Kinghams Auctioneers

FINE & DECORATIVE ARTS INCLUDING SILVER AND JEWELLERY

Thursday 5th & Friday 6th December 2024

FINE AND DECORATIVE ARTS INCLUDING SILVER AND JEWELLERY

To be held at:

10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ

THURSDAY 5TH & FRIDAY 6TH DECEMBER 2024

Viewing

Tuesday 3rd December – 10.00am to 5.00pm Wednesday 4th December – 10.00am to 5.00pm

Day of the Sale

Auction scheduled to start at 10am with bidding in the room and live bidding on the internet bidding platforms. Telephone bids and commission bids are accepted and potential bidders will need to be registered with us before the sale.

SPECIALISTS

Live internet bidding is available on www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com together with a fully illustrated catalogue.

Catalogue £10.00 (£14.00 by post)

Kinghams Auctioneers Ltd

10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ NB. Please telephone to arrange collection.

01608 695695 | enquiries@kinghamsauctioneers.com | www.kinghamsauctioneers.com

John Keightley Associate Director Senior Valuer and Cataloguer

Adrian Rathbone Associate Director

George Kingham Director

Mark Oliver Consultant Decorative Arts Specialist

Steven Bruce Consultant Valuer

Eric Belgrave Photographer

David Pregun Jewellery and Watches

Sarah Powel Office Administrator

Matthew Lafite Associate Director Head of Silver & Objects of Vertu

MAP AND DIRECTIONS

Our auction centre is located in the historic Cotswold market town of Moreton-in-Marsh

By Car

We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42. Ample free parking.

By Rail

Moreton-in-Marsh’s train station is less than a mile from the auction centre.

By Plane

The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles.

Accomodation

www.cotswolds.com/accommodation

DELIVERY SERVICES FOR BUYERS

We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation.

For Furniture:

Tustain Carriers, Fine Art & Antique Carriage 07964 626325 enquiries@tustainclearance.com www.tustaincarriers.com

USEFUL INFORMATION FOR BUYERS

Please see full Terms and Conditions at the back of this catalogue.

Buying at Kinghams Auctioneers Ltd:

There are several ways you can bid at our auctions; by leaving a commission bid, on the telephone and live via the internet.

Bidding in Person

It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.

Commission Bids

Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com

Telephone Bids

Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis. Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.

Live Internet Bidding

Register online via www.kinghamsauctioneers.com, www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com Various charges apply, please check with your bidding platform.

Condition

Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).

Buyer’s Premium

There is a buyer’s premium of 25% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.

Payment

Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchase until payment has been cleared.

Payment Methods - We accept payment by:

• Cash - up to £9,000 (subject to money laundering regulations).

• Cheques - we do not accept cheques.

• Debit cards accepted. We do not accept any credit cards.

• Bank transfer to:

HSBC Bank, 32 Bridge St., Evesham, WR11 4RU

Account No.: 51655345

Account Name: Kinghams Auctioneers Ltd

Sort Code: 40-20-27

IBAN: GB91MIDL40202751655345

SWIFTBIC: MIDLGB22

Please note that a fee of £15 will be added for international bank payments.

CONTENTS

484 – 630

631 – 681 Continental Ceramics

Art Pottery and Ruskin

682 – 695

696 – 785

Studio Pottery 786 – 811 British Ceramics

– 860

DAY ONE

1 An Edwardian gold seed and split pearl floral openwork pendant brooch, length 3.3cm, 4.3g £80 - £120

2 A late Victorian silver foliate and floral engraved bangle bracelet, hallmarks for Birmingham 1880, inner diameter 6cm, 39.1g £50 - £80

3 An 18ct gold blue tourmaline singlestone pendant, with grooved and tapered surmount, tourmaline estimated weight 1.80ct, length 1.5cm, 1.4g £50 - £80

4 An early 20th century 9ct gold novelty stamp holder, modelled as an envelope, hallmarks for Chester, length 3.1cm, 4g £70 - £100

5 A 19th century mourning quizzing glass, with ouroboros surround and hairwork locket, length 8.4cm, total weight 17.1g £80 - £120

6 A Georgian yellow metal black enamel mourning locket, with hairwork inlay, reverse engraved ‘M. Bruce, Obt, 30 Nov. 1834’, length 2.1cm, 7g £80 - £120

JEWELLERY

7 An 18ct gold emerald novelty pendant, modelled as a salamander, stamped 18K, length 2.8cm, 2g £80 - £120

8 An amethyst bracelet on cord £80 - £120

9 An Edwardian 9ct gold mounted amber cheroot, hallmarks for Birmingham 1910, with case, length 4.8cm, 6.5g £80 - £120

10 A late Georgian gold split pearl memorial brooch, with central glazed panel, length 2.7cm, 3.7g £50 - £80

11 A 9ct gold cat’s eye alexandrite cabochon cluster ring, hallmarks for Birmingham 2005, ring size N1/2, 4g £50 - £100

12 A 14ct gold vari-hue quartz and blue topaz bracelet, with lobster clasp, stamped 14K, length 19.5cm, 6.6g £100 - £150

13 A late Victorian tortoiseshell locket pendant, with scrolling overlay and glazed insert, length 5cm, 11.5g £100 - £150

14 An 18ct gold blue tourmaline singlestone dress ring, with single-cut diamond accent shoulders, tourmaline estimated weight 1.40ct, hallmarks for Birmingham 2006, ring size N, 4g £100 - £200

15 An 18ct gold chrysoberyl singlestone ring, together with a similarly-set pendant, estimated total chrysoberyl weight 1.30ct, ring with hallmarks for Birmingham, ring size N1/2, length of pendant 1.5cm, 4g £100 - £200 16

16 An early 20th century gold opal cabochon and sapphire cluster ring, with grooved band, ring size L1/2, 4.2g £100 - £150

17 An Edwardian gold green tourmaline and split pearl brooch, length 3cm, 4.8g £100 - £200

18 A 14ct gold emerald and brilliantcut diamond dress ring, estimated total diamond weight 0.15ct, band stamped 14K, ring size N1/2, 3.8g £120 - £180

19 A 9ct gold single-cut diamond line bracelet, total diamond weight 0.25ct, engraved to mount, hallmarks for London, length 18.5cm, 6.6g £120 - £180

20 An 18ct gold fire opal single-stone ring, opal measures approximately 10 by 8mm, hallmarks for Birmingham 2006, ring size N1/2, 4.6g £120 - £180

21 An early 20th century 15ct gold split pearl star pendant brooch, stamped 15, length 3.5cm, 4.4g £120 - £180

22 An early 20th century 18ct gold and platinum, circular-cut diamond single-stone ring, diamond estimated weight 0.25ct, J-K colour, VS2-SI1 clarity, ring size M, 2g £120 - £180

23 A 1940s gold opal cabochon single-stone dress ring, opal measures approximately 21.3 by 11.2 by 3.8mm, ring size P, 5g £150 - £250

24

24 A 9ct gold feldspar cabochon line bracelet, with lobster clasp, hallmarks for London, length 18.2cm, 9g £150 - £200

25

25 A mid 20th century white metal circular-cut diamond and ruby floral spray brooch, estimated total diamond weight 0.60ct, length 4.8cm, 7.7g £150 - £250

26 An early 20th century gold, oldcut diamond single-stone bar brooch, diamond estimated weight 0.60ct, J-K colour, P1 clarity, length 4.2cm, 2.7g £150 - £250

27 A pair of 14ct gold moonstone cabochon drop earrings, with hook surmount, length 4.8cm, 1g £150 - £250

28 An 18ct gold aquamarine singlestone pendant, with brilliant-cut diamond trio highlight, suspended from an 18ct gold curb-link chain, pendant with hallmarks for Birmingham, length of pendant 2.6cm, length of chain 45cm, 5.4g £150 - £250

29 An early 20th century 18ct gold circular-shape diamond three-stone ring, estimated total diamond weight 0.50ct, hallmarks for Chester 1914, ring size O, 2g £150 - £250

30 Two 9ct gold sapphire and diamond dress rings, estimated total diamond weight 0.30ct, hallmarks for Birmingham, ring sizes N1/2, 10.5g £150 - £250

31 Two 9ct gold sapphire and diamond pendants, one with chain, marks to indicate 9ct gold, lengths of pendants 3.7 and 2.2cm, length of chain 45cm, 9.5g £150 - £250

32 Two 9ct gold shell cameo brooches, each depicting a lady in profile, hallmarks for 9ct gold, lengths 4.8 and 4.2cm, total weight 24.7g £150 - £200

33 A 9ct gold shell cameo pendant, carved bust portrait of a lady, together with a 9ct cameo pendant, suspended from a 9ct chevron link chain, total weight 16.1g £150 - £200

34 A 10ct gold red gem college signet ring, inscribed Boys High School Brooklyn, stamped 10 karat, ring size T1/2, 11.3g £200 - £300

35 A 14ct gold emerald and brilliantcut diamond marquise-shape cluster ring, emerald weight 0.47ct, total diamond weight 0.16ct, each engraved to band, stamped 14K, ring size P, 2.2g £200 - £300

36 A 14ct gold emerald single-stone dress ring, with tapered baguette-cut diamond line shoulders, estimated total diamond weight 0.30ct, band stamped 585, ring size R, 3.1g £200 - £300

37 A late Georgian seed pearl sevenrow bracelet, with polychrome enamel portrait clasp, length 17cm, 11.6g £200 - £400

38 A late Victorian 18ct gold and silver old-cut diamond, ruby and sapphire crescent ring, with tapered shoulders, ring size O1/2, 3g £200 - £300

39 A pair of 1970s 18ct gold smoky quartz earrings, estimated total quartz weight 8.80ct, mount stamped 750, length 1.9cm, 6g £200 - £300

40 A pair of gold rectangular-shape emerald single-stone stud earrings, estimated total emerald weight 2.80ct, 2g £200 - £300

41 An 18ct gold blue tourmaline single-stone ring, with pierced openwork gallery, tourmaline estimated weight 6.30ct, hallmarks for Birmingham 2006, ring size N, 6.8g £200 - £300

42 An 18ct gold pink opal cabochon single-stone ring, opal measures approximately 14 by 12mm, hallmarks for Birmingham 2006, ring size N, 9.5g £200 - £300

43 An 18ct gold ruby single-stone dress ring, with brilliant-cut diamond line side, ruby estimated weight 7ct, hallmarks for Birmingham 2006, ring size N1/2, 9g £200 - £300

44 An 18ct gold ruby single-stone pendant, ruby estimated weight 8.50ct, hallmarks for Birmingham 2006, length 2.4cm, 7.7g £200 - £300

45

45 An early 20th century 18ct gold amethyst and split pearl floral bar brooch, hallmarks for Birmingham, length 4.1cm, 5.1g £200 - £300

46 An early 20th century 9ct gold amethyst pendant, within a rope-twist border and polished halo surround, suspended from a later 9ct gold chain, marks to indicate 9ct gold, length of pendant 3.8cm, length of chain 59cm, 15.2g £200 - £300

47 An early Victorian 18ct gold blue gem mourning ring, the scrolling band with In Memory Of script, the inside engraved Christina Macdowall died Nov. 20th. 1839. Aged 18 Years, hallmarks for London 1839, ring size N1/2, 3.5g

£200 - £300

48

48 Asprey, a mid 20th century 9ct gold engine turned pill box, with ropetwist border, signed Asprey, hallmarks for London 1959, diameter 3.4cm, 12.7g

£200 - £400

49 A 14ct gold oval-shape blue topaz line bracelet, with S hook clasp, stamped 585, length 17cm, 4g £300 - £400

50. A mid Victorian gold, carved agate and black enamel mourning brooch, with old-cut diamond central highlight and glazed hairwork reverse, engraved Stephen Nicholson, Ob. 23. Feb. 1858 at 80, length 4.5cm, total weight 19.4g £300 - £500

51 A pair of peridot, amethyst, garnet and blue topaz chandelier drop earrings, length 5.6cm, 2.5g £300 - £400

52

52 A yellow metal aquamarine singlestone ring, aquamarine estimated weight 10ct, band stamped 18ct, ring size N, 7.1g £300 - £500

53

53 An 18ct gold emerald and brilliantcut diamond cluster ring, total diamond weight 0.80ct, engraved to band, estimated I-J colour, VS2-SI1 clarity, hallmarks for London, ring size O, 5.5g £300 - £500

54 An 18ct gold emerald cabochon dress ring, with single-cut diamond line sides and tapered band, hallmarks for Birmingham 1990, ring size N, 7.1g

£300 - £400

55 An 18ct gold ruby single-stone dress ring, with single-cut diamond accent shoulders, ruby estimated weight 11.50ct, hallmarks for Birmingham 2006, ring size N, 11.8g

60

£300 - £400

56 An 18ct gold sapphire and vari-cut diamond dress ring, sapphire weight 0.94ct, total diamond weight 0.33ct, each engraved to band, stamped 750, ring size L, 4.5g £300 - £400

57

60 Attributed to Richard Cosway R.A. (British, 1742-1821), an oval bust portrait miniature of Anne Templer, Lady de la Pole (1758-1832) in a white dress, on ivory, mounted in a gold mount on a guilloche enamel ground with a split pearl border, plaited hair and gold monogram verso within a blue and white enamel border, suspended on a 15ct gold flat-link chain, 5 by 4cm, 41.7 gross weight.

Provenance: with a letter dated 1928 from Stephen & Alexander Auctioneers stating that the miniature had been examined by Mr Ford and Mr Bernard Rackham of The Victoria and Albert Museum who formed the opinion that it was a ‘genuine Cosway’.

57 An 18ct gold sapphire and brilliant-cut diamond five-stone ring, with single-cut diamond double spacers, estimated total diamond weight 0.50ct, hallmarks for London 1976, ring size O, 5.8g

£300 - £500

Note: Anne Templer was the daughter of James Templer of Stover House, Devon, She married Sir John William Pole 6th Bt in 1781. Mother of the child cricketers by Thomas Beach at Antony, she built Shute House (Adam style) with her husband. Her monument is in St Michael’s Church, Shute. Ivory Exemption Certificate No.5UFPJCXS £1,000 - £1,500

£350 - £450

58 An 18ct gold pear-shape and brilliant-cut diamond three-stone ring, estimated total diamond weight 0.80ct, I-J colour, SI clarity, hallmarks for London, ring size N, 3.5g

61 An 18ct gold coral bead target brooch, Italian marks, stamped K18, diameter 3.3cm, 11.1g £400 - £600

£400 - £600

59 A 9ct gold flat figaro-link chain necklace, import marks for Sheffield, length 45cm, 21g

62 A 14ct gold moonstone cabochon line necklace, with S hook clasp, stamped 585, length 60cm, 9.7g £600 - £800

63 A 14ct gold vari-hue sapphire line harlequin necklace, with S hook clasp, stamped 585, length 54cm, 5.4g £600 - £800

64 An 18ct gold square-shape diamond single-stone ring, diamond estimated weight 1.50ct, K-L colour, SI2-P1 clarity, hallmarks for Birmingham, ring size N, 3.9g £1,400 - £2,000

65

65 An 18ct gold opal cabochon single-stone pendant, with wirework surround, suspended from a yellow metal fancy-link chain, opal measures 5.8 by 2.6cm, pendant stamped 18ct, length of pendant 7.5cm, length of chain 50cm, total weight 30.8g £600 - £800

66 An 18ct bi-colour gold fancy-link chain necklace, Italian marks, stamped 750, length 48cm, 21.9g £800 - £1,200

67 An 18ct gold brilliant-cut diamond single-stone ring, diamond estimated weight 2ct, H-I colour, P1-P2 clarity, hallmarks for London, ring size L1/2, 2.9g £800 - £1,200

68 A Belle Epoque gold rose-cut diamond, seed pearl and blue guilloche enamel bar brooch, length 5.5cm, 5.3g £200 - £300

69

69 An Art Nouveau yellow metal mounted shell cameo brooch, carved to depict Leda and the Swan, within a foliate scrolling oval mount, length 6.5cm, 26.8g £80 - £120

70

70 An Art Nouveau yellow metal mounted shell cameo brooch, carved with an allegorical depiction of Night and Day amongst clouds, with owl and putto, within a scrolling oval mount, length 6.5cm, 18.7g £80 - £120

71

71 An Art Nouveau white metal brooch, heart form, modelled in relief with two maidens flanking a trumpet flower, 6cm long £60 - £80

72

72 Rex Silver for Liberty and Co., an Arts and Crafts silver and enamelled brooch, William Hair Haseler, planished open shield form applied with tendrils and green enamel ivy leaves, 3cm wide, 6.4g £120 - £180

73 Newlyn, an Arts and Crafts silver and enamelled pendant, central teardrop plaque in metallic marine turquoise enamel, within knotted wire and bead frame, stamped marks, 4.5cm long, 9g

£400 - £600

74

74 An Arts and Crafts silver and blister pearl brooch, with open leaf and tendril border, 10.5cm long, 25g

£200 - £300

75 Artificers Guild (attributed), an Arts and Craft silver and carnelian necklace, the quatrefoil petal links united by double rings, suspending an oval cabochon within coiled wire mound, a further stylised leafy stem below, in original fitted box, 44cm long, 12.2g

£300 - £500

76

76 Marius Hammer, a Norwegian silver gilt and enamelled Skonvirke brooch, circa 1900, the top bar set with filigree overlaid domed bosses suspending a torque coronet and three trefoil drops n blue and white enamel, stamped marks, 7cm long, 12.4g £80 - £120

77

77 Jessie M King for Liberty and Co., a Cymric Arts and Crafts silver and enamelled brooch, Birmingham 1901, circular form, modelled in relief with radiating ogee petals in blue green enamel, the central roundel in mother of pearl, 3cm diameter, 8.2g £250 - £350

78 Charles Horner, an Arts and Crafts silver and enamelled necklace, Chester 1912, in the Secessionist style, the central angled wing plaque with oval centre in blue green enamel, with three drops, suspended by two chains from a roundel, 6.5cm long, 6.1g £220 - £280

78

79

79 Charles Horner, an Arts and Crafts silver and enamelled necklace, Chester 1909, apron form with milled and coiled filigree type border, basse taille engraved enamel in green and turquoise, suspended by two chains from a triangular plaque, 3cm wide, 7.6g £140 - £180

80 Charles Horner, an Arts and Crafts silver and enamelled necklace, Chester 1912, embossed escutcheon form with beaded foliate tendril motif on a variagated green blue enamel ground, suspended on two chains from a roundel, triangular drop below, 6.5cm long, 5.9g £220 - £280

81 Charles Horner, an Arts and Crafts silver and enamelled butterfly pendant, turquoise blue wings and green head, suspended on two chains from a circular plaque, 3cm wide, 4.3g £120 - £180

82. Charles Horner, an Arts and Crafts silver and enamelled pendant, Chester 1908, open tendril shield form, champleve enamel in blue, central purple cut stone, suspended from a roundel, 6cm long, 7.5g £150 - £250

83

83 Theodor Fahrner for Murrle Bennett and Co., a Jugendstil silver and chrysoprase brooch, heart shaped organic open interlocking tendril design with two oval green cabochons, an a 9 carat gold pin, 4cm wide, 6g £280 - £320

84

84 Murrle Bennett, an Arts and Crafts silver and enamelled brooch, lozenge form in the Celtic style with knotted tendrils between two panels of blue green enamel, 4.5cm long, 3.4g £180 - £220

85 Charles Horner, an Arts and Crafts silver and enamelled necklace, Chester 1914, circular crescent and strand form with mother of pearl plaque, guilloche vari coloured enamel and two drops below, suspended from a milled coil roundel, 6cm long, 5.7g £220 - £280

86 Charles Horner, an Arts and Crafts silver and enamelled pendant, Chester 1908, cow horn or buffalo mask form, the central blue green enamel panel flanked by blue champleve rectangles in the Secessionist style, suspended on two chains united by triangular plaque, 6cm long, 7g £200 - £300

87 Charles Horner, an Arts and Crafts silver and enamelled pendant, Chester 1906, bean form, fored of open knotted leafy tendrils and blue green enamel panels, further drop below, 6.5cm long, 8.3g £200 - £300

88

88 Charles Horner, an Arts and Crafts silver and enamelled scarab pendant necklace, Chester 1911, stylised open winged form, blue green champleve enamel wings and oval body, suspended from two chains united by a triangular plaque, further drop below, 4.5cm wide, 6.5g £220 - £280

89

89 Bernard Cuzner for Liberty and Co., a Cymric Arts and Crafts silver and enamelled brooch, Birmingham 1902, circular form, modelled in relief with a galleon, orange enamel ground, 2.5cm diameter, 6.0g £150 - £250

90

90 Mary Thew (attributed), an Arts and Crafts silver and abalone brooch, rectangular form with double ropetwist border and beading, 3.5cm long, 5.8g £80 - £120

91 Dorrie Nossiter, a pair of Arts and Crafts white metal and gem set dress clips, coiled wire and gold beads, set with half pearls, jade and turquoise cabochons, 4cm wide, 31.2g (2) £100 - £200

92

92 Sibyl Dunlop (attributed), an Arts and Crafts silver and gem set brooch, ciruclar form, the central chrysoprase cabochon within ropetwist and gilt bead band, alternating carnelian and citrine coloured stones, linked by S form wires, 3.5cm diameter, 12.3g £80 - £120

93 Marius Hammer, a silver and enamelled brooch, blue basse taille enamel wings, 6cm wide, 15.3g £350 - £450

94

94 A silver and enamelled butterfly brooch, J Atkins, Birmingham 1918, painted with orange and yellow enamel wings, cast number 2376, 6.5cm long, 20g £60 - £100

95

95 A silver and enamelled butterfly brooch, J Atkins, Birmingham 1915, blue guilloche enamel wings with red and green spots, 3.8cm long, 3.64g £40 - £70

96

96 Ruskin Pottery, pair of High Fired cabochon and gilt metal cufflinks, moss agate effect, together with two other Souffle glazed examples £60 - £80

97 George Pierre, an Art Nouveau steam bent and carved horn brooch, modelled as a tree with floral bouquet, the centres with coral coloured enamel studs, signed, 6.5cm long £50 - £100

98 A Danish Modernist silver necklace and earring set, A Dragsted, Copenhagen circa 1960s, stylised lyre links, length of necklace 41.5cm, 73.6g £200 - £300

99 Georg Jensen, a silver Peak panel necklace, together with a matching bracelet, with maker’s marks for Georg Jensen, stamped S925, lengths 16.2 to 44cm, 70.3g £200 - £300

100

100 Henning Koppel for Georg Jensen, a Modernist silver black enamel ‘Splash’ brooch, model 323, import marks for London 1967, pierced branched form, length 6.5cm, 34.6g £250 - £350

101 A mixed group of watches, one base metal Ingersoll Triumph pocket watch, a base metal Ingersoll Triumph wrist watch, an open face white metal fob watch and a half hunter white metal fob watch. £50 - £80

102 Tissot, a bi-colour bracelet watch, circa 1999, case number G226/326, with mother-of-pearl dial, movement, fitted to a bi-colour bracelet with folding clasp, case width measures 24mm. Original manufacturer warranty dated 29/04/1999. Together with 4 gold plated bracelet watches by Rotary, Seiko, Sekonda and Montine. £90 - £140

103

103 A tortoiseshell travel clock with gold case components, dial with black Arabic numerals and outer minute track, monogram to centre top of case, hinge stamped 15c with maker’s mark HA, bun feet, 7.4cm high, 5.6cm wide. With travel case £300 - £400

104 James Chater, London, a silver pair case pocket watch, case maker’s mark D.P, hallmarks for London 1773, signed key wound fusee and chain movement with verge escapement, pierced balance cock and square baluster pillars, numbered 3097, outer case width measures 49mm. £150 - £200

WATCHES AND PENS

105

105 A white metal fob watch, case number 357621, Swiss convention marks, with white paillonn enamel dial, unsigned key wound Swiss bar movement with cylinder escapement, case width measures 38mm. Together with a silver curb-link Albert chain with T-bar and attached 1924 sixpence.

£80 - £120

106 Didisheim Goldschmidt, a silver-gilt and enamelled ball pendant watch, case number 8894, inside marked Argent Dore, 0,935, sterling silver, signed manual winding movement, case width measures 23mm.

£80 - £120

107 Rotary, a 9ct gold garnet accent fob watch, suspended from a foliate spray brooch, with bow, hallmarks for London 1966, length 4.5cm, total weight 10.5g

£200 - £300

108 Rotar y, a 9ct gold bracelet watch, case number 1225, with common control mark, unsigned quartz movement, fitted to an integral 9ct gold bracelet with folding clasp, case width measures 18mm. Total weight 21.5g. Signed box. £300 - £400

109 Eberhard & Co., an 18k gold wrist watch, case number 306207, with champlevé enamel decoration of plants to the front, signed manual winding movement, fitted to an unsigned black fabric strap with gold plated pin buckle, case width measures 14mm.

£200 - £300

110 Omega, a stainless steel Constellation bracelet watch, with gradated black to green dial, self-winding movement, fitted to a stainless steel bracelet with folding clasp, case width measures 33mm. Associated later signed box

£200 - £300

111 Omega, a 9ct gold bracelet watch, case number 7115667, hallmarks for London 1968, signed manual winding movement, calibre 484, fitted to an integral 9ct gold bracelet with folding clasp, case width measures 17mm. Total weight 15.9g.

£300 - £400

112

112 Omega, a bi-metal Constellation bracelet watch, circa 2005, reference 1262.70.00, serial 59102266, with motherof-pearl dial, signed quartz movement, calibre 1456, fitted to a bi-metal bracelet with folding clasp, case width measures 22.5mm. Signed service box and original manufacturer warranty dated 15/02/05.

