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EDITIONS ANDâ&#x20AC;&#x2C6;WORKS ON PAPER Wednesday 25th September 2019 The Westbury Hotel, Mayfair, London

The Westbury Hotel, 37 Conduit Street, London W1S 2YF

AUCTION NO. 46

EDITIONS AND WORKS ON PAPER Wednesday 25th September 2019, 11am and 2.30pm The Westbury Hotel, 37 Conduit Street, London W1S 2YF

VIEWING: BY APPOINTMENT 17TH – 19TH SEPTEMBER 220 Queenstown Road, London SW8 4LP

VIEWING: 22ND – 25TH SEPTEMBER The Westbury Hotel, London W1S 2YF Sunday 22nd September 11.00am – 5.00pm Monday 23rd September 9.30am – 5.30pm Tuesday 24th September from 9.30am – 7.00pm Wednesday 25th September from 9.30am

CONTENTS Morning Session - 11am Old Masters: 1-24 Modern British: 25-78 Continental: 79- 211

SPECIALISTS

Afternoon Session - 2.30pm British Pop and Op: 212-248 Post War American: 249-307 Contemporary: 308-412 Photographs: 413- 424 Urban: 425-466

Richard Carroll, Specialist of 16th-19th Century Works on Paper

BUYER'S PREMIUM (INCLUDING VAT) 30% of hammer price up to and including £150,000 24% of hammer price from £150,001 to £1,000,000 14.4% of hammer price in excess of £1,000,000

Rupert Worrall, Head of Prints and Editions Alexander Hayter, International Head of Modern and Contemporary Art and Editions

Robert Jones, Specialist of Prints and Editions Sarah McLean, Cataloguer of Prints and Editions

BIDDING AND INFORMATION +44 (0) 20 7871 2640 info@forumauctions.co.uk www.forumauctions.co.uk

BidFORUM LIVE ONLINE BIDDING Access our free live online bidding: forumauctions.co.uk/BidFORUM

Catalogue price: £15 (£17 including postage)

Collection Arrangements Paid for items will be available to collect from The Westbury Hotel until 5pm on Wednesday 25th September. From Thursday 26th September, paid for items will be available to collect from Forum Auctions’ premises at 220 Queenstown Road, London SW8 4LP. Please note that parking is available and we do not fall into the London congestion zone. We can help arrange packing and shipping of purchased lots, or clients may use their own carrier. Items must be paid for and collected by Friday 18th October.

Please note that buyer’s premium is applicable to every lot. Please also note any other symbols for additional fees that may apply. All symbols and fees are explained on p.4

GENERAL INFORMATION FOR BUYERS AT AUCTION 1. Introduction. The following notices are intended to assist buyers, particularly those that are new to our saleroom and internet bidding platforms. Our auctions are governed by our Terms and Conditions of Business incorporating the Terms of Consignment, the Terms of Sale supplemented by any notices that are displayed in our saleroom, the online catalogue listing or announced by the auctioneer at the auction. Our Terms and Conditions of Business are available for inspection at our saleroom and online at www.forumauctions.co.uk. Our staff will be happy to help you with any questions you may have regarding our Terms and Conditions of Business. Please make sure that you read our Terms of Sale set out in this catalogue and on our website carefully before bidding in the auction. In registering to bid with us you are committing to be bound by our Terms of Sale. 2. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer. 3. Estimates. Estimates are intended to indicate the hammer price that a particular lot may achieve. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and cannot be below the reserve price. Estimates do not include the buyer’s premium, VAT or other taxes and fees (where chargeable). Estimates may be altered by a saleroom notice. 4. Buyer's Premium. The Terms of Sale oblige you to pay a buyer's premium on the hammer price of each lot purchased. All lots are offered under the Auctioneer’s Margin Scheme and VAT (at 20%) is included within the buyer’s premium. Our rate of buyer’s premium is 30% of the first £150,000 of the hammer price, reducing to 24% of the hammer price from £150,001 to£1,000,000 and then 14.4% of the hammer price in excess of£1,000,000. Buyers wishing to purchase lots outside the margin scheme must notify us and will be subject to VAT (currently at 20%) on the hammer price in addition to buyer’s premium (and other applicable charges) which may be reclaimed as input VAT or in the event of export outside the EU. 5. Items with zero rated VAT. Please note that no VAT is added to the buyers’ premium on certain zero rated goods, such as qualifying books.

9. Commission bidding. You may leave commission bids with us indicating the maximum amount (excluding the buyer’s premium and/or any applicable VAT, fees or other taxes) you authorise us to bid on your behalf for a lot. We will execute commission bids at the lowest price possible having regard only to the reserve and other competing bids on the lot. Please note that we accept commission bids at standard bidding increments and reserve the right to reduce an oﬀ-increment bid down to the next lowest bidding increment or otherwise at our sole discretion. 10. Live online bidding. When using our BidFORUM platform to participate in the auction through your account on our website there will be no additional charges. If you are using a third party live bidding platform then additional fees may be applicable. We will invoice these to you as an additional service and any applicable VAT will be separated out. 11. Methods of Payment. We accept payments only in the currency in which the invoice is issued and payment is due within 3 working days of the auction. We process card payments securely over our website and accept and all major debit and credit cards issued by a UK or EU bank free of charge from personally issued cards only. If paying with a corporate card, or from outside the EU, an additional 3% charge will be levied on the invoice total. We also accept bank transfers, cash payments up to an equivalent of €10,000, and cheques issued by a UK bank. All funds need to have cleared into our account before items are collected. For bank transfers, please quote the Invoice Number as the payee reference: Our bank details for electronic transfers are: HSBC, 16 King St, London WC2E 8JF Account Name: Forum Auctions Limited Account Number: 12213079 Sort Code: 40-04-09 IBAN: GB44HBUK40040912213079 BIC: HBUKGB4106D 12. Collection and storage. Please note what the Terms of Sale say about collection and storage. It is important that you pay for and collect your goods promptly. Any delay may result in you having to pay storage charges of at least £1.50 per Lot per day as set out in Clause 7 of our Terms of Sale and interest charges of 1.5% per month on the Total Amount Due as set out in Clause 8 of our Terms of Sale.

6. Inspection of goods by the buyer. You will have ample opportunity to inspect the goods and must do so for any lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in Clauses 2.2, 2.10 and 11 of our Terms of Sale.

13. Loss and Damage to Goods. We are not authorised by the FCA to provide insurance services. Liability for a lot passes to the buyer on the fall of the hammer or conclusion of an online auction (as applicable). In the event that you wish for us to continue to accept liability for your purchased lots this must be agreed with us in writing in advance of the sale and any agreed charges are payable before collection of the goods.

7. Export of goods. If you intend to export goods you must ﬁnd out in advance if

14. Symbols within the catalogue a.

a. a. there is a prohibition on exporting goods of that charactere e.g. if the goods contain prohibited materials such as ivory b. b. they require an Export Licence on the grounds of exceeding a speciﬁc age and/or monetary value threshold as set by the Export Licensing unit. We are happy to make the submission of necessary applications on behalf of our buyers but we will charge for this service only to cover the costs of our time. 8. Bidding. Bidders will be required to register with us before bidding. Purchases will be invoiced to the buyer’s registered name and address only. When ﬁrst registering for an account with us you will need to provide us with proof of your identity in a form acceptable to us. IN REGISTERING TO BID YOU AGREE TO BE BOUND BY OUR TERMS OF SALE REGARDLESS OF YOUR METHOD OF BIDDING AND IN PLACING A BID YOU ARE MAKING AN IRREVOCABLE AND ENFORCEABLE COMMITMENT TO PURCHASE THE LOT. 4

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denotes a lot where Artist’s Resale Right or Droit de Suite royalty charges may be applicable to the Lot. Presently these charges are levied on a sliding scale at 4% of the hammer price up to Euro 50,000; 2% from Euro 50,001 to 200,000; 1% from Euro 200,001 to 350,000; 0.5% from Euro 350,001 to 500,000; and 0.25% above Euro 500,000 subject always to a maximum royalty charge of Euro 12,500. We will collect and pay royalty charges on your behalf and calculate the £ sterling equivalent of the Euro amount.

denotes that Import VAT at 5% is payable on the hammer price of the Lot.

denotes that VAT at 20% is payable on the hammer price, which may be reclaimable as input VAT.

15. Shipping. We can assist with the packing and shipping of your purchases by arrangement with our shipping department. Please contact shipping@forumauctions.co.uk for a list of shippers we regularly use together with indicative pricing for packing and shipping.

OLD MASTERS

1 Albrecht Dürer (1471-1528) THE MARTYRDOM OF THE TEN THOUSAND Woodcut, circa 1496, a good Meder g impression on thin laid paper mounted on [?]19th century paper support, numerous areas of careful ink facsimile to wear in the block, sheet 400 x 290mm (15¾ x 11½in), one or two small holes, minor surface dirt (unframed) Provenance: Richard Fisher, London (1809-1890) [L. 2204] Literature: Bartsch 117; Meder 218; S.M.S. 104 £700 - 1,000

2 Albrecht Dürer (1471-1528) THE SEA MONSTER Engraving, circa 1498, a good Meder h impression on laid paper with watermark of small coat of arms with city gate (Meder 274, datable to 1570s), sheet 250 x 188mm (9⅞ x 7⅜in), trimmed just within the platemark, repairs to upper and lower left corners, some toning to sheet and minor spotting, small nicks to extremities (unframed) Literature: Bartsch 17; Meder 66; S.M.S 21 £4,000 - 6,000

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3 Albrecht Dürer (1471-1528) THE PENANCE OF ST. JOHN CHRYSOSTOM Engraving, 1496, an excellent Meder c-d impression on laid paper without watermark, printing with depth and clarity, inky edges and delicate wiping marks in the upper corners, trimmed to or just within the platemark, sheet 182 x 119mm (7⅛ x 4¾in) (unframed) Provenance: Count Nikolai Rumyantsev (1754-1826); Rumyantsev Museum, Moscow [L. 5364] Literature: Bartsch 63; Meder 54; S.M.S. 7 ⁂ Based on the medieval legend, St. John Chrysostom can be seen crawling in the distance following his vow not to rise from the ground until he had made amends for his sins; notably the attempted murder of a princess who he impregnated. For years he lived like a beast, crawling on all fours and feeding on wild grasses and roots. It was said that the saint’s infant child miraculously spoke and pardoned the hermit. £15,000 - 20,000

Please note that buyer’s premium is applicable to every lot. Please also note any other symbols for additional fees that may apply. All symbols and fees are explained on p.4

4 Rembrandt van Rijn (1606-1669) THE BAPTISM OF THE EUNUCH Etching with touches of drypoint and plate tone, 1641, but a slightly later impression of New Hollstein’s third state (of four), before further reworking, on cream laid paper without watermark, sheet 185 x 214mm (7¼ x 8⅜in), trimmed with thread margins or just within the image, small repair to loss in lower edge and two further small restored pin holes (unframed) Literature: Hind 182; New Hollstein 186 iii/iv £800 - 1,200

5 Rembrandt van Rijn (1606-1669) A HURDY-GURDY PLAYER FOLLOWED BY CHILDREN AT THE DOOR OF A HOUSE (‘THE SCHOOLMASTER’) Etching, 1641, but a later impression of New Hollstein’s ﬁnal state (of four) on laid paper without watermark, platemark 93 x 63mm (3⅝ x 2½in), sheet 106 x 76mm (4¼ x 3in), good margins (unframed) Literature: Hind 141; New Hollstein 144 vii/vii £800 - 1,200

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6 Rembrandt van Rijn (1606-1669) THE CARD PLAYER Etching, 1641, but a later impression of New Hollstein’s ﬁfth state (of ﬁve), on cream wove paper without watermark, platemark 91 x 83mm (3⅝ x 3¼in), sheet 100 x 89mm (3⅞ x 3½in) (unframed) Literature: Hind 191; New Hollstein 192 v/v £800 - 1,200

7 Rembrandt van Rijn (1606-1669) OLD BEARDED MAN IN HIGH FUR CAP, WITH EYES CLOSED Etching, 1635, on laid paper without watermark, sheet 112 x 104mm (4½ x 4½in), trimmed on or just within platemark, some careful repairs to splits and minor loss, thinning visible verso (unframed) Literature: Hind 130; New Hollstein 148 £2,000 - 3,000

8 Rembrandt van Rijn (1606-1669) THE RETURN OF THE PRODIGAL SON Etching with light plate tone, circa 1636, a very good impression of New Hollstein's second state (of 3), an early impression of this state with burr on re-work in lower step, on laid paper without watermark, platemark 155 x 135mm (6⅛ x 5¼in), sheet 252 x 193 (9⅞ x 7⅝in), large margins, (unframed) Literature: Hind 147; NH 159 ii/iii £2,000 - 3,000

Please note that buyer’s premium is applicable to every lot. Please also note any other symbols for additional fees that may apply. All symbols and fees are explained on p.4

9 Rembrandt van Rijn (1606-1669) CHRIST DISPUTING WITH THE DOCTORS: A SKETCH Etching and drypoint, 1652, but a later impression of New Hollstein’s second state (of two) on cream wove paper without watermark, platemark 93 x 141mm (3⅝ x 5½in), sheet 105 x 155mm (4⅛ x 6⅛in) (unframed). Literature: Hind 277; New Hollstein 281 ii/ii £1,200 - 1,800

10 Rembrandt van Rijn (1606-1669) THE PRESENTATION IN THE TEMPLE: OBLONG PLATE Etching, drypoint and engraving, circa 1639, a good but slightly later impression of New Hollstein's third state (of ﬁve), before later rework, on laid paper with watermark of a bunch of grapes [see Hinterding Grapes-B-d], sheet 216 x 292mm (8½ x 11½in), thread margin or trimmed just within the platemark (unframed) Literature: Bartsch 49; Hind 162; New Hollstein 184 iii/v £4,000 - 6,000

11 Rembrandt van Rijn (1606-1669) JOSEPH AND POTIPHAR’S WIFE Etching, 1634, a good impression of New Hollstein’s third state (of four) on laid paper without watermark, well inked with little sign of wear and before further rework, sheet 96 x 117mm (3¾ x 4⅝in) (unframed) Literature: Hind 118; New Hollstein 128 iii/iv £4,000 - 6,000

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12 Rembrandt van Rijn (1606-1669) THE ARTIST’S MOTHER WITH HER HAND ON HER CHEST Etching, 1631, but a later impression of New Hollstein’s fourth state (of six) before further reworking, on cream laid paper without watermark, platemark 92 x 66mm (3⅝ x 2⅝in), sheet 106 x 79mm (4⅛ x 3⅛in), good margins (unframed) Literature: Hind 50; New Hollstein 87 iv/vi £1,000 - 1,500

13 Rembrandt van Rijn (1606-1669) THE PANCAKE WOMAN Etching, 1635, a good but slightly later impression of New Hollstein’s third state (of seven) on laid paper without watermark, cross-hatching to basket, sheet 111 x 81mm (4⅜ x 3¼in), small margins, nick in the upper right corner, faint horizontal crease along lower margin (unframed) Literature: Hind 141; New Hollstein 144 iii/vii Provenance: Indistinct collector’s blindstamp recto, lower right corner Unidentiﬁed collector’s ink stamp verso, [initials FE] £4,000 - 6,000

14 Rembrandt van Rijn (1606-1669) SELF-PORTRAIT ETCHING AT A WINDOW Etching, drypoint and burin, 1648, a good but a slightly later impression of New Hollstein’s ﬁnal state (of nine), on thick laid paper without watermark, French letterpress text verso, platemark 158 x 131mm (6¼ x 5¼in), sheet 180 x 149mm (7⅛ x 5⅞in) (unframed) Literature: Hind 229; New Hollstein 240 ix/ix £2,500 - 3,500

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15 Rembrandt van Rijn (1606-1669) SELF-PORTRAIT IN A VELVET CAP WITH PLUME Etching with delicate plate tone, 1638, a good but slightly later impression of New Hollstein’s third state (of four), sheet 132 x 102mm (5¼ x 4in), trimmed within the platemark, small repaired loss in the both left hand corners, paper thinning in places (unframed) Literature: Hind 172; New Hollstein 170 iii/iv £3,000 - 5,000

16 Rembrandt van Rijn (1606-1669) SELF PORTRAIT WITH SASKIA Etching, 1636, on ﬁne wove paper without watermark, New Hollstein’s third state (of four), some ﬁne tears and loss restored with careful facsimile, sheet 105 x 93mm (4⅛ x 3⅝in) (unframed) Literature: Hind 144; New Hollstein 158 iii/iv £2,500 - 3,500

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17 Rembrandt van Rijn (1606-1669) THE DESCENT FROM THE CROSS: SECOND PLATE Etching and engraving, 1633, a good early Basanera impression of New Hollstein’s sixth state (of eight) before the address of Lamoureux, on laid paper with text-based watermark, evenly printed with only slight signs of wear, sheet 524 x 403mm (20⅝ x 15¾in), trimmed on or just within platemark, but with thread margin to image (unframed) Literature: Hind 103; New Hollstein 119 vi/viii ⁂ Sixth state, on laid paper. £8,000 - 12,000

18 Rembrandt van Rijn (1606-1669) THE DESCENT FROM THE CROSS: SECOND PLATE Etching and engraving, 1633, but slightly later impression of New Hollstein's seventh state (of eight) on laid paper with watermark of grapes, evenly printed but with some signs of wear, sheet 534 x 407mm (21 x 16in), lower left corner and other small areas with loss replaced in facsimile (unframed) Literature: Hind 103; New Hollstein 119 vii/viii £4,500 - 5,500

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19 Rembrandt van Rijn (1606-1669) SELF-PORTRAIT WITH A RAISED SABRE Etching and engraving, 1634, an excellent impression of New Hollstein’s second state (of two), with light burr in the cross-hatching to the left and within the spots on the fur collar, showing little sign of any wear, some delicate touches of ink, on laid paper with partial watermark of a small (10mm) ﬁve-pointed star, sheet 122 x 100mm (4¾ x 3⅜in) (unframed) Provenance: Hans Philipp Werner, Freiherr von und zu Aufseß (1801-1872) [L. 2749]; J.F. Linck (d. 1863) [L. 1685]; His sale, by R. Weigel, 29th September 1863, and following days; David Bernhard Hausmann (1784-1874) [L. 377]; Probably his sale at C. G. Boerner, Leipzig, May 15th and following days, 1879 ⁂ An excellent example of this imposing self-portrait, with noble and distinguished provenance: previous owners include the German baron Hans von Aufsess, a great art lover, bibliophile, and one of the founders of the Germanisches Nationalmuseum, Nuremberg; the Berlin-based print dealer, J.F. Linck, author of the 1846 catalogue and biography of Christian Wilhelm Ernst Dietrich (1712-1774); and the great collector of Albrecht Dürer, David Bernhard Hausmann, whose collection of drawings are now held in the the Kupferstichkabinett, Berlin, and whose paintings were acquired by the last King of Hanover, George V, between 1850 and 1860. £30,000 - 40,000

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20 Rembrandt van Rijn (1606-1669) WOMAN BATHING HER FEET AT A BROOK Etching and drypoint, 1658, a ﬁne, rich impression of New Hollstein's ﬁrst state (of two), printing with burr to the cheek and at lower edge, on laid paper without watermark, sheet 161 x 81mm (6⅜ x 3¼in), careful repairs to minor loss at upper edge (unframed) Provenance: Joseph-Marius Agassis (1811-1889) [L. 69] Literature: Hind 289; New Hollstein i/ii £14,000 - 18,000

Please note that buyer’s premium is applicable to every lot. Please also note any other symbols for additional fees that may apply. All symbols and fees are explained on p.4

21 Rembrandt van Rijn (1606-1669) ST. JEROME IN A DARK CHAMBER Etching with plate tone, 1642, a dark atmospheric and richly-inked impression of New Hollstein’s second state (of three) with curtain at right partly burnished into a concave outline, on laid paper with partial watermark of Seven provinces [see Hinterding Seven provinces-D-a], sheet 150 x 170mm (5⅞ x 6¾in), trimmed on or just within the platemark (unframed) Literature: Hind 201; New Hollstein ii/iii £20,000 - 30,000

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22 Lucas van Leyden (1494-1533) THE POET VIRGIL SUSPENDED IN A BASKET Engraving, 1525, a good impression of the ﬁrst state (of three), on laid paper with grapes and leaf watermark [mid 16th century; see Briquet 13.058], sheet 245 x 189mm (9⅝ x 7⅜in), trimmed to or just inside the platemark, printers’ creases in the upper left quadrant, small nicks to extremities (unframed) Provenance: Colnaghi, London (inscribed with date of sale ‘5/8/1949’ verso of mount) £4,000 - 6,000

23 Francisco Goya (1746-1828) QUIEN SE PONDRÁ CASCABEL AL GATO? (Otras Leyes por el Pueblo), from 'Los Proverbios' Etching with aquatint, circa 1824, but a slightly later impression on cream 'Michallet' watermarked laid paper with faint text, published in L'Art, wide margins, platemark 245 x 350mm (9⅝ x 13¾in) (unframed) Literature: Delteil 222; Harris 268 £1,500 - 2,000

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24 James Abbott McNeill Whistler (1834-1903) THE GARDEN, FROM: THE SECOND VENICE SET Etching and drypoint, 1879-80, but from the Second Venice Set, 1886, an excellent impression of the 12th state (of 15), signed with the butterﬂy in pencil on the tab and inscribed ‘imp’, on thin laid paper without watermark, sheet 300 x 235mm (11¾ x 9¼in), trimmed to platemark as issued, some expert repairs (unframed) Literature: Kennedy, 210; University of Glasgow, 194 £30,000 - 40,000

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MODERN BRITISH

25 Craigie Aitchison CBE RA (1926-2009) LEMON & BIRDS (PECK 28) Screenprint in colours, 2002, signed, dated and numbered from the edition of 71 in white ink, on wove paper, published by Advanced Graphics, London, the full sheet, 380 x 432mm (15 x 17in) (framed) £500 - 700

26 Eileen Cooper (b.1953) GIVEN Etching with woodcut printed in colours, 1996, signed, titled, dated and numbered from the edition of 55 in pencil, on wove paper, printed and published by the Royal College of Art, London, the full sheet printed to the edges, 277 x 274mm (10⅞ x 10¾in) (unframed) £200 - 300

27 Alan Davie (1920-2014) BIRD THROUGH WALL Lithograph printed in colours, 1973, signed, dated and numbered from the edition of 90 in pencil, on wove paper, as included in the Penwith Portfolio, printed by Curwen Studio, Balsham, published by the Penwith Society of Arts, St Ives, with margins, image 502 x 708mm (19¾ x 28in) (framed) £300 - 500

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28 Alan Davie (1920-2014) FOX WATCH Lithograph printed in colours, 1970, signed, dated and numbered from the edition of 75 in pencil, on wove paper, with margins, sheet 625 x 810mm (24½ x 32in) (unframed) £300 - 500

29 Mary Fedden (1915-2012) (after) OPPEDE LE VIEUX Oﬀset lithograph printed in colours, 2006, signed and numbered from the edition of 150, on wove paper, printed by Curwen Studio, Cambridge, with their blindstamp, with full margins, sheet 370 x 445mm (14½ x 17½in) (unframed) £150 - 200

Please note that buyer’s premium is applicable to every lot. Please also note any other symbols for additional fees that may apply. All symbols and fees are explained on p.4

30 Elisabeth Frink (1930-1993) CORMORANT Watercolour and pencil on paper, 1971, signed and dated in pencil, sheet 430 x 570mm (17 x 22½in) (framed) British artist Elisabeth Frink was occupied by the themes and symbolism of birds in her work since she first exhibited publicly in 1951. For her, it was specifically that moment just before or during flight that was fascinating. This inspired her continuous return to the subject across her sculpture, painting and printing for the next two decades. The present artwork exemplifies the power of such an image. Here a cormorant stands in a stormy landscape, looking wildly around at its surroundings while spreading its wings to launch into a foreboding sky. In the artist’s opinion, it is in these moments that birds are their most expressionist in feeling because they are about to attempt to overcome the forces of nature and gravity that keep man firmly in his earthbound state. Such an idea is both beautiful and pertinent, as it provides the perfect metaphor for her viewer to explore one’s struggle to surpass our own limitations - to soar to freedom, spiritual ascendancy and success - while also acknowledging the uncertainty that comes with doing so. Provenance: Private Collection, United Kingdom, 1995-Present. Chiswick Auctions, London, 11th April 1995. £3,500 - 4,500

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31 Terry Frost (1915-2003) Easter (Kemp 34) Lithograph printed in colours, 1966, signed, dated and inscribed ‘Artist’s Proof’ in black ballpoint pen, one of only ﬁve artist's proofs, the edition was never realised, on wove paper, with margins, sheet 592 x 390mm (23¼ x 15⅜in) (unframed) £500 - 700

32 Terry Frost (1915-2003) SUN AND BOAT (KEMP 135) Screenprint with collage and extensive hand-colouring in crayon, 1992-1996, signed, inscribed and numbered from the edition of 50 in pencil, on wove paper, printed at the Royal College of Art, London, published by the Artist, Newlyn, the full sheet, 315 x 335mm (12⅜ x 13¼in) (unframed)

£2,000 - 3,000

33 Stanley William Hayter (1901-1988) TRIANGLE; CONVEX MIRROR (BLACK AND MOORHEAD 385; BLACK AND MOORHEAD 412) Lithograph printed in colours, 1975, signed, dated and numbered from the edition of 75 in pencil, on wove paper, printed by Etablissement Guillard, Cachan, image 305 x 400mm (12 x 15¾in); together with the etching with engraving printed in colours, 1980, signed, dated, titled and numbered from the edition of 75, on watermarked BFK Rives wove paper, printed by Hector Saunier, with full margins, sheet 650 x 495mm (25¾ x 19½in) (unframed) (2) £200 - 300

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34 Peter Howson (b.1958) THE UNIONIST Oil on paper, signed at lower right, 106 x 82cm (41¾ x 32¼in) (framed) Provenance: with The Scottish Gallery, from the Artist & Private Collection, stock no.864 according to the label attached to the reverse of the Paintings, Drawings & Prints; Picture Frames £2,000 - 3,000

