Portfolio - James Eyres by James Eyres

J A M E S E Y R E S S E L E C T E D P O R T F O L I O

G R A D U A T E A R C H I T E C T E Y R E S Y 12 @ G M A I L . CO M

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James Eyres

2018

James Eyres

UNIVERSITY

EXPERIENCE Masters, Yr 2 UWE

MAKERHUB

LIVE / WORK / MAKE

The LIVE.WORK.MAKE brief for the second year of the masters was developed through meetings with real on site stakeholders. My project developed a masterplan for the site, a custom-build co-housing scheme, selfbuild live-work units and a creative arts maker school in the run down suburban context of Knowle West, Bristol. It sought to redefine traditional methods of living, working, and educating, where the ambition was to foster social cohesion and resiliance amongst a deprived and fractured community through making.

James Eyres

M ASTE RPL A N

Existing School

MASTERS UNIVERSITY

A SE LF E VO LV I N G A R TIS AN C O MM U NIT Y A masterplan for 61 co-housing units, 71 live-work units and a Maker School Masterplan Strategies

Flexible Development Strategy

Blurring “inside” & “outside”

Street as Valuable Public Space

Connecting people

Connecting to nature N

A Diverse Community

James Eyres

M A K E R -LI VE A Street

A House A Room

Development model

Tight knit, village like

View “A” down a typical co-housing

he design of these units has been orientated around developing a framework that enables all levels of society to take control of the design of their home. Residents are able to choose their level of involvement from complete construction, to self finish, or full turn key.

A Streetyard

+10 Years

A Standardised Custom-Build Housing Solution

James Eyres

MAKER-WORK AN “OPEN-BUILDING” SYSTEM The design of the live work units has been differentiated from the residential character of the custom build houses to be tailored towards the “maker”. These units require more self build skills with a pre determined structure that inhabitants can infill as they wish. The twin glulam structure gives some unity to the street frontage amonst the organic infill. External space rises up through the levels, with the structure giving the potential for informal cover or a framework for greenery.

Section “B” : Maker High St. - Artisan live-work units with communal “flexi” points

Live/ Worker

Independent Businesses

7.5m

Pre-determined structure

In-fill by inhabitants

Green S pa c e

Self-build Resident

artisan M erc h a n t

Flexible and diverse development options

James Eyres

MAKER-SCHOOL CE NTRE FOR EXPERIENT IA L & EXP ER IM ENTA L LEA R NING

Maker Market Square

Roof plan of the Maker School in context showing relationship to Maker Forest and Maker

Concept Diagram Trade

Maker Market Square

Creativity Maker School

Nature

Maker Forest

Site Gateway

Stitching trade and nature together through the creative arts

Concept model

MASTERS UNIVERSITY

Maker Forest

James Eyres

SCALE

& F O R M

Building Diagrams

Trade

Na tu

SHELTERED MARKET AND MAKER SPACE

Ends of building strips down to structure towards an enclosed tree

MASTERS UNIVERSITY

The rhythm of the roof form helps to break up the buildings size and works to the scale of the surrounding housing

Building picks up the roof scape of the self build maker high st. and begins to gain energy

Natural/ Lightweight

Learner Maker

ManMade/ Industrious

Pro Maker

James Eyres

MAKER S PA C E S

he progression of spaces through the building starts conceptually from the tail end in the form of material deliveries, these make their way through the building being used for occupants to realise their ideas. The creations are then celebrated in the gallery exhibition space at the other end.

Maker Space

Social Space

View in the Maker Gallery space

MASTERS UNIVERSITY

Entering the Maker Library space

View in the Maker Cafe

View looking up through the central void in the Maker Library

James Eyres

MAKER-HUB

Section location

SEll

Work

Section through Maker Library, Maker forest and Maker Market Square

Sheltered external space for markets and working

Greenery spreads from Maker Forest and Maker Sq up through the triple height space of the Maker Library

MASTERS UNIVERSITY

The concept for the use of the materials stems from the structuralist theory of binary opposition, in the way that two terms or two related terms are opposite in meaning. The strategy was to emphasise this relationship and develop a complementary and contrasting material pallete that draws attention to the way the building is made.

Gables gain ryhthm where the creativity happens

Library spaces project out into the trees with direct views at ground floor and glimpse views above through vertical louvres James Eyres

STRUCTURAL Standardising components to form the complex from the simple

Primary internal glue - lam structure Polished screed with underfloor heating pipes Steel flitchplate Mechanical ventilation Pre-cast concrete slabs Concrete frame Polished screed floor with underfloor heating Concrete raft foundation

Column to beam connection Glulam Connections

Cantilever beam connection

Column to joist connection

Column to floor connection

MASTERS UNIVERSITY

1. 7. 8.

10.

Primary structure 2. 440x200 Glue laminated timber 3.320x440 Glue laminated timber tieing member 4. 320 x 320 glue laminated timber column

Overhang Detail Floor build up 1. Polished screed with underfloor heating Plywood 100mm cellulose insulation Vapour barrier Screed creates structural diaphragm Hallowcore pre-cast concrete slabs

2. 7. 1.

Eaves Detail Roof build up 1. 20x 80 cedar cladding 38 x 20 counter battens Rubber waterproofing membrane 38x20 battens Plywood Vapour control layer 220mm cellulose insulation Plywood Internal timber finish Secondary timber structure

10. 11. 9. 4. 6.

