Peter Wilson FINE ART AUC TIONEERS • EST 1955
Northern Art & 20th Century Design THURSDAY 20 FEBRUARY 2020
Peter Wilson FINE ART AUC TIONEERS • EST 1955
NORTHERN ART THURSDAY 20 FEBRUARY 2020 AT 10.00AM ON VIEW: Saturday 15 February Monday 17 February Tuesday 18 February Wednesday 19 February
9.30am 12.00noon by appointment only by appointment only 9.00am 5.00pm
SPECIALIST
STEPHEN SPARROW Northern Art stephen@peterwilson.co.uk
Catalogues £10 from the saleroom, £12 by post Buyer’s Premium is 22% plus VAT 26.4% inclusive of VAT
PLEASE NOTE: We cannot provide condition reports on the morning of the auction. Colours in photography may vary from actual items. All measurements are approximate. For full condition reports and extra images please visit our website: www.peterwilson.co.uk
Peter Wilson Fine Art Auctioneers Ltd. Victoria Gallery, Market Street, Nantwich, Cheshire CW5 5DG Telephone: +44 01270 623878 Fax: +44 01270 610508 Email: auctionspeterwilson.co.uk
www.peterwilson.co.uk Registered in England | Registration No. OC359701
Cover illustrations: Front: lot 55 Back: lot 210 Inside Front: lot 123 Inside Back: lot 144
INDEX OF ARTISTS Artist
Lot Number
Bailey, Caroline
28 8 22, 32, 40, 61
Barlow, Albert Barlow, Bohuslav Barnes, David
Lot Number
1
Simcock, Jack
NORTHERN ART Ashcroft, Michael
Artist
37, 86, 91, 96, 102
Thompson, George
87, 90, 92, 95, 97, 100, 103
Thompson, John
33, 65, 67, 71, 81
Turner, William
94
Was, Tadeusz
111
26, 34, 36, 59
Wilde, David
45, 52, 70
50
Bentley, Frank Downie, James England, Frederick J. Flattely, Alastair
2, 9, 14, 17, 21, 25 47, 56, 64, 74 24
20TH CENTURY ART & DESIGN 179
Ayres, Gillian Barnfather, Michael
242, 243
69, 77, 79
Emin, Tracey
230, 231
104, 106, 107, 109, 110, 112
Gear, William
174
Hampson, Roger 80, 114, 115, 116, 117, 118, 119, 120, 121, 122, 123, 124, 125, 126, 127
Hirst, Damien
228
Gardner, Reg Grimshaw, Trevor
Herman, Josef
89
Isherwood, James Lawrence 7, 10, 30, 38, 42, 49, 54, 58, 62, 66, 72, 75, 78 Jones, Charles M.
6, 18, 48, 68
Key, Geoffrey Longueville, James Lowry, L.S.
53
128, 129, 130, 131, 132, 133, 134, 135
McIntyre, Donald McKinlay, Don Riley, Harold
35
13, 46, 55 23, 39, 57, 88, 93 105, 136
Hockney, David
224, 225, 227, 229, 237, 238
Hoyland, John
226
Lock, Freida
156
Nicholson, Ben
232
Picasso, Pablo
235, 236
Pitchforth, Roland Vivian
175, 183, 197
Rose, Chris
169, 170, 171
Scully, Sean
33, 234
Truss, Jonathan
166
Wesson, Edward
176
GLOSSARY OF TERMS F O R P I C T U R E S , D R A W I N G S , P R I N T S , M I N I AT U R E S E T C . The first name of names and surname of the artist - in our opinion a work by the artist. ‘Attributed to...’ - in our opinion probably a work by the artist in whole or in part. ‘Circle of...’ - in our opinion a work of the period of the artist and showing his/her influence. ‘Style of...’ / ‘Follower of...’ - in our opinion a work executed in the artist’s style, of a similar period, but not necessarily a pupil. ‘Manner of...’ - in our opinion a work in the artist’s style, but of a later date.
2
‘School...’ - Accompanied by place name or country, and date - in our opinion a work executed at that location and period. ‘After...’ - in our opinion a copy (of any date) of a work by the artist. ‘Signed and/or dated and/or inscribed’ - in our opinion the signature and/or date and/or inscription are by the artist’s hand. ‘Bears signature and/or date and/or inscription’ - in our opinion the signature and/or date and/or inscription are by another hand. Dimensions are given height before width.
1 1 ARR Jack Simcock (1929-2012), “The Farm”, signed and dated ‘57, titled on verso, oil on board, 47 x 66.5cm, 18.5 x 26.5in, together with a preparatory pencil sketch attached on verso, which is again signed and dated ‘57. £1,000 - £1,500
2
2 ARR James Downie (1949-), “The Park Road”, signed, dated 2016 on verso, unframed, oil on canvas, 30 x 30cm, 11.75 x 11.75in. £100 - £200
3 Nicholas Ferenczy, 20th/21st century, “The Bluebell Pickers”, signed, acrylic on canvas, 60 x 50cm, 23.75 x 19.75in. £100 - £200
3 3
4 ARR James Watt R.G.I. (1931-), “Blue Meigle”, signed, titled on artist’s label verso, oil on canvas, 49 x 100cm, 19.25 x 39.25in. £300 - £500
5 Helen Sterling Johnston (1888-1931), Scottish rural village with mountains beyond, signed, oil on board, 47.5 x 58.5cm, 18.75 x 23in. £300 - £500
4
6 ARR Geoffrey Key (1941-), “Sun & Sand”, signed and dated ‘05, titled on verso, oil on canvas, 40 x 55.5cm, 15.75 x 21.75in. £4,000 - £6,000
5
6
4
For condition reports please go to www.peterwilson.co.uk
Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
7
8
7 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Rain, Shambles, York”, signed, titled and dated 1971 on verso, oil on board, 39.5 x 29cm, 15.5 x 11.5in. £300 - £500
9 ARR James Downie (1949-), “Steam View”, signed, dated 2017 on verso, unframed, oil on canvas, 60 x 60cm, 23.75 x 23.75in. £150 - £250
8 ARR Caroline Bailey (1953-), "Looe Boats", signed, titled on verso, mixed media, 31 x 37.5cm, 12.25 x 14.75in. £300 - £500
10 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Oxford Willows”, signed, titled on verso, oil on board, 23 x 33.5cm, 9.25 x 13.25in. £300 - £500
9
10
5
11
11 Nicholas Ferenczy, 20th/21st century, “Small Town, Middle England No. 1”, signed, acrylic on canvas, 60 x 50cm, 23.75 x 19.75in. £100 - £200
12
12 ARR David Cartwright (1944-), “Watergate Street, Chester”, unsigned, titled on verso, oil on canvas, 39.5 x 49.5cm, 15.5 x 19.5in. £100 - £200
13 ARR Donald McIntyre R.I., R.Cam.A., S.M.A. (1923-2009), “Sand Dunes, Otters Point, Iona”, initialled, titled on verso, acrylic on board, 20 x 28cm, 8 x 11in. £1,500 - £2,000
13
6
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14 14 ARR James Downie (1949-), “The Bridge, Stockport”, signed, dated 2017 on verso, unframed, oil on canvas, 30 x 30cm, 11.75 x 11.75in. £100 - £200 16 16 David Cartwright (1944-), “The Cross, Chester” and another similar, both signed, one titled and dated ‘72 on verso, oil on canvas, 59.5 x 74.5cm, 23.5 x 29.25in and 74.5 x 54cm, 29.25 x 21.25in (2). £150 - £200
15 15 ARR Kerry Lisa Davies, 20th/21st century, “The Big Deep”, monogrammed, titled and dated 2014 on artist’s label verso, oil on canvas, 69.5 x 90cm, 27.25 x 35.25in. * This painting won first prize in the 2014 St Helens Open Art Exhibition. £300 - £500
17 17 ARR James Downie (1949-), “The Ruin”, signed, dated 2016 on verso, unframed, oil on canvas, 30 x 30cm, 11.75 x 11.75in. £100 - £200
7
18
18 ARR Geoffrey Key (British 1941-), “Hot Summers Day”, signed and dated ‘00, titled on verso, oil on canvas, 60.5 x 50cm, 23.75 x 19.75in. £6,000 - £8,000
8
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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
19 19 ARR Jonathan Shaw (1959-), “Red and Purple Skyline”, signed, acrylic, 29 x 90cm, 11.5 x 35.5in. £200 - £400 20 ARR Michael Lawson (1944-), “Whitechapel”, initialled, dated 1985 on verso, unframed, oil on board, 31cm x 30.5cm, 12.25 x 12in, together with an exhibition catalogue of Merseyside Artists 3, A Touring Exhibition 1986-87 in which this painting is listed on page 36. £100 - £150 21 ARR James Downie (1949-), “The Pineapple Inn, Stockport”, signed, dated 2014 on verso, unframed, oil on canvas, 30 x 30cm, 11.75 x 11.75in. £100 - £200 22 Albert Barlow (British 1944-), “Eating Out”, signed and titled on verso, acrylic on board, 29.5 x 29.5cm, 11.5 x 11.5in. £200 - £400
20
21
22
9
23
24
23 ARR Don McKinlay (1929-2017), “Rawtenstall (Anti-War Demo)”, initialled, titled and dated 2003 on artist’s label verso, oil on canvas, 52.5 x 33cm, 20.75 x 13in. £200 - £400
25 ARR James Downie (1949-), “The Station, Oldham”, signed, dated 2014 on verso, unframed, oil on canvas, 30 x 30cm, 11.75 x 11.75in. £100 - £200
24 ARR Alastair Flattely (British, 1922-2009), “Strathearn, November”, signed, titled on exhibition label - ‘Alastair Flattely Festival Exhibition 2003’ verso, oil on canvas, 105 x 136cm, 41.5 x 53.5in.
