FILM TORNADO JAMES FRANCO
GAY & LESBIAN CITY
MARRIAGE
THE SUPREME COURT’S COMMON-LAW DEBACLE THE BIG WHITE DRESS? BRAD WILSON & RON WHITE
WEDDING
BEAUS
STAGE TOKYO & DANIEL MACIVOR
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CONTENTS
ISSUE 34
VIEWS | LIVING & DESIGN | INSIGHT | LISTINGS | ART & ENTERTAINMENT | SEX
7
sex is easy to find 9
26 17
7
PRINCESS FOR A DAY? Lesbians sound off on the big white wedding dress by Gordon Bowness & Michael Pihach
9
STAR-STUDDED & FUN-FILLED Brad Wilson & Ron White marry at Casa Loma by Gordon Bowness
26 41
41
A TRAFFIC JAM OF LESBIANS On the road to Palm Springs by Margaret Webb CALL ME TOTO James Franco is a sex-positive tornado by Peter Knegt
6
BRENT HAWKES’ BULLETPROOF VEST
18
THE SMITH/PATRICK WEDDING by Gordon Bowness
25
DEFEATING FEAR & ANXIETY with Adam Segal
30
THE SUPREME COURT’S UNCOMMON LAW by Gordon Bowness
34
MARCH EVENTS CALENDAR
36
A CATERED AFFAIR by Derek Dotto
38
SARAH ANNE JOHNSON’S ARTY BANK HEIST by Pamela Meredith
44
RISING SUN DANIEL MACIVOR by Serafin LaRiviere
47
TEGAN & SARA REVIEWED by Mary Dickie
49
REALISM IN SEX TOYS with Andrea Zanin
50
CAUGHT IN THE ACT by Sarah Clayton Nesbitt & Matthew Stevenson
love isn’t.
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TORONTO TALK EXCHANGE
VIEW FINDER
Jeremy Mimnagh
→ RISE UP Spring weather never arrives fast enough but you can put a spring in your step with the verdant variety of dance productions this month. The National Ballet of Canada has three programs including the ever-fascinating Four Seasons by James Kudelka — one of his best works. Twinned with Emergence by Crystal Pite and you have the perfect program for anyone new to ballet (opening Mar 20). The National also premieres Nijinsky (Mar 2), a full-length by John Neumeier exploring the life of the legendary Russian dancer and lover of Ballets Russes impresario Sergei Diaghilev. WorldStage presents Everyday Anthems (pictured) with Toronto Dance Theatre (Mar 6), a commission from indie choreographer Heidi Strauss that looks at how anthems help us overcome obstacles — perhaps like never-ending cold and slush? DanceWorks, Moonhorse Dance Theatre… there’s much more. See dance listings on page 34. Move to the warmth.
Marc Lostracco cc-by-sa-2.0
IN THEIR OWN WORDS BRENT HAWKES
6
March 2013
→ “We had a special service to mark the 10th anniversary of
the first same-sex marriages in the world. At one point I pulled out the bulletproof vest I had worn during that first wedding, held it up and said that this was the symbol of where we were 10 years ago. Then I pointed to my Order of Canada pin and said this is the symbol of where we are now.” While 2013 marks the 10th anniversary of same-sex marriage in Ontario, the first legal same-sex marriages in the province — and, in fact, the world — were held on Jan 14, 2001 at the Metropolitan Community Church of Toronto with Rev Brent Hawkes officiating. He married Elaine Vautour and Anne Vautour and Joe Varnell and Kevin Bourassa after Kathleen Lahey, a law professor at Queen’s University, discovered a loophole in provincial legislation, an ancient tradition called reading the banns which didn’t reference gender but was considered a legal alternative to a marriage license. Hawkes read the banns over three weeks, resulting in huge publicity leading up to the wedding. “The day before, I got a call from the police saying there were legitimate concerns for my safety,” says Hawkes. “The next morning 12 bodyguards showed up at my door. They were the toughest looking lesbians you can imagine,” says
Hawkes, laughing, “and one gay guy coordinating everything. They were volunteers, just concerned members of the community.” One thousand people attended the wedding along with 80 media outlets and four camera crews. “It only became scary to me when I walked from my office into the sanctuary,” says Hawkes. “The hallway was lined on either side with police, there were 50 more in the basement and a number of undercover police. “When we entered, everyone stood up and applauded. I think I was feeling equal parts excitement and terror.” Despite trouble at a regular service earlier in the day, everything went smoothly. “I won’t say same-sex marriage has become ordinary: It is and it isn’t. I officiate at lots of straight weddings and same-sex weddings are just not the same. There’s still this sense of making history.”
TORONTO TALK EXCHANGE SOUND OFF THE BIG WHITE WEDDING DRESS → For, against or indifferent? We asked lesbians why they did — or didn’t — wear a white wedding dress
Kelly Prizel Photography
Seanna Kreager
Rima Dib/Parasol Photo
Eric Spurrel/ Multy Media Memories
on their big day.
Julie & Angela Burnett Married July 17, 2010
Nikki & Jazz Married Aug 5, 2012
“Choosing to wear a white dress came naturally to me. I didn’t consider wearing anything else,” says Julie. “I gave this question some thought, and the answer was simply: I wore a white dress because it was my wedding day!” says Angela. “Julie asking me to marry her was a dream come true. I wanted Julie to look at me on our wedding day and think I was the most beautiful woman she had ever seen. In my opinion, my wife is strikingly beautiful, and I loved seeing her in her wedding dress. With my mom being part of a design team, I grew up with strong fashion influences and I was really proud to be wearing something that day that she had a hand in making.”
“We believe in fluidity in everything, even what we wear,” says Jazz. “Our wedding was inspired by peacock feathers. In my culture peacocks are proud animals and often compared to a person who flaunts their colours without shame. Kind of like being queer. My partner wore a silver suit and I wore a backless flowing forest green and black summer dress. We wanted to wear something we felt sexy in without being attached to a ‘look’ or emulating some sort of gender binary traditions that too often gets tied into weddings.”
Heather Claridge & Natalie Strang Married Sep 23, 2011 “We are totally for the wedding dress! We both wore white princess-style dresses,” says Heather. “For us, the wedding dress symbolizes a piece of history and culture colliding with diversity and empowerment for same-sex rights. We wouldn’t have had it any other way. We got married in Iceland, and loved our dresses so much we wore them for the next 10 days after the wedding as our photographer followed us around taking photos of us at waterfalls, geysers, beaches and the glacier lagoon that was in the James Bond movie Die Another Day!”
Ange & Robin Beever Married June 17, 2004
Mandy & Bekah McNeil Married May 29, 2010
“We felt like we had a unique opportunity to do what we wanted, so we felt free to reject a lot of wedding stuff we didn’t care about,” says Robin. “We were already engaged when same-sex marriage became legal, and nobody could really tell us what our wedding was supposed to be like. The white dress is such a loaded symbol — I certainly spent time in my childhood dressing my Barbies in wedding gowns I made! I understand its allure but our whole wedding was so arty and DIY. Ange had a linen suit made and I wore a custom dress from Peach Berserk. Owner Kingi Carpenter created a collage of personal stuff (photos, notes, invitations) and screenprinted it onto silk, then sewed the dress and dip-dyed it.”
“We got married at city hall with no guests and I didn’t wear a white dress,” says Mandy. “A year later we had a big wedding ceremony and reception with all our friends and family, and that time I ended up wearing a white dress. At first I was opposed to the idea; I didn’t feel it fit my queerness and I wanted to reject its hetero-patriarchal associations. But I fell in love with a dress that was perfect — except it only came in white. I did some hard thinking about why I was resisting it in order to have positive associations with the dress on the day. Bekah wore a men’s three-piece suit, but she had her own struggles in deciding what to wear to our wedding.” [Read the full version of Mandy McNeil’s response at intorontomag.com.]
intorontomag.com
7
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WE D D I N G S
‘LOVE & LAUGHTER’ →
Brad Wilson and Ron White’s star-studded, fun-filled ceremony Story Gordon Bowness | Photography 5ive15ifteen Photo Company
intorontomag.com
9
E AT, DRINK & BE M A R R I E D.
DA N I E L E T DA N I E L .C A 4 1 6 .9 6 8 .9 2 7 5
T
he proposal — romantic, stylish and surprising — set the benchmarks for the wedding to follow. When entrepreneur Brad Wilson, who owns PostNet, a printing store in Etobicoke, proposed to shoe designer Ron White, CEO and creative director of Ron White Shoes, he pulled out all the stops. “Ron was in Florence, Italy on business,” says Wilson, “and I wanted to surprise him. Not only did I get to Italy without him knowing, I made a reservation at our favourite restaurant and got him there without knowing I would be there waiting — no small feat. When he arrived and recovered from the shock I presented him with a Tiffany ring and proposed. I also had purchased a ring for myself. They’re now our wedding bands.” The couple had first met in 2008 at a film festival party at Casa Loma and they returned to the faux-gothic mansion to get married on Sep 29, 2012. The service was held in the conservatory which was transformed into a European-style chapel. The reception started with cocktails at sunset on the terrace with its stunning views of the city. Dinner was in the library which was converted into a “Great Gatsby meets South Beach chic” wonderland. Afterwards live drummers led the 200 guests into the Great Hall for dancing late into the evening. The star-studded affair featured performances by The Tenors, Sean Jones and Alana Bridgewater. The grooms wore Giorgio Armani Black Label and custom shoes from Ron White, of course. The look was classic black; the mood was anything but. “Just after our immediate family com→ A FIT TING STAGE Ron White and Brad Wilson got married at Casa Loma (bottom left); the ceremony was in the conservatory (bottom right). The wedding party (top) consisted of Glenn Dixon, Vanja Petkovic, Billie Holiday, Doug Young, Jovana MacDonald, Jeffrey Latimer, Marla Switzer and Libell Geddes. The engagment rings from Tiffany’s doubled as wedding bands (lower left).
pleted their processional walk,” says White, “the music suddenly changed and our surprise, fullychoreographed dance number started with the wedding party, us included, performing a dance number down the aisle. Everyone rose to their feet, clapping and cheering. It immediately set the tone we planned for — an evening full of love and laughter.” Officiating was Justice Gloria Epstein who, back in 1996, ruled in the famous M v H case when it was before the Ontario Court of Justice. Later affirmed by the Supreme Court in 1999, M v H was one of the landmark rulings that paved the way to the legalization of same-sex marriage across Canada. “We feel blessed and honoured that we live in a country where our political leadership put forth and passed laws to legalize gay marriage,” says White. “And we felt very fortunate to have Madame Justice Epstein there, not to mention Canada’s first lady, Mrs Harper, among the guests.” Any advice to engaged couples about weddings? “Invest in a wedding planner,” says Wilson. “There are more things to decide and cover than you imagine, and emotions run high. Start early.” “Tara O’Grady from Bliss was our event planner,” says White. “Without her expertise our dream wedding would never have come together and flowed so seamlessly. Tara is truly a gem. We’ve utilized her services previously for the White Knight Gala, the fundraiser for my human rights foundation, and a number of other events. All were great.” Were there any moments earlier on when you thought you’d chuck it all and elope? “Any time something became stressful, overwhelming or drama-filled,” says Wilson, “Tara swooped in confidently and firmly looked us in the eye and said ‘I’ll look after it.’ And she did.”
