ISSUE 1 | VOL 2 | JANUARY 2019
9102 lirpA I 2 loV l 4 eussI
A MAGAZINE FOR CREATIVE PEOPLE
JAAMZIN CREATIVE
PAINTING
PHOTOGRAPHY Photographers and cinematographers
Visual artists, painters
GRAPHIC ART
MUSIC
Graphic artists, illustrators, cartoonists
Musicians, singers and songwriters
INTERVIEWS Interviews with artists and creative people
JaamZIN Creative
TABLE OF CONTENTS 2 Photography Photographers,, cinematographers
9 Painting and graphic arts Painters, visual artists, cartoonists
15 Illustrators, design, digital arts IIllustrators, designers, digital artists
24 Poetry Poets, writers, art events
25 Interviews Artist interviews
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PHOTOGRAPHY
Anca Gabriela Zosin Anca is a self-taught photographer living in Copenhagen. She has a personal connection to photography and the arts that developed during her Multimedia Design education. She is a true believer in diversity and passionate for expressive, daring visuals. She enjoys creating the antithesis between elements, natural vs. unnatural. "I rarely plan how the final photo would look like, but I always know when I am there. I have now, finally found my way how to communicate!"
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PHOTOGRAPHY
Daniel Castonguay Daniel Castonguay, is a street photographer based in Montreal, Canada. He started photography in 1979. Living in a great city, he was naturally driven to street photography and depicting the quotidian life in its simplest form. When he began in this field of photography, he worked accordingly to the established standards of the style. At a certain point, he got bored of not being able to illustrate the mood of the “moment” in order to give a more authentic touch to his work. Audacious and challenging the rules, he began to process his imagery to make it a little more mysterious.
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PHOTOGRAPHY
Mauriliers Schoenmaekers Mauriliers Schoenmaekers is a photographer, Poet living in the south of the Netherlands. Mauriliers is graduating this year at the art academy in Maasmechelen. As a final exam work, Mauriliers has made the photobook “Dwaaldromen” with photo’s and poems. (ISBN: 978-90-8666-468-9)
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PHOTOGRAPHY
Alejandro Ortiz My name is Alejandro Ortiz, I studied cinema and somehow ended up working in advertising agencies as an art director. War Trends is a poster design series based on the Google searches made in war torn countries in 2019: Iraq, Yemen, Afghanistan, Syria, Libya and South Sudan.Â
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PHOTOGRAPHY
Chris Toombes My name is Chris Toombes and I’m a street photographer better known as City Street Photos. I’m currently living and shooting on the streets of Calgary, Alberta, Canada but was originally from the UK. I emigrated to Canada in the summer of 2006, settling in Belleville, Ontario. I relocated out west to Calgary in the summer of 2017. Why do I love street photography so much? As famous photographer Diane Arbus once said “ I really believe there are things nobody would see if I didn’t photograph them”.
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PHOTOGRAPHY
Mark Peter McKnight Slowing down, bringing attention to the moment, looking closer - these simple practices are the ritual for both my state of mind and for realizing the images I capture through the camera. An undeniable rejuvenating and healing dynamic exists in nature and I seek out these experiences as often as possible and my image making is a reflection of this pursuit.
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PHOTOGRAPHY
Bretonxyz Bretonxyz is a photographer capturing authentic boyhood in Mexico. 1. teenage angst 2. rice for peace I took of an Haitian refugee that came to Mexico after disaster strike his country 3. is the epitome of testosterone
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PAINTING
Anupama I am Anupama from Chandigarh-India. I am an abstract artist. Nature, mood and daily impact full situation influence me to pick my paint brush.
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PAINTING
Gary Brown Visual image maker. 25 years of experimentation with space-time, colour & line, repetition, discontinuity & ambiguity. I work within several themes, three of which are represented here.
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PAINTING
Born and brought up in the picturesque Himalayan valley of Kashmir. A self taught and styled artist Aamir Hameed Wani who returned home for an Ideology, whose transformation took place in Kashmir.
Aamir Hameed Wani
He narrates how the ideology was depicted in action on canvas and paper in his artworks. How the contemplation of his dreams through his Art form and style took shape and finally emerged as a reality. Mostly focused on cotemporary and abstract forms, he decided to dictate his take on the subjects which are filled with fervour and volatility. Most recently he commissioned a collection based the Soviet Revolution. The Artist is also working on a collection about Jerusalem. Taken by the tenacity of the byzantine period and the geography of Jerusalem is what made me start this never ending subject, a year ago acclaimed the artist. Artist mentioned all the terms used to recreate this historical wonder were borrowed from Jewish Art history.