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35 Patrick Hughes (b.1939) UNTITLED (RAINBOW VASE) Screenprint in colours, signed and numbered from the edition of 25 in pencil, on wove paper, with margins, image 270 x 185mm (10⅝ x 7¼in) (framed)

36 HRH Prince of Wales (b.1948) GREEK ISLAND LANDSCAPE Lithograph printed in colours, 1999, signed in pencil, a proof before the edition of 100, on wove paper, printed by the Curwen Studio, Cambridge, with large margins, sheet 463 x 576mm (18¼ x 22¾in) (unframed) £300 - 500

£500 - 700

37 Gordon House (1932-2004) GOTHIC GREEN (117) Etching printed in colours, 1978/79, signed, dated, titled and numbered from the edition of 40 in pencil, on wove paper, with margins, plate 406 x 305mm (16 x 12in) (framed)

38 Gordon House (1932-2004) MANX YELLOW (118) Etching printed in colours, 1978/79, signed, dated, titled and numbered from the edition of 40 in pencil, on wove paper, with margins, plate 406 x 305mm (16 x 12in) (framed)

£200 - 300

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40 39 David Inshaw (b.1943) ARTIST AND MODEL The complete set of six etchings, signed and numbered from the edition of 20, each on Arches paper, printed at 107 Workshop, Westbury, published by Waddington Graphics, London, each the full sheet, each 510 x 380mm (20 x 15in) (overall) (6) £300 - 500 40 R.B. Kitaj (1932-2007) A DAY BOOK (RAMKALAWON 133-146) The complete portfolio of 13 prints, comprising 8 screenprints, 4 etchings and one lithograph printed in colours, 1970-72, each signed and numbered from the edition of 200 in pencil, including title page, letterpress leaves on colored paper, loose as issued in illustrated wrappers and publisher’s illustrated red linen box, printed by Kelpra Studios, London, overall 637 x 435mm (25 x 17¼in) (13) (unframed) £1,000 - 1,500

41 Kim Lim (1936-1997) UNTITLED (BLUE) Lithograph printed in blues, 1993, signed, dated, inscribed ‘Lithograph Curwen Chilford Archive’ and numbered from the edition of two in pencil, on wove paper, printed by The Curwen Studio, Cambridge, the full sheet, 600 x 565mm (23½ x 22¼in) (unframed) £200 - 300

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44 Laurence Stephen Lowry (1887-1976) ON THE SANDS Oﬀset lithograph printed in colours, signed and numbered from the edition of 500 in pencil, on wove paper, printed by Chorley Pickersgill, Leeds, with margins, image 380 x 559mm (15 x 22in) (framed) £1,000 - 1,500

42 Laurence Stephen Lowry (1887-1976) (after) OLD TOWN HALL, MIDDLESBROUGH Oﬀset lithograph printed in colours, numbered from the edition of 850 in ink, on wove paper, published by the Adam Collection with their stamp at lower left, image 420 x 310mm (16½ x 12¼in) (framed) £300 - 500

43 Laurence Stephen Lowry (1887-1976) THE LEVEL CROSSING, BURTON ON TRENT Oﬀset lithograph printed in colours, signed in pencil, on wove paper, published by Patrick Seale Prints Ltd, London, with their blindstamp, with margins, 608 x 710mm (24 x 28in) (framed) £700 - 1,000

45 Laurence Stephen Lowry (1887-1976) BURFORD CHURCH Oﬀset lithograph printed in colours, signed and numbered from the edition of 850 in pencil, on wove paper, published by Grove Galleries, Manchester, with full margins, image 605 x 455mm (23¾ x 17¾in) (framed) £1,000 - 1,500

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46 Henry Moore (1898-1986) THREE RECLINING FIGURES (CRAMER 325) Lithograph printed in colours, 1973-1975, initialled in pencil, numbered from the edition of XL, on Arches paper, as included in La Poesie, published by Art et Poésie, Paris, printed by Curwen Prints Ltd., London, on Arches paper, the full sheet printed to the edges, sheet 470 x 382mm (18½ x 15in) (unframed)

48 Henry Moore (1898-1986) FOUR STANDING FIGURES (CRAMER 323) Lithograph printed in colours, 1973-1975, initialled in pencil, numbered from the edition of XL, on Arches paper, as included in La Poesie, published by Art et Poésie, Paris, printed by Curwen Prints Ltd., London, on Arches paper, the full sheet printed to the edges, sheet 470 x 382mm (18½ x 15in) (unframed)

£500 - 700

49 Henry Moore (1898-1986) TWO HEADS (CRAMER 318) Lithograph printed in colours, 1973-1975, initialled in pencil, numbered from the edition of 40, on Arches paper, as included in La Poesie, published by Art et Poésie, Paris, printed by Curwen Prints Ltd., London, on Arches paper, with full margins, sheet 114 x 190mm (4½ x 7½in) (unframed) £500 - 700 47 Henry Moore (1898-1986) IDEAS FROM A SKETCHBOOK (CRAMER 324) Lithograph printed in colours, 1973-1975, initialled in pencil, numbered from the edition of 110, on Arches paper, as included in La Poesie, published by Art et Poésie, Paris, printed by Curwen Prints Ltd., London, on Arches paper, the full sheet printed to the edges, sheet 470 x 382mm (18½ x 15in) (unframed) £500 - 700 28

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50 Henry Moore (1898-1986) MOTHER AND CHILD (CRAMER 707) Etching, 1983, signed in pencil, inscribed PL7 AP, numbered from the artist's proof edition of XV, on Arches paper, published by Raymond Spencer Company Ltd., for the Henry Moore Foundation, Much Hadham, printed by James Collyer and John Crossley, on Arches paper, with full margins, sheet 102 x 127mm (4 x 5in) (unframed) £700 - 900

52 Henry Moore (1898-1986) MOTHER AND CHILD XXVI (CRAMER 696) Etching, aquatint and roulette printed in colours, 1983, signed and inscribed from the HC edition of 15 in pencil, on wove paper, with full margins, sheet 515 x 435mm (20¼ x 17in) (framed) £800 - 1,200

51 Henry Moore (1898-1986) THREE MOTIVES (CRAMER 157) Etching, 1970, signed and numbered from the edition of 200 in pencil, on BFK Rives wove paper, published by Cercle Graphique Européen, Utrecht, with their blindstamp, with full margins, plate 305 x 240mm (12 x 9½in) (framed) £400 - 600

53 Henry Moore (1898-1986) TWO ROCK RECLINING FIGURES (CRAMER 102) Lithograph, 1967, signed and numbered from the edition of 50 in pencil, on Bacham Green paper, printed by J E WOlfensberger, Zurich, published by the Henry Moore Foundation, Much Hadam, the full sheet, 598 x 485mm (23½ x 19in) (framed) £600 - 800

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54 Henry Moore (1898-1986) FANTASY (CRAMER 89) Etching, 1967, signed and inscribed from the artist proof edition of 10 in pencil, aside from the edition of 50, on Japon Ancien, printed by Frelaut and Lacouriere, Paris, published be Gerald Cramer, Geneva, with margins, plate 200 x 254mm (7⅞ x 10in) (framed) £600 - 800

56 Henry Moore (1898-1986) SIX SCULPTURE IDEAS (CRAMER 545) Lithograph printed in colours, 1979, signed and inscribed ‘Curwen Studio Proof’ in pencil, aside from the edition of 50, on TH Saunders paper, printed by Curwen Prints Ltd, London, published by Raymond Spencer Company Ltd for the Henry Moore Foundation, Much Hadam, with full margins, sheet 572 x 772mm (16¾ x 20in) (unframed) £400 - 600

55 Henry Moore (1898-1986) EARTHQUAKE IN HARBOUR Lithograph printed in colours, 1973, signed and inscribed ‘S/P’, a studio proof, on T H Saunders wove paper, printed by The Curwen Studio, Cambridge, the full sheet printed to the edges, sheet 445 x 650mm (17¾ x 25½in) (unframed) £300 - 500

57 Henry Moore (1898-1986) FIGURE IN A ROOM (CRAMER 451) Lithograph printed in colours, 1977, signed and inscribed ‘Curwen Studio Proof’ in pencil, aside from the edition of 50, on TH Saunders paper, printed and published by Curwen Prints Ltd, London, with full margins, sheet 428 x 510mm (16¾ x 20in) (unframed) £300 - 500

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58 Henry Moore (1898-1986) TWO RECLINING FIGURES (CRAMER 497) Lithograph printed in colours, 1978, signed and inscribed ‘S/P in pencil, a studio proof aside from the edition of 100, on T H Saunders paper, printed by Curwen Prints Ltd, London, published by Pantheon Edition, Munich, the full sheet, 566 x 386mm (22¼ x 15¼in) (unframed)

60 Ben Nicholson (1894-1982) Mug & Goblet (Cristea 111) Etching with aquatint, 1968, signed, dated and numbered from the edition of 50 in pencil, on watermarked BFK Rives paper, published by Leslie Waddington Prints, London, with their blindstamp, the full sheet, 438 x 374mm (17¼ x 14¾in) (unframed)

£500 - 700

£1,500 - 2,000

59 Henry Moore (1898-1986) THE OBSERVERS (CRAMER 626) Lithograph printed in colours, 1982, signed and inscribed ‘e/a’ in pencil, an artist’s proof aside from the edition of 50, printed by Curwen Prints Ltd, London, published by Raymond Spencer Company Ltd for The Henry Moore Foundation, Much Hadam, with full margins, sheet 407 x 445mm (16 x 17½in) (unframed) £250 - 350

61 Bernard Ninnes (1899-1971) Experiment in abstraction Oil on canvas, 1955, signed and dated at lower right, 610 x 505mm (24 x 20in) £200 - 300

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62 Chris Orr (b.1943) Cyclone - Coney Island Lithograph printed in colours, 2010, signed, titled and inscribed ‘Curwen Proof’ in pencil, on wove paper, printed by The Curwen Studio, Cambridge, the full sheet, 550 x 750mm (21⅝ x 29½in) (unframed) £100 - 150

63 Oliﬀe Richmond (1919-1977) STANDING GROUP; PILOT Two lithographs printed in brown, 1966, each signed and numbered from the edition of 250 in pencil, each on wove paper, printed by The Curwen Studio, Cambridge, each the full sheet, 600 × 455mm (23⅝ x 18in) (unframed) (2) £100 - 150

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64 Patrick Proctor (1936-2003) THE HOME IN DANGER Oil on canvas, 1928, 340 x 440mm (13¾ x 17¼in) (framed) Provenance: A gift from the artist to a family friend and thence by descent £2,500 - 3,500

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65 John Tandy (1905-1982) THE FOREST Woodcut, circa 1930, signed and titled in pencil, on wove paper, with margins, image 150 x 102mm (5⅞ x 4in) (framed) £250 - 350

66 Edward Wadsworth (1889-1949) SIGNALS (GREENWOOD W/C 43; GARTON 531) Lithograph printed in colours, 1942, on thin wove, printed at the Baynard Press, published by the Council for the Encouragement of Music and the Arts, with full margins, sheet 1010mm x 759mm (39¾ x 29⅞in) (unframed) £500 - 700

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67 Edward Wadsworth (1889-1949) H. GAUDIER-BRZESKA 1891-1915 (GREENWOOD 53) Woodcut printed in black, 1915, on the justiﬁcation page of ‘H. GaudierBrzeska 1891-1915’, numbered from the edition of 250 in pencil, published by The Ovid Press, London, image 50 x 41mm (2 x 1½in) (folio) £800 - 1,200

68 Christopher Richard Wynne Nevinson (1889-1946) LA CITÉ, PARIS (BLACK 114) The rare etching, 1926-1927, signed in pencil, on wove paper, with margins, plate 178 x 276mm (7 x 10⅞in) (framed) £5,000 - 7,000

69 Christopher Richard Wynne Nevinson (1896-1946) SURVIVORS AT ARRAS (BLACK 22) The rare drypoint, 1917, a good impression with rich burr and delicate plate tone, signed and dated in pencil, on laid paper, with margins, plate 352 x 249mm (13⅞ x 9¾in) (framed) £8,000 - 12,000

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70 Christopher Richard Wynne Nevinson (1889-1946) MT (MOTOR TRANSPORT) (BLACK 43) The very rare woodcut printed in brown, 1918, an excellent impression, signed in pencil, from the edition of 12, on oriental laid, with margins, image 214 x 285mm (8½ x 11¼in) (framed) This print was ﬁrst exhibited at the Leicester Galleries in March 1918. Jonathan Black notes “The experience of being picked up by a lorry- known as ‘lorry jumping’ - either qwhen returning from a rare ten days’ leave (which a British soldier in the ranks might expect to be given every 14 to 18 months), or setting out for Calais or Boulogne to catch a leave ship home, was depicted in the early 1918 woodcut MT. From the glum expressions and the skilfully delineated dejected body language of the troops in the back of the lorry, one can imagine the former scenario is presented in MT. This was one of a handful of woodcuts Nevinson produced in 1918-19, no more than four or ﬁve in total.” (Black, C.R.W Nevinson: The complete prints, page.36). £40,000 - 60,000

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71 Lill Tschudi (1911-2004) UNTITLED Linocut printed in red, circa 1930, a unique impression, on thin Japan paper, sheet 140mm (5½in) (diameter) (unframed) £300 - 500 72 Lill Tschudi (1911-2004) UNTITLED; UNTITLED A pair of linocuts printed in dark red, circa 1930, each a unique impression, on thin Japan paper, various sizes (2) (unframed) £200 - 300 73 Lill Tschudi (1911-2004) UNTITLED; UNTITLED A pair of linocuts printed in dark red, circa 1930, each a unique impression, on thin Japan paper, various sizes (2) (unframed) £200 - 300 74 Lill Tschudi (1911-2004) UNTITLED; UNTITLED A pair of linocuts printed in dark red, circa 1930, each a unique impression, on thin Japan paper, various sizes (2) (unframed)

£200 - 300

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75 Lill Tschudi (1911-2004) TIERRA CALIENTE Linocut printed in colours, circa 1950, signed, titled and numbered from the edition of 50 in pencil, on tissue thin Japan paper, with margins, 365 x 419mm (14⅜ x 16½in) (unframed) £300 - 500

76 Lill Tschudi (1911-2004) HERO OF SHANGHAI (NOT IN COPPEL) Linocut printed in black, circa 1927, signed and titled in pencil, according to the artist’s estate this is unique, on thin buff wove paper, with wide margins, 172 x 124mm (6¾ x 5in) (unframed) The present lot depicts silent film star Jack Trevor who famously was forced into performing in Nazi propaganda films by Joseph Goebbels. £500 - 700

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77 Cyril Edward Power (1872-1951) ST FRANCIS (COPPEL 45) Linocut printed in venetian red, viridian and crimson, circa 1937, signed twice in pencil, titled and numbered from the edition of 60, on buﬀ oriental laid tissue paper, with margins, block 408 x 248mm (16 x 9¾in) (framed) £1,200 - 1,800

78 Cyril Edward Power (1872-1951) MONSEIGNEUR ST THOMAS (COPPEL CEP27) Linocut printed in light yellow ochre, transparent golden ochre, spectrum red, permanent blue and Chinese blue, 1931, a richly inked impression, signed, titled and numbered from the edition of 50 in pencil, on buﬀ oriental laid tissue paper, with margins, block 354 x 280mm (13⅞ x 11in) (framed) £5,000 - 7,000

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CONTINENTAL

79 Georges Braque (1882-1963) (after) VASE DE FLEURS JAUNES (MAEGHT 1039) Aquatint printed in colours, circa 1955, signed and numbered from the edition of 300 in pencil, on BFK Rives wove paper, published by Maeght, Paris, with their blindstamp, the full sheet, plate 490 x 350mm (19¼ x 13¾in) (unframed) £1,000 - 1,500

80 Hans Bellmer (1902-1975) LES ANAGRAMMES DU CORPS The complete set of 10 etchings printed in black with a colour plate, 1973, each signed and numbered from the edition of 100 in pencil, signed by author (Alain Jouﬀroy) on the justiﬁcation page, on Arches paper, published by Editions George Visat, Paris, overall 520 x 400mm (20½ x 15¾in) (10) (unframed) £2,000 - 3,000

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81 Bernard Buﬀet (1928-1999) HOLY FACE Drypoint, 1953, signed and numbered from the edition of 75 in pencil, on BFK Rives wove paper, printed by Lacourière, Paris and published by Creuzevault, Paris, with full margins, sheet 555 x 762mm (21⅞ x 30in) (unframed) £300 - 500

82 Paul Cézanne (1839-1906) (after) by Jacques Villon (1875-1963) LA MONTAGNE SAINTE-VICTOIRE (GINESTET & POUILLON E639) Aquatint printed in colours, 1923, signed, inscribed ‘Paul Cezanne’, and numbered from the edition of 200 in brown ink, on Arches wove paper, published by Bernheim Jeune, Paris, with margins, plate 438 x 603mm (17¼ x 23¾in) (unframed) £1,500 - 2,000

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83 Marc Chagall (1887-1985) FOUR LITHOGRAPHS (MOURLOT 126, 141, 142, 366) Four lithographs printed in colours, 1956-1962, three from ‘Bible’ one from ‘Jerusalem Windows’, each on wove paper, 355 x 260mm (14 x 10¼in) (and smaller) (4) (unframed)

85 Marc Chagall (1887-1985) FIVE LITHOGRAPHS (MOURLOT 238, 245, 246, 250, 400) Five lithographs printed in colours, 1956-1962, four from ‘The Bible’ one from ‘Chagall Lithographs’, each on wove paper, 355 x 260mm (14 x 10¼in) (and smaller) (5) (unframed)

£200 - 300

£300 - 500

84 Marc Chagall (1887-1985) (after) LE COQ (MAEGHT 1203) Lithograph printed in colours, 1952, on Arches wove paper, published by Maeght Paris with their blindstamp, with margins, sheet 381 x 342mm (15 x 13½in) (unframed)

86 Marc Chagall (1887-1985) CHAGALL LITHOGRAPHE I-VI (CRAMER 43, 56, 77, 94) The set of six volumes, comprising 29 lithographs, most printed in colours, 1960-1974, with title and text pages, the text in German, printed by Mourlot Frères, Paris, bound in boards as issued, in the original lithographed paper wrappers, overall 325 x 250mm (12¾ x 9¾in) (vol) (6)

£250 - 350

£2,000 - 3,000 Please note that buyer’s premium is applicable to every lot. Please also note any other symbols for additional fees that may apply. All symbols and fees are explained on p.4

87 Marc Chagall (1887-1985) (after) by Charles Sorlier THE TRIBE OF BENJAMIN. FROM THE JERUSALEM WINDOWS (CHARLES SORLIER 23) Lithograph printed in colours, 1964, signed in pencil, numbered from the Roman numeral edition of LXXV, on Arches wove paper, with full margins, sheet 610 x 460mm (24 x 18in) (unframed) Â£4,000 - 6,000

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88 Marc Chagall (1887-1985) PRINTEMPS AU PRÉ (MOURLOT 314; SEE CRAMER BOOKS 46) Lithograph printed in colours, 1960, from the edition of 250, on Arches wove paper, as included in ‘Daphnis and Chloé’, printed by Mourlot, published by Tériade, Paris, the full sheet, 422 x 642mm (16⅝ x 25¼in) (unframed) £4,000 - 6,000

89 Marc Chagall (1887-1985) L’ECHO (MOURLOT 340; SEE CRAMER BOOKS 46) Lithograph printed in colours, 1960, from the edition of 250, on Arches wove paper, as included in ‘Daphnis and Chloé’, printed by Mourlot, published by Tériade, Paris, the full sheet, 422 x 642mm (16⅝ x 25¼in) (unframed) £4,000 - 6,000

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90 Marc Chagall (1887-1985) BOUQUET AUX AMOUREUX (MOURLOT 842; SORLIER 842) Lithograph printed in colours, 1976, titled and inscribed ‘HC. Epreuve d’exposition’ and ‘Edition Maeght Paris’ in ink, a proof aside from the edition of 50, on Arches wove paper, published by Maeght, Paris, with margins, 835 x 585mm (32⅞ x 23in) (unframed) £4,000 - 6,000

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91 Marc Chagall (1887-1985) NOW THE KING LOVED SCIENCE AND GEOMETRY (MOURLOT 45) Lithograph printed in colours, 1948, signed, inscribed ‘Pl.10’ and numbered from the edition of 90 in pencil, as included in the Arabian Nights, on wove paper, with full margins, sheet 376 x 286mm (14¾ x 11¼in) (unframed) £12,000 - 18,000

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92 92 Salvador Dali (1904-1989) FLORDALI I (FIELD SEE P233; M&L 1586) Lithograph printed in colours, 1981, with the printed signature, stamped and numbered from the edition of 4880 verso, on Arches paper, with full margins, sheet 758 x 1006mm (29¾ x 41¾in) (unframed) £600 - 800

93 Salvador Dali (1904-1989) FLORDALI II (FIELD SEE P233; M&L 1587) Lithograph printed in colours, 1981, with the printed signature, stamped and numbered from the edition of 5000 verso, on Arches paper, with full margins, sheet 1003 x 727mm (40½ x 28½in) (unframed) £600 - 800

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94 94 Salvador Dali (1904-1989) PLAZA MAYOR (DUEL IN THE SUN) (FIELD 73-11; M&L 582B) Etching with pochoir in colours, 1973, signed and numbered from the edition of CL in pencil, on japan paper, printed and coloured by Ateliers Rigal, published by Vison Nouvelle, Paris, with full margins, plate 405 x 590mm (16 x 23¼in) (unframed) £700 - 1,000

95 Salvador Dali (1904-1989) OTHELLO (FIELD 68-7J; M&L 276B) Etching printed in colours, 1968, signed and numbered from the edition of XCV in pencil, on Japan nacré paper, as included in ‘Shakespeare I’, printed by Ateliers Rigal, published by Werbungs- und Commerz Union Anstalt, with full margins, plate 175 x 125mm (6⅞ x 4⅞in) (unframed) £400 - 600

95 Please note that buyer’s premium is applicable to every lot. Please also note any other symbols for additional fees that may apply. All symbols and fees are explained on p.4

96 Salvador Dali (1904-1989) AS YOU LIKE IT (FIELD 68-7H; M&L 274B) Etching printed in colours, 1968, signed and numbered from the edition of XCV in pencil, on Japan nacré paper, as included in ‘Shakespeare I’, printed by Ateliers Rigal, published by Werbungs- und Commerz Union Anstalt, with full margins, plate 175 x 125mm (6⅞ x 4⅞in) (unframed)

98 Salvador Dali (1904-1989) LA LUXURE (FIELD 66-3B; M&L164C) Etching with aquatint printed in colours, 1966/67, signed and numbered from the edition of XXV in pencil, on Japon nacré paper, as included in 'Les Huit Péchés capitaux', printed by Ateliers Rigal, published by Werbungs- und Commerz Union Anstalt, with full margins, 190 x 140mm (7½ x 5½in) (unframed)

£400 - 600

£300 - 500

97 Salvador Dali (1904-1989) LA PARESSE (FIELD 66-3G; M&L162C) Etching with aquatint printed in colours, 1966/67, signed and numbered from the edition of XXV in pencil, on Japan nacré paper, as included in 'Les Huit Péchés capitaux’, printed by Ateliers Rigal, published by Werbungs- und Commerz Union Anstalt, with full margins, 190 x 140mm (7½ x 5½in) (unframed)

99 Salvador Dali (1904-1989) LE LABYRINTHE (FIELD 75-12G; M&L 844A) Etching with lithograph printed in colours, 1976, signed and numbered from the edition of 225 in black ink, on parchments, as included in ‘Alchimie des philosophes’, printed by Viglino, Arts Litho and Caza, published by Art et Valeur, the full sheet, printed to the edges, 760 x 560mm (29⅞ x 22in) (unframed)

£300 - 500

£1,200 - 1,800

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100 Salvador Dali (1904-1989) CHEVAL ROYAL (M&L 429B) Etching with aquatint and extensive hand-colouring in blue and yellow, 1970, signed and numbered from the edition of 100 in pencil, on Arches wove paper, printed by Visat, with full margins, 315 x 245mm (12⅜ x 9⅝in) (unframed) £1,200 - 1,800

101 Salvador Dali (1904-1989) ESPEJO VIVO (FIELD 73-6; M&L 579A) Etching printed in sanguine, 1973, signed and inscribed ‘P.A.’ in pencil, an artist’s proof aside from the edition of 50, on Japon paper, printed by Spectra AG, published by Pinon, with full margins, plate 650 x 500mm (25½ x 19⅝in) (unframed) £1,200 - 1,800

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102 Salvador Dali (1904-1989) L’ETALON BLANC (HOMMAGE AU CHEVAL) (FIELD 749; M & L 639B) Scarce etching printed in sepia, 1973-1974, signed and inscribed ‘AP.’ in pencil, an artist’s proof aside from the edition of 50, on japan paper, printed by Torrents, published by Ärzte-Sammlerkreis, with full margins, plate 495 x 645mm (19½ x 25⅜in) (unframed) £1,200 - 1,800

103 Salvador Dali (1904-1989) ATOMO; MOSCAS (FIELD 73-5) The pair of lithographs printed in colours, 1973, each signed and inscribed ‘A.P.’ in pencil, artist’s proofs aside from the numbered edition of 300, on Arches wove paper, published by Galerie Colibri, San Juan, each the full sheet, 760 x 560mm (30 x 22in) (unframed) (2)

104 Salvador Dali (1904-1989) FROM 'LES SONGES DROLATIQUES DE PANTAGRUEL' (FIELD 73-7P; M&L 1406E) Lithograph printed in colours, 1973, signed and numbered from the edition of 50 in pencil, on Japan nacré paper, printed by Grapholith, published by Carpentier, the full sheet, 760 x 540mm (30 x 21¼in) (unframed)

