JR0052
Jake Runestad
COME TO THE WOODS SATB choir (divisi) & piano
Music jakerunestad.com
Text Another glorious day, the air as delicious to the lungs as nectar to the tongue. The day was full of sparkling sunshine, and at the same time enlivened with one of the most bracing wind storms. The mountain winds bless the forests with love. They touch every tree, not one is forgotten. When the storm began to sound, I pushed out into the woods to enjoy it. I should climb one of the trees for a wider look. The sounds of the storm were glorious with wild exuberance of light and motion. Bending and swirling backward and forward, round and round, in this wild sea of pines. The storm-tones died away, and turning toward the east, I beheld the trees, hushed and tranquil. The setting sun filled them with amber light, and seemed to say, “Come to the woods, for here is rest.” [Taken from writings by John Muir, adapted by the composer.]
Performance Time
c. 11:00
About the Work Commissioned by Conspirare. Craig Hella Johnson, artistic director.
About the Composer Considered “highly imaginative…with big ideas” (Baltimore Sun) and “stirring and uplifting” (Miami Herald), award-winning composer Jake Runestad (b. 1986) has received commissions and performances from leading ensembles and organizations such as Washington National Opera, the Netherlands Radio Choir, the Louisiana Philharmonic Orchestra, Choral Arts (Seattle), Seraphic Fire, the Dayton Philharmonic Orchestra, the Virginia Arts Festival, the Rockford Symphony Orchestra, Craig Hella Johnson and Conspirare, and the Master Chorale of Tampa Bay. Dubbed a “choral rockstar” by American Public Media, Jake is one of the most frequently performed composers in the U.S.A. Jake Runestad holds a Master’s degree in composition from the Peabody Conservatory of the Johns Hopkins Universit y where he studied with Pulitzer Prize-winning composer Kevin Puts. He has also studied extensively with acclaimed composer Libby Larsen. A native of Rockford, IL, Mr. Runestad currently lives in Minneapolis, MN and his music is published by Boosey & Hawkes and JR Music. Find out more at: JakeRunestad.com
Perusal Score
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Important: This score is not licensed for performance. Unauthorized reproduction is prohibited by law. Š 2015 Jake Runestad. All rights reserved.
Choral Works by Jake Runestad
Alleluia And So I Go On Come to the Woods Dereva Ni Mungu Dreams of the Fallen Fear Not, Dear Friend Good Night, My Love I Will Lift Mine Eyes Let My Love Be Heard The King of Love Lux Aeterna Nada Te Turbe None Other Lamb Nyon Nyon Peace Flows Into Me The Peace of Wild Things Sing, Wearing the Sky Sleep, Little Baby, Sleep Spirited Light We Can Mend the Sky Why the Caged Bird Sings
SATB div., unaccompanied SSAATTBB, unaccompanied SATB div. & piano SATB, percussion, & piano TB, percussion, & piano Piano, chorus, & orchestra SATB div., unaccompanied SATB & piano SATB div., unaccompanied SATB div., unaccompanied SATB & piano SSAA, unaccompanied SSAATTBB, unaccompanied SATB & piano SATB div., unaccompanied SATB & piano SATB div. & piano SSAA, violin, piano, & percussion SATB, unaccompanied SATB div., unaccompanied SATB div. & percussion SATB div., unaccompanied
For perusal scores, recordings, and to purchase scores, please visit:
JakeRunestad.com
3:00 8:00 11:00 3:00 3:00 25:00 6:00 4:00 4:30 4:00 4:00 5:00 6:00 4:00 3:30 4:00 6:00 5:00 4:30 4:30 8:00 8:30
Commissioned by Conspirare. Craig Hella Johnson, artistic director.
COME TO THE WOODS John Muir (1838-1914)
Pe D ru o sa N lS ot c Co ore py
Jake Runestad (b. 1986)
Joyfully q=88
f > > ° #7 ‰ j > œ ™ œ œj 44 w w ™ Soprano & 8 œ œ œ
An-oth- er glo - ri-ous
Alto
Tenor
day,
f > > #7 ‰ j > j 4 w & 8 œ œ œ™ œ™ œ œ 4 w ‹ An-oth- er glo - ri-ous day,
{
#7 & 8
Piano
Joyfully q=88
? # 87
|
∑ ∑
mf
7 8
mf
7 8
w w
> >œ™ œ œ ww j > œ™ 4 ? #7 œ J 4 ¢ 8‰ œ An-oth- er glo - ri-ous
7 8
ww
ww
f
Bass
w w
day,
f > #7 ‰ j > j 4 > & 8 œ œ œ ™ œ ™ œ œ 4 ww
An-oth- er glo - ri-ous
mf
mf
7 8
day,
>œ
4 Ó 4 4 Œ 4
œ œœ
>œ
6
mf
˙™ ™ >˙
6
6 >œ >œ œ œœ œ œ œ œ œ œ œ œ 7 œ œœœ œœœ œœ 8 œ œ œ œ œœ œ œ œ œ œ
˙ ˙
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Copyright © 2015 Jake Runestad, JR Music (ASCAP). Ver. 9.1.15 All rights reserved. International copyright secured.
Ó
3
7 8
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2 S
° #7 ‰ & 8 4
#7 & 8‰
A
#7 & 8‰ ‹
Ϫ
> œ
Ϫ
j œ
> œ
Ϫ
j œ
>œ
Ϫ
j œ
an - oth - er f
j œ
an - oth - er f
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œ
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-
glo
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-
glo
>Ϫ
-
glo
-
œ J
4 >˙˙ 4
j œ
> 4 ˙ 4 n˙
ri - ous
œ
ri - ous
œ
day,
day,
œ J
4 #n>œœ 4
œœ J
‰
œ J
> 4 œœ 4
œœ J
‰
œœ J
‰
j œœ
‰
œ
œ the
œœ
the
˙
Pe D ru o sa N lS ot c Co ore py
T
> œ
f
molto rit.
B
? #7 ¢ 8‰
{
> œ # 7 œJ & 8
Pno.
f
? # 87 j œ 4 >œ
an - oth - er f
an - oth - er
S
‰
Œ
‰
Œ
bœœ ™™
as
mp with a lilt
bœœ
air
{
&
Pno.
6
j œœ
de
as
de
Ϫ
bœ
air
as
de
nœ
mp
bœ œ bœ œ b œ b œ bœ œ œ œ 6
-
li
-
j œœ
li
the
6
˙˙˙
3
-
3
-
j œ
bœ
Flowing q=66
?#
bbœœ
mp with a lilt
? # bbœœ
#
Œ ˙™ ˙™ >
bnœœ
Ϫ
# & bœ ‹ air
¢
˙˙
œ
4 Π4
de
as
mp with a lilt
B
Ϊ
#
mp with a lilt
air
T
day,
the
4 Ó 4
bœ ™ nœ ™
&
ri - ous
Ϊ
° # bnœœ &
A
œ
day,
molto rit.
Flowing q=66
6
ri - ous
li
-
j bœ li
-
œ nœ
6
3
-
3
-
3
6
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cious
to
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to
bœ
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to
œœ
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cious
j œ
3
the
j œ
3
the
œ J
3
the
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3
to
the
bœ œ œ œ œ œ œ œ œ œ œ 6
∑
œ
œ œ #œœ œœ # œœ œœ œ
nœ
6
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3
° # bbœœ ™™ &
bœ J
bœ ™
as
nec
j œ
œ
as
nec
bœ J
œ
7
S
lungs
&
A
#
lungs
& ‹
# bœ ™
bœ tar
-
œ tar
-
œ
3
bœ
to
j bœ
4 4
j bœ
4 4
j bœ
4 4
œj bœ
4 4
the
3
bœ
to
the
3
bœ
Pe D ru o sa N lS ot c Co ore py
T
œ
B
¢
bϪ ?# b Ϫ
{
&
Pno.
lungs
as
bœ bœ J
lungs
#
bœ
nec
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as
nec
tar
- -
-
to
œ bœ
bbœœ
tar
to
the
3
the
œ œ bœ b œ œ œ œ œ œ œ œ 4 b œ œ œ b œ œ œ bœ œ œ œ œ œ 4 6
6
6
?#
6
∑
4 4
7
Joyfully q=88
accel.
° #4 & 4 bbww
#### 7 #8 ‰
#4 & 4 bbww
#### 7 ‰ #8
#4 w & 4 bbw ‹ tongue.