5IVE15IFTEEN PHOTO COMPANY 5ive15ifteen.com. intorontomag.com
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March 2013
intorontomag.com
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→ BOLD FACE NAMES Guests included Laureen Harper, Suzanne Rogers, Glenn Dixon and David Dixon (top), Jeanne Beker (bottom left), Kim Kelly, Sean Jones and Alana Bridgewater (middle right), Storey Badger and Monika Schnarre (bottom middle) and John Rider, Billie Holiday and Karim Karsan (bottom right). Justice Gloria Epstein officiated (following page). intorontomag.com
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March 2013
WE D D I N G S
THE PERSONAL TOUCH →
Michael Smith and Patrick David’s weekend-long celebration of their marriage was designed to forge a community from the couple’s family and friends Story Gordon Bowness | Photography 5ive15ifteen Photo Company
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March 2013
→ WELL-CHOREOGRAPHED Michael Smith and Patrick David got married at Mazzoleni Hall (lower left), with the reception at the Carlu (lower right). Among the wedding party are the couple’s parents Gloria David, Roger David and Goldie Smith (left). The mothers walked their sons down the aisle.
T
here was the dinner for outof-town guests at the Rectory Café on Toronto Island, the ceremony at the historic Mazzoleni Hall at the Royal Conservatory of Music, the reception in the iconic Round Room at The Carlu and the goodbye brunch on their rooftop patio at the Merchandise Lofts. And Patrick David and Michael Smith planned it all themselves. “Visions of this wedding had been talked about for years,” says Smith. “Patrick had it all figured out.” When the stress of planning such an ambitious event started to get to them, they designed a system of regular weekly meetings at their favourite restaurant with an agenda and notes and assigned duties for the week. “From there on out, we
loved every moment,” says Smith. “Monday nights were our time to come together with great news or challenges ahead. Our wedding was ours to shape and plan together the way we wanted to.” “We’d do it again in a heartbeat,” says David. David is a former executive search consultant and Smith was previously a finance executive and spin instructor. The couple moved to Barcelona last year where David is pursuing an MBA. Smith now works for Worldreader, a non-profit organization that promotes literacy in Africa through eReaders. Their big day was June 25, 2011. The night prior featured a dinner on Toronto Island. “The ferry ride was so much fun,” says David, “hugs
and smiles, pictures and the beautiful Toronto skyline. It really set the tone for the weekend. My fondest memory is of my mother giving her first speech — there wasn’t a dry eye to be found.” “We are lucky with a gay wedding,” says Smith, “we don’t have to follow any conventions.” Because of David’s passion for theatre, they wanted the ceremony on a stage. And they came up with the novel idea of an onstage interview, where they discussed everything from their childhoods to how they met. “We really wanted to draw our audience in, to know both of us as individuals and as a couple,” says Smith. “Having told our story to the entire congregation, it was time for them to watch our happy ending,
the civil ceremony. It was our personal community coming together.” “It was especially touching that our mothers walked us down the aisle,” says David. “On both sides, it was not an easy process of coming out and acceptance took time. This beautiful moment really represented their full acceptance of their gay sons and our partners. “I went from a young boy who never thought that it could be possible, to someone who is happily married,” says David. “Having lived abroad this last year you realize how progressive Canada is.” “Not a day goes by where I don’t reflect on how lucky we are to come from a country that is so accepting,” says Smith. •
intorontomag.com
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FLOWER POWER
The Dare to Wear Love Gala Closing Night - Toronto Fashion Week March 22, 2013 Buy Tickets now at www.daretowearlove.com
25 Fashion Designers 6 yards of African Fabric One Great Party! Using the Power of Fashion for Good Canadian Fashion Designers in support of the Stephen Lewis Foundation
jbgraphics The Stephen Lewis Foundation supports community-based organizations that are turning the tide of the AIDS pandemic in Africa. In subSaharan Africa, an estimated 1,360,000 pregnant women were living with HIV in 2010. Only 42% received HIV counselling and testing. in addition, of the 16.6 million children worldwide (aged 0–17) who have lost one or both parents to AIDS, 14.8 million are in sub-Saharan Africa.
→ THE WORLD’S A STAGE The wedding ceremony featured an onstage interview, plus music by friend Scott Christian (middle left). Daniel Brereton officiated (top). At the reception, Derritt Mason (middle) spoke of how David and Smith first met — at Fly nightclub. The couple’s first dance was a fullon choreographed performance (bottom right). The cake is by Bobbette and Belle (middle right).
intorontomag.com
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THE OFFICIAL TORONTO
PRIDE GUIDE 2013
Join the biggest party of the year Advertising inquiries: advertise@pridetoronto.com
LIVING & DESIGN
RELATIONSHIP ADVICE
— with Adam Segal “I grew up in a religious home that was very shaming of anything sexual — never mind homosexuality. When my parents discovered my stash of gay porn when I was 17, they sent me to a psychiatrist who tried to ‘fix’ me. I fortunately woke up and found some gay-positive friends and have been living as an out gay man for 15 years. I feel mostly free from my past but I have lingering anxieties about HIV. No matter how safe I am, I feel like I will inevitably become HIV-positive and can’t shake the feeling that my world would then fall completely apart. I get tested so often that the health clinic has often turned me away for not warranting a test. How do I let this fear go?” →
Alexander Congratulations on finding your way out of a repressive situation. You’ve been brave to defy the culture that surrounded you as you were developing. While you’ve made great strides toward self-acceptance, your HIV obsession could be reminding you that there’s some additional work to be done. I hate to drizzle on your Pride parade but this could be an opportunity to eradicate any lingering shame. Some fear of HIV is healthy — it could propel you to exercise good sexual self-care. Your preoccupation, however, likely reflects a fear of punishment for being the gay man that you are. To be repeatedly sent a message that you are inherently bad would undoubtedly spur some deep wounds. While the adult part of you clearly accepts yourself, maybe a younger part wrestles with feelings of unworthiness and is just waiting for the other shoe to drop. Sometimes it can be helpful to think of shame as anger with the self — so getting in touch with the anger and directing it at the real sources of that shame could be a fitting antidote. Another possibility is that your fear of HIV could be a placeholder
for other fears. You have a horrific view of HIV that might also highlight a fear of ultimately losing control. An HIV diagnosis would certainly be challenging and upsetting, but very unlikely to be the utter catastrophe that your grey matter is conjuring up. Your anxiety can be understood as a sort of hyper-vigilance: “If I’m constantly thinking about what might go wrong in the future, I’ll be prepared.” You haven’t mentioned any other obsessions but it might be good to consider whether you have a general tendency to fixate or worry (on health-related or other matters). If so, talking to a therapist who works with anxiety or obsessive thinking would be a step in the right direction.
sex is easy to find
love isn’t.
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ADAM SEGAL The writer and therapist works in private practice in downtown Toronto. Ask him your relationship or mental health question at relationship@intorontomag.com.
Call us today for a free Consultation
1 866-467-5252
www.preferredpartners.ca intorontomag.com www.preferredpartners.ca
25
Photos courtesy of Palm Springs Tourist Board
LIVING & DESIGN
T R AV E L
DOWN-HOME FRIENDLY → Whether it’s hikes and bikes or Marlene and Bing, there’s something for everyone among the deserts,
mountains, culture and history of Palm Springs — and you don’t even have to golf Story Margaret Webb
A
Palm Springs traffic jam is the best. My first visit to the Dinah Shore Weekend (see page 28) featured bumper-to-bumper roadster convertibles from Los Angeles — two stunning lesbians in every glittering Beemer, Mercedes and Jag — as some 20,000 women converged on the desert city for a weekend lesbian smorgasbord of concerts, dances and pool parties.
26
March 2013
That was just over 10 years ago. Now it seems that the gay and lesbian set who have been coming to this desert oasis to party over the years — like the young Hollywood celebrities in the 1940s, ’50s and ’60s — decided to make this city home. After the 2008 economic meltdown knocked the stuffing out of real estate prices here, young gay retirees and middle-aged career chang-
ers have been snapping up gorgeous desert modernist bungalows built by Old Hollywood stars, opening funky restaurants, art galleries and boutiques. They’ve made this little city of 45,000 one of the gayfriendliest towns in the US of A or, dare I say, on the planet. Palm Springs doesn’t just embrace queer folk with big warm hugs (though they do), it’s that the
gays themselves are down-home friendly. Every clothing store, yogurt joint or bike rental shop seems to be run by a queer brother or sister who all greet my partner and I like we’re long lost cousins returned home for a family reunion. Another traffic jam, this one of stretch limos and Hummers dropping stars off at the first night of the Palm Springs International Film
LIVING & DESIGN
bers of the LGBT Front Runners and Walkers (psfr.org), which have Tom Brewster
chapters in just about every major North
American
city.
Weekday
mornings, close to 100 people gather to walk; on weekends, the
→ ONE OF THE GAY-FRIENDLIEST TOWNS ON THE PLANET If you’re stuck a traffic jam of lesbians, you must be in Palm Springs. That’s Palm Canyon Drive (opposite page), Andreas Canyon (left), the view atop the tramway (top right) and the White Party (lower right).
runners meet up for a 15-kilomeFestival (see page 28), which was
to catch a glimpse of the stars walk-
tre jog to Indian Canyons. Joining
grapefruits off trees growing by our
founded by the late great Sonny
ing the red carpet — ah, the lot of
them is a fantastic way to get the
backyard swimming pool) as well as
Bono. One of the largest in North
the writer, write them a role then
low-down on real estate and good
soak up the old Hollywood vibe.