26 ARR David Barnes (1943-), “Road into the Pass”, signed and titled on verso, oil on board, 29.5 x 39.5cm, 11.5 x 15.5in. £300 - £500
Exhibited: Alastair Flattely Festival Exhibition 2003, No.71. £500 - £700
25
10
26
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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
27 ARR Sonia Ratcliff (1939-), “The Procession”, signed, oil on board, 14.5 x 15.5cm, 5.75 x 6.25in. £100 - £150
27 28 ARR Michael Ashcroft (1969-), “A Break in the Clouds - Bigbury on Sea, Devon”, signed, titled and dated 2011 on verso, oil on board, 45.5 x 75.5cm, 18 x 29.75in. £200 - £400
28 29 ARR Colin T. Johnson (1942-), “Harbour Wall and two Trees”, signed and dated 1977, oil on board, 24 x 44cm, 9.5 x 17.5in. £200 - £400
29
11
30 30 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Rain, National Gallery, St. Martin’s”, signed, titled on verso, oil on board, 44.5 x 59.5cm, 17.5 x 23.5in. £800 - £1,200
31
12
31 Vincent Dott, 20th century, “Stockport Viaduct”, signed, titled on verso, oil on board, 29.5 x 24.5cm, 11.5 x 9.5in. £100 - £200
32 Albert Barlow (British 1944-), “Too Big For His Boots”, signed and titled on verso, acrylic on board, 34.5 x 24cm, 13.5 x 9.5in. £200 - £400
32
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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
33 33 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Mow Cop”, signed, titled on verso, oil on canvas, 39.5 x 49cm, 15.5 x 19.25in. £3,500 - £5,500
34 ARR David Barnes (1943-), “The Lledr Valley”, signed and titled on verso, oil on board, 39.5 x 29.5cm, 15.5 x 11.75in. £300 - £500
34
13
37 37 ARR George Thompson (1934-2019), “Windsurfers, Marine Lake, West Kirby”, signed, titled and dated ‘87 on verso, oil on board, 44.5 x 55cm, 17.5 x 21.5in. £200 - £400
35 35 ARR Charles M. Jones (1923-2008), “Pendlebury Public Hall”, signed, titled on verso, oil on board, 49.5 x 39cm, 19.5 x 15.5in. £300 - £500
38 38 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), Coastal reflections, unsigned, oil on board, 28.5 x 39cm, 11.25 x 15.25in. £300 - £500
36 36 ARR David Barnes (1943-), “The Snowdonian Horseshoe”, signed and titled on verso, oil on board, 39.5 x 49.5cm, 15.5 x 19.5in. £300 - £500
14
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39
40
39 ARR Don McKinlay (1929-2017), Standing nude, initialled, oil on board, 69 x 50cm, 27.25 x 19.75in. £500 - £700
40 Albert Barlow (British 1944-), “Looks Like We’re Lost”, signed and titled on verso, acrylic on board, 19 x 14cm, 7.5 x 5.5in. £100 - £200
41
41 ARR Richard Weisbrod (1906-1991), “Paris Quiet Street”, signed and dated ‘59, titled on verso, oil on board, 41 x 80cm, 16.25 x 31.5in. £200 - £400
42 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (British 19171989), Wooded lake scene at sunset, signed, with fragmented artist’s label on verso, unframed, oil on board, 51.5 x 65.5cm, 20.25 x 25.75in. £500 - £700
42
15
43 43 ARR John McCombs (1943-), Portrait of a child, initialled and dated ‘74, oil on board, 29 x 24.5cm, 11.25 x 9.75in. £100 - £200
44 44 ARR David Farren (1972-), “December Afternoon towards Albert Square”, signed, titled on gallery label verso, oil on board, 38.5 x 49cm, 15.25 x 19.25in. £200 - £400
45 ARR David Wilde (1918-1978), “Futon St. Steam and the Surreal Flames of Industry”, signed and titled, acrylic on board, 54.5 x 72cm, 21.5 x 28.25in. £300 - £500
45
16
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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
46
46 ARR Donald McIntyre R.I., R.Cam.A., S.M.A. (1923-2009), “Beach Huts and Figures No.3”, initialled, titled on gallery label ‘Pitcairn Galleries, Knutsford’ verso, acrylic on board, 15 x 25.5cm, 6 x 10in. £1,000 - £1,500
47 Frederick J. England (1939-), “Oatcake Queue, Leek”, signed, titled on verso, acrylic on board, 34 x 26.5cm, 13.5 x 10.5in. £100 - £200
47
17
48 48 ARR Geoffrey Key (British 1941-), “Girl with Yellow Hair”, signed and dated ‘11, titled on verso, oil on canvas, 39 x 29.5cm, 15.25 x 11.5in. £4,000 - £6,000
18
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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
49 49 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (British 19171989), “The Mall, London”, signed, titled on verso, oil on board, 29.5 x 39cm, 11.5 x 15.25in. £500 - £700
52 52 ARR David Wilde (1918-1978), “Colours appeared and in my minds eye I soared above the Docks like a bird”, signed and titled, acrylic on board, 50 x 77cm, 19.5 x 30.25in. £300 - £500
50 50 ARR Frank Bentley (1941-2006), “Fishing Fleet in Harbour”, signed, titled on gallery label verso, oil on canvas, 54.5 x 70cm, 21.5 x 27.5in. £300 - £500 53 53 ARR James Longueville P.S., R.B.S.A. (1942-) , “Japanese Anemones”, signed, titled and dated 1979 on verso, oil on board, 19.5 x 14.5cm, 7.75 x 5.75in. £100 - £200
51 51 Northern School, 20th century, Canal scene with bridge and coal mining winding tower beyond, unsigned, oil on canvas, 71 x 97.5cm, 28 x 38.25in. £150 - £200 19
54 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Fisherman, Sea Cliffs, Polperro”, signed, titled on verso, oil on board, 44.5 x 59.5cm, 17.5 x 23.5in. Provenance - authenticated by the Isherwood family, with certificate. £500 - £700
55 ARR Donald McIntyre R.I., R.Cam.A., S.M.A. (1923-2009), “West Ireland”, signed, titled on artist’s label verso, acrylic on board, 51.5 x 61.5cm, 20.25 x 24.25in. £6,000 - £8,000 54
55
20
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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
58 58 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Hastings Beach”, signed, titled on verso, oil on board, 29 x 39cm, 11.5 x 15.5in. £300 - £500
56 56 Frederick J. England (1939-), “Moorcroft Girls and Pit Lads, Cobridge Factory Road “Black and White”, signed, titled on verso, acrylic on board, 49.5 x 39.5cm, 19.5 x 15.5in. £100 - £200
59 59 ARR David Barnes (1943-), “Storm over Snowdonia”, signed and titled on verso, oil on board, 19 x 49.5cm, 7.5 x 19.5in. £200 - £400
60 60 ARR Richard Weisbrod (1906-1991), “Edge of Town - Winter Morning”, signed and dated ‘66, titled on verso, oil on canvas, 49.5 x 83cm, 19.5 x 32.5in. £300 - £500
57 57 ARR Don McKinlay (1929-2017), “The Red Scarf”, initialled, titled on verso, oil on board, 19 x 14.5cm, 7.5 x 5.75in. £100 - £200
21
61 61 ARR Albert Barlow (British 1944-), Cityscape with figures and a dog, signed, oil on board, 28.5 x 39.5cm, 11.25 x 15.5in. £200 - £400
64 64 Frederick J. England (1939-), “Pottery Nightmare Turbulent Skies, Bluebell Pottery”, signed, titled on verso, acrylic on board, 59 x 100cm, 23.25 x 39.25in. £300 - £500 65 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Stockport Market”, signed, titled on verso, oil on board, 32 x 39.5cm, 12.5 x 15.5in. £1,000 - £1,500
62 62 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Pool of London”, signed, titled and dated ‘62 on verso, unframed, oil on board, 30.5 x 40.5cm, 12 x 16in. £500 - £700
66 66 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), Portrait of a boy, signed, with original invoice on verso, oil on board, 29.5 x 21.5cm, 11.5 x 8.5in. £200 - £400 63 63 ARR John McCombs (1943-), “The Conversation”, signed and dated ‘75, oil on board, 45.5 x 63.5cm, 17.75 x 25in. £150 - £200
22
67 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Cheetham Hill”, signed, titled on verso, oil on board, 19 x 24cm, 7.5 x 9.5in. £2,200 - £2,400
For condition reports please go to www.peterwilson.co.uk
Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
65
67
23
68 68 ARR Geoffrey Key (1941-), “Storm Light”, signed and dated ‘16, titled on verso, oil on canvas, 50 x 60cm, 19.75 x 23.75in. £4,500 - £5,000
69 ARR Reg Gardner (1948-), “Battersea”, signed, titled on verso, oil on canvas, 29 x 24cm, 11.5 x 9.5in. £400 - £600
69
24
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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
70 70 ARR David Wilde (1918-1978), “Stormy Day near Blaenau Ffestiniog”, signed and titled, acrylic on board, 30 x 82cm, 11.75 x 32.25in. £300 - £500
72 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “The Finishing Line, Haydock Park”, signed, titled and dated Feb ‘73, watercolour and ink, 24 x 34.5cm, 9.5 x 13.5in. £200 - £400
71 71 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Lac de Paladru”, signed, titled on verso, oil on board, 19 x 21.5cm, 7.5 x 8.5in. £300 - £500 73 73 ARR Emmanuel Levy (1900-1986), “Marianne” (daughter of artist), signed, titled on gallery label - ‘Tib Lane Gallery, Manchester’ verso, oil on canvas, 54.5 x 44cm, 21.5 x 17.5in. £300 - £500
72 25
74
74 Frederick J. England (1939-), “Spring Fare at Trentham Arch, Stoke-on-Trent”, signed, titled on verso, acrylic on canvas, 49.5 x 59.5cm, 19.5 x 23.5in. £200 - £400
76 ARR Olivia Pilling (1985-) , “The Top of John Dalton Street”, initialled, titled on gallery label verso, acrylic on board, 44.5 x 34.5cm, 17.5 x 13.5in. £200 - £400
75 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Sailing Boats” after L.S. Lowry, bears signature, oil on board, 34 x 44cm, 13.25 x 17.25in. £400 - £600
77 ARR Reg Gardner (1948-), “Market Day”, signed, titled on verso, oil on canvas, 24 x 29cm, 9.5 x 11.5in. £400 - £600
76
26
75
77
