Welcome
to the BA (Hons) Visual Communication 2015 Yearbook
This has been a very exciting, but also very different year as we have moved into our new purpose built studios. Staff and students have patiently worked around the disruptions and we have found that the new space is practical, light and airy and that we are now perfectly positioned to access workshop resources within the College. Our flexible seminar room and teaching space also creates a beautiful central exhibition area that has inspired a series of exhibitions this year. This has included the practical work produced for the Context of Practice 3 Module, which is now truly placing critical thinking at the centre of the programme of study. The newly created tele-communication suite is finally starting to deliver opportunities for successfully working online with different groups and enabling conversations for students with alumni and we look forward to future opportunities to develop this resource. The Year Three students have been instrumental in creating a dynamic and proactive atmosphere within our new studios. This is also evidenced in this yearbook, which celebrates the usual diversity of practice but with the focus on their creativity, work and aspirations. We have included a snapshot of Year One and Year Two work, which has risen to the challenge of the issues, thoughts and ideas that have surrounded them in our new studio space. This year’s large inclusive project, WITH Communities of South Leeds, continues on from the successful Tetley Feast project of last year. After being selected and
delivered as a case study at the Design with the 90% Conference in Johannesburg, our documentation and academic publication of the Tetley Feast event is due to go to print. Looking further ahead, we are already planning for the hosting of our seven European Group for International Design Education partners in Leeds in 2016. We are in the process of developing a ‘Viscom’ project for the staff and students from the institutions to enjoy for the week that they are with us. I’d like to thank the teaching team, workshop technicians, resource staff, student support and administrative support for all their hard work, commitment, enthusiasm, patience and good will that have enabled our student successes to take place. You can read about, and we can proudly watch, another group of our students take the step out into their chosen professional world with confidence, ambition and purpose. Graham Tansley Programme Leader
Year One Our Year One cohort is a small but perfectly formed year group with a strong sense of belonging and group identity within our Viscom programme. This has enabled many successful alliances and collaborations as well as a group that is very supportive of each other. Yet again, this year students have surprised and delighted us with their excellent work and explored lots of processes and media, such as photography, illustration, digital film, graphic design, screen-printing, bookbinding, woodwork, ceramics, metal work etc. Following a semester of structured teaching and learning, students have been supported into more independent learning in the second semester, allowing for greater freedom and self-directed development which has culminated in a successful ‘End of Year One’ show in our new studio premises. Students’ progress has been supported by several field trips this year, including our Year One trip to Barcelona. Students visited sites by Gaudi and numerous museums and galleries as well as a magical fountain, football stadium and beaches – all under the glorious Spanish sun. We also went to Liverpool and enjoyed the untypically warm and sunny British weather whilst walking between Tate Liverpool and FACT amongst other galleries. Students have exhibited their work at Leeds International Book Fair and at our predominantly Year Two exhibition, Eat Nothing. They also made the most of our visiting lecturers and alumni Skype sessions, though the tea gentleman at our course networking Tea and Talk events must be the stand out memory for all!
As ever, staff and students threw themselves into the fun of our Viscom Village Fete raising funds for the Teenage Cancer Trust. This year’s socially engaged design project, The WITH Project, saw students work with external community organisations in the South Leeds area to make four excellent documentary films. These were showcased, along with other Year Two work, at a final celebratory event managed and supported enthusiastically by students. I wish all students well as they progress into Year Two.
Year Leader Sharon Hooper
Year Two This year students have worked through a set of challenging briefs, collaborations and lively discussions. It has been an exciting and dynamic process. We started the year with the annual GIDE (Group for International Design Education) brief. This year’s theme was “Feed the Planet”. Students started to specialise their practice, focusing on specific skills they wanted to develop in depth. This led to the development of a resolved piece for a specific audience. The brief encouraged students to interpret design processes and respond to problems on their own terms. At the end of the project in January, students organised the exhibition ‘Eat Nothing’, an eclectic collection of self-publishing, film, graphic design, animation, craft, photography and multi-disciplinary projects. The Context of Practice research project introduces students to the process of researching, making and writing as synthesised practice in response to an issue. This module also resulted in an exhibition, displaying how critical thinking fed into the development of practical work. In semester two, students worked in small groups on the collaborative ‘WITH’ project, responding to briefs developed in partnership with the South Leeds community organisation Health for All. This social design project identified and explored the processes involved in responding to diverse audiences. It increased students’ confidence and enabled them to develop skills and knowledge essential to becoming a successful and responsive creative professional.
The Live Project is one of the largest modules of the year and includes numerous self-directed, competition and client briefs. These encourage students to take their work into live contexts, testing methods of networking; how and where to find opportunities; and how to connect with the real world. External projects and links are an important and valued component of the year and students have responded with professional attitudes and a mature work ethic. It has been such a positive year with the group rising to many challenges and showing real commitment. They have each established a more defined practice through a diverse range of briefs and are now set to face Year Three, where they will realise their full potential. Good luck Year Two, you have been an absolute joy.
Year Leader Marianne Springham
Year Three Once again Spring has arrived, the sun is shining (at least as I write this it is) and it’s time to say goodbye to our latest crop of talented graduates. It has been a wonderful year to be Year Three Leader, gently steering an impressive group of students through their final year as VisCommers. As always they have amazed us with their drive and enthusiasm, and above all their ability to explore and exploit every possible opportunity to develop their practice into the real world beyond college, with: placements; live briefs; volunteering; exhibitions; assisting; collaborating etc. This year we had the added challenge of adapting to our brand new purpose-built studios and working out how to get the best out of them. Students have been at the forefront of this process, challenging us to maximise the use of the space for: workshops; screenings; set and prop building; photoshoots; installations; exhibitions. They’ve also helped shape our regular new live video conversations with Alumni working in the UK and internationally. These give present students an opportunity to see how our recent graduates are progressing within their chosen careers and to ask questions about how they made a success of the transition from education to the workplace. The new studio space also allowed us to stage a public exhibition of work from the ‘Context of Practice’ practice-based dissertation, giving this theorydriven element of the programme a far higher profile. Notable student achievements this year have been: Frances Bailey, project managing the ‘Leeds Art Party’, a creative city-wide celebration of the value of arts education; Joanna Buttercase and Bhakti Mistry
raising over £350 in two days to fund their ambitious stop-motion animation ‘Noggin’; Elliot Baxter’s commission as photographer for the social history project and book ‘Sound System Culture’; Joanna Buttercase, Kate Green, Bhakti Mistry, Barsha Pant and Lucy Thompson’s successes in the major international competition The Creative Conscience Awards; Beatrice Mikulskyte creating visuals for club-nights by Fabric (London) and Flux (Leeds) and filming music events for musicians including Jon Hopkins, Clark, Fatima, The Mouse Outfit and Gentleman’s Dub Club; Loren Turton initiating and curating the exhibition ‘Tea Stired Anti-Clockwise’ at the Union 105 gallery in Leeds; Zoe East’s commission to document the Convivial Project at Milan Design Week. We will, as ever, be sad to see this year’s cohort leave, but it is in the sure knowledge we will be regularly updated about their progress via Twitter, Facebook, Instagram and all the other portals which link us in this increasingly networked world.