Structure 320mmx320mm glue laminated timber column fits into steel shoe connector that is the bolted to the screed Edge detail 3. Insulation continues round to stop thermal bridge

Windows 5. Pilkington optiwhite glazing system with inward opening windows 6. Vertical louvres Guttering 7. Galvanised steel guttering system notched into glulam fascia 8.Timber support for guttering 9. Service void Facade 10. 200x 320mm glue laminated timber with lead capping

and is met by a recessed steel cap to the edge 4. 200x320mm concrete frame beam 5. 200 x 320 glue laminated timber fascia 6. Threaded steel bar with steel fasteners pins the glulam to the structure Glazing 7. Sliding double glazed door 8.Supported by steel strap that is pinned to the precast concrete slab 9. Window sill wraps over glue laminated timber to protect from water

pooling 10. Timber balustrade

James Eyres

TECHNICAL I dedicated one week to this drawing researching glulam & concrete as I went.

MASTERS UNIVERSITY

â&#x20AC;&#x153;The best standardisation committee in the world is nature herself, but in nature standardisation occurs mainly in connection with the smallest possible units: cells. The result is millions of flexible combinations in which one never encounters the stereotyped.â&#x20AC;? Alvar Aalto

1:20 Technical Section (Not to scale) James Eyres

nity. The following characteristics lynch describes as necessary for a successful city and have been used to deﬁne areas of the building

1 - Main public entrance & foyer with ﬂexible event/gig space 2 - External courtyard 3. Circulation & core 4. Restaurant 5. Kitchen 6. Circulation & core 7. Plant 8. Theatre (3 storeys) & sheltered external stage 9. Workshop & store 10. Theatre changing & WC’s 11. Core 12. Community workshops 13 Artisan retail 14. Coreart store and washroom 15. Art shop

The raised timber canopies that extend from the roof form offer opportunities for raised planting that can provide additional shade

1. Nodes - Entrance points 2. Districts (Houses) - Studio spaces 3. Landmarks - Iconic leisure spaces 4. Pathways - Circulation & breakout space 5. Service zones

THE “COLLISION”

Landscaping S

Roof Top Bar

Theatre

DANCE & CREATIVE ARTS SCHOOL Site Plan R E V I T / P H OTO S H O P / I L LU S T R ATO R LLoyds

Promenade

Foundations 1 - Building Footprint 2 - External courtyard

Planters are used to bring greenery to the roof external deck and down to lower levels through external courtyards where artists and dancers have direct access

Lifted Greenspace

Journeys

Landscaping

Extension of promoenade walk to rooftop bar. Roofscape animates riverside by wrapping up and down from LLoyds to the existing riverside promenade

Potted trees are brought to the roof external deck and down to lower levels through external courtyards where artists and dancers have dircet access.

From millenium square

To millenium square

Service yard

1. 3. 2.

4. From fountains

From fountains 7. South

6. To Amphitheatre 6.

Active Frontage

Access & Servicing

Pedestrian Route

The existing line of bars and restaurants is extended along the riverfront and wraps round with retail to join millenium square

1. Loading bay 2. Workshop direct access to loading bay and theatre 3. 2m external service corridor 4. Deliveries 5. Bin storage 6. Primary building entrance points 7. Secondary building entrance points

New pedestrian corridor through animated external space enables the building to become a new linch pin for events and festivals

Exploded Programme Diagram

Building Diagrams Ancillary

ram

WC’s

Ancillary

Performance

Building Diagrams

Leisure

Social Breakout circulation

To millenium square 11. To millenium square 14.

2.6.

Form

admin

Ancillary

Art Studio

WC’s

13.

rhythm and ﬂow. Which develops an animated facade and interior 2. 2. Site plan showing the building hugging the of the activity within. that is representative 4.

Social Breakout

admin

Art Studio

Dance Studio

From

Spatial Arrangement

31. Community services

1 - Main public entrance & foyer 2 - External courtyard 3. Circulation & core 4. Restaurant From fountains From fountains 5. Kitchen Brick 6. Circulation &1.core 2. Cedar Cladding 7. Plant 8. Theatre & sheltered external stage 3. Zinc 9. Workshop & store theatre changing

2. Service zones 3. Theatre (ffl atground floor with access on first) 4. Showcase performanceFrom studiosFrom - Studios are on the main publicfounta route th fountains fountains From building 5. Learning focused studios (more private) 6. Private studios (external circulation & breakout dance and work space)

To millenium square

G - Brick chosen for its robust aesthetic and continuity with context.”landmar” theatre clad with contrasting timber 1 & 2 - Timber clad and louvred on upper levels to add a light aesthetic that references that of the previous saw mills and industrial buildings that were on site.