£300 - £500

113 Rolex, a stainless steel Oyster Speedking bracelet watch, circa 1963, reference 6430, serial 906314, signed manual winding movement, calibre 1210, numbered 18162, fitted to an unsigned a stainless steel bracelet with folding clasp, case width measures 30mm. Signed box.

£600 - £800

114 Piaget, an 18ct gold Gouverneur wrist watch, reference 15968, serial 543730, Swiss convention marks, signed manual winding movement, calibre 1050, numbered 900322, fitted to a signed black crocodile strap with 18ct gold pin buckle, case width measures 33mm. £1,400 - £2,000

115 Parker, a 180 fountain pen and a Classic ballpoint pen, each gold plated pin stripe, in a Parker box, 13.5cm long (2)

£30 - £50

116 Par ker, a 51 fountain pen and push action propelling pencil, black barrel with rolled gold pinstripe caps, in original box (2)

£50 - £80

117

117 Montblanc, a Classic fountain pen, circa 1980, black resin with gold trim, 14 carat gold nib, 13.7cm long

£60 - £80

118

118 Cross, a Townsend Jade fountain pen and a red marbled lacquer fountain pen, the green example with 18 carat gold two tone nib, the other with a 14 carat gold nib, 15cm long (2)

£150 - £250

119

119 Cross, a Townsend Lapis fountain pen and propelling pencil set, blue lacquer with gold leaf inclusions, 18 carat gold two tone nib, 15cm long (2)

£200 - £300

COINS AND MEDALS

120 A collection of silver and gold Masonic and other medals and regalia, including a 9 carat gold and enamelled Printers Managers and Overseers Association, British United Order of Oddfellows, London Grand Rank medal and All Saints Lodge set square

£80 - £120

121 A large collection of silver proof coins, Britannia mint commemorative crowns etc. original boxes and packages

£600 - £800

122

122 Gold half sovereign

£150 - £200

123 D Day commemorative gold proof 50 pence coin, 2019, in box

£200 - £400

124

124 Edward VII and George V, gold half sovereigns, 1903 and 1913 (2)

125 Gold full sovereign

£300 - £400

126 George IV, Sovereign, 1825, crowned shield back

£400 - £600

127

127 Sapphire Jubilee gold proof Five Pound coin, 2017, 916/1000 gold, approx 40g, with box and certificate

£800 - £1,200

128 Victoria, a full sovereign coin, dated 1878, 7.9g

£300 - £400

129

£300 - £400 126

129 Mohur Moghul Empire, 1728-1866, gold Shah Alam 11 Surat Sultanate

£300 - £500

130 Portugal, Maria II, 2500 Reis gold coin, 1853

£400 - £600

SILVER

131 An Edwardian tortoiseshell inkwell, with gold-coloured metal mounts, the exterior applied with a pierced cast rim of floral tendrils in hallmarked 9ct gold, the hinged cover opens to reveal an internal removal glass liner, mounted in gold-coloured metal, with retailer’s inscription “LUND, 57, CORNHILL, LONDON.”, the hallmarked elements with sponsor’s mark of J Batson & Son, London 1907, actual gold weigh indeterminable, height 7.5cm, diameter of base 11.1cm approx £600 - £800

132 Drew & Sons of Piccadilly Circus, an Edwardian tortoiseshell, leather and gold dressing table set, comprising seven glass toilet jars, each with hallmarked 9-carat gold covers, with Assay marks for London 1905, tortoiseshell items to include a jar and cover, hand mirror, and brushes, with applied cypher in gold-coloured metal, together with a suite of leather cases and boxes, actual gold weight indeterminable, combined weight of the gold covers 137g/4.40ozt gross all-in approx £4,000 - £5,000

133 A late 19th Century Continental white metal Art Nouveau hand seal, with ivory intaglio and carved matrix, with coat of arms, possibly French, length 11.2cm.

Note: Ivory Exemption Certificate No.XPEBAHUB £80 - £120

134 Two Egyptian silver boxes, each decorated with traditional scrollwork, the rectangular cigarette box with wood-lined interior, both items with Egyptian hallmarks, length (of larger) 10.7cm, combined weight 303g/9.74ozt gross all-in approx (2) £200 - £300

135

135 A Chinese silver-coloured metal model of a sailing ship or a junk, ensuite with rigging and sails, with a glazed cover and wood base, length (of wood base) 27cm approx £100 - £150

136 Harold Wilson interest, a silver filigree model ship, made by Mr. M. Lowe, atop a wood plinth, with presentation plaque, ‘Presented to The Rt. Hon. Harold Wilson O.B.E. M.P., Prime Minister of Her Majesty’s Government in the U.K., by Sir Dawda Kairaba Jawara President of the Republic of the Gambia. June 1974’, length 35cm approx £300 - £400

137 Judaica, a twentieth-century silver-coloured metal figure, atop a sphere decorated in relief, inscribed “Chabad”, signed “Abecossis 925”, height 18.1cm approx £150 - £200

138 A Continental silver-coloured metal ewer or jug, modelled in the classical form, the body decorated in relief with foliage and winged putti, apparently unmarked, possibly Italian in origin, height 13cm, weight 86g/2.76ozt approx £100 - £150

139

139 A Dutch silver peppermint box, of conventional form, the exterior decorated with classical scenes in low relief, with a hinged cover, the underside struck with hallmarks, height 3.8cm, weight 22g/0.70ozt approx £40 - £60

140

140 A pair of Dutch silver buckles, of conventional form, with bead edge rim, struck with Dutch second standard hallmarks, length 9.3cm, combined weight 175g/5.62ozt gross all-in approx (2) £150 - £200

141 A French cased liqueur set, the interior with first standard (0.950) silver fitments, including a salver, and twelve shot glasses each with silver mount, decorated with cast foliate borders, retailed by Henri Martincourt, 66 Rue de Petits Champs, Paris, case dimensions 31 x 29.5x 7.5cm, actual silver weight indeterminable, weight of salver 343g/11.02ozt approx £400 - £500

142 A French silver gentleman’s travelling dressing case, the leather case ensuite with first standard silver (0.950) silver-topped fittings, to include glass toilet bottles, jars, boxes, and brushes, monogrammed ‘RGR’ or similar, with coronet above, dimensions of the case 30.8 x 25.5 x 10.6cm, combined weight of weighable silver 225g/7.23ozt approx £400 - £500

143 Two George III Scottish silver tablespoons, each with brightcut decoration, Alexander Spence, Edinburgh 1789 and 1801, length 22.7cm, combined weight 132g/4.24ozt approx (2) £80 - £100

144

144 A George V Scottish silver quaich, of conventional form with opposing lug handles, the body inscribed, “Moira from S.V.P”, sponsor’s mark of Brook & Son, Edinburgh 1921, diameter 10.2cm, length (across handles) 14.9cm, weight 155g/4.98ozt approx £100 - £150

145 Ireland, an eighteenth-century Irish silver two-handled cup, the body initialled “PRC”, and decorated with flowers, Rococo shells and scrolls, the twin C-scroll handles each with an acanthus leaf thumbpiece, Matthew Walsh, Dublin c.1780, height 13.5cm, weight 403g/12.95ozt approx £250 - £350

146 A Victorian cased silver fork and spoon set, Albert Pattern with leaf scroll heel, Aaron Hadfield, Sheffield 1843, together with a cased shoe horn, boot and button hook, length (of fork) 15cm, weight of weighable silver 60g/1.92ozt approx £50 - £80

147

147 A late Victorian novelty silver timepiece, in the naturalistic style, modelled in the form of an anvil atop a tree stump, Douglas Clock Co., Birmingham 1898, height 8.6cm, weight 83g/2.66ozt gross all-in approx (at fault) £70 - £90

148

148 A George V silver novelty inkwell, modelled in the form of a bell, the hinged cover opening to reveal a gilt interior, and fitted clear glass liner, with loaded base, actual silver weight indeterminable, A&J Zimmerman, Birmingham 1913, height 7.2cm approx £80 - £100

149 An Edwardian silver mug, of cylindrical form, decorated with semi-fluting, with inscription dated 1905, sponsor’s mark John Round, Sheffield 1904, height 7.6cm, weight 101g/3.24ozt approx £80 - £120

150

150 An Edward VIII silver ‘silent butler’, with turned wood handle, the hinged cover with spherical finial, Henry Clifford Davis, Birmingham 1936, width 8.6cm, length (to tip of handle) 16.2cm, weight 157g/5.04ozt gross all-in approx £80 - £100 151

151 A George II silver marrow scoop, of conventional form with opposing graduated scoop bowls, sponsor’s mark indistinct, London 1727, length 23.5cm, weight 50g/1.60ozt approx £100 - £150

152 A George V silver and tortoiseshell dressing table tray, of oval form with a shaped, flared rim, the tortoiseshell base inlaid with silver pique decoration of anthemion garlands and foliate scrolls, atop four scroll supports, sponsor’s mark rubbed, Birmingham 1928, length 31.3cm approx £100 - £150

153 An Edwardian silver travelling curling tongs warmer, of rectangular form, the exterior with engraved cypher, the hinged cover opens to reveal an interior burner, and foldable stands, sponsor’s mark rubbed, London 1903, actual silver weight indeterminable, length (when opened) 19cm, weight 303g/9.74ozt gross all-in approx £100 - £150

154

154 A George V silver-gilt and enamel pill box, of rectangular form with canted corners, the hinged cover inset with a classical scene in polychrome enamel, Arthur William Hardiman, London 1919, length 3.5cm, weight 21g/0.675ozt gross all-in approx £100 - £150

155 A Victorian silver-mounted cut glass scent bottle, of grenade form, the silver decorated with diaper work, and rococo scrolls, Henry Matthews, Birmingham 1896, height 10.5cm, together with a silver-topped heart-shaped dressing table box, Birmingham 1899, length 11cm approx (2) £100 - £150

156

156 A George III silver swing handle basket, of panelled oval form, atop a waisted stem with spreading foot, with gilt interior, William Stroud, London 1793, height (to rim) 11.5cm, length 14cm, weight 215g/6.91ozt approx £120 - £180

157

157 A George III English provincial silver mug, of tapered cylindrical form, decorated with coopered bands, inscribed “D. J. C. / Feb. 1970”, sponsor’s mark over-struck, Newcastle 1809, height 8.5cm, weight 182g/5.85ozt approx £150 - £200

158 An Elizabeth II silver photo frame, in the Art Nouveau style, Paul Vernon Fitchie, London 1989, lyre form, embossed in relief with peacocks on sinuous tendril branches, flanking a sunburst and flowers, opening 12.5cm x 9cm, overall 23cm x 18cm£150 - £200

159

159 A late Victorian silver travelling curling tongs warmer, of rectangular form, the exterior decorated with foliate scrolls and shells, the hinged cover opens to reveal an interior burner, and foldable stands, A&J Zimmerman, Birmingham 1900, actual silver weight indeterminable, length (when opened) 17.8cm, weight 269g/8.64ozt gross all-in approx £150 - £200

160 An Edwardian leather fitted dressing-case, the cover initialled “E.L.A”, ensuite with silver-mounted fitments, including three toilet jars, a hand mirror, boot hook and brushes, William Amaziah Ellwick, London 1907, actual silver weight indeterminable, dimensions of the case, 44.5 x 29.5 x 14.5cm approx £150 - £200

£150 - £250

161 A George III Neoclassical cruet frame, of navette form, with wavy-edge rim, and pierced galleries border, decorated with floral garlands, and central armorial crest, with inset wood base, atop four ball and claw feet, sponsor’s mark possibly Richard Palmer I, London 1787, ensuite with eight matched glass bottles, height (to top of handle) 25.3cm approx (at fault)

162 A George III Neoclassical cruet set, five silver-mounted cut glass bottles, the stand with wood base and pierced gallery border, Robert Hennell, London 1787, actual silver weight indeterminable, height 23.5cm approx £150 - £200 161

163

163 A Victorian Neoclassical-style cruet set, with six cut glass bottles, the stand with wood base and pierced gallery border, Henry Wilkinson & Co., Sheffield 1866, actual silver weight indeterminable, height 26.5cm approx £200 - £300

164 An Elizabeth II silver mounted cut glass decanter, of small proportions, Hunt and Roskell, London 1996, ships form, cut with thistle and hobnail panels below concentric mitre bands, 17.5cm high £120 - £150

165

165 A nineteenth-century mother-of-pearl casket containing tea equipage, the hinged cover opens to reveal a fitted interior housing twelve Dutch hallmarked silver teaspoons, a caddy spoon, casket length 21.7cm, silver weight 140g/4.50ozt approx

Ivory Declaration Submission Reference Number: DBUP5VED £200 - £300

166 Two pairs of Edwardian silver Old English pattern sauce ladles, James Dixon & Sons, Sheffield 1905/9, length 17.4cm, combined weight 322g/10.35ozt approx (4) £200 - £300

167

167 A Victorian silver Corinthian column lamp base, atop a wood base, Hawksworth, Eyre & Co Ltd, Sheffield 1896, height 39.5cm approx £200 - £300

168

168 A Victorian silver lamp base, in the Neoclassical style, decorated with ram’s heads, floral garlands, and anthemion, with weighted base, Martin, Hall & Co (Richard Martin & Ebenezer Hall), Sheffield 1899, height 23cm approx £200 - £300

169 An Edwardian silver and tortoiseshell jewellery box, the hinged cover with pique decoration in the Neoclassical style, atop four scroll feet, William Comyns, London 1905, length 15.2cm, height 7cm approx £200 - £300

170

170 A George V silver pedestal basket, of navette form, with a pierced border depicting foliate garlands, atop a shaped oval form foot, John Round, Sheffield 1913, length 25.8cm, weight 469g/15.07ozt approx £200 - £300

171 An early George III silver soup ladle, Old English pattern with shell bowl, bottom-marked with indistinct date letter, George Baskerville, London c.1765, length 31.8cm, weight 147g/4.72ozt approx £200 - £300

172

172 A William IV silver condiment set, seven cut glass bottles, the silver stand of shaped rectangular form, with fixed central handle, atop four bracket form feet, Barnards, London 1833, height 22cm, weight (sans glass) 471g/15.14ozt approx £250 - £350

173

173 A George III silver-mounted three-bottle decanter stand, the trefoil stand with fixed central handle and loop terminal, atop three bun feet, ensuite with three cut glass decanters, Rebecca Emes & Edward Barnard I, London 1813, height (to top of handle) 26.5cm, height (of decanter) 18.5cm approx £250 - £300

174

174 A George V silver two-handled trophy cup, with inscription for the “St. Pancras Boxing Club 19-11-24”, Adie Brothers, Birmingham 1923, height 18.5cm, weight 475g/15.27ozt approx £250 - £350

175

175 A Victorian silver salver, of round form, with a cast intertwined border, the centre with vacant cartouche, flanked by laurel and flower basket decoration, atop three bracket scroll feet, Stephen Smith, London 1882, diameter 21.7cm, weight 425g/13.69ozt approx £300 - £400

176

176 An Edwardian silver three-piece tea set, comprising teapot with wood handle and finial, milk jug, and sugar bowl, each applied with a classical plaque modelled in relief, Thomas Bradbury & Sons Ltd., the teapot Sheffield, others London, 1908, height (of teapot) 17cm, combined weight 719g/23.11ozt gross all-in approx (3) £400 - £600

177

177 An Elizabeth II silver gilt jewellery casket, the exterior decorated with engine turning, the hinged cover with cast floral thumbpiece, and flowerhead border, atop four cast and applied foliate scroll capped feet, with a sectional fitted interior, the cover with inscription relating to a golden wedding anniversary, sponsor’s mark of Bert Gordon, Birmingham 1950, length 20.4cm, height 8.4cm, weight 1,241g/39.89ozt gross all-in approx £500 - £700

178

178 A George V silver Corinthian column lamp base, of generous proportions, with presentation inscription “Their Excellencies, from the ‘Oyster’ and ‘Unresponsive One”, with weighted base, Atkin Brothers, Sheffield 1913, height 51cm approx £600 - £800

179 A George III silver entree dish base, of rounded rectangular form, with gadroon edge border, with incised numeral ‘2’, Paul Storr, London c.1805, length 31.3cm, weight 868g/27.90ozt approx £800 - £1,000

180

180 Paul S torr, a George III silver four-bottle decanter set, comprising a silver-mounted stand, the quatrefoil base ensuite with a coat of arms, ensuite with four cut glass decanters, Paul Storr, London 1805, height (to top of handle) 26.5cm, height (of decanter) 19.5cm approx £1,500 - £2,000

181

181 Paul Storr, A George IV Regency silver-mounted potpourri or soap box, the silver cover pierced with foliate scrolls, with central boss engraved with a cost of arms, with a hallmarked silver gilt pierced liner, all component parts with matching hallmarks, London 1820, height 6.5cm, weight of weighable silver 83g/2.66ozt approx £300 - £500

182

182 Paul Storr, a George III Regency silver entree dish and cover, of rectangular form, with gadroon edge border, ensuite with a detachable handle formed as a foliate tendril, the domed cover ensuite with an Armorial, the cover numbered 3, and the base 4, London 1803, length 29.8cm, weight 1739g/55.91ozt approx £1,800 - £2,200

183

183 Paul S torr, a set of four George IV cast silver Bacchanalian pattern entree forks, double struck, each engraved with an armorial crest, London 1822, length 17.8cm, combined weight 274g/8.80ozt approx (4)

See: Pickford, I. (1983). Silver Flatware. ACC Distribution, p.127-8. £600 - £800

184

184 Paul Storr, a William IV silver burner stand, the panelled body decorated with flowers, the sides pierced with anthemion, with central removable burner, all component parts duly hallmarked, London 1834, diameter 16.9cm, weight 444g/14.27ozt approx £500 - £700

185

185 Paul Storr, a George III silver tea urn, of Neoclassical form, with reeded loop handles, the detachable cover with acorn finial, the silver tap with stained ivory spigot, the body later decorated with flowers, foliage and scrolls, ensuite with coat of arms, possibly for Thompson, all component parts with corresponding hallmarks, London 1799, height 37.5cm, weight 1523g/48.96ozt gross all-in approx Ivory Declaration Submission Reference Number: AX6F46LV £2,000 - £3,000

186

186 Paul Storr, a George III silver punch bowl, the body with dentil border, and gadroon edge rim, atop a spreading, stepped circular form foot, the body later decorated with rococo scrolls, flowers and foliage, ensuite with Armorial and presentation inscription, “Presented by Col.L C. D. W. Sibthorp M. P., commanding the Royal South Lincoln Militia, to Robert Shipman Esq., on the resignation of his commission...Aug 9 1854”, hallmarked London 1804, height 20cm, diameter 29cm, weight 2126g/68.35ozt approx

£3,000 - £4,000

187

187 Paul Storr, a pair of George III Regency silver entree dishes and covers, of rectangular form, with gadroon edge border, each cover with an applied cast flower basket form finial, ensuite with Armorials, Paul Storr, London 1802/3, length 30.2cm, combined weight 3112g/100.05ozt approx (2)

£4,000 - £5,000

188 An Elizabeth II silver-mounted cut glass ships decanter, sponsor’s mark ‘BSE&Co.’, Birmingham 1991, cut and etched with floral design, spherical hollow stopper, 28cm high approx £300 - £400

189

189 A pair of Victorian silver mounted and cut glass claret jugs, Mappin Brothers, London 1898, the ovoid rock crystal and hobnail cut bodies, cast floral and foliate handles, double ogee domed lids with pineapple finials, 30cm high (2) £400 - £600

190

191

192

193 A pair of late nineteenth or early twentieth-century Continental silver-coloured metal pheasant table ornaments, comprising a cock pheasant and a hen, the exterior of both textured to simulate feathers, both with indistinct marks to the underside of the tail, possibly Hanau, length 26cm, combined weight 329g/10.57ozt approx (2) £400 - £600

190 An Elizabeth II silver mounted cut glass claret jug, Da-mar Silverware, London 1977, baluster form, cut with bands of graduated hobnail design, cast with a Bacchus mask and vines tothe spout, the handle of acanthus scroll and angled form, crown finial to the hinged lid, 30cm high

£200 - £300

191 A George III cast silver wine label or bottle ticket, openwork wreath form, with trailing grapevines and drapes, pierced for ‘SHERRY’, Benjamin Smith, London 1813, width 7.5cm, weight 62g/1.99ozt approx

194

£200 - £300

192 A George III silver wine funnel, decorated with semi-fluting, with detachable sieve inset, all component parts hallmarked, William Allen III, London 1801, length 15cm, weight 127g/4.08ozt approx

£200 - £300

194 A late nineteenth or early twentieth-century German silver novelty sugar box, modelled in the form of a standing pheasant, the exterior textured to simulate feathers, the pull-off head reveals an internal cavity, marked Neresheimer, Hanau c.1900, also struck with British import marks and sponsor’s mark of Berthold Muller, length 26cm, height 20.5cm, weight 500g/16.07ozt approx £500 - £700

195 A pair of late nineteenth or early twentieth-century German silver pheasant table ornaments, comprising a cock pheasant and a hen, each with wings outstretched, the exterior of both textured to simulate feathers, each with inset glass eyes, both marked to the underside of one foot, “WWH” and “STERLING”, Wilhelm Weinranck, Hanau c.1900, also struck with British import marks, dimensions of hen, length 44cm, height 20.3cm, dimensions of cock pheasant, length 44cm, height 23cm, combined weight 1,824g/58.64ozt approx (2)

£2,000 - £4,000

196 A Victorian canteen, comprising a silver tea and coffee service, and a twelve-place setting of Old English thread pattern flatware, comprising: • coffee pot, teapot, milk jug, and sugar bowl • seven-bar toast rack • eighteen tablespoons, and twelve dessert spoons • twelve table forks, and twelve dessert forks • twelve teaspoons, and six egg spoons • fish fork and fish knife • pair of basting spoons, and soup ladle • pair of sauce ladles, butter knife, sugar tongs, and sugar ladle twelve table knives, and twelve cheese knives, each with silver handles and steel blades Ensuite with a wooden fitted canteen, the hallmarked silver components with sponsor’s mark of Stephen Smith, London circa 1882, dimensions of the canteen, 51.5 x 38 x 33cm, weight of weighable silver (excluding the knives) 7,971g/256.27ozt gross approx

Ivory Declaration Submission Reference Number: V5LP2FMJ

£6,000 - £8,000

197 Christopher Dresser, a silver plated sugar basket, Walker and Hall, after Hukin and Heath, footed conical form with two opening and tubular bar top handle, 12cm high £50 - £100

198 Christopher Dresser for Hukin and Heath, an Aesthetic Movement silver plated six division toast rack, model 2556, circa 1885, arched base plate on four pad feet, with rod and ball dividers, stamped marks, 13cm high £400 - £600

199 An Arts and Crafts novelty silver and glass preserve pot, Norton and White, Birmingham 1896, modelled as a pear, with naturalistic spoon, 7.5cm high £50 - £80 200

200 An Arts and Crafts silver mounted Stourbridge glass jug, William Henry Sparrow, Birmingham 1904, probably Thomas Webb, in the Aesthetic style, modelled as a quatrelobed gourd with cured tubular neck and hollow handle, 15.5cm high £80 - £120

201 A Gothic Revival silver-mounted glass bottle, in the style of A W N Pugin and James Powell and Sons, of baluster form, atop a spreading folded foot, the silver cap with knurled rim and internal cork stopper, possibly for ecclesiastical use, sponsor’s mark effaced in the finishing, ‘...& Co Ltd’, London 1907, height 12cm approx £30 - £50

202

202 An early twentieth-century Irish eighteen-carat gold and silver chalice, modelled in the Gothic-revival style, with a detachable central beaker section in hallmarked 18ct gold, secured by a screw thread, atop a silver superstructure, adorned with inset faceted amethysts, the body decorated with Celtic motifs, the flared foot with vignettes depicting Saints, including Saint Patrick, the underside of the foot with presentation inscription, “Presented to Mother Mary Bernard Hackett on the occasion of her Jubilee, 24, November 1903”, all component parts duly hallmarked, sponsor’s mark Gunning & Reynolds, Dublin 1903, height 26cm, actual gold and silver weight indeterminable, weight of detachable beaker section 214g/6.88ozt, total weight 870g/27.97ozt gross all-in approx

£13,000 - £15,000

203

203 An Art Noveau white metal and enamelled combination pen knife, probably French circa 1900, cast mistletoe design on a blue green enamel ground, with scissors, two knives and a file, 7cm long £50 - £80

204 John Orchard for Stevens and Williams, a silver mounted intaglio cut rock crystal glass decanter, John Charles Grinsell, Birmingham 1906, square section dimpled form with applied vertical trails, decorated with a daisy design throughout, the spherical stopper similarly decorated with wrythen foliate panels, 25.5cm high £100 - £150

205 A German Jugendstil cased dessert service, silver-coloured metal, comprising a server, and twelve spoons, each with gilt bowls, the handles marked ‘800’, ensuite with a fitted presentation case, length (of server) 24cm approx £100 - £150

206 A pair of Arts and Crafts silver buttons, Samuel Jacob, Birmingham 1905, circular planished form with ropetwist border, 2.3cm diameter, 6.8g (2) £20 - £40

207 A set of six Art Nouveau silver buttons, each decorated with a maiden’s head, modelled in relief, two converted to cape buttons with chain, John Round, Sheffield 1902, diameter 2.7cm, combined weight 66g/2.12ozt gross all-in approx (6) £70 - £100

