Traditional Architecture of Orchha

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International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395-0056

Volume: 11 Issue: 07 | July 2024 www.irjet.net p-ISSN: 2395-0072

Traditional Architecture of Orchha

Shikha Gupta1, Aman Sahu2

1Master’s student, 2Master’s student

Master of City Planning, Indian Institute of Technology, Kharagpur, West Bengal, India ***

Abstract - This abstract delves into India's diverse cultural identity and the imperative to preserve it. Orchha, an ancient city in Madhya Pradesh, renowned for its historical and religious significance, has maintained its original palaces and temples. Yet, modern constructions have strayed from its traditional architecture, disrupting the town's authenticity. This study aims to revive Orchha's architectural heritage by analyzing space making elements used in traditional architecture of the town. By harmonizing the distinctive designs of palaces with modern concepts, innovative spatial possibilities can emerge. Orchha's cultural roots, deeply intertwined with Bundelkhand heritage, hinge on its architectural grandeur. Examining how spaces are arranged reveals their significance and role in Orchha's architectural story, showcasing their contribution to the town's unique character. The study seeks to uncover Orchha's space-making principles and their potential application in contemporary architecture. Adapting these elements could foster culturally resonant spaces within modern structures, bridging historical and present design. In the end, this study aims to rejuvenate Orchha's architectural heritage, nurturing a deeper understanding of how traditional and contemporary architectural styles interact and influence each other.

Key Words: Traditional Architecture, Bundelkhand, Contemporary Architecture, Spatial Character, Heritage City, Zanana, Mardana.

1. INTRODUCTION

Orchhaisfamedforitstemplesandfortifiedcomplex,locatedinNiwaridistrictofMadhyaPradesh.Thecomplexisenveloped bytheBetwaRiver,servingasbothavitalwatersourceandaprotectivebarrieragainstadversaries.Withinthefortcomplex, fourprominentpalacesstand,namelyRaja Mahal,JehangirMahal,SheeshMahal,andRaiPraveenMahal.RajaMahaland JehangirMahalprominentlycontributetoOrchha'spicturesquepanorama,eachshowcasingdistinctarchitecturalstyles.Raja Mahal reflects the Bundelkhand architectural influence, while Jehangir Mahal boasts a fusion of Islamic and Bundela architecturalelements.

2. HISTORICAL BACKGROUND

Orchha,establishedinthe16thcenturybyBundelachiefRudraPratapSingh,emergedasafortifiedhavenagainstMughal pressures,evolvingintoaroyalcapitalunderBhartiChand.BirSinghDeo,aformidableBundelaking,orchestratedstrategic moves,includinganalliancewithMughalprinceSalimandtheeliminationofAbu'Fazal.DespiteMughalinvasions,BirSingh Deo'slegacythrived,markedbyarchitecturalfeatsandregionalinfluence.HamirSingh'srulebroughtelevationtoMaharaja Status,whileMaharajaPratapSingh'svisionaryleadershipledtoremarkablestatedevelopmentandinnovativeengineering. Orchha'sdynamichistoryfosteredthedistinctBundeliarchitecturalstyle,influencingNorthIndia'sarchitecturallandscape

ThetownwasdividedintotwohalvesviariverBetwa,firsthalfiscitadelwhereroyalpeoplelivedandtheotherhalfisforthe citizensofthetown.NowthecitadelisunderUNESCOandhasbeenusedfortourismoverthepastdecade.Thecitadelconsistsof manydarwajas,fourmainMahal(RajaMahal,SheeshMahal,JehangirMahalandRaiPraveenMahal),smalltemples,kothisetc.

3. CLIMATE

TheclimateofOrchhahasexcessivelyhotsummers(April–June)whilewintersarecool(November-February)andpleasant. TheterrainofOrchhasufferfromanacutepaucityofrainfallinJuly-September.Theglareturnsouttobepainfulanddifficult duringsummers.However,rivermaintainsthecoolnessofthetown.

4. MONUMENTS OF ORCHHA

ThereareanumberofmonumentsbuiltbytheBundelaandothersuccessorrulers.SincethemaharajasbelievedinGod,theland ismostlyadornedwithtemples.However,overtime,thesemonumentsandtempleswereleftvacant,transformingtheminto attractionsandsignificantsubjectsforarchitecture.BirSinghconstructedtheMeenakshiTemple,whichisnowunused,yetithas becomeanimportantdestinationfortouriststoexploreandadmire.

International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395-0056

Volume: 11 Issue: 07 | July 2024 www.irjet.net p-ISSN: 2395-0072

5. PALACES OF ORCHHA

Thefort'spalaceswereconstructedgraduallybysuccessiveMaharajasofOrchha.Withinthecitadelstandfourmajor palaces:RajaMahal,JehangirMahal,SheeshMahal,andRaiPraveenMahal.

•RajaMahal,establishedduringthereignofRudraPratapSingh(1531AD),istheearliestpalace.

•SheeshMahal,originallyaguesthouse,hasbeenconvertedintoahotel(16thand17thcenturies).