America, it swells the size of Palm
watch them stroll (from afar).
restaurants, make instant friends
Las Palmas is adjacent to the
Springs by some 145,000 people.
Still, it’s an exuberant crowd and
and maybe even score invites to
defunct Racquet Club where stars
That’s why my partner and I are
a pretty prime area for stargazing.
BBQs and pool parties. By the end of
such as Marlene Dietrich, Bing
here. I have co-written the feature
Fans let out screams of “Sally, Sally”
our jog along the base of the snow-
Crosby, Joan Crawford, Rudy Vallee,
Margarita, which won the audi-
when Field arrives, and they cheer
covered San Jacinto Mountains,
Judy Garland, the Gabor sisters and,
ence award at Toronto’s Inside Out
others onto the red carpet as if at
my new gay pals are all coming
of course, Dinah Shore came to play
Festival and is getting a gala screen-
a football game, everybody that is
to see our film, and my new best
tennis, party and make the club’s
ing here. (There’s another screen-
except for the jaded spawn of het-
pal, Kathi, a retired pharmaceuti-
New Year’s Eve parties legendary.
ing in Toronto on Wed, Mar 13.)
erosexuals standing beside me, a girl,
cal exec in her early 50s, who splits
Now, this hood is a prime stop on
Ahead of us, two film execs in tux-
maybe nine. When she spots a star-
seasons between here and Seattle,
architectural tours, with its mix
edoes stroll to the red carpet, hand
let emerging from a limo, she scoffs
offers to take me on a tour of celeb-
of old Spanish Revival houses and
in hand, followed by dyke co-direc-
loudly: “That girl in the red dress?
rity houses for our next run.
modernist butterfly and A frames
tors Laurie Colbert and Dominique
She’s nobody!” I cannot help trying to
Cardona, who get to attend the fes-
brighten her outlook with a little fairy
Palmas
where
we jog our way up and down palm-
tival kick-off awards dinner with
dusting. “Oh, honey,” I say, “We’re all
we’re actually staying for the week.
tree lined streets, Kathi points out
the likes of Richard Gere, Sally Field
somebodies, even you.”
The directors have rented a house
Barry Manilow’s pad, Elvis’ former
That takes us through the Las neighbourhood
built by the Alexander brothers. As
and Helen Mirren. Alas, my partner
The next morning, I meet up with
in the hood which, by the way, is a
house (with a sculptural outline of
Nancy and I are relegated to stand-
people who are soon to be my new
fantastic way to get a taste of living
his face on the chimney) and the
ing outside with townsfolk hoping
best friends in Palm Springs, mem-
here (mornings, I pick lemons and
Continued on page 28
intorontomag.com
27
LIVING & DESIGN Continued from page 27
pile where he spent his secret hon-
plus two mineral pools fed by hot
eymoon with Priscilla, “The House
springs), we head inside at sunset
of Tomorrow,” or such as it was in
(which comes early in this moun-
the 1960s with its Jetson-style fur-
tain-ringed
niture, lava rock wall and electronic
The hotel spa was built over the
controls that manipulated indoor
ancient healing waters where the
climate, outside lights and auto-
Caliente had established an early
matic rain.
Americana bathhouse — a wooden
valley,
about
5pm).
On another day, Kathi takes
changehouse beside a steaming,
me for a trail run through Indian
spring-filled oasis pond. Now the
Canyons (where we get lost —
resort has an elaborate process of
though, thankfully, not for long —
tripping from steam sauna to hot
on its more than 100 miles of trails
sauna (which, oddly, is packed with
winding
palm
a gaggle of church ladies and their
groves,
through canyons
ancient
mountain
female pastor) to mineral bath and
ridges of the ancestral homeland of
and
then, finally, to a tranquility room
the Agua Caliente Chauilla Indians.)
to sleep off all that relaxation.
PALM SPRINGS WHEN TO GO Jeffrey Sankers White Party. Fri,
Mar 29-Apr 1. jeffreysanker.com. Dinah Shore Weekend. Celebrities such as Katy Perry, The Pussycat Dolls, Chely Wright and even Lady Gaga have all made appearances. Fri, Apr 5-7. dinahshoreweekend. com.
2-3. spride.org.
friendly resort in Palm Springs is still going strong with comfy affordable rooms with full kitchens surrounding a pool. queenofheartsps.com.
Palm Springs Leather Pride. Nov 7-10. desertleatherpride.com.
GOOD EATS
tival. Sept 19-23. cinemadiverse.org. Palm Springs Pride Festival. Nov
All that spa decadence primes us
Tahquitz Canyon, which is a 5K
for the traffic jams that I like best:
hiking trail that leads to a water-
The film festival lineups. Filmgoers
fall plunging from the peaks of the
here take their films seriously.
San Jacinto Mountains. And on yet
Rather than screening Hollywood
another day, my partner and I ride
blockbusters, the fest offers an
Palm Springs International Film Festival. Jan 3-14, 2014. psfilm-
the aerial tramway (pstramway.-
impressive slate of indie and for-
fest.org.
com) some 8,500 feet up to the top
eign films, and it seems everyone in
of the San Jacinto range where we
town attends. Gossip in the shops
hike over snow-covered trails to
for that week is about who’s seen
outlooks that offer stunning views
what not who’s seen who. It’s the
of Palm Springs and the entire
friendliest fest I’ve ever been to.
Coachella Valley below. All the hik-
Our film does really well, sold-out screenings and overflow crowds. It’s
and easy to get to.
a huge rush. One line-up stretches
WHERE TO STAY House rentals. Many with back-
yard pools. vrbo.com/vacation-rentals/usa/california/deserts/palm-springs/central/ old-las-palmas.
The Atomic Dog. 100 percent beef
dogs, a cheap treat to enjoy during Villagefest, when main street closes down Thursday nights to arts vendors. facebook.com/ theatomicdog. Cheeky’s. Has the best brunch and lunch in town, with a healthy twist on Mexican and southwestern faves. cheekysps.com. Workshop Kitchen and Bar. A bit
Our days are packed like this,
around the block, and it’s packed
enjoying the active outdoorsy des-
with golf-loving lesbians, art-loving
Hotel Avanti. Offers 10 luxuri-
ert lifestyle, hiking, cycling around
gay guys, partying wives of Calgary
town (the wide flat boulevards away
oil executives, straight folks who
from the main drags are pretty
look like former Hollywood studio
ous rooms in a boutique-like setting with touches of Old Hollywood. avantihotelps.com.
quiet), and walking the main street
execs, and really cool, liberal retir-
lined with boutiques and cafés. On
ees. The film’s themes of immigra-
one stroll, we stop into the Palm
tion, gay marriage and downsiz-
Springs Art Museum (psmuseum.-
ing after the housing crash strike
org) and, for a couple of hours, lose
a chord here in cash-strapped
ourselves amidst its impressive col-
California. I recognize quite a few
lection of contemporary, Western
faces, new friends I’ve met during
and Native American art. It’s part of
the week, and they introduce me to
the unique delight of Palm Springs
pals they’ve brought along. Truly, it
— for a small town, it packs some
feels like a gala in my hometown of
big city culture and entertainment
Toronto, full of family and friends
with its queer circuit party week-
and, damn it, I wish that little star-
ends, film festival, modernist week,
dissing girl was here to see what the
music festivals and on and on.
magic of films is really about, these
The next traffic jam we hit is in
Casitas Laquita. Luxurious rooms with full kitchens that surround a pool, making this a fave lesbian getaway for extended stays. casitaslaquita.com. Queen of Hearts. The first lesbian-
Cinema Diverse. The LGBT film fes-
Another run takes me through the
ing venues are on the edge of town
Bearfoot Inn. The latest addition to many gay men’s resorts, located in historic Movie Colony district. bearfootinn.com.
of New York sophistication in both setting and food. workshoppalmsprings.com. Blue Coyote Bar and Grill. The
Colony Palms Hotel. The former
playground of celebrities such as Marilyn Monroe, Frank Sinatra and Howard Hughes. colonypalmshotel.com.
happening meet-and-greet spot, serving wicked margaritas and southwestern/Mexican fare. bluecoyotegrill.com. •
connections.
the spa of the Spa Resort Casino (sparesortcasino.com). After spending the afternoon drinking margaritas by the pools (a regular one 28
March 2013
MARGARITA Inside Out screening with directors in attendance. $10. 7:30pm. Wed, Mar 13. TIFF Bell Lightbox. 350 King St W. insideout.ca.
→ ARCHITECTURAL GEMS Palm Springs abounds in modernist bungalows.
INSIGHT
ISSUES
COMMON-LAW BREAKERS → The Supreme Court de-legitimizes the relationships of 1.2 million Quebeckers, prompting family law experts
to ask: Is the Charter of Rights and Freedoms dead? Story Gordon Bowness | Illustration John Webster
T
he legal ground is shifting violently underneath our conjugal beds. When Canada legalized samesex marriage in 2005, it was never meant to make weddings mandatory. Rather, it was simply sup30
March 2013
posed to be the final word on equality in relationships. But a recent Supreme Court ruling highlights the fact that many gay men and lesbians who have not formalized their relationships could find themselves out in the cold once
again, together with millions of unmarried women. Even more chilling, the Supreme Court’s January ruling in a family law case could have a devastating effect on the Charter of Rights and Freedoms, returning the coun-
try to a time when provinces were allowed to discriminate openly against minorities. Most Canadians wrongly assume that common-law couples — whether gay or straight — enjoy the same rights and obligations
INSIGHT
as married couples. That misper-
in her first two court appearances
discrimination clause — but that
it wrong to exclude same-sex
ception was brought into sharp
(but not at the Supreme Court).
the discrimination was allowed
couples from those protections.
focus with the Supreme Court
“Yet common-law spouses have
under
why
Common-law and same-sex rela-
ruling in a case known as Eric v
no protection in Quebec. How can
Goldwater finds Eric v Lola so dis-
tionships are linked, historically
Lola, which affirmed that com-
this be a minimal impairment?
turbing. It’s as if Vriend never
and legally.
mon-law partners in Quebec have
The Chief Justice didn’t even blink
happened. In that 1998 case the
“For the longest time, common-
no right to spousal support or to
on this point.”
