WINNER: 2018 NNPA MERIT AWARDS: 3RD PLACE BES T COLUMN WRITING
WINNER: 2019 GENERAL EXCELLENCE, 3RD PLACE, COLUMN WRITING, 2ND PLACE
Insight News April 15, 2019 - April 21, 2019
Vol. 46 No. 15• The Journal For Community News, Business & The Arts • insightnews.com
H I D DE N HEROES HIDDEN H EROES 3
Page 2 • April 15, 2019 - April 21, 2019 • Insight News
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United States of America Snowboard Association
Aten-Wa Theba among top US snowboarding competitors St. Paul snowboarder AtenWa Theba placed among the nation’s top competitors at this year’s United States of America Snowboard Association (USASA) Nationals snowboard competition held at Copper Mountain,
C. March 31 – April 5. Competing in the Boys 14-15 division of boardercross Theba was a top competitor in Minnesota and advanced to the national level where he competed against top riders from around the
country. He placed 24th in a highly competitive boardercross competition. Theba has been training hard since early September with snowboarding team, the G Team. The G Team works with rid-
ers of all ability levels and ages in competitive and non-competitive teams. For more information on USASA, visit www. usasa.org and for more information on the G Team, visit www.thegteam.com.
Stay Warm. Stay Safe. Stay Connected.
Holden Photos
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Aten-Wa Theba during a recent downhill run.
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A program of Community Action Partnership of Hennepin County sponsored by: The Minnesota Department of Commerce & Department of Health and Human Services
Strengthening Community ∞ Eliminating Barriers ∞ Creating Opportunity
Tyus Jones
Tyus Jones presented Flip Saunders Legacy Award The Flip Saunders Legacy Award was presented to Minnesota Timberwolves’ Tyus Jones. Saunders’ widow, Debbie Saunders, and Flip Saunders’ son, current Timberwolves Interim Head Coach Ryan Saunders, presented Jones with the award to recognize his excellence in community service. The Flip Saunders Legacy Award was created to honor one Timberwolves player each year who has demonstrated the greatest impact in the community and to honor the life of Flip Saunders and his commitment to community involvement. The winner is chosen by a vote among current rostered players. “We are so proud of Tyus
and what he has done for local areas and communities across the region,” said Debbie Saunders. “Our family has gotten to know Tyus very well on and off the court and we have been impressed with his desire to give back to communities in our shared home state. I’m very happy the Timberwolves team have chosen him for this award.” Jones has shown his commitment to the community through his ongoing relationships with organizations such United Heroes League, Best Prep’s Cloud Coach, and his own organization Write Your Own Story Technology Labs, which refurbishes and donates school technology labs.
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Insight News • April 15, 2019 - April 21, 2019 • Page 3
Insight News WINNER: 2018 NNPA MERIT AWARDS: 3RD PLACE BES T COLUMN WRITING
April 15, 2019 - April 21, 2019
WINNER: 2019 GENERAL EXCELLENCE, 3RD PLACE, COLUMN WRITING, 2ND PLACE
Vol. 46 No. 15• The Journal For Community News, Business & The Arts • insightnews.com
Leaders bring new perspectives, strategic acumen, experience in innovation and entrepreneurship
Shawntera Hardy, Vivek Agrawal elected to MPR board of trustees Minnesota Public Radio (MPR) has elected two new members to its board of trustees; Shawntera Hardy and Vivek Agrawal. “We are excited to welcome two individuals who’ve demonstrated real leadership in our communities and their respective fields,” said Jon McTaggart, president and CEO of MPR. “These impressive leaders bring new perspectives, strategic acumen, proven experience in innovation and entrepreneurship, and a passion for public service using media. Shawntera and Vivek are true fans of MPR and will be terrific additions to the MPR Board.” Hardy has over 15 years of combined experience in government and community relations, urban planning and workforce and economic development. Prior to her role as cofounder of Civic Eagle, a tech company that has developed productivity and collaboration software that allows advocacy teams to easily research and analyze state and federal legislation, Hardy