Year Leader David Collins
We are...
RICARDO ALBARELLA
FRAN BAILEY
SULIN BALDWIN
RHEA BALL
LUCY BANKS
ELLIOT BAXTER
MICAELA BOGEN
NIC BRANNAN
MARY-ANNE BROOME
JOANNA BUTTERCASE
JULIA BROWN
GEORGE COX
ZOE EAST
REBECCA FENELEY
KATE GREEN
MILES HARROP
BETH JONES
LOWRI JONES
SOPHIE KIRK
KRISTIAN KNIGHT
MONICA MERINO
BEATRICE MIKULSKYTE
ANISHA MISTRY
BHAKTI MISTRY
BRAD MOLLETT
ALICE MORTON
BARSHA PANT
AZHAR SAGIR
CHLOE STACEY
DAVID TAYLOR
LUCY THOMPSON
JADE TILL
NICOLA TOON
LOREN TURTON
HANNAH WARNER
IZZY ZUBAIDA
RICARDO ALBARELLA GRAPHIC DESIGNER Three years ago I joined Vis Com, unsure about what the course or the future would hold for me. However, thanks to the inspiring staff, diverse range of disciplines, and a few beers, I am now leaving the course excited for my future in graphic design. My love of design has flourished at LCA. With my technical ability improving since day one, I am now much more capable of bringing small ideas to life. For me, the feeling of creating something unique for a client is unbeatable, and I thrive on looking to create pieces which are completely original. My main driving force is my passion for graphic design. I strongly believe you should always do what you love, and that’s exactly what I’m doing! I loved that Vis Com gave me the opportunity to experiment with so many different disciplines, including photography and film, but I can confidently say that I’m a graphic designer at heart. Once I graduate from Vis Com, I aim work within creative agencies, pushing my artistic boundaries even further and really testing my ability. The progression I feel I have made as a student to practitioner over the last three years has given me the confidence, and I know this is where I want to take the next step of my life. I am excited for it to begin!
Email ricardo.albarella@hotmail.com
Web ricardoarabella.com
FRANCES BAILEY CREATIVE CHAMELEON/EMERGING EDUCATOR/ALLITERATION AFICIONADO I was attracted to BA(Hons) Visual Communication because of the multidisciplinary nature of the course; exactly what I needed as someone unsure of where they saw themselves in 5 years’ time. Three years later I have identified myself in some ways as a maker: I make things happen. I have succeeded over the last three years by creating opportunities for myself, and doing things that excite me. I have become campaigner for arts education, which became the main area of research for my dissertation ‘The Importance of Arts Education Within a Social & Economic Context’. I delivered a children’s art school at King of the Mountains Festival last summer; assisted the tutors on Foundation Art & Design; and recently started work as a volunteer in the learning department at The Hepworth. My passion for creative education sparked the Leeds Arts Party; a project I have curated with students from across the College. Inspired by Bob & Roberta Smith’s Scarborough Art Party, our aim was to keep the campaign for the arts alive by sparking new conversations and offering new perspectives. This took the shape of a greatly anticipated event at Leeds College of Art in May 2015; by far the most challenging, yet accomplished project I have ever embarked on. My interest in education, particularly in a gallery environment has pushed me to apply to study a Master’s degree in Curating & Collections at Chelsea College of Arts, and to further my research in how education can inform the curatorial process.
Motivating both herself and others to champion the arts Fran has continued to be ambitious, and is an inspiration for myself and many others.
Emma Cook
Email iamfrancesbailey@gmail.com
Web www.iamfrancesbailey.wordpress.com
SULIN BALDWIN FREELANCE PROMOTIONAL DIGITAL WORK Three years ago, I joined Visual Communication without a specific subject or clear idea of what I would end up doing, knowing the course was broad so it would allow me to develop skills in different areas. The course has allowed me to explore different disciplines, and I had a lot of fun experimenting with this throughout the three years. I am interested in human rights, and the nature of the course enabled me to incorporate this approach into some aspects of my work; I have produced a hand sewn A0 quilted map and documentary representing factory garment workers globally, and a 3D installation and documentary to celebrate Wikileaks and freedom of information. I rebranded a fashion company in which I had fun exploring fashion photography; painting a model in full silver body paint, then exploring promotional film with the same brand, filming skateboarders holding smokebombs. I came to the conclusion that my heart is in promotional film, photography and websites. I love working freelance for independent businesses such as restaurants, cafes, bars and for art exhibition openings. I have fully enjoyed my three years at Leeds College of Art and being a part of the Visual Communication course. I have met some great people, and received ongoing support from the tutors and technicians. I previously lacked confidence but I am now able to network successfully, more than I thought I was capable.
Sulin helped by filming for the Centre for the Chinese Contemporary Art and the grand opening of TA Gallery, Manchester. She captured the chilled out atmosphere of the event and represented the brand exceptionally well. She is particular talented at filming.
Email Sulinkhngbaldwin@gmail.com
Web sulinkhngbaldwin.wix.com/neighbour
RHEA BALL CREATIVE DIRECTOR/CHARITABLE WORKER Upon starting the course three years ago, I didn’t envisage a specific end goal in terms of artistry. All I knew was that I wanted to channel my creative skill and turn it into a positive outcome by becoming an artist. Throughout my time on the course I feel I have changed in many ways when it comes to my work and as an artist. I wasn’t always sure what practice to focus on as I have always enjoyed just being creative. The diversity of the course helped me to explore different mediums and gave me time and space to decide what type of artist I am. I now concentrate on illustration and surface pattern design, with my designs focused around flora and fauna, and inspiration being drawn from objects or landscapes around me. I love bringing my designs to life, turning my patterns into cushions, lampshades, stationery, upholstery, or anything else I can think of. Vis Com has taught me that you don’t always have to fit into a box for you and your work to shine. I could not have asked for a better three years, even if we are all just square pegs trying to fit into round holes.