#### 7 ‰ #8
8
S
tongue.
A
tongue.
T
B
¢
{
An - oth - er
glo - ri - ous
> > j œ™ œ œj 44 œ œ œ™
f
An - oth - er
glo - ri - ous
> > j œ™ œ œj 44 œ œ œ™
f
#### 87 ‰ œj >œ œ ™ >œ ™ œ œ 44 # J An - oth - er
glo - ri - ous
f
? # 44 bbw w
tongue.
An - oth - er
glo - ri - ous
Joyfully q=88
accel.
>. œ œ # œ œ # œ # # œ 7 # œ # # œ œ # #œ œ #8 J ‰ Œ œ œ œ œ # œ # œ # œ œ #œ œ 6 #œ #œ œ mf ” “ œ#œ #œ #œ œ œ œ œ # œ # œ ? # 44 Œ #### 87 j ‰ Œ Œ # 6 3 œ >. 8 # 4 #œ & 4
Pno.
> > j œ™ œ œj 44 œ œ œ™
f
6
6
6
Ϊ
4 4
Ϊ
4 4
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4
> ° #### 4 w & #4 w 10
S
7 8‰
day,
A
# ## 4 > & # # 4 ww
7 8‰
> ## 4 w & # ## 4 w ‹ day, > ? #### 44 ww # ¢
7 8‰
> œ œ™
>Ϫ > Ϫ
an - oth - er
j œ
4 4
j œ œ
4 4
#œ œJ
4 4
œ œJ
4 4
> œ œ™
glo - ri - ous
> œ œ™
>Ϫ
an - oth - er
j œ
#œ œJ
glo - ri - ous
Pe D ru o sa N lS ot c Co ore py
day,
j œ
T
B
{
## 4 & # ## 4 Œ
Pno.
7 8‰
? #### 44 Π#
10
Œ
6
mf
>œ ™
glo - ri - ous
‰
Œ
Ϊ
4 4
‰
Œ
Ϊ
4 4
f
˙˙
Œ ˙™ ˙™
an - oth - er
œ J
>. œ 6 œ œ œ œ œ œ 7 œ œ 8J œ œ œ œ
day,
>œ œ ™
glo - ri - ous
an - oth - er
7 j 8œ œ >.
accel.
> ° #### 4 nw & #4 w 12
S
mf
>™ > ‰ nœJ œ œ ™ 12 8 nœ f
˙˙
day,
A
an-oth - er
## 4 > & # ## 4 ww
mf
## 4 > & # ## 4 nw ‹ day,
mf
day,
T
B
Pno.
> ? #### 44 w # ¢
{
day,
> > ‰ j nœ ™ 12 8 n˙ ™ nœ œ
˙˙
an-oth - er
glo
f >˙™ > n ‰ œJ œ œ ™ 12 8
˙ ˙
-
-
glo
j >œ nœ ™ 12 >œ™ ‰ nœ 8 f
“”
an-oth - er
>. j ‹ œ n œ # œ # œ n œ œ œ œ n œ # œ œ œ œ # 4 œ œœ œœ & # ## 4 Œ Œ œ œ œ œ œ œ œ #œ œ œ #œ ‹œ œœ œ œ œ nœ nœ nnœœ ‰ Œ J 6 >. mf f ? #### 44 Œ Œ Œ # ˙™ ˙ ˙ 12 >˙ ™ 6
glo
œ ™ œ œœ #
-
-
# œ™ œ nœ ri - ous,
-
œ™ œ œ # ri - ous,
Ϫ
nœ ™
-
nœ ™
-
-
-
-
-
ri - ous,
-
nœ ™
f
an-oth - er
mf
glo
Ϫ
Ϫ
œ™ nœ
nœ #
ri - ous,
> n>œ ™ n>œ ™ œ n œ >œ ™ n œ œ œœ ™™ œ œ œ ™ nn œœ œœ # 12 nœ ™ œ nœ œ™ nœ œ œ œ 8 accel.
12 nœ ™ 8 n>œ ™
n>œ ™ nœ ™
n>œ ™ nœ ™
œ™ n>œ ™
#
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Joyfully q.=80
° # ˙™ & œ™ >
œ J
# & Ϫ
> Ϫ
15
S
day.
day.
A
day.
Glo
-
j œ œ œœ™ >
2
>œ ™
‰
Tutti
ri - ous day,
> Ϫ
œ œ œ™
Glo - ri - ous day,
>œ ™
œ œ >œ™
glo - ri - ous day,
> Ϫ
œ œ
glo - ri - ous
# w™
glo - ri - ous day,
> Ϫ
day,
T
B
¢
> œ œ œ™
> Ϫ
glo - ri - ous day,
Ϊ
Ϊ
Ϊ
Ϊ
day.
? # nw ™
{
S
day.
Joyfully q.=80
Ϫ
f
° # >œ ™ &
œ œ >œ™
#> & Ϫ
> Ϫ
p
glo - ri - ous day, p
A
day,
T
B
# & ‰ ‹
?# ‰ ¢
{
œ œ œ œj œ ™
œ
>œ ™
2
mf
j œ
œ
mf
?# œ w™ w™ 17
œj œ ™
œ w™ w™
œ œ
œ
>œ ™
glo - ri - ous day,
glo - ri - ous day,
glo - ri - ous. Ah
> œ œ œ™
> Ϫ
œ œ
> Ϫ
j œ œ
day
was full
mf
j œ
œ
œ œ J
The
day
was full
œ
> Ϫ
j œ œ œ œ
œœ
œ œ œ œ J
œ 2 œœ
glo - ri - ous day,
of
of
2
œœ ™™
spark - ling sun - shine
> œ œ œ™
œœ ™™
‰ ‰
spark - ling sun - shine
œj œ ™
œ œ œ™ œ
glo - ri - ous day.
œœ
œ œ œ œj œ ™
œ
>œ ™ œ > œ œ™
The
œj œ ™
œ œ œ
œ œ >œ™
glo - ri - ous day,
2
œ œ
œ
rit.
œ œ #œ œ & œ œ œ œ œ œ œ œ
Pno.
p
˙™
? # Œ™ w™ w™ 15 > 17
œ œ
glo - ri - ous
p
˙™
>œ œ œ #œ œ & œ œ œ œ
Pno.
5
œ œ >œ™
Pe D ru o sa N lS ot c o Co r e py
& ‹
2
‰
Ϫ Ϫ >
Sop 1
2
2
œ J
œ
and
at
j œ
œ
and
at
2
bbb â ä
œ
bbb â ä
œ
bbb
Ah
2
œ
the
2
œ
the
bbb
œ œ œ œ œ b œ œ œ œ œ bb œ œ œ œ œ rit.
œ w™ w™
œj œ ™
œ
œj œ ™
bbb
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6
S
° bb bœ ™ & b
Flowing q.=66
19
Ϫ
(ah)
b & b b bœ ™
(ah)
b & b b nœ ™
(ah)
b & b b bœ ™
6 8
Ϫ
Ϫ
Ϫ
Ϫ
Ϫ
Ϫ
6 8
Ϫ
Ϫ
Ϫ
6 8
6 8
Pe D ru o sa N lS ot c Co ore py
A
Ϫ
Ϫ
b nœ ™ &b b ‹ same
(ah)
mp lightly with a lilt
T
bœ
? b nœ ™ ¢ bb
time
mp lightly with a lilt
B
j bœ
poco gliss.
bœ
same
en
j bœ
poco gliss.
time
en
-
-
œ œ™
liv - ened
œ œ™
liv - ened
œ
with
œ
with
œ
œ
œ
one
of
the
œ
œ
one
of
œ
the
6 8 6 8
b œ b œœ ™ œ œœ™ œ œœ ™ œ œ n œ œ œ 6 b œ œ œ bœ bœ œ œ œ œ œ œ œ 8
Flowing q.=66
Pno.
bb b & { 19
n œœ™ mp
S
A
T
B
Ϫ
12 ™ 8 b˙
˙™
b6 & b b 8 Ϫ
bœ ™
12 ˙™ 8
b˙ ™
b6 & b b 8 bœ ™
Ϫ
12 8 b˙ ™
˙™
bœ ™
12 8 ˙™
˙™
b6 & b b8 œ ™
b6 ™ & b b 8 bœ ‹ most
?b6 ™ ¢ b b 8 bœ
most
Pno.
rit.