208 Liberty and Co., a set of six Arts and Crafts silver buttons, Birmingham 1906, embossed with stylised pomegranate motifs, 2.2cm diameter, 0.70ozt (6) £120 - £150

209

209 Archibald Knox for Liberty and Co., a set of Cymric Arts and Crafts silver buttons, Birmingham 1902, embossed with stylised pomegranates, 2.2cm diameter, 0.64ozt (5) £100 - £150

210

210 Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled button, Birmingham 1903, circular form, stylised leaf motif on a blue green enamel ground, 2.2cm diameters, 4g £50 - £80

211 Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled caddy spoon, Birmingham 1901, the pear shaped bowl cast with Coronation cypher and initials for Edward VII, knotted tendrils and blue green enamel panels, on a bisected and Celtic knot hilted Grecian blade handle, 12.5cm long, 1.56ozt £900 - £1,200

212

212 A set of six Art Nouveau white metal buttons, cast and chased with a swan on open water, pierced stylised waves, 3cm diameter, 28.7g £30 - £50

213

213 Kate Harris for William Hutton, an Arts and Crafts silver and enamelled button, London 1903, whiplash tendril and leaf design, in turquoise and green enamel, 3cm diameter £100 - £150

214 Kate Harris for Connell and Co., an Arts and Crafts silver and enamelled cigarette case, London 1903, rectangular form, embossed with a stylised knotted tendril initial in blue green enamel, 9.5cm x 7cm, 3.54ozt £250 - £350

215 Rex Silver for Liberty and Co., an Arts and Crafts silver and enamelled spoon, William Hair Haseler, Birmingham 1905, the oval bowl with bracketed tapered plain stem terminating in a cast three leaf clover on a blue green enamel roundel, 11cm long, 0.48ozt £40 - £60

216

216 Bernard Cuzner for Liberty and Co., an Arts and Crafts silver and enamelled cigarette case, Birmingham 1929, planished rectangular form, two bands of champleve enamel Greek Guilloche design in blue, range and green, 7.5cm x 8.5cm, 3.66ozt £320 - £380

217

217 An Arts and Crafts Iona style Ruskin set silver plated casket, probably A E Jones, the hinged lid with a central turquoise roundel within a riveted frame, the sides embossed with Celtic knot panels, planished tapered corner brackets, cedar lined interior, 23cm wide, 6.5cm high, 14.5cm deep £100 - £200

218 A Scottish Arts and Crafts silver gilt tazza, Philip Hanson Abbot, Glasgow 1908, the ogee bowl embossed with a band of concentric spiral rivets, supported on three cast and chased dolphins with whiplash serpentine tails, on a domed and fluted naturalistic base, 12.5cm high, 10.0ozt £500 - £800

219 An Arts and Crafts silver bookmark, J Dudley of Southsea, London 1900, the finial modelled in relief and pierced as a galleon in full sail, with ropetwist rigging and reticulated ladders, on a plain blade, 15cm long, 1.51ozt £70 - £100

220 Alexander Ritchie (attributed), an Iona Arts and Crafts silver spoon, cast with a dragon boat in full sail, on a Celtic knot stem and planished pear shaped bowl, 12cm long, 0.55ozt £40 - £70

221

221 A E Jones, an Arts and Crafts silver and copper tea caddy, circa 1910, cuboid form with riveted strap edges and feet, the planished and hinged lid inset with a cast plaque of a Dutch village scene, signed indistinctly, inner wooden lid with silver finial, 11cm cube £100 - £150

222 A George V Arts and Crafts style silver bowl and underplate, with planished exterior, the bowl with elongated sides to form handles, each piece initialled “H.K.D”, sponsor’s mark ‘LM’, Chester 1924, length of bowl 15cm, diameter of plate 14.9cm, combined weight 545g/17.52ozt approx (2) £400 - £500

223 John Paul Cooper, an Arts and Crafts silver mounted shagreen box, circa 1920, cuboid form with barrel domed lid, ropetwist banding and quatrefoil escutcheon, walnut carcass, incised JPC monogram, 15.5cm wide, 5.5cm high, 8.5cm deep £1,000 - £1,500

224 Georg Jensen, a collection of Danish silver flatware and a knife, including Acanthus spoon and Konge knife, 1979 silver gilt and enamel clover spoon and fork and a Michelsen commemorative spoon 1930, combined weight 195g/6.26ozt all-in approx £150 - £200

225 Jacques Adnet for Baccarat, an Art Deco chrome plated and cut glass tantalus, circa 1925, the two cuboid prism cut decanters within a mirror based cradle, the rotating tubular top bar with key, 29cm wide, 27cm high £200 - £400

226 A pair of Modernist silver overlay porcelain egg cups, Hutschenreuther, circa 1950s, conical form with coloured vertical panels on a black ground, 6cm diameter (2) £50 - £80

227

227 A Modernist silver and parcel gilt napkin ring, LC-F, London 1966, double arched band form with textured block and shard decoration, 5cm wide, £30 - £50

228 Gerald Benney C.B.E. (British 1930-2008), a cased set of Scottish interest, comprising a silver and enamel sgian dubh or skean dhu, with hallmarked silver blade and sheath, the handle surmounted by a faceted cairngorm, ensuite with a plaid brooch, each with enamel decoration depicting a basket-weave pattern, sponsor’s mark ‘AGB’, London 1982, ensuite with the original fitted presentation case, the interior in gilt lettering, “Gerald Benney, Beenham House, Beenham, near Reading, Berkshire, RG7 5LJ”, flanked by two Royal Warrants, “By appointment to H.M. The Queen, Goldsmith and Silversmith”, and “H. R. H. The Duke of Edinburgh”, respectively, length of skean dhu 20.7cm, combined weight (sans case) 248g/7.97ozt gross all-in approx

Note: Artist’s Resale Right/Droit De Suite applies. Refer to our Terms and Conditions of Business. £1,200 - £1,500

229

229 Gerald Benney C.B.E. (British 1930-2008), a boxed silver and enamel belt buckle, modelled in the Scottish or Celtic style, of rounded rectangular form, each corner with a circular boss modelled in relief depicting a Celtic knot, with a central circular band decorated in enamel depicting a basket-weave pattern, with central Celtic knot boss, ensuite with a black leather belt, and presentation box, with applied label, “Gerald Benney, Beenham House Beenham Berkshire”, surmounted by four Royal Warrants, “By appointment to H.M. The Queen”, and others, the buckle marked, “GERALRD BENNEY LONDON”, and with sponsor’s mark “AGB”, London 1993, together with the original invoice, signed by Benney and dated 29.11.1993, buckle dimensions 8.4cm x 7.4cm, weight 197g/6.33ozt approx £400 - £600

230

230 Chris Knight, a Modernist silver double beaker, Sheffield 1995, modelled as a cone and hemisphere, gilded to the interior cavities, 16cm high, 7.0ozt £300 - £500

METAL AND WORKS OF ART

231 A pair of Gothic Revival brass adjustable candelabra, Maurice Vanpoulle, Westminster circa 1900, each of column form with mechanical branches of three lights each, stamped marks, 60cm high (2)

234 Orivit, a Jugendstil pewter mounted green glass claret jug, shouldered form encased with straps of relief cast fruiting grape vines, the hinged lid with tendril finial, 29.5cm high £100 - £200

£200 - £300

232 A set of three Jugendstil pewter liqueur beakers, cylindrical form cast in relief with horn and tendril band, 5.5cm high (3)

£40 - £70

233

233 Orivit, a pair of Jugendstil pewter candlesticks, organic form with naturalistic petal sconces, on ogee foliate stems and open knotted tendril lattice domed bases, stamped mark, 18cm high (2)

£200 - £300

235 Osiris, a Jugendstil pewter easel back mirror, model 521, shield form, ogee shield form, cast in relief with peacocks flanking stylised flowers, scroll bracket feet, with bevelled glass and wire support, 30cm x 24cm

£200 - £300

236 Albin Muller for WMF, a Jugendstil silver plated bottle coaster, cylindrical form with three relief moulded Viking dragon boat keel brackets, between stylised geometric tree motifs, 11cm diameter

£50 - £100

237

237 WMF and Koloman Moser for Loetz, a Jugendstil silver plate mounted crackled glass Champagne cooler, circa 1900, model Ice Pail No.8, the rusticated textured body in high relief, mounted with a reticulated band and Mannerist open scroll and harpy handles, stamped mark, 25cm high

£70 - £100

238

238 WMF, a Jugendstil silver plated double dish, model 80, kidney bean form relief moulded with tendril fronds and berries, the handle in the form of a maiden, stamped marks, 30.5cm long

£180 - £220

239 WMF (attributed), a Jugendstil silver plate mounted glass claret jug, the green trumpet form body encased with open sinuous whiplash tendrils and handle, open foliate stopper, 39cm high £100 - £200

240 Heintz Art Metal Shop, an American Art Nouveau silver overlay bronze vase, shouldered form, decorated with a bluebell motif, stamped marks, 3816, 11cm high £70 - £100

241

241 An Arts and Crafts pewter and Ruskin cabochon set tea set, Ashberry Pewter circa 1915, palnished flared form with plain bands of souffle glazed roundels, including teapot, jug and bowl on a twin handled tray, teapot 13cm high (4) £80 - £120

242 An Arts and Crafts pewter and Ruskin cabochon set chafing or entree dish, G L Connell, rectangular section with oval domed lid and sunken handle recess, on four fret pierced bracket feet, set with circular souffle glazed panels to the handles, 32.5cm long £60 - £80 243

243 An Arts and Crafts pewter and Ruskin cabochon set ink stand, William Hutton and Sons, the organic oval tray with fretted rim, on ogee wire bracket feet, contiang two glass and souffle plaque lidded inkwells, 20.5cm long £80 - £120

244

244 An Arts and Crafts pewter and Ruskin plaque set jug, James Dixon and Sons, conical baluster form the body incised with ogee foliate cartouches, between diamond form souffle cabochons, the neck with spade shaped examples, 16.5cm high £60 - £100

245

245 An Arts and Crafts pewter and Ruskin plaque set biscuit barrel, elephant foot form with broad rim supported by two open brackets, domed lid and swing handle, set with a rectangular souffle glazed panel, 25cm high £100 - £150

246

246 Kate Harris for William Hutton and Sons, an Arts and Crafts pewter and Ruskin cabochon set mug, conical acorn form with heart shaped souffle plaques, on pierced bracket feet, open teardrop whiplash handle, 9cm high £40 - £70

247 An Arts and Crafts brass rise and fall pendant light, the yolk form bracket with cast and reticulated leaf design, suspending two wires with milk glass conical shades, central pulley weight above, 59cm wide £100 - £200

248

248 Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter candlestick, model 0223, the ovoid sconce with broad rim supported on three fin buttressed blades, on a relief cast trefoil scroll domed base, 22.5cm high £200 - £300

249 Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter tray, model 0716, hexagonal rimmed circular form, planished and relief moulded with Celtic knot and bud motifs, 26cm diameter £80 - £120

250

250 Archibald Knox for Liberty and Co., a Tudric Art and Crafts pewter clock, model 01424, bombe bracket form, planished and relief cast with stylised bud motifs, silvered engine turned dial, 9.2cm high £300 - £500

251

251 Archibald Knox for Liberty and Co., a Tudric Art and Crafts pewter and enamel clock, model 01296, tricorn plaque form with knotted shield motifs to the corners set with heart shaped seed pod roundels in blue turquoise enamel, 11cm high £300 - £500

252

252 Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter bowl, model 0229, shouldered parabolic domed form, on bladed fin feet integrated to the handles, cast in relief with a band of stylised honesty seed pods, 31cm wide £350 - £450

253 An Arts and Crafts silvered copper double inkstand, Arthur John Seward, rectangular section, planished and riveted with domed hinged lid, two ceramic inkwells to the interior, 23cm wide £60 - £80

254 A George I cast lead rain hopper, dated 1718, plane cornice, 33cm high, 42cm wide 23cm deep £100 - £150

255

255 An Arts and Crafts copper and Ruskin set casket, planished and riveted strap design, on wide repousse embossed bracket pad feet, the lid with an oval Souffle glazed plaque in green, 22cm wide, 8cm high, 14.5cm deep £50 - £80

256 An Arts and Crafts copper clad and Ruskin set box, the lid repousse embossed in relief with two griffin type creatures flanking an amber and blue souffle glazed roundel, the sides decorated with repeat honeysuckle motifs, 23cm wide, 9.5cm high, 15.5cm deep £100 - £150

257

257 An Arts and Crafts Ruskin set brass jewellery casket, probably A E Jones, circa 1910, the wide brimmed rectangular top embossed with a foliate wreath around a central green souffle plaque, planished and riveted bracket legs, 20.5cm wide, 6cm high, 14.5cm deep £60 - £80

258 An Arts and Crafts copper, enamel and Ruskin plaque set mirror, circular form, planished and riveted with three roundels, the central tulip painted cabochon above two souffle glazed examples, 41cm diameter £100 - £200 259

259 An Arts and Crafts oak and Ruskin set copper letter rack, the three lobed plates embossed with whiplash tendrils and triangular souffle glazed green plaques, 25.5cm long £80 - £120

260

260 Two Arts and Crafts copper and Ruskin set door plates, serpentine bordered planished rectangular form, embossed with reticulated seedpod decoration, above strapped heart shaped green souffle plaques, stamped marks, 30.5cm long, 9.5cm wide (2) £100 - £200

261 A Jugendstil gilt brass desk stand inkwell, circa 1900, in the style of Kayserzinn, the conical inkwell with organic relief embossed panel, turned conical knopped finial, flanked by two whiplash arms attached with spherical beads, pn a sweeping bracket base with rectangular pen trough, 32cm long £50 - £100

262

262 A pair of Arts and Crafts copper and wrought iron andirons, swan neck form with planished roundels, on splayed legs, 43cm high (2) £100 - £150

263

263 Alessandro Mazzucotelli (Italian, 1865- 1938), a wrought iron standard lamp, circa 1910, the twisted-column supporting a pierced cover and domed top hung with three circular rings and three lights, having pierced leafy scrolled covers, on a tripod base, stamped ‘MAZZUCOTELLI’ to column, 198.5cm high £2,400 - £2,500 264

264 A Glasgow School Arts and Crafts brass lantern pendant light, cuboid house form with pitched roof and embossed rivetted detailing, frosted trellis panels, suspended from a chain, 30cm high

£60 - £100

265 W A S Benson, two Arts and Crafts copper and brass insulated or ‘jacketed’ jugs, circa 1900, model 782, conical form with hinged lid and enamelled interior, stamped marks, together with a Jugendstil copper and brass kettle on stand, 30cm high (3)

£120 - £180

266 A pair of Gothic Revival carved oak candlesticks, column form with floral motifs to the lower section below a rosette studded knop, on conical bases, weighted with inset lead rings, 18.5cm high

£40 - £70

267

267 A Pre Raphaelite stained glass panel, circa 1890, painted with an allegorical figure of music playing the harp, within a circular border, 24cm diameter

£200 - £300

268 An Arts and Crafts stained glass shield form panel, painted with the coat of arms of Buckingham Town, a Bohun Swan on a bisected ground of black and red, painted with Damask foliate scrolls, 30cm long

£250 - £350

269 A pair of Gothic Revival stained glass panels, St Andrew and St Simon, painted leaded glass, circa 1870, 45cm x 26cm (2)

£200 - £400

270 Circle of Edward Coley Burne-Jones, a Saintly figure, design for stained glass, watercolour, 24 by 19.5cm, framed £70 - £90

271 An Arts & Crafts painted silk roundel, ‘The Water Babies’, 13.5cm diameter, framed £30 - £50

272 A Georgian textile panel, embroidered in coloured silks with a pair of sporting dogs tethered to a stylized tree, framed by exotic birds and foliage, green silk ground, 50 by 40cm, unframed £70 - £90

273 An Art Nouveau silk embroidered roundel, a maiden with peacocks, inset into a painted wooden frame with trailing tendrils, 40cm diameter, framed, 53 by 65cm £400 - £600

274 A 19th Century mahogany pier glass, boxwood lozenge parquetry frame, 57 by 47cm £50 - £80

275 An Arts & Crafts oval wax cameo and polychrome plaque, Diana The Huntress in profile, 27 by 22cm, framed £40 - £60

276 The Rowley Gallery, two Arts & Crafts marquetry panels, ‘Swiss Village’ and ‘Venice’, titled on A.J. Rowley labels verso, integral frames, 44 by 37cm (2) £80 - £120

277

277 Hamo Thornycroft, a bronze plaque, 1921, for the Open Championship Horticultural Prize, with presentation inscription, signed and dated in the cast, 29cm x 17cm £70 - £100

278

278 J M Riding, an Arts and Crafts silvered bronze plaque for the Northern Photographic Exhibition, Liverpool 1911, modelled with Victory crowning Painting and Geometry, above Liver birds, mounted on an oak panel, 31.5cm x 18.5cm £70 - £100

279

279 An Arts and Crafts pokerwork panel of Music, in the PreRaphaelite style, the allegorical figure modelled as Apollo in Roman costume and laurel wreath playing the lyre, his head surrounded by birds, stained and highlighted in gilt, 74cm x 29cm £70 - £100

280 An Arts & Crafts silk embroidered roundel, Little Bo Peep in a pastoral landscape with sheep, 25cm diameter, framed

£50 - £80

281 An Arts & Crafts Glasgow School embroidered silk panel, a maiden wearing a bonnet in a garden picking roses, 38 by 28cm, framed £80 - £120

282 An antique embroidered silk panel, late 17th/early 18th Century, (probably Italy - Florence or Sicily), projecting silver bullion work floral border surrounding a panel of scrolling foliage, 33 by 92cm, framed £150 - £200

283 An Art Deco onyx desk set, circa 1930, brown and green geometric slab construction, comprising clock, inkstand, letter knife, seal and blotter (5) £60 - £80

284 An Art Deco patinated art metal figure of a boy fishing, circa 1930, verdigris and bronzed, on a stepped marble and onyx base, 42cm high

£80 - £120

285 Josef Lorenzl, The Fencer, an Art Deco silvered bronze figure with a cold painted red cape, modelled as a lunging fencer with outstretched pe, on a white onyx base, apparently unsigned, 25cm high

£200 - £300

286

286 Josef Lorenzl, an Art Deco gilt bronze figure of a dancer, circa 1925, modelled nude with one knee up and arched back, on a marble and onyx base, signed in cast Lorenzl, 20.5cm high

£800 - £1,200

287 Patricia Northcroft (British, 20th/21st Century), Whimbrell, signed, green patinated bronze, No.62/300, 10cm high, mounted on a wooden plinth, with certificate.

Note: Artist Resale Rights apply

£100 - £150

288 Reglor of California, a figural table lamp, 1951, Signed ‘Reglor of California’ to base, the two-tiered shade with abstract gold motifs and stitched cane borders, 88cm high with shade

£80 - £100

289 Georgio Jacob for Athena, a Handkerchief table lamp, circa 1970, in the form of draped fabric on a white circular base

£180 - £200

290 Georgio Jacob for Athena, a Handkerchief table lamp, circa 1970, in the form of draped fabric on a white circular base

£220 - £250

291 A Bilston enamel patch box, circa 1790, circular with lobed body, puce painted with a pastoral scene of figures and sheep, 4cm diameter

£40 - £70

292 A Bilston enamel patch box, circa 1790, oval form with lobed foot, the lid decorated with a beehive and inscribed A Present from Warrington, 4.5cm wide £50 - £80

293

293 A Bilston enamel patch box, circa 1790, oval form, the lid with a polychrome image of Brighton Pavillion and inscribed banner, pale blue ground, 5cm wide

£70 - £100

294

294 A Bilston enamel patch box, circa 1780, oval form, painted with a monochrome view A Perspective View Tunbridge Wells Walks, white ground with floral sprigs, original polished steel mirror, 5cm wide £80 - £120

295 A Bilston enamel patch box, circa 1780, oval, decorated with a harbour scene with figures, purple ground, 4.5cm wide

£80 - £120

296 A Bilston enamel patch box, circa 1780, oval form with lobed body, painted with a girl holding a piglet, within husk wreath on pink ground, jewelled and gilt border, blue ground, 4cm wide

£80 - £120

297

297 Two Bilston enamel patch boxes, circa 1790, oval form, one with a temple in landscape within motto Virtue is the greatest Ornament of the Fair, the other with motto Should I ever inconsistent prove, Despise me more than I now Love, blue and yellow grounds, 4.5cm wide (2) £80 - £120

298 A Bilston enamel patch box, circa 1790, the oval top painted with a recumbent sheep in pasture within jewelled and gilt border, on pink ground, mirror interior, 4.5cm wide £80 - £120

299 A Bilston enamel patch box, circa 1790, oval form, painted with a sheep shearer at work in a pastural landscape, within jewelled border, blue ground, 5cm wide £100 - £200

300 Two Bilston enamel patch boxes, circa 1790, oval form, one with a colour transfer lid of a milkmaid, the other with two women fishing by a river, blue grounds, 5cm (2) £100 - £150

301

301 Two Bilston enamel patch boxes, circa 1780, each with a motto, Keep this for my Sake, and Have Communion with few, Be familiar with one, Deal justly with all, Speak evil of none, within green saw tooth and berried border, blue and pink grounds, 4cm wide (2) £100 - £200

302

302 A Bilston enamel snuff box, circa 1780, with central heart and motto Remember the Giver, flanked by doves within a bow tied laurel wreath, jewelled border, blue ground, mirrored interior, 4.5cm wide £100 - £200

303 Two large Bilston enamel patch boxes, circa 1800, each of oval form, painted with animals in pastoral landscapes, including dog and hare with hunting emblems, on an engine turned type blue ground with relief moulded floral sprigs, the other with pink ground, 5.5cm wide (2) £100 - £150

304

304 Two Bilston enamel patch boxes, circa 1790, cushion topped plinth form, one lid inscribed Alas by You Im Wounded Through, around an image of Cupid, the other with Health Peace and Competence, Industry(s) Best Recompence [sic], blue and pink bodies, 4cm and 4.5cm (2) £100 - £200

305 A Bilston enamel patch box, circa 1780, oval form, the lid painted with wheat sheaf and doves below motto Peace and Plenty, within triangular gilt and jewelled border, blue ground, 4.5cm wide £100 - £150

306

306 A large Bilston enamel patch box, circa 1780, oval form, the lid with a poetic verse and roundel of courting shepherd and shepherdess, within gilt and jewelled border, green ground, 5.5cm wide £100 - £150

307 A Bilston enamel snuff box, circa 1770, rectangular bombe form, the lid with a Rococo cartouche of man and woman in garden landscape, on a turquoise green ground with diaper stitching, the sides with floral cartouches, 6.5cm x 5cm

£100 - £200

308

308 A relief modelled Bilston enamel patch box, circa 1780, circular form, the lid with a ginger marmalade cat within raisted gilt Rococo scroll border, on a pale blue ground, polished steel convex mirror to the interior, 4.5cm diameter £100 - £150

309

309 Three Bilston enamel patch boxes, circa 1790, each with inscriptions to the oval lids, A Trifle from Salisbury, A Trifle from Soho and A Present from Southampton, pink and green bodies, 4.5cm wide (3)

£120 - £180

312 A pair of Victorian papier mache and gilt turned wood face screens, each ogee bordered panel painted with a church interior with figure, 23.5cm diameter (2)

£150 - £250

313

313 A large Bilston enamel snuff box, circa 1790, cushioned cuboid form, painted with a scene of Harwood House [sic], the interior lid inscribed A Trifle from Harrogate, bordered with blue ribbon and tendril design, 9cm wide, 3.5cm high, 5.5cm deep

£150 - £250

314 Angling Interest: an extensive collection of fly fishing flies and ephemora, including Salmon flies used on the river Tees, a leather bound vellum wallet of examples with inscribed date 1856, a similar wallet of fishing wire, with log of salmon caught on the Tees 1859 to 1862 by Robert Thornton of Stapleton, two letters relating to flies, one with attached fly and description of its use and construction, and a tin of smaller examples £200 - £400

315 A Salmoiraghi Milan 1930’s service tool (surveyors) in box

316 An Austrian cold painted bronze figure of a kingfisher, modelled sitting on a turned socle base, 12cm high

£200 - £300

317 An Austrian cold painted bronze figure of a greyhound, realistically modelled as a dog with collar, stamped mark M.S to one foot, 13cm high

£100 - £200

318 Franz Xavier Bergman (Austrian, 1861-1936), model of an English Partridge, stamped B amphora mark, cold painted bronze, 24cm high, (claw off but present)

£100 - £150

319 Zach (20th Century), a recumbent rat feasting, signed, bronze, all-over brown patina, No.3/30, 6cm high, 8cm wide, mounted on a wooden plinth

£100 - £150

320 Two Inuit stone carvings of seals, mid 20th century, one signed and with identification number4-04903, 20.5cm long (2)

£100 - £200

321

310 Two Bilston enamel patch boxes, circa 1790, oval form with lobed bodies, each transfer printed with dove roundels, within vine borders and mottos Love is the Noblest Passion of the Human Soul and Bind me Fast or Set me Free, Give me Love or Liberty, pink and blue grounds, 4cm wide (2)

£120 - £180

311 Three Bilston enamel patch boxes, circa 1800, oval form, each painted with farm animals, including sheep and lamb, horned cow and a goat, some with jewelled and gilt borders, blue, green and pink grounds, 4.5cm wide (3) £150 - £200

£150 - £250 316

321 A pair of French Palais Royale Grand Tour scent bottles, circa 1850s, each glass body of cuboid form with tooled gilt metal mounts, the hinged lids set with glazed and painted card images of the Sainte Chapelle and La Madeleine, Paris, internal stoppers, 6cm high (2)

£100 - £200

322 Spink and Sons, a wax prototype design for heraldic insignia of an Imperial order, including the star and collar, circa 1937, painted and studded for jewels, inscribed, in fitted box frame, 47cm x 30cm

£80 - £120

323 A George III quill work or rolled paper tea caddy, circa 1790, of octagonal form, hinged cover with a brass ring handle, each panel decorated with foliage, twin division interior, 11.5cm high, 18cm wide, 12cm deep.

