Interior Design Portfolio by Ivan Chen

IVAN CHEN PORTFOLIO

"As an architect you design for the present, with an awareness of the past, for a future which is essentially unknown." - Norman Foster

exhibition

The Armory Art Center

commercial

Barrel Italian Bistro Frame Hotel

residential

McKimm Residence An Eichler Home

about

Bio ResumĂŠ

exhibition

The Armory Art Center

commercial

Barrel Italian Bistro Frame Hotel

residential

McKimm Residence An Eichler Home

about

Bio ResumĂŠ

The Armory Art Center Converting the Amory into an art center was not a preconceived idea; in fact, it was through a series of research and understanding the concept “Hold” which prompted me to consider an art center will be ideal for this building. When I was conducting a case study on Mission Cultural Center for Latino Arts, I found out they offer an extensive art programs from painting classes to Flamenco classes, and all sorts of percussion or sculpting classes. They also provide a gallery for curating student’s art works and a performing space for dance and music class students. The art programs and event spaces for the Mission Armory is mostly inspired by Mission Cultural Center for Latino Arts.

exhibition 4

PROJECT OVERVIEW During the design development, a major alteration of the interior space was destined to happen when I’ve decided to open an atrium in the middle of the building; this is a more literal realization of the concept “Hold” where the emphasis is on opening the building to the outside world. However, the façade of the building cannot be altered, so the void is going in a vertical manner instead of horizontal. Another thought that went into this atrium opening is to create visual connections between spaces. For instance, when people lounge around the middle of the gallery which is opened to the main atrium, they can look up and see all the classrooms, especially when all the art works displayed in the gallery are done by the students from upstairs, it creates an interesting bond where people see the product, and also get to see how it’s being made.

Roof 58' - 0"

Level 4 45' - 0"

Level 3 32' - 0"

Level 2 21' - 0"

Level 1 7' - 0"

MA - SN 3/32" = 1'-0"

Main lobby Mural / performing space

Art gallery

Painting class Sculpture class

Dance class Music class

Cafe Building history display

exhibition 5

MAIN LOBBY gallery. The recessed light beam that is mount-

of Carrara marble. The brick walls are the original

From the above renderings, they clearly illustrates

ed in the ceiling follows around the edge not only

bricks that I have decided to preserve as its original

the interior ambient with natural light flood into the

illuminates the main lobby, but it also defines the

form. The rest of the wall and columns are painted

space through the opening of the second floor. This

edges of the opening and gives the visitors a sense

using eggshell paint.

is a view overseeing the cafĂŠ lounge area, the coat

of directions. The floor material for the main lobby

check counter and a snippet view of the second floor

is white terrazzo, and the entrance stair is made 14TH ST.

DN UP

DN DN

Consultant Address Address Address Phone

MISSION ST.

JULIAN ST.

No.

Description

Date

Owner Main Lobby Level 1 UP

Date

10/27/13 Author

Drawn By

Checker

Checked By

A-1 Scale

exhibition 6

Level 1 3/32" = 1'-0"

3/32" = 1'-0"

4/13/2014 11:12:19 PM

Project Number UP

PERFORMING SPACE / MURAL EXHIBITION There are two mural exhibition / performing spaces which has versatile functionalities, on one hand, it is a space showcasing mural art works done by local muralists and students from Mission Armory, on the other, and it functions as a stage for music or dance performances. One interesting feature of the space is the retractable bench seating which it can be retracted into the floor, and be extruded out when needed. Since it is an opening to the gallery space on the second floor, it provides the visitors another perspective in viewing the mural or performances.

MULTI-FUNCTION COURT The multi-functional court is a 39,000 square feet of space which used to be a drill training facility for the National Guards and artillery troops. Now it will be re-purposed as a large event space for large art exhibition, theater plays or community events. As seen in the rendering, there are numbers of openings from three sides of the wall, and one opening on top of the roof, they allow the natural light come into the space during day time. exhibition 7

GALLERY Second floor features the main gallery space, all of 14TH ST.

the art works showcase in the gallery are works of the students in Mission Armory and local artists.

There are three openings on the gallery space, one

Consultant Address Address Address Phone

opens to the main lobby, and two opens to the mural exhibition/performing space. The main atrium sits around the middle of the gallery, they can easily see

MISSION ST.

on top of the gallery space, when visitors lounge DN

the classes rooms from upstairs. The dramatic opening of the atrium can be first experienced standing

No.