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PAINTING
I am a painter from Cyprus, currently based in London. I primarily use oils in my work and sometimes acrylics or mixed media. I consider people to be interesting and versatile creatures and I strive to portray that in my work.
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Maria Chrysostomou
PAINTING
Zacaffeine My artist name is Zacaffeine and I am from Seattle where I studied at Gage Academy of Art. I’m inspired by the Pacific Northwest’s Islands and the pacific coast. I also enjoy painting urban landscapes from NYC and Detroit. Urban Decay is a new series I’m working on featuring abandoned buildings around Detroit. Such a contrast between the two subjects keeps me engaged.
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PAINTING
Maja Beattie My name is Maja Beattie. I am a painter and illustrator based in Oxford. My work resonates from a fascination with people and the human trace, showing the vibrancy and vulnerability of the human psyche. Through my portraits and collages I aim to create a modern day social commentary with layers of rich colour.
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ILLUSTRATOR
I specialize in quirky seamless repeats that are unique in our current fabric market. My style is hand drawn and I have an obsession with creating patterns because you can literally create a pattern out of anything!
ANNYHC NI EDAM
MADE IN CHYNNA is a illustration + surface design studio based in Los Angeles, CA.
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ILLUSTRATOR
Marguerite Sauvage Marguerite Sauvage is a French illustrator and scriptwriter. She has provided illustrations in press, publishing and advertising (Society of Illustrators 49th, American Illustration 26, American Illustration 28).Â
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ILLUSTRATOR
Tarik Mask My name is Tarik Mask. I am an illustrator based in Southern California. Growing up in the entertainment capital of the world has lead me to be heavily influenced by pop culture, comics, and cartoons. In my artwork I try to find a thematically blend between pop and nonsensical humor and introspective serious tone.
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ILLUSTRATOR
Katya Shustina My name is Katya Shustina, freelance artist and illustrator from Moscow. I am engaged in portraits, commercial and book illustration. "Faces" work on the personal order of a person who wanted to combine portraits of relatives and friends in one poster.
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ILLUSTRATOR
Chuchu Briquet I am a freelance illustrator living in southern France. Originally from Taiwan, I went to study fashion design at Central Saint Martins College of Art & Design in London during my 20s, then I worked as a fashion designer for the next 10 years until I relocated myself to France and pursued a new career in illustration in 2017.Â
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ILLUSTRATOR
Patrick Holderfield Since 2011, Patrick has been working as a freelance graphic designer and illustrator based out of Seattle, Washington USA. Prior to that he had a career as a studio artist exhibiting his work in galleries and museums nationally.
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ILLUSTRATOR
Slowstudies Slowstudies is Joshua Conrad. I am a 3d illustrator and designer from Vancouver, Canada. I have invested all my time in learning and growing as an artist, in that time I create wacky, BOLD, COLOURFUL and fun illustrations, and 2d design work to align to the brands of my clients while maintaining my style as an artist. I am always working on projects for either myself or my clients. and maintain a balance between the two to ensure I continue to learn and grow my skill set.
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ILLUSTRATOR
Anne Ehrlich I am a freelance architectural designer and illustrator in British Columbia, Canada. In my current artwork I am exploring the subtle changes of atmosphere within an architectural illustration when the liquid processes of ink washing, staining, and splattering are combined with the more arid world of orthographic drawing.
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DIGITAL ART
Yura Miron Yura Miron is a visionary artist, exploring the new media art technologies, such as: Blockchain, Virtual and Augmented Reality, Generative Adversarial Networks and Audio/Visual synthesis. Inspired by visionary culture, fusion of nature and technology, electronic music and by media-arts & performances. Kyiv-based (Ukraine). Spinned 27 times around the Sun. Inspired by visionary culture, fusion of nature and technology, audiovisual synthesis, electronic music and by media-arts in general.
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POETRY
Musetomuse Muses of poetry & painting based in Indonesia, this is musetomuse. Consisting of two people, Maza Guyanto—he who crafts words, the muse to her paintings—and Seulgi Yoon Suak— she who crafts colours, the muse to his poetries—their focus is on translating every day scenes into a rhythmic collection of thoughtful words, and then into an abstract collection of bona fide colours.