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78 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (19171989), “Tower Bridge Nocturne”, signed, titled and dated ‘70 on verso, oil on board, 24.5 x 34.5cm, 9.75 x 13.5in. £400 - £600
78 79 ARR Reg Gardner (1948-), “Piccadilly Circus”, initialled, titled on verso, oil on canvas, 29 x 24cm, 11.5 x 9.5in. £400 - £600
79 80 ARR Roger Hampson (British 1925-1996), “Gladstone Mill, Bolton”, signed, titled on verso, oil on board, 18 x 20.5cm, 7.25 x 8.25in. £600 - £800
80
27
81 81 ARR William Turner F.R.S.A., R.Cam.A. (British 1920-2013), “Hillgate, Stockport”, signed, titled on verso, oil on board, 19 x 24cm.; 7.5 x 9.5in. £2,000 - £2,500
82
28
82 ARR Robert Bindloss (1939-), Harbour scene with boats at low tide, unsigned, mixed media, 37 x 56.5cm, 14.75 x 22.25in. £150 - £250
83 ARR J. Ingham Riley (1928-), Lake District scene in winter with snow covered fells, signed, watercolour, 49 x 66cm, 19.25 x 26in. £200 - £400
83
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84 84 ARR John Yardley (British, 1933-), “Chester Rows”, signed, watercolour and ink, 25.5 x 34.5cm, 10 x 13.5in. £100 - £150
87 87 ARR John Thompson (1924-2011), “Ancoats”, signed, titled and dated 1956, graphite, 21 x 14.5cm, 8.25 x 5.75in. £200 - £400
85 85 ARR Albin Trowski (1919-2012), “Church Hill, Knutsford”, signed and dated ‘79, titled on gallery label - ‘Pitcairn Galleries, Knutsford’ verso, watercolour and ink, 37.5 x 51.5cm, 14.75 x 20.25in. £150 - £200
86 86 ARR George Thompson (1934-2019), “Liverpool from Birkenhead Dock”, signed, titled and dated ‘87 on verso, pastel, 31 x 52.5cm, 12.25 x 20.75in. £150 - £200
88 88 ARR Don McKinlay (1929-2017), Standing female nude by fireside, mixed media and collage, 64 x 57.5cm, 25.25 x 22.75in. £600 - £800
29
89 89 ARR Josef Herman R.A. (Polish, 1911-2000), “A Group of People”, titled on gallery label - ‘Theo Waddington, 25 Cork Street, London’ verso, pen and wash, 20 x 25.5cm, 8 x 10in. £400 - £600 92 92 ARR John Thompson (1924-2011), “Self Portrait with Suit and Tie”, signed, titled on gallery label verso, mixed media on paper, 49 x 39cm, 19.25 x 15.25in. £200 - £400
90 90 ARR John Thompson (British 1924-2011), Street scene with figures, signed and dated 1951, graphite, 16 x 24cm, 6.25 x 9.5in. £200 - £400
91 91 ARR George Thompson (1934-2019), “Abbey Green, Chester”, signed, titled and dated ‘86 on verso, watercolour, 25.5 x 34.5cm, 10 x 13.5in. £100 - £150 30
93 93 ARR Don McKinlay (1929-2017), “The Suitor”, signed and dated ‘09, mixed media and collage, 78 x 53cm, 30.75 x 21in. £600 - £800
For condition reports please go to www.peterwilson.co.uk
Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
96 96 ARR George Thompson (1934-2019), “Burton Manor”, signed, titled and dated ‘83 on verso, oil on board, 39.5 x 49.5cm, 15.5 x 19.5in. £100 - £200
94 94 ARR Bohuslav Barlow (1947-), “Two Swans at the Bridge, Chester”, initialled, titled on verso, mixed media, 55 x 37cm, 21.5 x 14.5in. £100 - £200
97 97 ARR John Thompson (1924-2011), “ Saddleworth”, signed, titled and dated 1999, watercolour, 55 x 51.5cm, 21.75 x 20.25in. £200 - £400
95 95 ARR John Thompson (British 1924-2011), “Five Figures”, signed, mixed media, 28.5 x 19.5cm, 11.25 x 7.75in. £200 - £400
31
98
99
98 ARR Derek Wilkinson (1929-2001), “Breakwaters”, signed and dated 1974, titled on gallery label - ‘Ormond Gallery, Cheshire’ verso, pastel, 45 x 60cm, 17.75 x 23.5in. £100 - £200
99 ARR Olivia Pilling (1985-), “The Horse Race”, initialled, titled on label verso, collage, 18 x 24.5cm, 7 x 9.75in. £100 - £150
100 100 ARR John Thompson (1924-2011), “Group Series No. 725”, signed, titled and dated 2000 on verso, oil with thumbnail, 54.5 x 52.5cm, 21.5 x 20.75in. £400 - £600
32
101 101 ARR Ian Norris, 20th/21st century, View over Manchester, signed, mixed media drawing, 23 x 31cm, 9 x 12.25in. £100 - £150
For condition reports please go to www.peterwilson.co.uk
Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
102
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102 ARR George Thompson (1934-2019), “Delphi, Greece”, signed, titled and dated ‘01 on verso, pastel, 33 x 49cm, 13 x 19.25in. £100 - £200
104 104 ARR Trevor Grimshaw (1947-2001), Steam train, unsigned, authenticated on verso by the artist’s daughter and estate custodian, graphite, 13 x 14cm, 5.25 x 5.5in. * Purchased directly from the artist’s estate in 2007. £300 - £500
103 ARR John Thompson (1924-2011), “Peel, Manchester”, signed, titled and dated 1961, graphite, 24.5 x 29.5cm, 9.75 x 11.75in. £200 - £400
105 105 ARR Harold Riley (British 1934-), Portrait of an elderly man, ink and pastel, 23 x 13cm, 9 x 5in. £200 - £400
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106 ARR Trevor Grimshaw (1947-2001) , “Church”, signed and dated ‘77, titled on verso, graphite, 12 x 12.5cm, 4.75 x 5in. £400 - £600 107 ARR Trevor Grimshaw (1947-2001) , Steam train, unsigned, authenticated on verso by the artist’s daughter and estate custodian, graphite, 22 x 24cm, 8.75 x 9.5in. Purchased directly from the artist’s estate in 2007. £300 - £500
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108 108 ARR Marc Grimshaw (1957-), “Chester Races”, signed, titled on label verso, pastel, 23.5 x 44.5cm, 9.25 x 17.5in. £100 - £150 109 ARR Trevor Grimshaw (1947-2001), Rural landscape, unsigned, watercolour, 9 x 20.5cm, 3.5 x 8in. * The painting was originally acquired from the artist’s estate. £200 - £400
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For condition reports please go to www.peterwilson.co.uk
Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
110 110 ARR Trevor Grimshaw (British 1947-2001), Industrial cityscape, signed and dated ‘80, graphite, 11 x 49.5cm, 4.25 x 19.5in. £1,200 - £1,400
113 113 ARR Donald Hamilton Fraser R.A. (1929-2009), “Cape Wrath”, signed and numbered 129/175 in pencil in the margin, silkscreen, image size 39.5 x 50cm, 15.5 x 19.75in. £150 - £200
111 111 ARR Tadeusz Was (Polish, 1912-2005), “Allegory”, signed and titled in ink in the margin, soot cut, image size 24 x 18.5cm, 9.5 x 7.25in. £100 - £150
112 112 ARR After Trevor Grimshaw (1947-2001), “An Isolated Church”, signed and numbered 306/350 in pencil in the margin, lithograph, image size 17 x 23cm, 6.75 x 9in. £50 - £100
114 114 ARR Roger Hampson (1925-1996), “Old Woman in Scarf”, signed, titled on verso, monoprint, image size 46.5 x 32cm, 18.25 x 12.5in. £200 - £400 35
115 115 ARR Roger Hampson (1925-1996), “Smiles on a Bench”, monoprint, image size 36 x 50.5cm, 14.25 x 20in. £300 - £500 117
116 116 ARR Roger Hampson (1925-1996), “Beer Drinkers”, signed and titled in pen in the margin, linocut, image size 22 x 27cm, 8.75 x 10.75in. £100 - £200
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117 ARR Roger Hampson (1925-1996), “Walking Day”, titled on gallery label verso, monoprint, image size 14.5 x 9.5cm, 5.75 x 3.75in. £100 - £150 118 ARR Roger Hampson (1925-1996), “Two Miners”, signed and numbered 1/20 in pen in the margin, linocut, image size 23.5 x 15.5cm, 9.25 x 6in. £100 - £200 119 ARR Roger Hampson (1925-1996), “Smiling Miner”, signed, numbered 16/20 and titled in pencil in the margin, linocut, image size 21.5 x 18cm, 8.5 x 7in. £100 - £200 119
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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
120 120 ARR Roger Hampson (1925-1996), “Mrs Crompton”, signed, numbered 5/10 and titled in pencil in the margin, linocut, image size 20.5 x 17cm, 8 x 6.75in. £100 - £150
122 122 ARR Roger Hampson (1925-1996), “Fred”, signed, numbered 5/10 and titled in pencil in the margin, linocut, image size 25 x 20.5cm, 9.75 x 8.25in. £100 - £200
121 121 ARR Roger Hampson (1925-1996), “Accrington Conversation”, signed, numbered 3/10 and titled in pencil in the margin, with gallery label on verso, linocut, image size 32 x 20.5cm, 12.5 x 8in. £100 - £200
123 123 ARR Roger Hampson (1925-1996), “Fish and Chips”, signed, numbered 6/10 and titled in pencil in the margin, linocut, image size 31 x 25.5cm, 12.25 x 10in. £100 - £200
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124 124 ARR Roger Hampson (1925-1996), “Public Library”, signed, numbered 3/10 and titled in pencil in the margin, linocut, image size 30.5 x 25.5cm, 12 x 10in. £100 - £200
126 126 ARR Roger Hampson (1925-1996), “Bridge in Bolton”, signed, numbered 9/10 and titled in pencil in the margin, linocut, image size 30.5 x 28.5cm, 12 x 11.25in. £100 - £200
125 125 ARR Roger Hampson (1925-1996), “Lune Street, Tyldesley”, signed, numbered 4/10 and titled in pencil in the margin, linocut, image size 29 x 30.5cm, 11.5 x 12in. £100 - £200
127 127 ARR Roger Hampson (1925-1996), “Squatting Miners”, signed, numbered 7/10 and titled in pencil in the margin, linocut, image size 27 x 26.5cm, 10.75 x 10.5in. £100 - £200
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128 ARR After Laurence Stephen Lowry R.A. (British, 18871976), “The Notice Board”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, colour reproduction print, image size 40 x 50.5cm, 15.75 x 19.75in. £1,000 - £1,500
128 129 ARR After Laurence Stephen Lowry R.A. (1887-1976), “The Contraption”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, colour reproduction print, image size 32 x 30cm, 12.5 x 11.75in, together with the preliminary studies for “The Contraption”, unsigned, unknown edition, colour reproduction print, 24 x 15.5cm, 9.5 x 6.25in (2). £2,000 - £3,000