£800 - 1,200

£400 - 600

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105

106

105 Salvador Dali (1904-1989) SIGISMUND ENCHAINÉ (FROM CALDERÓN: LA VIE EST UN SONGE) (FIELD 731-M; M&L 523A) Etching with aquatint printed in colours, 1971, signed in pencil, an artist’s proof aside from the edition of 150 in pencil, on Richard de Bas wove paper, printed by Ateliers Rigal, with full margins, plate 340 x 250mm (13⅜ x 9⅞in) (unframed) £300 - 500

106 Salvador Dali (1904-1989) PORTRAIT DE CALDERÓN (FROM CALDERÓN: LA VIE EST UN SONGE) (FIELD 73-1-D; M&L 515A) Etching with aquatint printed in colours, 1971, signed numbered from the edition of 250 in pencil, on Richard de Bas wove paper, as included in ‘Calderón: La Vie est un songe’, printed by Ateliers Rigal, with full margins, plate 340 x 250mm (13⅜ x 9⅞in) (unframed) £300 - 500

107 Salvador Dali (1904-1989) JUDGEMENT OF PARIS (THREE GRACES) (FIELD 63-3I; M&L 123B) Etching with aquatint, 1963, signed and numbered from the edition of XX in pencil, on japan paper, as included in ‘Mythologie’, printed by Robbe, published by P. Argillet, Paris, with full margins, plate 500 x 400mm (19⅝ x 15¾in) (unframed) £2,000 - 3,000 107

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108 Salvador Dali (1904-1989) THE SNOW KING (FIELD 66-6A; M&L 1165B) Lithograph printed in colours, 1966, signed and numbered from XLV in pencil, on Arches wove paper, from ‘Hans Christian Anderson Tales’, printed by Desjobert, Paris, published by Gerschman, with full margins, sheet 655 x 505mm (25¾ x 19⅞in) (unframed)

110 Salvador Dali (1904-1989) LANCELOT AND GUINEVERE (FIELD 79-7B; M&L 1565G) Lithograph printed in colours, 1979, signed, inscribed ‘G’ and numbered from the edition of 125 in pencil, from the ‘Grafos Verlag’ edition, on wove paper, published by Levine & Levine, with the DALART N.V. blindstamp, the full sheet 748 x 545mm (29½ x 21½in) (unframed)

£600 - 800

£500 - 700

109 Salvador Dali (1904-1989) LES MONTRES GÉLATINES DE L’ESPACETEMPS (FIELD 74-12E; M&L 648A) Etching and lithograph printed in colours with embossing, 1974, signed and numbered from the edition of 195 in pencil, on Arches wove paper, printed by Bellini, published by Lavigne, the full sheet, plate 740 x 550mm (29⅛ x 21⅝in) (unframed)

111 Salvador Dali (1904-1989) NAPOLEON (FIELD 70-8; M&L 430B) Etching printed in sepia, 1970, signed and numbered from the edition of 125 in pencil, on Auvergne wove paper, printed by Ateliers Rigal, published by Werbungs- Und Commerz Union Anstalt, Basel, with full margins, sheet 395 x 295mm (15½ x 11⅝in) (unframed)

£1,200 - 1,800

£600 - 800 54

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112 Salvador Dali (1904-1989) GALA (M & L 1397B) Lithograph printed in colours, 1973, signed and numbered from the edition of 1,000 in pencil, on Arches wove paper, from ‘Four Dreams of Paradise’, printed by Grapholith, co-published by Zeit Magazin and Observer, with full margins, sheet 720 x 540mm (28¼ x 21¼in) (unframed)

114 Salvador Dali (1904-1989) HEROIC (M & L 1395B) Lithograph printed in colours, 1973, signed and numbered from the edition of 1,000 in pencil, on Arches wove paper, from ‘Four Dreams of Paradise’, printed by Grapholith, co-published by Zeit Magazin and Observer, with full margins, sheet 720 x 540mm (28¼ x 21¼in) (unframed)

£300 - 500

113 Salvador Dali (1904-1989) MYSTIC (M & L 1396B) Lithograph printed in colours, 1973, signed and numbered from the edition of 1,000 in pencil, on Arches wove paper, from ‘Four Dreams of Paradise’, printed by Grapholith, co-published by Zeit Magazin and Observer, with full margins, sheet 720 x 540mm (28¼ x 21¼in) (unframed)

115 Salvador Dali (1904-1989) ROMANTIC (M & L 1394B) Lithograph printed in colours, 1973, signed and numbered from the edition of 1,000 in pencil, on Arches wove paper, from ‘Four Dreams of Paradise’, printed by Grapholith, co-published by Zeit Magazin and Observer, with full margins, sheet 720 x 540mm (28¼ x 21¼in) (unframed)

£300 - 500

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116 Salvador Dali (1904-1989) BLANCHEFLEUR (FIELD 72-8H; M&L 559H) Etching printed in colours, 1972, signed and numbered from the edition of 150 in pencil, on Johannot wove paper, as included in the Swedish edition of ‘Le Décameron’, printed by Ateliers Rigal, published by Börjeson, with margins, plate 170 x 130mm (6¾ x 5⅛in) (unframed) £400 - 600

117 Salvador Dali (1904-1989) LA FIANCÉE DU ROI DE GARBE (FIELD 72-8B; M&L 553H) Etching printed in colours, 1972, signed and numbered from the edition of 150 in pencil, on Johannot wove paper, as included in the Swedish edition of ‘Le Décameron’, printed by Ateliers Rigal, published by Börjeson, with margins, plate 170 x 130mm (6¾ x 5⅛in) (unframed)

118 Salvador Dali (1904-1989) FROM 'LES SONGES DROLATIQUES DE PANTAGRUEL' (FIELD 73-7-R; M&L 1398D) Lithograph, 1973, signed and numbered from the edition of 50, on Japan nacré paper, printed by Grapholith, published by Carpentier, Geneva, with margins, sheet 760 x 535mm (30 x 21in) (unframed) £200 - 300

£400 - 600

119 Salvador Dali (1904-1989) L’ANGE DE LA MÉLANCOLIE (FIELD 725D; M&L 564A) Etching with aquatint printed in colours, 1972, signed and inscribed ‘EA’ in pencil, an artist’s proof aside from the numbered edition of 175, on Arches wove paper, printed by Ateliers Rigal, published by Editions de Francony, with full margins, plate 370 x 575mm (14½ x 22⅝in) (unframed) £400 - 600

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120 Salvador Dali (1904-1989) L'AUTOMOBILE (FIELD 75-8-B; M&L 817A) Etching with pochoir in colours and gold embellishments, 1975, signed and numbered from the edition of 450 in pencil, on Arches wove paper, as included in the portfolio ‘Hommage a Leonardo da Vinci’ printed by Atelier Rigal, Paris, co-published by Editions de Francony and Editions Graphiques Internationales, Paris, with full margins, plate 363 x 505mm (14¼ x 19⅞in) (unframed)

121 Salvador Dali (1904-1989) THE HORSE AND THE WOLF (FIELD 74-1-L; M&L 658A) Etching with pochoir in colours, 1974, signed and numbered in roman numerals from the edition of CXX in pencil, on watermarked Auvergne paper, as included in the portfolio ‘La Fontaigne's Bestiary Dalinized’, printed by Atelier Rigal, published by Mouret, Paris. with margins, plate 400 x 577mm (15¾ x 22¾in) (unframed) £400 - 600

£300 - 500

122 Salvador Dali (1904-1989) THE RAVEN AND THE FOX (FIELD 74-1-C; M&L 656A) Etching with pochoir in colours, 1974, signed and numbered in roman numerals from the edition of CXX in pencil, on watermarked Auvergne paper, as included in the portfolio ‘La Fontaigne's Bestiary Dalinized’, printed by Atelier Rigal, published by Mouret, Paris. with full margins, plate 577 x 400mm (22¾ x 15¾in) (unframed)

123 Salvador Dali (1904-1989) GOD, TIME, SPACE, AND THE POPE (FIELD 74-8I; M&L 667D) Etching with extensive handcolouring, 1974, signed, inscribed ‘F’ and numbered in Roman numerals for the edition of 35 in pencil, on Japan nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 652 x 500mm (25⅝ x 19¾in) (unframed)

£400 - 600

£500 - 700

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124 Salvador Dali (1904-1989) FREUD WITH A SNAIL HEAD (FIELD 74-8G; M&L 672D) Etching with extensive handcolouring, 1974, signed, inscribed ‘F’ and numbered in Roman numerals for the edition of 35 in pencil, on Japan nacré paper, with the Dali blindstamp, printed by Ateliers Rigal, published by Trans World Art, with their inkstamp and the copyright stamp of the artists verso, sheet 652 x 500mm (25⅝ x 19¾in) (unframed) £600 - 800

126 Salvador Dali (1904-1989) MARGUERITE (FIELD 69-1A; M&L 298K) Etching with hand colouring in watercolour and gold, 1968/1969, signed and numbered from the edition of 145 in pencil, on Japan paper, printed by Graphik Europa, Anstalt, published by Robbe, Paris, with the Dali watermark, with full margins, sheet 384 x 283mm (15⅛ x 11⅛in) (unframed) £3,500 - 4,500

125 Salvador Dali (1904-1989) CYCLOPEAN MAKE-UP (FIELD 75-11-F) Lithograph with etching and collaged elements, 1975, signed and numbered in roman numerals from the edition of LXXV, on Japon paper, as included in ‘Imaginations and objects of the future’, copublished by Merrill Chase, Chicago, and Alan Rich, New York, with full margins, plate (28½ x 21in) (unframed) £600 - 800 58

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127 Salvador Dalí (1904-1989) LE CERCLE VISCÉRAL DU COSMOS (FIELD 74-12-D; M&L 647) Etching with drypoint and lithograph printed in colours, 1974, signed and numbered from the edition of CLXXXXV in pencil, on watermarked BFK Rives wove paper, as included in ‘La Conquete du Cosmos’, with full margins, plate 750 x 555mm (29½ x 21¾in) (unframed)

129 Salvador Dali (1904-1989) THE PAGODA (FIELD 69-13F; M&L 379A) Etching with drypoint and handcolouring, 1969-1970, signed and numbered from the edition of 145 in pencil, on Arches wove paper, as included in ‘Hippies’, printed by Robbe, published by P. Argillet, Paris, with the Dali blindstamp, with full margins, plate 400 x 320mm (15¾ x 12½in) (unframed)

£500 - 700

£600 - 800

128 Salvador Dali (1904-1989) TOLEDO (FIELD 64-2-B; M&L 94) Etching with aquatint printed in brown, 1964, signed and numbered from the edition of 100 in pencil, on Auvergne wove paper, as included in ‘Spain’, published by Berggruen, Paris, with full margins, plate 590 x 435mm (23¼ x 17⅛in) (unframed)

130 Salvador Dali (1904-1989) PORTRAIT OF LA FONTAINE (FROM LA FONTAINE'S BESTIARY DALINIZED) (FIELD 74-1-A; M&L 653) Etching with drypoint, 1974, signed and numbered from the edition of 250 in pencil, on Arches paper, printed by Ateliers Rigal, published by Mouret, Paris, with full margins, sheet 760 x 560mm (29⅞ x 22in) (unframed)

£500 - 700

£300 - 500 Please note that buyer’s premium is applicable to every lot. Please also note any other symbols for additional fees that may apply. All symbols and fees are explained on p.4

131 Salvador Dali (1904-1989) LA DIVINE COMÉDIE (THE DIVINE COMEDY) (M&L 1039-1138; FIELD P.190) The complete set of six volumes, 1960, containing 100 woodcuts printed in colours, on Rives wove paper, with title, contents, justiﬁcation and text pages in Italian, from the edition of 2900, published by Arti e Scienze, Salani, Florence, the full sheets bound within red boards, each volume 341 x 271x 43mm (13½ x 10¾ x 1¾in) (vol) (6) £2,500 - 3,500

132 Salvador Dali (1904-1989) THE TWELVE APOSTLES | THE KNIGHTS OF THE ROUND TABLE (FIELD 72-14; M&L 1504-1515) The complete set of twelve lithographs printed in colours, 1977/1978, each signed and numbered from the Spanish edition of 250 in pencil, each on Arches wove paper, published by Wajntrob, Moore, Lancel & Carpentier, each with full margins, sheets 650 x 480mm (25⅝ x 18⅞in) (unframed) (12) £3,500 - 4,500 60

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133 Salvador Dali (1904-1989) AFTER 50 YEARS OF SURREALISM (FIELD 74-8A-L; M&L 665-676D) The rare portfolio, comprising 12 etchings with pochoir in colours, 1974, each signed, inscribed ‘F’ and numbered in roman numerals from the edition of 35 in pencil, one of 35 deluxe examples of the French edition, all on BFK Rives wove paper, hors-texte, with title, text pages (in French) and the signed and numbered justiﬁcation page, within the original red printed black cloth-covered boards and the black velvet portfolio box with gilt lettering, printed by Ateliers Rigal, published by Trans World Art, each sheet 500 x 652mm (19¾ x 25⅝in) (folio) (12) £6,000 - 8,000

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134

135 134 Paul Delvaux (1897-1994) ANNE DE PROFIL (JACOB 46) Lithograph, 1971, signed and numbered from the edition of 75 in pencil, on Arches paper, with margins, image 365 x 260mm (14⅜ x 10¼in) (framed) £600 - 800

135 Marcel Duchamp (1887-1968) EXHIBITION MAN RAY The rare oﬀset lithograph printed in blue on exhibition catalogue, 1945, on a folded piece of wove paper, (as issued), 193 x 229mm (7½ x 9in) (unframed) £700 - 1,000

136 Marcel Duchamp (1887-1968) MONTE CARLO BOND Oﬀset lithograph in colours, 1924, on wove paper, from the edition of 2000, printed in 1938, the full sheet, 318 x 232mm (12½ x 9⅛in) (framed) £1,500 - 2,000

136

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137 Paul Gauguin (1848-1903) PORTRAIT DE STÉPHANE MALLARMÉ (MONGAN/KORNFELD/JOACHIM 12 II BA) The rare etching with drypoint, engraving and aquatint, 1891, a ﬁne, richly inked impression printed with tone, one of circa 13 trial proofs printed before the H. Floury edition of 1919, inscribed ‘Stéphan Mallarmé imp Gauguin’ in violet ink, on thin Japan paper, with wide margins, sheet 310 x 229mm (12¼ x 9in) (unframed) £15,000 - 20,000

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138 Fernand Léger (1881-1955) MARIE L’ACROBAT (SAPHIRE 21) Lithograph printed in colours, 1948, signed and dedicated in black ink, from the edition of 75, on wove paper, with full margins, sheet 550 x 420mm (21⅝ x 16½in) (unframed) £4,500 - 5,500

139 Fernand Léger (1881-1955) NU AU FEUILLAGE The rare etching, circa 1931-32, signed in pencil and inscribed 'Essai', one of very few proof impressions, the edition was never realised, on wove paper, with margins, plate 397 x 272mm (15⅝ x 10¾in) (unframed) This work was to be included in Lawrence Saphire's supplement to the catalogue raisonné of Léger prints. Proposed by Christian Zervos, Nu au feuillage was intended to be published in a 1932 issue of Cashiers d'Art where a comparison was to be drawn between Braque's and Léger's treatment of the same subject. The article on Léger was, however, subsequently published in a 1933 issue of the magazine and so the comparison could not be drawn, and the piece was unused. We have only found record of one other impression of this work coming to market, another proof impression is in the collection of the Musée Zervos, Vézelay. £6,000 - 8,000

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140 Edouard Manet (1832-1883) LE TORERO MORT (HARRIS 55 VI/VI; GUERIN 33; MOREAU-NELATON 13) Etching with aquatint, 1874, a ﬁne, richly inked impression, from the ﬁrst edition of 50, on Japan paper, with wide margins, sheet 238 x 367mm (9⅜ x 14⅜in) (unframed) £2,800 - 3,200

141 Rene Magritte (1898-1967) (after) LA CORDE SENSIBLE Lithograph printed in colours, stamp signed, signed by Georgette Magritte, the executor of the artist’s estate, and numbered from the edition of 300 in pencil, on Arches wove paper, with full margins, sheet 528 x 753mm (20¾ x 29⅝in) (unframed)

142 Frank Martin (b.1921) UNTITLED (NUDE) Graphite on paper, signed in black ink, inscribed ‘To Lynda Brown’ in pencil, sheet 354 x 225mm (14 x 9in) (unframed)

£500 - 700

£400 - 600

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143 Henri Matisse (1869-1954) FEMME ASSISE, LA MAIN SUR LE MENTON (SEE DUTHUIT BOOKS 11 P.79) The rare lithograph printed in black, circa 1946, initialled and inscribed 'Essai' in pencil, a trial proof printed in black before the book edition (printed in brown), on wove paper, sheet 329x 250mm (13 x 9⅞in) (unframed) Provenance: The Estate of Sylvia Graucob MBE. £6,000 - 8,000

144 Henri Matisse (1869-1954) MARTINIQUAISE (NOT IN DUTHUIT) Lithograph, circa 1947, a rare proof not recorded by Duthuit, on Montval wove paper, with full margins, 350 x 225mm (13¾ x 8¾in) (unframed) £1,000 - 1,500

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145 Henri Matisse (1869-1954) VERVE NO. 35/36 The complete volume, 1958, comprising forty lithographs mostly printed in colours, each on wove paper, printed by Mourlot Frores, published by Editions de la Revue Verve, Paris, the sheets bound as issued together with the title and text pages within the original illustrated boards, overall 365 x 275mm (14 x 11 in) (vol) £2,500 - 3,500

146 Henri Matisse (1869-1954) TÊTE DE FEMME (DUTHUIT BOOKS 23) Lithograph, 1948, signed in pencil, from the edition of 300, as included as the frontispiece to Pierres Levées Poems de Jules Romain, on wove paper with full margins, sheet 205 x 150mm (7⅞ x 5⅞in) (unframed) £4,000 - 6,000

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147 Henri Matisse (1869-1954) FIGURE PENSIVE AU FAUTEUIL PLIANT (DUTHUIT 396) Lithograph, 1906, numbered from the edition of 25 in pencil, Duthuit calls for the edition to be signed in ink, however no other recorded examples have been signed so it seems likely that the Duthuit’s recording of edition was incorrect, on Japan paper, with full margins, sheet 374 x 270mm (14½ x 10½in) (unframed) £4,000 - 6,000

148 Henri Matisse (1869-1954) TÊTE DE FEMME DE FACE (SEE DUTHUIT BOOKS 37, P.296) A rare trial proof lithograph with borderline around the image, circa 1945, signed and inscribed 'Essai' in pencil, printed in black ink with the printed border that was removed for the book edition (printed in brown ink), on Arches paper, with full margins, sheet 414 x 310mm (16¼ x 12⅛in) (unframed) £6,000 - 8,000

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149

149 Henri Matisse (1869-1954) FIGURE ALLONGÉE DEVANT UNCARRELAGE (DUTHUIT 204) Etching, 1929, signed and numbered from the edition of 25 in pencil, on Chine appliqué mounted onto wove support, with full margins, sheet 117 x 196mm (4⅝ x 7¾in) (unframed) £6,000 - 8,000

150 Henri Matisse (1869-1954) LA POMPADOUR: PLATE I (DUTHUIT 664) Lithograph, 1951, signed in pencil, from the edition of 200 inscribed ‘Pour Versailles’, on chine applique on an Arches wove support, with margins, support 497 x 380mm (19½ x 14⅞in) (unframed) £5,000 - 7,000

150

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151 Joan Miro (1893-1983) LITHOGRAPHIES I (MOURLOT 854, 857-867) The volume, 1972, comprising 11 lithographs printed in colours and the lithographic covers, on wove paper, with text in French, printed by Mourlot, published by Maeght, Paris, overall 350 x 270mm (13¾ x 10⅝in) (vol)

153 Joan Miro (1893-1983) (after) THREE POCHOIRS FROM ‘CARTONES’ (CRAMER 103) Three pochoirs in colours on oﬀset lithographs, 1965, from the edition of 1200, each on wove paper, as included in ‘Cartones’, published by Pierre Matisse Gallery, New York, each sheet 305 x 235mm (12 x 9¼in) (unframed) (3)

£200 - 300

£400 - 600

152 Joan Miro (1893-1983) LITHOGRAPHIES III The volume, 1977, comprising 5 lithographs printed in colours, on wove paper, with text in German, printed by Mourlot, published by Maeght, Paris, overall 350 x 270mm (13¾ x 10⅝in) (vol)

154 Joan Miro (1893-1983) (after) FOUR POCHOIRS FROM ‘CARTONES’ (CRAMER 103) Four pochoirs in colours on oﬀset lithographs, 1965, from the edition of 1200, each on wove paper, as included in ‘Cartones’, published by Pierre Matisse Gallery, New York, each sheet 305 x 235mm (12 x 9¼in) (unframed) (4)

£150 - 250 70

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£500 - 600

155 Joan Miro (1893-1983) (after) FOUR POCHOIRS FROM ‘CARTONES’ (CRAMER 103) Four pochoirs in colours on oﬀset lithographs, 1965, from the edition of 1200, each on wove paper, as included in ‘Cartones’, published by Pierre Matisse Gallery, New York, each sheet 305 x 235mm (12 x 9¼in) (unframed) (4) £500 - 700

157 Joan Miro (1893-1983) QUIRIQUIBÚ (MOURLOT 1100) Lithograph printed in colours, 1976, signed and numbered from the edition of 99 in pencil, a proof copy before the text and the poster edition of 2000, on Guarro wove paper, and published by Poligrafa, Barclona, the full sheet, 750 x 560mm (29½ x 22in) (unframed) £1,200 - 1,800

156 Joan Miro (1893-1983) LITHOGRAPHIES I (MOURLOT 854, 857-867) The deluxe volume, 1972, comprising of 11 original lithographs printed in colours and the lithographic covers, from the edition of 150, on Rives wove paper, with text in German, printed by Mourlot, published by Maeght, Paris, overall 350 x 270mm (13¾ x 10⅝in) (vol)

158 Joan Miro (1893-1983) FROM ‘LITHOGRAPHY I’ (MOURLOT 855) Lithograph printed in colours, 1972, signed and numbered from the edition of 150 in pencil, on one half of a sheet of BFK Rives wove paper with the centrefold as published, printed by Mourlot, published by Maeght, Paris, the full sheet, image 320 x 255mm (12½ x 10in) (unframed)

£1,000 - 1,500

£1,200 - 1,800

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159 Man Ray (1890-1976) REBUS II (ANSELMINO 3) Lithograph printed in colours, 1972, initialled and numbered from the edition of 120 in pencil, on wove paper, printed by Fernand Mourlot, published by Edition Tosseli, Paris, with margins, sheet 738 x 560mm (29 x 22in) (unframed) £400 - 600

161 Man Ray (1890-1976) JULIE (ANSELMINO 9) Lithograph printed in colours, 1970, signed and inscribed ‘E.A.’, one of only a few artist’s proofs aside from the edition of 110, on watermarked Arches wove paper, printed by Bramsen and Georges, Paris, published by Richard Binder, Brussels, with full margins, sheet 660 x 505mm (26 x 19⅞in) (unframed) £700 - 1,000

160 Man Ray (1890-1976) MONOCOPTER (ANSELMINO 7) Etching with aquatint printed in blue, 1972, signed and numbered from the edition of 100 in pencil, on watermarked Arches wove paper, printed by Jacques David, Paris, published by Richard Binder Editeur, Brussels, with full margins, plate 493 x 395mm (19½ x 15½in) (unframed)

162 Man Ray (1890-1976) MON PREMIER AMOUR (ANSELMINO 63) Etching with aquatint printed in colours, 1971, signed and numbered from the edition of 100 in pencil, on watermarked Arches wove paper, printed by Jacques David, Paris, published by Richard Binder, Brussels, the full sheet, 663 x 502mm (26 x 19¾in) (unframed)

£700 - 1,000

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163 Man Ray (1890-1976) UNTITLED (ANSELMINO 100) Etching with aquatint printed in blue, 1972, signed and numbered from the edition of 100 in pencil, on watermarked Arches wove paper, printed by Jacques David, Paris, published by Richard Binder Editeur, Brussels, with full margins, sheet 663 x 503mm (26 x 19¾in) (unframed)

165 Pablo Picasso (1881-1973) COMPOSITION AU VERRE A PIED (BLOCH 431; MOURLOT 77) Lithograph, 1947, a proof aside from the book edition, on wove paper, as included in Dans l’Atelier de Picasso, with margins, sheet 445 x 330mm (17½ x 13in) (unframed) £300 - 500

£700 - 1,000

164 Pablo Picasso (1881-1973) (after) L’HOMME A LA FRAISE (CZW 448) Lithographic poster printed in colours, 1973, on Arches wove paper, printed by Mourlot, Paris, with full margins, sheet 680 x 505mm (26¾ x 19⅞in) (unframed) £200 - 300

166 Pablo Picasso (1881-1973) (after) CARNET DE LA CALIFORNIE The volume comprising 39 lithographs, some printed in colours, 1959, numbered from the German edition of 500 on the justiﬁcation, on wove paper, published by Éditions Cercle d’Art, Paris, in original linen-covered slipcase with illustrated boards, overall 430 x 280mm (17 x 11in) (vol) £700 - 1,000

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167 Pablo Picasso (1881-1973) (after) FROM ‘GRÂCE ET MOUVEMENT’ Four etchings, 1943, from the edition of 300, on wove paper, printed by Conzett and Huber, Zurich, published by Haeﬂi & Cie Arts Graphiques, Switzerland, with margins, sheets 480 x 325mm (18⅞ x 12¾in) (unframed) (4)

169 Pablo Picasso (1881-1973) (after) LA TAUROMAQUIA (CZW 172) Lithograph, 1960, numbered from the edition of 50 in pencil, a proof before the edition of 400 with text, on Arches wove paper, printed by Jacomet, Paris, the full sheet, 570 x 460mm (22½ x 18in) (unframed) £400 - 600

£700 - 1,000

168 Pablo Picasso (1881-1973) LE VIEUX ROI (BLOCH 869; MOURLOT 317) Lithograph, 1959, with the red stamped signature, the edition was 1000, on Arches wove paper, the full sheet, 665 x 510mm (26⅛ x 20in) (unframed) £700 - 1,000