Supreme Court ruled that discrim-
law relationships and same-sex
Section
1.
That’s
a share in their partner’s prop-
“The decision shows that there
ination on the basis of sexual ori-
relationships were being tested
erty when the relationship ends.
is no consensus in the court on the
entation could not be justified
in the courts and were advanc-
The ruling has outraged family
issues,” says Toronto lawyer Kelly
under Section 1 of the Charter, a
ing kind of in lockstep as discrimi-
law experts for leaving roughly
Jordan, partner at Jordan Battista.
key decision en route to securing
nated minorities, in fits and starts,
600,000 Quebec women in com-
“And only a bare majority found
same-sex marriage.
lurching
mon-law relationships with no
that the legislation discriminated
protection. One expert goes so far
against
as to say the ruling not only de-
which is surprising.”
common-law
couples,
forward,”
Goldwater
“Vriend is one of the most
says. She is uniquely positioned
important cases ever written,”
to understand that dynamic. Not
says Goldwater. “When Alberta
only is she a leading advocate for
discriminated
by
the rights of women and mothers
against
gays
legitimizes the relationships of 1.2
Goldwater worries that allow-
million Quebeckers, it threatens
ing Quebec the freedom to dis-
deliberately refusing to protect
in common-law relationships, she
the very nature of Confederation
criminate
very
them in Vriend, the Supreme
and Dubé represented Hendricks
— the fundamental relationship
heart of the Charter of Rights and
Court had a fit and blasted Alberta.
and Leboeuf in the 2002 landmark
among the provinces and the fed-
Freedoms, a precedent that could
But in Eric v Lola, where Quebec
ruling that won same-sex mar-
discriminated against common-
riage in Quebec.
strikes
at
the
eral government. The Supreme Court ruling in Eric v Lola was a split decision; the math is a little wonky. Five of the nine justices — including Chief Justice Beverley McLachlin — agreed that the Civil Code of
Quebec
toward
was
discriminatory
common-law
spouses
for not affording them the same protections as married couples; four did not. McLachlin, how-
“AS LONG AS A PROVINCIAL GOVERNMENT WANTS TO DISCRIMINATE, IT NOW APPEARS TO BE FREE TO DO SO. THIS IS AN INTOLERABLE PROPOSITION.”
law couples by deliberately refus-
For observers like Goldwater
ing to protect them, the Supreme
and Jordan, now that the same-sex
Court handed them a cigar.
marriage fight has been won fed-
go way beyond this one case.
“It’s
like
throwing
constitu-
tional law back like 20 years.”
erally, it seems as if the Supreme Court is pulling up the drawbridge
Goldwater uses terms like “polit-
around the institution and leaving
icized” and Quebec “appeasement”
common-law couples and other
to criticize the Chief Justice’s rul-
non-traditional families out in the
ing. “If the Chief Justice has just
cold.
changed
constitutional
law
in
“I’m worried on a much broader
Canada as we know it, I think a
level for the Supreme Court,” says
majority of judges should say so in
Goldwater. “For lawyers interested
the grounds that the discrimina-
“It’s very, very rare for the
the next judgment. Let’s say there
in constitutional law, we have
tion was justified under Section 1
Supreme Court to save a law
has been a delicate wish to avoid
the feeling, and it’s very subjec-
of the Charter, which states that a
that’s
offending Quebec, which is some-
tive of course, that the Supreme
law may infringe on Charter rights
tory,” says Goldwater. “The Chief
thing I find unacceptable.
Court seems to be turning away
if it can be demonstrably justi-
Justice’s justification for that is
“If the Supreme Courts feels that
from the liberal tendencies it used
fied as reasonable in a free and
Quebec, being Quebec, is free to
federalism means that everybody
to have in the late ’80s and ’90s,
democratic society. The four jus-
discriminate.
has to bow to Quebec’s will, but
which was really pro-Charter liti-
ever, “saved” the legislation on
held
to
be
discrimina-
tices who found no discrimina-
“This leaves constitutional law
Quebec has no obligation to coop-
gation. We seem to be in a new era
tion didn’t find it necessary to
in an unexpected tension: As long
erate with the rest of Canada, I’m
of unexplained timidity.”
address Section 1. Somehow their
as a provincial government wants
scared for Confederation. I think
four votes on the question of dis-
to discriminate, it now appears to
the Supreme Court owes it to the
lenges in family law may be out
That
means
Charter
chal-
crimination and the Chief Justice’s
be free to do so. This is an intol-
population to say what the status
of bounds in the short to medium
one vote on Section 1 added up to
erable proposition that nobody has
of Quebec is in Confederation. Are
term. Future changes — which
a majority.
actually noticed or commented
we subject to the Charter anymore
will need to address everything
upon.”
or not? I think it’s a pretty critical
from assisted reproduction, sur-
question.”
rogacy for gay fathers and multi-
“Even if the infringement can be justified, for example, limiting
Goldwater argues that Eric v
tobacco companies from adver-
Lola turns the clock back to 1995,
The fact that the question has
ple parents to the application of
tising freely, such infringement
the year of the problematic Egan
been raised in a family law case
federal child support guidelines
must be a ‘minimal impairment’
case. That’s when the Supreme
is particularly significant for gay
— will have to originate with pro-
for the discriminated group,” says
Court ruled that denying Old Age
men and lesbians across Canada.
vincial legislatures and new stat-
Montreal
Anne-France
Security spousal benefits to a gay
One of the reasons we have
utes, not the courts. How that will
Goldwater who, along with Marie-
couple was discriminatory — the
same-sex marriage federally is
proceed is anyone’s guess. When
Hélène
at
first time that sexual orientation
that as common-law couples won
the Eric v Lola ruling came down,
Goldwater, Dubé, represented Lola
was read into the Charter’s anti-
certain protections courts found
Continued on page 32
lawyer Dubé,
her
partner
intorontomag.com
31
INSIGHT Continued from page 31
Lola lived with Eric for seven years,
in the trenches, it’s a really hard
Quebec’s justice minister Bertrand
during which time they had three
decision to swallow,” says Jordan.
“This is the standard in the rest of
St-Arnaud said the government
children. Lola wanted to get mar-
“It’s one thing on the property, but
Canada: You don’t look at whether
was open to changing the laws
ried; Eric didn’t, stating he didn’t
on the spousal support? It’s just
a couple has gone to a city hall or
to recognize the rights of com-
believe in it. They broke up in 2002.
really hard.”
a church to start their conjugal life.
mon-law spouses. But then came
Lola had custody of the children
The irony lost on no one is that
You look at the functional nature
a backlash and the government
and Eric agreed to pay child support
the ruling comes out of Quebec,
of the relationship. If it’s a conju-
seems to be backpedalling.
(and they came to their own agree-
where there are more common-
gal, familial relationship, similar to
ment on access to the family home).
law couples than anywhere else in
marriage, then you recognize it as
implica-
But Lola also claimed spousal sup-
the world. In Quebec 31.4 percent of
such,” says Goldwater.
tions of Eric v Lola remain
port and a share of Eric’s property,
all families are common-law (com-
Or as Abella, the only justice on
uncertain, the ruling immediately
filing notice of a Charter challenge
pared to 16.7 percent nationally),
the Supreme Court with a family
impacts
and the number is growing.
law background, wrote in her dis-
W
hile
the
the
wider
common-law
rela-
that argued de facto spouses (the
tionshps of 1.2 million people in
legal term for common-law cou-
“Women are in a very vulnerable
sent, “As the history of modern
Quebec. It also spotlights that com-
ples in Quebec, or conjoints de fait)
position in Quebec,” says Jordan.
family law demonstrates, fairness
mon-law couples across the coun-
should have the same rights as mar-
“It’s the only province or territory
requires that we look at the content
try — despite what they them-
ried couples when they split. The
that doesn’t have spousal support
of the relationship’s social package,
selves may think — may not hold
Quebec Superior Court denied her
for common-law couples. So they’re
not at how it is wrapped.”
the same status as their married
constitutional claims but the Quebec
really way out there. It’s antiquated.”
But in most parts of Canada,
counterparts. And for all the media
Court of Appeal allowed her claim
In her decision, Chief Justice
despite winning increasing protec-
attention heaped on same-sex mar-
McLachlin
Quebec’s
tions, common-law relationships
riage, the vast majority of gay and
“I DON’T KNOW WHY WE WOULD PROTECT VULNERABLE SPOUSES WHO ARE MARRIED AND NOT PROTECT VULNERABLE SPOUSES WHO ARE NOT MARRIED.”
legal framework was designed “to
are still not completely equivalent
promote choice and autonomy for
to marriage. In Ontario, for exam-
all Quebec spouses.
ple, the big disadvantage for com-
Critics of the decision argue that
law relationship). But only mar-
common-law and married couples
for spousal support. That’s the rul-
choice in common-law relation-
ried spouses share equally property
treated virtually the same, as well as
ing the Supreme Court overturned.
ships often resides solely with
accumulated during the marriage.
lesbian couples in Canada are common-law. StatsCan’s latest findings on families show that while the number of same-sex marriages tripled between 2006 and 2011, samesex common-law couples still outnumber same-sex married couples by more than two to one. Only in BC (as of this month), Manitoba and Saskatchewan are
wrote
that
“Those who choose to marry choose
the
protections
—
mon-law couples is in property
but
sharing and estates. Both married
also the responsibilities — associ-
and common-law spouses are enti-
ated with that status. Those who
tled to spousal support if the rela-
choose not to marry avoid these
tionship breaks down (though only
state-imposed responsibilities and
after the three-year time period
protections.”
required to establish a common-
in areas under federal jurisdiction,
“There are 1.2 million people liv-
the wealthier party. People often
The same holds if your partner dies.
like income tax and Old Age Security.
ing common-law in the province of
stumble into such relationships;
If you are not married, you have no
The rest is a patchwork, province to
Quebec, about one half of them are
sometimes a disadvantaged part-
automatic claim against your part-
province. Confusion reigns.
presumed to be women, more or
ner can’t insist on a marriage. As
ner’s estate, no matter how long
“There’s a lot of misinformation
less, and they’ve just been left high
Justice Rosalie Abella wrote in her
you’ve lived together or even if you
out there,” says Jordan. “A lot of
and dry by the Supreme Court. No
dissenting opinion, “The decision to
have children together.
people think they’re common-law
protection at all,” says Goldwater.
live together as unmarried spouses
If you are in a common-law rela-
after six months to a year. People
“People almost passed out when
may, for some, not in fact be a
tionship in Ontario, write a will, oth-
tend to assume that they have an
they heard the decision. Nobody,
choice at all.”
erwise you’re leaving your partner
interest in the home after they’ve
but nobody, thought that would be
been together for so long. But it’s
the judgment.”