served as the commissioner of the Minnesota Department of Employment and Economic Development (DEED). Before that, she was deputy chief of staff in the Office of Governor Dayton and Lt. Governor Tina Smith. Hardy is also the founder of PolicyGrounds Consulting, a strategy firm working at the intersection of public policy and placemaking and co-founder of Fearless Commerce, a publication and platform focused on elevating Black women business owners. Originally from Youngstown, Ohio, Hardy holds a Bachelor of Science in Consumer Affairs from The Ohio State University, and a Master of Urban and Regional Planning from the State University of New York at Buffalo – School of Architecture and Planning. Agrawal’s is a senior partner at McKinsey & Company and focuses on strategy, operations and organizational issues across a wide range of financial institutions in North America
Shawnterra Hardy
Paige Reynolds diversifying the Minnesota Opera and its audience ures like her choir teacher and artistically inclined families both in church and at home, Reynolds saw there was a place for her, as a young Black person, to access and excel in creative forms that the white and wealthy dominate to this day. “Growing up between Detroit and Ypsilanti, there was never a shortage of music, especially gospel and Motown. We had art books at home, and I loved looking through them, going to museums … that’s a huge part of me valuing the arts.” Reynolds reflect, “When it comes to classical art forms, they aren’t always presented as options, but I was surrounded by people who were very intentional about letting me know that I belonged.”
By Aarohi Narain What does it mean to be Black, queer, and an advocate for the classical arts? Paige Reynolds is all of those. As Minnesota Opera’s (MN Opera) relationship marketing associate, she is on the frontlines of initiatives set to remake the operatic landscape. When her sister got to play one of Cinderella’s step-sisters in a high school drama club production, a young Reynolds thought it was just about the coolest thing ever. So filled with admiration was Reynolds that she decided she, too, would join drama club and study classical voice – including opera – in the future. With supportive fig-
Paige Reynolds
REYNOLDS 6
Historian John Wright was instrumental in 1969 Morrill Hall takeover by AAAC Professor, Dr. John Wright of the Departments of African American & African Studies and English at the University of Minnesota is retiring after 35 years of faculty service. Wright›s service to the U of M precedes and extends beyond his years as a professor. Wright earned three U of M degrees – Ph.D. in American Studies and the History of African Peoples, Master of Arts in English and American Literature and a bachelor’s in Electrical Engineering. As an undergraduate and graduate student, he was instrumental in the 1969 Morrill Hall takeover by the AfroAmerican Action Committee. Following the assassination of the Rev. Dr. Martin Luther King, Jr. in 1968, as an undergraduate member of the group’s executive committee, Wright drafted the list of seven demands that ultimately led to the establishment of an African American Studies department and special advising and counseling resources for Black students after
Dr. John Wright administrators agreed to most of the students’ demands the day after the takeover. The De-
and Asia. He has also served as head of McKinsey’s insurance practice for the Asia-Pacific region, head of life insurance practice for North America, and managing partner for the firm’s Minneapolis office. Agrawal has authored numerous research articles on innovation and performance in financial services, the most recent being “The Life Journey,” a series of perspectives on what winners are doing to separate themselves in life insurance markets in the United States, Japan, Korea, China, India and southeast Asia. Agrawal has served several public sector clients and led research initiatives, one of which was a fellowship of the McKinsey Global Institute. There, he co-authored studies on productivity growth of the United States economy and the impact of foreign direct investments. Agrawal attended the Indian Institute of Technology for his bachelor’s degree and earned his master’s degree from the Massachusetts Institute of Technology (MIT).