Description

Date

in the middle of the gallery space. If you happened to be standing facing the main entrance, painting and Owner

music class are located on the left side of the atrium,

Main Lobby Level 2

of the atrium. On this floor, most of the art works

Project Number Date

10/27/13 Y.F.CHEN

Drawn By

Checker

Checked By

features local artists and art students in Mission Armory. Two mural exhibition/performing space can also be seen from the opening of the gallery space. exhibition 8

Level 2 3/32" = 1'-0"

A-2 Scale

3/32" = 1'-0"

4/13/2014 11:12:35 PM

sculpture and dance class are on the right side

ART CLASSES The painting and sculpture class rooms are laid out in a similar configuration. The class rooms are divided into two classes; one with regular class seatingâ&#x20AC;&#x2122;s and working tables, the other class is dedicated to figure drawing or sculpturing purposes where a pedestal is placed in the middle of class in order to place models or object , and easels or sculpting stations will surround the pedestal. The light beam on the ceiling goes along with the shape of the glass wall which is inspired by the curve shapes of wire fence patterns. exhibition 9

MUSIC CLASSES The music classrooms is a completely different approach from other classrooms since music class requires better acoustic control. So I came up with this idea of making class rooms into booths and group them together based on two types of class, percussion and string instruments. There are total 12 booths, and they are grouped in two parts in the middle of main class space, and the rest of the space automatically becomes corridor spaces. exhibition 10

THE ATRIUM Fourth floor is the top level of the building, and it is a 3rd floor plate for class room

floor dedicated to both dance and music classrooms. As mentioned, both third and fourth floor shares the same floor plan configurations. The spaces close to the Drill Court are offices, restroom, rehearsal rooms for the music class, and storage and shower/locker rooms for the dance class. The most dominant feature of fourth floor is the round opening of the roof top,

Connecting interior columns using curve patterns.

Flip the curve pattern and overlap.

Forming the shape of the atrium and 3rd and 4th floor plates.

which I can proudly say it is a tribute to Frank Lloyd Wrightâ&#x20AC;&#x2122;s Guggenheim Museum. However, I based the pattern on the wire fence as I proposed in my concept development, but roof opening is a homage to one of the greatest architect in the 20th century.

4th floor plate for class room

exhibition 11

exhibition

The Armory Art Center

commercial

Barrel Italian Bistro Frame Hotel

residential

McKimm Residence An Eichler Home

about

Bio ResumĂŠ

Barrel Italian Bistro Barrel Italian bistro is located in San Francisco; the restaurant sits in downtown at the corner of Mission and 3rd Street. It occupies the first floor of the building. The total square footage is 3800sf, including first and second floor dining area, reception, and a wine bar.

commercial

One great thing about Italian food is they make them simple enough so the people can taste the quality of the ingredients - Mario Batali

staff toilet 60 sf

office

dry storage

120 sf

150 sf

provincial oak kitchen 900 SF

tiana - mohagony

Dining under staffthe Tuscan sun office

toilet 60 sf

santao - roaswood

dry storage

120 sf

150 sf

beat light - tom dixon restroom

provincial oak

120 sf

Quality food + good wine = 100% provincial oak dining experience

kitchen 900 SF

tiana - mohagony

BAR

REL

ivan chen 610 spatial design revival estate instructor - archibald woo

Italian & Bistro

restroom 120 sf

oak

aas 32 barstool Hee Welling

elbow chair Hans J. Wegner main floor plan

material & furniture

1/4’’ = 1’-0’’

BAR Italian

PROJECT OVERVIEW This was a one of the most interesting project in the Spatial design class, we were each assigned a specific celebrity chef, and we had to customize a restaurant for that specific chef. Mario Batali was my chef, and through a belief research, I found out he specialized in Italian food, and needless to say, he is also an expert inmain wine.floor plan staff toilet

staff toilet office

So I started to ponder the relation between Italian food 60 sf

dry office storage dry storage

12060 sf sf

and wine, and I came to a conclusion that wine and food

120150 sf sf

to embody that relationship, I decided to create a winery ambient for this restaurant, and reminiscing dining under the Tuscan sun. restroom restroom 120 sf

120 sf

BAR 150 sf

1/4’’ = 1’-0’’

santao - roaswood santao - roaswood beat light beat - tomlight dixon- tom dixon

REL

provincial provincial oak oak

share a complementary relationship, the flavor of one can be somehow enhanced by the other. And in orderkitchen 900 SF

upper floor plan

1/4’’ = 1’-0’’

kitchen

Italian & Bistro provincial provincial oak oak

900 SF

tiana - mohagony tiana - mohagony elbow chair elbow chair aas 32 barstool aas 32 barstool estate revival estate oakrevival oak Hans J. Wegner Hans J. Wegner Hee Welling Hee Welling material & material furniture & furniture commercial

MAIN FLOOR DINING / WINE BAR So the idea behind the main dining area is to depicting a vineyard within a winery, with pendants hanging down from the wooden studs creating a more semi-private dining experience. The wine bar provides a wide selections of wines for customers who are either waiting for the table or just simple want to try out some different wines. Hans Wagnerâ&#x20AC;&#x2122;s elbow chair is used as the main dining chair throughout the entire restaurant, and I used Hee Wellingâ&#x20AC;&#x2122;s famous AAS 32 for wine bar stools. commercial

UPPER FLOOR DINING Upper floor dining area is connected through an abstracted barrel spiral stair case, and similar to the main dining area, the winery ambient can also be experienced on this level. There are 8 banquet seating and two sets of group dining tables. Toward the west side of the upper floor, there is a private dining area in which a retractable partition can enclose the space. Tom Dixonâ&#x20AC;&#x2122;s Beat light pendants are used for the banquet dining area.