Amphitheatre FirstTo Floor

From

To Amphitheatre

To Amphithea

1 1 - Flexible exhibition space 2. 12. 2 -Core 6 14. 3. Creatives 1. 4. Dance 13. 3 5. External courtyard 15. 4. 2 6.Dance 16. 7. Breakout space from studios and circulation 5 Social Breakout Social Breakout 11. 17.1. Community 1. Loading bay 1 - Main public entrance & foyer 1. Community services 1. Community services services The existing line of bars The and existing restaurants lineisofextended bars 10. and along restaurants the is extended along the & sheltered external stage New The pedestrian existing line corridor of bars New through and pedestrian restaurants animated corridor isexternal extended through space along animated the external space 8. Theatre circulation External 8. Core 2 - External courtyard 1. millenium8.square 2. Service zones 2. Service zones zonesround riverfront and wraps riverfront with retail and wraps to join9.round millenium with retail squareto join enables riverfront the building and wraps to become enables round with the a new building retail linchtopin to join become for millenium events a new and square linch pin for events and 2. 4Workshop direct 18. 2. Service 9. Offices 3 3. 2m external servi Circulation coreaccess 7.with access on first) 3.11. Theatre (ffl 3. atground floor 3. & Theatre with (ffl atground on first) floor with access on first) 3. Theatre (ffl atground floor 1 festivals 10. Meeting & Conference room festivals S the20. 19.4. Showcase performance studios - Studios are on the main public route through 4. Deliveries 4. Restaurant4. 4. Showcase performance studios Showcase - Studios performance are on thestudios main public - Studios route are through on the main the public route through the 11. WC’s 12. 2 5. Bin storage 5. Kitchen building 6. building building 12. Lecture hall/studio theatre (double height) 1 4. 6. Primary building 13. WC’s 5. 6. Circulation core private) 5. Learning focused studios 5. & Learning (more focused studios (more private) 5. Learning focused studios (more private) 3 14Core 3. (external circulation & breakout dance and work space) 7. Secondary build 7. Plant Second 6. Private studios (external6.circulation Private studios & breakout (external dance circulation and work & breakout space) dance andFloor work space) 6. Private studios 13. 15. Dance 1 - Main public entrance & foyer 8. Theatre & sheltered external stage 1. Community services The existing line of bars and restaurants is extended along the 2. 16. Creatives 10. 2 - External courtyard 2. Service zones 9. Workshop & store riverfront and wraps round with retail to join millenium square 17. Dance 1. 7. 8. 9. 3. Circulation & core 3. Theatre (ffl atground floor with access on first) 18. Creaives theatre changing 4. Restaurant 4. Showcase performance studios - Studios 19. Core are on the main public route through the

Developing form Second Floor Arrangement Spatial Arrangement Spatial

Landscaping

14.

Materiality Active Spatial Frontage Active Arrangement Frontage

Pedestrian Active Frontage Pedestrian Route Route

Spatial Arrangement

15. 16. 17.

Materiality

Form

1. 1. 1. Developing Form site boundary to create an enclosed courtyard

Social Breakout External

Second Floor

6. 3. 10. 16. Creative 7. 8. 9. 17. Retail 18. 6. 19. Building wraps in section elevation & plan in order to maintain 5. 5. 6.

Performance

The exterior elemennts maintaina a rigid facade that reacts to its context. 5. represent 6. 5. and movement 6. that is created Internal facades the creativity 2.by the occupant within, and simultaneously aim to increase these activities.

Social Breakout

Dance Studio

From millenium squareFrom To millenium squaremillenium square Building Diagrams

Plan

15.

Dance Studio

The raised timber canopies that extend from theExternal roof Leisure circulation 1. 1. orm offer opportunities for raised planting that can provide additional shade

Art Studio

admin

12.

Elevation

Creative Retail

Boundary Condition

Leisure

Exploded Programme Diagram

nce Studio

1 1

Building Building DiagramsDiagrams

reative etail

Creative Retail

Section

Exploded Programme Diagram

1 Performance

WC’s

18.

5. Kitchen 6. Circulation & core 7. Plant 8. Theatre & sheltered external stage 9. Workshop & store theatre changing

5. 4.

Planters are used 2. 3.to bring greenery to the roof external deck and down to First Floor lower levels through external 1courtyards 1 - Flexible exhibitionwhere space 1 artists and dancers have 1. 2 -Core direct access 3. Creatives

4. Dance Landscaping 5. External courtyard

11. 12. 13.

10.

1 7.

Timber boarding at external deck level Orientation 14. 6. 3

North facing rooflights for studios give glare free consistant light, 15. Potted trees are brought to the roof external deck 5. 26.Dance 2 and down to lower levels First Floor 2 1 whilst leisure spaces benefit from protected south light. through external courtyards where artists andstudios dancers have dircet access. 5 1 - Flexible exhibition space 7. Breakout space from and circulation 5 5 4. 12. 2 -Core 2. 8. Theatre & sheltered external stage 14. 3. Creatives 3. 8. Core 4. Dance 13. 4 4 4 5. External courtyard 9. Offices 3 3 3 2 16.Dance 1 1 10. Meeting & Conference room 7. Breakout space from studios and circulation 11. WC’s 11. 2 2 2 8. Theatre & sheltered external stage 12. Lecture hall/studio theatre (double height) 10. 8. 1 1 1 8. Core 9. 13. WC’s 9. Offices 3 Condition Boundary Condition Boundary 7. 3 3 14Core 3 10. Meeting & Conference room 15. Dance 11. WC’s 16. Creatives 6. 12. Lecture hall/studio theatre (double height) 1 4. 17. 13. WC’s 5. Dance 3 14Core 18. Creaives 3. 15. Dance 19. Core 2. 16. Creatives

15. 16. 17.