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130 ARR After Laurence Stephen Lowry R.A. (British, 1887-1976), “Landscape with Farm Buildings”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, colour reproduction print, image size 40 x 50cm, 15.75 x 19.75in. £1,000 - £1,500
131 ARR After Laurence Stephen Lowry R.A. (British, 1887-1976), “View of a Town”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, colour reproduction print, image size 43 x 54.5cm, 17 x 21.5in. £2,500 - £3,000
132 After Laurence Stephen Lowry R.A. (1887-1976), “The Prayer Meeting”, unsigned, numbered 43/88 in pencil in the margin, with Chelsea Green Editions blindstamp, with accompanying certificate of authenticity, signed by the master printer and featuring facsimile signature of L.S. Lowry, gouttelette print, image size 62.5 x 83.5cm, 24.75 x 32.75in (2). £500 - £700
133 After Laurence Stephen Lowry R.A. (1887-1976), “The Docks”, unsigned, numbered 10/75 in pencil in the margin, with Chelsea Green Editions blindstamp, with accompanying certificate of authenticity, signed by the master printer and featuring facsimile signature of L.S. Lowry, gouttelette print, image size 61 x 81.5cm, 24 x 32in (2). £500 - £700
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134 After Laurence Stephen Lowry R.A. (1887-1976), “The Canal Bridge”, unsigned, numbered 13/85 in pencil in the margin, with Chelsea Green Editions blindstamp, with accompanying certificate of authenticity, signed by the master printer and featuring facsimile signature of L.S. Lowry, gouttelette print, image size 51 x 66cm, 20 x 26in (2). £400 - £600
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135 135 After Laurence Stephen Lowry R.A. (1887-1976), “Piccadilly Gardens”, unsigned, numbered 9/95 in pencil in the margin, with Chelsea Green Editions blindstamp, with accompanying certificate of authenticity, signed by the master printer and featuring facsimile signature of L.S. Lowry, gouttelette print, image size 40.5 x 61cm, 16 x 24in (2). £400 - £600
137 136 After Laurence Stephen Lowry R.A. (British, 1887-1976), "The Beach, Deal", signed in pencil in the margin, with Fine Art Trade Guild blindstamp, published in 1973 by Venture Prints Ltd, colour reproduction print, image size 26 x 50.5cm, 10.25 x 20in, together with the accompanying print "Deal", signed in pen, with Fine Art Trade Guild blindstamp, published by Venture Prints Ltd, 1973, colour reproduction print, image size 17.5 x 25.5cm, 7 x 10in (2). £2,000 - £3,000
137 Signed edition of “Street Dogs” by Harold Riley, signed in pen by the artist, with an individual pen drawing by the artist of a sleeping dog on the first page, published 2000 by the Peak Press Company, featuring a collection of 25 dogs by the artist Harold Riley, with original card slip (one volume). £100 - £150
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For condition reports please go to www.peterwilson.co.uk
Peter Wilson FINE ART AUC TIONEERS • EST 1955
20TH CENTURY ART & DESIGN THURSDAY 20 FEBRUARY 2020 Following on from the Northern Art Sale ON VIEW: Saturday 15 February Monday 17 February Tuesday 18 February Wednesday 19 February
9.30am 12.00noon by appointment only by appointment only 9.00am 5.00pm
SPECIALISTS
ROBERT STONES Modern Furniture & Design robstones@peterwilson.co.uk
NICK ALLSOPP Modern Furniture & Design nick@peterwilson.co.uk
STEPHEN SPARROW Modern British Art stephen@peterwilson.co.uk
LIZ BAILEY Silver liz@peterwilson.co.uk
CHRIS LARGE Ceramics & Glass chris@peterwilson.co.uk
138 NSM Satellite 200 Vinyl Jukebox, the dramatic styling incorporates a ring of alternating blue, red, purple and yellow lights which pulse in time to the music, with a capacity of 100 records (200 tracks), eight speakers partially concealed and a 125 watt per channel amplifier to give good sound quality, width 105cm, depth 65cm, height 143cm. Records to include Rolling Stones, Marvin Gaye, Elvis, Diana Ross, Abba, Phil Collins etc. £400 - £600
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139 NSM Satellite 200 Vinyl Jukebox, the dramatic styling incorporates a ring of alternating blue and red lights which pulse in time to the music, with a capacity of 100 records (200 tracks), eight speakers partially concealed and a 125 watt per channel amplifier to give good sound quality, width 105cm, depth 65cm, height 143cm. Records to include Tom Jones, Elvis, Blondie, Beatles, Abba etc. £600 - £800
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142 142 Murano Rossi glass form, signed, 17cm high. £150 - £250
140 140 Murano glass face vase, 31cm high. £100 - £150
143 143 Murano glass form on clear base, 15cm high. £50 - £100
141 141 Murano glass torso, signed 43cm high. £100 - £150
144 144 Murano glass abstract glass vase on metal stand, 31cm overall height. £80 - £120
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145 Two Murano glass figure sculptures, the tallest stands 34cm high. £50 - £100
147 Murano Sommerso vase and two other vases, the tallest stands 24cm high. £50 - £100
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148 Clear bubble glass lamp, signed, 38cm high. £50 - £70 149 Clear slab glass lamp, 46cm high. £50 - £70
146 Murano hoop shape glass vase, 38cm high. £50 - £100
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150 Derek Emms (1929-2004) Tenmoku vase, 22cm high £50 - £70
150 For condition reports please go to www.peterwilson.co.uk
Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
151 151 An early 20th century French glass vase, of slightly tapering form with green ground and orange netted detailing, within a leather fitted case labelled ‘Au Touriste 36th Avenue de L’Opera, Paris,’ height 9cm. £150 - £250 152 Robert Eickholt iridescent glass vase, the base signed and dated 1997, 18cm high. £50 - £80
152 154 Baccarat Blue Oceanie glass vase, slab sided form raised on two feet, marked to one foot, 24.5cm high. £100 - £150 155 Glass vase, the tall slender white body decorated with a single black stripe, 65cm high. £50 - £80
153 Two Royal Brierly glass vases, faint etched marks to bases, label to one, the tallest measures 22cm high. £50 - £80
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156 Freida Lock (South African, 1902-1962), Interior scene, signed and dated ‘46, oil on board, 38.5 x 44.5cm, 15.25 x 17.5in. £5,000 - £7,000
157 Louis Floutier (1882-1936), French market scene at Saint Jean de Luz, signed, oil on canvas, 44.5 x 32cm, 17.5 x 12.5in. £300 - £500
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158 Continental School, 20th century, View of Ciboure from the harbour at Saint Jean de Luz, unsigned, oil on board, 30.5 x 40.5cm, 12 x 16in. £100 - £200
158 159 Continental School, 20th century, French market scene, unsigned, oil on canvas, 26.5 x 37cm, 10.5 x 14.5in. £100 - £200
159 160 ARR John Sutton (1935-), “Willows below Acle”, signed, titled and dated 1965, oil on board, 65.5 x 121cm, 25.75 x 47.5in. £200 - £400
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161 161 ARR John Northcote Nash R.A. (British, 1893-1977), Mountainous landscape, signed, together with another painting by the same hand on verso, path through the trees, oil on canvas, 52.5 x 42cm, 20.75 x 16.5in (double sided). ÂŁ4,000 - ÂŁ6,000
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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
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162 ARR Ben Catt (b.1970), Abstract, signed, titled and dated ‘07 on verso, oil on canvas, 140 x 80cm, 55 x 31.5in. £150 - £250
164 Ben Catt (b.1970), Abstracts, a pair, oil on canvas, 33 x 183cm, 13 x 72in (2). £150 - £250
163 ARR Ben Catt (b.1970), “Architectural Design”, signed, titled and dated ‘07 on verso, oil on canvas, 91.5 x 66cm, 36 x 26in. £100 - £150
165 ARR Ben Catt (b.1970), “Architectural Design”, signed, titled and dated ‘07 on verso, oil on canvas, 167.5 x 76cm, 66 x 30in. £150 - £250
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166 166 ARR Jonathan Truss (1960-), Meerkat, signed, oil on canvas, 39.5 x 19cm, 15.5 x 7.5in. £200 - £400
168 168 Gordon Ashley Hunter (1936-), Otter on the riverbank and horse and foal by a stream, both signed, oil on board, 22 x 10.5cm, 8.75 x 4.25in and 10.5 x 21.5cm, 4.25 x 8.5in (2). £100 - £200
169 169 ARR Chris Rose (1959-), “Last Rays”, signed, titled on gallery label - ‘The Wildlife Art Gallery, Lavenham, Suffolk’ verso, acrylic on board, 43.5 x 73.5cm, 17.25 x 29in. £400 - £600
167 167 ARR Laetitia Guilbaud (French, 1980-), “The Bride’s Secrets”, initialled, titled and dated 2012 on verso, unframed, oil on canvas, 30.5 x 25.5cm, 12 x 10in. £100 - £200
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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
170 170 ARR Chris Rose (1959-), “Black Tern on Nest”, signed, titled on verso, oil on board, 36.5 x 60cm, 14.5 x 23.5in. £300 - £500
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171 171 ARR Chris Rose (1959-), “On Golden Pond”, signed, titled on gallery label - ‘The Wildlife Art Gallery, Suffolk’ verso, oil on board, 46 x 74.5cm, 18 x 29.25in. £400 - £600