commercial

FRAME HOTEL Frame boutique hotel is located in San Francisco at the corner of Mission and 3rd Street. Due to the amount of international conventions and exhibitions held in Moscone Center, and the amount of tourists coming in to the city every day, the demand for hotels is unquestionably substantial. Since the location of this project is close to some of the most famous museums and art centers, Iâ&#x20AC;&#x2122;ve decided to design this hotel with more emphasis on the context of the location.

commercial

RANCISCO

FRAMED IN A CERFRAME BOTIQUE HOTEL IS LOCATED ON FRAME THE 3RD AND MISSION STREET. BOTIQUE HOTEL IS LO- TAIN WAY CATED ON THE 3RD AND MISSION STREET. SURROUNDED BY SOMA DISTRICT. AT THE PROJECTSURROUNDED OVERVIEW BY SOMA DISTRICT. AT THE

gallery

HEART HEART The concept behind Frame boutique hotel is solely OF THE SAN FRANCISCO OF THE SAN FRANCISCO

PAINTINGS ARE PAINTINGS FRAMED IN A CER-ARE BOTIQUE HOTEL IS LOFRAMED IN A CERTAIN WAY CATED ON THE 3RD AND MISSION STREET. TAIN WAY

FRAME

based on combining hospitality with exhibition space.

to create a living experience within a to create a living experience within a

I was asking myself what would be like to live in a galgallery lery, andgallery in hindsight, the idea of dwelling in an exhibi-

SURROUNDED BY SOMA DISTRICT. AT THE

HEART

IRRATIONALtion space might not be feasible since the two spaces frame has a contradicting nature. The theme of this hotelthe is to depict the ambient of a gallery, the art workspainting on BOTIQUE HOTEL IS LOon the RATIONAL CATED ON THE 3RD AND MISSION STREET. RATIONAL the wall, and the lighting for the art work, are all being wall IRRATIONAL

FRAME

HEART

IRRATIONAL

implemented throughout the entire space.

OF THE SAN FRANCISCO

frame the painting on the wall

IRRATIONAL

gallery

IRR frame the painting on the frame the wall painting

frame the painting on the wall

RATIONAL IRRATIONAL

IGN A

ITALITY

SPACE IN A

EXHIBITION

PAINTING FRAMED I TAIN WAY

RATIONAL

gallery

PAINTINGS ARE FRAMED IN A CERTAIN WAY

o create a living experience within a

OF THE SAN FRANCISCO

to create a living experience within a

RATIONAL

SURROUNDED BY SOMA DISTRICT. AT THE

FRAMED IN TAIN WAY

to create a living experience within a

to create a living experience within a PAINTINGS ARE

on the wall

THE IDEA IS DESIGN A THE IDEA IS DESIGN A WAY

HOSPITALITY HOSPITALITY EXHIBITION EXHIBITION

RATIONAL

SPACE IN A SPACE IN A

IRRATIONAL

WAY

frame the painting on the wall

WAY

THE IDEA IS DESIGN A

HOSPITALITY SPACE IN A EXHIBITION WAY suite perspective view suite floor plan 1/2’’=1’-0’’ spatial design 610

THE IDEA IS DESIGN A FRAME

spatial design 610

THE IDEA IS DESIGN A

FRAME FRAME BOTIQUE

IVAN CHEN

BOTIQUE

SPACE IN A

WAY

SPACE IN A

THE IDEA IS DESIGN A

IVAN CHEN

HOSPITALITY EXHIBITION

BOTIQUE

EXHIBITION HOSPITALITY

Royal Walnut

HOSPITALITY

spatial design 610

IVAN CHEN

WAY

spatial design 610

Oak Floor Planks

spatial design 610

geroge nelson bench

FRAME BOTIQUE

spatial design 610

stool one Konstantin Grcic

FRAME

FRAME BOTIQUE

Minotti allen sofa

IVAN CHEN

BOTIQUE

IVAN CHEN

commercial

spatial

4' - 10"

CHERRY PLANKS 1 1st Floor 3/16" = 1'-0"

CHERRY PLANKS

CHERRY PLANKS CHERRY PLANKS OAK FLOOR PLANKS

OAK FLOOR PLANKS CHERRY PLANKS OAKCHERRY FLOOR PLANKSOAK FLOOR PLANKS PLANKS

PURPLE PATTERN WALLPAPER

CHERRY PLANKS

MAIN LOBBY AND LOUNGE AREA Lobby is the most important space in a hotel, similar to an overture in a musical play; it gives the visitor a basic idea of what the hotel feels like, most importantly, it needs to capture the visitor so they would want to stay in this hotel, and of course, a good set of amenities is also another factor. The main lobby and lounge area has a total of 2500 square feet of space. The decoration on the reception area is based on dismantling a numbers of paintings, and scattering them throughout

PURPLE PATTERN WALLPAPER PURPLE PATTERN WALLPAPER CHERRY PLANKS OAK FLOOR PLANKS OAK FLOOR PLANKS PURPLE PATTERN WALLPAPER

CHERRY PLANKS

OAK FLOOR PLANKS COALESSE JOEL

PURPLE PATTERN WALLPAPER COALESSE JOEL OAK FLOOR PLANKS PURPLE PATTERN WALLPAPER LOUNGE CHAIIR JOEL LOUNGE CHAIIR OAK FLOOR PLANKS PURPLECOALESSE PATTERN WALLPAPER LOUNGE CHAIIR

