FINE & DECORATIVE ARTS
Thursday 3rd & Friday 4th October 2024
FINE AND DECORATIVE ARTS
To be held at: 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ
THURSDAY 3RD & FRIDAY 4TH OCTOBER 2024
Viewing
Tuesday 1st October – 10.00am to 5.00pm
Wednesday 2nd October – 10.00am to 5.00pm
Day of the Sale
Auction scheduled to start at 10am with bidding in the room and live bidding on the internet bidding platforms. Telephone bids and commission bids are accepted and potential bidders will need to be registered with us before the sale.
SPECIALISTS
Live internet bidding is available on www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com together with a fully illustrated catalogue.
Catalogue £10.00 (£14.00 by post)
Kinghams Auctioneers Ltd
10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ NB. Please telephone to arrange collection.
01608 695695 | enquiries@kinghamsauctioneers.com | www.kinghamsauctioneers.com
John Keightley Associate Director Senior Valuer and Cataloguer
Adrian Rathbone Associate Director
George Kingham Director
Mark Oliver Consultant Decorative Arts Specialist
Steven Bruce Consultant Valuer
Eric Belgrave Photographer
Sarah Powel Office Administrator
MAP AND DIRECTIONS
Our auction centre is located in the historic Cotswold market town of Moreton-in-Marsh
By Car
We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42. Ample free parking.
By Rail
Moreton-in-Marsh’s train station is less than a mile from the auction centre.
By Plane
The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles.
Accomodation
www.cotswolds.com/accommodation
DELIVERY SERVICES FOR BUYERS
We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation.
For Furniture:
Tustain Carriers, Fine Art & Antique Carriage 07964 626325 enquiries@tustainclearance.com www.tustaincarriers.com
USEFUL INFORMATION FOR BUYERS
Please see full Terms and Conditions at the back of this catalogue.
Buying at Kinghams Auctioneers Ltd:
There are several ways you can bid at our auctions; by leaving a commission bid, on the telephone and live via the internet.
Bidding in Person
It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.
Commission Bids
Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com
Telephone Bids
Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis. Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.
Live Internet Bidding
Register online via www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com Various charges apply, please check with your bidding platform.
Condition
Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).
Buyer’s Premium
There is a buyer’s premium of 25% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.
Payment
Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchase until payment has been cleared.
Payment Methods - We accept payment by:
• Cash - up to £9,000 (subject to money laundering regulations).
• Cheques - we do not accept cheques.
• Debit cards accepted. We do not accept any credit cards.
• Bank transfer to:
HSBC Bank, 32 Bridge St., Evesham, WR11 4RU
Account No.: 51655345
Account Name: Kinghams Auctioneers Ltd
Sort Code: 40-20-27
IBAN: GB91MIDL40202751655345
SWIFTBIC: MIDLGB22
Please note that a fee of £15 will be added for international bank payments.
CONTENTS
Day One
Day Two
Asian Art
– 447 Glass
– 531
Continental Ceramics 532 – 543
Art Pottery 544 – 569
Ruskin Pottery 570 – 664
Studio Pottery
British Ceramics
665 – 720
– 772
DAY ONE
JEWELLERY AND WATCHES
1 Four silver brooches, including an Aesthetic Movement engraved and gold overlay circular pendant brooch with crane in wetland scene, a Swedish stag, 1950, Iona style Viking ship after Alexander Ritchie and an agate cabochon, 3.5cm diameter, 29g (4)
7 Two 9 carat gold chains, including round belcher type and square section mesh chain, 42cm and 45cm long, 7.5g (2)
£120 - £180
8 Two silver marcasite brooches
£40 - £60
2 An 18 carat gold three stone diamond ring, size J 1/2, 1.4g
£100 - £150
15 Heinrich Levinger, a Jugendstil silver and enamelled brooch, planished kidney bean form with scroll ends, champleve cinquefoil motifs and segment drop, 2.5cm wide, 4g £40 - £60
£40 - £60
3 A George V 15 carat gold triple locket, Deakin and Francis, Birmingham 1913, engine turned circular form with fob suspension loop, hinged double sided frame and a single integrated frame, 4cm long, 13.4g
£120 - £180
4 An early 19th century garnet and gold backed brooch, of floral form with variously cut stones, 5.5cm wide, 8.4g
£80 - £120
5 Two George IV gilt metal seal fobs and a gold coloured metal and enamel miniature propelling pencil fob, one seal in the form of a reticulated basket of flowers, the carved carnealian with pictographic message ‘For [tree] [eye] Live’, pencil 3.2cm long, 8.3g (3)
16
16 An Arts and Crafts silver and mother of pearl brooch, in the style of Edward Spencer for the Artificers Guild, oval form, applied with concentric ropetwist bands and beaded triangular motifs on a planished ground, around a central cabochon stone, 5cm wide, 24g £50 - £80
£40 - £60
9 A French Gothic Revival silver gilt and gem set ‘Moroccan’ type Fibula brooch, or shoulder brooch, 1800-1850, triangular form, milled filigree and open scroll decoration, set with emeralds and split pearls round a central garnet, two turquoise cabochons below, on a stick pin and tara ring, 9cm long, 12g
10 A Jugendstil silver gilt and enamelled brooch, in the form of a winged scarab flanked by serpents, red, blue and white plique a jour enamel with champleve body, 5cm long, 4.6g
£40 - £70
11 An Art Nouveau 9ct gold amethyst drop pendant £50 - £100
£80 - £120 6
6 Two gold and amethyst brooches, including a 9 carat foliate bar brooch with diamond chips and central purple stone, the other of open bow form, probably 14 carat (tested), 5cm long, 11.8g (2)
£100 - £200
12 An Arts and Crafts white metal and enamelled brooch, square form modelled in relief with floral trios united by serpentine tendrils between oval plaques, on a blue basse taille enamel ground, unmarked, 2.2cm square, 6.3g £40 - £70
13 Charles Horner, a cased pair of Arts and Crafts silver hat pins, knotted ribbon form (2) £100 - £150
14 Murrle Bennett, an Arts and Crafts silver and enamelled bracelet, central Celtic knot in pale blue champleve enamel between rectangular bar links, stamped marks 950, 19cm diameter, 17g £40 - £60
17
17 An Arts and Crafts silver motherof-pearl and polychrome enamel pendant, shield form with open C scroll tendril brackets, central mother of pearl tear form plaque within a green enamelled ground, suspending a baroque pearl drop, 8cm long, 8.7g £50 - £80
18 Charles Horner, an Arts and Crafts silver and enamelled necklace, together with a brooch, Chester 1909 and 1910, each of knotted whiplash tendrils with blue green enamel, 8.6g £50 - £100
19 An Arts & Crafts silver blue chalcedony cabochon brooch
£50 - £100
20 Heinrich Levinger, a Jugendstil silver gilt and enamelled brooch, modelled as stylised ginko leaves in translucent iridescent pink yellow enamel, set with opal cabochons, stamped marks, 3.5cm wide, 5g £80 - £120
21
21 Marius Hammer, a Norwegian silver gilt and enamelled necklace, circa 1900, knotted quatrefoil guilloche ribbon in blue enamel within filigree coiled and galleried border, set with a central mother of pearl plaque, suspended from two chains linked by a further enamelled ring and natural pearl drop, stamped marks, 40cm long, 6g £80 - £120
22 Robert Pringle, an Art Nouveau silver and enamel pendant, with a dropper, heart-shaped with whiplash tendril border, Birmingham 1908, 3.5cm high, on a fine chain £60 - £80
23
23 Charles Horner, an Arts and Crafts silver and enamelled pendant, circa 1910, open shield form with red enamel rosettes flanking a basse taille blue green centre, suspended from two chains, pearl drop below, stamped sterling silver only, 5cm long, 4.5g £80 - £120
24 An Arts and Crafts gold and moonstone ring, in the style of Murrle Bennett, the central cabochon stone within an opposing scroll tendril setting, approx size L, 1.5g £80 - £120 25
25 A Jugendstil silver and amethyst, plique a jour brooch, winged form with two segmented oval panels of green enamel flanking a central cabochon stone, 4cm long, 4.4g £80 - £120
26 An Arts and Crafts 15 carat gold polychrome enamel and baroque pearl pendant, winged form with scrolling tendrils on blue, green and orange enamelled ground, suspended from two chains, 4.5cm long, 2.1g £80 - £120
27 Max Gradl for Theodor Fahner, a Jugendstil silver and amethyst brooch, winged form with central oval cabochon fanked by embossed rose stems terminating in the flowers, 5cm long, 7.1g
£150 - £250
28 An Arts and Crafts silver and enamelled necklace, in the style of Edith Dawson, the circular pendant with cloisonne trefoil flowers on a mottled blue green ground, suspended on four chains on turquoise enamel links, 39cm long, 10g £80 - £120 29
29 Levinger and Bissinger, a Jugendstil silver and pearl necklace, multi stranded form, the planished crescent form plaque with blue bisected centre, suspended on two fine link chains, further swagged chains below with drop pearl, 41cm long, 12g £200 - £300
30 Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled locket pendant, shield form with knotted tendril corners, blue green enamel channels, gold framed glazed circular vignettes, 4.5cm long
Note: the design is illustrated in the Liberty sketch book, model 8295 £200 - £300
31 A silver polychrome enamel and pearl butterfly pendant, with green counter enamelled reverse, suspended from a silver chain
£200 - £400
36 Jessie M King for Liberty and Co., an Arts and Crafts gold, enamel and gem set necklace, the triangular frame with central amethyst and green enamelled leafy tendrils, beaded rosette and amethyst drop below, 42cm long, 5g
Note: the design is illustrated in the Liberty sketch book, model 8783, p.229
£250 - £350
40
40 Georg Jensen, a pair of vintage silver and onyx cabochon clip earrings, model number 85, 21.2g £80 - £120
41
41 Georg Jensen, a Sknovirke silver brooch, model 236A, open scroll design with two flowers flanking a central oval cabochon and beads, with C scroll tendrils, 4cm long, 7.5g £80 - £120
32 A silver pearl and plique-a-jour enamel necklace
£200 - £400
33 An early 20th century silver and vari-hue paste peacock brooch
£200 - £300
34 An Art Nouveau silver locket pendant, import marks for Marples and Co., London 1903, oval form, emobssed to each side with maidens head in profile below an arcade of forget me nots, stemming from sinuous tapered stalks, 6cm long, 17g £100 - £200
35 Jessie M King for Liberty and Co., an Arts and Crafts 15 carat gold and enamelled brooch, William Hair Haseler circa 1905, the central moonstone cabochon between two open planished heart form cartouches with trefoil leaved tendrils in blue enamel, 4cm long, 5g £200 - £300
37 Guild of Handicraft (attributed), a silver chrysoprase cabochon flower brooch
£200 - £400
38 An Iona Arts and Crafts silver brooch, in the style of Alexander Ritchie, modelled as a Viking longboat within a Celtic knotted wreath, stamped sterling silver, 4.5cm diameter
£50 - £70
39
39 Alexander Ritchie, a Scottish Iona silver brooch, circa 1930, cast with a Viking ship in full sail within a shield form cartouche of entwined tendrils, stamped marks Silver Made in Scotland, 3.5cm long
£50 - £80
42
42 Regitze Overgaard for Georg Jensen, a Danish Modernist silver Infinity bracelet, model 452, designed 2004, three interlocked twisted ribbon links, 9cm diameter, 83g £250 - £350
43 Ernest A. Blyth for Tarratt, a silver modernist brooch £50 - £100
44 A Modernist silver and ceramic brooch, London 1989, the open coiled spiral band with applied circular and triangular plaques in marbled bisque, stamped marks RK, 8cm diameter
£70 - £100
45 Jane Watling, a Modernist parcel gilt silver bangle, London 1990, irregular edged band form with striped of applied wire rings, in gilt, 6.5cm inner diameter, 46g £100 - £150
46 Two 9 carat gold ladies wrist watches, one with a gold heart link bracelet strap, Hefik example and another with abalone chapter ring, gold bracelet example 15.3g (2) £100 - £150
47 Rotary 9 Carat gold ladies wristwatch £200 - £300
48. Rotary, a ladies 9 carat gold wristwatch with gold bracelet strap, oval white enamelled dial, in original box, 17g £200 - £300
49
49 A 9 carat gold Waltham pocket watch, Birmingham 1916, white enamelled dial with Arabic numerals and subsidiary seconds dial, 5cm diameter £300 - £500
COINS
50 Iceland Republic, Jon Sigurdsson, gold 500 Kronur, 1961 £300 - £400
51
51 Austria, Habsburg Franz Joseph I, gold 100 Corona, 1915 (restrike) £1,500 - £2,000
52 Russia, Nicholas II, gold 5 Roubles, 1898 £200 - £300
53
53 Mohur Moghul Empire, 1728-1866, gold Shah Alam 11 Surat Sultanate £600 - £800
54 George V, Sovereign, 1911 £300 - £350
55 Australia, Victoria, Sovereign, 1893, Melbourne Mint
- £350
56 George V, Sovereign, 1913
57 George V, Sovereign, 1913
58 Elizabeth II, Sovereign, 1959
-
-
- £350
59 George V, Sovereign, 1915 £300 - £350
60 Victoria, Sovereign, 1871 £350 - £400
61 Elizabeth II, Sovereign, 1958
62 Peru, two gold 1/5 Libra, 1963 (2)
63 South Africa, gold 2 Rand, 1962
£300 - £350
£200 - £300
£250 - £300
64 George III, Guinea, 1788, (mounted) £300 - £500
65 George IV, Sovereign, 1825, crowned shield back £1,000 - £1,500
66 South Africa, 9 carat gold commemorative medallion, 1979, Van Bouwmeester 1825 to 1904, 5g approx £100 - £150
67 Mexico, gold Dos Pesos, 1945, and gold Dos Y Medio Pesos, 1945 (2) £100 - £200
68 Germany, Kaiser Wilhelm, gold 10 Mark, 1880 £150 - £200
69. South Africa, President Kruger, gold Half Pond, 1895
£150 - £200
70 Austria, Frans Joseph, gold Ducat, 1915, (restrike)
£100 - £150
71 USA , gold 3 Dollars, 1856, S
£150 - £200
80 Italy, Vittorio Emanuele, gold 20 Lira, 1873 £200 - £300
81 South Africa, gold 1 Pond, 1898 £250 - £350
82 George V, Sovereign, 1912 £300 - £350
83 Edward VII, Sovereign, 1909
£300 - £350
72 Italy, a 22carat (900) gold medallion, 1973, with Renaissance busts, approx 7g
84 Elizabeth II, Sovereign, 1957
£150 - £250
73 Austro Hungary, gold Ducat coin, 1915, approx 4g
£150 - £250
74 Victoria, gold half sovereign, 1887
75 George V, half sovereign, 1914
£150 - £250
£150 - £200
76 USA, gold one dollar, 1851 and 1853 (2) £200 - £300
£300 - £350
£200 - £300
77 USA, gold 3 Dollars, 1859, and gold 1 Dollar, 1874, (both mounted) (2)
78 George VI Coronation specimen fifteen coin set, 1937, silver crown to threepence, brass threepence to bronze farthing, and silver maundy 1d to 4d, in case of issue
£200 - £300
79. Victoria, Jubilee seven coin Specimen Set, 1887, crown to threepence, cased
£200 - £300
85 William IV, Sovereign, 1833, bare head right, crowned shield back
£800 - £1,200
86 Victoria gold and silver proof coin set, 1887, including £5, double sovereign, sovereign and half sovereign, gold weight 69g, 3 pence to Crown, half crown missing, silver weight 64g
£4,000 - £6,000
87 Victoria, Sovereign, 1898
£300 - £350
88 Victoria, Sovereign, 1898, Sydney Mint
£300 - £400
89 Belgium, Leopold II, gold 20 Francs, 1875 and 1877 (2)
£300 - £500
105 Portugal, Maria II, 2500 Reis gold coin, 1853
£800 - £1,200
90 Elizabeth II, Bahamas, Fifty Dollar gold proof (12 carat) coin, 1973, 15.65g, in case
91 Elizabeth II, Sovereign, 1963
92 Elizabeth II, Sovereign, 1964
93 Elizabeth II, Sovereign, 1965
94 Elizabeth II, Sovereign, 1959
£300 - £500
£300 - £350
£300 - £350
£300 - £350
£300 - £350
95 Australia, Victoria, Sovereign, 1870, Sydney Mint
£300 - £400
96 Isle of Man, Elizabeth II, Bicentenary of the Revestment Act, 1965, two gold coins, in cases if issue (2)
97 George V, Sovereign, 1912
98 George V, sovereign, 1914
£300 - £500
£300 - £350
£300 - £350
99 Austria, silver 600 Jahre, 1363-1963, and Austrian gold coin, in case of issue
100 George V, South Africa, Sovereign, 1925
£300 - £500
£350 - £450
101 George V, South Africa, Sovereign, 1926 £350 - £450
106 Sir Winston Churchill, This Was Their Finest Hour, commemorative two gold graduated coin set, cased (2) £800 - £1,200
£500 - £800
102 Elizabeth II, Hong Kong, gold proof $1000 coin, 1980, approx 16g, in fitted case
103 Hungar y, four gold 10 Korona coins, 1907, 1910, 1911 x 2, 14g approx
£600 - £800
104 Chile, 100 Pesos gold coin, 1947 £800 - £1,200
107
107 A 22-carat gold £1 Machin stamp ingot, and Penny Black ingot, 1973, marked 2996, 39g, boxed (2) £1,500 - £2,000
SILVER
108 A pair of silver mounted cut glass scent bottles, trumpet form (2)
£50 - £80
109 A silver purse, on chain, engine turned stripe design
£80 - £120
110 A silver and enamelled pin box, circular form, purple and white guilloche enamel
£100 - £150
111 A Victorian silver chalice and paten, parcel gilt (2)
£100 - £150
112 A silver combination vesta snuff box, chased foliate scroll decoration
£100 - £150
113 An 18th century Spanish Colonial ‘coco chocolatero’ white metal mounted chocolate cup, the coconut body with cast and pinned foliate S scroll handles, on a lappet sconce and pierced double rosette foot with cut heart petal border, 7.5cm high, 11.5cm wide
Note: combining the exoticism of the Pacific Islands and the traditional silver craftsmanship of Spain and Portugal, the coco chocolatero or hot chocolate cup became a household object for the Iberian elite in New Spain and the Americas from the 16th century onwards. The pierced and chased silverwork and form of this cup is typical of the pieces made in or exported to the Hispanic provinces from the late 17th and early 18th century. Similar examples appear in museum collections throughout the world. A similar example sold in these rooms in July 2024.
£200 - £400
114 A William IV novelty silver and glass butter dish and cover, Edward, Edward, John and William Barnard, London 1836, the frosted glass body cut with coopered decoration and twin lug handles, atop a silver base plate similarly etched with plank panel design, the detachable silver cover surmounted with a cast figural finial in the form of a recumbent cow, 9.7cm high, diameter (of base plate) 17.8cm, silver weight (sans glass liner) 331g/10.64ozt approx
£250 - £350
115 A Gothic Revival silver bowl, Frederick Brasted, London 1877, hemispherical footed form with inscribed Christening banner in Gothic script designed by A W N Pugin in 1844, presented to Norman Fletcher 27th May 1877, 13.5cm diameter, 7.78ozt
£120 - £180
116 A Gothic Revival glass and silver plate mounted ewer or flagon, circa 1850s, in the Pugin, Hardman style, of claret jug form, the footed baluster body bound with pierced trefoil arcaded straps, united by a tapered scroll handle with foliate terminals, the hinged lid domed and tooled with bright cut lappets, surmounted with a cross finial, 29.5cm high
Note: two architect pioneers of the Gothic Revival in Britain contributed to the proliferation of the new style in decorative arts throughout the second half of the 19th century: William Butterfield and A W N Pugin. Butterfield’s reformed style was executed by silversmith John Keith, who manufactured utilitarian and ceremonial objects for use in Butterfield’s churches and chapels, while Pugin engaged his inlaws, John Hardman and William Powell to produce the same for his ecclesiastical buildings and clients. This jug combines stylistic elements from both designers, with a very high quality of manufacture.