172 ARR Mark Spain (1962-), “Black Dress and Fan”, signed, titled on verso, with original receipt of purchase from the Castle Galleries in 2010 for £4,950, oil on canvas, 74 x 59cm, 29.25 x 23.25in. £500 - £700
173 Warren Storey R.W.A. (1924-), “Orchids” and “Primulas”, both signed and dated ‘84, titled on gallery labels verso, oil on canvas and oil on board, 29 x 24cm, 11.5 x 9.5in and 17.5 x 12.5cm, 6.75 x 5in (2). £100 - £200
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174 174 William Gear (Scottish, 1915-1997), “Landscape Study”, signed and dated ‘59, titled on verso, oil on canvas, 45 x 34.5cm, 17.75 x 13.5in. Studied painting at Edinburgh College of Art, 1932-7 and the Edinburgh University Fine Art Class 1936-7, his teachers including William Gillies and John Maxwell. After study in Paris with Fernand Leger in 1937 he travelled in Italy and the Balkans area on the strength of a scholarship. He was appointed head of the faculty of fine art in Birmingham College of Art in 1964; guest lecturer at National Gallery of Victoria, Melbourne and University of Western Australia, Perth, in 1966; and in 1975 won the Lorne Fellowship and retired as head of the department of fine art at Birmingham Polytechnic. Gear made a significant contribution to European painting through his association with the COBRA group in the immediate post-war years. Fifty year retrospective at the Redfern Gallery, 1997 with another there in 2003. William Gear and COBRA toured from Aberdeen Art Gallery, 1997-98. Tate Gallery and many provincial and foreign collections hold Gear’s work. £1,500 - £2,000 54
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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
177 177 ARR Edward Wesson R.I., R.B.A., R.S.M.A. (1910-1983), “Sicilian Coast”, signed, titled and dated 1943, watercolour, 21 x 27cm, 8.25 x 10.5in. £150 - £200
175 175 Roland Vivian Pitchforth R.A., A.R.W.S. (1895-1982), River scene with boat and rural view with horses, both signed, watercolour, 21.5 x 14cm, 8.5 x 5.5in and 11.5 x 16cm, 4.5 x 6.25in (2). £100 - £200
176 176 ARR Edward Wesson R.I., R.B.A., R.S.M.A. (1910-1983), “Pilgrim Cottage, Warren Road near Guildford”, signed, titled on verso, watercolour, 32.5 x 49.5cm, 12.75 x 19.5in. £150 - £200
178 178 ARR Paul Feiler (1918-2013), “ Adytum GX”, signed, titled and dated ‘76 in pencil in the margin, gouache, 19 x 14.5cm, 7.5 x 5.75in. £1,000 - £1,500
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179 179 ARR Gillian Ayres (1930-2018), Untitled, signed, watercolour and pencil, 27.5 x 38cm, 10.75 x 15in. £300 - £500
181 181 ARR William Frederick Colley (1907-1957), Study of a country town, unsigned, watercolour and pencil, 49 x 34cm, 19.25 x 13.25in. £100 - £200
180 180 ARR William Frederick Colley (1907-1957), Study of an abandoned building, signed and dated ‘47, gouache, 52.5 x 39cm, 20.75 x 15.5in. £100 - £200
182 182 ARR William Frederick Colley (1907-1957), Continental interior scene with elderly gentleman, unsigned, watercolour and pencil, 47.5 x 29.5cm, 18.75 x 11.5in. £100 - £200 56
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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
183 183 ARR Roland Vivian Pitchforth R.A., A.R.W.S. (1895-1982), “From Llandudno Beach, N.Shore”, signed and titled, watercolour, 20.5 x 29.5cm, 8 x 11.5in. £100 - £200
185 185 Joan Ellacott (British, 1920-), Costume designs for the British film “Operation Diplomat” (1953) and for the character of Lisa Durand played by Lisa Daniely, both signed and dated 1953, watercolour and ink, 37.5 x 24cm, 14.75 x 9.5in (2). £100 - £200
184 184 ARR Mildred Eldridge (British, 1909-1991), Whinchat Saxicola Rubetra, titled and dated May 1972, watercolour, 20 x 16cm, 8 x 6.25in. £100 - £200
186 186 ARR Sheila Benson, 20th/21st century, “Groupie”, initialled, titled on verso, charcoal, sheet size 78.5 x 57cm, 31 x 22.5in. £100 - £200
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187 187 Count Mario Grixoni (1885-1945), Portrait of a young lady, signed and dated 1923, pastel, 54 x 36cm, 21.25 x 14.25in. £150 - £200
189 189 ARR Muriel Heywood, 20th century, Female nude study, signed, red chalk, 45.5 x 34cm, 18 x 13.5in. £100 - £150
190 190 ARR Jacob Drew A.R.C.A. (1909-), “Guitar Group”, signed, titled on gallery label verso, mixed media, 24.5 x 34cm, 9.5 x 13.5in. £100 - £150
188 188 Margaret Ellis, 20th century, Portrait of a seated lady reading, signed, with artist’s label on verso, pastel, 58 x 42.5cm, 22.75 x 16.75in. £200 - £400
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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
191 ARR Ateo J. Casadio (1905-1987), Seated female nude, signed and dated 1971, with gallery label on verso, pencil, 33 x 20cm, 13 x 8in. £100 - £150 192 ARR Ateo J. Casadio (1905-1987), Standing female nude, unsigned, with gallery label on verso, pencil, 37 x 17.5cm, 14.5 x 7in. £100 - £150
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193 193 ARR William Johnstone (1897-1981), “The Bridge”, signed and dated ‘70, with gallery label on verso, ink and wash, 23.5 x 34cm, 9.25 x 13.25in. Exhibited at a One Man Exhibition 14 November - 5 December 1970 at the Compass Gallery, Glasgow. £100 - £200
194 194 ARR Alan Brassington (1959-), Racehorse and jockey with Lester Piggott up, extensively dedicated on verso by the artist, coloured chalk, 31 x 44.5cm, 12.25 x 17.5in. £200 - £400
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196 195 Gustave Poetzsch (Swiss, 1870-1950), Portrait of a woman’s head, signed and dated ‘Paris 1929’, pastel, 40.5 x 31cm, 16 x 12.25in. £100 - £200
196 ARR David Bridge, 20th/21st century, “Reflections Triptych”, signed and dated 1974 in pencil in the margin, mixed media with hand-coloured photographs and graphite, 21 x 75.5cm, 8.25 x 29.75in. £100 - £200
197 ARR Roland Vivian Pitchforth R.A., A.R.W.S. (18951982), “The Thames at Chelsea”, signed, titled on verso, watercolour and pencil, 20.5 x 28.5cm, 8 x 11.25in. Originally purchased from the artist’s studio. £100 - £200
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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
198 198 ARR Jean Cocteau (French 1889-1963), Untitled, signed and dated 1958, chalk drawing, 50 x 65cm, 19.75 x 25.5in. £1,000 - £1,500
199 ARR Philippe Janin (1948-), Provence, signed, pastel, 33 x 33cm, 13 x 13in. £100 - £150
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200 200 Four pressed frosted glass wall lights of Art Deco design, manufactured by Sabino’s, France, height 31cm (12”). £400 - £500
204 204 Flos chandelier by Gind Sarfatti model no. 2097/50, stainless steel contemporary pendant light fitting with 50 arms supporting single bulbs, height 86cm (34”), approximate diameter 92cm (36”). £200 - £400 201 201 A pair of Murano glass chandeliers, each constructed with six out-swept arms supporting electric lightbulbs, shrouded by colour glass flower heads in blues, ambers and pink, with wrought metal naturalistic painted leaves, height 92cm (36"). £100 - £150
203 203 A pair of early 20th century Continental pendant chandeliers, each with central column wire-work arms terminating with glass droplets, six branches with candle effect lights, diameter 60cm (24”), height 92cm (36”). £200 - £400
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205 205 An electrolier pendant mounted forming a five branch umbrella of vines with Murano glass grapes, height 74cm (29”) supplied by L’originale. £400 - £600
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206 Floor standing lamp made in Murano, Venice, Italy handmade brass textured finish with moulded clear glass fruiting vines, supplied by L’originale, height 186cm (73”). £400 - £800
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207 Four handmade frosted brass finish Murano glass wall lamps, gilded leaves each with six electric lamps, height 30cm (12”) supplied by L’originale. £400 - £600
208 Floor standing lamp of naturalistic form, supplied by L’originale, Italy, constructed of Murano glass and wrought metal, twenty five amber glass flowers heads amongst hand-painted naturalistic leaves, height 185cm (73”), also a table lamp of the same design with three light bulbs, height 35cm (14”). £500 - £1,000
209 Six-light floor lamp gold and white Murano glass shades, supported on naturalistic tree form, height 180cm (71”), also a matching pair of pendant lamps, height 48cm (19”). £800 - £1,200 207
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210 Ercol ash and elm writing desk, raised shelf incorporating two short drawers, base with single drawer, all standing on four beech square section chamfered tapering legs, width 69cm (27”), depth 46cm (18”), height 93cm (37”). £150 - £200
211 Ladies writing desk designed and made by Silverlining Cheshire. A modern interpretation of an Art Deco design, veneered in ebony, amboyna burr, with drawer linings in rippled sycamore, writing surface in coach-hide brown leather. Exhibition made c 2008, width 124cm (49”), height 92cm (36”). £5,000 - £6,000
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212 Four 1970’s diamond shaped chromium plated wirework chairs with cushioned seats, designed by Harry Bertoia. Harry Bertoia was an Italian born American artist best known for sculptures, jewellery and furnished design. One of his most famous designs being the diamond chair, often reproduced, being elegant objects made entirely from polished steel. £600 - £800
