Digital Publication Guide
ARCHITECTURE | URBANISM
Contents
1 Introduction 2 Program Coordinators 3 Cultural Landscapes & Urban Resilience
Dipl.-Ing. (FH) Philippe Schmidt M.Sc., Dr. Conrad Philipp, Eng. Mohamed Abdel Aziz, M.Sc., Dr.-Ing. Hassan ElMouelhi 4 Bricks & Blocks
ART | DESIGN
CULTURE | MEDIA ENGINEERING | ENVIRONMENT LANGUAGES
Dipl. Ing. Hinnerk Utermann, Dr. Arryn Snowball 5 Free Your Painting Alex Roberts 6 Design Tools for Play Prof. Matthew Burger, Sven Brandelius 7 BIY - Build It Yourself: Democratically Jessica Fügler 8 The Eye of the Beholder - Drawing & Sketching Outdoors Lion Schreiber 9 Communicate Effectively Across Cultures Nadezhda Chalykh 10 Memory, faces and spaces: a creative documentary film making experience Ayşegül Selenga Taşkent, Delizia Flaccavento 11 Forecast Engineering
Dr.-Ing. Lars Abrahamczyk, Prof. Dr.-Ing. Volker Rodehorst, Prof. Dr.-Ing. Matthias Kraus, Prof. Dr. rer. nat. Tom Lahmer, Prof. Dr.-Ing. Christian Koch, Dr.-Ing. Jochen Schwarz, Dr.-Ing. Alexander Flohr 12 Designing for Systems Change not Climate Change
Seyda Nur Günes 13 German intensive course
The Language Centre of the Bauhaus-Universität Weimar 14 English Intensive Course: English Communication Skills & English for Academic Purposes
The Language Centre of the Bauhaus-Universität 15 Intro.Bauhaus
The Language Centre of the Bauhaus-Universität Weimar 16 Additional moduls: Understanding German Culture Germany and Design, Moderne Literatur und Gesellschaft Deutsch, B1/B2), Germany’s Position in International Gepolitics, German Bauhaus
B
S SUMMER 2022
A U H A U
COLORED GLAZE FOR ARCHITECTURAL CERAMICS
Creating own recipes for glaze by experimenting with resources followed by the production of individual samples.
Architectural ceramics is one of the oldest building materials. The seminar explores the creative potential of coloured glaze for ceramics and their utilisation both in the interior and the exterior space.
Due to the coating with glaze, architectural ceramics differ significantly from all other building materials. Glaze can show an infinite number of colour shades and textures which endures due to its resistance to light. Thus, architectural ceramics are particularly suitable for covering facades as well as indoor design. During the economic zenith of architectural ceramics each stove factory had developed its very own and unique recipes most of which got lost due to the industrial revolution. Current industrial glazes are reduced to the homogeneous palettes of very few producers
That is where the seminar sets in. Glaze recipes will be designed that contradict the monotonous colour palette of the industry and which reintroduce diversity into the process. With this approach the workshop makes uniqueness its central theme. To give insight into the materiality of glaze, the seminar starts off with introductory lectures on chemical and architectural views. In context of a series of experiments students will research the natural resources for characteristics of imperfection or singularity. The discovered substances are evaluated based on their potential for colour and texture with the objective to reintroduce chance and uncertainty. Various design concepts will be developed on the basis of the identified natural resources and their characteristics in interdisciplinary teams (students of architecture, design and geochemistry). Each team will create own ideas for recipes using design as well as chemical knowledge. The recipes will be practically examined in a series of firing tests. The newly designed recipes will be precisely documented, prepared and applied on samples. Students learn how application techniques can impact the final outcome of the product. In a number of firings at the oven the formulas are tested and further refined since the process of firing is an essential yet unpredictable part of vitrifying the natural resources into glaze.
At the end of the seminar each group will have developed an approach on colouring architectural ceramics. A variety of distinct samples will have been produced that illustrate the story and process of each experimental series. In a concluding exhibition not only the final pieces will be shown but the whole series will be exhibited. The seminar sets on a particular sensitisation for the design potential of surface finishing for architectural ceramics and therefore building materials in general.
Tutors
Franziska Käuferle born 1986 in Aichach, Germany
Stefano D’Elia born 1981 in Venice, Italy
Students
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