partment of African American & African Studies began offering courses in 1970, followed
by the Martin Luther King, Jr. Program supporting historically underrepresented communities, which Wright directed for three years while a graduate student. He then left the university to develop a major in African American & African Studies at Carleton College, where he served as chair and associate professor of African American & African Studies, and as associate professor of English. In 1984, Wright returned to the University of Minnesota as a professor in the department he helped to initiate, with a joint appointment in English. He received recognition as a CLA Scholar of the College, along with national research awards from the NEH and Ford Foundation and from the Bush Leadership Program. In 1981, novelist Ralph Ellison nominated him for a MacArthur Foundation Fellowship. In 1998, he received the highest award for undergraduate teach-
WRIGHT 4
Habitat for Humanity offers mortgage program for firsttime homebuyers Twin Cities Habitat for Humanity has developed a new program to help first-time homebuyers who have faced barriers to buying a home through traditional mortgage lenders. Under the program, homebuyers can buy on the open market using Habitat’s affordable, fixed-rate mortgage. They can work with the realtor of their choice, complete Habitat’s homeownership education and buy a home in their preferred neighborhood or city. The new program reaches a broader income range, including those who may think their income is too high to qualify. Households earning $40,000$80,000 are eligible to purchase a home in Habitat’s redesigned homeownership program. The program revolves around a 30-year fixed-rate mortgage with monthly payments set to no more than 30 percent of income. Down payment assistance may be available. The mortgage program was made possible by a partnership with Bremer Bank.
“The need to open access to housing has never been greater, especially for first-time homebuyers and underserved populations,” said Chris Coleman, president and CEO of Twin Cities Habitat and the former St. Paul Mayor. “We are excited about the mortgage program’s ability to serve residents throughout the metro area.” Coleman noted that one in four Minnesota households are cost-burdened, paying more than 30 percent of their income on housing. There is also an ethnic gap in home ownership. Minnesota’s ethnic gap in homeownership is among the worst in the nation. Seventysix percent of white households own homes compared with 22 percent of Black households. Forty percent of all households of color own homes. Interested residents can find more information on the mortgage program at: www.BuyWithHabitat.org or by calling (612) 540-5660.
Hidden Heroes: illuminating young girls’ brilliance, creativity, and imagination Stages Theatre Company (STC) is presenting the inspiring story of the young girls who grew up to become the Black Women of NASA. “Hidden Heroes” is based on the book Hidden Human Computers: The Black Women of NASA by Sue Bradford Edwards and Duchess Harris, whose grandmother was in the group of the first 11 Black women recruited to work at NASA. The production takes audiences on a journey capturing the young girls’ brilliance, creativity, and imagination as they break barriers, accomplish the impossible, and become the courageous women who created opportunities that have influenced the industry of space exploration, mathematics and engineering. The world premiere produc-
tion is in Jaycee Studio at Stages Theatre Company from April 26 through May 19, 2019. Adapted to stage by playwright Shá Cage and directed by Signe V. Harriday, Hidden Heroes encourages the audiences to dream big and imagine the unimaginable. “Centering the stories, voices, and experiences of Black women is part of what excites me about directing this production,” said Signe V. Harriday. “Making unabashed space to create, play, and embody the fullness of ourselves is a healing journey and one I believe will touch the hearts of our audiences. Seeing reflections of ourselves in the brilliance and magic of our elders and ancestors is in part what this play and production are all about.
HIDDEN HEROES 6
Black Violin Ticket Giveaway Tune in to Conversations with Al McFarlane on KFAI FM Radio 1pm Tuesday April 16th for a chance to win VIP Tickets to Black Violin Concert, 7:30pm April 19th at Ordway, sponsored by Minnesota Lottery. You can also get a chance to win a pair of tickets simply by sending us an email letting us know where you pick up your copy of Insight News each week. Send your email to harry@insightnews.com. Winners to be announced on air Tuesday during the broadcast. KFAI FM 90.3 & 106.7
Page 4 • April 15, 2019 - April 21, 2019 • Insight News
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Afrodescendientes
Top row from left: Michael Reid, Kwynton Johnson, Jordan Sadler, Christian Brown, Jarah Lyles, Gabriella Wiggins and Janiah Fountaine. Bottom row from left: Jonathan Prescott, Jazmine Gray and Morgan Anthony. Baltimore Maryland’s Liberty Christian School Eighth Graders did service work at La Carpio, a refugee community on the outskirts of Costa Rica’s capital city. Below author Gabriella Wiggins with toddlers.