214 214 20th century Rococo design console table, black veined marble top to gesso finished serpentine base, width 127cm (50”), height 83cm (33”). £200 - £300
213 213 Art Deco design figured walnut veneered dressing table, circular mirror with two flanking tables, fitted frieze drawers, stylish scroll supports, height 145cm (57”), width 158cm (62”). Also a matching stool of “X” form with cream leather upholstery. £200 - £300
215 215 20th century console table of Rococo design, black granite serpentine top supported on gold painted gesso finish, base width 119cm (47”), height 81cm (32”). £200 - £300
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216 Early 20th century Art Deco design extending dining table, the rectangular top with pegged detail supported on five square section architectural columns, united by stretchers, single leaf supported on two sliding loafers, width 230cm (90”) x 79cm (31”).
217 Liberty style oak framed mirror with Ruskin ceramic plaques in copper heart shaped frames, 107cm (42”) x 65cm (25”). £300 - £500
The table was thought to have been designed by John James Joass, Scottish Architect who practised for a period of time in London specialising in Art Deco buildings. £800 - £1,200
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218 218 Benson Landes, 1927-2013, bronze figure of three ballerina’s “Dress Rehearsal” on oval black marble plinth, limited edition of 20, height 23cm (9”). £250 - £350
220 220 Benson Landes, 1927-2013, bronze sculpture “Janice” 1 of 1 dated 2004, height 44cm (17”). £250 - £350
219 219 Benson Landes, 1927-2013, bronze figure “Mirror Girl”, girl with one knee on a stool while looking into a cheval mirror, limited edition of 9, height 46cm (18”). £250 - £350
221 221 Benson Landes, 1927-2013, bronze sculpture, “Girl Leaning”, signed by the artist limited edition number 5 of 9, height 41cm (16”). Benson Landes 1927-2013, Cheshire sculpter originally working with a successful couture business, however, following retirement persued a second career commencing in the 1980’s as a sculpter. In 1996 introduced to the Halcyom Gallery with whom he worked until 2013. £250 - £350
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222 222 ARR Brian Willsher (British, 1930-2010), Untitled, signed and dated 1997 to the underside of the base, carved wooden sculpture, height 58.5cm.; 23in. £200 - £400
224 224 ARR David Hockney R.A. (British, 1937-), “Picture of a Simple Framed Traditional Nude Drawing” from A Hollywood Collection, 1965, signed, dated ‘65 and numbered 19/85 in pencil, published by Editions Alecto, London, printed by Gemini Ltd., Los Angeles, on Rives BFK, lithograph in colours, 76.5 x 56cm, 30 x 22in. £2,000 - £3,000
225 ARR David Hockney R.A. (British, 1937-), “Dark Mist”, 1973, signed, titled and dated in pencil, numbered 8/25 (there were also seven artist’s proofs), on Moulin du Verger du Puymoyen handmade paper, published by Gemini G.E.L., Los Angeles, with their blindstamps, lithograph in black and brown, image size 73 x 63cm, 28.75 x 24.75in, sheet size 88 x 71cm, 34.5 x 28in. £4,000 - £6,000
223 223 Pair of cast metal 20th century figures of horses with Asian harness, each length 74cm (29”), height 92cm (36”). £300 - £400
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For condition reports please go to www.peterwilson.co.uk
Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
225
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226 ARR John Hoyland R.A. (British, 1934-2011), “Wish”, signed, dated ‘86 and numbered 16/40 in pencil, etching and aquatint, on wove paper, with full margins, plate size 59.5 x 55.5cm, 23.5 x 21.75in, sheet size 87.5 x 68cm, 34.5 x 26.75in. £300 - £500
227 ARR David Hockney R.A. (British, 1937-), “A Picture of a Landscape in an Elaborate Gold Frame” from A Hollywood Collection, 1965, signed, dated ‘65 and numbered 76/85 in pencil, published by Editions Alecto, London, printed by Gemini Ltd., Los Angeles, on wove paper, lithograph in colours, 77 x 56.5cm, 30.25 x 22.25in. £2,000 - £3,000 226
227
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For condition reports please go to www.peterwilson.co.uk
Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
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228 ARR Damien Hirst (British, 1965-), “Xylene Cyanol Dye Solution”, 2005, signed in pencil, on Hahnemühle etching paper, from an edition of 65, published by The Paragon Press, London, etching in colours, plate size 58.5 x 38cm, 23 x 15in, sheet size 97 x 73cm, 38.25 x 28.75in. £5,000 - £7,000
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231 231 ARR Tracey Emin (1963-), “Every Bodies Been There”, signed, titled and dated 1990 in pencil, etching, sheet size 20 x 25cm, 7.75 x 9.75in. £400 - £600
229 229 ARR After David Hockney R.A. (British, b.1937), “My Mother (Bridlington)”, 1988, signed by the artist on October 22nd 1988 on the occasion of the Artist’s Retrospective Exhibition at the Tate Gallery, London, produced exclusively for The Mail on Sunday by The Westerham Press, limited to 250 copies, with certificate of authenticity signed by Stewart Steven, the Editor of The Mail on Sunday, colour lithograph poster, 75 x 49.5cm, 29.5 x 19.5in. £600 - £800
230 230 ARR Tracey Emin (1963-), “Suffer Love”, signed and dated ‘09 in pencil in the margin, etching, plate size 10 x 14.5cm, 4 x 5.75in, sheet size 15.5 x 20.5cm, 6 x 8in. £400 - £600
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232 232 ARR Ben Nicholson O.M. (British, 1894-1982), Goblet Forms (Untitled), signed, dated ‘62 and numbered 35/50 in pencil, published by Leslie Waddington Prints, London, etching and aquatint, on wove paper, with full margins, sheet size 45 x 27.5cm, 17.75 x 11in. £1,000 - £1,500 For condition reports please go to www.peterwilson.co.uk
Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
233 233 ARR Sean Scully (Irish/American 1945-), “She Weeps over Rahoon”, signed, dated ‘93 and numbered 21/33 in pencil, etching and aquatint, plate size 15 x 20cm, 6 x 8in, sheet size 55.5 x 41.5cm, 21.75 x 16.25in. £1,000 - £1,500
235 235 ARR Pablo Picasso (Spanish, 1881-1973), “Don Quixote and Sancho Panza”, signed in red crayon, lithograph, 56 x 42cm, 22 x 16.5in. £1,000 - £1,500
234 234 ARR Sean Scully (Irish/American 1945-), “Tutto E Sciolto (#4)”, signed, dated ‘93 and numbered 21/33 in pencil, etching and aquatint, plate size 15 x 10cm, 6 x 4in, sheet size 55 x 41.5cm, 21.75 x 16.25in. £1,000 - £1,500
236 236 ARR Pablo Picasso (Spanish, 1881-1973), “Un Homme avec une Fleur”, 1970, signed and numbered 55/200 in pencil, colour lithograph, sheet size 63.5 x 48cm, 25 x 19in. £1,000 - £1,500
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237 237 David Hockney R.A. (British, 1937-), “Study of Lightning Medium”, signed, dated ‘73 and numbered 28/60 in pencil, published by Gemini G.E.L, Los Angeles, 1973, with their blindstamp, on Arches paper, the full sheet, with deckle edges at left and right, lithograph, image size 63.5 x 48.5cm, 25 x 19.25in, sheet size 76.5 x 57cm, 30 x 22.5in. £3,000 - £5,000
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For condition reports please go to www.peterwilson.co.uk
Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
238 238 ARR David Hockney R.A. (British, 1937-), “Sunflowers II”, signed, dated ‘95 and numbered 36/80 in pencil in the margin, on Arches paper, co-published by the artist and Lococo Mulder, Inc., St. Louis, with the artist’s blindstamp, with full margins, etching and aquatint, plate size 46.5 x 39cm, 18.25 x 15.25in, sheet size 68.5 x 57.5cm, 27 x 22.75in. £2,000 - £3,000
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241 241 ARR Ateo J. Casadio (1905-1987), Still life with bowl of fruit and mandolin, signed and dated 1938 in pencil in the margin, linocut, image size 19 x 26cm, 7.5 x 10.25in. £100 - £150
239 239 ARR Bruce McLean (British, 1944-), “25 Years of Jazz at the Bull”, signed, dated 1985 and numbered 14/35, screenprint in colours, sheet size 101.5 x 76cm, 40 x 30in. £100 - £200 242 242 ARR Michael Barnfather (1934-), “The Resting Place, The Old Mill, Stamford”, signed, titled on verso, oil on canvas, 49 x 100cm, 19.25 x 39.25in. £100 - £200
240 240 ARR Julian Trevelyan R.A. (1910-1988), “Moscow”, signed and titled in pencil in the margin, etching with aquatint, plate size 38 x 50cm, 15 x 19.75in. * He was a tutor at Chelsea School of Art, 1950-60 and engraving tutor at the Royal College of Art, 1955-63. Made Honorary Senior Royal Academician in 1986. Tate Gallery holds his work. £200 - £400
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243 243 ARR Michael Barnfather (1934-), “The Goose Girl, Monkton near Honiton”, signed, titled on verso, oil on canvas, 36.5 x 75cm, 14.5 x 29.5in. £100 - £200
For condition reports please go to www.peterwilson.co.uk
Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
244 244 ARR Leslie A. Wilcox (1904-1982), Coastal scene with moored boat, signed, oil on canvas, 100.5 x 126cm, 39.5 x 49.5in. £100 - £200
245 245 Todd White (American, b.1969), Portrait of a lady holding a wine glass, signed, ink drawing, 32 x 24.5cm, 12.5 x 9.75in. £100 - £200
