JaamZIN Creative
RUUD VAN DEN BERG VECTOR ARTISTRuudvandenBerghasdrawn,hasmade photographsandhasbeenoccupiedwith computersforseveraldecades.East-Indianink atprimaryschool,furtherdevelopmentathigh school.Ruudstudiedexperimentalphysicsat university,wherehegotintouchwithcomputers. Hewasanexpertin,advisoronandmanagerof automation.Hestudiedphilosophyfortwoyears. Hehasalsobeenamathematicsandphysics teacherforseveralyears. Ruudinheriteda senseofstyleandcolorandacan-domentality fromhisparents.
Website: https://domstad-rudie.nl/
Impressum
Ruud, your journey intertwines art with science and technology. How do you think your background in experimental physics and computers has influenced your approach to art, especially vector graphics?
I worked in the traditional way since primary school - i e pencil and brush But at the start of the Covid-19 epidemic I was looking for a new way to artistically express myself Quite serendipitously I discovered the Adobe Fresco App and started to use it for making Vector Arts My use of technology became increasingly more intense I switched to an Apple iPad Pro 12,9” Soon after that I switched from Windows to MacOS and started using Adobe Creative Suite for an optimal workflow of my Vector Art
As to this first interview question, it’s very hard to pinpoint one-on-one relationships between cause and effect in the lives of human beings My background in science and technology and in artistic creativity have pretty much been separated However, it seems evident to me that my work in information technology does have its impact on my recent art transformation towards vector art Also, physicists tend to develop a better understanding of the natural world, using logic and mathematics So here, too, there seems to be a connection with my art
You've transitioned from drawing with East-Indian ink in primary school to creating art through vector graphics. Can you describe this evolution and how your artistic process has changed over the years?
The transition was extremely sudden, during the Covid-19 period. One moment I worked in a traditional way. The next moment I started creating vector graphics The change had a profound effect My drawings during primary school were simple My work improved at high school thanks to a very good art teacher I’ve experienced no profound improvement until starting with vector graphics Since then, the quality of my work keeps progressing Also, the subjects of my work become more diverse
Having studied philosophy and been a mathematics and physics teacher, how do you blend these diverse fields of knowledge into your art? Do you see a philosophical dimension in your work?
The essence of my work is to provide idealistic representations of subjects and objects This typically involves elimination of some details during the vector art process Also, I may change the perspective chosen in the original picture and replace parts of e g the sky section or add items e g clouds or a moon So, if one defines philosophy as ‘thinking about thinking’ my vector artwork might be ‘thinking about representation’
INTERVIEW
Your parents passed down a sense of style, color, and a can-do mentality. How do these qualities manifest in your art, and can you share how your family's influence shapes your work?
My art, as in a single piece and as a portfolio, has several style and color features These include idealization – as mentioned before – detail, and typically saturated colors To make my art requires stamina and precision, during a prolonged period of time – typically some 40 hours per work
INTERVIEW
Who are the artists who you see as examples?
I would like to mention Chuck Close, David Hockney, Banksy, Pieter Saenredam, Johannes Vermeer, Pyke Koch en Joop Moesman. Close, Hockney and Banksy, because they appeal in a modern way. Bart Rutten, artistic director of Centraal Museum in Utrecht, compared my self-portrait with Close when he visited me at home And the Dutch painters Saenredam, Vermeer and Koch because they have given birth to my love for realism My set of Saenredam vector arts is a tribute to him
For those unfamiliar, could you explain the basics of vector graphics and why you chose this medium for your artistic expression? How does it allow you to convey your artistic vision uniquely?
The basic process underlying vector art is to select or take a digital photo of a subject or object. Next, I draw a new interpretation of this, on an Apple iPad with an Apple Pencil and the Adobe Fresco app. This renders a virtual image with vectors and without pixels, with an exceptional sharpness in enlargements. This vector image is transformed into a regular digital image of the required size with the use of Adobe Creative Cloud software. The pictures below show a detail of one of my artworks with the vectors shown in the right-hand picture.
Earlier in this interview, I’ve mentioned the boost in quality that was a result of making vector art This proved to be very rewarding tome, emotionally speaking Furthermore, for me as an artist, it unites three things, i e photography, drawing and IT
St Peters church crypte
Below St Peters Church, one of the oldest churches in the Dutch city Utrecht, is a crypt with a columbarium 1st Vector art after a picture in the Pieter Saenredam hommage-series
ELSEWHERE
The Kiefhoek
Residential area the Kiefhoek in the quarter Feijenoord in Rotterdam has been designed by architect J J P Oud in the 1925-1930 After a photograph by Ossip van Duivenbode
Casemate Schalkwijkse Wetering
The Lek Canal is the most important connection between the harbors of Rotterdam and Amsterdam
A number of objects have been replaced for the widening, among which this casemate
FAUNA
2 youngsters
The great crested grebe is the largest member of the grebe family found in the Old World After a photograph by Erik Stekelenburg
FAUNA
Self portrait
After 4 years of hard work on the development of my vector art I dared to make a self-portrait I have made perhaps 100 photographs before I took this one
FAUNA
It is deliberately simple Just the seagull on an old rusty gate and no
FAUNA
Kingfisher
After a photograph by Diana Bertels The branches are by Vector Artist Zadvinskiy
STILL LIFES
Reminds me of our own
STILL LIFES
Eternal love
STILL LIFES
OTHER
Poppies, Saint-Valéry-sur-Somme Poppies remind me of World War I
OTHER
Wind turbines
Eight wind turbines on soil in the colors of the Dutch flag
OTHER
OTHER
Woman with globe
Originally a statue of a woman with a dove in Saint-Valéry-sur-Somme named "Les Ailes pour Voler” transformed into an optimistic view on the world The globe is made by Vector Artist rtguest
OTHER
Mixed technique of a window in the church of Sainte-Mère-Église, known by parachuter John Steele who landed on the church tower of this village