170 Pablo Picasso (1881-1973) (after) MES DESSINS D’ANTIBES (CZW 140) Lithographic poster printed in colours, 1958, numbered from the edition of 75 in pencil, a proof before the edition of 500 with text, on Arches wove paper, printed by Mourlot, Paris, the full sheet, 650 x 470mm (25½ x 18½in) (unframed) £400 - 600

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171 Pablo Picasso (1881-1973) 60 YEARS OF GRAPHIC WORKS (MOURLOT 406) Lithograph printed in colours, 1966, from the edition of 2500, on thin wove paper, printed by Mourlot, Paris, the full sheet, 735 x 520mm (29 x 20½in) (unframed)

173 Pablo Picasso (1881-1973) (after) PÈRE NOËL Lithograph printed in colours, 1957, an unsigned proof aside from the signed edition of 200, on laid paper, with full margins, sheet 650 x 465mm (25½ x 18¼in) (unframed)

£350 - 550

£400 - 600

172 Pablo Picasso (1881-1973) JEU DE BALLON SUR UNE PLAGE (BAER 1046, CRAMER 89) Linocut printed in brown, 1957, from the edition of 200 printed for the cover of ‘Dans l’Agrile De Picasso’, on Arches paper, with margins, block 80 x 130mm (3⅛ x 5⅛in) (unframed) £250 - 350

174 Pablo Picasso (1881-1973) TÊTE DE ROI Lithograph printed in colors, 1951, signed in red crayon, from the edition of an unknown size, on wove paper, printed by Imprimerie de la Victoire, Níce, with margins, image 496 x 400mm (19½ x 15¾in) (framed) £1,200 - 1,800

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175 Pablo Picasso (1881-1973) (after) THE EMBRACE Oﬀset lithograph printed in colours, 1954, a proof aside from the numbered edition of 125, on Arches wove paper, published by Guy Spitzer, Paris, with his blindstamp and inkstamp verso (trimmed), with margins, 630 x 640mm (24¾ x 25¼in) (unframed) £800 - 1,200

176 Pablo Picasso (1881-1973) PROFILE OF BEARDED MAN LOOKING TO THE LEFT (MOURLOT 397) Lithograph, 1963, one of 10 proofs reserved for the artist and printer, the edition was never realised, on Arches wove paper, with full margins, 750 x 503mm (29½ x 19¾in) (unframed) £1,800 - 2,200

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177 Pablo Picasso (1881-1973) (after) MADAME RICARDO CANALS (CZWIKLITZER 232) Oﬀset lithograph printed in colours, 1966, signed and inscribed ‘H.C.’ in pencil, an hors-commerce impression aside from the edition of 60, on wove paper, published by Musee Picasso, Barcelona, with margins, sheet 720 x 550mm (28⅜ x 21⅝in) (unframed) £2,000 - 3,000

178 Pablo Picasso (1881-1973) JACQUELINE Lithograph printed in colours, 1958, signed in red crayon, a proof aside from the edition of 100, on wove paper, printed and published by Mourlot, Paris, with margins, 715 x 560mm (28⅛ x 22in) (unframed) £2,000 - 3,000

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179 Pablo Picasso (1881-1973) MARCHAND DE TABLEAUX Ink on paper, circa 1940, 260 x 212mm (10¼ x 8¼in) This work is sold with a photo-certiﬁcate from Claude Ruiz-Picasso. Provenance: Jaime Sabartés, Barcelona (gift of the artist). Sala Gaspar, Barcelona (before 1974). Private Collection, Barcelona. Christie's Paris: Thursday, March 31, 2016 [Lot 97] where acquired by the current owner. Exhibition: Barcelona, Sala Gaspar, Picasso, 67 Watercolours – drawings – gouaches from 1897 to 1971, October 1974, no. 19 (illustrated). Literature : C. Rodríguez-Aguilera, Picassos de Barcelona, Barcelona, 1975, p. 209, no. 1085 (illustrated). £5,000 - 7,000

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180 Pablo Picasso (1881-1973) (after) GRAND MATERNITÉ Lithograph printed in colours, 1963, signed and numbered from the edition of 200 in pencil, on wove paper, published by Éditions Combat de la Paix, Paris, with full margins, sheet 895 x 630mm (35¼ x 24¾in) (unframed) £7,000 - 9,000

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181 Pablo Picasso (1881-1973) LA PIQUE (BLOCH 868) Lithograph, 1959, signed and numbered from the edition of 50 in pencil, on Arches paper, with full margins, sheet 495 x 635mm (19½ x 25in) (unframed) £4,000 - 6,000

182 Pablo Picasso (1881-1973) TWO OLD MEN COURTING NUDE (BLOCH 1411) Etching, 1966, with the stamped signature, numbered from the edition of 50 in pencil, on BFK Rives paper, with full margins, sheet 277 x 377mm (10⅞ x 14⅞in) (unframed) £2,000 - 3,000

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183 Pablo Picasso (1881-1973) (after) FEMME ASSISE (DORA MAAR) (CZWIKLITZER 104; RODRIGO 38) Lithograph printed in colours, 1955, signed and inscribed ‘essai’ in pencil, a very rare trial proof before the text Mourlot Lith which was added to the published edition of 100, on BFK Rives paper, published by Musée des Arts Decoratifs, Paris, with margins, sheet 1000 x 718mm (39⅜ x 28¼in) (unframed) £22,000 - 26,000

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184 Pablo Picasso (1881-1973) JOIE MATERNELLE (BLOCH 49) Etching, 1921, a ﬁne, early impression printed before steel-facing, signed in pencil, the edition posthumously published was with the stamped signature, on pale green laid paper, with full margins, sheet 212 x 300mm (8⅜ x 11¾in) (unframed) £6,000 - 8,000

185 Pablo Picasso (1881-1973) DEUX EX LIBRIS (BLOCH 131, BAER 198 BA) Etching, 1930, signed in pencil, one of circa two proofs on chine aside from the signed and numbered edition of 15, with full margins, sheet 203 x 251mm (8 x 9⅞in) (unframed) £4,500 - 5,500

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186 Pablo Picasso (1881-1973) MINOTAURE CONTEMPLANT AMOUREUSEMENT UNE DORMEUSE (BLOCH 261) Drypoint, 1933, signed in pencil, a ﬁne, early impression with strong burr, printed before steel-facing, the edition posthumously published was with the stamped signature, on laid paper, with full margins, image 298 x 364mm (11¾ x 14⅜in) (unframed) £9,000 - 12,000

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187 Pablo Picasso (1881-1973) EN LA TABERNA PÊCHEURS CATALANS EN BORDÉE (AU CABARET) (BLOCH 286, BAER 439 BD 1) The very rare etching, 1934, one of 3 or 4 trial proofs printed before steel-facing, printed in brownish-black ink on Montval laid paper with the Vollard watermark, signed and dedicated to Frélaut in multi-coloured crayon, with full margins, image 237 x 297mm (9¼ x 11¾in) (unframed) Jacques Frélaut was the master printer at Atelier Lacourière, he started working there in 1938 and after Lacourière retired in 1955 Frélaut took over the studio and renamed it Atelier Lacourière-Frélaut £25,000 - 35,000

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188 Pablo Picasso (1881-1973) COLOMBE VOLANT (À L'ARC-EN-CIEL) (BLOCH 712; MOURLOT 214) Lithograph printed in colours, 1952, signed and numbered from the edition of 200 in pencil, on Arches paper, with full margins, sheet 549 x 764mm (21⅝ x 30in) (unframed) £4,500 - 5,500

189 Pablo Picasso (1881-1973) (after) EXPOSITION PICASSO, MUSÉE DES ARTS DECORATIFS Lithographic poster printed in colours, 1955, signed and dated in red crayon, on smooth wove paper, with full margins, image 1090 x 680mm (43 x 26¾in) (unframed) £4,000 - 6,000

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190 Pablo Picasso (1881-1973) (after) TÊTE D’HOMME (HOMMAGE À RENÉ CHAR) Lithograph printed in colours, 1969, signed in blue crayon, on Arches paper, with full margins, sheet 638 x 448mm (30 x 20½in) (unframed) £5,500 - 6,500

191 Pablo Picasso (1881-1973) (after) FEMME DE PROFIL Lithograph printed in colours, 1970, signed and numbered in ink, from the edition of 70, on white wove paper, with the Imprimeries réunies Lausanne stamp, and the authentication stamp of the Musée des Arts décoratifs Lausanne verso, on white wove paper, sheet 390 x 500mm (15⅜ x 19¾in) (unframed) £6,000 - 8,000

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192 Pablo Picasso (1881-1973) HOMME ET FEMME (BLOCH 77) Etching, 1927, signed in brown ink, numbered from the edition of 250, on wove paper, with full margins, sheet 196 x 280mm (7¾ x 11in) (unframed) £7,000 - 10,000

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193 Pablo Picasso (1881-1973) (after) HARLEQUIN (CZW 230) Lithograph printed in colours, 1966, signed, dated and inscribed PARA Carmen Ruiz, a proof aside from the edition of 60, published by the Museo Picasso, Barcelona, on wove paper, with full margins, sheet 575 x 460mm (22½ x 18in) (unframed) £6,000 - 8,000

194 Pablo Picasso (1881-1973) (after) MOTHER AND CHILD WITH SHAWL (CZW 231) Oﬀset lithograph printed in colours, 1966, signed in pencil, a proof aside from the edition of 60, on Arches paper, published by Musee Picasso, Barcelona, with margins, sheet 643 x 546mm (25⅜ x 21½in) (unframed) £3,000 - 5,000

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195 Pablo Picasso (1881-1973) (after) HARLEQUIN (CZW 230) Oﬀset lithograph printed in colours, 1966, signed in pencil, a proof aside from the edition of 60, on Arches paper, published by Musee Picasso, Barcelona, with their blindstamp, with margins, sheet 687 x 545mm (26⅝ x 21½in) (unframed) £5,000 - 7,000

196 Pablo Picasso (1881-1973) (after) BOUQUET DE FLEURS (CZW 147) Lithograph printed in colours, 1958, signed in blue crayon, a proof before the text, on wove paper, published by Éditions Combat pour la Paix, Paris, with their blindstamp, with full margins, sheet 655 x 490mm (25¾ x 19¼in) (unframed) £5,000 - 7,000

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197 Camille Pissarro (1830-1903) PORTEUSES DE FAGOTS (DELTEIL 153) Lithograph, 1896, on watermarked Van Gelder cream laid paper, as included in ‘Les Temps Nouveau’, published by Jean Grave, Paris, with wide margins, image 229 x 300mm (9 x 11⅞in) (unframed) £700 - 1,000

198 Pierre-Auguste Renoir (1841-1919) THREE ETCHINGS (SUR LA PLAGE, À BERNEVAL; LE CHAPEAU ÉPINGLÉ (LA FILLE DE BERTHE MORISOT ET SA COUSINE); BAIGNEUSE DEBOUT, A MI-JAMBES) (STELLA 5[III], 8[II], 23) Three etchings, circa 1892-1910, on laid paper, each with wide margins, plate 168 x 112mm (6⅝ x 4⅜in) (and smaller) (unframed) (3) £300 - 500

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199 199 Varvara Stepanova (1894-1958) TEXTILE DESIGN 4, STEP 4 Gouache in colours, with a second design in black verso, 192324, on smooth wove paper, sheet 140 x 228mm (5½ x 9in) (framed) Provenance: The estate of the artist. Ex-coll. of Modern Art Oxford, deaccessioned in 2013. Exhibited: Oxford, Museum of Modern Art, Art in Production: Soviet Textiles, Fashion and Ceramics, 1917-35, 1984. Varvara Stepanova was a constructivist artist, and the wife of Alexander Rodchenko. After initially working all media, she decided to dedicate her output to creating functional design, where she felt her work would most beneﬁt the greater Soviet Society. To this end, in 1921 she almost exclusively dedicated herself to clothing and textile design. She spent a year as designer of textiles and the Tsindel (The First State Textile Factory), her abstract textiles were designed to be looked at as they were worn, and clothing was speciﬁcally tailored to match the needs of the wearer, garments were meticulously constructed to be both exciting to look at and highly practical to wear. In 1924, Stepanova left the Tsindel to become the professor of textile design at the Vkhutemas: The Higher Art and Technical Design Studio, Moscow, where she also pursued her interest in typography and book design as a regular contributor to the magazine LEF (Left Front of the Arts). £2,000 - 3,000 200 Henri Toulouse-Lautrec (1864-1901) LE TOCSIN (D. 357; ADR 143; W P19) Lithograph printed in blue and turquoise-green, 1895, Wittrock’s A (of C), on Rives wove paper, printed by Cassan Fils, Toulouse, with wide margins, sheet 718 x 548mm (28¼ x 21⅝in) (unframed)

200

£3,000 - 5,000

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201

202

201 Henri Toulouse-Lautrec (1864-1901) MADEMOISELLE LENDER, DANS MADAME SATAN (WITTROCK 47) Lithograph printed in olive-green, 1893, from the edition of 50, with the artist's red monogram stamp, on thin wove paper, published by Kleinmann, the sheet printed to the edges, 380 x 272mm (14⅞ x 10¾in) (framed) £3,000 - 5,000

202 Kees Van Dongen (1877-1968) HOMMAGE À MARIE-CLAIRE (JUFFERMANS JL21) Lithograph printed in colours, 1950, signed and numbered from the edition of 175 in pencil, on Arches wove paper, with full margins, sheet 750 x 545mm (29½ x 21½in) (unframed) £1,500 - 2,000

203 Kees Van Dongen (1877-1968) LA MARQUISE DE CASATI Lithograph printed in colours, circa 1950, a bright, fresh impression, signed in pencil, numbered from the edition of 195, on wove paper with full margins, sheet 600 x 300mm (23⅝ x 11¾in) (unframed) £4,000 - 6,000

203

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204 Kees Van Dongen (1877-1968) DE SEINE (JUFFERMANS JL 35) Lithograph printed in colours, 1962, signed and inscribed from the edition of 10 in pencil, on Japon paper, the full sheet 393 x 601mm (15½ x 23⅝in) (unframed) £600 - 800

205 Jacques Villon (1875-1963) ADRESSE SAGOT (LA DAME AU CHIEN) (GINESTET AND POUILLON E156) Drypoint printed in bistre, 1906, the second state (of two), on wove paper, with wide margins, plate 240 x 210mm (9⅜ x 8in) (unframed) £300 - 500

206 Jacques Villon (1875-1963) CROQUIS DE PLAGE, MÈRE ET ENFANT (GINSTET/POUILLON 179) Aquatint, 1907, signed in pencil, an artist’s proof aside from the edition of 15, on BFK Rives paper, with full margins, plate 200 x 149mm (8 x 6in) (unframed) £500 - 700

207 Jacques Villon (1875-1963) LA CIGARETTE (GINESTET/POUILLON) Etching with aquatint printed in colours, 1901, signed and inscribed ‘No. 18’ in pencil, from the edition of approximately 46, on wove paper, published by L’Estampe Nouvelle, Paris, with wide margins, plate 418 x 343mm (16½ x 13½in (unframed) £1,200 - 1,800

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208 Various Artists VERVE N. 5-6 The volume, 1939, comprising 14 lithographs some printed in colours, after artists including Braque, Bonnard and Matisse, with text, published by Tériade, Paris, overall 355 x 265mm (14 x 10½in) (vol) £200 - 300

210 Victor Vasarely (1906-1997) SYROM Screenprint in black and white, 1959, signed and numbered from the edition of 250 in pencil, on wove paper, as included in NB Cinetique, published by Editions Denise René, Paris, with their blindstamp, the full sheet, 830mm x 830mm (32⅝ x 32⅝in) (framed) £400 - 600

209 Various Artists VARIATIONS SUR L’IMAGINAIRE The complete volume, 1972, compromising twenty lithographs printed in colours, each signed by the respective artist in pencil, text and justiﬁcation pages, numbered ‘0’ on the justiﬁcation, an hors-commerce copy aside from the edition of 190, printed by Mourlot, published by Club du Livre—Philippe Lebaud, Paris, bound as issued in original blue Morocco binding and portfolio case, overall 405 x 325mm (16 x 12¾in) (vol) Artists include, Man Ray, Fini, Masson, Lamy, Delmotte, Cremonini, Dufour, Hélion, Baj, Labisse, Peverelli and others. £1,500 - 2,000 94

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211 Victor Vasarely (1906-1997) CITRA NEG Screenprint in black and white, 1959, signed and numbered from the edition of 250 in pencil, on wove paper, as included in NB Cinetique, published by Editions Denise René, Paris, with their blindstamp, the full sheet, 830mm x 830mm (32⅝ x 32⅝in) (framed) £400 - 600

BRITISH POP AND OP

212 Peter Blake (b.1932) CAMELLIA JAPONICA INCARNATA Giclee print in colours, 2013, signed and numbered from the edition of 250 in pencil, on wove paper, with full margins, sheet 290 x 350mm (11 x 13⅝in) (unframed) £200 - 300 214 Peter Blake (b.1932) SHOOTING STARS Screenprint in colours, 2011, signed, inscribed ‘AP’ and numbered from the edition of 25 in roman numerals in pencil. an artist’s proof aside from the edition of 75, on wove paper, as included in the de-luxe edition of ‘Paris Escapades’, published by Enitharmon Editions, London, the full sheet, 546 x 372mm (21½ x 14⅝in) (framed) £600 - 800

213 Peter Blake (b.1932) TINY T.N.T. TANTRUM THE POCKET PRINCE Wood engraving printed in black and red, 1973, signed, dated and numbered from the edition of 100 in pencil, on tissue thin Japan paper, from the portfolio ‘Eighteen Small Prints’, printed by Advanced Graphics, London, published by Bernard Jacobson Ltd., London, the full sheet, 210 x 150mm (8¼ x 5⅞in) (unframed) £500 - 700

215 Peter Blake (b.1932) NEW YORK (DYLAN THOMAS, KIM NOVAK AND JAMES JOYCE) Lenticular digital print in colours on PETG plastic, 2013, signed and numbered from the edition of 100 in black ink, published by Paul Stopler, London, sheet 680 x 480mm (26¾ x 19in) (framed) £1,200 - 1,800

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216 Peter Blake (b.1932) RED NOSE DAY 2019 Screenprint in colours, 2019, signed, titled, dated and numbered from the edition of 150 in pencil, on Somerset Tub White paper, printed by Coriander Press, London, with full margins, sheet 620 x 600mm (24⅜ x 23⅝in) (unframed) £1,500 - 2,000

217 Peter Blake (b.1932) MARILYN MONROE, BLACK Screenprint in colours with diamond dust, 2009, signed and numbered from the edition of 175 in pencil, on wove paper, published by CCA Galleries, London, with full margins, 820 x 595mm (32¼ x 23½in) (framed) £1,500 - 2,000

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218 Peter Blake (b.1932) HOMAGE TO RAUSCHENBERG II Screenprint in colours with gold leaf, diamond dust, embossing and glaze embellishments, 2011, signed and numbered from the edition of 125 in pencil, on wove paper, published by CCA Galleries, London, the full sheet, sheet 860 x 700mm (34 x 27½in) (framed) £1,200 - 1,800 219 Peter Blake (b.1932) AMERICAN TRILOGY GREEN (LARGE) Screenprint in colours, 2007, signed and numbered from the edition of 25 in pencil, on wove paper, published by CCA Galleries, London, the full sheet printed to the edges, 1872 x 936mm (73⅝ x 36¾in) (framed) £1,500 - 2,000 220 Peter Blake (b.1932) SUMMER DAYS Screenprint in colours, 2007, on wove, signed and numbered from the edition of 175 in pencil, published by CCA Galleries, London, with the publisher’s blindstamp, the full sheet, 1106 x 640mm (40 x 25¼in) (framed) £1,500 - 2,000 218

219

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220

221 Patrick Caulﬁeld (1936-2005) SIXTH BRITISH INTERNATIONAL PRINT BIENNALE Screenprint in colours, 1979, from the edition of circa 100 (most of the edition was damaged), printed by Kelpra Studio, London, on thick wove paper, published by Bradford Art Galleries and Museum, Bradford, the full sheet printed to the edges, 840 x 595mm (33 x 23½in) (unframed)

223 Patrick Caulﬁeld (1936-2005) THREE PLATES FROM JULES LAFORGUE (CRISTEA 38H, 38R, 38S) Three screenprints in colours, 1972, all Edition C with text verso, published by Petersburg Press in association with Waddington Galleries, London, each image 405 x 355mm (16 x 14in) (3) (framed) £300 - 500

£50 - 100

222 Patrick Caulﬁeld (1936-2005) THREE PLATES FROM JULES LAFORGUE (CRISTEA 38E, 38I, 38U) Three screenprints in colours, 1972, two Edition A and one Edition C, all with text verso, published by Petersburg Press in association with Waddington Galleries, London, each image 405 x 355mm (16 x 14in) (3) (framed) £300 - 500

224 Patrick Caulﬁeld (1936-2005) NIGHT SKY (CRISTEA 30) Screenprint in colours, 1973, signed, titled and numbered from the edition of 100 in pencil verso, on thick wove paper, from the portfolio ‘Eighteen Small Prints’, printed by Advanced Graphics, London, published by Bernard Jacobson Ltd., London, the full sheet printed to the edges 210 x 150mm (8¼ x 5⅞in) (unframed) £500 - 700

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225 Patrick Caulﬁeld (1936-2005) COAT STAND (CRISTEA 33) Screenprint in white and black, 1973, signed and numbered from the edition of 72 in pencil, on wove paper, printed at Kelpra Studio, published by Waddington Graphics, London, the full sheet, 730 x 950mm (28¾ x 37⅜in) (framed) £500 - 700

226 Patrick Caulﬁeld (1936-2005) TULIPS (CRISTEA 32) Screenprint in white and black, 1973, signed and numbered from the edition of 72 in pencil, on wove paper, printed at Kelpra Studio, published by Waddington Graphics, London, the full sheet, 730 x 950mm (28¾ x 37⅜in) (framed) £500 - 700

100

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227 227 Richard Hamilton (1922-2011) WORKS IN PROGRESS The rare lithographic poster printed in colours on both sides, 1966, published by the Robert Fraser Gallery, London, the full sheet 443 x 564mm (17½ x 22¼in) (unframed) An important poster designed by Peter Blake, Richard Hamilton, Derek Boshier, Patrick Caulﬁeld, David Hockney, Eduardo Paolozzi and Colin Self. £800 - 1,200

228 Richard Hamilton (1922-2011) MARCEL DUCHAMP (LULLIN P.264) The rare monochrome oﬀset lithograph laminated with silver foil, 1967, one of a few proofs before the text was added, the full sheet 697 x 569mm (27⅜ x 22⅜in) (framed) £1,500 - 2,000

228 Please note that buyer’s premium is applicable to every lot. Please also note any other symbols for additional fees that may apply. All symbols and fees are explained on p.4

101

229 David Hockney (b.1937) (after) A POSTER FOR DAVID HOCKNEY: TRAVELS WITH PEN, PENCIL, AND INK (BAGGOTT 48) Oﬀset lithographic poster printed in colours, 1980, on thick wove paper, published by the Tate Gallery, London, on the occasion of the artist’s exhibition, sheet 762 x 508mm (30 x 20in) (unframed)

231 David Hockney (b.1937) GREGORY EVANS (BAGGOTT 57/77) Lithograph printed in colours, 1976, one of only a few copies signed in pencil, on wove paper, co-published by Mourlot and Artcurial, Paris, with the former’s blindstamp, the full sheet, 762 x 533mm (30 x 21in) (unframed) £300 - 500

£200 - 300

230 David Hockney (b.1937) (after) A POSTER FOR DAVID HOCKNEY PRINTS OF CELIA AND FLOWERS 1965-1980 Oﬀset lithographic poster printed in colours, 1981, inscribed 'made to the order of Kasmin.' in pencil by Hockney's galleriest John Kasmin, on thick wove paper, published by Knoedler Gallery, London, on the occasion of the artist's exhibition, sheet 915 x 660mm (36 x 26in) (unframed) £250 - 300 102

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232 David Hockney (b.1937) OLYMPISCHE SPIELE MÜNCHEN, 1972 (BAGGOTT 34) Lithograph printed in colours, 1972, on thick wove paper, printed by Matthieu, Zurich, published by Edition Olympia 1972 GmbH, Munich, with full margins, sheet 1150 x 640mm (40 x25⅕in) (unframed) £800 - 1,200

233 David Hockney (b.1937) IN AND OLD BOOK (SCOTTISH ARTS COUNCIL 52, TOKYO 52) Etching, 1966, signed and dated and numbered from the edition of 75 in pencil, on Crisbrook wove paper, as included in the deluxe edition of 14 Poems for C.P. Cavafy, published by Editions Alecto, London, with full margins, 357 x 225mm, (14⅛ x 8¾in) (unframed) £3,000 - 5,000

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103

234 David Hockney (b.1937) UNTITLED Ink on paper, circa 19841985, signed and inscribed ‘For Louise’ in black ink, sheet 176 x 227mm (7 x 9in) (unframed) Provenance: Private Collection, London; Adrian Harrington Rare Books; Anonymous Sale; Chez Victor Restaurant, London, (originally part of an autograph album). £3,000 - 5,000

235 David Hockney (b.1937) THE FIRES OF FURIOUS DESIRE (SCOTTISH ARTS COUNCIL 5, TOKYO 5) Etching with aquatint, 1961, signed, dated and numbered from the edition of 75 in pencil, on Crisbrook wove paper, printed by Maurice Payne, published by Petersburg Press, London, with full margins, 273 x 405mm (11¾ x 16in) (unframed) £5,000 - 7,000