COALESSE JOEL PURPLE PATTERN WALLPAPER ZIGZAG CHAIR PURPLE PATTERN WALLPAPER CHAIR - COALESSE JOEL ZIGZAG LOUNGE CHAIIR GERRIT RETVELD COALESSE JOEL GERRIT RETVELD LOUNGE CHAIIR LOUNGE CHAIIR ZIGZAG CHAIR -

commercial

ZIGZAG CHAIR GERRIT RETVELD

GERRIT RETVELD MINOTTI ALLEN SOFA COALESSE JOEL ZIGZAG CHAIR COALESSE JOEL MINOTTI ALLEN SOFA GERRITCHAIIR RETVELD MINOTTI LOUNGE LOUNGE CHAIIR ZIGZAG ALLEN SOFA CHAIR MAIN LOBBY FLOOR PLAN 1/4’’ = 1-0’’ ZIGZAG CHAIR -GERRITRETVELD RETVELD GERRIT MINOTTI ALLEN SOFA MAIN LOBBY FLOOR PLAN 1/4’’ = 1-0’’ MAIN LOBBY FLOOR PLAN 1/4’’ = 1-0’’

the walls, and the color coming from behind is a reminiscent of the color in a painting.

COALESSE JOEL LOUNGE CHAIIR

MAIN LOBBY FLOOR PLAN 1/4’’ = 1-0’’

ZIGZAG CHAIR - ZIGZAG MINOTTI ALLEN CHAIR - SOFA FRAME spatial design 610 GERRIT RETVELD

GERRIT RETVELD BOTIQUE

IVAN CHEN

commercial

www.autodesk.com/revit

Consultant Address Address Address Phone

No.

Description

Date

suite perspective view

3' - 8"

HOMA

Royal Walnut

Unnamed

1 3rd Floor Layout 3/16" = 1'-0"

Project Number Date Drawn By

stool one suite perspective view geroge nelson bench Konstantin GrcicA11 Checked By

Oak Floor Planks

HOTEL SUITE

Scale

1 6/21/12 Author Checker

3/16" = 1'-0"

There are fifty-two rooms in Frame Boutique Hotel,

Royal Walnut suite view suite view suiteperspective perspective view suite perspective viewperspective

consisting of three floors. As you can see in this typical floor plan, there are two suites on each floor. The de-

suite floor plan 1/2’’=1’-0’’ suite floor plan 1/2’’=1’-0’’ suiteplan floor plan 1/2’’=1’-0’’ suite floor 1/2’’=1’-0’’

spatial design 610

suite perspectivesuite view perspective view

sign of the suites is incorporating exhibition space with a dwelling space, as you can see in the rendering on

Royal Walnut Royal Walnut Royal Walnut Walnut the facing Royal page, a more literal implementation is re-

Oak Floor Planks

FRAME

IVAN CHEN floor plan 1/2’’=1’-0’’ suite floor plan suite 1/2’’=1’-0’’ stool one geroge nelson bench Konstantin Grcic BOTIQUE

alized in the space, such as paintings on the walls, and

Royal Walnut

the spotlight for the painting is also used as ambient

stool stool one stoolone one stool one

lights in the room. Most of the hotel rooms use oak

Oak Floor Planks Oak Floor Planks Oakof Floor Planks Planks Minotti allen sofa Minotti allen sofa geroge gerogebench nelson bench Konstantin Grcic Konstantin Grcic Minotti allen sofa gerogenelson nelson bench Minotti allen sofa Konstantin Grcic geroge nelson bench floor, and Oak walnutFloor for most the cabinetries. Konstantin Grcic FRAME spatial design 610

IVAN CHEN stool one stool one Oak Floor Planks Minotti allen sofa Oak Floor Planks geroge nelson bench Minotti allen sofa geroge nelson bench Konstantin GrcicKonstantin Grcic commercial BOTIQUE

FRAME FRAME FRAME FRAME

spatial spatial design 610 spatialdesign design610 610

commercial

residential

exhibition

The Armory Art Center

commercial

Barrel Italian Bistro Frame Hotel

residential

McKimm Residence A Eichler Home

about

Bio ResumĂŠ

McKimm Residence McKimm resident is a residential project located in Hampton, Victoria in Australia. It is designed by Leon Meyer Architects, and I was commissioned to complete a set of 3D renderings of the building prior to its completion. . As well as to demonstrate the efficiency of the Revit Architecture

residential

A10 2 72' - 7"

Academy of A 79 New M St San Fran 9410

15 9' - 9"

3' - 9"

2' - 11"

8' - 0" 1 A14

Chen Yin F ID#03442

6 4' - 3"

3' - 8"

5' - 9"

Kitchen

5 6

A12

Family Room

Hallway 3 3

6' - 1" 9

16' - 4"

1' - 5"

12' - 0"

3' - 11"

15' - 11"

Living Room

2' - 1"

Dining Room

No.