Provenance: with Rogers de Rin Antiques, London £400 - £600 324

324 A George III novelty tea caddy, circa 1810, in the form of a double-fronted house, pitched roof with chimney and ivory simulated tiles and gables, eight sash windows and front door, realistically painted brickwork and foliage, the hinged roof opening to a lidded single compartment to the interior, 20.5cm high, 11.5cm wide, 12cm deep.

Provenance: with Rogers de Rin Antiques.

Note: Ivory Exemption Certificate No.BKFF42WY £500 - £800

325 Taxidermy: a Victorian full mount tiger cub (Panthera tigris tigris), 19th century, on naturalistic tree stump, under a glass dome, 44cm high, CITES Annex A, Appendix II (exempt) £600 - £800

326 Taxidermy, a Rainbow Trout, caught by Mrs J.R. Adam, Loch of Skaill, Orkney, 16th July 1932, mounted in an oak glazed wallmounted display case, 33 by 73cm £100 - £150

328 Two Edwardian plaster cast trophies of Brown Trout, ‘3lb.13oz and 5lb.30oz’, labelled ‘Caught by C.W. Finch at Canisp Loch, Inchnadamph, N.B., July 1908’, mounted on a blue painted backboard, in an oak framed box display case, 50 by 70cm

£200 - £300

329

329 A carved wooden trophy of a Trout, in the manner of Fochabers Studio, realistically painted and mounted on a stained wooden board, labelled ‘Loch Awe, May, 1936, 8lbs’, 38 by 91cm

£200 - £300

327 A giant plaster cast trophy of a prize Trout, realistically painted and mounted on an oak board, labelled ‘R. Tay, 34lbs, 5oz, Caught By J.K. Harrison, 1931’, 46 by 122cm

£300 - £500

SIR STANLEY MATTHEWS ARCHIVE COLLECTION

Sir Stanley Matthews, often regarded as one of the greatest footballers of all time, was born in Stoke on Trent in 1915, and had an international career which spanned over 35 years, winning 54 caps for England. This collection showcases highlights from his entire career including both his first international cap awarded while playing for England Schoolboys in 1929, and his 50th cap, together with his first Footballer of the Year trophy, presented in 1948. Several gold and silver gilt medals for friendly and representative matc hes, as well as significant or milestone caps from the 30s, 40s and 50s are including in this collection, many with personally hand written and signed letters from Sir Stanley.

330

330 Stanley Matthews, a leather football boot together with a copy of Feet First £200 - £300

331 Stanley Matt hews, a Football League silver gilt medal, 1954, inscribed Football League Versus Football League of Ireland at Dublin 22nd September 1954, in fitted Vaughtons case, 14.8g £600 - £800

332 Stanley Matthews, a Football League silver gilt medal, 1948, inscribed Liverpool Sept 20th 1948 Versus Irish Football League, in fitted case, 15.6g £600 - £800 333

333 Stanley Matt hews, Sportsman of the Year 1948 medal, silver coloured metal, inscribed with presentation, in fitted box, 4.5cm diameter £800 - £1,200

334

334 Stanley Matthews, a 9 carat two tone gold Football League Representative Match medal, 22nd October 1947, Belfast Irish League, in fitted case, 17.6g £1,000 - £1,500

335 Stanley Matt hews, a 9 carat gold Football League England v Ireland medal, Everton February 19th 1947, in fitted case £1,200 - £1,800

336

336 Stanley Matthews, an International football cap, Portugal 1946-47, dark teal velvet with embroidered three lions and Football Association, with copy of a signed letter on Stoke City headed paper Note: his first post War International match against Portugal in Lisbon on 25th May 1947, Matthews excelled in the game which England won 10 - 0. £1,500 - £2,500

337 Stanley Matthews, an England international football cap, v Northern Ireland 1950-51, blue velvet with silver coloured thread, applied three lions shield and cream tassel, framed and glazed, with copy of a signed letter on Stoke City headed paper

Note: played on 7th October 1950, at Windsor Park in Belfast, England won 4 - 1.

£2,000 - £3,000

340 Stanley Matthews, an England international football cap, v Hungary 1953, blue velvet with silver coloured thread, applied three lions shield and cream tassel, with copy of a signed letter on Stoke City headed paper

Note: what became known as the Match of the Century, the game took place at Wembley on 25th November 1935; England lost 3 - 6 to Hungary.

£2,000 - £3,000 341

343

343 Stanley Matthews, an England International football cap, 1934-35, red velvet embroidered in gold thread with rose and dates, with a hand written and signed letter on Stoke City Football Club paper

Note: Matthews’ full time professional career as an International adult player started in 1934, with two matches, one against Wales at Ninian Park, the other, known as the Battle of Highbury, against Italy.

£2,200 - £3,000

338 Stanley Matthews, an England international football cap, Football Association of Ireland 1949-50, dark blue velvet with silver coloured thread, applied three lions shield and cream tassel, with a copy of a signed letter on Stoke City headed paper

341 Stanley Matthews, an England international football cap, v Yugoslavia 1956, blue velvet with silver coloured thread, applied three lions shield and cream tassel, with copy of a signed letter on Stoke City headed paper

£2,000 - £3,000

339 S tanley Matthews, an England international football cap, v Brazil 1956, blue velvet with silver coloured thread, applied three lions shield and cream tassel, with signed letter on Stoke City headed paper

Note: played at Wembley on 9th May 1956, Matthews took a pivotal role in all four of England’s goals, which led to an England win of 4 - 2.

£2,000 - £3,000

Note: this was Matthews’ 50th cap, awarded for the game against Yugoslavia on 28th November 1956, which England won 3 - 0.

£2,000 - £3,000

342

342 Stanley Matthews, 9 carat gold Football League Champions Division 2 medal, Stoke City Football Club 1932-33, S Matthews, inscribed, Vaughtons, Birmingham 1932, 27.4g, in presentation box

£2,000 - £3,000

344

344 Stanley Matthews, an England International Schoolboys football cap, 1929, red velvet with gold thread tassel, embroidered date and three lions, awarded for playing for England v Wales at the age of 14, with hand written and signed letter on Stoke City headed paper

Note: Matthews’ first cap, awarded at the age of 14 for a game against Wales on 20th April, his debut international appearance in football. The game was won by England 3 - 0, at Dean Court in Bournemouth. £2,500 - £3,500

345 Stanley Matthews, Footballer of the Year trophy 1948, presented by the Football Writers Association, Cup Final Evening, silver plated figure of a footballer, on an ebonised plinth with enamelled union flag shields, 24.5cm high, with a copy of a signed letter on Stoke City Football Club headed paper

Note: Matthews was the inaugural winner of the 1948 award, later receiving it for a second time in 1963.

£12,000 - £15,000

MILITARIA

346 World War I Officers bullet pencil, 1914, with Queen Mary cypher, together with a Christmas tin with contents £60 - £100

347 A late Victorian South Africa Boer War Christmas tin, 1900, containing the original chocolate, 15 by 9cm, in a period morocco and velvet-lined window display case £150 - £200

348 A German Imperial Pickelhaube helmet, circa 1891, Josef Tapprogge, embossed brass cypher of Frederick II £300 - £500 348

WINE

349 Heidseck Monopole Champagne, magnum, circa 1960s £40 - £70

350 Chateau Paveil de Luze, Margaux 2005, 12 bottles, OWC £60 - £100

351

351. Chateau La Grave, Triggant de Boisset, Pomerol 1996, 12 bottles OWC £80 - £120

352 Chateau Certan Marzelle, Pomerol, 2000, 12 bottles, OWC £80 - £120

353 Chateau Croizet Bages, Pauillac 2006, 12 bottles, OWC £120 - £180

354 Penfolds Bin 707, Cabernet Sauvignon, 2001, two bottles (2) £80 - £120

355 Penfolds, St Henri Shiraz, 1998 and 2000 ( 2+2), Bin 389 1998, 2001 and 2003 (2+2+2), 10 in total £200 - £400

356 Crof t, Vintage Port, 2000, 12 bottles, OWC £400 - £600

FURNITURE AND CLOCKS

357 A Khamseh rug, circa 1910, the three cream ground stepped medallions with animals and gemetric motifs, reserved against a red and blue field within multicoloured borders, 185cm x 144cm £500 - £800

358 A Persian Kashan rug, a pictorial central lotus catoche depicting an desert oasis reserved against a foliate decorated dark blue field within similarly decorated red borders, 134 by 213cm £600 - £800

359 A Persian Isfahan rug, the central lotus flower shaped medallion with radiating foliate tendrils, on a cream field, 140 by 207cm £600 - £800

360 A Regency mahogany dumb waiter, c.1820, two graduated revolving circular tiers, inverted reeded supports, baluster column on a reeded scroll tripod base, concealed metal castors, 97cm high, 70cm diameter

£300 - £500

361 A mahogany chiffonier, mid 19th century, raised panel back with a galleried shelf, ringturned supports, over twin arched paneled cupboards, flanked by lotus topped pillasters, plinth, 126cm high, 95cm wide, 37cm deep (key) £100 - £150

362 A Regency rosewood work table, c.1820, hinged caddy top opening to a fitted velvet lined interior, tapered octagonal pedestal, quatrefoil plinth raised on sabre legs and metal castors, 76cm high, 52cm wide, 42cm depth

£200 - £300

363 A Louis XV design kingwood commode, of bombe form, serpentine black and white veined marble top with scallop moulded edge, over two short drawers flanking a central drawer with secret mechanism over two long crossbanded and strung drawers, ormolu Rococo escutcheons, handles, apron and sabots, 88cm high, 130cm wide, 65cm deep

£1,500 - £2,000

364 An oak joint stool, probably 17th century, square panelled top on turned column legs, united by pegged low stretchers, 37cm square, 36cm high

£120 - £180

365 An oak joint stool, probably 17th century, square panelled top on turned column legs, united by pegged low stretchers, 37cm square, 36cm high

£120 - £180

366 An Empire design bureau abattant, 19th Century, plaine moulded cornice, fall-front frieze opening to pigeon holes, burr veneered front with a weighted mechanism, Bramagh lock, gilt tooled leather inset writing surface, with pigeon holes and drawers, ivory pulls, the lower section with twin doors opening to shelving, flanked by tapered pilasters with bronzed Egyptian busts, plinth, 142cm high, 104cm wide, 43cm deep (three keys).

Note: Ivory Exemption Certificate No.MFHPSHG3 £400 - £600

367 A George III mahogany chest of drawers, c.1790, moulded top over two short and three long graduated drawers with brass drop handles and escutcheon, on scroll bracket feet, 99cm high, 100cm wide, and 50cm deep £150 - £200

368 A mahogany buffet, first half of the 19th century, two galleried tiers, lobed feet concealing metal castors, 110cm high, 122cm wide, 52cm deep £150 - £200

369 A Chinese export black lacquer cabinet on stand, Qing dynasty, chinoiserie decorated with extensive mountainous landscapes containing pagodas, trees and exotic birds, brass hinges and mounts opening to a fitted interior of ten drawers, on a stand, 175cm high, 104cm wide, 52cm deep £500 - £800

370 A Portuguese hardwood bow-fronted dressing table, late 19th/early 20th Century, .833 standard silver fittings throughout, oval swing mirror flanked by figural candelabra, and cosmetic jars on a dished grey marble plinth, single frieze drawer fitted for manicure implements and brushes, fluted legs united by a stretcher, toupee feet, 140cm high, 80cm wide, 53cm deep £5,000 - £7,000

371 An Arts and Crafts ebonised folding chair with rattan back, attributed to E. W. Godwin, 80 high, 42 wide, and 75cm deep £30 - £50

372 An Arts & Crafts embroidered panel after the ‘Rose & Olive’ design by William Morris, on a dusky pink ground, 54 by 52cm, mounted as a firescreen, 75cm high, 56cm wide £100 - £150

373. Attributed to Phillip Webb (British, 1831-1915), for Morris and Co, a set of four ebonised ‘Sussex’ side chairs, ring turned spindle and bar backs, rush seats, tapered legs with bar stretchers, 84cm high (4) £200 - £300

374 A mahogany corner armchair of Empire design, cream damask upholstery with X frame back, gilt metal mounts, tappered fluted legs, lion’s paw sabots, 75cm high, 65cm wide £200 - £400

375

375 Attributed to Shapland and Petter, an Arts & Crafts oak dresser, base with two central drawers over a shelf and two flanking side cupboards, the panelled doors inlaid with Art Nouveau style poppy head motifs, below a bowed breakfront top supported by three brackets, the mirror panelled rack features a central leaded glass cupboard after the Glasgow school, flanked by two recessed panelled plate racks, topped with a demi-lune arched pediment with central blind porthole inset with the repeated inlaid stylized poppy head form, 206cm high, 152cm wide, 64cm deep £200 - £400

376 Attributed to Shapland & Petter, an Arts & Crafts oak dresser, c.1890, with two drawers over one central cupboard, flanked by two side shelves, finished with planished and patinated copper handles, hinge bands and escutcheons, 180cm high, 153cm wide, 57cm deep £200 - £400

377 Liberty & Co, an Arts & Crafts dark stained oak book table, of hexagonal form, teardrop fret cut panels, undertier, raised on plain arched supports, unlabelled, 57cm high, 59cm wide £200 - £300

378 An Arts and Crafts oak sideboard, circa 1905, raised back with plain cornice over twin cupboards with convex glazing, mirror below, the bow front base with twin frieze drawers, cupboards below, stylised fretwork and carving throughout, inset with Ruskin disks to the uprights, copper handles, 170cm high, 153cm wide, 50cm deep (two keys) £200 - £300 379

379 An Art Deco limed oak ‘skyscraper’ bookcase in the manner of Heal’s, circa 1930, stepped form with open shelving, cupboard to base, stepped bracket feet, 131cm high, 71cm wide, 23cm deep £100 - £150 380

380 Heal’s, London, an Art Deco oak sideboard, circa 1930, crossbanded top, four graduated frieze drawers, (one with ivorine Heal’s disc), cupboard below, flanked by curved cupboards with bottle storage either side, chamfered strap handles, plinth, 90cm high, 130cm wide, 50cm deep £300 - £500

381 A pair of Art Deco limed oak freestanding open bookcases, 1940’s, four tiers, chamfered frames, with Utility marks, 92cm high, 91cm wide, 18cm deep (2) £80 - £120

382 A Dyrland of Denmark rosewood dining table, mid 20th century, circular cross banded top with recessed extending leaves, X block column and legs, 72cm high, 110cm.

Note: certificate No. X6R0H7613 £300 - £500

383 Attributed to Henry Walter Klein for Bramin of Denmark, a mid 20th Century rosewood dining suite, comprising dining table, six dining chairs and a pair of carvers, the table 72cm high, 90cm wide, 225cm long (9).

Note: CITES certificate No. J5M5W7754

£800 - £1,200

384

384 A mid-Century Danish wooden rocking chair, bar back, the seat cushion re-upholstered in Paul Smith ‘Point’ fabric for Maharam, 88cm high, 70cm wide, 80cm deep.

Provenance: originally purchased by designer Paul Smith in Copenhagen £500 - £800

385 Piero Fornasetti (Italian, 1913-1988), an occasional table, circa 1970, transfer printed acrylic, theatre box design, signed in the plate, 46cm wide, 52cm deep, 51cm high.

Note: Artist Resale Rights apply £1,500 - £1,800

386 Robert Williams (British, 1942), a set of six Pearl Dot chairs, 1980’s, curved plank uprights, triangular seats with exposed dovetailed joints, inset pearl dot signature to each, 108cm high (6) £1,500 - £2,000

387. McIntosh of Kirkcaldy, a mid-Century teak dining set, 1970s, comprising circular rise and fall dining/coffee table with radial veneered top, cylinder support, on offset brushed chrome supports, 100cm diameter, and a set of four ladderback dining chairs, No.9073, with green striped fabric upholstered seats (5) £150 - £200

388 A miniature mother-of-pearl travel clock, dial with black Arabic numerals and outer minute track, peg feet, 3.5cm high, 2.8cm wide. With travel case. £70 - £100

389 John Clark & Son, Greenock, a 19th Century brass marine sextant, 0 to 150degree demi-lune scale, seven pivoting shades, with lenses, 27cm wide, in a fitted crescentshaped mahogany case £80 - £120

390 T. Hemsley & Sons, Tower Hill, London, a 19th Century mahogany cased mercury marine stick barometer and thermometer, ivory gauges, brass cistern, and gimbal, 95cm high.

Ivory Exemption Certificate No.1KU6EYBH

£100 - £200

391 A traditional brass lantern clock, 19th Century in the 17th Century style, urn finial, bell, fretwork panels to three sides, the front with engraved entwined dolphins and scrolls, over a dial with black Roman numerals and inner minute track, scrolling foliage to the centre, pillar corners, peg feet, eight-day movement striking on a bell, 38cm high, 15cm wide

£200 - £300

392 A French repeating carriage clock, late 19th Century, gilt brass and paste set corniche case, visible platform lever escapement, Arabic numerals dial on a blind fretwork ground with garden balustrade, corinthian columns, raised on a plinth, the movement striking on a gong, 20cm high, 10cm wide, (key)

£200 - £300

393 A French boulle work bracket clock, late 19th or early 20th Century, of Louis XV design, balloon shape with urn finial and gilt metal Rococo mounts, 10cm dial with inset enamel Roman numerals, the movement striking on a gong, 33cm high, (key and pendulum)

£400 - £600

394 London & Ryder, 17 New Bond St, London, a late 19th Century gilt metal easel desk timepiece, oval with bright cut scroll openwork frame, silvered dial with Roman numerals, 33cm high

£200 - £300

395 Clerke, 1 Royal Exchange London, an oak bracket clock, 19th century, of Gothic Revival design, incorporating crenellations, ogee trefoil pediment, silvered dial with bright cut scroll spandrels, with Roman numerals, with subsidiary Chime/Silent and speed dials, flanked by pillasters, fretwork sound grills, plinth, double fusee musical movement striking on eight bells and a gong, 64 high, 45cm wide, 27cm deep (key) (no winding key or pendulum)

END OF DAY ONE

£1,000 - £1,500

DAY TWO

ASIAN ART

396 A Chinese miniature bottle vase, Wucai style baluster form with underglaze blue prunus design £50 - £80

397

397 A Chinese blue and white Kraak dish, the centre decorated with a fog amongst foliage, the border with foliage and Buddhist emblems, 29cm diameter £100 - £200

398 A Chinese Export black lacquer tea caddy, Qing dynasty, the hinged cover decorated with a pair of figures and script, side handles, inner lift-out lead storage vessel with ivory button, 20cm high, 33cm wide, 25cm deep.

Ivory Exemption Certificate No.FB5TWKZQ £100 - £150

399 Chinese School, Qing Dynasty, a needlework panel, horse, and exotic birds against a balustrade and pagoda surrounded by foliage and a potted plant, worked in colored and gold bullion threads in relief, 24 by 18cm, gilt frame, label verso with provenance inscription by John Denness dated 1847 £150 - £200

400 A Chinese Famille Noir relief moulded figural vase, incised Kangxi vase, possibly of the period, flattened inverse baluster form, modelled with various gathered figures and a deity on tiger, 21cm high £200 - £400

401 A Chinese porcelain plaque, square section, painted with two dogs an a verse, under a pine tree £200 - £300

402 A Chinese blue and white vase

£300 - £400 403

403 A Chinese porcelain relief moulded water pot, Tang style colours of yellow and green, modelled with two dragons to the exterior, the interior with a toad on lotus plant, four character moulded mark to underside, 11.5cm diameter £80 - £120

404 A Chinese bronze vase, inverse baluster rectangular section, with zoomorphic ring handles, in the archaistic style £300 - £400

405

405 A Chinese silk embroidered panel, decorated with dragon amongst clouds, on rust coloured ground, 65cm x 58cm

£300 - £500

406 A Chinese carved lacquer type box, ovoid form, black figures and cartouches over red cinnabar coloured ground

£300 - £400

407

407 A Chinese Clair de Lune relief moulded dragon vase, Yongzheng mark, possibly of the period, ovoid form, applied with a dragon and bat, powder blue ground, 16cm high

Provenance: Private Collection. Acquired in Shanghai in the 1930s, and thence by descent.

£200 - £300

408 A Chinese famille rose vase, shouldered form with lizard moulded neck and gilt dog handles, decorated with panels of warriors in combat, on Cantonese foliate ground, white foot rim

£300 - £500

409 A Chinese rolo shaped vase, famille verte on yellow ground, decorated in the round with fantastic birds in a garden landscape

£400 - £600

410 A pair of Chinese blue and white vases, squat baluster form with craquelure glaze and rusticated rim and deer handles, decorated with figures in mountain landscapes (2)

£400 - £600

411 A Chinese famille rose vase, shouldered form with lizard moulded neck and dog handles, decorated with panels of warriors in combat, on Cantonese foliate ground, yellow foot rim

£400 - £600

412 A Chinese famille rose vase, shouldered form with lizard moulded neck and dog handles, decorated with panels of warriors in combat, on Cantonese foliate ground, blue foot rim

£400 - £600

413

413 A Chinese famille verte vase, ovoid form with flared neck, painted in the round with courtly figures and boys playing in a garden landscape, with bats and pine trees, below a band of auspicious symbols in cartouches on a foliate scroll ground, the neck with figures reading, blue concentric ring mark, 35.5cm high

£400 - £600

414 Chinese School, Qing Dynasty, two exotic birds on a rocky outcrop and branch, signed and seal mark c.r., watercolour on gilt scroll paper, 225 by 140cm, framed

£400 - £600

415 A Chinese export plate, painted en grisaille in the European style, with a depiction of Lancret’s painting Brother Philippe’s Geese, within gilt bands, the border with alternating vignettes of landscapes and birds on branches, in ruyi scroll cartouches, 22cm diameter

£180 - £220

416 A large Chinese monochrome vase, bulbous form with cylindrical neck, streaky turquoise glaze, 43cm high

£400 - £600

417 A Chinese altar vase and cover, converted to a lamp, yellow ground with white carnation design, between blue ground bands of foliate cartouches

£600 - £800

418 A Chinese blue and white vase, shouldered inverse baluster form, decorated with an elder and attendants in a garden landscape with boulders and pine tree, concentric blue marks, 46cm high

£100 - £200

420 A Chinese blue and white temple vase and cover, Qianlong mark, inverse baluster form painted with mirrored pairs of figures in a garden landscape, separated by vertical stripes, dog finial, 30.5cm high

£70 - £100

419 A Chinese famille verte vase, shouldered form, painted in the round with equestrian figure and attendants in a garden landscape

£800 - £1200

421 A Chinese rolo shaped famille rose vase, painted in the round with courtly figures in a garden landscape, the neck with equestrian figures, below a key band

£800 - £1,200

422 A large pair of Japanese cloisonne enamel vases, shouldered for, blue ground, decorated with bouquets of chrysanthemums and insects, between archaistic Chinese style borders, 38cm high (2) £200 - £400

423 A large Chinese famille rose vase, shouldered form, yellow ground, painted with panels of courtly interiors and garden scenes, lizard moulded shoulder and dog handles

£1,000 - £1,500

424 A Japanese Satsuma vase, Meiji, octagonal section shouldered form, decorated with gilt lined butterflies, seal mark, 16cm high £80 - £120

425

430 A pair of Oriental bronze frames £200 - £300

431 A Chinese vase, painted with flowers

£400 - £600

432 A pair of Chinese famille rose vases, inverse baluster form, alternating bands of relief moulded characters on celadon ground, with foliate and lappet bands, gilt lizards applied to the necks, and polychrome bird handles (2)

£1,200 - £1,500

433

433 A Japanese cloisonne cigarette case, intersecting floral roundels on a geometric patchwork ground, body fitting rectangular form, 9cm x 7.5cm

£80 - £120

425 A pair of Japanese Satsuma vases, Meiji period, shoulder form, painted with bamboo

£100 - £200

434

£300 - £500

426 An Oriental carved hardstone screen, rectangular form in wooden bracket stand, modelled in relief with jade type and alabaster carved flowers and insects

427 An Oriental cloisonne enamel koro, ovoid form with cover, blue ground decorated with butterflies and floral sprigs

£300 - £500

434 A Chinese carved jade pendant, rectangular form, one side with a verse £60 - £80

435 A pair of Oriental cloisonne enamelled koros, squat lobed melon form with handles and bracket feet (2) £200 - £300

436 A Chinese cloisonne koro, ovoid form with cover, decorated with chrysanthemums and peonies on a red ground, bracket feet

£300 - £400

428 An Oriental cloisonne enamelled koro, with reticulated pierced lid

£200 - £300

437 A pair of Oriental cloisonne enamel vases £300 - £400

£1,000 - £1,500

429 A large Japanese Satsuma vase, hexagonal section shouldered form, painted with alternating panels of figures and landscapes