Email rheanicole.designs@gmail.com
LUCY BANKS ILLUSTRATOR/ MUSICIAN I came to Vis Com fairly certain that the only thing I could do was to draw and create poster layouts. Since being on the course, I have become more confident in my technique, having experienced various different ways of illustrating. I also used to really struggle to come up with a starting point and expand my ideas but since learning how to create powerful imagery, I realised that I will do as much as it takes to get my message across, especially when I have a strong interest in a topic. Not only has my art improved but the course has finally given me the confidence to take my music further. I am a singer and a songwriter who gave up writing when I came to university because I was shy about people watching me perform. However, for my final project I realised that it was time to put my music and art together and so created a brand for myself, which helped with my confidence and gave me a bit of self-assurance. The course pushes you to gain experience, which is incredibly reassuring when you leave education. I was lucky enough to obtain work experience with Country Life (magazine company in London) and Turn Key (marketing and advertising company in Leeds). I have also designed logos and imagery for Banks and Cannell LLP (consulting company) and Go Food (restaurant chain).
Email lucy_b93@hotmail.com
Web http://lucyhbanks.weebly.com/
ELLIOT BAXTER PHOTOGRAPHER I am a documentary photographer who captures people and communities which are in danger of being overlooked or have disappeared. My main field of interest is capturing marginalised and less often noticed communities in the North of England. As well as capturing an image I am impelled to capture a story to sit alongside and illuminate the image; I want to show an interaction between photographer and subject. I approach my subjects as people and as members of communities. I reject the ‘outsider looking in’ mentality in favour of a search for connectivity and in order to unearth narratives that lie dormant. The key to this intimacy is to collaborate, reach out and make links to those who are already to some extent embedded in these communities and to extend to them the possibility of a relationship.
Email elliotjbaxter@gmail.com
Web elliot-baxter.squarespace.com
MICHEALA BOGEN CREATIVE DIRECTOR/CHARITABLE WORKER One thing I knew for certain when applying for a degree was that I wanted to generate positive change with art. On enrolling for Vis Com, I instantly found comfort in a classroom of creative, social entrepreneurs, ready to share a similar vision and become part of something bigger than just art. I have had the privilege to explore film, photography, graphic design, volunteering, carpentry; events management; working with charities in Africa and even building my own organisation: The Pipedream Projects. Having found my niche in the arts world as a creative director, I have been able to combine my two passions of world development and the arts to create something which I believe can lead to change. The Pipedream Projects is a growing organisation which holds artistic events to fund sustainable projects in developing countries. I’ve been fortunate to spend a large part of my degree in Malawi working with The Love Support Unite Foundation to generate change and my events have funded the building of a home for the elderly, an ethical clothing company and an orphanage. I’m now leaving with my head held high, a grass-roots organisation and a network of amazing people with whom I’ve been lucky to spend my past three years.
Her drive and work ethic astounds our team, our children and communities. We feel very lucky to have her energetic drive behind us. Alice Pulford - Founder of The Love Support Unite Foundation
Email infopipedreamprojects@gmail.com
Web www.thepipedreamprojects.org.uk
NIC BRANNAN FILMMAKER/DESIGNER In my three years at art school I have the opportunity to work closely and collaboratively with many practitioners across a wide range of disciplines, mediums, events and art practices. Through trying and experimenting with different media throughout my time on Vis Com I slowly began to realise in my practice, I was beginning to focus on film making and art direction. Exploring the digital landscape helped me realise where I can position myself as a practitioner and film maker. My work is heavily influenced by the ever increasing consciousness of identities and is often a commentary on race, gender and sexuality through a lens of film, fashion and art.
Email sophie.kirk77@hotmail.co.uk
Web http://sophiekirk77.wix.com/portfolio
MARY BROOME DOCUMENTARY FILMMAKER I actually came to the Vis Com open day accidentally, confusing it with an illustration course, but realised that it was ideal for me, as I wanted to work creatively but in a socially engaged way. Being encouraged to experiment with different practices helped me realise I was far more interested in film than illustration, despite it being something I’d never tried before. The socially engaged element of Vis Com has allowed me to explore important issues in my work, and this introduced me to idea of documentary making, which I really enjoy and has been my focus over the last two years. I have become interested in ethical filmmaking, developing a critical eye for the treatment of participants and topics, which was the focus of my dissertation. I’ve particularly enjoyed working with community organisations: creating promotional videos and campaign films, as well as filming events. I am now pursuing investigative documentaries, and hope to continue working this way in the future. In third year I was lucky enough to get work experience at a production company called The Gate Films. This gave me experience both on set and in pre-production stages, whilst working on regional and national TV commercials and online content. Through this I realised that I really want to pursue directing, and am now applying to production companies specialising in documentary and factual film.
Email mbroome70@googlemail.com
Web mbroome70.wix.com/mywork
JOANNA BUTTERCASE DIRECTOR / FILMMAKER Film for me has always been the best way to tell a story. I may be biased, but I don’t think any other creative process compares in terms of the number of elements that have to unite to bring it to life. For me its the key factor in what makes film such a diverse and exciting medium. I decided pretty early on in my Vis Com journey that filmmaking was what I was about, and have since worked on a number of ambitious projects, spending my three years constantly grappling with how to adapt and progress my skills in a medium where there is always more to learn. Getting into the ‘real world’ of film is a daunting prospect but I’d struggle to say that Vis Com has left me unprepared for whats out there, and im determined to get involved.
Email joannnabuttercase@gmail.com
Web vimeo.com/joannabuttercase
JULIA BROWN FILM MAKER I make short form films and media content as a way to engage with contemporary issues, using my interest in social issues and political activism to inform my practice. I will to continue to explore and produce work that encourages dialogue and aims to create social change.