246 246 Three Danish silver napkin rings, to include two Georg Jensen napkin rings, patterns 22c, 30c and one other napkin ring bearing Danish assay marks, gross weight 2.79ozt. £150 - £250
247 247 A 1920s Georg Jensen silver tazza, pattern 446, designed by Georg Jensen, the flared bowl with lightly planished surface, to the five foliate filigree junctions and elongated stem, beaded border and spreading petalled base, Maker’s marks for Georg Jensen, stamped 446, Danish Assay marks, Christian F. Heise to base, import marks for Stockwell & Co., London, 1927 to bowl, height 19.5cm, gross weight 14.3ozt. Illustrated in Georg Jensen Design, Janet Drucker, catalogue page 50. £600 - £800
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248 248 Derek Emms (1929-2004) Celadon dish and tureen, the dish measure 34cm wide. £50 - £70
252 252 Clarice Cliff bowl, decorated with house and bridge pattern, 20cm diameter. £150 - £250
249 249 Derek Emms (1929-2004) coffee pot and two tea pots, the largest stands 20cm high. £50 - £70 253 253 Moorcroft vase, decorated with Blue Gum pattern after Sally Tuffin, limted edition of 500, with box 18.5cm high £80 - £120
250 250 Four Derek Emms (1929-2004) bowls, the largest measures 29cm diameter. £40 - £60
251 251 Derek Emms (1929-2004) tazza and an unmarked bowl and cover, the tazza measures 25cm diameter. £40 - £60
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254 254 Moorcroft ginger jar, decorated with Wine Magnolia pattern after Walter Moorcroft, with box, 20cm high. £100 - £150
For condition reports please go to www.peterwilson.co.uk
Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
255 255 Moorcroft vase, decorated with Twelve Apostles pattern after Vicky Lovatt, limited edition 52 of 75, with box, 25cm high. £250 - £350
257 257 Moorcroft vase, decorated with After The Storm pattern after Walter Moorcroft, the base signed and dated 09.11.98, with box, 26cm high. £300 - £500
256 256 Moorcroft vase, decorated with Major Mitchell Cockatoo pattern after Vicky Lovatt, limited edition of 75/75, with box, 41cm high. £300 - £400
258 258 Large Moorcroft trial vase, decorated with New World Waratah pattern after Emma Bossons, dated 21/10/13, 39.5cm high. £600 - £800
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261 Two Moorcroft Enamels boxes, the first painted with New World Waratah signed and dated by Anji Davenport 20/9/01, numbered 69, the second decorated with Koala Bears, the first box measures 5.5cm diameter. £120 - £180
259 259 Moorcroft vase, decorated with Evening Sky pattern after Emma Bossons, with box, 31cm high. £80 - £120
262 262 Royal Lancastrian Pilkingtons vase by William.S. Mycock, painted with scrolling floral chains in lustre on a blue ground, impressed shape number 3255 and painted 1922 date and monogram, 18cm high. £600 - £700
260 260 Two Moorcroft Enamels vases, decorated with Eventide and Moonlit Blue patterns, 6cm high. £100 - £150
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263 263 Pilkingtons Royal Lancastrian charger, painted by William S. Mycock in lustre with a knight’s head and heradic shield on a mottled read ground, the border titled ‘Vederi Malim Esse Quam’ (I prefer to be, rather than seem to be) and translated on the revese green ground which also carries the artist’s monogram, factory marks, and 1929 date code, 34.5cm diameter. £300 - £500 For condition reports please go to www.peterwilson.co.uk
Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
264 264 Studio pottery vase, incised monogram to base, 11.5cm high. £100 - £200
266 266 ARR John Shelton (1923 - 1993) Minotaur sculpture, monogrammed to base, 36cm high. £150 - £250
265 265 ARR John Shelton (1923 - 1993) Minotaur sculpture, monogrammed to base, 34cm high. £150 - £250
267 267 ARR David Frith (b.1943) studio pottery water feature, composed of seven sections with internal pump, impressed seal to base, 116cm high. £400 - £600
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268 268 ARR David Frith (b.1943) large studio pottery vase, impressed seal to side of handle, 52cm high. £200 - £400
270 270 ARR Phil Rogers (b.1951) studio pottery vase, four sided form with streaked grey glaze, impressed seal mark to side of base, 24cm high. £80 - £120
269 269 ARR David Frith (b.1943) large studio pottery jug, impressed seal to side of handle, 37cm high. £100 - £200
271 271 ARR Phil Rogers (b.1951) studio pottery vase, fourteen sided form with alternating plain and linear panels, impressed seal mark to side of base, 24cm high. £80 - £120 For condition reports please go to www.peterwilson.co.uk
Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%
274 274 Leica III screw mount camera, 1936, serial number 218750, with two Summar F+5cm lenses serial numbers 249241 and 257095, and Reid leather ever ready case. £100 - £200
272 272 ARR Early Phil Rogers studio pottery vase, with twin handles, decorated with brushed through tan glaze, impressed seal marks to side of base, 27cm high. £80 - £120
273 273 Three pieces of studio pottery, to include an Oldrich Asenbryl (b.1943) decanter and stopper, Jason Braham lidded bowl, Peter Lane (b.1932) bowl which measures 29cm diameter. £60 - £80
275 275 Dunhill, Sidecar, ballpoint pen, the tortoiseshell lacquer barrel and cap with chrome trim, 14cm. £100 - £150
276 276 Montblanc, Meisterstuck, Ramses II ballpoint pen, released 1995, with reeded gilt barrel and blue lapis lazuli style resin cap, serial XX1958254, 13.5cm, with Montblanc leather two pen case (2). £200 - £400
277 277 A Montblanc Starwalker rollerball pen, black resin with silver coloured fittings, serial IN2118430, 14cm. £100 - £200
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278 278 Montblanc Meisterstuck, Writers Edition, Daniel Defoe, a limited edition fountain pen, no. 4876/10000, issued in 2014, the shape of this Limited Edition is modelled on the paddle that Robinson Crusoe used to attempt his escape, inspired by the colour and structure of wood, the precious resin of the cap and barrel symbolises Robinson Crusoe’s island life reduced to the simplest of things, the filigree engraving that adorns the cap and ring recalls the stitching on the clothes Robinson had to make for himself after his shipwreck, the elaborately decorated clip in the shape of a feather is reminiscent of Crusoe’s loyal parrot “Poll”, which is found as a fine engraving on the ruthenium-plated 750 gold nib, the signature of his inventor, Daniel Defoe, is immortalised as a fine engraving on the cap,in a Montblanc presentation book box, with international service certificate, outer printed box. £300 - £500
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For condition reports please go to www.peterwilson.co.uk
Peter Wilson FINE ART AUC TIONEERS • EST 1955
AUCTION DATES 2020 March 5th 6th 12th 19th 26th
Monthly Interiors Sale Fine Wine & Spirits Sale online only ending 22nd Fine & Classic Interiors Fine Jewellery & Watches Coins & Banknotes Sale
April 2nd 16th 23rd
Monthly Interiors Sale Northern Art Sale 20th Century Design Sale
May 7th 7th 28th
Monthly Interiors Sale with Garden Statuary Fine Wine & Spirits Sale online only ending 24th Weapons, Medals & Militaria 1st May
June 4th 11th 18th 25th
Monthly Interiors Sale Fine & Classic Interiors Fine Jewellery & Watches Musical Instruments Sale
Hours of Business Monday to Friday 09.00 - 17.30 Saturday 09:30 - 12.00 Valuation Days Wednesdays 10.00 -12.00 14.00 - 16.00 Saturdays 09.30 - 12.00
Sold for £8,500
Sold for £1,200
Sold for £11,000
Peter Wilson Fine Art Auctioneers Ltd Victoria Gallery Market Street Nantwich CW5 5DG Telephone: 01270 623878 Fax: 01270 610508 Email: auctions@peterwilson.co.uk
www.peterwilson.co.uk
Sold for £4,100 85
Peter Wilson FINE ART AUC TIONEERS • EST 1955
Fine & Classic Interiors Auction THURSDAY 12TH MARCH
For more information about our Fine & Classic Auction contact us on 01270 623878 or email auctions@peterwilson.co.uk Peter Wilson Fine Art Auctioneers Ltd Victoria Gallery, Market Street, Nantwich CW5 5DG Telephone: 01270 623878 | Fax: 01270 610508 | Email: auctions@peterwilson.co.uk
www.peterwilson.co.uk 86
Peter Wilson FINE ART AUC TIONEERS • EST 1955
Fine Jewellery & Watches Auction THURSDAY 19TH MARCH
Catalogue will be online Friday 21st February For more information and to consign to our next Jewellery Auction contact Liz Bailey MA FGA DGA on 01270 623878 or email liz@peterwilson.co.uk Peter Wilson Fine Art Auctioneers Ltd Victoria Gallery, Market Street, Nantwich CW5 5DG Telephone: 01270 623878 | Fax: 01270 610508 | Email: auctions@peterwilson.co.uk
www.peterwilson.co.uk 87
Peter Wilson FINE ART AUC TIONEERS • EST 1955
Coins Auction THURSDAY 26TH MARCH
For more information and to consign to our next Coin Auction contact Stephen Sparrow on 01270 623878 or email stephen@peterwilson.co.uk
Peter Wilson Fine Art Auctioneers Ltd Victoria Gallery, Market Street, Nantwich CW5 5DG Telephone: 01270 623878 | Fax: 01270 610508 | Email: auctions@peterwilson.co.uk
www.peterwilson.co.uk 88
Peter Wilson FINE ART AUC TIONEERS • EST 1955
Arms, Medals, Firearms and Militaria Auction THURSDAY 28TH MAY
Our May auction will contain a fabulous single owner collection of thirty seven high quality antique hunting rifles, target rifles, military rifles and cased pistols. We are now accepting entries for this sale, closing date 1st May. For more information contact Chris Large on 01270 623878 or email chris@peterwilson.co.uk