Liberty students: Using gifts to serve others Afrodescendientes
By Gabriella Wiggins Recently, I had the chance to experience a life-changing event. That’s right, I had that chance and I’m only13-yearsold and in the 8th grade. What did I do, you may ask? Well, it was something I had looked forward to since I was five-years-old. So, a little about me. My name is Gabriella Wiggins and I live in Baltimore, MD. I attend Liberty Christian School. Since the start of my schooling, I have been hearing about the missionary trip that 8th graders take every year to
Reynolds From 3 Now, in her role as relationship marketing associate at MN Opera, Reynolds is focused on paying it forward. By encouraging newer generations of Twin Citizens – young, multicultural, and gender-diverse – to access the classical art form not only at the opera house but in community-based settings, their work showcases what arts equity looks like in action. Reynolds serves as the coordinator for Tempo, a program for opera fans and the opera-curious, aged 21-45, that provides affordable tickets to performances. With other events like Taste of Opera, attendees sit down for a meal with an artist or staff member to grasp the behind-the-scenes creation process
Wright From 3 ing at the university, the Horace T. Morse-University of Minnesota Alumni Association Award for Outstanding Contributions to Undergraduate Education. Wright’s activism for equity and diversity at the university has remained unbroken in recent years. He served on the
Costa Rica in Central America. They go to La Carpio, which is a community on the outskirts of San Jose, made up mostly of Nicaraguans who have left their homes to escape to the peace and tranquility of Costa Rica. La Carpio has over 100,000 inhabitants who live on one square mile situated at the end of a road overlooking a landfill. The church there is the largest open space in La Carpio and provides a great place for the kids to be able to run around and play. The school’s strategy for this trip every year is to partner with the church to provide various activities for the children of La Carpio. We had a carnival and performed other special activities, and we did all of this communicating in Spanish. For many of the children of this region, it is the only time they can be kids
as they are often responsible for caring for younger siblings and maintaining the household while their parents work. Seeing poverty up close is not something that is foreign to me. But seeing the people of La Carpio living at this level of poverty, while remaining quite thankful for the little bit that they have, was new. I thought that this trip would be a fun adventure that would give me the chance to see a part of the world that I was unfamiliar with. But, it did so much more. It taught me that I should be grateful for every opportunity and chance to share the gifts God has given me with others. I lived and practiced the verse from 1 Peter 4:10 which says: “Each of you should use whatever gift you have received to serve others.” I am forever changed because of the La Carpio community.
– everything from the nuances of sound to the composer’s influences are laid bare. In addition, MN Opera is partnering with local fashion designers TIM+THOM, and Pride Festival, putting on shows outdoors, and inviting kids to performances. All this in a thoroughgoing effort to bring opera to the people; instead of the other way around. “It’s very close to my heart. I’m 25, a queer Black woman … if I can enjoy opera and have it move me, it can do that for others too,” said Reynolds. “But there is the reality that people have been left out. We know what the barriers are, like the subject matter not always being relevant, economic access, experiencing microaggressions attending any theater … we outlined this in our charter and are constantly reassessing, thinking about this together. We’re saying, let’s take serious
steps and embrace change.” Pursuing Theatre Arts Administration at Howard University with celebrated Black Broadway and the “theatre of the people” (Howard Theatre) in close proximity, Reynolds came away with a deep sense of the legacy of people of color (POC) artists and POC-owned arts institutions, apprehending the importance of honoring and keeping them resourced. Landmark internship experiences at the DC Commission on the Arts and Humanities and the Smithsonian National Museum on the American Indian compelled Reynolds to broaden her horizons. Meanwhile, as she ground herself in the Twin Cities theater scene, Reynolds is enthralled by the change-making potential at the intersection of social justice and the arts. “I came here for the Children’s Theatre Company, and then I also found out about