Email juliafionabrown410@gmail.com
Web https://vimeo.com/juliafionabrown
GEORGE COX MULTI-DISIPLINARY 50.8mm
My work covers a range of disciplines – illustration, graphic design, print, community work, making stuff – as I don’t like to commit myself to working in one discipline and enjoying doing a range of things. You learn a lot about yourself whilst at university; I certainly have, and I’m sure that learning process has probably just begun. Cheers for having me Vis Com, it’s been good knowing you.
50.8mm
ZOE EAST FILMAKER I joined Vis Com with a strong interest in photography. Over the course of the first year, having had my eyes opened to new media and possibilities, I found that I wanted to work in a medium that could be used more powerfully as a tool for social change, so I transferred my skills into filmmaking. From there I sought to learn new techniques and my love for filmmaking continued to grow. Aiming to pursue a career within television I have secured placements on both small and large productions to enable me to discover the specific direction I would like my future career to take. Third year has been super busy but brilliant at the same time. I have fulfilled client briefs, worked with filmmakers and discovered an interest in producing documentaries that focus on handmade goods and working processes. In addition, I have also had films screened in public environments, which has opened up new possibilities. I have realised the impact that short videos can have online and how they can be used as a means of social change. Throughout my journey I have learnt so much, met some fantastic people and been involved in amazing opportunities. I have loved my time at Leeds College of Art and am looking forward to the future. Thanks Vis Com!
Zoe demonstrated professionalism, integrity and a hardwork ethic. She delivered quality outputs and was able to realise my vision and requirements into an incredibly moving film.
JENNY LEE
Email zoeopaleast94@gmail.com
Web www.zoeeast.co.uk
REBECCA FENELEY FASHION ILLUSTRATOR On joining Vis Com, I had no idea how to pursue any sort of creative career and only knew two things: I could draw and I loved fashion. However I was eager to experiment with other mediums and subjects, so I applied not for a fashion course, but for Visual Communication where I could explore other ideas. My first and second years were spent experimenting with fashion photography, filmmaking and screen-printing. Most significantly, I tried illustration, a concept I knew little of and had never tried before. It took me two years to realise that illustration was right for me; I began getting itchy fingers when I didn’t draw. I started enjoying my work, and feeling confident with what I was producing. Putting two and two together, I decided to pursue fashion illustration. My work has featured many topics close to my heart including sustainability and gay rights, and I’ve explored a lot of different visual arts from textile printing to comic strips, graphic design to wall murals. In the end, I always went back to illustration and I’ve started to explore this digitally too, despite favouring hand drawn work. I currently sell my work online and I’m aiming to work freelance after university, a prospect I would never have thought possible three years ago. My time here has given me so much: friends, personal and technical skills, valuable lessons in hard work, self-motivation, patience and persistence. Most importantly, it has given me the confidence I needed to pursue what I love.
Email rebeccaefeneley@hotmail.co.uk
Web tumblr.com/rebeccafeneley
KATE GREEN SOCIAL CREATIVE / FILMMAKER I am a social creative: someone who utilises crossover disciplines like marketing, public relations and art direction to engage online audiences in innovative ways. My particular area of interest is video content. It has taken me three years to discover this path, to understand where my visual talents lie and how to combine them with my previous career in marketing and communication. I have had a lot fun in the process and worked creatively with several, different organisations, including the University of Bradford, Beacons, The Art House, and Love Arts Festival. I have given everything a go, from printmaking to illustration, graphic design to community arts, and even won an international Creative Conscience Award along the way. But what I’ve enjoyed most on the course is ensuring my work has a positive impact and makes a difference; an ethos I will take forward into my professional life. Another thing I hope will stay with me beyond my studies is the online video channel www.SquareEyePrinting.com, which I initially developed for my dissertation exploring the use of video in audience development. I am a total geek for print and through Square Eye Printing I have been able to promote the medium. This has been via short films about the amazing variety of print and printmakers in the UK, and collaboration with organisations such as The Hepworth Wakefield and People of Print in actually producing print work.
The execution of the films, from the quality of the framing, sense of colour balance, shifts in focus and the editing is at a professional level. These films would certainly not feel out of place on the Tate Shots channel. Holly Grange - Assistant Curator at The Hepworth Wakefield
Email kathryngreen.kjg@gmail.com
Web Behance.net/kjgthatsme
MILES HARROP ILLUSTRATOR I work mostly with pens and paints, using recycled or found materials as a canvas. I also make experimental electronic music under the name Clean Dion. Both my art and music draw inspiration from the bizarre and the macabre. I tend to be quite solitary when it comes to my work, but studying on Vis Com encouraged me to be more collaborative and provided opportunities not only to work with other artists, but also to share knowledge and teach art to kids. The past 3 years have been a great experience; thank you to everyone who has been a part of it.
Email princesswithnoface@outlook.com
Web www.facebook.com/cleandionart
LOWRI JONES ILLUSTRATOR/PRINTMAKER I have always been interested in making pictures but prior to Vis Com I never really knew how I could use them. The point at which my work began to really speak for itself and become more than just a picture was when I learned to screen print. I immersed myself in the university environment, making full use of the extensive facilities available and the print room became my home away from home. I am fascinated by techniques and I realized that the process is as important to me as the art itself. I like being involved in all aspects of the production of my work, and find it exciting that a print has the ability to take the form of a mass produced commodity or a sought after art object. I’m interested in using subtle humor and the amateurish and oddball, and I like to think I don’t see the world as most people do. I like wearing an apron and being covered in paint. I like archiving and collecting, and using objects and trinkets to help me construct a narrative that is relatable. Many things inform my work, from objects I find on the street to hand drawn maps; sentiment and nostalgia, I look for the extraordinary in the everyday. Although I’m not sure what post-university life has in store just yet, I’m looking forward to turning the spare room into a makeshift studio. I strive to become a professional printmaker, but until then I will carry on making pictures/a mess and hope that people want to enjoy them with me.
Email lowrinz@icloud.com
Web lowriejones.com
BETH JONES ILLUSTRATOR/PICTURE MAKER Throughout my time on Vis Com I have learnt how to work independently and have taught myself many new skills through self-initiated projects. It has given me fantastic opportunities, including working on community projects and meeting a diverse range of people. I have spent the last three years experimenting with different mediums and art forms; I learned how to knit; dabbled in branding and design; experimented with collage and made a stop motion film. I have also written and illustrated my own cook book, and survived writing a dissertation. It has been a rollercoaster of a journey and although I have delved into different areas of art I still consider myself an illustrator and picture maker. My images are usually mixed media pieces based around animals and portraiture. I also enjoy designing patterns focused around symmetry and creating work inspired by food as I am also passionate about cooking. Working on live briefs and with clients has given me confidence to grow as a freelance practitioner when I graduate.