Descri

15' - 3" 8' - 1"

10' - 3"

5' - 5"

16' - 0"

7' - 9"

A10

38' - 7"

30' - 11"

2' - 11"

Main Family North

22' - 10"

Main Family East

A12

Main Floor Kitchen West

Main Floor Laundry West

Main Floor Entry South

A14

Instructor Edward Pe

27' - 5"

2' - 4" 2' - 9"

Building Informatio Model

5' - 0"

6' - 5"

A12

10' - 4"

8' - 1"

10' - 2" 28

4' - 7" 14

Laundry

14' - 2"

20' - 8" 1

9' - 1"

6' - 8"

2' - 6"

A11

9' - 8"

13' - 6"

13' - 3"

4' - 4"

15' - 3"

Rec Room

Bedroom 11' - 1"

6' - 2"

Main Floor Bath East

2' - 11"

6' - 0"

5' - 8"

3' - 4"

3' - 11"

11 16' - 4"

McKimm R Hamp

Main F Pl

2 A11

PROJECT OVERVIEW

Project number

1 Main Floor Plan 1/4" = 1'-0"

Date Drawn by Checked by

The house is a three-floor villa with a back yard and

There is a sustainable benefit about this house that

a garage in basement level. The first floor consists

allows the building to save cost from energy consump-

of two bedrooms which adjacent to the living room

tion. McKimm resident is a north facing house, which

in the front part of the house, to the back, there are

means it adapts passive heating. It allows winter sun

the kitchen, dining room and a family room. Onto the

to some in, and the shading would block the summer

second level there is an activity room and three more

high sun.

A Scale

bedrooms, and one more master bedroom. residential

MAIN FLOOR FURNITURE PLAN

Academy of Art University 79 New Montgomery Street San Francisco, CA 94105-601

Chen Yin Fan ID#03442454 Building Information Model Instructor Edward Pertcheck

No.

Description

Date

McKimm Residence Hampton Main Furniture Plan Project number

Date Drawn by

4/30/2012 Author Checker

Checked by

A5 Scale

residential

1/4" = 1'-0"

7/16/2014 11:14:47 PM

1 Main Furniture Plan 1/4" = 1'-0"

BUILDING SECTIONS

Roof 29' - 0"

Academy of Art Universi 79 New Montgomery Street San Francisco, CA 94105-601 Upper Floor 19' - 0"

Chen Yin Fan ID#03442454 Building Information Model

Main Floor 8' - 0"

Instructor Edward Pertcheck

Basement 0' - 0" 1 Section East-West 3/16" = 1'-0"

Roof 29' - 0"

No.

Description

Upper Floor 19' - 0"

Main Floor 8' - 0"

McKimm Reside Hampton Building Sections

Basement 0' - 0" 2 Section North-South 3/16" = 1'-0"

Project number Date

4/30/2

Drawn by Checked by

Chen Yi

Edward Pert

A14 Scale

residential

3/16" =

MAIN FLOOR The three renderings that you see here are family room, recreation room and dining room on the facing page respectively. The cove ceiling and try ceiling was something that I fell in love with while working on these renderings, because they donâ&#x20AC;&#x2122;t not exudes direct light which the diffused indirect light brings the space a softer ambient. residential

residential

DOOR SCHEDULE

TYPE A Main Entry Door

TYPE B Single-Flush

TYPE C Single-Flush

TYPE D Sidelight

TYPE E Pocket

Academy of Art University 79 New Montgomery Street San Francisco, CA 94105-601

TYPE F Pocket

Chen Yin Fan ID#03442454 Building Information Model Instructor Edward Pertcheck TYPE G Bi-Fold 4 Panels

TYPE H Bi-Fold 5 Panels ext.

TYPE J Sliding 3 Panels

TYPE I Bi-Fold 5 Panels ext.

TYPE K Sliding 4 Panels

TYPE L Garage Door

Door Legend 1/4" = 1'-0"

No.

Number Basement 29 1 Main Floor 9 4 5 6 7 28 8 2 3 10 14 13

Type

Width

Thickness

Material

Door Schedule Finish

Fire Rating

Comments

C L

2' - 6" 16' - 0"

7' - 0" 7' - 0"

0' - 2" 0' - 1"

Wood Metal

Veneer Gloss

Base Storage Garage Door

A B B B B C D E F G H I

3' - 1" 2' - 6" 2' - 6" 2' - 6" 2' - 6" 2' - 6" 2' - 6" 2' - 7" 2' - 7" 6' - 6" 12' - 0" 15' - 0"

7' - 1" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 7' - 0" 6' - 8" 6' - 6" 6' - 6" 6' - 6" 9' - 2" 9' - 2"

0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 1" 0' - 1" 0' - 1" 0' - 1 31/32" 0' - 1 31/32"

Wood Wood Wood Wood Wood Wood Glass Wood Glass Wood Wood Wood

Gloss Gloss Gloss Veneer Veneer Veneer Maple Maple Maple Maple Maple Maple

Main Entry Door Single-Flush Single-Flush Single-Flush Single-Flush Single-Flush Sidelight Pocket Pocket Bi-Fold4panels int. Bi-Fold5panels ext. Bi-Fold5Panels ext.

