3.3 Ruins

The most substantial aspect of architecture’s atmosphere is that it may be open-ended and interpreted in various ways.

Architecture can be used to arouse curiosity, emotions and senses to tell a story (Sadowniczyk, 2020). This theme can convey a message, teach us about the past or make a statement.

3.2.4 Conclusion

In conclusion, adaptive reuse provides an architectural solution to regenerate a space back into the active urban fabric through an effective programme that creates new growth opportunities. Opportunities can take the form of skills development, economic values and social substance for individuals and the city fabric.

Additionally, a programme that focuses on social sustainability enhances the connections between users and the surroundings through reactive and interactive architecture that reflects human interests.

Lastly, derelict areas allow architecture to operate as a catalyst for recovering past histories and identities, both tangible and intangible, through economic, social, political and cultural situations.

3.3.1 Importance of Ruins

Ruins, according to Muceniece (2015), are an irreplaceable resource for cultural and historical inquiries. Ruins often have aesthetic appeal in addition to their heritage worth. Heritage structures combined with natural factors in the surrounding area could form an essential recreational, cultural and social hub.

Ruins of cultural buildings, or any other building in some way, are far more significant than any other partially preserved historical artifacts or artworks. They are places where time and physical dimensions intersect. Ruins as unrestored structures cannot be completely employed as a building where people are constantly engaged, yet historic ruins provide another form of value despite this loss of practical purpose (Muceniece, 2015).

Buildings undergo physical changes over time with the course of nature and, in many cases, from a lack of upkeep. The materiality of major historic constructions can be appealing with age where materials such as stone, brick and bronze have been used. The materiality can also be unpleasant, such as when concrete, aluminium and steel have been used. According to Muceniece (2015), many people visit historic places and admire the landscapes that integrate the site with its cultural heritage. These spaces tend to become a source of spiritual renewal, or a place to study, understand and be inspired by.

The presence of nature aids a visitor’s proximity to the ruins. The combination of the ruins with nature may present a different paradigm. However, vegetation should not overwhelm old structures entirely, and a balance between architectural and natural environments should be implemented.

Ruins can reveal a building’s prior greatness, significance or beauty. They can enchant and frighten people because they bear witness to the failure of humankind to protect its creations.

According to Muceniece (2015), ruins have always been a source of inspiration for members of various art movements. From the 18th to 19th century, ruins were often featured as a popular theme within landscape drawings. In modern times, ruins attract great interest in their redevelopment. They are often associated with creative minds such as photographers, graffiti artists and writers. These places can create an emotional background that draws users for the different reasons of an atmospheric awakening.

Ruins of old buildings are essential elements of a landscape, city or region, which together with adjacent