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INTERVIEW
"Legend Seekers" - interview with composer and violinist Sarah Wallin Huff Sarah Wallin Huff is a composer and violinist, and she just released an epic, “homegrown” instrumental album featuring her concerto for 6-string electric violin. We have conducted an interview with her.
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INTERVIEW Why do you named this album "Legend Seekers"?
How long have you been working on this album? What was the greatest challenge?
I called this album “Legend Seekers” because of the title of the first movement of “Leviathan of the Ancient Deep”: “Seekers of the Legend”. This album was meant to feature that concerto for 6string violin, and its opening movement seemed to set the stage for everything nicely. As I decided on the other works that would complete the album, I realized that each told their own story of someone seeking their own legend in their own way.
It’s been a long road making this album. I completed “Leviathan of the Ancient Deep” in 2008, and for the last four or five years I’d been trying to get funding to make a representative recording of this massive work. I finally attained the knowledge, equipment, and courage to begin recording this concerto on my own about two years ago. So the recording, mixing, and mastering of everything has taken about two years. The most difficult part for me was being patient and keeping my hopes up! I had to be patient with myself and with the artistic process... It was well worth the wait!
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INTERVIEW
The next is going to be a difficult question, in
Who or what inspires your musical style with the 6-
this album, which is your personal favorite
string electric violin for the first time? What
track?
happened and what led on from that?
That is a hard question!! I really love “Intrepid,”
I first started playing the electric violin in 2003, and
but I think my most favorite is movement 3
from there I kept adding strings until I got to 6. I fell
(“The Hunt”) from “Leviathan” (although
in love with the huge range and all the possibilities
movement 2 is a close second place!). I love the
available on that instrument. I knew for a long while
driving, interlocking rhythms, the hard core
that I wanted to create some epic work for the
percussion, and the almost irreverent feeling of
instrument, because there’s not a lot of challenging
the whole thing. It’s small but mighty, and it
concert music available for it, especially not the 6-
makes me smile every time I hear it.
string.
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INTERVIEW The opportunity came up when it was time to
What would be one piece of advice you'd give to a
write my thesis work for my graduate degree;
new yet up and coming electric violinist?
I figured it’s now or never! I love mythology and
Something I’ve learned over the years is, first, to be
fantastic creatures of antiquity, so I thought
true to yourself. Really get to know and embrace
that the range and unusual, slithering nature of
your personal sound. Everyone of us is unique, and
the 6-string electric violin would depict the
variety is a beautiful thing. Second, be willing to go
legend of the sea dragon Leviathan quite well. I
out on a limb to challenge yourself. Never be
wanted to create a sound environment that
satisfied where you are; constantly explore, learn,
embraced both the acoustic nature of the
experiment, and grow.
orchestra and the electric possibilities and “strangeness” of the electric violin, synthesizer, and electric wind instrument. I’m very happy with the results, and I’m just thrilled that I finally have a recording of it. f
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INTERVIEW
(Source: www.thecrazymind.com)
Melanie Waingarten transports audiences to 1888 in ‘The Sower’ at Hollywood Fringe Art has been part of Melanie Waingarten’s life for as long as she can remember. She began painting at the mere age of four and had a strong sense of identity stemming from creative expression even at a young age. It was during this process of putting a brush to canvas that she recognized spatial awareness, and as she grew, she began to become interested in the multi-dimensional side of the craft and how her body could react with the material. She began to recognize that her body could be a medium of expression in itself and its own unique art form, which is where her passion for performing arts was born. “I became highly interested in this idea of performance art, of the relationship between my physicality and the creation of art itself. And as I did more research and involved myself in the world of performance, I recognized it as something that came natural to me. Something that felt familiar. I think I loved the world of performance even before I knew it as a concept. In addition to this naturally occurring awareness, I was also faced with different situations that reinforced this connection and pushed me to further discover and connect with the things that I felt a passion for,” she said.
“Once, during a trip to Oslo Opera House, I found myself moved to tears by the monumentality of the space. Navigating that environment touched me deeply. I realized I wanted to live inside the theatre. At another time, when assisting a light designer in Argentina by testing the ways in which light affected bodies on stage, I was once again moved, overwhelmed by the immensity of the space, of the scene, and the theatre as an entity,”
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