° b6 & b b 8 bœ ™ 20
b6 { & b b8 20
b œœ™
œ
brac
-
œ brac
œ J
12 œ 8
œ J
12 œ 8
ing
ing
2
wind
wind
œ
storms. 2
œ
storms.
˙™ ˙™
#œ
#### 4 #4
#œ
#### 4 #4
#œ
#### 4 #4
Ϫ
#### 4 #4
Ϫ
#### 44 #
#### 4 #4
“” ™ b œ œ™ ™ b œ œ b œ œ œ œœ œ œ œ #### 4 œ bœ œ œ 12 œ bœ œ b œ b œ œ œ œ œ œ b œ œ b œ œ œ b œ œ œ œ œ #4 8 bœ œ -
rit.
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8
° #### & # 36
S
¢
∑
j œ
‰
œ
∑
<“>
Ó
â ä
p as a soft breeze
j œ
‰
œ
œ
The moun - tain
Delicately flowing q=68
#### ˙ & #
Pno.
â ä
œ
The moun - tain
## & # ##
{
Ó
p as a soft breeze
œ œ™ œ œ™
Pe D ru o sa N lS ot c Co ore py
A
Delicately flowing q=68
œ œ
œ
œ œ
œ œ
œ œ
œ œ
œ œ œ œ
pp
#### œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ & #
36
poco rit.
° #### & # œ™ 38
j œ œ™
winds
S
bless
## & # ## Ϫ
winds
{
38
j œ
bless
the
∑
œ œ œ
Œ
for - ests
œ œ œ
œ
with
Œ
for - ests
œ œ œ
mp
for - ests
œ œ œ
for - ests
pp
Ó
∑
œ
with
œœœœ œ
mp
love.
mp
3 4 œ
œœœœœ
œœœœœ
5 œ nœ œ œ œ œ 4 3
love.
3 ™ 4 nn˙˙ ™
3
p
love,
a tempo
3 œœœœ4 œ mp
œœœœœ
5 4
3 ™ 4 n˙˙ ™
˙
œœœœœ
love.
3
p
With
œœœœœ
3
5 4
love,
pp
poco rit.
œ œ nœ œ œ œ 45
love.
œ
˙
Ó
mp
3 4 ˙™
with
Œ
5 4
œ
with
Œ
3 4 ˙™ 3 4 œ
With
? #### #
## & # ##
the
j œ œ™
## & # ## ‹
## & # ## œ
Pno.
j œ
bless
## & # ## Ϫ
¢
the
j œ œ™
winds
B
j œ
bless
## & # ## Ϫ
T
the
j œ œ™
winds
A
j œ
a tempo
œœœœœ
œœ œ œnœ œ
nœ ? 3 nœ nœ œ 4 ø
œ œ œ
sim.
5 4 5 œ4 5 4
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9
3 ° #### 5 œ œ3 nœ œ œ œ ˙™ & #4
41
# ## 5 & # #4 ˙ ## 5 & # ## 4
A
## 5 & # ## 4
T
B
4Π4
œ
œ
they
touch
œ
3
bbb 43
œ
eve - ry
Pe D ru o sa N lS ot c Co ore py
S
p
œ œ nœ ˙
œ nœ œ œ œ œ ˙ ™ 3
œ nœ
## 5 ™ & # ## 4 ˙˙™ ‹
? # # 5 ˙ ™™ ¢ # ## 4 ˙
{
? #### 45 œ #
41
œ nœ
œœ œœœœ
nœ
œ
œ œœ
4 nœ nœ 4
touch
œ
œ
they
touch
œ
3
eve - ry
3
œ
nœ
bbb 43
eve - ry
3
œ
they
touch
eve - ry
Œ
nœ
œ
pp
œ
eve - ry
‰
Œ
pp
nœ
œ
eve - ry
œœ œ œ nœ œ
nœ
nœ
bbb 43
œ
‰
bbb 43
œ
œ
œœ J
œ 4œ œœœœ 4 œ
they
œœ J
4 œœ 4
˙˙
## 5 & # ## 4 œ nœ œ œ œ
Pno.
4 œœ 4
˙˙
œ
p
4Π4
˙
œ
p
4Π4
3
˙
p
4Π4
3
œ œœ
bbb 43
3 bbb 4
œ bbb 43 œœœœ œ
3 bbb 4
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10
° bb 3 n˙ ™ & b4 mp
5 4 œ nœ bœ nœ
œ œ ˙™
3
3
Pe D ru o sa N lS ot c Co ore py
43
tree
4 4ä
S
mp
b3 & b b 4 nœ
œ nœ bœ nœ œ œ 45 ˙
œ œ œ nœ
3
3
tree
mp
b3 & b b 4 n˙ ™
3
3 5 4 œ bœ nœ nœ
tree
3
œ œ ˙™
œ
œ
4â 4 4 4ä
A
mp
b3 & b b 4 nœ
3 3 5 œ bœ nœ n œ œ œ 4 ˙
3
œ œ œ ˙
4â 4
tree
b 3 b˙ ™ & b b4 b ˙ ™ ‹ tree. p
T
? b 3 bn˙˙ ™™ ¢ b b4 p
B
{
tree.
b3 & b b4 œ
Pno.
? bb 43 bœ bœ b 43 ø
nœ œ nœ œ bœ nœ
bœ
œ
œ œ œ
5 ˙™ 4 ˙™
˙˙
4 4
5 ˙™ 4 ˙™
˙˙
4 4
5 œ œ œ 4œ œ œ 5 4œ
œ œ œ
œ œ œ œ n œ œ œ œ 4 œ 4 œ œ œ œ ˙™
4
&4
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° bb 4 & b4
Œ
b4 & b b4
Œ
45
S
A
mp
œ œ œ3 œ
b nœ œ ˙
not one is for
mp
3
nœ œ œ œ Œ
-
j œ ‰ œ
˙
Not
mf
b œ œ ˙™
j œ ‰
˙
got - ten. mp
mf
b œ œ ˙™
11
œ
œ
T
B
Pno.
for
˙˙
?b4 ¢ b b4
{
b4 & b b4
nœ
fi
45
S
Œ
° b4 & 4 ˙™
got - ten.
-
-
œ œ œ ˙ w
b
œ œ ˙
4 4
œ ‰ ˙ J
4 4
A
b œ œ nœ œ œ œnœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 44
?
n˙ ™ b ˙˙ ™™
ø
mp
œ
w
mf
w
w
mp
mf
œ
w
mf
w
? 4w ¢ b4
{
rit.
mp
4 & b 4 ˙™ ‹ one.
w w w
mf
mp
B
œœ œ
mf Pedal freely
one.
T
Not
mp flowing
ww w
œ
got - ten.
one.
4 & b4
nœ
mf
one.
rit.
œ œ œ œ œ œ œ œ œ 4 œ œ œ œ œ œ œ & b4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
Pno.
? b 44 ˙˙ ™™ ˙™
48
4 4
œ ‰ ˙ J
Not
mp
œ
for
b4 & b b4 œ œ œ
48
œ
4 4
Not
Pe D ru o sa N lS ot c o Co re py
˙˙
œ
got - ten.
-
not one is for
b4 & b b4 ‹
mf
œœ œ
w w w
4 4
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12 S
° b & w 50
slowly close to "n"
U œ
˙™
2 4˙
w
˙
o U Œ
œ
nn slowly close to "n"
&b
˙™
w
nn
w
U œ
w
2 4
˙
˙
o U Œ
œ œ
o U Œ
œ
o U Œ
Pe D ru o sa N lS ot c o Co r e py
A
U œ
˙™
&b w ‹
slowly close to "n"
T
¢
?b w
{
&b
Pno.
?b
50
“” w p
w
q.=60
° b Œ™ &
˙™
A
T
B
œj ‰ œœœ œJ
mp
Pno.
w
œ œœ œ œ
œ œœ œ œ
U œ œœ œœ
w w w w w
Œ
U Œ
accel.
mp
Ϫ Ϫ
Ah
Ϊ Ϊ
2 4
∑
œ œœ œœ
∑
“”
˙ ˙
œœœœ
˙˙ ˙
œœ
U œ œœœœ œ
12
Œ
Joyfully q.=80
˙™
U Œ
˙™
mf
mf
Ϫ
> Ϫ
mf
œ œ
Ϫ
Ϫ
> Ϫ
> Ϫ
>Ϫ
Ϊ
mf
accel.