£100 - £200
117 A boxed set of six Aesthetic Movement silver plated buttons, cast in relief with dragonfly and bamboo on a planished ground, 2.5cm diameter (6)
£20 - £40
118 A set of four Aesthetic Movement silver mounted and cut ruby glass salt cellars, Saunders and Shepherd, London 1886, angled squat baluster form, cut with alternating stylised leaf lappets of hobnail and chevron design, with four spoons, in a fitted case
£100 - £150
119 Christopher Dresser for Heath and Middleton, a silver mounted glass claret jug, London 1890, the spherical body with cylindrical collar and angled tubular spout, flat disc lid, 16.5cm high
£200 - £300
120
120 Christopher Dresser for Hukin and Heath, an Aesthetic movement silver mounted glass claret jug, John Thomas Heath & John Hartshorne Middleton, Birmingham 1892, the plain spherical body with four dimples, cylindrical collar with tapered spout and flat lid, angled tubular handle, 16cm high
See: Lyons, H. and Morley, C., 1999, Ch. Dresser: People Designer, 1834-1904, Exhibition by New Century, 2nd-19th June 1999, catalogue no. M-038C for an illustration of this design £300 - £500
121
121 Christopher Dresser for Hukin and Heath, a novelty watering can teapot or water jug, circa 1885, straight sided oval section with tapered and angled tubular spout, strap handled and half hinged lid, stamped marks, model 9659, Bristol retailer stamp, 19cm long £200 - £300
122
122 Christopher Dresser for Hukin and Heath, an Aesthetic Movement silver plated tea kettle or teapot on stand, with burner, circa 1878, the domed conical body with conical spout and removable cylindrical strainer, ebonised dowel handle and turned finial, on a tripod stand of three angled rod legs united by a circular ring and triangular low shelf, holding a squat domed burner pan, stamped marks to each, 24.5cm high, stand 18cm wide to each side
Note: an early example of Dresser’s embrace of Modernism and mechanisation in metalwork, showing the influence of Japanese art and culture, this kettle on stand is an iconic and compact embodiment of his ideologies. It combines the extreme simplicity of a triangular stand constructed of straight rods and plain sheet of metal, with the functionality of an infuser, often used in Japanese tea drinking. Examples of this design are in the collections of the British Museum, London, the Victoria and Albert Museum, the RISD, Rhode Island, USA (with an identical back stamp as this eample to each piece), the St Louis Musuem, USA and many other international design museums. See: Rudoe, J, 1994, Decorative Arts 1850-1950. A catalogue of the British Museum collection’. 2nd ed. no.85; Whiteway, M., 2002, Christopher Dresser 1834 - 1904, Pub. Skira, page 100. ISBN 88-8491-102-8. Page 88, for examples of this design £800 - £1,200
123 Hukin and Heath for Ruskin Pottery, an Arts and Crafts silver mounted and lidded preserve pot and a plate mounted mechanical lidded jam pot, London 1901, the preserve jar of twin handled form with heart shaped finial, yellow ground painted with band of trailing grape vines, the top handle of the jam pot hinged to lift the lid, painted scissor marks, 12cm high £60 - £100
124 George Unite for Ruskin Pottery, an Arts and Crafts silver plated green lustre cruet set, 1911, the tricorn stand with central open strap axe head handle with three ring compartments, holding cylindrical mustard, salt and pepper pots, 12.5cm high £40 - £70
125 An Arts and Crafts silver and turned wood mazer bowl
£100 - £200
125A An American silver box and cover, blind fret decorated and set with a cabochon hardstone, ropework banding on ball feet
£100 - £200
126 Charles Robert Ashbee for Guild of Handicraft, a small silver plated muffin dish, circa 1900, both lid and base marked GofH Ltd, planished with shallow domed ogee lid, the dish with beaded inner rim, open four strand serpentine wire finial set with a central crysophrase cabochon gem, 16.7cm diameter £400 - £600
127 Kate Harris for Goldsmiths and Silversmiths Company, an Arts and Crafts silver twin handled table cigarette lighter, the pedestal bowl form reservoir with domed lid and beaded border, with two bisected tendril handles, 17cm long, 3.22ozt £200 - £400 128
128 Kate Harris for William Hutton and Sons, an Arts and Crafts silver and glass twin handled dish, London 1904, reticulated cylindrical drum form, pierced and embossed with stylised flowering trees, on found hemispherical domed feet, the handles similarly cast with flowers and sinuous tendrils, colourless liner, 20.5cm wide, 10ozt £300 - £400
129 Kate Harris for G L Connell, an Arts and Crafts silver and gem set buckle, London 1902, cast with sinuous open knotted tendrils and set with opal cabochons, 8.5cm long, 1.15ozt £200 - £300
130
130 Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled button, Birmingham 1903, circular form, stylised leaf motif on a blue green enamel ground, 2.2cm diameters, 4g £20 - £100
131 Philip Frederick Alexander, an Arts and Crafts silver napkin ring, London 1905, repousse decorated with a rose and entwined tendrils between beaded borders, 4.5cm diameter, 0.80ozt £25 - £50
132 An Arts and Crafts silver christening or childs spoon and fork set, planished, the terminals chased with serpentine foliate cartouche on punched rusticated ground, 13.5cm long, 1.20ozt (2) £30 - £50
129
£40 - £60
133 Norah Creswick, two Scottish Arts and Crafts silver spoons, Edinburgh 1956, concave circular bowls on plain stems, applied with scrolls, beads and leaf motifs, the larger spoon with gold coloured beads, 14cm long, 1.18ozt (2)
134
139
139 Murr le Bennett, an Arts and Crafts silver and gem set buckle, import marks London 1903, open whiplash tendril design set with oval cabochon opals, 6cm long, 0.73ozt £200 - £300
140 Liberty and Co., a matched set of five Arts and Crafts silver buttons, Birmingham 1901 and 1906, embossed with stylised pomegranate motifs, in a fitted Liberty leather box, 1.7cm diameter, 0.38ozt (5) £80 - £120
£40 - £60
134 Rex Silver for Liberty and Co., an Arts and Crafts silver and enamelled spoon, William Hair Haseler, Birmingham 1905, the oval bowl with bracketed tapered plain stem terminating in a cast three leaf clover on a blue green enamel roundel, 11cm long, 0.48ozt
135 Liberty and Co., an Arts and Crafts silver and enamelled Coronation spoon, Birmingham 1910, the finial cast with the monogram GR on a green red enamel ground, for the coronation of George V, 1911, 13.5cm long, 0.83ozt
136
£40 - £60
141
141 A Secessionist silver and gem set buckle, Turriet and Bardach, Austria, circa 1905, open tendril shield form set with geometric cabochons of black onyx, carnelian and blue stones, 7cm wide, 1.28ozt
£80 - £120
136 An Art Nouveau silver cigarette case, Charles Murat, circa 1900, rectangular cushioned form, embossed with mistletoe design, 8cm x 6.5cm, 2ozt
£70 - £100
137 An Arts and Crafts silver Revivalist Winchester Bushel bowl, Nathan and Hayes, Chester 1907, twin handled, on three fluted hexagonal peg legs, incised Gothic inscription and heraldic emblems, 11cm wide, 3.92ozt
£80 - £120
138
138 A harlequin set of Danish Modernist silver and enamelled cocktail forks and knives, Eld, Denmark circa 1960s, the gilt forks with trident tines and pierced crown finials, 12cm long, forks 2.13ozt (12) £80 - £120
142
142 An Arts and Crafts silver swing handled bowl, Edwin Edward Dunthorne, London 1907, planished ovoid form embossed with onion form motifs, possibly designed by A E Jones, bead and bar border, on three horn form feet, 12cm diameter, 5.1ozt
£80 - £120
143 Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled napkin ring, Birmingham 1909, applied with a roundel of knotted coiled tendrils, between stepped concentric bands, 4.5cm diameter, 0.57ozt
£80 - £120
144
148 Archibald Knox for Liberty and Co., two Arts and Crafts silver, enamelled and gem set napkin rings, William Hair Haseler, Birmingham 1905, flat backed segment form, applied with asymmetrical knotted tendril motifs in blue green enamel, one set with a turquoise stone cabochon, model 5395, 5cm wide, 1.86ozt (2) £200 - £300
149 A set of six Jugendstil silver buttons, cast with maidens heads in profile, in the WMF style, stamped marks 935, 2.5cm diameter, 1.38ozt (6) £150 - £250
150
£100 - £150
144 A E Jones, an Arts and Crafts silver and copper tea caddy, circa 1910, cuboid form with riveted strap edges and feet, the planished and hinged lid inset with a cast plaque of a Dutch village scene, signed indistinctly, inner wooden lid with silver finial, 11cm cube
145 Hart and Huyshe, an Arts and Crafts silvered metal vase and cover, circa 1920, planished inverse baluster form with domed and waisted lid, stamped mark Campden Glos., 16cm high
150 A set of six Arts and Crafts silver teaspoons, oval bowls with square section handles with scrolled wire lyre and ring form terminals, 11cm long, 1.72ozt (6) £100 - £200
151 An Arts and Crafts silver twin handled footed cup, Henry Hodson Plante, London 1913, planished flared conical form with arched tapered tusk type handles, 9.5cm high, 5.4ozt £120 - £180
£100 - £200
Note: designed by George Hard and Reynell Huyshe, the former having trained under Ashbee at the Guild of Handicraft; the partnership produced plated metalware to Guild and new designs throughout the 1920s, as well as inspiring the Gordon Russell metalware produced in Broadway.
146
146 Liberty and Co., a set of six Arts and Crafts silver buttons, Birmingham 1906, embossed with stylised pomegranate motifs, 2.2cm diameter, 0.70ozt (6)
£120 - £200
147 An Arts and Crafts silver shell form bowl, Frederick Courthope, London 1901, planished scallop form with naturalistic ogee seaweed border and open kidney bean handle, on three cast pad and tendril feet, 14cm long, 6.34ozt £150 - £250
154 H G Murphy, two Arts and Crafts silver napkin rings, circa 1920s, applied ropetwist bands with bead rosettes to one and knotted ribbon bands to the other, applied falcon plaque to one, 4.5cm diameter, 0.90ozt
£80 - £120
155 Keith Murray for Mappin and Webb, an Art Deco silver plated comport, circa 1933, circular dished form with stepped rim, engraved with a geometric overlapping chevron design, concentric ringed conical foot, W28485, Prince’s Plate, 23.5cm diameter
£60 - £100
156 A Reed and Barton American silver plated novelty cocktail shaker, in the form of a milk churn, strap handles and cork stopper, stamped marks, 64oz, 27cm high £100 - £200
157 An American silver mounted glass cocktail shaker, Reed and Barton, the cylindrical body with a band of concentric mitre cuts, stamped marks Sterling, X139, 30cm high
£80 - £120
158 A pair of Memphis style silver plated candlesticks, possibly Hudson Rissman, Art Deco tapered torch form with concentric disc sconces, on circular platform bases, 25.5cm high (2) £80 - £120
159 A Modernist silver napkin ring, arched band form with shard textured decoration
£30 - £50
METAL AND WORKS OF ART
160 A Gothic Revival cast brass architectural figure of an angel, circa 1866, in the style of Pugin and Hardman, modelled kneeling playing the trumpet, with attachment holes, cast registration lozenge, 18cm high
£70 - £100
161
161 Christopher Dresser for Richard Perry and Son, an Aesthetic Movement toleware chamberstick, circa 1885, green painted red enamelled tin, stamped mark, 26cm long £100 - £200
162
162 W A S Benson, an Arts and Crafts copper and brass chafing or entree dish, circa 1900, twin handled oval form with silver plated interior, the slightly domed lid with turned urn finial, the handles of organic ball jointed form, stamped marks, model 672, 32.5cm long £50 - £100
163
163 Richard Llewellyn Benson Rathbone and W A S Benson, an Arts and Crafts copper and brass three light wall sconce, the planished fanned shield form back plate repousse embossed with reeded tendrils and convex roundels, applied with a three branch arm in canted square section brass with turned saucer drip trays and urn sconces, stamped Rathbone Liverpool, 45cm long
166 Arthur John Seward, an Arts and Crafts silvered brass and copper tea caddy, planished cylindrical form with riveted plates, embossed with motto There is No Herb Like it Under the Canopy of Heaven, the domed lid with boulder form knop, 12cm high
£50 - £80
167
167 Margaret Gilmour, a Scottish Arts and Crafts Glasgow School brass burner trivet, reticulated cuboid form with rivetted edges, central embossed rose motifs within pierced trellis sides, removable wide brimmed lid with rosette design 11.5cm high
£80 - £120
168 A pair of Arts and Crafts repousse copper plaques or door plates, in the Newlyn style, decorated with longboats in full sail on open water, 23cm x 10cm (2)
£60 - £100
Note: a relation and contemporary of W A S Benson, Rathbone had also trained under the London metalworker in the 1880s, no doubt using Benson's characteristically machine-finished and interchangeable candle components in his own hand planished and individually constructed designs. It is more than likely the candelabrum section of this design was made by or at least designed by Benson, with almost identical pieces in terms of design and structure (screw section sconces etc.) being shown in the Benson catalogues.
£1,000 - £1,500
164 Keswick School of Industrial Arts, an Arts and Crafts repousse brass box, cylindrical form, decorated with a band of scrolling foliate vines and pinecone mounds, between beaded borders, the lid chased with a PreRaphaelite woman and banner inscribed La Faustin a Bella, stamped mark, 11cm diameter
£60 - £80
165 An Arts and Crafts copper tobacco jar, cylindrical planished and riveted form with knop finial, repousse embossed with Tobacco, 12cm high £30 - £50
169 Orivit, a Jugendstil silver plated tray, lobed oval form, cast in relief with leaves and berries, entwined branch handles, stamped mark, 52cm long
£60 - £100
170 A pair of Jugendstil gilt pewter photo frames, circa 1910, open bracketed rectangular form, cast with stylised berries and foliate fronds within foliate tendrils, easel backs, opening 15cm x 10cm, overall 24cm x 16.5cm (2)
£50 - £80
171 An Arts and Crafts copper and brass jug, William Soutter and Sons, conical form with planished riveted strap panels on a plain body, organic brass handle with shield form terminal, 30cm high
£80 - £120
172 An Arts and Crafts copper bowl, ovoid form, repousse decorated with four roundels bordered and united by knotted ribbon tendrils, alternating with initials, floral rosettes and date July 16 1913, below an applied ropetwist band, 21cm diameter £70 - £100
173
173 An Arts and Crafts copper and Ruskin plaque set crumb tray, shovel head form, set with a green souffle heart between two further triangular cabochons, 28.5cm wide £80 - £120
£80 - £120
174 An Arts and Crafts repousse copper chamberstick, embossed and chased with a band of bats around a central sconce, strap handle, 25cm long
175 An Arts and Crafts pewter and Ruskin cabochon set mirror, planished rectangular form with flat pediment top, embossed with carotuche of roses and central green brown souffle roundel, bevelled glass, 45cm wide, 28cm high
£100 - £150
176 An Arts and Crafts brass rise and fall pendant light, the yolk form bracket with cast and reticulated leaf design, suspending two wires with milk glass conical shades, central pulley weight above, 59cm wide £100 - £200
177
180
180 Richard Llewellyn Rathbone, an Arts and Crafts patinated copper tea caddy box and cover, 1897, petal lobed ovoid form with stepped and planished lid, silvered interior, stamped marks 1897 629, 11cm diameter
Note: Rathbone patented the technique for oxidising copper to a particular finish, which was later purchased by Jesson, Birkett and Co and used by A E Jones.
£300 - £500
181
£100 - £200
177 A large Arts and Crafts repousse copper vase, twin handled conical form with riveted bands and handles, embossed with entwined tulip trees and motto Attempt the End, Never Stand to Doubt, Nothings’s so Hard but Search will Find it Out, on four bun feet, 42cm high
178 A pair of Arts and Crafts embossed silver plated door plates, each with a Tudor rose on knotted and elongated briar stem, 68.5cm x 9.5cm (2)
£150 - £250
179
179 Richard Llewellyn Rathbone, an Arts and Crafts copper and brass rivetted buckle, circa 1900, navette form, repousse embossed with floral motifs within a studded border, twisted wire pin, stamped marks, 10.5cm long
£200 - £300
181 Richard Llewellyn Rathbone, a pair of Arts and Crafts copper candlesticks, saucer knopped conical form with rivetted strap decoration, wide everted drip trays and ogee domed feet, unmarked, 25cm high (2)
£400 - £600
182 An Arts and Crafts bronze and tigers eye letter opener, in the style of the Bromsgrove Guild, modelled as a winged angel, on a spherical knop, 22.5cm long £80 - £120
183 Josef Lorenzl, an Art Deco cold painted art metal figure, circa 1925, modelled as fencer, silvered, on ony base, apparently unsigned
£300 - £400
183A An Art Nouveau patinated art metal and glass vase, modelled as a maiden with outstretched arms
£500 - £800
184 Three Edwardian sequined and spangled fans, including a fan of fontage form with horn sticks and guards and central painted scene of a courting couple embellished with vivid green sequins (3)
£80 - £120
184A Archbald Knox for Liberty and Co., a Tudric Arts and Crafts pewter and enamelled plate, model 044, modelled in relief with stylised knotted tendril and leaf design around a central triangular blue green enamel plaque
£80 - £1,200
185 An Arts and Crafts enamelled copper plaque, depicting a traditional Basque Country gathering in an open landscape, circa 1920s, 13.5cm x 24.5cm
£80 - £120
185A
185A C F A Voysey (attributed) for Liberty and Co., a Tudric Arts and Crafts pewter and enamelled clock, model 0558, bracket form, embossed with a dragon boat in sail, below a green and red enamel dial £1,500 - £2,000
186
186 Charles Fleetwood Varley for Liberty and Co., an Arts and Crafts pewter and enamelled cigar box, circa 1905, the planished lid set with a rectangular plaque of a village pub at dusk, the sides of the box embossed with stylised bud motifs, model 078, 21cm wide, 7.5cm high, 14cm deep £300 - £500
187
187 A French Art Nouveau enamelled plaque, Gandois, Limoges, rectangular form, painted with a coastal view through trees, signed, 10cm x 14.5cm £40 - £70
188 An Arts and Crafts embroidered silk panel, in the PreRaphaelite style of a kneeling angel beside a fruiting tree, 21cm x 8cm, framed £50 - £80
189
189 Ada Clegg, an Arts and Crafts gesso panel of two musical angels, 1900, modelled in low relief and painted, signed verso and dated, 15.5cm x 17.5cm, framed £80 - £120
190 An Arts and Crafts embroidered tapestry type panel of St Cecilia, in the PreRaphaelite style, highlighted in gild thread, 51cm x 29cm, framed £80 - £120
191 After Florence Harrison and William Morris, an Arts and Crafts embroidered panel from the illustrated poem the Eve of Crecy, in the PreRaphaelite style, depicting a Medieval maiden emerging from woodland, between foliate scroll pilasters, gold thread embroidered verse, 29cm x 23cm, framed £80 - £120
192 After Edward Burne Jones for William Morris, an Arts and Crafts embroidered panel, in the PreRaphaelite style, 1911, depicting a holy figure picking roses, signed EHG, 43cm x 22cm £80 - £120
193 An Arts and Crafts embroidered panel, five stems of yellow roses from a knotted root, around a verse from Charles MacKay’s poem Procrastination, If Fortune with a Smiling Face, 51cm x 46cm, framed £80 - £120
194 A pair of Arts and Crafts oak and copper picture frames, each of bracketed panel form, tapered and pierced with fret cut buttresses, the oval window above planished spade motif, easel backs, opening 21cm x 16cm, overall 42.4cm x 31cm (2) £100 - £150
195
195 A Jugendstil gilt brass desk stand inkwell, circa 1900, in the style of Kayserzinn, the conical inkwell with organic relief embossed panel, turned conical knopped finial, flanked by two whiplash arms attached with spherical beads, pn a sweeping bracket base with rectangular pen trough, 32cm long £70 - £100
196 An Arts and Crafts patinated copper wall sconce mounted on board, repousse embossed and modelled in relief with Celtic knotted tendril and convex flower head on a tapered and foliate knop stem, 71cm high £150 - £250
197
197 An Arts and Crafts gilt brass table lamp, in the style of Jesson, Birkett and Co., the tubular upright with three applied whiplash tendril straps terminating in tongue and tulip ends, 48cm high to fitting £200 - £400
198
198 An Arts and Crafts copper and glass pendant light, in the style of Jesson, Birkett and Co., circa 1900, the ruby and straw opal tubular shade by James Powell and Sons, Whitefriars, within a three strap cage with planished leaf motifs, below a shallow ogee domed canopy, 37cm high £200 - £400
199 An Art Deco chrome and green glass clock, Smiths, the rectangular mirrored dial with Roman numerals, flanked by glass wings with chrome brackets on a rectangular slab base, 21cm long 11cm high £80 - £120
200 Robert Welch for Old Hall, an Alveston stainless steel tea set, comprising teapot, hot water jug, cream jug, and sugar bowl, hot water jug 14cm high, on an unassociated Danish stainless steel tray (5) £80 - £120
201 Gustavo Obiols, an Art Nouveau bronze figural lamp, modelled as a gilt fairy supported within a four branched reed, on a canted pink marble and gilt bronze base, signed in the cast G Obiols, 70cm high £400 - £600
202. Mary E. Regat (British, 1943), Squirrel, signed and dated 1991, bronze, No.6/250, 16cm high, mounted on an oval wooden plinth, (with a leaflet) £100 - £150
203
203 A mother-of-pearl glove box, mid-19th Century, of sarcophagus form, white metal plaque, and escutcheon, red velvet lined interior with a quilted silk inner cover, ivory inner banding, 7cm high, 27cm wide, 10cm deep.
