DESIGN 4 | OROSCO
PROCESS BOOK FAMU FALL 2021 JACKSON GARBER 12/3/2021
PROCES
CONT
PROJECT 1:
PET HABITAT DESIGN COMPETITION 4 WEEKS PAGES 4-14
SS BOOK
TENTS
PROJECT 2:
CONCERT HALL - BRAZIL 12 WEEKS PAGES 15-30
PROJE
PET HABITAT DESI
4 WE
PAGES
ECT 1:
GN COMPETITION
EEKS
S 4-14
PROJECT 1:
PET HABITAT DESIGN COMPETITION
COMPETITION BRIEF: Pets make an impact on families and lifestyle. They deserve a space just for them. The AIA Connecticut Allied Advisory Knowledge Community has put together Blueprints for Pawprints, a Pet Habitat Competition for 2021. Besides creating these blueprints and schematic drawings, we are working with Canine Companions for Independence to help sponsor and promote their program. - Your design may be hand drawn or computerized, but it must be able to be published for the average pet owner to build. You will be asked to submit a list of materials with your design. -Your design should be constructible and affordable, and should consider current trends, sophistication, and playfulness. *Bonus if your design includes mindful materials and/or a sustainable aspect!” Source: https://aiact.org/pethabitat/
PROJECT 1:
PET HABITAT DESIGN COMPETITION
WORLD BOARD: The World Board was the first part of design and research. Its goal was to create an image that portrays the history and habitat of my chosen animal; the Siberian Husky. The Siberian Husky was originally bred in Siberia by the Chukchi Tribe for companionship and for sled-pulling. This image depicts the landscape and climate of its native home Siberia. Also sleds and traditional Chukchi dwellings were added to reference the dog’s culture. The image was created using mixed media; hand sketching, watercolors, and Photoshop.
PROJECT 1:
PET HABITAT DESIGN COMPETITION
WORLD BOARD PROCESS:
ITERATION 1:
ITERATION 1 WATERCOLOR:
ITERATION 2 HAND DRAWN LINES:
PROJECT 1:
PET HABITAT DESIGN COMPETITION
USER ANALYSIS:
PROJECT 1:
PET HABITAT DESIGN COMPETITION
PROGRAMMING:
Origin
This programming diagram shows how I broke down the project, categorized essential
Cl Cold a
needs, and overall the thought process behind coming up with my design. Cultural
The diagram is split into three phases; Conceptual/Schematic, Programming, and Design Production. Schematics start with my concept of Origin; Siberia. From there,
Chukchi Tribe
Companionship
it is broken down into main categories and eventually into programming needs. Finally, the program needs influence the design production.
Dwelling
Form
Material
Igloo Tepee Slope Mountain
Wood Fabric Strong
Close to owner
Cost
Reasonable Efficient
T
Act
Acc Cl
Thick Fur
Need For Exercise
Temperature Control
Space to move
tivities
Area Parameters
Cooling
Resting cess to activity lose to owner
A.C.? Fan?
48” - 52” L 30” - 36” H 20” - 36” W
PROGRAMING
Psychology
DESIGN PRODUCTION
limate: and Snowy
CONCEPTUAL/SCHEMATIC
n : Siberia
PROJECT 1:
PET HABITAT DESIGN COMPETITION
PROGRAMMING PROCESS:
PROJECT 1:
PET HABITAT DESIGN COMPETITION
CONCEPT:
CONCEPT STATEMENT: The goal with this animal habitat is to provide a thermally and physically comfortable bed for a Siberian Husky to enjoy. Huskys are historically accustomed to cooler climates and this bed will allow them to cool off in higher temperatures or after a long time of exercise. The bed will include a modern, ergonomic, and angled design that naturally ventilates the fan’s air up through the side vents and onto the dog.
PROJECT 1:
PET HABITAT DESIGN COMPETITION
CONCEPT PROCESS:
PROJECT 1:
PET HABITAT DESIGN COMPETITION
THE HABITAT:
SIBERIAN HU
COOLING B BY: JACKSON GARBER
FAMU ARCHITECTURE PROGRAM
The goal with this animal habitat is to provide a thermally and Comfortable bed for a Siberian Husky to enjoy. Huskys are histo to cooler climates and this bed will allow them to cool off in hig or after a long time of exercise. .
The bed includes a modern, ergonomic, and angled design that nat Ventilates the fan’s air up through the side vents and onto the dog. T Plywood can be finished how ever see fit and can match any home o The bed is built and assembled using the following materials: (1) 4’ x 8’ x 3/4” Plywood (1) 63” x 68” Polyester Fabric (2) 1.75” x 16’ Ratchet Straps (1) Electric Box Fan Assorted Screws and Nails
STEP BY STEP GUIDE AND BLUEPRINTS:
1
2
MEASURE AND TRACE ALL GIVEN DIMENSIONS ONTO PLYWOOD
MATERIALS:
5
6
(1) 63” X 68” POLYESTER FABRIC
ADD BOTTOM SUPPORT EACH AT 12” OFF CENTER OF LONGER PIECE
(2) 1.75” X 16’ RATCHET STRAPS
(1) ELECTRIC BOX FAN
(1) 4’ X 8’ PLYWOOD
USKY
BED
M
physically rically accustomed her temperatures
turally The exterior r dog.
3
ASSEMBLE ALL PIECES TOGETHER AS SHOWN AND SCREW IN CORNERS
MITER AT 45 DEG.