Email jethbones@yahoo.co.uk
Web www.jethbones.co.uk
SOPHIE KIRK JEWELLERY MAKER This course has helped me explore a wide variety of fields in which I have always had a strong interest, and ultimately set me on the path for my desired career. I decided metal work and jewellery making was what I wanted to focus on in third year, but I also got to delve into Photography and Ceramics, areas I have always wanted to explore. It was the college technicians who helped me discover my passion for jewellery making, teaching me the art and techniques needed to become a successful jewellery maker. They encouraged me to continue and develop my skills in the field of metalwork, which enabled me to work across different media, giving me the confidence to move from copper into silver and work with the best metals. Influenced by Tatty Devine, I have also made use of the laser cutter, enabling me to take my jewellery making in yet another direction. Other makers who have particularly inspired my practice are Emma Swailes (Jems Jewellery) and Alison Macleod. After University I would like to become a self-employed jeweller starting off with a part-time job to sustain this. Recently I’ve enjoyed doing paid commissions for people and have sold sets of silver earrings and an earrings and necklace set. This is something I hope to do more of, as my business expands.
Delicate but sturdy of character with more than a little hint of class
Andrea Humphreys - Client
Email sophie.kirk77@hotmail.co.uk
Web http://sophiekirk77.wix.com/portfolio
KRISTIAN KNIGHT GRAPHIC DESIGN / ILLUSTRATION Three years at Leeds College of Art are almost over and if I look back on each year I can see how I have developed both as a person as well as a creative practitioner. In my first year, I sought out the skills I thought I needed to land myself a secure job in the future. However, I realised this was not the way to go; by focusing solely on culminating a portfolio of skills, I neglected exploring other areas of practice. Once I realised this, I dropped my work ethic and that’s when things began to click. My focus in the second year was to develop skills in my strongest areas of practice, which, after studying a various practices including printmaking, bookmaking and campaigning, emerged as graphic design and Illustration. However, I was still struggling with where to outsource my creative ideas. It wasn’t until my third year when I had the realisation that I could consider my future in various career paths. I worked with many different clients as well as sourcing online creative briefs to challenge my technical abilities and have now developed the skills required to fulfil client briefs to a professional standard. To summarise, my 3-year journey at Leeds College of Art as a Vis Com student has given me the knowledge and understanding of how to become successful in the creative industry. I now feel better prepared for the future ahead of me and I am confident in the skills and personal qualities I have developed. I can safely say, I am ready to walk the path of a creative practitioner. Here’s to the Vis Com students of 2012 – 2015 and to the tutors who have guided and supported me throughout this very special journey. Thank you!
Kristian was both professional and considerate when involving my own ideas and preferences, which meant I had an input but Kristian’s technical and graphic skills completed the outcome.
Level 6 Photography student
Email rebeccaefeneley@hotmail.co.uk
Web tumblr.com/rebeccafeneley
MONICA MERINO DE PAZ PHOTOGRAPHER In practice, I am a photographer but as a person, I am someone with many interests in multiple disciplines. The visual communication course has enabled me to develop into a well-rounded person and has opened my eyes to the creative world. Over the course of my three years at Leeds College of Art I spent my time learning about a variety of different disciplines. As well as learning about design, typography and photography, I spent time in the ceramics and metal workshops; being a very hands-on person, I’ve always felt the need to include something handmade in my work. However, towards my final year, photography and community arts became my focus. The things I have learnt in this course are just the beginning of my education. Thank you to everyone who has contributed to my three years here.
Email mmdp@merinodepaz.com
Web cargocollective.com/monicadepaz-photography
BEATRICE MIKULSKYTE VISUAL ARTIST/ART DIRECTOR Over the last three years at Leeds College of Art I have had great opportunities to discover and clarify my direction and focus as a professional artist. I started the Visual Communication course as an Illustrator. After a year, after trying a variety of different art fields, my direction changed completely: I became highly interested in the moving image, and am fascinated by audio-visual relationships, especially as I am a huge fan of electronic music. This is one of the reasons why I developed a great passion for animation and art directing. Animation was a great chance to merge my interests in illustration, music and film. In the past two years I have been mainly working within the music industry making live visuals for events; audio-visual installations; directing music videos and videographing music performances. What I love about being a wide-profile artist is the diversity of the projects. I have had opportunities to work with a variety of different record labels, artists and aspiring musicians producing a substantial amount of challenging and interesting work. Visual art is challenging and I produce work in different forms depending on the story I want to tell. This keeps me stepping out of my comfort zone and learning something new every day.
Email Beatricemikulskyte@gmail.com
Web www.Beatricemikulskyte.com
BHAKTI MISTRY ART DIRECTOR, SET DESIGN, MAKER Having always been interested in all forms of making, creating and designing, Vis Com has helped me find, understand, and focus my practice towards art direction and making. I have learnt to critically develop my concepts and then physically create them using a huge range of materials and techniques from laser cutting to ceramics. I chose art direction because I’m passionate about using my design and making skills to create physical surroundings, installations and sets and props that bring narratives to life, establishing a visual language that enables stories to exist in a tangible way. I hope to continue expanding my 3D making skills in a variety of mediums to enhance the concepts and believability of my sets, props and characters yet to be imagined.
Bhakti worked with us as an art department assistant and was an important part of our team. She has a very agreeable personality and is extremely hardworking which made her an absolute pleasure to have around. We would be delighted to work with Bhakti again on future projects.
Amy Lord - Lord Whitney
Email info@davidsptaylor.com
Web www.davidsptaylor.com
ANISHA MISTRY PHOTOGRAPHER The past three years have been a roller-coaster ride for me. I came to Leeds College of Art three years ago with the intention of completing my degree as a Graphic Designer; little did I know back then that my pathway would twist and turn and I would be here right now leaving as a commercial product photographer. I started the course as a graphic designer with a passion for illustration and photography but soon started to see myself more as an illustrator until mid-way through second year where my love for photography brought me to where I am now. Vis Com has allowed me to experience many different disciplines, and explore and understand the kind of practitioner I want to be within the creative industry. I have learnt that experience is the most important tool in learning, progressing and growing. Thank you to all the Vis Com tutors; to all the technicians (that I have constantly pestered on a daily basis); to all the practitioners I have worked with; and to all my peers who have been on this journey with me.