Note: Ivory Exemption Certificate No.8ASHPE85
£100 - £150
204 Spink and Son Ltd., a wax painted design for a ceremonial heraldic collar, possibly a prototype for a colonial order, studded with remnants of lapis lazuli plaques, 62cm x 37cm, framed
£80 - £120
205 A Colobus Monkey (Colobus angolensis) rug, circa 1960, circular form, 270cm diameter CITES Article 10 certificate present number 630119/01
£600 - £800
206
206 A large 19th century tortoiseshell and feather fan, brown and white feathers of graduated length, 55cm long £180 - £220
207 A George III bronze 8 bore signal cannon in wooden stand, early 19th century, Blomfield Pattern type, cast six stage barrel with five reinforcement rings, prominent central cascabel, supported in a stepped carriage of naval type with four wheels and iron fittings, barrel 36cm long, bore diameter approx 21mm £100 - £200
208 A silk opera hat
£20 - £40
209 A silver mounted deer hoof page turner
£20 - £40
210 A patinated metal inkwell in the form of a cat’s head
£50 - £80
211 A Victorian carved antler horn walking stick, the handle carved in the form of an elephants head
212 A Victorian putter head walking stick
213 A Victorian deer leg sword stick
£50 - £80
£50 - £80
£250 - £350
219
219 Four Victorian copper jelly moulds, various designs, one an open ring, all fluted, appear unmarked, the largest 11cm high (4)
£150 - £200
214 Three Victorian copper jelly moulds, a circular egg cluster design stamped Temple & Crook, an oval fluted example stamped Thomas Wood & Co, Chester, and a large circular fluted example with an open ring, stamped cockerel mark and No.252, largest 13cm high (3)
£80 - £120
215 Eight Victorian miniature copper jelly moulds, a pair of circular fluted flat-top designs, one a fluted dome, a fluted and swirl top design, a pair of horseshoes, a jockey cap, and an anchor, largest 6cm high (8)
£80 - £120
216
220 A Black Forest carved country house letter box, the glazed front with foliate scroll reticulated tracery, on four honeysuckle bracket feet, surmounted by a relief carved bird with letters, 30.5cm high
£400 - £600
£100 - £150
216 Three Victorian Benham & Froud copper jelly moulds, oval fluted designs, stamped marks, and No.100, 182, and 620, largest 13cm high (3)
217
217 Two Victorian Benham & Froud copper jelly moulds, both circular fluted designs, one with an open ring, stamped marks, and No.362 and 500, largest 10cm high (2)
£60 - £100
221
£150 - £200
218 Four Victorian copper jelly moulds, various designs, one an open ring, one with a wheatsheaf design to the top, appear unmarked, the largest 15cm high (4)
221 An Austrian cold painted bronze figure of a kingfisher, modelled sitting on a turned socle base, 12cm high £500 - £800
222 Andre Vincent Becquerel (French, 1893-1981), a bird on a branch, signed, gilt bronze, mounted on a black marble plinth, 30cm high
FURNITURE AND CLOCKS
£200 - £300
223 An Austrian cold-painted bronze figure in the manner of Franz Bergmann, early 20th Century, modeled as a risque Can-can dancer, hinged skirt, stamped ‘Austria’, 10cm high £100 - £150
231 A William IV rosewood sofa table, circa 1830, overhanging top with curved edges, a single frieze drawer with turned pulls, tapered supports united by a baluster turned stretcher, peg feet concealing metal castors, 73cm high, 106cm wide, 65cm deep
£150 - £200
224 A Great Western Railway first class cast iron umbrella/stick stand, stamped GWR to base, with drip tray, 63cm high, 61cm long
£200 - £400
225 Tribal Interest, a boomerang, possibly Aboriginal, 19th Century, convex top surface, both sides fluted, 60cm wide
£150 - £200
227 A German Third Reich Naval Dirk, the steel blade by E & F Horster, second model, etched and engraved, the brass sheath with oak leaf bands and lightning strike motifs, eagle finial, 42.5cm long
£250 - £350
228 A Victorian six shot revolver
£350 - £450
229 A German WW2 army officer’s dagger with straps and porteppe, in box marked for Arthur Everts, Solingen £500 - £800
230 A Luftwaffe 1st model officer’s dagger by Tiger, with chain hanger
£700 - £800
232 A George III flame mahogany bow-fronted chest on chest, circa 1810, pediment top with urn finials, two short over three long drawers to the upper section, three long graduated drawers to the lower section with oval brass handles, on outswept bracket feet, 230cm high, 117cm wide, 65cm deep
£300 - £500
233 An Edwardian mahogany bow-fronted vitrine, circa 1910, crossbanded, strung and marquetry inlaid throughout, swan neck pediment, double glazed doors, opening to shelving, over a central frieze drawer flanked by cupboards on either side, raised on tapered outswept block legs united by an undertier, 236cm high, 128cm wide, 49cm deep
234 No Lot
£400 - £600
235
237
237 An Edwardian mahogany Carlton House desk, circa 1910, crossbanded, strung and marquetry inlaid throughout, gilt metal gallery back, inset tooled leather writing surface, central frieze drawer flanked by triple bow-fronted drawers to each pedestal, on tapered block legs terminating in brass capping and castors, 95cm high, 122cm wide, 58cm deep £500 - £800
235 An Edwardian mahogany cylinder bureau bookcase, circa 1910, crossbanded and strung throughout, broken pediment, moulded cornice, oval panelled doors with classical urn marquetry inlay opening to height adjustable shelving, fitted interior over three long drawers, on outswept bracket feet, 222cm high, 92cm wide, 52cm deep
£400 - £600
236
236 A Regency mahogany framed settee, circa 1820, serpentine back, gadroon and egg and dart moulded, on sabre legs terminating in metal capping and castors, later cream damask upholstery and tasselled bolsters, 220cm wide, 70cm deep
£400 - £600
238
238 A Louis XV kingwood commode, of bombe form, serpentine black and white veined marble top with moulded edge, over two short and two long crossbanded and strung drawers, ormolu Rococo escutcheons, handles, apron and sabots, 88cm high, 130cm wide, 65cm deep £3,000 - £5,000
239 A Victorian Gothic Revival oak prayer chair, circa 1860s, the hinged cane seat on a buttressed jointed and chamfered plank frame with terpil and quatrefoil fretted cartouches, red padded kneeling rest, 85.5cm high £150 - £200
240 An Arts and Crafts oak and copper banded jardiniere, cuboid form with square section legs united by a low shelf, with plinth finials, 93cm high £150 - £250
241 An Arts and Crafts oak sideboard, with two drawers over one central cupboard, flanked by two side shelves and brass fittings, 180 high, 153 wide, and 57cm deep (1) £40 - £60
243 A repeating carriage clock, late 19th Century, brass corniche case with visible escapement window, white enamel dial with Roman numerals signed ‘J. Dwerryhouse, 50 Castle St, Liverpool’, striking on a double gong, 14cm high, in a morocco-fitted travelling case, (key)
£200 - £300
244
244 A carriage timepiece, early 20th Century, brass corniche case with visible escapement window, white enamel dial with Roman numerals, inset porcelain side panels painted with cherubs amongst ribboned garlands, indistinctly signed, 15cm high, (key)
£150 - £250
245 A traditional brass lantern clock, 19th Century in the 17th Century style, urn finial, bell, fretwork panels to three sides, the front with engraved entwined dolphins and scrolls, over a dial with black Roman numerals and inner minute track, scrolling foliage to the centre, pillar corners, peg feet, eight-day movement striking on a bell, 38cm high, 15cm wide £200 - £300
246 A French repeating carriage clock, late 19th Century, gilt brass and paste set corniche case, visible platform lever escapement, Arabic numerals dial on a blind fretwork ground with garden balustrade, corinthian columns, raised on a plinth, the movement striking on a gong, 20cm high, 10cm wide, (key) £400 - £600
247 Military Aviation, an early 20th Century RAF Officer’s mess bracket clock, oak case with arched pediment, 14cm silvered dial with Roman numerals and Royal Air Force insignia, single winding hole, on shallow bracket feet, single fusee movement, 35cm high, 22cm wide, 13.5cm deep, (key and pendulum) £400 - £600
248 A Victorian brass ‘Lichfield Cathedral’ skeleton clock, pierced silvered chapter ring with Roman numerals, single fusee movement striking on a bell, 35cm high, mounted on a blue velvet and ebonised plinth under a glass dome, (s.d), (key and pendulum)
£150 - £200
249 Jaeger Le Coultre, a limited edition Golden Jubilee Atmos Du Millenaire bracket clock, No.25/50, circa 2002, with one thousand year calendar and moon phase, the gilt and lacquered case with engraved Royal coat of arms to the top, the sides with the Kings and Queens of England from 802 to the present day, the signed front door marked ‘All the Queen’s Horses A Golden Jubilee Tribute to Her Majesty The Queen’, the dial framed by a concentric skeletonised band giving the years from 2000 AD to 3000 AD, the centre set with a month dial and rolling moon phase between baton numerals and hands, 23cm high, 17cm wide, 15cm deep, with a separately boxed certificate with serial No.Q5121301, instruction book, Guarantee card, booklet, cloths, and tool £3,000 - £5,000
BOOKS AND PRINTS
250 Albin, Eleazar, A Natural History of Birds, Illustrated, 1731/38, first edition, volumes one and three, William Innys, London, colour illustrated plates, paper cover boards, leather spines (2).
Note: Eleazar Albin (fl.1690-c.1742), was an English Naturalist and watercolorist illustrator. Along with ‘A Natural History of Birds’ he published works titled ‘A Natural History of English Insects (1720) and ‘A Natural History of Spiders and Other Curious Insects (1736), He is regarded as one of the great entomological book illustrators of the 18th Century. ‘A Natural History of Birds boasts coloured illustrations by Albin and his daughter Elizabeth £3,000 - £5,000
251 Fosbrooke, Thomas Dudley, Abstracts of Records and Manuscripts Respecting The Country of Gloucester, 1807, Joseph Harris, London, cloth boards, leather spine £40 - £60
252 Talwin Morris (British, 1865-1911), cover designs for ‘The Book of the Home’ by H.C. Davidson, eight volumes, 1900, Gresham Publishing Co, blue cloth and gilt boards (8) £100 - £150
253 Dulac, Edmund (Illustrator), Fitzgerald, Edward, ‘Rubaiyat of Omar Khayyam’, Hodder and Stoughton, London, tipped in illustrations, gilt and red buckram binding £40 - £60
254 Dulac, Edmund (Illustrator), Fitzgerald, Edward, ‘Rubaiyat of Omar Khayyam’, Hodder and Stoughton, London, tipped in illustrations, cream, and gilt buckram binding £50 - £80
255 Churchill, Winston, ‘The Collected Essays of Sir Winston Churchill’, London, The Library of Imperial History, foreword dated 1976, Centenary Edition, four limited edition volumes No.67, original blue quarter morocco gilt (4) £400 - £600
256 Butler, Arthur G, Birds of Great Britain and Ireland, 1908, two volumes, Caxton Publishing Co, London, illustrated, green cloth boards with leather spine and corners (2) £50 - £80
257 Rackham, Arthur (Illustrator), ‘Siegfried & The Twilight of the Gods’, 1911, ‘Peter Pan in Kensington Gardens’, 1906, ‘The Ring of Niblung’, 1939, ‘The Rhinegold & The Valkyrie/Siegfried & The Twilight of The Gods’, 1911/1912, Dulac, Edmund (Illustrator), ‘The Tempest’, and Robinson, F. Cayley (Illustrator), ‘The Blue Bird’, 1911 (7) £60 - £100
258 ‘The Studio’, Volume No.60, 15th October 1913, (with Jessie M. King supplement of ‘Seven Happy Days’), later half leather binding with marbled outer boards £70 - £100
259 Miller, Philip, Miller’s Gardener’s Dictionary, circa 1807, four volumes, illustrated, tan leather bindings (4) £80 - £120
260 Lily Morgan (British, act.1905-1910), an Arts & Crafts illuminated illustration for a prayer book cover, circa 1905-1910, watercolour and gilt, 21 by 16cm, framed.
Provenance: from a private collection of proofs that were attributed to an artist who was a family relative to the owner Lily Morgan
£100 - £150
261 Sleigh, Bernard, ‘An Anciente Mappe of Fairyland Newly Discovered and Set Forth’, originally published 1917, published by Sidgwick & Jackson, a large pictorial colour lithographic map laid on linen, 42 by 145cm, with accompanying Sleigh’s personal copy of ‘A Guide to the Map of Fairyland, Designed & Written by Bernard Sleigh’, signed by Bernard Sleigh, Campden, Gloucs and inscribed ‘Not for Sale’ (2)
£800 - £1,200
264
£100 - £120
262 Berlin Olympics, 1936, two Olympia 1936 souvenir volumes, containing laid-down cigarette cards, for the preview of the winter games in Berlin, blue cloth, marked 13 and 14 to the spines respectively (2)
263
263 Stanley, Henry Morton, In Darkest Africa or The Quest Rescue and Retreat of Emin Governor of Equatoria, 1890 first edition, in two volumes, Sampson Low, Marston, Searle and Rivington, London, red cloth bindings with pictorial gilt design (2)
£200 - £300
264 Rowling, J.K, Harry Potter and the Chamber of Secrets, 1999; Harry Potter and the Prisoner of Azkaban, 1999, first deluxe edition, first printing, original cloth with mounted colour illustration and gilt signature (2)
£400 - £600
265 Fox Talbot, Henry William, a Talbotype sun picture photograph, 1846, bound within the Art Union magazine, June 1846, opposite p.143, depicting a building with Gothic tracery
£800 - £1,200
266 Graham Clarke (British, 1941), Royal Oak, coloured etching, titled, signed and numbered 29 of 500, 14 by 18cm, framed. Note: Artist Resale Rights apply £50 - £80
267 Peter Scott (British, 1909-1989), Mallards Arriving at Dusk, lithograph, 1947, published by Arthur Ackermann, Fine Art Trade Guild blind stamp, signed in pencil l.r., 39 by 47cm, framed.
Note: Artist Resale Rights apply £50 - £100
268 Henry Ryland (British, 1856-1924), Rosalba, dated 1891, sepia lithograph, 26 by 18cm, in a gilt frame within a box frame £50 - £80
269 Gustav Arne (Swedish, 1925-2011), abstract form, signed l.l., indistinctly titled l.r., print No.24/100, 25 by 44cm, framed.
Note: Artist Resale Rights apply £150 - £200
PAINTINGS
270 Laurence Stephen Lowry (British, 1887-1976), The Level Crossing, signed l.r., print in colours, 45 by 56cm, framed.
Note: Artist Resale Rights apply
£1,500 - £2,000
271 Thomas Allom (British, 1804-1872), the interior of York Cathedral; the facade of Peterborough Cathedral, a pair, watercolour, 15.5 by 10.5cm, framed (2) £150 - £200
272
275 Richard James Williams (British, 1876-1964), The Gathering of the Clan, signed l.l., titled verso, watercolour, 25 by 21cm, framed £100 - £150
276
276 Madeline Rachel Wells R.B.A. (British, 1879-1959), Bathing Time, watercolour on silk, 32 by 45cm, framed.
272 Eugene Galien-Laloue (French, 1854-1941), Hotel de Ville, signed l.l., titled verso, watercolour and gouache, 19 by 31.5cm, gilt frame
£1,500 - £2,000
273 Henry John Sylvester Stannard (British, 1870-1951), cottage garden scene with geese, signed l.l., watercolour, 26 by 35cm, gilt frame £200 - £300
274 Wilfred Knox (A.D.Bell) (British, 1884-1966), Cornish Harbour Scenes, a pair, both signed and dated 1949, watercolour, 26 by 37cm, framed (2) £80 - £120
Lot Essay: Born in India, Madeline Wells studied at Westminster Art School under William Mouat Loudan, and at the London School of Art under Sir Frank Brangwyn. She married the artist Robert Douglas Wells, who specialised in landscape and still life painting. They lived in London at St. Albans Studios in Kensington. Madeline Wells became a member of the Royal Society of British Artists in 1915 and was elected a member of the Society of Women Artists in 1923. She exhibited widely over a period of more than thirty years at these and other galleries, including the Grosvenor Gallery, the Royal Academy and the Walker Art Gallery in Liverpool.
Note: Artist Resale Rights apply £300 - £500
£50 - £80
277 Ian Armour-Chelu (British, 1928-2000), Lane Through the Woods, signed and dated 1991 l.r., titled below, watercolour, 13 by 19cm, framed
287 Sue Read (British, 20th/21st Century), Dark Plums; Jug & Cherry and Jug on a Pine, three, all signed with initials l.r., titled verso, watercolour, largest 16 by 16cm, framed (3).
Note: Artist Resale Rights apply £100 - £150
278 Susan Pendered (British, 1925-2021), Attend Until Your Dream is Done, signed l.r., titled verso, watercolour and collage, 53 by 35cm, framed
£50 - £80
279 Ian Armour-Chelu (British, 1928-2000), Warkworth Castle, signed and dated 1998 l.r., titled below, watercolour, 14 by 18.5cm, framed £70 - £100
280
288 Andy Wood (British, 1947), Sunbathers; Deckchairs & Tarpaulin; Windbreak: A Couple of Deckchairs, four, all signed l.r., titled verso, watercolour, largest 25 by 35cm, framed (4) £100 - £150
289 Ian Armour-Chelu (British, 1928-2000), Richmond Against an Evening Sky, signed and dated 1994 l.r., titled below, watercolour, 13 by 18.5cm, framed £100 - £150
290 Ian Armour-Chelu (British, 1928-2000), Mill-Pond at Sturminster Newton, signed and dated 1995 l.r., titled below, watercolour, 17 by 23cm, framed £100 - £150
291. Ann Dunbar (British, 20th/21st Century), ‘Waterlily Loveliness’, signed c.r., titled and dated 2018 verso, mixed media, 28 by 23cm, framed £100 - £150
292 Robert Douglas Wells (British, 1875-1963), ‘Segovia, Spain’, signed l.r., titled and dated 1935 verso, watercolour, 35 by 24cm, with a view of a Mediterranean villa, signed l.r., watercolour, 34 by 50cm, both framed (2) £100 - £150
293 Albert E. Hayes (British, 1879-1968), a secluded cove with beach huts; a rocky cove, a pair, both signed and dated 1925 l.r., watercolour, 26 by 37cm, framed (2) £100 - £150
£70 - £100
280 Ian Armour-Chelu (British, 1928-2000), Village on a Cliff (Bruniquel), signed and dated 1996 l.r., titled below, watercolour, 12 by 16.5cm, framed
281 Alan Ingham (British, 1932-2002), Winter Recess, signed l.l., titled verso, watercolour, 16 by 49cm, framed.
Provenance: with John Noott.
Note: Artist Resale Rights apply
£70 - £100
282 Alan Ingham (Br itish, 1932-2002), Eilean Donan Castle, signed l.l., titled verso, watercolour, 25 by 35cm, framed.
Provenance: with John Noott.
Note: Artist Resale Rights apply
£80 - £120
283 Alan Ingham (British, 1932-2002), Early Morning Magic, Calton, North Yorkshire, signed l.l., titled verso, watercolour, 26 by 72cm, framed.
Provenance: with John Noott.
Note: Artist Resale Rights apply
£80 - £120
284 Peter Hodge (British, 1949), a Cotswold lane in winter with a shepherd herding his flock, signed l.r., watercolour, 30 by 42cm, framed £40 - £60
285 Sue Read (British, 20th/21st Century), Blue Cup and Eggs, signed with initials l.r., titled verso, watercolour, 23 by 36cm, framed.
Note: Artist Resale Rights apply
£80 - £120
286 Sue Read (British, 20th/21st Century), Kumquats; Red Marbles, two, both signed with initials l.r., titled verso, watercolour, largest 15 by 15cm, framed (2).
Note: Artist Resale Rights apply
£80 - £120
294 Malcolm Coward (British, 1948), study of a recumbent hound, signed l.r., pastel, 30 by 60cm, gilt frame.
Note: Artist Resale Rights apply £100 - £150
295 Brian Lindley (British, 20th Century), Gondolas on the Grand Canal, Venice, signed l.l., titled verso, pastel, 27 by 41cm, framed.
Provenance: with John Noott
£150 - £200
296
296 Ian Armour-Chelu (British, 1928-2000), Morning Sky Behind St. Paul’s, signed and dated 1995 l..r, titled below, watercolour, 17 by 23cm, framed £150 - £200
297
297 Caroline Bailey R.S.W. (Scottish, 1953), Staffin Crofts, signed l.r., titled verso, mixed media, 36 by 42cm, framed.
Note: Artist Resale Rights apply
£150 - £200
298
298 Jonathan Trowell (British, 1938-2013), Blue Blinkers, signed l.r., titled verso, pastel, 52 by 46cm, framed.
Note: Artist Resale Rights apply
£200 - £300
299 Peter Thursby (British, 1930-2011), Learning Section II, for Sculpture Sec No.218/71/10, signed and dated 1971 l.r., titled verso, watercolour, pencil and charcoal, 56 by 48cm, framed.
Note: Artist Resale Rights apply
£200 - £250
300 Caroline Bailey R.S.W. (Scottish, 1953), Tarbert Harbour, signed l.r., titled verso, watercolour and gouache, 55 by 68cm, gilt frame.
Note: Artist Resale Rights apply
£200 - £300
301 Caroline Bailey R.S.W. (Scottish, 1953), Lighthouse, Isle Ornsay, and Knoydart, signed l.r., titled verso, watercolour and gouache, 53 by 66cm, framed.
Note: Artist Resale Rights apply
302 Caroline Bailey R.S.W. (Scottish, 1953), Ships that Pass on the Clyde, signed l.r., titled verso, watercolour, and gouache, 58 by 66cm, framed.
Provenance: with John Noott.
Note: Artist Resale Rights apply £200 - £300
303
303 Caroline Bailey R.S.W. (Scottish, 1953), Ullapool Harbour, signed l.r., titled verso, watercolour and gouache, 54 by 65cm, gilt frame.
Provenance: with John Noott.
Note: Artist Resale Rights apply
£250 - £350
304
304 Caroline Bailey R.S.W. (Scottish, 1953), a harbour scene with a tug boat, signed l.r., watercolour and gouache, 78 by 96cm, gilt frame.
Note: Artist Resale Rights apply £300 - £500
£200 - £300
305 Caroline Bailey R.S.W. (Scottish, 1953), an expansive harbour scene, signed l.r., mixed media, 77 by 98cm, gilt frame.
Provenance: with John Noott.