“I don’t think people choose to
in a potentially awful financial and
marry or not to marry based on
emotional bind. For the immedi-
not true. I hear all kinds of things.”
“I don’t know why we would pro-
wanting to enter into a certain legal
ate future, it seems, even a Charter
The ruling in Eric v Lola brought
tect vulnerable spouses who are
set of rights and obligations,” says
challenge can’t undo that bind.
to a close an 11-year legal odys-
married and not protect vulnera-
Jordan. “They don’t even under-
LGBT activism has forced huge
sey. (There’s a publication ban in
ble spouses who are not married,”
stand the difference between com-
changes in Canadian family law.
Canada on the parties’ real names.
says Jordan. “I think as a society as
mon-law and married couples. So I
But despite the profound victory on
They’re easily found online, how-
a whole we should protect econom-
don’t buy this choice argument.”
same-sex marriage, those battles
ever; after all, how many billion-
ically disadvantaged spouses upon
Whether it was an unmarried
could be far from over. It will be fas-
aires are there in Quebec?) After
dissolution of their relationship, par-
woman living and working on her
cinating to watch how LGBT fami-
meeting in Lola’s home country of
ticularly where there are children.
male partner’s farm or a male cou-
lies might affect those changes in
Brazil when she was 17, Eric and
That’s what’s so egregious about the
ple paying into the Canada Pension
the future. •
Lola dated on and off for a few
facts in the Eric and Lola case.
Plan, case after case outside of
years. Later moving to Quebec, 32
ships as marriages in all but name.
March 2013
“For those of us who do family law
Quebec recognized these relation-
210 Wicksteed Avenue, Toronto, Ontario, M4G 2C3 T. 416 759 2611 F. 416 759 3342
From tent top to table top and everything in between
LISTINGS & EVENTS
MARCH
1
WEN WEI DANCE First of two nights at the Fleck
2 NIJINSKY Opens at the National Ballet of Canada
Natasha Mytnowych
14 BRITISH TEETH Second of two nights the Toronto Sketch Comedy Festival
Art & Photography IN THE IMAGE OF Group show of young artists including Adrienne Crossman, Franco Deleo, Sholem Krishtalka, Ricky Kruger, Alfred Lam, Matthew Ratcliffe, Logan Salter, Neil Silverman, Craig Skinner and Michael Smit. 7:30pm-10pm. Tue-Thu. 11am-2pm. Fri. Until Sun, Mar 3. Canadian Lesbian and Gay Archives. 34 Isabella St. (416) 777-2755. clgca.ca. SNAP Photo auction and big fundraiser for the AIDS Committee of Toronto (actoronto.org). On the block are works by James Robert Durant, Marayna Dickinson, Fausta Facciponte, Liss Platt, Alex McLeod, James Blake, April Hickox, Catherine Heard, Stev’nn Hall, Dennis Day, Alex Fischer, Richard Johnson, David Welch and many more. Preview. Free. Fri, Mar 1-3. Arta Gallery. 14 Distillery Lane. Auction. $100. 5:30pm11:30pm. Thu, Mar 7. Andrew Richard
17
20
MOSCOVITCH DOUBLE BILL Little One, with Michelle Montieth, closes
Designs. 571 Adelaide St E. snap-toronto.com. RICHARD BOULET Stitched and Drawn, quilted and cross-stitched works addressing schizophrenia and the mental health system by the Edmonton artist. $15. 11am-5pm daily (8pm, Wed; PWYC from 5pm). Until Sun, Mar 10. Textile Museum of Canada. 55 Centre Ave. (416) 599-5321. textilemuseum.ca. DANIEL HUTCHINSON Almanac, a solo exhibition of abstract paintings, metaphorical meditations on the weather. Opening. 1pm-4pm. Artist talk. 3pm. Sat, Mar 9. Noon-5pm. Wed-Sat. Until Apr 13. Angell Gallery. 12 Ossington Ave. (416) 530-0444. angellgallery.com. FRANK CHESTER/MICHAEL LIMERICK
Stamps and Scenery, comic book heroines, cube paintings and landscapes. Fri, Mar 29-31. Wychwood Community Gallery. 76 Wychwood Ave. frankchester.ca.
9
8
PETER BINGHAM CHOREOGRAPHY Opens as part of Older and Reckless
DANIEL HUTCHINSON Opens at Angell Gallery
Kevin Thomas Garcia
Steven Lemay
Hamburg Ballet © Holger Badekow
IN THE CITY
HUNTER VALENTINE Great Hall gig at Canadian Music Week
Dance WEN WEI DANCE DanceWorks presents Seventh Sense with original music by Giorgio Magnanensi. Control versus autonomy and dominance versus obedience explored thorugh our relationship to animals. $19.50-$34. 8pm. Fri, Mar 1-2. Fleck Dance Theatre. 207 Queens Quay W. danceworks.ca. NATIONAL BALLET OF CANADA It’s a monster month at the National with three different programs. First up is the Canadian premiere of Nijinsky choreographed by Hamburg Ballet director John Neumeier (who also does set, costumes and lighting). Part memoryballet and part biographical narrative it’s a highly charged exploration of the triumphant and tragic life of the legendary dancer. Guillaume Côté and corps member Skylar Campbell nab the title role along with guest artist Alexandre
22
SANDRA BERNHARD At International Canadian Comedy Festival
Riabko, principal dancer with Hamburg. The score features Chopin, Schumann, Rimsky-Korsakov and Shostakovich. 7:30pm. Sat, Mar 2, 6-8. 2pm. Mar 2, 3 & 7. Then it’s the full-length Romeo and Juliet from 2011 by Russian choreographer Alexei Ratmansky set to Prokofiev’s rich and magisterial score. 7:30pm. Mar 12-16. 2pm. Mar 16 & 17. And finally, a great double-header: The Four Seasons, James Kudelka’s endlessly fascinating interpretation of Vivaldi’s masterpiece, a tour de force evocation of the four stages of a man’s life. With Emergence, a crowd-pleaser from Crystal Pite. 7:30pm Mar 20-23. 2pm. Mar 23 & 24. $25-$239. Four Seasons Centre. 145 Queen St W. (416) 345-9595. national.ballet.ca. OLDER & RECKLESS Canadian dance icons Peter Bingham and Denise Fujiwara headline an international line-up at Moonhorse Dance Theatre’s
LISTINGS & EVENTS
OUR GUIDE TO YOUR MONTH
week.com. Returning this year is the gala fundraiser for the Stephen Lewis Foundation, Dare to Wear Love, featuring the best Toronto designers working with African prints to help fight AIDS in Africa. Afterparty at Deq Lounge at the Ritz Carlton. $75; $200 & $500 VIP. 7pm cocktails; 9pm show. Mar 22. (416) 533-9292 ext 303. daretowearlove.com.
Film & Video CLOUDBURST Thom Fitzgerald’s latest feature finally gets a theatrical run in Toronto after a popular reception at Inside Out last year and numerous festival awards and appearances. The feel-good queer road movie stars Olympia Dukakis and Brenda Fricker as an elderly couple heading from Maine to Nova Scotia to get married. On the way they meet sexy Ryan Doucette. Opening. Fri, Mar 8 (director in attendance at the 7pm & 9pm screenings). Carlton Cinemas. 20 Carlton St. cloudburstmovie.com. Go to intorontomag.com to read our interview with Fitzgerald. ALUCINE The festival of Latin film and media arts runs Thu, Mar 21 to 28, opening with La Playa DC directed by Canadian Juan A Arango. Two queer short films Na Sua Companhia and Bailao are in the Our Lives Our Stories program. Mar 30. The fest presents a retrospective of film and performance by Raul Ferrera Balanquet in a program called Afro Latino Queer Decolonial Creative Strategies. Mar 28 (at UofT). Jackman Hall. 317 Dundas St W. (416) 548-8914. alucinefestival.com.
Issues & Talks CONTEMPORARY CURRENTS IN SEXUAL DIVERSITY POLITICS UofT hosts a day-
CLOUDBURST
Thom Fitzgerald’s road move starring Olympia Dukakis and Ryan Doucette opens at the Carlton on Fri, Mar 8.
recurring series celebrating older artists. Bingham, Vancouver’s contact improv master, presents Romantic Old Horses, a duet for Daelik (Vancouver) and Kostas Gerardos (Greece), an intimate and powerful encounter between two male friends. Fujiwara presents an excerpt of Eunoia based on the 2002 Griffin Prize-winning work by poet Christian Bök. Feautring Sylvie Bouchard, Claudia Moore, Lucy Rupert, Miko Sobreira, Rebecca Hope Terry and Gerry Trentham. Also on the program are solos by Peter Chin and Nancy Latoszewski (Greyeyes). $25. 8pm. Fri, Mar 8 & 9. 2pm. Mar 10. Dancemakers Centre. 9 Trinity St, # 313. (416) 504-6429 ext 30. moonhorsedance.com TORONTO DANCE THEATRE WorldStage presents Everyday Anthems, choreographed by Heidi Strauss, along with text from playwright Brendan Gall. Explores anthems as a metaphor for
overcoming obstacles. $15-$40. 8pm. Wed, Mar 6-9. Fleck Dance Theatre. 207 Queens Quay W. harbourfrontcentre.com/worldstage. See page 6. BELINDA MCGUIRE DanceWorks presents The Heist Project, a one-woman dance event featuring the premieres of three commissioned works created by Emio Greco, Pieter C Scholten (Amsterdam), Sharon Moore (Toronto) and Idan Sharabi (Tel Aviv). $15-$30. 8pm. Thu, Mar 7-9. Enwave Theatre. 231 Queens Quay W. (416) 973-4000. harbourfrontcentre.com.