Ϫ
œ œ
> Ϫ
glo - ri - ous day,
œ œ
Glo - ri - ous
œ œœ œœ œ œ œ œ œ œ ™ & b œ‰ œ œœ œ œ œ œ œ
56
œ 2œ 4 œœ œ
˙
Glo - ri - ous day,
? ™ ¢ bŒ
?b ˙™ ˙™
2 4˙
Ah
mp
&b Œ™ ‹
{
œ œœ œœ
Ó
&b Ϊ
q.=60
U œ
nn
56
S
˙
nn
slowly close to "n"
B
2 4˙
>œ ™
>Ϫ
day,
œ œ
glo - ri - ous
Joyfully q.=80
>œ œ
œ
œ
Œ™ ˙™ ˙™ > Pedal freely
f
œ œ™
œ
œ
œ œ ˙™ ˙™
œ
œ œ œ œj œ™
œ
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° b ˙™ &
Ϊ
59
S
œ
œ
When
Ϊ
Ϫ
& b Ϫ
A
œ œ
> Ϫ
ri - ous
day,
glo
storm
‰
œ
> œ
œ
the
j œ
Ϫ
j œ
Ϫ
œ œ
> Ϫ
ri - ous
day,
be - gan
storm p
œ œ
> Ϫ
ri - ous
day,
glo
>Ϫ
p
œ œ
to
œ œ
be - gan
> Ϫ
to
Pe D ru o sa N lS ot c Co ore py
T
> Ϫ
the
mf
When
> & b œ™ ‹ glo
> œ
mf
‰
13
B
¢
> ?b Ϫ
{
&b
Pno.
-
>Ϫ
day,
glo
œ
œ
?b œ
œ
œ
œ J
Ϫ
-
œ œ
>œ ™
ri - ous
day,
œ
œ
œ
-
glo
œ
œ
œ
œ
œ J
Ϫ
>œ ™
œ œ
-
ri - ous
>Ϫ
day,
glo
œ
œ
œ
-
œ
mp
œ
œ
œ
œ J
Ϫ
œ œ
ri - ous
-
œ
œ
59
S
rit.
62 > ° b ˙™ & ˙™
sound,
> b & ˙˙ ™™
A
sound,
> & b œ™ ‹ glo
T
B
¢
? b >œ ™
{
?b œ
62
>Ϫ
glo
˙˙ ™™
j œœ
> Ϫ
mp
glo - ri - ous day,
glo
> Ϫ
ri - ous day,
-
day,
œ &b
Pno.
œ œ
> Ϫ
˙˙ ™™
j œœ
-
œ œ
>œ ™
ri - ous
day,
œ œ
œ œ J
œ œ™
œ
œ
œ
>Ϫ
œ œ
glo - ri - ous
œ
œ
œ œ J
œ œ™
‰
œ
œ
>œ ™
œ
2
‰
œ
œ œ
œ
#### 12 8 #### 12 8â ä
œ
#### 12 8â ä
Ah
œ J
œ œ
day,
œ
2
> œ œ
œ
pushed
#### 12 8
pushed
ri - ous. Ah
-
œ
I
mp
œ
2
I
> Ϫ
rit.
œ
2
2
2
œ œ œ œ œ œ œ™
#### 12 8 #### 12 8
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14
Flowing q.=66
° #### 12 #œ ™ 8 & 65
S
mf
œ
j œ nœ
j œ œ™
in - to the woods
to
en - joy
it.
nœ
œ
j œ nœ
j œ œ™
in - to the woods
en - joy
Ϫ
nœ ™
it.
Ϫ
Ϫ
to
#œ ™
Ϫ
Ϫ
nœ ™
Ϫ
#œ ™
Ϫ
nœ
out
#### 12 #œ ™ 8 & mf
A
out
# # 12 nœ ™ & # #8 ‹ (ah)
p sotto voce
2
œ #œ #œ
2
œ œ
Ϫ
j œ
2
‰
##
Ϫ
j œ
2
‰
##
Ϫ
Ϫ
Ϫ
##
nœ ™
nœ ™
Ϫ
Ϫ
## â
Ϫ
Ϫ
Ϫ
Ϫ
Ϫ
Ϫ
##
Ϫ
Ϫ
Ϫ
Ϫ
Pe D ru o sa N lS ot c Co ore py
T
p sotto voce #### 12 #œ ™ 8 & ‹ (ah)
œ #œ #œ
#œ ™ ? #### 12 8
p sotto voce
(ah)
B
nœ ™ ? #### 12 8 ¢
p sotto voce
(ah)
##
™ œœ ™ œœ™ œœ ™ nœœ™ #### 12 œœ œ œ œ œœ™ œ œœ ™ œ œ œ œ n œ œ œ œ œ œ œœ™ œ œ œ œ ## œ œ œ œ œ œ œ œ œ œ œ œ œ œ 8 & { œ œ œ œ œ œ œ œ Flowing q.=66
Pno.
65
p
° ## >œ™ & 67
S
ø
œ œ >œ
j œ œ™ > œ™
Glo - ri-ous day,
A
T
# & # Ϊ
#T2# œœ ™™ & ‹ T1 ? ## œ ™
B
Pno.
? # œ™ ¢ #
Ϊ
œ J
2
‰
> œ œ œ
œœ J
Ϫ Ϫ
2
‰
>Ϫ
œ œ >œ
Glo - ri-ous day,
Ϫ Ϫ
œ J œ J
> œ œ œ
j œ ˙™
glo - ri-ous day,
Glo - ri-ous day, mf norm.
> Ϫ
2
‰
j œ œ™
j œ
2
j œ œ™
j œ
2
>œ ™
mf norm.
> œ œ œ™
glo - ri-ous day,
2
‰
>œ ™
mf norm.
> œ œ œ™
glo - ri-ous day,
‰
> Ϫ
9 8
> œ œ œ™
9 8
> œ œ œ™
9 8
glo - ri-ous day,
‰
> Ϫ
glo - ri-ous day,
˙™ ˙™
9 8 9 8
## œœ ™ œ œ œ œœ™ œ œ œ œœ ™ œ œ œ œœ™ œ œ œ œœ ™ œ œ œ œœ™ œ œ œ œœ ™ œ œ œ œœ™ œ œ œ 9 8 {& œœ œœ œœ œœ œœ œœ œœ œœ 67
mp
ä
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A bit faster q.=72
° ##9 ‰ & 8 œ œ 69
S
> 12 > ™ œ ™ œ œ œ 8 ˙˙™
2 ‰ œ œ œ œ 98 ˙˙ ™™
> > 12 œ ™ œ œ œ 8 ˙˙ ™™
mf sudden excitement
I should climb one of the
A
### 12 8
‰ œ œ œ œ 98 ˙˙ ™™
œœ ™™
### 12 8
2 ˙™ ‰ œ œ œ œ 98 ˙ ™
œœ ™™
### 12 8
for a wid - er
look.
2
trees
for a wid - er
mf sudden excitement > ##9 ‰ 12 >˙ ™ & 8 œ œ œ ™ œ œ œ 8 n˙ ™ ‹ I should climb one of the trees
for a wid - er
look.
look.
Pe D ru o sa N lS ot c Co ore py
T
œ œ
I should climb one of the
œœ ™™
trees
mf sudden excitement
#9 & #8 ‰
15
>œ™ œ œ œ 12 n˙>˙ ™™ 8
œ 2 œ 9 ˙™ ‰ œ œ 8
mf sudden excitement
B
Pno.
?# 9 ‰ œ œ ¢ #8
{
I should climb one of the
mf
? ##98 j ‰ ‰ œ 69 >œ
° ### 12 & 8 72
S
A
Ϊ
Ϊ
12 Œ ™ 8
Ϊ
Ϊ
12 Œ ™ 8
Ϊ
Faster q.=88
Ϊ
∑
# # 12 & # 8 Ϊ
for a wid - er
œœœœœ
A bit faster q.=72
##9 œj ‰ ‰ & 8œ >
trees
Ϊ
B
# # 12 &# 8 ‹
{
look.