Number 11 12 Upper Floor 16 17 18 19 20 21 22 23 24 25 26 15

Type

Width

Size Height

Thickness

Material

Finish

Fire Rating

Comments

J J

10' - 9" 10' - 9"

6' - 10" 6' - 10"

0' - 1" 0' - 1"

Glass Glass

Chrome Chrome

Sliding 3panel Sliding 3panel

B B B B B B B C C C J K

2' - 6" 2' - 6" 2' - 6" 2' - 6" 2' - 6" 2' - 6" 2' - 6" 2' - 6" 2' - 6" 2' - 6" 10' - 9" 6' - 2"

6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 6' - 8" 7' - 0" 7' - 0" 7' - 0" 6' - 10" 7' - 2"

0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 2" 0' - 1" 0' - 1"

Wood Wood Wood Wood Wood Wood Wood Wood Wood Wood Glass Glass

Veneer Veneer Veneer Veneer Veneer Veneer Veneer Veneer Veneer Veneer Chrome Chrome

Single-Flush Single-Flush Single-Flush Single-Flush Single-Flush Single-Flush Single-Flush Single-Flush Single-Flush Single-Flush Sliding3panels Sliding4panels

McKimm Residence Hampton Door Schedule Project number

1 4/30/2012

Date Drawn by Checked by

residential

Date

Chen Yin Fan Edward Pertcheck

A16

32 Scale

1/4" = 1'-0"

7/16/2014 11:15:51 PM

Door Schedule Size Height

Description

WINDOW SCHEDULE

Academy of Ar 79 New Mo Stre San Franc 94105

Type A Fixed

Type B Fixed

Type C Glass Block

Chen Yin Fa ID#034424

Building Information Model

Instructor Edward Per

Type D Louvered

Type E Louvered

Type F French Fixed

Window Legend 1/4" = 1'-0"

Window Schedule Mark Main Floor 1 2 4 5 6 7 8 9 10 11 12 13 14 15 3 Upper Floor 16 17

Type

Width

Size

Height

Glass Thickness

Glass Finish

Window Schedule Frame Material

Fire Rating

Comments

B B C C C C C C C C C D E E F

3' - 0" 3' - 0" 3' - 1" 3' - 1" 3' - 1" 3' - 1" 3' - 1" 3' - 1" 3' - 1" 3' - 1" 3' - 1" 5' - 3" 4' - 7" 4' - 7" 6' - 0"

6' - 0" 6' - 0" 0' - 9 1/16" 0' - 9 1/16" 0' - 9 1/16" 0' - 9 1/16" 0' - 9 1/16" 0' - 9 1/16" 0' - 9 1/16" 0' - 9 1/16" 0' - 9 1/16" 4' - 0" 2' - 3" 2' - 3" 5' - 8"

0' - 0 1/2" 0' - 0 1/2" 0' - 3" 0' - 3" 0' - 3" 0' - 3" 0' - 3" 0' - 3" 0' - 3" 0' - 3" 0' - 3" 0' - 1" 0' - 1" 0' - 1" 0' - 0 1/4"

Glass Glass Glass Glass Glass Glass Glass Glass Glass Glass Glass Glass Glass Glass Glass

Maple Maple Aluminium Aluminium Aluminium Aluminium Aluminium Aluminium Aluminium Aluminium Aluminium Maple Maple Maple Maple

Fixed Fixed Glass Block Glass Block Glass Block Glass Block Glass Block Glass Block Glass Block Glass Block Glass Block Louvered Louvered Louvered French Fixed

A A

3' - 0" 3' - 0"

4' - 0" 4' - 0"

0' - 0 1/8" 0' - 0 1/8"

Glass Glass

Maple Maple

Fixed Fixed

Mark 18 19 20 21 22 23 24 25 26 27 28 29 30 31 34 35 33 32

Type A A A A A A A A A A A A A A A A E F

Width 3' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 0" 3' - 0" 4' - 7" 6' - 0"

Size

Height

4' - 0" 4' - 0" 4' - 0" 4' - 0" 4' - 0" 4' - 0" 4' - 0" 4' - 0" 4' - 0" 4' - 0" 4' - 0" 4' - 0" 4' - 0" 4' - 0" 4' - 0" 4' - 0" 2' - 3" 5' - 8"

Glass Thickness 0' - 0 1/8" 0' - 0 1/8" 0' - 0 1/8" 0' - 0 1/8" 0' - 0 1/8" 0' - 0 1/8" 0' - 0 1/8" 0' - 0 1/8" 0' - 0 1/8" 0' - 0 1/8" 0' - 0 1/8" 0' - 0 1/8" 0' - 0 1/8" 0' - 0 1/8" 0' - 0 1/8" 0' - 0 1/8" 0' - 0 1/2" 0' - 0 1/4"

Glass Finish Glass Glass Glass Glass Glass Glass Glass Glass Glass Glass Glass Glass Glass Glass Glass Glass Glass Glass

Frame Material Maple Maple Maple Maple Maple Maple Maple Maple Maple Maple Maple Maple Maple Maple Maple Maple Maple Maple

Fire Rating

Comments Fixed Fixed Fixed Fixed Fixed Fixed Fixed Fixed Fixed Fixed Fixed Fixed Fixed Fixed Fixed Fixed Louvered French Fixed

No.