Peter Wilson Fine Art Auctioneers Ltd Victoria Gallery Market Street Nantwich CW5 5DG Telephone: 01270 623878 Fax: 01270 610508 Email: auctions@peterwilson.co.uk
www.peterwilson.co.uk 89
CONDITIONS OF SALE Peter Wilson Fine Art Auctioneers Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following Conditions of Sale and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Peter Wilson Fine Art Auctioneers Ltd or its authorised Auctioneer, as appropriate; (b) “Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “Hammer Price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; (d) “Terms of Consignment” means the stipulated terms and rates of commission on which Peter Wilson Fine Art Auctioneers Ltd accepts instructions from sellers or their agents; (e) “Total Amount Due” means the Hammer Price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f ) “Sale Proceeds” means the net amount due to the seller, being the Hammer Price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You” or “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate and words importing any Gender include either gender. 2. BIDDING PROCEEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the buyer at the Hammer Price “the buyer” and any dispute about a bid shall be settled at the Auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The Auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion. 4. THE PURCHASE PRICE The buyer shall pay the Hammer Price together with a premium thereon of 26.4% which shall include VAT on the premium at the rate imposed by law.
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5. VALUE ADDED TAX Value Added Tax on the Hammer Price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position). 6. PAYMENT (1) Immediately a Lot is sold you will: (a) Give to us, if requested, proof of identity, and (b) Pay to us the Total Amount Due in cash or in such other say as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the Total Amount Due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for no later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment, after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against you for damages for breach of contract; (b) To rescind the sale of that Lot and/or any other Lots sold by us to you; (c) To resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the Total Amount Due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) To remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) To charge interest at a rate not exceeding 1.5% per month on the Total Amount Due to the extent it remains unpaid for more than 3 working days after the sale; (f ) To retain that or any other Lot sold to you until you pay the Total Amount Due;
(g) To reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the Total Amount Due and to exercise a lien (that is a right to retain possession of ) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these Conditions. 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the layout of the accommodation and security arrangements. Accordingly neither the Auctioneer nor its employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale. 10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the Auctioneer nor its employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. The Auctioneer may at its own discretion on your behalf exceed your commission by one bid. An instruction to buy with no upper limit will not be accepted. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the Auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The Auctioneer normally acts as agent only and disclaims any responsibility for default by seller or buyers. 13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.. 14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf ) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters
of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither the Auctioneer nor its employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 information to buyers”. Please note: Condition of items or other faults is not stated within the catalogue and items are sold strictly as seen. If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information. The cost of postage, packing, transport, and shipping is the responsibility of the buyer. The cost of postage, packing, transport, and shipping will not be refunded in any circumstance. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a Deliberate Forgery may be returned to us by you within 14 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a Deliberate Forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are notable to transfer a good and marketable title to us, you shall have no rights under this Condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions of any person. 17. (1). Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the Auctioneer as appropriate. (2). Such right and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the Auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.
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INFORMATION FOR BUYERS 1. Introduction. The following information notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As Auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. Buyer’s Premium. The buyer shall pay the Hammer Price together with a premium thereon of 22% +VAT (26.4% inclusive). VAT will be at the rate imposed by law. 5. ‘Subject to VAT’ indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the Hammer Price as well as being an element in the buyer’s premium. Items which are subject to VAT will be cleared marked within the catalogue text as well as being labelled in the saleroom. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the Hammer Price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the Hammer Price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and therefore, accept responsibility for inspecting and investigating lots in which they are interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the Auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the Auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstance lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 2 week time limit. (The expression ‘Deliberate Forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for the compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of threat character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help.
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9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission absentee bidding. Commission bids may be left with the Auctioneer indicating the maximum amount to be bid excluding buyer’s premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. The Auctioneer may at his/her own discretion on your behalf exceed your commission by one bid. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). Debit and Credit card payments where the card holder is not present will only be accepted for transactions up to £500. Credit Card payments may only be made using chip and pin up to £2,000. Please note we no longer take payments over the telephone, you can now pay through our website www.peterwilson.co.uk 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Items not removed within four days of the sale will be subject to a storage charge of £1.50 per item per day. 13. Postage and Shipping. Peter Wilson Fine Art Auctioneers Ltd do not provide a postage and packing service however we recommend the following company who deal with all postage, packing, and shipping for us: T.C. Couriers Nantwich, 3 Barker Street, Nantwich, Cheshire, CW5 5SY. Contact Tony Cartwright on +44 (0) 7746 216 322 or email tony69uk@gmail.com Mailboxes Etc., Peel House, 30 The Downs, Altrincham, WA14 2PX. Contact Alex Pye or Palanivel Kandaswamy on Tel: +44 (0) 161 233 0500, Fax: +44(0) 161 233 0400 Email: info@mbealtrincham.co.uk Website: www.mbealtrincham.co.uk 14. ‘The Artists Resale Right’ From mid – February 2006 living artists are entitled to receive a resale royalty each time their art work is bought or sold by an art market professional. However, from 1 January 2012, the Right will be extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. This new law has been introduced in the UK following a European Directive. Art work must reach or exceed a certain value before it qualifies for the right. The qualifying threshold in the UK is 1000 euros which is approximately £850. The rates are calculated as a percentage of the sale price and are set out in a sliding scale from 4% to 0.25%. Portion of the sale price Royalty rate From 1000 to 50,000 euro 4% From 50,000.01 to 200,000 euro 3% This will be an extra charge upon the sum for which the art work is obtained, excluding V.A.T. For auctions this is regarded as the hammer price (excluding the buyers premium). For more information please see the Important Notice to Bidders posted in the salerooms or alternatively a full copy of ‘The Artists Resale Right Regulations 2006’ which is available on request.
Peter Wilson Fine Art Auctioneers Ltd Victoria Gallery Market Street Nantwich Cheshire CW5 5DG Telephone: +44 01270 623878 Fax: +44 01270 610508 Email: auctionspeterwilson.co.uk
www.peterwilson.co.uk