18. 19. 20.

Progromatic Progromatic Concept Concept 17. Dance

The arrangement of the scheme The arrangement has been inspired of the by scheme Kevinhas Lynch’s been inspired Image by Kevin Lynch’s Image of 18.of Creaives the City. Arranging spacesthe around City. internal Arranging streets spaces that around also actinternal as breakout streets that also act as breakout 19. Core social, dance and work spaces social, fordance the integrated and workstudio spacesspaces; for thewith integrated the focus studio spaces; with the focus

Active Frontage

Progromatic Concept

building 5. Learning focused studios (more private) 6. Private studios (external circulation & breakout dance and work space)

Progromatic Form Form Concept

Access

The arrangement of the scheme has been inspired by Kevin Lynch’s Image 1 as breakou the City. Arranging spaces around internal streets that also act social, dance and work spaces for the integrated studio spaces; with the foc being to encourage interaction between the dancer, the artist and the comm Ground Floor nity. The following characteristics lynch describes as necessary for a success 1 - Main public entrance & foyer with ﬂexible event/gig space city and have been used to deﬁne areas of the building 1 2 - External courtyard Section Section 3. Circulation & core 1. Nodes Entrance points 4. Restaurant 2. Districts (Houses) - Studio spaces 5. Kitchen 1 3. Landmarks - Iconic leisure spaces 6. Circulation & core 4. Pathways - Circulation & breakout space 7. Plant Programme is integrated Service zones 8. Theatre (3 storeys) & sheltered external stage in section as well as plan by dropping down5.and up studios into adjacent spaces. 9. Workshop &pushing store 10. Theatre changing & WC’s 11. Core 12. Community workshops Elevation Elevation 13 Artisan retail 3 14. Coreart store and washroom 15. Art shop

Zinc roof form wraps down to deck

Stone paving at ground ﬂoor Bouncing section

The arrangement of theexterior scheme has beenthat inspired Lynch’s Image ofto its context. The exterior elemennts maintaina The a rigid elemennts facade maintaina reactsby toaKevin its rigid context. facade that reacts City.represent Arranging around internal streets that also actby asthe breakoutthat is created by the Internalthe facades Internal thespaces creativity facades andrepresent movement the that creativity is created and movement social, dance work spaces for integrated studio spaces; the focus occupant within, andand simultaneously occupant within, aimthe toand increase simultaneously these activities. aim towith increase these activities.

Progromatic Concept

Boundary Condition

1 2 Foundations 1 - Building Footprint 2 - External courtyard

Roof Top Bar

Plan

LLoyds

Plan Boundary Condition

Form Form

Form

Materi

The exterior maintaina a& rigid thatelevation reacts to its Building wrapselemennts in section Building elevation wraps plan infacade section in order to maintain & context. plan in order to maintain 1. Brick Journeys 2. Cedar Cladding Internal the creativity andWhich movement that created bywalk the rhythm andfacades ﬂow. represent Whichrhythm develops andanﬂow. animated facade develops andofisan interior animated facade andbar.interior Extension promoenade to rooftop 3. Zinc within, and aim to increase these activities. Roofscape animates riverside by wrapping up and down from LLoyds to t thatoccupant is representative ofsimultaneously that the activity is representative within. of the activity within. Form