Descript

McKimm R Hamp

Wind Sched Project number Date Drawn by

residential

Checked by

An Eichler Home I remember one of the first assignments I had in school is to sketch an Eichler home, for which I really fell in love with this post-beam structure due to its simplicity and open floor plan, and of course, I always want my house to have a court yard. This project is an example of exploring the classic Californian house.

residential

space layout 227 sf

kitchen & dining

269 sf

master bedroom

177sf

walk - in closet

28 sf

master bathroom

44 sf

bathroom

60 sf

bedroom 1

105 sf

bedroom 2

107 sf

family room

227 sf

study room

70sf

kitchen & dining

269 sf

PROJECT OVERVIEW

PRODUCED BY AN AUT

space layout

This is a typical Eichler home with 2500 square feet of space, including 2 bedrooms, one master bedroom,

375 sf

garage

a study room, one family room, one kitchen and a

garage. For this particular project, I demonstrated 187 sf living room more on the lighting design, including mapping out the

space actually layout putting the lighting fixture into place.

320 sf layout before courtyard lighting plans, and conducting a reline corridor space

walk - in

master bathroom

44 sf

bathroom

60 sf

Level 1 1bedroom 1 1/8" = 1'-0"

105 sf

family room

227 sf

bedroom 2

107 sf

kitchen & dining

269 sf

study room

70sf

master bedroom

177sf

garage

375 sf

walk - in closet

28 sf

living room

187 sf

master bathroom

44 sf

courtyard

320 sf

bathroom

60 sf

corridor space

352 sf

bedroom 1

105 sf

bedroom 2

107 sf

study room

eichler 70sf

AN AUTODESK STUDENT PRODUCT

home

177sf PRODUCED BY AN AUTODESK STUDENT PRODUCT iad 604 lighting de 28 sf closet

master bedroom

home

1/8’’ =1’-0’’

lighting design for eichler home student instructor -

PRODUCED BY AN AUTODESK STUDENT PRODUCT

eichler

352 sf

PRODUCED BY AN AUTODESK STUDENT PRODUCT

family room

ivan chen jim fong

Level 1 1/8" = 1'-0"

residential

iad 604 lighting design STUDENT PRODUC PRODUCED BY AN AUTODESK

to horizontal surface

to vertical surface

PRODUCED BY AN AUTODESK STUDENT PRODUCT

Family room wall wash for painting

Kitchen cabinet downlight

Family bookshelf back lid light Corridor ceiling downlight for guiding the pathway

Garage cabinet wall washer

light onto horizontal surface light onto horizontal surface light onto horizontal surface light onto vertical surface light onto vertical surface light onto vertical surface light onto vertical surface light onto vertical surface light onto vertical surface

residential

Kitchen cabinet

Kitchen cabinet downlight 1/8’’ =1’-0’’

Kitchen cabinet downlight downlight

Level 1 Furniture layout 1/8" = 1'-0"

UTODESK AUTODESK STUDENT STUDENT PRODUCT PRODUCT TODESK STUDENT PRODUCT

LIGHTING MAP

Family room wall Family room wall wash for painting Familyfor room wall wash painting wash for painting

Family bookshelf Family back lidbookshelf light Familylidbookshelf back light back lid light

Garage cabinet Garage cabinet wall washer Garage cabinet wall washer wall washer

lighting design for eichler home student instructor -

ivan chen jim fong

Corridor ceiling Corridor downlightceiling for guiding Corridor ceiling downlight for guiding the pathway downlight for guiding the pathway the pathway

ODUCED BY AN AUTODESK STUDENT PRODUCT

lighting map lighting lighting map map

iad 604 lighting design STUDE PRODUCED BY AN AUTODESK iad 604 lighting design STUDE PRODUCED BY AN AUTODESK iad 604 lighting design STUDE PRODUCED BY AN AUTODESK

DINING ROOM

residential

(preliminary)

urface mounted fluorescent

endant incandescent

ortable / task lamps

ecessed incandescent

ecessed adjustable accent

redline layout

PRODUCED BY AN AUTODESK STUDENT PRODUCT

ayout

iad 604 BY lighting design STUDENT P PRODUCED AN AUTODESK

REDLINE LAYOUT

near fluorescent

surface mounted fluorescent pendant incandescent portable / task lamps recessed incandescent recessed adjustable accent recessed incandescent wall washer exhaust fan-light combo linear fluorescent

residential

1/8’’ =1’-0’’ Level 1 Furniture layout 1/8" = 1'-0"

lighting design for eichler home student instructor -

ivan chen jim fong

ODUCED BY AN AUTODESK STUDENT PRODUCT

xhaust fan-light combo

RODUCED BY AN AUTODESK STUDENT PRODUCT

ecessed incandescent wall washer (preliminary)

1/8’’ =1’-0’’

