHEFFE: You want to add your phone number?
HAMILTON: What?
HAMILTON: [salesman voice] Do you like his angelic voice? Call
HAWTHORNE: We’ve heard his beautiful voice.
[XXX] XXX-XXXX.
HUGHES: Ian’s a bass.
HUGHES: Yeah, there you go.
DIMMICK: Yeah, dude you should do some bass-y stuff.
DIMMICK: That is a real number.
HAMILTON: There’s no room for that in contemporary music.
HUGHES: That’s my real number.
Yet. Yeah, we’re trying to change things. So we can have
video by Foo Fighters? HUGHES: I drink about a pot and a half a day.
Off the record and moving to the studio filled with couches,
harmonies. We can have four part harmonies. We’ll have
chords, cables, coffee mugs, sound boards, and a ridiculously
Myles doing vocals and playing drums at the same time cause
large computer monitor, the hilarity continued until the five
that’s always fun.
of us felt the need for a coffee fix. On we walked to Satellite
HAWTHORNE: They won’t let me do that because of the fact
Coffee conveniently a few blocks away, the stream of jokes and
that all the micing possibilities for drums are...stupid.
quips never ceasing. In reference to Slowwave’s music, I can
DIMMICK: We’re not going to have him wearing a headset.
only strongly reinforce the watch-out-fors and please-dos. This
HAMILTON: That’s right, there are headsets too.
is a uniquely talented, tight-knit group of musicians. If given
HAWTHORNE: We’d need to have a mic over here [gesturing to
the chance to see them, do and expect a riveting and polished
left side of face]. It’s not going to work.
show. I’ve been told they have some top-secret shows and
HUGHES: I think it’s even simpler. We have so many things to
events in the works neither you nor I will want to miss.
pay attention to on stage that adding vocals to it would just really throw a wrench in the works. We might eventually. Zach sings on a couple songs. HAWTHORNE: And we’ve been trying to incorporate it. SCHEFFE: I’ve been told you’re avid coffee drinkers. Theoretically, could you survive if it became illegal? HUGHES: Fuck no. I need coffee. You know, I read somewhere that coffee prices will skyrocket in the next two years or so to $70 a can. HAMILTON: That can’t be true. Who said that? HUGHES: If coffee became illegal, I would become a coffee dealer. I think I probably consume the most coffee of all of
Chelsey Scheffe is a designer and musician ninja-ing in Seattle.
SHOP MAY 2011 3.1 Phillip Lim, ALDO, ASOS, Acne, Alexander Wang, Alternative Apparel, American Apparel, Anita Svingen Guldbrandsen, Anna Kosturova, Anthropologie, Antik Batik, Aqua, Balenciaga, Balmain, Bloomingdale’s, Buffalo, Carlie Wong, Cecico Town, Cheap Monday, Chinese Laundry, Civil Society Clothing, Country Road, Cynthia Steffe, Céline, Danier, Diane von Furstenberg, Diesel, Doc Martens, Elizabeth & James, Five Four Clothing, French Connection, Futurgarb, 1359 N. Milwaukee Ave. Chicago, IL 60642, (773) 276-1450, www.futurgarb.com; Graham & Spencer, H&M, Helene Nilsen Hjellen, Hennes & Mauritz, Indigo Star, Jack London, Jaclyn Mayer, Jeffery Campell, John Varvatos, Kenneth Jay Lane, L.A.M.B, Linn Renée Blegeberg, Little Burgundy, Lizzie Fortunato Jewels, Locale, Mandula, Marc Jacobs, Marc by Marc Jacobs, Michael Antonio, Miu Miu, Naked and Famous Jeans Natasha, Native Jericho, Nelly, Next Level, Nomia, Nordstrom, Oak & Fort, Opening Ceremony, Peter Werth, Polo Ralph Lauren, Prada, Projek Raw, Rachel Gilbert, Rachel Roy, Rag & Bone,
Dress Cynthia Steffe, $325 Sunglasses Balenciaga, $395 at Bloomindale's Bracelets Anthropologie, $68 each at anthropolgie.com Shoes Seychelles, $94.90 at shopakira.com
page 119
COVER LOOK
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gensen, Topshop, True Fit, Urban Behavior, Velouria Vintage
m ay 2011
Ralph Lauren, Saxony, Shopbop, Ted Baker, The Row, Tina Haa-
inkm agonline.com
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HOMME INK Homme presents
m ay
//
2 011
volume i, issue ii
one, two by john troxel, max by matt feddersen, come on, skinny love by matthew burditt + more interviews, fashion, and photography
featuring