•JehangirMahal,anintriguingfusionofBundelaandIslamicstyles,wasbuiltforPrinceSalim(1605-1627).

•RaiPraveenMahal,erectedin1675byPrinceIndrajitSingh,boaststhreestoriesandwasnamedinhonorofhisbeloved Rai,signifyinghercaste,andPraveen,symbolizingherartisticexcellence.

AsRajaMahalshowcasespredominantBundelaelementsandJehangirMahalfeaturesacaptivatingblendofBundelaandIslamic styles,thesetwopalacessignificantlyshapeOrchha'sarchitectureandofferinsightsforcontemporaryarchitecturalpursuits.

Fig -1:MonumentsofOrccha
Fig -2: AComprehensiveTimelineAnalysisofPalaces

International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395-0056

Volume: 11 Issue: 07 | July 2024 www.irjet.net p-ISSN: 2395-0072

5.1. Ram Raja Mahal

TheRajaMahal,initiatedbyRajaRudraPratapSinghin1531ADandcompletedin1539underBhartiChandra'srule,saw modificationsduringMadhukarSingh'sreign.PositionedleftofKanteelaDarwaja,itfeaturestwocourtyardsdemarcatingmale (mardana bhag) and female (zenana bhag) areas. The mardana bhag holds a stage for events, with arches and jharokas connectingtozenanabhag,whereanelevatedplatformresides.Withsevenrooms–onefortheRajaandsixforhiswives–privacywasmaintainedthroughhighparapetwallsandvariedopeningsonthefaçade.Groundfloorfaçaderetainsminimal transparencytoensureprivacy.

5.1.1. Elevation of Ram Raja Mahal

TheelevationsofthePalacearecharacterizedbyprotrudingfacadesadornedwithsetsofarchesonthegroundfloor,shaping itsvisualidentity.Theelevationofmahalhasmultifoilarcheswithsmallopeningstooutside,whichmaintainstheprivacyof thepeopleofpalace.Atthetopofpalace,theparapetisembarkedwithchattris.Thereislesscarvingontheouterfaçadeofthe Mahal.Themostdetailedpartofmahalincludesentrance,eves,patternswereusedforjaliinthewindows,cornice,protruding facadeswithbrackets.

5.1.2. Section of Ram Raja

The Mahal’s Traditional architectural composition encompasses various design elements, both external and internal, incorporating a range of architectural components. This structural arrangement not only defines its formal and spatial organizationbutalsoinfluencestheplanningandconstructionofspaceswhichcanbeseeninthesections.Inside,themardana areahousesastage,facilitatinggatheringsandevents,whileaconnectingarcadeonthegroundfloorandabovefloorsservesas thepassagebetweenthemardanaandzananasections,whichisvisuallyconnectedtothecourtyardofthemardanazone.The

Mahal
N Fig -3: GroundFloorlayoutPlanofRamRajaMahal(CEPTArchives,n.d.)
Fig -4: NorthElevationofRamRajaMahal(CEPTArchives,n.d.)

International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395-0056

Volume: 11 Issue: 07 | July 2024 www.irjet.net p-ISSN: 2395-0072

sectionalsoshowsreductioninmassofthebuiltonthesuccessivefloors,whichincorporatedaylightandventilation.Italso providesintermediateterracesonthesuccessivefloorswhichintroducesasenseofconnectivitywithinthepalace.Climate considerationsandadesiretoblendtheoutdoorswiththeinteriorsledtotheincorporationofjalis,intricatelypatternedwith uniquegeometricdesigns,preventinguniformityamongthem.Particularly,polygonal-shapedjaliswerestrategicallyemployed tomaintainlimitedvisibilityfromtheoutside,addingtotheMahal’sarchitecturalnuances.

5.2.

Jahangir Mahal

TheJehangirMahal,aclassicexampleofIndo-Islamicarchitecture,waserectedbyMaharajaBirSinghtocommemorateMughal EmperorJahangir'svisittoOrchhafrom1605to1627.Oftenreferredtoasthe"OneNightPalace"duetoJahangir'sbriefstay, thefour-storeygrandeurgracestheBetwariverbank,boasting236rooms,intricatebalconies,domes,andexquisitelycarved porches.Thesquarecourtyardhostsanelevatedplatformwithaswimmingpoolandseating,fosteringgatheringspacesamidst itsninecourtyards:eightonthefirstfloorwherelightfiltersthroughabundantopeningsandperforations,guidinganindirect entranceforvisitors.Thereisanabsenceofzananazone.Ithasgrid-basedplanningintheinteriorthuschannelizingthecool windintheinteriors.Theplanalsoconsistsoffourtowersateachvertex.

Intheabovefigure,a-terrace(roofofchamberbelow),f-projectingbalconysupportedoncorbels.b-Chambersurmountedby domes,e-centralcourtyard

5.2.1.