BOOKS AND PRINTS

438 King, Jessie M (Illustrator), Budding Life, 1907 and The Grey City, 1910, paperback bindings (2) £30 - £50

439 Rackham, Arthur (Illustrator), The Ingoldsby Legends, 1912, Rip van Winkle, 1908, Alice’s Adventures in Wonderland, The Rhinegold & The Valkyrie, 1910, Siegfried & The Twilight of The Gods, 1911, Rip van Winkle, 1917 and Peter Pen (7) £50 - £80

440 Harrison, Florence (Illustrator), Early Poems of William Morris, 1914, Christina Rosetti Poems, Tennyson’s Guinevere and Other Poems, 1912, (slipcase) (3) £40 - £60

441 Dulac, Edmund (Illustrator), Tanglewood Tales, 1938, The Bells and other Poems by Edgar Allan Poe and Stories from The Arabian Nights (3) £30 - £50

442 Heath Robinson, W (Illustrator), A Song of the English and Hans Andersen’s Fairy Tales (2) £30 - £50

443 Pogany, Willy, Lohengrin, (two volumes), Tannhauser and Parsifal, cloth bindings (4) £20 - £40

444 Koch, Alex, Darmstadt, Deutsche Kunst und Dekoration, 1899-1906, seven volumes, cloth bindings (7).

Note: the German equivalent of The Studio £100 - £150

445 A series of ten Underwood & Underwood stereo cards, risque and comical subjects, mounted on pink card (10) £40 - £60

446

446 Rapp, Carlo (Illustrator), Palladio’s Homes, 2009, with an essay by Witold Rybczynski, limited edition No.27/170, The Old School Press, cloud sky boards, housed in a grey cloth wrap £70 - £90

447 Poley, Arthur F., St. Paul’s Cathedral, 1927 first edition, Willowbank, Hampton Hill, Middlesex, rough cut endpapers, half leather bound elephant folio with gilt cover illustration of the facade of St. Pauls £70 - £90

448

448 Denny, Thomas, Glory, Azure & Gold - Twelve Stained-Glass Windows, 2015, No.38/125, Reed Contemporary Books, in a slipcase with a signed etching, No.38/120 £100 - £150

449

449 Har ris, Peter, The Bricks of Venice, 2005, limited edition No.115/150, The Old School Press, with a box of colour plates, loose as issued, Woolnough Bookbinding, contained in a single slipcase £150 - £200

450

450 John Speed (British, 1552-1629), The West Riding of Yorkshyre with the most famous fayre Citie Yorke described, 1610, hand-coloured engraving, 39 by 52cm, with Glamorgan Shyre With the situations of the chiefe towne Cardyff and ancient Landaffe described, hand-colourd engraving, Ed John Sudbury & George Humbell, circa 1627, 38 by 51cm, framed (2) £150 - £250

451

454

454 Autographs, four ‘clipped’ signatures of British Prime Ministers and a signed photograph of Sir Harold Wilson, the signatures of Harold Macmillan, 1st Earl of Stockton, Alec Douglas-Home, Baron Home of the Hirsel, Sir Edward Heath and Jim Callaghan, Baron Callaghan of Cardiff, dated February 1973, mounted as one, 28.5 by 39cm, gilt frame £200 - £250

455

£150 - £200

451 Churchill, Winston, ‘The Collected Essays of Sir Winston Churchill’, London, The Library of Imperial History, foreword dated 1976, Centenary Edition, four limited edition volumes No.67, original blue quarter morocco gilt (4)

452 Royal and Naval Interest, Duke of York, later King George V (1865-1936), a photographic album created for the Duke’s Naval Tour in 1898 while he commanded HMS Crescent, comprising approximately fifty matte and glossy silver gelatin prints documenting various aspects of the naval tour and life aboard, including naval operations and the lifestyle of officers at sea, images of ship’s company, captain, deck scenes, interiors, written correspondence by The Duke of York about the ‘satisfaction’ with the state of the ship

455 Paxton, Sir Joseph, Paxton’s Magazine of Botany, 1834, first edition of the volume, Orr and Smith, London, forty-three coloured lithographed botanical plates and wood-engraved illustrations, green half leather binding with gilt title to the spine, marbled boards, with a written note by Paxton tipped onto the front endpaper to a James E. Norris, dated Chatsworth, (where he was Head Gardener), July 2nd 1856, ‘I am much obliged by your present of Gold Pheasant’ Eggs and shall be much obliged if you will be good enough to have them addressed to me at Chatsworth. I am, Dear Sir, Truly Yours, Joseph Paxton’.

£500 - £600

453

453 Syme, Patrick, Practical Directions for Learning Flower Drawing, 1810 first edition, printed for the author, George Ramsay & Company, Edinburgh, eighteen engraved plates, half leather binding with gilt-tooled title to the spine, marbled boards.

Provenance: with Sotheran’s, London. With Thompson, Robert and Moore, Thomas, The Gardener’s Assistant, 1878, Blackie & Sons, London, illustrated, half leather binding with a gilt-tooled spine (2) £200 - £300

Provenance: with Sotheran’s, London £300 - £500

456

456 Fox Talbot, Henry William, a Talbotype sun picture photograph, 1846, bound within the Art Union magazine, June 1846, opposite p.143, depicting a building with Gothic tracery

£300 - £500

457

457 Allix, Susan, Blitz. Letters from London, Written by Evelyn Lister to her sister Mildred, September & October 1940, Printed with aquatints & photographs, 2014, limited edition No.6/15, signed by the artist, black goatskin and textured binding by Susan Allix, the upper cover with paper and metallic embellishments, housed in a grey folding box.

Note: Artist Resale Rights apply

£500 - £800

458 Upton, Florence K., (Illustrator), The Golliwogg’s Polar Adventures, In War!, Circus, At The Seaside, Auto-Go-Cart, Bicycle Club and Fox Hunt, Adventures of Two Dutch Dolls, Longmans, Green & Co, London, 1890’s/1900’s, with Praeger, S. Rosamond, The Adventures of the Three Bold Babes and Further Doings of the Three Bold Babes (10) £150 - £250

459

459 Tanner, Heather & Robin, Woodland Plants, 1981 first limited edition No.11/50, illustrated, signed by the authors, Robin Garton, London, with a folder containing reproductions of the eighty-two drawings for Woodland Plants, full red leather bindings with gilt titles, contained in a slipcase, (with paperwork including a letter from the publisher to the purchaser), with Tanner, Robin, The Etchings, 1988, of 1000 copies, Garton & Company and Tanner, Heather & Robin, Wiltshire Village, 1978 third edition, Collins (3) £200 - £300

460 Jean Ignace Isidore Grandville (French, 1803-1847), Pensee, Fleche D’Eau, Bleuet Et Coquelicot, Reine Marguerite, Violette, Guimauve, Primevere de Perce Neige, Pavot and Erratum, for Les Fleurs Animees, colour xylographs, 1847, 19 by 14cm, framed (9).

Provenance: Sotheran’s, London, 1998 £100 - £150

461 Theodore Casimir Roussel (French, 1847-1926), The Invalid Chair; Seascape with Sailing Boats and Figure & Doorway, three, etchings/prints, largest 8.5 by 12cm, framed (3) £50 - £80

462 Theodore Casimir Roussel (French, 1847-1926), Portrait of Miss Hetty Pettigrew (1908), signed on a tab below, drypoint etching, 26 by 14.5cm, framed.

Provenance: with The Parkin Gallery, London £100 - £150

463 Theodore Casimir Roussel (French, 1847-1926), The Reader, Lamplight, inscribed to ‘Hetty’ (Pettigrew) and signed with initials verso, lithograph, 23 by 19cm, framed.

Note: Harriet Selina Pettigrew (1867-1953) commonly known as ‘Hetty’ Pettigrew was a prominent model in the London art world of the late 19th Century. She had a close relationship with the French painter Theodore Roussel who she met in 1884 and frequently modelled for him. It seems likely this print was a gift from the artist to his model and muse.

Provenance: with Abbott & Holder, London £100 - £150

464 Theodore Casimir Roussel (French, 1847-1926), The Agony of Flowers (1890-1895), softground etching and aquatint, 44 by 35cm, framed. Catalogue Raisonne: Hausberg 45 £100 - £150

465 Theodore Casimir Roussel (French, 1847-1926), Laburnums at Battersea (c.1879), drypoint etching, signed to a tab below, 34 by 22cm, framed.

Note: Hausberg 34 £150 - £200

466 Henri de Toulouse-Lautrec (French, 1864-1901), Charles Maurin (1898), drypoint etching, 17 by 9.5cm, gilt frame

£80 - £120

467 Henri de Toulouse-Lautrec (French, 1864-1901), Paula Brebion (1893), lithograph (olive green), from the edition of 50 published in Le Cafe Concert, 29 by 22cm, framed.

Provenance: from the Collection of Ludwig and Erik Charell, Lot 19, Sotheby’s, London, 27th April 1978, with catalogue and purchase invoice £200 - £300

468 Paul Cezanne (French, 1839-1906), portrait of Armand Guillaumin (1873), etching, 15 by 10.5cm, gilt frame £80 - £120

469 Paul Cezanne (French, 1839-1906), Paysage a AuversEntree de Ferme Rue St. Remy (1873), etching, probably printed on Dr. Gachet’s press of ten impressions, 13 by 10.5cm, framed.

Note: Cherpin 5; Leymarie-Melot 5 before the plate was steel-faced. The first published issue was in 1914 by Bernheim Jeune for the album Cezanne. Edition of 600.

Provenance: with William Weston Gallery, London £400 - £600

470 Edgar Degas (French, 1834-1917), Sur la Scene No.3. On Stage No.3, (1876-1877), etching, issued by Amboise Voillard in an edition of 150 issued for an exhibition catalogue of the Societe des Amis des Arts de Pau, c.1876/77 with some 40 impressions traced, signed in the plate, 9.5 by 12cm, framed.

Note: from the first edition printed from cancelled plate 1910/15. Delteil 32; Reed-Shapiro 24 vi/vi.

Provenance: with William Weston Gallery, London £1,000 - £1,500

471 Charles Prosper Sainton (British, 1861-1914), Spirit of the Marsh, signed l.r., titled on the mount below, silverpoint etching, 34 by 27cm, gilt frame

£40 - £60

472 William Lionel Wyllie (British, 1851-1931), Victory Breaking the Line at Trafalgar, signed l.l., etching, 12 by 16cm, framed

£100 - £150

473 Eric Gill (Br itish, 1882-1940), The Reeve’s Tale, wood engraving, 21 by 17.5cm; The Parson’s Tale, wood engraving, 19 by 14.5cm, both framed (2)

£50 - £80

474 Eric Gill (British, 1882-1940), Gordian Gill, engraving, 20 by 14.5cm; Madonna and Child with Children, wood engraving, 12 by 8.5cm, both framed (2)

£100 - £150

475 Bernard Howell Leac h (British, 1887-1979), Single Tree, signed l.l., etching No.10/25, 21 by 8cm, framed.

Note: Artist Resale Rights apply

£70 - £90

476 Robin Tanner (British, 1904-1988), Autumn, signed l.c., titled and dated 1930 verso, etching, 33 by 31cm, framed.

Note: Ref Garton 18, state ii/ii, from the edition of twelve published by Garton and Cooke in 1982.

Note: Artist Resale Rights apply £200 - £300

477. Robin Tanner (British, 1904-1988), Christmas Card for 1929, titled verso, etching, 15 by 10cm, framed. Ref: Garton 10 only state.

Note: one of 200 impressions sent to friends.

Provenance: the Collection of Raymond Lister, author, collector and friend of the artist.

Note: Artist Resale Rights apply £80 - £120

478 Alistair Grant (British, 1925-1997), Untitled, (Orange Circles), signed l.r., colour etching No.3/20, 30 by 38cm, framed.

Note: Artist Resale Rights apply £60 - £100

479 Laurence Stephen Lowry (British, 18871976), The Level Crossing, signed l.r., print in colours, 45 by 56cm, framed.

Note: Artist Resale Rights apply £1,000 - £1,500

480 Laurence Stephen Lowry R.A. (British, 18871976), St Lukes, London, signed l.r., blind stamp l.l., offset lithograph in colours, published 1973, No.449/850, 61 by 46cm, framed.

Note: Artist Resale Rights apply £800 - £1,200

481 Edward Bawden R.A. (British, 1903-1989), Lions & Zebras (1989), signed l.r., linocut in colours, No.58/75, 38.5 by 47cm, unframed.

Note: Artist Resale Rights apply

£300 - £500

482 David Hockney R.A . (British, 1937), Dog Etching No.11, from Dog Wall, signed and dated 1998 l.r., etching No.28/35, 22 by 26.5cm, framed.

Provenance: with Alan Cristea Gallery, London.

Note: Artist Resale Rights apply

£2,000 - £3,000

483 Andy Goldsworthy (British, 1956), Sun Stone Borrowdale...., signed l.l., dated 1996, titled and inscribed below, photograph No.53/180, 20 by 14cm, framed.

Note: Artist Resale Rights apply

£300 - £500

483

PICTURES

484 Follower of Myles Birket Foster, mother, baby, and a cat outside a cottage; mother, children, and a donkey outside a cottage, a pair, both bear initials, watercolour, 10 by 15cm, gilt frames (2)

£80 - £120

485 Thomas Bush Hardy (British, 1842-1897), On the North East Coast, signed, titled, and dated 1889 l.r., watercolour, 33 by 51cm, framed.

Note: the scene depicts fishing vessels entering Scarborough harbour. This picture is very similar to another Bush Hardy watercolour which is titled ‘Off Scarborough Harbour’. Also, the vessel sails are marked with the harbour official sign

491

£250 - £350

486 Thomas Bush Hardy (British, 1842-1897), Venice, Morning, signed, titled, and dated 1880 l.l., watercolour, 20 by 33cm, framed.

491 Edwin Hayes (British, 1819/20-1904), Lamlash Pier, Isle of Arran, signed and dated 1861 l.l., titled on Malcolm Innes Gallery label verso, watercolour heightened with white, 22 by 48cm, gilt frame £400 - £600

Note: the view of the Venice basin is taken from the Isola de San Giorgio de Maggiore

£400 - £500

487

487 19th Century School, portrait of a fashionable young lady, halflength wearing a pink bow in her hair, pastel, 75 by 63cm, gilt frame

£200 - £300

488 Thomas Bush Hardy (British, 1842-1897), Wind Against Tide, signed, titled, and dated 1890 l.l., watercolour, 29 by 48cm, framed.

Note: the scene depicts fishing vessels off Zeebrugge habour. The sails are marked with a ‘Z’ which is the official sign for Zeebrugge £250 - £350

489 Thomas Charles Leeson Rowbotham (British, 1823-1875), an Italian Lake scene with dockside market traders, signed and dated 1866 l.r., watercolour heightened with white, 42 by 72cm, framed

£200 - £300

490 James Shaw Crompton (British, 1853-1916), Billeted, signed l.r., titled verso, watercolour, 27 by 18cm, gilt frame £100 - £150

492 Walter Langley (British, 1852-1922), Gathering Apples, signed l.l., watercolour, 22 by 18cm, framed £200 - £300

493 A.C.F. (British, late 19th Century), The Promenade, signed with initials and dated (18)94 l.l., watercolour, 20 by 13cm, framed £80 - £120

494 Herbert Johnson Harvey (British, 1884-1928), portrait of Chopin, signed l.r., titled l.c., pastel, 54 by 36cm, framed £70 - £90

495 Robert Coram (MAROC) (British, 1900-?), fifty cartoons, signed, stamps verso, pen, and ink, 25 by 20cm, unframed and unmounted (50).

Note: the artist’s work has appeared in numerous publications including the Evening Standard and Sunday Telegraph £70 - £100

496 Ethel Larcombe (British, 1876-1940), illustration of a young lady wearing a broad-rimmed hat and muff, signed with monogram u.l., watercolor and pastel, 19 by 14.5cm, framed £100 - £150

497 British School, late 19th/early 20th Century, twelve PreRaphaelite style ecclesiastic illustrations, depicting Saintly figures, watercolour, 20 by 4.5cm each, framed as one £100 - £150

498 Gonin, Lucy M (British, 20th Century), The Glow-Worm Fairy, signed l.l., titled below, watercolour, 30 by 25cm, framed £50 - £80

499 John Hassall (British, 1868-1940), Snake Charmer, signed l.r., pen and ink, 24 by 14.5cm, framed £80 - £120

500 Lawrence Scarfe (British, 1914-1993), ‘Canal Grande with San Geremia’, signed, titled and dated 1969 verso, mixed media, 23.6 by 16cm, unframed £30 - £40

501 Lawrence Scarfe (British, 1914-1993), ‘Oaks in Richmond Park, by Kingston Gate’, signed l.r.,, titled and dated 1940 verso, mixed media, 53 by 39.5cm, unframed £30 - £50

502 Lawrence Scarfe (British, 1914-1993), ‘Riva Ca’ di Dio, Venezia’, signed l.r., titled and dated 1954 verso, mixed media, 17.5 by 12cm, unframed £40 - £50

503 Jack Attree (British, 1950), View from...............Cumberland, indistinctly title and dated 1992 verso, pencil, 15 by 16.5cm, framed £40 - £60

504 Lawrence Scarfe (British, 1914-1993), A Venetian canal scene, signed, titled, and dated 1969 verso, inscribed ‘Northern exit to Lagoon - to Murano’ mixed media, 21 by 21.7cm, unframed

£50 - £60

505 Lawrence Scarfe (1914-1993), ‘Riva Ca’ di Dio, Venezia’, signed l.r., titled and dated 1954 verso, mixed media, 21.5 by 17cm, unframed £60 - £80

518 Dexter Brown (De Bruyne) (British, 1942), Elegant Sporting Ladies - Golf and Tennis, a pair, both signed, gouache, 28 by 25cm, gilt frames (2).

Note: Artist Resale Rights apply

£100 - £150

519 Edvard Frank (German, 1909-1972), Untitled, signed and dated 1969 l.r., watercolour, 48 by 62cm, unframed.

Note: Artist Resale Rights apply

£100 - £150

£60 - £80

506 Lawrence Scarfe (British, 1914-1993), ‘San Zanipolo, Venezia’, signed l.r., titled and dated 1954 verso, mixed media, 25.8 by 21.6cm, unframed

520 Sue Read (Br itish, 20th/21st Century), Shells & Glass; Cherries I and Marbles, three, all signed with initials l.r., titled verso, watercolour, largest 21 by 30cm, framed (3).

Note: Artist Resale Rights apply £100 - £150

£60 - £100

507 Reginald James Lloyd (British, 1926-2020), reclining female nude, signed and dated 1970 l.r., mixed media, 30 by 44cm, framed. Note: Artist Resale Rights apply

508 Peter J. Ashmore (British, 20th Century), Vincenzo Trucco in his Isotta Frashini, Winner 1908 Targa Florio at 35.38mph, signed l.r., titled verso, gouache, 17 by 30cm, framed £70 - £90

509 Cornelius Pearson (British, 1805-1891), The Water Mill, signed and dated 1854 l.l., watercolour, 30 by 48cm, framed £80 - £100

510 Peter J. Ashmore (British, 20th Century), Road Racing 1899, 16hp Mors M. Girardot aboard, - Paris to Ostund, signed l.l., titled verso, gouache, 23 by 38cm, framed £80 - £120

511 Alan Ingham (British, 1932-2002), Swinbrook, Oxfordshire, signed l.l., titled on the moht below, watercolour, 25 by 35cm, framed.

Provenance: with John Noott Galleries.

Note: Artist Resale Rights apply

£80 - £120

512 Louis Dussour (French, 1905-1986), Deux Messieurs sur la Plage, signed l.r., gouache, 38 by 45cm, framed.

Note: Artist Resale Rights apply £80 - £120

513 Matthew Harris (British, 1966), Juxtopostion, signed with initials and dated 2010 l.r., mixed media, 26 by 19cm, framed

£80 - £120

521 Helen Wilson (Scottish, 1954), Study for Nearly Home, signed l.r., titled and dated 1987 on Compass Gallery, Glasgow label verso, pencil and pastel, 69 by 70cm, framed.

Note: Artist Resale Rights apply £100 - £150

522 Lawrence Scarfe (British, 1914-1993), ‘Cobstone Mill, Buckinghamshire’, signed l.r., titled and dated August 1949 verso, mixed media, 54.5 by 38.5cm, unframed £100 - £120

523 Lawrence Scarfe (British, 1914-1993), ‘A study of details of the Water Theatre - Niche of the Centaur’, signed ‘LS’ l.l., titled and dated ‘85 / II.4’ verso, mixed media, 52 by 38.5cm, unframed £100 - £120

524 Lawrence Scarfe (British, 1914-1993), ‘The Bower of Sultan Ibrahim, The Seraglio, Istanbul’, signed ‘LS’ l.l., titled and dated 1978 and inscribed ‘Viewed from the terrace of the Bagdad Kiosk’ verso, mixed media, 52.5 by 38cm, unframed £100 - £120

525 Lawrence Scarfe (British, 1914-1993), ‘A Procession at Karnak, signed ‘LS’ l.l., titled and dated Oct 1981 and inscribed ‘Gateway of Temple of Ramesses III’ verso, mixed media, 52 by 39cm, unframed £100 - £120

526 Lawrence Scarfe (British, 1914-1993), ‘Kings Cross’, signed and dated ‘LS 1984’ l.r., inscribed ‘Grays Inn rd - night’ verso, mixed media, 52 by 38.7cm, unframed £100 - £120

527 Lawrence Scarfe (British, 1914-1993), ‘Temple of Amun, Luxor’, signed ‘LS’ l.l., titled and dated Oct 1981 verso, mixed media, 52 by 39cm. unframed £100 - £120

£80 - £120

514 Douglas Snowdon (British, late 19th/early 20th Century), an autumnal lakeside scene with a dog resting beside a cart, signed l.l., watercolour, 35 by 50cm, gilt frame

515 After David Roberts, figures in a continental harbour, watercolor, 18 by 12cm, gilt frame

£80 - £120

516 Fiona Owen (British, 20th/21st Century), still life of a cabbage, signed with initials, watercolour, 8 by 7.5cm, framed

£100 - £150

517 Fiona Owen (British, 20th/21st Century), The Allotment, signed with initials, watercolour, 8 by 8.5cm, framed £100 - £150

528 Lawrence Scarfe (British, 1914-1993), ‘Winsor Castle’, signed l.r., titled and dated 1984 verso, mixed media, 50.3 by 31.5cm, unframed

£120 - £150

529 Cesare Caroselli (Italian, 1847-1927), Paying Last Respects, signed, dated 1860 and inscribed Roma l.l., watercolour, 32 by 22cm, framed

£120 - £150

530 Maud West Watson (British, 1865-1945), A Young Dandie Dinmont, signed l.l., titled verso on Paisley Art Institute label, pastel, 44 by 31cm, gilt frame

£150 - £250

531 Attributed to Eric Gill (British, 1882-1940), a study of a Saintly figure with sheep, pencil, 8.5 by 4.5cm, framed

£150 - £200

532

538 Lawrence Scarfe (British, 1914-1993), ‘The Harbour at La Ciotat’, signed l.r., titled and dated 1948 verso, mixed media, 54 by 38.5cm, unframed £150 - £200

539 Lawrence Scarf e (British, 1914-1993), ‘Prom Point Des Arnes, Arles’, signed l.r., titled and dated 1948 verso, mixed media, 53 by 41cm, unframed £150 - £200

540 Lawrence Scarfe (British, 1914-1993), ‘Radcliffe Camera & All Souls, Oxford’, signed ‘LS’ l.l., titled and dated September 17 1988 verso, mixed media, 52 by 39.6cm, unframed £150 - £200

541 Madeline Rachel Wells R.B.A. (British, 1879-1959), Bathing Time, watercolour on silk, 32 by 45cm, framed. Lot Essay: Born in India, Madeline Wells studied at Westminster Art School under William Mouat Loudan, and at the London School of Art under Sir Frank Brangwyn. She married the artist Robert Douglas Wells, who specialised in landscape and still life painting. They lived in London at St. Albans Studios in Kensington. Madeline Wells became a member of the Royal Society of British Artists in 1915 and was elected a member of the Society of Women Artists in 1923. She exhibited widely over a period of more than thirty years at these and other galleries, including the Grosvenor Gallery, the Royal Academy and the Walker Art Gallery in Liverpool.

Note: Artist Resale Rights apply £150 - £200

542 Cornelius Pearson (British, 1805-1891), Loch Lomond; Derwentwater, a pair, signed and dated 1862 l.l., watercolour, 31 by 64cm, framed (2) £200 - £250

£150 - £200

532 Ralph Todd (Newlyn School) (British, 1856-1932), A Time to Mend, signed and dated 1886 l.l., watercolour, 40 by 34cm, gilt frame

533

533 John Knapp-Fisher (British, 1931-2015), a secluded chapel, signed l.l., dated 1972 l.r., watercolour, 15 by 33cm, framed.

Note: Artist Resale Rights apply

543 William Turner (British, 1920-2013), The Refuge Tower, titled verso, oxide drawing, 22 by 19cm, framed.

Provenance: with Pitcairn Galleries, Nutsford, Cheshire.

Note: Artist Resale Rights apply £200 - £250

£150 - £200

534 Brian Lindley (British, 20th Century), Pont Alexander III, Paris, signed l.r., titled verso, pastel, 25 by 35cm, with The Seine at Vetheuil, signed l.l., titled verso, pastel, 19 by 32cm and Band in Piazza San Marco, Venice, signed l.r., titled verso, pastel, 23 by 17cm, all framed.