places like Pangea and Theater Mu, where people are really raising political consciousness through theatre. There’s also the unique racial and ethnic demographics, for instance, you see Somali and Hmong folks in conversation over the arts. It’s incredible,” said Reynolds. Study abroad in Hyderabad, India, saw Reynolds knee-deep in modes of performance that exploded ideas about the anatomy of theatre. From storytelling to stage, she further interrogated the Western European dogmas limiting diversity – in expression, and amongst theater-goers and professionals alike. “I felt very encouraged to push the limits of what my idea of theater was,” said Reynolds. “The way we do it is so based in European ideas. We don’t need a conventional stage, stories don’t have to follow one structure, and dance and music
can be woven throughout a production in a way that doesn’t resemble Broadway. It completely changed my perceptions. We’re trying to push boundaries like that at MN Opera. People who are truly fans of opera want to see it reflect the world that they’re living in. They want to see the art form do new things. Part of our mission at MN Opera is to sing every story, so why not have a Hmong opera based off a memoir?” Reynolds said of an upcoming production of Hmong American poet Kao Kalia Yang’s “The Song Poet.” “These stories resonate with our local communities. It’s about building a New American canon, and we want to see a much more colorful audience,” she said. Yet, beyond questions of representation and inclusion, Reynolds recognizes that in an era marked by unprecedented
hostility it’s increasingly difficult to make a case for the arts. “When there’s health disparities and I’m seeing people discriminated against for their racial, gender, and sexual identities, I’m making the argument to myself a lot. But then I recall how much the arts have given me – how we can connect to other people through it. With opera, there’s just something about being there. Everyone is sharing that moment; we’re bearing witness together,” Reynolds contends. “Even if you’re watching something outside of your experience, you’ve decided to be present with this story and this person’s emotions. You stop, look, consider, and feel something; it’s building empathy. And that makes an easier way for transformation to happen.”
advisory board for the provocative University Libraries 2017 exhibit, «A Campus Divided: Progressives, Anticommunists, Racism and Antisemitism at the University of Minnesota 19301942.» The exhibit demonstrated that university administrators deliberately maintained segregated housing for undergraduate and graduate students and oversaw political surveillance of Jewish and other politically active students. At a panel introducing the exhibit, Wright
spoke about his aunt, Martha Wright, a School of Technology math major at the University in the 1930s, who as president of the Council of Negro Students helped lead the protests against Lotus Coffman administration policies that barred black students from living in campus dormitories and participating fully in campus life. «A Campus Divided» led directly to President Eric Kaler appointing a committee of historians, faculty, students, and alumni –
including Wright – to examine the University of Minnesota’s troubling history and to arrive at appropriate responses. The committee›s 2019 report recommended renaming four university building and, as Wright urged, exploring additional contemporary reforms “beyond naming,” but controversies with the current University Board of Regents remain as yet unresolved. As a scholar, Wright has focused on African-American and African cultural,
intellectual, and literary history, oral tradition, and cultural movements such as the Harlem Renaissance and Black Arts Movement. In the course of spearheading the acquisition in 1985 of the Archie Givens, Jr. Collection of African American Literature, and serving as its founding faculty scholar for more than 30 years, he helped superintend the NEH-sponsored first nationally touring exhibition on the Harlem Renaissance, mounted in partnership
with the Weisman Museum. Wright has edited multiple critical series of African-American classic texts and created a jazz and poetry ensemble, The Langston Hughes Project, “Ask Your Mama: Twelve Moods for Jazz,” with which he performed nationally for a decade. Wright has published expansively on the life and work of “Invisible Man” author Ralph Ellison, resulting in his book “Shadowing Ralph Ellison.”