Note: Artist Resale Rights apply
£500 - £800
306 After David Teniers II, The Alchemist; Tavern Scene, a pair, oil on tin, 15 by 19cm, framed (2) £80 - £120
307
307 Attributed to Jan Coelenbier (Belgian, c.1610-c.1680), a river landscape with a harbour scene with boats and figures, a cathedral and ruins right, oil on panel, label verso and script ‘Jan van Goyen’, 40 by 63cm, in an ebonised frame
£2,000 - £3,000
308 Henry Pether (Frenc h, 1800-c.1865), Grande Canal, S. Maria Della Salute, Venice, signed l.l., titled on a plaque below, oil on canvas, 60 by 90cm, gilt frame
£4,000 - £6,000
309 Dutch School, 19th Century, The Priest, titled verso, oil on a chamfered panel, 18 by 26cm, framed £150 - £250
310
310 Henry Frederick Lucas-Lucas (British, 1848-1943), Casino (Bay Racehorse), signed and dated 1905 l.r., titled l.l., inscribed, titled and dated verso, oil on canvas, 50 by 65cm, framed
£1,000 - £1,500
311
313
313 Alfred I de Breanski (British, 1852-1928), No.1 - The Vallery of the Lledr - Evening, signed and dated 1882 l.l., titled verso, oil on canvas, 40 by 60cm, gilt frame
£1,500 - £2,000
314 Alfred Feyen Perrin (British, 1838-1918), a figure outside a cottage; a figure on a bridge with cows and figures beside a stream, three, all signed, oil on board, largest 18 by 36cm, framed (3)
£300 - £400
£1,000 - £1,500
311 George William Horlor (British, 1823-c.1898), Guardians of the Flock, signed and dated 1873 l.l., oil on canvas, 60 by 90cm, gilt frame
312
312 Alfred I de Breanski (British, 1852-1928), Departing Day, signed l.l., titled verso, oil on canvas, 60 by 90cm, gilt frame
£1,500 - £2,000
315
315 Frederick E. Valter (British, c.1860-c.1930), sheep in a landscape, signed and dated 1897 l.l., oil on board, 19 by 24cm, gilt frame £300 - £500
316
316 Sidney Richard Percy (British, 1821-1886), a mountainous Welsh landscape with cattle watering, signed and dated 1881 l.r., oil on canvas, 45 by 65cm, gilt frame
£1,000 - £1,500
£8,000 - £12,000
317 Andrea Landini (Italian, 1847-1912), A Fine Vintage, signed l.r., titled on a plaque below, oil on panel, 60 by 50cm, gilt frame
325 Francis E. Jamieson (Graham Williams) (British, 18951950), a Highland Loch with stepping stones, signed Graham Williams l.l., oil on canvas, 40 by 60cm, framed £200 - £300
326 Harold Wood (British, 1918-2014), Desert Horsemen, signed and dated 1998 l.l., titled verso, oil on board, 63 by 82cm, gilt frame.
Note: Artist Resale Rights apply £200 - £300
327 Nigel Lovett (British, 20th Century), The Berkeley Hunt in the Severn Valley, signed and dated 1934 l.l., oil on canvas, 35 by 45cm, gilt frame £80 - £120
328 Susie Whitcombe (British, 1957), Prado Del Rey, Andalusia, signed l.r., titled verso, oil on canvas, 50 by 70cm, gilt frame.
Note: Artist Resale Rights apply
£200 - £300
329 Edward Noott (British, 1963), a landscape with rolling hills, signed l.r., oil on canvas, 38 by 60cm, gilt frame.
Provenance: with John Noott.
Note: Artist Resale Rights apply
£200 - £300
318 George Blackie Sticks (Scottish, 1843-1938), Tantallon Castle, signed and dated 1894 l.r., oil on canvas, 90 by 70cm, gilt frame
£800 - £1,200
319 Roger Hanier Hampson (British, 1925-1996), Miner, signed l.r., titled verso, oil on board, 10.5 by 14.5cm, framed£100 - £150
320 Sarah Butterfield (British, 1953), Grandma Digs a Hole on the Beach, Hayling Island, signed l.l., titled and dated 2000 verso, oil on board, 14 by 18cm, framed.
Note: Artist Resale Rights apply
£100 - £150
321 Rose-Marie Bourrely (French, 20th Century), a rural French landscape with cottages and a church, signed l.l., indistinctly titled verso, oil on canvas, 50 by 60cm, gilt frame.
Note: Artist Resale Rights apply
£100 - £150
322 Edwin Steele (British, c.1850-c.1912), still life with apples, pears, and grapes; still life with peaches, a pair, both signed l.r., oil on canvas, 30 by 40cm, framed (2)
£150 - £200
323 Karl Taylor (British, 1964), Blue Tit; Cemetery Woodpecker and Nuthatch & Birch, three, all signed l.r., titled verso, oil on board, largest 25 by 40cm, framed (3)
330 Edward Noott (British, 1963), The Lake, Cannon Hill Park, signed l.l., titled and dated 1993 verso, oil on canvas, 50 by 60cm, framed.
£150 - £200
324 Johnny Gaston (British, 1955), Marie Jose Herandez, Paris 69 and 71, a pair, both signed l.r., oil on canvas, 24 by 19cm, framed (2) £150 - £200 325
Provenance: with John Noott.
Note: Artist Resale Rights apply
£200 - £300
331 Malcolm Coward (British, 1948), a study of a shire horse head in side profile wearing tack, signed l.l., oil on canvas, 50 by 60cm, gilt frame.
Note: Artist Resale Rights apply £200 - £300
332 Malcolm Coward (British, 1948), The Chariot, signed l.l., oil on canvas, 35 by 60cm, gilt frame.
Note: Artist Resale Rights apply £200 - £300
333 Edward Noott (British, 1963), still life with a coffee pot and vase of roses on a sideboard, signed l.l., oil on canvas, 60 by 75cm, gilt frame.
Provenance: with John Noott.
Note: Artist Resale Rights apply £250 - £350
334 Edward Noott (British, 1963), The Blue Tablecloth, signed l.l., titled verso, oil on canvas, 75 by 62cm, framed.
Provenance: with John Noott.
Note: Artist Resale Rights apply
£300 - £500
335 Malcolm Coward (Br itish, 1948), two chariots in a race, signed l.r., oil on canvas, 45 by 60cm, framed.
Note: Artist Resale Rights apply
£300 - £500
336 Alex Williams (British, 1942), Geese of Water, titled verso, oil on canvas, 40 by 50cm, framed £70 - £100
337 Andre Deymonaz (French, 1946-2019), Dejeuner Champetre, signed l.r., titled verso, oil on canvas, 70 by 70cm, gilt frame.
Note: Artist Resale Rights apply
£300 - £500
338
338 Austin Moseley (British, 1930-2013), Sea Mist, St Ives, signed with initials l.r., titled verso, oil on board, 32 by 60cm, gilt frame.
Provenance: with John Noott.
Note: Artist Resale Rights apply
339 Etienne Azambre (French, 1859-1935), Mother and Child, signed l.l., oil on canvas in the round, 60 by 58cm, gilt frame
£300 - £500
£300 - £500 340
340. Bev Taylor (New Zealander, 1936), Looking Out of the Barn; Looking Into the Barn, a pair, both signed and dated, oil on board, 88 by 72cm, gilt frames (2) £300 - £500
340A
342 George William Horlor (British, 1823-c.1898), Best of Friends, signed and indistinctly dated l.l., oil on canvas, 40 by 60cm, gilt frame £300 - £500
343 John Trickett (British, 1952), a Springer Spaniel in a winter landscape, signed l.r., oil on board, 29 by 24cm, gilt frame.
Note: Artist Resale Rights apply
£300 - £500
340A Alexandra Troshinskaya (Russian, 20th Century), reclining and draped female nude, signed and dated 1996 l.l., oil on canvas, 100 by 90cm, gilt frame
£800 - £1,200
341
341 Sarah Butterfield (British, 1953), Small Boy at White Crest Beach with Imogen, Cape Cod, signed l.l., titled verso, oil on canvas, 50 by 60cm, framed.
Note: Artist Resale Rights apply
£300 - £500
344
344 Dorothy Kirkbride (British, 1924-2010), Tarkwa, signed and dated 1960 l.r., titled verso, oil on canvas, 45 by 35cm, framed
£300 - £500
345 Cyril Wilson (British, 1911-2003), A Time to Hate, signed and dated 1969 l.r., titled verso, oil on canvas, 76 by 102cm, framed.
Note: Artist Resale Rights apply
£300 - £500
346 Cyril Wilson (British, 1911-2003), Parting is Meeting, (Left Facing from Front), signed, titled, and dated 1967 verso, oil on canvas, 100 by 85cm, framed.
Note: Artist Resale Rights apply
£300 - £500
347 Malcolm Coward (British, 1948), portrait of a shire horse, standing in profile, signed l.l., oil on canvas, 75 by 100cm, gilt frame.
Note: Artist Resale Rights apply
£300 - £500 348
348 Austin Moseley (British, 1930-2013), Morning Arrival, Venice, signed with initials l.r., titled verso, oil on board, 42 by 58cm, framed.
Provenance: with John Noott Galleries.
Note: Artist Resale Rights apply
£400 - £600
349
349 Austin Moseley (British, 1930-2013), Evening Tide, signed l.l., titled verso, oil on board, 42 by 47cm, framed.
Provenance: with John Noott Galleries.
Note: Artist Resale Rights apply
£400 - £600
350
350 Terry Whybrow (British, 1932-2020), Painting 38, signed and dated 2003 l.l., titled verso, oil on board, 23 by 25cm, framed.
Note: Artist Resale Rights apply
£400 - £600
351
351 Edward Noott (British, 1963), still life with fruit, wine bottles, and a vase of flowers, signed l.l., oil on canvas, 74 by 74cm, gilt frame.
Provenance: with John Noott.
Note: Artist Resale Rights apply
£400 - £600
352
352 Edward Noott (British, 1963), Champagne and Summer Flowers, signed l.l., titled verso, oil on canvas, 75 by 62cm, framed.
Provenance: with John Noott.
Note: Artist Resale Rights apply £400 - £600
353
353. Sheila MacLeod Robertson (British, 1927-2020), Kiloran Bay, Colonsay, signed l.r., titled verso, oil on board, 75 by 100cm, gilt frame.
Provenance: with John Noott.
Note: Artist Resale Rights apply £500 - £800
354 Ron Bone (British, 1950-2011), Young Owl, signed l.r., titled and dated 2008 verso, acrylic on board, 35 by 45cm, framed.
Provenance: with John Noott.
Note: Artist Resale Rights apply
£500 - £800
355
355 Ron Bone (British, 1950-2011), In the Attic, signed l.r., titled and dated 1998 verso, acrylic on board, 41 by 32cm, framed.
Provenance: with John Noott.
Note: Artist Resale Rights apply
356
356
Provenance: with Richard Hagen.
Note: Artist Resale Rights apply £800 - £1,200
357
Provenance: with Richard Hagen.
Note: Artist Resale Rights apply
£800 - £1,200
£800 - £1,200
Stephen Mangan (Scottish, 1964), Anchor Watch, signed l.c., titled verso, oil on canvas, 60 by 80cm, framed.
357 Stephen Mangan (Scottish, 1964), Morning East Coast Harbour, signed l.r., titled and dated 2014 verso, oil on canvas, 78 by 98cm, framed.
358
358 George Blackie Sticks (Scottish, 1843-1938), Norham Castle, signed and dated 1896 l.l., signed, titled and dated 1896 verso, oil on canvas, 70 by 90cm, gilt frame
£800 - £1,200
359
359 Ron Bone (British, 1950-2011), Rehearsal Room, signed l.r., titled and dated 2000 verso, acrylic on board, 42 by 38cm, framed.
Provenance: with John Noott.
Note: Artist Resale Rights apply
£800 - £1,200
360
360 Ron Bone (British, 1950-2011), The School Photograph, signed l.r., titled and dated 2001
Provenance: with John Noott.
Note: Artist Resale Rights apply £800 - £1,200
361
361 Ron Bone (British, 1950-2011), Straight from the Oven, signed l.r., titled and dated 2005 verso, acrylic on board, 35 by 45cm, framed.
Provenance: with John Noott.
Note: Artist Resale Rights apply £1,000 - £1,500
verso, acrylic on board, 50 by 43cm, framed.
362
362 James Fullarton (Scottish, 1946), Study of White, signed l.l., titled verso, oil on canvas, 75 by 90cm, framed.
Provenance: with Richard Hagen.
Note: Artist Resale Rights apply
£1,500 - £2,000
363
363 George Devlin (Scottish, 1937-2014), Arranging the Flowers, signed l.r., titled verso, oil on canvas, 61 by 66cm, framed.
Note: Artist Resale Rights apply £1,500 - £2,000
364 Robert Sadler (Br itish, 1909-2001), Souvenir, signed l.l., titled and dated 1958 verso, oil on board, 123 by 155cm, framed.
Note: Artist Resale Rights apply
£3,000 - £5,000
365 Marcel Brunery (1871/93-1982), A Final Touch, signed l.r., titled on a plaque below, oil on canvas, 60 by 75cm, gilt frame.
Note: Artist Resale Rights apply
£4,000 - £6,000
366 Man Ray (American, 1890-1976), Natural Painting, signed l.r., acrylic/masonite, 'Panneau Van Eyck 4F' label verso, 31 by 22cm, framed.
Provenance: gifted by the artist to the current vendor's grandmother, Jacqueline Goddard, nee Barsotti (1911-2003) the free-spirited model to Man Ray.
Note: The surrealist protagonist Man Ray began a new series of experimental paintings, from the 1950s, which involved squeezing paint directly from the tube onto the visual surface, in a random manner, similar in this first instance to his contemporaries in New York such as Jackson Pollock. However, after the application of the paint, another board surface would be applied and removed to create a stippled effect. The paintings known as his Natural Paintings, followed the surrealist principles of painting without the constraints of calculation or self consciousness, differing from the paintings of Oscar Dominguez in 1936 and Max Ernst in the 1940s, which used the same technique, but in a calculated and representative manner. In his autobiography Man Ray expressed: “By spreading the colors according to the impulse of the moment, I abandoned brushes and palette knives, and applied pressure with other surfaces, withdrawing them to produce a variation of the Rorschach test. The results were astonishing, with details that could have been obtained only through long and meticulous labor by hand.”
He continued to experiment with these paintings right through to 1971 and the works often appear in brightly painted frames such as this one. £7,000 - £10,000
367 Terence Tenison Cuneo CVO, OBE, RGI, FGRA (British, 1907-1996), The Last of the Thoroughbreds - Great Western ‘Castles’ in the Sheds, Tyseley, Birmingham, signed and dated 1967 l.r., titled verso on Royal Society of Portrait Painters label, oil on canvas, 75 by 90cm, framed. Provenance: with John Noott.
Note: Artist Resale Rights apply
£15,000 - £20,000
DAY TWO
ASIAN ART
368
372
372 A Chinese famille vert tea bowl and saucer, probably Kangxi, the hexagonal cup with panels of alternating beasts and prunus branches, the saucer with a deer and tree, 11.5cm diameter (2)
£50 - £80
373 A Chinese famille verte snuff bottle, cylindrical shouldered form, painted with auspicious symbols, 8cm high £50 - £80
£40 - £70
368 A Chinese armorial plate, 18th century, painted with a central coat of arms, within a border of auspicious objects and gilt honeycomb ground, the brim with a crest and gilt foliate sprigs, 22.5cm diameter
369
369 A Chinese blue and white dragon jardiniere, Qianlong style, Qing Dynasty, ovoid form, painted with a pair of wrything four clawed dragons chasing a flaming pearl, amongst clouds, between ruyi head and stylised wave borders, 33cm diameter £150 - £250
374 Five Chinese famille rose coffee cups, Qianlong, including a set of four peony painted examples with green chevron borders (5) £50 - £100 375
375 An Oriental blue and white bottle vase, cylindrical shouldered form, painted with rabbits and deer in an open landscape, below lappet shoulder, 23cm high £50 - £100
£60 - £100
370 A Chinese blue and white tea caddy or canister, Ming, probably Wanli, relief moulded fluted and lobed shouldered form, each panel painted with floral specimens between lappet orders, 8.5cm high
371 A Chinese blue and white plate, painted with a scene of attendants and boys playing in a pavilion garden, 16cm diameter
£40 - £70
376 Two Oriental cloisonne enamelled vases, including shouldered and lobed example decorated with Chinese auspicious objects and phoenix, the other of ovoid form with butterflies, 18.5cm high (2) £50 - £80
377 A Chinese famille rose tea bowl and saucer, Qianlong style, painted with panels of peonies within red scroll and turquoise borders, together with a similar saucer and a bowl, 12cm diameter (4) £50 - £80
378 Three Chinese blanc de Chine figures, including two Guanyin figures and one of Bodhidharma, 12cm high (3)
383 Three Chinese porcelain snuff bottles, including a famille verte cylindrical form example with hardwood lid, famille rose, enamelle dand relief moulded shouldered examples, 7.5cm long (3)
£80 - £120
£50 - £80 379
384
384 A Chinese blue and white tea bowl and saucer, mark for Hall of Rare Jade, Kangxi or earlier, painted with scholarly figures and peonies, 10cm diameter
Note: Duveen of Liverpool retail seal mark, late 19th century, to the underside of the saucer
£80 - £120
£80 - £120
379 Oriental tea wares including Chinese famille rose tea bowl and saucer, painted in the European Meissen style with mandarin and courtiers in garden landscapes, within gilt foliate Rococo scroll cartouches of puce floral and polychrome landscapes, 12.5cm diameter, an Armorial saucer and a Japanese Kutani type octagonal saucer (4)
385 A Chinese relief moulded celadon glazed pedestal bowl, petal form with beaded panels of floral and foliate scroll motifs, 11cm high, 12.5cm diameter
£60 - £100
380 Chinese School, late 19th/early 20th Century, a noble female and two men in traditional dress, a junk and a barge, on rice paper, framed as one, 22 by 29cm
£60 - £100
381 Two Chinese blue and white altar vases, inverse baluster form with rusticated bands and dog finials, painted with figures in garden scenes, 27.5cm high (2)
£80 - £120
382 A Japanese Arita ware Kakiemon teapot, Edo, late 17th century, shouldered pear form, inset with kidney bean cartouches of relief moulded birds and plants, within enamelled foliate bough ground, the shoulder with alternating geometric lattice and floral lappets, 15.5cm long
£80 - £120
386
386 A Chinese blanc de Chine figure of Guanyin, modelled reclining on one arm 14.5cm high
£80 - £120
387 A pair of Chinese blue and white lizard moulded vases, Kangxi marks, shouldered form with shishi dog handles and lizard moulded shoulders, painted with flowers and foliage, 25.5cm high (2)
£80 - £120
388 A Chinese carved jade brush rest, arched form, modelled in high relief and reticulated with a recumbent zoomorphic foliate lion, 9cm long
£80 - £120
389 A Chinese famille verte teapot, Kangxi, ogee fluted domed form on three bracket feet, painted with panels of prunus and Oriental flowers with insects and birds, white metal spout and rattan handle, 15cm high £80 - £120
390
390 A Chinese famille verte beaker, Xuande Ming Dynasty mark, flared trumpet form, painted with deities standing on various pads and fish on a wavy sea, six character mark, 7cm high
Provenance: Henry Knowler collection label, number 19 £80 - £120
391
391 A Chinese Wucai pot and cover, waisted cylindrical form, enamelled with auspicious and scholarly objects, between underglaze blue rings, the lid with a ring of ruyi heads, 10cm high £80 - £120
392
392 A Chinese Guyue Xuan enamelled glass snuff bottle, yellow ground Qianlong style, square section shouldered form, decorated with panels of flowers, white opaque body, gu yue xuan mark, 6cm high £80 - £120
393 A Chinese celadon glazed vase, Qianlong mark and possibly of the period, twin handled baluster form with everted rim, underglaze blue seal mark, 11cm high £80 - £120
397
397 A Chinese famille verte ginger jar and cover, Qianlong mark, painted in the round with figures in an open garden and watery landscape, between polychrome enamelled diaper bands, the shoulder with cartouches of floral specimens, on a wooden stand, 28cm high £300 - £500
394 Three Chinese famille rose plates, 18th century, including water carrier garden scene saucer in the Classical European style, a Mandarin scholars garden plate and shishi dog and floral example, 22.5cm diameter (3)
£80 - £120
395 A series of fifty-one Indian Ganjifa playing cards, probably early 20th Century, each illuminated disc polychrome painted with figures and animals, largest 7cm diameter (51)
£80 - £120
396
398
398 A Chinese famille rose plate, probably 18th century, the central scene of scholars in a terraced patio, within a border of scholarly and auspicious symbols, a poem in Chinese script, and monochrome painted scroll signed Hongyan Garden, highlighted in gilt, 25cm diameter
£100 - £200
396 A Chinese carved jade pendant, modelled in relief and reticulated as a man with a goose, 5.5cm long
£100 - £200
404
£100 - £200
399 A European painted Chinese porcelain plate, 18th century, the central Meissen style Kauffahrtei scene of traders in a harbour within Rococo gilt and red foliate scroll cartouche, the border with Qianlong style slip enamel decoration and landscape cartouches, 23cm diameter
400 A Chinese famille rose vase and cover, Qianlong style, inverse baluster form, enamelled with cockerels and peonies on a rocky outcrop, 26.5cm high
£100 - £200 401
401 A Chinese famille jaune dish, Kangxi mark, yellow ground saucer form, incised with dragons and pearl, glazed in green and brown, 13cm diameter
404 Four Japanese carved bone handles, Meiji, each terminal modelled in high relief with a different animal atop a branch, peering down the gnarled trunk, including monkeys, bats and birds with climbing frogs, set with bead eyes, variously signed, 16cm long (4)
£300 - £500
£100 - £200 402
402 A Chinese Junyao bubble bowl, probably Northern Song or Yuan dynasty, turquoise glaze with purple splashes, 13.5cm diameter
£200 - £400
405
405 A Chinese blue and white vase, Kangxi style and possibly of the period, shouldered form, relief moulded with blanc de Chine silhouette butterflies and floral sprigs on a birdseye stippled ground, two ogee cartouches painted dogs of foe beneath trees on cliff edges, 45cm high £300 - £500
403 A Chinese Junyao bubble bowl, probably Northern Song or Yuan dynasty, greyish green glaze with a purple ochre splash to one side, 13cm diameter
£200 - £300
406 A pair of Chinese famille rose enamelled metal vases, lobed baluster form, painted with naturalistic chrysanthemum bushes to one side, blue ground, 20.5cm high (2)
£60 - £80
£60 - £80
407 A Chinese famille rose teapot and cover, of small proportions, painted with a deity riding a shishi, with attendants, 7cm high
408 A pair of Japanese Satsuma miniature vases, of cylindrical brush pot form, painted in the round with boys playing, between polychrome enamelled geometric borders, unmarked, 6.2cm high (2)
413 A pair of Japanese Satsuma small vases, ‘zan’ mark, Meiji, shouldered form, painted in the round with birds and insects in flight over wildflowers including peonies, chrysanthemums, irises and prunus,above a border of geometric lappets, the shoulder with rosettes on a foliate scroll ground, gilt marks, 9cm high (2)
£120 - £180
£80 - £120
409 A Chinese famille verte vase and cover, inverse baluster form, painted with Oriental figures, 42cm high
£80 - £120 410
410 A pair of Chinese famille rose enamelled metal vases, footed baluster form, painted in the Qianlong style with lotus flowers and foliate scrolls, banded with ruyi head and lappet borders, 20.5cm high (2)
£100 - £200
411 A Chinese carved figure of a scholar, modelled holding a scroll, standing on a writhing dragon, 21cm high
£100 - £150
412 A twin handled Japanese Satsuma vase, Meiji, shouldered form, painted in the round with figures in a garden landscape, gilt and polychrome jewelled speckled sky and prunus, between bands of geometric motifs, stylised bamboo moulded handles, gilt seal mark, 19m high
£100 - £200
414 Ryozan (probably Okamoto), a Japanese Satsuma vase, of cylindrical brush pot form, painted with a band of Samurai warriors in an encampment, between foliate and geometric borders, above a millefiori ring, enamelled and gilded, raised gilt Ryozan mark, 9cm high
£120 - £180
415 A Chinese sang de boeuf monochrome vase, shouldered form with flared rim, 40cm high
£150 - £250
416 A Chinese famille verte bowl, painted with panels of prunus and chrysanthemums, the trellis border punctuated with lotus flowers, 20cm diameter £150 - £250
417
417 A Chinese blue and white dish, Ming, painted with a bird on rock with peony design, within a pannelled border of peaches and chrysanthemums, 25.5cm diameter
£200 - £400
418 A set of four Chinese famille rose soup plates, 18th century, octagonal form, painted in the Cantonese style with a boy presenting a box to two elders in a garden landscape, within diaper ground cartouche set border, 23cm diameter (4) £200 - £400