Fashion & Design TORONTO FASHION WEEK World MasterCard Fashion Week Fall 2013 Collections from Izzy Camilleri, Klaxon Howl, Pink Tartan, Duy, Mackage, Vawk, Stephen Caras and more. Mon, Mar 1822. David Pecaut Square. John and Queen St W. worldmastercardfashion-
long symposium in honour of retiring professor, administrator and LGBT activist David Rayside. Participants include Waleh Saleh, Momin Rahman, Marc Stein, Gary Kinsman, Tim McCaskell, Nadia Bellow and many more. 10am-5pm. Reception. 5pm-7:30pm. Fri, Mar 1. University College. 15 King’s College Circle. uc.utoronto.ca/sexualdiversity.ca.
Pop & Rock CANADIAN MUSIC WEEK Runs Tue, Mar 19 to 24. Kicks off with Rihanna’s Diamonds World Tour with A$AP Rocky. $35-$165. Tue, Mar 19. Air Canada Centre. 40 Bay St. ticketmaster.ca. Then it’s Toronto’s sexational queer rockers Hunter Valentine. $15. 11pm. Mar 20. Great Hall. 1087 Queen St W. The War on Drugs’ bassist Dave Hartley brings his solo project Nightlands. $16. 9pm. Mar 21. Mod Club. 720 College St. Canadian indie rockers Two Hours Traffic and Rah Rah and others. $15. 8:30pm doors. Mar 21. Lee’s Palace. 529 Bloor St W. Toronto’s jewel of a songwriter Ron Sexsmith, with guests. $45. 8:30pm. Mar 22. Randolph Theatre. 736 Bathurst St. Fest culminates with The Indies awards gala featuring performances from nominated
artists like Metric, Diamond Rings, Yukon Blonde, The Wooden Sky, Canailles and Cadence Weapon. $57. 8pm Fri, Mar 22. Kool Haus. 132 Queens Quey E. cmw.net.
Classical & Jazz MUSICIANS IN ORDINARY Soprano Hallie Fishel and theorboist John Edwards perform baroque settings of Italian Renaissance poetry featuring compositions by Claudio Monteverdi, Giulio Caccini, Sigismondo d’India, Vincenzo Galilei (Galileio’s father) and poetry by Petrarch, Tasso, Marino and Guarini. $25. 8pm. Sat, Mar 2. Heliconian Hall. 35 Hazelton Ave. (416) 535-9956. musiciansinordinary.ca. A NIGHT IN MADRID Dancers Esmeralda Enrique and Paloma Cortés perform Spanish classical dance with the Tafelmusik Baroque Orchestra and Chamber Choir in a program featuring the gypsy folk-inflected music of Luigi Boccherini. With guest director and violin soloist Elizabeth Wallfisch. $36-$85. 7pm. Wed, Mar 20. 8pm. Mar 21-23. 3:30pm. Mar 24. Trinity-St Paul’s Centre. 427 Bloor St W. (416) 964-6337. tafelmusik.org. NEW CREATIONS FESTIVAL The Toronto Symphony’s celebration of contemporary music runs Sat, Mar 2 to 9 featuring world premieres by Tod Machover and Andrew Staniland. One highlight is the North American premiere of the Violin Concerto by Toronto’s Owen Pallett (aka Final Fantasy). That evening also features work by Machover and Krystof Maratka and a post-concert party with Pallett DJing. 8pm. Mar 7. $29-$145. Roy Thomson Hall. 60 Simcoe St. (416) 593-4828 tso.ca.
Stage AND SLOWLY BEAUTY… By Michel Nadeau, the artistic director of Quebec City’s Théâtre Niveau Parking; translated by Maureen Labonté. Tarragon Theatre presents this Belfry Theatre/ National Arts Centre co-production directed by Michael Shamata. It’s the story of a man going alone to see Anton Chekhov’s The Three Sisters. Heralded as a love letter to art and the poetry of life. Starring Shawn Ahmed, Mary-Colin Chisholm, Dennis Fitzgerald, Caroline Gillis, Christian Murray, Celine Stubel. $27-$53. 8pm. Tue-Sat. 2:30pm. Sun. Until Sun, Mar 31. Tarragon Theatre Mainspace. 30 Bridgman Ave. (416) 531-1827. tarragontheatre.com. BENT UofT’s Hart House Theatre presents Martin Sherman’s hard-hitting play from 1979 exploring life for a gay man imprisoned by the Nazis in the infamous Dachau concentration camp. Carter West directs. $25. 8pm. Fri, Mar 1, 2, 6-9. 2pm. Mar 9. Hart House. 7 Hart House Circle. (416) 978-8849. uofttix.ca. AFTEROCK b current presents a new festival of performance work by black women and artists of colour in fully staged workshop productions. Includes the premiere of Six and Eight by Roselyn Kelada-Sedra, directed by Taylor Marie Graham and featuring KeladaContinued on page 36
LISTINGS & EVENTS
IN SPOT DANIEL ET DANIEL Story Derek Dotto
Continued from page 35
Sedra and Kaleb Alexander with choreography by Alcina Chiu. 7:30pm. Wed, Mar 6 & 8. And the premiere of Seventh Heaven, written and performed by Naomi Abiola, directed by Rhoma Spencer. 7:30pm. Tue, Mar 5 & 7. Concludes with a reading of Harriet’s Daughter by M NourbeSe Philip. 2pm. Mar 10. $20. COBA’s Studio Theatre. Daniel’s Spectrum. 585 Dundas St E. bcurrent.ca. LEAR World Stage presents a remount of this innovative Hatch production featuring Canadian performance legend Clare Coulter in the title role of Shakespeare’s exploration of family dysfunction. Directed by Philip McKee. $15$30. 8pm. Tue-Sun. 4pm. Sat & Sun. Tue, Mar 5-10. York Quay Studio Theatre. 235 Queens Quay W. harbourfrontcentre.com/worldstage. TORONTO SKETCH COMEDY FESTIVAL
The belly-laugh-and-off-colourcringe-binge returns, running Thu, Mar 7 to 17 at Comedy Bar (945 Bloor St W), Lower Ossington Theatre (100 Ossington Ave), Randolph Theatre (736 Bathurst St) and Second City (51 Mercer St). The offerings seem to get queerer every year. Look out for TO duo British Teeth featuring Tim Sims Award-winners Allana Reoch and Filip Jeremic. 7pm. Mar 8 & 14. Comedy Bar. Hot Thespian Action is an award-winning sketch comedy troupe from Winnipeg. 8pm. Mar 8 & 9. Lower Ossington. Pink Slip is the local quartet of Alan Kliffer, Nate Callens, Nicole Elsasser and Felicity Penman. 9pm. Mar 7. And Rocket Scientists is a TO foursome featuring Ephraim Ellis and Brandon Hackett. 10pm. Mar 14. Lower Ossington. $15 most evenings; passes available. (647) 505-1050. torontosketchfest.com.
→ OFF-ROAD ADVENTURE Jon Raffman’s State Route 31 is part of Snap auction on Thu, Mar 7.. AS I LAY DYING Theatre Smith-Gilmour presents the premiere of their adaptation of the William Faulkner novel. A 40-mile funeral procession turns into an absurdly tragic journey. $15-$30. 7:30pm. Tue-Sat. PWYC. 2:30pm. Sat (& Sun Mar 31). Fri, Mar 8-31. Theatre Passe Muraille Mainspace. 16 Ryerson Ave. (416) 504-7529. artsboxoffice.ca. CANADIAN INTERNATIONAL COMEDY FESTIVAL This new festival runs Tue,
Mar 19 to 21 featuring comedy stars like Dave Foley, Jon Dore and Chelsea Perretti. The biggest star, and the biggest mouth, belongs to headliner Sandra Bernhard. $44.50-$54.50. 9pm. Fri, Mar 22. The Winter Garden Theatre. 189 Yonge St. candiancomedfest.com. ARIGATO, TOKYO Opens Thu, Mar 21 at Buddies. See page 43.
Causes & Events SNOWBALL Marking the 25th anniversary of specialty AIDS hospital Casey House this year’s gala, Chroma, features co-chairs Tommy Smythe, Arren Williams and Raymond Girard. With dinner by Lynn Crawford and Lora Kirk of Ruby Watchco and the team from Daniel et Daniel (see story this page). The Lounge Party features DJ Ticky Ty and Bellosound’s Daniel Buckman, and a dance choreographed by Scott Fordham. $750 dinner and party; $150 party only. 5:30pm dinner. 10pm party. Sat, Mar 23. Mattamy Athletic Centre (in the old Maple Leaf Gardens). 50 Carlton St. caseyhouse.ca. •
“We made a lot of mistakes but we worked really hard,” says Daniel Megly, recalling how he and his business partner Daniel Clairet got their catering business, Daniel et Daniel off the ground 32 years ago. “Eventually we managed to get wiser and get better at it.” Both natives of Paris, France, the pair met while working at Toronto’s Auberge Gavroche, a Yorkville dining room popular in the 1970s and ‘80s. Combining Clairet’s culinary talents with Megly’s background in luxury hotels and event planning, the two set up shop at Carlton and Parliament in 1981. “The neighbourhood endorsed us really well,” says Megly. “A lot of people have been coming here for 20 years.” The tiny storefront packs a powerful Parisian punch. It’s constantly bustling with regulars grabbing their morning cappuccino and croissant, one of the many fresh salads and sandwiches for lunch, or a dinner of lasagna or shepherd’s pie. Daniel et Daniel pride themselves on staying one step ahead of culinary currents. “We see the trend coming and say, ‘What else can we do with that?’ says company VP Russell Day. “At one point it was sushi. It’s been cupcakes. Now it’s donuts. So we’ve come up with a savory donut, a short rib beignet. It’s a little twist on that.” The company has been planning
→ A CATERED AFFAIR Daniel et Daniel is
the perfect choice for a quick bite or a sumptuous event.
same-sex weddings since before they were trendy, or even legal, for that matter. “We did commitment ceremonies 20 years ago.” says Day. “We find it’s more about the party atmosphere. They’re usually about the hors d’oeuvres, the networking. But as in most weddings, there is one point where there is something traditional that must be done, whether it’s the cake or the ring bearer and flower girl.” So there are there still bridezillas? “Oh ya,” Megly laughs. “Without answering your questions directly, there are people who are picky,” Day interjects. “It’s different in gay weddings. We haven’t been conditioned all of our lives to get married. It hasn’t been drilled into me since I was little so I’m open to a lot of things. It’s really great when you sit across from a couple that is having issues deciding, to offer them really great options.”