2. Cedar Cladding 2. Cedar Cladding 2. Cedar Cladd 19. Core 19. Core Internal facades represent Internal the creativity facades andrepresent movement the that creativity is created and by movement the that is created by the Internalrhythm facades Internal represent facades the represent creativity facades theand creativity represent movement and the movement that creativity isdevelops created and that movement isan created the by that the istocreated byinterior the 2. Cedar Cladding Internal facades represent the creativity andWhich movement that isan created the Landscaping and flow.Internal Which rhythm develops and anflow. animated Which facade andofby interior animated facade andbar. rhythm and rhythm flow. and Which flow. rhythm develops Which and an develops flow. animated an animated facade develops andof facade interior animated andbyinterior facade andbar.interior rh Extension promoenade walk rooftop Extension promoenade walk to rooftop tegrated h the focus studio spaces; with the focus social, dance social, and dance work and social, work fordance the spaces integrated and for the integrated studio spaces spaces; for studio theactivities. with integrated spaces; the to focus with studio thespaces; focus with the focus social, dance and work spaces for the integrated studio spaces; with theriverside focus trees wraps are tothese the roof external deck andbydown to lower form in section elevation and plan 3. Zinc 3.isZinc 3. orZinc 3. Zinc occupant within, andspaces simultaneously occupant within, aimwork toand increase simultaneously these aim increase these activities. occupant within, occupant andwithin, simultaneously occupant and simultaneously aim toand increase simultaneously aim to these increase these aim toactivities. increase these by activities. within, and simultaneously aim to brought increase activities. Roofscape animates wrapping up and down from LLoyds tois therepresentative Roofscape animates riverside wrapping up levels andin down from LLoyds to the th that is representative of that thewithin, activity is representative within. of activities. the activity within. thatoccupant that representative ofBuilding that the activity is representative ofPotted the within. activity of within. the activity within. through external courtyards where artistspromenade and dancers have dircet access. existing promenade existing riverside the thecommudancer, the artist and the commubeing to encourage beingGround to encourage interaction being interaction between to encourage the between dancer, interaction the thedancer, artist between the the artist thecommudancer, and the the commuartisthas andbeen theinspired commutheexterior dancer, the artistriverside and the commuThe and arrangement of the scheme by Kevin Lynch’sbeing Imageto ofencourage interaction betweenThe Theelemennts arrangement of the scheme has been inspired byits Kevin Lynch’s Image of Floor maintaina a rigid facade that reacts to context. The exterior elemennts maintaina rigid that to reacts to its context. der to maintain rhythm and flow,a&developing anmaintain animatBuilding wraps in section elevation planfacade in order h a describes successful as necessary for a successful nity. The following nity. The characteristics following nity. characteristics The lynch following describes lynch characteristics as describes necessary lynch as for necessary a describes successful for as a successful necessary for a successful nity. The following characteristics lynch describes as necessary for a successful G Brick chosen for its robust G Brick aesthetic chosen and for continuity its robust with aesthetic context.”landmar” and continuity with context.”landmar” G Brick chosen G Brick for chos its r the City. Arranging spaces around internal streets that also act as breakout the City. Arranging spaces around internal streets that also act as breakout Internal facades represent the creativity and movement that is created by the Internal facades represent the creativity and movement that interior is created by the with nt/gig e flexible space event/gig space 1 - Main public entrance & foyer with flexible event/gig space rhythm and flow. Which develops an animated facade and 9. edwith facade and interior of the building city and have citybeen and have used been tocity define used andareas have to define of been theareas used building of tothe define building areasdance of the building and have been used to define areas occupant of the building theatre contrasting theatre timber clad contrasting timber theatre cladtheatre with contras clad w social, and work spaces for the integrated studio spaces; withcity the focus social, dance and work spacesaim for to theincrease integrated studio spaces;clad withwith the focus within, and simultaneously these activities. within, and simultaneously aim to increase these activities. 2 - External courtyard thatoccupant is representative of the activity within. being to encourage interactionFloor between the dancer, the artist and the commubeing to encourage interaction between the dancer, the the commu11. 1 artist & 2 and - Timber clad and1louvred & 2 - on Timber upperclad levels and tolouvred add a light on upper aesthetic levels thatto add a light aesthetic that 1 & 2 - Timber 1 & 2 clad - Tim an Ground Floor Ground 3. Circulation & core Form development models models nity. The following characteristics lynch describes as necessary a1.successful nity. The following characteristics lynch describes as necessary forthat a successful 8.-points 1. Nodes - Entrance 1. Nodes Entrance 1. Nodes points - Entrance points Nodes points models Process models references of the previous references saw mills thatand of the industrial previousbuildings saw millsthat andwere industrial on site.buildings that were on site.references references that of thethat pre 1 - Main with flexible event/gig space 1 - Main public entrance & foyer with flexible for event/gig space- EntranceProcess 4. Restaurant 10. 12. & foyer 7. public entrance city and have been to define areas of the building city and have been used to define areas of the building 2. Districts2.(Houses) Districts -(Houses) Studio 2. Districts spaces - Studio (Houses) spaces - Studio spaces 2. Districts (Houses) - Studio spaces 2 - External courtyard 2 -used External courtyard 5. Kitchen 3. Circulation & core 3. Circulation & core 3. Landmarks 3. Landmarks - Iconic leisure - Iconic 3. Landmarks spaces leisure spaces - Iconic leisure spaces 3. Landmarks - Iconic leisure spaces 6. Circulation & core 1. Nodes - Entrance points 1. Nodes - Entrance points 13. 4. Restaurant 4. Restaurant 6. 7. pace 4. Pathways 4. -Pathways Circulation & 4. Pathways breakout &space -breakout Circulation space & breakout space 4. Pathways - Circulation & breakout space 7. Plant- Circulation 2. Districts (Houses) - Studio spaces 2. Districts (Houses) - Studio spaces 5. Kitchen 5. Kitchen 5. Service zones 5. Service zones 5. Service zones 5. Service zones xternal stage 3. Landmarks - Iconic leisure spaces 3. Landmarks - Iconic leisure spaces Creative + Flamboyant 8. Theatre6.(3 storeys) & sheltered external stage Circulation & core Circulation & core gid + 6.Modular Rigid- Circulation + 6.Modular 14. 4. Pathways 4. Pathways - Circulation & breakout space 9. Workshop & store 7. Plant 7. Plant & breakout space 5. Service zones 5. Service zones 10. Theatre changing & WC’s 8. Theatre (315. storeys) & sheltered external stage 8. Theatre (3 storeys) & sheltered external stage 5. 11. Core 9. Workshop & store 9. Workshop & store 10. Theatre changing & WC’s 10. Theatre changing & WC’s 12. Community workshops 4. 11. Core 11. Core 13 Artisan retail 2. 12. Community workshops 12. Community workshops 3. 14. Coreart store and washroom S S S S S S 13 Artisan retail 13 Artisan retail 15. Art shop 14. Coreart store and washroom 14. Coreart store and washroom S 15. Art shop 15. Art shop Roof Top Roof Bar Top Bar Roof Top Bar Roof Top Bar