9 Ϊ 8
œ œ œ#œ œ œ œ œ œ œ œ œ
9 Ϊ 8
f
œ œ œ ˙™ œœœœœœœœœ œœ œ Œ™
Ϊ
˙™
Ϫ
2
Ϊ
œ œ œ œ œ œ œ ˙™ œ œ œ œ œ œ œ œ œœ œ Ah
∑
Ϊ
œ
mp cresc. poco a poco
Ϊ
Ϊ
œ œ œ œ œ œ œ ˙™ œ œ œ œ œ œ œ œ œ œ œ
Ϊ
Ah
˙™
Ϫ
Ϊ
Ah
∑
™ œ™ ? ### 12 8 Œ œ™ w™ w™ 72 >
Ϫ Ϫ
œ ™™ œ
mf mp cresc. poco a poco
Ϫ Ϫ
œ ™™ œ
∑
Ϫ Ϫ
### 12 8 ### 12 8
œœœ Ah
œ œœ œœœœœ œœœ œ
mp cresc. poco a poco
mp cresc. poco a poco
Faster q.=88
œ
### 12 8
Ah
? # # 12 ™ œ œ œ œ œ œ œ œ œ ˙™ ¢ # 8 Œ œœœœœ œ # # 12 &# 8
Pno.
j œ ‰ ‰ Œ™ >œ
mp cresc. poco a poco
Ah
T
n œ >œ œ ‰ ‰ Œ™ J
Ϫ
œ ™™ œ
Ϫ Ϫ
œ ™™ œ ∑
œ ™™ œ
Ah
œ œœœœœ œœœœœœ Ah
Ϫ Ϫ
œœœ
Ϫ Ϫ
Ϫ Ϫ
œ ™™ œ ∑
œ ™™ œ
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16 S
Ecstatic (q.=88)
U ° ### œ™ œ ™ ˙™ &
## 6 8
∑
U ˙™
## 6 8
∑
76
f
## & # ˙™
A
Freely
f
Ah
p
12 8 w™
Ah
U ˙™
Pe D ru o sa N lS ot c Co ore py
f
p
12 w™ 8
# # ˙™ &# ‹
T
˙™
U ˙™
f
B
¢
? ###
{
# # ˙™ & # ˙™
Pno.
? ###
∑
12 8
∑
## 68
∑
12 8
∑
Freely
U ˙™ ˙™
f
## 6 8
## 6 Œ ™ bœ nœ 8 bœ bœ ## 68 Œ ™
∑
œ #œ œ nœ
> # œœœ ™™™™ œœœœœœ ™™™™
ff lightening
76
Ecstatic (q.=88)
12 ≈ œ œ œ ≈ œ 8 œ œ
™ ‰ ‰ ® œœ œœ 12 8 Œ ™ >œ œœ >œ w w ™ œ> w >™ thunder
w™
A
# & # w™
w™
T
# & # Ó™ ‹
79
B
Pno.
Ϊ
Œ
j œ
mf
> Ϫ
œ œ
> œ
> Ϫ
œ œ
>œ
The sounds of the storm
?# ™ ¢ #Ó
{
œ œœ œœ œœ œ œ≈ œ≈œ
&
œœ ™™
Ϫ Ϫ
Pedal freely
° ## & w™
S
œœ ™™
mf
œœœ
Ϊ
Œ
mf
j œ
> j œ™ œ
œœ œ
j >œ™ œ
œœ œ
2
were glo - ri - ous
œ
with 2
œ
“” œ œ œ œœœœ œœ œœ œœœœ œ œ œ œ œ œ # œ≈ œ≈œœ œœ ≈ œœ œ ≈œœ œœ≈œ œ≈ ≈œ & # ≈œ œ œ # &#
79
œœ ™™
The sounds of the storm
œœ™™
œœ ™™
œœ ™™
?
Œ™ w ™™ w w >™
œœ ™™
were glo - ri - ous
&
œœ ™™
with
œœ ™™
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° ## & ˙™ 81
S
# &#
A
Ϫ
> Ϫ
j œ
mf
Ϫ
œœ
œ œ Œ
œ >œ ™ J
œ œ Œ
> Ϫ
œœ
> œ
j œ
œ
Ϫ
˙™
Ϫ
˙™
The sounds of the storm
j > œ œ
>œ
œ J
2
œœ œ
2
were glo - ri - ous
> j œ™ œ
œ
with
œœ œ
2
were glo - ri - ous
œ with
Pe D ru o sa N lS ot c Co ore py
œ >œ™ J
Œ
mf
> j œ™ œ
> œ
The sounds of the storm
˙™
# > &#œ ‹ wild
Œ
17
T
B
Pno.
¢
? ## >œ
{
ex - u - ber - ance
## œœ ™™ &
° ## >œ & 83
wild
## > & œ
A
wild
# ™ &#˙ ‹
T
B
Pno.
¢
and
œ >œ J
œ J
of light
and
mo -
>œ
tion.
2
œ
“” œ œ œ œœ œœ œœ œœ œœœœ œ œ œ œ œ œ # œ≈ œ≈œœ œœ ≈ œœ œ ≈œœ œœ≈œ œ≈ ≈œ & # ≈œ œ œ wild
ex - u - ber - ance
œœ™™
œœ ™™
81
S
of light
? ## Ϫ
{
œœ ™™
œ >œ™ J
œ œ Œ
ex - u - ber - ance
of light
and
j > œ œ™
œ œ Œ
j > œ œ
j œ
of light
and
ex - u - ber - ance
Ϫ
j > œ œ
?
Œ
mo -
œœ ™™
Œ™ w ™™ w w >™
j œ
œ
Ϫ
Ϫ
œ
> Ϫ
œœ
> œ
> j œ™ œ
œœ œ
> Ϫ
œœ
>œ
j >œ™ œ
œœ œ
mo -
mo -
œ
tion.
2
tion.
The sounds of the storm
Ϫ
Ϫ
Œ
f
j œ
œœ ™™
œœ ™™
˙™
2
> œ
f
&
Ϫ
>œ
œ J
tion.
2
were glo - ri - ous
j œ œ
with
2
œ
“” œ œ œ œœ œœ œœ œœ œœœœ œ œ œ œ œ œ # œ≈ œ≈œœ œœ ≈ œœ œ ≈œœ œœ≈œ œ≈ ≈œ & # ≈œ œ œ # &#
83
The sounds of the storm
œœ ™™
œœ™™
œœ ™™
œœ ™™
?
Œ™ w ™™ w w >™
œœ ™™
were glo - ri - ous
&
œœ ™™
with
œœ ™™
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° ## w˙ ™™ & 89
S
w ™™ w
˙™
w™
# & # w™
A
# &#œ œ œ œ œ œ œ œ œ ‹
œ J
œ œ œ œ œ œ œ
‰
œ œ œ œ œ
Pe D ru o sa N lS ot c Co ore py
T
19
2
round and round and round and round.
B
Pno.
?# œ œ œ œ œ œ œ œ ¢ #œ
{
# & # œœ ™™
œ ™™ œ
œœ ™™
° ## ˙˙ ™™ &
Ϊ
# & # ˙™
Ϊ
A
œ œ œ œ œ
¢
? ## œ œ œ œ œ œ œ œ œ
{
Bend - ing and swirl - ing, back - ward and for -
œœ ™™
mp
œ
Œ™ w w ™™ w™ >
?
2
œ œ œ œ œ œ œ
Ϫ
Ah
&
2
œ œ œ œ œ
2
ward,
œ œ œ œ œ
w™
‰
ward,
œœ ™™
Bend - ing and swirl - ing, back - ward and for -
round.
œ J
œœ ™™
Bend - ing and swirl - ing, back - ward and for -
mp
œ J
œœ ™™
œ œ œ œ œ œ œ
œ
Ah
# &#œ œ œ œ œ œ œ œ œ ‹ round and round and round and
T
Pno.
ward,
“” œ œ œ œœœœ œœ œœ œœœœ œ œ œ œ œ œ # œ≈ œ≈œœ œœ ≈ œœœ ≈œœ œœ≈œ œ≈ ≈œ & # ≈œ œ œ
91
B
2
œ œ œ œ œ œ œ
‰
round and round and round and round.
89
S
œ J
Bend - ing and swirl - ing, back - ward and for -
ward,
Ah
w™
‰
Ah
round and round and round and round.
œœ œœ “” œ œ œ œ œ œ œ œ œœ œ œ œ œ œ œœ œ œ # œ≈œ ≈ ≈œœ œœ ≈ œœœ ≈œœ œœ≈œ ≈ & # ≈œ œ œ # ™ & # œœ ™
91
œœ ™™
œœ ™™
œœ ™™
?