104

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236

237

236 Allen Jones (b.1937) OLYMPISCHE SPIELE MÜNCHEN Screenprint poster in colours, 1970-72, on smooth wove paper, printed by Kroll Siebdruck, West Germany, published by Editions Olympia 1972 GbmH, Munich, with full margins, sheet 1150 x 640mm (40 x 25¼in) (unframed) £200 - 300 237 Julian Opie (b.1958) WOMAN TAKING OFF MAN’S SHIRT (CRISTEA P.244) Screenprint in colours, 2003, from the edition of an unknown size, on wove paper, published by K21 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, with full margins, sheet 1000 x 600mm (39⅜ x 23⅝in) (unframed) £300 - 500 238 Eduardo Paolozzi (1924-2005) ME Lithograph printed in colours, 1973, signed and numbered from the edition of 100 in pencil, on wove paper, from the portfolio ‘Eighteen Small Prints’, printed by Advanced Graphics, London, published by Bernard Jacobson Ltd., London, the full sheet printed to the edges, 210 x 150mm (8¼ x 5⅞in) (unframed) £200 - 300 238

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105

240 Eduardo Paolozzi (1924-2005) INSIDE DOWN UNDER...WHAT ARE THE BUILDING BLOCKS OF STRUCTURALISM? (15) (SIDEY 827) Photo-lithograph printed in colours, 1965-70, signed and numbered from the edition of 350 in pencil, from the portfolio General Dynamic Fun, printed by Editions Alecto, London, the full sheet printed to the edges, sheet 381 x 254mm (15 x 10in) (unframed) £300 - 500

106

239 Eduardo Paolozzi (1924-2005) CENTRAL PARK EAST; CENTRAL PARK WEST The set of two screenprints in colours, 1972, each signed and numbered from the edition of 200 in pencil, each on wove paper, published by Cercle Graphique Européen, each the full sheet printed close to the edges, each 775 x 560mm (30½ x 22in) (unframed)

241 Eduardo Paolozzi (1924-2005) TOTEMS AND TABOOS OF THE NINE TO FIVE DAY (19) (SIDEY 831) Photo-lithograph printed in colours, 1965-70, signed and numbered from the edition of 350 in pencil, from the portfolio General Dynamic Fun, printed by Editions Alecto, London, the full sheet printed to the edges, sheet 254 x 381mm (10 x 15in) (unframed)

£300 - 500

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242 Eduardo Paolozzi (1924-2005) WILL MAN DESERT THE DOG FOR THE DOLPHIN? (24) (SIDEY 836) Photo-lithograph printed in colours, 1965-70, signed and numbered from the edition of 350 in pencil, from the portfolio General Dynamic Fun, printed by Editions Alecto, London, the full sheet printed to the edges, sheet 381 x 254mm (15 x 10in) (unframed) £300 - 500

244 Eduardo Paolozzi (1924-2005) WHY CHILDREN COMMIT SUICIDE . . . READ NEXT MONTH’S ISSUE (9) (SIDEY 821) Photo-lithograph printed in colours, 1965-70, signed and numbered from the edition of 350 in black marker pen, from the portfolio General Dynamic Fun, printed by Editions Alecto, London, the full sheet printed to the edges, sheet 381 x 254mm (15 x 10in) (unframed) £300 - 500

243 Eduardo Paolozzi (1924-2005) JESUS COLOUR BY NUMBERS (28) (SIDEY 840) Photo-lithograph printed in colours, 1965-70, signed and numbered from the edition of 350 in black marker pen, from the portfolio General Dynamic Fun, printed by Editions Alecto, London, the full sheet printed to the edges, sheet 381 x 254mm (15 x 10in) (unframed)

245 Peter Phillips (b.1939) UNTITLED Screenprint in colours, 1973, signed, dated and numbered from the edition of 100 in pencil, on wove paper, from the portfolio ‘Eighteen Small Prints’, printed by Advanced Graphics, London, published by Bernard Jacobson Ltd., London, with full margins, 210 x 150mm (8¼ x 5⅞in) (unframed)

£300 - 500

£100 - 150

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107

246 Bridget Riley (b.1931) UNTITLED (FRAGMENT 2) (SCHUBERT 5B) Screenprint in black and white on plexiglass, 1965, with the incised signature and date, numbered from the edition of 75 in pencil verso, printed at Kelpra Studio, published by Robert Fraser Gallery, London, the full sheet, image 689 x 669mm (27⅛ x 26⅜in) (framed) £18,000 - 22,000

108

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247 Colin Self (b.1941) FIGURE NO.2: NUDE TRIPTYCH (A) (SIDEY 1058) Etching, 1971, signed, dated and numbered from the edition of 60 in pencil verso, on Crisbrook wove paper, printed by J.C. Editions, published by Editions Alecto, London, the full sheet, 540 x 688mm (21¼ x 27in) (unframed) £300 - 500 247

248 Joe Tilson (b.1928) ALCHERINGA 4 - EARTH Screenprint in colours with collaged elements, 1971, signed, dated and numbered from the edition of 70 in pencil, on thin brown wove paper, the full sheet, 978 x 660mm (38½ x 26in) (unframed) £500 - 700

249 Alexander Calder (1898-1976) CONVECTION, BEASTIE (TWO WORKS) Two lithographs printed in colours, 1974, each on wove paper, from the Flying Colours Collection 1974, the full sheets printed to the edges, each sheet 510 x 660mm (20 x 26in) (unframed) (2) £150 - 200

248

249 Please note that buyer’s premium is applicable to every lot. Please also note any other symbols for additional fees that may apply. All symbols and fees are explained on p.4

109

250 Robert Breer (1926-2011) UNTITLED Screenprint in colours, 1973, signed, dated and numbered from the edition of 300 in pencil, on wove paper, printed by Styria Studios Inc., New York, published by Experiments in Art and Technology, Inc., New York, the full sheet 229 x 305mm (9 x 12in) (unframed) £300 - 500

251 Jim Dine (b.1935) UNTITLED Screenprint in colours, 1973, signed and numbered from the edition of 300 in pencil, on wove paper, printed by Styria Studios Inc., New York, published by Experiments in Art and Technology, Inc., New York, the full sheet 229 x 305mm (9 x 12in) (unframed) £400 - 600

252 Jim Dine (b.1935) FROM ‘TEN HAND-COLORED WINTER TOOLS II’ (CARPENTER 32.6) Lithograph with extensive hand-colouring in acrylic, 1973-89, signed, dated and numbered from the edition of 18 in pencil, on German Etching Deluxe wove paper, printed by Petersburg Press, New York, co-published by Pace Editions, New York, and Waddington Graphics, London, the full sheet, 603 x 451mm (23¾ x 17¾in) (unframed) £800 - 1,200

110

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253 Jim Dine (b.1935) FROM ‘TEN HAND-COLORED WINTER TOOLS II’ (CARPENTER 32.5) Lithograph with extensive hand-colouring in acrylic, 1973-89, signed, dated and numbered from the edition of 18 in pencil, on German Etching Deluxe wove paper, printed by Petersburg Press, New York, co-published by Pace Editions, New York, and Waddington Graphics, London, the full sheet, 603 x 451mm (23¾ x 17¾in) (unframed)

255 Jim Dine (b.1935) FROM ‘TEN HAND-COLORED WINTER TOOLS II’ (CARPENTER 32.1) Lithograph with extensive hand-colouring in acrylic, 1973-89, signed, dated and numbered from the edition of 18 in pencil, on German Etching Deluxe wove paper, printed by Petersburg Press, New York, co-published by Pace Editions, New York, and Waddington Graphics, London, the full sheet, 603 x 451mm (23¾ x 17¾in) (unframed)

£800 - 1,200

254 Jim Dine (b.1935) FROM ‘TEN HAND-COLORED WINTER TOOLS II’ (CARPENTER 32.7) Lithograph with extensive hand-colouring in acrylic, 1973-89, signed, dated and numbered from the edition of 18 in pencil, on German Etching Deluxe wove paper, printed by Petersburg Press, New York, co-published by Pace Editions, New York, and Waddington Graphics, London, the full sheet, 603 x 451mm (23¾ x 17¾in) (unframed) £800 - 1,200

256 Jim Dine (b.1935) FROM ‘TEN HAND-COLORED WINTER TOOLS II’ (CARPENTER 32.3) Lithograph with extensive hand-colouring in acrylic, 1973-89, signed, dated and numbered from the edition of 18 in pencil, on German Etching Deluxe wove paper, printed by Petersburg Press, New York, co-published by Pace Editions, New York, and Waddington Graphics, London, the full sheet, 603 x 451mm (23¾ x 17¾in) (unframed) £800 - 1,200

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111

257 Mark Di Suvero (b.1933) UNTITLED Screenprint in colours, 1973, signed, dated and numbered from the edition of 300 in pencil, on wove paper, printed by Styria Studios Inc., New York, published by Experiments in Art and Technology, Inc., New York, the full sheet, 229 x 305mm (9 x 12in) (unframed) ÂŁ1,000 - 1,500

112

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258 Keith Haring (1958-1990) (after) CRACK DOWN! (PRESTEL 47) Oﬀset lithograph printed in colours, 1986, from the edition of an unknown size, on wove paper, the full sheet, 560 x 434mm (22 x 17⅛in) (unframed)

260 Keith Haring (1958-1990) MONTREUX 1983 (PRESTEL 9) Screenprint in colours, 1983, on thick wove paper, printed by Albin Uldry, Bern, the full sheet printed to the edges, 700 x 1000mm (27½ x 39⅜in) (unframed)

£100 - 150

£300 - 500

259 Keith Haring (1958-1990) MONTREUX 1983 (PRESTEL 8) Screenprint in colours, 1983, on thick wove paper, printed by Albin Uldry, Bern, the full sheet printed to the edges, 700 x 1000mm (27½ x 39⅜in) (unframed)

261 Keith Haring (1958-1990) MONTREUX 1983 (PRESTEL 10) Screenprint in colours, 1983, on thick wove paper, printed by Albin Uldry, Bern, the full sheet printed to the edges, 700 x 1000mm (27½ x 39⅜in) (unframed)

£300 - 500

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113

262 Keith Haring (1958-1990) (after) UNTITLED (BEST BUDDIES) Oﬀset lithographic poster printed in colours, 1987, on wove paper, sheet 800 x 600mm (31½ x 23⅝in) (unframed) £600 - 800

263 Keith Haring (1958-1990) IGNORANCE = FEAR. SILENCE = DEATH. FIGHT AIDS. ACT-UP (PRESTEL 83) Oﬀset lithograph printed in colours, 1987, on glossy wove paper, the full sheet printed to the edges, 610 x 1094mm (24 x 43in) (unframed) £600 - 800

262

263

114

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264 Keith Haring (1958-1990) (after) UNTITLED Screenprint in colours, 1990, on wove paper, published by TeNeues, Germany, the full sheet printed to the edges, image 775 x 770mm (30½ x 30¼in) (framed) £500 - 700

265 Keith Haring (1958-1990) (after) CHESS SET The complete set, 2001, comprising 32 cast resin multiples and the printed cardboard chessboard, housed within the original cardboard packaging, licensed by Art Merchandising & Media AG. The Estate of Keith Haring, New York, overall size 480 x 340 x 50m (18⅞ x 13⅜ x 2in) (multiple) £400 - 600

264

265

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115

266 Keith Haring (1958-1990) ONE PLATE, FROM BAD BOYS (LITTMANN P.58) Screenprint, 1986, signed, dated and numbered from the edition of 30 in pencil, on BFK Rives paper with full margins, sheet 505 x 660mm (20 x 26in) (unframed) £4,000 - 6,000

267 Keith Haring (1958-1990) WHITE ICONS. ANGEL (SEE LITMANN P.173) Embossing, 1990, with the certiﬁcate of authenticity stamped verso, signed and dated in pencil by Julia Gruen, the executor of the Keith Haring estate, numbered from the edition of 60, on wove paper, printed by Studio Heinrici Ltd., published by Tony Shafrazi Editions, New York, with full margins, sheet 535 x 635mm (21 x 25in) (unframed) £5,000 - 7,000

116

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268 Keith Haring (1958-1990) UNTITLED (FROM THE VALLEY SUITE) (SEE LITTMAN P.136141) Etching, 1989, signed, dated and numbered from the edition of 80 in pencil, on wove paper, published by George Mulder Fine Art, London, with full margins, sheet 356 x 304mm (12 x 14in) (unframed) £1,800 - 2,200

269 Keith Haring (1958-1990) UNTITLED (FROM THE VALLEY SUITE) (SEE LITTMANN P.136141) Etching, 1989, signed, dated and numbered from the edition of 80 in pencil, on wove paper, published by George Mulder Fine Art, London, with full margins, sheet 356 x 304mm (12 x 14in) (unframed) £1,800 - 2,200

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117

270 Keith Haring (1958-1990) POP SHOP III (SEE LITTMANN P.145) Screenprint in colours, 1987, signed and numbered from the edition of 200 in pencil, on wove paper, with full margins, 305 x 380mm (12 x 15in) (unframed) ÂŁ12,000 - 15,000

118

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271 Jasper Johns (b.1930) (after) FALSE START II Oﬀset lithograph printed in colours, 1975, on BFK Rives wove paper, printed and published by Universal Limited Art Editions, Inc., Islip, with their stamp, the full sheet, 570 x 443mm (22⅜ x 17⅜in) (unframed)

273 Jasper Johns (b.1930) (after) TARGET Oﬀset lithograph printed in colours, 1975, on BFK Rives wove paper, printed and published by Universal Limited Art Editions, Inc., Islip, with their stamp, the full sheet, 570 x 443mm (22⅜ x 17⅜in) (unframed)

£400 - 600

272 Jasper Johns (b.1930) (after) FALSE START I Oﬀset lithograph printed in colours, 1975, on BFK Rives wove paper, printed and published by Universal Limited Art Editions, Inc., Islip, with their stamp, the full sheet, 570 x 443mm (22⅜ x 17⅜in) (unframed)

274 Jasper Johns (b.1930) (after) TWO BALLS Oﬀset lithograph printed in colours, 1975, on BFK Rives wove paper, printed and published by Universal Limited Art Editions, Inc., Islip, with their stamp, the full sheet, 570 x 443mm (22⅜ x 17⅜in) (unframed)

£400 - 600

£300 - 500

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119

120

275 Alex Katz (b.1927) FROM, LIGHT AS AIR (SCHRÖDER 222) Aquatint, 1989, signed in pencil, from the total edition of 43, on a folded double-sheet of wove paper with text printed on the left page, printed at Atelier Aldo Crommelynck, Paris, copublished by Pace Editions Inc., and Aldo Crommelynck, New York, the full sheet, plate 216 x 216mm (8½ x 8½in) (unframed)

277 Alex Katz (b.1927) FROM, LIGHT AS AIR (SCHRÖDER 229) Aquatint, 1989, signed in pencil, from the total edition of 43, on a folded double-sheet of wove paper with text printed on the left page, printed at Atelier Aldo Crommelynck, Paris, copublished by Pace Editions Inc., and Aldo Crommelynck, New York, the full sheet, plate 216 x 216mm (8½ x 8½in) (unframed)

£300 - 500

276 Alex Katz (b.1927) FROM, LIGHT AS AIR (SCHRÖDER 225) Aquatint, 1989, signed in pencil, from the total edition of 43, on a folded double-sheet of wove paper with text printed on the left page, printed at Atelier Aldo Crommelynck, Paris, copublished by Pace Editions Inc., and Aldo Crommelynck, New York, the full sheet, plate 216 x 216mm (8½ x 8½in) (unframed)

278 Alex Katz (b.1927) FROM, LIGHT AS AIR (SCHRÖDER 228) Aquatint, 1989, signed in pencil, from the total edition of 43, on a folded double-sheet of wove paper with text printed on the left page, printed at Atelier Aldo Crommelynck, Paris, copublished by Pace Editions Inc., and Aldo Crommelynck, New York, the full sheet, plate 216 x 216mm (8½ x 8½in) (unframed)

£300 - 500

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279 Alex Katz (b.1927) FROM, LIGHT AS AIR (SCHRÖDER 224) Aquatint, 1989, signed in pencil, from the total edition of 43, on a folded double-sheet of wove paper with text printed on the left page, printed at Atelier Aldo Crommelynck, Paris, copublished by Pace Editions Inc., and Aldo Crommelynck, New York, the full sheet, plate 216 x 216mm (8½ x 8½in) (unframed)

281 Alex Katz (b.1927) JESSICA Woodcut printed in colours, 1994, signed and numbered from the edition of 200 in pencil, on Hosho wove paper, printed by John C Erickson, New York, published by The Print Club of New York Inc., New York, with full margins, image 180 x 180mm (7⅛ x 7⅛in) (framed)

£300 - 500

£600 - 800

280 Alex Katz (b.1927) FROM, LIGHT AS AIR (SCHRÖDER 218) Aquatint, 1989, signed in pencil, from the total edition of 43, on a folded double-sheet of wove paper with text printed on the left page, printed at Atelier Aldo Crommelynck, Paris, copublished by Pace Editions Inc., and Aldo Crommelynck, New York, the full sheet, plate 216 x 216mm (8½ x 8½in) (unframed)

282 Alex Katz (b.1927) UNTITLED (COW) Aquatint, 2005, signed and numbered from the edition of 100 in pencil, on wove paper, Doris Simmelink and Chris Sukimoto, New York, published by the Whitechapel Gallery, London, with full margins, 265 x 265mm (10⅜ x 10⅜in) (framed) £600 - 800

£300 - 500

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121

283 Roy Lichtenstein (1923-1997) SPRAY CAN (CORLETT 34) Lithograph printed in blue, 1964, from the edition of 2000, on white wove paper, from the portfolio 1 c Life, printed by Maurice Beaudet, Paris, published by E. W. Kornfeld, Bern, image 313 x 263mm (12¼ x 10¼in) (framed) £600 - 800 284 Roy Lichtenstein (1923-1997) PASSAGE DU NORD-OUEST (CORLETT 273) Etching and aquatint, 1992, signed and numbered from the edition of 80 in pencil, on Velin d’Arches wove paper, as included in La Nouvelle Chute de l’Amerique portfolio, printed by Atelier Dupont-Visat, and published by Les Editions du Solstice, Paris, the full sheet, 482 x 356mm (19 x 14in) (framed) £3,000 - 5,000

283

284

122

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285 Roy Lichtenstein (1923-1997) UNE FENETRE OUVERTE SUR CHICAGO (CORLETT 271) Etching and aquatint printed in colours with embossing, 1992, signed and numbered from the edition of 80 in pencil, on Velin d’Arches wove paper, as included in La Nouvelle Chute de l’Amerique portfolio, printed by Atelier Dupont-Visat, and published by Les Editions du Solstice, Paris, the full sheet, 482 x 356mm (19 x 14in) (framed) £3,000 - 5,000

285

286 Roy Lichtenstein (1923-1997) MIRROR #5 (CORLETT 110) Lithograph and screenprint in colours, 1972, signed, dated and numbered from the edition of 80 in pencil, on Special Arjomari paper, as included in the Mirror series, printed and published by Gemini G.E.L., Los Angeles, with their blinstamp, the full sheet, image 870 x 616mm (34¼ x 24¼in) (framed) £4,000 - 6,000

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123

287 Roy Lichtenstein (1923-1997) SALUTE TO AVIATION (CORTLETT 63) Screenprint in colours, 1968, signed, dated and numbered from the edition of 125 in pencil, on wove paper, printed by Sirocco Screenprints under the direction of Ives-Sillman, New Haven, published by Richard Feigen Graphics, New York, with the printer’s and publisher’s blindstamps, with full margins, image 1089 x 548mm (42⅞ x 21⅝in) (framed) £7,000 - 10,000

124

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288 Various Artists ONE CENT LIFE (CORLETT III.3; FELDMAN & SCHELLMANN II.5) The complete portfolio, 1963-1964, comprising sixty-two lithographs printed in colours, stamp-numbered in coloured inks on the justification page from the edition of 2000, each on wove paper (with the centrefold as issued), with the title and text pages, published by E. W. Kornfield, Bern, all housed loose (as issued) within the screenprinted linen boards with the rare dustjacket and purple cloth-bound slipcase, overall 425 x 305 x 40mm (16¾ x 12 x 1½in) (folio) Artists Include: Pierre Alechinsky, Karel Appel, Enrico Baj, Alan Davie, Jim Dine; Sam Francis, Robert Indiana, Asger Jorn, Roy Lichtenstein, Joan Mitchell, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, Jean-Paul Riopelle, James Rosenquist, Antonio Saura, Bram Van Velde, Andy Warhol, Tom Wesselmann, Walasse Ting, among others. £3,000 - 5,000 289 Claes Oldenburg (b.1929) EX-LIBRIS (AKSOM/PLATZKER 231) The complete portfolio, comprising 250 offset lithographs printed in colours, 1991, one signed and numbered from the edition of 100 in blue ink, numbered again on the justification page in black ink, each on wove paper, published by Printed Matter, New York, all housed together within the original card box, overall 88 x 141 x 45mm (3½ x 5½ x 1¾in) (folio) £400 - 600

288

289

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125

290 Claes Oldenburg (b.1929) MUSEUM À LA MODE (AXSOM/PLATZKER 252) Oﬀset lithograph printed in colours, 1994, signed and numbered from the edition of XXV in pencil, an artist’s proof aside from the edition of 175, on Coventry wove paper, printed by Team Litho, New York, published by Achenbach Art Edition, Dusseldorf, the full sheet, 987 x 686mm (39 x 27in) (unframed) £700 - 1,000

291 Ed Ruscha (b. 1937) DISH (ENGBERG 67) Lithograph, 1973, signed and numbered from the edition of 250 in pencil, on BFK Rives paper, with full margins, sheet 89 x 201mm (3½ x 7⅞in) (unframed) £1,500 - 2,000

290

291 126

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292 Ed Ruscha (b.1937) SWARM OF RED ANTS (ENGBERT 62) Screenprint in colours, 1972, signed, dated and numbered from the edition of 100 in pencil, on Fabriano Classico paper, from ‘Insects’, published by Multiples Inc., New York, the full sheet printed to the edges, 510 x 688mm (20⅛ x 27in) (framed) £2,000 - 3,000

293 Ed Ruscha (b. 1937) MEWS (ENGBERG 36) Screenprint with organic materials, 1970, signed and numbered from the edition of 120 in pencil, on wove paper, printed and published by Editions Alecto, London, with full margins, sheet 585 x 810mm (18 x 27in) (unframed) £2,500 - 3,000

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127

294 Ed Ruscha (b.1937) THINKS I, TO MYSELF Lithograph printed in colours, 2017, signed, dated and numbered from the edition of 80 in pencil, on BFK Rives paper, co-published by Hamilton Press, Venice, Califonia, and the Royal Academy of Arts, London, the full sheet printed to the edges, 335 x 535mm (13Âź x 21in) (unframed) ÂŁ4,000 - 6,000

128

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295 James Rosenquist (b.1933) TEN DAYS Screenprint in colours, 1973, signed, dated and numbered from the edition of 300 in pencil, on wove paper, printed by Styria Studios Inc., New York, published by Experiments in Art and Technology, Inc., New York, the full sheet 229 x 305mm (9 x 12in) (unframed) £600 - 800

296 James Rosenquist (b.1933) PAPERSUIT (EDITION NO.02) The paper multiple, 1998, consisting of a paper suit of Dupont Tywek, signed in silver ink inside the jacket, numbered from the edition of 100 in black ink on a label aﬃxed to the jacket, with the accompanying Jokre scissors, exhibition catalogue and invitation, the invitation signed in black ink, fabricated by Hugo Boss, published by Deutsche Guggenheim, Berlin, on the occasion of the artist’s exhibition ‘The Swimmer in the Economist, housed within the original cardboard box, overall 430 x 307 x 65mm (17 x 12⅛ x 2½in) (multiple) £600 - 800

297 Keith Sonnier (b.1941) UNTITLED Screenprint with varnish additions in colours, 1973, signed, dated and numbered from the edition of 300 in red crayon, on wove paper, printed by Styria Studios Inc., New York, published by Experiments in Art and Technology, Inc., New York, the full sheet 229 x 305mm (9 x 12in) (unframed) £600 - 800

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129

298 Frank Stella (b.1936) PRINTS 1967-1982 Oﬀset-lithographic poster printed in colours, 1983, signed, dated and numbered from the edition of 100 in pencil, on stiﬀ wove paper, published by the Whitney Museum of American Art, New York, the full sheet printed to the edges, sheet 1905 x 1320mm (75 x 52in) (unframed)

300 Andy Warhol (1928-1987) & Keith Haring (1958-1990) 20TH MONTREUX JAZZ FESTIVAL (MARECHAL 47) Screenprint in colours, 1986, on thick wove paper, printed by Albin Uldry, Bern, the full sheet printed to the edges, 1000 x 700mm (39¾ x 27½in) (unframed) £300 - 500

£1,500 - 2,000

299 Andy Warhol (1928-1987) (after) 100 CANS Oﬀset lithograph printed in colours, 1990, from the edition of 560, published by the Albright-Knox Gallery, Buﬀalo, the full sheet, 970 x 650mm (38 x 25½in) (unframed) £300 - 500

301 Andy Warhol (b.1928-1987) KIMIKO POWERS, A POSTER FOR THE COLORADO STATE UNIVERSITY EXHIBITION Screenprint in colours, 1981, one of only 250 examples signed in pencil, on wove paper, printed by Licht Editions, Denver, published by the Colorado State University Department of Art, Fort Collins, with full margins, sheet 890 x 635mm (35 x 25in) (framed) £800 - 1,200

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302 Andy Warhol (1928-1987) A PHILOSOPHY OF ANDY WARHOL A rare signed copy of 'A Philosophy of Andy Warhol', 1975, signed and with a Campbell's Tomato Soup drawing on the ﬂyleaf in black ink, published by Hancourt Brace Jovanovich, London and New York, overall 220 x 145mm (8⅝ x 5¾in) (vol) £800 - 1,200

303 Andy Warhol (1928-1987) KIKU (NOT IN FELDMAN & SCHELLMANN) The complete deluxe book, 1983, containing the screenprint in colours, the edition was 1500, on thick wove paper, published by Gendai Hanga Center, Tokyo, on the occasion of their exhibition ‘Andy Warhol’, bound as issued within the original grey cloth boards with embossed title in silver, overall, 285 x 212 x 18mm (11¼ x 8⅜ x¾) (vol) £1,000 - 1,500