Progromatic Concept

Progromatic Concept Form

Form Form

MASTERS UNIVERSITY YEAR 1

Roof Top Bar

Theatre

Roof Top Bar

Theatre Promenade LLoyds

Theatre

LLoyds Promenade LLoyds

Theatre

Roofscape

Journeys Journeys Journeys Roofscape Journeys

Promenade

Theatre

Promenade

LLoyds

Promenade

Studios North Light, Leisure South

Foundations 1 - Building Footprint 2 - External courtyard

Architecture & The Body

Theatre

PromenadePromenade LLoyds Promenade

LLoyds

Foundations 1 - Building Footprint 2 - External courtyard

Theatre

Orientation Journeys Journeys

Journeys

Bouncing Section Orientation Bouncing Section

Journeys

Bouncing Bouncing section section Bouncin Boun Orientation Orientation Orientation Orientation Orientation Orientation O Landscaping Landscaping North facing rooflights for the studiosofgive glarewalk to rooftop bar. North facing rooflights Programme for issection the integrated studios give in section glare asglare well asand plan light, Landscaping Landscaping Landscaping Landscaping Landscaping Landscaping promoenade walk to rooftop bar. Extension promoenade op bar. Extension Extension of promoenade of promoenade Extension walk to rooftop of walk promoenade rooftopwalk bar. Extension to rooftopofbar. Extension of promoenade walkstudios tofacing rooftop bar. is integrated in Programme section asrooflights well is integrated as plan by in dropping asare down well asand plan by dropping down is integrated is North facing rooflights for studios give free consistant North facing rooflights North for give rooflights glare free for consistant studios give light, glare freeto consistant light, North facing North rooflights North for studios facing for give studios rooflights glare give free for glare consistant studios free consistant give light, glare free light, consistant light, N uring bordeaux The roofscapeExtension gathers momentum ofare promenade and walk flair from totobar. rooftop the neighbouring bordeaux Extension of promenade walk toare rooftop Potted trees are brought to the roof deck and down toProgramme lower Potted trees brought to the roof external deck and down toProgramme lower levelsProgramme Potted Roofscape trees brought toPotted roof trees external brought deck and tobar. the down roof toexternal lower levels deck and down to lower Potted trees Potted are brought trees aretoPotted brought the roof trees toexternal roof brought deck external and tobar. the down deck roof and to external lower down levels deck to lower and levels down lower arefacing brought to thewhilst roof external deck and down to lower levels Roofscape animates riverside by wrapping up and LLoyds tofree the Roofscape animates riverside by wrapping up levels and down fromlevels LLoyds Potted tofree the trees oyds ng uptoand thedown from LLoyds to the Roofscape animates riverside animates Roofscape bythe riverside wrapping animates byare up wrapping and riverside down up by and from wrapping down LLoyds from uptoand LLoyds the down tofrom the LLoyds tolevels the down from Roofscape animates riverside bythe wrapping up and down from LLoyds toexternal the consistent light, whilst leisure spaces benefit consistent light, dropping down leisure and spaces pushing benefit upartists dance studios pushing studios into adjacent pushing spaces. upby studios into adjacent spaces. pushing studiosup into st whilst leisure spaces benefit from protected south light. whilst leisure spaces benefit whilst leisure protected spaces south benefit light. from protected south light. leisure whilst spaces leisure benefit spaces whilst from benefit leisure protected spaces from protected south benefit light. from south protected light. south light. w through external courtyards where artists and dancers have dircet access.up whilst through external courtyards where and dancers have dircet access.uppushing +6 existing riverside promenade existing riverside promenade through external courtyards through where external artists and courtyards dancers have where dircet artists access. and dancers dircetto access. throughexisting external through courtyards external through courtyards where external artists where and courtyards artists dancers and have where dancers dircet artists have access. and dircet dancers access. have dircet access. through external courtyards where artists and dancers have dircet access. in mid flow. quay as it covers Roofscape over the animates building, riverside much like byapromenade wrapping dancer orup artist and indown mid flow. from Lloyds the Roofscape animates riverside byfrom wrapping up and down from Lloyds to the +6 have existing riverside existing promenade riverside existing promenade riverside riverside promenade from protected south light. from protectedinto south adjacent light. spaces. existing riverside promenade existing riverside promenade

+2 +2

Internal and external movable seating can also serve as a stage or for planting and can be stored under the theatre seating in the case of events.

Site use day to day

Posts

From millenium square

To millenium square

Service yard

1. 3. 2.

4. From fountains

From fountains 7. Posts

Site use on day of event Service yard 1.

m millenium square 1. 3.

Service yard

Active Frontage 2. 5. 4.

Service yard

To Amphitheatre

The existing line of bars and restaurants is extended along5.the 7. 7. riverfront and wraps round with retail to join millenium square

hrough the ains

Access & Servicing

Pedestrian Route 2. 4.

New pedestrian corridor through animated external space5. 7. enables the building to become a new linch pin for events and festivals

From fountains

design Development eacade design Development Aerial view showing the roof form picking up the roofscape of the industrial sheds & 7.

From millenium square

Service yard

m fountains

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atre

Pedestrian Route

2 1 Section

11 1

2 1 2

1 2

1. Loading bay Plan 2. Workshop direct access to loading bay and theatre 3. 2m external service corridor 4. Deliveries 5. Bin storage 6. Primary building entrance points Building wraps in section elevation & plan in order to maintain 1 7. Secondary building entrance points rhythm and ﬂow. Which develops an animated facade and interior 2 2 that is representative of the activity within.