DANIEL ET DANIEL 248 Carlton St. (416) 968-9275. danieletdaniel.ca.
BMO Financial Group
A RT & E N T E RTA I N M E N T
VISUAL ART
HAVING A MOMENT →
Stealing a view of great art high atop a bank tower
Review Pamela Meredith | Photography Toni Hafkenscheid
38
March 2013
A RT & ENTERTAINMENT
I
n layman terms, artist Sarah
sifies
Anne Johnson is killing it. In
on real and imag-
loftier jargon, her recent proj-
ined
her
focus
places
(few
ects reflect a deepening narrative
places have cap-
complexity, growing technical facil-
tured our imagina-
ity and an ambitious shift in scale
tion more than the
that combine in incredibly pow-
Arctic).
erful, immersive ways. In other
tographs
words, her work has gone from
fully
strength to mind-blowing strength.
the vastness, sub-
in
Winnipeg,
phoCamping, 2003 © Sarah Anne Johnson / Courtesy of Stephen Bulger Gallery
Based
Her
beautidocument
Johnson
lime light and all
caught the art world’s attention
of that slowly melt-
with Tree Planting (2002-2005), her
ing ice. Onto these
Yale University thesis project. This
images,
series of photographs record her
goes to work add-
experience over three summers of
ing painted, incised
working in deforested areas in the
and
northern Manitoba wilderness. The
imagery
images capture the rugged land-
fireworks,
scape, utopian communal living,
tecture
and gritty hard work integral to
Ominous
the tree-planting ethos. In the final
clouds hover over
installation however there is a sur-
the grey sea while
prise, as there always is in Johnson’s
other more whim-
work. The more documentary pho-
sical interventions
tographs are complicated, turned
include
on their head, and juxtaposed
rendering her fellow artist-adven-
her discerning choices), Johnson
with complementary images cre-
turers as cheerleaders, replete with
ated in the studio using dioramas
painted-on pompoms and con-
was given the opportunity to produce a significant new work for
and hand-crafted, Sculpey figurines
fetti. These layered details prof-
the project space high atop a cor-
representing
fer a broad spectrum of emotion
porate tower (viewable only by
and humanity. “All my worries, all
appointment).
other
remembered
Johnson
embossed such
as
archi-
and
text. inky
cheekily
JOHNSON BRINGS THE WILDERNESS TO BAY STREET, WHICH SOME MIGHT CONSIDER A DIFFERENT KIND OF WILD.
my concerns and all my hopes and
I hesitate to reveal too much
fears of the future of this place, I
about the piece, as part of its power
can paint it right on,” Johnson has
is in the mystery of approaching a
said.
→ COMPOUND INTEREST Sarah Anne Johnson creates mythic tableaux from her real-life experiences in Canada’s wilderness. Her new installation Asleep in the Forest (opposite page) harkens to earlier work like the Tree Planting series of photos (above) that mix documentary images with memories and fantasies.
closed door and leaning in to peek
or sought refuge in the wilderness.
Recently the project was exploded
through a brass peephole. The
We’ve found them so quickly and
into three dimensions for Untitled
slow reveal astounds. It takes some
no wonder, hiding in the forest is
(Schooner and Fireworks), installed
moments before the eye can adjust
such a misplaced idea; we are so
at
Gallery.
to the single oculus and the dimly
exposed there. Many possible nar-
Dominated by a giant Technicolor
lit space beyond. It’s a nocturnal
ratives spring to mind, culled from
moments from those summers.
firework/cloud
hovering
setting. Behind the door is a dense
the headlines and the movies but
“The photographs of real people are
over a model schooner, like the one
forest with a small clearing lit by
balanced by so much ambiguity, all
grounded in reality,” she has said.
Johnson lived aboard for her Arctic
a flickering campfire, reminiscent
heightened by the fact that we are
“The photographs of the dolls are
residency and inhabited by carous-
of those sculptural creations from
in a bank tower in the financial dis-
more about metaphor and mem-
ing clay figurines, the installation
Johnson’s earlier Tree Planting pho-
trict. And one experiences it alone;
ory.” Together they depict a more
dramatically highlights the tension
tographs. There are forest sounds.
there is only one peephole. I can’t
fulsome, personal (and what she
between purity and mess, pleasure
Two figures — men — are present
believe my eyes.
calls “quietly political”) representa-
and guilt, doom and celebration.
by the fire, one sitting, one reclin-
the
Winnipeg
Art
hybrid
tion of place and purpose and estab-
For her latest work, Asleep in
ing, both sleeping, neither keeping
lish Johnson’s ongoing engagement
the Forest, Johnson brings the wil-
watch. Around them are bags and
with the interplay between fiction
derness to Bay Street, which some
piles of money, stacks of Canadian
and veracity.
might consider a different kind of
20s, 50s, 100s. The clincher: The
wild. Commissioned by BMO (major
figures are wearing business suits
Arctic
kudos to them for the Project Room
and ties and are relatively unrum-
Wonderland (2011) series inten-
program and curator Dawn Cain for
pled; they’ve just escaped, or run,
Half a world away in northern
Norway,
Johnson’s
ASLEEP IN THE FOREST Until Nov 29. BMO Project Room. By appointment only. asleepintheforest.com. PAMELA MEREDITH Is TD Bank Group’s senior curator. intorontomag.com
39
LIVING & DESIGN
FILM
WE’RE NOT IN KANSAS ANYMORE Sundance Institute
→
At the same time as starring in Oz: The Great and Powerful, multitasking James Franco travels as far from Disney as he can get Story Peter Knegt
intorontomag.com
41
A RT & E N T E RTA I N M E N T
M
big
new
ass audiences around
and Vanessa Hudgens) from jail so
tion, Franco helped bring two films
Friedkin’s
the world are likely to
they can prostitute for him. And
largely about pornography loads of
apparently cut to avoid an X rat-
flock to James Franco’s
Oz. That’s an extraordinary few
deserved attention.
ing. While that in itself is an inter-
release,
the
Disney-
produced family film Oz: The
months even by Franconian standards of multitasking.
film
Cruising
Kink, produced by Franco and
esting concept (and part of the film
directed by Christina Voros, is a
is indeed a deliciously hardcore
Great and Powerful. Franco stars
But the fact that Franco does a
look at the world inside the San
recreation), the film extends well
as the titular wizard best known
whole lot of stuff simultaneously
Francisco armory that the porn
beyond to discuss representations
as a not-quite-friend of Dorothy in
(did I mention he’s also pursuing a
production facilities of the bond-
of queer sex in both Hollywood and
the classic film The Wizard of Oz.
PhD from Yale?) is not new news.
age and SM website kink.com calls
society in general.
Set before the events of that film,
What is interesting is the content
home Though it features multiple
“As a filmmaker and a creative
Franco’s Oz is the film’s focus as he
of the latest batch of multitask-
scenes of explicit sex, Kink breaks
person I’m always interested in
stars alongside witches good and
ing. In one of his smaller contri-
through the misconceptions fac-
questioning or examining areas or
ing both BDSM in general and the
bad (played by Michelle Williams,
“I’M ALWAYS INTERESTED IN QUESTIONING OR EXAMINING AREAS OR TOPICS THAT CREATE FISSURES OR MAKE US QUESTION HOW WE ARE LIVING,”
way the porn associated with it is
topics that create fissures or make us question how we are living,”
produced.
says Franco. “Is it by choice? What
starred in, directed and/or pro-
butions to the films noted above,
ferent from what was happening
“I wanted to use real sex. But
duced four films. Add to that a film
Franco plays Hugh Hefner in Rob
behind the scenes. There it felt like
not in a pornographic way but in a
that screened at the 2012 Toronto
Epstein
everybody is on the same team and
way that helped talk about ideas or
Film Festival also hitting theatres
Linda Lovelace biopic Lovelace,
everybody is working together.”
helped tell a story.”
this
Korine’s
which screened at both Sundance
Interior. Leather Bar, meanwhile,
It might be tempting to have
Spring Breakers, which features
and Berlin. In something of a par-
is a project Franco co-directed with
these films lead into a conversa-
Franco as a drug and arms dealer
allel to Hefner, Franco became a
Travis Mathews (the man behind
tion along the lines of, “Why is
who bails out some college stu-
sort of celebrity spokesperson for
the sexually explicit I Want Your
James Franco doing all these sex
dents (including Selena Gomez
sex-positivity at both festivals,
Love, which screened at Inside
movies anyway?” Or, more likely,
though in a considerably un-Play-
Out last year). Sitting somewhere
“Is James Franco gay?” But it’s way
boy way. As the producer of the
between fact and fiction, Leather
more interesting to look at what
documentary Kink and co-director
Bar is about Franco and Mathews
Franco is doing instead of why. •
of Interior. Leather Bar, an innova-
trying to remake the 40 minutes of
tive mix of narrative and non-fic-
explicit SM material from William
Rachel Weisz and Mila Kunis, no less). But Oz is just one of many, many projects actor-director-academic-artist Franco has on tap for 2013 — the vast majority of them are as far from Disney as it gets. Between
screenings
at
the
Sundance and Berlin film festivals (held in January and February and each among the most influential film fests in the world), Franco
month,
Harmony
→ LIPS OR HIPS? One of James Franco’s current projects is a film recreating censored sex scenes from William Friedkin’s 1980 film Cruising.
42
1980
February 2013
and
Jeffrey
Friedman’s
“The subject matter of these vid-
do we believe in? Is it because
eos was pretty extreme,” says
that’s exactly how we want to
Franco. “I watch a certain kind of
live and that’s what’s making us
pornography, but this was much
happy? Or is that something that
more extreme than the kind of
is sort of handed down in various
pornography I watch. And the
ways of pop culture, school, adver-
dynamics within the video — the
tisers, everything? That’s one of
sort of sadomasochistic dynam-
main reasons I was also interested
ics within the video — were so dif-
in these subjects.