Provenance: with John Noott Galleries (3)

£150 - £200

535 Jack Attree (British, 1950), The Fishergate Postern, signed l.r., titled and dated 2013 verso, graphite on paper, 58 by 39cm, framed.

Note: Artist Resale Rights apply

£150 - £200

536 British School, late 18th Century, a fashionable lady and a gentleman of leisure in a park, watercolour, 14 by 19.5cm, gilt frame

£150 - £200

537 Matthew Harris (British, 1966), Archive II, signed with initials and dated 2012 l.r., titled verso, mixed media on linen bound Japanese paper, 36 by 60cm, framed

£150 - £200

544 Tito Agujari (Italian, 1834-1908), Paul and Virginia, from the novel by Jacques-Henri Bernardin de Saint Pierre, published 1788, signed l.l., watercolour, 32 by 22cm, gilt frame

£200 - £300

545

545 Charlotte Sorapure (British, 20th/21st Century), Todi, signed with monogam l.r., titled verso, pastel on ingres paper, 30 by 43cm, framed.

Note: Artist Resale Rights apply

£200 - £300

546

546 Louis William Wain (British, 1860-1939), Pop, signed l.l., titled verso, watercolour and bodycolour, 17.5 by 18cm, framed.

Provenance: with Chris Beetles, London.

Exhibited: York City Art Gallery, 1986, No.20 £1,500 - £2,000

547

547 Eugene Galien-Laloue (French, 1854 -1941), Winter Flower Market at the Place de la Republique, Paris with the Monument a la Republique, signed l.l., gouache, 20 by 30.5cm, gilt frame

£1,500 - £2,000

548 Harold Riley (British, 1934-2023), Lowry and I Played Football in a Park off the Oldham Rd, Ancoat’s - November 1961, signed and dated 1961 l.r., titled u.c., charcoal, 53 by 45cm, framed.

Provenance: Lot 85, A Collection of Pictures, Bonhams, Chester, 19th February 2002.

Note: Artist Resale Rights apply

£2,000 - £3,000

549 Montague Dawson (British, 18951973), Rough Weather, signed l.l., gouache, 41 by 67cm, gilt frame.

Note: Artist Resale Rights apply £2,000 - £2,500

550

550 Sir Stanley Spencer R.A. (British, 1891-1959), portrait Mrs. E. Williams (Sibyl Williams M.B.E.) wife of Eric Williams, (author of ‘The Wooden Horse’ etc), unfinished head of a woman turned 3/4 to the right, looking down, two eye studies and a mouth u.r., pencil, titled verso, 53 by 35cm, framed.

Provenance: No.C.6040, Sir Stanley Spencer Exhibition of Unidentified Portrait Drawings in the Games Room, The Odney Club, 12-21st May 1967, with associated leaflet.

Note: Artist Resale Rights apply

£400 - £600

551 John Bellany C.B.E. R.A. H.R.S.A. (Scottish, 1942-2013), General Cooper, signed l.r., titled below, watercolour and pencil, 37 by 29cm, mounted.

Note: Artist Resale Rights apply

£150 - £200

552 Scottie Wilson (Scottish 1888-1972), Two Ducks, signed l.r., watercolour, 16 by 14cm, framed.

Note: Scottish, Jewish, ‘Outsider Artist’ and autodidact, admired and collected by figures including Jean Dubuffet and Pablo Picasso.

Note: Artist Resale Rights apply

£100 - £200

553 Scottie Wilson (Scottish, 1888-1972), Castle, signed l.r., ink, watercolour, 16 by 14cm, framed.

Note: Scottish, Jewish, ‘Outsider Artist’ and autodidact, admired and collected by figures including Jean Dubuffet and Pablo Picasso.

Note: Artist Resale Rights apply £100 - £200

554 Ethel Mary Willis (British, 1874-?), Portrait of an Artist, signed with monogram l.l., titled verso on Royal Society of Portrait Painters label, oil on canvas, 53 by 42cm, framed £50 - £80

555 Lilian Holt (Bomberg) (British, 1898-1983), Brides Head, signed l.r., oil on board, 89 by 59cm, framed.

Note: Lilian Thirza Charlotte Bomberg ne Holt was a founding member of the Borough Group together with her husband David Bomberg.

Note: Artist Resale Rights apply £200 - £400

556 Lilian Holt (Bomberg) (British, 1898-1983), figural portrait, signed l.r., oil on canvas, 90 by 70cm, framed.

Note: Lilian Thirza Charlotte Bomberg ne Holt was a founding member of the Borough Group together with her husband David Bomberg.

Note: Artist Resale Rights apply £200 - £400

557 After Canaletto, Venice, The Grand Canal with the Piazza San Marco and the Doges Palace, oil on canvas, 53 by 83cm, gilt frame £1,000 - £1,500

558

558 James de Rijk (Dutch, 1806-1882), two figures at rest outside a country stable, a man leaning on a donkey conversing with a seated lady, with cattle, sheep, and goats in a landscape, signed indistinctly l.c., oil on canvas, ebonised and tortoiseshell frame £1,000 - £1,500

557

559

559 John (Jock) H. Wilson (Scottish, 1774-1855), French Wrecked Warship being Towed to Harbour, signed l.r., titled verso, oil on canvas, 45 by 80cm, gilt frame £600 - £800

560 British School, 19th Century, portrait of Beatrice Trollope, age 17, (d.1881), bust-length wearing a lace collar, titled verso, oil on canvas, octagonal, 46 by 37cm, gilt frame.

Note: the sitter Beatrice Trollope was the daughter of Thomas Adolphus Trollope and Theodosia Garrow. She married Charles Beilby Stuart-Wortley, 1st and last Baron Stuart of Wortley. She died 26th July 1881

£100 - £150

561 After William Frederick Witherington, The Courageous Brother, oil on panel, (cradled), 77 by 105cm, gilt frame

£1,500 - £2,000

562

562 British School, 19th Century, an expansive river landscape with a ruin, fishing boats, and fisher folk in the foreground, oil on canvas, 90 by 140cm, gilt frame

£600 - £800

563 Alfred Vickers (British, 1786-1868), Figures Besides a Farm, Winchester Cathedral beyond, titled verso and below, oil on panel, 17 by 23cm, in the original gilt gesso frame.

Provenance: Lot 218, The Raglan Collection and the Marquesses of Londonderry, Christie’s London, 22nd May 2014

£250 - £350

564 Walter William May (British, 1831-1896), Taking Pilot on Board, titled and signed verso, oil on board, 23 by 39cm, gilt frame

£120 - £150

565 Attributed to Jan Coelenbier (Belgian, c.1610-c.1680), a river landscape with a harbour scene with boats and figures, a cathedral and ruins right, oil on panel, label verso and script ‘Jan van Goyen’, 40 by 63cm, in an ebonised frame

£1,000 - £1,500

566 Oliver Clare (British, 1853-1927), still life of plums, gooseberries, an apple, and a strawberry on a mossy bank; still life of pears, strawberries, and gooseberries on a mossy bank, a pair, both signed l.r., oil on canvas, 24 by 19cm, gilt frames (2) £500 - £800

567

567 George Vicat Cole R.A. (British, 1833-1893), a tranquil woodland scene with figures conversing, signed with monogram and dated 1874 l.r., oil on canvas, 45 by 65cm, gilt frame £300 - £500

568 Frederick E. Valter (Br itish, c.1860-c.1930), sheep in a landscape, signed and dated 1897 l.l., oil on board, 19 by 24cm, gilt frame £150 - £200

569 Oliver Clare (British, 1853-1927), still life of plums and gooseberries on a mossy bank, signed l.r., oil on canvas, 25 by 18cm, gilt frame

£200 - £300

561

570 Eugene Verboeckhoven (Belgian, 1798/99-1881), an expansive landscape with cattle and sheep, signed l.c., oil on canvas, 70 by 90cm, gilt frame

£2,000 - £3,000

571 Circle of Johannes Rosierse, Market Trader by Candlelight, oil on panel, 44 by 34cm, gilt frame

£400 - £600

572 Vincent Clare (British, 1855-1930), still life of grapes in a basket, flowers and other fruit on a mossy bank, signed l.l., oil on canvas, 30 by 60cm, gilt frame

£300 - £400

573 Oliver Clare (British, 1853-1927), still life of grapes, raspberries, a strawberry, and an apple on a mossy bank, signed and dated 1898 l.r., oil on canvas, 30 by 21cm, gilt frame

£250 - £350

574 Oliver Clare (British, 1853-1927), still life of plums, green gauges, gooseberries, and an apple on a mossy bank, signed and dated 1897 l.r., oil on canvas, 44 by 34cm, gilt frame

£300 - £500

575 Thomas Baker of Leamington (British, 1809-1869), Bamborough Castle; Netley Abbey, Nr Southampton, a pair, titled verso, oil on board, 13 by 18cm, gilt frames (2)

£200 - £300

576 British School, 19th Century, The Lions Den, oil on canvas, 28 by 37cm, unframed

£60 - £100

577

577 Henry Pether (British, 1800-1880), Crowley House on the Thames, signed l.r., titled on a plaque below, oil on canvas, 61 by 91.5cm, gilt frame.

Provenance: Lot 149, Fine Victorian Pictures, Christie’s, London, 14th March 1997; and with Fine Art of Oakham.

Note: the view is eastward across the frontage of Crowley House, Greenwich, just east of the Trinity Hospital almshouses, which lie behind the river wall on the right. They are now somewhat altered and the steps are no longer there. Greenwich Power Station (c.1906-1910) now stands on the site of Crowley House. Ballast Quay, to its east and roughly where the pitched roof building at the far end of the frontage stands was the related Crowley warehouse. Named after a seventeenth-century northern ironmaster and early owner of the house, it was demolished in the late 1850’s. See Hastings Museum and Art Gallery for another version of this view by Pether.

578

578 William Laparra (French, 1873-1920), a Mediterranean seascape with sailing vessels, signed l.r., oil on canvas, 36 by 58cm, framed £150 - £200

579 Margaret Barnard (British, 1900-1992), Skye from North Erradale; The Sound of Iona, a pair, both signed with initials l.r., titled verso, oil on board, 11 by 20cm, gilt frames (2) £70 - £100

£7,000 - £9,000

580 Roy Freer (British, 1938-2021), Morning Light, signed l.r., titled verso, oil on canvas, 25 by 30cm, framed.

Provenance: with Fosse Gallery, Stow on the Wold.

Note: Artist Resale Rights apply £70 - £100

581 Martin Fuller (British, 1943), Fireworks II, signed and titled verso, oil on canvas, 71 by 40cm, unframed.

Provenance: with Martin Fuller, with a certificate of authenticity. Note: Artist Resale Rights apply £70 - £90

582 Victoria Gamberoni (Br itish, 20th/21st Century), Cafe Jardin du Luxembourg, Paris, signed l.r., oil on board, 20 by 30cm, framed £70 - £100

583 Michael Matthews (British, 1933-1995), a Dutch winter landscape with figures and fishing boats on a frozen polder, signed l.r., oil on board, 30 by 45cm, framed.

Note: Artist Resale Rights apply £80 - £120

584 British Sc hool, mid-20th Century, portrait of a young, girl, half-length wearing a blue jump with hair in pigtails, oil on canvas, 60 by 50cm, gilt frame £70 - £100

585 Sylvia Levine (British, 1911-1998), portrait of a lady, bustlength with a bob haircut, signed l.r., oil on board, 35 by 32cm, gilt frame

£80 - £120

586 Martin Fuller (British, 1943), abstract composition with two dancers, oil on canvas, 51 by 40cm, framed.

Provenance: with Martin Fuller, with a certificate of authenticity.

Note: Artist Resale Rights apply

£50 - £80

587 P..Richardson (British, 20th Century), Buckingham Palace from St James Park, signed l.l., titled verso, oil on canvas, 18 by 23.5cm, gilt frame

£80 - £120

588 British School, 20th Century, a mare and foal in a field, indistinctly signed l.r., oil on board, 15 by 22cm, gilt frame

£100 - £120

589 Fred Dubery (British, 1926-2011), Good Morning, signed l.r., titled verso, oil on board, 40 by 30cm, framed.

Note: Artist Resale Rights apply

£100 - £150

590

590 Julian Dyson (British, 1936-2003), Man Clothed - Woman Nude, signed l.r., dated 2001 l.l., oil on canvas, 88 by 72cm, framed

£100 - £150

591 Arthur John Trevor Briscoe (British, 1873-1943), portrait of an elderly Jewish man, seated with a stick and smoking a pipe, signed and dated 1899 u.r., oil on canvas, 90 by 70cm, unframed (a/f)

£100 - £150

592 Martin Fuller (British, 1943), abstract compositions with figures, a pair, oil on canvas, 45 by 66cm, unframed.

Provenance: with Martin Fuller, with certificates of authenticity.

Note: Artist Resale Rights apply (2)

594

594 Martin Fuller (British, 1943), abstract composition with two figures, signed and dated 2005 verso, oil on canvas, 96 by 96cm, framed.

Provenance: with Martin Fuller, with a certificate of authenticity.

Note: Artist Resale Rights apply £150 - £200

595

£100 - £150

593 Beatrice Bright (British, 1861-1940), a seascape with breaking waves, signed and dated 1907 l.r., oil on board, 25 by 35cm, green and gilt frame

£100 - £150

595 Sylvia Levine (British, 1911-1998), a seated ginger cat, signed l.r., oil on board, 38 by 38cm, framed

£150 - £200

596 Kate Wyatt (British, 20th/21st Century), Hare, signed and monogram l.r., mixed media, 33 by 24cm, framed

£150 - £200

597 Don Farrell (Canadian, 1942), Pot & Box, signed u.l., titled verso, mixed media, 19 by 24cm, framed

£60 - £100

598 F..M..Norman (British, 19th Century), Venus II, a chestnut hunter in a stable, signed verso, titled l.c., oil on canvas, 30 by 40cm, unframed

£150 - £200

599 Roy Freer (Br itish, 1938-2021), Pattern, Tray, and Fruit, signed l.l., titled verso, oil on board, 40 by 50cm, framed.

Provenance: with Fosse Gallery, Stow on the Wold.

Note: Artist Resale Rights apply

£150 - £200

600 Roy Freer (British, 1938-2021), Flowers, Vase, and Mirror, signed l.r., titled verso, oil on board, 52 by 43cm, framed.

Provenance: with Fosse Gallery, Stow on the Wold.

Note: Artist Resale Rights apply

£150 - £200

601

604

604 Saied Dai (British, 1958), Passing Cloud, signed with monogram l.r., titled and dated 2006 verso, oil on board, 23 by 16cm, framed.

Provenance: with Petley Fine Art, London.

Note: Artist Resale Rights apply £150 - £200

605

605 Attributed to Denton Welch (British, 1915-1948), still life with jugs, attribution and titled verso, oil on board, 21 by 28cm, framed £150 - £200

601 Circle of Charles Sillem Lidderdale, a portrait of a young lady, bust-length wearing a cameo pendant a lace-trimmed black dress, oval, oil on canvas, 58 by 49cm, framed

£150 - £200

602 Donald Towner (British, 1903-1955), Snow at Amberley, signed and dated 1955 l.l., titled verso, oil on canvas, 55 by 89cm, gilt frame

£150 - £250

603 William A. Stewart (British, 1882-1953), Evening Shadows, signed and dated 1921 l.l., titled on Paisley Art Institute label verso, oil on board, 24 by 34cm, gilt frame

£150 - £250

606

606 Jack Attree (British, 1950), Extensive View of a City (Small Version), titled and dated 2007 verso, oil pastel on card, 42 by 60cm, framed.

Note: Artist Resale Rights apply

£200 - £300

607 Brian Ballard (British, 1943), White Lily, signed and dated 2002 l.r., titled verso, oil on panel, 19 by 14cm, framed.

Note: Artist Resale Rights apply

£200 - £300

608 Yuri Amvrosevich Knyazev (Russian, 1927), a snowy townscape with a soldier and people, signed l.r., dated 1953 verso, oil on canvas, 43 by 57cm, gilt frame

£200 - £300

609

609 Alastair Flattely (Scottish, 1922-2009), still life with fish and lemon, signed l.l., oil on canvas, 35 by 45cm, gilt frame.

Note: Artist Resale Rights apply

£200 - £300

610 Anthony Avery (British, 20th/21st Century), Summer Hack, Sellack, signed l.r., titled l.l., oil on canvas, 50 by 75cm, gilt frame

£200 - £250

611 Frederick Zimmerman (20th Century), an Alpine landscape with cattle and a hut, signed l.l., oil on canvas, 62 by 95cm, gilt frame

£250 - £350

612

Stephen Mangan (Scottish, 1964), A Leith Block, signed l.c., titled verso, oil on canvas, 40 by 30cm, framed.

Provenance: with Richard Hagen.

Note: Artist Resale Rights apply

£300 - £500

614

614 Brian Ballard (British, 1943), Orchid in Glass, signed and dated 1988 l.r., titled verso, oil on board, 34 by 24cm, framed.

£250 - £350

612 Hubert Thornley (British, act.1858-1898), fisherfolk unloading their catch, St. Michael’s Mount beyond, signed l.l., oil on canvas, 40 by 60cm, framed (a/f)

Provenance: with Beaux Arts, Bath.

Note: Artist Resale Rights apply £300 - £500

613

613

615

615 Edward Henry Windred (British, 1875-1953), Mr Kirkpatrick’s ‘Langton Pride’, 1st Northallerton. E. Ham H.S & 1st E.L. Fed 2,200 Competitors, 23 Affiliated Clubs Vel 1090. Rung NURP23EH515. 1923, 204 Miles 519 Yds, signed l.l., titled below, oil on canvas, 36 by 46cm, unframed

£300 - £500

616 John Sanderson Wells (British, 1872-1955), The Public House Meet, signed l.r., oil on board, 17 by 25cm, gilt frame. Note: Artist Resale Rights apply

£350 - £450

617

617 Edwin Hayes (British, 1819/20-1904), Greenhithe on the Thames, signed l.l., oil on canvas board, 19 by 31cm, gilt frame

£400 - £600

618 Kyle Morris (American, 1918-1979), Untitled, signed l.r., oil on canvas, 76 by 64cm, unframed

£400 - £600

619 Alfred Grenfell Haigh (British, 1870-1963), portrait of standing black dog, signed and dated 1923 l.l., oil on canvas, 50 by 40cm, in a birds eye maple frame

£500 - £600

618

619

620 Saied Dai (British, 1958), Silver Dawn, signed with monogram l.r., signed and dated 2009 verso, oil on canvas, 40 by 51cm, framed.

Note: Dai trained at Bournemouth and Poole College of Art and the Royal Academy Schools, where he later taught. He has exhibited several times in the BP Portrait Award, with the Royal Society of Portrait Painters and at the Royal Academy Summer Exhibition.

Note: Artist Resale Rights apply

£500 - £800

621

621 Gordon Bryce R.S.A. R.S.W. (Scottish. 1943), Flowers on a White Chair, signed and dated 1990 l.r., titled verso, oil on canvas, 60 by 50cm, gilt frame.

Provenance: with The Rendezvous Gallery, Aberdeen.

Note: Artist Resale Rights apply

622 Malcolm Coward (British, 1948), a

and

Note: Artist Resale Rights apply £500 - £600

£500 - £800

622

mare

foal in a field, signed l.l., oil on canvas, 60 by 75cm, gilt frame.

623

623 Alfred Morris (British, 19th Century), The Day’s Bag, signed and dated 1862 l.r., oil on canvas, 68 by 86cm, framed £800 - £1,000

624 Andrea Landini (Italian, 1847-1912), A Fine Vintage, signed l.r., titled on a plaque below, oil on a cradled panel, 60 by 50cm, gilt frame

£3,000 - £5,000

625 George Devlin (Scottish, 1937-2014), Arranging the Flowers, signed l.r., titled verso, oil on canvas, 61 by 66cm, framed.

Note: Artist Resale Rights apply

£1,200 - £1,500

626 Robert Sadler (British, 1909-2001), Souvenir, signed l.l., titled and dated 1958 verso, oil on board, 123 by 155cm, framed.

Note: Artist Resale Rights apply

£2,000 - £3,000

625

627 Arthur John Elsley (British, 1861-1952), The Epitiome of Youth, signed l.r., titled verso, oil on canvas, 90 by 60cm, gilt frame

£3,000 - £5,000

628 Dorothea Sharp (British, 1874-1955), Picking Flowers, signed with initials l.l., titled verso, oil on board, 21.5 by 26cm, gilt frame.

Provenance: Lot 208, Christie’s, London, Victorian & Traditionalist Pictures, 12th March 2008.

Note: Artist Resale Rights apply

£6,000 - £8,000

629 Fred Yates (British, 1922-2008), a Cornish harbour scene, signed l.r., oil on canvas, 40 by 75cm, unframed.

Note: Artist Resale Rights apply

£200 - £300

630 Ken Howard R.A. (British, 1932-2022), St Mark’s, Venice, signed l.r., oil on canvas, 50 by 60cm, gilt frame.

Note: Artist Resale Rights apply

£800 - £1,200

628

GLASS

631

631 A George II clear glass tazza pyramid, circa 1750, comprising five graduated circular tiers with galleried rims, Silesian stems, dome-folded feet, broken pontils, 67cm high, smallest 21.5cm diameter, largest 42cm diameter.

Provenance: with Mallett, London, 2007

£1,500 - £2,000

632 A large 19th century amethyst glass dairy bowl, possibly Bristol, pinched and footed with two lips, 41.5cm long £80 - £120

633

633 An acorn knopped heavy baluster wine glass, circa 1715, the conical bowl with air bubble inclusion to the lower section on a knopped teardrop stem and conical folded foot, 17.5cm high, foot 9.3cm diameter, rim 7.9cm diameter

634

£300 - £500

634 A Jacobite engraved light baluster wine glass, circa 1745, the flared trumpet bowl engraved with open rose and sunflower, on an annulated, ball and inverse baluster stem with teardrop inclusion, on folded conical foot, 15.5cm high, rim 7cm diameter, foot 7cm diameter

£400 - £600

635

635 A colour twist and opaque wine glass, circa 1765, probably Dutch, the bell shaped bowl on a double series red and opaque strand helix and tubular lattice core stem, on conical foot, 16cm high, foot 7.2cm diameter, rim 6cm diameter

£80 - £120

636

636 An opaque twist armorial engraved wine glass, circa 1765, Continental, probably Saxon, the rounded bowl with the arms and coronet of a Vicount or baron, on a double series spiral and tubular lattice core, on domed foot, 15.5cm high, foot 7.8cm diameter, rim 6.4cm diameter

£70 - £100

637 A large air twist wine glass or goblet, circa 1755, the flared trumpet bowl on a multi-strand open spiral twist stem and folded conical foot,21.5cm high, rim 10.5cm diameter, foot 10.3cm diameter

£100 - £200

638 A set of four facet cut wine glasses, circa 1775, the ogee bowls engraved with festooned swag borders, on faceted stems and conical feet, 12.5cm high, foot 7cm diameter, rim 5cm diameter (4)

£80 - £120

639

639 A pair of William IV cut glass decanters, circa 1830, Nelson form, three ring neck with mallet body, lens and crescent cut panels between reeded pilasters, hollow gourd shaped stoppers, to each, 31cm high (2) £50 - £80

640 Richardson, a Stourbridge cut and etched glass goblet vase, circa 1860, the bell shaped bowl with frosted and cut cyclamen type foliate design, on a hollow hexagonal section inverse baluster stem and star cut conical foot, 21.5cm high

£50 - £100

641

641 A Stourbridge etched and engraved glass decanter, circa 1860, pedestal urn form the double gourd or acorn body decorated with a naturalistic band of flowering brambles, above a hobnail and mitre cut acanthus lappet border, the shoulder with Rococo scrolls, on a foot with a wreath of five petal roses, 36.5cm £80 - £120

642 John Ford, Holyrood Flint Glassworks, Edinburgh, an Aesthetic Movement etched and engraved glass whisky jug, circa 1870, spherical form with cylindrical neck and angled strap handle, etched with bands of lens cut beads between Neoclassical tulip garland to the neck and shoulder, on four scrolled horn feet with moulded lions mast prunts, the body engraved with the crest and motto of the Glover family of Scotland, 13.5cm high

Note: although there is a jug of the same form and structural design as this illustrated in Hajdamach, C, 1992, British Glass 1800-1914, p.172, fig.148, described as designed by James O’Fallon at Thomas Webb and Sons, there are a number of other examples which have sold at Bonhams Edinburgh, including this exact jug, described as being by Holyrood Glassworks. Similarly the Edinburgh Museum has an example of a beaker with the same feet and lions mask prunts, by Holyrood Glass Works. A pair of decanters of the same form with the same Neoclassical banding sold in August 2024 at Lyon and Turnbull, also catalogued as Holyrood Glassworks. £80 - £120

643

643 A pair of jewelled pink blush satin opaline glass lustres, footed trumpet form with turned rims, denticulated and applied with green and red cabochon floral motifs, highlighted in gilt, each with ten baluster notched prismatic drops, 34cm high (2) £200 - £300

644 A set of five Edwardian Stourbridge etched glass flutes or wine glasses, each bell shamed bowl cut with clover, rose and thistle, on blade and ball nopped inverse baluster stems, the feet with floral wreaths, 19cm high (5) £50 - £80

645 Baccarat, an ormolu mounted glass vase, in the Louis XVI style, waisted shouldered form, applied with cast husk garlands and masks, reticulated spear head bands and tooled Classical borders, 22cm high £40 - £60

646 A Bohemian raised gilt and red washed glass chalice and cover, octagonal section slice cut and knopped goblet form with splayed lid and finial, decorated throughout with foliate scrolls, 30cm high £200 - £300

647

647 Moser, a Bohemian enamelled and gilt glass bowl, circa 1890, pink cased with foliate enamel and gilded floral motifs, 6.5cm diameter £50 - £80

648 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1890, conical trumpet form on plain stem and conical foot, 12.5cm high £40 - £60

649

649 Harry Powell for James Powell and Sons, Whitefriars, a set of six Arts and Crafts liqueur glasses, circa 1878, the slightly tapered bucket bowl on plain stem and conical foot, 8.5cm high (6)

Note: examples of this service along with glass by T G Jackson, are illustrated in Mrs Loftie’s Dining Room, 1878, as examples of good contemporary glass; reproduced in Jackson, L, 1996, Whitefriars Glass, p.28, fig.71 £150 - £250

650

650 Harry Powell for James Powell and Sons, Whitefriars, an emerald green Arts and Crafts wine glass, circa 1880, conical trumpet form on plain stem and conical foot, 13.5cm high £80 - £120

651 Harry Powell for James Powell and Sons, an Arts and Crafts straw opal glass vase, circa 1880, in the Venetian style, the crimped ogee conical body with opalescent bands, on a blade knopped and quatrelobed hollow stem and conical radial ribbed foot, 21.5cm high

Note: see Evans, W. et al. 1995, Whitefriars Glass, Museum of London, pp.50-61, for similar examples of this vase £200 - £400

652 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts blue opal glass and wrought basket, circa 1880, the crimped bowl with optic diamond moulded diaper pattern in blue opalescence, on a blade knop, mounted in a four footed holder of square section scrolled brackets, bisected top handle, 21cm high

Note: the trend for combining opal glass with wrought iron became prevelant from 1879, with bowls, jugs and light fittings being favoured products. See Jackson, L, 1996, Whiterfriars Glass, Richard Dennis, p.101 pl.21 for similar illustrated examples

£200 - £400

653

653 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts air twist wine or Champagne glass, circa 1890, the bell shaped bowl with trapped air line decoration, on a tapered stem of three helix strands, on a radial ribbed conical foot, 16cm high

Note: from the 1880s Harry Powell experimented with trapped air techniques, in the 18th century manner, re interpreting the traditional methods in a new and innovative way to create contemporary designs. This appears to be a very rare example of the use of these techniques. See Evans, W. et al. 1995, Whitefriars Glass, Museum of London, p.79, pl.78 for illustrated examples of this stem and bowl pattern on different glasses from the same series.