Œ™ w™ >
œœ ™™
œœ ™™
&
œœ ™™
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20
° ## œ œ œ œ œ œ œ œ œ &
œ J
# &#œ œ œ œ œ œ œ œ œ
j œ
93
S
œ œ œ œ œ œ œ
‰
2
round and round and round and round.
A
Bend - ing and swirl - ing, back - ward and for - ward,
‰
2
œ œ œ œ œ œ œ
round and round and round and round.
œ œ œ œ œ
Bend - ing and swirl - ing, back - ward and for - ward,
˙™
w w ™™
˙™
ww ™™
Pe D ru o sa N lS ot c Co ore py
# ™ & # ˙w ™ ‹
œ œ œ œ œ
T
B
Pno.
¢
? ## ˙ ™
{
“” œ œ œ œœœœ œœ œœ œœœœ œ œ œ œ œ œ # œ≈ œ≈œœ œœ ≈ œœœ ≈œœ œœ≈œ œ≈ ≈œ & # ≈œ œ œ # & # œœ ™™
œœ ™™
93
° ## œ œ œ œ™ &
Œ
# & # œ œ œ œ™
Œ
95
S
œœ ™™
round and round
A
round and round
# w ™™ &# w ‹
T
B
Pno.
¢
Ϫ Ϫ
?
Ϫ Ϫ
œœ ™™
mf
œ
˙˙ ™™
˙˙ ™™
In
this
wild
sea
œ
œ
˙™
˙™
In
this
wild
sea
œ
mf
Ó™
? ## ww ™™
{
Œ™ w >™
Œ
Ó™
Œ
&
œœ ™™
mf
œ
In
this
œ
œ
œ
mf
“” œ œ œ œœœœ œœ œœ œœœœ œ œ œ œ œ œ # œ≈ œ≈œœ œœ ≈ œœœ ≈œœ œœ≈œ œ≈ ≈œ & # ≈œ œ œ # ™ & # œœ ™
95
In
œœ ™™
œœ ™™
œœ ™™
Œ™ w™ w >™
mf
?
œœ ™™
&
œœ ™™
this
œœ ™™
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° ## ˙˙ ™™ &
Ϊ
# & # ˙™
Ϊ
# ˙ ™™ &#˙ ‹ wild
˙˙ ™™
97
S
A
™ w w™
of
pines.
w w ™™ f
Ϫ of
pines.
˙˙ ™™
Ϫ
Ϊ
Pe D ru o sa N lS ot c o Co r e py
T
Ϫ
21
f
B
Pno.
¢
˙™
? ## ˙™
{
## œœ ™™ &
° ## & 99
A
œœ™™
of
œœ ™™
˙˙ ™™
Œ
# & # ˙˙ ™™
Œ
™™ ## w w & ‹ pines.
œœ ™™
?
w™™ ? ## w ¢
{
pines.
# ™ & # œœ ™
99
œœ ™™
œœ ™™
˙˙ ™™
˙˙ ™™
In
this
wild
œ
œ
˙™
sea
˙™
In
this
wild
sea
˙˙ ™™
Œ
˙˙™™
“” œ ## ≈ œ œ œ œ ≈ œ &
Pno.
Œ™ w™ w™ > f
œ
œ
f
B
Ϊ
sea
f
T
Ϫ
of
œ œ “” œ œ œ œ œœ œœ œœ œ œœ œ œ œ œ œ œ # œ œ≈ œ≈œœ œœ ≈ œœœ ≈œœ œœ≈œ œ≈ ≈œ &#≈ œ œ wild
97
S
˙™
sea
œœ ™™
œœœ
œ œ ≈ œœ ™™
œœœ
Œ
œ≈œœœœœ ≈ œœœ ≈œœœœœ≈œ œ œ œœ ™™
?
Œ™ w™ w >™
œœ ™™
&
œœ ™™
&
œœ ™™
œ
œ
In
this
œ
œ
In
this
œœœ
œ≈ œœ ™™
œœ œ œ œ
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22
° ## ˙˙ ™™ &
Ϊ
# & # ˙™
Ϊ
101
S
A
of
pines.
w w ™™
ff
Ϫ
˙˙ ™™
˙™
˙˙ ™™
of
pines.
œœ ™™
Ϊ
Pe D ru o sa N lS ot c Co ore py
# ˙ ™™ &#˙ ‹ wild
œw™ œ œ œ ™
œœ ™™
ff
T
B
Pno.
¢
sea
˙™
? ## ˙™
{
## œœ ™™ &
sea
œœ™™
103 ° ## ˙˙™™ &
of
œœ ™™
f
œ
In
Œ
## ww ™™ & ‹ pines.
f
?
B
Pno.
¢
œœ ™™
˙˙ ™™
˙™
this
wild
sea
œ
œ
In
this
˙˙ ™™
œœ ™™
sea
˙˙ ™™
w™ ? ## w™
&
˙˙ ™™
wild
Œ
f
œ
œ
In
˙˙™™
ff
{
œœ ™™
œ
ff
T
Œ™ w™ w™ >
ff
Ϫ Ϫ
Œ
# ™ & # ˙˙ ™
A
Ϫ
Ϊ
“” œ œœœœ œœ œœ œœœœ œ œ œ œ œ ## ≈ œ œ œ œ ≈ œ œ≈œœ œœ ≈ œœœ ≈œœ œœ≈œ œ≈ ≈œ & œ œ wild
101
S
˙™
of
Œ
this
f
œ
œ
“” œ œ œ œœœœ œœ œœ œœœœ œ œ œ œ œ œ # œ≈ œ≈œœ œœ ≈ œœœ ≈œœ œœ≈œ œ≈ ≈œ & # ≈œ œ œ pines.
# ™ & # œœ ™
103
In
œœ ™™
œœ ™™
œœ ™™
Œ™ w™ w >™ f
?
œœ ™™
&œ œ ™™
this
œœ ™™
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° ## ˙ ™ &
Ϊ
Ϫ
w w™™
# & # ˙˙ ™™
Ϊ
of
pines.
# ˙˙ ™ &# ™ ‹ wild
˙™
105
S
T
B
Pno.
¢
? ## ˙˙ ™™
T
pines.
˙™
{
˙˙ ™™
“” œ ## ≈ œ œ œ œ ≈ œ & # &#
wild
œœ ™™
œœ™™
° ## ˙ ™ & ˙™ 107
A
of
sea
105
S
w w ™™
Ϫ
Ϫ
Ϊ
Pe D ru o sa N lS ot c o Co re py
A
23
B
œœœ
˙˙ ™™
œ
≈œ
of
œœœ
Ϫ Ϫ
œ œ œ≈œœ œœ ≈ œœœ ≈œœ œœ≈œ œ œ œœ ™™
mf
Œ
?
œ
œ
In
this
œ
Œ™ w™ w™ >
œœ ™™
œ
this
˙™
˙˙ ™™
˙™
œ≈
&
œœ œ œ œ
œœ ™™
sea
wild
sea
˙˙™™
w™™ ? ## w ¢
œœœ
œœ ™™
˙™
wild
mf
In
# ™ w™ &#w ‹ pines.
{
Ϫ
Ϊ
sea
Œ
# & # ˙˙ ™™
of
Œ
mf
œ
œ
In
˙˙™™
Œ
pines.
this
mf
œ
œ
In
this
œœ “” œ œ œ œ œ œ œœœœœ œ ## ≈ œ œ ≈ ≈ ≈œœ œœ ≈œœœœœ≈œœœœœ≈œœœœœ≈œœœœœ &
Pno.
# ™ & # œœ ™
107
œœ ™™
œœ ™™
œœ ™™
Œ™ w ™ w™ >
mf
?
Ϫ
Ϫ
Ϫ
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24
rit.
° ## & ˙™
ww ™™
109
S
˙™
of
# & # ˙™
A
pines.
w w ™™
˙™
of
Pe D ru o sa N lS ot c o Co r e py
# & # ˙™ ‹ wild
pines.
T
B
¢
˙™
˙™
˙™
sea
? ## ˙˙ ™™
{
˙™
wild
˙™
of
˙™
sea
of
rit.
# & # ≈œœœœœ≈œœœœœ≈œœœœœ≈œœœœœ ≈œœœœœ≈œœœœœ≈œœœœœ≈œœœœœ
Pno.