419 A Chinese Yixing four piece tea set, pewter overlaid redware, chased dragon design below Chinese characters, including kettle, teapot, jug and covered bowl, 15.5cm high (4)
£200 - £400
420 A Chinese Canton enamelled box and cover, circular bun form, painted with two boys by a fence in a garden, within foliate scroll and panelled ground, 7.5cm wide £200 - £400
421 A pair of Japanese Satsuma ware baskets, mark of Hattori (Fuku Bu), Chinzan circa 1860s, inverse baluster form with high loop handles, decorated in the round with seated deities, courtly figures and elders in conversation, highlighted in raised gilt, below relief moulded chain ling borders and bound strap handles, 12.5cm high (2)
£200 - £400
422 A pair of Chinese hardstone trees, early 20th century, hardstone flowering branches, in wooden rectangular jardinieres, 34cm high
£200 - £400
423
426 A Chinese blue and white relief moulded craquelure vase, shouldered rolo form, applied with sprigged decoration of an elder in a garden landscape with cattle and willow, 43cm high
£300 - £500
427
£200 - £400
423 A 19th century Chinese sang de boeuf glaze bottle vase, extended neck, 42cm high
424 A large Chinese famille rose vase, shouldered form with lizard moulded shoulders and dog handles, the panels painted with a battle scene and court interior with figures, within a floral carpet ground, 64cm high
427 A Japanese Satsuma vase, Meiji, shouldered ovoid form on three legs, painted with two vignettes of woman and child in a landscape and parrot and basket of flowers, within relief moulded cartouches, on a ribbon band of chrysanthemums and winding stream, between plain borders of butterflies, the neck with geometric raised gilt and polychrome bands, apparently unsigned, 12cm high
£300 - £500
£200 - £400
425
425 A Chinese blue and white ginger jar and cover, painted with prunus blossom, 28cm high
£300 - £500
428 A Chinese sang de boeuf glazed vase, shouldered form, 37cm high
£300 - £500
429 A set of five Chinese famille rose plates, 18th century, octagonal form, painted in the Cantonese style with a boy presenting a box to two elders in a garden landscape, within diaper ground cartouche set border, 23cm diameter (5)
£300 - £500
430 A Chinese famille verte dish, Ming, circular form, painted with a central landscape within an iron red seal and foliate cartouche border, 38.5cm diameter
£300 - £500
431 A matched pair of Chinese reticulated vases and covers, hexagonal section inverse baluster form, with internal blue and white cavities, the panelled sides of pierced honeycomb form, painted in Imari colours, 28.5cm high (2)
£400 - £600
432 A Chinese celadon ginger jar and cover, elongated shouldered form, deocorated in relief with a band of foliate scrolls and chrysanthemums, between ruyi head and lappet borders, underglaze blue Qianlong mark, 23cm high
£400 - £600
433 A Chinese famille rose brush pot, Qianlong mark, canted cuboid form with relief moulded bamboo edges, each side painted with boys playing, between verses, concentric key borders, turquoise glazed interior, 11.5cm high £400 - £600
434 An Ottoman box, mother of pearl and tortoise shell, 21cm high, 29cm wide, 21cm deep £400 - £600
435 A 19th century Oriental baluster vase, the body with applied dragon in relief over a seascape with fish, on an iron red ground, gilt detailing, 34cm high £400 - £600
436 A pair of Chinese famille verte vases, shouldered form, applied with lizards to the necks and shishi dog handles, painted with panels of populated garden landscapes, between floral vases and scholars table still life scenes, 44cm high (2) £600 - £800 437
438
438 A pair of Chinese turquoise ground vases, shouldered rolo form, painted with deity figures in polychrome enamels, 40cm high (2) £800 - £1,000
439 Chinese School, Qing Dynasty, an album of twelve rice paper illustrations, noble figures in traditional Chinese costume, 23 by 15cm each, and a framed set of four similar figurative illustrations (2) £400 - £600
437 A Chinese Doucai Gu vase, cylindrical flared form, painted in the round with three bands, scholarly figures in a garden landscape, above a wetlands scene with ducks, chrysanthemums and lotus, the lower section with boys playing, 46cm high £600 - £800
440
440 A pair of Japanese carved wood figures of tigers, Meiji, modelled with bone teeth and bead eyes, painted stripe decoration, 27cm long (2) £100 - £150
441 A Chinese rhinoceros horn archers ring, 19th century or earlier, 3.5cm diameter, 3cm wide £50 - £80
442 A group of Indian wooden figures, late 19th Century or early 20th Century, each carved and realistically painted to represent figures of differing status or occupations, on canted plinths, including a fisherwoman, domestic chore women, figures in traditional dress, musical figures, figures in turbans, and a small selection of animals, elephant, peacock, dog, cow, camel, etc (24).
Note: for a similar series, see Lot 1024, Reeman Dansie, Colchester, 18th June, 2019 £300 - £500
443
443 A Japanese Shibayama lacquer vase, Meiji, lobed shouldered and footed form, the maki e ground with raised and tooled gilt moth shoulders, set with panels of inlaid horn, mother of pearl and jade depicting birds in prunus branches, within silver cartouches, signed, 15.5cm high £300 - £500
444 Chinese School, Qing Dynasty, a small album of eleven rice paper illustrations depicting traditional methods of Chinese punishment, ‘Arrest of Criminals’, ‘Parading..’, ‘Torture by Pressing the Ancles’, ‘...Cutting Flesh..’, ‘Beheading’ etc, 7 by 10cm each £150 - £200
445 Three Chinese Canton Qing dynasty fans. One, a black lacquer and gilt brise fan, early 19th century, each side with central shield shaped cartouches, one with a landscape scene and one with flowers, the rest of the fan similarly decorated with gilded grape and vine (18.5cm), another andarinor housand facesfan, mid 19th century, the bamboo sticks and guards with gilt and polychrome decoration of figures flowers and insects, the brightly coloured leaf with oriental figures on terraces, their clothes of silk and faces of painted ivory (28cm) together with a small intricately pierced Chinese 19th century sandalwood brise fan (3)
Note: Ivory Act Exemption Certificate Number: SYUB5D7S £200 - £400
446
446 A Chinese polished jade snuff bottle, tapered pebble form with rust inclusions and striations, 6.5cm £50 - £100
447
447 A Japanese mixed metal Koro incense burner, Meiji period, 1868-1912, the spherical body on tripod legs, decorated with a wetland scene of birds and flowers, the lid with insects in enamel and inlaid gold and silver, turned ivory handles, 13cm high.
Note: Ivory Exemption Certificate Number 1JFWSJNT £100 - £150
448 An American, Boston & Sandwich, poinsettia glass paperweight, decorated with a central pink flower, 7cm diameter
£100 - £150
449 A 19th century primrose glass paperweight, the central flower with white and red petals, star cut base, 8cm diameter
£100 - £150
450
450 Saint-Louis, a fruti and lattice glass paperweight, 19th century, mixed fruits on an opaque trellis ground, 6.5cm diameter
£300 - £500
451
451 A Saint-Louis scrambled latticino and silhouette cane glass paperweight, 20th century, signed and dated 1985, spaced cogged canes on an opaque coiled muslin ground, 5.5cm diameter
£180 - £220
452 Saint-Louis, a millefiori rondello on muslin glass paperweight, circa 1880s, five spaced blue cane clusters around central packed red group, within a wreath of green and red cogs, 6.5cm diameter
£150 - £180
453 Saint-Louis, a spaced millefiori rondello glass paperweight, 19th century, five yellow cased clusters around a central rosette, within a wreath of pink and green cogged canes, 7.5cm diameter
£100 - £150
GLASS
454
454 Baccarat, a spaced silhouette cane and scrambled muslin coil glass paperweight, 1848, various cogs and clusters on a random opaque ground, signed with cane plaque
457 Clichy, a spaced concentric millefiori clear glass paperweight, each cane of a different rosette form, 7cm diameter
£150 - £180
458
£750 - £850
B1848, 6cm diameter
455
458 Clichy, a millefiori on muslin glass paperweight, seven pink cogs around a central green cane, within wreath of alternating blue and red, on scrambled opaque coil ground, 5cm diameter
£180 - £220
459 Clichy, a Sodden Snow multi-cane garland glass paperweight, 19th century, decorated with a looped wreath of random cogged canes on an opaque ground, fluted to the sides, 9cm diameter
£350 - £450
460 Peter Dreiser, a studio glass paperweight, 1986, etched and carved as a flower head with lappet petals and stylised stamens, incised marks, 7cm diameter
£80 - £120
£100 - £150
455 Baccarat, a macedoine glass paperweight, 19th century, scrambled multicoloured coils and opaque lattice tubes, 8cm diameter
456
456 Baccarat, a concentric millefiori glass paperweight, 19th century, four wreaths of variously coloured cogs and canes around a central spoked cane, 6cm diameter
£150 - £180
461 A pair of George III facet cut candelabra, in the style of William Park, the inverse baluster stems with ogee supports, on domed bases, holding brass mounts with serpentine branches and central notched obelisk stems surmounted by splayed sconces and star finials, the sconces with lustre drops of pear shaped beads, 63cm high (2)
£400 - £600
462 An 18th century single series air twist wine glass, circa 1760, the flared trumpet bowl on a multi stranded spiral stem and conical foot, 16.7cm high, foot 7.3cm diameter, rim 6.6cm diameter
£80 - £120
463 An 18th century single series composite air twist wine glass, circa 1765, the rounded conical bowl on a knopped inverse baluster multi strand spiral stem and conical foot, 15.6cm high, foot 7.6cm diameter, rim 6.3cm diameter
£80 - £120
464 An 18th century opaque twist wine or cordial glass, circa 1770, the half fluted round funnel bowl on a double series spiral and multi strand corkscrew stem and conical foot, 15cm high, foot 6.7cm diameter, rim 5.2cm diameter
£80 - £120
465 An 18th century opaque twist ale flute, circa 1770, the slender round funnel bowl on a double series ribbon stand and double helix stem, on conical foot, 20cm high, foot 7.5cm diameter, rim 5.6cm diameter
£80 - £120
466
466 A George II hollow stem wine glass, circa 1735, of light baluster, Newcastle form, the bell shaped bowl on a triple knopped and centrally bladed hollow stem, on folded conical foot, 15cm high, foot 7cm diameter, rim 6cm diameter
£80 - £120
467
468
468 A large 19th century Stourbridge etched glass pedestal bowl, decorated in the round with huntsman with fox, horse and dogs in a farm scene with house, on a knopped baluster stem and cut foot, 31.5cm high, 20.5cm diameter
£200 - £400
£400 - £600
467 Waterloo Glass Company, Cork, an Irish glass decanter and stopper, circa 1815-20, Prussian form with three annulated ring neck, part moulded fluting to the lower section, the body engraved with a band of swags, ribbon bows and stylised flowers below beaded borders, reeded bullseye stopper, traces of moulded mark to base, 26cm high
469 A pair of Baccarat cut glass and ormolu mounted twin handled vases, of Neoclassical Empire form, 20th century, the pedestal urn bodies cut and etched with garlands and fluting, fishscale rim and foliate scroll acanthus handles, on beaded square bracket bases, 26cm high (2)
£150 - £250
470 An ormolu mounted intaglio flash cut pedestal tazza, the everted and ogee crenelated bowl etched and engraved with a band of flowering branches,the sweeping base encased with foliate fronds, on a Rococo scroll bracket footed base, twin C S scroll acanthus handles with mask attachments, 19.5cm high £150 - £250
471 A French or Bohemian enamelled glass pedestal comport, 19th century, the oval bowl decorated with ribbons and floral garlands, on a gilt panelled and enamel beaded cylindrical stepped plinth base, 25cm high £150 - £250
472 Baccarat, an ormolu mounted glass vase, in the Louis XVI style, waisted shouldered form, applied with cast husk garlands and masks, reticulated spear head bands and tooled Classical borders, 22cm high £80 - £120
473 Saint Louis, a pair of Thistle Gold glass candlesticks, hollow inverse baluster form with wide drip trays, etched and gilded with bands of open foliate scrolls, 22.5cm high (2) £80 - £120
474 A French Palais Royale glass and gilt metal mounted scent bottle box, opaque crackled green glass, of oval section with ring handles on four ball feet, the interior fitted with two craquelure bottles with stoppers, 11cm high
£80 - £120 475
475 A French Palais Royale opaline glass trinket box, circa 1850s, oval section alabaster glass with gilt metal mounts and twin handles, 9cm high £70 - £100
476 A Continental floral painted opaque glass casket, of canted cuboid form, the lid with a girl picking flowers within a floral garland, the side panels with bouquets and sprigs, between monochrome tracery borders, mounted in gilt metal, 14cm wide, 11.5cm high, 10cm deep £80 - £120
477 A set of 9 Continental glass and gilt monogrammed bowls and stands, frosted and cut with lens beaded cartouches, banded in gold (18) £200 - £300
478 A pair of French alabaster opaline glass lamp bases, possibly Baccarat, of shouldered baluster form, painted with garlands of blue vines entwined with gilt floral tendrils, 32cm high to fittings (2) £100 - £200
479 Moser, a Bohemain enamelled marbled glass vase, circa 1890, shouldered form with square section rim, yellow and opaque ground, painted with prunus decoration, finely polished pontil and enamelled numeral to underside, 13.5cm high £40 - £70
480
480 A garniture of three Bohemian enamelled opaline glass vases, each of footed form in turquoise, painted with chain link bands and gilt ground cartouches of floral bouquets, over festoons and garlands, 38cm high (3) £100 - £200
481
485
485 A pair of Bohemian enamelled opaque glass vases, baluster necked ovoid form with everted bowl rims, painted with foliate scrolls in polychrome enamel bewteen gilt bordered and fringed lappets, 28.5cm high (2) £100 - £200
481 A large Bohemian enamelled blue opaline glass vase and cover, probably Harrach, circa 1890, twin handled urn form, painted with a bird in wildflower meadow, beaded and reeded borders, 41cm high
£150 - £250
482 A Bohemian enamelled and gilt glass roemer, probably Moser circa 1900, painted with daisies, the hollow knop with three gilded prunts on a ribbed trumpet form stem, 22cm high
£70 - £100
483
483 A pair of Bohemian glass portrait bottles, with stoppers, shouldered cylindrical form, each with a painted oval plaque of an Italianate figure, within gilt foliate scroll ground, 14cm (2)
£150 - £250
486
486 A pair of jewelled pink blush satin opaline glass lustres, footed trumpet form with turned rims, denticulated and applied with green and red cabochon floral motifs, highlighted in gilt, each with ten baluster notched prismatic drops, 34cm high (2) £200 - £300
487
£80 - £120
484 A Bohemian floral plaque red glass goblet vase, 19th century, pedestal chalice form, two opaque oval roundels painted with floral bouquets within gilt foliate scrolls on red ground, 21cm high
487 A pair of 19th century Bohemian cased glass lustre candlesticks, white opaque over ruby with gilt bordered panels and trefoil windows, arcaded denticulation to the rims, each with cut prismatic dops, 29cm high (2) £200 - £400
488 A pair of Bohemian triple cased glass lustre vases, 19th century, ogee trumpet form, blue over white opaque over colourless, cut with gilt bordered Gothic panels and ogee denticulated rim, notched prismatic drops, 25cm high (2) £200 - £400
489 Moser, a tooled gilt amethyst glass box, elongated octagonal section, the lid etched with a gilded panel of a safari scene with elephant and tiger between palm trees, the base with a foliate band, 11.5cm long, 8cm deep £50 - £80
490 Antonio Salviati, a Venetian Murano glass goblet, pink mottled wrythen moulded with applied aventurine trails to the bowl, on a plain stem and sweeping trumpet foot, 15.5cm high £50 - £80
491
491 A Bohemian raised gilt and red washed glass chalice and cover, octagonal section slice cut and knopped goblet form with splayed lid and finial, decorated throughout with foliate scrolls, 30cm high £200 - £300
492. James Powell and Sons, Whitefriars, a set of five etched wine and drinking glasses, circa 1855, the conical bowl with slice cut lower section, engraved with a band of fruiting grape vines, on a plain hexagonal stem, the feet of the smaller glasses etched with a similar wreath band of fruiting vines, 13cm high and 9.5cm high (5)
Note: the design appears in the 1855 Powell catalogues, illustrated in Evans, W et Al, 1995, Whitefriars Glass, p.251, pl.338 £70 - £100
493 A suite of Victorian drinking glasses, circa 1890, probably James Powell and Sons, Whitefriars, including six wine, sherry and port glasses, each with hollow facet cut stems and complex star cut bases, plain ovoid bowls, 12cm high (18) £70 - £100
494 James Powell and Sons, Whitefriars, a set of three Neoclassical champagne glasses, model 1025, circa 1860, the shallow coupe bowls engraved with bands of Greek key motifs between line and beaded borders, on plain stems and conical feet, 11.5cm high (3)
Note: see Evans, W. et al, 1995, Whitefriars Glass, London: Museum of London, p.255, pl360, for an example of this pattern and wine service £60 - £100
495
495 John Ford, Holyrood Flint Glassworks, Edinburgh, an Aesthetic Movement etched and engraved glass whisky jug, circa 1870, spherical form with cylindrical neck and angled strap handle, etched with bands of lens cut beads between Neoclassical tulip garland to the neck and shoulder, on four scrolled horn feet with moulded lions mast prunts, the body engraved with the crest and motto of the Glover family of Scotland, 13.5cm high
Note: although there is a jug of the same form and structural design as this illustrated in Hajdamach, C, 1992, British Glass 1800-1914, p.172, fig.148, described as designed by James O’Fallon at Thomas Webb and Sons, there are a number of other examples which have sold at Bonhams Edinburgh, including this exact jug, described as being by Holyrood Glassworks. Similarly the Edinburgh Museum has an example of a beaker with the same feet and lions mask prunts, by Holyrood Glass Works. A pair of decanters of the same form with the same Neoclassical banding sold in August 2024 at Lyon and Turnbull, also catalogued as Holyrood Glassworks. £100 - £200
496
496 James Powell and Sons, Whitefriars, an Aesthetic Movement fern etched wine glass, circa 1860s, model 1019, the rounded bowl decorated with various naturalistic fern specimens with roots and tendrils, on a plain stem and slightly domed foot, 12cm high £50 - £80
497
497 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts apple green wine glass, circa 1875, the plain rounded bowl on a cylindrical stem and conical foot, in a rare possibly experimental uranium colourway, 10.5cm high
Note: Powell started using uranium to make glass from the 1830s, creating a service for Queen Victoria in a yellow Topaz colour. The company continued to experiment with different combinations of uranium and other oxides to produce variously coloured glass, including what became Alsatian blue and the blue and straw opal glass from 1877, developed by Harry Powell. It is likely this glass was produced during that time, if not earlier, reflecting the previous trend for Bohemian, rather than Venetian coloured glass. See: Evans, W. et al. 1995, Whitefriars Glass, p.50, for an illustrated example of this wine glass in a different opal colour. £80 - £120
498 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1890, the tulip bowl with combed ruby stripes and woodgrain effect foot, 13.5cm high £200 - £300
499 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1890, conical trumpet form on plain stem and conical foot, 11.5cm high
Note: later variations of this design were produced in an optic ribbed pattern. £40 - £70
500. T G Jackson and Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass jug, 1878, shouldered form with angled handle, 12.5cm high
Note: see Jackson, L, 1996, Whitefriars Glass, Richard Dennis, p.98, plate 7 for an example of a similar design £50 - £80
501
501 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Straw Opal glass fan vase, circa 1877, in the Venetian style, the crimped bowl with blue vaseline draining to pale uranium yellow, on a hollow knopped baluster stem and folded foot of radiating ribs, 17cm high, 19.5cm wide
See: Evans, W. et al 1995, Whitefriars Glass, p.60, plate 55, for an illustrated example of this stem on a similar vase, photographed in 1878 £150 - £250
502 Harry Powell for James Powell and Sons, Whitefriars, a large Arts and Crafts straw opal glass light shade, with metal fitting, wide bell shaped crimped form, on a three hook copper ring suspended from three chains, 39cm diameter, opening 12cm diameter
£200 - £400
503 An Arts and Crafts straw opal glass and wrought iron lantern pendant, the cylindrical shade in the style of James Powell and Sons, within a riveted strap and ring cage with open coil coronet, 46cm high
£200 - £400
504
504 John Walsh Walsh, an Arts and Crafts straw opal glass shade, circa 1900, double ogee gourd form, honeysuckle moulded motifs with crimped rim, 20cm high, fixing opening 12.5cm diameter
£100 - £150
505
505 Thomas Webb and Sons, an Arts and Crafts Iris iridescent glass and silver plated vase in stand, the ribbed trumpet form body with crimped rim in bronzed lustre, in a coiled foliate stand applied with leaves, 20.5cm high £60 - £80
498
506 Daum, Nancy, an Art Nouveau enamelled and gilt cameo glass Iris vase, circa 1890, oval section barrel form, acid carved and painted with green enamel and raised gilt flowers and dragonfly below a rusticated denticulated border, incised marks Nancy, enamelled numeral XIII, 30cm high £300 - £500
507
507 Theresienthal, a Jugendstil enamelled floral liqueur glass, circa 1900, the ogee tulip bowl painted with stylised denticulated carnation petals in yellow, pink and purple, with green foliage, highlighted in gilt, on a plain slender green stem and foot, 14.5cm high £50 - £80
508
508 Loetz, a Secessionist iridescent Candia Papillon glass bowl, circa 1900, squat amphoral form with slightly flared rim, on three tapered horn feet, 9.5cm diameter £50 - £80
509
509 Otto Thamm for Fritz Heckert, a Secessionist iridescent glass Changeant vase, circa 1900, twin handled shouldered form, speckled green lustre with irregular amber spiral, colourless angled handles, polished pontil, 13cm high £80 - £120
510 John Northwood II for Stevens and Williams, a Silveria iridescent glass vase, circa 1900, twisted organic form, pinched and flared to the rim, encased silver foil within pink, blue and amber shot shell, overlaid with random green web trailing, incised mark to the polished pontil SW, 15cm high
Note: probably a collaborative effort with designer Frederick Carder, who later developed a range of iridescent and foilcased glass at Steuben in America, the technique was difficult to perfect at the Stourbridge factory making the production short lived and the pieces quite scarce.