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Insight News • April 15, 2019 - April 21, 2019 • Page 5
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Page 6 • April 15, 2019 - April 21, 2019 • Insight News
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Ten middle school age children are eligible to win $1,000
OneUnited Bank announces ‘I Got Bank’ youth financial literacy contest For National Financial Literacy Month, OneUnited Bank, the nation’s largest Black-owned bank, presents its ninth annual “I Got Bank” financial literacy contest, where 10 children will win a $1,000 savings account. The contest represents the best essays and art projects that embody the “I Got Bank” theme. Students from across the country between the ages of
8 and 12 years of age are encouraged to read a financial literacy book of their choosing, and either write a 250-word essay or create an art project to show how they would apply what they learned from the book to their daily lives. Submissions must be emailed or postmarked by June 29. OneUnited will choose 10 winners and award each winner a $1,000 savings account at OneUnited Bank by Aug.
INSIGHT NEWS www.insightnews.com
Insight News is published weekly, every Monday by McFarlane Media Interests. Editor-In-Chief Al McFarlane Publisher Batala-Ra McFarlane Associate Editor & Associate Publisher B.P. Ford Managing Editor Harry Colbert, Jr. Culture and Education Editor Dr. Irma McClaurin Associate Editor Afrodescendientes Carmen Robles Associate Editor Nigeria & West Africa Chief Folarin Ero-Phillips Director of Content & Production Patricia Weaver Content & Production Coordinator Sunny Thongthi Yang Distribution/Facilities Manager Jamal Mohamed Receptionist Lue B. Lampley Intern Kelvin Kuria
Contributing Writers Maya Beecham Nadvia Davis Fred Easter Abeni Hill Timothy Houston Michelle Mitchum Latisha Townsend Artika Tyner Toki Wright Photography David Bradley V. Rivera Garcia Uchechukwu Iroegbu Rebecca Rabb Artist Donald Walker Contact Us: Insight News, Inc. Marcus Garvey House 1815 Bryant Ave. N. Minneapolis., MN 55411 Ph.: (612) 588-1313 Fax: (612) 588-2031 Member: Minnesota Multicultural Media Consortium (MMMC), Midwest Black Publishers Coalition, Inc. (MBPCI), National Newspaper Publishers Association (NNPA) Postmaster: Send address changes to McFarlane Media Interests, Marcus Garvey House 1815 Bryant Avenue North, Minneapolis,
31. For more information visit www.oneunited.com/book. Teri Williams, OneUnited Bank president and author of “I Got Bank! What My Granddad Taught Me About Money” wrote the book when she found that there weren’t any books geared toward educating urban youth about finances. “We’ve seen our financial literacy efforts increase awareness through the #Bank-
Hidden Heroes From 3 Hearing and experiencing these dynamic stories helps us all see our interconnectedness and I hope inspires our audiences to dream.” Hidden Heroes is based on the book Hidden Human Computers: The Black Women of NASA by Sue Bradford Edwards and Duchess Harris, which discusses how in the 1950s, Black women made
MediaMoxye
Teri Williams, president, OneUnited Bank critical contributions to NASA by performing calculations that made it possible for the nation’s astronauts to fly into space and return safety to Earth. “It is such an honor to bring Duchess Harris and Sue Bradford Edward amazing book to life for our audiences,” said Sandy Boren-Barrett, Stages Theatre Company Artistic Director. “My hope is that this production sparks the imagination of our audience and inspires them to believe they can do anything!” Stages Theater is at 1111
Black and #BuyBlack movement. In 2019, we are celebrating the ‘Kings’ and ‘Queens’ in our community who are focusing on our treasure,” said Williams. The 2018 winners were Dontaye Ball Jr., 11, San Francisco, Ziontaye Ball, 11, San Francisco, Evan Corgain, 10, Brockton, Mass., Jaedin Feaster, 8, Roxbury, Mass., Layla Gaston, 8, Havre de
Grace, Md., Ryder Noell, 11, Stuttgart, Ark., Aaliyah Omitogun, 12, Suitland, Md., Michelle Oppong, 9, Los Angeles, Obi Owusu-Bonsu, 12, Los Angeles and Cierra Yoakum, 10, Los Angeles. “I Got Bank!” is published by The Beckham Publications Group, Inc. For more information about the official contest rules, visit: www.oneunited. com/book.