? ##
Ϫ
Ϫ
Ϫ
Œ™ w™ w >™
Ϫ
109
° ## & ˙˙ ™™ 111
S
A
T
B
Pno.
Œ
mp
œ
In
# & # ˙™ ˙™
Œ
Ϫ
œ
this
˙™
wild
˙™
œ
˙™
˙™
˙˙ ™™
Œ
Ϫ
sea.
mp
œ
In
this
# & # ww ™™ ‹ pines.
? # w ™™ ¢ #w
{
Ϫ
wild
sea.
œ
œ
In
˙˙ ™™
pines.
mp
Œ
this
mp
œ
œ
In
this
# & # ≈œœœœœ≈œœœœœ≈œœœœœ≈œœœœœ ≈œœœœœ≈œœœœœ≈œœœœœ≈œœœœœ ? ## œ™
111
Ϫ
Ϫ
Ϫ
Œ™ w ™ w™ >
mp
Ϫ
Ϫ
Ϫ
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q.=60
° ## & ˙™ 113
S
Œ Œ
this
˙™
wild
˙™
œ
˙™
˙™
sea.
p
œ
In
# & # ˙™ ‹ wild
œ
this
wild
˙™
˙™
˙™
˙™
sea.
Œ
p
œ
œ
Pe D ru o sa N lS ot c o Co r e py
T
œ
In
# & # ˙™
A
p
25
B
Pno.
¢
sea.
? ## ˙ ™
{
wild
In
Œ
sea.
this
p
œ
œ
In
this
q.=60
# & # ≈œœœœœ≈œœœœœ≈œœœœœ≈œœœœœ ≈œœœœœ≈œœœœœ≈œœœœœ≈œœœœœ ? ##
Ϫ
Ϫ
Ϫ
Œ™ w ™ w >™ p
Ϫ
113
° ## & w™
w™
A
# & # w™
w™
T
# & # ˙™ ‹ wild
Ϫ
Ϫ
Ϫ
115
S
B
Pno.
¢
? ## ˙ ™
{
wild
sea.
˙™
w™
˙™
w™
sea.
# & # ≈œœœœœ≈œœœœœ≈œœœœœ≈œœœœœ ≈œœœœœ≈œœœœœ≈œœœœœ≈œœœœœ ? ## œ™
115
Ϫ
Ϫ
Ϫ
Ϫ
Ϫ
Ϫ
Ϫ
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26
q.=40
rit.
° ## & w™ 117
S
4 4
∑
# & # w™
4 4
∑
T
# & # w™ ‹
4 4
∑
4 4
∑
Pe D ru o sa N lS ot c Co ore py
A
B
¢
? ## w ™
{
q.=40
# &#≈
Pno.
rit.
4 ≈ ≈ ≈ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 4w œ™
? ## Ϫ
Ϫ
Ϫ
pp
l.v.
4w 4
117
{
Freely q=54
œj œœ œœ J
# &#‰
119
Pno.
œ œœ œœ
œ œœ œœ
œ œœ œœ
œ œœœ œ
˙ ˙˙ ˙ ˙
˙ ˙˙˙ ˙
w w w w w
p expressively
? ##
∑
∑
∑
119
{
# &#‰
122
Pno.
? ##
122
œj œœœ œJ
œ œœœ œ
œ œœœ œ ∑
œ œœœ œ
œ œœ œœ
˙ ˙˙ ˙˙
˙ ˙˙ ˙˙ ∑
˙ ˙˙ ˙˙
˙ ™™ ˙˙ ™
“”
Uœ œ œ œ œ œ œ œ œ œ œ œ œ 12
U œ œœ
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S
° ## &
Œ
j œ œ #œ
pp
‰
Ϫ
The storm tones died
# &#
A
27
Slowly, freely q=48
125
Œ
pp
j œ œ
‰
œ
Ϫ
The storm tones died
# &# ‹
Œ
‰
œ
Ϫ
j œ
œ
˙™
a - way
and
œ
˙™
j œ
‰
a - way
œ
and
˙™
‰
œ J
j #œ œ 3
Ϫ
3
œ œ˙
œ œ nœ
turn - ing toward the east
j #œ œ
Ϫ
j3 œ œ
Ϫ
3
p
œ ˙
turn - ing toward the east, p
œ n˙
Pe D ru o sa N lS ot c Co ore py
T
j œ œ
pp
‰
p
B
¢
The storm tones died
? ##
{
Œ
œ
‰
œ
“”
? ##
a - way
œ
Ϫ
The storm tones died
# œœ & #œ
Pno.
œ J
pp
and
˙™
‰ #œJ
a - way
and
Slowly, freely q=48
w ww w
Ó
#œ œ œ
œ
# ˙˙ ˙˙˙
turn - ing toward the east,
#œ 3 œ J
Ϫ
p
œ n˙
turn - ing toward the east,
w w ww w
pp
∑
∑
Ó
Œ
nœ nœ
125
° ## & #œ˙ œ œ œ 128
S
3
3
‰ œœ œœ #œœ 3
I
A
# &#
B
˙
# &# ˙ ‹
Pno.
{
? ## w w
128
ten.
3
3
3
3
be - held
I
ten. 3
be - held
3
ten.
I
be - held
‰ œ œ œ
œœ
œ
˙ ˙˙˙
j œœ 43 ##œ˙ ™ J
the
3
‰
trees
œ #œ
œ
‰
j #œ
œ
hushed
mp
‰
trees
j œ
œ
p
#œ
trees
œ œ ˙ ˙
#˙ ™
‰
œ œ
œ J
4 4
and
hushed
mp
˙ ™™ 3 ˙˙˙ ™™ 4
œ
p
œ
4 4
and
p
mp
trees
3 4 Œ
j œ
Tutti
hushed
œ 43 ˙™ J
the
p
œ œ œ #œ œ œ #œ œ
j œ 43 ˙ ™
the
3
mp
3
j 3 œ 4 ˙™
the
‰ œ œ œ
?# ¢ # ˙ # &# Ó
be - held
‰ œ œ #œ 3
I
T
ten.
œ
and
œ
hushed
#œ #œ
œ
and
4 4 4 4 4 4 4 4
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28
° ## 4 & 4 #œ 131
S
rit.
œ
tran - quil
#4 & #4 œ
A
œ
‰
œ
j œ
Ϫ
the
‰
œ
tran - quil
œ
mf
#œ
˙
set - ting sun
p
Ϫ
j œ
the
filled
‰ #œj #œ ™
? ## 44 œ
‰
p
œ
them
œ
with
3
œ
œ
œ #˙ œ
œ
filled
#œ
mf
œ
œ
them
œ
œ œ
œ
with
œ
˙
n˙
am - ber
mf
set - ting sun
#4 & #4 œ œ œ ‹ tran - quil
œ
3
œ
light
#˙
˙
am - ber
light
3
˙
œ
˙
Pe D ru o sa N lS ot c o Co re py
T
p
B
¢
{
œ
the
œ
tran - quil
set - ting
Ϫ
p
j œ
the
œ
set - ting
## 4 w & 4 w
Pno.
˙™
131
134
S
A
#2 & #4 ‰
j #œ
and
j œ
and
T
B
#2 & #4 ‰ ‹
?# 2 ¢ #4 ‰
{
#2 & #4
Pno.
? ## 42
134
sun
#œ
mf
nœ
filled
them
œ
them
with
œ
œ
with
am - ber 3
#œ
light
#˙
˙
am - ber
light
j œ
and
j œ
and
∑
w
w
œœ
4 4w
###
∑
œ
œ
4 4w
###
∑
nœ
œ
###
∑
seemed
to
4w 4w 4 nw 4
###
∑
4 4
∑
###
4 4
∑
œœ
seemed
seemed
œ
seemed
∑ ˙
œ
filled
w w
? ## 44 Œ
° ## 2 & 4‰
sun
to
to
œ
to
rit.
2 4 2 4 2 4 2 4 2 4 2 4
say,
say,
say,
say,
###
“”
œœ œœœ œ œ
w w ww w w w w p
∑
&
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Pno.
{
29
Peacefully q=72
˙ 137 ### ˙ &
œ œ
### ˙˙ & ˙
œœ œ
p expressively
œ œ
w w
w w
w w
œœ œ
w w w
w w w
pp
w w w
?