Email am109145@gmail.com
Web nish-11.tumblr.com
BRAD MOLLET VFX / VIDEO ART Arthur C. Clarke’s third law states “Any sufficiently advanced technology is indistinguishable from magic”. I’m not saying I’m a wizard but I certainly know a thing or two about technology. When I came to Vis Com I was creating a variety of things, mostly in Photoshop. It wasn’t long before I jumped into the world of video, wanting to merge my love of audio with visual skills, and I haven’t looked back since. From this I’ve developed a unique look to my work which has gotten a bit of a reputation in the studio, often incorporating Glitch and other experimental aesthetics. Recently I’ve taken a more conventional approach by experimenting with styles and effects, which I’m hoping to incorporate into motion graphics projects in the near future. My work has put me in touch with an incredible variety of people worldwide, and I’ve already made several music video commissions for international clients, in what I hope will be a first step on an amazing journey. Thanks to the Vis Com staff for all their help and guidance over the three years, and equal thanks to the most diverse group of people I’ve had the pleasure of meeting.
Dude, I don’t know how you make these things happen but I’m always inspired by it
Evan Colbert - Collaborator / Client
Email bradmollett@gmail.com
Web vanfoxbatproductions.com
ALICE MORTON ILLUSTRATOR The course has opened my eyes to so many new aspects of life, awakening passions I didn’t know existed. By encouraging me to use my creativity as a form of communication on the issues that mean most to me, I have been inspired to try and make a difference, even a small one. My journey over the last three years has helped me understand what kind of practitioner I want to be and taught me to enjoy myself in the process of creating my work, partly thorough allowing me to focus on the most significant subjects to me, such as the progress of gender equality and animal welfare. Water colour and pencil have always been my favourite mediums; they come so naturally to me that it feels bizarre using anything else. By developing my skills in both, I believe I have created my own unique style as an illustrator and am proud of the work I produce. With the guidance and support from the tutors and my fellow peers, I have learnt to believe in myself. They’ve helped bring out the best in me, encouraging me to develop professionally, and giving me confidence and excitement for the next chapter of my life.
Email alicemorton_27@hotmail.com
Web alicemorton.com
BARSHA PANT PHOTOGRAPHER Throughout these three years, I have had tried almost everything the university had to offer. However, in my third year I predominately developed my photography skills, especially fine art photography. My passion lies in creating new worlds through photographs. I create images which speak of an era that is not our own, where each image is a personal story; I place myself within the worlds I wish I could live in, where the impossible becomes possible. The range of my work is substantial, covering still life and portraits, and both stylised and natural pictures taken in studios and on location. I am at ease working individually or in a group projects. I am very proud to have been part of the college; being in a creative environment enabled me to create some of my best works so far.
Barsha is very talented and has a different kind of edge about her work. she thinks of ideas that are so bizarre yet attainable which will take her very far in life.
Sanjog Rai- Client
Email nicolatoon@aol.com
AZHAR SAGIR GRAPHIC DESIGNER When I first joined the Visual Communication course I had no real idea of what I wanted to be. I knew that I had more of a creative mind and thought that if I could look at a few different areas I might find something that was right for me. I chose graphic design, focusing most of my energy towards print design, particularly advertising and promotional work. In order to gain a broader range of skills, I have recently also started learning web design. I have been fortunate in obtaining voluntary work experience with local businesses which will help me develop my portfolio in preparation for entering employment. An example of this is the design of flyers for a designer clothing outlet company; once this was complete I was given additional projects, including logo design and re-branding, and I am currently working on the start-up of an online store. This experience has equipped me with many skills that will help me to be successful in my chosen career.
Email azzabayor@hotmail.com
CHLOE STACEY ILLUSTRATOR/MAKER Throughout my time on Vis Com I have developed substantially, not only as an artist but also as a person. Three years ago, when I joined the course I was totally unaware of what area of practice I wanted to specialise in, and I lacked the confidence to explore my potential aspirations. Vis Com gave me the freedom to explore all areas and possibilities, helping me establish my place as an artist. In my time on the course I have been fortunate enough to gain a variety of experiences and the ability to create a range of work that has strongly developed my portfolio. One of the most inspiring and enjoyable opportunities was running workshops helping develop craft skills with The Bridge (a group for adults with learning disabilities). This also led to my developing an interest in teaching, an area in which I hope to specialize in the coming years, whilst running my own practice alongside. More recently, I have rediscovered a passion for making, especially in ceramics, a medium I intended to evolve and which I used to execute my dissertation piece. I do however see myself primarily as an illustrator. I find I have discovered a solid illustrative style and plan to continue working as a freelance illustrator. I am so pleased to have been a part of Vis Com. There is a great sense of community on the course, which acts as a strong support system and ensures an enjoyable experience.
Email chlostace@hotmail.com
Web http://chlostace.tumblr.com
DAVID TAYLOR PHOTOGRAPHER/WRITER I joined the course with experience in oil painting and graphic design, but knew I wanted to specialise in photography. I also had an interest in wood work, but in the second year found that I am best suited to photography and writing. Vis Com has furthered my communication and critical thinking skills, both of which form part of my holistic practice, from visual and written work, to conversations with colleagues, peers, clients and employers. Before the course, I disliked being a team player, but now find I enjoy it. I can assess other people’s strengths and weaknesses, and moderate my method of working accordingly. I used to work in a spontaneous manner, but after gaining experience working with clients, I now work in a logical and structured way as I believe this approach is the most thorough and time efficient. Being able to gain these experiences as part of the course rather than having to choose between college and work is one of the key reasons why I loved being a Vis Com student. In the past 2 years, I have been the official photographer for Leeds’ JFest International 2014 and had my work featured in the Jewish Telegraph. I have also photographed: music bands; behind the scenes of multiple locally made films (whilst being a runner/extra for them as well); theatrical performances held in Leeds; an art exhibition in Leeds and most recently, a photographer for Bujinkan Kouryuu Dojo in Leeds and Huddersfield, and a product photographer for Coffeeasy Ltd.
David is always well prepared and efficient. He is knowledgeable technically but also has an open mind, and allows me to put my own ideas forward. He is always prompt, courteous and flexible. It’s been a pleasure working with him and I look forward to working with him again.