£800 - £1,200
511
511 Frederick Carder for Steuben, a green Jade and Alabaster glass pedestal bowl, circa 1920s, the circular body with everted rim on a short stem and conical foot, 9.5cm diameter £40 - £70
511A Charles Schneider, a Verre Franciase Coqueret glass lamp base and shade, pate de verre blue, yellow and orange inverse baluster form with domed shade, etched signature
£1,500 - £2,000
519 Joseph Simon for Val Saint Lambert, an Art Deco flash cut cased glass bowl or dish, circa 1920s, shouldered form, blue over colourless, cut with concentric fishscale bands, 15.5cm diameter
£60 - £100
512 Steinschonhau, Haida, a Secessionist red cased flash cut vase, circa 1920, shouldered conical form decorated with a chequered geometric band of alternating square panels and leaf motifs, above slice cut fluting, 15.5cm high
£50 - £80
513 An Art Deco enamelled glass cocktail decanter and glass, conical form painted with abstract Bauhaus style line, dot and leaf design in orange, black and white, concentric ring neck and conical stopper, the footed glass similarly decorated, 23cm high (2)
£50 - £80
514 Rene Lalique, a Strasbourg wine glass, model 5086, designed circa 1926, polished and frosted, etched mark R Lalique, 12.8cm high
£80 - £120
515 Barnaby Powell for James Powell and Sons, Whitefriars, a large ruby red glass ribbed bowl, model 8266, designed circa 1929, flared form with applied amber rigaree foot, 42.5cm diameter
£80 - £120
520
520 Edward Hald for Orrefors, a Graal glass dish, designed 1938, shallow half pear form, decorated with mutliple green fish in an underwater aquatic habitat of seaweed, incised marks, 16.5cm long
£200 - £400
£50 - £80
516 Hartley Wood, a Sunderland art glass vase, shouldered bulbous form with everted rim, multicoloured spiral design in amber, blue, green and aubergine, 27.5cm high
517 Ludwig Kny for Stuart and Sons, an Art Deco cut glass bowl, model 28004, designed circa 1938, conical footed form, the rim with stylised draped swags and festoons around a lens cut ring, the foot with leafy frond cut base, etched mark, 26.5cm diameter
Note: an example is illustrated in Benson, N and Hayhurst, J, 2003, Art Deco to Post Modernism, p.14 fig. 44
£60 - £100
518 Ludwig Kny for Stuart and Sons, an Art Deco glass Woodchester decanter, circa 1925, optic ribbed conical form, cut with stylised fern leaf motifs between frosted lens dots, pear form hollow stopper, 33cm high
£70 - £100
521
521 Edward Hald for Orrefors, an Art Deco smoked glass vase, 1930, spherical form, cut with a central deep acid etched band with chevron cut motifs, the neck slice cut, incised marks HA 317, 20cm high £70 - £100
£80 - £120
522 Vicke Lindstrand for Kosta, a Modernist etched glass bowl, hemispherical form, diamond point engraved with nets and fish, incised marks, 17cm diameter
529 Mdina, a pair of studio glass decanters, or bottles, circa 1980, hexagonal section bases, pink marbled with blue spiral trails and hollow spherical stoppers, signed Mdina to each, 26cm high £50 - £80
£40 - £60
523 Vicke Lindstrand for Orrefors, a Modernist glass decanter, shouldered form with square section base and panel sides, tapered pellet stopper, incised marks, 28.5cm high
524 Two 20th century decanters including Edward Hald for Orrefors, a Swedish Modernist glass decanter, square section shouldered form with flat stopper, incised marks EH2498, 31cm high and Thomas Webb, a rose etched decanter (2)
£60 - £100
525 Horst Tuselmann for Peill and Putzler, a German mid century glass vase, pedestal chalice form, with internal bubbles marbling in grey and black, ground pontil, 25cm high
£80 - £120
526 Gunnar Cyr n for Orrefors, a Modernist cut glass bowl, circa 1960s, polygonal form cut with stylised leaf decoration, etched mark Orrefors 8 4023-121, 21cm diameter
£50 - £100
527 Pauline Solven, an early Royal College of Art studio glass vase, 1967, of elongated organic fish type form, colourless with bubble and coloured stand inclusions, the small cavity with narrow neck and splayed crimped rim, incised marks Pauline Solven RCA 67, 21cm high
Note: the founder of the studio glass movement, Sam Herman, moved to London in 1967 to take up a position as a research fellow at the Royal College of Art under its head of glass Michael Harris. A new glass furnace was constructed that year which was seen as the birth of studio glass making in Britain. Amongst the pioneers of the movement in 1967 was the young student Pauline Solven, who quickly grasped the concept under the guidance of Herman and Harris. This very early piece shows the influence of Herman and his tutor in America, Harvey Littleton, as well as development towards Michael Harris’ famous Mdina and Isle of Wight fish vase range of the early 1970s. This vase can be seen as an exceptionally important piece in the establishment and development of studio glass, which spread throughout the world and continues to flourish today. £100 - £150
528 Michael Harris for Mdina, a Blue Summer pulled ear glass vase, circa 1970s, ovoid shouldered form with wide brim, ochre stripes and mottled inclusions, unsigned, 15cm high £40 - £70
530
530 Jonathan Harris, a studio glass Silver Cameo trial vase, Ironbridge, 2001, pedestal goblet form, the ogee conical bowl with silver metal overlaid spiral design on frosted cranberry ground, ball knopped stem, signed, 18cm high £100 - £200
531
531 Michael Hunter, Twist Studio, two silver gilt mounted glass bowls, 2001, each of rounded footed form, amber with amethyst rim and amethyst with amber rim, 20.5cm diameter (2) £70 - £100
CONTINENTAL CERAMICS
532
532 A Meissen tea cup and saucer, Augustus Rex mark with gilt decorators numerals, probably circa 1740s, quatrelobed form, painted with panels of pairs of figures in Claudian landscapes of building and trees, between turquoise ground floral bouquets, within gilt foliate scroll borders, 12.5cm wide £100 - £200
533 A pair of Dresden baluster vases, late 19th Century, gilt moulded openings and knopped stems, each painted in polychrome with banner titled historical equestrian Royal guard scenes after Silvestre & Chauveau, and trophies, underglaze blue ‘Augustus Rex’ marks, 29cm high (2) £200 - £300
534
534 A Meissen figure of a tiger, 20th century, model 1471, underglaze blue mark and stamped numbers, 6.5cm high £80 - £120
535 A Meissen figure of a grouse, model 478, 19th century, 15cm long £300 - £500
536
536 A Sevres soft paste porcelain liqueur bottle cooler (seaux a liqueur ovale), pained mark for 1768, bleu celeste ground, designed by Jean Claude Duplessis for the Louis XV service, ogee rimmed with twin foliate scroll handles, painted with carotuches to each side of putti in clouds, possibly by Charles Nicolas Dodin, within raised gilt cisele Rococo foliate and trellis borders, the underside with incised H and ! painted interlaced foliate Ls and date letter P, 32cm long
Note: Duplessi originally designed the bottle cooler for the Vincennes service of Louis XV in 1755 as a ‘seaux a liqueur ovale bleu celeste’, an example of which sold at Christie’s in New York, 5th April 2022, lot 16, which had the same incised ! and H marks to the porcelain. Other examples of the form are in the collection of the Metropolitan Museum, New York, 1976.240.2a,b dated 1771 and painted by Francois Aloncle £500 - £800
537 A pair of Rococo gilt framed easel displays containing porcelain miniatures, 19th Century, one containing six oval bust portraits of beauties, the other with five after famous paintings including a pair of cherubs after Raphael, velvet surrounds, mahogany backed, 34 by 27cm (2) £400 - £600
538 A large Sevres style lamp base, gilt and brown basalt Solomonic column and urn form with cartouche of interlaced L mark, applied with putti and garlands, 185cm high £1,000 - £1,500
539
539 J Vieillard, Bordeaux, a French enamelled faience art pottery jardiniere in the Persian Longwy style, ogee ovoid form, decorated with a band of Islamic script between floral and foliate scroll roundels, impressed marks, 22cm diameter £70 - £100
540 Carl Sigmund Luber for Johann von Schwartz, a Jugendstil tile plaque, circa 1900, dust pressed with a maiden amongst flowers, in the Art Nouveau style, 17.5cm x 12cm, framed £150 - £250
541
541 Carl Sigmund Luber for Johann von Schwartz, a Jugendstil tile, circa 1900, dust pressed with the head of a maiden in profile, in the Art Nouveau style, 9cm x 12cm £100 - £150
542
542 Carl Sigmund Luber for Johann von Schwartz, a Jugendstil tile plaque, circa 1900, dust pressed with a maiden picking flowers in a country landscape, in the Art Nouveau style, 27.5cm x 16.5cm £200 - £400
543 F Seifert for Wiener Kunstkeramische Werkst tte Busch & Ludescher, a Secessionist figure of a nude woman with snake, circa 1920, impressed marks, incised signature, 29.5cm high
£300 - £500
ART POTTERY
544 Christopher Dresser (attributed) for Minton, a pate sur pate bleu celeste vase, 1875, shouldered form with acanthus and ring handles, decorated with garden birds in brambles and roses, printed and impressed marks, 19.5cm high £100 - £200
545 Christopher Dresser for Minton, an Aesthetic Movement jug, circa 1873, barrel form, decorated with stylised sunflowers and pink flowers on a striped bleu celeste and white ground, 26cm high £100 - £200
546 William De Morgan, an Arts and Crafts double lustre charger, circa 1890, the central eagle in iridescent taupe, on a fruiting bush, within a Persian scale and lotus cartouche tulip and rosette border, the reverse in ruby with central serpent within a triangular lapped border, 36cm diameter £2,000 - £4,000
547 William de Morgan, an Arts and Crafts double lustre charger, circa 1890, painted with a peacock in full plumage, on a foliate ground, the feather eyes highlighted in iridescent taupe, the reverse with concentric rings in ruby within a tadpole lappet border, 36cm diameter
£3,000 - £5,000
548 William de Morgan, an Arts and Crafts double lustre charger, circa 1890, painted with a peacock in profile in full plumage, on a leafy bough, the feather eyes depicted in taupe, central rosette of radiating lappets and spirals, within a foliate vine border, 36.5cm diameter
£3,000 - £5,000
549 Edwin Martin for Martin Brothers, a stoneware epergne, 1888, the dished base with central column supporting four single armed amphora form vases, sgraffito decorated with wildflowers in white slip, incised marks 41888, Martin Brothers London + Southall, 30cm diameter
£400 - £600
547
548
549
550
551 Hannah Barlow for Doulton Lambeth, a stoneware beaker, 1877, sgraffito decorated with storks in a wetland scene, silver mounted, impressed and incised marks, 13cm high
£40 - £70
552 A miniature Doulton Lambeth stoneware advertising flagon with screw stopper, printed cartouche ‘Doulton Lambeth Bottles for Brewers and Distillers, made specially strong by patent process’, together with a James Stiff and Sons, Lambeth stoneware advertising dish, 7cm high (2)
£50 - £80
553 A Royal Doulton stoneware jardiniere on stand, tubelined in the Art Nouveau style with stylised foliate motifs, on a cylindrical pedestal base, 95cm high, 41cm diameter (2)
£80 - £120
554 A Doulton stoneware lemonade jug, cylindrical form with silver mount, relief moulded diaper design
£150 - £250
555 Florence Barlow for Doulton Lambeth, a pate sur pate stoneware vase, 1880, footed and shouldered form, decorated with garden birds on branches within beaded trefoil cartouches, between daisies on a slip decorated foliate ground, banded with raised rosettes and beading, impressed and incised marks, 30cm high
£100 - £150
556 Florence Barlow for Doulton Lambeth, a pate sur pate decorated stoneware vase, the central family of geese within naturalistic grass bordered cartouche, on a random slip decorated stylised tortoise and foliate sprig ground, impressed and incised marks, 23.5cm high
£100 - £150
550 Rober Wallace Martin for Martin Brothers, a stoneware jug, 1876, shouldered conical form, sgraffito decorated with a train of geese in a wetland scene, between relied moulded geometric bands, the conical neck with acanthus and spear lappets, incised marks 29, RW Martin, London 1-1876
£2,000 - £2,500
550A Charles Collis and Alice Louise Jones for Della Robbia, an Arts and Crafts art pottery vase, twin handled ovoid form sgraffito decorated with floral design £500 - £800
£150 - £250
557 Hannah and Florence Barlow for Doulton Lambeth, a stoneware moonflask vase, 1883, one side decorated in pate sur pate with a bird on grass, the other side sgraffito decorated with two dogs in an open landscape, on four fan scroll bracket feet, incised marks, 20cm high
558
558 Charles Noke for Royal Doulton, a Kingsware clock, pedestal form, with dial and movement, decorated with a Nightwatchman below Art Nouveau leaves, impressed marks, 30cm high £200 - £300
559 Dean for Thomas Forester and Sons, an Art Pottery slip decorated vase, circa 1910, waisted form, decorated with magnolia flowers on a teal blue ground, signed, printed marks, 28.5cm high £40 - £70
559A William Moorcroft, a miniature Haledine vase, circa 1905, shouldered form £600 - £800
560 Walter Moorcroft for Moorcroft, a Flambe Anemone plate, circular with everted rim, impressed marks and underglaze green monogram, 25.5cm diameter £50 - £100
561
561 John Wadsworth and Leon Solon for Minton, two Secessionist ware beakers, for the accession and Coronation of Edward VII, stencilled ciphers and dates 1901 and 1902, on mottled grounds, 11.5cm high (2) £60 - £80
562
562 Compton Pottery, a lighthouse lamp base, modelled in relief and painted, 30cm high
See: Calvert, H and Boreham L, 2019, Mary Seton Watts and the Compton Pottery, p.147 fig.8.31, for an illustrated example of this design £100 - £200
563 A pair of Carlton Ware Bluebells Rouge Royale vases, shouldered form, decorated with enamelled flowers highlighted in gilt on a red granite lustre ground, green interior, 15cm high (2) £120 - £180
559A
£200
563A
563A Clarice Cliff, a Green Hydrangea cup and saucer
£100 - £150
564
564 Clarice Cliff for Newport Pottery, a House and Bridge vase, model 365, angled ovoid form on conical foot, Fantasque Bizarre marks, 21cm high £800 - £1,200
564A
564A Clarice Cliff, a Woodlands cup and saucer
- £300
565
565 Clarice Cliff for Newport Pottery, an Orange Roof Cottage vase, model 365, angled ovoid form on conical foot, Fantasque Bizarre marks, 21cm high £600 - £800
566 Clarice Cliff for Newport Potter y, an Applique Avignon vase, large 356 shape, ribbed ovoid shouldered form, printed Bizarre marks, painted Applique, 18cm high
£1,500 - £2,000
566A Clarice Cliff, a Tennis plate, octagonal form
£1,500 - £2,000
567 Mabel Lucie Attwell for Shelley, a Boo Boo fairy in green riding a puppy, No.LA.12, printed and painted marks, 7cm high
£80 - £120
568 Louis Wain for Paragon China, aTinker Tailor series babys plate, printed with the Busy Tailor in blue green and yellow, 18cm diameter
£80 - £120
569 Eric Ravilious for Wedgwood, an Elizabeth II commemorative Coronation mug, 1953, pink border, 10cm high
£50 - £80
566
RUSKIN POTTERY
570 Ruskin Potter y, two miniature Crystalline vases, circa 1930, shouldered form and squat onion form, one of matte blue over orange, the other mottled blue over a grey body, impressed marks and paper label to one, 4cm high (2) £40 - £60
571
571 Ruskin Pottery, three miniature Crystalline vases, circa 1930, including ginger jar, gourd vase and barrel form vase, each with curtain banded cream over speckled blue, impressed marks, 4cm high (3) £70 - £100
572 Ruskin Pottery, a Crystalline vase, 1930, hexagonal section plinth form, streaks of green over orange over blue, impressed marks and incised Howson Taylor signature, 16.5cm high £50 - £80
573
573 Ruskin Pottery, a Crystalline glazed mantle clock, circa 1932, cuboid plinth form, green speckled orange over blue streaky glaze, impressed marks, 24.5cm high £100 - £150
574 Ruskin Pottery, a Crystalline glazed vase, 1932, gourd form, banded oatmeal over orange over streaky blue, impressed marks, incised Howson Taylor signature, 23.5cm high £70 - £100
566A
575 Ruskin Potter y, three tubelined Crystalline glazed vases, circa 1932, including a near pair of bulbous bottle form vases and another, each in mottled turquoise with raised bands of floral vines, impressed marks, 16.5cm high (3) £80 - £120
576 Ruskin Pottery, a Crystalline glazed lamp base, circa 1932, square section plinth form on bracket foot, bands of streaky blue and cream, impressed marks, 21cm high £40 - £70
577 Ruskin Potter y, a Crystalline glazed lamp base, circa 1932, hexagonal section trumpet form on bracket feet, mottled blue over matte green, with bakelite fitting, impressed marks, 23cm high £60 - £80
578
578 Ruskin Pottery, a Crystalline glazed candlestick and a box and cover, 1931, each of hexagonal section, bands of turquoise over cream, impressed marks, 20cm high (2) £50 - £80
579
579 Ruskin Pottery, an Aventurine Crystalline glazed vase, 1911, bulbous form with trumpet neck, copper mica included glaze, impressed marks, 16.5cm high £80 - £120
580 Ruskin Potter y, a Lustre glazed vase, 1927, flared conical form, pink hares fur, impressed marks, 24cm high
Provenance: Phillips sale K1420, lot 448 £50 - £80
=581 Ruskin Pottery, two Orange Lustre vases, circa 1915, including a footed beaker vase and a shouldered ovoid vase, impressed marks, 17cm high (2)
See: Atterbury, P. and Henson, J., 1993, Ruskin Pottery, p.78 for an illustration of the footed vase; Albert E Wade collection, Sotheby’s 8th November 2002, lot 334 £60 - £100
582 Ruskin Pottery, a Lustre glazed vase, 1924, shouldered form, lavender hares fur glaze, impressed marks, 26cm high £50 - £80
583 Ruskin Pottery, a collection of Lustre tea wares, circa 1920s, in lavender glaze, including teapot, two cups and saucers, muffin dish and cover and covered sucriere, impressed marks (7)
£150 - £250
584 Ruskin Pottery, two Lustre glazed vessels, 1923 and 1926, including a bulbous vase with trumpet neck and a pedestal jug, in metallic hares fur glaze, impressed marks, 11.5cm high (2)
Note: the vase has the Albert E Wade Collection label, Sotheby’s 2002 £50 - £80
585
585 Ruskin Pottery, a Lustre glaze reticulated ginger jar and cover, 1924, ovoid form with four six petal rosettes, metallic bronze hares fur iridescent glaze, impressed marks, paper retail labels, 9.5cm high
Provenance: Albert E Wade collection, Sotheby’s 2nd May 2002, lot 295; see Atterbury,P. and Henson, J., 1993, Ruskin Pottery, p.78 for an illustration of this ‘caddy’ £80 - £120
586 Ruskin Potter y, a large Kingfisher blue lustre vase, 1919, shouldered form, matte iridescent glaze, impressed marks, 36cm high £300 - £500
587
587 Ruskin Pottery, a Kingfisher blue lustre vase, 1925, bulbous form with elongated cylindrical neck and everted rim, crystalline iridescent glaze, impressed marks, 24cm high £200 - £400
588 Ruskin Pottery, a Kingfisher blue lustre bowl and cover, 1922, footed ogee form with sweeping lid and pear form finial, speckled iridescent gloss over matte glaze, impressed marks, 12cm diameter £150 - £200
589
589 Ruskin Pottery, a Kingfisher blue lustre vase, 1922, bulbous form, matte orange peel iridescent glaze, impressed marks, 27cm high £180 - £220
590 Ruskin Pottery, a Kingfisher blue lustre ginger jar and cover, 1915, shouldered ovoid form, iridescent matte glaze, impressed marks, 21cm high
£200 - £400
591 Ruskin Pottery, a Kingfisher blue lustre vase, circa 1912, elongated shouldered and footed barrel form, marbled gloss and matte crystalline glaze, impressed marks, 16cm high £80 - £120
592
592 Ruskin Potter y, a Kingfisher lustre vase, 1921, shouldred barrel form, with everted rim, mottled matte and gloss glaze, impressed marks, 23cm high £180 - £220
593 Ruskin Pottery, a Kingfisher blue lustre vase, 1927, conical baluster form, high gloss iridescent glaze, impressed marks, 25cm high £120 - £180
594 Ruskin Pottery, a Kingfisher blue lustre potpourri bowl and cover, circa 1913, footed runded form with reticulated ogee domed lid, pierced with six rosettes of heart shaped petals, pear shaped finial, iridescent matte crystalline glaze, ipressed marks, 15cm diameter
£200 - £300
595 Ruskin Pottery, a Kingfisher blue lustre vase, 1922, conical ovoid form, iridescent matte crystalline and high gloss glaze, impressed marks, 12cm high £150 - £200
596 Ruskin Pottery, a Kingfisher blue lustre vase, 1912, lily or flared sleeve form, matte iridescent glaze impressed marks, 19cm high £100 - £150
597 Ruskin Pottery, a Kingfisher blue lustre vase, 1913, tapered and shouldered form, matte iridescent crystalline type glaze, impressed marks, 21.5cm high £150 - £250
598. Ruskin Pottery, a Kingfisher blue lustre vase, 1921, conical bulbous form with wide everted rim and neck, matte iridescent glaze, impressed marks, 10.5cm high £70 - £100
599
599 Ruskin Potter y, a Kingfisher blue lustre vase and a cover, 1920, inverted conical shouldered form, with reticulated Chinese style carved hardwood lid, gloss and matte orange peel glaze, impressed marks, 26.5cm high £180 - £220
600 Ruskin Pottery, a pair of Kingfisher blue lustre candlesticks, 1917, tapered trumpet form with poppy head sconces, matte glazed, impressed marks, 12.5cm high (2) £200 - £400
601 Ruskin Potter y, a black matte glazed vase, 1917, shouldered form, painted with sprigs of wild flowers, silver painted marks, 19.5cm high
Provenance: Albert e Wade Collection; Sotheby’s London 2nd May 2002
£150 - £250 602
602 Ruskin Pottery, a Souffle glazed clock face, relief moulded with Arabic numerals, green glaze, unmarked, 12.5cm diameter
£70 - £100
603
603 Jesson, Birkett and Co for Ruskin Pottery, a copper mounted claret jug, circa 1905, flared bulbous form with bisected coiled tendril handle and two bands, the planished lid with soled strap thumbpiece, brown glazed body painted with a band of grape vines, 26cm high
Note: Birmingham metalworked Jesson, Birkett and Co., took over the patent for copper patination developed by Llewelyn Rathbone, and later adopted by A E Jones.