Pe D ru o sa N lS ot c Co ore py
137
Tenor 1 & 2 switch parts each repetition. pp poco
° ### ˙ & ˙ ‹ Come 141
T
œœ ™™
to
œœ ™™
pp
B
?# # ˙ ¢ # ˙
{
Come
to
## &#
Pno.
A
Pno.
the
for
w w
œœj ‰ œ œ
woods,
∑
## &#
∑
w w
here
is
rest.
œ ™™ œ
j œ œ
w w
here
is
rest.
˙˙ ™™
Œ
˙˙ ™™
Œ
œœ œ œ œ œ˙˙ ™™ ˙™ 3
∑
Œ
œ
œ
œ
œœ
∑
∑
∑
∑
∑
∑
Soprano 1 p
‰ œj œ œ œ œ œ ä â 3
An - oth- er glo - ri - ous
to
œœ ™™
?# # ˙ ¢ # ˙
Come
to
## w & # ww w ? ### Œ
∑
œœ ™™
## & # ˙˙ ‹ Come
146
j œ
∑
∑
° ### &
{
for
∑
? ### w w 141 w
p
B
j œ œ
woods,
œœ ™™
p
p
T
the
poco
œœ ‰ œœ J
∑
146
S
j œœ w w
j œœ w w
the
poco
woods,
j œ w œ w
the
∑
woods,
œ ˙ ™™ ‰ œJ ˙ mp
˙™
˙˙ ™™
Œ
œœj ‰ œ œ ™ œ œ™
˙˙ ™™
Œ
for here
‰ œj œ œ œ œ œ 3
∑
œœ ‰ œœ œœ ™™ œj w w J for here
poco
∑
w w w
is
rest.
j œ w œ w
is
rest.
Œ Œ
œœ ˙ œ ˙˙ œœ œ œ™
˙˙ ˙ œ Ów J
˙˙ ˙ ˙
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30 S
A
° ### & ˙™ 151
### &
p
Œ
w
day.
w
Ah
‰ œj œ
∑
## &# Ó
˙
w
œœ ™™
j œœ w w
Ah
3
glo
œ
œ
ri
-
-
ous
˙™
Œ
day.
w poco
œœ ™™
j œ
Pe D ru o sa N lS ot c Co ore py
## & # ˙˙ ‹ Come
œ œ
An - oth - er
p
mp
p
T
to
B
Pno.
?# # ˙ ¢ # ˙
{
the
œœ ™™
mp
Come
j œ œ
to
the
### & w w
woods,
poco
w w
woods,
Œ
œ
œ œ œ œ œ œ œ œ
œ
3
w ? ### w
3
∑
œœ J
‰
œœj
‰
œœ
for
here
is
here
j œ œ
œ ™™ œ
œœ
for
is
˙™
œ œ
œ
œ œ œ œ œ œ
œ
3
151
° ### œ & 154
S
A
T
B
*
## &#
œ
œ
Ah
3
œ
œ
œ
*
w
œ
## &# w
w
Ah
? ###
154
œ
œ
œ
œ
œ ˙™ ˙™
3
œ œ œœ œ œ œ˙˙ œ œ œ ˙
œ
œœ J
˙™ ˙™
rest.
œ
œ
3
˙˙™™
?# # w ¢ # w
{
3
Ah
## w &# w ‹ rest.
œ ### ˙ &
Pno.
3
‰
œj œ
‰
œ œ œ œ œœ œ œœ œœ œœ œœ œœ œœ œ œ œ œ œ w w
3
3
3
3
*Each treble singer chooses one of the boxed motives to sing at random occurrences but still within the meter. Repeat the motives ad lib. and keep the sound constant. The singer should hold the pre-box pitch until beginning the series. Each voice's entrance should be sprinkled in and not all begin at once. Individual pitches may be held throughout the series before contiuing the sequence.
â ä
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32
S
° ### œ & *
## &# ## &# ## &#
3
œ
œ
œ
3
œ
œ
f cresc.
Ah *
œ
3
œ
œ
œ
Ah
œ
œ
3
Pe D ru o sa N lS ot c Co ore py
A
f cresc.
161
T
œœ ™™
f
## & # ˙˙ ‹ Come
to
Pno.
?# # ˙ ¢ # ˙
{
the
œœ ™™
f
B
j œœ j œ œ
w w
woods,
w w
w œ œ œ œ œ œ œ œ w œ œ œ œ œ ### œ œ œ œ œ œ œ œ œ œ œ œ & ≈ œ œ œ œ œ œ œœ mf cresc. œœ œœ œ œ ? ### Œ œ ? œ œ & œ w œ œ w 161 Come
to
the
woods,
*Gradually transition to these boxed motives, as before.
° ### & 163
S
A
T
B
Pno.
## &# ## &# ## &#
f cresc. f cresc.
## & # œœJ ‰ œœ ‹ for
? ### œœj ‰ œ œ ¢
{
for
œœ ™™
here
œ ™™ œ
here
## œœ œœ & # œ œœœœœ œ œ œœ œœ ? ### œ & œ
163
j œ
w w
is
rest.
j œ œ
˙˙™™
w w
œ œ œ œ œ œ œ œ ?œ œ œ œ œ is
œœ
rest.
œ œ
?
f cresc.
˙™ >˙ ™
˙™ ˙™
œ œœœœ œ œ œ œ œœœ œ &œœ œœ œœ œœ œ &œ w w
œœ ‰ J
œ
œœ
œj ‰ œ
œœ
œœ ?
œœ
œœ
œ
This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is illegal. Please purchase scores at: jakerunestad.com/store.
° ### & 166
## &#
S
## &# ## &#
ff dim. poco a poco
ff dim. poco a poco
ff dim. poco a poco
œœ ™™
Pe D ru o sa N lS ot c Co ore py
A
33 ff dim. poco a poco
## & # ˙˙ ‹ Come
ff dim. poco a poco
T
to
?# # ˙ ¢ # ˙
{
the
Ϫ Ϫ
ff dim. poco a poco
B
j œœ
Come
j œ œ
to
the
w w
woods,
w w
woods,
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ff dim. poco a poco œœ > ? ### œ œ ?œ œ œ &œ œ> ˙™ œ œ œ œ œ ˙™ 166 “‘ ### œ &
Pno.
° ### *Each treble singer gradually begin sustaining the pitches in measure 171 - do not arrive at 171 all at once. & # #* &# 168
S
A
T
B
# #* &# # #* &#
## & # œœJ ‰ œœ ‹ for
? ### œœj ‰ œ œ ¢
{
##œ &#
Pno.
? ### œ œ
168
for
œ
œœ ™™
j œ
mf
here
is
rest.
mf
here
j œ œ
is
rest.
œœ
œœœœœœœœœœœœœœœœ
œ ™™ œ
œœ œ œ œ œ œ œœ
œœ
œœœœœ œ
w w w w
˙˙™™
Œ
˙™ ˙™
Œ
∑
mf dim. poco a poco œ
œ
˙ ˙ >˙
˙ “‘
&
Hold sustain pedal down to the end of the piece.
œœœœœœœœœœœœœœœœ
ä
â
ä â
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34 S
° ### & w w
w w
slowly close to "mm"
## &# w w
w w
slowly close to "mm"
171
rit.
mp
Ah
mp
A
Ah
w w
sotto voce
˙
w
slowly close to "mm"
w
w w
slowly close to "mm" w w
Pe D ru o sa N lS ot c Co ore py
mp ### ˙ & ‹ Ah
w w
T
B
¢
? ### w
mp
{
Ah
## &#
Pno.
“” ˙ œ ˙ J
∑
## & # œœœœœœœœœœœœœœœœ
171
rit.
˙ œ˙ J
œœœœœœœœœœœœœœœœ
mm
## &# w w
mm
## &# w ‹ mm ? ### w w
{
&
Pno.
w w
˙ œ˙ J
In time q=66
## &# œœœœœœœœœœœœœœœœ
174
œœœœ œ œ œ œ œ 6
œ
U ∑
o
U ∑ U ∑
o
mm
<“> ˙ ### œJ ˙
o
o
w
p
¢
˙ ˙
œœœœœœœœœœœœœœœœ
w w
p
B
œ J
w w
p
T
œ J
˙ ˙
In time q=66
p ° ### w & w
A
œ œœ J
mp
174
S
3
6
“”
œœ œœœœ œ 6
∑
U ∑
U w œ œ œ œœœœ 6
l.v.
U ∑ April 7, 2015 Minneapolis, MN