LIVING ROOM

residential

iad 604 lighting design

plan

PRODUCED BY AN AUTODESK STUDENT PRODUCT

ceiling semi-flush pendant

portable / task lamps ceiling resessed adjustable wall washer

iad 604 lighting design

fixed wall washer

lighting plan

PRODUCED BY AN AUTODESK STUDENT PRODUCT

exhaust fan-light combo

LIGHTING PLAN

ceiling semi-flush 1/8’’ =1’-0’’ Level 1 Furniture layout 1 3/16" = 1'-0"

portable / task lamps

PRODUCED BY AN AUTODESK STUDENT PRODUCT

pendant

ceiling resessed adjustable wall washer

lighting design for eichler home

fixed wall washer

student instructor -

exhaust fan-light combo linear fluorescent

1/8’’ =1’-0’’ 1

Level 1 Furniture layout 3/16" = 1'-0"

PRODUCED BY AN AUTODESK STUDENT PRODUCT

residential

PRODUCED BY AN AUTODESK STUDENT PRODUCT

linear fluorescent

ivan chen jim fong

COURT YARD

residential

exhibition

The Armory Art Center

commercial

Barrel Italian Bistro Frame Hotel

residential

McKimm Residence An Eichler Home

about

Bio ResumĂŠ

Bio My connection with the field of interior design has

tion and was constantly attracted to creative things.

process, I have accumulated valuable professional

been around since I was born. My father started

Another thing that I had profound interest in is

carpentry skills and the experience of interacting

working as a professional carpenter for couple of

music. I started to play drum and guitar when I was

with designers and carpenters as well as under-

years after he graduated from high school, and later

in junior high school, and joined in few bands during

standing their needs and considerations.

on, he self taught and became an interior designer

my high school and college years. I thought about

where he ran as a sole proprietor design studio.

becoming a professional musician, however, that

designer in a local firm and work for several years

Shortly after I was born, he decided to go back to

thought was never shared with my parents. There

to acquire as much experience as I can. After this,

his “roots” which was the carpentry profession,

was a period where I was unclear what my life goal

I will head back to my father’s factory and work

but this time, he wanted to start his own business.

is. After I graduated from college, I joined military for

with him and, based on my academic learning and

Smart Interior Decoration was then created, it is a

a year to serve my constitutional duty.

professional experience to date, take the family

carpentry factory and has been running for almost

Military life has equipped me with self-discipline,

After graduating I will apply to serve as an interior

carpentry factory into a new era. I believe there is a

20 years, it functions as a contractor and working

perseverance and determination and I believe these

bright future ahead of me, although I am well aware

closely with interior design studios, specializing

are essential characteristics for the achievement

of the challenges ahead. In brief, I think people should

customized wooden furniture as well as on-site wood

of my goals in the future. After I left the army, I had

not be afraid to challenge the impossible. As Soren

work construction.

a much clearer vision of what I wanted to do. As

Kierkegaard put it, “Life is not really about problems

mentioned, my father owns a carpentry factory and

to be solved, but rather realities to be experienced.”

As a kid, I was neither exceptionally bright nor academic outstanding in school. The only two classes

is cooperating closely with interior design firms. I

that I enjoyed the most was music and art class, es-

started to work in his factory to understand how

pecially in art class where, in my opinion, was the only

the factory operates. Later, I worked part-time in an

class in school allowed me to express ideas freely. At

interior design studio where I had the opportunity to

that time I knew I have a sense of aesthetic apprecia-

take a better look at how things are designed. In the

about

Ivan Chen 2526 22nd Avenue San Francisco CA94116 626 235 2287 chenyinfanroc@gmail.com Http://www.ivanchencyf.portfoliobox.me/

Resumé Accomplishments

Experiences

•

Built 3D models of the San Francisco Armory for final thesis. The

Smart Interior Woodwork Deco.

drafts and modeling were eventually used internally by Cybernet enter-

•

Carpentry apprenticeship

tainment for the Armory’s 100-year anniversary exhibition.

•

Planned, supervised and coordinated the activities of workers engaged in machinery and crafting.

•

Auto-CAD international certification 2010.

•

Contributed to the Leon Meyer Architects’ McKimm’s Hampton

signers. Helped carpenters interpret construction documents and specifying

Residence as a 3D drafter, creating 3D renderings by analyzing the

dimensions.

•

Managed life-cycle of projects by coordinating between carpenters and de-

existing floor plan and incorporating color and material schemes,

Create + Think Design Studio

using Revit Architecture to construct 3D renderings for living room,

•

Design assistant

dining room, rec room and the exterior.

•

Responsible for managing different sets of construction documents for different projects.

Peer class mentor. Helped fellow classmates succeed in class projects by consulting in design and conceptualization. Also tutored ESL

•

new partnerships and implementations.

students with translation issues, grammatical corrections, industry terminology and pre-presentation preparation.

Conducted several project presentations for clients, which successfully lead to

•

Managed communication and planning between contractors and project managers for setting up, and arranging construction dates.

Skills

Education

•

Proficient in – Revit Architecture, Auto-CAD, 3Ds Max, Sketch Up illus-

Fluent in – Mandarin Chinese, English

2011 - 2014

Master of Fine Art in Interior Architecture and Design

trator, InDesign, Photoshop, Word, Excel, Power-point. •

Academy of Art University, San Francisco, California

•

Christ’s College, Taipei, Taiwan

2005 - 2010

Bachelor of Art in Theater Design

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