See Atterbury, P and Henson, J, 1993, Ruskin Pottery, p.65 for an illustrated example of a similar jug of the same shape.
£150 - £250
604
604 Ruskin Potter y, a miniature Souffle glazed vase, shouldered ovoid form, circa 1905, mottled green over apple green with brown curtain band, paper label underside, 4cm high
£70 - £100
605
605 Ruskin Pottery, a Souffle glazed vase, circa 1901, shouldered form, painted seaweed design on a turquoise blue ground, impressed monogram and Leadless Glaze mark, painted scissors, 10.5cm high £70 - £100
606. Ruskin Pottery, a pair of candlesticks, 1924, sweeping trumpet form, mottled semi lustre souffle type glaze, impressed marks, 16.5cm high (2)
Provenance: Albert E Wade Collection number 254; Sotheby’s 2022 £150 - £250
607 Ruskin Potter y, a Souffle glazed pot, with a silver cover, circa 1914, waisted drum form with blue green glaze, the lid later, marked Sheffield 1942, impressed marks, 10cm high £50 - £80
608
608 Ruskin Pottery, a pair of slip stencilled Souffle Glaze vases, circa 1901, shouldered form, decorated with stylised daisy sprigs in turquoise on a green ground, impressed monogram and painted scissor marks, 21.5cm high (2) £150 - £250
609 Ruskin Pottery, a small Souffle Glaze vase, 1905, inverse baluster form, duck egg blue speckled over brown, impressed mark, 10.5cm high £70 - £100
610 Ruskin Pottery, a vine painted vase, circa 1903, shouldered form, painted with fruiting grape vine, bown souffle type glaze, impressed monogram and painted scissor marks, 20.5cm high
Provenance: Bonhams, Knowle, 8th June 2010, lot 357 £40 - £70
611 Ruskin Pottery for Shreve and Co., a silver overlay Souffle Glaze bowl, circa 1905, shouldered ovoid form, painted with entwined trailing vines and applied silver floral motifs, the interior rim with radiating segment motifs, lavender shot purple ground, painted scissor mark, 19cm diameter £500 - £800
612 Ruskin Pottery, a Souffle glazed vase, 1911, inverse baluster form with cylindrical neck, green spotted over streaky blue, impressed marks, 23.5cm high £100 - £150
613
613 Ruskin Pottery, a Souffle Glaze twin handled water lily vase, circa 1901, squat flared double gourd form with strap handles, curdled pale blue over dark blue, green interior, impressed Taylor and painted scissors mark, 15cm high
Provenance: Albert E Wade Collection; Sotheby’s, London, 2002 £150 - £250
614 Ruskin Pottery, a Souffle glazed vase and cover, 1906, shouldered form with shallow domed lid, lilac over pink hares fur glaze, impressed marks, 11cm high £80 - £120
615 Ruskin Pottery, a collection of Souffle glazed roundel plaques and buttons, various colours, some stamped marks, 7cm diameter (7)
Provenance: some from Sotheby’s 8th November 2002, lot 282 £80 - £120
616 Ruskin Pottery, a pair of Souffle Glaze twin handled vases, circa 1901, shouldered inverse baluster form with high strap handles, blue streaky glaze, ipressed monogram and painted scissors, 16cm high (2) £200 - £400
617 Ruskin Pottery, a Souffle glazed vase, 1905, flared trumpet form, pink hares fur glaze, impressed marks, 18.5cm high
£80 - £120
618 Ruskin Pottery, a pair of Souffle glazed candlesticks, circa 1903, trumpet form with poppy head sconces, green glaze, impressed monograms, 18cm high (2)
£80 - £120
619
619 Ruskin Pottery, a Souffle glazed vase, 1905, shouldered cylindrical form, fissured orange over speckled green ground, impressed oval mark, 23cm high
Note: see Atterbury, P. and Henson, J, 1993, Ruskin Pottery, p.39, for an illustration of this vase £150 - £250
620
620 Ruskin Pottery and A E Jones, a copper mounted Souffle Glaze vase, 1914, shouldered form with applied laurel wreath mount to the rim, purple ground, impressed marks, 20cm high
£300 - £500
621 Ruskin Pottery, a miniature Souffle Glazed vase, circa 1920s, cylindrical necked bulbous form, marbled red and pink glaze, impressed marks, 3cm high
£100 - £200
622 Ruskin Pottery, a miniature glazed vase and stand, circa 1930, gourd bottle form on a foour bracket footed stand, marbled turquoise over yellow ochre souffle type glaze, impressed marks, 5.5cm high (2)
£100 - £200
623
623 Ruskin Pottery, a Souffle Glazed vase, circa 1900, bulbous form, mottled blue over green, turquoise green interior, impressed monogram marks, 20cm high
£100 - £150
624 Ruskin Pottery, a High Fired egg cup, 1925, the ogee form bowl with integrated dish, lavender and red sang de boeuf with oxide speckles, impressed marks, 17.5cm diameter £100 - £200
625 Ruskin Pottery, a miniature High Fired vase, circa 1920s, shouldered ovoid form, green oxide speckled over lavender tinted sang de boeuf flambe, impressed mark, 3.2cm high £100 - £150
626
626 Ruskin Pottery, a small High Fired vase, circa 1925, elephant foot form, white with green oxide speckles, over remnants of red sang de boeuf flambe and blue to the foot, clusters of crystalline to one side and crystalline to the interior, impressed marks, 8.5cm high £150 - £250
627 Ruskin Pottery, a High Fired plaque and two buttons, each in lavender shot sang de boeuf flambe, including diamond form, navette and circular, impressed marks, 8.5cm long (3)
Provenance: Albert E Wade Collection; Sotheby’s 8th November 2002, part of lots 363 and 282 £60 - £80
628
628 Ruskin Pottery, a High Fied eggshell bowl, 1922, footed rounded form, the interior turquoise, the exterior in sang de boeuf flambe, impressed marks, 10cm diameter £150 - £250
£150 - £250
629 Ruskin Pottery, a High Fired scent bottle, circa 1920s, cuboid form with bun stopper, red sang de boeuf glaze, impressed marks, 13cm high
630 Ruskin Pottery, a High Fired inkwell, 1915, cylindrical drum form with disc lid, the main body with brown speckled grey ground, banded to the shoulder and lid with sang de boeuf flambe, impressed marks, 6cm high
£150 - £250
631
631 Ruskin Pottery, a High Fired vase or lamp stand, circa 1920s, fluted octagonal bracketed form, green oxide speckled over pale sang de boeuf flambe glaze, impressed marks, recess 12.5cm diameter, overall 24cm diameter
634
£150 - £250
632
634 Ruskin Pottery, a High Fired vase and cover, 1905, of temple jar form, inverse baluster with domed lid, green turquoise oxide spots over a blue marbled flambe ground with textured rustication, impressed marks, 20cm high £500 - £800
635 Ruskin Pottery, a High Fired vase or lamp stand, circa 1920s, square section with four corner buttress bracket feet, grey over sang de boeuf flambe glaze, impressed marks, recess 15.5cm diameter, overall 23.5cm diameter
£150 - £250
636 Ruskin Pottery, a High Fired candle holder, 1931, flared circular dish form with central conical sconce, red and lavender sang de boeuf flambe with green oxide speckles, impressed marks, 13cm diameter
£150 - £250
632 Ruskin Pottery, a High Fired egg shell bowl, circa 1904, shallow rounded form with cylindrical foot, turquoise oxide spotted orange peel and hares fur over purple flambe glaze, painted scissor marks, 17.5cm diameter
£300 - £500
633
633 Ruskin Pottery, a High Fired vase or lamp stand, circa 1920s, waisted circular form with incised bands of chevrons, wave and foliate vine motifs, on five bracket feet, sang de boeuf flambe with purple highlights, impressed marks, recess 16.5cm diameter, overall 21cm diameter
Provenance: Nick Rocke Collection, Woolley Wallis, 25th February 2015, lot 131
£150 - £250
637 Ruskin Pottery, a High Fired vase, 1925, elongated bulbous bottle form with flared trumpet neck, purple over sang de boeuf flambe glaze, impressed marks and paper label for High Temperature Flambe, 20.5cm high £200 - £400
638 Ruskin Pottery, a High Fired scent bottle and stopper, 1927, conical form with screw top denticulated coronet lid, dove grey draining to sang de boeuf with oxide speckles, cork seal to the lid, impressed marks and original paper label, 19.5cm high
£200 - £400
639
639 Ruskin Pottery, a large High Fired vase, 1926, slender inverse baluster form, pale blue hares fur over sang de boeuf flambe, impressed marks, 35.5cm high £300 - £500
640
640 Ruskin Pottery, a High Fired teapot, 1926, footed ovoid form, red sang de boeuf flambe draining to purple with green oxide speckles, impressed marks, 21cm long
Provenance: William Howson Taylor Collection
£300 - £500
641 Ruskin Pottery, a High Fired vase, 1926, squat double gourd form, green speckled purple and sang de boeuf flambe glazed, impressed marks, 13.5cm high £700 - £1,000
642
642 Ruskin Pottery, a small High Fired vase, 1933, ovoid conical form, green oxide speckled sang de boeuf flambe glaze, impressed marks, 7.5cm high
£120 - £180
643
643 Ruskin Pottery, a High Fired vase, 1910, shouldered barrel form, deep sang de boeuf glaze with blue mottled band to the foot, impressed marks, 28.5cm high
Provenance: Albert E Wade Collection; Sothebys, 8th November 2002, lot 311
£500 - £800
644
644 Ruskin Pottery, a High Fired vase, circa 1909, bulbous form with long cylindrical neck and flared rim, green mottled and fissured glaze with patches of red purple sang de boeuf flambe to the lower body, impressed marks, 30cm high
£800 - £1,200
645 Ruskin Pottery, a High Fired vase, 1905, spherical bulbous form with elongated neck, sang de boeuf sealing wax flambe glaze, impressed oval mark, 17.5cm high
Note: illustrated in the 1905 Ruskin catalogue; also illustrated in Atterbury, P and Henson, J, 1993, Ruskin Pottery, p.57; Albert E Wade Collection, Sotheby’s 2002
£200 - £300
646
646 Ruskin Pottery, a High Fired bowl and a stand, 1926 and 1925, the bowl of rounded form with ncised chevron band, blue hares fur over mottled sang de boeuf flambe, the stand of similar glaze, incised and carved with lozenge and wave banding, geometric foliated bracket feet, impressed marks, 28cm diameter (2)
£500 - £800
647 Ruskin Pottery, a High Fired vase, circa 1927, slender shouldered barrel form, marbled dove grey with flame curtain bands of blue and sang de boeuf flambe hares fur, impressed mark, 16cm high
£500 - £800
648
648 Ruskin Pottery, a High Fired vase, 1933, conical double gourd form, green speckled white over red sang de bouef flambe glaze, impressed marks and incised Howson Taylor signature, 20cm high
£600 - £800
649 Ruskin Pottery, a High Fired vase, 1906, spherical form with long flared neck, turquoise flambe speckled glaze with fruit skin texture, impressed marks, 25cm high
£600 - £800
650
650 Ruskin Pottery, a High Fired jug, 1932, ovoid form with applied handle, green oxide speckles over purple and sang de boeuf flambe glaze, impressed marks and Howson Taylor incised signature, 16cm high £300 - £500
651
651 Ruskin Pottery, a High Fired vase, 1912, conical bulbous form with flared trumpet neck, dark sand de boeuf flambe over grey with fissured neck and rim, impressed marks, 21.5cm high £400 - £600
652 Ruskin Pottery, a large High Fired vase, 1924, lily or flared sleeve form, curtains of flamed purple sang de boeuf over dove grey flambe glaze, impressed marks, 38cm high £600 - £800
653 Ruskin Pottery, a very large High Fired vase, 1926, conical bulbous form with long cylindrical neck and flared rim, red over white sang de bouef flambe glaze, impressed marks, 41.5cm high
Provenance: Birmingham useum and Art Gallery loan 1939
£1,500 - £2,500
654 Ruskin Pottery, a High Fired lamp base, circa 1930, shouldered cylindrical form with ogee domed cover, on a square section four bracket stand, dove grey draining to a green oxide spotted purple over red sang de boeuf flambe glaze, impressed marks, ceramic 31cm high, 44cm high to fitting £600 - £800
655
655 Ruskin Pottery, a High Fired vase, circa 1920s, shouldered form, matte textured truqoise whoulder with oxide speckles over a mottled lavender ground, impressed marks, 20cm high
Provenance: Albert E Wade Collection; Sotheby’s London, 2nd May 2002 £800 - £1,200
656 Ruskin Pottery, a High Fired vase, 1933, lily or flared sleeve form, green speckled purple over sang de bouef flambe glaze, impressed marks, 29.5cm high
Provenance: Richard Dennis Ruskin exhibition 5th August 1987, number 520 £600 - £800
657
657 Ruskin Pottery, a High Fired twin handled vase, circa 1930, cylindrical shouldered form with angled handles, green oxide speckles over purple and sang de boeuf flambe glaze ground, impressed marks, 26cm high
Provenance: Albert E Wade Collection; Sotheby’s, London, 2nd May 2002, lot 384; Sotheby’s, London, 13th August 2003, lot 245
£800 - £1,200
658 Ruskin Pottery, a High Fired vase, 1920, shouldered form, marbled purple hared fur over white sang de bouef flambe with pooled turquoise splatters, impressed marks 15cm high
£700 - £1,000
659 Ruskin Pottery, a High Fired vase, 1920, conical bulbous form with flared trumpet neck, purple hares fur over white sang de boeuf flambe, impressed marks, 15cm high £400 - £600
660
660 Ruskin Pottery, a small High Fired vase, 1909, trumpet necked ovoid form, lilac hares fur with bands of green and oxide spots, impressed marks, 7.5cm high £150 - £250
661
661 Ruskin Pottery, an experimental High Fired vase, 1926, double shouldered cylindrical form, green oxide mottled with traces of red flambe to the interior rim, impressed marks, 22cm high
Provenance: William Howson Taylor Collection; Exhibited Birmingham City Museum and Art Gallery, Taylor Made, 1976, number B71; Ferneyhough Collection; Sotheby’s London, 20th April 1993, lot 30; Albert E Wade Collection; Sotheby’s London 8th November 2002, lot 383 £300 - £500
662 Ruskin Pottery, a High Fired vase and a stand, 1933, lily or flared sleeve form, green oxide speckled over pale sang de boeuf flambe glaze, the stand of sweeping octagonal bracketed form in the Oriental style, similarly decorated, impressed marks, overall 17.5cm high (2) £700 - £1,000
663 Ruskin Pottery, a miniature High Fired vase, circa 1920s, conical form with three buttress ribs to the shoulder, pale sang de boeuf falmbe with green oxide speckles, impressed mark, 4cm high £100 - £200
664 Ruskin Pottery, a High Fired vase, 1905, lily or flared sleeve form, green oxide speckled over sang de boeuf flambe to one side, impressed marks, 29cm high
Provenance: Phillips, 22nd October 1997, lot 557 £700 - £1,000
STUDIO POTTERY
665
665 Michael Cardew for Winchcombe, a studio pottery flagon, early 20th century, shouldered form, slip glazed and sgraffito decorated with wavy line band, impressed marks and makers seal, 19.5cm high £100 - £200
666 Michael Cardew for Wenford Bridge, a studio pottery handled dish and cover, circa 1950, squat rounded form, impressed pottery and personal seal marks, 18cm long £80 - £120
667 Philip Leach (British, 1947), a Springfield studio pottery globular vase, painted crabs against blue rings, signed, 25cm high £100 - £150
668 Michael Casson, a studio pottery jug, slender elongated barrel form, blue glazed with fluted banding to the rim, applied loop handle, impressed marks, 34cm high £50 - £100
669
669 Michael Casson, a large studio pottery salt glazed jug, ovoid form with wide neck, incised vertical wave design to the body, impressed mark, 40.5cm high £100 - £200
£50 - £80
670 Michael Casson, a studio pottery jug, elongated barrel form, gray blue glazed with abstract painted plash motifs, applied loop handle, impressed marks, 26cm high
671 Michael Casson, three studio pottery salt glazed stoneware jugs, obe of slender elongated barrel form, brown glazed, another of ovoid form with patched glaze decoration, applied loop handles, impressed marks, 26.5cm high (3)
£100 - £200
672
678
678 Derek Clarkson (Brtiish, 1928-2013), a thrown stoneware bottle with flattened sides, (front and back), decorated with a cobalt blue brushwork with highlights of tenmoku dots and burnished gold, stamped D.C. and 1989 seal, 19cm high £80 - £120
679 Janice Tchalenko, a studio pottery stoneware Leopard vase, circa 1988, square mouthed cylindrical form, 18.5cm high
£40 - £70
680 Anne James (Br itish, 1937), a smoked fired vessel, mounted on a black ceramic base, decorated with coloured slips and gold, sgraffito signature A.J to base, 16cm high
£60 - £80
£100 - £200
672 Michael Casson, a large studio salt glazed stoneware jug, shouldered and waisted form, with random patch decoration, impressed marks, 43cm hgh
681 Mary Rich (British, 1940-2022), a stoneware jug, dish, and two mugs, all early pieces with maker’s impressed M mark near the bases, largest 25cm high (4).
Note: Artist Resale Rights apply £60 - £80
673 Michael Casson, a large studio pottery salt glazed stoneware jug, barrel form with pulled spout, random patch decoration to the mid and upper sections, impressed marks, 37.5cm hgh
£100 - £200
682 David White (British, 1934-2011), a carved rim porcelain bowl, decorated with a light turquoise crackle glaze, sprigged D.W. maker’s mark beneath the base, 9cm high.
Note: Artist Resale Rights apply £60 - £80
£300 - £500
674 David Frith (British, 1943), a large stoneware bottle vase, decorated with a Chun blue over wax resist and a Tenmoku glaze, stamped with both the Brook House seal and personal mark D.F, 50cm high
683 David White (British, 1934-2011), a porcelain narrownecked bottle vase, decorated with a blue crackle glaze, sprigged D.W. maker’s mark beneath the base, 22cm high.
Note: Artist Resale Rights apply £80 - £120
£60 - £80
675 Margaret Frith (Br itish, 1943), a tall/slender porcelain bottle, decorated with an off-white glaze with copper reds to the front plus brushwork, stamped with Brook House seal and personal mark M.F., 41cm high
676 John Master ton (British, 20th/21st Century), a copper red stoneware bowl and a celadon bowl, largest 18cm diameter (2)
£50 - £80
677 Robin Welch (British, 1936-2019), a cylindrical vase, decorated with a white glaze over a textured clay, stamped R.W. to the base, 13cm high.