Elevation 2

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1 1

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Elevation

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2 1

1 1

Materiality

1 2

Section

1 1

Form

2 2

Access & Servicing

1 2

1. Loading bay Elevation 2. Workshop direct access to loading bay and theatre 3. 2m external service corridor 4. Deliveries 6. 5. Bin storage 6. Primary building entrance points 7. Secondary building entrance points

to its context. The louvred internal skin wrapping the Form courtyard represents creativity movement that is The exterior elemennts the maintaina a rigid facadeand 1 1 that reacts to its context. facades represent the creativity and movement that is created by the created2 Internal by the occupants within. 2 2 activities. occupant within, and simultaneously aim to increase these

from the North East corner of the site - Planting is brought to all levels of building &Pedestrian Servicing Access & Servicing Access &the Servicing Route

4. Deliveries 5. Bin storage g entrance 6. Primary points building entrance points Boundary Condition ding entrance 7. Secondary points building entrance points New pedestrian corridor through animated external space enables the building to become a new linch pin for events and The exterior festivalselements maintain a rigid facade that reacts

Section

1. Loading bay corridor through animated external space New pedestrian Tothe Amphitheatre t access 2. to Workshop loading baydirect and theatre access to loading andpin theatre enables building to become a newbay linch for events and ice corridor 3. 2m external service corridor festivals

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North facing rooﬂights for studios give glare free consistant light, Materiality whilst leisure spaces beneﬁt from protected south light.

This experimentThis usedexperiment horizontalused louvres which was lat horizontal louvre changed for vertical. Thefor facade combines vertical timb changed vertical. The facade combin cladding panelscladding with louvering to dance panels over with glazing louvering over gla studios. This allows the This continuity facade to of ﬂow studios. allowsof thethe continuity th over the glazingover and the emitglazing a glowand across thea glow harbourside emit across James and also helps to control solarto gain and Eyres glare. and also helps control solar gain and Bouncing section Programme is integrated in section as well as plan by dropping down and pushing up studios into adjacent spaces.

PROFESSIONAL

EXPERIENCE STONEWOOD DESIGN

About Stonewood Design A small practice of ten who have received national RIBA recognition for numerous projects and won BD Small Project Architect of the Year 2016. Stonewood Designâ&#x20AC;&#x2122;s work is founded in building. With a sister construction company, the practice cares and fully understands the detail. The theme that connects their work is their interest in craft and context. I had the ability to work on a diverse range of projects at different stages with an increased level of responsibility due to the practices small size.

Pod Gallery

Art Gallery Extension Within Barn RIBA South West Award 2015, Wood Awards 2015 Highly Commended

GRADUATE ARCHITECT

Myrtle Cottage Garden Studio

RIBA National Award 2015, RIBA Stephen Lawrence Prize 2015 Finalist James Eyres

Architectural Designer, Stonewood Design

RESIDENTIAL A planning application for 20 sustainable new homes in a riverside location in Box Wharf. The scheme maximises the use of the sites complicated topography. We also developed a smaller scheme of

12 homes on the opposite side of the river with a creative tech worker space. The scheme uses a subtle, contempory style that uses materials from the surrounding context.

My Experience

~ Concept Design ~ Masterplanning ~ Site analysis/visits ~ Design Development ~ Design team meetings with wider professionals/consultants ~ Concept Proposals ~ Planning Application ~ Design + Access Statement ~ Visuals/Graphics (Vray/Photoshop) ~ 3D Modelling in SketchUp ~ 2D Drafting in Vectorworks

GRADUATE ARCHITECT

“A sustainable community of 20 new homes & flexible cowork space”

3D Masterplan Aerial of the Timber Yard Housing Site

Concept Site Sections of the Timber Yard & Millside Sites House Types

James Eyres

WORKPLACE Flexible creative co-woring spaces

GRADUATE ARCHITECT

James Eyres

SKETCHING

Concept sketch of staircase

Concept sketch focusing on the connection to landscape

An entrance sketch option study

James Eyres

SWINDON HOUSING

â&#x20AC;&#x153;Breaking the status quo of afforable housingâ&#x20AC;?

View along canalside An affordable housing scheme for 85 new homes in the Canalside area of Swindon. Working in partnership with urban design specialists Metropolitan Workshops on behalf of Swindon Borough Council. There will be a choice of 1, 2, 3 and 4 bed homes for sale and be situated along both banks of the canal. The scheme aims to deliver a unique, and quality, housing offer for Swindon.

My Experience I worked on early stage strategic masterplanning and helped develop unit types and visualisation. My experience studying house types and residential strategies at University was a helpful contribution to the team. Section through 3 bed typology

GRADUATE ARCHITECT

BRUTON H O U S E

â&#x20AC;&#x153;A b e s p o k e high end homeâ&#x20AC;?

A contemporary new-build house which nestles in to the historic fabric of the village of Bruton in Somerset. Utilising a basement amenities floor, the scheme uses multpile pitched roof forms to give grandeur to the internal spaces that open out onto the enclosed south facing garden.