£200 - £300

654

654 Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts Siam variation glass claret jug, circa 1900, footed amphora form with single loop handle and bladed knop, cut with a band of scrolling tendrils and stylised lotus or water lily flowers, alternating between three and five petals, the stopper of hollow bisected twisted form, 37cm high

Note: designed in the Venetian style for the service of the Prince of Siam, who commissioned Powell on his visit to London in 1897 for the Diamond Jubilee of Queen Victoria, the elegant form was popular both plain and cut. The cut design on this example is exceptionally unusual, drawing upon Harry Powell’s interest in the historical revival, including Mannerist or English Renaissance motifs, as well as the culturally significant lotus flower motif. This could be an early prototype or experimental design, different from the more common engraved Art Nouveau inspired motif which appears on the examples produced for the service; see Evans, W et al. 1995, Whitefriars Glass, London: Museum of London, p.81, fig.82 for an illustrated example of the Water Lily or Lotus design on this form of decanter

£400 - £600

655 Harry Powell for James Powell and Sons, an Arts and Crafts wine glass, circa 1900, the rounded bowl cut with a band of intersecting stylised floral vine and geometric foliate chevrons, on a short plain stem and conical foot, 9.5cm high

657

656 An Arts and Crafts glass decanter, probably Thomas Webb, circa 1900, shouldered ovoid form with tricorn lip, hollow spherical stopper on slender stem, 32cm high £50 - £100

Note: the cutting style is almost identical in execution to that on the Lotus decanter by Powell in this auction, unusual for the Whitefriars firm, but exemplifying their innovative outlook and willingness to experiment in cut designs and techniques, to adapt to the growing trend for Continental Art Nouveau design, whilst maintaining the simplicity and elegance for which James Powell and Sons became renowned.

£50 - £100

657 Theresienthal, a Jugendstil enamelled glass liqueur decanter, circa 1900, the double ogee gourd body decorated with stylised carnation flower, gilt lined denticulated petals in purple and pink radiating petals from a yellow centre, with green frond leaves, on a pedestal stem and flat foot, 28cm high

£80 - £120

658 Moser, a Bohemian Secessionist intaglio cut glass vase, circa 1900, waisted form, deep purple draining to colourless, decorated with a flowering lily, 13cm high £50 - £80

659

659 Emile Galle, a ruby cased Iris glass cameo vase, circa 1890, conical barrel form, incuse marks Galle, 37cm high

£600 - £1,000

661

661 Emile Galle, a triple cased cameo glass trumpet flower vase, circa 1890, footed shouldered form, aubergine over amber over colorless, signed in cameo Galle, 36.5cm high

£700 - £1,000

£1,200 - £1,800

660 Emile Galle, a quadruple cased cameo glass Campanula vase, circa 1890, footed baluster form, blue, green and amber over colourless, signed in cameo Galle, 34cm high

662 Rene Lalique, an opalescent glass Lys bowl, model 382, designed circa 1924, polished and frosted, engraved mark R Lalique France, incised No382, 24cm diameter

£400 - £600

663 Rene Lalique, a Deux Pigeons glass vase, model 1066, designed circa 1931, polished and frosted, etched mark R Lalique France, 20cm high

£400 - £600

664 Rene Lalique, a Caudebec vase, model 1020, designed circa 1929, polished and frosted, incised mark R Lalique France, 14.5cm high £500 - £800

665 Rene Lalique, four Dampierre glass bowls, model 3136, designed circa 1932, polished and frosted with green staining, etched marks R Lalique, 12cm diameter (4) £150 - £250

666 Rene Lalique, a Longchamps glass car mascot, model 1152B, designed circa 1929, frosted, with a pale lavender hue, moulded marks R Lalique France, 12.5cm high £3,000 - £5,000

667 Etling, a set of eight Art Deco opalescent glass knife rests, circa 1925, each modelled with a forest animal, on a square section bar, relief moulded with geometric triangle and circle band, engraved marks Etling France, 11cm long (8) £100 - £200

668 Lalique, four Moineaux glass paperweights, including Coquet, Moqueur and Hardi, frosted, incised marks Lalique France, 13cm long (4) £150 - £200

669 Lalique, a C te d’Or glass dish, model 10-406, designed circa 1943, polished and frosted, incised marks Lalique France, 39cm diameter

£300 - £500

670 Joseph Simon for Val Saint Lambert, an Art Deco flash cut cased glass bowl or dish, circa 1920s, shouldered form, blue over colourless, cut with concentric fishscale bands, 15.5cm diameter

£50 - £100

667

£40 - £70

671 Steinsc honhau, Haida, a Secessionist red cased flash cut vase, circa 1920, shouldered conical form decorated with a chequered geometric band of alternating square panels and leaf motifs, above slice cut fluting, 15.5cm high

672 Frederick Carder for Steuben, an Art Deco green Jade and Alabaster glass pedestal bowl, circa 1920s, the circular body with everted rim on a short stem and conical foot, 9.5cm diameter

£40 - £70

673 Ludwig Kny for Stuart, an Art Deco cut glass lemonade set, circa 1930s, including jug and five glasses, each with bands of scored checks (6)

£50 - £100

674 Marriott Powell for James Powell and Sons, Whitefriars, a large Cloudy Green glass vase, model 8473, circa 1933, tumbler form in green and opaque, 30.5cm high £50 - £100

675

677 Tapio Wirkkala for Iittala, a set of six Tapio wine glasses, designed circa 1952, each with open air bubble inclusion to the conical stem, 13cm high (6) £50 - £100

678 John Luxton for Stuar t, a cut glass lamp base, cylindrical form, cut with bands of alternating wrythen mitres, between cable lens borders, chromed fittings, paper label, 46cm high

Provenance: from the former Stuart and Sons offices £40 - £70

£100 - £200

675 Monart, Moncrieff, an uncased glass bowl, model YIII, surface decorated with blue speckles under mottled red, 32cm diameter

676

676 Tom Pitchford for Thomas Webb and Sons, an Art Deco amber footed glass vase, circa 1930, conical form, cut with random lens bubbles and scored circle motifs, acid mark, 20cm high

£50 - £80

680

679 Geoffrey Baxter for Whitefriars, a molar glass lamp base, model MR1, circa 1957, Kingfisher blue cased, 42cm high

£80 - £120

680 Geoffrey Baxter for Whitefriars, a Ruby red bark textured vase, model 9691, designed circa 1967, cylindrical form, 23cm high

£80 - £120

681 Mdina, a pair of studio glass decanters, or bottles, circa 1980, hexagonal section bases, pink marbled with blue spiral trails and hollow spherical stoppers, signed Mdina to each, 26cm high

£50 - £80

677

679

CONTINENTAL CERAMICS

682 A large pair of Meissen style Dresden vases and covers, twin handled double ogee urn form with mask handles, painted with Kauffahrtei scenes to the relief moulded Rococo scroll cartouches, between striped and diaper panels, the lids and feet with monochrome landscape scenes above Greek key borders, surmounted by open crowns, underglaze blue Augustus Rex marks, 45cm high (2)

£300 - £500

683 A very large Continental vase, in the Vienna style, twin handled pedestal urn form, with ormolu type mounts, painted with 18th century allegorical scenes within foliate gilt scroll borders, teal green ground

£2,000 - £3,000

684 Ulisse Cantagalli, a Hispano Moresque red lustre footed bowl, circa 1890, rounded form on splayed conical foot, painted with wrythen lappet panels of alternating fishscale diapers, spoked wheels and foliate scrolls, underglaze blue mark, 12cm high

£100 - £200

685 J Buisson for Massier, a faience charger, painted with wetland birds, signed, 51.5cm diameter

£50 - £100

686 Fontiane and Durieux, a French terracotta figure of a recumbent cat, realistically modelled and set with glass eyes, impressed mark and numbers, 34cm long

£40 - £60

684

682

687

687 Jules Vieillard, an Aesthetic Movement French faience mantle clock, Bordeaux, circa 1880, trapezoid form, alternating panels of turquoise and sage green ground with Persian foliate scroll design, flanked by Chinese dog mask handles, the finial modelled in relief as a shishi with ball, on ruyi scrolll bracket feet, 27.5cm high

£100 - £200

691 Heliosine, an Austrian Secessionist twin handled lustre vase, circa 1900, iridescent bronzed glaze, relief moulded with organic lobes and horned wing handles, impressed marks, 17cm high

£80 - £120

692 R Fournier for Villeroy and Boch, a large Jugendstil Mettlach charger, model 2544, circa 1899, sgraffito decorated with a woman smelling yellow roses, within a foliate scroll border, 51cm diameter

£250 - £350

693 Gudio Andlovitz (Italy, 1900-1971), for Lovenia, a green glaze urn, the body painted with classical figures, interspaced with Cyrpus trees, insects and scrollwork, the cover painted with castles and insects, surmounted by a pineapple finial, printed makers mark to base, 45cm high

£500 - £600

694 Gudio Andlovitz (Italy, 1900-1971), for Lovenia, an orange glaze earthenware vase, 1938, of globular form, the body with two scrolled carrying handles to each side, surmounted by a thin tapered neck, the cup-shaped top with flared rim, makers mark stamped to base, dated ‘12-38’, 32cm high

£500 - £600

688 Johann Maresch, a Jugendstil relief moulded figural ewer, modelled as Aphrodite emerging from a sea with the head of Poseidon, impressed marks, 48cm high

£50 - £100

689 An Art Nouveau Royal Dux figure group of a girl with a goat, gilt washed blush patina, 29cm high

£50 - £80

690 A faience figure of a pug dog, in the Mosanic/Galle style, modelled sitting upright, yellow ground with blue painted motifs, 31.5cm high

£80 - £120

695

695 Piero Fornasetti (Italian, 1913-1988), a Surrealist ceramic umbrella stand, modelled as an oversized Greco-Roman lower leg, black gloss glaze, printed mark 'Fornasetti Milano - Made In Italy' to the underside, 62cm high.

Note: Artist Resale Rights apply

£900 - £1,000

ART POTTERY AND RUSKIN

696

701 William De Morgan, an Arts and Crafts ruby lustre Dodo tile, Chelsea, circa 1880, painted with a bird facing right, red beak, on a foliate tufted ground, Wedgwood blank, apparently unmarked, 15cm square £600 - £800

703 William De Morgan, an Arts and Crafts ruby lustre Hoopoe tile, Chelsea, circa 1880, painted with a bird facing right, on a foliate tufted ground, Wedgwood blank, apparently unmarked, 15cm square

£500 - £800

704

704 William De Morgan, an Arts and Crafts ruby lustre Hoopoe tile, Chelsea, circa 1880, painted with a bird facing left, on a foliate tufted ground, Wedgwood blank, apparently unmarked, 15cm square

696 James Hadley for Royal Worcester, an Aesthetic Movement vase, circa 1865, quatrelobed footed baluster form, decorated to simulate Japanese Vermillion Lacquer with mixed metal and raised tooled gilt floral motifs and cranes, between prunus and cracked ice gilt panels, impressed and printed marks, 26.5cm high

£50 - £100

697 Alexander Fisher, a Torquay Terracotta Company painted plaque, decorated with a lighthouse and ships on coastal waters, signed, 41.5cm diameter

£300 - £500

£400 - £600

698 William De Morgan, a pair of foliate ruby lustre tiles, Chelsea, circa 1880, with two flowers to each, probably on Wedgwood or Minton blanks, 15cm square (2)

£200 - £400

699 William De Morgan, a pair of foliate ruby lustre tiles, Chelsea, circa 1880, with two flowers to each, probably on Wedgwood or Minton blanks, 15cm square (2)

£200 - £400

700 William De Morgan, a set of five various ruby lustre tiles, Chelsea, circa 1880, including two birds, cockerel and hawk, and three foliate examples, on Wedgwood or Minton blanks (5)

£200 - £400

702 William De Morgan, an Arts and Crafts ruby lustre Dodo tile, Chelsea, circa 1880, painted with a bird facing left, taupe beak, on a foliate and tulip tufted ground, Wedgwood blank, apparently unmarked, 15cm square

£600 - £800

705

705 William De Morgan, an Arts and Crafts ruby lustre Ornate Bird or Peacock tile, Chelsea, circa 1880, painted with a bird facing left, on a foliate and tulip tufted ground, Wedgwood blank, apparently unmarked, 15cm square

£400 - £600

706 William De Morgan, an Arts and Crafts ruby lustre Ornate Bird or Peacock tile, Chelsea, circa 1880, painted with a bird facing right, on a foliate and tulip tufted ground, Wedgwood blank, apparently unmarked, 15cm square

£400 - £600

702

707

707 William De Morgan, an Arts and Crafts ruby lustre Partridge tile, Chelsea, circa 1880, painted with a bird facing right, with head turned, on a foliate tufted ground, Wedgwood blank, apparently unmarked, 15cm square £500 - £800

708

708 William De Morgan, an Arts and Crafts ruby lustre Peacock tile, Chelsea, circa 1880, painted with a bird facing right, on a foliate tufted ground, Wedgwood blank, apparently unmarked, 15cm square £500 - £800

709 William De Morgan, an Arts and Crafts ruby lustre Ornate Bird or Peacock tile, Chelsea, circa 1880, painted with a bird facing left, on a foliate and tulip tufted ground, Wedgwood blank, apparently unmarked, 15cm square £400 - £600

710

710 J Hersey for William de Morgan, a lustre vase, circa 1890, shouldered form, painted with foliate sprigs below a zigzag neck of alternating serpent tails, impressed tulip mark, initial JH, 18cm high £300 - £500

711 Robert Wallace Martin for Martin Brothers, a stoneware vase, 1884, ovoid form with conical neck, sgraffito decorated in the Mannerist style with symmetrical zoomorphic foliate scroll design of griffins and grotesque masks, incised marks 4.2.84 R W Martin & Bros London + Southall, 21.5cm high £2,500 - £3,000

712

712 George Tinworth for Doulton Lambeth, a stoneware ewer, 1878, conical gourd form, sgraffito decorated and relief moulded seaweed design, incised monogram, impressed marks, 25.5cm high

£100 - £200

713 Florence Lewis for Doulton Lambeth, a pair of large faience painted moonflask vases, circa 1883, the Burslem Titanian type ground decorated in the Aesthetic style with impasto slip floral and insect motifs, beaded and banded, painted monograms and impressed marks, 34cm high (2) £800 - £1,200

714

714 Francis Pope for Royal Doulton, a stoneware vase, baluster form, sgraffito decorated and beaded with stylised flowers and leaves, impressed marks, 19.5cm high

£100 - £200

715 Francis Pope for Royal Doulton, a pair of stoneware vases, 1906, baluster form, sgraffito decorated with tendrils and stylised flowers, impressed marks, 31.5cm high (2) £80 - £120

716

716 Eliza Simmance for Doulton Lambeth, a pair of stoneware bottle vases, globe and shaft form, sgraffito decorated in the Aesthetic style with trios of daisies within pate sur pate floral wreaths united by Persian ogee arcading, 25cm high £150 - £250

717

717 Wemyss for Thomas Goode, a cabbage rose painted large jug and bowl, early 20th century, ovoid helmet form, painted marks, 40cm diameter, 26cm high (2) £300 - £500

718 Wemyss for Thomas Goode, a large painted pottery pig, decorated with sprigs of clover, printed mark, 46cm long

£300 - £500

719

719 Elizabeth Amour for Bough Pottery, a Glasgow School Arts and Crafts pot, 1921, cylindrical form, painted with an arbour of fruiting and flowering trees with black and white geometric trellis band, painted marks, 11.5cm high

Note: the Edinburgh based Bough Pottery was established by Amour in 1913, having attended the Glasgow School of Art between 1908 and 1912.

£50 - £100

720 William Moorcroft, a Pomegranate footed bowl, circa 1918, shouldered form, impressed marks, and underglaze blue signature, 13cm high

£100 - £200

721 Ruskin Pottery, two vine painted lustre vases, circa 1918, shouldered ovoid form in pink draining to pearlescent, the other of cylindrical jardiniere form, on three bracket feet, in yellow, impressed marks, 12.5cm high (2)

£40 - £70

722 Ruskin Pottery, a lustre vase, 1927, shouldered form, streaky lavender hares fur over pale yellow, impressed marks, 27.5cm high

£50 - £80

723

723 Ruskin Potter y, a lustre souffle type vase, 1925, shouldered form, blue curdled over yellow, impressed marks, 21cm high

Provenance: Christies, London, 2nd November 2000, lot 65 £100 - £200

724 Ruskin Pottery, a Kingfisher lustre vase, 1923, conical baluster form with flared cylindrical neck, impressed marks, 21.5cm high £100 - £200

725

725 Ruskin Pottery, a Kingfisher lustre vase, 1921, bulbous ovoid form, impressed marks, 17cm high £70 - £100

726

726 Ruskin Pottery, a Kingfisher lustre vase and cover, 1920, shouldered form with reticulated lid, pierced heart petal rosette, impressed marks, 11cm high £80 - £120

727 Ruskin Pottery, a Kingfisher lustre vase, 1910, conical bulbous form with cylindrical flared neck, impressed marks, 29.5cm high £150 - £250

728 Ruskin Pottery, two small Kingfisher lustre vases, 1913 and 1915, shouldered barrel form and flared trumpet forms, impressed marks, 10cm high (2) £100 - £150

729

729 Ruskin Pottery, a Kingfisher lustre vase, 1923, squat bulbous form with crystalline glaze, impressed marks, 9.5cm high £70 - £100

730 Ruskin Potter y, a Kingfisher lustre ginger jar and cover, circa 1920, ovoid form, impressed marks, 16cm high

£120 - £180

731

733. Ruskin Pottery, an Ivy painted Lustre jar and cover, 1909, squat double gourd form, orange ground, impressed marks, 18cm high £80 - £120

734

734 Ruskin Potter y, a pair of lavender Lustre candlesticks, 1925, splayed form with poppy head sconces, impressed marks, 17cm high (2) £100 - £200

735

735 Ruskin Potter y, a relief moulded crystalline vase, 1927, shouldered form with rosettes of Celtic knot form, blue and taupe drip over orange, impressed marks, 26cm high £150 - £250

£100 - £200

731 Ruskin Pottery, a Kingfisher lustre vase, 1922, conical bottle form with leopard print textured glaze, impressed marks, 23cm high

732 Ruskin Pottery, an iridescent Kingfisher/Bronze Lustre bowl, 1925, eggshell body, footed and flared form, impressed marks, 22.5cm diameter

£80 - £120

736 Ruskin Pottery, a relief moulded Crystalline bowl, circa 1932, footed form, applied with rosettes united by incised tendrils, mottled blue over brown green granite ground, impressed marks, 26cm diameter

£70 - £100

737

737 Ruskin Potter y, a Crystalline vase and cover, 1927, temple altar jar form, blue grey shoulder over mottled matte blue ground, impressed marks, 27cm high

Provenance: Albert E Wade Collection; Sotheby’s 8th Novemer 2002, lot 354 £150 - £250

738 Ruskin Pottery, a Crystalline egg cruet, circa 1927, including four egg cups and a stand, in marbled cream over taupe, impressed marks, 13cm diameter £50 - £80

739 Ruskin Potter y, a Crystalline vase, 1927, dimpled squat baluster form, matte blue with patches of pale over taupe, impressed marks, 10.5cm high £30 - £50

740

740 Ruskin Pottery, a miniature Crystalline ginger jar on stand, circa 1930, green grey draining to dark blue, impressed marks, 5cm high £50 - £80

741 Ruskin Pottery, a Crystalline jug, 1933, shouldered ovoid form with strap handle, banded taupe over orange with blue crystal bursts, impressed marks, 20cm high £70 - £100

742

742 Ruskin Potter y, a Crystalline vase, circa 1932, square section shouldered form, banded orange over green, impressed marks, 26.5cm high £70 - £100

743 Ruskin Potter y, a Crystalline vase, 1922, barrel form, orange and green drip over curdled blue glaze, impressed marks, 16.5cm high £70 - £100

744 Ruskin Pottery, three miniature Crystalline vases, greenish cream over pale blue, including barrel, baluster and ovoid forms, impressed marks, 4cm high (3) £80 - £120

745 Ruskin Potter y, three miniature Crystalline glazed vases, circa 1930, green and blue banded, impressed marks and paper label, 2.7cm high (3) £80 - £120

746

746 Ruskin Potter y, two Crystalline vases, 1932, one of mallet ovoid form with elongated neck, the other with wrythen dimples, banded cream and blue, impressed marks, 28cm high (2)

£80 - £120

747

747 Ruskin Pottery, a Crystalline vase, circa 1930, conical bell form, streaky taupe glaze, impressed marks, 31cm high

£80 - £120

748

748 Ruskin Pottery, a Crystalline four handled vase, 1931, shouldered cylindrical form, various shades of marbled and streaky blue, impressed marks and Howson Taylor signature, 25.5cm high £100 - £150

749 Ruskin Pottery, a miniature Souffle glazed vase, circa 1920s, shouldered barrel form, pink mottled, impressed marks, 4cm high £100 - £200

750 Ruskin Pottery, a Souffle glazed vase, circa 1904, shouldered form, streaky blue brown tidal apron over speckled copper, impressed WHT monogram, 19cm high £100 - £200

751 Ruskin Pottery, a Souffle glazed vine painted vase, 1915, elephant foot bulbous form, blue ground ith a band of flowering tendrils, impressed marks, 21.5cm high £100 - £200

752

752 Ruskin Pottery, five various Souffle glazed plaques, four of kidney heart form, another oval with relief moulded bean pod motif, turquoise blue glazes, impressed marks and WHT monograms to some, 14cm long £70 - £100

753 Ruskin Pottery, three sets of Souffle glazed buttons, on original cards, including six purple pink examples, six circular green turquoise and five oval blue turquoise1.5cm and 3.5cm £60 - £80

754

754 Ruskin Pottery, an early vine painted Souffle glazed vase, circa 1900, conical baluster form with cylindrical neck, green seaweed bands with grape motifs, on a watery ground, painted number, 19.5cm high £200 - £400

755 Ruskin Pottery, a Souffle and slip decorated teapot, circa 1900, quat ovoid form, green tocky glaze wiith bands of grape vines, impressed numbers, 21.5cm long £60 - £100

756 Ruskin Pottery, a Vine painted Souffle glazed vase, circa 1905, Meiping form, brown with blue grape vines to the shoulder, 21.5cm high £150 - £250

757

757 Ruskin Potter y, a Souffle glazed vase, 1905, meiping form, streaky turquoise and sang de boeuf, impressed marks No227, 14cm high £100 - £200

758

758 Ruskin Potter y, a lustre vase, 1915, shouldered form, pink hares fur glaze, impressed marks, 26cm high £150 - £250

759 Ruskin Pottery, a Souffle glazed aquatic vase, circa 1902, cylindrical form with everted rim, painted with foliate seaweed on a curdled blue ground, impressed WHT monogram, 31cm high

£200 - £300

760

760 Ruskin Potter y, a Souffle glazed vase, 1905, Meiping form, mottled orange with green fissured veins and curdling, impressed marks, 19cm high £200 - £400