Note: Artist Resale Rights apply
£80 - £120
684 Chris Carter (British, 1945), a thrown and altered Cycladic vase, decorated in a silicon carbide glaze on the exterior with an iron slip inside, maker’s mark C.C. sprigged to the base, 19cm high.
Note: Artist Resale Rights apply £80 - £120
685 Chris Carter (British, 1945), a thrown and altered vase, decorated in a silicon carbide glaze on the exterior with a matt brown tenmoku glaze inside, maker’s mark C.C. sprigged to the base, 18cm high.
Note: Artist Resale Rights apply £80 - £120
686
686 Christy Keeney (British, 1958), a female head in low relief looking left, mounted on a wooden base, signed C. Keeney to rear, 26cm high.
Note: Artist Resale Rights apply
£80 - £120
687
687 Christy Keeney (British, 1958), a female head in low relief looking right, mounted on a wooden base, signed C. Keeney to the rear, 28cm high.
Note: Artist Resale Rights apply
£80 - £120
688 Sasha Wardell (British, 1956), a large slip cast bone china vase, smooth white inside with a repeating low relief hand-polished design to the exterior, sgraffito personal mark S.K.W. to base, 24cm high £80 - £120
689 Mary Rich (British, 1940-2022), a stoneware canehandled teapot and cover, decorated with a pale white glaze with flashes of copper red, maker’s mark M impressed near base, 21cm high.
Note: Artist Resale Rights apply
691 Chris Carter (British, 1945), a thrown vase with a tapered shoulder, decorated with a silicon carbide glaze on the exterior and a matt brown glaze/slip inside, maker’s mark C.C. sprigged to the base, 13cm high.
Note: Artist Resale Rights apply
£80 - £120
692 David White (British, 1934-2011), a carved rim porcelain bowl, decorated with a pale grey crackle glaze, sprigged D.W. maker’s mark beneath the base, 11cm high.
Note: Artist Resale Rights apply
£60 - £80
690 Chris Carter (British, 1945), two tenmoku bowls, maker’s mark to the base, and a vase with Draycott Manor label underneath, largest 12cm high (3).
Note: Artist Resale Rights apply
£50 - £80
£100 - £150
693 David White (British, 1934-2011), a carved rim porcelain bowl, decorated with a lavender crackle glaze, sprigged D.W. maker’s mark beneath the base, 10.5cm high.
Note: Artist Resale Rights apply £80 - £120
694 Edmund de Waal (British, 1964), an early stoneware jug, tenmoku glaze exterior with a fine flecked light grey interior glaze, 18cm high £80 - £120
695 Edmund de Waal (British, 1964), an early stoneware vase, tenmoku glaze exterior with a fine flecked light grey interior glaze, 25cm high £100 - £150
696 Edmund de Waal (British, 1964), an early stoneware lidded jar with triple lugs, 23cm high
£100 - £150
697 Peter Hayes (British, 1946), a raku fan-tailed sculpture, mounted on a polished slate plinth, signed Peter Hayes to the side of the base, 38cm high.
Note: Artist Resale Rights apply £120 - £150
698 Andrew Hill (British, 1964), a large rake plate with black rim, signed A.H. to base, 45cm diameter £80 - £120
699 Jane Hamlyn, a studio pottery salt glazed stoneware dish, quatrelobed form with reeded handles and corner bracket feet, incised with combed cross hatch pattern, blue green glazed, impressed seal mark, 34cm wide £100 - £200
700
700 Steve Harrison, a studio pottery mug, 2000, the tapered white glazed body with plate mounted salt galzed handle, impressed marks, 7cm high
£80 - £120
701 Steve Harrison, a studio pottery salt glazed stoneware chamber stick, 2000, cylindrical form on stepped and splayed foot, with disc side handle, the sconce in silver plate, 15cm high
£80 - £120
702
702 Steve Harrison, a studio pottery teapot, 2001, white glazed stoneware, inverse squat baluster form, the finial with plated mount in salt glaze, impressed marks, 18.5cm long £100 - £200
703
703 Steve Harrison, a studio pottery salt glazed stoneware tea set, 2002, in fitted mahogany tea chest, including octagonal section spherical teapot, and two rounded pedestal tea bowls, wooden lidded compartment, impressed marks, teapot 18cm long £300 - £500
704 Steve Harrison, a studio pottery jar and cover, 2000, white glazed cylindrical form with dimpled side, the domed with with lobed rosette and salt glazed wing nut finial, 21cm high £200 - £400
705 Steve Harrison, a studio pottery teapot, 2000, salt glazed stoneware, squat tapered cylindrical form with plated mounts and white ceramic handle and finial, impressed marks, 19cm long £120 - £180
706 Steve Harrison, a studio pottery teapot, 2000, blue salt glazed stoneware, squat tapered cylindrical form with plated mounts and white ceramic handle and finial, impressed marks, 21cm long £120 - £180
707 John Maltby (British, 1936-2020), an easel stoneware mirror, decorated with low relief trees and a folly, stamped to the front with S.P (Stoneshill Pottery) and M (Maltby) mark, 24cm high.
Note: Artist Resale Rights apply £120 - £150
708 Steve Harrison, a studio pottery salt glazed stoneware tea caddy, 2000, cylindrical form with beaded and incised line banding, dimpled to one side, the domed lid with rosette motif, impressed marks, 14cm high £150 - £250
706
707
709 Steve Harrison, a large studio pottery salt glazed stoneware jar and cover, 2001, footed ovoid form with impressed dimple side, the lid with a beaded band and white ceramic finial with plated mounts, 24cm high £200 - £400
710
710 Walter Keeler, a studio pottery salt glazed jar and cover, oval section pale blue glaze, circular conical lid with stepped cone finial, applied concentric ring mark, 23cm high £120 - £180
711 Walter Keeler, a studio pottery salt glazed teapot, squat ovoid body in matte blue with disc lid, applied tubular salt glazed handle and wavy spout, impressed concentric ring mark, 26.5cm long £150 - £250
712 Walter Keeler, a studio pottery salt glazed stoneware teapot, the spherical body with baluster cone spout and domed lid, applied tubular handle, in dark brown glaze, impressed WK mark, 20cm high £200 - £400
713 Walter Keeler, a studio pottery salt glazed stoneware teapot, geometric cylindrical drum form with tubular top handle, tapered spout and stepped disc lid, applied concentric ring mark, 21.5cm high £200 - £400
714 Walter Keeler, a studio pottery salt glazed stoneware jug, lop sided cylindrical form with wide lip, impressed concentric ring marks, 11cm high £50 - £80
715 Walter Keeler, a studio pottery salt glazed stoneware jug, oval section helmet form with S form strap handle and wide lip, applied concentric ring mark, 24.5cm high £100 - £200
712
713
714
715
716 John Maltby (British, 1936-2020), a rare triangular dish, decorated with green and orange enamelled floral motifs, triple feet, signed Maltby, 31cm wide.
Note: Artist Resale Rights apply
£300 - £500
717 John Maltby (British, 1936-2020), a tall slab-sided vase with a deep tenmoku glaze inside and poured glazes to the exterior, Wells Cathedral cross to both sides, stamped M to the side, 32cm high.
Note: Artist Resale Rights apply
718
718 John Maltby (British, 1936-2020), bird and three fish sculpture, signed Maltby and dated 2010, 36cm high.
Note: Artist Resale Rights apply £450 - £550
719 John Maltby (British, 1936-2020), a strap-handled dish, decorated inside with a soft red floral motif, triple feet, signed Maltby, 20cm wide.
Note: Artist Resale Rights apply
£350 - £450
£150 - £200
720
720 John Maltby (British, 1936-2020), a strap-handled sculptural vase, decorated with a tenmoku glaze and a flying bird, signed Maltby to the base, 39cm high.
Note: Artist Resale Rights apply £350 - £450
BRITISH CERAMICS
725 A Copeland sprigged cameo Golfers jug, circa 1899, shouldered helmet form, green ground, applied with relief moulded golfers in the Jasperware style, printed mark, 15cm high
£80 - £120
721 H Ayrton for Royal Worcester, a fruit painted potpourri vase and cover, lobed ovoid form with relief moulded foliate arcading, decorated with apples and blackberries, reticulated lid, signed, 18.5cm high
£300 - £500
722
726 A salt glazed stoneware figural novelty hat pin stand, probably 19th century Chesterfield, modelled as the head of Marie Antoinette, the socle base with a Rococo cartouche, 12cm high
£40 - £70
722 George Jones, a majolica comport, the tricorn base modelled in relief with masks of fox, dog and hare, three gnarled branches supporting a tazza plate of flowering bamboo type shoots with ribbon border, 20cm high
£600 - £800
723 Three Prattware printed pot lids including On Guard and The Times (3)
727
£20 - £40
724 A MacIntyre printed jug Gentleman in Khaki, barrel form
£100 - £200
727 A Leeds creamware mask head milk jug, circa 1780, of barrel form, turned banding with crossover foliate terminal handle, 10cm high
£70 - £100
725
726
728 A pair of Wedgwood creamware plates, circa 1770, Liverpool printed in black with fancy birds, each of a different central design, within ogee fluted and paneled borders, 24cm diameter (2)
£80 - £120
729 Wedgwood for Humphrey Taylor & Co, London, a pair of buff green jasper dip liqueur bottles and stoppers, late 19th Century, onion and shaft form with sprigged classical maidens, impressed and printed marks, 26cm high (2) £100 - £150
730
736 A Swansea creamware reticulated plate, monochrome decorated with a central spreadeagle crest within a grape and vine border, interlaced trellis rim, 24.5cm long £50 - £100
730 A Wedgwood Capri ware coffee pot, circa 1810, terracotta ground baluster form, decorated with enamelled and gilt Chinese floral sprigs, impressed marks Wedgwood, 15.5cm high
£40 - £60
731
731 A Bristol porcelain tea bowl, circa 1760s, painted with entwined ribbon and floral garlands, incised and painted cross mark, 7.5cm diameter £50 - £80
732 An English porcelain relief moulded Bee and Goat jug, Chelsea triangle mark to the underside, polychrome decorated with flowers and insects to the baluster body, naturalistic branch handle, 11.5cm high £100 - £150
733 A Chelsea figure of a ewe standing before boccage, circa 1760, modelled on a Rococo scroll base with bracket feet, gold anchor mark, 11.5cm high £50 - £100
734
734 A Chelsea porcelain Hans Sloane type basket, reticulated basket weave boat form, Rococo foliate scroll and trellis border, painted with various fruit specimens and insects, on bracket feet, red anchor mark, 26.5cm long £200 - £300
735 A Swansea floral painted spill vase, circa 1820, decorated with floral sprays, with gilt eagle head ring handles and square pedestal base, 10cm high, together with a Chamberlain’s Worcester porcelain sucriere, circa 1795, of oval form with a spiral fluted body and domed lid and finial, decorated with moulded ring handles and delicate gold and cobalt blue sprigs and borders, 12cm high (2)
737 A pair of early 19th Century Swansea porcelain urn shaped vases, circa 1815, with twin rams head handles united by florally encrusted bisque swags, painted with roses on a gold ground, with dentil gilding to the rim and foot, iron red Swansea mark to the base, 15cm (2)
See Jones, A E and Joseph, L, 1988, Swansea Porcelain, Shapes & Decoration`p.127, fig.3; Morton Nance, E., 1942, The Pottery & Porcelain of Swansea & Nantgarw, pl.CII, C, for illustrations of this vase design £800 - £1,200
£50 - £100 736
738
738 Richard Chaffers, Liverpool, a blue and white porcelain coffee cup, circa 1760, relief moulded chrysanthemum body with painted foliate peony design, 5.5cm high £100 - £150
745 Three 19th century Prattware sponge decorated pottery cow creamers, modelled on platform bases, two with milkmaid figures, in the Whieldon style, 20cm long (3) £80 - £120
739 An early Worcester blue and white coffee cup, workmans mark, circa 1755, feather moulded with floral sprig design, C scroll handle, 6.5cm high
£40 - £70
740 English blue and white porcelain tea ware including Worcester, a soft paste florally encrusted quatrelobed tea bowl and saucer, possibly St Cloud, etc. (5)
£40 - £70
741 A small Lowestoft blue and white sparrow beak jug, of early form circa 1765, baluster form with pointed handle, in the Island and House pattern, numeral 8 painters mark, 8cm high
£70 - £100
742 A Lowestoft milk jug and cover, pseudo Worcester crescent mark, circa 1775, sparrow beak baluster form painted in the Mansfield pattern, the lid with a bud finial, 13cm high
£150 - £250
743
746 Four 19th century pottery cow creamers, including a Welsh Cambrian, Swansea type example with purple lustre decoration, Prattware sponge decorated example with sitting calf, and a treacle glazed cow with milkmaid, 20cm long (4) £80 - £120
747
747 A Staffordshire relief moulded jug, circa 1788, modelled in high relief as a tree stump with three picnicking figures, inscribed Fair Hebe, A Bumper A Bumper, 26.5cm high
Note: an example of this jug is in the collection of the Victoria and Albert Museum, London £100 - £200
£80 - £120
743 A Worcester porcelain mug, circa 1800, cylindrical form, monochrome painted with a scene of the city from the river, within gilt frame, gilt foliate initials, 10.5cm high
744 Three Derby figures, 18th century, including Dionysus, Venus and Cupid and a sacrifice of a goat, incised numbers and patch marks, 22cm high (3)
£80 - £120
748 Deborah Sears for Isis Ceramics, a group of blue and white Delft painted wares, including silver mounted tea caddy, flower bricks and comport, each painted with landscape views of country houses and temples, `6cm high (4)
£80 - £120
740
745
746
749
749 A Whieldon sprigged teapot, circa 1740, spherical form with Rococo foliate handle, applied with relief moulded floral sprigs, 20cm long £200 - £300
750 A London Delft blue and white dish, fluted form, circa 1740s, painted with foliate decoration within a lappet border, 34.5cm diameter £100 - £200
751 A Liverpool Delft blue and white charger, circa 1740, together with a Dutch Wanli style charger circa 1680, 34.5cm diameter (2) £100 - £200
752 A Lambeth Delft blue and white dish, circa 1780, painted with foliate decoration, 34.5cm diameter £100 - £200
753 A Northern English or Scottish pottery money box, circa 1830, in the form of a house £50 - £80
754 A pottery bird whistle, 19th century, in yellow, orange and green £50 - £80
755 A Staffordshire pottery pearlware figure of the Dandes, circa 1820 £50 - £80
756 Two English resist lustre jugs, circa 1820, one with enamelled coloured decoration (2) £60 - £80
757 An English slipware jug, sgraffito decorated in the West Country style with Ye Fox and Hounds, Philip Burton made this pott 1741
£60 - £100
758 A Staffordshire pottery figural clock, in the form of Royal Coat of Arms with lion and unicorn supporters, circa 1870
£80 - £120
759 An English Parian ware bust of Benjamin Disraeli, circa 1875
£80 - £120
760 Two Staffordshire pottery figures of children sitting in armchairs, circa 1820 (2)
£80 - £120
761 A pair of miniature Staffordshire pearlware figures of a man and woman, circa 1810 (2)
£80 - £120
762 Staffordshire pottery bocage figures of a shepherdess with sheep, lamb and dog, and a Walton figure of a boy with a dog, 1820 (2) £80 - £120
763 A Staffordshire pottery pearlware figure group, circa 1820, titled Rural £80 - £120
764 A Mexborough Pottery money box, Yorkshire 19th century, modelled as a house £100 - £150
765
765 A Staffordshire pottery commemorative pearlware mug, Admiral Nelson, 19th century
£100 - £150
751
752
766
766 A Staffordshire pottery figure group of three dogs, circa 1850, on a marble effect integrated base, £150 - £250
767
767 A Staffordshire pearlware fox head stirrup cup, circa 1825
£200 - £250
768 A pair of Derby porcelain shepherd and shepherdess figural candlesticks, circa 1770, bocage backed, on Rococo scroll bases, 28cm high (2)
£200 - £400
769 A Commemorative Staffordshire pottery jug, Elsmore and Foster, 1871, inscribed James Radford, Royal Oak, Hulme, Manchester, printed decoration of Colondine and Harlequin, with clowns and jesters, cock fighting etc.
£200 - £300
770 An English Delft bowl, circa 1750, polychrome decorated, 26cm diameter
£250 - £350
771 A Staffordshire pottery pearlware figure, circa 1820, Gretna Green Wedding, with bocage and rainbow base, Odiah Sherratt
£300 - £400
772 A pair of Royal Worcester pearlescent lure figural centrepiece vases, each with a nymph type figure on a rocky outcrop, flanked by coral and shell encrusted troughs, 22cm high (2)
£300 - £500
769
770
771
NOTES
TERMS & CONDITIONS OF SALE AND BUSINESS
These Conditions of Sale and Business constitute the contract between Kinghams Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kinghams Auctioneers limited, you agree to be bound by the following terms.
CONDITIONS OF SALE
1. DEFINITION
In these terms of business: Kinghams Auctioneers Ltd is referred to as ‘Kinghams’. The Kinghams representative conducting the auction is referred to as the ‘auctioneer’.
2. AGENCY
The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for.
3. TERMS OF SALE
The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment.
4. DESCRIPTIONS AND CONDITION OF LOTS
Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot.
5. ATTRIBUTION OF PICTURES
(a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist.
(b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work.
(c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date.
(d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist.
(e) All other terms are self-explanatory.
6. FORGERIES
Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium.
7. THIRD PARTY LIABILITY
Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur.
8. DISPUTES
Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams.
9. GENERAL
We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.
a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.
b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.
Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting.
Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.
Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.
English law applies to the interpretation of these Conditions.
TERMS OF CONSIGNMENT FOR SELLERS
1. INTERPRETATION
In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers Ltd.
2. WARRANTY
The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same.
3. COMMISSION
Commission is charged to sellers at a flat rate of 15%, 1.5% insurance, and a £5/10 entry fee per Lot plus VAT.
4. REMOVAL COSTS
Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.
5. LOSS AND DAMAGE OF GOODS
a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold.
b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable.
6. ILLUSTRATIONS
The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.
7. MINIMUM BIDS AND OUR DISCRETION
Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.
8. RESERVES
a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}.
b) A reserve once set cannot be changed except with our consent.
c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.
d) Reserves are not usually accepted for lots expected to realise below £50.
9. ELECTRICAL ITEMS
These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.
10. SOFT FURNISHINGS
The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request.
11. DESCRIPTIONS
Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.
12. UNSOLD ITEMS
If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred.
13. WITHDRAWN AND BOUGHT IN ITEMS
These are liable to incur charges on being bought in or withdrawn after being catalogued.
14. CONDITIONS OF SALE
You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.
15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST
You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.
17. STORAGE
We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.
18. SETTLEMENT
Subject to funds having cleared in our account we aim to pay you no later than four weeks following the sale. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale.
INFORMATION FOR BUYERS
1. INTRODUCTION
The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand.
2.
AGENCY
As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller.
3. THE BUYER
The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted. The auctioneer reserves the right to refuse any bid.
The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots.
4. REGISTRATION
Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill confirming their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately.
5. BUYER’S PREMIUM - COMMISSION CHARGES
There is a buyer’s premium of 25% plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001.
6. VALUE ADDED TAX
Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon.
7. AUCTIONEERS MARGIN SCHEME
This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice.
8. PAYMENT
Buyers must pay in full before items can be removed from the premises (please see “payment methods” below).
Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.
Payment Methods
We accept payment by:
Cash - up to £9,000 (subject to money laundering regulations). Cheques - we do not accept cheques.
Debit cards accepted - we do not accept any credit cards.
Please note that we are unable to accept any card payments where the cardholder is not present.
Bank transfer to:
HSBC Bank, Bridge St, Evesham WR11 4RU
Account no.: 51655345
Account name: Kinghams Auctioneers Ltd
Sort code: 40-20-27
IBAN: GB91MIDL40202751655345
SWIFTBIC: MIDLGB22
Please note that a fee of £15 will be added for international bank payment.
9. LIVE INTERNET BIDDING
Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com
We ask that you register for the sale a minimum of 24 hours before the auction.
When you have registered, you can watch the auction in real time; simply click the bid button to place a bid.
If your bid is successful we will notify you after the sale for payment. Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details.
10. TRANSFER OF RISK
Each lot is the buyer’s sole responsibility from the fall of the hammer.
11. COMMISSION BIDS
If instructed, Kinghams will execute bids and advise prospective buyers. This service is free.
Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@kinghamandormeauctioneers.com). Such bids are placed at the buyer’s own risk.
Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name
Address
Email address
Contact telephone numbers
The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards
Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid.
We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis.
12. TELEPHONE
BIDS
Lines for telephone bidding should be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line.
13. DATA PROTECTION
Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.
14. STORAGE AND COLLECTION
Please note all items after the auction will be removed to store. Arrangements for collection can be made with the office.
15. ELECTRICAL GOODS AND SOFT FURNISHINGS
These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations.
16. EXPORT OF GOODS
Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help.
17. PACKING AND DESPATCH
We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office.
18. DROIT DE SUITE ROYALTY CHARGES
A picture or work of art by an applicable living artist, or those who have died within the last 70 years, which costs more than £1,000 hammer price will incur a royalty charge paid by the buyer. We pass this payment on to the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website. Items marked with the † symbol in the catalogue will potentially incur royalty payments.
The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub and can be found on the DACS website.
The royalty charge for pictures and works of art that achieve a hammer price of more than £1,000, but less than that of £50,000 is 4%. On pictures and works of art that achieve a hammer price of more than £50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website.
The royalty charge is added to invoices and must be paid before purchases are removed. VAT is not paid on royalty charges.
19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY
Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.