Patrick Joseph - Coffeeasy Ltd
Email info@davidsptaylor.com
Web www.davidsptaylor.com
LUCY THOMPSON JEWELLERY MAKER Three years ago I was a young student, disheartened by a grueling first year of an architecture degree at Leeds Metropolitan University and looking for a way out. I was looking for a course without creative restriction, working with nice people making interesting things, and I definitely found it with Vis Com. I started off thinking I could be an illustrator or graphic designer, but after trying my hand in the metal workshop I found my niche. The basis of the majority of my work is symbols; they really interest me, and they provide a good platform for jewellery. The highlight of my degree so far was receiving a highly commended at the Creative Conscience Awards for my bullet casing choker, which was made to symbolize the arms trade choking the government’s finances. I don’t think I’d have ever found that jewellery was right for me if it wasn’t for Vis Com. Everyone, from tutors and technicians to fellow students have been continuously supportive, offering words of wisdom and constructive criticism. I plan to go into the jewellery industry, and use all the skills I’ve learnt during my time in Vis Com, for which I will be eternally grateful.
Email lucy@thompson.uk.com
Web https://lucytviscom.wordpress.com
JADE TILL PHOTOGRAPHER When choosing which course I wanted to join, I debated between many photography courses and Vis Com; after studying photography for 2 years at college, it would have made sense for me to continue onto another photography course. However, I chose Vis Com because of the freedom and choice of disciplines with which I could express myself. I wanted to be inspired by other creative individuals to look at other forms of art, rather than limit myself to something I was already familiar with. Throughout my three years on the course I have learnt and developed skills in typography, screen printing, laser cutting and continued to improve my photography. In the first two years I spent more time away from the camera learning new and exciting things, which gave me a fresh outlook, new skills and a better understanding of what I am capable of. In this last year I decided to revert back to photography and concentrate on developing this further. Although I have gone back to the discipline in which I have the most experience, I have new skills and knowledge and, capable of other techniques and processes. Having had the opportunity to develop myself is what I wanted most out of this course and I now feel more confident in the professional world. I currently have a job photographing live music which has been a dream since the first time I picked up a camera. The course is what you make of it, and I am proud of what I have created and achieved throughout my time here.
Email jadetillphotography@hotmail.co.uk
Web www.jadetillphotography.com
NICOLA TOON SURFACE DESIGNER/MAKER One of the many things that initially prompted me to apply for Vis Com at LCA is the course ethos, to have a positive impact upon society. I always hoped that I could apply my creativity this way and I feel Vis Com allowed me to do just that. When I first joined Vis Com three years ago I hadn’t the faintest idea in which direction I wanted to take my work. Having come straight from A Level Fine Art and Photography, I found myself overwhelmed with the possibilities Vis Com opened up for me. In the first two years of the course, I experimented with all sorts of ideas: illustration; growing obscene cress statements; creating stop-frame animations; making bug houses and creating surface pattern designs. I gradually felt more and more confident in the direction I wanted to take my work, finding myself transforming into a surface pattern designer, making my designs into products such as cushions, chairs and wallpaper. Much of my work has a natural focus, be it to raise awareness, educate or to make a statement. This has always played a huge part in my life so it was easy for me to apply it to my work. I don’t think I could have made it this far without the support of my fellow Vis Commers and tutors who have been incredible. It really has been wonderful, so it’s with a heavy heart that I will leave Vis Com behind.
Email nicolatoon@aol.com
LOREN TURTON COMMUNITY ARTIST I came to Vis Com with no real idea of what I wanted to do, trying many things during first year I soon learnt that what I really enjoyed was working with people and using arts as a tool for change. In second year I began to specialise in community arts and started to work for East Street Arts as a Learning support assistant on projects across Leeds. From this I realised what a difference art/ creativity can make to an individual, group or community. I wanted to gain more knowledge of the area and decided to write my dissertation on socially engaged arts. As part of this I organised an exhibition for an elderly persons drawing group I was working with, this was an exciting opportunity and made me realise that this was exactly what I wanted to be doing. This exhibition, I feel, is one of my proudest achievements on Vis Com. I am now starting to work with more communities and arts organisations in Leeds such as DISC a drug and alcohol rehabilitation centre and The Leeds Art Party. I believe that the arts can have a huge positive impact on people’s lives and am excited for all the future projects I will be able to be a part of, to help towards this positive change. Alongside working in community arts I have always tried to keep my own practice, which has mainly been in analogue film or photography of some sort. At the moment I’m making super 8 animations and experimenting with 35mm films. I have really enjoyed my time with Vis Com, thanks to the tutors and staff for all their help during my three years.
Email lorenturton123@hotmail.com
HANNAH WARNER VISUAL MERCHANDISER/ILLUSTRATOR/DESIGNER Throughout my time on Vis Com I have worked in a variety of mediums. This has varied from stop-motion animation in first year; digital illustration and print making in second year; to designing, creating and installing window displays in third year. The course has allowed me to build on my graphic design background and become a more confident and professional practitioner. I like my work to have a light-hearted tone and I’ve not been forced to be more ‘serious’ on Vis Com, which is something that I really appreciate. I am so sad to be leaving the course but have met some of the most fabulous people I could have ever imagined. Working amongst a group of talented people who specialise in so many different practices is exciting and provides a huge pool of support and collaborative opportunities. It has been a pleasure. I’m excited to continue working within visual merchandising, especially creating window displays from recycled materials.
She is very hands on, hardworking and a great team member.
Claire Toole, owner of The Bridal Emporium, Leeds
Email hannahwarner@live.com
Web www.issuu.com/hannahwarner
IZZY ZUBAIDA ILLUSTRATOR I entered Vis Com firmly in the mind-set that I was an illustrator; a drawer, an artist, a practitioner ready and willing for a life of quite often solitary studio work. My artwork has always been something very personal to me, something I do alone, for myself – I am a lone wolf of sorts! It has taken me a little while to discover that I don’t find as much solace in solo work as I once thought, and it has come to be that the closer I get to leaving university and utilising my creativity as a future livelihood, the more I realise I want to be able to share my passions with others. My aim is to both inspire and be inspired by those with a like mind. I enjoy the company of others too much to continue separating these two aspects of my life.