KOERNER HALL IS:
“A beautiful space for music” THE GLOBE AND MAIL SUN., APR. 7, 2013 3PM KOERNER HALL
Cameron Carpenter
At Carpenter’s performances “flamboyant presentation goes hand in hand with unquestioned virtuosity.” (The New York Times) He will perform his Scandal for organ and orchestra with the KitchenerWaterloo Symphony, as well as solo pieces and spontaneous improvisations with audience participation.
FRI., APR. 19, 2013 8PM KOERNER HALL
Nadja Salerno-Sonnenberg with Anne-Marie McDermott A “breathtakingly daring and original artist” (The Washington Post), Salerno-Sonnenberg and pianist Anne-Marie McDermott present "Dark & Light," a journey that starts with Arvo Pärt’s short and hauntingly beautiful Speigel im Spiegel (Mirror in the Mirror) and connects without a break to Prokofiev’s powerful and dramatic Sonata No. 1. The second half of the performance features Franck's popular and beloved Violin Sonata in A Major.
TICKETS START AT ONLY $40! 416.408.0208 www.performance.rcmusic.ca 273 BLOOR STREET WEST (BLOOR & AVENUE RD.) TORONTO
A RT & E N T E RTA I N M E N T
STAGE
ISLANDS OF DESIRE →
In his latest play Daniel MacIvor juggles hearts and minds in a cross-cultural love triangle set in Japan Story Serafin LaRiviere | Photography Tanja-Tiziana
44
March 2013
A RT & ENTERTAINMENT
B
eing a playwright in Canada
stories. The playwright became
this
Bad Times’ artistic director Brendan
is a tricky business. Our cit-
interested in Noh while participat-
theme with the lead character Carl,
Healy who is excited to be premier-
izenry isn’t well known for
ing in a Japanese production of his
a
holiday-
ing a new work from one of his the-
play You Are Here.
ing in Tokyo. Carl (played by David
atre’s most pre-eminent alumni.
supporting live theatre, our critics
Arigato,
Tokyo
native
explores
Vancouverite
can dance the line between acerbic
“I spent a few weeks there,”
Storch) has pretty much given up
It’s their first-ever collaboration.
and downright vicious, and secur-
MacIvor says. “The play they were
on love, but finds himself pulled
“I’m so honoured that Daniel would
ing enough funding to cover food
doing was set in Toronto. I told
into the lives of his Japanese inter-
think of us, of Buddies and of me,
and rent while crafting your next
them I would be more than happy
preter Myoshi (Cara Gee), her actor
masterpiece is frequently akin to
to rewrite it to be set in Tokyo, but
to premiere new work,” says Healy. “It was a little scary at first, because
rummaging beneath the sofa cush-
they wanted it to be Japanese actors playing people in Toronto. I have to
manages to clear all three of these
admit I found that a little odd, and it
hurdles, you know you’re dealing
didn’t end up working for me in the
with someone truly special.
play, but I really liked them.”
“THERE’S A LINE THERE THAT DOESN’T REALLY GET CROSSED…. IT’S JUST UNDERSTOOD THAT YOU AS A WESTERNER COULDN’T TRULY UNDERSTAND [JAPANESE] CULTURE.”
he’s such an established writer and
ions for coins. So when one artist
Daniel MacIvor has been wowing
Entranced with the cultural reflec-
critics, pulling crowds and keeping
tion of a Japanese company on
himself in hatpins and ink for nigh
his Toronto-centric play, MacIvor
on three decades after founding the
offered to write a brand new piece
da da kamera theatre company in
for the company that would be set
1986. Since then he’s hit a slew of
in Japan. They refused.
I have such immense admiration for his work. I was like, ‘How am I going to engage in those conversations about production and rewrites that you need to have while directing?’ I mean, what do I know? He’s Daniel MacIvor! “But he’s very practical about his writing, and he’s in no way neurotic about it. It’s such a pleasure.” The feeling is mutual. “I’m thrilled
homeruns with lauded plays like
“They’re not interested in Tokyo,”
Cul de Sac, In on It, A Beautiful
says the playwright. “They’re not
View, Here Lies Henry and his sem-
interested in Japan. They want to be
inal one-man tour de force, House.
showing plays that are about people
brother Yori (Michael Dufays) and a
so beautiful and rigorous and deep.
in other places, in another world.
drag queen named Etta. Etta is the
I’m thrilled he’s directing it.”
Many of these were produced in
about
working
with
Brendan
Healy,” says MacIvor. “His work is
In a play about cross-cultural
conjunction with Buddies in Bad
“But I was very intrigued by Tokyo
star, a narrator who embodies the
Times Theatre, the historic home
and Japan generally. I went back to
play’s clash of genders and desires.
understanding,
of Canadian queer theatre and one
do some research, and made some
The role is played by Tyson James,
focusing on theatre craft is key.
of Toronto’s most enduring artis-
other kinds of discoveries about the
a stunning drag performer in his
”Something Daniel said once that
tic institutions. MacIvor returns to
culture which affected the play I
own right and a former member of
has stayed with me for years is that
Buddies with his new piece called
was planning to write, about how
Buddies’ youth program.
the theatre teaches us empathy,”
Arigato, Tokyo, premiering later
impenetrable the culture can be in
this month. The work draws inspi-
Japan.
or
lack
thereof,
Douglas
says Healy. “He has characters who
Coupland character,” says MacIvor.
are so relatable, but he doesn’t ask
“Carl’s
a
kind
of
ration from Noh theatre, a tradi-
“Everyone’s really nice. You’re
“He’s a journalist who made good,
for our pity or our sympathy. He
tional art form that incorporates
hosted to within an inch of your
got involved in fiction and non-fic-
simply asks for our empathy.”
music, movement, masks and gen-
life, but there’s a line there that
tion books and became a celebrated
der play into its stylized, dramatic
doesn’t really get crossed. It took
writer.
me two visits to figure that out.
Tokyo, viewing Japan through a
It’s not like there’s something hid-
very western lens.
→ BEHIND THE MASK Daniel MacIvor’s new play, Arigato, Tokyo, is narrated by a drag queen named Etta played by Tyson James.
den, it’s just understood that you as a westerner couldn’t truly understand their culture.”
He’s
travelling
through
“At the end of the day it’s a tragic love story.” The play is directed by Buddies in
ARIGATO, Tokyo PWYC-$37. 8pm. Tue-Sat. 2:30pm. Sun. Thu, Mar 21-Apr 14. Buddies in Bad Times Theatre. 12 Alexander St. (416) 9758555. buddiesinbadtimes.com. intorontomag.com
45
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A RT & ENTERTAINMENT
HONEY-SWEET →
MUSIC: Heartthrob by Tegan and Sara Review Mary Dickie
T
presents
a photographic art fundraiser for the
AIDS COMMITTEE of TORONTO
Toronto’s most exciting annual auction of contemporary art photography
Live and Silent Auction Gala Event Thursday March 7, 2013 The SNAP! Factory @ Andrew Richard Designs 571 Adelaide Street East at Parliament Street | Toronto Public Preview February 28 to March 3, 2013 Arta Gallery 14 Distillery Lane Distillery District | Toronto For Gala Tickets and to view the 2013 Collection www.snap-toronto.com
TICKETS ON SALE NOW! CARA BARER, Journey To Zaragoza
egan and Sara Quin have always maintained distinct lives and styles, despite being a perfectly matched set of identical twin lesbian singer/songwriters. They live on opposite sides of the continent, for one thing (though each lives in two cities: Vancouver and LA for Tegan; Montreal and New York for Sara), and they write their songs separately, only getting together to produce their albums — of which there are now seven, not including EPs and remixes. But while there has been a natural-sounding progression in their music since their days as acoustic indie-folk musicians in Calgary, with Heartthrob the now 32-yearold sisters have taken a major step toward bringing their particular streams together into the big river of mainstream, high-gloss pop. It was reportedly the experience of touring with high-profile bands like The Killers and The Black Keys that convinced Tegan and Sara they needed to up their game. Consequently, they decided to borrow a page from other pop divas’ playbooks and use several big-time producers for Heartthrob, including Greg Kurstin (Pink, Kelly Clarkson) and Mike Elizondo (Dr Dre, Nelly Furtado). They also decided to push the rock guitars down in the mix while bringing the keyboards to the forefront, and to attempt to merge their different songwriting styles by working on each other’s songs. The result is a big, honey-
sweet pop sound that has already proven itself in the marketplace, as Heartthrob debuted near the top of the charts in both the US and Canada, and Tegan and Sara have signed on to tour with the Grammy-winning band Fun this summer. This is one massive pop album studded with hits: “Closer” is super-catchy and “Now I’m All Messed Up” has their two voices playing nicely off each other (“Go if you want to”/“Please stay”). Still, the album is at times almost disconcertingly sleek, with all the rough edges smoothed out into perfectly manicured sameness. There’s still angst and heartbreak in the songs, but painful vulnerability has been replaced by mature regret and remorse. That’s fine and perhaps inevitable, but there are bound to be fans who preferred Tegan and Sara when they didn’t sound like everybody else.
HEARTTHROB Tegan and Sara. Warner Bros. $15. teganandsara.com. intorontomag.com
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S EX s p onsored by spa excess
ASK THE SEX GEEK — with Andrea Zanin
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O N T HE T OWN
CAUGHT IN THE ACT by Sarah Clayton Nesbitt & Matthew Stevenson
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WORLD PRIDE COUNTDOWN, THE ROUNDHOUSE.
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→ 1. Steven Banks 2. Barr Gilmore, Ange Beever, David Hawe, Robin Beever 3. Chad Simon, Kristyn Wong-Tam, Sean Hillier 4. Gaelan Love, Matty Thompson 5. Eric Kostiuk, Williams, Kelly McCray 6. Drew Bowden, Sharon Deebrah-Sarrami 7. Nicolas Tallarico, Luis Varessis 8. Patricia Salib, Rod Warren 9. Scott Mullin 10. Reggie Lanuza, Kevin Beaulieu 11. Gordon Bowness, Maurice Vellekoop 12. Brad Lochlin MacInnis, Rama Luksiarto. 50
March 2013