Elevation of Jahangir Mahal

Theentrancefeaturesaloftyplinth,whiletheornategatewayontheeasternsideshowcasescaptivatingornamentationand turquoisetiles.Notably,thepalaceshowcaseselephant-carvedbracketsanddouble-storeychhatrisadornedwithlotusmotifs, castingaplayoflightandshadowthroughgeometricallypatternedsculpturaljalis. Theouterfaçadehasfalsearcheswhichis incorporatedwithJalistoprovidelessvisibilityfromoutside.

Fig -5: Sectionalongeastwest,facingtowardsNorth(CEPTArchives,n.d.)
Fig -6: FloorplatesofJahangirMahal

International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395-0056

Volume: 11 Issue: 07 | July 2024 www.irjet.net p-ISSN: 2395-0072

5.3. Parameters for analysis

TheanalysisofliteratureprovidedaframeworkofparametersderivedfromYatinPandya's"ElementsofSpaceMaking,"this studydelvesintokeyarchitecturalcomponents walls,floors,columns,windows,androofs omittingstaircasesanddoors duetotheirlesserprominenceinOrchha'spalacesandtimeconstraints.Theseparametersserveasaguideforconductingthe casestudyanalysisandformulatingrecommendationsforfurtherexploration.Theidentifiedparametersencompass:

1.Wall

2.Floor

3.Column

4.Window

5.Roof

TheanalysiswouldbedoneontheseparametersbycomparingtwostylesoftraditionalarchitectureofOrchha.

6. CASE STUDY

TheobjectiveofthischapteristoextractdistinctdesignapproachesfromOrchha'straditionalarchitecture.Acomparative assessmentoftwocontrastingarchitecturalstylesisconducted,employingparametersdrawnfromYatinPandya'sscholarly work.Theanalysisencompassestwocasestudies:

1. RamRajaMahal

2. JahangirMahal

Fig -7: EastElevationofJahangirMahal

International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395-0056

Volume: 11 Issue: 07 | July 2024 www.irjet.net p-ISSN: 2395-0072

(continued on next page)

6.1. Wall

International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395-0056

Volume: 11 Issue: 07 | July 2024 www.irjet.net p-ISSN: 2395-0072

6.2. Floor

International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395-0056

Volume: 11 Issue: 07 | July 2024 www.irjet.net p-ISSN: 2395-0072

6.3. Column

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Volume: 11 Issue: 07 | July 2024 www.irjet.net p-ISSN: 2395-0072

6.5. Roof
6.4. Window

International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395-0056

Volume: 11 Issue: 07 | July 2024 www.irjet.net p-ISSN: 2395-0072

7. CONCLUSION

The essence of Orchha’s spatial character rests upon the interplay of fundamental space-making elements that impart movementandenclosure.Elementslikechhajas,chhatris,jalis,andarchesemanatefromthesefoundationalcomponents, shaping both tangible and intangible aspects of space. The arrangement of these elements conveys the essence of space, resonatingacrossdiversearchitecturalstylesfoundinOrchha.Fromantiquitytocontemporary,theseelementschartthe evolutionofspaces.Theirharmoniousarrangementyieldscaptivatingandstablearchitecture,fosteringinnovativespatial exploration.

The traditional architecture of Orchha presents an exceptional showcase of using traditional spatial elements to craft contemporaryandaestheticallypleasingstructuresthatreflecttheculture,identity,andarchitecturalharmonyoftheTown. PreservingandpromotingOrchha'straditionalarchitectureisvitalforsafeguardingthetown’sculturalheritageandidentity.

REFERENCES

[1] AmitaSinhaandAnaValderrama.(2014).TheOraclelandscapeofOrchha,India:reclaimingthelostheritage.Journalof CulturalGeography,22.

[2] CEPTArchives.(n.d.).OrchhaTownPalaces.CEPTArchives.

[3] Chakravarty,K.(1984).ArtofIndiaOrchha.Bhopal:ArnoldHeinemann.

[4] Kalinowski,B.D.(2016).ReawakeninginBundelkhand:Cultural Identityin Orchha andtheEffectsofTourism onits Creation,Preservation,andLoss.Wooster:OpenWork.

[5] O.P.Misra,ShailPradhan,ManojJainandBasantKumarMohanta.(2012).TraditionalArchitectureofBundelkhand:Acase studyofthememorialmonumentsfromTikamgarhandDatiadistrictsofMadhyaPradesh.theJournaloftheDepartment ofArchaeology,ArchivesandMuseums,MadhyaPradesh,Bhopal,21.

[6] Pandya,Y.(2005).ConceptsOfSpaceinTraditionalIndianArchitecture.Ahemdabad:MapinPublishingPvt.Ltd.

[7] Pandya,Y.(2007).ElementsofSpacemaking.Ahmedabad:MapinPublishing.

[8] Prof.AmitaSinha,Prof.D.FairchildRuggles.(2012).CulturalLandscapeofOrchha.Illinois:theBoardofTrusteesofthe UniversityofIllinois,USA.

[9] Zaweed,M.S.(2009).Bundela ArchitectureDuring16- 17Century.CentreofAdvancedStudyDepartmentofHistory AligarhMuslimUniversity,217

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