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304 Andy Warhol (1928-1987) MAO 1973 (FELDMAN & SCHELLMANN II.89) Unique Xerox print, 1973, signed and numbered from the edition of 300 verso, with the artist’s copyright inkstamp verso, on typewriter paper, from the New York Collection for Stockholm, printed by Julie Martin, New York, published by Experiments in Art and Technology, Inc., New York, the full sheet 279 x 216mm (11 x 8½in) (unframed) £2,500 - 3,500

132

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305 Andy Warhol (1928-1987) WATERCOLOR PAINT KIT WITH BRUSHES (FELDMAN & SCHELLMANN II.288) Oﬀset lithograph printed in colours, 1982, signed in black felt-tip pen, numbered from the edition of 500 in pencil, on Carnival Felt Cover wove paper, printed by Kordett Color Graphics and Rupert Jasen Smith, published by the New York Association for the Blind, New York, with full margins, sheet 229 x 305mm (9 x 12in) (unframed) £3,000 - 5,000

306 Andy Warhol (1928-1987) PURPLE COWS (FELDMAN & SCHELLMANN II.17A) Rubber stamp print in purple ink, one of 203 impressions with the stamped signature, the total edition was 225, on Rives paper tipped at tips to a larger sheet of the same, printed by William Katz, published by IndianaKatz, New York, sheet 241 x 165mm (9½ x 6½in) (unframed) £3,500 - 4,500

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133

307 Andy Warhol (1928-1987) INGRID BERGMAN. THE NUN (FELDMAN & SCHELLMANN 314) Screenprint in colours, 1983 signed, dated and numbered from the edition of 250 in pencil, on Lenox Museum board, printed by Rupert Jasen Smith, New York, with his blindstamp, published by Galerie Börjeson, Malmö, with their blindstamp verso, the full sheet printed to the edges, sheet 964 x 964mm (36 x 36in) (unframed) £20,000 - 30,000

307A Andy Warhol (1928-1987) THE STAR (FELDMAN & SCHELLMANN II.258) Screenprint in colours, 1981, signed and numbered from the edition of 200 in pencil verso, on Lenox Museum Board, as included in the 'Myths' portfolio, printed by Rupert Jasen Smith, published by Ronald Feldman Fine Arts Inc., New York, the full sheet printed to the edges, 965 x 965mm (38 x 38in) (framed) Provenance: Halcyon Gallery, London £30,000 - 40,000

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CONTEMPORARY

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309

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308 Tom Wesselmann (1931-2004) OLYMPISCHE SPIELE MÜNCHEN Screenprint poster in colours, 1970-72, on smooth wove paper, printed by Kroll Siebdruck, West Germany, published by Editions Olympia 1972 GbmH, Munich, with full margins, sheet 1150 x 640mm, (40 x 25¼in) (unframed) £300 - 500

309 Chiho Aoshima (b.1974) YUYAKE-CHEN MISS SUNSET Oﬀset lithograph printed in colours, 2006, signed and numbered from the edition of 300 in silver ink, on thin wove paper, printed and published by KaiKai Kiki co., Japan, the full sheet printed to the edges, 720 x 650mm (28⅜ x 25⅝in) (framed) £300 - 500

310 Arman (1928-2005) L’INTERIEUR DES CHOSES II: LE TRANSISTOR (OTMEZGUINE & MOREAU 38) Lithograph printed in colours, 1971, signed and inscribed ‘E.A.’ in pencil, an artist’s proof aside from the edition of 300, on Arches wove paper, printed by Clot, Bramsen and Georges, published by Prisunic, Paris, the full sheet printed to the edges, 655 x 485mm (25¾ x 19in) (unframed) £300 - 500

311 Francis Bacon (1909-1992) (after) STUDY FOR A PORTRAIT OF JOHN EDWARDS; RUSSIAN RETROSPECTIVE EXHIBITION POSTER Oﬀset lithograph printed in colours, 1988, from the edition of circa 250 of which only approximately 30 are extant, on thin wove paper, the full sheet printed to the edges, 901 x 575mm (35⅛ x 22⅜in) (unframed) This work was printed to advertise the ﬁrst retrospective exhibition in Russia granted to a living artist since the Russian Revolution and was adopted by the State as a symbol of Glasnost. The exhibition was organized by the British Council in collaboration with Marlborough Fine Art in London. It was held at the Central Union of Artists in Moscow (22nd September to 7th November 1988). It is believed that only 250 posters were printed for the exhibition and at the end of it there were circa 30 left unused. £1,500 - 2,000 136

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312 Francis Bacon (1909-1992) L’ORIESTIE DE ESCHYLE (SABATIER 16) Lithograph printed in colours, 1981, signed and numbered from the edition of 150 in pencil, on wove paper, published by Éditions de la Diﬀérence, printed by Arts Litho, paris, with the Arts Litho blindstamp, with full margins, sheet 1035 x 535mm (40¾ x 21¼in) (unframed) £12,000 - 15,000

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137

313 Georg Baselitz (b.1938) ALTE ELISABETH Screenprint on wool blanket, 2015, from the edition of 50, printed by Kit Grover for White Cube Gallery, London, in association with Glyndebourne Opera, 1930 x 1420mm (76 x 56in) (unframed) £800 - 1,200

314 John Biggers (1924-2001) OUR GRANDMOTHERS The complete book, 1994, comprising ﬁve lithographs, each on handmade HMP wove paper, together with the title, colophon and text pages by Maya Angelou, signed by both and numbered from the edition of 400 in pencil on the colophon page, printed by Wild Carrot Letterpress, published by Limited Editions Club, New York, bound (as issued) and housed within the original cloth-covered clamshell box, overall 580 x 465 x 35mm (22⅞ x 18 5/16 x 1⅜in) (vol) £800 - 1,200

138

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315 Jean-Michel Basquiat (1960-1988) (after) SUPERCOMB Oﬀset lithograph printed in colours, 1988, on smooth wove paper, published by Yvon Lambert Gallery, the full sheet printed to the edges, sheet 729 x 521mm (28¾ x 20½in) (framed) £800 - 1,200

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139

316 Joseph Beuys (1921-1986) TRAM STOP 1976/2007 Digital photographic print triptych, 2007, from the original negatives, numbered from the edition of 45 in pencil verso, mounted on board, as included in ‘Re-Object, Mythos’, printed at Blow up, Munich, published by Edition Schellmann for Kunsthaus Bregenz, Bregenz, sheet 610 x 810mm (24 x 32in) (unframed) £600 - 800

317 David Bailey (b.1938) LEGS AND HOSEPIPE Gelatin silver print, 1980, signed, titled, dated and numbered from the edition of 200 in pencil on the mount, on wove paper, sheet 250 x 380mm (9⅞ x 15in) (framed) £500 - 700

318 Matthew Barney (b.1967) UNTITLED Photogravure and embossing, 2007, signed and numbered from the HC edition of 5 in pencil, on Hahnemuhle paper, as included in ‘Re-Object, Mythos’, printed by Recom, Stuttgart, published by Edition Schellmann for Kunsthaus Bregenz, Bregenz, the full sheet, 810 x 610mm (32 x 24in) (framed) £800 - 1,200

140

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319 Mel Bochner (b.1940) BLAH, BLAH, BLAH + BACKGROUND NOISE Double-sided screenprint in colours, 2013, signed, dated and numbered from the edition of 100 unique colour variants in pencil, on wove paper, published by Whitechapel Gallery, London, the full sheet printed to the edges, 380 x 380mm (15 x 15in) (framed) £1,500 - 2,000

320 Mel Bochner (b.1940) KICK AGAINST THE PRICKS Screenprint in colours, 2018, signed, dated and numbered from the edition of 30 in pencil, on blue wove paper, printed and published by Two Palms, New York, the full sheet printed to the edges, 267 x 711mm (10½ x 28in) (framed) £2,000 - 3,000

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141

321 Katherine Bernhardt (b.1975) CRAZY DORITOS Lithograph printed in colours, 2019, signed, dated and numbered from the edition of 65 in pencil, on Somerset wove paper, printed and published by Counter Editions, London, the full sheet, 1290 x 830mm (50⅞ x 32¾in) (unframed) £3,000 - 5,000

322 Katherine Bernhardt (b.1975) NIKE PANTHER Lithograph printed in colours, 2019, signed, dated, titled and numbered from the edition of 100 in pencil, on BFK Rives wove paper, co-published by Art Omi and Art+Culture Projects, New York, the full sheet printed to the edges, 509 x 762mm (20 x 30in) (unframed) £3,000 - 5,000

142

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323 Martin Creed (b.1968) WORK NO. 2852 Unique screenprint in colours, 2017, signed, dated, titled and numbered from the edition of 100 in pencil verso, each unique, on Somerset radiant white paper, printed and published by Counter Editions, London, the full sheet printed almost to the edges, 430 x 355mm (16⅞ x 13⅞in) (unframed) £2,500 - 3,500

324 Jean Dubuﬀet (1901-1985) USTENSILES UTOPIQUES Lithograph printed in colours, 1966, signed and dated in pencil, on wove paper, published by Robert Fraser Gallery, London, the full sheet, 455 x 565mm (17⅞ x 22⅕in) (framed) £1,000 - 1,500

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143

325 Peter Doig (b.1959) UNTITLED (CANOE) Aquatint in colours, 2008, signed and numbered from the edition of 500 in pencil, on wove paper, the full sheet printed to the edges, 590 x 745mm (23¼ x 29⅜in) (unframed) £1,000 - 1,500

326 Niki de Saint Phalle (1930-2002) LA DANSE Screenprint in colours, 1993, signed and numbered from the edition of 150 in pencil, on BFK Rives paper, with full margins, sheet 562 x 758mm (22 x 29¾in) (unframed) £800 - 1,200

144

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327 Tacita Dean (b.1965) FILM STILLS The complete set of 14 Handmade oﬀsets printed in colours, 2011, each initialled, dated and numbered from the edition of 24 verso, each on Zerkall Bütten paper, the full sheet printed to the edges, each 760 x 430mm (30 x 17in) (6 framed; 8 unframed) £10,000 - 15,000

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145

328 Tracey Emin (b.1963) YOU LOVED ME LIKE A DISTANT STAR Digital print in colours, 2016, signed in silver ink, from the edition of 500, on glossy wove paper, printed and published by Emin International, London, the full sheet printed to the edges, 700 x 500mm (27 x 19⅝in) (unframed)

330 Tracey Emin (b.1963) LOVE POEM II Lithograph printed in pink, 1996, signed, dated and numbered from the edition of 55 in pencil, printed and published by the Royal College of Art, London, the full sheet, 280 x 280mm (11 x 11in) (framed)

£500 - 700

£600 - 800

329 Tracey Emin (b.1963) THE KISS WAS BEAUTIFUL Digital print in colours, 2016, signed in silver ink, from the edition of 500, on glossy wove paper, printed and published by Emin International, London, the full sheet printed to the edges, 700 x 500mm (27 x 19⅝in) (unframed)

331 Tracey Emin (b.1963) THE KISS Polymer gravure printed in blue, 2011, signed, dated and numbered from the edition of 1000 in pencil, on wove paper, with full margins, plate 227 x 206mm (9 x 8⅛in) (unframed)

£500 - 700

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£800 - 1,200

332 Tracey Emin (b.1963 SELF-PORTRAIT Chromogenic print in colours, 2001, signed, dated, titled and numbered from the edition of 80 unique prints in black ink verso, on Kodak Professional photographic paper, published by Parkett Editions, New York/Zurich, as included in Edition for Parkett No. 63, the full sheet, 400 x 401mm (15¾ x 15¾in) (unframed)

334 Peter Fischli (b.1952) & David Weiss (1946-2012) AIRPORTS Oﬀset lithograph printed in colours, 1994, signed by both artists, inscribed ‘E.A.’ and numbered from the edition of XXV in pencil, an artist’s proof aside from the edition of 175, on BFK Rives wove paper, published by Achenbach Art Edition, Düsseldorf, the full sheet, 700 x 1000mm (27½ x 39 in) (unframed) £1,500 - 2,000

£1,500 - 2,000

333 Cerith Wyn Evans (b.1958) LIGHT TRESPASS (100 BRIGHTEST STARS/100 FOOTNOTES - “THE DAY AT FLORBELLE” BY D.A.F. SADE) The multiple, 2007, comprising a light bulb hand-inscribed in black ink, signed in ink on the accompanying certiﬁcate of authenticity and numbered from the edition of 100, the box also numbered in black ink from the edition of 100, published by Texte zur Kunst, Berlin, housed within the original card box with the accompanying silver envelope and address labels, overall 330 x 235mm (13 x 9¼in) (multiple)

335 Lucio Fontana (1899-1968) MUSEUMJOURNAAL (SERIES 9; NO. 5/6) The rare complete volume, 1964, with the artist’s designed frontispiece and printed signature, published by Stichting Kunstpublicaties, Otterlo, overall 250 x 190mm (9⅞ x 7½in) (vol) £400 - 600

Each multiple in this edition features a ﬁve digit numerical code applied by hand. On the corresponding certiﬁcate of authenticity, the corresponding code of a star’s name is deciphered and combined with a footnote from the English version of the text “Les journées de Florbelle” by the Marquis de Sade. £200 - 300

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147

336 Douglas Gordon (b.1966) HALFWAY Dibond mounted colour photographic print, 2017, signed in black ink and numbered from the edition of 12 on the artist’s label aﬃxed to the reverse of the frame, published by Glasgow International, Glasgow, overall 524 x 448mm (20⅝ x 17⅝in) (framed)

338 Nan Goldin (b.1953) LYNELLE IN JAPANESE RESTAURANT C-print in colours, 1996, signed in black ink verso, on gloss photographic paper, sheet 406 x 304mm (16 x 12in) (unframed) £400 - 600

Accompanied by a certiﬁcate of authenticity signed by the Director of Glasgow International. £1,000 - 1,500

337 Douglas Gordon (b.1966) FOURTY Photograph with cut-out perforations, 2007, signed and numbered from the HC edition of 5 in black marker, on Baryta paper mounted to acrylic mirror, as included in ‘Re-Object, Mythos’, printed by Recom, Stuttgart, published by Edition Schellmann for Kunsthaus Bregenz, Bregenz, image 810 x 610mm (32 x 24in) (framed) £2,000 - 3,000 148

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339 Nan Goldin (b.1953) AMANDA IN THE LOCKER ROOM, BERLIN 1993 C-print in colours, 1996, signed in black ink verso, the edition was 100, on gloss photographic paper, published by Griﬀelkunst-Vereinigung, Hamburg, the full sheet printed to the edges, 505 x 610mm (19⅞ × 24in) (unframed) £1,000 - 1,500

340 Gilbert and George (b.1943 & 1942) TAG DAY Giclee print in colours, 2010, signed and inscribed ‘AP’ in black ink, an artist’s proof aside from the edition of 35, on gloss Epson photographic paper, published by Oak Tree Fine Press, Fyﬁeld, with margins, sheet 370 x 500mm (14½ x 19⅝in) (unframed) £300 - 500

341 Gilbert and George (b.1943 & 1942) DEATH AFTER LIFE Offset lithograph printed in colours, 2008, signed in black ball-point pen, numbered from the edition of 100 in pencil, on Hahnemühle and Mohawk Superfine wove paper, published by Oak Tree Fine Press, Fyfield, with full margins, sheet 250 x 460mm (9¾ x 18in) (unframed) £500 - 700

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149

342 Gilbert and George (b.1943 & 1942) DEATH, HOPE, LIFE, FEAR The set of four giclee prints in colours, 2010, each signed and inscribed ‘AP’ in black ink, each an artist’s proof aside from the edition of 35, each on gloss Epson photographic paper, published by Oak Tree Fine Press, Fyﬁeld, each with margins, sheets various sizes, the largest 360 x 520mm (14⅛ x 20½in) (unframed) (4) £1,000 - 1,500

150

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343 Antony Gormley (b.1950) FIGURE Giclee print in colours, 2014, signed and numbered from the edition of 150 in pencil verso, on Hahnemuhle paper, published by Oak Tree Fine Press, Fyﬁeld, with margins, sheet 279 x 216mm (11 x 8½in) (unframed) £600 - 800

344 Antony Gormley (b.1950) DOMAIN Etching, 2013, signed, titled, dated and numbered from the edition of 100 verso in pencil, on wove paper, with full margins, sheet 380 x 303mm (15 x 12in) (unframed) £1,000 - 1,500

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151

345 Damien Hirst (b.1965) THE INDEPENDENT (RED) Screenprint in colours, 2007, signed and numbered from the edition of 300 in pencil, further signed in pencil by musician Bono, on wove paper, co-published by Other Criteria and The Independent in aid of the Global Fund, with full margins, sheet 675 x 495mm (26½ x 19½in) (framed) The present artwork was published on the occasion of World Aids Day, 1st December 2007, and is a replica of the front page of The Independent newspaper from 16th May 2006. The frontpage was designed by Hirst while Bono was a guest editor for the RED edition. £600 - 800

346 Damien Hirst (b.1965) TO LOSE (RED BUTTERFLY) Photogravure and aquatint printed in colours, 2008, signed and inscribed in pencil, a proof aside from the edition of 75, printed and published by Other Criteria, London, with full margins, plate 300 x 246mm (11⅞ x 9¾in) (framed) Provenance: A gift from the artist to the present owner. £2,000 - 3,000

347 Damien Hirst (b.1965) FOR THE LOVE OF GOD Screenprint in colours with diamond dust, 2009, signed and numbered from the edition of 1000 in white pencil, on wove paper, printed by Coriander Studios, published by Other Criteria, London, the full sheet printed to the edges, 325 x 240mm (12 x 9 in) (framed) £3,000 - 5,000

152

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348 Damien Hirst (b.1965) BEANS AND CHIPS (FROM THE LAST SUPPER) Screenprint in colours, 2005, signed in pencil, numbered from the edition of 150 in pencil verso, on Somerset wove paper, printed by Coriander Studio, published by Charles BoothClibborn under his imprint The Paragon Press, London, the full sheet, image 1520 x 1000mm (59¾ x 39⅜in) (framed) £3,000 - 5,000

349 Howard Hodgkin (1932-2017) IN A FRENCH RESTAURANT (HEENK P.223) Screenprint in colours, 1982, signed in orange pencil, a proof aside from the edition of 500, on TH Saunders Waterford white wove paper, printed by Cromacomp, published by Petersburg Press, New York, the full sheet printed to the edges, 1210 x 1460mm (47⅝ x 57½in) (unframed) £700 - 1,000

350 Howard Hodgkin (1932-2017) THE SKY'S THE LIMIT (NOT IN HEENK) Screenprint in colours, 2003, initialled, dated and numbered from the edition of 108, published by the Lincoln Center List Poster and Print Program, printed by Brand X Editions, New York, on wove paper, with full margins, sheet641 x 762mm (25¼ x 30in) (unframed) £3,000 - 5,000

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153

351 Howard Hodgkin (1932-2017) THE ROAD TO RIO (NOT IN HEENK) Screenprint in colours, 2016, initialled, dated and numbered from the edition of 350 in pencil, on wove paper, published by Counter Editions, London, on wove paper, the full sheet printed to the edges, 760 x 600mm (30 x 23½in) (framed) £2,000 - 3,000

352 Howard Hodgkin (1932-2017) SWIMMING (NOT IN HEENK) Screenprint in blue, 2011, signed, dated and numbered from the edition of 350 in pencil, on Somerset White Satin paper, printed and published by Counter Editions, London, the full sheet printed to the edges, 755 x 580mm (29½ x 23 ⅜in) (framed) £3,000 - 5,000

154

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353 Gary Hume (b.1962) 1000 WINDOWS Household gloss paint on paper, 2013, signed, dated and numbered from the edition of 1000 in black ink verso, in the artist’s yellow frame as published, overall 370 x 315mm (14½ x 12⅜in) (artist’s frame) £300 - 500

354 Jenny Holzer (b.1950) FOR PAULA MODERSOHN BECKER Digital print in colours, circa 2005, signed in black ink, numbered from the edition of 100 in pencil verso, on smooth wove paper, the full sheet printed to the edges, 500 x 700mm (19⅝ x 27½in) (unframed) £400 - 600

353

354

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155

355 Barbara Kruger (b.1945) SURVEILLANCE Lithograph printed in colours, circa 1983, from the edition of a unknown size, on thick wove paper, the full sheet printed to the edges, 277 x 710mm (10⅞ x 28in) (unframed) Literature: Wye, Deborah, ‘Thinking Print: Books to Billboards, 1980-95’. £1,500 - 2,000

356 Jacob Kassay (b.1984) UNTITLED (REDACTED BOOK) The multiple, 2013, comprising 68 pages, each screenprinted in black and bound within the overprinted softcover, signed and dated on the title page in black ink, the edition was 235, published by 303 Gallery, New York, overall 299 x 209mm (11¾ x 8¼in) (multiple) £200 - 300

156

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357 Yayoi Kusama (b.1929) PUMPKIN (YELLOW) Painted cast resin multiple, 2016, stamped with the artist’s name on the base, published by Benesse Holdings, Japan, in the original printed, ﬁtted box, 100 x 80 x 80mm (4 x 3¼ x 3¼in) (multiple) £700 - 1,000

358 Yayoi Kusama (b.1929) WITH ALL MY FLOWERING HEART (TRIPTYCH) The complete triptych, comprising three screenprints in colours, 2017, each numbered from the edition of 500 in silver ink verso, each on a maplewood skate deck, each stamped with the artist’s name and copyright verso, published by The Broad, Los Angeles, each deck 787 x 203 x 10mm (31 x 8 x in) (multiple) (3) £600 - 800

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157

359 Jeﬀ Koons (b.1955) CRACKED EGG Aluminium multiple with red glaze, 2008, from the edition of 1000, published by the Los Angeles County Museum of Art, Los Angeles as an invitation for the opening of the Broad Art Collection, lacking the card insert, contained in the original black cardboard box, overall 120 x 80 x 80mm (4¾ x 3⅛ x 3⅛in) (multiple) £2,000 - 3,000

360 Anish Kapoor (b.1954) UNTITLED Polymer gravure type etching, 2014, signed and numbered from the edition of 150 in pencil, on BFK Rives paper, with full margins, sheet 320 x 380mm (12⅝ x 14⅞in) (unframed) £2,000 - 3,000

158

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361 Chris Levine (b.1960) LIGHTNESS OF BEING Lenticular print in colours, 2010, signed and numbered from the edition of 3 in ink verso, a proof aside from from the edition of 200, the full sheet printed to the edges, 685 x 483mm (27 x 19in) (framed) Provenance: A gift from the artist to the present owner. ÂŁ18,000 - 22,000

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159

362 Chris Levine (b.1960) EQUANIMITY Lenticular print, 2012, signed and dated in ink, a proof aside from numbered from the edition of 80, the full sheet printed to the edges, sheet 685 x 483mm (27 x 19in) (framed) Provenance: A gift from the artist to the present owner. We have found no record of this work previously appearing at auction. ÂŁ20,000 - 25,000

160

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363 Robert Longo (b.1953) UNTITLED (JANET FROM THE MEN IN THE CITIES SERIES) Archival pigment print in colours, 1981-2016, signed, dated and numbered from the edition of 100 in black ink, on wove paper, with full margins, sheet 456 x 355mm (18 x 14in) (unframed) £2,000 - 3,000

364 Sarah Lucas (b.1962) RICHARD (TOBY JUG) The painted and glazed porcelain toby jug, 2004, signed in black ink, fabricated by Bairstow Manor, Stoke, published by the Tate Modern, London, on the occasion of the artist’s In-A-Gadda-Da-Vida exhibition, overall 165 x 102 x 89mm (6½ x 4 x 3½in) (multiple) £300 - 500

365 Takashi Murakami (b.1962) FLOWERS Pen and ink drawing, 2018, signed and dated in pencil, on smooth wove paper, bound within the book The Octopus Eats Its Own Leg, published by Skira Rizzoli Publications Inc., New York, and Kaikai Kiki, Tokyo, overall size 292 x 260mm, (11½ x 10¼in) (vol) £3,000 - 5,000

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161

366 Gerhard Merz (b.1947) UNTITLED (2007) Digital pigment print in colours, 2007, signed and numbered from the HC edition of 5 in pencil verso, on transparent foil, in the original folder with text, as included in ‘Re-Object, Mythos’, printed by Recom, Stuttgart, published by Edition Schellmann for Kunsthaus Bregenz, Bregenz, the full sheet, 810 x 610mm (32 x 24in) (framed) £200 - 300

367 Sarah Morris (b.1967) BIG BEN Digital print in colours with glaze, 2011, signed in black ink and numbered on a label aﬃxed to the reverse, on Somerset rag wove paper, published by White Cube, London, the full sheet printed to the edges, 380 x 300mm (15 x 11¾in) (unframed) £700 - 1,000

162

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368 Agnes Martin (1912-2004) UNTITLED Screenprint in colours, 1973, inscribed ‘PP’ in pencil, a printers proof aside from the edition of 50, on Japanese Rag Paper, from the portfolio ‘On a clear day’, printed by Domberger KG, Stuttgart, published by Parasol Press, Portland, with full sheet, 295 x 288mm (15½ x 11⅜in) (framed)

370 Agnes Martin (1912-2004) UNTITLED Screenprint in colours, 1973, signed and inscribed ‘PP’ in pencil, a printers proof aside from the edition of 50, on Japanese Rag Paper, from the portfolio ‘On a clear day’, printed by Domberger KG, Stuttgart, published by Parasol Press, Portland, with full sheet, 295 x 288mm (15½ x 11⅜in) (framed)

£1,000 - 1,500

£2,500 - 3,500

369 Agnes Martin (1912-2004) UNTITLED Screenprint in colours, 1973, signed and numbered from the edition of 50 in pencil, on Japanese Rag Paper, from the portfolio ‘On a clear day’, printed by Domberger KG, Stuttgart, published by Parasol Press, Portland, with full sheet, 295 x 288mm (15½ x 11⅜in) (framed)