CUT OUT ALL TRACED PIECES ON PLYWOOD
MITER AT 30 DEG.
7
PLACE FAN CENTERED ON SUPPORTS AND ADD RATCHET STRAPS AROUND LENGTHWISE
4
8
BEFORE SECURING STRAPS, SLIDE THE LOOPED FABRIC BETWEEN THE TWO STRAPS
FULLY TIGHTEN, SECURE, PLUG IN FAN, AND ALLOW HUSKY TO ENJOY
PROJE
CONCERT HA
12 WE
PAGES
ECT 2:
ALL - BRAZIL
EEKS 15-30
PROJECT 2:
CONCERT HALL - BRAZIL
SITE PLAN:
RIO DE JANEIRO, B
22°54’59.2”S | 43°12’
BUILDIN
~9,000
BRAZIL 35.3”W
NG SITE
0 SQ FT
100 FT.
PROJECT 2:
CONCERT HALL - BRAZIL
SITE ANALYSIS:
VEHICULAR BRIDGE
“UNDERLINE”REVITALIZATION PROJECT
CE JA AD NT BU ILD IN GS PE
DE
R ST
IA
N
AN
D
VE
HI
L CU
AR
CE AC
SS
100 FT.
PROJECT 2:
CONCERT HALL - BRAZIL
SITE PROCESS: This site analysis is a hand-drawn, multi-sheet map that includes information on surrounding points of interest, major vehicular and pedestrian features, urban density and context, city green-scape, and sun diagram. All of which influenced the design because addressing the site is one of the most important design considerations.
PROJECT 2:
CONCERT HALL - BRAZIL
CONCEPT:
The desig in loudne importa with th concep roof, cre
CONCEPT
The crescendo’s “climax” is the grand triple-height atrium where people enter the building
The building’s sweeping double facade reinforces the concept around the building while also providing sunlight and acoustic protection
CONCEPT: CRESCENDO
gn will follow the concept of a crescendo. A crescendo defined is the gradual increase ess in music to the song’s climax. This ties into the area’s culture as a crescendo is an ant part in the structure of Brazil’s most prominent music genre, Samba. It also goes is idea of increasing loudness as the locals of Brazil get together and socialize. The t will influence the architectural form through an inclining shape of the facade and ating drama and intensity through different volumes, and the use of lines and curves to hint at the sheet music crescendo.
DIAGRAM:
The inclining height of the main structure follows the concept while providing tiered roof terraces and negating broken sight-lines of the adjacent building
PROJECT 2:
CONCERT HALL - BRAZIL
CONCEPT PROCESS:
CONCEPTUAL COLLAGE: This collage is a culmination of important aspects of the site put together to create a single image. It portrays urban context and cultural context.
CONCE
The conceptual a creates 3D forms b previous step. The rectilin
EPTUAL ASSEMBLY:
assembly takes the collage and based on information gained in the result was a culmination of both ear and curved forms.
CONCEPTUAL MODEL: From the assembly a conceptual model was made. It takes the idea of the culmination of rectilinear and curved shapes and applies it to a form of a building.
PROJECT 2:
CONCERT HALL - BRAZIL
PROGRAMMING:
NOTES
SQ.FT.
NOTES
SQ.FT.
Place where people enter the building, includes ticketing and projection screen
1,200
Hallways for access throughout the building with views below
3,600
Space for performers, include musical equipment and acoustical treatments
800
Large open flexible space for concerts or performances, acoustics and lighting
3,000
Includes changing rooms, restrooms, storage, exterior entry for performers
2,400
Full cafe with tables for seating and kitchen to prepare food
3,000
Full bar with access from concert and restaurant space, place for seating
2,000
Open rooftop spaces for flexible use, views of the city
1,400
Rooftop art gallery with walls to display and direct connected terrace
3,000
Secluded studios with acoustic treatment, have own restrooms
1,400
ADA compliant restrooms, 8 w.c. 4 urinal and 3 lavatories per floor
600
Fire code compliant stair for safe exit of the building
900
Room for the building’s mechanical equipment
400
45,300
SPACES
PROJECT 2:
CONCERT HALL - BRAZIL
PROGRAMMING PROCESS:
PROJECT 2:
CONCERT HALL - BRAZIL
DESIGN PRODUCTION:
PROJECT 2:
CONCERT HALL - BRAZIL
SITE ISOMETRIC:
PROJECT 2:
CONCERT HALL - BRAZIL
SITE AND STACKING PLAN:
PROJECT 2:
CONCERT HALL - BRAZIL
ELEVATIONS AND FACADE DETAIL:
WEST ELEVATION:
SOUTH ELEVATION:
Level 4 45' - 0"
Level 3 30' - 0"
Level 2 15' - 0"
Level 1 0' - 0"
ENCLOSURE DETAIL:
FACADE MATERIAL: The facade is an alternating-width slat using a laminated panel system held in by horizontal pylons and framing
PROJECT 2:
CONCERT HALL - BRAZIL
SECTION PERSPECTIVES:
PROJECT 2:
CONCERT HALL - BRAZIL
OVERVIEW:
PROJECT 2:
CONCERT HALL - BRAZIL
DESIGN PROCESS:
PROJECT 2:
CONCERT HALL - BRAZIL
DESIGN PROCESS:
PROJECT 2:
CONCERT HALL - BRAZIL
1/16”= 1’ SCALE MODEL:
LEVEL 4:
LEVEL 3:
LEVEL 2:
LEVEL 1:
© JACKSON GARBER 12/3/2021