Mainstreet, Hopkins, MN 55343. Tickets are on sale now. Visit www.stagestheatre.org for specific performance dates and times or call the Box Office Tuesday through Saturday from noon to 6pm at (952) 979-1111, option 4. Tickets are $16 for adults; $14 for seniors, ages 60+ and children. For more information - http://bit. ly/STC-HiddenHeroes. Hidden Heroes is approximately 70 minutes with no intermission and is best enjoyed by children ages 7+.
The cast for Hidden Heroes: The Black Women of NASA features: Celia Birgy (Katharine) Lynnea Doublette (Ella) Johannah Easley (Teacher) Natavia Griffin (Miriam) Saniya Long (Annie) Kennedy Lucas (Christine) Sadie Nelson (Ensemble) Alyra Nicholson (Ensemble) Jamela Pettiford (Big Grand) Lilie Rankin (Mary) Arianna Sanford (Ensemble
GET ON THE ROAD TO OPPORTUNITY. MnDOT Drives Jobs. OPEN HOUSE APRIL 27 Learn about MnDOT maintenance jobs and the benefits and opportunities for exciting work on the road and in our communities.
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The Creative & Production Team includes: Artistic Director: Sandy Boren-Barrett Director: Signe V. Harriday Playwright: Shà Cage Costume & Make Up Designer: Samantha Fromm Haddow Set Designer: Jim Hibbeler Sound & Video Design: Peter Morrow Lighting Designer: Soren Olsen Technical Director: Alan Pagel Props Designer: Holly Peterson Stage Manager: Bridget Gustafson Assistant Stage Manager: Joya Horne Design Fellow: Maxwell Collyard Stages Theatre Company was founded in 1984 and since then has grown to become one of the largest professional theatres for young audiences in the country. We engage young artists with themes relevant to their lives and involve them in creating magical works featuring young people in meaningful roles. Through on-stage productions, education programs and other outreach opportunities, Stages Theatre Company annually serves more than 150,000 young people and their families. For more information visit stagestheatre.org
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Insight News • April 15, 2019 - April 21, 2019 • Page 7
‘Grace,’ exhibit on display at Hennepin Theatre Trust Gallery Minnesota African American Heritage Museum and Gallery’s “Grace” Exhibit is now open in downtown Minneapolis at the Hennepin Theatre Trust Gallery, 900 Hennepin Ave. “Grace” tells the visual history of church hats and their cultural and spiritual significance for the African-American community. The exhibit is curated by the Minnesota African American Heritage Museum and Gallery (MAAHMG), and is showcased in Hennepin Theatre Trust’s new gallery, a venue designed to provide space for community and cultural organizations to share their stories and art forms with broad audiences. “We’re really excited about the partnership with Hennepin Theatre Trust,” said Tina Burnside, MAAHMG co-creator and curator. “It’s one of our missions, to provide a safe space for artists to show their work, and that mission is also shared by Hennepin Theatre Trust. We have similar values and viewpoints.” The exhibit features a variety of art forms, including paintings, photography and hats, and aims to share artists’ diverse perspectives. “It’s like the hats themselves and the women who wear them,” said Burnside. “It’s an expression of their individuality.” “Grace” features artwork by Christopher Aaron Deanes, Walter Griffin, Christopher E. Harrison, Sean G. Phillips and Melodee Strong. Hats are by milliner, Angie Hall Sandifer.
‘Grace’ exhibit at Hennepin Theatre Trust Gallery, 900 Hennepin Ave downtown Minneapolis.
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Page 8 • April 15, 2019 - April 21, 2019 • Insight News
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for your life.
BEST Period. produce
For 50 years, Cub has been there. With the freshest local and organic produce for your family. We work with only the best growers to bring you the best produce. Period. And we’re proud to showcase them in our produce department every day.
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Fred Wescott We has been growing apples in the small sm southeast Minnesota town of Elgin for more than 40 years. Stop by Cub and find the best selection of local apples, backyard. right in your y