761

761 Ruskin Potter y for Shreve and Co., a silver overlay Souffle glazed candlestick, circa 1905, splayed form with poppy head sconce, blue and turquoise with painted fines, overlaid with chased flowers and tendrils, tamped marks Shreve Sterling and impressed mark and WHT, 15cm high

£200 - £300

764 Ruskin Pottery, two High Fired vases, 1912 and 1926, shouldered and conical forms, one with green oxide speckles over marbled sang de boeuf, the other of purple marbled flambe, impressed marks, 20cm and 15cm high (2)

£150 - £250

767 Ruskin Pottery, a High Fired vase, circa 1910, footed barrel form with everted rim, mottled and speckled green oxide over white and lavender hares fur flambe, impressed marks, 20.5cm high

£200 - £400

768 Ruskin Pottery, a miniature High Fired vase, circa 1920, conical baluster form, lavender and sang de boeuf flambe with green oxide spots, impressed marks, 4cm high

£200 - £400

769 Ruskin Pottery, a miniature High Fired vase, circa 1920, conical gourd form, liver coloured sang de boeuf with impressed marks, 4cm high £200 - £400

762 Ruskin Potter y, a small or miniature Souffle vase, circa 1905, shouldered form, pink hares fur glaze, WHT impressed marks, 5.5m high

765 Ruskin Pottery, a small High Fired vase, circa 1920s, conical bulbous form with cylindrical flared neck, white with green oxide speckles, impressed marks, 9.5cm high

£150 - £250

£80 - £120

763

763 Ruskin Potter y, a textured glaze vase, circa 1900, vertically channeled conical form with tulip mouth, mottled green and purple fruit skin glaze with green flambe oxide patches, impressed WHT monogram and painted scissors, 21.5cm high

£200 - £400

766 Ruskin Pottery, a High Fired vase, circa 1930, baluster form, sang de boeuf over dove grey flambe with green oxide speckles, impressed marks, 10cm high

£200 - £300

770

770 Ruskin Pottery, a High Fired vase, 1908, squat bulbous form with flared neck, turquoise with green oxide speckles, 10cm high

£300 - £500

771

771 Ruskin Pottery, a small High Fired vase, circa 1905, shouldered form, green over lavender flambe with tidal band and green oxide speckled shoulder, impressed WHT monogram, 5.5cm high

£300 - £500

765

767

772

772 Ruskin Pottery, a High Fired scent bottle, 1927, conical form with crenelated screw top, sang de boeuf flambe over dove grey with green oxide spots, impressed marks and original paper label, 20cm high

£300 - £500

773 Ruskin Pottery, a High Fired vase, 1906, footed and shouldered form, turquoise hares fur over purple shot sang de boeuf with green oxide speckles, impressed marks, 21.5cm high £300 - £500

774 Ruskin Pottery, a High Fired vase, 1924, inverse baluster form, fissured sang de boeuf over dove grey, impressed marks, 16.5cm high

Provenance: Albert E Wade Collection; Sothebys 2002

£300 - £400

775

775 Ruskin Pottery, a High Fired vase, circa 1905, slender bulbous form with elongated cylindrical neck, turquoise green hares fur over blue and sang de boeuf flambe with grey fissures and oxide splashes, impressed marks, 23.5cm high

£300 - £500

776

776 Ruskin Potter y, a High Fired stand, circa 1920s, in the Chinese style, square section bracketed cabriole legs, white with speckled green oxide glaze, paper label High Temperature Flambe, 17.5cm square, 14cm high, inner ring 12cm diameter

£300 - £500

777

777 Ruskin Pottery, a High Fired vase, 1905, inverse baluster form, marbled lavender flambe over grey and sang de boeuf, with green oxide speckles, impressed marks, No200, 20.5cm high

£500 - £800

778

778 Ruskin Pottery, a High Fired vase, 1922, bulbous form, mottled green and purple oxide over sang de boeuf glaze, impressed marks, 24cm high £500 - £800

779 H E Stanton, a large Wembley Exhibition figure, Princess Badoura, 1924, modelled as the Arabian figure on an elephant, after Edmund Dulac’s illustration from the Arabian Nights, monochrome glaze, 57cm high

Note: made by Harry E Stanton, head of the Burslem School of Art in the 1920s, this model was exhibited at the British Empire Exhibition in 1924/25, and later used as the model for the HN series number 2081 produced by Royal Doulton from 1952

£1,000 - £1,500

780 Charles Noke for Royal Doulton, a large Sung Flambe vase, shouldered jar form painted with prunus blossom in red on a marbled blue ground, printed flambe mark, painted Sung and Noke, 34cm high

£1,000 - £1,500

781

781 A signed Doulton advertising ceramic and Asprey silver mounted whiskey flask made for G. B. & Sons, Ltd., London, the body decorated with a hand painted front-facing Reynard fox, modelled in low relief and indistinctly signed l.r., the handle is naturalistically modelled and painted as a whip with rope extending to wind around the vessel base, topped cork and Asprey silver stopper, London 1929, 30cm high

Note: G.B. & sons, a London based cabinet makers and high-end retailer founded in 1851 by George Betjemann, often collaborated with Doulton on silver mounted ceramics

£100 - £200

782 Charles Noke for Royal Doulton, The Moor, HN 2082, a large Prestige figure modelled in a cape and red robes, gilt mark and printed Doulton mark, 43cm high £500 - £800

783 Charles Noke and Harry Tittensor for Royal Doulton, King Charles, model HN 2084, a large Prestige figure modelled in Garter robes, with wooden staff, printed and gilt marks, 43cm high £500 - £800

784

784 Eric Slater for Shelley, an Art Deco Vogue shape Sunray tea trio, model 11742, including conical cup, saucer and plate, with black and orange fragmented sun burst (3) £80 - £120

785

785 Eric Slater for Shelley, an Art Deco Mode shape Butterfly tea trio, model 11742, including conical cup, saucer and plate, with black and orange wing design (3) £80 - £120

STUDIO POTTERY

786

786 Emma Williams (British, 20th/21st Century), three textured earthenware bowls, largest 9.5cm diameter (3) £30 - £50

787 Barbara and Mic hael Hawkins (British, 20th/21st Century), Port Isaac Pottery, a stoneware vase with an incised and painted iris, gold leaf detailing to the rim and foot, painted maker’s mark, 37.5cm high £50 - £100

788

788 Alain Fichot (French, 1952), three individual thrown stoneware bowls, decorated with combined glazes over carved/textured surfaces, largest 8cm high (3) £50 - £100

789 Anne Butler (British, 20th/21st Century), a bone china bowl, decorated with grey slips, polished unglazed exterior with a clear glaze applied on the interior, 26cm wide

£50 - £100

790 Francoise Dufayard (French, 1960), a large rectangular dish, decorated with cut paper resist, coloured slips, and an earthenware glaze, 19 by 51cm £50 - £100

791

791 David Frith (British, 1943), Brook House Pottery, two hand-built slabbed vases, stoneware glazed with marker mark, largest 13cm high (2)

£80 - £120

792 Margaret Frith (British, 1943), a porcelain bowl, with various poured glazes and a floral brushed motif, Tenmoku/copper red and white Nuka, impressed maker mark, 23cm diameter

£80 - £100

793

793 Margaret Frith (British, 1943), a porcelain wood-fired ginger jar, decorated with a brushed exterior motif with highlights of a copper red glaze, impressed maker mark, 13.5cm high £50 - £100

794 Mar y Rich (British, 1940-2022), a stoneware fired lidded honey jar, a small vase, and a miniature teapot, (1973) with original cane handled, impressed maker’s marks, largest 15cm high (3) £50 - £100

795 David White (British, 1934-2011), a wide/ low porcelain bowl, decorated with blue, soft grey, and tan crackle glaze, sprigged maker mark, 15.5cm diameter

£80 - £100

796 Christ Carter (British, 1945), two stoneware faceted bowls, maker marks to the underside, largest 11.5cm diameter (2) £50 - £100

797 Lawrence McGowan (British, 1942), a stoneware bowl and saucer, decorated with on-glaze robin and floral motifs, painted maker marks, 17cm diameter £50 - £100

798 Richard St. John Heeley (British, 20th/21st Century), a porcelain tea bowl, decorated with a cobalt blue fish motif, 10cm high, in the original wooden box £50 - £100

799 Les Cole (British, 1943), a porcelain bowl, decorated in a pale white glaze with areas of tan and rouge, 9.5cm high, with two unknown maker’s pots (3) £50 - £100

800 Alistair Young (British, 20th/21st Century), a fine salt-glazed teapot, decorated with porcelain polka dots, 15cm high £50 - £100

803

801 Grainne Watts (British, 20th/21st Century), a hand-carved porcelain vase, (Kelp series), celadon glaze interior, 9.5cm high £50 - £100 802

802 Derek Emms (British, 1929-2004), porcelain jug, with a painted Rhododendron design and gold leaf banding, impressed marker mark, 18cm high £50 - £100

803 Dora Holzhandler, a studio pottery vase, 1985, wide necked bulbous form, painted and sgraffito decorated with a band of dancing women between flowering trees below a garland border, signed, 30cm high £120 - £180

804 Alistair Young (British, 20th/21st Century), a large fine salt-glazed bowl, decorated with a blue interior over an indented surface, 36cm diameter £60 - £100

805

805 David White (British, 1934-2011), a deep porcelain bowl, with a wide rim, decorated with a blue and soft grey crackle glaze, sprigged maker mark, 13cm high £80 - £120

806. Chris Carter (British, 1945), two stoneware vases, the larger piece decorated internally with a Tenmoku and a soft silicon carbide glaze on the exterior, maker mark to the base, the small vase was made at the Drayton Manor pottery, bearing the original, (slightly worn) label, largest 16cm high (2).

Note: Artist Resale Rights apply £80 - £120

797

807

809 Waistel Cooper, two studio pottery vases, inverse spade baluster form with a matt textured blue over brown glaze, the interior with iron stained celadon, the other of squat ovoid form with conical neck, relief moulded in taupe glaze, signed marks, 22.5cm high (2)

£100 - £200

807 Seth Cardew, a studio pottery dish, celadon ground ash glaze painted with a bird within foliate and trellis border, impressed seal mark, 35cm diameter

£100 - £150

808

808 Christy Keeney (Irish, 1958), female bust with head tilted, signed, No.473/700, resin, 13cm high.

Note: Artist Resale Rights apply £100 - £150

810

810 David Leach O.B.E. (British, 1911-2005), stoneware thrown and altered vase, Tenmoku glazed on the interior with oatmeal on the exterior, foxglove motif, 20cm high.

Note: Artist Resale Rights apply

£100 - £200

811

811 John Maltby (British, 1936-2020), Stoneshill Pottery, mid to late 1970’s, a stoneware square dish with original cane handle, decorated with a Tenmoku and clear glaze with highlights of gold lustre, 15cm square.

Note: Artist Resale Rights apply

£150 - £200

BRITISH CERAMICS

812

812 Walt Disney for Wadeheath, a novelty Donald Duck graduated trio of teapots, each modelled in sailors costume, beak open, the ars forming the handles, printed marks, 16.5cm high (3) £200 - £400

813 J A Robinson for Paragon, a selection of nursery tea wares, transfer printed and coloured with verses and rhymes including Tinker, Tailor, Soldier, Sailor, including cups, saucers, octagonal bowls and plates (14) £50 - £80

814

814 A George Jones majolica cheese dome and cover, relief moulded planked fence design with bramble entwined straps, and branch handle, in turquoise, 26.5cm diameter £150 - £250

815 A Holdcroft majolica strawberry dish, modelled in relief as a basket with flowering and fruiting strawberry plant, twisted branch handle, with a bird perched on the rim, impressed marks, 28.5cm long

£100 - £200

816

816 A Minton Majolica teapot, 1862, modelled in relief as a gourd with leafy branch handle and mushroom lid, stamped marks, 18cm long £400 - £600

817 A pair of Minton majolica pedestal dishes, of small proportions, shape 560, modelled as entwined dolphins supporting fluted bowls, on socle bases, 9cm high (2) £100 - £200

818

818 A Minton majolica strawberry dish, 1873, modelled in relief as a lily pad on basket weave ground with flowering strawberry vines, integrated blossom bowls, impressed date mark, 28cm long, 28cm wide £100 - £150

819

819 Thomas Kirkby (attributed) for Minton, an Urbino Majolica style faience painted comport, circa 1864, footed and scalloped, the central Renaissance roundel of Cupid and companion within a laurel wreath surrounded by fruit strewn shells, on a vine clad trellis, puce ermine mark, 30.5cm diameter

Note: see Jones, J. 1993, Minton, p.139, for an example of this painted design attributed to the same artist, probably from the same service £200 - £400 820

820 An Art Pottery painted charger, possibly Kensington Gore, Minton, 1884, decorated by Miss Davis with swallows over a waterlily pond, 42cm diameter

Note: Howell and James Art Pottery Exhibition, label verso £100 - £200

821 A Staffordshire transfer printed school plate, the centre depicting a populated school room within alphabet border, the rim with various children at play, 23.5cm diameter £40 - £70

822 A Rococo moulded lustre decorated lemonade jug and cover, circa 1830, urn form with mask spout and foliate banding, blue ground, 23cm high

£50 - £80

823 Two English creamware reticulated dishes, circa 1780, lobed form with pierced foliate and trellis motifs, including a pedestal dish and a shallow bowl, 23.5cm long (2) £50 - £80

824 A Staffordshire pottery novelty stirrup cup, circa 1820, modelled as a hound’s head, pink lustre rim, 9cm long £50 - £80

825 An English pearlware jug, circa 1813, shouldered helmet form, painted with watermill and farm building scenes, inscribed R Miller Dorchester 1813, 17cm high £50 - £80

826 Two Sunderland lustre jugs, circa 1810, shouldered helmet form, one transfer printed with Mariners Arms and the Iron Bridge at Sunderland, the other with a coloured Harvest still life and verse, 14cm high (2) £50 - £80

827 A collection of porcelain and ceramics, including Worcester black printed Milkmaids tea bowl circa 1760, hunting scene painted porter mug, a gilt spirgged and monogrammed mug, blue and white pearlware coffee can and Chinese saucer (5) £50 - £100

828 A Wedgwood black basalt ware jug, circa 1790, shouldered helmet form, relief moulded portrait roundels of the Prince of Wales and Frederick Duke of York, impressed marks Wedgwood, 12cm high £80 - £120

829 A pair of Wedgwood creamware plates, circa 1770, Liverpool printed in black with fancy birds, each of a different central design, within ogee fluted and paneled borders, 24cm diameter (2) £80 - £120

830 Three Staffordshire sponge decorated cow creamers, 19th century, modelled on grassy bases, one with pink lustre highlights, 19cm long (3) £80 - £120

831 An Obadiah Sherratt Staffordshire figure of St Luke, circa 1820, modelled standing by a recumbent cow and boccage tree, reading, on canted rectangular base, 21cm high £80 - £120

827

829

£80 - £120

832 Two commemorative Nelson mugs, one printed with puce portrait and inscription, the other with a polychrome roundel, 12cm high (2)

833 A Bristol Delft bianco sopra bianco plate, circa 1750, painted with a Chinese landscape with fisherman, within floral slip glazed border, 23cm diameter

£100 - £200

834 A Bristol Delft bianco sopra bianco plate, circa 1750, painted with a floral still life with fence in the Chinese style, within floral slip glazed border, 23cm diameter

£100 - £200

835 An Irish Delft blue and white plate, circa 1770, painted with deer in a Chinese garden landscape, within butterfly, cloud and scroll border, 23.5cm diameter

£100 - £200

836 A relief modelled oval pottery plaque, circa 1790, depicting a tiger attacking a bull, inscribed Catching a Tartar, green majolica type glaze,

840

£100 - £200

840 Kerr and Binns, a Worcester Shakespeare portrait vase, footed cylindrical baluster form, painted with a central roundel of the bard, within Mannerist scroll cartouche, printed mark, 11cm high £100 - £150

841 A Staffordshire Prattware thatched cottage money box, circa 1820, modelled in relief as a cylindrical house, sponge decorated, 11.5cm high £100 - £150

842 A pair of Derby Bloor scene painted vases, one with a depiction of St Michaels Mount, the other with a riverscape, baluster form with tooled gilt foliate scroll cartouches on a cobalt blue ground, 17.5cm high £100 - £200

843

£100 - £150

837 A Prattware figure of a woman holding a bottle of gin, circa 1800, hollow moulded construction, stipple decorated, 21cm high

838 Kerr and Binns, a Worcester Limoges enamelled twin handled cup, footed Grecian form with profile portrait busts in white slip, on Cobalt blue ground, within raised gilt foliate wreaths, printed mark, 7.5cm high £100 - £200

839 Kerr and Binns, a Worcester twin handled cup, footed Grecian form painted with profile portrait busts in monochrome on pink grounds, within tooled and raised gilt borders and laurel wreaths, on Cobalt blue ground, printed mark, 7.5cm high

£100 - £150

843 Napoleonic interest, a printed lustre jug, circa 1812, ovoid helmet form, each side with an image titled Boneys return from Russia to Paris, 11.5cm high £100 - £200

844 A Sunderland lustre plaque, Express Train, transfer printed and coloured within a pink and copper bordered frame, 20cm x 22.5cm £100 - £150

845 A Staffordshire porcelain stirrup cup, circa 1830, modelled as a hound’s head, brown mottled, 13cm long £100 - £200

846 A Staffordshire drabware house moneybox, circa 1820, modelled as a Savings Bank building with thatched roof, green and white painted highlights, 17cm high £100 - £200

847 Four Victorian floral painted comports, Staffordshire, probably Coalport, circa 1850, rectangular form with foliate scroll handles, turquoise borders with gilt vine decoration, 31cm long (4) £150 - £250

848 A pair of Royal Worcester portrait vases, circa 1860, twin handled shouldered form, each with a painting of a child before a cloudy backdrop, within raised and tooled gilt rope and leafy tendril cartouche, PreRaphaelite winked mask handles, printed marks, 13cm high (2) £150 - £250

849 A Staffordshire Prattware watch holder, circa 1830, modelled as a longcase clock flanked by figures of a man and woman, relief moulded shell and motifs and winged angel pediment, on sponge decorated acanthus base, 22cm high

£200 - £300 850

850 A small Staffordshire Prattware figure of a horse and carriage, circa 1820, sponge decorated, modelled with figures, 12cm long

Provenance: Jonathan Horne label

£70 - £100

851 A Staffordshire Redware teapot, circa 1760, pseudo Chinese seal mark, cylindrical drum form tooled with combed geometric design and concentric ribbed banding, foliate C scroll handle and conical spout, 17cm long

£200 - £400

852

852 Napoleon interest, a printed and coloured lustre jug, circa 1800, each side with a cartoon titled Bony sneaking into Paris... and Jack Frost attacking Bony...., the handle in the form of a griffon with long tongue, 15cm high £200 - £400

853

853 Napoleonic interest, a printed and coloured lustre mask jug, circa 1800, each side with a cartoon titled Boney tir’d of War’s Alarms Flies for Safety to his darling’s Arms... and Murat Reviewing the Grand Army...., the handle in the form of a griffon with long tongue, 15cm high £200 - £400

854

854 A Delft magenta ground blue and white dish, circa 1750, painted with fish around a central ogee vignette of Oriental figures in a garden terrace landscape, 22.5cm diameter £800 - £1,200

855 A Staffordshire sponge decorated pearlware watch holder, modelled as a squat longcase clock, on lions paw feet, open swan neck pediment and column supports, 20cm high

£200 - £300

856 A Staffordshire pottery puzzle jug, circa 1820, modelled as a pedestal moonflask, relief moulded with a sun face, mermaid handle and reticulated rim, sponge decorated, 29.5cm high

£200 - £300

857 An Obadiah Sherratt Staffordshire figure of a girl reading, circa 1820, sitting on a tuffet with boccage tree, square base, 26.5cm high £200 - £300

858

858 A Chinese export coffee cup, circa 1780, painted with a British naval ship with Union Jack, below famille rose floral border, 6.5cm high £280 - £320

859 A Neale and Co. pearlware mocha tea and coffee service, circa 1790, including baluster coffee pot and covered jug, cylindrical teapot with quarter reeding and black and white checked banding, tea and coffee cups and saucers, impressed marks to some (7)

£350 - £450

860 A pair of Staffordshire flatback equestrian figures, 19th century, modelled as Major General Sir George Cathcart and Lord Raglan, polychrome decorated in the uniforms of cavalry officers, Raglan with amputated arm, blue coat and red sash with plumed helmets, 32cm high (2)

Note: a similar single figure of Cathcart was sold in these rooms in May 2022

£1,500 - £2,500

859

860

TERMS & CONDITIONS OF SALE AND BUSINESS

These Conditions of Sale and Business constitute the contract between Kinghams Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kinghams Auctioneers limited, you agree to be bound by the following terms.

CONDITIONS OF SALE

1. DEFINITION

In these terms of business: Kinghams Auctioneers Ltd is referred to as ‘Kinghams’. The Kinghams representative conducting the auction is referred to as the ‘auctioneer’.

2. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for.

3. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment.

4. DESCRIPTIONS AND CONDITION OF LOTS

Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot.

5. ATTRIBUTION OF PICTURES

(a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist.

(b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work.

(c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date.

(d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist.

(e) All other terms are self-explanatory.

6. FORGERIES

Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium.

7. THIRD PARTY LIABILITY

Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur.

8. DISPUTES

Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams.

9. GENERAL

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

English law applies to the interpretation of these Conditions.

TERMS OF CONSIGNMENT FOR SELLERS

1. INTERPRETATION

In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers Ltd.

2. WARRANTY

The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same.

3. COMMISSION

Commission is charged to sellers at a flat rate of 15%, 1.5% insurance, and a £5/10 entry fee per Lot plus VAT.

4. REMOVAL COSTS

Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

5. LOSS AND DAMAGE OF GOODS

a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold.

b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable.

6. ILLUSTRATIONS

The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

7. MINIMUM BIDS AND OUR DISCRETION

Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

8. RESERVES

a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}.

b) A reserve once set cannot be changed except with our consent.

c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

d) Reserves are not usually accepted for lots expected to realise below £50.

9. ELECTRICAL ITEMS

These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

10. SOFT FURNISHINGS

The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request.

11. DESCRIPTIONS

Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

12. UNSOLD ITEMS

If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred.

13. WITHDRAWN AND BOUGHT IN ITEMS

These are liable to incur charges on being bought in or withdrawn after being catalogued.

14. CONDITIONS OF SALE

You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST

You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

17. STORAGE

We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.

18. SETTLEMENT

Subject to funds having cleared in our account we aim to pay you no later than four weeks following the sale. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale.

INFORMATION FOR BUYERS

1. INTRODUCTION

The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand.

2.

AGENCY

As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller.

3. THE BUYER

The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted. The auctioneer reserves the right to refuse any bid.

The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots.

4. REGISTRATION

Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill confirming their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately.

5. BUYER’S PREMIUM - COMMISSION CHARGES

There is a buyer’s premium of 25% plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001.

6. VALUE ADDED TAX

Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon.

7. AUCTIONEERS MARGIN SCHEME

This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice.

8. PAYMENT

Buyers must pay in full before items can be removed from the premises (please see “payment methods” below).

Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.

Payment Methods

We accept payment by:

Cash - up to £9,000 (subject to money laundering regulations). Cheques - we do not accept cheques.

Debit cards accepted - we do not accept any credit cards.

Please note that we are unable to accept any card payments where the cardholder is not present.

Bank transfer to:

HSBC Bank, Bridge St, Evesham WR11 4RU

Account no.: 51655345

Account name: Kinghams Auctioneers Ltd

Sort code: 40-20-27

IBAN: GB91MIDL40202751655345

SWIFTBIC: MIDLGB22

Please note that a fee of £15 will be added for international bank payment.

9. LIVE INTERNET BIDDING

Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com

We ask that you register for the sale a minimum of 24 hours before the auction.

When you have registered, you can watch the auction in real time; simply click the bid button to place a bid.

If your bid is successful we will notify you after the sale for payment. Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details.

10. TRANSFER OF RISK

Each lot is the buyer’s sole responsibility from the fall of the hammer.

11. COMMISSION BIDS

If instructed, Kinghams will execute bids and advise prospective buyers. This service is free.

Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@kinghamandormeauctioneers.com). Such bids are placed at the buyer’s own risk.

Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name

Address

Email address

Contact telephone numbers

The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards

Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid.

We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis.

12. TELEPHONE

BIDS

Lines for telephone bidding should be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line.

13. DATA PROTECTION

Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.

14. STORAGE AND COLLECTION

Please note all items after the auction will be removed to store. Arrangements for collection can be made with the office.

15. ELECTRICAL GOODS AND SOFT FURNISHINGS

These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations.

16. EXPORT OF GOODS

Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

17. PACKING AND DESPATCH

We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office.

18. DROIT DE SUITE ROYALTY CHARGES

A picture or work of art by an applicable living artist, or those who have died within the last 70 years, which costs more than £1,000 hammer price will incur a royalty charge paid by the buyer. We pass this payment on to the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website. Items marked with the † symbol in the catalogue will potentially incur royalty payments.

The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub and can be found on the DACS website.

The royalty charge for pictures and works of art that achieve a hammer price of more than £1,000, but less than that of £50,000 is 4%. On pictures and works of art that achieve a hammer price of more than £50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website.

The royalty charge is added to invoices and must be paid before purchases are removed. VAT is not paid on royalty charges.

19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY

Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.