My Experience

I developed on site modelling and design iterations up to planning status. I had direct communication with the client over design concerns and layouts. I attended site meetings and regularly liased with ecologists & required consultants Aerial showing roof form and open courtyard

Approach material study image

James Eyres

-v My Experience ~ Internal layouts ~ Construction details ~ Landscape details ~ Material/product specification ~ Stair detail design ~ Acoustic detailing/specification ~ Interior joinery package ~ Sports hall concept design

E D U C AT I O N P R I M A R Y, N U R S E R Y & S P O R T S

A new classroom and hall building and new nursery for Kingswood School in Bath. The project is currently on site. The new building will take the form of a collection of pitched and hipped roofs. Roofs and walls will be clad in western red cedar shingles, a woodland crafted response, with a scale that children can relate to. A plinth is formed in a tactile brick which has the tones of Bath stone, relating the building to the wider school site and the World Heritage City.

My Experience ~ Internal layouts ~ Construction details ~ Landscape details ~ Material/product specification ~ Stair detail design ~ Acoustic detailing/specification ~ Interior joinery package ~ Sports hall concept design

GRADUATE ARCHITECT

3D view of Library Play / Learning Space

Interior view of swimming pool showing Cross Laminated Timber structure

James Eyres

3 D & 2 D D E TA I L S

VECTORWORK

S i t e p ho t o n

3D Render showin

GRADUATE ARCHITECT

KS / SKETCHUP / V-RAY

near i n g c o m p l e t i o n

ng proposed shingle reveal James Eyres

Concept renders

GRADUATE ARCHITECT

Site photos near completion

James Eyres

CONSTRUCTION 1 :1 0 D et a i l s / K i ngs woo d Pri vat e Pri mary Scho o l, UK CLT St r u c tu re w ith B ric k C ladding Gr o und Flo o r & T i mbe r Sh in gles F irst F loor & Ro o f

GRADUATE ARCHITECT VECTORWORKS / SKETCHUP / V-RAY

Drawn at Ar c h itec t â&#x20AC;&#x2122;s ,

St o n e w o o d UK, in

Design 2 0 17.

James Eyres

CONSTRUCTION 1 : 1 0 D e t a i l s / K i n g s w o o d Primary School CLT St a i r Case

GRADUATE ARCHITECT

S TA I R VECTORWORKS / SKETCHUP / V-RAY

Conce p t ima g e of spa c e

James Eyres

OFFICE MATTER STUDIOS

MY EXPERIENCE

~ Construction details ~ Product / material specification ~ Site meetings with clients & builders

~ On site progress checks ~ Liasing with client & builders off site ~ Cost control procedures

3D section showing workshops bespoke staircase and design meeting rooms

3D section showing kitchen & quiet work space

Boutique product deisgn office refurb

Upstairs study collab space

Photo from site visit James Eyres

B E S P O K E D E TA I L S D e tai ls / Produ ct Desi g n Office

/ Ste e l & Co ncr e te Str uctu re

GRADUATE ARCHITECT

CONCEPTUAL

D E TA I L

DEVELOPMENT

MODELS

James Eyres

B E S P O K E D E TA I L S 1 : 1 0 Det ai ls / Produ ct Des ig n Office

/ Ste e l & Co ncr e te Str ucture

GRADUATE ARCHITECT VECTORWORKS / SKETCHUP / V-RAY

James Eyres

Architectural Designer, Stonewood Design

C U LT U R A L WELHAM GARDEN MUSEUM

A Museum of the Garden. The Museum is set underground to blend into the landscape with one elevation opening onto the adjacent woodland. Exposed elements use rammed earth. The proposals will include an exhibition gallery, a visitor reception, refreshments, gift shop and conveniences.

View from timber woodland walkway showing how the elevation blends to the landscape

My Experience

- Museum Concept Design - Site layout options - Site visits - Graphics/Visualisation - Facade options - Internal layout options - 2D Vectorworks Drafting - 3D Sketchup Modelling - Bridge/balustrade design

GRADUATE ARCHITECT

038

Approach view showing acessible roof linking to the woodland walkway

â&#x20AC;&#x153;Almost every man, woman and child in Britain has some connection to the garden. From the pots of carefully cultivated herbs on the balcony of the high-rise urbanite to the sprawling manicured lawns and clipped parterre borders of the country house, the pastimes of tending and enjoying gardens are almost universally shared.â&#x20AC;?

R E A L I S ATION They include Kisiju (Coast region), Boko (Dar es Salaam) and Bagamoyo. Border posts such as Horohoro, Namanga, Holili, Tarakea, Songwe and Tunduma have law enforcement authorities, but they lack expertise for identifying counterfeits How can you change your value? Home Cinema is a market that demands calibration that is identical to that used within professional environments, essentially matching.

Entance view

James Eyres

T E N D E R Pigdon House, Melbourne. Austin Maynard Architectâ&#x20AC;&#x2122;s Tender documentation for a new build $2m 2 bed house in Melbourne. Steel frame structure.

D ra wn @ A us t in M a yn a r

GRADUATE ARCHITECT

rd Arc h i t e c tâ&#x20AC;&#x2122;s, M e l bo u r ne in 2 018

James Eyres

T E N D E R

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GRADUATE ARCHITECT

S E C T I O N D E TA I L

James Eyres

T E N D E R

D ra wn @ Austi n Ma ynar d A r ch it ect â&#x20AC;&#x2122;s ,

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P L A N D E TA I L

James Eyres

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James Eyres