371 Agnes Martin (1912-2004) UNTITLED Screenprint in colours, 1973, signed and inscribed ‘PP’ in pencil, a printers proof aside from the edition of 50, on Japanese Rag Paper, from the portfolio ‘On a clear day’, printed by Domberger KG, Stuttgart, published by Parasol Press, Portland, with full sheet, 295 x 288mm (15½ x 11⅜in) (framed)

£2,500 - 3,500

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163

164

372 Agnes Martin (1912-2004) UNTITLED Screenprint in colours, 1973, signed and inscribed ‘PP’ in pencil, a printers proof aside from the edition of 50, on Japanese Rag Paper, from the portfolio ‘On a clear day’, printed by Domberger KG, Stuttgart, published by Parasol Press, Portland, with full sheet, 295 x 288mm (15½ x 11⅜in) (framed)

374 Agnes Martin (1912-2004) UNTITLED Screenprint in colours, 1973, signed and inscribed ‘PP’ in pencil, a printers proof aside from the edition of 50, on Japanese Rag Paper, from the portfolio ‘On a clear day’, printed by Domberger KG, Stuttgart, published by Parasol Press, Portland, with full sheet, 295 x 288mm (15½ x 11⅜in) (framed)

£2,500 - 3,500

373 Agnes Martin (1912-2004) UNTITLED Screenprint in colours, 1973, signed and inscribed ‘PP’ in pencil, a printers proof aside from the edition of 50, on Japanese Rag Paper, from the portfolio ‘On a clear day’, printed by Domberger KG, Stuttgart, published by Parasol Press, Portland, with full sheet, 295 x 288mm (15½ x 11⅜in) (framed)

375 Agnes Martin (1912-2004) UNTITLED Screenprint in colours, 1973, signed and inscribed ‘PP’ in pencil, a printers proof aside from the edition of 50, on Japanese Rag Paper, from the portfolio ‘On a clear day’, printed by Domberger KG, Stuttgart, published by Parasol Press, Portland, with full sheet, 295 x 288mm (15½ x 11⅜in) (framed)

£2,500 - 3,500

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376 Agnes Martin (1912-2004) UNTITLED Screenprint in colours, 1973, signed and inscribed ‘PP’ in pencil, a printers proof aside from the edition of 50, on Japanese Rag Paper, from the portfolio ‘On a clear day’, printed by Domberger KG, Stuttgart, published by Parasol Press, Portland, with full sheet, 295 x 288mm (15½ x 11⅜in) (framed) £2,500 - 3,500

377 Francois Morrelet (b.1928) UNTITLED Screenprint, on paper, signed and numbered from the edition of 90, the full sheet printed to the edges, 636 x 646mm (25 x 25⅜in) (framed) £200 - 300

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165

378 Helen Marten (b.1985) EMERGENCY NUTS Screenprint in colours, 2019, signed and numbered from the edition of 65 in pencil verso, on Somerset wove paper, published by Chisenhale Gallery, London, with the artist’s black inkstamp verso, the full sheet printed to the edges, 594 x 420mm (23 x 16½in) (unframed) £500 - 700

379 Helen Marten (b.1985) UNTITLED Screenprint in colours with hand-colouring in soy sauce and collaged thread, 2013, signed, dated and numbered from the edition of 180 in pencil, on wove-backed tissue thin paper, published by Kunsthalle Zurich, Zurich, on the occasion of the 2014 Annual Patron's Edition, the full sheet, 580 x 450mm (22⅞ x 17¾in) (unframed) £1,000 - 1,500

166

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380 Chris Oﬁli (b.1968) SKATEBOARD Screenprint in colours with laser cut and gold automotive paint elements, 2014, signed and numbered from the edition of 100 in black ink, on Canadian Hardrock Maple wood, published by New Museum, New York, overall size 813 x 216mm (32 x 8½in) (multiple) £1,000 - 1,500

381 Nam June Paik (1932-2006) HOMMAGE TO EINSTEIN Oﬀset lithograph printed in colours, 1991, signed in pencil, one of only a few signed examples, on wove paper, the full sheet, 983 x 545mm (38½ x 21½in) (unframed) £200 - 300

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167

382 Raymond Pettibon (b.1957) UNTITLED (WE STILL HAVE SOMETHING EASY TO DESTROY) Screenprint, signed and numbered from the edition of 120 in pencil, on wove paper, the full sheet, 915 x 610mm (36 x 24in) (unframed) Â£1,500 - 2,000

168

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383 Richard Prince (b.1949) UNTITLED (ROTHKO’S ROOMS) Archival pigment print, 2014, with the stamped signature as published, numbered from the edition of 100 verso, on wove paper, published by The Song Cave, sheet 279 x 216mm (11 x 8½in) (unframed) £400 - 600

384 Richard Prince (b.1949) JAWBONE C-print, 2016, signed, dated and numbered from the edition of 100 in black in verso, on glossy wove paper, published by Karma, New York, the full sheet, 469 x 318mm (18½ x 12½in) (framed) £500 - 700

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169

385 Richard Prince (b.1949) ALL THE BEST The complete portfolio of twelve colour coupler prints, 2000, signed, dated and inscribed ‘T’ from the edition of 26 labelled A-Z in pen on the justiﬁcation, published by Jablonka Galerie, Cologne, each framed, together with the original black fabric covered portfolio case, sheets 250 x 200mm (9⅞ x 7⅞in) (framed) (13) £7,000 - 10,000

170

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386 Gio Pomodoro (1930-2002) UNTITLED Etching with carborundum, 1964, signed, dated and numbered from the edition of 20 in pencil, on wove paper, printed by Stamperia 2RC, Roma, the full sheet, 480 x 640mm (18¾ x 25¼in) (framed) £1,000 - 1,500

387 Nicolas Party (b.1980) FLOWERS AND A FEW COLOURS Screenprint in colours, 2013, signed and numbered from the edition of 40 in pencil, on wove paper, published by Glasgow Print Studio, Glasgow, the full sheet, 915 x 720mm (36 x 28 in) (unframed) £2,000 - 3,000

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171

388 Grayson Perry (b.1960) TEDDY BEAR NECKLACE MEDAL (ALAN MEASLES) Enamel and bronze multiple in colours, 2018, numbered from the edition of 300 on the accompanying certiﬁcate of authenticity, published by Monnaie de Paris, Paris, housed within the original presentation box, diameter 50mm (2in) (multiple)

389 Grayson Perry (b.1960) ALAN MEASLES BALLOON SCREENPRINT ON SILVER MYLAR BALLOON, 2017, PUBLISHED TO COINCIDE with ‘The Most Popular Art Exhibtion Ever by the Serpentine Gallery, London, overall size 900 x 900mm (35½ x 31½in) (multiple) £300 - 500

£300 - 500

390 Grayson Perry (b.1960) PIGGY BANK The painted and glazed ceramic multiple, 2017, with the artist’s logo on the underside, from the edition of an unknown size, published by the Serpentine Gallery, London, within the original grey cardboard box, overall 260 x 130 x 130mm (10¼ x 5⅛ x 5⅛in) (multiple) £2,000 - 3,000

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391 Grayson Perry (b.1960) HOUSE OF LOVE Stainless-steel multiple, 2017, comprising a shrine and two ﬁgures, signed on the accompanying certiﬁcate of authenticity, the edition was 50, published by Serpentine Galleries, London, overall 600 x 300 x 175mm (23½ x 11¾ x 7in) (multiple) £5,000 - 7,000

392 Eddie Peake (b.1981) THE OTHER LANGUAGES, NEFARIOUS Unique spray paint on Royal Academy plastic bag, 2013, signed and numbered from the edition of 25 on the accompanying certiﬁcate of authenticity, each unique, published by Focal Point Gallery, Southend, housed within the artist’s designated frame, overall 630 x 470mm (24 x 18½in) (artist’s frame) £1,800 - 2,200

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393

394

393 Daniel Richter (b.1962) LITTLE DOGGY Etching printed in blue, 1995, signed and numbered from the edition of 50 in pencil, on Zerkall Butten wove paper, published by the Contemporary Fine Arts, Berlin, and Niels Borch Jensen, Copenhagen, with full margins, sheet 380 x 320mm (15 x 12⅝in) (unframed) £150 - 200 394 Gerhard Richter (b.1932) LINCOLN CENTER / LIST ART POSTERS 40TH ANNIVERSARY Screenprinted poster in colours, 2003, on Somerset Rag paper, from the edition of 500, printed by Brand X Editions, published by the Lincoln Art Centre, New York, sheet 1125 x 877mm (44½ x 34½in) (unframed) £1,200 - 1,800 395 Jamie Reid (b.1947) GOD SAVE THE QUEEN Screenprint in silver, 1997, signed and numbered from the edition of 350 in silver crayon, on blue wove paper, published by Ambassador Arts/Serigraﬁa, New York, the full sheet, 1015 x 740mm (40 x 29⅛in) (framed) £700 - 1,000

395

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396 Paula Rego (b.1935) GIRL READING Lithograph, 2002, signed, inscribed ‘PP’ and numbered from the edition of four, a printer’s proof aside from the edition of thirty-ﬁve, on watermarked Somerset wove paper, printed by The Curwen Studio, Cambridge, published by the artist and Marlborough Graphics, London, the full sheet, image 440 x 320mm (17 x 12½in) (unframed) £500 - 700

397 Saul Steinberg (1914-1999) PAPETERIE Lithograph printed in colours, 1973, signed, dated and numbered from the edition of 75 in pencil, on BFK Rives wove paper, the full sheet, 645 x 490mm (25⅜ x 19⅛in) (unframed) £400 - 600

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175

398 John Stezaker (b.1949) UNTITLED Archival pigment print, 2011, signed, dated and numbered from the edition of 150 in pencil, on Somserset wove paper, image 310 x 377mm (12¼ x 14 3.4in) (framed) £500 - 700

399 John Stezaker (b.1949) UNTITLED Double-sided lithograph, 1996, signed and numbered from the edition of 55 in pencil, on wove paper, printed and published by the Royal College of Art, London, the full sheet, 280 x 280mm (11 x 11in) (framed) £400 - 600

400 Prem Sahib (b.1982) OUTING Laser print on black wove paper, 2015, signed and numbered from the edition of 85, published by Institute of Contemporary Arts, London, the full sheet 420 x 297mm (16½ x 11¾in) (framed) £300 - 500

401 Michael Todd (b.1935) UNTITLED Textile on canvas, 1965, 665 x 457mm (26⅛ x 18in) (unframed) Provenance: Sotheby’s Arcade: Wednesday, June 24, 1998 [Lot 00181]: Modern and Contemporary Paintings, Drawings and Sculpture (sale 1616) £200 - 300

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402 Wolfgang Tillmans (b.1968) KALENDAR Two-sided inkjet print, 2001, signed and numbered from the edition of 120 in pencil, on wove paper, published by Texte Zur Kunst, Berlin, the full sheet, 297 X 420mm (11¾ x 16½in) (unframed) £300 - 500

403 Rosemarie Trockel (b.1952) SHORTAGES OF WATER Oﬀset lithograph printed in colours, 2015, signed, dated and numbered from the edition of 40 in pencil, on wove paper, published by Whitechapel Gallery, London, the full sheet printed to the edges, 800 x 600mm (31½ x 23⅝in) (unframed) £600 - 800

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177

404 Cy Twombly (1928-2011) UNTITLED (DETAIL OF PAINTING) Digital pigment print (Ditone) in colours, 2002-2007, initialled and numbered from the HC edition of 5 in pencil, on Inova paper, printed and published by Edition Schellmann, Munich, the full sheet, sheet 810 x 610mm (32 x 24in) (framed) ÂŁ5,000 - 7,000

178

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405 Zao Wou-Ki (1921-2013) LE JARDIN D’ENCRE The complete portfolio comprising the etching with aquatint printed in colours, 2007, signed and numbered from the edition of 63 in pencil, on wove paper, with the title, justiﬁcation and text pages by Bernard Noël in French, the etching printed by René Tazé, published by Bernard Dumerchez, Paris, all housed within the original cream cloth-bound clamshell box, overall 670 x 390 x 45mm (26¼ x 15 x 2in) (folio) £2,000 - 3,000

406 Zao Wou-Ki (1921-2013) UNTITLED (AGERUP 161) Etching with aquatint printed in colours, 1965, signed, dated and numbered from the edition of 90 in pencil, on Arches wove paper, printed and published by Atelier Lacouriere et Frelaut, Paris, the full sheet, 560 x 760mm (22 x 30in) (unframed) £3,000 - 5,000

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179

407 Franz West (1947-2012) PLATONIC MOON C-print in colours, 2003, initialled in black ink, from the edition of 350, on wove paper, published by the Whitechapel, Gallery, London, image 290 x 415mm (11⅜ x 16¼in) (framed) £600 - 800

408 Kara Walker (b.1969) FREEDOM, A FABLE: A CURIOUS INTERPRETATION OF THE WIT OF A NEGRESS IN TROUBLED TIMES The laser-cut artist’s pop-up book, 1997, the edition was 4,000, co-published by the artist and Peter Norton Family Christmas Project, Santa Monica, bound in red leather boards (as issued), overall 210 x 235 x 15mm (8¼ x 9¼ x ½in) (vol) Exhibited: The Rhode Island School of Design Museum, One Voice, Many Visions: Work By African American Artists, February 20 - June 14, 1998 (another example exhibited). The Rhode Island School of Design Museum, Bodies of Evidence, July 1 - September 25, 2005 (another example exhibited). Montclair Art Museum, Kara Walker: Virginia’s Lynch Mob and Other Works, September 15, 2018 - January 6, 2019 (another example exhibited). Literature: Katerina Wasserman, The Book as Art: Artists’ Books from the National Museum of Women in the Arts, Hudson, 2006, p. 44. Stephen G. Hoﬃus and Angela D. Mack, eds., Landscape of Slavery: The Plantation in American Art, South Carolina, 2008, p. 81. £2,000 - 3,000

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409 Ai Weiwei (b.1957) ODYSSEY Oﬀset lithograph, 2017, from the edition of 1000, the full sheet printed to the edges, 915 x 610mm (unframed) £500 - 700

410 Ai Weiwei (b.1957) FREE SPEECH Hand painted porcelain, 2014, signed and numbered from the edition of 60 on the accompanying certiﬁcate of authenticity issued by the publisher, published by the Vancouver Art Gallery, Vancouver, overall 50 x 40 x 8mm (2 x 1⅝ x ¼in) (multiple) £2,500 - 3,500

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181

411 Umbo (1902-1980) MARCEL DUCHAMP MEME Photograph, 1965-2007, from the edition of 45, printed in 2007 from the original negative as a baryta print with selenium toning, in the original mount as published, printed at Moersch Photochemie, Hurth, published by Edition Schellmann, Munich for Kunsthaus Bregenz, Austria, sheet 405 x 305mm (15½ x 11⅝in) (unframed) £200 - 300

412 Jonas Wood (b.1977) LARGE SHELF STILL LIFE 2017 Oﬀset lithograph printed in colours, 2017, on wove paper, the full sheet printed to the edges, 595 x 595mm (28⅜ x 28⅜in) (unframed) £300 - 500

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PHOTOGRAPHS

413 Christopher Cheetham (b.1951) HOSTA, 2000 Gelatin silver print, 2000, signed and numbered from the edition of 25 in pencil and with the photographer’s blindstamp, signed in pencil on the reverse, on gloss photographic paper, sheet 310 x 242mm (12¼ x 9½in) (unframed)

415 Christopher Cheetham (b. 1951) BORDERLINE BAR, MONTANA, USA, 1995 Archival pigment print, 1995 (printed later), signed and numbered from the edition of 5 with the photographer’s blind stamp in the margin, the image, 535 x 920mm (21 x 36¼in) (unframed) £400 - 600

This work is accompanied by a certiﬁcate of authenticity issued by the artist. £200 - 300

414 Christopher Cheetham (b. 1951) FIRE TRUCK, WYOMING, USA, 1995 Archival pigment print, 1995 (printed later), signed and numbered from the edition of 5 in pencil with photographer’s blind stamp in the margin, the image, 505 x 920mm (19⅞ x 36¼in) (unframed) £400 - 600

416 Walker Evans (1903-1975) UNTITLED, (DOOR), circa 1973 Gelatin silver print enlargement from a Polaroid Type 105 negative, circa 1973, mounted on brown board support, with credit and number stamps on the reverse of the support, on gloss photographic paper, sheet 270 x 253mm (10⅝ x 9⅞in) (framed) Provenance: Sotheby’s New York, 21-22 Junes 2010, Photographs from the Polaroid Collection, lot 458. £600 - 800

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417 Horst P. Horst (1906-1999) SUMMER HATS, FONSSAGRIVES (LISA) & LANE, 1940 Gelatin silver print, 1940 (printed later), with the photographer’s blind stamp in the margin, signed, titled, dated and annotated in pencil with portfolio edition stamp on the reverse, on gloss photographic paper, image 446 x 350mm (17½ x 13¾in) (unframed) Provenance: Galerie Thierry Marlat, Paris. This print comes from one of a set of three portfolios printed to commemorate Horst’s 90th Birthday £1,000 - 1,500

418 Pierre Jahan (1909-2003) LE TROTTOIR SOUS LA PLUIE, 1993 Gelatin silver print, 1933, mounted and signed in pencil on the wove support, signed, titled, dated and annotated in blue and black ink with photographer’s copyright stamp on the reverse of the support, sheet 250 x 305mm (9¾ x 12in) (unframed) Provenance: Galerie Thierry Marlat, Paris. £200 - 300

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185

419 Antonio Lopez (1943-1987) GLORIA SWANSON, 1970S Nine chromogenic Kodak Instamatic prints ﬂush mounted together on support in a sequence, titled in pencil on card, on gloss photographic paper, each 103 x 80mm (4 x 3⅛in); sequence 340 x 265mm (13⅜ x 10⅜in) (unframed) Provenance: Galerie Thierry Marlat, Paris. £700 - 1,000

420 Antonio Lopez (1943-1987) GINGER ROGERS, 1970S Nine chromogenic Kodak Instamatic prints ﬂush mounted together on support in a sequence, titled in pencil on card, each on gloss photographic paper, each 103 x 80mm (4 x 3⅛in); sequence 340 x 265mm (13⅜ x 10⅜in) (unframed) Provenance: Galerie Thierry Marlat, Paris. £700 - 1,000

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421 Ronny Jaques (1910-2008) BETTE DAVIS, WALKING HER DOG IN NEW YORK DOCKS Gelatin silver print, signed in pencil on the reverse, the edition was 30, on gloss photographic paper, the full sheet, 406 x 305mm (16 x 12in) (framed) Provenance: The Special Photographers Company, London. The Rowley Gallery Ltd., London. £300 - 500

422 Tracey Moﬀatt (b.1960) PET THANG, NO. 1, 1991 Chromogenic print in colours, 1991, signed and numbered from the edition of 30 in black ink on the photographer’s label aﬃxed to the reverse of the frame, on gloss photographic paper, sheet 800 x 1100mm (31½ x 43¼in) (framed) Pet Thang, No. 1 is from a series of six images. Provenance: Galerie Thierry Marlat, Paris. £800 - 1,200

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187

423 Tracey Moﬀatt (b.1960) PET THANG, NO. 6, 1991 Chromogenic print in colours, 1991, signed, dated and inscribed ‘AP 5’ in black ink on the photographer’s label aﬃxed to the reverse of the frame, an artist’s proof, on gloss photographic paper, sheet 1100 x 800mm (43¼ x 31½in) (framed) Pet Thang, No. 6 is from a series of six images. Provenance: Galerie Thierry Marlat, Paris. £800 - 1,200

424 Yan Morvan (b.1954) UNTITLED, FROM THE ‘BLOUSON NOIR’ SERIES, 1975 Gelatin silver print, 1975 (printed later), signed, titled, dated and annotated in pencil on the reverse, on gloss photographic paper, image 282 x 420mm (11⅛ x 16½in) (unframed) Provenance: Galerie Thierry Marlat, Paris. £300 - 500

188

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URBAN

425

426

425 The Connor Brothers (b.1968) FICTION IS A LIE AND GOOD FICTION IS THE TRUTH WITHIN THE LIE Hand-painted vintage paperback with screenprint additions, 2018, signed in black ink and numbered from the edition of 2 on a label affixed to the reverse, each unique, housed within the artist's designated frame, overall 270 x 205 x 30mm (10½ x 8 x 1¼in) (artist’s frame) £3,000 - 5,000 426 The Connor Brothers (b.1968) TELL HIM I WAS TOO FUCKING BUSY- OR VICE VERSA Hand-painted vintage paperback with screenprint additions, 2019, signed in black ink and numbered from the edition of 2 on a label affixed to the reverse, each unique, housed within the artist’s designated frame, overall 270 x 205 x 30mm (10½ x 8 x 1¼in) (artist’s frame) £3,000 - 5,000 427 The Connor Brothers (b.1968) EVERYTHING WAS BEAUTIFUL AND NOTHING HURT Hand-painted vintage paperback with screenprint additions, 2017, signed in black ink and numbered from the edition of 2 on a label affixed to the reverse, each unique, housed within the artist’s designated frame, overall 270 x 205 x 30mm (10½ x 8 x 1¼in) (artist’s frame) £3,000 - 5,000 427

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428 Harland Miller (b.1964) IN SHADOWS I BOOGIE (BLUE) The complete box set, comprising the etching with letterpress relief printing in colours and monograph, 2019, the print signed recto and numbered from the edition of 100 verso in pencil, the monograph signed and numbered from the edition of 100 in black ink, all housed within the original blue presentation box, together with a second signed copy of the monograph (pink), overall 345 × 253 × 45mm (13½ × 9⅞ × 1¾in) (folio) (2) £4,000 - 6,000

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191

429 Borf ROTHKO’S MODERN LIFE 14 Acrylic, house-paint and spray-paint on canvas, 2013, signed and dated in white ink verso, 1525 x 1015mm (60 x 40in) £2,000 - 3,000

430 Polly Morgan (b.1980) MIXED MESSAGE Taxidermy snake and gun metal, 2014, 280 x 80 x 90mm (3⅛ x 3 9/16in) (multiple) Provenance: Bonhams, ‘Peace One Day’, Founded 1793, 28th of January 2015. £2,000 - 3,000

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431 Adam Neate (b.1977) GROUP OF FOUR Marker pen and household emulsion, 2005, signed with the artist’s monogram in black marker, on M.D.F., 1320 x 560mm (52 x 22in) (framed) £2,000 - 3,000

432 Jamie Hewlett (b. 1968) M16 ASSAULT LOLLY Screenprint in colours, 2005, signed and numbered from the edition of 750 in pencil, on wove paper, published by Pictures on Walls, London, the full sheet, 700 x 500mm (27½ x 19¾in) (unframed) £600 - 800

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193

433 Shepard Fairey (b.1970) REVOLUTION WOMAN Screenprint in colours, 2005, signed and numbered from the edition of 50 in pencil, on cream wove paper, printed and published by Obey Giant, New York, with full margins, sheet 1070 x 763mm (42 x 30in) (framed)

435 Shepard Fairey (b. 1970) OBEY LOTUS DIAMOND (BLACK & GOLD) Screenprint in colours with diamond dust, 2013, signed and numbered from the edition of 75 in pencil verso, on Somerset Satin paper, published by Paul Stolper Gallery, London, the full sheet printed to the edges, 873 x 664mm (34⅜ x 26⅛in) (framed)

£400 - 600

£600 - 800

434 Shepard Fairey (b.1970) HOPE Oﬀset lithograph printed in colours, circa 2008, with full margins, 910 x 610mm (35¾ x 24in) (unframed)

436 Shepard Fairey (b.1970) OBEY LOTUS CRESCENT (BLACK & GOLD) Screenprint in colours with diamond dust, 2013, signed and numbered from the edition of 75 in pencil verso, on Somerset Satin paper, published by Paul Stolper Gallery, London, the full sheet printed to the edges, 873 x 664mm (34⅜ x 26⅛in) (framed)

£400 - 600

£600 - 800 194

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437 Shepherd Fairey (b. 1970) VENICE PATTERN: RED Screenprint with mixed media collage, 2009, signed, dated, inscribed ‘HPM’ and numbered from an edition of 7 in pencil, each unique, the full sheet, 460 x 460mm (18⅛ x 18⅛in) (framed) Exhibited: ‘Sound & Vision’, Stolen Space Gallery, London, 20 October - 4 November 2012. £2,000 - 3,000

438 Shepard Fairey (b. 1970) OBEY STAR (RETIRED STENCIL & STUDIES) Stencil and mixed media collage on paper, 2015, signed in pencil, the full sheet, 266 x 266mm (10½ x 10½in) (framed) Exhibited: Your Eyes Here, Malaga, Spain, 26 June - 27 September 2015. This work is accompanied by a certiﬁcate of authenticity. £5,000 - 7,000

439 Shepard Fairey (b. 1970) OBEY PATTERN (RETIRED STENCIL & STUDIES) Stencil and mixed media collage on paper, 2015, signed in pencil, the full sheet, 660 x 660mm (26 x 26in) (framed) Exhibited: Your Eyes Here, Malaga, Spain, 26 June - 27 September 2015. This work is accompanied by a certiﬁcate of authenticity. £5,000 - 7,000

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195

440 Miaz Brothers SKULL Archival inkjet print in colours with vanish overlay, 2019, signed and numbered from the edition of 100 in pencil, on Hahnemühle Photo Rag paper, printed and published by Jealous Gallery, London, with full margins, sheet 400 x 400mm (15¾ x 15¾in) (unframed) £100 - 150 442 JJ Adams (b.1978) JAMES DEAN TATTOO Giclée print, 2015, signed and numbered from the edition of 95 in black ink, on glossy wove paper, published by Wishbone Publishing, Chelmsford, with full margins, image 360 x 280mm (14¼ x 11in) (artist’s frame) This work is accompanied by a certiﬁcate of authenticity from the publisher and signed by the artist. £300 - 500

196

441 Nina Chanel Abney (b. 1982) HUF X PEANUTS X STORY NINA SKATE DECK Screenprint in colours, 2018, on seven ply Canadian maple skate deck, published by HUF, New York, with their sticker, overall 813 x 210mm (32 x 8¼in) (multiple)