Email isabellezubaida@hotmail.co.uk
Work Placement Reports FRANCES BAILEY – LEEDS FOUNDATION COURSE
LOREN TURTON – EAST STREET ARTS
Supporting the tutors on the MAGPi pathway of the Foundation Diploma in Art & Design was such a valuable experience. It truly gave me a taste of what working in further education could be like. The students were incredibly inspiring, hard-working and an absolute joy to work with, though it did not come without it’s challenges! My placement confirmed to me that I would love to pursue a career in teaching at this level in the future, and that this could be the rewarding, challenging and satisfying career I am looking for; where no day is dull and no day the same.
I was able to volunteer with East Street Arts throughout my time of Vis Com. I gained so many skills from the experience and it opened many doors for me. Including the chance to work with a number of different communities across Leeds as well as the chance to curate and organise an exhibition for them at Union 105 as part of my COP3 project. The volunteering boosted my confidence and allowed me to gain experience and contacts before leaving university. It has also allowed me to move onto a paid Learning Support Assistant with East Street Arts.
MARY BROOME – THE GATE FILMS In March I was fortunate enough to get a work placement at The Gate Films, a production company in Manchester. During my time there I assisted the team on set for a regional TV commercial for Pet Supermarket. I also worked in a production role at the offices, responsibilities involved: booking locations, models, actors and dancers, and assisting with auditions for adverts and videos they were working on. I gained experience in researching and putting together presentations for clients including Ministry of Sound. My time there was invaluable - I learnt so much about the industry, as well as the different roles within a production company. It confirmed to me that this is exactly what I want to be doing, and made me realise that I would like to pursue directing in the future.
ZOE EAST - CONVIVIAL PROJECT I was given the opportunity to go to Milan for Design Week with Convivial Project after having my films screened at the Craft Industrialism exhibition alongside the project. Being part of the Design Week was a completely new experience for me but it was incredibly exciting. Ann and Paul put their faith in me to represent their project and gave me full control of filming while in Milan, allowing me to listen to their needs and fulfil them in a way that I was confident with. It was a privilege to have been asked to go to Milan and it was a really positive experience. I learnt new things and improved my technical skills; I was inspired by modern digital design and got to meet some amazing people.
MICAELA BOGEN - LOVE SUPPORT UNITE FOUNDATION IN MALAWI For the past two years I have been working in Malawi with The Love Support Unite Foundation. They work with local Malawians to build communities and provide sustainable solutions to the country’s problems. Since working with them I have provided skills to the local people about how to build sustainable homes and generate eco-friendly electricity, worked on the Mkundu School project which will provide 800 children with education and 2000 people with food, water and a steady income. I’ve also worked to fund the start-up of an ethical clothing line, The Inc. Being on the ground in Malawi has opened my mind and enhanced my skills in many different ways, but has most importantly given me the confidence to strive for what I believe in and shown me how to adapt my creativity to fit any situation.
ANISHA MISTRY – PHOTOGRAPHIC ASSISTANT TO ANGUS MCDONALD For a three month period I regularly assisted professional photographer Angus McDonald on various shoots for large clients such as Russell Hobbs, Morrison’s, and Asda. During my time assisting Angus I picked up many essential skills such as how to operate studio-lighting equipment, how to use CaptureOnePro8 software, how to work professionally with art directors, stylists, clients etc. The hands on industry experience helped me greatly through my third year.
Context of Practice Last year Leeds College of Art introduced the Context of Practice Module. It replaced the traditional purely written dissertation with a larger and more challenging research project, combining rigorous academic research and writing, with research-driven practice. This year VisCom students excelled themselves with a host of issue-driven research projects which drew on their personal interests and extended their understanding of these to create a wide range of complex and well considered creative outcomes. These were exhibited in a show curated by the students entitled ‘Without Words’ in February.
Does the selfie enable the deconstruction of dominant representations of women and fixed
The following are a representative sample of dissertation titles, which demonstrate the range of subject matter investigated and the innovative approaches taken.
Can online video content be effectively employed to develop a new audience for
The importance of Arts Education within a Social and Economic Context
notions of gender identity? JULIA BROWN How is the representation of women and femininity in modern Hollywood affected by women working in the industry’s top creative positions? JOANNA BUTTERCASE
letterpress printing in Yorkshire? KATE GREEN
FRANCES BAILEY
What impact is Food Waste having on the planet? An investigation into the cause of food
An investigation into the role of art in raising awareness of government malpractice
BETH JONES
SULIN BALDWIN Media manipulation of working class subculture: stories from local communities.
waste and world hunger.
Can Piracy still be used effectively as an approach to effect social change in the contemporary era?
ELLIOT BAXTER
BRAD MOLLETT
Can art and media platforms validate the existence of androgyny and gender fluidity?
Are the negative misconceptions of feminism effecting the progression of gender equality?
NIC BRANNAN
ALICE MORTON
What Is The Effect Of Western Media Campaigns on Sub-Saharan Africa And Charitable
What is the value of socially engaged arts?
Giving? MICAELA BOGEN
LOREN TURTON
Thank You
to everyone who has supported the graduating students during the past three years including:
THE WORKSHOP STAFF
ALUMNI SKYPE CONTRIBUTORS
OTHER COLLEGE STAFF
COVER PHOTOGRAPHY
Wendy Bannister Paul Bennet-Todd Roger Berry Matt Burton Mike Flower Marcus Garcia Jonathan Greenwood Alison Hayes Tom Knapp James McBeath Sarah Mitchell Matthew Parkes Elizabeth Riley Andy Sames Elaine Skirrow James Smart Miriam Trent Mick Welbourn
Liz Ainge Andreas Beining Bryony Edwards Adam Fussell Dan Hockley Richard Kilroy Robbie Porter Paul Price Patrick Ranger James Rhodes
Yasmine Coggins Chris Graham Cheryl Huntbach James Murphy Deborah Powell
Anisha Mistry
COVER ART DIRECTION
DESIGNER
Bhakti Mistry Anisha Mistry Joanna Buttercase Zoe East Hannah Warner Monica Merino
Isabel Drake
THE EXTERNAL EXAMINER Russell Bestley
PORTRAIT PHOTOGRAPHY Anisha Mistry Jade Till
THE PROGRAMME TEAM
GRAHAM TANSLEY
DAVID COLLINS
SHARON HOOPER
MARIANNE SPRINGHAM
JAMES BEIGHTON