443 Ludo (b.1976) E-LEPIDOPTERA Screenprint in colours, 2011, signed and numbered from the edition of 25 in pencil, on wove paper, the full sheet, 500 x 700mm (19⅝ x 27½in) (unframed)

£500 - 700

£300 - 500

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444 Invader (b.1969) COTE D’AZUR Screenprint in colours, 2007, signed, dated and numbered from the edition of 50 in pencil, on wove paper, with full margins, sheet 260 x 655mm (10¼ x 25¾in) (unframed) £1,200 - 1,800

445 Invader (b.1969) LOS ANGELES Screenprint in colours, 2004, signed, dated and numbered from the edition 100 in pencil, on wove paper, with full margins, sheet 585 x 738mm (23 x 29in) (unframed) £1,500 - 2,000

446 KAWS (b.1974) KUBRICK BUS STOP (VOLUMES 1 & 2) The two complete sets of painted vinyl multiples, 2002, published by Medicom Toy Corporation, Japan, each housed within the original printed cardboard box, overall size of each 216 x 216 x 84mm (8½ x 8½ x 3 1/3in) (multiple) (2) £400 - 600

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197

447 Kaws (b.1974) MOCAD The unique screenprint in colours, 2019, signed and dated in yellow crayon, on wove paper, published by the Museum of Contemporary Art Detroit, with the original certiﬁcate of purchase and printed envelope, the full sheet printed to the edges, 255 x 203mm (9⅞ x 8in) (unframed) For this series of works donated by Kaws to MOCAD, the artist selected a number of his published screenprints and cut them into 10 x 8 inch sections, with no two sections being, the same the works are unique. £4,000 - 6,000

448 Kaws (b.1974) MOCAD The unique screenprint in colours, 2019, signed and dated in yellow crayon, on wove paper, published by the Museum of Contemporary Art Detroit, with the original certiﬁcate of purchase and printed envelope, the full sheet printed to the edges, 255 x 203mm (10 x 8in) (unframed) For this series of works donated by Kaws to MOCAD, the artist selected a number of his published screenprints and cut them into 10 x 8 inch sections, with no two sections being, the same the works are unique. £4,000 - 6,000

198

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449 Kaws (b. 1974) FAR FAR DOWN Screenprint in colours, 2018, signed and numbered from the edition of 100 in pencil, published by Pace Prints, New York, on wove paper, the full sheet printed to the edges, 1352 x 813mm (32 x 53¼in) (unframed) £20,000 - 30,000

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199

200

450 David Shrigley (b.1968) UNTITLED (ZZZ...) Woodcut, 2005, signed and numbered from the edition of 20 in pencil, on wove paper, the full sheet, 597 x 397mm (23½ x 15⅝in) (framed)

452 David Shrigley (b.1968) UNTITLED (MAN CLIMBING) Woodcut, 2005, signed and numbered from the edition of 20 in pencil, on wove paper, the full sheet, 597 x 397mm (23½ x 15⅝in) (framed)

£700 - 900

451 David Shrigley (b.1968) UNTITLED (SCRIBBLE AND B) Woodcut, 2005, signed and numbered from the edition of 20 in pencil, on wove paper, the full sheet, 597 x 397mm (23½ x 15⅝in) (framed)

453 David Shrigley (b.1968) UNTITLED (PELT) Woodcut, 2005, signed and numbered from the edition of 20 in pencil, on wove paper, the full sheet, 597 x 397mm (23½ x 15⅝in) (framed)

£700 - 900

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454 David Shrigley (b.1968) LEARN TO DRAW Linocut, 2014, initialled, dated and numbered from the edition of 100 in pencil, on wove paper, with full margins, sheet 387 x 288mm (15¼ x 11 in) (unframed) £500 - 700

456 David Shrigley (b.1968) I’M SORRY FOR BEING AWFUL Screenprint in colours, 2018, initialled, dated and numbered from the edition of 125 in pencil, on wove paper, printed and published by Counter Editions, London, the full sheet, 760 x 560mm (29⅞ x 22in) (unframed) £2,000 - 3,000

455 David Shrigley (b.1968) SHUT UP Screenprint in colours, 2018, initialled, dated and numbered from the edition of 125 in pencil, on wove paper, printed and published by Counter Editions, London, the full sheet, 760 x 560mm (29⅞ x 22in) (unframed) £1,500 - 2,000

457 David Shrigley (b.1968) I AM CURRENTLY ON FIRE Screenprint in colours with varnish overlay, 2018 signed, dated and inscribed in pencil verso, an artist’s proof aside from the edition of 100, on Somerset Tub Sized wove paper, printed and published by Jealous Gallery, London, the full sheet printed to the edges, 750 x 560mm (29½ x 22in) (unframed) This work is accompanied by a certiﬁcate of authenticity issued by Jealous Gallery. £1,500 - 2,000

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201

458 Banksy (b.1974) HMV Screenprint in black, 2004, numbered from the edition of 600 in pencil, on wove paper, printed and published by Pictures on Walls, London, with full margins, sheet 350 x 500mm (13¾ x 19⅝in) (unframed) This work is accompanied by a certiﬁcate of authenticity issued by Pest Control oﬃce. £6,000 - 8,000

459 Banksy (b.1974) GOLF SALE Screenprint in black, 2004, numbered from the total edition of 750 in pencil, on wove paper, printed and published by Pictures on Walls, London, with margins, sheet 333 x 473mm (13 x 18½in) (framed) This work is accompanied by a certiﬁcate of authenticity issued by Pest Control oﬃce. £6,000 - 8,000

202

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460 Banksy (b.1974) GRANNIES Screenprint in colours, 2006, numbered from the edition of 500 in pencil, on Arches 88 wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 560 x 755mm (22 x 29¾in) (framed) This work is accompanied by a certiﬁcate of authenticity issued by Pest Control oﬃce. £7,000 - 9,000

461 Banksy (b.1974) NAPALM (CAN’T BEAT THE FEELING) Digital pigment print in colours, 2006, signed, inscribed and numbered from the edition of 50 in pencil, on wove paper, as included in ‘In the Darkest Hour There May be Light’, co-published by the Serpentine Gallery and Other Criteria, London, the full sheet, 420 x 295mm (16½ x 11¾in) (unframed) This work is accompanied by a certiﬁcate of authenticity issued by Pest Control oﬃce. £15,000 - 20,000 Please note that buyer’s premium is applicable to every lot. Please also note any other symbols for additional fees that may apply. All symbols and fees are explained on p.4

203

462 Banksy (b.1974) CND SOLDIERS Screenprint in colours, 2005, numbered from the edition of 350 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp at lower right, image 660 x 475mm (26 x 18⅝in) (framed) This work is accompanied by a certiﬁcate of authenticity issued by Pest Control oﬃce. £8,000 - 12,000

204

See forumauctions.co.uk for further images

463 Banksy (b.1974) RUDE COPPER Screenprint in black, 2002, numbered from the edition of 250 in pencil, on wove paper, printed and published by Pictures on Walls, London, image 590 x 410mm (23¼ x 16⅛in) (framed) This work is accompanied by a certiﬁcate of authenticity issued by Pest Control oﬃce. £12,000 - 18,000

Please note that buyer’s premium is applicable to every lot. Please also note any other symbols for additional fees that may apply. All symbols and fees are explained on p.4

205

464 Banksy (b.1974) SILVER FLAGS Screenprint in colours, 2006, numbered from the edition of 1000, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, the full sheet, 500 x 700mm (19⅝ x 27½in) This work is accompanied by a certiﬁcate of authenticity issued by Pest Control oﬃce. £4,000 - 6,000

206

See forumauctions.co.uk for further images

465 Banksy (b.1974) DI-FACED TENNER (PINK) Double-sided screenprint in colours, 2004, signed and dated in black ink, numbered from the edition of 32 in pencil, an artist’s proof colour variant, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, the full sheet, 450 x 315mm (17¾ x 12⅜in) (framed) This work is accompanied by a certiﬁcate of authenticity issued by Pest Control oﬃce. £20,000 - 30,000

Please note that buyer’s premium is applicable to every lot. Please also note any other symbols for additional fees that may apply. All symbols and fees are explained on p.4

207

466 Banksy (b.1974) GIRL WITH BALLOON Screenprint in colours, 2004, numbered from the edition of 600 in pencil, on wove paper, printed and published by Pictures on Walls, London, with their blindstamp, the full sheet, 700 x 500mm (27⅝ x 19⅝in) (framed) This work is accompanied by a certiﬁcate of authenticity issued by Pest Control oﬃce. £40,000 - 60,000

208

See forumauctions.co.uk for further images

INDEX Adams, JJ Aitchison CBE RA, Craigie Aoshima, Chiho Arman Bacon, Francis Bailey, David Banksy Barney, Matthew Baselitz, Georg Basquiat, Jean Michel Bellmer, Hans Bernhardt , Katherine Beuys, Joseph Biggers , John Blake, Peter Bochner, Mel Borf Braque, Georges Breer, Robert Brothers, Miaz Buffet, Bernard Calder, Alexander Caulfield, Patrick Cézanne, Paul Chagall, Marc Chanel Abney, Nina Cheetham, Christopher Connor Brothers Cooper, Eileen Creed, Martin Dali, Salvador Davie, Alan Dean, Tacita Delvaux, Paul Di Suvero, Mark Dine, Jim Doig, Peter Dubuffet, Jean Duchamp, Marcel Dürer, Albrecht Emin, Tracey Evans, Cerith Wyn Evans, Walker Fairey, Shepard Fedden, Mary Fontana, Lucio Frink, Elisabeth Frost, Terry Gauguin, Paul Gilbert and George Goldin, Nan Gordon, Douglas Gormley, Antony Goya, Francisco Hamilton, Richard Haring, Keith Hayter, Stanley William Hewlett, Jamie Hirst, Damien Hockney, David

442 25 309 310 311, 312 317 458-466 318 313 315 80 321, 322 316 314 212-220 319, 320 429 79 250 440 81 249 221-226 82 83-91 441 413-415 425-427 26 323 92-133 27, 28 327 134 257 251-256 325 324 135-136 1-3 328-332 333 416 433-439 29 335 30 31, 32 137 340-342 338, 339 336, 337 343, 344 23 227, 228 258-270 33 432 345, 348 229-235

Hodgkin, Howard 349-352 Holzer, Jenny 354 Horst, Horst P. 417 House, Gordon 37, 38 Howson, Peter 34 Hughes, Patrick 35 Hume, Gary 353 Inshaw, David 39 Invader 444, 445 Jahan, Pierre 418 Jaques, Ronny 421 Johns, Jasper 271-274 Jones, Allen 236 Kapoor, Anish 360 Kassay, Jacob 356 Katz, Alex 275-282 Kaws 446-449 Kitaj, R.B. 40 Koons, Jeff 359 Kruger, Barbara 355 Kusama, Yayoi 357, 358 leger, Fernand 138-139 Levine, Chris 361, 362 Leyden, Lucas van 22 Lichtenstein, Roy 283-287 Lim, Kim 41 Longo, Robert 363 Lopez, Antonio 419-420 Lowry, Laurence Stephen 42-45 Lucas, Sarah 364 Ludo 443 Magritte, Rene 141 Manet, Édouard 140 Marten, Helen 378, 379 Martin, Agnes 368- 376 Martin, Frank 142 Matisse, Henri 143-150 Merz, Gerhard 366 Miller, Harland 428 Miro, Joan 151-158 422, 423 Moffatt, Tracey Moore, Henry 46-59 Morgan, Polly 430 Morrelet, Francois 377 Morris, Sarah 367 Morvan, Yan 424 Murakami, Takashi 365 Neate, Adam 431 Nevinson, Christopher Richard Wynne 68-70 Nicholson, Ben 60 Ninnes, Bernard 61 Ofili, Chris 380 Oldenburg, Claes 289, 290 Opie, Julian 237 Orr, Chris 62 Paik, Nam June 381 Paolozzi, Eduardo 238-244 Party, Nicolas 387 Peake, Eddie 392

Perry, Grayson

388-391

Peter Fischli & David Weiss

334

Pettibon, Raymond

382

Phalle, Niki de Saint

326

Phillips, Peter

245

Picasso, Pablo

164-196

Pissarro, Camille

197

Pomodoro, Giò

386

Power, Cyril Edward Prince, Richard

77, 78 383-385

Procktor, Patrick Ray, Man

64 159-163

Rego, Paula

396

Reid, Jamie

395

Renoir, Pierre-Auguste

198

Richmond, Oliﬀe

Richter, Daniel

393

Richter, Gerhard

394

Rijn , Rembrandt van

4-21

Riley, Bridget

246

Rosenquist, James

295, 296

Ruscha, Ed

291-294

Sahib, Prem

400

Self, Colin

247

Shrigley, David

450-457

Sonnier, Keith

297

Steinberg, Saul

397

Stella, Frank

298

Stepanova, Varvara Stezaker, John

199 398, 399

Tandy, John

Tillmans, Wolfgang

402

Tilson, Joe

248

Todd, Michael Toulouse-Lautrec, Henri

401 200, 201

Trockel, Rosemarie

403

Tschudi, Lill

71-76

Twombly, Cy

404

Umbo

411

Van Dongen, Kees

202-204

Various, Artists

208-209, 288

Vasarely, Victor

210, 211

Villon, Jacques

205-207

Wadsworth, Edward

66, 67

Wales

Walker, Kara

408

Warhol, Andy

299-307

Weiwei, Ai

409, 410

Wesselmann, Tom

308

West, Franz

407

Whistler, James Abbott McNeill

Wood, Jonas

412

Wou-ki, Zao

405, 406 209

TERMS OF SALE Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available on request and can be viewed on the website. You must read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale. If registering to buy over a live online Bidding Platform, including our own BidFORUM platform, you will be asked prior to every auction to confirm your agreement to these terms before you are able to place a bid. When placing a bid you are making an irrevocable, binding and enforceable commitment to purchase the Lot irrespective of the method of bidding. Definitions and interpretation To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” means Forum Auctions Ltd, a company registered in England and Wales with registration number 10048705 and whose registered office is located at 220 Queenstown Road, London SW8 4LP or its authorisead auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Bidding Platform” means any online bidding platform over which an auction is broadcast allowing bidders to place bids. Bidding Platforms may be operated by the Auctioneer, or by a third party service provider on the Auctioneer’s behalf; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; "Consumer" means an individual acting for purposes that are wholly or mainly outside that individual's trade, business, craft or profession; "Consumer Contracts Regulations" means the Consumer Contracts (Information, Cancellation and Additional Charges) Regulations 2013; “Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) (b) which is described in the catalogue as being the work of a particular creator without qualification; and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer Price” means the level of the highest bid accepted by the Auctioneer for a Lot and signaled by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions;

Information that we are required to give to Consumers

1.1 A description of the main characteristics of each Lot as contained in the auction catalogue. 1.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website. 1.3 The price of the Goods and arrangements for payment as described in Clauses 3, 4, 6 and 8. 1.4

The arrangements for collection of the Goods as set out in Clauses 7 and 8.

1.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 12. 1.6 If you have any complaints, please send them to us directly at the address set out on our Website. 2.

Bidding procedures and the Buyer

2.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. 2.2 We strongly recommend that you either attend the auction in person or inspect the Lots prior to bidding at the auction. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that you have carefully inspected the Lot and satisfied yourself regarding its condition. Goods purchased at auction are generally not returnable under the Consumer Contracts Regulations. 2.3 If you instruct us in writing, we may execute commission bids on yourbehalf. Commission bids will be accepted with reference only to our standard bidding increments and any off-increment bids will be reduced to the next increment immediately below. Neither we nor our employees or agents will be responsible for any failure to execute your commission bid. Where two or more commission bids at the same level are recorded we have the right, at our sole discretion, to prefer one over others. 2.4 The Bidder placing the highest bid accepted by the Auctioneer for a Lot will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our sole discretion. We may reoffer the Lot during the auction or may settle any dispute in another way. We will act reasonably when deciding how to settle the dispute. 2.5

Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

2.6 We may bid on Lots on behalf of the Seller up to one bidding increment (as set at our sole discretion) below the Reserve. 2.7 We may at our sole discretion refuse to accept any bid. 2.8 We do not accept responsibility for missed bids.

“Premium” means the fee that we will charge you on your purchase of a Lot to be calculated as set out in Clause 3 of these Terms of Sale;

2.9 Bidding increments will be set at our sole discretion.

“Reserve” means the minimum hammer price at which a Lot may be sold save that the auctioneer may use his discretion to accept a lower Hammer Price than the Reserve;

2.10 In bidding you are making an irrevocable, binding and enforceable commitment to buy a Lot. We do not acceot returned Lots for reasons of dissatisfaction with condition or buyer's remorse.

“Sale Proceeds” means the net amount due to the Seller; “Seller” means the persons who consign Lots for sale at our auctions;

“Terms of Consignment” means the terms on which we are offering the Lots for sale in our auctions as agent on behalf of Sellers;

the Hammer Price;

“Terms of Sale” means the terms of sale that a bidder enters into when registering to bid, as amended or updated from time to time;

“Total Amount Due” means the sum of the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT or import duties due and any additional charges payable by a defaulting buyer under these Terms of Sale;

a premium of 25% of the Hammer Price up to a Hammer Price of £150,000 plus 20% of the Hammer Price from £150,001 to £1,000,000 plus 12% of the Hammer Price exceeding £1,000,000;

any VAT, Import VAT or other duties, fees or taxes applicable to the Lot; and

“Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf;

any artist’s resale right royalty payable on the sale of the Lot.

VAT and other duties

“VAT” means Value Added Tax or any equivalent sales tax; and “Website” means our website available at www.forumauctions.co.uk. In these Terms of Sale, the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

The purchase price As Buyer, you will pay:

4.1 You shall be liable for the payment of any VAT and other fees, taxes or duties applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information. 4.2 We will charge VAT and other duties, fees and taxes at the current rate at the date of the auction. 211

The contract between you and the Seller

5.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction. 5.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment. 5.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may at our discretion provide the Seller with information or assistance in relation to that claim. 5.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot). 6.

Payment

6.1 Following your successful bid on a Lot you will: 6.1.1

6.1.2

immediately give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and pay to us within 3 working days the Total Amount Due in any way that we agree to accept payment or in cash (for which there is an aggregate upper limit of 10,000 euros for all purchases made in any auction).

6.2 If you owe us any money, we may use any payment made by you to repay prior debts before applying such monies towards your purchase of the Lot(s). 7.

Title and collection of purchases

7.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it. 7.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 10 business days following the day of the auction; or 7.3 If you do not collect the Lot within this time period, you will be responsible for removal, storage and insurance charges in relation to that Lot which will be no less than £1.50 per Lot per day. 7.4 Risk of loss or damage to the Lot will pass to you at the fall of the Hammer or when you have otherwise purchased the Lot. 7.5 If you do not collect the Lot that you have paid for within fortyfive days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. 8.

Remedies for non-payment or failure to collect purchases

8.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale, we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures:

212

8.1.1

take action against you for damages for breach of contract;

8.1.2

reverse the sale of the Lot to you and/or any other Lots sold by us to you;

8.1.3

resell the Lot by auction or private treaty (in which case you will have to pay any deficit between the Total Amount Due for the Lot and the hammer price we sell it for as well as the charges outlined in Clause 7 and 8.1.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller;

8.1.4

remove, store and insure the Lot at your expense;

8.1.5

if you do not pay us within 10 business days of your successful bid, we may charge interest at a rate of 1.5% per month on the Total Amount Due;

8.1.6

keep that Lot or any other Lot sold to you until you pay the Total Amount Due;

8.1.7

reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or

8.1.8

if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

8.2 We will act reasonably when exercising our rights under Clause 8.1. We will contact you before exercising these rights and try to work with you to correct any non- compliance by you with these Terms of Sale. 9.

Health and safety Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

10. Warranties 10.1 The Seller warrants to us and to you that: 10.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 10.1.2 the Seller is able to transfer good and marketable title to the Lot, subject to any restrictions set out in the Lot description, to you free from any third party rights or claims; 10.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct. For the avoidance of doubt, you are solely responsible for satisfying yourself as to the condition of the Lot in all respects; and 10.1.4 unless otherwise described the Lot is capable of free circulation in the European Union save that certain types of Lots may be deemed to be of cultural or heritage importance and may require an export permit prior to their removal from the UK. 10.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing. In order to receive a refund you must return the Lot to us in the same condition as when it was release to you. Neither we nor the Seller will be liable, under any circumstances, to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below. 10.3 Please note that many of the Lots that you may bid on at our auction are second- hand. 10.4 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded. 11. Descriptions and condition 11.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (b) our opinion (although we do not warrant that we have carried out a detailed inspection of each Lot). 11.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 11.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held, subject always to the limitations in 10.1, and accept liability for opinions given negligently or fraudulently.

11.4 It is your responsibility to establish whether a Lot may be subject to export restrictions, duties, taxes or fees. 11.5 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold â&#x20AC;&#x153;as isâ&#x20AC;? (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots which the inspection of a Lot by the Buyer ought to have revealed. 12. Deliberate Forgeries 12.1 You may return any Lot which is found to be a Deliberate Forgery to us within twelve months of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects prepared by an accredited expert. 12.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery, we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if: 12.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 12.2.2 you personally are not able to transfer good and marketable title in the Lot to us you will have no right to a refund under this Clause 12.2 12.3 If you have sold the Lot to another person, we will only be liable to refund the Total Amount Due for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot or any other costs you have incurred in relation to the Lot.

14.3.2 by email: a. to us, at the following email addresses: info@forumauctions.co.uk and office@forumauctions.co.uk b. to you, by sending the notice to any email address that you have given to us as your contact email address. 14.4 Notices will be deemed to have been received: 14.4.1 if delivered by hand, on the day of delivery; 14.4.2 if sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 14.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that a copy has also been sent by pre-paid post or Recorded Delivery). 14.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email (unless also delivered Recorded Delivery), any form of messaging via social media or text message. 15. Data Protection We will hold and process any personal data in relation to you in accordance with the principles underlying the Data Protection Act. Our registration number with the Information Commissioner is ZA178875.

12.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

16. General

13. Limitation of our liability to you

16.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

13.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction. 13.2 It is your responsibility to establish whether a Lot may be subject to export restrictions, duties, taxes or fees. 13.3 Subject to Clause 13.5, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the Total Amount Due as paid by you to us for any Lot. 13.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 13.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 13.4.2 fraudulent misrepresentation; or 13.4.3 any liability which cannot be excluded by law. 13.5 Under all such circumstances howsoever arising the Lot will always have to have been returned to us in the same condition as previously sold before any refund payment is issued. 14. Notices 14.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it. 14.2 Any notice referred in these Terms of Sale may be given: 14.2.1 by delivering it by hand; 14.2.2 by first class pre-paid post or Recorded Delivery; or 14.2.3 by email, provided that a copy is also sent by pre-paid post or Recorded Delivery.

16.1 We may at our sole discretion, though acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

16.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues. 16.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect. 16.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale for every sale in which you intend to bid carefully, as they may be different from the last time you read them. 16.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically. Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term. 16.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and Wales and the parties irrevocably submit to the exclusive jurisdiction of the English courts.

14.3 Notices must be sent as follows: 14.3.1 by hand or registered post: b. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and

Forum Auctions Ltd January 2019

a. to you, at the last postal address that you have given to us as your contact address in writing; or 213

LOCATIONS LONDON Forum Auctions 220 Queenstown Road London SW8 4LP Tel: +44 (0) 20 7717 5092 Email: info@forumauctions.co.uk Forum Auctions

ROME Forum Auctions Palazzo Borghese Largo della fontanella di Borghese 19 00186 Roma Tel: +39 06 45 55 59 70 Email: rome@forumauctions.co.uk

Forum Auctions

MILAN Forum Auctions Via Borgonuovo, 12 Milano Tel: +39 02 89 0 66 43 Email: milan@forumauctions.co.uk

NEWâ&#x20AC;&#x2C6;YORK Forum Auctions PRPH Books 26 E 64th Street New York NY 10065 Tel: +1 646 370 4657 Email: newyork@forumauctions.co.uk www.forumauctions.co.uk

214

Forum Auctions

ABSENTEE/PHONE BID FORM AUCTION NO. 46 DATE: 25TH SEPTEMBER 2019

Please note you can submit bids securely through our website at forumauctions.co.uk Mr/Mrs/Ms (please circle)

PRIVATE BUYER

DEALER

Forename

Surname

Company

VAT No.

Address County/State Post Code/Zip

Country

Tel.

Mobile/Cell

Fax.

Notice to new bidders: Please attach a copy of identiﬁcation - Passport/Driving Licence and proof of address in the form of a utility bill or bank statement issued within the last six months. Failure to comply may result in your bids not being processed.

IDENTITY DOCUMENT (PLEASE ATTACH COPY): PASSPORT

DRIVER’S LICENSE

OTHER

(specify)

For companies: please attach a copy of legal representative Lot No.

Description

Bid £

Phone Bid

I authorise Forum Auctions to bid on my behalf up to the maximum price indicated plus the buyer’s premium plus VAT. Successful bids will be subject to Buyer’s Premium (25% on the first £150,000 of hammer and 20% thereafter) and all other charges indicated in the catalogue description and saleroom notices including VAT as applicable. NB: we reserve the right to reduce off-increment bids down to the next lowest standard bidding increment or otherwise at our sole discretion. To allow time for the processing of bids, they should be received at least 24 hours prior to the sale. If you have not received confirmation by email within one working day please contact info@forumauctions.co.uk. I understand that by submitting these bids I have entered into a binding contract to purchase the individual lots if my bids are successful. I will comply with the Terms of Sale listed in printed catalogues and Forum Auctions’ website.

SIGNATURE

DATE

Shipping and export: In the event that an item requires an export license we would be pleased to assist you with the application. We can help you arrange packing and shipping of your purchased lots or you can use your own carrier. For more information, please contact shipping@forumauctions.co.uk.

220 Queenstown Road, London SW8 4LP Tel +44 (0) 20 7871 2640 | info@forumauctions.co.uk www.forumauctions.co.uk 215